Pixel Scroll 1/29/24 I’m All Lost In The Pixel-Market, I Can No Longer Scroll Happily

(1) SIC SEMPER HEAVENLY TYRANT. [Item by Anne Marble.] Xiran Jay Zhao’s social media offers a window onto their problems with the publisher of their next book, Heavenly Tyrant. They began on January 24 with these messages:

Then today, Xiran Jay Zhao implied that their publisher threatened legal action over those X.com. posts

And later:

In response to some of these posts, horror & SFF writer Zachary Rosenberg suggested at this point, Xiran Jay Zhao should get a lawyer and stop posting to protect their interests.

The hardcover was published by Penguin Teen. (Wikipedia says that they signed with Penguin Teen Canada. I’m not sure if they had a separate U.S. edition.) The paperback is published by Tundra Books, an imprint of Tundra Book Group, which is part of Penguin Random House of Canada Limited. The author lives in Canada.

(2) LUKYANENKO ENDORSES PUTIN. Well, what else did you think the Chengdu Worldcon’s absent guest of honor was going to do? “Писатель Сергей Лукьяненко поддержал решение Владимира Путина участвовать в выборах” at Звездный Бульвар (Star Boulevard) — “Writer Sergei Lukyanenko supported Vladimir Putin’s decision to participate in the elections”.

The collection of signatures in support of Vladimir Putin’s participation in the presidential elections continues in Moscow. The famous Russian science fiction writer Sergei Lukyanenko spoke about his support for the candidacy of the current president in Moscow today in a conversation with journalists from the Moscow News Agency.

“I support Vladimir Putin’s decision (to nominate his candidacy for the presidency). I think that the changes in the country are visible to everyone who has lived at least more than 20 years,” he said….

(3) DON’T SAY WORLDCON. This odd phenomenon in Chinese social media was reported earlier today. Later it was learned the ban only affected one group.

(4) FURRY CON STAFF UPRISING. [Item by Patch P.] There’s turbulent convention organizing, and then there’s having staff resign in protest to force a leadership change: “Grassroots action: Leadership changes and weeding out hate at Garden State Fur The Weekend”. Dogpatch Press has the full story, which begins —

Garden State Fur The Weekend is an upcoming furry convention set for May 3-5, 2024 in New Brunswick, New Jersey. With their launch only months away, something unusual happened. GSFTW posted an official statement about opposing hate and Nazi-fur groups….

It was followed by an announcement of the con chair stepping down and a new one stepping up. It blames medical issues of the ex-chair, Dashing Fox. Dogpatch Press wishes good health to him. The story could end there, but unofficially, the change was forced by staff resignations. You’re seeing the aftermath of revolt behind the scenes, then getting back on track for launch. Yes, they stood up with the power of collective will to change the leadership for the better….

…Let’s not beat around the bush about why staff resigned to uproot the ex-chair: He actively associated with the Furry Raiders. They are a nazifur group who wither everything they touch. Their ties to alt-right hate groups and criminal schemes could fill a book….

(5) RABBIT TESTERS. Michael Grossberg opens a discussion of “Rabbit Test: Samantha Mill’s story, which swept this past year’s sf awards, has been hailed as libertarian (But that depends on your view of its central issue.)” on the Libertarian Futurist Society’s Prometheus Blog. One learns from his post there are people who classify themselves as Libertarians and do not agree with a woman’s freedom to choose to have an abortion. However, the post doesn’t explain whether that is on religious grounds, or why.

…That story is “Rabbit Test,” by Samantha Mills.

According to at least one veteran libertarian sf fan, Mill’s story fits the distinctive focus of the Prometheus Award.

“The well-written story has a strong individual-liberty theme,” said Fred Moulton, a now-retired former LFS leader and Prometheus judge.

But does it?…

…That’s been a hot-button issue even within the libertarian movement. Since libertarianism began to be popular in the 1960s and 1970s, most libertarians have supported a woman’s right to abortion (perhaps influenced partly by Ayn Rand, whose novels and essays helped spark the modern movement).

Yet, some libertarians have always disagreed, even while being consistently “pro-choice” on everything else that doesn’t violate the basic libertarian principles of non-aggression….

(6) GASTRONOMICAL AND OTHER BALONEY. In “Around the World in Eighty Lies”, The Walrus reveals an Atlas Obscura contributor’s mystifying pattern of fabricated facts.

THE STORY WAS CHARMING: a short article about soups, continually replenished for decades, secreted in jars across oceans. The soups, according to one source, were “older than Taylor Swift.” I devoured the article, published in December 2022 on Atlas Obscura, an online publication billed as “best-in-class journalism about hidden places, incredible history, scientific marvels, and gastronomical wonders,” and texted it to a few soup-obsessed friends. Then I forgot about it for months until the weather turned chilly and I pulled up the link again, only to notice the article had changed. An italicized editor’s note had been added to the top, which began: “This article has been retracted as it does not meet Atlas Obscura’s editorial standards.” The note went on to state that multiple details and interviews had been fabricated.

Intrigued, I did a Google search for the author, Blair Mastbaum. His social media profiles and Wikipedia page suggested an American writer in his mid-forties, very active on Instagram, where he posted captionless photos of his travels in Europe. Mastbaum had written ten other articles for Atlas Obscura, eight of which, it turned out, had similar retractions. Topics ranged widely: acoustic archeology, Hawaiian cultural appropriation, an obscure dialect of sign language. Mastbaum’s first retracted story had been published in January 2022; the last one more than a year later….

(7) ONE THUMB UP. [Item by Steven French.] For folks in Chicago, a “Science on Screen” series that includes Godzilla, Don’t Look Up, Contagio and War Games at Siskel Film Center from February 9-12.

It’s the end of the world as we know it…and, if we’re being honest, we could use some help in feeling fine. From pandemics to nuclear war, from planet-pulverizing meteors to a city-smashing monster, these films explore all the ways we’re risking destruction. Watch the films with experts from the Bulletin of the Atomic Scientists, keepers of the Doomsday Clock, to discuss the end times—and how we can avoid them. Presented in partnership with the University of Chicago Existential Risk Laboratory, the Japanese Cultural Center (JCC), and the DePaul Humanities Center. Additional speakers to be added.

(8) WHAT WHO’S FIGURES WERE. [Item by SF Concatenation’s Jonathan Cowie.] This month’s SFX magazine has the final low-down on Britain’s Doctor Who viewing figures which now includes 7-day catch-up views. (Remember, for comparison the US has five times the population of the UK.)

First up, The Goblin Song by Murray Gold reach number one on the iTunes chart on the day of its release and no12 in the official single sales chart that week and number six on the official singles download chart and number four on the official top 40.

Doctor Who ‘The Star Beast’ consolidated at 9.5 million viewers including catch-up. Overnights for ‘Wild Blue Yonder’ were 4.83 million with 7.14 million adding in 7-day catch-ups. ‘The Giggle’ obtained 4.62 million overnight and 6.85 million with 7-day catch-ups added in.  ‘The Church on Ruby Road’ was the most watched scripted show (which excludes things like the King’s address to the nation) on Christmas day with 4.73 million viewers which increases to 7.49 million with 7-day catch-ups added in.

(9) BRIAN LUMLEY (1937-2024). Horror Writers Association Lifetime Achievement Award winner Brian Lumley died January 2 his website has reported. He came to prominence in the 1970s writing in the Cthulhu Mythos featuring the new character Titus Crow, and in the 1980s began the best-selling Necroscope series, initially centered on character Harry Keogh, who can communicate with the spirits of the dead. His other series included The Primal Lands, Hero of Dreams, and Psychomech. He wrote around 60 books and many works of short fiction.

Lumley also had a 22-year career as a Royal Military Policeman. He is survived by his wife, Barbara Ann (Silky) Lumley, his daughter Julie and many grandchildren and great grandchildren.

Brian Lumley at 1992 World Horror Con. Photo by and (c) Andrew Porter.

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born January 29, 1958 Jeph Loeb, 66. It’s not likely that you’ve heard of Jeph Loeb but you’ll definitely have heard of the work he first did as a comics writer and later film writer/producer. So let’s get started.

Loeb, a four-time Eisner Award winner, started out as comic writer, with his first work being on Challengers of the Unknown with Tim Sale.  Loved that series! 

They notably would somewhat later do Batman: Legends of the Dark Knight and Batman: The Long Halloween. The latter you’ll no doubt recognize. The former is a collection of really interesting stories. It is available from the usual suspects. 

Jeph Loeb

(As always I’m not listing everything, just what I’m interested in.)

They did a really great Catwoman series, Catwoman: When in Rome. I’ll do no spoilers as it’s a six-issue story extraordinary told. If you’ve got lots of money to spare, the absolute edition is, well, absolutely amazing.

At the end of the Nineties, he started a nearly three-year run on Superman with Ed McGuinness largely being the artist. It ended with the rather amazing Emperor Joker storyline. 

Of course this being the two major comic producers, Loeb and McGuinness soon got another a series going, Superman/Batman, and that in turn led to a new ongoing Supergirl series.

Now Marvel. 

He destroyed his hometown of Stamford, Connecticut in the first issue of the Civil War series. Oh poor Stamford.

His Fallen Son: The Death of Captain America series got coverage by the Associated Press and The Washington Post. Impressive. 

Film scripts he has, oh yes.

With Matthew Weisman,  he wrote the script for Teen Wolf, you might recognize for having a major role for Michael J. Fox. Completely different in tone was his next script with Weisman, Commando, the Arnold Schwarzenegger vehicle. And he did Teen Wolf Two as well, this time with Weisman and Tim Kring.

Somewhere in the vaults of Warner Bros is his Flash film script.  Now that would really interesting to read, wouldn’t it?

He wrote a script for an episode of Smallville, after which he became a supervising producer and has written many episodes since then. He had a three year contract extension to stay on the series but left when his son developed cancer. (The son sadly passed away.)

He was writer/producer on Lost during its second season. After leaving Lost, he was co-executive producer and writer on Heroes. Tim Sale’s art was prominently featured. 

Thirteen years ago, Marvel Entertainment appointed him to the position of Executive Vice President, Head of Television of its new Marvel Television. If you’ve watched a Marvel series since then be it Agent Carter or Marvel’s Agents of S.H.I.E.L.D., he’s listed as executive producer.

He left Marvel five years ago. 

(11) COMICS SECTION.

  • Loose Parts has its own peculiar idea about saving the Earth.
  • Candorville has a debate about whether to waste words on a genre topic.

(12) REINVENTING THE WHEEL, ER, GRID? “14 Years Later, a Classic Sci-Fi Franchise Is About to Take its Biggest Risk Yet” claims Inverse.

It’s time to get back on the grid. As of now, the third film in the Tron franchise — titled Tron: Ares, but styled as Tr3N — is officially filming. Fourteen years after the second film, Tron: Legacy, and 42 years after the 1982 classicTron will finally become the weirdest sci-fi trilogy of all time.

How should Tron-heads feel about all this? Will Tr3N fix everything or destroy all programs, now and forever? At this point, it feels like Tr3N will either be great or terrible, with no room for a middle ground. Here’s why….

… Whether the movie is great or horrible, the third Tron movie will have to tackle the paradox of Tron’s essential weirdness. As a concept, Tron was both ahead of its time and terribly shortsighted. In the first film, we got an entire virtual world populated by living, sentient Programs, who manifest as people; imagine The Matrix, but most characters are Agent Smith.

Because it came out in 1982, Tron used arcade game logic to imagine this alternate digital realm, which gave the film its beautifully minimalistic aesthetic. However, this vibe also made “The Grid” seem small and empty compared to the kinds of virtual worlds that have existed in science fiction ever since.

The limitations of Tron’s world-building were so obvious that Tron: Legacy explicitly states Kevin Flynn created a bigger and better second version of the Grid. Still, this Grid feels limited in the same way the first one did, simply because the world-building feels contingent on the real world mattering more than the Grid. The paradox at the heart of Tron is the struggle to make a virtual world matter more than the real world….

(13) BOMBS AWAY. “Dr Strangelove at 60: is this still the greatest big-screen satire?” asks the Guardian.

…The message of Fail Safe: human beings are fallible. The message of Dr Strangelove: human beings are idiots.

On balance, Kubrick’s message is more persuasive. Dr Strangelove remains the greatest of movie satires for a host of reasons, not least that it hews so closely to the real-life absurdities of the cold war, with two saber-rattling superpowers escalating an arms race that could only end in mutual annihilation. There’s absolutely no question, for example, that the top military and political brass have gamed out the catastrophic loss of life in a nuclear conflict, just as they do in the war room here. Perhaps they would even nod sagely at the distinction between 20 million people dead v 150 million people dead. All Kubrick and his co-writers, Terry Southern and Peter George, have to add is a wry punchline: “I’m not saying we wouldn’t get our hair mussed.”…

(14) SLIM NOT-SO-SHADY. [Item by Mike Kennedy.] When it first landed on the Moon a week or so ago, JAXA’s (Japan Aerospace Exploration Agency) first ever Moon lander was unable to generate solar power and quickly lost energy from the battery. Now, however, it appears that the solar panel was misoriented and SLIM (Smart Lander for Investigating Moon) is back online. “Japan’s SLIM probe regains power more than a week after moon landing” reports Reuters.

… SLIM lost the thrust of one of its two main engines shortly before the touchdown for unknown reasons and ended up drifting a few dozen metres away from the target. The lander safely stopped on a gentle slope but appeared toppled with an engine facing upward in a picture taken by a baseball-sized wheeled rover it deployed.

The probe’s solar panels faced westward due to the displacement and could not immediately generate power. JAXA manually unplugged SLIM’s dying battery 2 hours and 37 minutes after the touchdown as it completed the transmission of the lander’s data to the earth.

JAXA does not have a clear date when SLIM will end its operation on the moon, but the agency has previously said the lander was not designed to survive a lunar night. The next lunar night begins on Thursday.

(15) DON’TCHA JUST LOVE DYSTOPIAS….? [Item by SF Concatenation’s Jonathan Cowie.] Dystopias are great (provided you just read about them and not begin to live in them as we now seem we are about to….) Moid over at Media Death Cult has a dive into dystopic fiction.

(16) VIDEO OF THE DAY. “Barbie with a Cat” is a parody of the movie with Owlkitty.

[Thanks to Steven French, Mike Kennedy, Andrew Porter, Anne Marble, Daniel Dern, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Xtifr.]

Pixel Scroll 12/11/23 Pixelmancer

(1) BOTTOM FALLS OUT OF THE CORRAIN MARKET. Cait Corrain, a debut author who was on Goodreads dropping one-star reviews on several others’ debut novels (see Pixel Scroll 12/7/23 item #1 and Pixel Scroll 12/8/23 item #4) has lost her agent, her publisher has pulled the book, and Ilumicrate has dropped her book from the upcoming crate.

The story even made NBC News today: “Author Cait Corrain loses book deal after accusations of review bombing on Goodreads”.

A first-time author has been dropped by her U.S. publisher and her agent after readers and fellow authors accused her of posting fake negative reviews to a popular book recommendation website.

Many within the book community last week appeared to publicly turn against Cait Corrain, the author of the coming sci-fi fantasy novel “Crown of Starlight,” after allegations surfaced that she made fake accounts on the Amazon-owned book review platform Goodreads to post negative user reviews online about fellow authors — a practice known as review-bombing….

(2) WORLDCONS AND HUMAN RIGHTS. Amazing Stories’ Steve Davidson has interviewed the writer of “Worldconned: How China Co-Opted Sci-Fi’s Crown Jewel Amidst the Uyghur Genocide”, recently linked in the Scroll: “Human Rights & Worldcon: An Interview with Danielle Ranucci of the Human Rights Foundation”.

ASM:  In moving forward, do you think that WSFS and its members should be taking a host country’s politics and human rights into consideration when accepting bids for host countries?

D.R.: It’s essential for WSFS and its members to take a host country’s politics and human rights into consideration when accepting bids. There are many reasons for this. First, self-protection. How safe would it be for an attending member to publicly criticize China for its genocide at the 2023 Worldcon? For reference, when China hosted the 2022 Olympics, it warned Olympic athletes not to criticize the regime or they would face consequences. Given how China had handled protestors during the 2008 Beijing Olympics, the consequences for speaking out against the regime are all too evident: intimidation, arrests, and killings.

It would be downright perilous for anyone to criticize China while at Worldcon. Now, I doubt that state repression is a common conversation topic at Worldcon, but the extreme danger that members would face for even broaching this topic means that they are never truly secure. For every second they spend in a dictatorship like China, their safety is always jeopardized. Clearly, it is unconscionable to ignore a country’s human rights record and so jeopardize the safety of attending members in this way.

Considering human rights also helps protect Worldcon from being twisted into a tool of totalitarian repression. Hosting events like Worldcon helps dictatorships distract from, and legitimize, ongoing repression. I wrote about the effect such reputation-laundering has on outside countries, but it also has an important effect on those living within the dictatorship: It isolates them. Americans praise China’s futuristic-looking sci-fi museum while Chinese citizens can’t even find employment. Yet their lived experiences become invalidated. Their reality is made unimportant. And for people being persecuted by the regime, to diminish their suffering in this way is to forsake them. In a sense, it’s to render their pasts, presents, and futures meaningless….

(3) A CONFEDERATE HELICOPTER? An Alabama inventor tried to design a helicopter for military use during the Civil War. What could be steampunk-ier than that? “Helicopters During the Civil War? Almost” at Historynet.

…What if Confederates had invented a helicopter capable of dropping bombs?

It came closer to happening than many people realize. An innovative inventor in Alabama saw the potential for such an aircraft and actually drew up plans for how it might fly. Those drawings are preserved today in the archives of the National Air and Space Museum at the Smithsonian Institution in Washington, D.C.

By January 20, 1862, Union ships had managed to prevent most vessels from entering or leaving the major Confederate port of Mobile Bay. While certainly not a complete cordon, the blockade cut off delivery of supplies and, more important, the export of cotton to other nations—a much-needed source of income for the Southern war effort.

William C. Powers believed he had the answer to breaking the blockade: a motorized airship capable of bombing the Northern fleet. Known today as the Confederate helicopter, his idea offered a revolutionary look at solving a bothersome military problem….

…And to many historians as well. Powers’ plans and a small-scale model he built were donated by his family to the Smithsonian Institution in 1941. Since then, researchers and aeronautical engineers have pored over his design to determine the scope and feasibility of his idea….

(4) GETTING IT RIGHT AND GETTING IT WRONG. [Item by SF Concatenation’s Jonathan Cowie.] This weekend’s Infinite Monkey Cage on BBC Radio 4 looked at the depiction of space in SF film compared to reality.

Infinite Monkey Cage is a light-hearted look at science co-hosted by a comedian and a physicist (other sciences are available). This week they were accompanied by an Oscar winning SFX person and three astronauts.

There was much covered during the course of the show including how one aspect of space craft SFX they deliberately got wrong for Interstellar because it looked right.  And in Gravity Sandra Bullock would not have worn those undies as nappies are the order of the day…You can listen to the 25-minute programme here.

Brian Cox and Robin Ince put Hollywood under the microscope to unpick the science fact versus science fiction of some of the biggest movies set in space. They are joined by a truly out of this world panel of space experts including astronauts Tim Peake, Nicole Stott and Susan Kilrain alongside Oscar winning Special FX director Paul Franklin, whose movies include Interstellar and First Man. Tim, Nicole and Susan fact check how space travel and astronauts are portrayed in movies such as Gravity and The Martian, whilst Brian and Robin argue about Robin’s lack of enthusiasm for Star Wars. They look back at some of the greatest Space movies including Alien and 2001 A Space Odyssey and ask whether some fictional aspects of these blockbusters may not be so far from our future reality?

(5) BLACKLOCK Q&A. The Arthur C. Clarke Award blog has a piece about “The Nonfiction of J.G. Ballard: An interview with editor Mark Blacklock” at Medium. Blacklock’s new book is The Selected Nonfiction of J. G. Ballard.

MARK: … Once it was all gathered, my first instinct was to include everything, but wiser counsel prevailed: it would have been unmanageable. I made sure to include anything significant that had been ignored for A User’s Guide or turned up since — the Introduction to the French Edition of Crash, for example, which I think he felt was not for a general audience; all the commentaries on his own work that had appeared in forewords and introductory glosses; and a sample of the reviews he wrote for Chemistry & Industry at the start of his career. I cut the number of book reviews that make up the majority of A User’s Guide too, in favour of showing a greater range of his work — the lists and glossaries, the “capsule commentaries.” The major decisions then were over which of the book reviews to include, because he was so prolific as a reviewer. I have about 30 of some 180. I printed them all off, read them several times and gave them all star ratings and then selected from the top-starred for a representative range across dates and publications. This felt like quite a heavy responsibility, but all the reviews are included in the bibliography so geeks like us can go and find those that aren’t in the book….  

(6) CHENGDU WORLDCON COVERAGE CONTINUES. [Item by Ersatz Culture.] There have been several con reports and related news items since the last update in a Scroll; the following are a fairly arbitrary selection of recent and older items, with more to follow at some point.

Sylvia Hildr con report

This is a unique – I think – report, in that it’s written in English by a Chinese person.  Given that this report isn’t subject to the vagaries of machine translation, I’ll just include a short extract here

Did I have a good time? Well, I met with fans and writers who share the same deep passion for science fiction and it was fascinating experiences. I learned of lots of sci-fi magazines and databases where organizers put their best efforts to make it easier for Chinese fans to open their eyes. I will always cherish these memories. But, the difficulties that these people had to overcome truly blew my mind. Not a single conversation could end without any reasonable complaints. I could not take the stance for them but as I checked WeChat groups and Moments, or talked with friends, the situation was the same.

Hugo finalist Yang Feng receives WSJ magazine award

On Saturday, Best Editor (Short Form) and Best Related Work Hugo finalist Yang Feng received an award from the Chinese edition of the Wall Street Journal magazine; relevant Weibo posts are herehere and here.  I’m not sure exactly what relevance is of the guy with the shamisen-esque stringed instrument, but traditional music seems to have been a running theme of the awards ceremony.

I don’t think this is directly Worldcon/Hugo related, as the award seems to have been for business innovation, so it was possibly more due to her being CEO of the 8 Light Minutes publishing company?

Chengdu kids write about their Worldcon experiences

In early November, Character Weekly – which seems to be a magazine aimed at a young audience – published several short write-ups and photos (alternative link) from Chengdu children documenting their thoughts about attending the Worldcon.  A couple of examples (via Google Translate, with manual edits):

I felt very honored to visit the World Science Fiction Convention that was held in Chengdu. In the science fiction museum, I communicated with an intelligent robot dog, walked through a fantasy universe, and saw various science fiction works that I had never heard of before. I was particularly fortunate to have a brief exchange, and to take a photo with, Mr. Ben Yalow, Chairman of the Worldcon. Through this event, I truly felt the infinite imagination of human beings and the charm of science fiction.

_________________

A few days ago, my mother and I participated in the 81st World Science Fiction Conference held in my hometown of Chengdu. In the Chengdu Science Fiction Museum, which is like a vast nebula, we experienced The Wandering Earth, Benben [the giant robot/vehicle structure], Kemeng [aka Kormo, the mascot), and the Hugo Awards with science fiction fans from all over the world, wonderful lectures by science fiction celebrities, etc., I also collected a book full of autographs, and took photos next to the beautiful Hugo Hall. This is the closest experience I have to science fiction, and I hope that one day I can do follow the same path, winning the Hugo Award for writing good science fiction works.  I will meet the future with my scientific dreams.

Lukyanenko ends China tour

This Weibo post from his Chinese publisher covers the final event in Shanghai on Sunday 10th.

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born December 11, 1959 M. Rickert, 64. Tonight’s Birthday is that of M. Rickert who I must say never disappoints me. I loved her writing ever since I read her very first short story nearly a quarter of a century ago, “The Girl Who Ate Butterflies”. It’s certainly a wonderful story. 

I’d say that two-thirds of her nearly fifty pieces of short fiction were published in The Magazine of Fantasy & Science Fiction. Very impressive indeed. Some picked up well deserved awards— “Journey into the Kingdom” won a World Fantasy Award, and “The Corpse Painter’s Masterpiece” a Shirley Jackson Award.  Many more were nominated for Awards. 

There are three collections of her short fictions, both well worth your time on these cold nights. The first, Map of Dreams, covers a wide spread of her stories, and won a World Fantasy Award and the Crawford Award. The “Map of Dreams” novella herein was also nominated for a World Fantasy Award.  

The second, Holiday, showing how prolific she is as a short fiction writer as it is filled with just stories from 2006 and 2007. You can find “Journey into the Kingdom” here. 

The third, You Have Never Been Here: New and Selected Stories, to a certain extent is less necessary than the first two as a large part of it is already in the first two. If you’re a fan of hers, by all means pick it up.

Now her novels, her interesting novels. Both are very impressive with my favorite being The Memory Garden which sort of tangentially reminds me of McKillip’s The Solstice Wood in tone if not story.  I’ll say The Shipbuilder of Bellfairie is one quirky novel. Really quirky novel. Not quite what to make of it. 

Since this is the Christmas season, I should note her “Lucky Girl: How I Became a Horror Writer” is a Krampus story. It’s available as an actual paperback book or an epub. 

(8) SPIRIT OF THE SEASON. Bobby Derie looks at what remains of Lovecraft’s Christmas verses to his correspondents: “Her Letters To Lovecraft: Christmas Greetings” at Deep Cuts in a Lovecraftian Vein.

H. P. Lovecraft spent most of his adult life in genteel poverty, slowly diminishing the modest inheritance that had come down to him from his parents and grandparents. He had no cash to spare on expensive gifts for his many friends and loved ones. So Lovecraft was generous with what he had—time, energy, and creativity. While not religious or given to mawkish displays, when it came to Christmas, Lovecraft poured his time and energies into writing small verses to his many correspondents, a body of poems collectively known as his “Christmas Greetings.”…

… In looking at Lovecraft’s Christmas Greetings to his women correspondents, we catch a glimpse at Lovecraft’s thoughtfulness. Their response, unfortunately, is often lost to us; though some few of them certainly responded in kind. We know Elizabeth Toldridge, for example, wrote her own Christmas poems to Lovecraft, because at least one survives….

(9) RAYMOND CHANDLER POEM REVEALED. Apparently located in the Bodleian, it may be a poetic response to the loss of his wife: “’A moment after death when the face is beautiful’: rare Raymond Chandler poem discovered by US editor”, a news item in the Guardian.

… Published on Monday in the 25th-anniversary issue of the Strand magazine, the poem, titled Requiem, dates back to 1955 and was discovered by the magazine’s managing editor, Andrew Gulli….

Grappling with loss, grief and what it describes as the “long innocence of love”, Requiem opens with: “There is a moment after death when the face is beautiful / When the soft, tired eyes are closed and the pain is over.”

For two stanzas, Requiem describes the moments after death when the “long innocence of love comes gently in / For a moment more, in quiet to hover”, as well as the fading of “bright clothes” and a “lost dream”. It adds that “silver bottles”, “three long hairs in a brush” and “fresh plump pillows / On which no head will lie/ Are all that is left of the long, wild dream”….

(10) MAKING A LIST AND CHECKING IT TWICE. “Big Bang observatory tops wish list for big US physics projects” reports Nature.

The United States should fund proposed projects to dramatically scale up its efforts in five areas of high-energy physics, an influential panel of scientists has concluded.

Topping the ranking is the Cosmic Microwave Background–Stage 4 project, or CMB-S4, which is envisioned as an array of 12 radio telescopes split between Chile’s Atacama Desert and the South Pole. It is designed to look for indirect evidence of physical processes in the instants after the Big Bang — processes that have been mostly speculative so far.

The other four priorities are experiments to study the elementary particles called neutrinos, both coming from space and made in the laboratory; the largest-ever dark-matter detector; and strong US participation in a future overseas particle collider to study the Higgs boson.

An ad hoc group called the Particle Physics Project Prioritization Panel (P5) presented the recommendations on 7 December. The committee, which is convened roughly once a decade, was charged to make recommendations for the two main US agencies that fund research in high-energy physics, the Department of Energy (DoE) and the National Science Foundation (NSF)….

(11) VIDEO OF THE DAY. Mark me as one of Today’s 10,000. I just learned there’s a Roblox game based on the Hamilton musical. “Hamilton X Roblox”.

Enhanced battle, squad upgrades, and a new rebirth mode to keep the adventure going. Check out the newest Hamilton Roblox update now!

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Bruce D. Arthurs, Anne Marble, Steven French, Ersatz Culture, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Cubist.]

Pixel Scroll 12/8/23 The File Next Time

(1) BEEP-BEEP. Deadline says the Wile E. Coyote movie might yet escape the tax accounting black hole that the head of Warner Bros. shoved it into. “’Coyote vs. Acme’: Paramount Circling, Amazon Possible Contender For Movie”.

It’s not just Netflix that made a bid for Warner Bros.’ scrapped Coyote vs. AcmeParamount, Apple and Amazon have seen the movie as well. Of those, Paramount has made a bid, and the plus there is a potential theatrical release. The Melrose lot could use it on the 2024 release calendar. Debt-laden exhibitors would want it, too.

Meanwhile, Amazon is mulling, I’m told, with no formal bid made. First, it takes longer over there to conduct business and get decisions through the proper channels. I also hear that marketing execs are trying to get their heads around the picture (seriously — there’s a lot of action scenes in the movie and hysterical jokes that easily could be used in trailers. I’ve seen the movie. Look out for the Porky Pig pant-less joke)….

(2) DIAGRAM PRIZE.“Danger Sound Klaxon! picks up the Diagram Prize gong” as the “Oddest Book Title of the Year” announced The Bookseller today.

Sound the trumpets, folks, ring the bells and most importantly crank up that old-fashioned noisemaker that goes “a-rooo-gha” for Danger Sound Klaxon! The Horn That Changed History has blown away the competition to win the 45th The Bookseller Diagram Prize for Oddest Book Title of the Year.

The book, in which author Matthew F Jordan charts the “meteoric rise and eventual fall” of the klaxon automobile horn, never fell out of the love with Diagramistas: it garnered 53% of the ballot, the greatest share since the award went to a public vote in 2000, and joins Is Superman Circumcised? (2022), The Joy of Waterboiling (2018) and Cooking with Poo (2011) as the only winners to ever grab a full majority of votes.

There is something of a wholesomeness to this year’s winner as voters have turned away from the slightly naughty and/or scatological tone of recent winners such as the aforementioned Is Superman Circumcised?, plus 2020’s A Dog Pissing at the Edge of a Path: Animal Metaphors in Eastern Indonesian Society and 2019’s The Dirt Hole and its Variations. And there were certainly those kinds of options to choose from on the 2023 shortlist, but Dry Humping: A Guide to Dating, Relating, and Hooking Up Without the Booze was a distant second, while early bookies’ favourite I Fart in Your General Direction: Flatulence in Popular Culture barely caused a stink with voters….

(3) GOODREADS REVIEW BOMBING ANALYSIS. Anne Marble provided a friends link to her Medium post “The Latest Goodreads Review Bombing Scandal” about the controversy at the top of yesterday’s Scroll.

…Every bit of information appalled me. Not only was [Cait] Corrain (“allegedly”) hurting other debut authors — she was also accused of downvoting a book from the same publishing imprint as her upcoming book. And books by authors who were with the same literary agency.

Perhaps the worst revelation of all? Corrain was in chat groups with some of the affected authors. Those authors had to be wondering what they’d shared with her in private. Talk about betrayal!

One of the targeted authors, Black author Bethany Baptiste, kept getting harassed on social media over her posts on this scandal. Why are people targeting her and not Cait Corrain?…

(4) STICK TO THE FACTS. Xiran Jay Zhao today posted a trio of videos with their own roundup about the Corrain news story, which counters some of the claims made about this debacle by some articles. 

(5) WHEELS WITHIN WHEELS.. “A Cultural Critique of the Tesla Cybertruck” at Road and Track. This vehicle sounds tailor-made to drive through the World of Null-A

…In the four years since the initial announcement of the Cybertruck and its release, Musk has doubled down on these comments. He has called the Cybertruck “what Bladerunner would have driven” and “the finest in apocalypse technology”. Press videos released by Tesla show entire MP5 magazines emptied into the doors to drive home the body’s bulletproof nature. Musk’s emphasis that the Cybertruck is an “armored personnel carrier from the future” is likely driven by his belief that “the apocalypse could come along at any moment.”

While Musk is, to say the least, well-known for outlandish statements, he does seem to genuinely believe society is on the precipice of a collapse. Over the past decade during his Tesla-fueled rise to prominence, he’s repeatedly expressed concerns that killer robots will threaten humanity in the near future and called artificial intelligence “our biggest existential threat.” His more recent embrace of right-wing rhetoric seems to have only deepened this belief; during a recent trip to the U.S.-Mexico border, he stated that undocumented immigrants will cause “a collapse in social services,” and he believes that falling birthrates—caused, in his view, by birth control and abortion—are a “much bigger risk to civilization than global warming.”…

(6) AND THE WATER BUFFALO YOU RODE IN ON. Sergey Lukyanenko, now on a make-up trip after skipping the Chengdu Worldcon where he was a GoH, posted this photo taken in Beijing.

Sergey Lukyanenko in Beijing.

His appearances are being covered in Chinese social media. Ersatz Culture collected the following daily links. Click through and you should be able to request a computer translation. However, the dates in the translations are not always accurate – such as those with photos of an event dated four days from now.

= 2023-12-01 (Friday) =

https://weibo.com/6045346855/Nv6xbjqOM
https://weibo.com/5127624884/Nv7Omw5DD

= 2023-12-02 (Saturday) =

https://weibo.com/6045346855/NvhKUtInN

= 2023-12-03 (Sunday) =

https://weibo.com/6045346855/NvrI7Dnll

= 2023-12-04 (Monday) =

https://weibo.com/6045346855/NvCkMjFwz
https://weibo.com/6045346855/NvABLdeRJ
https://weibo.com/1649394251/NvxWndiGJ

= 2023-12-05 (Tuesday) =

https://weibo.com/6045346855/NvHA2uP5o
  (Refers to a Shanghai event on the 10th)
https://weibo.com/6386527089/NvGGb164f
  (Refers to an event on the 8th with Baoshu)
https://weibo.com/1951071703/NvH0h4fbB
  (About the previous day’s event at Sichuan University)

= 2023-12-06 =

Nothing?

= 2023-12-07 (Thursday) =

https://weibo.com/6045346855/Nw4F6wIcf
https://weibo.com/1649394251/Nw4uXBANo
https://weibo.com/1649394251/Nw3FpvNju
https://weibo.com/1649394251/Nw3yjyJBt
https://weibo.com/1649394251/Nw3qOAcTA
https://weibo.com/1649394251/Nw3e6lHHa
https://weibo.com/1649394251/Nw2Ql1lpX

= 2023-12-08 (Friday) =

(With Baoshu in Beijing)

https://weibo.com/6045346855/Nwe0rbH4j
https://weibo.com/1649394251/Nwd6toSk3
https://weibo.com/1649394251/NwcWUbR9Z
https://weibo.com/1649394251/NwcJFbue1
https://weibo.com/1649394251/NwblZhMfn

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born December 8, 1950 Rick Baker, 73. He won the Academy Award for Best Makeup a record seven times from a record eleven nominations, beginning when he won the first award given for An American Werewolf in London. It is one of my favorite horror films bar none. 

Rick Baker

The sequel, An American Werewolf in Paris, which until now I didn’t know existed, was not well received by either critics or fans. Audience reviewers at Rotten Tomatoes give it a seven, let me repeat that, a seven percent rating. 

So what else is he known for? Oh, I’m not listing everything but let’s look at some of his more extraordinary work.

One of his early gigs in the industry was on The Exorcist where he was an uncredited special effects assistant. That happened to him some early in his career as he’s uncredited as a special makeup effects artist on It’s Alive and uncredited as makeup effects on King Kong. More intriguing, he’s uncredited on The Empire Strikes Back even though he was credited on Star Wars. Interesting. 

I think his work on The Incredible Shrinking Woman where he is creator and designer of Sidney, the super-intelligent gorilla, as well as doing the makeup effects and being an actor in it is among his best ever. 

Starman. Oh one of my all-time films. He created and did the Starman transformation. May we give him a round of applause for that that feat?

Oh Beauty and The Beast. It was Baker who designed the stellar makeup that was Vincent. He was responsible for Perlman getting hired based on his previous experiences in prosthetics feeling he’d be a good fit for the role and fought hard for his casting.

I see he was special effects supervisor on the second Gremins films but not the first. 

Which that brings us to Men in Black, certainly we agree a career highly for him where he listed as special makeup effects and alien makeup effects. Cool indeed. 

I’ll finish with his work on Hellboy,  which I need not tell you I’ve watched so many times that I’m memorised it. And no, I’m not going to watch the new Hellboy film. 

(8) COMICS SECTION.

  • Hi and Lois is very educational, just not about the assigned lesson.

(9) HEIRS AND MARVEL AGREE. “Marvel Settles Fight Over Spider-Man, Doctor Strange Rights”The Hollywood Reporter says the battle is finished.

It looks like Marvel won’t be bringing its battle over the rights to Spider-Man and Doctor Strange into the new year. Attorneys for the company and the estate of Steve Ditko on Wednesday notified the court that they’ve reached an amicable settlement and expect a stipulation of dismissal with prejudice to be filed in the coming weeks.

This all started back in 2021, when Marvel filed a series of lawsuits in response to copyright termination notices from Larry Lieber and the estates of Gene Colan, Steve Ditko, Don Heck and Don Rico. A very long list of characters were at issue, including Iron Man, Captain America, Black Widow, Hulk and Thor. In June, all but one of the matters settled….

(10) TIMEY WIMEY PRESENTS. The Mary Sue has a list of “The Best ‘Doctor Who’ Gifts for Your Favorite Whovian”. Here’s what I need – and don’t forget to fill it with homebaked chocolate chip cookies!

TARDIS cookie jar

(11) AS WITNESSED FROM AUSTRALIA. Bruce Gillespie’s SF Commentary 114 is a free download in both portrait and landscape edition at eFanzines.

Covers by Dennis Callegari. Features Denis Callegari and Jim Burns on the possibilities of AI art; wakes for people much missed (Valma Brown, Lee Harding, and Jenny Bryce); and memories of Helena Binns, who left us recently, including her fannish autobiography. Rich Horton remembers Cordwainer Smith’s first story; C. June Wolf conducts the final interview with Michael G. Coney; and Kim Huett describes the unique problems of SF readers in Australia during World War II. Book reviews are by regular Colin Steele; and Anna Creer joins SFC with her Crime File.

If you missed out on No. 113, it also is at eFanzines.

(12) GENE-EDITING ANSWER FOR SICKLE CELL. “FDA approves first genetic treatments for sickle cell disease : Shots”NPR has the story.

…In a landmark decision, the Food and Drug Administration Friday approved the first gene-editing treatment to alleviate human illness.

The FDA approved two gene therapies for anyone 12 and older suffering from the most severe form of sickle cell disease, a brutal blood disorder that has long been neglected by medical research.

The decisions are being hailed as milestones for treating sickle cell and for the rapidly advancing field of gene therapy, which is stirring excitement for treatment of many diseases….

… For the CRISPR treatment, which was developed by Vertex Pharmaceuticals and CRISPR Therapeutics, both in Boston, doctors remove cells from each patient’s bone marrow, edit a gene with CRISPR and then infuse billions of the modified cells back into patients.

The edited cells produce a form of hemoglobin known as fetal hemoglobin, restoring normal function of red blood cells. While not a cure for the disease, the hope is the therapy, brand name Casgevy, is designed to be a one-time treatment that will alleviate symptoms for a lifetime.

In data presented to the FDA, the treatment resolved the severe pain crises for at least 18 months for 29 of the subjects — 96.7%. The treatment has produced similar results for patients suffering from a related condition known as beta thalassemia.

(13) THE TOP 10 MOVIES & TV SHOWS IN 2023. JustWatch finds this year’s movie streaming charts are dominated by titles available on Netflix and Disney+. Netflix secured rank #1 (The Super Mario Bros. Movie) and #2 (Spider-Man: Across the Spider-Verse) while Disney has the most original titles in the Top 10, including The Little Mermaid, Avatar: The Way of Water and Guardians of the Galaxy Vol. 3.

Interestingly, the three major streaming services (Netflix, Prime Video, Disney+) are not represented in the top 3 TV shows. Instead, this year’s podium belongs to MAX (The Last of Us), Peacock (Yellowstone) and AppleTV+ (Ted Lasso). [Based on a press release.]

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Daniel Dern, Anne Marble, Ersatz Culture, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Kip W.]

Pixel Scroll 12/3/23 Mount You-Could-Look-It-Up

(1) SMOFCON COMING TO SEATTLE. [Via Petréa Mitchell.] Last night Seattle won the right to host next year’s Smofcon, the international travelling con for people who run cons. It’ll be December 6-8 at the SeaTac Doubletree.

Attending memberships are $60 through sometime Tuesday. See more at the Smofcon 41 website.

(2) INDIE INK AWARDS. [Item by Dann.] The new Indie Ink Awards are trying to get off the ground.  

Traditionally published books do not corner the market on great works. Amazing works are produced by small press and self-published authors, and they often go unrecognized because their budgets for marketing are often smaller. So WriteHive, Inked in Gray Press, and Indie Story Geek joined together to celebrate great works of fiction published by small press and self-published authors, giving them the recognition they deserve.

There are 24 award categories with half being devoted to identitarian interests.  The remaining categories are for various facets of a book, but none are dedicated to just “best novel”.

M.V. Prindle was notified that his book, Bob the Wizard, was nominated in a handful of categories.

(3) LUKYANENKO IN CHENGDU UPDATES. [By Ersatz Culture.] As of Sunday 3rd, he has appeared at two more events.  The Saturday one is covered in this Weibo post.  I think that’s SF World editor and member of the Chengdu concom Yao Haijun sitting on the left of the panel.

The Sunday event also has a couple of Weibo posts, here and here.  He seems to be wearing a badge with the Worldcon panda logo on, although it’s not one I recall seeing from the event itself, so perhaps it’s unrelated?

Tomorrow (Monday 4th) he will be appearing at a university; this post lists an email address where people can send a question to him.

(4) EATING THE FANTASTIC. Scott Edelman invites listeners to snack on spanakopita with Neil Clarke in Episode 213 of the Eating the Fantastic podcast.

This time around you’re invited to dinner with Neil Clarke, who’s best known as the editor and publisher of the Hugo and World Fantasy Award-winning Clarkesworld magazine, launched in October 2006. Clarkesworld has been a finalist for the Hugo Award for Best Semiprozine four times (winning three times), the World Fantasy Award four times (winning once), and the British Fantasy Award once (winning once).

Neil Clarke

Neil himself is also an eleven-time finalist for the Hugo Award for Best Editor-Short Form (winning twice), three-time winner of the Chesley Award for Best Art Director, and recipient of the 2019 Kate Wilhelm Solstice Award from SFWA. In the seventeen years since Clarkesworld Magazine launched, stories that he’s edited have been nominated for or won the Hugo, Nebula, World Fantasy, Sturgeon, Locus, BSFA, Shirley Jackson, WSFA Small Press, Stoker, and various other awards.

He also edits Forever — a digital-only, reprint science fiction magazine launched in 2015. His anthologies include: UpgradedGalactic EmpiresTouchable UnrealityMore Human than HumanThe Final FrontierNot One of UsThe Eagle has Landed, and the Best Science Fiction of the Year series. His latest anthology, New Voices in Chinese Science Fiction (co-edited with Xia Jia — who was a guest of this podcast way back in Episode 50 — and Regina Kanyu Wang), was published in July.

We discussed how Clarkesworld was born (and what he wishes he’d known back when the magazine launched), the motivation behind his unrivaled response times, the irresponsible impact of AI on science fiction and what he’s doing to help ameliorate it, how he proactively analyzes submission data to make sure he receives stories from diverse voices, the differing effect of the pandemic lockdown on first time vs. established authors, why it’s hard for people to sell him a time travel story, his problems with Star Trek‘s transporter, the true meaning of rejections, why reading science fiction in translation is so important, Lester del Rey’s prophetic warning about the provincialism of U.S. fandom, and much more.

(5) PLAGIARISM. [Item by Andrew Porter.] First several minutes of the video concern Harlan Ellison and Ben Bova, and case they won: “Plagiarism and You(Tube)”. Via Sandra Bond.

What is plagiarism? Where did plagiarism come from? Who made plagiarism? Where am I, plagiarism? Can you help me?

(6) MARK SHEPPARD SURVIVES HEALTH EMERGENCY. [Item by Cat Eldridge.]He also was in Warehouse 13 as Regent Benedict Valda, in  Doctor Who’s  “The Impossible Astronaut” and “Day of the Moon” playing  Canton Everett Delaware III. “’Supernatural’ Star Mark Sheppard Survives Massive Heart Attacks” in Deadline.

Mark Sheppard, best known as “Crowley” on Supernatural, revealed on Instagram Saturday that he somehow survived six heart attacks.

“You’re not going to believe this! Was on my way to an appointment yesterday when I collapsed in my kitchen,” Sheppard began. The 59-year-old actor wrote that he had “six massive heart attacks” and was “brought back from [the] dead 4 times,” before learning that he “had a 100% blockage in my LAD” (left anterior descending artery.)”

Sheppard called the event “The Widowmaker,” and expressed his thanksto his medics….

(7) THINKING ABOUT ROME. “’The Boys’ Season 4 Trailer Is a Bloody Good Time” according to The Mary Sue.

The Boys teaser trailer gives us a glimpse of the chaos ahead. Two new female supes, Sister Sage and Firecracker, join the Seven to replace Starlight and Queen Maeve. It looks like much of the focus will be on the battle between Starlight and Homelander. Sister Sage tells Homelander to let the masses tear themselves apart over the supe war, then he can swoop in and save them. Since Homelander is probably one of those guys always thinking about Rome, he says he can be “just like Caesar.” Jeffrey Dean Morgan makes his first appearance in a suit while talking to Billy Butcher. There will be so much to unpack in the new season. Our most burning question: will The Deep find love with a new octopus?…

(8) FAN FAVORITE ENDS RUN. Radio Times tells us “Doctor Who’s Wild Blue Yonder marked Bernard Cribbins’ final appearance”. I don’t know if the following is a spoiler of any kind, so let’s be safe and post a spoiler warning anyway.

Doctor Who fans were delighted to see the late Bernard Cribbins reprise his role as Wilfred Mott, beloved grandfather of Donna Noble (Catherine Tate), in the episode Wild Blue Yonder.

Having escaped a terrifying adventure in space, the Doctor (David Tennant) and Donna shared an emotional reunion with Wilf, who then warned them of a new menace threatening the Earth.

Speaking on companion show Doctor Who Unleashed, showrunner Russell T Davies confirmed that Cribbins’ scene in the special would mark his final appearance as Wilf.

(9) KEEP HOPE FROM ESCAPING. [Item by Steven French.] Kim Stanley Robinson gets a shout out in a Guardian editorial in utopian fiction (!): “The Guardian view on utopias: news from nowhere can help us here and now”.

… But it would be nice to think that, at some point, dystopia’s sunnier other half – the cultural tradition that gave us Thomas More’s UtopiaNews from Nowhere by William Morris and the early feminist visions of Charlotte Perkins Gilman – might make a comeback…

…So, in our own time, does the climate fiction of Kim Stanley Robinson, which speculatively explores the social and economic transformations that could help humanity to cope with the consequences of the climate emergency.

The intimidating scale of contemporary crises, interrelated and ranging from the economic to the environmental, is today accompanied by a widespread conviction that prevailing orthodoxies are inadequate to the task of meeting them. A sense of the ominous defines the zeitgeist, running through the pages of books such as Rumaan Alam’s Leave the World Behind and Kazuo Ishiguro’s Klara and the Sun. Lynch’s portrayal of political darkness enveloping one unfortunate family mines the same seam, giving eloquent expression to what he describes as a “tragic perspective”. But at a time when societies could desperately do with some imaginative headroom, it would be uplifting to see a new generation of authors following in the footsteps of Morris and Robinson as well….

(10) SPEAK, MEMORY. Adweek says “Apple’s Film is a Hopeful Fable About Speech Accessibility”.

…The tech brand released “The Lost Voice,” directed by Oscar-winning filmmaker Taika Waititi and coinciding with International Day of Persons With Disabilities Dec. 3. The film unfolds as a narrated children’s story, with magical creatures and a journey through beautiful landscapes. 

The tale begins when a young girl meets a rabbit-like creature with white and pink fur. Curiously, she asks him, “Why are you so quiet?” and offers to help the animal find his voice. 

… At the end, it is revealed that the narrator is a dad with speech loss who is reading a bedtime story to his child using Apple’s latest accessibility feature, Personal Voice. 

The brand introduced Personal Voice on iOS 17 earlier this year. The feature uses secure on-device machine learning to sample and re-create people’s voices, helping those who lose their ability to speak due to conditions such as muscular dystrophy or motor neurone disease….

(11) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born December 3, 1958 Terri Windling, 65. I first encountered her writing through reading The Wood Wife, a truly extraordinary fantasy that deserved the Mythopoeic Award that it won. (The Hole in the Wall bar in it would be borrowed by Charles de Lint with her permission for a scene in his Medicine Road novel.) I like American edition with Susan Sedona Boulet art much better than I do the British edition with the Brian Froud art.

I would be very remiss not mention about her stellar work as the founding editor along with Ellen Datlow of what would be called The Year’s Best Fantasy and Horror after the first volume which was simply The Year’s Best Fantasy, that being noted for those of you who would doubt correct me for not footnoting it. It won three World Fantasy Awards and a Stoker as well.

They also splendidly edited a series of Snow White, Blood Red anthologies which were stories based on traditional folk tales. Lots of good stuff there. All available at the usual suspects now at very affordable prices. Like the Mythic Fiction series is excellent reading and available at usual suspects. 

Oh, and I want to single out The Armless Maiden which took on the difficult subject of child abuse. It garnered a much warranted Otherwise nomination.

Now let’s have a beer at the Dancing Ferret as I note her creation of the Bordertown series. I haven’t read all of it but I’ve quite a bit of it and one of the three novels written in it, Emma Bull’s Finder: A Novel: of The Borderlands, is one of my comfort works, so she gets credit for that. 

So now let’s move to an art credit for her. Some of you have seen the cover art for Another Way to Travel by Cats Laughing? That’s a hearse with the band posed in front of it. I’ve the original pen and ink art that she did here. 

Which brings me to the Old Oak Wood series which is penned by her and illustrated by Wendy Froud. Now Wikipedia and most of the reading world thinks that it consists of three lovely works — A Midsummer Night’s Faery TaleThe Winter Child and The Faeries of Spring Cottage

But there’s a story that Terri wrote that never got published anywhere but on Green Man. It’s an Excerpt from The Old Oak Chronicles: Interviews with Famous Personages by Professor Arnel Rootmuster. It’s a charming story, so go ahead and read it.

Terri Windling

(12) COMICS SECTION.

(13) DOGGONE IT. Marvel Mutts #1 launched December 1 on Marvel Unlimited in the exclusive Infinity Comic format.

Join Marvel’s Mightiest Mutts in their very own Infinity Comic! When Ms. Marvel and Kraven the Hunter crash through the Best Buds animal shelter, Kamala discovers an adorable ally and new best friend. 

This six-part series from creators Mackenzie CadenheadTakeshi Miyazawa, and Raúl Angulo is the latest drop from Infinity Comics’ “Friday Funnies,” the line of humor titles designed for fans of all ages. And in MARVEL MUTTS it all goes to the dogs: The pooches of the super-powered are now the stars of their own Marvel Unlimited-exclusive series, and they’ll get in all kinds of cute, cuddly, and (sometimes) mischievous adventures while they show newbie, Mittens, what it’s like to roll with a pack.

(14) STEELY MAN. “’Fallout’ series first-look images reveal Power Armor and Ghoul” and Entertainment Weekly has a photo.

Fallout stars Ella Purnell (Yellowjackets) as Lucy, an optimistic Vault Dweller with an all-American can-do spirit, whose idealistic nature is tested when people harm her loved ones. Kyle MacLachlan (Twin Peaks) plays Hank, the Overseer of Vault 33 and Lucy’s father, who is eager to change the world for the better. Aaron Moten plays Maximus, a young soldier hiding his tragic past as he serves in a militaristic faction called Brotherhood of Steel. He believes in the nobility of the Brotherhood’s mission to bring law and order to the Wasteland and will do anything to further their goals. Walton Goggins (The Righteous GemstonesJustified) stars as the Ghoul, a pragmatic and ruthless survivor who trawls the Wasteland as a bounty hunter. Irradiated Ghouls are one of the most recognizable elements of the Fallout franchise, and here, Goggins combines their iconic look with a Westworld-esque cowboy outfit….

(15) A COINCIDENCE. On the day that the Hugo final round voting statistics came out, Chris Barkley was delighted to see what was featured on NPR’s All Things Considered this afternoon: “Ranked choice voting is being touted as a cure-all for U.S. deep partisan divides”. Audio at the link; no text transcript.

(16) THE MULTIVERSE IS REAL! [Item by Mike Kennedy.] A bride-to-be went shopping for wedding dresses and had their photo taken with an iPhone. Each photo with modern phones is made using computational photography. Among other things, that means the device takes multiple exposures each time the shutter is pressed and tries to stitch together the best image using portions that are least blurry, etc.

The bride appears three times in the photo; once in “real life“ from the rear, and twice in front and side views in separate mirrors. Not knowing that those are the same person, the phone used different versions for each of them when performing the computation. The bride was moving their arms when the photo was snapped, so they appear to be in three different poses simultaneously.

Either that, or the Multiverse is real. “A bride discovers a reality bending mistake in her iPhone camera” at Apple Insider.

…A U.K. woman was photographed standing in a mirror where her reflections didn’t match, but not because of a glitch in the Matrix. Instead, it’s a simple iPhone computational photography mistake.

Thanks to technological advancements, photography has come a long way from flash bulbs and film. Every time the iPhone shutter button is clicked, billions of operations occur in an instant that results in a photo….

(17) RIGHT OF WAY. “Largest iceberg in the world, 40 miles wide, is now heading into the open ocean” reports NPR.

Ships plying the frigid waters near the Antarctic Peninsula, south of South America, will need to keep an eye on their radar for a floating island of ice: “The largest iceberg in the world, A-23a, is on the move into open ocean!” as the British Antarctic Survey recently announced.

“It’s a trillion tons of ice. So it’s hard to comprehend just how big a patch of ice this is,” Ted Scambos, a senior research scientist at the University of Colorado Boulder, told NPR.

Iceberg A23a measures 40 by 32 nautical miles, according to the U.S. National Ice Center. For comparison, Hawaii’s island of Oahu is 44 miles long and 30 miles across. And New York City’s Manhattan Island is about 13.4 miles long and spans around 2.3 miles at its widest point….

(18) VIDEO OF THE DAY. Via Geri Sullivan, “A Holiday to Remember”. Admittedly, it’s a 5-minute Chevy commercial. Say what you like, I’m finished crying anyway.

[Thanks to John King Tarpinian, Chris Barkley, Kevin Standlee, Ersatz Culture, Dann, Lise Andreasen, Steven French, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, and Andrew Porter, for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 12/1/23 Five Weeks In A Granfalloon

(1) WATERSTONES BOOK OF 2023. The Guardian reports, “Katherine Rundell wins Waterstones book of 2023 with ‘immediate classic’”.

Impossible Creatures by Katherine Rundell has been named the 2023 Waterstones book of the year.

The children’s novel, about a magical archipelago where all mythical creatures still reside, was voted for by booksellers as the book they most enjoyed recommending to readers over the past year.

Rundell said that she was “truly, utterly thrilled” on hearing the news. “I did not believe it until they showed me it in writing. I made my editor show me written-out proof.”

(2) AUTHORS SUE IOWA. NBC News has details as “Penguin Random House and bestselling authors sue Iowa over school book-banning law”.

The nation’s largest publisher and several bestselling authors, including novelists John Green and Jodi Picoult, are part of a lawsuit filed Thursday challenging Iowa’s new law that bans public school libraries and classrooms from having practically any book that depicts sexual activity….

…The law also bans books containing references to sexual orientation and gender identity for students through sixth grade, which the lawsuit says is a violation of the 14th Amendment’s equal protection clause.

The lawsuit seeks a court order declaring the law unconstitutional, Novack said, adding that government can’t violate free speech rights “by pretending that school grounds are constitutional no-fly zones.”

The lawsuit does not seek monetary damages….

…Asked for comment on the lawsuit, Reynold’s office referred to her statement issued earlier this week in response to a separate lawsuit by the American Civil Liberties Union and Lambda Legal on behalf of several families challenging the entirety of the new law. In that statement, Reynolds defended the law as “protecting children from pornography and sexually explicit content.”

Plaintiffs in the latest lawsuit took issue with that characterization, noting that among books that have been banned in Iowa schools are such critically acclaimed and classic works as “The Color Purple” by Alice Walker, “Native Son” by Richard Wright and “1984” by George Orwell, showing that under the law, “no great American novel can survive,” [said Dan Novack, an attorney for and vice president of Penguin Random House]….

(3) DAWN OF CYBERPUNK. The Mirrorshades anthology edited by Bruce Sterling (1986) is now available as a free download (or can be read at the link).

(4) IMAGINARY PAPERS. ASU’s Center for Science and the Imagination has published the sixteenth issue of Imaginary Papers, a quarterly newsletter on science fiction worldbuilding, futures thinking, and imagination. 

In this issue, David K. Seitz writes about “Sanctuary,” a 1993 episode of Star Trek: Deep Space Nine with timely insights about the abandonment and exclusion of refugees; Katherine Buse and Ranjodh Singh Dhaliwal write about the 2019 video game Hypnospace Outlaw and its alternate-history vision of the 1990s internet; and we share two recent academic publications by our colleague Malka Older, the sociologist and science fiction author.

The full archive of Imaginary Papers is available to read here.

(5) CHINA FANDOM. RiverFlow, a finalist for a 2023 Hugo Award for Best Fan Writer, is interviewed in “Students Are the Future of Science Fiction: A Conversation with RiverFlow by Arley Sorg” at Clarkesworld Magazine.

How did you get involved with the science fiction community?

…On July 23, 2020, I founded the sci-fi fanzine also called Zero Gravity. My hope is that Zero Gravity can let zero gravity sci-fi fans have access to more information, and that they can use this publication to combine the power of Chinese fans. (China has not had an official fanzine, so sci-fi fans did not have a centralized platform for expression.) Now those scattered, but high-quality, sci-fi review articles can be seen by more people. In 2023, we started contacting foreign writers and translating their introductions to the history of sci-fi in their own country as well!

(6) LUKYANENKO’S DECEMBER 1ST EVENTS IN CHENGDU. [Item by Ersatz Culture.] The Weibo account of publisher 8 Light Minutes posted this covering the Friday morning event where Lukyanenko visited a university.  I’m far from certain about this, but I think the guy sitting third from left in the photo of the audience is Chen Shi, aka Raistlin Chen, one of the Worldcon co-chairs.

The afternoon visit to the SF Museum was covered in this Weibo post, which seems to come from the media relations account for the Pidu district of Chengdu, and is a short video with minimal information.  If my recollection of the layout of the museum is correct, the opening shot shows that the big “Hugo Award” rocket mounted on the wall has now been removed.

(7) DOUBLING DOWN ON DOUBLING UP. [Item by Bruce D. Arthurs.] A comment on Blue Sky led to this amusing news piece about a legal motion to impose Microsoft Word standards (28 points) over regular standards (24 points) when double-spacing in legal documents.

Reminded me of the Formatting Foofaraws that regularly erupted in fanzine fandom and still do in writing circles. But this particular one used sixty-six pages of argument and citations in its motion, which feels excessive, even if it was a fannish foofaraw.

(Since this was filed by a law firm, cynical me suspects the legal profession’s “Maximize your billable hours” rule was in action here.) “Heated Litigation Fight Over ‘Double-Spacing’ Ends In Judge Telling Everyone To Shut Up” at Above the Law.

…The brief backs up the vagaries over time point by noting that Microsoft even expanded its spacing before the 2007 version release and that the company’s “double spacing” is not even consistent across fonts.

There’s not been a historical account of typography this thrilling since that Helvetica movie!

Not content to leave well enough alone, plaintiffs pile on with policy arguments for their interpretation of double spacing….

(8) READY FOR YOUR CLOSE-UP? In this 1966 commercial for Butter-Nut Coffee, viewers were enlisted to interact with Boris Karloff, delivering the subtitled lines. (Why are you trembling? Maybe you’ve already had too much caffeine…)

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born December 1, 1942 John Crowley, 81. What a splendiferous Little, Big is! Full of quiet charms that invite second and third readings. It won a Mythoepoeic Award and World Fantasy Award, and was nominated for a Hugo at Chicon IV. It also picked up Balrog, BSFA and Nebula nominations as well. Oh, and it deservedly makes David Pringle’s Modern Fantasy: The 100 Best Novels.

For a treat, you should listen to Crowley read it. He takes great pleasure in doing so. It’s available on Audible. 

John Crowley

Next up is the Ægypt cycle as it’s called that, huh, Harold Bloom declared part of American canon of books. I thought they were good but unlike Little, Big, I’ll freely admit that I’ve not gone back to them since the first reading of them. 

And there’s Lord Byron’s Novel: The Evening Land in which the author in loving detail envisions the novel the Lord Byron never penned but very well might have. An extraordinary work indeed. 

Finally my last novel that I like by him is Ka: Dar Oakley in the Ruin of Ymr. As Crowley says on his stellar site, “Dar Oakley, the main character and storyteller in the novel, is really a Crow.” It’s hard to bring off making a narrator that it’s animal feel like an animal but he does so it here. Fascinating tale indeed which also has a telling narrated by him. Crowley being his crow. Cool indeed. It won a Mythopoeic Award and garnered a World Fantasy Award nomination as well. 

I’ve not read enough short fiction by him to reach a firm opinion of him as a teller of tales at that length, so your opinion please as to which collection I should delve into. The newest one is And Go Like This: Stories. Will that do?

(10) COMICS SECTION.

  • Tom Gauld is not waiting.

(11) UYGHURS REMEMBERED. Danielle Ranucci, an sff writer and an intern at the Human Rights Foundation, “a nonprofit dedicated to combating dictatorial regimes”, has written an opinion piece “about how China has co-opted Worldcon to help avoid accountability for its ongoing Uyghur genocide.” “Worldconned: How China Co-Opted Sci-Fi’s Crown Jewel Amidst the Uyghur Genocide”. (Ranucci’s personal blog is “Lit In The Time Of War”.)

 Last month, Chengdu, China hosted the 81st World Science Fiction Convention. Known as Worldcon, this annual convention is the site of the prestigious Hugo Awards—sci-fi’s equivalent to the Oscars. Past Hugo winners include household names like George R.R. Martin and Stephen King. Yet as over 20,000 people flocked to Chengdu’s futuristic-looking Worldcon site, China was committing one of the largest genocides since the Holocaust.

China is detaining 2 million Uyghurs, Kazakhs, and other ethnic populations in concentration camps in the East Turkestan region. Meanwhile, the regime seeks to avoid accountability and improve its image through reputation laundering, such as taking advantage of voting irregularities to become the host of the prestigious Winter 2022 Olympics. Or to buy Worldcon….

(12) OPEN CHANNEL ZZZ. [Item by Daniel Dern.] Another “I’ll take $100 for ‘What could possibly go wrong…'” “Lucid Dream Startup Says Engineers Can Write Code In Their Sleep” at Slashdot.

People spend one-third of their lives asleep. What if employees could work during that time … in their dreams? Prophetic, a venture-backed startup founded earlier this year, wants to help workers do just that. Using a headpiece the company calls the “Halo,” Prophetic says consumers can induce a lucid dream state, which occurs when the person having a dream is aware they are sleeping. The goal is to give people control over their dreams, so they can use that time productively. A CEO could practice for an upcoming board meeting, an athlete could run through plays, a web designer could create new templates — “the limiting factor is your imagination,” founder and CEO Eric Wollberg told Fortune.

(13) RABBIT EARS. “’The Velveteen Rabbit’ Captures Holiday Nostalgia with Stylized Animation Mix” says Animation World Network.

VD: As a parent, I have to ask what makes a stuffed rabbit so captivating to a child? There have been numerous children’s stories featuring a young rabbit and my daughter has about 50 stuffed rabbits of her own that she can’t bear to part with. Why do these creatures mean so much to children and lend themselves so well to children’s storytelling?  

TB: Rabbits are wonderful, unthreatening animals with brilliantly expressive faces and ears. Maybe that’s what draws children to them. But we think what really captivates children is the imaginative idea that their toy rabbits, and other toys they may possess, are real, that they can come alive, and that toys feel emotions and understand the children themselves. Children feel the imaginative world is “real” and they know their toys understand that.

(14) IT’S ALWAYS SUNNY IN SPACE. From Giant Freakin Robot, “The Sci-Fi Star Trek Comedy Series From It’s Always Sunny Trio That Didn’t Happen, Watch The Only Episode”.

Boldly Going Nowhere, a proposed comedy science fiction series based on Star Trek ultimately went nowhere, but the original pilot episode can now be seen below. The series came from the showrunners, stars and co-creators of It’s Always Sunny In Philadelphia, Charlie Day, Glenn Howerton, and Rob McElhenney, with Adam Stein, who pitched the idea to the trio. Stein was a writer’s assistant on the series at the time…

[Thanks to Mike Kennedy, Andrew Porter, Steven French, John King Tarpinian, Orange Mike Lowrey, Joey Eschrich, Ersatz Culture, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 11/30/23 Too Much Pixel And No Scroll

(1) THE TIMES THEY ARE A’CHANGIN’. Gabino Iglesias is the new horror columnist for the New York Times. He told told readers on X.com, “It’s a dream come true. Can’t wait to bring you all the horror goodness starting in January. Long live horror.”

(2) LUKYANENKO EVENT AT WORLDCON VENUE. [Item by Ersatz Culture.] Sergey Lukyanenko will appear December 1 in an event at the Worldcon venue.

In the Friday 24th Scroll, it was mentioned that Sergey Lukyanenko would be making four appearances in Chengdu between December 1st and 4th.  Today (November 30th) I saw a Weibo announcement indicating there will be an additional event on December 1st; notably, this one takes place at the SF Museum that was the venue for the Worldcon.  I think this may be the first time that the museum has been used or open to the public since the con?

There was also a new Weixin/WeChat blog post from his publisher yesterday (Wednesday 29th); curiously this does not mention the event at the SF Museum.

(3) GOLDMAN FUND UPDATE. Dream Foundry reports that they were able to fully fund everyone who applied within the preferred window for the Con or Bust initiative to assist Palestinian creators and fans of speculative fiction in attending the 2024 World Science Fiction Convention.

They still have funds remaining for 2024 and will continue taking applications on a rolling basis. They say –

Don’t self reject! Anyone who is a citizen of Palestine or a member of the Palestinian diaspora qualifies and is encouraged to apply.

Applications for the 2025 Worldcon will open in summer of 2024.

(4) FURIOSA TRAILER. The first official trailer has dropped for Furiosa : A Mad Max Saga.

Anya Taylor-Joy and Chris Hemsworth star in Academy Award-winning mastermind George Miller’s “Furiosa: A Mad Max Saga,” the much-anticipated return to the iconic dystopian world he created more than 30 years ago with the seminal “Mad Max” films. Miller now turns the page again with an all-new original, standalone action adventure that will reveal the origins of the powerhouse character from the multiple Oscar-winning global smash “Mad Max: Fury Road.” The new feature from Warner Bros. Pictures and Village Roadshow Pictures is produced by Miller and his longtime partner, Oscar-nominated producer Doug Mitchell (“Mad Max: Fury Road,” “Babe”), under their Australian-based Kennedy Miller Mitchell banner. As the world fell, young Furiosa is snatched from the Green Place of Many Mothers and falls into the hands of a great Biker Horde led by the Warlord Dementus. Sweeping through the Wasteland, they come across the Citadel presided over by The Immortan Joe. While the two Tyrants war for dominance, Furiosa must survive many trials as she puts together the means to find her way home.

(5) A GOOD TONGUELASHING. “Adam Sandler’s ‘Leo’: A Crotchety Old Lizard Helping Kids Be Kids” at Animation World Network.

Hitting Netflix [on November 21] is Leo, a clever and charming coming-of-age animated musical comedy starring noted actor and comedian Adam Sandler as a curmudgeonly 74-year-old iguana, stuck living for decades in an elementary school class terrarium, who plots his escape – complete with an odd bucket list – after learning he only has one year to live. At the same time, he can’t help but offer friendly advice to a bunch of kids who each must take him home for a weekend, only to discover – and swear to keep secret – that he can talk…

… The idea for the film gestated with Sandler for eight years. “Basically, I had the idea of looking at an elementary school graduation, almost like in Grease, the kids’ last year of elementary school, and how you’re moving on to the big leagues after that,” he shares. “And me and my friend, Paul Sado, were working on that idea. And then I told Robert Smigel about it, and he said, ‘What about if you do it that year, but through the eyes of a class pet that’s been involved in that grade forever?’ And we got excited, and that’s when everything got flowing.”…

(6) PAGE-TURNER. Jay of Tar Vol On posted an extra-large magazine review this month, with thoughts on 35 different works of short SFF and a little bit of related non-fiction. “Tar Vol Reads a Magazine: November 2023”.

… the piece that inspired me to pick up this issue [of Asimov’s] in the first place: “Berb by Berb” by Ray Nayler. This story is connected to some of his other work that I haven’t yet read, but it makes an acceptable standalone, delivering a heartfelt tale of one person trying to do the best they can in a world that has gone to pieces around them. It’s a theme Nayler returns to often, and it makes for a good read every time. ..

(7) HOME IS THE SPACEMAN. Neil Clarke tells about his adventures at the Chengdu Worldcon in his Clarkesworld editorial, “This Would Have Been Longer”. He was impressed by how many children were at the con, and participated in the Hugo ceremony.

…Oh! That’s me up there with “little astronaut” after unexpectedly winning the Hugo Award for Best Editor Short Form. Those are two of the hosts of the event on the left and the gentleman on the right is convention Co-Chair Chen Shi, who presented the category. I actually had a speech written this time, but in the moment, I opted to abandon it and try to speak from what I was feeling instead. Probably not the brightest thing to do, but I wanted to say something to the kids watching now or later. I let them know that I was once like them and never believed that I would someday be up on this stage accepting an award I considered the domain of my childhood heroes. I told them that I hoped to be in the audience and watch them win one someday. I encouraged them to try, told them it wasn’t easy and that people might tell them it wasn’t possible . . . but it is.

After the ceremony, I was whisked off to do interviews. They had maybe two dozen reporters from a variety of outlets present and asking questions. It kept me from enjoying part of the after party with friends, but how often does a Hugo winner get that kind of attention? I understood and appreciated the novelty of it, and besides, they weren’t asking me about AI, so that’s progress, right?…

(8) YOU’VE HEARD HER WORK. [Item by Steven French.] “Jane Horrocks: ‘I’d love to be a baddie in a Tarantino movie’”, so she told the Guardian. Horrocks voices Babs, one of the chickens in Chicken Run and also starred with Anjelica Huston in Jim Henson’s film of Roald Dahl’s The Witches.

When did you discover you had an amazing voice? chargehand
From starting impersonations, really. My first impersonation was Julie Andrews when I got The Sound of Music album when I was nine. I fell in love with sounding like Julie. My mum and dad were massively into Shirley Bassey and I found I could impersonate her and Barbra Streisand. That’s when I started to realise that utilising my voice was going to be a good thing for me. It’s brought me a lot of pleasure, and I’ve made people laugh, which is great.

(9) NEW TO U.N.I.T. A disabled character is featured in the latest episode of Doctor Who. The actress discusses her role with Radio Times. Beware spoilers, maybe; I’m not sure.

“She is just so fun and feisty and ballsy – she’s just so much fun to play,” Doctor Who star Ruth Madeley says of her character Shirley Anne Bingham. “I’d love to be more like Shirley in my real life, I have got nowhere near that much cool in me!”

Madeley made her spectacular on-screen Doctor Who debut in The Star Beast as UNIT’s 56th scientific advisor. In the space of the 57-minute special, she got David Tennant’s Doctor out of some very sticky situations – and took absolutely none of his nonsense.

“Overall she is not overly impressed by anyone or anything, which I love about her because I am the complete opposite. That’s really fun to play,” Madeley tells RadioTimes.com….

(10) WHO PREVIEW. “Doctor Who debuts new scene from next episode Wild Blue Yonder” at Radio Times.

The veil of secrecy surrounding the next episode of Doctor Who, Wild Blue Yonder, is slowing beginning to lift, with the BBC dropping a first-look clip….

… In the new clip, Donna is left panicked when the TARDIS disappears, with the Doctor promising to return her home to her daughter Rose. But it appears someone – or something – is watching them……

(11) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born November 30, 1906 John Dickson Carr. (Died 1977.) As you know, we don’t do just sff genre Birthdays here and so it is that we have here one of my favorite mystery writers, John Dickson Carr.  Indeed I’m listening to The Hollow Man, one of his Gideon Fell mysteries. 

He who wrote some of the best British mysteries ever done was himself not British being American. Oh the horror. He did live there for much of the Thirties and Forties, marrying a British woman. 

Dr. Fell, an Englishman, lived in the London suburbs. Carr wrote twenty-seven novels with him as the detective. I’m listening to The Hollow Man because it’s considered one of the best locked room mysteries ever done. Indeed, Dr. Fell’s discourse on locked room mysteries in chapter reprinted as a stand-alone essay in its own right.

All of the Fell novels are wonderful mysteries. The detective himself? Think a beer drinking Nero Wolfe who’s a lot more outgoing. Almost all of the novels concern his unraveling of locked room mysteries or what he calls impossible crimes.  Of these novels, I’ve read quite a number and they’re all excellent.

Now let’s talk about Sir Henry Merrivale who created by Carter Dickson, a pen name of John Dickson Carr. (Not sure why he bothered with such a thinly-veiled pen name though.) Merrivale was like Fell an amateur detective who started who being serious but, and I’m not fond of the later novels for this, become terribly comic in the later novels. Let me note that Carr was really prolific as there were twenty-two novels with him starting in the Thirties over a thirty-year period. One of the finest is The White Priory Murders which was a Wodehousian country weekend with yet another locked room mystery in it. 

He also, as did other writers of British mysteries, created a French detective, one by the name of Henri Bencolin, a magistrate in the Paris judicial system. (Though I’ve not mentioned it, all of his mysteries are set in the Twenties onward.) Carr interestingly has an American writer Jeff Marle narrating the stories here and he describes Bencolin as looking and feeling Satanic. His methods are certainly not those of the other two detectives as he’s quite rough when need be to get a case solved. 

There are but four short stories and five novels of which I think The Last Gallows is the best. 

With Adrian Conan Doyle, the youngest son of Arthur Conan Doyle, Carr wrote some Sherlock Holmes stories that were published in The Exploits of Sherlock Holmes collection. Not in-print but used copies available reasonably from the usual suspects. 

He was also chosen by the estate of Sir Arthur Conan Doyle in 1949 to write the biography of the writer. That work, The Life of Sir Arthur Conan Doyle, is in-print in a trade paper edition.

(12) COMICS SECTION.

(13) ARTILLERY AND JOSEPHINE. Haley Zapal is the first reviewer I’ve seen who is genuinely enthusiastic about Ridley Scott’s Napoleon. Find out why in “Review: Napoleon” at Nerds of a Feather.

…The scenes where men and horses fall into the water are brilliant and artistic. There are things in Napoleon that I definitely have never seen before, and that’s wild considering director Scott is nearing 90. There is also absolutely brutal gore that makes Saving Private Ryan seem like Hogan’s Heroes….

(14) IT’S WASHED. Applause to Arturo Serrano for being one of the rare folk reviewing The Marvels who talks about the movie instead of its box office. But he’s no fan of the movie either: he rates “On the woes of ‘The Marvels’” only 5on a scale of 10 at Nerds of a Feather.

Someone at Marvel Studios should have pointed out that being simultaneously a sequel to WandaVisionCaptain MarvelMs. Marvel and Secret Invasion and providing two sequel teases was too much weight to load onto the shoulders of one movie. But we’ve played this tune before: Marvel movies are doomed to be mere links in a neverending chain, each forgettable villain is just there to get the pieces in position for the next entry, what you see isn’t most of what the director intended, and so on. To keep going to theaters for a Marvel movie is by now a thoughtless habit, like grabbing one more potato chip when you know you’re full….

(15) IT’S COLD OUTSIDE. The New York Times covers “A Video Game That Doubles as a World War I History Lesson”. “Last Train Home tells an overlooked story of the Czechoslovak Legion’s evacuation across Russia in the embers of the Great War.”

 … Foregrounding historical accuracy was a priority for Ashborne’s first original game, Last Train Home, which retells the Legion’s rolling evacuation eastward across Russia in the embers of the war. Its journey for homebound ships at the port of Vladivostok was tangled in Russia’s internal conflict between Bolshevik and anti-Bolshevik armies….

…Jos Hoebe, the founder of BlackMill Games and a longtime producer of World War I shooters, said video game developers had a responsibility to get details correct, especially when a particular battle or event has few depictions in popular culture. For his games, Hoebe digests historical documents in an attempt to understand the average soldier and shed light on overlooked aspects of combat.

“It feels like we’re responsible for creating the image that people have of this theater of war,” Hoebe said.

Last Train Home is a real-time strategy game in which the player orders specialized squads around rural battlefields. Scouts clear the fog of war, riflemen charge at enemies — usually the Bolshevik Red Army — and medics heal wounds. Another significant portion of the game is managing the armored train and exhausted infantry while fighting disease, starvation and the cruel Siberian cold…..

(16) THE DOOR INTO WINTER. Here’s an interesting artifact at Fullerton Arms Ballintoy: Giant’s Causeway North Coast Guesthouse and Restaurant in Ireland.

In 2016, Storm Gertrude ripped up some centuries-old beeches from the avenue known as Dark Hedges, (familiar to Game of Thrones fans as the Kingsroad). Ten doors, fashioned from the fallen trees, were carved with scenes from the cult TV show and placed in 10 pubs with Thrones connections in Northern Ireland. A fierce dragon embellishes the deep-brown polished door in Ballintoy’s Fullerton Arms. From the pub, it’s 20 minutes’ walk down a dramatic winding road to the cliff-ringed harbour, used to film scenes involving Theon Greyjoy in the Iron Islands. The steep climb back up will help build an appetite for the pub’s rope-grown mussels or seafood chowder, and Northern Irish specialities such as champ (mash with spring onions).
Doubles from £60 B&B

(17) NONE DARE CALL IT “LIP-SYNCHING”. A ventriloquist and his dummy sing “’Time Warp’ from The Rocky Horror Picture Show.

“Time Warp” from The Rocky Horror Picture Show, a song by Nell Campbell, Patricia Quinn, and Richard O’Brien as sung by Terry Fator and Walter In this video Terry is singing live without moving his lips, 100% guaranteed!

[Thanks to SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, Steven French, John King Tarpinian Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Hampus Eckerman.]

Pixel Scroll 11/24/23 “My Bellona” — Theme Song from Dhalgren: The Musical

(1) R’LYEH AND PUPPIES. Francis Gooding’s review of The World We Make includes comments placing it in recent genre history: “Slimed It: On N.K. Jemisin” in The London Review of Books.

…The backstory to this battle with Cthulhu was widely covered when The City We Became first appeared. It stretches back to 2011, when the Nigerian American writer Nnedi Okorafor won the World Fantasy Award for her novel Who Fears Death. The prize came with a trophy – an ugly sculpture of Lovecraft’s head – and Okorafor wrote a thoughtful, measured blog post about her conflicted feelings on getting the award, having discovered just how racist Lovecraft was. A petition was drawn up to have the Lovecraft trophy replaced, and there was something of a furore in the sci-fi and fantasy community about what to do with Lovecraft now that, belatedly, his influence and reputation had to be squared with his racism.

The debate that followed had the disheartening outlines familiar from other culture war clashes of the time. A reactionary bitterness at progressive political gains came to the surface, a sure sign of festering prejudice. A few years later, that lurking ressentiment assumed a more active form: a concerted effort by two organised groups of authors and fans (known as the ‘Sad Puppies’ and ‘Rabid Puppies’), to skew the public nomination process for the prestigious Hugo Awards in sci-fi publishing. In response to a perceived bias in favour of the liberal left in all its manifestations – Black and brown people, women, novels with progressive themes (‘boring message fic’), gay writers and so on – the Puppies flooded the nominations with their own picks. Some of the people involved were connected to the then ascendent alt-right, and racist abuse was aimed at Jemisin herself. But though the campaign succeeded in souring the atmosphere, it didn’t achieve its desired result: in 2016, on a slate dominated by the Puppies’ astroturfed nominees, Jemisin won the Hugo for best novel with The Fifth Season, the first book in her Broken Earth trilogy. She was the first Black writer to win the award. Both the book’s sequels, The Obelisk Gate and The Stone Sky, won the Hugo in subsequent years; a fourth Hugo followed in 2019 for the novella Emergency Skin.

The alt-right of the 2000s and early 2010s was preparing the ground for the subsequent radicalisation of the mainstream. The neofascist ideologies that once lurked in the subcultural margins have since become the basis of the ‘war on woke’, as an endless succession of manufactured outrages have bound small-c conservatives ever more tightly to what were once outré far-right positions. The eldritch bullshit that turbo-charged the Trump era wasn’t put back in its box. Jemisin evidently felt there was unfinished business. ‘The City Born Great’ was a knowing literary confrontation with the noisy and reactionary elements in the sci-fi community for whom Lovecraft remains talismanic.

In the novels, New York’s initial scrap with the Enemy expands to take in wider, ongoing struggles. Lovecraft, however, remains elemental. It eventually emerges that the Enemy is the personification of R’lyeh, the lost city from Lovecraft’s ‘The Call of Cthulhu’. Lovecraft’s stories often feature dead, inhuman cities from an unfathomably ancient past. Jemisin’s cities are the opposite, alive and defiantly human – real people, right now. And Jemisin makes sure to embody them in just the sort of people Lovecraft loathed. All the boroughs (bar Staten Island) are Black, Asian or Indigenous; and Manhattan, Queens, the Bronx and New Jersey – later an honorary sixth borough – are gay or queer…

(2) PERSONAL FAVORITE WHO MOMENTS. “’My favourite moment is me … not in a big-headed way!’ Stars share their best Doctor Who memories – part four” in the Guardian.

Neve McIntosh (played Silurians, including Madame Vastra, 2010-2014)

The episode A Good Man Goes to War was so special because they’d killed me off twice before and I was amazed to be asked back, as a goodie not a baddie, with Catrin Stewart as my fabulous kick-ass wife and brand new friend and stunt potato Dan Starkey! The best bit was filming the dematerialisation. The director cries “freeze!”. We are still as statues, two guys from the art department run out and flat-pack the Tardis, then, “action!”, and we all react to the Doctor disappearing off to a new adventure! Of course Madame Vastra is blase about it all but inside I was bursting with delight!

(3) WORKING HER WAY BACK. Writer Kelly Barnhill tells “How a Traumatic Brain Injury Changed Me” in an opinion piece for the New York Times.

[Ms. Barnhill is the author of “The Ogress and the Orphans.” She experienced a traumatic brain injury in 2021.]

I’ve been trying to write this essay for a very long time. Months, I think. Or maybe even longer, before I ever mentioned it to anyone, before I let anyone know that I was even capable of multiple sentences again. When all I could muster writing was a single sentence on a note card. My brain works differently now than it used to, and differently than I feel that it ought to. I told my speech therapist that I was frustrated that I haven’t been able to write fiction since experiencing a traumatic brain injury — which means that I am still, after nearly two years, unable to do my job.

He nodded with practiced care. “That must feel frustrating,” he said. “But maybe it’s important to focus on what you can do.”

Which is fair, I suppose. But I still wanted to clock him.

Healing from any injury is a process of rebuilding cells and tissues and structures — taking that which is broken and making it new again. Healing a brain injury is the process of rebuilding not only tissues and cells and the connections between those cells, but also memory, thoughts, imagination, the fundamentals of language and our very concept of ourselves.

I am rebuilding myself, you see. Right now. Sentence by sentence.

In December 2021, just a few months before the publication of two of my novels, “The Ogress and the Orphans” and “When Women Were Dragons,” I took a colossal spill down the stairs.

My husband heard me holler and found me in an unconscious heap. I remember none of this. It’s strange not remembering the moment that changed my life, that altered my work and vocation, that disrupted the me-ness of me. I think, though, that my body remembers it, even if I do not. A chaos of movement. A scramble through space. A short, sharp knock at the back of my head. And then a thunderous dark….

The piece discusses the many changes to her life and the challenges in recovery, and ends:

…But lately, I’ve had dreams of writing. I wake up in tears. What story was I writing? No idea. But each neuron shoots forth messages into the dark. A small candle. A lighthouse at the edge of a stormy ocean. I exist. I saw this. Felt this. Know this. Am this. Meanwhile, my sentences have grown. I’ve taken to using larger index cards. Sometimes I go as far as a steno pad. A full sheet of paper is too much — my eyes can’t track it very well. I get lost. I need something small and contained, where I can fit pretty words into a pretty sentence and allow them to become more than themselves.

Recently, I wrote a story. Only six sentences long, but a story nonetheless. With a character, a place and the passage of time. An opening, a turn, a conclusion. Such a small thing, a tiny accomplishment. And yet. I stared at the card for a long time, utterly astonished.

(4) DETAILS OF SERGEY LUKYANENKO’S DECEMBER BOOK TOUR IN CHINA. [Item by Ersatz Culture.] Further to the File 770 post on November 12, Sergey Lukanenko’s visit to China in December has now been publicly announced on Chinese social media.  That Weixin/WeChat piece describes him as a GoH of the 2023 Chengdu Worldcon (2023成都世界科幻大会荣誉主宾), despite his non-appearance then.

He will be making four appearances in Chengdu between December 1st and 4th, two in Beijing on the 7th and 8th, and a final one in Shanghai on the 10th.  Three organizations are listed as event co-hosts:

The announcement also indicates a number of people will be appearing alongside Lukyanenko at some of the events:

  • Yao Haijun – deputy editor-in-chief of Science Fiction World, Hugo finalist and member of the Chengdu concom
  • Jiang Zhenyu – member of the Chengdu concom
  • Baoshu – writer of a Three-Body Problem sequel, amongst other works

(5) ILYA SAYS, ‘OPEN CHANNEL BEEB…’ [Item by SF Concatenation’s Jonathan Cowie.] There has been a lot the past week on BBC Radio 4 or the Home Service as I like to call it, of likely interest to Filers (and indeed SF² Concateneers)… 

This month’s Open Book has a substantive section on book banning in the USA (“Bestselling novelist Michael Connelly talks about his response to the ongoing campaigns banning books in American school libraries.”) We do not have this problem to such a degree over here in Brit Cit but, from coverage in File770, it is clearly a substantive issue in the US mega-cities and especially the Cursed Earth. You can listen to the programme here

Doctor Who is 60 this year and some of us in Brit Cit remember its first episode, peering out from behind the sofa. Anyway, the BBC has a number of programmes to mark this special anniversary. One of these was Doctor Who: The Wilderness Years that looked at why the original series ended and what happened over the years when the show was not on our screens. 

In December 1989 – after 26 years on TV, 694 episodes and seven different Doctors – Doctor Who, the longest running series in the history of British television, was quietly exterminated by the BBC. It remained off air for 16 years until the series was revived in 2005, quite spectacularly under the auspices of Russell T Davies with Christopher Eccleston as the Time Lord. But the period between 1989 and 2005 was a very special interregnum. Known as the Wilderness Years, they belonged to the true keepers of the flame, Doctor Who fans – and never had a wilderness proved so fertile. 

You can listen to the programme here

iPromise was a cyberpunk stand-alone radio play about a hacker hired by not nice people to break into a quantum computer so as to get at cryptocurrency…. 

A quantum cryptocurrency audio heist movie and psychological tech thriller exploring the illusory nature of money itself. Bit – real name Rebecca “Becky” Isobel Troughton, BIT, get it? – is in trouble. Big trouble. She’s only gone and hacked into US mainframes and brought the entire eastern seaboard to a standstill. And now she’s on everybody’s Most Wanted list. But Bit is no hacking ‘gun for hire’. She’s driven by principle and she’s the very best at what she does. So when shady government organisations come knocking in a bid to secure her services, she just sends them packing. Well, sort of. .

You can listen to the play here

Spores is a five-part SF series. Mysterious glowing fungi appear in a house. Father and son are exposed to its spores. The father becomes unresponsive and the mother takes it upon herself to get out with her son and go camping. But did they get away in time…? You can listen to episode one here; episode two here; episode three here; episode four here; episode five here.

(6) SF2C EXITS X. [Item by SF Concatenation’s Jonathan Cowie.] I see that a load of folk are leaving Twitter or X or whatever it is these days. Actually, SF² Concatenation left Twitter a few months ago after the Musk takeover. We only used Twitter for site alerts and not chat, and found only a handful of folk signed up to our account. But I had kept it going for those few die-hard followers, sometimes treating them to some early releases before they were announced on our various indices pages. The thing is that that account, @SF2Concat, was set up ages ago using a now defunct e-mail address.

One of the first things Musk did was to insist on strengthening passwords blocking accounts – such as ours – that did not have a password that included a number, symbol and Klingon hieroglyph. To get our account back, I’d have to give Twitter an extant e-mail address. Those that know me are aware that I really hate to sign up to anything (so, for example, for the first time since 1979 I will not be on the science programme of next year’s British Worldcon – Less work for me, so that’s a plus.)

Anyway, seeing the writing on the wall what with Musk’s apparent support of Trump’s ramblings, I decided not to continue with Twitter. The account is still there for future digital archaeologists.

For those wanting alerts, the wonderful Caroline frequently posts something on the BSFA Facebook page (last season edition alert here) which I mention because the BSFA is a worthy page to follow for a plethora of other reasons. And if you are on FB I give a shout out to one of Brit Cit’s local SF group pages North Heath SF.

(7) LET’S FIX THAT RIGHT UP. Artnet analyzes how “A Prankster Used A.I. to ‘Improve’ Edward Hopper’s Classic ‘Nighthawks’”.

The rise of artificial intelligence has created reams of new artworks, many of them generated, controversially, on the backs of artist’s existing pieces. Now, one X (formerly Twitter) user has shown a way that A.I. can offer “improvements” to classic works of art, starting with Edward Hopper’s Nighthawks, and even one of the art world’s most beloved critics may have fallen for the gag.

“Using AI, I was able to take some old painting and make it better,” posted X user Sonch (@soncharm) last week, sharing a jpeg of Edward Hopper’s famous scene of urban ennui, Nighthawks from 1942, how housed in the Art Institute of Chicago. “Where even is this? Who are the people? Huh? You’re too far away to really see the setup. Whole left side blank. Nothing here to grab onto,” Sonch complained….

Click on tweets for larger images.

(8) TODAY’S BIRTHDAYS.

[Written by Cat Eldridge.]

Born November 24, 1948 Spider Robinson, 75. Spider’s an American-born Canadian citizen who’s one of my favorite writers and individuals to boot. 

This is not a complete listing of what he’s written, just my experiences with him and what I think should be commented upon.

I wasn’t surprised to discover that his first sale, “The Guy with the Eyes”, published by Analog in February 1973, was one of his Callahan stories. Four years later, he released Callahan’s Crosstime Saloon, a collection of Callahan short stories. These stories, and the later novels, make frequent reference to the works of mystery writer John D. MacDonald’s Travis McGee stories.

I’m very fond of the Lady Slings The Booze and Booze and Callahan’s Key as these Callahan’s Crosstime Saloon novels allow him to develop the characters at length more than he dies in the short stories. 

It was at this time that he married Jeanne Robinson, with whom he later co-wrote the quite excellent Stardance trilogy. The first, “Stardance”, a novella, won a Hugo at IguanaCon II, and a Nebula as well. 

His first published novel, Telempath, was a reworking of the “By Any Other Name” novella. 

And there’s Variable Star which as you know was based on an outline by Heinlein. I think it was, errr, ok. Not great, not bad, just ok. 

Hugo wise, I mentioned the first “Stardance” novella garnered a Hugo as did his “By Any Other Name” novella at SunCon and “Melancholy Elephants” short story which also got a Hugo at ConStellation. He was an Astounding Award Best Writer as well. And he received a much deserved LASFS Forry Award for Lifetime Achievement. 

He hasn’t published anything since 2008 though he’s been working on a novel, Orphan Stars, for the last decade and is said to be working on his autobiography as well.

He was Toastmaster at MagiCon and Torcon 3.

Spider and Jeanne Robinson at MagiCon. Photo by Lenny Provenzano.

(9) COMICS SECTION.

(10) WORKING FOR THE DOCTOR EVERY NIGHT AND DAY. “’It’s £2m ploughed into Cardiff’: how Doctor Who boosted the Welsh economy” in the Guardian.

…The original Doctor Who series ran from 1963 to 1989 before being mothballed. The report acknowledges that basing the series in Cardiff for its revival at the turn of the century felt like a risk.

But the show, originally starring Christopher Eccleston as the Time Lord and first broadcast in 2005, was an immediate success. Further series were commissioned and the BBC launched the spin-offs Torchwood and The Sarah Jane Adventures.

As well as finding creative people ready to work on the series, the show used settings in and around Cardiff, from the beaches of South Glamorgan to the capital’s castle and museums, prompting a spike in Doctor Who tourism.

The report, by economists within the BBC public policy team using research from the consortium Media Cymru and Cardiff University’s centre for the creative economy, looks at the impact of the show between 2004 and 2021. It estimates that each of the 13 revamped series generated the equivalent of 50 FTE (full-time equivalent) jobs per series in Wales, and 95 within the UK overall. These jobs are in addition to posts for people who directly work on the show.

It describes Doctor Who’s return as a “pivotal moment”, a catalyst for the growth of the Welsh creative industries over the past 15 to 20 years, claiming it paved the way for big BBC-commissioned shows including Merlin, Atlantis and Sherlock. This year, six new dramas have come out of Wales including Steeltown Murders, the story of the serial killer Joseph Kappen, and the thriller Wolf, both of which have won plaudits…

(11) OCTOTHORPE. Episode 97 of Octothorpe, “The Future of Language”  is raring to go!

We fire up the LizBat signal and discuss the Chengdews (John’s new pun; he’s extremely proud of it) including WSFS discussion, before moving onto Glasgow 2024’s online plans and Novacon chat. Then we talk about books and games and stuff. In

(12) BRING ME THE HEAD OF E.T. “An otherworldly auction full of cinematic sci-fi props will land in Beverly Hills” promises NBC Los Angeles.

…[December is] an eye-catching and otherworldly month, in other words, but sci-fi splendor and the heart of the holiday season don’t intertwine all that often, or as often as someone who adores both might wish.

But here’s some good news: That’s changing about a week ahead of Christmas when the “Robots, Wizards, Heroes & Aliens: Hollywood Legends” auction phones home at Julien’s Auctions in Beverly Hills.

Indeed, “phones homes” is a reference to a certain sweet space traveler, so you can bet you’ll spy E.T the Extra-Terrestrial, or rather an animatronic E.T. head, in the collection.

Other iconic additions to the line-up include a “Fantastic Voyage” ship, a Xenomorph head from “Aliens,” a “Back to the Future Part II” hoverboard, and the oh-so-cuddly Muffit II the daggit, a “Battlestar Galactica” favorite; Marvel and Harry Potter treasures will also be in the spotlight….

(13) THE ART IN ARTIFICIAL INTELLIGENCE. Nature tells readers “How AI is expanding art history”. (Don’t worry, nothing in here about “Nighthawks”.)

From identifying disputed artworks to reconstructing lost masterpieces, artificial intelligence is enriching how we interpret our cultural heritage.

Artificial intelligence (AI), machine learning and computer vision are revolutionizing research — from medicine and biology to Earth and space sciences. Now, it’s art history’s turn.

For decades, conventionally trained art scholars have been slow to take up computational analysis, dismissing it as too limited and simplistic. But, as I describe in my book Pixels and Paintings, out this month, algorithms are advancing fast, and dozens of studies are now proving the power of AI to shed new light on fine-art paintings and drawings.

For example, by analysing brush strokes, colour and style, AI-driven tools are revealing how artists’ understanding of the science of optics has helped them to convey light and perspective. Programs are recovering the appearance of lost or hidden artworks and even computing the ‘meanings’ of some paintings, by identifying symbols, for example…

(14) FIRE-AND-FORGET MATING TECHNIQUE. Butts with a mind of their own. Don’t tell me you haven’t seen this in fandom. “Why these sea worms detach their butts to reproduce” at Popular Science.

Bye bye, butt

Some segmented sea worms like the syllid worm go through a reproductive process called stolonization. The stolon is the worm’s posterior organ and it is full of eggs or sperm depending on the worm’s sex. During stolonization, the stolon completely detaches from the rest of the worm’s body for reproduction. 

This detached butt swims around by itself and spawns when it meets another stolon of the opposite sex. This autonomous swimming is believed to protect the original body of the worm from dangers in the environment and help the eggs and sperm travel longer distances. 

In order to swim by themselves, the stolon have to develop their own eyes, antennae, and swimming bristles while still attached to their original body. How this happens has been a mystery. The formation of the stolon itself begins when the gonads near the worm’s butt mature. A head is then formed in the front of the developing stolon, with the eyes, antennae, and swimming bristles following close behind. It develops its nerves and the ability to sense and behave independently before the stolon detaches from the rest of the body….

(15) VIDEO OF THE DAY. John King Tarpinian found this old Tonight Show clip on YouTube: “Paul Williams Arrives Straight From Filming ‘Battle for the Planet of the Apes’”.

[Thanks to SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, Ersatz Culture, Lise Andreasen, Steven French, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Sergey Lukyanenko Says He Will Visit Chengdu in December

Guess who’s coming for Szechuan sauce? Russian author Sergey Lukyanenko dropped a Rick and Morty reference at the end of his blog post announcing that the Chengdu Worldcon committee is bringing him to China in December.

At the beginning of December, I plan to be in Chengdu, Beijing and Shanghai at the kind invitation of the Organizing Committee of the World Science Fiction Convention in Chengdu and the publishing house “Eight Light Minutes”….

A guest of honor who was conspicuously absent from the Chengdu Worldcon, will Lukyanenko still be coming as a guest of the committee? Why not. It was probably arranged this way. After all his toxic utterances about the Russian invasion of Ukraine, his presence at the Worldcon could have become a distraction.

P.S. Of course, I’ll try Szechuan sauce.

Pixel Scroll 11/6/23 Reader, I Pixeled Him

(1) DANGEROUS COVER REVEALS. J. Michael Straczynski  today posted in social media links to the Amazon pre-order pages showing the covers of of Dangerous Visions and Again, Dangerous Visions coming out from Blackstone Publishing next year.

JMS added that, “What’s not noted in this description is that this edition of Dangerous Visions the book has two new introductions, one by me, and one by Patton Oswalt.”

Dangerous Visions, Blackstone Publishing; Hardcover edition (March 26, 2024)

Again, Dangerous Visions, Blackstone Publishing; Unabridged edition (June 1, 2024)

(2) SERGEY LUKYANENKO PROMOTES CHENGDU WORLDCON BOOK. This is news because it’s the first time this year that Sergey Lukyanenko’s blog has mentioned the Chengdu Worldcon, where he was a no-show guest of honor. On October 31 he promoted the book published for the con containing stories by the three GoHs.

A collection of stories by honored guests of WorldCon 2023 (Chengdu, China): “The Stars Echo” Authors: Sergey Lukyanenko, Liu Cixin, and Robert Sawyer

His blog includes several photos from a Chinese promotional event for the book (none of them showing the other two GoHs).

(Interestingly, his next blog post announced a scheduled appearance by Vladimir Putin at the Public Chamber of Russia, of which Lukyanenko is a member. He and 39 others were appointed members by Putin in April.)

(3) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Cadwell Turnbull and Victor Manibo on Wednesday, November 8, 2023. The event begins at 7:00 p.m. Eastern in the KGB Bar, 85 East 4th Street, New York, NY 10003 (Just off 2nd Ave, upstairs)

Cadwell Turnbull

Cadwell Turnbull is the award-winning author of The Lesson and No Gods, No Monsters. His short fiction has appeared in The Verge, Lightspeed, Nightmare, Asimov’s Science Fiction and several anthologies, including The Best American Science Fiction and Fantasy 2018 and The Year’s Best Science Fiction and Fantasy 2019. His latest novel We Are the Crisis is available now from Blackstone Publishing.

Victor Manibo

Victor Manibo is a Filipino speculative fiction writer living in New York. A 2022 Lambda Literary Emerging Voices Fellow, he is the author of the science fiction noir novel The Sleepless. His next novel, Escape Velocity, is forthcoming from Erewhon Books in Spring 2024. Aside from fiction, he also spins fantastical tales in his career as a lawyer. He lives in Queens with his husband, their dog, and their two cats.

(4) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]

The Tibet SF table in the fan area

(Note: I am of course aware that the status of Tibet is a controversial subject, to put it mildly.  For better or worse, this item focuses solely on the content in the linked article.  Also, given that this item is based on a machine translation of a Chinese-language article that in turn uses many Tibetan names, I’m sure there is a very high chance of mistranscribed or mistranslated names and titles, for which I can only apologize.)

This WeChat/Weixin article covers the Tibet SF table that was present in the fan area at the Worldcon.  Some extracts, via Google Translate, with manual edits:

The crowd in the hall was bustling and noisy, and the schedule of activities was full. However, many details were not satisfactory. The entire convention was not planned like a free and easygoing party, but more like a well-regulated exhibition. After all, the fan area was located in the lobby on the first floor, in a corner space.

I wandered around the exhibition area… and a line of familiar and unfamiliar fonts attracted my attention.  They read “In this way, Tibetans are a people with a long history. A nation with a history of science fiction literature and a great influence on various science fiction works in the world; Tibet is a treasure trove of science fiction decorated with faith and curiosity, as well as romance and enthusiasm.”

Are there actually elements of science fiction in the plateau tradition that I have lived with for many years? …

The table area was not large, and it was filled with Tibetan books with traditional bindings and modern designs. Two “roll-up banners” were placed at each side, displaying the text “Introduction to Tibetan Science Fiction Works” in Tibetan, Chinese and English, and a huge background board stood against the wall. Under the huge bilingual title “Tibetan Science Fiction Works”, there were posters for two film and television works, “2012” and “The Nine Billion Names of God”. Between the posters, an exquisite painting was hung…

[The author of the article in conversation with one of the people staffing the table]

Cang Gou: Could you name a traditional science fiction literary work that you think is representative [of Tibetan SF]?

Yun Dan: Yes, for example, I think the ancient Tibetan book “Semi”, which dates back more than a thousand years, is one of the earliest works with science fiction elements. It is a biography of a character, written in poetic form. It is written in a physical style, but it includes the science fictional element of exploring the universe. There is a phrase in the book: “The world is incredibly infinite.”  It mentions other forms of civilization beyond the earth, showing the insignificance of human beings. What we see is not the world as it is, and that many worlds are beyond our vision and understanding. Tibetan culture not only recognizes the existence of intelligent life on other planets, but also that some of the planets are much more civilized than the Earth we live on.

Cang Gou: This is a very interesting interpretation. Are there any works in traditional Tibetan literature that we would be more familiar with?

Yun Dan: Of course, the world-famous  “Epic of King Gesar” also contains elements of science fiction. Not only is it a “living epic” that is still being worked on, but it also mentions a lot of technological things. For example, the story “Conquering the Snowy Mountains and Crystal Kingdom”, created around the 17th century, describes a wooden aircraft that could seat 15 people . This aircraft was powered by an internal iron engine, allowing soldiers to fly long distances. “House Tales” records the legend of how a team of carpenters, blacksmiths and other craftsmen made an aeroplane that successfully flew into the sky. Other stories also mention “modern” equipment such as ships, wires, and rockets.  Most modern scholars believe that the Epic of King Gesar was created around the 11th to 13th centuries, so the “future” objects mentioned above could not really exist in that era, but from another perspective, they reflect traditional Tibetan literary works, with an extraordinary imagination…

Cang Gou: So are there any science fiction works in contemporary Tibetan literature?

Yun Dan: Yes, for example, there is a story called “The End of the Moon” in Thondup Tsering‘s novels, in which in a future world, a child asks his grandfather, why is there no moon in the sky?  His Grandpa explains that a long time ago, due to the development of industrialization, humans destroyed the Earth’s environment, and furthermore, because of uncontrolled selfishness and greed, they then set their sights on the moon. In order to obtain mineral deposits, they chose to blow up the moon, regardless of [the impact on] future generations.  Such science fiction stories also have strong realistic criticism and warning significance. In addition, there are also science fiction poems such as “Ping” and “Home” in my own “Collected Poems of Gao Yun”, and other authors have published [SFnal work] in “Gongga Mountain”, “Tibetan Literature”, “Zhangchar” and other publications, but overall the number is relatively small…

Cang Gou: What do you think of the current situation of Tibetan science fiction?

Yun Dan: In actuality, Tibetans are a very imaginative nation, and there are a lot of science fiction genes in their traditional culture. However, we have not done enough research, organization and development in this area. The older generation may not understand it well. What does science fiction mean? Young people don’t have many opportunities to be exposed to science fiction works. Many people also don’t know how to rediscover and apply traditional culture from the perspective of science fiction. Therefore, the audience for science fiction works is very small, and the science fiction atmosphere in Tibet is very weak compared to China and overseas.

Cang Gou: How do you think we can promote the development of Tibetan science fiction?

Yun Dan: First of all, we need to discover more Tibetan science fiction elements in traditional culture, so that more young generations can like science fiction and develop a  science fictional mindset.  Secondly, we need a larger number of writers to participate in the creation, translation and dissemination of science fiction works. Thirdly, the government and the private sector should provide more support for science fiction creation and the dissemination of science fiction culture, and cultivate the science fiction cultural atmosphere in Tibet.

Articles about Hai Ya from a finance newsletter and his employer

This article from a financial news organization is a couple of weeks old, but I hadn’t got around to posting it before now.  It’s a fairly standard piece about the Best Novelette Winner, which came to my attention via a bilingual finance blog.  That has some extracts which I imagine are better translated than the Google Translate-sourced material that has been published here.  It also links to another interview with Hai Ya, which seems to be by the account of his employer, and which perhaps veers a little into advertorial territory in places.

There was also a Xiaohongshu post from his employer’s account.

Images from his employer’s Xiaohongshu post

Miscellaneous Xiaohongshu galleries

This one has a photo that shows the organizers were steadfastly refusing to acknowledge the reality that Lukyanenko wasn’t going to be at the con.  (As an aside, I’ve also seen post-con promotional material for the Liu/Sawyer/Lukyanenko anthology that refers to all three as Guests of Honour.)

Several Western attendees are pictured in this image set, posted by one of the con staff.

And finally a slightly random set of images.  I’m not sure which hotel some of these were taken in; maybe the Wyndham rather than the Sheraton close to the venue?

(5) GOT ONE JOE, GET SOME MORE. Justin Caravoulias shared “An incredibly Brief History Of G.I. Joe Action Figures” in the Heritage Auctions newsletter.

…The original G.I. Joe line was released in 1964 with soldiers representing the 4 branches of the military, each with clothing, gear, and weapons that were interchangeable. Additional outfits and gear were available in accessory kits sold separately as well. From 1964 to 1969, Hasbro released many different Military figures and expanded to international soldiers as well with their Soldiers of the World which included German, Japanese, British, French, and Australian fighters. Hasbro even released a fire truck with Crash Crew figure, a Canadian Mounty, and a female Nurse figure which is highly sought after today.

In 1969 as the Vietnam War became increasingly unpopular, G.I. Joe steered away from military toys and released adventure sets. By 1970, the “Adventure Team” G.I. Joe figures were no longer about military but about accomplishing special missions. This also mis when the “Kung-fu Grip” and “Lifelike Hair” were introduced. My first G.I. Joe as a child was a 12 Inch Adventure Team Land Adventurer that my mother purchased at a local yard sale. I still vividly recall playing with him among the planters in the living room next to our burgundy red 1960’s foam-cushioned couch….

(6) STEPPING INTO THE ANCIENT. “In search of strange and sacred sites – the UK’s weirdest walks” – the Guardian is tracking them down.

… And then, in the closing hours of the 20th century, came Julian Cope’s The Modern Antiquarian, a landmark practical tome for the would-be site-seeker, served up in its own mud-proof slipcase, synthesising archaeology, folklore, grid references, helpful full-colour maps, parking advice and a small smidgeon of Cope’s own eccentric interpretations, often later validated by reluctantly admiring academics. The stones were stages! Rock and roll! It was a game-changer, and Cope opened up the crack in the Devil’s Grave of our folkloric landscape to all, like the wizard of Alderley Edge.

But Weird Walk is not The Modern Antiquarian. If anything, the three Weird Walkers, whoever they may be, have returned the love of folk tales, ancient sites and the perambulations that lead one to their locations even more defiantly to the realm of the gentleman and gentlewoman amateurs who first documented them. The sensibly shod 17th-century parson, mapping the megaliths between funerals and marriages, and the aristocratic antiquary, pleading with some Cornish farmer to spare the collapsed burial chamber whose capstone he had earmarked for a pigsty, would recognise the Weird Walkers as kindred spirits. No one knows who they are, or what they are doing.

And yet, in their costly boots and cagoules, they seem to have stumbled into something. They walk the landscape in the shadows of the seasons as we used to experience them before they blurred, reminding us of how we once measured out the increments of our humanity, and etched it into rock and earth, in the annual cycles of rotting and rebirth. When we lose this knowledge, we are lost. We’re probably lost anyway to be honest, but fuck it, let’s go down drunk and walking weird.

Fernworthy Forest, Dartmoor, Devon

Dartmoor is a weird place; temporal dislocation comes with the territory. Wayfinding is not easy among this gorse, these rambling tors and secluded brooks. And when an autumn mist descends, you can be transported: a bronze age farmer to your left, a medieval tin miner to your right, and up ahead the lord of the manor has antiquarian ambitions. He’s just repositioned those stones. The earth gnomes don’t approve.

The stretch of moor between the storied Warren House Inn and the foreboding interwar plantation of Fernworthy Forest is classic Dartmoor; the grasses are thick underfoot and marshy ground emerges without warning, saturated by the capricious weather. Long ago, the moorland here would have rolled uninterrupted and Fernworthy’s ancient monuments would have been as exposed as their neighbours at Merrivale or the Grey Wethers. Now, the break with the moor is absolute, and dark evergreens offer up an entrance out of a Grimm’s tale. Once inside, the silent monoculture can provide even the warmest October day with an eerie chill.

Near the edge of the forest sits Assycombe double stone row, Fernworthy’s planters helpfully leaving a gap between the saplings for the stones to breathe. Although little known, it is a remarkable monument that seems to tumble down its grassy hill, the irregular miniliths descending like a dragon’s spine from an initial menhir to a large blocking stone at the foot of the slope.

Assycombe is one of the many stone rows on Dartmoor thought by early antiquarians, such as Richard Polwhele, to be “Druid ways”. They are scattered across the landscape, sometimes barely discernible, but always potent in their imaginative value. Walking these ancient lines creates an access point, a connection to those who walked them long ago….

(7) LEARNEDLEAGUE. [Item by David Goldfarb.] More LearnedLeague specials.

You can find twelve questions about vampires here. (I got eleven right.)

And twelve more about “Haunted New England” here. (Only eight of these.)

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 6, 1907 Catherine Crook de Camp. Author and editor. Most of her work was done in collaboration with her husband L. Sprague de Camp, to whom she was married for sixty years. Her solo work was largely non-fiction. Her Science-Fiction Handbook was nominated for Retro Hugo at Noreascon 4, and Dark Valley Destiny: The Life of Robert E. Howard was nominated for a World Fantasy Award. Heinlein in part dedicated Friday to her. It is worth noting that she has been depicted in works by several authors, usually together with her husband. I’ll single out she appears in S. M. Stirling’s In the Courts of the Crimson Kings and Paul Malmont’s The Astounding, the Amazing, and the Unknown. (Died 2000.)
  • Born November 6, 1936 Edmond G Addeo,  87. Author with Richard M Garvin of The FORTEC Conspiracy, a late Sixties SF novel set at Roswell that the X-Files could’ve used for source material. The Roswell conspiracy fanatics thought it was actually fact. 
  • Born November 6, 1948 Michael Dirda, 75. Currently book critic for the Washington Post. His connection to genre is a fascinating work entitled On Conan Doyle; or, The Whole Art of Storytelling which won the Edgar Award for Best Critical / Biographical Works in 2012 and which looks at his SF work as well. Also worth bringing to your attention is Browsings: A Year of Reading, Collecting, and Living with Books which y’all should naturally be interested in reading.
  • Born November 6, 1951 Gary Ruddell, 72. Illustrator whose cover artwork for Dan Simmons’s Hyperion novel was nominated for the Hugo Award for Best Original Artwork at ConFiction. I’m also fond of the work he did on the Liavek and Thieves’ World covers.
  • Born November 6, 1955 Catherine Ann Asaro, 68. She is best known for her books about the Ruby Dynasty, called the Saga of the Skolian Empire. When I wrote up this Birthday originally four years ago, I said, “I don’t think I’ve read them, so if you’ve read them, please do tell me about them.” Since then I’ve read The Jigsaw Assassin and it’s quite excellent indeed. The Quantum Rose won a Nebula as did “The Spacetime Pool” novella. And I would argue strongly that her magnificent “Ancient Ages” song is definitely genre in content. It’s available from the usual musical digital sources with her books available from the usual digital suspects. 
  • Born November 6, 1965 Sandra Newman, 58. She has two genre novels, both of which did well as mainstream fiction as well: The Country of Ice Cream Star, a near future dystopian feminist novel and The Heavens which may or may not involve time travel back to Elizabethian times. She also co-authored with Howard Mittlemark, How Not to Write a Novel: 200 Classic Mistakes and How to Avoid Them–A Misstep-by-Misstep Guide.

(9) COMICS SECTION.

  • Tom Gauld gives this model a day of rest, but not of arrest.

(10) FROM MCU TO MCFILMS. The New York Times review of MCU: The Reign of Marvel Studios by Joanna Robinson, Dave Gonzales and Gavin Edwards shows “Why You Can’t Spell Hollywood Without Marvel”.

Hollywood doesn’t believe in immortals. From Mary Pickford to the MGM musical, Golden Age cowboys to teenage wizards, the city worships its gods only until their box-office power dims. So it feels audacious — if not foolhardy — to open “MCU: The Reign of Marvel Studios” and find its authors, Joanna Robinson, Dave Gonzales and Gavin Edwards, declaring that it’s difficult to imagine a future where the Disney-owned superhero industrial complex “didn’t run forever.” Even Tony Stark, better known as Iron Man, has yet to engineer a perpetual motion machine.

Yet the three veteran pop culture journalists behind this detailed accounting of the company’s ascendancy have the numbers to support it. The Marvel Cinematic Universe, a constellation of solo superhero tales mixed with all-star team-ups, including four installments of “The Avengers,” is Hollywood’s most successful movie franchise of all time — 32 films that have grossed a combined $29.5 billion. By comparison, the book points out that the “Star Wars” series, Marvel’s nearest rival, has notched only 12 films and $10.3 billion.

Turning the pages — which are devoid of the usual, and unnecessary, glossy photo spreads — one realizes that superheroes are an X-ray lens into the last decade and a half of Hollywood disruption. Every upheaval gets a mention: corporate mergers; profit-losing streaming services; Chinese censorship; digitally scanned actors; social media cancellations; #MeToo and #OscarsSoWhite; the resurgence of a production-to-distribution vertical pipeline that hadn’t been legal since the 1948 Paramount Decree. Pity there’s no room to examine each in depth.

First, the origin story. In the ’90s, the former overseer of Marvel Enterprises, Ike Perlmutter (let’s give him the comic book nickname “The Pennypincher”), empowered his entertainment division to license its biggest stars for cheap, scattering Spider-Man, Hulk and the X-Men across other studios in service of selling more toys. (“MCU” familiarizes us with the marketing term “toyetic.”)…

(11) IF YOU WANT TO BE AN ACTOR, SEE MISTER FACTOR. “’Stranger Things’ Producer Says Season 5 Won’t Use AI To De-Age Actors” reports Deadline.

The final season of Stranger Things is still on pause, but even as the principal cast gets older, executive producer Shawn Levy doesn’t think the team will need to go to any extreme lengths to de-age them.

Levy, who also directed two pivotal Season 4 episodes, recently suggested that the producers would do whatever they could to make the kids’ aging seem less apparent, because it will have been several years since the previous season wrapped production.

However, in an interview with Deadline, he clarified that he didn’t mean to suggest any computer-generated assistance….

(12) A SHOW WITH A FUTURE. “’Futurama’ Renewed For Two More Seasons By Hulu”Deadline has the story.

Hulu has ordered two more seasons of the adult animated series Futurama.

The streamer revived the series in 2022 with a 20-episode order. Season 11 premiered July 24 on Hulu on and was on Nielsen’s Top 10 originals series list for six weeks.

Season 12 is expected to debut on Hulu in 2024. The 20-episode latest order is for Seasons 13 and 14…

(13) VIDEO OF THE DAY. Ryan George shows the way things would have gone differently “If Ouija Boards Had Been Invented Today”.

[Thanks to Mike Kennedy, Andrew Porter, Ersatz Culture, David Goldfarb, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie  for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]

Pixel Scroll 10/19/23 A La Recherche Du Pixels Perdu

(1) INTERZONE NEWS. Gareth Jelley, Editor & Publisher of Interzone and IZ Digital announced today that “Interzone’s hiatus, thankfully, was very temporary.” He told File 770, “Although it is sad to lose the print edition, moving forward on a regular schedule is crucial; and I have plans for annual Interzone print anthologies, in the future, once the zine is back on track.”

Interzone 296 will be published in November. The table of contents is posted at the Interzone Patreon.

Ebook subscriptions starting from IZ 295 (the current issue) are available directly from https://interzone.press.

Jelley says, “If readers have already purchased a print issue of Interzone #295, I’ll automatically extend their e-sub by one issue.”

If people prefer to pay monthly, there is now a Patreon.

(2) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]

15-minute video showing a walk around the con

Although it’s only in Chinese, the first half of this Bilibili video gives the best impression yet of what it’s like to walk around the con.  There’s a section in the middle of vox pop interviews with what I assume are a random selection of attendees, and it ends with a more leisurely wander around the central area of the museum.

The video was posted today (Thursday 19th); I assume it was filmed on the opening day of the con.  It was posted by an account called 中国科幻博物馆 / China Science Fiction Museum, so I assume it’s an official production by the con venue.

Another walkaround video

This sub-3-minute Chinese language Bilibili video is (I think) by some vloggers.  From around 01:15 through to 02:15 there are short interviews with some of the people running the fan tables; I think they are in turn the SF clubs of Sichuan University, Electronic Science & Technology University and Southwest Jiaotong University, which Google tells me are all located in Chengdu.

I think there’s a split second glimpse of Nicholas Whyte around 01:14, although the image fades to black as he comes into view, so I’m not completely certain.

Handy guide to starting inter-fandom wars in Chinese

New Star Press posted these images to Weibo.

I’m not sure where those cards might be available; I dunno if they’re fan-made, or perhaps could be picked up from their publisher booth?

Hugo X interview with Chinese Hugo finalists

This 38-minute video on Bilibili is likely to have minimal international appeal given the lack of English subtitles, but Hugo finalists Hai Ya and Jiang Bo are two of four SF writers in a group interview.

Some brief English language clips

There’s nothing actually related to SF or the con in this short interview with Chris M. Barkley that was posted to Twitter; I don’t know if it’s an extract from a longer video.

Bilibili has extracts from an interview and a panel with German writer Brandon Q. Morris.

Chinese SF In Memoriam video

SF World magazine posted this video to their Weibo account today. The In Memoriam video was shown at the Galaxy Awards Ceremony, as shown in this video of the event, with audience reaction. It commemorates some of the writers, translators and fans from the history of Chinese SF who are no longer with us.

Kind words for File 770

File 770 got namechecked by Adaoli/SF Light Year in a second Weibo post, this seems to be a transcript of an interview he gave at the con; it sounds like there might be a video version of this interview at some point? — https://weibo.com/2417401527/NoCYEyAY8

The relevant text from near the end, via Alibaba Cloud Translate:

There is a very famous American science fiction platform (File770). Its manager is over 70 years old this year. We can’t make phone calls, we can only communicate by email. He has insisted on publishing this science fiction information for decades. From this perspective, in fact, in addition to the publicity of regular publishing companies, there are many wild science fiction fans, They can also have a lot of contribution and strength. He is also my idol, and I also hope that I can persist in doing some sci-fi releases, which will be more helpful for everyone to learn more about domestic and foreign sci-fi information.

Errata

Someone spotted one of the items that were in the Oct 13th Scroll, which had a couple of translation errors, at least one of which I should have spotted.  There are four screengrabs from that Scroll, of which three are screengrabs from other Chinese social media posts. — https://weibo.com/1720576035/NnEe2c4Vb

Twitter / X and Facebook accounts that are actively posting from the con

I don’t really “do” Facebook, so that list is highly likely to be incomplete.  All are English-language unless otherwise stated, and in no particular order.

Twitter / X:

Facebook:

(3) GLAD TO HEAR IT. Ukranian fan Boris Sydiuk told Facebook readers the news that Sergey Lukyanenko didn’t appear at the Chengdu Worldcon.

…This is good news to us in Ukraine and to all global Fandom. It means Fandom united together can do important things to protect truth and humanity. We hope all fans can enjoy their convention, though I am sorry that Chengdu Worldcon could not bring themselves to dis-invite an appalling person who condones atrocities, ethnic cleansing, and hails killing people who don’t want to speak Russian. It is a shame he will forever be listed as a Worldcon GoH, but let it be known that somehow he was not there, that fans did not have to withstand his rhetoric, listen to his lies and he failed to attend….

(4) KENTUCKY COUNTY REMOVES MORE THAN100 BOOKS FROM SCHOOL LIBRARY. [Item by Joel Zakem.] The Boyle County, Kentucky, schools are removing more than 100 books from various school libraries, citing a recently passed anti LGBTQ+ law. Several of the titles are definitely genre, including four of Herbert and Anderson’s “Dune House Atreides” books and two of Tue Southerland’s “Wings of Fire” books. There may be a few others that I did not recognize. The book list is here.

The article from Louisville Public Radio: “Kentucky school district bans more than 100 books, citing anti-LGBTQ+ law”,

A children’s picture book about a boy who likes to dress up in his mom’s clothes.

A series about a teen who rides dragons in a dystopian universe.

A graphic novel based on the diary of Anne Frank.

These are among the more than 100 books banned from libraries in Boyle County Schools….

The article from the local Boyle County newspaper: “Boyle schools removing library books in response to SB 150” in the Advocate-Messenger.

…Some books that have been removed include “Gender in the 21st Century” by M.M. Eboch, “Only Mostly Devastated” by Sophie Gonzales, “Julian is a Mermaid” by Jessica Love and “The League of Super Feminists” by Mirion Malle.  Superintendent Mark Wade said in an interview with the Advocate-Messenger that the district removed books based on language in SB 150. Since the Kentucky Department of Education did not provide specific guidance on some language, the law was left open to the interpretation of each local BOE.  Part of the law about respecting parental rights states that “Children in grade five and below do not receive any instruction through curriculum or programs on human sexuality or sexually transmitted diseases; or any child, regardless of grade level, enrolled in the district does not receive any instruction or presentation that has a goal or purpose of students studying or exploring gender identity, gender expression, or sexual orientation.”…

(5) 2024 CREATIVE WRITING AWARDS COMPETITION FOR HIGH SCHOOL SENIORS. Penguin Random House, and We Need Diverse Books (WNDB), have opened submissions for the 2024 Creative Writing Awards. This is the first year the awards include the Freedom of Expression Award; in the face of book bans and attacks on free expression on the rise in America, Penguin Random House and We Need Diverse Books celebrate the power of books and stories. Applicants to the new award will be asked to answer the prompt, “Tell us about one banned book that changed your life and why.” 

The 2024 competition launches on October 16, 2023, and closes on January 16, 2024—or when 1,000 applications have been submitted. Current high school seniors who attend public schools in the United States, including the District of Columbia and all U.S. territories, and are planning to attend college in fall 2024, are eligible and encouraged to apply.

Six first-place $10,000 prizes will be awarded in the categories of: the Michelle Obama Award for Memoir, the Amanda Gorman Award for Poetry; the Maya Angelou Award for spoken-word; fiction/drama; and the new Freedom of Expression Award.  In recognition of the Creative Writing Awards previously being centered in New York City, the competition will award an additional first-place prize to the top entrant from the NYC area. Runners up will also be honored…. 

Complete guidelines here.

(6) TODAY’S DAY.

October 19, 1953 Fahrenheit 451 published.

[Item by John King Tarpinian. First published in 2013.] On this day in history one of the most read science fiction novels was published. One of the few, if not only, novels of sci-fi on the majority of middle and high school reading lists.

Fahrenheit 451 is one of three books that as a young man made me think about stuff outside of my comfortable life. The other two were Dalton Trumbo’s Johnny Got His Gun and Robert Heinlein’s Stranger in a Strange Land. The three making up a trio of books that woke up my little brain.

Fahrenheit 451 was made into a movie by the French director, François Truffaut. It was his first movie in color and his only English-language film. Remember the French guy in Close Encounters of the Third Kind?  That was Truffaut.

Flatscreen TVs were in this book. Bluetooth was in this book. Most people know that Ray never drove a car, remember that in the book Clarisse was killed by a speeding car. Montag was a brand of paper; Faber was a brand of pencil. Beatty was named for the lion tamer, Clyde Beatty.

Bradbury’s book rails against censorship, in any form.

Lastly, Ray’s headstone reads “Author of Fahrenheit 451.”

(Use this link to see a parade of Fahrenheit 451 book covers from over the years.)

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 19, 1921 George Nader. In 1953, he was Roy, the leading man in Robot Monster (a.k.a. Monster from Mars and Monsters from the Moon) acknowledged by him and others to be the one of the worst SF films ever made. He showed up in some decidedly low budget other SF films such as The Human DuplicatorsBeyond Atlantis and The Great Space Adventure. Note: contrary to popular belief, Robot Monster is not in the public domain which is why I’m not linking, nor should you. This movie is under active copyright held by Wade Williams Distribution. (Died 2002.)
  • Born October 19, 1940 Michael Gambon. Actor of Stage and Screen from Ireland who is best known to genre fans as Professor Albus Dumbledore from the Hugo-nominated Harry Potter films (a role he picked up after the passing of Richard Harris, who played the character in the first two films). He also had roles in Toys (for which he received a Saturn nomination), Mary ReillySleepy Hollow, and the Hugo finalist Sky Captain and the World of Tomorrow. He has had guest roles in episodes of The Jim Henson HourDoctor Who, and Tales of the Unexpected, and played an acerbic storyteller and possible tomb robber in Jim Henson’s The Storyteller. He has also done voice roles in animated features including Fantastic Mr. FoxPaddington, and The Wind in the Willows, in which he voiced very nicely The Badger. (Died 2023.)
  • Born October 19, 1943 Peter Weston. He made innumerable contributions in fan writing and editing, conrunning, and in local clubs. He was nominated for a number of Hugo awards but never won, including a nomination for his autobiography Stars in My Eyes: My Adventures in British Fandom. For many years the Hugo rockets were cast by the car-parts factory which Weston owned and managed until he retired. (Died 2017.)
  • Born October 19, 1943 L.E. Modesitt, Jr., 80. Writer of more than 70 novels and 10 different series, the best known of which is his fantasy series The Saga of Recluce. He has been Guest of Honor at numerous conventions, including a World Fantasy Convention. He won a Neffy for his Endgames novel, and an Utah Speculative Fiction Award for his Archform: Beauty novel. 
  • Born October 19, 1945 John Lithgow, 78. He enters SF fame as Dr. Emilio Lizardo / Lord John Whorfin in The Adventures of Buckaroo Banzai Across the 8th Dimension. He’ll later be in Santa Claus: The MovieHarry and the HendersonsShrekRise of the Planet of the ApesInterstellar and the remake of Pet Sematary. (One of those films that really, really shouldn’t have been made.) Oh, and he voiced The White Rabbit on the Once Upon a Time in Wonderland series! He of course is Dick Solomon in 3rd Rock from the Sun.  And for true genre creds, he voiced the character of Yoda in the NPR adaptations of The Empire Strikes Back and Return of the Jedi.
  • Born October 19, 1946 Philip Pullman, 77. I’ll confess that I like his Sally Lockhart mysteries, both the original versions and the Billy Piper-led series, far more than I enjoy the Dark Materials series as there’s a freshness and imagination at work there I don’t see in the latter. Oh, some of the latter is quite good — I quite enjoyed Lyra’s Oxford and Once Upon a Time in The North as the shortness of them works in their favor.
  • Born October 19, 1948 Jerry Kaufman, 75. Writer, Editor, Conrunner, and Fan who, while in Australia as the DUFF delegate, created a Seattle bid for the Australian Natcon which actually won the bid (temporarily, for a year, before it was overturned and officially awarded to Adelaide). He was editor of, and contributor to, numerous apazines and fanzines, two of which received Hugo nominations. With Donald Keller, he founded and ran Serconia Press, which published criticism and memoirs of the SF field. He served on the Board of Directors of the Clarion West Writers Workshop and served as Jurist for the James Tiptree, Jr., Memorial Award. He has been Fan Guest of Honor at several conventions, including a Westercon. (JJ) 
  • Born October 19, 1990 Ciana Renee, 33. Her most known genre role is as Kendra Saunders / Hawkgirl on Legends of Tomorrow and related Arrowverse series. She also showed up on The Big Bang Theory as Sunny Morrow in “The Conjugal Configuration”, and she played The Witch in the theatrical production of Daniel Wallace’s Big Fish: A Novel of Mythic Proportions.  She was also Elsa in the theatrical production of Frozen.

(8) COMICS SECTION.

  • Half Full asks the same question some of you have asked.
  • Drabble’s picks for the scariest movies might not be on your list.

(9) STRINGS ATTACHED. [Item by Steve Green.] Talking Pictures TV is a family-run British cable channel specializing in old movies and television shows. To tie in with broadcasts of the 1960s series Thunderbirds, the channel’s online “watch again” service TPTV Encore has posted an interview with puppeteers John and Wanda Brown.

Related interviewees at the site include art director Bob Bell, script editor Alan Pattillo and actor David Graham (the voice of Parker).

(10) TALKED TO DEATH. Slashfilm heard from the actor that “Robert Redford’s Twilight Zone Episode Holds A Certified And Significant Record”.

The third-season episode of “The Twilight Zone” called “Nothing in the Dark,” which first aired on January 5, 1962, is about an elderly woman living unhappily alone in a grim-looking, brick-walled basement apartment in an empty building. Wanda (Gladys Cooper) has, in recent years, become a recluse, fearing that a sojourn to the outside world will bring her face-to-face with death. By her description, however, this is literal. She once saw a man touch a woman with his finger, killing her instantly, leading her to know with utter certainty that Death is a person. Death, she also knows, can also look like anyone. So she surmises it might be best to stay away from people altogether. 

When a handsome young Robert Redford knocks on her door, however, her idyll is smashed. Redford plays a young cop named Harold who was shot in the line of duty and needs immediate medical care. Wanda refuses to let him in, knowing that he may be Death and that Death is sneaky. She eventually lets him in, he touches her, and she doesn’t die, so she is convinced all is well. Wanda and Harold discuss her views on death, her life of fear, and her philosophy that living cloistered is better than dying in the open air. But then, as we are living in the Twilight Zone, perhaps Harold may be Death after all. 

“Nothing in the Dark” was written by George Clayton Johnson (who wrote the novel “Logan’s Run, seven additional “Twilight Zone” episodes, and many other notable sci-fi stories), and the author created a wonderful miniature two-handed, one-act morality play where discussion takes precedence over action. It’s a sweet little character piece with fantastical underpinnings….

(11) RED LEADER GOES FOR OVER $3M. This X-wing fighter went walkabout. UPI found out where it’s been.

A formerly long-lost X-wing fighter model used on screen in the original 1977 Star Wars film was auctioned for a Force-disturbing sum of over $3.13 million.

Bidding on the 1:24 scale model opened at $400,000 and closed Sunday with a bid of more than $3.13 million.

Heritage Auctions said the model was long known as “the missing X-wing” until it was found in the collection of Greg Jein, who died last year after a career in miniature making that saw him earn awards nominations for his work on projects including Star Trek and Close Encounters of the Third Kind.

The miniature was one of four “hero” models created for filming close-ups in key moments during the famous third act battle in Star Wars Episode IV: A New Hope and features red stripes on its top two wings, identifying it as the Rebel Alliance squadron’s “Red Leader.”…

(12) VIDEO OF THE DAY. [Item by Kathy Sullivan.] University finals have gotten creative.  (Yes, yes, Encanto was on and I went looking for the Pluto parody and found this one as well): “We Don’t Talk About Pluto (My University Astronomy Final)”.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Kathy Sullivan, Gareth Jelley, Steve Green, Joel Zakem, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, and Ersatz Culture for some of these stories. Title credit belongs to File 770 contributing editor of the day Cliff.]