24 A Multiverse Of Pixels. Consider How Many That Is

Posted on July 10, 2024 by Mike Glyer

(1) WORLDCON PROGRESS REPORT. Glasgow 2024 Worldcon has released its fifth and final Progress Report. Download here: PR #5.pdf.

One of the interesting revelations is the plan to stage —

Nothing, Nowhere, Never Again

Glasgow Worldcons are not without their traditions: each of the previous ones have had a show written and performed by Reductio Ad Absurdum. In 1995 it was their loving demolition of Dune (or The Sand Of Music); in 2005 it was Lucas Back In Anger, their smash-and-grab on all things Star Wars, which was nominated for a Hugo Award for Best Dramatic Presentation (Short Form) despite enraging Star Wars fans by reducing the second trilogy to a 12 minute ABBA karaoke with cardboard costumes. In 2024 their offering is a unique take on the Oscar-winning sensation, Everything, Everywhere, All At Once that becomes Nothing, Nowhere, Never Again. Reductio is basically Ian Sorensen and Phil Raines plus whoever else they can blackmail into performing. This year they have suckered Geoff Ryman, Emjay Ameringen and Julia Daly into joining them in the madness. It promises to be an amazing, hilarious romp through the alternate universes, time travel and the joys of growing old disgracefully. The multiverse will never be quite the same again! (Armadillo Auditorium – Saturday 4pm)

(2) TIME BANDITS TRAILER. “Apple unveils the first nostalgia-fueled trailer for Taika Waititi’s reimagining of an ’80s sci-fi cult classic” — GamesRadar+ pulls back the curtain.

Per the official synopsis, the series is an “unpredictable journey through time and space with a ragtag group of thieves and their newest recruit: an 11-year-old history buff named Kevin. Together, they set out on a thrilling quest to save the boy’s parents, and the world.”In the brief clip, which can be viewed above, Kevin (Kal-El Tuck) opens up his wardrobe and walks into another moment in time before running into Penelope (Lisa Kudrow) and her group of bandits. The upcoming series, created by Waititi, Jermaine Clement, and Ian Morris, is based on the 1981 cult classic of the same name. The trio also wrote the first two episodes, with Waititi directing both.

… Time Bandits is set to hit Apple TV Plus on Wednesday, July 24, 2024, with the first two episodes in tow. Two episodes will air every Friday through August 21, 2024….

(3) A KAIJU SURPRISE. Forbes celebrates as “’Godzilla Minus One’ Arrives On 4K Blu-Ray In Every Glorious Version”.

Toho surprised fans today with the long-awaited release of Godzilla Minus One to home entertainment in a four-disc 4K UHD Blu-ray box set. I also have an exclusive clip of writer-director-VFX supervisor Takashi Yamazaki and his team from their U.S. visit, plus a look at the different glorious versions of the Oscar-winning film.

The Godzilla Minus One box set is an exclusive through Toho’s official Godzilla site, and includes lots of behind-the-scenes features and making-of footage. Fans of the film have been eagerly awaiting word of a physical home media release, although the film finally arrived on streaming recently and VOD. The surprise today is part of a larger 70th anniversary celebration of Godzilla in 2024….

(4) SUPACELL. [Item by Steven French.] The creator of a hit Netflix show about a group of black south Londoners with superpowers triggered by sickle cell anaemia says he hopes its success can kickstart a discussion about the condition in the UK and remove the stigma associated with it. “Hit Netflix show Supacell is raising awareness of sickle cell anaemia” reports the Guardian.

…Hit show Supacell is now at No 1 in Netflix’s global top 10, with more than 18m views in its first few weeks on the platform.

In the series, a group of south Londoners start to develop comic book powers – superhuman strength and speed, telekinesis, the ability to teleport and fly, and to have premonitions – while being tracked by Health & Unity, a shadowy organisation that offers to “help” those who are affected.

The show has been praised for subtly interspersing real-life issues that affect Black Britons: from the casual racism that Black females face on reality TV shows to bias in the health system. But the biggest real-life undercurrent in the fantastical world of Supacell is the inclusion of sickle cell anaemia in its storyline….

(5) DROP EVERYTHING. The New York Times calls these “Five Science Fiction Movies to Stream Now”. (Read at this link, which bypasses the paywall.)

One of their picks is Animalia, which is available to buy or rent generally.

…If your definition of an alien invasion involves ships hovering above Earth and major destruction, just know that Sofia Alaoui’s beautifully shot take on the genre is definitely … not that. Still, the mysterious, elliptical Moroccan movie “Animalia” exerts a pull of its own as its central character, a pregnant young woman named Itto (Oumaima Barid), faces a series of unexplained events.

When the wealthy family she has married into leaves for an outing, Itto enjoys some quality alone time at home. Soon, however, things start to go off the rails. Animals behave strangely, army vehicles barrel down the streets, roadblocks are hastily erected. The movie holds back on the explanations, and as her husband, Amine (Mehdi Dehbi), tries to arrange for a reunion, Itto’s journey acquires a mystical tinge.

Yet Alaoui does not stray into woo-woo New Age-isms and offers pointed views on the emancipation of women in Morocco, and their role in both the family and society. It takes confidence and skill to keep an audience invested in a movie while withholding information, and Alaoui clearly has both….

(6) GEORGE WELLS (1943-2024). Longtime fan George Wells died June 21. A native New Yorker (from Suffolk County, Long Island), he attended his first Lunacons in 1958 and 1960, and then…college helped initiate a long gap from fandom. He became a librarian (with a Masters Degree), and returned to the convention scene in 1972. And soon also became involved with APA fandom. I first got to know George in the Seventies when we were all in Larry Nielsen’s APA-H, the apa for Hoaxes. He also was part of Apanage, the Southern Fandom Press Alliance, and N’APA.

George and his wife, Jill (nee Simmons) met via a local Star Trek club she co-founded in Suffolk. They moved to Arizona, some years ago.

In 1999, George Wells won the facetious Rubble Award given at DeepSouthCon “for doing great things to Southern Fandom” in recognition of “Introducing Fandom to Werewolf Vs. Vampire Woman”.

In 2013 File 770 celebrated George’s 70th birthday in a post by James Burns, which supplied much of the above information.

(7) RICHARD GOLDSTEIN (1927-2024). Retired JPL scientist Richard M. Goldstein, a trailblazer in planetary exploration who used ground-based radars to map planets, died June 22 at the age of 97. The New York Times obituary explains his claim to fame.

…If successful, scientists would learn the distance from Earth to Venus, essentially laying the foundation to map the entire solar system. His adviser at Caltech was more than skeptical; Venus, in NASA’s description, was a “cloud-swaddled” planet covered by thick gasses, and previous attempts to reach the planet using other radars had produced mixed results.

“No echo, no thesis,” Dr. Goldstein’s adviser told him, according to “To See the Unseen: A History of Planetary Radar Astronomy” (1996) by Andrew J. Butrica, a science historian.

He proceeded anyway. On March 10, 1961, technicians pointed the new radar at Venus. Six and a half minutes later, signals from the planet returned. Dr. Goldstein had proved his adviser wrong. He soon bounced signals off Mercury and Mars, as well as Saturn’s rings.

The study’s influence on solar system research was immense.

“The measurements he did of the distance to Venus made it possible to do accurate navigation within the solar system,” said Charles Werner, a former senior engineer at the Jet Propulsion Laboratory. “If you know one distance, it’s like a ruler that allows you to calibrate everything else and to be able to navigate spacecraft in the solar system accurately.”

The radar echoes were the celestial prelude to a long career at the Jet Propulsion Laboratory charting the previously unseen. In the late 1960s and early ’70s, Dr. Goldstein used radar interferometry — the splicing together of multiple radar signals over a length of time — to map the surface of Venus.

“High-resolution radar probes have broken through the thick clouds of Venus and for the first time distinguished features on the planet’s surface, which presents a landscape of huge, shallow craters,” the science reporter John Noble Wilford wrote in a front-page article in The New York Times on Aug. 5, 1973.

“Instead of the blurry shadings of earlier radar maps of the planet,” Mr. Wilford wrote, the images detected by Dr. Goldstein revealed a dozen craters, including one that was 100 miles wide and less than a quarter of a mile deep.

Dr. Goldstein had used two radar antennas 14 miles apart to produce the images.

“This, in effect, gives us stereo reception,” Dr. Goldstein said, enabling him “to pinpoint each area touched on Venus.”

(8) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

July 10, 1903 — John Wyndham. (Died 1969.)

By Paul Weimer: Cozy Catastrophe? My first encounter with John Wyndham’s work was anything but cozy. That would be, on good old WPIX, the movie version of Day of the Triffids, where Jeanette Scott fought a triffid that spits poison and kills, to quote Rocky Horror Picture Show. So when I finally picked up his work (The Chrysalids, I think was the first), I was quite taken and surprised by the “bait and switch” that my mind and expectations had for Wyndham’s work as opposed to the cinematic adaptation.

Wyndham did teach me something that I would learn later in novels such as Earth Abides, Alas Babylon, and even On the Beach, and that is that catastrophes, and disasters, even ones that end civilization as the protagonists know it, could be surprisingly gentle and not harsh as the world falls apart around them. There can be afternoon tea even as the tripods march across the landscape in an inescapable force of nature invasion.

I recently read The Midwich Cuckoos, and even more than Day of the Triffids (which I really think could be remade in this day and age. Hollywood, call me, I could write your script), it is the Wyndham work that really hits the fears and anxieties in an otherwise pastoral and idyllic English countryside. The horror that one’s children are, in effect, changelings is an old idea (going back to the ideas of Faeries switching children at birth) and the Midwich Cuckoos plays on that, and plays on that, hard. But its even more than the parents and adults being horrified by what is happening to the children, what might be happening with the very pregnancy you have. It is the idea that these children are forming a community, a society, a way of life that excludes you (which gets into fears of the generation gap. The use of the telepathic Cuckoos in the X-men series and how tight they are together under Emma Frost, takes that idea from Wyndham and makes it front and center. It’s their world, and not yours.

That shows, ultimately, John Wyndham and his legacy at his best.

(9) COMICS SECTION.

Saturday Morning Breakfast Cereal takes on “like and subscribe”.
Wizard of Id reaches a very wrong number.
Pearls Before Swine shows there are other walls to break besides the fourth wall.

(10) SIMPSONS JOKE PLAYS ALBERT HALL. “Hip-hop band Cypress Hill makes 1996 Simpsons joke come true” reports the Guardian.

They might be more used to Rachmaninov and Brahms, but on Wednesday night the London Symphony Orchestra’s musicians will be showcasing their perfect crescendos while playing Cypress Hill’s Insane in the Brain.

The orchestra is making a Simpsons joke from 1996 finally a reality, by playing the US hip-hop trio Cypress Hill’s acclaimed Black Sunday album at the Royal Albert Hall.

The evening will riff on a joke featured in a Simpsons episode, in which Cypress Hill speculated that they had mistakenly booked the London Symphony Orchestra “possibly while high”.

After years of fan pressure, the group has struck a deal for a one-night performance in London, in which the LSO will perform its most famous songs, including Insane in the Brain and I Wanna Get High.

Considered pioneers of the West Coast hip-hop scene in the 1990s, Cypress Hill have sold more than 20m albums worldwide. Their hit Black Sunday album sold more than 3m copies in the US and spent a year in the UK charts….

… In the Simpsons episode, titled Homerpalooza, Homer tries to impress Bart and Lisa by going to the Hullabalooza music festival – a play on the Lollapalooza music festival held in Chicago – and hanging out with 1990s rap and rock stars including Cypress Hill and The Smashing Pumpkins.

In the episode, a crew member calls “somebody ordered”, adding “possibly while high … Cypress Hill, I’m looking in your direction”. This is followed by a rendition of Insane in the Brain, complete with the classic orchestral backing.

Cypress Hill have also invited the UK musician Peter Frampton, who features in the episode as the person trying to book the orchestra, although they are still waiting for a reply….

(11) SEVERANCE RETURNING. Variety knows when: “Severance Season 2 Teaser, Release Date Set for 2025”. The series will debut on Apple+ Friday, January 17. The 10-episode season will drop weekly episodes on Fridays after that.

…In addition to Scott and Arquette, the rest of the main cast includes Zach Cherry, Britt Lower, Tramell Tillman, Jen Tullock, Dichen Lachman, Michael Chernus, John Turturro and Christopher Walken. Eight more joined the cast of Season 2, including “Search Party” star Alia Shawkat, “Game of Thrones” alum Gwendoline Christie, Merritt Wever, Bob Balaban, Robby Benson, Stefano Carannate, John Noble and Ólafur Darri Ólafsson.

The new teaser doesn’t show much, other than the main cast of characters returning to the halls of Lumon. There’s also a quick look at Christie’s mysterious character, who cryptically tells them “You should’ve left.”…

(12) FEIGE Q&A. “Kevin Feige on Deadpool 3, Wolverine’s Yellow Suit and Sex Jokes in MCU” – hear about it in Variety.

The Marvel Studios president was talking to writer-director Shawn Levy about plans for the studio’s upcoming blockbuster “Deadpool & Wolverine,” starring Ryan Reynolds and Hugh Jackman.

This was a couple of years ago, and Jackman had just confirmed his grand return as Wolverine after retiring the character in 2017’s emotional sendoff “Logan.” The 55-year-old Australian had played the gruff mutant with adamantium claws and regenerative abilities in nine films across two decades to much acclaim and, according to Feige, one glaring oversight. Jackman had never appeared in the character’s canonically mustard-colored costume….

(13) +1 SHIELD. “China Fortifies Space Station” at Futurism.

Two astronauts ventured outside of China’s Tiangong space station last week to armor its exterior against incoming space debris kicked up by an exploding Russian satellite.

“The spacewalk primarily focused on installing protective devices on external cables and pipelines to mitigate risks posed by potential space debris collisions, enhancing the long-term safety and stability of the space station,” China Aerospace Science and Technology Corporation engineer Liu Ming told state-owned news network CCTV, as quoted by the South China Morning Post.

The news comes after a retired Earth observation satellite dubbed Resurs-P1 broke up in orbit late last month, forcing astronauts on board the International Space Station to shelter inside their respective spacecraft. It broke into more than 100 pieces that are now being tracked by the US Space Command.

Instead of sheltering in place, crew on board China’s Tiangong space station were instructed to bulk up its physical defenses — a mission that highlights the considerable risks small pieces of space debris can pose to astronauts orbiting the Earth…

…The spacewalk took 6.5 hours and went by largely without a hitch. According to the SCMP, the two spacewalkers even made jokes, competed to reach a designated spot, and struck poses for the camera….

(14) 1942’S AMAZING STORIES AND….SEX ADS??? [Item by SF Concatenation’s Jonathan Cowie.] Grammaticus Books takes a deep dive into a 1942 edition of Amazing Stories in a short, 9 minute video…

Week two of Rocket Summer focusing on the October 1942, edition of Amazing Stories, produced by the legendary editor Hugo Gernsback. The pulp is a time capsule of pre-war angst and intrigue. Which included seven full length science fiction stories and….advertising for Modern Sex Secrets!? 1?!?

(15) RED PLANET NOIR. Mars Express comes to theaters May 3.

In 2200, private detective Aline Ruby and her android partner Carlos Rivera are hired by a wealthy businessman to track down a notorious hacker. On Mars, they descend deep into the underbelly of the planet’s capital city where they uncover a darker story of brain farms, corruption, and a missing girl who holds a secret about the robots that threatens to change the face of the universe.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Daniel Dern, Paul Weimer, SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, Kathy Sullivan, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 6/30/24 Mr. Holmes, They Were The Pixels Of An Enormous Scroll!

Posted on June 30, 2024 by Mike Glyer

(1) VASTER THAN EMPIRES. George Sandison, managing editor for Titan Books, hopes to demystify publishing in his newly-launched a series of newsletter posts. First up, a survey of the industry: “Submissions: steering the iceberg”.

I find myself, these days, in the preposterous position of working in genre fiction. Having been publishing since 2014 as an indie, and heading up a major trade list since 2019, it’s close to second nature in a lot of ways.

But for the vast majority of people outside the industry, publishing is arcane, weird and no doubt seems arbitrary. There is a huge extended community of readers, reviewers, fans and authors fascinated by publishers and their lists, but so few ways for those people to get a sense of how publishers work, and why.

Which is silly.

So I’d like to make some sense of it all. The intent here is that this will be the start of a series of articles which will shine a light on some of the many, many opaque bits of publishing. Because really, none of it is that complicated, at least taken in isolation – doing it all at the same time is the trick, which will likely be a recurring theme across the series…..

…So exactly how big a mountain are we talking about? Fortunately there are a couple of useful numbers to call on to help make sense of it.

The last time anyone was mad enough to try and count how many books are published in the UK each year they came up with a number in the region of 200,000, which averages out to 548 a day. I remember seeing a survey in The Bookseller (link lost to the vagaries of time, with apologies) that it was 250,000 one year.

Now say I’m overseeing a list of 100 publications a year, across all formats, you can begin to see how many publishers – and editors – are involved, to say nothing of self-publishers….

(2) HOW TO CLOSE THE BARN DOOR. Futurism tells what happens after “John Scalzi Discovers That One of His Book Covers Was Created Using AI”.

…Regardless, Scalzi’s handling of the discovery seems like a model for anyone who finds themselves in a similar situation — which, given the Wild West of still-forming norms and practices around AI art, wouldn’t be surprising for anyone in a creative industry.

Their article is based on Scalzi’s Whatever post “A Note on ‘AI’ Art and My Book Covers” from June 21. And here’s what he said:

Well, Goddamnit, it looks like some “AI”-generated art got onto one of my covers, specifically, the cover to the Italian edition of Starter Villain. Some (actual human) artists tracked down the cover art, and (on Adobe’s stock art site, at least), it’s marked as “generated with AI.”

It’s my policy not to accept AI-generated art for final cover art, and I thought I and my team had communicated that widely. When this art was presented to me for approval, I made the assumption that it was done by a human, and approved it. So, this is on me….

… That being the case, here’s what I am doing right now to make sure we don’t have this happen again, and to mitigate some of the damage AI-generated art is doing to the actual humans in the field.

1. I have instructed my agent (who is sending the instruction down the chain), that all book contracts henceforth have to agree that cover art must be created by a human artist. Stock art use is acceptable, but that stock art must be human-created, not AI-generated. We will expect our contractual partners to exercise due diligence to make sure these conditions are met (by, as an example, using only stock art sites that note when art is AI-generated). I’ll note that Tor already has agreed to this. So this is no longer just a policy; it’s a hard contractual point.

2. I have donated to the Association of Science Fiction and Fantasy Artists, specifically to their Sponsored Memberships for BIPOC artists, to help emerging artists from marginalized communities receive the benefit of the professional and artistic community that ASFA can provide. They will need it for this new era of artistry….

(3) MESSIANIC PROPHECY. Deadline thinks it’s happening: “’Dune 3′ Release Date Hinted As Denis Villeneuve Movie Is Set For 2026 Holidays”.

Let the speculation begin. The “Untitled Event Film” Warner Bros had dated for December 2026 now is being billed as a “Denis Villeneuve Event Film,” and sources said the studio and Legendary are holding the date with expectations that he wraps up the spectacular trilogy with Dune 3.

Hurdles still have to be cleared as they’re still working on script and locking cast, but it is the project Villenueve has been working on….

…Villeneuve and Legendary are prepping Dune: Messiah, which the filmmaker said in January “should be the last Dune movie for me.” They next will reteam Nuclear War: A Scenario, based on Annie Jacobsen’s nonfiction book that explores a ticking-clock scenario about what would happen in the event of a nuclear war…

(4) NOT QUIET AT THE BOX OFFICE. According to Yahoo! — “Box Office: ‘A Quiet Place: Day One’ Scores Franchise-Best $53 Million Debut, Kevin Costner’s ‘Horizon’ Misfires With $11 Million”.

“A Quiet Place: Day One” is making noise at the box office, collecting a roaring $53 million in its domestic opening weekend. The nearly silent thriller added $45.5 million internationally for a global tally of $98.5 million.

Though it landed in second place behind Disney-Pixar’s billion-dollar blockbuster “Inside Out 2,” the ticket sales for “Day One” are especially impressive because spinoff stories usually don’t bring in as much business as direct sequels. Yet “A Quiet Place: Day One” — a prequel in Paramount’s post-apocalyptic horror series — landed the biggest debut in the franchise, exceeding the original 2018 “A Quiet Place,” ($50 million to start) and the 2021 sequel, “A Quiet Place Part II” (a $48 million debut during COVID).

(5) DODGING ROWLING’S ENDORSEMENT. [Item by Mike Kennedy.] JK Rowling: (Regarding the July 4th election in the UK.) The Labour Party supports Trans Rights, so don’t vote for them. I endorse the UK‘s Communist Party instead.

Communist Party of Britain: (Backs away from her slowly.) Uh, no thanks, we’re good!

“U.K. Communist Party Backs Away Slowly After J.K. Rowling Expresses Support” at The Daily Beast.

The Communist Party of Britain affirmed that it supports transgender people’s right to “live equal, full and meaningful lives” after J.K. Rowling, almost as well known at this point for her hatred of trans women as for penning the mega-popular Harry Potter series, expressed tacit support for its candidates. On Saturday, Rowling encouraged her social media followers to vote Communist, a move made in response to the anti-trans feminist group For Women Scotland tweeting that a party spokesperson had told them it stood “in support of [recognizing] the nature of biological sex.” A day later, a statement was released on the party’s official X account clarifying the matter. “For avoidance of doubt, the Communist Party supports the right of trans people to medically transition, to have access to healthcare and live equal, full and meaningful lives, socially, economically and politically,” it said. “We believe that such liberation will only be possible under socialism.” Rowling’s blessing, likely now to be rescinded, came after she published an op-ed in The Times of London on Friday disavowing the Labour Party over its support for trans rights….

(6) GRAPHIC NOVEL RECOMMENDATIONS. The New York Times’ Sam Thielman reviews The Complete Web of Horror edited by Dana Marie Andra; The Ribbon Queen by Garth Ennis and Jacen Burrows; All My Bicycles, by Powerpaola; and Very Bushwack, by Sig Burwash. “Book Review: Best Graphic Novels in June – The New York Times (nytimes.com) (Link is to unlocked article.)

(7) SFF ZINE LAUNCHES TOMORROW. The WYRMHOLE is coming July 1.

hey have you ever wondered: "what does a terminally-online SFF magazine look like, and how horrible can it get?" Well, LOOK NO FURTHER

we talk craft. stories. Hole jokes. recs. TikTok. memes. the internet at its worst. SOFT LAUNCH TMRW https://t.co/Y1n6z7Nwfl
— Carolyn Zhao (@carolynwtzhao) June 30, 2024

(8) AMAZING’S BEST. “Amazing Stories Releases THE BEST OF 2023!”. Edited by Lloyd Penney, The Best of 2023 features 29 science fiction short stories, published throughout 2023 on the Amazing Stories website, featuring a collaborative cover from Ron Miller and Tom Miller.

Stories by Paul Saka; Heather N. Santo; Royce Badgers; David Ian; David Hewitt; David Hankins; Adam Breckenridge; Nerine Dorman; Victor Jimenez; Gene Turchin; Adrian Tchaikovsky; Jack McKenzie; David Newkirk; John Andrew Karr; James Mapes; Alex Graham-Heggie; Leonid Korogodski; Dave Creek; John Taloni; Norman Spinrad; Lisa Fox; Andrew Hiller; Chaz Osburn; Ray Daley; Michael Carabott; Pete Carter; C.J. Peterson; Jenna Hanchey; Jeff Hewitt.

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

June 30, 1959 — Vincent D’onofrio, 65. You no doubt know Vincent D’onofrio as Edgar the Bug in Men in Black which I’ll talk about about shortly, but let me first discuss what I think is his greatest role which was his decade-long performance as New York City Police Detective Robert Goren in Law & Order: Criminal Intent.

Of course it’s not genre but it’s rare that we get to see an actor in a primary role that long. Goren is an incredibly intense, extremely intelligent though opponents often thought he wasn’t and physically imposing man, but is could be very unpredictable and sometimes volatile and even angry.

Like Holmes, his methods were unusual and he admitted that “I am an acquired taste”. Eames, his female partner, often explained him to individuals who were puzzled and offended by him.

If you’ve not seen Men in Black, you really should and I’m assuming you have, otherwise, go away. You can come back later. He played Edgar / The Bug, Edgar being a farmer who is killed and eaten by a giant alien insect. An Effing Big Bug. From here out, it’s his voice and his body language that is what carries being under the Rick Baker designed face and full body suit. Now there’s a great interview with him and director Barty Sonnefiejd here that you should read: “Vincent D’Onofrio’s Men in Black: A Sugar-Water Oral History” at Vulture.

I singled out these two roles above all the roles he’s had because they demonstrate his most extraordinary skills — the first being the use of his voice to convey a character in a way I believe that is truly rare among performers, and second, the sheer physicality that he bring to a role.

I know the Rick Baker suit added to his bulk but his acting ability made the character even more present, more menacing that just the alieniness created by the suit and the sheer nastiness of his head of it grew more corrupt, more decayed. A truly brilliant performance.

Feel free to mention other roles that I didn’t note.

(10) COMICS SECTION.

Alley Oop tangles genres.
Eek! finds the lowest bidder.
Frank and Ernest have trouble with a self-driving car.
FurBabies enjoys a relabeling success.
JumpStart knows the algorithm is ahead of us.
Pearls Before Swine cleans up its vocabulary.
Reality Check is about a solar-powered game board. Sort of.
Speedbump has a New Math punchline.
Saturday Morning Breakfast Cereal’s twist ending won’t surprise fans.

Tom Gauld foresees the publishing apocalypse.

Beware of the book festivals!
(My latest @GuardianBooks cartoon) pic.twitter.com/Jv4A0Hyer0
— Tom Gauld (@tomgauld) June 29, 2024

(11) “JOHN WICK MEETS LOOPER”. “Ryan Coogler Mattson Tomlin Team for A Vicious Circle at Universal” learned The Hollywood Reporter.

Universal Pictures has landed the rights to A Vicious Circle, a Boom! Studios graphic novel series created by Terminator Zero showrunner Mattson Tomlin and artist Lee Bermejo.

Tomlin will write the screenplay adapting his own work while Ryan Coogler, the filmmaker behind the Black Panther movies, will produce via his Proximity Media banner.

Also producing are Proximity’s Sev Ohanian and Zinzi Coogler, along with Boom!’s president of development Stephen Christy.

Circle is a two-hander action thriller about assassins from the future hunting each other through time. “John Wick meets Looper” is how it is being described.

(12) SHREK 5. Courtesy of Yahoo! – “Eddie Murphy gives fans ‘Shrek 5’ update, reveals Donkey is ‘gonna have his own movie’ next”.

Eddie Murphy is returning to the fairytale-fueled world of “Shrek.”

In an interview with Collider published Monday, Murphy opened up about voice acting as “Donkey” in the franchise’s next film. “We started doing ‘Shrek’ four or five months ago,” Murphy told Collider, while promoting his latest “Beverly Hills Cop” installment, “I recorded the first act, and we’ll be doing it this year, we’ll finish it up.”

“Another ‘Shrek’is coming out, and Donkey’s gonna have his own (spin-off) movie,” Murphy said, adding later that he thinks “Shrek 5” will be released sometime in 2025….

(13) CHEEK TO CHEEK. “Scientists in Japan Give Robots a Fleshy Face and a Smile” according to Yahoo!

Engineers in Japan are trying to get robots to imitate that particularly human expression — the smile.

They have created a face mask from human skin cells and attached it to robots with a novel technique that conceals the binding and is flexible enough to turn down into a grimace or up into a squishy smile.

The effect is something between Hannibal Lecter’s terrifying mask and the Claymation figure Gumby.

But scientists say the prototypes pave the way for more sophisticated robots, with an outward layer both elastic and durable enough to protect the machine while making it appear more human.

Beyond expressiveness, the “skin equivalent,” as the researchers call it, which is made from living skin cells in a lab, can scar and burn and also self-heal, according to a study published June 25 in the journal Cell Reports Physical Science…

…Scientists, including Takeuchi and his colleagues at the University of Tokyo, have been working with lab-made human skin for years.

In 2022, the research team developed a robotic finger covered in living skin, allowing the machine’s digit to bend like a human finger, giving it the tactility to potentially perform more precise tasks.

Takeuchi’s team had tried anchoring the skin with mini-hooks, but those caused tears as the robot moved. So the team decided to mimic ligaments, the tiny ropes of loose tissue that connect bones….

(14) VIDEO OF THE DAY. “90s Time Traveler Discovers Taylor Swift” — Ryan George tell how it happened.

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Lloyd Penney, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, Kathy Sullivan, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Steve Wright.]

Pixel Scroll 5/1/24 Pak Up Your Pixels In An Old Scrith Bag And Smile, Smile, Smile

Posted on May 1, 2024 by Mike Glyer

(1) A SHAMELESS PLUG FOR “THE AI SONG,” A PARODY BY MY FRIEND (AND COLLEAGUE) PAUL SCHINDLER. [Item by Daniel Dern.] My friend, colleague, and former-boss — briefly (at Byte.com) — Paul Schindler, knowing that I’m a frequent File770 contributor/suggester (from my periodically alerting him to Terry Pratchett and other Scrolls/Items here) asked me to submit as a potential item his recent song parody:

“Inspired by a spate of recent news stories about Artificial Intelligence (including one about a fake Supreme Court decision), I have written (with Clark Smith), “The AI Song” (“P.S. A Column On Things: The AI Song”), including a YouTubing.”

I’m happy to do so, but thought Paul also deserves a (brief-for-me) introduction, particularly since it looks like this will be his first appearance in an Item in a Scroll (as, for the benefit of those coming here via Paul, and other newcomers), File770 posts, and enumerated entries, are irrespectively called):

Paul is (among other things) a (now-former) tech journalist. In terms of AI, Paul notes/recalls, “During the early 1970s, when Daniel and I were fellow undergrads—including working on the student newspapers–at MIT, I interviewed Marvin Minsky several times about AI. This was back when it took very large machines to implement very small models. I remember asking Minsky how many millions of rules it would take to make an AI as smart as a five-year-old.”

While editor of Byte.com, Paul worked with/“managed” the late Jerry Pournelle, notably regarding Jerry’s Chaos Manor column – and post-Byte.com, stayed friends with Jerry. (See Paul’s P.S. A Column On Things post, “My Pal Jerry”). (Note: Byte.com was where Paul was my boss — see my March 2001 “Dern Bids Farewell To Byte.com”).

Additionally, Byte.com-wise, Jerry was the regular, primary guest on the Byte.com Week In Review/Audio Review: The Worldʼs First Podcast, with Paul as the host. (I was involved in a few episodes.) Among other things, Jerry would tell some tales from his variegated past. (It looks like there’s a few episodes on the Internet Archive, per links in Paul’s post.)

More generally, Paul is an sf reader/watcher (among other stuff). In “My Pal Jerry,” he says, “I read all the science fiction in my childhood branch library and subscribed to the Science Fiction Book Of The Month Club (my premium was The Foundation Trilogy.” Another data point: He cites Joe Haldeman’s The Hemingway Hoax in a footnote to one of his PSaCoTs: “An Open Memo To My Muse”.

(2) GOOD LUCK! When Nick Stathopoulos delivered this year’s Archibald Prize entry to the Art Gallery of New South Wales, they posted a snapshot on Facebook. The 10-time Ditmar Award winner won the prize in 2017.

Nick Stathopoulos holding his portrait of David Stratton.

(3) SMALL WONDERS #11. Issue 11 of Small Wonders, the magazine for science fiction and fantasy flash fiction and poetry, is now available on virtual newsstands here. Co-editors Cislyn Smith and Stephen Granade bring a mix of flash fiction and poetry from authors and poets who are familiar to SFF readers as well as those publishing their first-ever piece with them.

The Issue 11 Table of Contents and release dates on the Small Wonders website:

Cover Art:”Meywa Sowen” by M. A. Del Rosario
“Celestial Bodies” (fiction) by Mar Vincent (6 May)
“Music of the Seraphim” (poem) by Angel Leal (8 May)
“What You Sow” (fiction) by Holly Schofield (10 May)
“Eloīse” (fiction) by Albert Chu (13 May)
“Kannaki Contemplates” (poem) by Tehnuka (15 May)
“Up From Out of Clay” (fiction) by Eris Young (17 May)
“Unbending My Bones” (fiction) by Sierra Branham (20 May)
“Swan’s Song” (poem) by Colleen Anderson (22 May)
“The Stars That Fall” (fiction) by Samantha Murray (24 May)

Subscriptions are available at the magazine’s store the magazine’s store, Patreon, and Weightless Books.

(4) SOFT SF. If only reading social media was always this much fun: Premee Mohamed at Bluesky.

(5) AMAZING STORIES WANTS WHAT IT’S OWED. Steve Davidson is trying to get NBC to pay attention – and pay the money they’ve owed Amazing Stories since 2020. He’s asking anyone who’s willing to signal boost the statement he posted on Facebook.

This is VERY important and I would appreciate reader’s doing two things (if they agree and are comfortable doing so):

First – share this as far and wide as you can. You are granted permission to copy the original text, in its entirety and without alteration, in order to share it elsewhere.

Second – if you are a professional in the field and support this effort, I would like to hear from you personally via PM.

OK – here goes:

Last week I was informed by NBC representatives that I would have a communication from them regarding my missing payments on Tuesday (April 30) of this week.

That email was in response to a query I sent to them regarding this non-payment issue.

In the email, I stated that in the past, the only way(s) in which it seemed that I was able to get any action out of them was to go public with the issue.

Twice previously I had to engage in such actions in order to get breaches of the contract cured through renegotiation.

Major Hollywood personalities and production entities were embarrassed, upset and angered at the time by my accurate and truthful statements.

Tuesday has come and gone with nary a whisper.

I (and by extension, Amazing Stories) have been owed contractually negotiated fees since October of 2020.

Read that date carefully. Later this year, non-payment will have gone on for FOUR years.

While the funds owing are not great by Hollywood standards, they are great by Amazing Stories’ standards and affect its ability to pay authors and artists and others appropriate amounts. The absence of those funds has also negatively affected Amazing’s ability to promote and market its offerings as well.

I informed NBC representatives that if I did not hear back from them (with progress) when they had promised to do so, I would be launching a crowd funding campaign to see if we could raise the missing dollars elsewhere.

I also informed them that, out of necessity, that crowd funding effort would have to explain the entire history of my dealings with NBC (since 2015).

Not included in my email to NBC representatives was my additional intention to encourage NBC to voluntarily give up the rights I licensed to them.

When the contract was in breach (and NBC notified of termination – a notice that they also did not respond to until after I had gone public) I contacted several production studios with the idea of licensing them to do a show under that name.

Several responded in the affirmative, even to the point of discussing a production partnership, in which Amazing Stories would have production credit and direct creative input into the show (after I pitched them the idea that I would be seeking Science Fiction authors with script writing experience to create episodes, as well as to script existing classics of the genre), but that they could not move forward until the “legal encumbrances” had been settled.

The point being that, if free, the name could be used to (attempt) to produce a television show that would have great respect for the genre, would involve contemporary authors with proven story telling and script writing chops, would have ties to the magazine version and, obviously, the greater public footprint that a television show would bring.

(Some may be familiar with the radio shows Dimension X and X Minus 1, where episodes were based on short stories drawn from the magazines of the era. This is what we believe we could do with television.)

I will be forwarding a copy of this FB post to my contacts at NBC (again, who promised response by yesterday which was not forthcoming) and will begin putting together the crowd funding effort that I hope my friends and fellow fans here and elsewhere will support, either by contributing or helping to spread the word.

That effort will be seeking funds to support the legal action of terminating the licensing agreement.

Initial filings in pursuit of that goal are expected to cost approximately 15 to 20k. Some or all of those funds may be recoverable, depending upon a legal ruling.

AGAIN. It is important for this statement to gain wide distribution if it going to have the desired effect. The crowd funding campaign will include additional details and suggestions as to how folks can help advance this effort, but starting here on FB will give it a boost.

Thank you.

“I can’t be ignored. I won’t be ghosted. I can no longer be bargained with. I feel no remorse or fear. And I absolutely will not stop, ever, until this matter is settled to my satisfaction!”

(6) TENTACULUM #4 IS A FREE DOWNLOAD. The special Weird West issue of The Tentaculum is now available for all to download for free.

Featuring short fiction from Cedrick May, Arthur H. Manners, Sasha Brown, and Avra Margariti. This issue also includes nonfiction from Cedrick May and returning contributor Bobby Derie.

Edited by Cameron Howard and designed by Braulio Tellez. Cover and story illustrations by Tristan Tolhurst.

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born May 1, 1946 — Joanna Lumley, 78. Quick, tell me who appeared as a member of The Avengers, the real Avengers who have class, not the comic ones, was in a Bond film, and was Doctor Who as well. Now that would be the woman with the full name of Dame Joanna Lamond Lumley.

Her first genre role was a very minor one as it was essentially in the background as an English girl as she would be credited in On Her Majesty’s Secret Service.

I certainly don’t remember her there but I confess I’ve only seen it once I think.

(She’ll have a very minor role in the horror film Tam-Lin shock will get repackaged as The Ballad of Tam-Lin, The Devil’s Widow and The Devil’s Woman as well. I doubt it bears but the faintest resemblance to the actual ballad.

Her first significant genre role was on The New Avengers as Purdey, a former Royal Ballet member who said her high kicks were from her training there (a dubious claim). (And yes, Patrick Macnee was back as Steed.) Along with Mike Gambit as played by Gareth Hunt who had appeared in the Doctor Who’s “Planet of the Spiders”, that was the team on the New Avengers.

It lasted but two seasons and twenty-six episodes. Yes, I loved it. The chemistry between the three of them was excellent, perhaps better than it had been Steed and some of his solo partners.

Her second genre role was in Sapphire & Steel. She played Sapphire and David McCallum was Steel. It was considered a supernatural series. I’ve not seen it though I should watch it on YouTube as it legally up there courtesy of Shout Factory which is the company that now has the distribution license for it, so you see the first episode here.

She’s appeared in two Pink Panther films, Trail of the Pink Panther as Marie Jouvet and Curse of the Pink Panther as Countess Chandra. I’m amazed how many of those films there have been!

She voiced Aunt Spiker in James and the Giant Peach. Likewise, she’s Madame Everglot in Tim Burton’s Corpse Bride.

Finally, she played Doctor Who in The Curse of Fatal Death, a Doctor Who special made for the 1999 Red Nose Day charity telethon. It was Stephen Moffat’s first Who script. She was simply The Female Doctor. I’d like to link to the copies on YouTube but I’m absolutely sure they’re all bootlegs so please don’t offer up links to them.

(8) COMICS SECTION.

Close to Home gives a kaiju directions.
Frank and Ernest is about pet cuisine.
Mannequin on the Moon remembers the poiuyt. But do you?
Moderately Confused is about growing things.
Shoe multitasks.
Speedbump might be a variation on a Hitchcock film.

(9) HE-MAN HAS APPOINTMENT WITH THE BIG SCREEN. “’Masters of the Universe’ Finally Hitting Theaters Summer 2026” reveals Deadline. We predict Cora Buhlert will buy a ticket to see it!

The power of Greyskull is happening on June 5, 2026 when Amazon MGM Studios’ and Mattel Films’ finally bring their live-action reboot of Masters of the Universe to theaters.

As Deadline first told you, Bumblebee filmmaker Travis Knight is directing off Chris Butler’s screenplay (the initial draft written by David Callaham, and Aaron and Adam Nee). Mattel Films’ Robbie Brenner, and Escape Artists’ Todd Black, Jason Blumenthal, and Steve Tisch are producing.

The movie follows ten-year-old Prince Adam who crashed to Earth in a spaceship and was separated from his magical Power Sword—the only link to his home on Eternia. After tracking it down almost two decades later, Prince Adam is whisked back across space to defend his home planet against the evil forces of Skeletor. But to defeat such a powerful villain, Prince Adam will first need to uncover the mysteries of his past and become He-Man: the most powerful man in the Universe….

(10) CALL HER AGENT. Inverse is listening as “5 Years Later, Billie Lourd Pitches the Star Wars Spinoff We Need Right Now”.

…Lourd first appeared as Resistance Lieutenant Kaydel Ko Connix in The Force Awakens, and has only become more involved in the franchise since. Following Fisher’s passing in 2017, Lourd has become the “keeper” of Princess Leia, standing in for a younger version of the character in a Rise of Skywalker flashback. Returning to that galaxy far away has been a “difficult” experience for Lourd, but nowadays, the actress is keen to reprise her role as Connix.

“I would do anything to come back to any Star Wars franchise. I am absolutely available,” Lourd tells Inverse. “Getting to play Connix was such a gift, and to get to do it again would just be insane.”…

(11) THREE-BODY SCIENCE. [Item by Steven French.] “The science of 3 Body Problem: what’s fact and what’s fiction?” “Nature spoke to the sci-fi program’s adviser and two other researchers about the portrayal of PhD scientists and their technologies.”

…An alien civilization spying on humans using quantum entanglement. A planet chaotically orbiting three stars. Nanofibres capable of slicing through Earth’s hardest substance, diamond. Despite being chock-full of hardcore science, 3 Body Problem, a television series released on 21 March by the streaming service Netflix, has been a hit with audiences. So far, it has spent five weeks straight in Netflix’s list of the top-three programs viewed globally.

The story follows five young scientists who studied together at the University of Oxford, UK, as they grapple with mysterious deaths, particle-physics gone awry and aliens called the San-Ti who have their sights set on Earth. But how much of the science in the sci-fi epic, based on the award-winning book trilogy Remembrance of Earth’s Past by the Chinese writer Cixin Liu, reflects reality, and how much is wishful thinking? To find out, Nature spoke to three real-world scientists.…

(12) NOT ONLY IN WASHINGTON. “Is Alien Abduction Insurance a Thing in Washington State?” asks KPQ.

…Before we get into Washington’s take on the subject, it’s worth mentioning that this peculiar form of insurance coverage is associated with the Saint Lawrence Agency in Altamonte Springs, Florida.

Founded in 1987, this agency is famous for being the pioneering provider of alien abduction insurance policies. Over the years, the agency has made headlines and garnered both support and skepticism for its alien abduction policy.

The Saint Lawrence Agency reports to have sold thousands of these policies worldwide.

The policy costs $19.99 and pays out 10 million dollars if you get abducted. It’s important to note that, you’ll need an alien signature to verify your claims….

Newsweek read the fine print.

…The alien abduction scheme says it provides $10 million compensation in the event the policyholder is beamed up. It covers medical issues (all outpatient psychiatric care), sarcasm coverage (immediate family members only) and double indemnity coverage to the sum of $20 million in the event aliens insist on conjugal visits or the extraterrestrial encounter results in offspring.

St. Lawrence told WFLA last month his business has sold upwards of 6,000 policies since 1987. He says there have been two claims since the company formation—and only one big payout. The catch is in the fine print: cash is paid in installments of $1 per year for 10 million years….

(13) CALLS X-FILES SCENE “CRINGEY”. File 770 readers may be interested in this thumbnail self-retrospective of Gillian Anderson’s career produced by Vanity Fair. Of particular interest, of course, will be the first segment discussing The X-Files. But one of her other roles covered (as the psychiatrist in Hannibal) is at least genre adjacent. “Gillian Anderson Rewatches The X-Files, Sex Education, Scoop & More”.

(14) SHELL GAMES. Here is a cute stop motion video featuring a crossover of Masters of the Universe and Teenage Mutant Ninja Turtles.

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Cora Buhlert, Stephen Granade, Teddy Harvia, Kathy Sullivan, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 2/14/24 Big Pixel in Little Scroll

Posted on February 14, 2024 by Mike Glyer

(1) OOKPIK FIXED. Terry Fong, chair of the Montréal in 2027 Worldcon bid, sent an official reply to a question from File 770 about the $350 level presupport.

We goofed on the wording of one of our membership presupport levels. The description of our highest level (Ookpik) now reads as follow:

“We will pay your Advance WSFS membership (voting fee) in the 2027 Site Selection election. You still will have to join the 2025 Worldcon as at least a WSFS (supporting) member in order to vote on the 2027 Site Selection. (Of course, you have to cast your own ballot.) If we win, you will get a full attending membership including a WSFS membership. All the perks of lower support levels, a piece of nifty swag from a previous CANSMOF-sponsored convention AND a fridge magnet. You also get a unique nifty cool ribbon for your support at this level.”

Apologies to all for any confusion arising from our previous wording.

(2) HEAR TERRY PRATCHETT. Fanac.org has added an audio recording of Terry Pratchett’s GoH speech from Noreascon 4 (2004).

It’s very, very, funny. The recording is about 1 hr, 10 minutes long. It does not include all the Q&A. Audio provided by Steven Silver. Thanks, Steven! Portrait of Terry Pratchett by Charles Williams, from the N4 Program Book.

Noreascon 4 Program Book art by Charles Williams

(3) NERD LOVE. [Item by Daniel Dern.] From the New York Times: “Who Kissed First? Archaeology Has an Answer”.

This is a love story:…

They met a week earlier at a pub near the University of Copenhagen, where both were undergraduates. “I had asked my cousin if he knew any nice single guys with long hair and long beards,” Dr. Rasmussen said. “And he said, ‘Sure, I’ll introduce you to one.’”

Dr. Arboll, in turn, had been looking for a partner that shared his interest in Assyriology, the study of Mesopotamian languages and the sources written in them. “Not many people know what an Assyriologist actually does,” he told her.

“I do,” said Dr. Rasmussen, who had taken some of the same classes.

Dr. Arboll, now a professor of Assyriology at the university, said, “When I heard that, I knew she was a keeper.” …

(4) NOW, WHATEVER YOU DO, DON’T PANIC! [Item by SF Concatenaton’s Jonathan Cowie.] Douglas Adams’ novel The Hitch-Hiker’s Guide to the Galaxy (1979) was the subject of the last third of this week’s BBC Radio 4 show A Good Read.

Now, I came to Hitch-Hiker’s in its original incarnation as the 1978 BBC 4 Radio show the last two episodes of which greatly benefited from some cohesiveness from John Lloyd. That season and the subsequent ‘Christmas edition’ (which became the first episode of the second season) is for me what Hitch-Hiker’s is all about: to me, you can keep the subsequent series; the fist season and Christmas episode alone were works of true genius).

I was not alone, Hitch-Hiker’s was a favourite with almost all to my fellow members of my college SF group, Hatfield PSIFA (now Hertfordshire University PSIFA). And even then we were not alone. I remember at the 1979 Worldcon in Brighton, Britain, when the Hugo Award short-list for ‘Best Dramatic Presentation’ was read out there was a huge cheer from the audience. As it happened, the film Superman won and Kal El himself in the mortal guise of Christopher Reeve (not Clark Kent) took to the stage. He, very graciously, said while he was happy that technically Superman had won that clearly for the people there in the hall it was Hitch-Hiker’s that was the true winner… (You have to remember that, back in the 1970s, N. America dominated the Worldcon and Hugos far more than they do today.)

Which brings us to this week’s BBC Radio 4 A Good Read. The presenter noted that though the novel (1979) came out some 45 years ago, Hitch-Hiker’s had never been a subject on that programme! It has to be said that the novel did not get an entirely smooth ride as one of the show’s panelists did not like SF and another took a more of a curate’s egg approach. All this despite the presenter noting that 15 million copies of the book had been sold among other related adaptations to other media and merch. Nonetheless, some interesting points were made including that the character Zaphod Beeblebrox was a politician who actually never did run anything but was a self-serving, self publicist… It was noted that here there are parallels with some of today’s politicians (examples, it was hinted, including in the UK and elsewhere (the US?), who could she have meant?).

“Harriett’s choice is Douglas Adams’ story about Arthur Dent’s journey through space with an alien called Ford Prefect after earth is demolished to make way for a bypass.”

You can access this episode of A Good Read at the link. Remember to skip to the programme’s final third. (Phew. Now, where’s my towel?)

(5) COURT TOSSES FOUR CLAIMS IN SUIT AGAINST OPEN AI. “Court Trims Authors’ Copyright Lawsuit Against Open AI” – Publishers Weekly knows where it was clipped.

A federal judge in California this week dismissed four of six claims made by authors in a now consolidated lawsuit alleging that Open AI infringes their copyrights. But the court gave the authors a month to amend their complaint, and the suit’s core claim of direct infringement—which Open AI did not seek to dismiss—remains active.

Following a December 7 hearing, federal judge Araceli Martínez-Olguín needed just 13 pages to dismiss a host of claims made by the authors, including vicarious infringement (count two), claims that Open AI removed or altered copyright management information (count three); negligence under the unfair competition law (count five); and unjust enrichment (count six). The court allowed a fourth claim of “unfairness” under the unfair competition law to proceed, however, holding that, if true, the authors’ claims that Open AI used their copyrighted works “to train their language models for commercial profit may constitute an unfair practice.”….

Amazing Stories has a more quotes from the decision in its post “Breaking: AI Copyright Infringement Claims Rejected”.

(6) THE ‘SHOW’ SHOULD GO ON. Philip Athans turns to an old paperback for an example of “What We Can Learn From A Random Science Fiction Novel: ‘Show’ Vs. Info Dump” at Fantasy Author’s Handbook.

…When I say “show, don’t tell,” the first thing I’m attacking is the info dump. This is when authors effectively stop the story and start explaining, when they start writing an article instead of a scene. I’ve called out one author on that here, so you can see an example of what not to do, but in reading—and loving—Star Bridge, when I got to Chapter 8, I found a fantastic example of how to balance showing a character’s experience of an imagined world while conveying, not dumping, all sorts of specific information about how that world operates.

In Star Bridge, authors Jack Williamson and James E. Gunn seems to have committed the cardinal sin of opening each and every chapter with what, on the surface, would appear to be short info dumps. Presented under the title THE HISTORY, we’re “told” a little about the unique future in which interstellar travel, via a teleportation device, is strictly controlled by Eron, a monopoly that has reached essentially imperial status. The story begins with our hero, Horn, having been sent to assassinate the leader of this monopoly. It’s a fun ride, and one that goes into deeper places as the story unfolds….

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born February 14, 1970 — Simon Pegg, 54. Though Simon Pegg’s certainly not James Doohan, who’s beloved for being the first and for most Trekkies still the only Montgomery “Scotty” Scott no doubt, I found his version in Star Trek, Star Trek Into Darkness and Star Trek Beyond to be quite true to the original character. Though it’s been eight years since the last film, they are talking apparently about a fourth film.

(For the record, I thought the primary actors were fine in all three, but the scripts in the second two sucked. And the less said a certain recast villian from the original series, the better.)

Paramount + has all of the Tom Cruise Mission Impossible films of which there are eight so far. Pegg is Benji Dunn, an IMF technician, who debuts in Mission: Impossible III as a supporting protagonist before returning in Mission: Impossible – Ghost Protocol, Mission: Impossible — Rogue Nation, Mission: Impossible – Fallout, Mission: Impossible – Dead Reckoning Part One, and Part Two, no longer as a supporting cast member but as a leading cast member.

So who’s seen some of these? Opinions please?

Now let’s deal with his non-franchise film roles. His first venture into the genre was Shaun of the Dead which he co-wrote with Edgar Wright and had an acting role in as, errr, Shaun. Of course he got, wait for it, the meaty role. You can groan now.

It was inspired by ideas they used for their Spaced comedy series about two women living in a small but posh apartment, particularly an episode in which Pegg’s character hallucinates a zombie invasion. Though not SF, the fourteen episodes often made references to popular culture, including SF and horror films, comic books, and video games.

At Romero’s invitation, Pegg and Wright made both cameo appearances in Romero’s Land of the Dead. Not meaty roles, but they are there.

He appeared in a Ninth Doctor story, “the Long Game” as The Editor. The BBC press release for this episode says Pegg had grown up with Who and he considered it a “great honour” to guest star on the series, and he was rather pleased at being cast as a bad guy.

I’m going to note just several of the animated works he did. He did the voice and motion capture for detective Thompson in The Adventures of Tintin (also known, though I didn’t know this before as charmingly as The Adventures of Tintin: The Secret of the Unicorn). And he did the voice of what sounds like a bad sneeze, Reepicheep the Mouse, in The Chronicles of Narnia: The Voyage of the Dawn Treader.

Let’s end with Nandor Fodor and the Talking Mongoose, a curious film indeed. It is based on the legend of Gef an apparently talking mongoose , a story that got extensive coverage in the British tabloid press in the early 1930s. Pegg plays investigator Nandor Fodor, and Neil Gaiman voices Gef. It left British critics terribly annoyed. Not that it takes much to annoy them, does it?

(8) COMICS SECTION.

Eek! reveals the truth about a superhero’s laundry.
Speed Bump shows the last person on Earth learning the reason she’s still around.

(9) FANTASTIC CAST. Variety names names: “Fantastic Four: Pedro Pascal, Vanessa Kirby, Joseph Quinn Cast at Marvel (variety.com)

The superhero quartet — the first characters created for Marvel Comics by Stan Lee and Jack Kirby — will be played by Pedro Pascal as Reed Richards (aka Mr. Fantastic), Vanessa Kirby as Sue Storm (aka the Invisible Woman), Joseph Quinn as Johnny Storm (aka the Human Torch) and Ebon Moss-Bachrach as Ben Grimm (aka the Thing).

As part of the casting announcement, Disney has swapped the release dates of “The Fantastic Four” (now set for July 25, 2025) and “Thunderbolts” (now set for May 2, 2025). Those are two of four Marvel tentpoles currently set to open in 2025, along with “Captain America: Brave New World” in February and “Blade” in November. Four Marvel films are also scheduled for 2026, including “Avengers: The Kang Dynasty.” That’s a ramp up from 2024: Marvel only has “Deadpool & Wolverine” for theaters, on July 26….

(10) OH WHAT A TANGLED WEB. Inverse critic Hoai-Tran Bui declares that “Madame Web Is Embarrassing for Everyone Involved”.

… Madame Web isn’t so much a movie as it is the pretense of one — a collection of Easter eggs and prequel nonsense strung together by half-assed ADR and dialogue that feels like it was drummed up in Screenwriting 101. But the most alarming thing about Madame Web is that it is a movie that never really gets started. Instead, it’s just one long prelude to the actual story, like being trapped in one of Cassie Webb’s time-looping visions with no escape….

(11) REPO’D AGAIN. “Alex Cox Directing Kiowa Gordon in ‘Repo Man 2’” reports Variety.

Alex Cox is getting back behind the wheel.

The “Repo Man” director is revisiting the off-kilter world of extraterrestrials and car repossession that he mined so memorably in the 1984 cult classic in a new sequel that is being introduced to buyers at the Berlin Film Festival and European Film Market. Entitled “Repo Man 2: The Wages of Beer,” the film is being backed by Buffalo 8 Productions, a film and media company best known for the critically acclaimed work on Netflix series “The Jeffrey Dahmer Tapes.” Cox wrote the script along with directing the film.

Kiowa Gordon, best known for his role as Embry Call in “The Twilight Saga” and for his work in the AMC series “Dark Winds,” is set to lead the cast as Otto. Emilio Estevez played Otto in the 1984 original. The film picks up after Otto has boarded his trusty 1967 Chevy Malibu to journey across the infinities of time and space. In that time he has aged exactly 90 minutes.

(12) FOR THOSE WITH YOUNGER DIGESTIVE TRACTS. “Mountain Dew pie and chocolate tacos revealed in Taco Bell showcase” reports Independent. See the hour-long event in this YouTube video: “Taco Bell Presents Live Más Live 2024”.

(13) THAT IS THE QUESTION. Revisit Sir Patrick Stewart’s visit to Sesame Street from many years ago: “Patrick Stewart Soliloquy on B”.

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Daniel Dern, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Danny Sichel.]

Pixel Scroll 12/11/23 Pixelmancer

Posted on December 11, 2023 by Mike Glyer

(1) BOTTOM FALLS OUT OF THE CORRAIN MARKET. Cait Corrain, a debut author who was on Goodreads dropping one-star reviews on several others’ debut novels (see Pixel Scroll 12/7/23 item #1 and Pixel Scroll 12/8/23 item #4) has lost her agent, her publisher has pulled the book, and Ilumicrate has dropped her book from the upcoming crate.

The story even made NBC News today: “Author Cait Corrain loses book deal after accusations of review bombing on Goodreads”.

A first-time author has been dropped by her U.S. publisher and her agent after readers and fellow authors accused her of posting fake negative reviews to a popular book recommendation website.

Many within the book community last week appeared to publicly turn against Cait Corrain, the author of the coming sci-fi fantasy novel “Crown of Starlight,” after allegations surfaced that she made fake accounts on the Amazon-owned book review platform Goodreads to post negative user reviews online about fellow authors — a practice known as review-bombing….

(2) WORLDCONS AND HUMAN RIGHTS. Amazing Stories’ Steve Davidson has interviewed the writer of “Worldconned: How China Co-Opted Sci-Fi’s Crown Jewel Amidst the Uyghur Genocide”, recently linked in the Scroll: “Human Rights & Worldcon: An Interview with Danielle Ranucci of the Human Rights Foundation”.

ASM: In moving forward, do you think that WSFS and its members should be taking a host country’s politics and human rights into consideration when accepting bids for host countries?

D.R.: It’s essential for WSFS and its members to take a host country’s politics and human rights into consideration when accepting bids. There are many reasons for this. First, self-protection. How safe would it be for an attending member to publicly criticize China for its genocide at the 2023 Worldcon? For reference, when China hosted the 2022 Olympics, it warned Olympic athletes not to criticize the regime or they would face consequences. Given how China had handled protestors during the 2008 Beijing Olympics, the consequences for speaking out against the regime are all too evident: intimidation, arrests, and killings.

It would be downright perilous for anyone to criticize China while at Worldcon. Now, I doubt that state repression is a common conversation topic at Worldcon, but the extreme danger that members would face for even broaching this topic means that they are never truly secure. For every second they spend in a dictatorship like China, their safety is always jeopardized. Clearly, it is unconscionable to ignore a country’s human rights record and so jeopardize the safety of attending members in this way.

Considering human rights also helps protect Worldcon from being twisted into a tool of totalitarian repression. Hosting events like Worldcon helps dictatorships distract from, and legitimize, ongoing repression. I wrote about the effect such reputation-laundering has on outside countries, but it also has an important effect on those living within the dictatorship: It isolates them. Americans praise China’s futuristic-looking sci-fi museum while Chinese citizens can’t even find employment. Yet their lived experiences become invalidated. Their reality is made unimportant. And for people being persecuted by the regime, to diminish their suffering in this way is to forsake them. In a sense, it’s to render their pasts, presents, and futures meaningless….

(3) A CONFEDERATE HELICOPTER? An Alabama inventor tried to design a helicopter for military use during the Civil War. What could be steampunk-ier than that? “Helicopters During the Civil War? Almost” at Historynet.

…What if Confederates had invented a helicopter capable of dropping bombs?

It came closer to happening than many people realize. An innovative inventor in Alabama saw the potential for such an aircraft and actually drew up plans for how it might fly. Those drawings are preserved today in the archives of the National Air and Space Museum at the Smithsonian Institution in Washington, D.C.

By January 20, 1862, Union ships had managed to prevent most vessels from entering or leaving the major Confederate port of Mobile Bay. While certainly not a complete cordon, the blockade cut off delivery of supplies and, more important, the export of cotton to other nations—a much-needed source of income for the Southern war effort.

William C. Powers believed he had the answer to breaking the blockade: a motorized airship capable of bombing the Northern fleet. Known today as the Confederate helicopter, his idea offered a revolutionary look at solving a bothersome military problem….

…And to many historians as well. Powers’ plans and a small-scale model he built were donated by his family to the Smithsonian Institution in 1941. Since then, researchers and aeronautical engineers have pored over his design to determine the scope and feasibility of his idea….

(4) GETTING IT RIGHT AND GETTING IT WRONG. [Item by SF Concatenation’s Jonathan Cowie.] This weekend’s Infinite Monkey Cage on BBC Radio 4 looked at the depiction of space in SF film compared to reality.

Infinite Monkey Cage is a light-hearted look at science co-hosted by a comedian and a physicist (other sciences are available). This week they were accompanied by an Oscar winning SFX person and three astronauts.

There was much covered during the course of the show including how one aspect of space craft SFX they deliberately got wrong for Interstellar because it looked right. And in Gravity Sandra Bullock would not have worn those undies as nappies are the order of the day…You can listen to the 25-minute programme here.

Brian Cox and Robin Ince put Hollywood under the microscope to unpick the science fact versus science fiction of some of the biggest movies set in space. They are joined by a truly out of this world panel of space experts including astronauts Tim Peake, Nicole Stott and Susan Kilrain alongside Oscar winning Special FX director Paul Franklin, whose movies include Interstellar and First Man. Tim, Nicole and Susan fact check how space travel and astronauts are portrayed in movies such as Gravity and The Martian, whilst Brian and Robin argue about Robin’s lack of enthusiasm for Star Wars. They look back at some of the greatest Space movies including Alien and 2001 A Space Odyssey and ask whether some fictional aspects of these blockbusters may not be so far from our future reality?

(5) BLACKLOCK Q&A. The Arthur C. Clarke Award blog has a piece about “The Nonfiction of J.G. Ballard: An interview with editor Mark Blacklock” at Medium. Blacklock’s new book is The Selected Nonfiction of J. G. Ballard.

MARK: … Once it was all gathered, my first instinct was to include everything, but wiser counsel prevailed: it would have been unmanageable. I made sure to include anything significant that had been ignored for A User’s Guide or turned up since — the Introduction to the French Edition of Crash, for example, which I think he felt was not for a general audience; all the commentaries on his own work that had appeared in forewords and introductory glosses; and a sample of the reviews he wrote for Chemistry & Industry at the start of his career. I cut the number of book reviews that make up the majority of A User’s Guide too, in favour of showing a greater range of his work — the lists and glossaries, the “capsule commentaries.” The major decisions then were over which of the book reviews to include, because he was so prolific as a reviewer. I have about 30 of some 180. I printed them all off, read them several times and gave them all star ratings and then selected from the top-starred for a representative range across dates and publications. This felt like quite a heavy responsibility, but all the reviews are included in the bibliography so geeks like us can go and find those that aren’t in the book….

(6) CHENGDU WORLDCON COVERAGE CONTINUES. [Item by Ersatz Culture.] There have been several con reports and related news items since the last update in a Scroll; the following are a fairly arbitrary selection of recent and older items, with more to follow at some point.

Sylvia Hildr con report

This is a unique – I think – report, in that it’s written in English by a Chinese person. Given that this report isn’t subject to the vagaries of machine translation, I’ll just include a short extract here

Did I have a good time? Well, I met with fans and writers who share the same deep passion for science fiction and it was fascinating experiences. I learned of lots of sci-fi magazines and databases where organizers put their best efforts to make it easier for Chinese fans to open their eyes. I will always cherish these memories. But, the difficulties that these people had to overcome truly blew my mind. Not a single conversation could end without any reasonable complaints. I could not take the stance for them but as I checked WeChat groups and Moments, or talked with friends, the situation was the same.

Hugo finalist Yang Feng receives WSJ magazine award

On Saturday, Best Editor (Short Form) and Best Related Work Hugo finalist Yang Feng received an award from the Chinese edition of the Wall Street Journal magazine; relevant Weibo posts are here, here and here. I’m not sure exactly what relevance is of the guy with the shamisen-esque stringed instrument, but traditional music seems to have been a running theme of the awards ceremony.

I don’t think this is directly Worldcon/Hugo related, as the award seems to have been for business innovation, so it was possibly more due to her being CEO of the 8 Light Minutes publishing company?

Chengdu kids write about their Worldcon experiences

In early November, Character Weekly – which seems to be a magazine aimed at a young audience – published several short write-ups and photos (alternative link) from Chengdu children documenting their thoughts about attending the Worldcon. A couple of examples (via Google Translate, with manual edits):

I felt very honored to visit the World Science Fiction Convention that was held in Chengdu. In the science fiction museum, I communicated with an intelligent robot dog, walked through a fantasy universe, and saw various science fiction works that I had never heard of before. I was particularly fortunate to have a brief exchange, and to take a photo with, Mr. Ben Yalow, Chairman of the Worldcon. Through this event, I truly felt the infinite imagination of human beings and the charm of science fiction.

_________________

A few days ago, my mother and I participated in the 81st World Science Fiction Conference held in my hometown of Chengdu. In the Chengdu Science Fiction Museum, which is like a vast nebula, we experienced The Wandering Earth, Benben [the giant robot/vehicle structure], Kemeng [aka Kormo, the mascot), and the Hugo Awards with science fiction fans from all over the world, wonderful lectures by science fiction celebrities, etc., I also collected a book full of autographs, and took photos next to the beautiful Hugo Hall. This is the closest experience I have to science fiction, and I hope that one day I can do follow the same path, winning the Hugo Award for writing good science fiction works. I will meet the future with my scientific dreams.

Lukyanenko ends China tour

This Weibo post from his Chinese publisher covers the final event in Shanghai on Sunday 10th.

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born December 11, 1959 — M. Rickert, 64. Tonight’s Birthday is that of M. Rickert who I must say never disappoints me. I loved her writing ever since I read her very first short story nearly a quarter of a century ago, “The Girl Who Ate Butterflies”. It’s certainly a wonderful story.

I’d say that two-thirds of her nearly fifty pieces of short fiction were published in The Magazine of Fantasy & Science Fiction. Very impressive indeed. Some picked up well deserved awards— “Journey into the Kingdom” won a World Fantasy Award, and “The Corpse Painter’s Masterpiece” a Shirley Jackson Award. Many more were nominated for Awards.

There are three collections of her short fictions, both well worth your time on these cold nights. The first, Map of Dreams, covers a wide spread of her stories, and won a World Fantasy Award and the Crawford Award. The “Map of Dreams” novella herein was also nominated for a World Fantasy Award.

The second, Holiday, showing how prolific she is as a short fiction writer as it is filled with just stories from 2006 and 2007. You can find “Journey into the Kingdom” here.

The third, You Have Never Been Here: New and Selected Stories, to a certain extent is less necessary than the first two as a large part of it is already in the first two. If you’re a fan of hers, by all means pick it up.

Now her novels, her interesting novels. Both are very impressive with my favorite being The Memory Garden which sort of tangentially reminds me of McKillip’s The Solstice Wood in tone if not story. I’ll say The Shipbuilder of Bellfairie is one quirky novel. Really quirky novel. Not quite what to make of it.

Since this is the Christmas season, I should note her “Lucky Girl: How I Became a Horror Writer” is a Krampus story. It’s available as an actual paperback book or an epub.

(8) SPIRIT OF THE SEASON. Bobby Derie looks at what remains of Lovecraft’s Christmas verses to his correspondents: “Her Letters To Lovecraft: Christmas Greetings” at Deep Cuts in a Lovecraftian Vein.

H. P. Lovecraft spent most of his adult life in genteel poverty, slowly diminishing the modest inheritance that had come down to him from his parents and grandparents. He had no cash to spare on expensive gifts for his many friends and loved ones. So Lovecraft was generous with what he had—time, energy, and creativity. While not religious or given to mawkish displays, when it came to Christmas, Lovecraft poured his time and energies into writing small verses to his many correspondents, a body of poems collectively known as his “Christmas Greetings.”…

… In looking at Lovecraft’s Christmas Greetings to his women correspondents, we catch a glimpse at Lovecraft’s thoughtfulness. Their response, unfortunately, is often lost to us; though some few of them certainly responded in kind. We know Elizabeth Toldridge, for example, wrote her own Christmas poems to Lovecraft, because at least one survives….

(9) RAYMOND CHANDLER POEM REVEALED. Apparently located in the Bodleian, it may be a poetic response to the loss of his wife: “’A moment after death when the face is beautiful’: rare Raymond Chandler poem discovered by US editor”, a news item in the Guardian.

… Published on Monday in the 25th-anniversary issue of the Strand magazine, the poem, titled Requiem, dates back to 1955 and was discovered by the magazine’s managing editor, Andrew Gulli….

Grappling with loss, grief and what it describes as the “long innocence of love”, Requiem opens with: “There is a moment after death when the face is beautiful / When the soft, tired eyes are closed and the pain is over.”

For two stanzas, Requiem describes the moments after death when the “long innocence of love comes gently in / For a moment more, in quiet to hover”, as well as the fading of “bright clothes” and a “lost dream”. It adds that “silver bottles”, “three long hairs in a brush” and “fresh plump pillows / On which no head will lie/ Are all that is left of the long, wild dream”….

(10) MAKING A LIST AND CHECKING IT TWICE. “Big Bang observatory tops wish list for big US physics projects” reports Nature.

The United States should fund proposed projects to dramatically scale up its efforts in five areas of high-energy physics, an influential panel of scientists has concluded.

Topping the ranking is the Cosmic Microwave Background–Stage 4 project, or CMB-S4, which is envisioned as an array of 12 radio telescopes split between Chile’s Atacama Desert and the South Pole. It is designed to look for indirect evidence of physical processes in the instants after the Big Bang — processes that have been mostly speculative so far.

The other four priorities are experiments to study the elementary particles called neutrinos, both coming from space and made in the laboratory; the largest-ever dark-matter detector; and strong US participation in a future overseas particle collider to study the Higgs boson.

An ad hoc group called the Particle Physics Project Prioritization Panel (P5) presented the recommendations on 7 December. The committee, which is convened roughly once a decade, was charged to make recommendations for the two main US agencies that fund research in high-energy physics, the Department of Energy (DoE) and the National Science Foundation (NSF)….

(11) VIDEO OF THE DAY. Mark me as one of Today’s 10,000. I just learned there’s a Roblox game based on the Hamilton musical. “Hamilton X Roblox”.

Enhanced battle, squad upgrades, and a new rebirth mode to keep the adventure going. Check out the newest Hamilton Roblox update now!

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Bruce D. Arthurs, Anne Marble, Steven French, Ersatz Culture, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Cubist.]

Pixel Scroll 10/15/23 I’m Still Big; It’s The Pixels That Got Small

Posted on October 15, 2023 by Mike Glyer

(1) CHARTING THE DECLINE OF SFF MAGAZINES. Steve Davidson of Amazing Stories has shared a graph on Facebook showing decade-by-decade the number of sff magazine titles and issues since 1923. The numbers really drop off as they approach 2023, as you might guess. Now you can see it, too.

Steve followed up with a deep dive into the costs of producing a print magazine today, something both fascinating and sobering.

(2) PREVIOUSLY UNSUSPECTED PRATCHETT. A Stroke of the Pen: The Lost Stories is a new collection of Terry Pratchett shorts. Where did they come from? Big Issue has the inside story: “Terry Pratchett: Remarkable way lost stories were found by fans”.

…Following the posthumous release of his final few novels, there could never again be a new Terry Pratchett book.

Until now.

A Stroke of the Pen: The Lost Stories, published this week, compiles short tales written by Pratchett for newspapers in the ’70s and early ’80s and not republished since. It’s not the first such collection – before he died, Pratchett himself approved several volumes of his early tales, originally published in the Bucks Free Press newspaper where he wrote children’s stories under the inherited nom-de-plume ‘Uncle Jim’. The Lost Stories are different, though – until last year, nobody knew they existed.

“It always puzzled me why his inspiration for writing short stories dried up in the mid ’70s”, says Colin Smythe, Pratchett’s friend and publisher, who would become his literary agent when the Discworld novels found success in the ’80s. “It turns out it had not.”…

(3) REVIEW OF ‘THE LOST STORIES’. SF author Adam Roberts analyzed the collection for the Guardian: “A Stroke of the Pen by Terry Pratchett review – newly discovered early stories”.

…The best stories have sparks of originality that, the reader wishes, could have been kindled into greater length. The Fossil Beach starts from the premise that putting a fossilised seashell to your ear enables you to hear a prehistoric ocean, spinning a neat and funny little time-travel comedy from that notion. The collection’s final story, The Quest for the Keys, is the best as well as the longest. It opens in “Morpork” – not exactly the Discworld’s Ankh-Morpork, but a more thinly rendered “evil, ancient, foggy city” – where a disreputable wizard, Grubble the Utterly Untrustworthy, sends the none-too-bright warrior Kron on the titular quest. It rattles along, and is liable to remind the Pratchett fan of The Colour of Magic. But it only confirms what the collection as a whole says: that this is a writer on his way somewhere more interesting….

(4) COSTLY VANITY. Victoria Strauss warns “Vanity Radio and TV: Think Twice Before Paying for Interviews” at Writer Beware.

… What’s vanity radio/TV? In the “writer beware” context, it’s radio or television air time that you, the program guest, have to pay for. Such schemes have been around forever in various forms, aimed at experts and creatives of all kinds, from services that explicitly sell pay-to-play interviews, to show hosts that charge interview fees to defray the fees that they themselves have to pay their platforms.

The main selling point is the promise that your interview will be heard by a large and eager audience, giving wide exposure to you and your book (see the pitches screenshotted below).

In reality, though, vanity radio primarily means local AM/FM stations (not national radio), often in obscure time slots; or internet radio broadcasts and podcasts delivered via platforms like Blog Talk Radio, Spreaker, and streaming services such as iHeart Radio. Internet radio listenership has steadily risen over the last decade and a half, but unless there are subscriber lists (as on YouTube, for instance), there’s usually no way to determine the audience for any given host or show–or to authenticate any listenership claims the show may make.

Ditto for vanity television: interviews may appear on local channels–again, often at times when viewership may be low–but are most often delivered via “sponsored content” internet stations such as The Spotlight Network, or proprietary online “channels” like Daily Spark TV, or “cable alternative” apps like TikiLIVE, which provide no reliable way of verifying audience.

Bottom line: lots of people may be tuning in…or no one at all. Which means that that the only benefit authors can be sure they’ll receive for their money is an audio or video clip they can post to their websites and social media accounts.

Whether that’s worth it when it costs $99 or $150 or $200 is debatable enough. But when the price tag is four figures?…

(5) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]

Crowdsourced spreadsheet of panel members

This Chinese-language online spreadsheet shows in red the members of panels/events, where those people or organizations have publicly posted about them. The Weibo post announcing it indicates that it is open to submissions for the missing information – if anyone has info, if you post a comment here, it will be seen and added to that spreadsheet. NB: the information may not be 100% correct due to late cancellations and the like.

CSFDB activities at the Worldcon

A weixin.qq.com post by the Chinese Science Fiction Database linked from the aforementioned Weibo post provides full details of their activities, including a panel whose members include Sanfeng (aka Feng Zhang) and Arthur Liu, both of whom have contributed posts or commented here at File 770. The post states (via Google Translate):

Note: Translation and video recording will be provided for this event, and we will produce a Chinese and English subtitled version after the event.

I asked Arthur Liu, and he said those recordings and subtitles are something that the CSFDB team are providing off their own back. It’s still unclear what exactly the con will be providing via official streams and the like.

34th Galaxy Awards shortlist

I’m not sure if this shortlist is new information, but it doesn’t look to have been previously covered on File 770. Hugo Best Short Story finalists “On the Razor’s Edge” and “The White Cliff” both make an appearance, as do the western works Love, Death and Robots (an anthology of the adapted stories, I think), Ken Liu’s Good Hunting (I think this is a collection including the titular story), Stanislaw Lem’s The Star Diaries and a Roger Luckhurst non-fiction book.

The award ceremony is on Thursday 19th at the Sheraton across the lake from the Worldcon site.

Successful lottery applicants have been notified

My searches for relevant Xiaohongshu posts today were dominated by successful applicants to the lottery for the three ceremonies. From this incredibly unscientific sample set, it seems like the Hugo ceremony was most popular, followed by the opening ceremony. I only found one post showing attendance for the closing ceremony.

Another view of the Hugo rocket decoration

This Xiaohongshu post has a few images of the interior of the museum, including a wider angle view on the Hugo rocket that was in yesterday’s Scroll. It doesn’t look that impressive at first glance, until you notice the tiny human figure under it…

Venue video

The Chengdu Worldcon committee has posted a video on Facebook with many interior views of the décor of the building where the con will be held.

(6) OVERSIGHT. Hugo Administrator Dave McCarty has arrived in Chengdu and on Facebook has shared photos of the view of the Chinese Science Fiction Museum from his hotel room window.

(7) WE HAVE LIFTOFF! And Chris Barkley took off for China this morning after sending us this photo message: “Well, it’s HAPPENING. Tell my fellow Filers that I will be safe and I’ll TRY to behave.”

(8) ICONOCLASTS. Michael Cava tells Washington Post readers that “Art Spiegelman didn’t expect to become a book challenge warrior”. Much of the interview is in comics form – art and word balloons.

(9) SIMULTANEOUS TIMES. Space Cowboy Books has launched Episode 68 of the Simultaneous Times podcast. Stories featured in this episode are:

“This is an Optimistic Science Fiction Story About the Future” by Marie Vibbert. Music by Fall Precauxions
“Space Radio” by Michael Butterworth. Music by Phog Masheeen
“Space Age Mermaid” by Tonya R. Moore. Music by Phog Masheeen.

And theme music by Dain Luscombe

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born October 15, 1911 — James H. Schmitz. Writer of short fiction in a space opera setting, sold primarily to Galaxy Science Fiction and Astounding Science-Fiction. His “Lion Loose” was nominated for a Short Fiction Hugo at Chicon III, and The Witches of Karres was nominated for Best Novel at NyCon 3. Sources laud him for his intelligent female characters. His collections and novels are available at the usual suspects. (Died 1981.)
Born October 15, 1919 — E.C. Tubb. A writer of at least one hundred forty novels and two hundred twenty short stories and novellas, he’s best remembered I think for the Dumarest Saga. His other long-running series was the Cap Kennedy stories. And his short story “Little Girl Lost” which was originally published in New Worlds magazine became a story on Night Gallery. He novelized a number of the Space: 1999 episodes. Somewhat surprisingly he’s never been nominated for or won any awards. (Died 2010.)
Born October 15, 1923 — Italo Calvino. Writer and Journalist who was born in Cuba, but grew up in Italy. His works range widely across the literary spectrum, across realism, surrealism, and absurdism. As a genre writer he is best known for his “cosmicomics”, linked stories which explore fantastical speculations about subjects such as mathematics, evolution, and human perception. At the time of his death in 1985, he was the most-translated Italian author, and he was recognized with a World Fantasy Award for Life Achievement. (Died 1985.)
Born October 15, 1926 — Ed McBain. Huh, I never knew he ventured beyond his mystery novels where he was best known for his 87th Precinct novels but he published approximately twenty-four genre stories and six SF novels between 1951 and 1971 under the names S. A. Lombino, Evan Hunter, Richard Marsten, D. A. Addams, and Ted Taine. ISFDB has a list and I can’t say I know any of them. Any of y’all read them? Some are distinctly pulpier in nature such as Find The Feathered Serpent. (Died 2005.)
Born October 15, 1935 — Ray “Duggie” Fisher. Editor, Conrunner and Fan, who chaired the 1969 Worldcon in St. Louis, was on the committee for several other conventions, and was a founding member of the Poplar Bluff Science Fiction Club and the Ozark Science Fiction Association. His fanzine ODD was a finalist for a Best Fanzine Hugo. His contributions to fandom were, sadly, cut short by his death at age 52 due to complications of diabetes. (Died 1988) (JJ)
Born October 15, 1942 — Lon Atkins. Editor, Conrunner, and Fan who chaired a DeepSouthCon and was editor of numerous fanzines and apazines, including eight years as co-editor of Rally! He was Fan Guest of Honor at a Westercon, and a recipient of Southern Fandom’s Rebel lifetime achievement award. He was also a ferocious Hearts player. (Died 2016.) (JJ)
Born October 15, 1954 — Linnea Sinclair, 69. Merging romance, SF and paranormal into, well, damned if I know. She’s here solely because I’m really tickled by the use of her SJW credentials as Games of Command and the short story “Of Cats, Uh, Furzels and Kings” feature telepathic feline creatures called ‘Furzels’. Sinclair has stated that these are inspired by her two cats.
Born October 15, 1968 — Jack du Brul, 55. A writer of somewhat SF novels that EoSF says of “the Philip Mercer sequence featuring a geologist who – not entirely unlike Steven Spielberg’s similarly scholarly Indiana Jones – has physical gifts extending beyond the probable.” He also co-wrote, and continued after Clive Cusler passed on, The Oregon Files.

(11) COMICS SECTION.

Thatababy is full of genre cereal trivia.

(12) LEARNEDLEAGUE: SFF ONE-DAY SPECIAL. [Item by David Goldfarb] The LearnedLeague is in its off-season, which as usual means single-topic one-day quizzes. There was one recently about the cartoon Avatar: The Last Airbender. You can read its questions here.

(13) TRIBUTE TO B MOVIE MAKER. “Roger Corman at Beyond Fest: ‘I love making motion pictures’” in the Los Angeles Times.

Beyond Fest and the American Cinematheque saluted producer Roger Corman on [September 30] with a four-film marathon followed by a conversation with some of the directors who began their careers working for the now-legendary genre icon….

…“The vast majority of people can’t tell good from bad,” said [Amy Holden] Jones. “You get notes on cuts that don’t particularly make sense, to get reshoots that aren’t fixing what’s actually the problem. But mainly the executives can’t tell good from bad. And Roger knew it immediately.”

“I’ll never be working for anybody again who knows as much about movies as Roger did when I was starting out,” said Dante, who went on to make the “Gremlins” movies. “Unfortunately, the problem is that the more movies you make, and the more executives you meet, the more you realize that there are almost none who know as much about movies as you do. And so they are no help.

“In fact, they’re a hindrance and you spend a lot of time trying to please people who don’t know what they want,” added [Joe] Dante. “And if they did, they wouldn’t know how to express it anyway. So I think all of us feel that the best years of our creative lives were spent working for somebody who knew more than we did. And that was Roger.”

[Allan] Arkush pointed to Corman when he said, “The profound thing is, this is the only person to run a studio who knows how to make a movie.”…

(14) PARTY LIKE IT’S 1998. “Lost In Space Forever” – a skit with Jonathan Harris and Bill Mumy.

The end of this 1998 documentary features a short skit with Will, Dr. Smith and the Robot on the Jupiter 2.

[Thanks to SF Concatenation’s Jonathan Cowie, Mike Kennedy, Gareth Jelley, Jennifer Hawthorne, David Goldfarb, Steven French, Andrew Porter, Ersatz Culture, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 10/6/23 When You’re Dune And Tribbled, And Need A Gripping Hand…

Posted on October 6, 2023 by Mike Glyer

(1) ARE THESE YOUR FAVORITE SPOILERS? “Doctor Who’s Alex Kingston on hiding River Song’s biggest spoiler” at Radio Times. Beware spoilers. Further warning: the one excerpted below is not the “biggest spoiler” referred to in the headline.

“She’s not a companion, she’s a wife!” Alex Kingston is quick to correct about her beloved Doctor Who character River Song.

And she’s completely right. River Song is unlike any other Doctor Who character, first introduced in 2008’s Silence in the Library and spanning multiple eras in one of the most complex and glorious timelines to ever grace the show.

“She’s the most incredible character to play, and certainly when the role was offered to me, I had obviously no idea of the journey that both she and I would be undertaking – because obviously in the very first Silence in the Library story, she dies,” Kingston exclusively tells RadioTimes.com….

(2) TEXAS BOOK RATING LAW REMAINS IN EFFECT PENDING HEARING. “Appeals Court Lets Texas Book Rating Law Take Effect, Orders Expedited Hearing” reports Publishers Weekly.

The U.S. Court of Appeals for the Fifth Circuit will let Texas’s controversial new book rating law, HB 900, take effect while an “expedited” appeals process plays out—despite a district court finding the law to be “a web of unconstitutionally vague requirements.”

In a two-line decision issued on October 5, the Fifth Circuit said it would not hear the state’s emergency motion for a stay separately and will instead carry the motion to be heard with the state’s challenge of judge Alan D. Albright’s preliminary injunction on the merits. The court also ordered the appeal to be “expedited to the next available oral argument panel.”

But the appeals court also declined to lift an administrative stay placed on Albright’s order…

…Signed by Texas governor Greg Abbott on June 12, HB 900 requires book vendors, at their own expense, to review and rate books for sexual content under a vaguely articulated standard as a condition of doing business with Texas public schools. The law includes both the thousands of books previously sold to schools and any new books. Furthermore, the law gives the state the unchecked power to change the rating on any book, which vendors would then have to accept as their own or be barred from doing business with Texas public schools….

(3) WHERE, OH WHERE IS THE CHENGDU WORLDCON BUSINESS MEETING AGENDA? No link — with less than two weeks until the Chengdu Worldcon business meeting agenda still hasn’t been released.

People want the agenda posted so they can read what business is coming before the meeting and think about the inevitable assortment of proposed rules changes. The rule requiring the agenda to be available 30 days ahead of the meeting is so that the movers don’t have the advantage of being able to organize in favor while depriving potential opposition of the same advantage.

(4) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]

Welcome to the hotel confusion-ia

This item is based on a Kevin Standlee blog post “More Worldcon Travel Plans”, and subsequent Mastodon exchange.

Some of the guests whose accommodation has been arranged by the con have been told they are staying in the “Chengdu Tianfu Hengbang Sheraton”. However, it seems that this is a direct translation of the Chinese name of the hotel near the con venue (成都恒邦天府喜来登酒店), but it actually uses a different English name “Sheraton Chengdu Pidu”. (Compare http://www.sheraton-chengdu.com/ to http://www.sheraton-chengdu.com/en?pc )

Thus when searching Google for the first name, people are getting results for a Sheraton in the Tianfu area, which is roughly the opposite side of Chengdu from the Pidu district where the con is actually taking place, which resulted in this.

Per Kevin’s comments on Mastodon, some people have been told that they’ll be staying at the “Sheraton Lidu Pidu”, which does seem to be a different hotel from either of the two previously mentioned.

Here’s a Xiaohongsu post from a week ago showing views of the con venue from the Sheraton Chengdu Pidu: http://xhslink.com/HINobv

Video featuring the “Kormo” con mascot — https://weibo.com/5516881774/Nly3wqo4Y

This 90-second video posted by the GoChengdu Weibo account is a week old, but I only came across it today. Content-wise, it has only minimal connection to the Worldcon – it focuses more on the mid-Autumn festival that’s just gone by – but “stars” the Kormo con mascot.

(5) A HISTORY OF PEE-WEE HERMAN PRODUCTS. The Comics Journal continues a conversation: “The Artists and Cartoonists Who Designed Pee-wee Herman’s World – Part Two”.

…But by season two in 1987, by which time production of the show itself had moved from New York City to Los Angeles, any number of Pee-wee related products—toys, dolls, bed sheets, sweaters, pajamas, t-shirts, stickers, trading cards—were available for purchase. And like the Playhouse show itself, these products were chiefly designed by a group of young NYC artists under the direction of Gary Panter and Reubens himself. Cartoonists and illustrators working on Playhouse merchandise included Ric Heitzman, Mark Newgarden, Kaz, Charles Burns, J.D. King, Richard McGuire, Stephen Kroninger, Tomas Bunk, Norman Hathaway and others. When Reubens died of acute hypoxic respiratory failure on July 30th of this year, I reached out to a number of people involved in shaping the Pee-wee empire. In Part One of this series, I spoke with a number of artists who designed the visual aesthetic of the successful television program; in this second and final part, the focus will be on the many functional and ridiculous products created in its wake, including some that never made it to stores….

… The cartoonist Kaz, another frequent RAW contributor, was brought in early on.

“I can’t remember what came first for me, but I’d been visiting Gary Panter in his various studios around Brooklyn for quite a while,” Kaz said. “Seeing his paintings, sculptures and sketchbooks was always inspiring, and he was one of the sweetest guys and very generous with his time and ideas. I love the guy! So, at some point he asked me to help out with art on some of the Pee-wee licensing that was coming in hot and hard. I just aped his Pee-wee art style (which was not as easy as it looked). I did all the flat art on the inside of the Playhouse Playset. I did some art when they expanded the Pee-wee Colorforms set by adding two wings, thereby making it ‘Deluxe.’ A keen eye will see my cartoon character, Little Bastard, sitting on Pee-wee’s bed on that art.”

“In 1987, through Gary Panter and Mark Newgarden, I worked with Mark on the Topps Chewing Gum’s ‘Pee-wee’s Playhouse Fun Pak’,” Kaz continued. “I remember going into Topps’ offices every day for a few weeks. At the time, Topps was in a grimy industrial waterfront neighborhood in Brooklyn that was not a good place to be after dark. Mark did the bulk of the writing and editing on the “Fun Pak” as well as drawing. I wrote and did a bunch of drawings (in the Panter style). There was a lot to do, so some of the art was freelanced out to other cartoonists. Trivia: I got my full Lithuanian first name [Kazimieras] on the back of one card!”…

(6) PAEAN TO LOST. “Six Part Fan-Made Lost Documentary 815 Explores the Complicated Production of the J.J. Abrams-Directed Pilot Episode” – Movieweb has the story.

Released in 2004 and created by J. J. Abrams and Damon Lindelof, Lost has become not only one of the most popular series of all time, but also a role model for many other shows. Its complicated and mysterious story, along with its constant reinvention and plots full of suspense, provided its viewers with a unique experience. Its unexpected twists and strange elements that appeared without any apparent explanation, turned it a legend.

The series follows the experiences of a group of survivors of a plane crash on what appears to be a deserted island. However, as they struggle to live with each other, it becomes apparent that the island is far from a safe place, and they are not the only ones inhabiting the place.

The pilot episode, directed by Abrams and filmed in Oahu, Hawaii, was at the time the most expensive in history, a title it held for a long time. For this reason, YouTuber and Lost fan kuhpunkt (who’s real name is Stefan Lensa) took the time to collect hours of video content about the making of the show’s pilot, transforming it into a six-part documentary titled 815, the number of the flight where the protagonists were traveling…

(7) NATO IN TIMES TO COME. In 2024, NATO will celebrate its 75th anniversary. The NATO Defence College asks writers, especially science fiction writers, for 1500 words on what NATO will look like in 2099. More details at the link. €500 if you are selected. “NATO 2099: A Graphic Novel”.

…Science fiction, while often discredited by dint of its creative and at times outrageous character, holds real added value for research purposes. Not only does science fiction influence the present by projecting inventions (i.e. headsets, mobile phones and tablets), science fiction can leverage the wisdom of the crowd effect: when several authors “see” a similar future, such a future becomes more likely. As such, science fiction has the power of making ideas acceptable. It can entertain a wider public, which under normal circumstances, might not entertain certain ideas, thereby broadening mindsets and fostering critical thinking. Of course, the precondition to this is that science fiction be not fantastical, but is rooted in evidence. (Hence the term FICINT, fictional intelligence.)

Harnessing these benefits, science fiction has been instrumentalized by military organizations in the United States and France to increase preparedness, train critical thinking, and even spot trends in technology and geopolitics. (For example, the idea of Russia attacking Ukraine appeared in Russian science fiction in the 1990s).

Your mission, should you accept it…

The year is 2099, NATO will be celebrating its 150th anniversary. For this reason, sci-fi and fictional intelligence authors are being asked to contribute about 1500 words on what this future might look like. Authors are asked to describe the end state, i.e. 2099, but are free to describe how we got there.

…The compilation of 32 written pieces will be transformed and published into a graphic novel or comic book that narrates a holistic story entitled, “NATO 2099”.

(8) MICHIGAN FAKE ELECTORS CASE. “Michigan judge rules defendants accused in false elector scheme will not have charges dropped” reports the Associated Press. We’re following this story because Michele Lundgren, wife of sff artist Carl Lundgren, is one of the sixteen charged, although she was not a maker of the motion covered here.

Michigan defendants accused of participating in a fake elector scheme will not have their charges dropped after the state attorney general said the group was “brainwashed” into believing former President Donald Trump won the 2020 election, a judge ruled Friday morning.

The decision comes after motions to dismiss charges were filed last week by two defendants, Clifford Frost and Mari-Ann Henry. The two defendants are part of a group of 16 Michigan Republicans who investigators say met following the 2020 election and signed a document falsely stating they were the state’s “duly elected and qualified electors.” Each of the 16 faces eight criminal charges, including multiple counts of forgery….

(9) STARLING HOUSE. At NPR: “Book review: Alix E. Harrow’s ‘Starling House’ Gothic fantasy novel”.

In Eden, Kentucky, the air is thick with dust.

The dying coal town is the fictional setting of Alix E. Harrow’s “Starling House,” and the smog of fading power and bad luck is enough to suffocate its residents, most of whom live in abject poverty.

For Harrow, writing a book about Kentucky was a long time coming.

“This is the first book that I set fully in, like committed to writing about Kentucky,” Harrow says. “One of the reasons that I had found that difficult to do before is because I find it to be a place of very mixed experiences that I love very, very, very much, and which has just an incredible violence and terror to it.”…

(10) CHRIS HADFIELD COMMENTS ON ‘FOR ALL MANKIND’. “Apple TV+ series For All Mankind Depicts Realistic Death in Space According to Renowned Astronaut” at Movieweb.

…Navigating through this cosmic portrayal, Chris Hadfield, an astronaut with feet firmly planted in both scientific and storytelling worlds, lent his expert gaze to scrutinize a particularly grim depiction of death in the aforementioned series. Hadfield, experienced in the authentic silence of the cosmos, put under the microscope a scene from For All Mankind in a special breakdown for Vanity Fair, where an American astronaut fiercely ends a Soviet astronaut’s lunar expedition—with a gun.

But is the rendering of a bullet speeding through the weightlessness and silence of the moon’s environment precise? Hadfield nods in unsettling agreement.

What permeates this acknowledgment is the recognition of the horrifying reality of how gunfire operates in the vacuum of the moon. Unlike its earthly counterpart, a bullet on the moon, devoid of air and oxygen to disrupt its trajectory, travels with haunting precision, straighter and farther into the abyss. The portrayal of such a scenario in For All Mankind doesn’t simply draw from a well of imagined horrors, but rather bathes in a chilling accuracy that aligns with the physical realities of our universe.

Moreover, the aftermath of such a bullet puncturing a spacesuit, according to Hadfield, is equally petrifying and authentic. A spacesuit, cushioning its inhabitant with a hundred percent oxygen, can turn into an infernal chamber when breached. History has witnessed this, as Hadfield recalls an incident during a test at the Johnson Space Center, where even aluminum, veiled in flames, narrated the horrors of what could transpire inside a suit, albeit thankfully unoccupied by a human during the incident. Oxygen, the life-giving force, transforms into a silent executioner in the blink of an eye when exposed to a spark in such an environment….

(11) START THE PARTY. Today is Francis Hamit’s 79th birthday and he’s celebrating at Amazing Stories by posting a 15,000-word excerpt from his novel: “Excerpt: STARMEN by Francis Hamit: Support the Kickstarter”.

Today is Francis Hamit’s Birthday. (Happy Birthday, Francis!) He also informs us that the Kickstarter for his forthcoming “genre experiment” novel – STARMEN – closes on October 10th. As his Birthday gift to all of our readers, he wants to make sure that you know that EVERYONE contributing to the project will be able to purchase the E-book edition of this 190,000-word epic for just one dollar ($1.00)….

“My mixed genre novel STARMEN is an embarrassment of riches when it comes to excerpts. It’s about 190,000 words long and incorporates alternative post Civil War history, quantum mechanics, Apache Indian myths and some rather nasty Aliens. It begins in 1875 El Paso, Texas at the Pinkerton National Detective Agency. Some of the detectives are witches. So are some of the Apaches. There are also some romance elements. And politics.”

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born October 6, 1911 — Flann O’Brien. Irish novelist, playwright and satirist. He wrote three novels, At Swim-Two-Birds, The Dalkey Archive and The Third Policeman. Though The Dalkey Archive was published before The Third Policeman, it was written after that novel, so entire sections of The Third Policeman are recycled almost word for word in it, mostly the atomic theory and the character De Selby. (Died 1966.)
Born October 6, 1950 — David Brin, 73. Author of several series including Existence (which I do not recognize), the Postman novel, and the Uplift series which began with Startide Rising, a most excellent book and a Hugo-winner at L.A. Con II. I’ll admit that the book he co-wrote with Leah Wilson, King Kong Is Back! An Unauthorized Look at One Humongous Ape, tickles me to no end if only for its title. So who’s read Castaways of New Mohave, that he wrote with Jeff Carlson?
Born October 6, 1952 — Lorna Toolis. Librarian, editor, and fan Lorna was the long-time head of the Merril Collection of Science Fiction, Speculation, and Fantasy at the Toronto Public Library and a significant influence on the Canadian SF community. She founded the SF collection with a donation from Judith Merril. She was a founding member of SFCanada, and won an Aurora Award for co-editing Tesseracts 4 with Michael Skeet. (Died 2021.)
Born October 6, 1955 — Donna White, 68. Academic who has written several works worth you knowing about — Dancing with Dragons: Ursula K. LeGuin and the Critics and Diana Wynne Jones: An Exciting and Exacting Wisdom. She’s also the author of the densely-written but worth reading A Century of Welsh Myth in Children’s Literature.
Born October 6, 1955 — Ellen Kushner, 68. If you’ve not read it, do so now, as her sprawling Riverside series is stellar. And there’s cups of hot chocolate. I’ve read all of it. And during the High Holy Days, do be sure to read The Golden Dreydl as it’s quite wonderful. As it’s Autumn and this being when I read it, I’d be remiss not to recommend her Thomas the Rhymer novel which won both the World Fantasy Award and the Mythopoeic Award.
Born October 6, 1967 — Joshua Glenn, 56. Publisher who re-issued a lot of the scientific romances from the beginning of last century like J D Beresford’s Goslings, The Edward Shanks’ People of the Runs and E V Odle’s The Clockwork Man. He’s edited two anthologies, Voices from the Radium Age and More Voices from the Radium Age.

(13) CONNECTING SFF AND SCIENCE. The U.S. State Department website is hosting “From Science Fiction to Science Fact”. It begins with a video introduction by Mark Hamill.

About 400 kilometers above the Earth, the International Space Station orbits at 28,000 kilometers an hour. It’s the single largest structure humans have ever put in space and a football-field-size symbol of diplomatic cooperation.

Built over a decade with U.S. and Russian spacecraft, the station has been continuously occupied by an international crew since November 2000. The station isn’t owned by any one nation, but rather operates as a partnership among five space agencies — the U.S. National Aeronautics and Space Administration, or NASA; the Russian State Space Corporation “Roscosmos”; the Japan Aerospace Exploration Agency (JAXA); the European Space Agency; and the Canadian Space Agency. There are regular crew handovers whereby some astronauts leave and new ones come aboard. Two hundred seventy-three astronauts from 21 countries have worked on the station….

DETECTING MICROBES

In the popular 1960s television show Star Trek, the starship Enterprise crew members depend on handheld tricorders. The devices seem to magically detect everything from unknown life forms to the nature of a crew member’s illness.

While the TV version seems fantastical, a real — if nascent — tricorder has been developed on the International Space Station. What’s more, the research that built it is already supporting human health here on Earth.

The impetus was NASA’s efforts to sequence DNA. Scientists aimed to simplify the multistep DNA sequencing process so that one device on the space station could handle it, working to move the tricorder from the realm of science fiction to real life.

Today NASA is looking at hand-held devices made by a U.S. company and a U.K.-based company that can amplify and sequence DNA. The devices identify microbes — bacteria, viruses, fungi and other organisms too small to be seen with the naked eye — growing throughout the International Space Station. The crew can monitor what microbes are on board, how the space environment shapes microbial behavior, and how that might affect astronaut health during long missions to the Moon or Mars.

Crew members gather microbes to sequence by rubbing swabs around the space station’s interior. They then process the genetic material by inserting the swabs into a hand-held device called a miniPCR, which makes copies of a targeted microbial DNA sequence. The copies are fed into another hand-held device called the MinION, which sequences the DNA.

(14) DOUBLE YOUR TIANGONG, DOUBLE YOUR FUN. “China to double size of space station, touts alternative to NASA-led ISS” – Reuters has details.

China plans to expand its space station to six modules from three in coming years, offering astronauts from other nations an alternative platform for near-Earth missions as the NASA-led International Space Station (ISS) nears the end of its lifespan.

The operational lifetime of the Chinese space station will be more than 15 years, the China Academy of Space Technology (CAST), a unit of China’s main space contractor, said at the 74th International Astronautical Congress in Baku, Azerbaijan, on Wednesday….

… China’s self-built space station, also known as Tiangong, or Celestial Palace in Chinese, has been fully operational since late 2022, hosting a maximum of three astronauts at an orbital altitude of up to 450 km (280 miles).

At 180 metric tons after its expansion to six modules, Tiangong is still just 40% of the mass of the ISS, which can hold a crew of seven astronauts. But the ISS, in orbit for more than two decades, is expected to be decommissioned after 2030, about the same time China has said it expects to become “a major space power”.

Chinese state media said last year as Tiangong became fully operational that China would be no “slouch” as the ISS headed toward retirement, adding that “several countries” had asked to send their astronauts to the Chinese station.

But in a blow to China’s aspirations for space diplomacy, the European Space Agency (ESA) said this year it did not have the budgetary or “political” green light to participate in Tiangong, shelving a years-long plan for a visit by European astronauts.

“Giving up cooperation with China in the manned space domain is clearly short-sighted, which reveals that the U.S.-led camp confrontation has led to a new space race,” the Global Times, a nationalist Chinese tabloid, wrote at the time.

Tiangong has become an emblem of China’s growing clout and confidence in its space endeavours, and a challenger to the United States in the domain after being isolated from the ISS. It is banned by U.S. law from any collaboration, direct or indirect, with NASA….

(15) WHAT IS IMAGINATION? The Arthur C. Clarke Center for Human Imagination will host an in-person event “Imagine Otherwise: Featuring Stephen T. Asma” Tickets, Fri, Oct 20, 2023 at 6:00 PM | Eventbrite on October 20 at 6:00 p.m. at UC San Diego. Free registration and full information at the link.

Imagination is touted as a gift for artists or a vital skill for visionary thinkers and scientists. But what do we mean by the term “imagination,” and what has science revealed about the diversity of ways it shows itself in human minds?

In a conversation with Stephen T. Asma, philosopher and author of The Evolution of Imagination, Erik Viirre and Cassandra Vieten will explore the history of our understanding of imagination, how science has attempted to advance our understanding of it, and what is at stake for the future of imagination studies and the pathways it may open to advancing the imagination’s power for transformative change.

This event will take place at the Great Hall at UC San Diego and is free and open to the public. Light refreshments will be provided. RSVP required.

(16) UP ALL NIGHT. “The ‘Ghost Hunting Gays of Ohio’ find queer community in the search for the supernatural” at WVXU.

A small group of people huddled around Mirror Lake on Ohio State University’s campus on a September evening. Their black attire matched the night sky that stretched over the splashing fountain.

Nick Post stood at the center of the group. He leaned in as he told a ghost story about the so-called ‘Lady of the Lake.’

“On cold wintry nights she can sometimes be seen skating across the ice, warming her hands and wearing outdated clothing,” Post said. “Some reports say she wears white, others say she wears pink. But none have gotten close enough to see her face.”

This is just one of many apparitions that supposedly stalk OSU’s dorms and classrooms at night. Its these legends that brought ten members of the Ghost Hunting Gays of Ohio, the state’s newest paranormal investigators, to campus on a Sunday night….

…“I’ve always been obsessed with ghost-hunting shows and all of that good stuff, so I was like, what if we just go check out some haunted places?” he said.

Post said looking to the supernatural was only natural for him, and he thinks that’s true for a lot of queer people. He said the paranormal holds a special appeal to many in the gay community.

“When you are misunderstood your entire life, it intrigues you to understand other things that are misunderstood,” Post said….

(17) PAUL BUCKLEY’S GREATEST HITS. Steven Heller talks about “Layoffs in the Publishing Industry Sting” at PRINT Magazine, and the loss of one design director in particular.

When the latest round of publishing industry buyouts and layoffs were announced in mid-July, I was surprised to see a few friends and acquaintances on the hit list. Buyouts are the humane way to let go of employees, and some can be generous. But while many buyouts come at the end of careers, layoffs can particularly sting while in mid-stride.

At Penguin Random House, the biggest book publisher in the United States, veteran editors who have worked with many of the biggest authors in fiction and nonfiction are leaving the company. It is a changing of the guard. The New York Times reported that Penguin Random House lost both its global and U.S. chief executives in the past seven months alone.

Until this latest upheaval, 58 year old Paul Buckley was the longest serving (34 years) design director of Penguin Books. His layoff was a shock to those, like me, who greatly admired his work. If he of all people is this vulnerable, what about others who are not yet ready to take retirement?

Buckley leaves behind an incredible legacy of iconic, smart, clever and damn beautiful work. So upon hearing the sad news, I asked him to select 10 projects out of the thousands he’s created for Penguin that give him the most pride. It’s better to see and read about them now than in a later postmortem/historical reprise….

(18) QUANTUM PAULI ENGINE. [Item by Steven French.] “No-heat quantum engine makes its debut” at Physics World.

“All particles known to science fall into one of two categories: bosons or fermions. While bosons cluster in the same quantum state, fermions obey the Pauli exclusion principle, meaning no two fermions can share the same state. This doesn’t matter much at room temperature when particles are flying about at high speeds. Cool those particles down to just shy of absolute zero, though, and the difference becomes vast: the bosons pile into the lowest available energy state, while fermions stack on top of each other in a “ladder” of states. At such low temperatures, a collection of fermions will thus have much more energy than a collection of bosons.”

Until recently that energy difference couldn’t be accessed but in the early 2000s a way was found to form bosons molecules from fermionic atoms which means you could switch from one form of statistics to another. Now researchers have used this to construct a ‘proof-of-principle’ quantum Pauli engine which offers an entirely different way of charging quantum batteries and powering quantum computers.

That may be some years off yet but this is still very cool!

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Nicholas Whyte, JeffWarner, Steven French, Mike Kennedy, Andrew Porter, Ersatz Culture, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 8/13/23 Make Your Scroll Kind Of Pixel Even If Nobody Else Scrolls Along

Posted on August 13, 2023 by Mike Glyer

(1) TICKET AGENCY OFFERS CHENGDU WORLDCON ADMISSIONS. [Item by Ersatz Culture.] The SF Light Year Weibo account posted on August 11 that Chengdu Worldcon tickets would be put up for sale on a Ticketmaster-style service. [Screencap of computer-translated post.]

Damai listing page which has much the same info. [Screencap of computer-translated post.]

Here’s a 2017 text story in Google’s cache confirming that Damai is a Ticketmaster equivalent: “Alibaba acquires China’s biggest ticket seller Damai”.

In itself, I don’t think this story is particularly controversial or bad, but just another indicator that this is a Worldcon like no other before…

(2) SOMETHING BORROWED. WorldCat identifies the “Top 25 books requested via interlibrary loan January through June 2023”. There are at least three sff books including R.F. Kuang’s Babel.

Here are the 25 books most frequently requested for interlibrary loan from January through June 2023 through the OCLC resource sharing network of 10,000+ libraries worldwide.

(3) SUPERMEN BEFORE SUPERMAN. Bleeding Cool remembers when “George Bernard Shaw Sent Lawyers After DC Comics About Superman”. The post is based on the “Superman 1939 Jerry Siegel Internal Memo Memorabilia” up for auction at ComicConnect.

…But back in 1938, there were other accusations in play. Readers have noted that Superman bore some resemblance to the lead character of Philip Wylie‘s Gladiator novel from 1930. Less than a year after Superman debuted in Action Comics #1, National Comics executive Jack Liebowitz was sending this letter to Siegel that suggests that Wylie had actually acted upon his threats of a lawsuit. And that the same attorney was also representing George Bernard Shaw, author of the play Man and Superman, suggesting George Bernard Shaw he was also being represented in legal negotiations with National Comics….

(4) ROUND TWO. {Item by Mike Kennedy.] Here’s a companion piece for the ongoing Internet Archive book copyright issue. “Record Labels File $412 Million Copyright Infringement Lawsuit Against Internet Archive” at Rolling Stone.

Complaint claims organization’s “Great 78 Project,” which includes music from Frank Sinatra, Ella Fitzgerald, and more serves as an “illegal record store”

Universal Music Group, Sony Music Entertainment, Capitol, and other record labels filed a copyright lawsuit on Friday against Internet Archive, founder Brewster Kahle, and others over the organization’s “Great 78 Project,” accusing them of behaving as an “illegal record store.” The suit lists 2,749 pre-1972 musical works available via Internet Archive by late artists, including Frank Sinatra, Ella Fitzgerald, Chuck Berry, Billie Holiday, Louis Armstrong, and Bing Crosby, among others.

The suit, which was filed in federal court and reviewed by Rolling Stone, claims the Internet Archive’s “Great 78 Project” — launched by Internet Archive as a community project for “the preservation, research and discovery of 78rpm records,” according to its blog — has violated copyright laws. By “transferring copies of those files to members of the public, Internet Archive has reproduced and distributed without authorization Plaintiffs’ protected sound recordings,” the suit alleges.

The Internet Archive blog’s explanation of the The Great 78 Project says in part:

…We aim to bring to light the decisions by music collectors over the decades and a digital reference collection of underrepresented artists and genres. The digitization will make this less commonly available music accessible to researchers in a format where it can be manipulated and studied without harming the physical artifacts. We have preserved the often very prominent surface noise and imperfections and included files generated by different sizes and shapes of stylus to facilitate different kinds of analysis.

78s were mostly made from shellac, i.e., beetle resin, and were the brittle predecessors to the LP (microgroove) era. The format is obsolete, and just picking them up can cause them to break apart in your hands. There’s no way to predict if the digital versions of these 78s will outlast the physical items, so we are preserving both to ensure the survival of these cultural materials for future generations to study and enjoy…

(5) REASONS TO LISTEN. [Item by Steven French.] Interesting review of a BBC Proms – Prom 36: A Space Odyssey, a concert available on BBC Sounds until October 9th:

The Guardian’s Tim Ashley says: “Prom 36 A Space Odyssey: LPO/Gardner review – unsettling and awesome”.

Strauss’s Zarathustra, meanwhile, was rich in drama and detail, the playing finely focused and sensually immediate. We can easily forget that, like 2001, it deals with human evolution. But it also has points in common with Ligeti’s Requiem, notably its comparably ambivalent ending, oscillating between keys to an irresolute silence and asking more questions than it can ever answer. Ligeti was apparently uncertain about their juxtaposition. Kubrick, you realise, knew exactly what he was doing in putting them together.

(6) A TELE-ALL BOOK. Tom Easton and Frank Wu have a new book coming out – ESPionage: Regime Change — Frank’s first novel, Tom’s 13th. It’s about psychics in the CIA battling Russians trying to assassinate the US President. Pre-order the ebook on Amazon.com, or order the paperback edition when it’s available on August 28.

There’s mind-reading, telekinesis, and telepyrosis! Love and romance! Guns & explosions! A gun hidden in a camera! A fighting style based on 70’s rock! A bad iPhone game that’s really spy software! Secret messages sent in a Paul Simon song! Excitement and action action action!

Amazing Stories did a Q&A with Frank in honor of the occasion: “Unexpected Questions with Frank Wu”. It includes a whole alternate history scenario built around the career of astronaut John Glenn.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born August 13, 1895 — Bert Lahr. Best remembered and certainly beloved as The Cowardly Lion in The Wizard of Oz, as well as his counterpart who was a Kansas farmworker. It’s his only genre role, though in the film Meet the People, he would say “Heavens to Murgatroyd!” which was later popularized by a cartoon character named Snagglepuss. (Died 1967.)
Born August 13, 1899 — Alfred Hitchcock. If he’d only done his two Alfred Hitchcock series which for the most part was awesome, that’d be enough to get him Birthday Honors. But he did some fifty films of which a number are genre such as The Birds and Psycho. Though I’ve not yet read it, I’ve heard good things about Peter Ackroyd’s Alfred Hitchcock: A Brief Life. (Died 1980.)
Born August 13, 1909 — Tristram Coffin. He’s best remembered for being Jeff King in King of the Rocket Men, a Forties SF serial, the first of three serials featuring this character. He showed up on the Fifties Superman series in different roles, sometimes on the side of Good, sometimes not. He played The Ambassador twice on Batman in “When the Rat’s Away the Mice Will Play” and “A Riddle a Day Keeps the Riddler Away”. (Died 1990.)
Born August 13, 1922 — Willard Sage. He showed up on Trek as Thann, one of the Vians in “The Empath”. He was Dr. Blake in Colossus: The Forbin Project, and had roles in The Land of Giants, Invaders, The Man from U.N.C.L.E., The Outer Limits and The Sixth Sense. (Died 1974.)
Born August 13, 1932 — John Berkey. Artist whose best-known work includes much of the original poster art for the Star Wars trilogy. He also did a lot of genre cover art such as the 1974 Ballantine Books cover of Herbert’s Under Pressure (I read that edition), and the 1981 Ace cover of Zelazny’s Madwand which I think is the edition I read. (Died 2008.)
Born August 13, 1965 — Michael De Luca, 58. Producer, second Suicide Squad film, Childhood’s End, Ghost Rider and Ghost Rider: Spirit of Vengeance, Dracula Untold, Lost in Space, Blade and Blade II, Pleasantville and Zathura: A Space Adventure which is not a complete listing. Also writer for an episode of Star Trek: Voyager, the first Dredd film (oh well), the Freddy’s Nightmares series and the Dark Justice series which though not quite genre was rather fun. Anyone remember the latter? I liked it a lot.
Born August 13, 1977 — Damian O’Hare, 46. Though you might know him from the Pirates of the Caribbean films, The Curse of the Black Pearl and On Stranger Tides where he played Gillette, I know him as the voice of John Constantine on the animated Justice League Action. He also showed up in Agent Carter.
Born August 13, 1990 — Sara Serraiocco, 33. She plays the complex role of Baldwin on the Counterpart series which I finally got around to watching and it’s absolutely fascinating. I will also admit it’s nice to see a SF series that’s truly adult in nature with realistic violence.

(8) COMICS SECTION.

The Argyle Sweater has pretty much the darkest take on Winnie-the-Pooh ever.

(9) SUGGESTED PROTECTIVE CONTRACT LANGUAGE. [Item by Danny Sichel.] Deborah Beale — who, in addition to being married to Tad Williams, has a substantial background in the business side of genre publishing — posted a useful boilerplate statement for authors concerned about large language models based on something in one of Mercedes Lackey’s contracts.

Heads-up novelists, fictioneers, and all book-publishing creators of content: Sample AI Restrictions To Add To Copyright Statements pic.twitter.com/y8T9tvLkgQ
— Deborah Beale (@MrsTad) August 12, 2023

(10) MAKE A CRITICAL ROLE. [Item by Mike Kennedy.] Herein is the tale of how one man turned being a D&D Game Master into a full time job and a multi-million dollar business. “The Game Master” at Slate.

…Today he is, without question, the most famous Dungeons & Dragons player in the world. Every Thursday, he and a group of friends gather in a studio for the latest episode of Critical Role—a show, broadcast on the livestreaming platform Twitch, which doubles as Mercer’s weekly tabletop RPG campaign. The structure should be familiar to anyone who’s palmed a 20-sided die in their youth: Mercer, as Game Master, is the primary storyteller. He provides the narrative elements, motifs, and obstacles for his players, who reciprocate by embodying a band of high-fantasy ne’er-do-wells who explore the world he’s created. (There’s been Pike the gnomish cleric, Vex the half-elf ranger, and Grog the Goliath barbarian to name a few.) Together—seated around a set made to look like the torchlit halls of a stone-wrought castle—they roll dice, slay monsters, and dream up their very own Lord of the Rings–sized epic. In one episode, the crew descends into a labyrinthine sewer system to fight off a massive spider. In another, they infiltrate a royal ball that exists between dimensions. Dungeons & Dragons is essentially an exercise in collaborative storytelling, which means Critical Role is unedited and unscripted—those who tune in watch the saga unfold in real time.

This was a radical premise when the show launched in 2015. Dungeons & Dragons was not considered to be spectator entertainment—much less an entrepreneurial enterprise—at any point throughout its previous 40-year history. Nobody, least of all Mercer, expected Critical Role to be a hit….

(11) I CAN SEE CLEARLY NOW. “How The Witcher Will Explain Geralt Changing from Henry Cavill to Liam Hemsworth Seems Clear Now” according to Redanian Intelligence. Their theory is at the link.

The Witcher Season 4 will replace its titular character, Geralt of Rivia. Henry Cavill will no longer don the ash-white wig, the suit of armor, and the twin swords. The Hunger Games star Liam Hemsworth will step into Cavill’s very large shoes and become the new Geralt starting with Season 4. Though we reported not long ago that filming of Season 4 has been delayed to 2024 due to the WGA and SAG-AFTRA strikes, Netflix is still very much determined to produce this next season of the show. One of the few officially confirmed plot points of this fourth season involves Geralt of Rivia’s new face….

(12) AI UP TO BAT. [Item by Steven French.] “’Only AI made it possible’: scientists hail breakthrough in tracking British wildlife” reports the Guardian. If they help us spot more pipistrelle bats, then I for one welcome our AI overlords!

…“Bats almost certainly use railway bridges for roosting,” Dancer told the Observer. “So if we can get more detailed information about the exact locations of their roosts using AI monitors, we can help protect them.”

This point was underlined by Strong. “In the past, we have had to estimate local wildlife populations from the dead animals – such as badgers – that have been left by the track or the roadside. This way we get a much better idea of population sizes.”…

[Thanks to John King Tarpinian, Chris Barkley, Michael Toman, Ersatz Culture, Rich Horton, Danny Sichel, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 7/13/23 In His House At R’lyeh, Dead Pixel Waits Scrolling

Posted on July 13, 2023 by Mike Glyer

(1) THE HORN BLOWS AT MIDNIGHT. “SAG-AFTRA Strike Called as Studio Talks Collapse” – The Hollywood Reporter says the actors strike begins at midnight tonight.

… SAG-AFTRA’s National Board officially called a strike Thursday against major film and television companies as contract talks with studios and streamers broke down without a deal on July 12. The work stoppage will impact 160,000 union members and begin at midnight tonight….

…The last of the major entertainment unions to enter labor negotiations with entertainment companies in the spring and summer of this year, SAG-AFTRA walked into their talks with the AMPTP on June 7 with a strike authorization vote in hand. Responding to an especially tight time frame in which to negotiate their sprawling TV/theatrical contracts (their current pact initially expired June 30, then was extended to July 12), nearly 98 percent of voting members of the union authorized their leaders to call a strike if deemed necessary….

(2) STRIKE NUKES OPPENHEIMER PREMIERE. “Oppenheimer Cast Walks Out of UK Premiere as SAG-AFTRA Strike Begins” CBR.com.

The cast of Christopher Nolan’s Oppenheimer has walked out of the film’s UK premiere in solidarity with the actor’s union, SAG-AFTRA, following its call to strike.

“We talked about it,” [Matt] Damon told Variety on the red carpet. “Look, if it’s called now, everyone’s going to walk obviously in solidarity … Once the strike is officially called, [we’re walking]. That’s why we moved this [red carpet] up because we know the second it’s called, we’re going home.” Damon also revealed the results of SAG-AFTRA’s vote to strike, with 98% of its membership in favor of the move….

(3) HOW ACTORS STRIKE AFFECTS SDCC. “’Good Omens,’ ‘That ’70s Show,’ & More Cancel SDCC Panels Amid SAG Strike” reports Collider.

San Diego Comic-Con is going to look pretty different this year, as SAG-AFTRA has officially begun its strike. As the actors join the writers on the picket lines for better pay, conditions, and benefits, much of the industry has come to a halt without many of its key people. With the SAG-AFTRA strike now happening, it means actors cannot promote their current or future projects – including anything that was originally planned for Comic-Con. Thus, panels are already being cancelled for the event happening next week….

(4) YOU’LL BE CRYING A RIVER IF YOU FALL FOR THESE. Victoria Strauss warns about “How Scammers Are Using Amazon and Amazon Trademarks to Rip Writers Off” at Writer Beware.

In the past year or so, I’ve noticed an upsurge in scams that employ the Amazon name, or the names of Amazon trademarks, to try and trick hopeful writers into believing they are working with a company affiliated with Amazon, or even with Amazon itself.

As is common with scams these days, many of these questions come from writers who’ve been solicited via email or phone (you can see one such story here)–but also from writers looking to self-publish, who googled “self publishing” or “Amazon self-publishing” or “KDP publishing” or a similar search term.

Right at the top of such searches are sponsored links purchased by Amazon fakers….

… All four sponsored links are scams (see the list at the bottom of this post). The real Amazon KDP is down there at #5.

Some Amazon fakers use Amazon-ish logos, the better to further the illusion….

(5) THE OUTER LIMITS OF TAYLOR SWIFT. [Item by Rogers Cadenhead.] If you’ve been waiting for the day that your love of science fiction and Taylor Swift intersected, it has arrived.

Some pressings of the vinyl release of Swift’s album Speak Now contain not the stylings of the centillion-selling chanteuse, but instead the industrial electronic band Cabaret Voltaire sampling the 1960s TV series Outer Limits on their 1992 song “Soul Vine (70 Billion People).” “’This is so creepy!’: the Taylor Swift vinyl haunted by Britain’s weirdest musicians” in the Guardian.

Rachel Hunter, a TikTok user who played the not-so-swift album, told the Guardian, “I thought maybe the vinyl had some sort of special message. Because Taylor does that sort of thing. This voice was saying strange things about flesh and anxiety. I was like: This is weird. I thought maybe the other side would be less strange but I flipped it over and, no, it only got weirder.”

All was not lost. Instead of seeing red, the Swiftie shook it off. “I was like: this is so creepy,” she said. “But when the beat kicks in I was like: this is a vibe.”

Cabaret Voltaire’s song samples the Outer Limits line “the 70 billion people of Earth — where are they hiding?”, which was written by Harlan Ellison in the acclaimed 1964 episode “Demon With a Glass Hand.” (See “Samples of The Outer Limits (1963) – The 70 Billion People of Earth, Where Are They Hiding?” at WhoSampled.)

Hunter’s copy is the only one known to contain this mistake, but there may be others. Fun fact: “Studies show that around half of the vinyl released bought isn’t actually played, so there’s a chance there are more in circulation unbeknown to owners.”

(6) AMAZING PLANS CENTENARY BLOWOUT. Amazing Stories will be 100 three years from now. They are working on the party now: “100 Years of Science Fiction Celebration”.

The Publishers of Amazing Stories magazine and the Producers of RavenCon announce a partnership to produce the most exciting event to hit the Science Fiction World since the Moon Landing!

On March 10^th of 1926, the world’s first magazine devoted exclusively to the publication of Science Fiction – Amazing Stories – was released to newstands, and the world just hasn’t been the same!

…You can’t live in this world without being touched by Science Fiction’s influence. And now you have the unprecedented opportunity to join your fellow Fans in celebrating the first 100 Years of the Science Fiction Age!

RavenCon, a Virginia-based, traditional Science Fiction Convention has partnered with Experimenter to host the in-person celebration at RavenCon 19, April 2026. RavenCon is a well-respected and long-running, traditional, Fan-run con, making it a perfect choice for a celebration of the magazine that started it all, the Fandom that supported it all, and the genre that we all love!

…Lists of potential guests, special events, displays and programming subjects are currently being created, as is merchandise and crowdfunding platforms to help us make this the biggest, most exciting and out of this world celebration of Science Fiction that the world has ever seen!

If you are interested in any aspect of this event – be it attending, volunteering, offering a presentation, appearing as a guest (virtual or in person), hosting a local Slan Shack party, joining the quest to recover the Enchanted Duplicator, donating Lime Jello, or even seeking to be appointed the event’s Official David Kyle so you can tell everyone where to sit, sign up for our mailing list at www.RavenCon.com or www.AmazingStories.com.

(7) THEY MUST BE HERE SOMEPLACE. To continue a topic opened in comments the other day — Fansided published a list of the “Most sold Amazon books last week”. See how many men you can find among the 20 best sellers.

Most sold Amazon books last week

Fourth Wing by Rebecca Yarros (–)
The Covenant of Water by Abraham Verghese (+1)
Lessons in Chemistry by Bonnie Garmus (-1)
The Five-Star Weekend by Elin Hilderbrand (–)
Harry Potter and the Sorcerer’s Stone by J.K. Rowling (reentry)
The Housemaid by Freida McFadden (-1)
It Ends with Us by Colleen Hoover (+6)
Demon Copperhead by Barbara Kingsolver (-1)
Happy Place by Emily Henry (-3)
Never Lie by Freida McFadden (-2)
Too Late by Colleen Hoover (new addition)
Haunting Adeline by H.D. Carlton (-2)
Wool by Hugh Howey (new addition)
A Court of Thorns and Roses by Sarah J. Maas (+1)
Verity by Colleen Hoover (-3)
It Starts with Us by Colleen Hoover (+1)
The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid (–)
The Housemaid’s Secret by Freida McFadden (-2)
Iron Flame by Rebecca Yarros (-10)
Hello Beautiful by Ann Napolitano (-6)

(8) THE KEY TO ASCII. [Item by Bruce D. Arthurs.] “About ASCII Art and JGS Font” at Velvetyne Type Foundry explains JGS, a free typefont designed to better facilitate the creation of “ASCII art”, like the “typewriter art” that occasionally appeared in fanzines of our own era. It includes a rundown on the history of art and decoration created with printers type and elements, typewriters, computer keyboards, etc.

A self-portrait by Joan G. Stark featuring her standard signature.

…It isn’t that simple to explain what ASCII Art means. More than defining a well-established practice, ASCII Art blurs the habitual distinction between image and text, in the art world, and between “graphic interface” and “text mode,” in the informatics domain.

Strictly speaking, the expression designates pictures composed by using the 128 characters contained in the American Standard Code for Information Interchange (shortened as ASCII). Even if the terms “Text Art” or “Textmode Art” are also used, “ASCII Art” or just “ASCII” has become a way of naming all pictures produced with the help of typographic elements. In 1999, in The History of ASCII (text) Art, Joan G. Stark describes ASCII in the following way:

They are “non-graphical graphics”. Its palette is limited to the symbols and characters that you have available to you on your computer keyboard….

And here’s a link to the download page for the JGS font for anyone who wants to try it out.

(9) MEMORY LANE.

2011 – [Written by Cat Eldridge from a choice by Mike Glyer.]

My favorite work by Jo Walton is the Small Change series, not so much for its alternate history angle but for the Manor House mystery aspect. Manor House mysteries are comfort food to me. I’m also inordinately fond of another British set fiction, Tooth and Claw. Dragons!

I’d also note that An Informal History of the Hugos: A Personal Look Back at the Hugo Awards, 1953–2000 makes for rather interesting reading.

Our Beginning is Among Others which was published was published by Tor twelve years ago. It won a Hugo at Chicon 7 along with the BFA Robert Holdstock Award for Best Fantasy Novel and a Nebula. It was also nominated for a World Fantasy Award, a Mythopoeic Award and another BFA, this time for August Derleth Award for Best Horror Novel.

Our Beginning starts now…

Thursday 1st May 1975

The Phurnacite factory in Abercwmboi killed all the trees for two miles around. We’d measured it on the mileometer. It looked like something from the depths of hell, black and looming with chimneys of flame, reflected in a dark pool that killed any bird or animal that drank from it. The smell was beyond description. We always wound up the car windows as tight as tight when we had to pass it, and tried to hold our breath, but Grampar said nobody could hold their breath that long, and he was right. There was sulphur in that smell, which was a hell chemical as everyone knew, and other, worse things, hot unnameable metals and rotten eggs.

My sister and I called it Mordor, and we’d never been there on our own before. We were ten years old. Even so, big as we were, as soon as we got off the bus and started looking at it we started holding hands.

It was dusk, and as we approached the factory loomed blacker and more terrible than ever. Six of the chimneys were alight; four belched out noxious smokes.

“Surely it is a device of the Enemy,” I murmured.

Mor didn’t want to play. “Do you really think this will work?” “The fairies were sure of it,” I said, as reassuringly as possible. “I know, but sometimes I don’t know how much they understand about the real world.”

“Their world is real,” I protested. “Just in a different way. At a different angle.”

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born July 13, 1937 — Jack Purvis. He appeared in three of director Terry Gilliam’s early fantasy films, with roles in Time Bandits, a film Kage Baker adored, The Adventures of Baron Munchausen and Brazil. He’s in three of the Star Wars films, the only actor he says to play three different roles, and he’s also in Wombling Free (based on The Wombles, a UK Children’s series), The Dark Crystal and Willow. (Died 1997.)
Born July 13, 1940 — Mike Ploog, 83. He’s a storyboard and comic book artist, as well as a visual designer for films. his work on Marvel Comics’ Seventies Man-Thing and The Monster of Frankenstein series are his best-known undertakings, and as is the initial artist on the features Ghost Rider, Kull the Destroyer and Werewolf by Night. He moved onward to storyboarding or other design work on films including John Carpenter’s The Thing, Little Shop of Horrors, The Dark Crystal, Labyrinth and The Storyteller series. He also the cover art for OzCon International 2015, and Christopher Priest’s Fugue for a Darkening Island.
Born July 13, 1940 — Sir Patrick Stewart, 83. Setting aside Trek which he says he’s done with now that Picard is wrapped up, other memorable genre roles include Leodegrance in Excalibur, Gurney Halleck in Dune, Prof. Macklin in The Doctor and the Devils, Charles Xavier in the X-Men franchise and he’s played Macbeth myriad times in the theatre world.
Born July 13, 1955 — David J. Schow, 68. Mostly splatterpunk horror writer of novels, short stories, and screenplays. (He’s oft times credited with coining the splatterpunk term.) His screenplays include The Crow and Leatherface: The Texas Chainsaw Massacre III. He’s also done scripts for Masters of Horror, Perversions of Science and The Outer Limits. As an editor, he’s did the very impressive three-volume collection of Robert Bloch short fiction, The Lost Bloch.
Born July 13, 1966 — David X. Cohen, 57. Head writer and executive producer of the original Futurama. Cohen is a producer of Disenchantment, Matt Groening’s fantasy series on Netflix. He also wrote a number of the “Treehouse of Horror” episodes on the Simpson’s which have a strong genre slant such as “Treehouse of Horror VII” (“Citizen Kang”).
Born July 13, 1985 — Monica Byrne, 38. Her debut novel The Girl in the Road which is I’ve added to my reading list as it sounds fantastic which won the 2015 James Tiptree, Jr. Award and was also nominated for the Locus and Kitschies awards. She also had an essay in Wired back four years ago, “Hey, Book World: Sexism is Way Bigger Than the Hugos”, commenting on the Sad Puppies. It’s interesting reading still. And this essay, “Literature Still Urgently Needs More Non-White, Non-Male Heroes”, certainly shows where she is ideologically.

(11) COMICS SECTION.

Blondie shows Alexander Hamilton Bumstead telling his dad that billionaires have better ways to spend their money than space flight. Dagwood knows his son doesn’t have social causes in mind.

(12) A MEETING OF THE MINDS. Steve Vertlieb is in town and we got together for lunch today. Thanks to his brother, Erwin, for snapping the photo. It was a pleasure to see you, Steve!

(13) JEOPARDY! [Item by David Goldfarb.] In Tuesday’s episode during the single Jeopardy round, in Friends, $800 (fourth tier): Ken Jennings read the following clue, while two pictures were displayed side-by-side, of two men wearing jacket and tie.

Conversations about language and myths initially bonded these two titans of fantasy, influencing each other and their works

This was a triple stumper, nobody recognizing or guessing either C.S Lewis (on the left) or J.R.R. Tolkien (on the right). For myself, I recognized Tolkien but not Lewis.

In Double Jeopardy, a category “2 Books In One” — the clues were mashups of two titles by the same author, the contestants were to unmash them and give the two titles in full. At the $1200 level (third tier):

Dandelion 451

Another triple stumper.

(14) KEEP BURROUGHING INTO THAT HOLE. “Disney Rebooting Their Biggest Sci-Fi Flop Into A Series” reports GiantFreakinRobot.

Disney is about to find out whether or not a concept that didn’t work as a movie will do better as a streaming show. Our trusted and proven sources tell us the House of Mouse is working on a John Carter reboot series for Disney+.

This seems like a strange move for Disney, particularly in light of recent months. Disney, like all of the other major studios who now own and operate major streaming platforms, has been canceling and cutting content as it struggles to figure out how to make its streaming service profitable.

(15) WHERE TO FIND THE EMMY NOMINEES. JustWatch has put up a list of the “50 Most Popular Emmy Nominees & how to stream them online”. The list shows real-time data on the titles’ popularity, as well as where to watch a particular TV show in the US.

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Bruce D. Arthurs, David Goldfarb, Daniel Dern, Rogers Cadenhead, Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Xtifr.]

TAFF Collects Ted White’s Amazing and Fantastic Editorials in Two Volumes

Posted on May 31, 2023 by Mike Glyer

The latest Trans-Atlantic Fan Fund benefit books are two trade paperbacks with Ted White’s editorials and book reviews from Amazing and Fantastic from his time at the helm of both magazines.

These are physical books, not ebooks, and are offered at a fixed price, not as free downloads.

Ted White became active in SF fandom in the Fifties, won the Best Fan Writer Hugo in 1968, and was a guest of honor at the 1985 Worldcon, Aussiecon II. He has written over a dozen sf novels as well as many short stories, and edited a number of U.S magazines, including Amazing Stories and Fantastic from 1969 to 1979.

Ansible Editions is proud to present Ted’s collected editorials and book reviews from his years with both these magazines.

From the Foreword to The Fantastic Editorials by Ted White

I had dreamed, since my early adolescence, of editing my own professional sf magazine (or “prozine”), and my inspiration – at least for my editorial presence in one – was Ray Palmer, during his early Other Worlds editorship, in the early ’50s. What I liked about Palmer was his willingness to talk directly to his readers and to share with them his ideas and aspirations. He put himself into his magazine, not only in his editorials but also in his sometimes long responses to letters in the letter column. I appreciated that. It sucked me in and made me identify with Other Worlds. So I wanted to do that with Fantastic.

From the Introduction to The Amazing Editorials by Mike Ashley

A magazine isn’t the same as a book, leastways, a very good magazine isn’t. The big difference between a good book and a good magazine is that the magazine has a personality. That personality may in part be a product of the contributors but its chiefly created by the editor – and of an editor who loves what they’re doing.

That’s what made Ted White such a good editor. He was at heart a fan – he’d won a Hugo Award as Best Fan Writer in 1968 – and a die-hard fan knows what other fans want, even if at times he has to tell them what they want. Ted was known for his fan columns both before and after his editorship of Amazing Stories and Fantastic and he never fought shy of an argument if he felt he had a valid point. He was no stranger to controversy and he could not avoid being controversial in his role as editor for publisher Sol Cohen, as some of these editorials reveal.

GET THE INSIDE STORY. The above photograph of Ted White is taken from the back cover of his friend Philip K. Dick’s The Man in the High Castle (1965 Penguin UK paperback) – Dick had deliberately sent this picture as a joke. The full story is told in The Amazing Editorials.

ORDER TODAY! In US dollars, The Amazing Editorials paperback is $16.50. The Fantastic Editorials paperback is $16.00 Each is a print on demand book from Lulu.

[Based on a press release.]

File 770

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Tag Archives: Amazing Stories

Pixel Scroll 7/10/24 A Multiverse Of Pixels. Consider How Many That Is

Pixel Scroll 6/30/24 Mr. Holmes, They Were The Pixels Of An Enormous Scroll!

Pixel Scroll 5/1/24 Pak Up Your Pixels In An Old Scrith Bag And Smile, Smile, Smile

Pixel Scroll 2/14/24 Big Pixel in Little Scroll

Pixel Scroll 12/11/23 Pixelmancer

Pixel Scroll 10/15/23 I’m Still Big; It’s The Pixels That Got Small

Pixel Scroll 10/6/23 When You’re Dune And Tribbled, And Need A Gripping Hand…

Pixel Scroll 8/13/23 Make Your Scroll Kind Of Pixel Even If Nobody Else Scrolls Along

Pixel Scroll 7/13/23 In His House At R’lyeh, Dead Pixel Waits Scrolling

TAFF Collects Ted White’s Amazing and Fantastic Editorials in Two Volumes