(1) CAREER PATH. At Lit Reactor, Nick Mamatas hits close to home — “Ask Nick: Publishing 201 — Do I Need to Attend Conventions or Conferences?”

…A relative handful of science fiction/fantasy/horror conventions are considered “professional” and it is expected that people who work in publishing will travel cross-country or even internationally to make an appearance. In the mystery and romance genres, a greater percentage of conventions are “professional” and relatively fewer are run by and for fans. Regardless of whether the convention is fannish or professional, published writers are essentially zoo animals to be gawked at for the weekend. You can tell the writers from the other attendees because they are always clutching a drink in their hands like it was only accidentally given to them for free.

The conference, by way of contrast, has different roots. Literary conferences are often organized like other academic conferences—the focus is on writers who work in academe and the concerns of pedagogy and craft, though the keynote speakers are almost inevitably prominent writers who don’t need to grade term papers for a living. Panels at conferences are only occasionally roundtable discussions; more often the panelists read from essays, bits of memoir about the struggles of trying to either publish or teach their dumb-ass students, or their critical work. There are also lots of poets who constantly declare their identity as poets: “Oh, I don’t know how to organize my receipts to get reimbursed by my department! I’m a poet.” “I can’t be expected to know which button to press in this hotel elevator, I’m a poet!” In the sales room, university presses and university-backed literary journals that demand writers pay to submit and that have an organic audience somewhere in the low teens predominate, while at conventions you can buy ratty old magazines, leather corsets, and insipid badges with phrases such as “Do not meddle in the affairs of dragons for you are crunchy and taste good with ketchup” on them. So clearly, attending either kind of gathering is a fate worse than death.

(2) SUPER STRINGS ATTACHED. Alastair Reynolds and Stephen Baxter ae having “A Super Lockdown Supermarionation Superconversation in 5…4…3” – read the transcript at Approaching Pavonis Mons by Balloon.

AR: It was Gerry Anderson’s birthday a couple of days ago (he’d have been 91) so given that we’ve both watched Thunderbird Six recently -and have a shared enthusiasm for his shows – I thought it would be fun to talk about the film, as well as the puppet series more generally. Perhaps we could start by covering our introductions to the worlds of GA? I know you go back at least as far as Stingray, the series which preceded Thunderbirds – was that the first exposure to Supermarionation for you, or are we looking at the even earlier shows like Fireball XL-5, Supercar and so on? Any really early memories of the shows or even the merchandise surrounding them?

SB: As it happens I was born on the day Anderson’s first show was first broadcast,  The Adventures of Twizzle. An omen! But the first show I remember properly was Fireball, which was launched when I was nearly 5. Supercar was around but as repeats, I  guess.  Fireball was the one. It wasn’t the stories that struck me I think as much as the background world. The fantastic huge ship, and it looked huge thanks to good effects work, luxurious inside – Professor Matic  lived on it,  and how I envied him! And this was no fantasy, we were given one-century-ahead dates, 2062 and so on. Authentic SF, and I was lost forever.

(3) HYBRID PRODUCTION. The Hollywood Reporter reveals “‘The Blacklist’ Turns to Animation to Complete Season Finale”.

…NBC’s The Blacklist will close out its seventh season with a twist: After production on the drama was halted due to the coronavirus pandemic, the show turned to animation to help complete the season finale.

The hybrid episode is set to air May 15 and will serve as the season finale for The Blacklist (it has already been renewed for 2020-21). 

The episode, titled “The Kazanjian Brothers,” was midway through filming in New York when production stopped in mid-March due to the pandemic. The show’s producers looked for outside-the-box ways to complete the installment and settled on graphic novel-style animation (as shown above) to be incorporated with scenes that had already been filmed. 

Actors recorded dialogue from their homes for the animated scenes, and all animation and editing was done remotely. As The Hollywood Reporter has reported, production on a number of animated series has continued largely uninterrupted during the pandemic as studios and producers have adapted to working remotely.

(4) REFERENCE DIRECTOR! Lorie Shaull explains — “I assure you we’re not open,” a reference to the movie Clerks, and “You’re Still here? It’s over. Go home. Go,” from Ferris Bueller’s Day Off, seen on the Uptown Theatre marquee in Minneapolis, Minnesota.

(5) AIR APPARENT. Pirated Thoughts reports “DC Comics Wants to Flatten “Swampthing” Tires”.

DC Comics is battling a tire company that is using the SWAMPTHING mark in association with its monster tires.

Transamerica Tire, Co widely distributes its “Swampthing” tires which figure some “monster” treads that allow  added traction thru sand, gravel, dirt, mud or…swamps. 

…In July 2019, Transamerica filed a trademark registration to protect the name SWAMPTHING for its tires. But there is a big green guy who has something to say about that.

(6) SECOND FIFTH. Craig Miller prefers the “Revenge of the Sixth” as a reference, and in honor of the date he’s shared a couple more things he’s remembered since his book Star Wars Memories was released.

…But I’d completely forgotten that I’d also gotten a character’s name changed. A document in my files reminded me….

(7) PROCESSING GRIEF. A writer tells the BBC “How the Marvel Cinematic Universe has helped me grieve”

Since writer Hanna Flint’s grandmother died from Covid-19 complications, she has found solace in superheroes. Here she explains why the films are great for processing tough emotions.

…After my parents called me that Friday night to tell me the news, I cried myself to sleep. But the next morning, I woke up with the strongest urge to escape into the fantastical world of Iron Man, Captain Marvel, Steve Rogers, Thor and the rest of these Marvel heroes – so I camped out on my sofa and binge-watched MCU movies for the remainder of the Easter Weekend.

I’ve spent more than a decade being invested in this film franchise, so it’s no wonder that it’s become the cinematic equivalent of an emotional support dog for me in my time of need. There’s a familiarity that I have with these heroic characters and their fist-pumping adventures that must cause a release of serotonin in my brain, because with each film I watched anew, I felt the thrum of grief lessen, allowing in moments of joy that lifted my spirit.

…Alongside the gags, the series has also deepened as time has gone on, with the MCU opening itself up to a broader range of stories and sensibilities. No longer is the focus only on white male heroes and villains – instead there is a diverse range of characters for a wider audience to connect with. Peyton Reed’s Ant-Man films, James Gunn’s Guardians of the Galaxy movies, Scott Derrickson’s Doctor Strange and Captain Marvel from Anna Boden and Ryan Fleck, are all brilliant examples of Marvel Studios allowing the filmmakers’ voices to shine, while still staying true to the unifying structure and webbed narrative of the franchise. Ragnarok is probably the most distinctive individual Marvel offering so far – Waititi’s deadpan, self-referential humour keeps things especially grounded and accessible, despite the out-of-this-world setting. The Kiwi filmmaker flips your expectations of certain characters – as when Korg, a member of the rock alien Kronan race, turns out to be far more mild-mannered and intellectual than his previously-seen peers – but also uses comedy to make space for a deeper cultural commentary on issues like refugees, slavery and the white-washing of history.

(9) MAY THE FOURTH PROMOTION GOES AWRY. “Alberta police take down woman, 19, dressed as Star Wars stormtrooper to promote reopened restaurant” – Canada’s National Post has the story.

Police in southern Alberta are being investigated after a restaurant worker in a Star Wars stormtrooper costume who was carrying a plastic gun was forced to the ground and ended up with a bloody nose.

…The Lethbridge Police Service said officers were called to the restaurant Monday morning for reports of a person in a stormtrooper costume carrying a firearm. A news release Tuesday said when officers arrived, the person dropped the weapon but didn’t initially comply with directions to get down on the ground.

Whalen disputes the account that his employee didn’t obey police commands. When officers arrived, she immediately dropped the weapon and put her hands up, he said.

But Whalen said that the stormtrooper helmet makes it hard to hear and to be heard. It also makes it difficult to move, let alone to kneel or get down on your stomach. Whalen said this may have caused a delay in the employee getting on the ground.

“It’s not the easiest thing to kneel down in. You can’t even sit down in it. It takes 20 minutes to put on.”

(10) TODAY IN HISTORY.

• May 6, 1956 — Dimension X’s “Knock” aired. It was based on Fredric Brown’s story of the same name, first published in the December 1948 issue of Thrilling Wonder Stories. It was the first of three adaptations of his story, with the latter ones being X Minus One and Sci Fi Channel’s Seeing Ear Theatre. This version was adapted was by Ernest Kinroy. Fred Wiehe and Edward King were the directors. Norman Rose was heard as both announcer and narrator. The entire script can be summed up as “The last man on Earth sat alone in a room. There was a knock on the door…” Frederic Brown is the running for two Retro Hugos this year, one for Best Novelette for “Arena” and another for Best Short Story for “And the Gods Laughed“. You can hear “Knock” here.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

• Born May 6, 1914 — Randall Jarrell. Author of the ever so charming The Animal Family which is illustrated by Maurice Sendak. Go read it – you’ll be smiling afterwards. The Anchor Book of Stories has more of his genre friendly stories. (Died 1965.)
• Born May 6, 1915 — Orson Welles. Certainly the broadcast of “The War of the Worlds” in 1938 was his pinnacle of genre success. But for the Federal Theatre Project he did a 1936 adaptation of Macbeth with an entirely African American cast. That it was known as the Voodoo Macbeth might give you an idea of what he did with it. He would later do a more straightforward film of Macbeth. And, of course, he made a most excellent radio Shadow as well! (Died 1985.)
• Born May 6, 1946 — Nancy Kilpatrick, 74. Fangoria called her “Canada’s answer to Anne Rice.” I know that I’ve read something of her fiction but I’ll be damned if I remember what it was. I do recommend the anthology she edited Danse Macabre: Close Encounters with the Reaper as it’s a most excellent horror collection. 
• Born May 6, 1952 — Michael O’Hare. He was best known for playing Commander Jeffrey Sinclair on Babylon 5.  Other genre appearances were limited — he played Fuller in the 1984 film C.H.U.D, was Jimmy in the “Heretic” episode of Tales from the Darkside and appeared as a thug on the subway train in The Trial of the Incredible Hulk. (Died 2012.)
• Born May 6, — Carlos Lauchu, 59. Anubis, the captain of Ra’s personal guard, in the original Stargate film. His only other genre acting was two appearances in the Monsters anthology series. 
• Born May 6, 1969 — Annalee Newitz, 51. They are the winner of 2019 Hugo Award for Best Fancast at Dublin 2019 for “Our Opinions Are Correct”. And their novel Autonomous was a finalist for the Nebula Award for Best Novel, John W. Campbell Memorial Award and the Locus Award for Best First Novel while winning a Lambda Literary Award. They are also the winner of the Theodore Sturgeon Memorial Award for best short science fiction, ”When Robot and Crow Saved East St. Louis”. 

(12) COMICS SECTION.

• Bizarro shows Spider-craft.
• Peanuts from 50 years ago today:

(13) BRUSHWORK. Cora Buhlert has an eye on some of the latest – in 1965 – high culture trends: “[MAY 4, 1965] THE OP AND THE POP: NEW MOVEMENTS IN MODERN ART”

…So what do you see, when you look at a work of Minimalist art? You’ll see simple patterns, geometric shapes, hard edges, primary colours and monochromatic palettes. The so-called “Black Paintings” by the above mentioned Frank Stella consist of concentric stripes painted on raw canvas in the black wall paint that Stella uses in his day job as a house painter. Canadian artist Agnes Martin paints grids and stripes in pastel watercolours. Meanwhile, Dan Flavin eschews paint altogether and instead creates artworks from tubes of neon lights arranged in various geometric patterns.

(14) SOCIAL MEDIA GAVEL BANGERS. BBC is there when “Facebook’s ‘supreme court’ members announced”.

Facebook has announced who will sit on an independent board, set up to have ultimate say over what controversial content should be taken down.

Former Danish prime minister Helle Thorning-Schmidt will co-chair the panel with three others.

The panel said they will judge some of the “hardest cases out there.”

One expert said it was a bold experiment, but others were more cynical about how much difference they would make.

In a blog announcing the oversight board, Facebook said it “represented a new model of content moderation”

Initially consisting of 16 members, there are plans to expand numbers to 40. It will begin hearing cases later this year.

At first this will just be deliberating on content that individuals feel has been wrongfully removed but, in following months, it will also look at appeals from users who want Facebook to remove content.

(15) BOOKS BY THE POUND. The New York Times analyzes why “The ‘Credibility Bookcase’ Is the Quarantine’s Hottest Accessory” – provided yours isn’t filled with duds.

…In April, an anonymous Twitter account, Bookcase Credibility, emerged to keep an eye on the trend and quickly accumulated more than 30,000 followers. Its tagline is “What you say is not as important as the bookcase behind you,” and it offers arch commentary on the rapidly solidifying tropes of the genre as well as genuine respect for a well-executed specimen. YouTube CEO Susan Wojcicki appears before “a standard credibility wallpaper presentation in the unthreatening homely style.” The migrants’ rights activist Minnie Rahman’s Encyclopaedia Britannica collection “is a lazy hand wafted at convention.” And the British politician Liam Fox’s “bold grab at credibility is somewhat undermined by the hardback copy of The Da Vinci Code.”

Similarly, Atlas Obscura reports “The Zoom Era Inspires a ‘Bookshelf Championship’ in Portugal”.

…As expected from a nation with one of the most beautiful bookstores in the world, the Portuguese rallied behind the Bookshelf Championship. All of a sudden, book-related opinions were all over social media. “He’s stacking books horizontally to fit more,” a Twitter user said of his preferred contestant, journalist Nuno Rogeiro, whose all-embracing bookshelf featured books wedged into every available cranny. Some contemplated the definition of a bookshelf: Should a shelf full of binders be disqualified, or was it a “spectacular variation” on the theme? Others called for the “immediate resignation” of the Minister of Education, Tiago Brandão Rodrigues, on the grounds that his video conference set-up featured zero books. It didn’t take long for the debate to make it, in an apt twist, onto the evening news. Ricardo Araújo Pereira, one of Portugal’s top comedians, submitted his formal entry by taking a conference call from a deserted university library, where he sat flanked by tidy bookshelves in perfect social isolation. Twitter deemed his entry “extremely strong.”

(16) A CRUISE IN SPACE. The original report from Deadline: “Out Of This World! Tom Cruise Plots Movie To Shoot In Space With Elon Musk’s SpaceX”.

I’m hearing that Tom Cruise and Elon Musk’s Space X are working on a project with NASA that would be the first narrative feature film – an action adventure – to be shot in outer space. It’s not a Mission: Impossible film and no studio is in the mix at this stage but look for more news as I get it. But this is real, albeit in the early stages of liftoff.

Mission: Impossible Fallout took a break, literally when he broke his ankle in a leap from one rooftop to the other and he also hung from a helicopter; he hung from the side of a jet plane during takeoff in Mission: Impossible Rogue Nation, and in Mission: Impossible: Ghost Protocol he scaled the Burj Khalifa, the Dubai skyscraper, and executed stunts 123 floors up. He is meticulous in preparing these stunts he does, which are frightening just to watch.

There has never been a leading man (Jackie Chan might dispute this) who puts himself at risk as often as does Cruise, in the name of the most realistic action sequences possible. If he is successful shooting a project in Musk’s space ship, he will be alone in the Hollywood record books. Stay tuned.

NPR picks up the story: “Tom Cruise And NASA Could Be A Match Made In The Heavens”.

… NASA Administrator Jim Bridenstine confirmed by tweet that “NASA is excited to work with @TomCruise on a film aboard the @Space_Station! We need popular media to inspire a new generation of engineers and scientists to make @NASA’s ambitious plans a reality.”

At 57, the actor is a good deal older than the run-of-the-mill astronaut (if there is such a thing) though a number “spaceflight participants” (the official NASA and Roscosmos — the Russian space agency — designation for non-astronauts) have flown before.

Cruise is demonstrably in excellent shape, and evidently fearless when it comes to doing his own stunts. That’s fortunate, as up to this point, Space X has launched only unmanned missions of its Dragon 2 craft, which is designed to transport astronauts to the International Space Station. Its first launch with a human crew is scheduled for later this month.

(17) AND BABY MAKES E=MC². Is everything Musk does newsworthy? (Or is this just freaky enough to be interesting?) “X Æ A-12: Elon Musk and Grimes confirm baby name”.

Elon Musk and singer Grimes have confirmed they have named their baby X Æ A-12.

The Space X CEO announced the birth of their son on Monday. “Mom & baby all good,” he said on Twitter.

He posted that the child would be called X Æ A-12 Musk and his girlfriend later offered an explanation to her followers on social media.

(18) COME OUT OF YOUR SHELL. “‘Teenage Mutant Ninja Turtles’ Movie 30th Anniversary Pizza Party Announced by Original April O’Neil”. Actress Judith Hoag, who played April O’Neil, is hosting the official 30-year cast reunion Pizza Panel Party on May 23rd, “World Turtle Day,” with the original cast and crew – Food & Wine has the story.

“It’s our 30th anniversary. We had some really great stuff planned to celebrate with you guys, and then the pandemic hit,” Hoag said. “It would be great to have a virtual pizza party with you guys, our fans […] We want to get together, hang out with you, and eat some pizza. I personally will probably be having a martini while I’m doing it.”

As of this writing, there aren’t any additional details about the Zoom event, but the TMNT Movie 1990 Facebook page says that it will post more information for online attendees in the days ahead….

(19) FROG GOT YOUR TONGUE? Delish is sure “‘Star Wars’ Fans Will Love These Fruit Roll-Ups With ‘Mandalorian’ Tongue Tattoos”.

…Giving yourself a temporary tongue tattoo from a sticky fruit roll-up is an inexplicable joy. Why is it so fun to have a blue outline of a character on your tongue? Who knows, but it’s about to get a whole lot more exciting. Star Wars-themed Fruit Roll-Ups with The Mandalorian tongue tattoos are expected to come out this fall, which means you can take your Baby Yoda obsession even further that you thought.

The Fruit Roll-Ups by General Mills are expected to be released this September, according to Nerdist. The package features two Mandalorian-themed tattoos: one of Baby Yoda with a frog in his mouth and the other of the Mandalorian’s helmet.

(20) OF HUMANS YET TO COME. John Folk-Williams applauds this developing series — “The Quantum Evolution by Derek Künsken: A Review” at SciFi Mind.

Derek Künsken’s series, The Quantum Evolution, so far consisting of two novels (The Quantum Magician and The Quantum Garden) is a brilliant space opera that probes the depths of a future human nature engineered to produce new subspecies. And they are wild, at times repulsive, at times capable of incredible breakthroughs in knowledge or massive deception and theft, at times mired in twisted love of false gods.I’ve rarely been so intellectually engaged by the idea of a quantum evolution of humankind and so drawn to a set of fascinating characters as they fight and con their way across various star systems.

(21) MURDER HORNET. [Item by Daniel Dern.] From today’s NY Times — even more timely as Wednesdays are also when the Gray Lady does its weekly Food/Dining section (although this wasn’t in that section, hardcopywise): “In Japan, the ‘Murder Hornet’ Is Both a Lethal Threat and a Tasty Treat”.

… But in the central Chubu region, these insects — sometimes called “murder hornets” — are known for more than their aggression and excruciating sting. They are seen as a pleasant snack and an invigorating ingredient in drinks….

(22) STEPHEN KING ON THE LATE SHOW. The legendary master of horror covers a lot of ground in this talk with Stephen Colbert, including how he would fare in quarantine with his most feared characters, some things he learned about pandemics when doing research for “The Stand,” and the many reasons he recommends reading The Lord of the Rings.

[Thanks to JJ, Chip Hitchcock, Michael Toman, StephenfromOttawa, Cat Eldridge, Andrew Porter, Lise Andreasen, John King Tarpinian, Mike Kennedy, Susan de Guardiola, Olav Rokne, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]