Moments before the Eurovision Song Contest Grand Final came live from Liverpool the new Doctor Who trailer announced the titles as:
Special One: The Star Beast
Special Two: Wild Blue Yonder
Special Three: The Giggle
The exclusive trailer showed David Tennant as the Fourteenth Doctor, alongside Catherine Tate who will reprise her role as Donna Noble
Doctor Who returns in November 2023 with three special episodes with David Tennant as the Fourteenth Doctor to coincide with the show’s 60th anniversary. Ncuti Gatwa’s first episode as the Fifteenth Doctor will then air as part of the festivities.
HITHER CAME CONAN is a compilation of two successful examinations of all of Robert E. Howard’s original Conan the Cimmerian stories (and one story fragment) with about 15 additional essays included. It is also the single most-inclusive repository of REH Conan story data to date. This alone makes this title invaluable; coupled with the almost 60 essays it makes this THE BOOK to shelve alongside your Wandering Star/DelRey Conan trilogy. The majority of essays (and opinions!) come from the Bob Byrne led ‘Hither Came Conan’ series hosted by Black Gate Magazine and the ‘Conan Re-Read’ of Bill Ward and Howard Andrew Jones in conversation on Howard’s blog. Data compiled for each story by Dierk Günther includes tidbits such as the probable age of both Conan and Howard, the location, the major characters, the word count, date and source of first publication, and the first recorded public reaction to be found. HITHER CAME CONAN is a wealth of all the information any reader of Conan could desire.
(2) JOHN MANSFIELD SERVICE ONLINE TOMORROW. Linda Ross-Mansfield has announced the Facebook link for the livestream of the funeral service for Pemmi-Con’s fan guest of honour, John Mansfield. Funeral begins May 12, 2:00 p.m. Central.
Murray Moore adds that at the convention there will be a special display and a memory book for fans who wish to share their memories with the family and others.
It’s hard to overstate the anticipation I had for Eastercon 1968. It was going to be the largest national convention ever, with over 200 fans expected! In the end I understand that something like 150 people turned up; still the largest British national convention yet….
… Pulling content off the service goes hand in hand with making less of it, or, as CEO Bob Iger put it on the call, “getting much more surgical about what we make.”
He said the company has spent a lot of time and money producing and marketing content that didn’t move the needle in terms of subscribers.
“When you make a lot of content, everything needs to be marketed. You’re spending a lot of money marketing things that are not going to have an impact on the bottom line, except negatively due to the marketing costs.”
Iger gave a shout-out to theatrical films, especially tentpoles, as great sub drivers. “But we were spreading our marketing costs so thin that we were not allocating enough money to even market them when they came onto the service. Coming up, Avatar, Little Mermaid, Guardians of the Galaxy, Elemental etc.. where we actualy believe we have an opportunity to lean into those more, put the right marketing dollars against it, allocate more basicaly away from programming that was not driving any subs at all.”
He called it “part of the maturation process as we grow into a business that we had never been in. We are learning a lot more about it. Specifically, we are learning a lot more about how our content behaves on the service and what customers want.”
“Forget your personal tragedy,” Ernest Hemingway exhorted his dear friend F. Scott Fitzgerald in a tough-love letter of advice. “Good writers always come back. Always.” It is an insight as true of writers as it is of all artists and of human beings in general, as true of personal tragedy as it is of collective tragedy — something Toni Morrison articulated in her mobilizing manifesto for the writer’s task in troubled times: “There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”
That is what Jorge Luis Borges (August 24, 1899–June 14, 1986) — born the same year as Hemingway, writing two decades before Morrison — conveys with uncommon splendor of sentiment in Twenty-Four Conversations with Borges: Including a Selection of Poems (public library) — the record of his dialogues with the Argentine journalist and poet Roberto Alifano, conducted in the final years of Borges’s life, by which point he had been blind for almost thirty years.
…Imagine losing your rudder out at sea and sending out a distress call. And then the largest ocean-going wooden sailing ship in the world comes to your rescue. Or in the words of the sailors on the sailing boat: “This moment was very strange, and we wondered if we were dreaming. Where were we? What time period was it?”
Paul Cornell’s “The Copenhagen Interpretation”was published first in Asimov’s in their July 2011 issue. It was nominated for the Best Novelette Hugo at Chicon 7, and also for the Theodore Sturgeon Memorial Award.
You know that I don’t do spoilers, so I won’t do any for this extraordinary well-written story. Annoyingly, while doing research found a number of descriptions of “The Copenhagen Interpretation” that gave everything away. Idiots.
And for the Beginning…
The best time to see Kastellet is in the evening, when the ancient fortifications are alight with glow worms, a landmark for anyone gazing down on the city as they arrive by carriage. Here stands one of Copenhagen’s great parks, its defence complexes, including the home of the Forsvarets Efterretningstjeneste, and a single windmill, decorative rather than functional. The wind comes in hard over the Langeline, and after the sun goes down, the skeleton of the whale that’s been grown into the ground resonates in sympathy and gives out a howl that can be heard in Sweden.
Hamilton had arrived on the diplomatic carriage, without papers, and, as etiquette demanded, without weapons or folds, thoroughly out of uniform. He watched the carriage heave itself up into the darkening sky above the park, and bank off to the southwest, swaying in the wind, sliding up the fold it made under its running boards. He was certain every detail was being registered by the FLV. You don’t look into the diplomatic bag, but you damn well know where the bag goes. He left the park through the healed bronze gates and headed down a flight of steps towards the diplomatic quarter, thinking of nothing. He did that when there were urgent questions he couldn’t answer, rather than run them round and round in his head and let them wear away at him.
The streets of Copenhagen. Ladies and gentlemen stepping from carriages, the occasional tricolour of feathers on a hat or, worse, once, tartan over a shoulder. Hamilton found himself reacting, furious. But then he saw it was Campbell. The wearer, a youth in evening wear, was the sort of fool who heard an accent in a bar and took up anything apparently forbidden, in impotent protest against the world. And thus got fleeced by Scotsmen.
He was annoyed at his anger. He had failed to contain himself.
He walked past the façade of the British embassy, with the Hanoverian regiment on guard, turned a corner and waited in one of those convenient dark streets that form the second map of diplomatic quarters everywhere in the world. After a moment, a door with no external fittings swung open and someone ushered him inside and took his coat.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born May 11, 1920 — Denver Pyle. His first genre performance is in The Flying Saucer way back in 1950 where he was a character named Turner. Escape to Witch Mountain as Uncle Bené is his best known genre role. He’s also showed up on the Fifties Adventures of Superman, Commando Cody: Sky Marshal of the Universe, Men Into Space, Twilight Zone and his final role was apparently in How Bugs Bunny Won the West as the Narrator. (Died 1997.)
Born May 11, 1918 — Richard Feynman. Ok, not genre as such but certainly genre adjacent. I wholeheartedly recommend Genius: The Life and Science of Richard Feynman by James Gleick for an entertaining look at his life. (Died 1988.)
Born May 11, 1935 — Doug McClure. He had the doubtful honor of appearing some of the worst Seventies SF films done (my opinion of course and you’re welcome to challenge that), to wit The Land That Time Forgot, The People That Time Forgot, Warlords of the Deep and even Humanoids From The Deep. Genre wise, he also appeared in one-offs in The Twilight Zone, Out of This World, AirWolf, Alfred Hitchcock Presents, Fantasy Island and Manimal. Some of which were far better. (Died 1995.)
Born May 11, 1952 — Shohreh Aghdashloo, 71. Best known genre role is Chrisjen Avasarala on The Expanse series. (I’ve not seen it, but have listened to all of The Expanse series.) She also had a recurring role as Farah Madani on The Punisher. She was also in X-Men: The Last Stand as Dr. Kavita Rao, but her role as The Chairman in The Adjustment Bureau didn’t make it to the final version. She was Commodore Paris in Star Trek Beyond, and she had a recurring role as Nhadra Udaya in FlashForward.
Born May 11, 1952 — Frances Fisher, 71. Angie on Strange Luck and a recurring role as Eva Thorne on Eureka. Have I mentioned how I love the latter series? Well I do! She’s also shown up on Medium, X-Files, Outer Limits, Resurrection, The Expanse and has some role in the forthcoming Watchmen series.
Born May 11, 1976 — Alter S. Reiss, 47. He’s a scientific editor and field archaeologist. He lives in Jerusalem, he’s written two novels, Sunset Mantel and Recalled to Service. He’s also written an impressive amount of short fiction in the past ten years.
(10) BREAKING THINGS THAT WORK. Today, via a comment on Seanan McGuire’s discussion of Patreon (thread starts here), I learned about the Trust Thermocline. John Bull’s thread starts here.
I am astonished by companies whose logic on price hikes is, counter to everything we know about the psychology of pricing, "Well, they didn't all quit last time we did this, so they won't quit this time either."
One of the things I occasionally get paid to do by companies/execs is to tell them why everything seemed to SUDDENLY go wrong, and subs/readers dropped like a stone.
So, with everything going on at Twitter rn, time for a thread about the Trust Thermocline /1
(11) DO YOUR PULP HOMEWORK HERE. The Popular Culture Association’s Pulp Studies area now has a website with links and resources: “Pulp Studies”.
What is a “Pulp”?
Pulp magazines were a series of mostly English-language, predominantly American, magazines printed on rough pulp paper. They were often illustrated with highly stylized, full-page cover art and numerous line art illustrations of the fictional content. They were sold for modest sums, and were targeted at (sometimes specialized) readerships of popular literature, such as western and adventure, detective, fantastic (including the evolving genres of science fiction, fantasy, and horror), romance and sports fiction. The first pulp Argosy, began life as the children’s magazine The Golden Argosy, dated Dec 2, 1882 and the last of the “original” pulps was Ranch Romances and Adventures, Nov 1971.
…On the surface, no play epitomizes this more than his first tragedy, the grisly Titus Andronicus. It is the Saw franchise of Elizabethan theatre, filled with as much shock and gore as Shakespeare could possibly have packed into a single play. As well as a full complement of stabbings, hangings, and beheadings, the audience is treated to Aaron being buried up to his neck until he starves to death, seeing Lavinia’s hands removed and tongue cut out, watching on as Alarbus’s arms and legs are cut off and he is thrown into a fire, and finally, Shakespeare delivers the coup-de-grace as Chiron and Demetrius are baked into a pie and then fed to their mother. Let it not be said that gore is a new thing in popular entertainment.
And yet, for all these horrors, this play never quite captures an audience (or a classroom) like some of his later, less graphic, tragedies. Why is that? Seen through the lens of a horror writer, Shakespeare’s progression as an artist is not just in his ability to play with structure, form, and character, but rather that he gains a deeper understanding of how to really scare people. As he grew as a writer, he learned there are better ways to emotionally wound an audience than the surface kills and thrills, and it’s this that ends up really defining him as a playwright….
J. G. Ballard’s modern fable High-Rise is almost fifty years old. In the past few decades, its potency has come closer to resembling prophecy, yet Ballard’s obsession with affluence and self-isolating communities isn’t limited to this novel alone. Novels like Super-Cannes, Concrete Island, and Cocaine Nights all invoke similar themes of alienation, isolation, and unrestrained affluence from the depths of his back catalogue, the rich coiling tightly around one another to block out the pressing realities of the wider, poorer world. Yet High-Rise remains a singular invocation, summoning a sturdy mental image with ease, a fraught zoo, a series of stacked cages, a social order imprinted on the quivering skyline in concrete—a book that has shaped its legacy at times with just a title and a stark image on the cover.
(15) FAILURE MODE. A Nature editorial says, “Space companies should not lose heart when things go wrong. The first Moon missions failed repeatedly — and provided lessons on how to achieve success in space and beyond.” “In space, failure is an option — often the only one”
“Failure is not an option,” NASA’s legendary flight-operations director Gene Kranz is said to have remarked, as seen in the 1995 film Apollo 13. Actor Ed Harris portrayed Kranz as he guided his team to save a spacecraft that had run into trouble on the way to the Moon. In the movie, as in real life, the three astronauts on the Apollo 13 mission pulled off a spectacular fix and returned safely to Earth.
Not all space ventures have such a tidy ending. A 2019 attempt by Israeli company SpaceIL to land on the Moon crashed. On 20 April this year, a spectacular intentional detonation ended the first major test flight of Starship, the world’s largest rocket, which SpaceX in Hawthorne, California, is building to carry humans back to the Moon and to Mars. The craft had spun out of control four minutes after lifting off its launch pad in Texas. Five days later, a robotic mission from the Japanese company ispace, based in Tokyo, tried and failed to land safely on the Moon…
“…The scientists and engineers involved should not be discouraged by these failures. Space is hard. This is a truism trotted out every time there’s an attempt to launch from this planet or land on another. But it is accurate. Those who wish to explore the cosmos should expect to fail — perhaps many times — before they can succeed.”
(16) OCTOTHORPE. In episode 83 of the Octothorpe podcast, John Coxon would like more drawers, Alison Scott uses the floor, and Liz Batty is okay with shelves. They also discuss fan funds briefly, and the 2023 Eastercon (Conversation) at some length. Listen here: “Efffffffff”.
Nintendo Switch gamers may be excited to see this promo bus for “The Legend of Zelda: Tears of the Kingdom,” the highly anticipated sequel to 2017’s “Breath of the Wild” parked on First Avenue by 12th Street…
…This appears to confirm that we’ll get another full trailer for the trilogy of specials at some point during the Eurovision Song Contest, as had previously been rumoured….
— Bad Wolf Archives (@BadWolfArchives) May 9, 2023
[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Lise Andreasen, Hampus Eckerman, Murray Moore, SF Concatenation’s Jonathan Cowie, Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]
… Lourd accompanied her mother to Comic-Con. There she learned that Fisher was also beloved.
“People of all ages from all over the world were dressed up like my mom, the lady who sang me to sleep at night and held me when I was scared. Watching the amount of joy it brought to people when she hugged them or threw glitter at them — sorry about that — was incredible to witness. People waited in line for hours just to meet her. People had tattoos of her, people named their children after her. People had stories of how she saved their lives. It was a side of my mom I had never seen before, and it was magical,” recalled Lourd. “I realized then that Leia is more than just a character. She is a feeling. She is strength. She is grace. She is wit. She is femininity at its finest. She knows what she wants and she gets it. She doesn’t need anyone to rescue her because she rescues herself and even rescues the rescuers. And no one could have played her like my mother.”
The ceremony, which kicked off shortly after 11:30 a.m. near the El Capitan Theatre on the corner of Hollywood and Highland, saw Lourd accept Fisher’s honor as she received the 2,754th star on the famed Walk of Fame….
In celebration of Star Wars Day, My Valley Pass is thrilled to present Star Wars: A New Hope as part of our ongoing film series Movies On Location. Throughout this exciting series, we screen films at their actual filming locations, or at settings that go hand-in-hand with these specially curated movies. The series features state of the art projection and sound.
This May the 6th, join us in Van Nuys as we screen Star Wars: A New Hope in the parking lot of Neiman & Company, formerly the original location of Industrial Light & Magic where all of the visual effects for Star Wars: A New Hope (1977) were produced.
(3) STAR WARS UNDERGROUND. SF Concatenation’s Jonathan Cowie forwarded this photo taken by a member of his local UK sf group today.
(4) HIGH TEA. Sharon Lee and Steve Miller are home from a convention visit. Sharon shares all the interesting details in “To HELIOsphere and beyond!”
…Immediately following our conversation, was the highlight of the convention — the Teddy Bear Tea.
The Teddy Bear Tea is something Steve and I try to schedule, whenever we are Guests of Honor. It turns out that many fans travel with their stuffed friends, who usually stay in the room, ready for comfort and conversation, when their companions come back from panelling and partying. We thought it was a shame that the plushies never got a chance to socialize, and that was the inception of the Teddy Bear Tea.
The Teddy Bear Tea is Vastly Flexible, depending on the understanding of the programming folks about what, exactly, we were doing here.
HELIOsphere did us more than proud. A full British High Tea awaited the plushies and their human friends — cucumber sandwiches (finally! I have had a cucumber sandwich), chicken salad, and egg salad, all cut into triangles and the crust trimmed off. Cookies! Biscotti! It was just marvelous. All of the plushies and people I talked to were impressed. Just a very good time, indeed….
There’s a WGA strike happening. Now is the perfect time to watch the Deep Space Nine‘s episode about union organizing “Bar Association”….
Deep Space Nine, Ferengi, and “Bar Association”
It’s the Bajoran Time of Cleansing. We don’t know what this holy time is about exactly but cleansing means no drinking or gambling. There’s nary a holosuite rental in sight. It’s Lent on steroids. And since much of the station consists of Bajorans that means wildly depleted profit margins for Quark’s Bar!
In “Bar Association“, Quark’s brother Rom nearly dies on the floor of the bar from a nuclear-grade ear infection because Quark won’t give him time off for a doctor’s visit. Worse, Quark decides that, in order to deal with the lack of incoming profit, he’s reducing salary by a third effective immediately.
Finally, in sickbay, Rom complains to Doctor Bashir about the lack of paid time off. Bashir offhandedly suggests that Rom should start a union in order to fight for an improved contract for all the workers. Rom takes the idea to heart and before you know it Quark’s entire staff is on strike.
“Bar Association” is very funny. But it’s also one of the most serious episodes in Star Trek history precisely because it deals with the mistreatment of workers. Obviously, right at the top, the episode deals with the dangers of working while sick. Rom nearly dies of that ear infection. But “Bar Association” says a lot more about the importance of unions than just paid sick leave….
The ten-second clip aired during the channel’s Saturday (29th April 2023) evening schedule, with a message flashing up onscreen that read Network Error before making way for a number of distorted images and seemingly indecipherable sounds.
But it didn’t take sleuthing Whovians too long to work out some meaning behind the teaser, with fans noting that when the audio is played backwards Donna can be heard saying: “Why did this face come back?”
????BREAKING – NEW #DoctorWho Teaser is appearing!!
Much has been written about Doctor Who across the past six decades, but surely little could be more striking and fascinating than the diary kept by Waris Hussein way back in 1963 – his contemporaneous account of those crucial months 60 years ago when the sci-fi series was slowly, sometimes painfully, coming into being.
As Doctor Who’s very first director, he was heavily involved in the programme’s inception and can be counted among its talented band of founding parents…
…What follows is not a day-by-day diary. In 1963 Waris was far too busy for that. Instead, whenever time allowed, he kept a journal in a notebook, sometimes recording his thoughts on one particular day or else summarising recent events. That year he was also directing the BBC soap Compact, a Sunday Play called The Shadow of Mart and wartime espionage series Moonstrike. His diaries cover those in depth, as well as many private matters. For this series of articles exclusive to Radio Times, he has kindly allowed us to edit his accounts, extracting aspects pertinent to Doctor Who.
… Thursday 30th May 1963
The more I think of “Dr Who”, the more it depresses me and I can’t bear the thought of it. I hope it never happens.
[Waris in 2023: “You see, nobody knew exactly what the format was. The scripts were non-existent apart from the first one by Anthony Coburn. There was nothing more to go on. The sci-fi element didn’t bother me particularly; it was more that we’d be dealing with Stone Age characters. I mean, the discovery of fire was not my idea of directing something after my Cambridge days where I studied Shakespeare. And I didn’t want to be laughed at – directing actors in skins.”]….
(8) MEMORY LANE.
1984 – [Compiled by Cat Eldridge.]
Barry Hughart’s career, I was surprised to learn, consisted of just one exemplary series, the Master Li novels which in turn were but a trilogy — Bridge of Birds, The Story of The Stone andEight Skilled Gentlemen.
Why this was according to Hughart wasn’t due to his publishers screwing him over though they, according to him, did just that doing everything from labeling his fiction as exclusively being genre to releasing the paperback edition of Eight Skilled Gentlemen the same time as the hardback edition resulting in very few sales of the latter.
None of which he says actually had to do with him ending his writing career. In the Subterranean Press printing of The Chronicles of Master Li and Number Ten Ox series as it is called, he stated:
“Will there be more? I doubt it, and it’s not because of bad sales and worse publishers. It’s simply that I’d taken it as far as I could. … [N]o matter how well I wrote I’d just be repeating myself.”
So that was it for his writing career. Mind you, according to him in another interview, there were supposed to be seven novels in the series had it run its full course.
But oh what extraordinary fiction it was. Blending an ancient China that never was, Chinese mythology with detective genre influences, Bridge of Birds won the World Fantasy Award and the Mythopoeic Fantasy Award. It’s an amazing series and go read it if you’ve not.
The series is available at the usual suspects.
Our Beginning naturally is from Bridge of Birds…
I shall clasp my hands together and bow to the corners of the world.
My surname is Lu and my personal name is Yu, but I am not to be confused with the eminent author of The Classic of Tea. My family is quite undistinguished, and since I am the tenth of my father’s sons and rather strong I am usually referred to as Number Ten Ox. My father died when I was eight. A year later my mother followed him to the Yellow Springs Beneath the Earth, and since then I have lived with Uncle Nung and Auntie Hua in the village of Ku-fu in the valley of Cho. We take great pride in our landmarks. Until recently we also took great pride in two gentlemen who were such perfect specimens that people used to come from miles around just to stare at them, so perhaps I should begin a description of my village with a couple of classics.
When Pawnbroker Fang approached Ma the Grub with the idea of joining forces he opened negotiations by presenting Ma’s wife with the picture of a small fish drawn on a piece of cheap paper. Ma’s wife accepted the magnificent gift, and in return she extended her right hand and made a circle with the thumb and forefinger. At that point, the door crashed open and Ma the Grub charged inside and screamed: “Woman, would you ruin me? Half of a pie would have been enough!
That may not be literally true, but the abbot of our monastery always said that fable has strong shoulders that carry far more truth than fact can.
Pawnbroker Fang’s ability to guess the lowest possible amount that person would accept for a pawned item was so unerring that I had concluded it was supernatural, but then the abbot took me aside and explained that Fang wasn’t guessing at all. There was always some smooth shiny object lying on top of his desk in the front room of Ma the Grub’s warehouse, and it was used as a mirror that would reflect the eyes of the victim.
“Cheap, very cheap,” Fang would sneer, turning the object in his hands. “No more than two hundred cash.”
His eyes would drop to the shiny object and if the pupils of the reflected eyes constricted too sharply he would try again.
“Well, the workmanship isn’t too bad, in a crude peasant fashion. Make it two-fifty.” The reflected pupils would dilate, but perhaps not quite far enough.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born May 4, 1852 — Alice Pleasance Liddell (rhymes with “fiddle”). One of the sisters to whom “Lewis Carroll” (Charles Dodgson) told the story that he later developed into Alice’s Adventures in Wonderland (1865) and a second book about the character Alice, Through the Looking-Glass and What Alice Found There (1871). She eventually auctioned the manuscript copy of the first book Carroll had given her (under the original title Alice’s Adventures under Ground). That is how it came to be displayed at Columbia University on the centennial of Carroll’s birth, with Alice present, aged 80. In a nice coincidence, during this visit to the United States she met Peter Llewelyn Davies, one of the brothers who inspired J. M. Barrie’s Peter Pan. (Died 1934.) (OGH/JH)
Alice Liddell dedication copy of Through The Looking Glass
Born May 4, 1909 — Ray Quigley. Here solely for the three covers that he did for Weird Tales in the Forties. He didn’t do a lot of pulp work that I can find but these three are amazing. He did the December 1938 cover with the Dracula-like figure, the September 1940 cover with the nightmarish skull faced Bombers and fInally the May 1942 cover with the really scary living ship. The latter issue had Henry Kuttner, Robert Bloch and Dorothy Quick listed on the cover! (Died 1998.)
Born May 4, 1913 — John Broome. DC writer during the Golden Age. He’s responsible for the creation of an amazing number of characters including The Phantom Stranger, Per Degaton (with artist Irwin Hansen), Captain Comet and Elongated Man (with Carmine Infantino), Atomic Knight and one of my favorite characters, Detective Chimp. DCUniverse streaming app has his work on The Flash starting on issue #133 and the entire early Fifities run of Mystery in Space that he wrote as well. (Died 1999.)
Born May 4, 1920 — Phyllis Miller. She co-wrote several children’s books with Andre Norton, House of Shadows and Seven Spells to Sunday. Ride the Green Dragon, a mystery, is at best genre adjacent but it too was done with Norton. (Died 2001.)
Born May 4, 1942 — CN Manlove. His major work is Modern Fantasy: Five Studies which compares the work of Kingsley, MacDonald, Lewis, Tolkien and Peake. Other works include Science Fiction: Ten Explorations, The Impulse of Fantasy Literature and From Alice to Harry Potter: Children’s Fantasy in England. (Died 2020.)
Born May 4, 1943 — Erwin Strauss, 80. I’m not sure I can do him justice. Uberfan, noted member of the MITSFS, and filk musician. He frequently is known by the nickname “Filthy Pierre” which I’m sure is a story in itself. Created the Voodoo message board system used at a number of early cons and published an APA, The Connection, that ran for at least thirty years. Tell me about him.
Born May 4, 1966 — Murray McArthur, 57. He first shows up on Doctor Who in “The Girl Who Died”, a Twelfth Doctor story before being The Broken Man on The Game of Thrones. He also shows up as a stagehand in the historical drama Finding Neverland before playing Snug in A Midsummer Night’s Dream.
Born May 4, 1976 — Gail Carriger, 47. Ahhhh such lovely mannerpunk she writes! I think I first noticed her with the start of the Finishing School series which she started off with Etiquette & Espionage some six years ago. Moira Quirk does a delightful job of the audiobooks so I recommend that you check them out. I also love the two novellas in her Supernatural Society series as well.
The Argyle Sweater delivers a Cinco de Mayo/May the Fourth crossover. “Surely Han is giggling and saying ‘Come on Luke, use the Force!’” says Rich Horton.
(11) COME AS YOUR FAVORITE KAIJU. Tomorrow’s First Fridays 2023 event at the LA County Museum of Natural History has a “Giant Monsters/Giant Robot” theme. Cosplay encouraged. See full details at the link.
The Natural World vs. Fantasy Worlds: This season we focus on how nature and science influence the creation of our favorite imagined worlds. From dragons and witchcraft to superheroes and giant monsters, First Fridays 2023 is where the fans come out to celebrate the intersection of pop-culture fandom and the work and collections of NHM.
(12) WESTERCON 2025 WIDE OPEN. “No Bids Filed for 2025 Westercon” writes Kevin Standlee. “No bids have been filed to host Westercon 77 (2025), meaning that once again (as in 2021 and 2022), there will only be write-in spaces on the ballot, and if no valid bid wins (technically, that’s what happened last year, even though nearly every vote was for Utah, because the Utah bid was technically deficient), the Business Meeting will again have to make a decision, or if they can’t decide, throw it to LASFS. The last choice is thought to be the least-wanted one, at least by those LASFS directors who have expressed an opinion about it to me.”
(13) NNEDI OKORAFOR BOOK ANNOUNCED. DAW Books, an imprint of Astra Publishing House, has added another Nnedi Okorafor novel to the DAW publication schedule for this December.
Four months after the release of SHADOW SPEAKER (on sale September 26, 2023; ISBN 9780756418762) bycritically acclaimed author Nnedi Okorafor will come the never-before-published sequel, LIKE THUNDER (on sale December 5, 2023; ISBN 9780756418793), completing the Desert Magician’s Duology.
LIKE THUNDER is the story of the powerful young man whom the magical protagonist of SHADOW SPEAKER befriends, and continues the precedent of powerful prose and compelling story-telling that has made Nnedi Okorafor a star of the literary science fiction, fantasy, andAfricanfuturist spaces.
“This duology is really one long story,” says Betsy Wollheim, publisher of DAW Books, “and we felt it would be exciting for readers to have the finale to this story publish just four months from the first half, rather than waiting nearly a year to read the conclusion.”
The Desert Magician’s Duology tells the story of Ejii, as she embarks on a mystical journey to track down her father’s killer, in an era of mind-blowing technology and seductive magic, set in Niger, West Africa at the end of the 21st century, on an Earth changed by a momentous apocalyptic event that altered the laws of physics and created “The Changed,” children born with rare and odd abilities: shadow speakers, shapeshifters, windseekers, firemolders, faders, and rainmakers.
Nnedi Okorafor was born in the United States to two Igbo (Nigerian) immigrant parents. She holds a PhD in English and was a professor of creative writing at Chicago State University. She has been the winner of many awards for her short stories and young adult books, and won a World Fantasy Award for Who Fears Death. Nnedi’s books are inspired by her Nigerian heritage and her many trips to Africa.
As stars evolve, they expand and so will engulf planets in close orbit around them. This planetary catastrophe is expected to generate powerful luminous ejections of mass from the star, although this has not been observed directly. In this week’s issue, Kishalay De and his colleagues present observations of a short-lived optical outburst in the Galactic disk accompanied by bright, long-lived infrared emission. The combination of low optical luminosity and radiated energy suggests that the source of the outburst was the engulfment of a planet by its Sun-like star — an event that awaits Earth and the other planets of the inner Solar System in about 5 billion years, and that is captured in the artist’s impression on the cover.
[Thanks to Cat Eldridge, Mike Kennedy, Andrew Porter, Rich Horton, Lise Andreasen, Olav Rokne, Kevin Standlee, SF Concatenation’s Jonathan Cowie, John King Tarpinian, Chris Barkley, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]
A festering dispute over how writers are compensated in the streaming era came to a head Monday night, as leaders of the Writers Guild of America called on their members to stage Hollywood’s first strike in 15 years.
The boards of directors for the East and West Coast divisions of the WGA voted unanimously to call a strike effective 12:01 a.m. Tuesday, the union said in a statement.
Thousands of WGA members were set to walk picket lines across Los Angeles, New York and other cities Tuesday after the union was unable to reach a last-minute accord with the major studios on a new three-year contract to replace one that expired Monday night.
“The companies’ behavior has created a gig economy inside a union workforce, and their immovable stance in this negotiation has betrayed a commitment to further devaluing the profession of writing,” the WGA said in a statement. “No such deal could ever be contemplated by this membership.”
In a statement, the Alliance of Motion Picture and Television Producers said it offered “generous increases in compensation for writers as well as improvements in streaming residuals.”
The alliance, which bargains on behalf of the major studios, said it was prepared to improve the offer but was “unwilling to do so because of the magnitude of other proposals still on the table that the Guild continues to insist upon.” The alliance said primary sticking points included the guild’s demands over mandatory staffing levels and duration of employment.
Writers are seeking a larger slice of the streaming pie that has dramatically transformed the television business. They voted by a historic margin in favor — 98% to 2% — to grant a strike authorization sought by their leaders if they couldn’t reach a deal on a new film and TV contract on behalf of 11,500 members.
The walkout, which could last for weeks or months, is expected to halt much of TV and film production nationwide and reverberate across Southern California, where prop houses, caterers, florists and others heavily depend on the entertainment economy. The previous writers strike in 2007 roiled the industry and lasted 100 days….
(2) IT’S ON. WGA member Craig Miller has a lot of experience with strikes over the decades, which he shares on Facebook before making predictions about the latest one.
At a WGA Board of Directors Meeting in 1988, my membership (among a group of others) was approved by the Board. At that same meeting, the Board voted to go out on strike. “Congratulations! You’re now a member. Grab a sign!”
Despite being a new member, I soon found myself a Strike Team Captain, coordinating a group of members on when and where they’d been assigned to picket, making sure they were informed of any status changes in the strike and negotiations, etc. This because Larry DiTillio and other animation writer friends had already been members and themselves were involved in “working” the strike. I still have the “Band of Brothers – Henry V” medal given out by our then-Executive Director Brian Walton to many of us involved with that strike….
(3) LITERARY AUTOPSY. Oghenechovwe Donald Ekpeki introduced this article on Facebook with the comment, “I really really wanted to dislike this piece. With the name. I honestly tried. But by the end of it, there’s almost not one thing that I can definitely disagree with, without reaching enough, to be completely dishonest.” “The Death Of Nigerian Literature” by Oris Aigbokhaevbolo at Efiko Magazine.
…As it was once, so it is again: Any young Nigerian stubborn, foolish, and blind enough to insist on writing as a career must go it on her own, with neither a national guide nor an international map—so that you could say that to be a Nigerian writer today is to live a peculiar loneliness. But that’s not the whole truth. Nigerian writers are very much united—in spirit—because whether based outside of the country or inside of it, the Nigerian writer is not heavily involved in the production of literary writing anymore. To be a Nigerian writer these days is not to be a writer at all. To be a Nigerian writer is to be a teacher abroad, a tech employee, a “comms” consultant, a social media handler. Although a meeting was never held, we agree that there are more important things to do, to be, and, to become….
(4) WHEN THREE FEET IS NOT A YARD. Bradford, a city that has had two UK Eastercons, annually holds the Bradford Literature Festival. They used AI art for their promotional material and it’s caused a bit of upset. Twitter user Emmaillustrate noted the 3 feet in one image….
“BLF appreciates that AI is a very fast moving and contentious subject right now for all creatives. Our creative agency, Lazenby Brown, used AI for early source images which their illustrator then augmented to create our beautiful new artwork. We believe that these images fully reflect our inclusive ethos, our city and its people. We choose to work directly with illustrators, and a huge range of creative individuals from across the globe, to share, amplify and develop creative discussion and inclusion.”
(5) FUTURE TENSE.“Escape Worlds”, about video games, uncanny personalized media, and the futility of escape, by K Chess, author of the fantastic novel Famous Men Who Never Lived, is the April 2023 entry in the monthly series of short stories from Future Tense and Arizona State University’s Center for Science and the Imagination about how technology and science will change our lives.
It was published along with a response essay “How designers personalize video games” by video game designer Liz Fiacco, who has worked on games including The Last of Us: Part II and Kena: Bridge of Spirits.
It changed my life. These are the words that every working artist, no matter the medium, wants to hear at some point. Everyone has at least one piece of art—a formative album, a deeply felt novel, a visit to grand architecture, a powerful movie—that strikes them at the right time, in the right way, so that the impact lasts forever.
While a novelist or film crew have to do their best to make a story that is personal and honest and hope that it is relatable, game designers have the opportunity to co-author an experience with the players. This opportunity for participation is what drew me into the craft. A game can mold itself to make moments strikingly personal, unique, and, yes, life-changing. There’s less reliance on happenstance that the right person will meet your game at the right time; as a game developer, I have tools to reach out and meet each player where they are….
Science fiction is more demanding than many other genres of fiction. Its fantastical technology, esoteric settings, and non-human creatures all require special effects to produce. Science fiction media has higher budget requirements even before factoring in cast members, props, and more.
This is especially true of television, which has to create more material than a film with less budget. Some of sci-fi’s most beloved properties can be found on television despite the inherent challenges. Many television shows do admirable work with their budget and create realistic special effects. In other cases, the effects are a weak point despite the show’s quality….
At number nine on his list is —
Doctor Who
Plenty of beloved sci-fi shows are decades old. This naturally limits their special effects, with CGI coming on leaps and bounds in recent years. Nonetheless, many shows look good, particularly for their time, through heavy use of practical effects over computer-generated ones. Doctor Who‘s effects, however, have always been inconsistent.
Classic Doctor Who monsters range from the iconic and intimidating design of the Daleks to obvious props spray-painted a strange color. Even the modern version isn’t safe. The early seasons of Doctor Who‘s reboot are infamous for their cheesy and unrealistic monsters. This doesn’t detract from the show’s strong writing in either era, however.
(7) MEMORY LANE.
2018 – [Compiled by Cat Eldridge.]
Peter Watts is one of those authors that I’ve enjoyed immensely whenever I’ve encountered his fiction which was fairly often. He started his long career almost a quarter of a century ago with his Starfish novel. It generated two sequels, Maelstrom, βehemoth: β-Max (and βehemoth: Seppuku). The latter are actually one novel that the publisher split into two works.
Really mild spoiler here. I say only because it’s not revealed in the Beginning.
The Freeze-Frame Revolution is one of the novels in the Sunflower series which concerns the voyage of a jumpgate-building ship named Eriophora.
End really mild spoiler.
It was published by Tachyon Publishing in 2018. It was nominated for a John W. Campbell Memorial Award.
And now for a most interesting Beginning….
BACK WHEN WE FIRST SHIPPED OUT I played this game with myself. Every time I thawed, I’d tally up the length of our journey so far; then check to see when we’d be if Eriophora were a time machine, if we’d been moving back through history instead of out through the cosmos. Oh look: all the way back to the Industrial Revolution in the time it took us to reach our first build. Two builds took us to the Golden Age of Islam, seven to the Shang Dynasty.
I guess it was my way of trying to keep some kind of connection, to measure this most immortal of endeavors on a scale that meat could feel in the gut. It didn’t work out, though. Did exactly the opposite in fact, ended up rubbing my nose in the sheer absurd hubris of even trying to contain the Diaspora within the pitiful limits of earthbound history.
For starters, the Chimp didn’t thaw anyone out until the seventh gate, almost six thousand years into the mission; I slept through almost all of human civilization, didn’t even wake up until the fall of the Minoans. I think Kai may have been on deck for the Pyramid of Cheops, but by the time Chimp called me back from the crypt we were all the way into the last Ice Age. After that we were passing through the Paleolithic: five thousand gates built—only three hundred requiring meat on deck—and we’d barely finished our first circuit of the Milky Way.
I gave up after Australopithecus. It had been a stupid game, a child’s game, doomed from the start. We were just cavemen. Only the mission was transcendent.
I don’t know exactly what moved me to pick up that kiddie pastime again. I’d learned my lesson the first time around, and space itself has only grown vaster in the meantime. But I gave it another shot, after everything went south: called up the clocks, subtracted the centuries. We’ve been around the disk thirty-two times now, left over a hundred thousand gates in our wake. We’ve scoured so many raw materials that God, looking down from overhead, could probably trace out our path by the jagged spiral of tiny bubbles sucked clean of ice and gravel.
Sixty-six million years, by the old calendar. That’s how long we’ve been on the road. All the way back to the end of the Cretaceous.
Give or take a few millennia, the revolution happened on the day one of Eriophora’s pint-sized siblings punched Earth in the face and wiped out the dinosaurs. I don’t know why, but I find that kind of funny.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born May 2, 1921 — Satyajit Ray. His Professor Trilokeshwar Shonku stories , throughly throughly Hindi, are based on a character created by Arthur Conan Doyle, Professor Challenger. You can find most of his fiction translated into English in Exploits of Professor Shonku: The Diary of a Space Traveller and Other Stories (Satyajit Ray and Gopa Majumdar). (Died 1992.)
Born May 2, 1924 — Theodore Bikel. He was on Next Generation playing the foster parent to Worf in the “Family” episode playing CPO Sergey Rozhenko, retired. That and playing Lenonn in Babylon 5: In the Beginning are the roles I want to note. Bikel also guest-appeared on The Twilight Zone in “Four O’Clock” as Oliver Crangle. Well there is one minor other role he did — he voiced Aragorn in the animated The Return of the King. By the way, Theodore Bikel’s Treasury of Yiddish Folk & Theatre Songs is quite excellent. (Died 2015.)
Born May 2, 1925 — John Neville. I’ve mentioned before that Kage considered Terry Gilliam’s The Adventures of Baron Munchausen to be one of her favorite films and John Neville was one of the reasons that she did so. You can read her review here. Among his other genre roles, Neville had a prominent recurring role in The X-Files as The Well Manicured Man. And he showed up playing Sir Isaac Newton on The Next Generation in the “Descent” episode. (Died 2011.)
Born May 2, 1938 — Bob Null. Very long-time LASFS member who was the club’s VP for an equally long period. Fancyclopedia3 say that “He also sat on the Board of Directors, and frequently handled logistics for local conventions including both Loscon and local Worldcons, and was always one of those nearly invisible hard-working people who make fandom work. He is a Patron Saint of LASFS.” (Died 2010.)
Born May 2, 1942 — Alexis Kanner. His first genre appearance was on The Prisoner where he so impressed McGoohan in the “Living in Harmony” episode that he created a specific role for him in the series finale, “Fall Out” where he stands trial. He also has an uncredited role in “The Girl Who Was Death” in that series. His final known acting role was as Sor in Nightfall based off the Asimov story of the same name. (Died 2003.)
Born May 2, 1946 — David Suchet, 77. Rather obviously better remembered as Hercule Poirot, and I’d be remiss not to note all twelve series and specials are available on the BritBox streaming service. Yes, it’s on my list on things to watch. Now, he does show up on in a Twelfth Doctor story, “Knock Knock,” simply called Landlord. Don’t let don’t deceive you as he has a major role there. He’s appeared in some other genre work from time times to time including Greystoke: The Legend of Tarzan, Lord of the Apes, Harry and the Hendersons, Dr. No: The Radio Play, Wing Commander, Tales of the Unexpected and Peter Pan Goes Wrong.
Born May 2, 1946 — Leslie S. Klinger, 77. He is a noted literary editor and annotator of classic genre fiction. He is the editor of The New Annotated Sherlock Holmes, a three-volume edition of Arthur Conan Doyle’s Sherlock Holmes fiction with extensive annotations, and an introduction by John le Carré. I’d also like to single out him for his The Annotated Sandman, Vol. 1, The New Annotated Frankenstein and The New Annotated H. P. Lovecraft.
(10) DINNER THEATRE. [Item by Mike Kennedy.] At Vulture, a collection of writers describe how they would fillet, stuff, sauté, roast, skewer, or otherwise prepare for your dining pleasure the supporting cast of Disney’s new, live action, The Little Mermaid. Mind you, these are primarily CGI characters. Primarily, but not completely. “How to Prepare and Eat The Little Mermaid Cast”. [Editorial note: Some kind of trigger warning may be called for here.]
Flounder.
In the interest of preserving as much of Flounder’s character and dignity as possible, my recommendation here is to prepare and serve him whole. It’s important to capture the essential qualities of each ingredient, and the essential quality here is “CGI fish with a face designed to communicate a bare minimum of human expression,” so be careful to keep the whole head on during the cooking process. Beyond that, you have a few possible routes: Score the skin and broil him if you’re more focused on a crispy flounder skin, but stuff and roast him if you’re more excited about tender flounder flesh. I’m personally into the roasting model, and my preference would be to stuff Flounder’s insides with lemon, garlic, and as many fresh herbs as you can cram in there — dill is classic, but any combination you like will work — then roast him on a baking sheet. If you wanted to get very fancy, though, you could throw some Sebastian in there for a double-seafood treat! —Kathryn VanArendonk
(11) JEOPARDY! [Item by David Goldfarb.] You wouldn’t think there’d be much SFF content in a “Nonfiction” category, but at the $1200 level (the middle, this being Double Jeopardy):
Nonfiction, 1200: In Jo Walton’s novel “The Just City”, Athene creates a community based on this Plato work of philosophy
Nobody was able to guess “The Republic”.
I’m pretty sure that this is the first time a book I beta-read has been mentioned on the show.
(12) AVOIDING MARTIAN POTHOLES. [Item by Mike Kennedy.] The Mars rover Curiosity has been in operation for about eleven and a half years, but that doesn’t mean it can’t learn a little something from a younger sibling. Perseverance, which is only a little over five years into its mission, has more modern obstacle avoidance/navigation software. Lessons from this have been incorporated into the latest software update for Curiosity. “How A Software Update Could Help The Curiosity Rover Travel Across Mars Faster” at SlashGear.
As advanced as the robotic rovers which explore Mars are, one thing that might surprise you is how slowly they travel. The NASA Curiosity rover, for example, has a top speed of less than 0.1 mph, far less than the typical human walking speed of 3 mph. Even though it could theoretically travel more than one hundred meters in a day, it typically travels just a few hundred meters per month.
That’s because the drivers who control the rover are very careful with it, avoiding any hazards which could potentially damage the rover — being especially aware of potential harm to its wheels, which are already damaged from its 11 years of travel across the Red planet. They need to avoid obstacles like large boulders and potential dangers like sharp rocks named gator backs for their rough surfaces, while still visiting sites of interest like climbing up the steep slopes of Mount Sharp, also known as Aeolis Mons, a mountain located within the crater whose layers represent millions of years of deposits….
[Thanks to Chris Barkley, Michael Toman, Cat Eldridge, Joey Eschrich, You Didn’t Get This From Me, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Patrick Morris Miller.]
(1) SCA DIGITAL SECRECY COMPROMISED. Creative Administration, “an unofficial blog about the governance and logistics of the ‘Business Side’ of the Society for Creative Anachronism”, has disclosed that many of the Society’s supposedly confidential email communications were exposed to the internet for an extended period of time: “The SCA Lists Archive Breach”. Full details at the post.
TL/DR: An SCA IT web configuration error exposed confidential email messages.
For three years, the SCA mistakenly published all email sent to Board of Directors’ feedback address, allowing anyone on the Internet to read messages that had been sent in confidence, including reports of harassment and sexual assault.
If you emailed [email protected] between March 6, 2020 and February 2, 2023, you should be aware that the message you sent is no longer secret and has likely been read by other people outside of the organization’s leadership.
Six mailing lists used by committees for internal communication were also affected….
(2) PLEASE REMOVE YOUR BLINDFOLDS. At Young People Read Old SFF, James Davis Nicoll unleashes the panel on The Crystal Spheres by David Brin.
This month’s Young People Read Old Hugo Finalists is David Brin’s Hugo-winning1 short story “The Crystal Spheres.” In his day, Brin was a major SF figure. This rocket Brin took home was merely one of an impressive number of awards on what I assume was an increasingly overcrowded mantle-piece throughout the 1980s, to a lesser extent the 1990s, and even lesser extent subsequent decades.
Brin’s stand-alone hard SF tale is a solution to the ever-vexing Fermi paradox. Put simply: “where is everyone?” Readers clearly enjoyed the tale. “The Crystal Spheres” beat2, in order, “The Aliens Who Knew, I Mean, Everything” by George Alec Effinger, “Symphony for a Lost Traveler” by Lee Killough, “Salvador” by Lucius Shepard1, “Ridge Running” by Kim Stanley Robinson, “Rory” by Steven Gould.
Of course, Reagan-era reader tastes and modern tastes can diverge, often quite dramatically. Are the Young People as enthusiastic about Brin’s story as their parents or grandparents might have been? Let’s find out….
Eva Green has hailed her victory over what she described as a group of men who tried to use her as a scapegoat, after winning a bruising legal battle over the collapse of a sci-fi film.
The actor had sued White Lantern Films and SMC Speciality Finance for a $1m (£802,000) fee that she said she was owed. However, she faced a counter-claim alleging she pulled out of the making of A Patriot, which collapsed in 2019, and breached her contract.
In a judgment on Friday, Mr Justice Michael Green ruled in her favour, saying she was entitled to the fee, and dismissed the counter-claim.
Her victory follows a case in which Green gave evidence, saying it was “humiliating” that private WhatsApp messages she had sent were revealed in court.
Those messages included her comments about being “obliged to take [the producer’s] shitty peasant crew members from Hampshire” after the location was switched from Ireland. They also included her description of the production as a “B-shitty-movie” and the executive producer, Jake Seal, as “pure vomit”, a “devious sociopath” and “evil”.
Reacting to the judgment, Green said she had been “forced to stand up to a small group of men, funded by deep financial resources, who tried to use me as a scapegoat to cover up their own mistakes”.
“I am proud that I stood up against their bullyboy tactics,” she added.
“A few people in the press were only too delighted to reprint these lies without proper reporting. There are few things the media enjoys more than tearing a woman to pieces. It felt like being set upon by hounds; I found myself misrepresented, quoted out of context, and my desire to make the best possible film was made to look like female hysteria. It was cruel and it was untrue.”
During her evidence, Green denied the allegations that she was not prepared to go ahead with the project, saying: “In the 20 years that I have been making films, I have never broken a contract or even missed one day of shooting.”
In the 71-page judgment, released by email, Mr Justice Green concluded: “In particular, I find that Ms Green did not renounce her obligations under the artist agreement; nor did she commit any repudiatory breaches of it.”…
Disney’s series of 7,000 layoffs, which began in late March, has now reached its animation and kids divisions. Disney TV Animation’s SVP of Current Series, Khaki Jones, is leaving after 13 years with the studio. Jones supervised all series and short-form content produced for Disney’s linear channels and Disney+. Also on the chopping block are Claire McCabe and Meghan de Boer, VP and Executive Director of the Kids Unit, respectively. Both execs were promoted only a year prior to develop unscripted kids’ projects based on existing Disney IPs.
The multi-phase layoff plan was originally ordered by Disney CEO Bob Iger in February to reduce costs by $5.5 billion. In the process, Marvel Entertainment was absorbed into the companylast month, and Disney chairman Isaac “Ike” Perlmutter was axed after decades of service, despite being instrumental to the success of the MCU.
In the face of looming layoffs in animation, Iger revealed in early February that the company is moving ahead with sequels for the Frozen, Toy Story, and Zootopia franchises. While the news of upcoming sequels is exciting, the decision is most likely in the name of boosting a sagging stock price….
What does the imminent horror spread by a shark on approach sound like? Or the globe-trotting escapades of a heroically adventurous archeologist? How do you express the grandiosity of the rebels and empires of a galaxy far, far away?
Considering such ideas, feelings, and concepts he transposed into world-famous and instantly recognizable musical notes over an illustrious career spanning nearly seven decades, it wouldn’t be a stretch to call the 91-year-old John Williams the most legendary film composer living today, with 53 Academy Awards and 73 Grammy nominations under his belt (which he won 5 and 25 of them respectively).
But what makes Williams one of the ultimate legends of this cinematic art form is not his endless and well-earned awards and accolades—it’s his ability to connect with the audiences as a musical storyteller and activate their universal emotions without language barriers. And that unique gift of his was cause for celebration on Tuesday night in New York at New York Philharmonic’s Spring Gala organized in his honor….
(6) ANOTHER GOH DISINVITED. IndyFurCon, due to take place in August, tweeted that they have canceled Cassidy Civet as this year’s Guest of Honor.
No explicit reason was given (a lesson cons have learned from the JDA lawsuit). There are merely hints from third parties in comments on IFC’s tweet and Cassidy Civet’s own Twitter response.
I feel completely blindsided.
Being asked was such a rush, I cancelled my Furrydelphia 22 to attend and be announced at closing ceremonies at IFC 22.
Then, complete silence from the con for months, I reached out, then today the rug got pulled out from under me.
— Cassidy Civet ???? ?? Home! (new single out soon!) (@CassidyTheCivet) April 27, 2023
(7) MEMORY LANE.
1988 – [Compiled by Cat Eldridge.]
So let’s talk about Bruce Sterling’s Islands in the Net. Published by Arbor House in 1988, which is, to borrow to a phrase from Max Headroom, set twenty minutes in the future. As a result the setting and the characters are completely believable as is the fascinating story.
I’m not going to say more other than I’ve read this novel a number of times.
Now our Beginning…
The sea lay in simmering quiet, a slate-green gumbo seasoned with warm mud. Shrimp boats trawled the horizon.
Pilings rose in clusters, like blackened fingers, yards out in the gentle surf. Once, Galveston beach homes had crouched on those tarstained stilts. Now barnacles clustered there, gulls wheeled and screeched. It was a great breeder of hurricanes, this quiet Gulf of Mexico.
Laura read her time and distance with a quick downward glance. Green I indicators blinked on the toes of her shoes, flickering with each stride, counting mileage. Laura picked up the pace. Morning shadows strobed across her as she ran.
She passed the last of the pilings and spotted her home, far down the beach. She grinned as fatigue evaporated in a flare of energy.
Everything seemed worth it. When the second wind took her, she felt that she could run forever, a promise of indestructible confidence bubbling up from the marrow. She ran in pure animal ease, like an antelope.
She passed the last of the pilings and spotted her home, far down the beach. She grinned as fatigue evaporated in a flare of energy.
Everything seemed worth it. When the second wind took her, she felt that she could run forever, a promise of indestructible confidence bubbling up from the marrow. She ran in pure animal ease, like an antelope.
The beach leapt up and slammed against her. Laura lay stunned for a moment. She lifted her head, then caught her breath and groaned. Her cheek was caked with sand, both elbows numbed with the impact of the fall. Her arms trembled as she pushed herself up onto her knees. She looked behind her.
Something had snagged her foot. It was a black, peeling length of electrical cable. Junked flotsam from the hurricane, buried in the sand. The wire had whiplashed around her left ankle and brought her down as neatly as a lariat.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born April 28, 1840 — Palmer Cox, 1840- 1924. He was known for The Brownies, his series of humorous books and comic strips about the troublesome but generally well-meaning sprites. The cartoons were published in several books, such as The Brownies, Their Bookfor some forty years starting in the 1870s. Due to the immense popularity of his Brownies, one of the first popular handheld cameras was named after them, the Eastman Kodak Brownie camera. (Died 1924.)
Born April 28, 1910 — Sam Merwin Jr. He was most influential in the Forties and Fifties as the editor of Startling Stories, Fantastic Story Quarterly, Wonder Stories Annual, Thrilling Wonder Stories and Fantastic Universe. He wrote a few stories for DC’s Strange Adventures and Mystery in Space but otherwise wasn’t known as a genre writer. (Died 1996.)
Born April 28, 1914 — Philip E. High. Made his name first in the Fifties by being published in Authentic Science Fiction, New Worlds Science Fiction and Nebula Science Fiction, and was voted “top discovery” in the Nebula readers’ poll for 1956. A collection of his short stories, The Best of Philip E. High, was published in 2002. He wrote fourteen novels but I can’t remember that I’ve read any of them, so can y’all say how he was as a novelist? (Died 2006.)
Born April 28, 1929 — Charles Bailey. Co-writer writer with Fletcher Knebel of Seven Days In May, a story of an attempted coup against the President. Rod Serling wrote the screenplay for the film. ISFDB says it got one review in the trade, in Analog Science Fact & Science Fiction, February 1963 by P. Schuyler Miller. (Died 2012.)
Born April 28, 1948 — Terry Pratchett. Did you know that Steeleye Span did a superb job of turning his Wintersmith novel into a recording? You can read the Green Man review here titled also Wintersmith by Kage’s sister Kathleen. My favorite Pratchett? Well pretty much any of the Watch novels will do for a read for a night when I want something English and really fantastic. (Died 2015.)
Born April 28, 1953 — Will Murray, 70. Obviously MMPs still live as he’s writing them currently in the Doc Savage Universe to the tune of eighteen under the house name of Kenneth Robeson since 1993. He’s also written in the King Kong, Julie de Grandin, Mars Attacks, Reanimator Universe, Nick Fury, Agent of S.H.I.E.L.D.,Tarzan, Destroyer and The Spider media franchises. So how many do you recognize?
Born April 28, 1957 — Sharon Shinn, 66. I’m very fond of her Safe-Keepers series which is YA and really fine reading. The Shape-Changers Wife won her the William L. Crawford Award which is awarded by the International Association for the Fantastic in the Arts for best first fantasy novel. And she was twice nominated for the Astounding Award.
In pictures published on Thursday, the pair are seen wearing 1960s-style outfits, with Gatwa, 30, sporting a double-breasted blue-and-white pinstripe suit with a white shirt, tie and sideburns.
Gibson, who will feature as the Time Lord’s sidekick, Ruby Sunday, wears a “swinging 60s” look, with white knee-high boots and a black-and-cream dress.
The BBC announced this month that the US drag artist Jinkx Monsoon would play a “major role” in the new series as the Doctor’s “most powerful enemy yet”.
Monsoon – who won two seasons of RuPaul’s Drag Race, including an All Stars season – was pictured in the Doctor Who images wearing a black-and-white outfit featuring piano keys….
12 years ago–after producing five short films, three features, and receiving critical acclaim for his work–animator, filmmaker, author, and manga artist Makoto Shinkai faced a crisis of purpose after the Great East Japan Earthquake of March 11, 2011. It was the most powerful earthquake ever recorded in Japan, and the fourth most powerful earthquake in the world. More than a hundred evacuation sites were washed away and the snowfall, which accompanied the tsunami and the freezing temperature, hindered rescue. The official figures released in 2021 reported 19,759 deaths, 6,242 injured, and 2,553 people missing.
“What I felt when that big earthquake happened was, of course, concern about whether all the people of the Tohoku region were okay, but also relief at the fact that we weren’t directly harmed by it,” says Shinkai, a resident of Tokyo at the time. “All those feelings came together to leave me with an intense feeling of guilt. Even when Japan was going through so much, was it really right for me to just carry on producing animation for entertainment purposes?”
He continues, “I wanted to take on some sort of role. And the work I’m good at is creating animated films… I think, in modern Japan, it’s impossible to separate yourself from disasters. Disasters are happening right below our feet all the time. We Japanese people live on land that could start to shake at any moment. That’s why I wanted to write a story that could only be told here, and I spent these past 10 years writing in the form of an animated film for entertainment.”
Suzume, now showing in U.S. theaters, is produced by CoMix Wave Films, and distributed by Toho. It’s Shinkai’s seventh feature, following his award-winning triumphs Your Name and Weathering With You, and follows a 16-year-old girl named Suzume who meets a traveler named Souta. The young man bears the responsibility of being a “Closer,” and journeys around Japan closing doors in abandoned locations before the doors can release a natural disaster, such as an earthquake….
(11) MORE ARE WATCHING EAST ASIAN SFF. How has East Asian content has changed over 4 years? JustWatch took a closer look at the quality, quantity and the most popular movies and TV shows and says this is what they found:
The worldwide success of the Oscar winning Korean movie “Parasite” began a new wave in entertainment. After the release of the phenomenon “Squid Game”, there was an explosion in Asian movies and shows – more than double than before.
Additionally, the quality has increased as well, with movies and shows in 2023 averaging 0.55 higher rating on IMDb than in 2019. It is expected that this trend will continue into 2023, with hit shows like “Physical 100” coming out regularly.
(12) HE WAS GONE IN A FLASH. DC’sThe Flash opens in theaters June 16.
Worlds collide in “The Flash” when Barry uses his superpowers to travel back in time in order to change the events of the past. But when his attempt to save his family inadvertently alters the future, Barry becomes trapped in a reality in which General Zod has returned, threatening annihilation, and there are no Super Heroes to turn to. That is, unless Barry can coax a very different Batman out of retirement and rescue an imprisoned Kryptonian… albeit not the one he’s looking for. Ultimately, to save the world that he is in and return to the future that he knows, Barry’s only hope is to race for his life. But will making the ultimate sacrifice be enough to reset the universe?
(13) VIDEO OF THE DAY. [Item by N.] YouTuber Ryan Hollinger’s video on this year’s M3GAN, where he counters its middling reception and contends it may fit better in the sci-fi thriller genre than the horror it’s been sold as. “Why M3GAN is Better Than You Think”.
[Thanks to Cat Eldridge, Mike Kennedy, Andrew Porter, Andrew Trembley, N., Steve Vertlieb, Steven French, John King Tarpinian, Chris Barkley, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Johnstick.]
(1) BOTS LOVE FILE 770. The Washington Post invited readers to “See the websites that make AI bots like ChatGPT sound so smart”. They analyzed one of the large data sets that may be used in training AI, and also have made it publicly searchable. Their stats show File 770 is a leading contributor to the cause of educating AI, ranked 3,445th. Uh, yay?
…Tech companies have grown secretive about what they feed the AI. So The Washington Post set out to analyze one of these data sets to fully reveal the types of proprietary, personal, and often offensive websites that go into an AI’s training data.
To look inside this black box, we analyzed Google’s C4 data set, a massive snapshot of the contents of 15 million websites that have been used to instruct some high-profile English-language AIs, called large language models, including Google’s T5 and Facebook’s LLaMA. (OpenAI does not disclose what datasets it uses to train the models backing its popular chatbot, ChatGPT)…
Is your website training AI?
A web crawl may sound like a copy of the entire internet, but it’s just a snapshot, capturing content from a sampling of webpages at a particular moment in time. C4 began as a scrape performed in April 2019by the nonprofit CommonCrawl, a popular resource for AI models. CommonCrawl told The Post that it tries to prioritize the most important and reputable sites, but does not try to avoid licensed or copyrighted content….
We then ranked the remaining 10 million websites based on how many “tokens” appeared from each in the data set. Tokens are small bits of text used to process disorganized information — typically a word or phrase.
As shown in the rather scrofulous screencap below, file770.com is ranked 3,445th with 2.5 million tokens, which is 0.002% of the tokens in the set examined by the Washington Post.
(2) HUGO VOTING DEADLINE APPROACHES. 2023 Hugo nominations are closing on April 30, at 23:59 Hawaiian Time. Eligible voters can access the ballot here.
… One of the 663 authors and counting who signed an open letter to Scholastic’s Education Solutions Division is author Kelly Yang. She is one of many best-selling Scholastic authors horrified by this response to accelerating fascism. In a vulnerable video, Yang shared her thoughts about these actions. She also broke down what it feels like to be targeted by this censorship and bigotry. Sometimes, in person….
However, Yang correctly insists that they have to push past this. She says in the video:
“As one of your top authors, I’m asking you to have more courage. You cannot be quietly self-censoring. Whatever pressure you may be facing, know that your authors are facing even more pressure. And we’re still out here writing these books. Risking our lives. Bleeding to make you millions. Trying to write the books for the next generation that will hopefully improve the world.”
She continued discussing the importance of representation and capturing the moment children live in.
“Let me tell you, it’s not easy. I am not a giant corporation. I am an individual. Every day people attack me personally. They write me emails, they come into my comments and my DMs. I had a guy show up at an event and whisper in my ear how much he loves seeing my books get banned. And yet, everyday I keep going. You know why? Because I am brave.
“Despite getting paid pennies on the dollar, we authors are brave. The librarians—they are brave. The educators—they are brave. I need you to be braver.
“You cannot choose which books to include in your Fairs and Clubs for kids nationwide and edit lines out because you’re scared of DeSantis. If you want to carry Maggie’s book, you gotta carry all of her book. If you want to carry Kelly Yang, you’ve gotta carry all of Kelly Yang—not some stripped-down version.
“I need you to not cave to political pressure and be on the right side of history. Because it’s the right thing to do. Because you can afford it with your 90% market share of the school distribution channel. If you’re going to be deciding children’s book for the entire nation, your taste have to reflect the entire nation. And because I know it’s what Dick Robinson would have wanted.
“I love you Scholastic. You’ve done a lot of good for a lot of kids, but how you play you next move will determine how you’re remembered. The world is watching. I am watching. I hope you do the right thing.”
(4) NOT JUST ANY USED BOOKS. Plenty of sff among AbeBooks “Most expensive sales from January to March 2023”. Two Harry Potter books lead the list, with the biggest sale being a copy of Harry Potter and the Philosopher’s Stone for $85,620. Further down is a PKD first edition.
8. Do Androids Dream of Electric Sheep by Philip K. Dick – $17,195
A true first edition with an unrestored original dust jacket
One of the most famous novels by Philip K. Dick, this book was the basis for the movie Blade Runner. This copy of a true first edition is special because of the condition of the book and the dust jacket and its vibrant, unfaded colors.
The novel is about a bounty hunter who tracks tracks down escaped androids in a post-apocalyptic future. This book belongs to our list of 50 must-read science fiction books.
Recently, another copy of Do Androids Dream of Electric Sheep was sold. That book came with an original letter, typed and signed by the author, along with a humorous self-review of another of his own novels, The Divine Invasion.
Over on Facebook, someone in the group devoted to Capclave — a con where I’ve harvested many conversations for you — mentioned Thomas was scheduled to speak at Maryland’s Rockville Memorial Library. When I checked the details and saw the venue was only a 90-minute drive away, I reached out to see whether she’d have time in her schedule to grab lunch — and luckily she did. So early the same day as her presentation titled “Afrofuturism & Diversity in Sci-Fi,” I scooped her up from her hotel and took her over to Commonwealth Indian Restaurant, where I’ve had many wonderful meals. Here’s how the event organizers described Thomas and her career —
New York Times bestselling, two-time World Fantasy Award-winning author and editor Sheree Renée Thomas has been a 2022 Hugo Award Finalist, and her collection, Nine Bar Blues, is a Locus, Igynte, and World Fantasy Finalist. She edited the groundbreaking Dark Matter anthologies that introduced a century of Black speculative fiction, including W.E.B. Du Bois’s science fiction stories. Thomas wrote Marvel’s Black Panther: Panther’s Rage novel (October 2022), adapted from the legendary comics, collaborated with Janelle Monáe on The Memory Librarian, and is the editor of The Magazine of Fantasy & Science Fiction, founded in 1949 and Obsidian, founded in 1975. In 2022 she co-curated Carnegie Hall’s historic, citywide Afrofuturism Festival.
We discussed how to prevent being an editor interfere with being a writer (and vice versa), the way a serendipitous encounter with Octavia Butler’s Kindred caused her to take her own writing more seriously and a copy of Black Enterprise magazine spurred her to move to New York, how her family’s relationship with Isaac Hayes nourished her creative dreams, the advice she gives young writers about the difference between the fantasy and reality of a writer’s life, how realizing the books she thought were out there weren’t launched her editing career, the rewards and challenges of taking over as editor for a 75-year old magazine, why she reads cover letters last, and much more.
Some guy is currently suing Tolkien and Amazon to the tune of $250 million. That alone takes serious bravery. But what’s notable about this lawsuit is the reason he’s suing: Copyright infringement over his Lord of the Rings fanfic. Specifically, he’s arguing that Amazon lifted elements of his fan-fiction for its own Tolkien adaptation TV series, The Rings of Power.
Demetrious Polychron wrote a book, a work of fan-fiction set in J.R.R. Tolkien’s Middle-earth, called The Fellowship of the King, which he copyrighted in 2017 and which later were published and made available for sale, including on Amazon. According to PC Gamer, Polychron sent a letter to the Tolkien Estate asking for a manuscript review. That’s right: This man asked J.R.R. Tolkien’s grandson Simon to sign off on his fanfic. Unsurprisingly, he did not get a response.
In September of 2022, the month that Polychron published The Fellowship of the King, Amazon also began airing its extremely expensive Lord of the Rings spin-off series, The Rings of Power. …Now, Polychron is arguing that the Amazon TV show lifts elements from his novel.
According to RadarOnline, which has seen documents pertaining to the suit, Polychron alleges that characters and storylines he created for his book “compose as much as one-half of the 8-episode series,” and that in some cases the show “copied exact language” from his book. [Also, “In other instances, Defendants copied images that match the book cover and descriptions as created in the book as authored by Polychron,” the suit read.]
However, the claims seem spurious. For instance, the lawsuit purportedly points to the fact that both his book and the show feature a hobbit named Elanor, with the Elanor in his book being the daughter of Samwise Gamgee, while the Elanor featured in The Rings of Power is a Harfoot. Images purporting to be the lawsuit circulating online include a host of other circumstantial connections or similarities to back up Polychron’s argument that the writers of Rings of Power lifted ideas from his fanfic for their own story.
… While no one believes that Polychron will win against the Tolkien Estate, there are concerns that the lawsuit might negatively impact the legality of fanworks in general. Hopefully, fanfic writers will be fine as long as they’re not trying to extort Tolkien’s grandson.
(6) MEMORY LANE.
2015 – [Compiled by Cat Eldridge.]
So let’s have a conversation about Elizabeth Hand’s Wylding Hall which was published by PS Publishing eight years ago.
There’s some spoilers here so skip to the Beginning if you’d rather not hear them.
A British folk band are told by their manager to record their new album, so they hole up at Wylding Hall, an ancient country house with let us say an interesting past. There they hope to create the album that will make their reputation.
The novel, a short one at that, is told entirely in a series of interviews decades later by the surviving musicians, along with their friends, lovers and the band’s manager by a documentary filmmaker who gets them to talk about something that happened when they were there. (No, I’m not going to say what happened.) Should they be believed? Maybe, maybe not. What is the truth after all those years have passed anyways?
I think it’s a brilliant way to approach this story.
I’ll say no more and direct you now to the Beginning…
“I was the one who found the house. A friend of my sister-in-law knew the owners; they were living in Barcelona that summer and the place was to let. Not cheaply, either. But I knew how badly everyone needed to get away after the whole horrible situation with Arianna, and this seemed as good a bolt-hole as any. These days the new owners have had to put up a fence to keep away the curious. Everyone knows what the place looks like because of the album cover, and now you can just Google the name and get directions down to the last millimeter.
But back then, Wylding Hall was a mere dot on the ordnance survey map. You couldn’t have found it with a compass. Most people go there now because of what happened while the band was living there and recording that first album. We have some ideas about what actually went on, of course, but the fans, they can only speculate. Which is always good for business.
Mostly, it’s the music, of course. Twenty years ago, there was that millennium survey where Wylding Hall topped out at Number Seven, ahead of Definitely Maybe, which shocked everybody except for me. Then “Oaken Ashes” got used in that advert for, what was it? Some mobile company. So now there’s the great Windhollow Faire backlash.
And inexplicable—even better, inexplicable and terrible—things are always good for the music business, right? Cynical but true.
“Apart from when I drove out in the mobile unit and we laid down those rough tracks, I was only there a few times. You know, check in and see how the rehearsal process was going, make sure everyone’s instruments were in one piece, and they were getting their vitamins. And there’s no point now in keeping anything off the record, right? We all knew what was going on down there, which in those days was mostly hash and acid.
And of course, everyone was so young. Julian was eighteen. So was Will. Ashton and Jon were, what? Nineteen, maybe twenty. Lesley had just turned seventeen. I was the elder statesman at all of twenty-three.
“Ah, those were golden days. You’re going to say I’m tearing up here in front of the camera, aren’t you? I don’t give a fuck. They were golden boys and girls, that was a golden summer, and we had the Summer King.
And we all know what happens to the Summer King. That girl from the album cover, she’d be the only one knows what really went on. But we can’t ask her, can we?
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born April 21, 1933 — Jim Harmon. During the Fifties and Sixties, he wrote more than fifty short stories and novelettes for Amazing Stories, Future Science Fiction, Galaxy Science Fiction, If, The Magazine of Fantasy & Science Fiction and other magazines. Most of his fiction was collected in Harmon’s Galaxy. EoSF says he has one genre novel, The Contested Earth, whereas ISFDB lists two more, Sex Burns Like Fire and The Man Who Made Maniacs. He’s a member of First Fandom Hall of Fame. (Died 2010.)
Born April 21, 1939 — John Bangsund. Australian fan most active from the Sixties through the Eighties. He was instrumental with Andrew Porter in Australia’s winning the 1975 Aussiecon bid, and he was Toastmaster at the Hugo Award ceremony at that con. His fanzine, Australian Science Fiction Review is credited with reviving Australian Fandom in the Sixties. And he’s the instigator of the term Muphry’s law which states that “If you write anything criticizing editing or proofreading, there will be a fault of some kind in what you have written.” (Died 2020.)
Born April 21, 1947 — Iggy Pop, 76. Here solely as on Deep Space Nine in an episode loosely upon The Magnificent Seven film that was entitled “The Magnificent Ferengi”, he played a vorta called Yelgrun.
Born April 21, 1947 — Allan Asherman, 76. Official historian for D.C., he’s also written scripts for Tarzan during the Gooden Age. A Trekker of note, he wrote The Star Trek Compendium, The Star Trek Interview Bookand The Making of Star Trek II: The Wrath of Khan.
Born April 21, 1954 — James Morrison, 69. Lt. Col. Tyrus Cassius ‘T.C.’ McQueen on the short-lived but much loved Space: Above and Beyond series. Starship Troopers without the politics. He’s got a lot of one-off genre appearances including recently showing up as an Air Force General in Captain Marvel, guesting on the Orville series and being Warden Dwight Murphy on Twin Peaks.
Born April 21, 1965 — Fiona Kelleghan, 58. Author of the critical anthology The Savage Humanists in which she identifies a secular, satiric literary movement within the genre. She also did Mike Resnick: An Annotated Bibliography and Guide to His Work. A work in still progress, according to the Wikipedia, is Alfred Bester, Grand Master: An Annotated Bibliography.
Born April 21, 1971 — Michael Turner. Comics artist known for his work on a Tombraider / Witchblade one-off, the Superman/Batman story involving Supergirl, his own Soulfire, and various covers for DC Comics and Marvel Comics. He would die of bone cancer and A Tribute to Michael Turner with writings from people who knew him would feature a cover done by Alex Ross would be released to cover his medical expenses. (Died 2008.)
Born April 21, 1980 — Hadley Fraser, 43. His first video acting role was as Gareth in the superb Tenth Doctor story, “Army of Ghosts”. He’d later be Chris in The Lost Tribe, a horror film, and play Viscount Raoul de Chagny in The Phantom of The Opera, as well as being being Tarzan’s father in The Legend of Tarzan. And though not even genre adjacent, I’m legally obligated to point out that he showed up as a British military escort in the recent production of Murder on the Orient Express.
(9) MISSY RETURNS IN TITAN COMICS’ DOCTOR WHO: DOOM’S DAY. Titan comics will launch a two-issue Doctor Who comic series on July 5 as part of the multi-platform story Doom’s Day. The comic will feature fan-favorite character Missy on the trail of new character Doom, who makes her comic book debut.
Doom’s Day is a standalone transmedia series across multiple platforms and will allow Doctor Who fans to follow Doom, the Universe’s greatest assassin, as she travels through all of time and space in pursuit of the Doctor to save her from her ever-approaching Death. She only has 24 hours and a vortex manipulator to save herself before her fate is sealed forever.
Available in comic stores and on digital devices at release, Titan’s Doctor Who: Doom’s Day #1 comic is an adventure starring Doom in her comic book debut – using her vortex manipulator, she’ll do anything to find the tempestuous time traveller, the Doctor, including cavorting with the maleficent MISSY. Every hour a new adventure, every hour closer to death…
Doctor Who: Doom’s Day #1 is written by Eisner-nominated Jody Houser (Stranger Things, Star Wars,Spider-Man) with art by Roberta Ingranata (Witchblade). The comic debuts with two covers for fans to collect: from celebrated artist Pasquale Qualano, and a photo cover variant.
Doctor Who: Doom’s Day #1 ($3.99) is now available to pre-order globally from May’s Diamond Previews catalogue, ForbiddenPlanet.com and on digital device via Comixology.
…. The first Star Trek trading cards were produced 1967, released one year after the series debuted. These were manufactured and distributed by Leaf Brands Division, WR Grace & Co of Chicago. This was a limited-scale run with sources saying it had a small geographical distribution within the Ohio and Illinois areas. The trading cards didn’t get too far before there were controversies on whether Leaf had licenses to distribute Star Trek cards in the first place. As soon as the licensing problems came to light, all cards that hadn’t been distributed were destroyed and all others were recalled if they had not been sold yet. In the set, there were 72 base cards. They had black and white pictures on the front. The pictures were randomly chosen from episodes and, in some cases, taken from behind the scenes or from publicity shots. The text on the back typically didn’t match up to the picture on the front and were written haphazardly. These cards were printed on layered card stock and measured at 2 ?” x 3 7/16”. The popularity grew, and with this new craze came many unauthorized reprints.
Dan Kremer Imports in Europe reprinted the 1967 Leaf cards without any rights to do so. They were considered counterfeit and were of terrible quality. Most of these are easily recognizable due to the blurry picture quality, and the pictures were cropped from the original, so the outer edges of the images are missing. Also, the cut on the card was not precise and was slightly smaller than the original. The cards were printed on non-gloss-coated single-layer card stock.
1981 Reprint is easily recognized by the mark on the back stating “1981 Reprint” where the “Leaf Brands” was originally. These were also printed on a very bright white stock of paper. The images are very crisp, and the cut is precise, with the cards being the exact size of the originals. There are 2 versions of these reprints. One of the versions has a red toned print of Kirk & Spock on the backs, while the other version has a black and white print of Kirk & Spock on the backs.
Though they were unauthorized reprints, these cards are still sought after by some as being part of history….
(11) JEOPARDY! David Goldfarb has the play-by-play from the Neal Stephenson item on Jeopardy!
Category: Modern Words
Neal Stephenson coined this word in his 1992 novel “Snow Crash”; it was later shortened by a company to become its new name
As the most powerful rocket ever built blasted from its launchpad in Boca Chica, Texas, on Thursday, the liftoff rocked the earth and kicked up a billowing cloud of dust and debris, shaking homes and raining down brown grime for miles.
In Port Isabel, a city about six miles northwest where at least one window shattered, residents were alarmed.
“It was truly terrifying,” said Sharon Almaguer, who, at the time of the launch, was at home with her 80-year-old mother. During previous launches, Ms. Almaguer said she had experienced some shaking inside the brick house, but “this was on a completely different level.”
Meanwhile, SpaceX’s Starship exploded minutes after liftoff and before reaching orbit. Near the launch site, the residents of Port Isabel, known for its towering lighthouse and less than 10 miles from the border with Mexico, were left to deal with the mess.
Virtually everywhere in the city “ended up with a covering of a rather thick, granular, sand grain that just landed on everything,” Valerie Bates, a Port Isabel spokeswoman, said in an interview. Images posted to social media showed residents’ cars covered in brown debris.
A window shattered at a fitness gym, its owner, Luis Alanis, said. Mr. Alanis, who was at home at the time of the launch, said he felt “rumbling, kind of like a mini earthquake.” He estimated that the window would cost about $300 to fix.
Closer to the launch site, large pieces of debris were recorded flying through the air and smashing into an unoccupied car. Louis Balderas, the founder of LabPadre, which films SpaceX’s launches, said that while it was common to see some debris, smoke and dust, the impact of Thursday’s liftoff was unlike anything he had ever seen….
(13) VIDEO OF THE DAY. Isaac Arthur analyzes the possibility of “Life on Giant Moons”.
We often contemplate life on alien planets, but might giant moons orbiting distant immense worlds be a better candidate for where extraterrestrial life might be found?
[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Kathy Sullivan, David Goldfarb, SF Concatenation’s Jonathan Cowie, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Lou.]
(1) SANDERSON ADDRESSES WIRED INTERVIEW. [Item by Dann.] Brandon Sanderson yesterday posted a piece on his blog in response to part of the recent story about him published by Jason Kehe in WIRED Magazine: “Outside”. While Sanderson’s other reactions have been notably muted, he found one aspect of Kehe’s story to be worthy of response.
Sanderson had shared his personal condition of not experiencing emotions in the same way that most other people do. The conversation about emotions seemed off and he asked Kehe to exclude that from his piece.
…My neurodivergence came up in a recent interview I did. The interviewer latched onto the fact that I don’t feel pain like others do. (More accurately, some mild pains don’t cause in me the same response they do others.) I asked the interviewer not to mention it in his article, as I felt the tone to our discussion was wrong. I worry about my oddity changing the way people think of me, as I don’t want to be seen as an emotionless zombie. So I try to speak of it with nuance….
Sadly, Kehe did not honor that request.
Having had an aspect of himself laid bare, Sanderson opted to do what many writers do when feeling a need to work through something. He wrote about himself. What makes him the type of writer that he is. What makes him the type of person that he is.
…This is why I write. To understand. To make people feel seen. I type away, hoping some lonely reader out there, left on a curb, will pick up one of my books. And in so doing learn that even if there is no place for them elsewhere, I will make one for them between these pages….
And this is why I read. When I’m not standing outside, looking up at the falling snow.
(2) START TWANGING. Stephen Haffner’s latest Newsletter announces that The Complete John The Balladeer by Manly Wade Wellman is at the printer and they expect to begin shipping the initial preorders on May 15.
The two-volume set, amounting to 1152 pages, includes all 19 short stories, all 5 novels, and Wellman’s synopsis for the unwritten 6th novel: The Valley So Low.
…One of the first projects the Copyright Office had Waldfogel work on was a data analysis of the evolution of women in copyright authorship. Looking at the numbers, Waldfogel’s eyes opened wide when he realized that women have seen incredible progress in book authorship but continue to lag in other creative realms.
For example, while they have made inroads in recent years, women still accounted for less than 20 percent of movie directors and less than 10 percent of cinematographers in the top 250 films made in 2022. Likewise, when looking at the data on patents for new inventions, women make uponly between 10 to 15 percent of inventors in the US in a typical year.
For a long time, the book market saw a similar disparity between men and women. Sure, some rockstar female authors come to mind from back in the day: Jane Austen, Mary Shelley, Emily Dickinson, Agatha Christie, Zora Neale Hurston — to name just a few prominent ones. But, Waldfogel says, between roughly 1800 and 1900, the share of female authors hovered around only 10 percent each year.
In the 20th century, female authorship began to slowly pick up. By the late 1960s, the annual percentage of female authors had grown to almost 20 percent.
Then, around 1970, female authorship really began to explode. “There was a sea change after 1970,” Waldfogel says.
By 2020, Waldfogel finds, women were writing the majority of all new books, fiction and nonfiction, each year in the United States. And women weren’t just becoming more prolific than men by this point: they were also becoming more successful. Waldfogel analyzes data from a whole range of sources to come to this conclusion, including the Library of Congress, the U.S. Copyright Office, Amazon, and Goodreads. Waldfogel finds that the average female-authored book now sees greater sales, readership, and other metrics of engagement than the average book penned by a male author….
(4) BEST SF THEN AND NOW. [Item by SF Concatenation’s Jonathan Cowie.] Which SF books do SF fans consider the best? And which SF books did SF fans consider the best? SF2 Concatenation has tweeted an advance post ahead of its next seasonal edition, “Best Science Fiction Novels”, an article comparing SF fans’ choices both today (2022) and back in 1987.
One survey was taken at the UK Eastercon back in 1987 by SF2 Concatenation.The other is a survey of over a thousand followers of the Media Death Cult YouTube Channel taken last year (2022).
Are the choices then and now different or the same? Do some of the same titles appear in both….?
… Before we go any further, it should be pointed out that the two surveys did not poll exactly the same question. The 1987 SF² Concatenation survey was a desert asteroid poll with participants asked which SF novels would they wish to be castaway with on a desert asteroid. This is not a point pedantry. Some may view classics such as – and here I invent wildly – as H. G. Wells’ The Time Machine as being so well read by fans and perhaps dated that they would not select it as one of their ten to be marooned with for goodness knows how long. So, a classic, best SF novel might not be one of a few that you would be marooned with for life.
As for the results, you need to be aware of arguably wild cards. The eagle-eyed among you will have noticed Pavane coming in at number 16 on the 1987 SF² Concatenation survey results. Could this be that its author’s status that Easter, Keith Roberts, being a Guest of Honour at the 1987 BECCON Eastercon, influenced matters?
On the Media Death Cult front, you need to be aware that a number of the titles had been mentioned a few times on the YouTube channel the previous years. For example, Leviathan Wakes is part of the ‘Expanse’ series of novels and the first few of these had been reviewed on the Channel and the Expanse television show has been mentioned in a number of the Cult’s TV-related videos. Was this an influence? Nobody knows, but it is worth being aware that such potential biases exist….
…While some changes have been made to books published in decades past, often with little fanfare, many of the current attempts to remove offensive language are systematic and have drawn intense public scrutiny. The effort has left publishers and literary estates grappling with how to preserve an author’s original intent while ensuring that their work continues to resonate — and sell.
Finding the right balance is a delicate act: part business decision, part artful conjuring of the worldview of an author from another era in order to adapt it to the present.
“My great-grandmother would not have wanted to offend anyone,” said James Prichard, Christie’s great-grandson, and the chairman and chief executive of Agatha Christie Ltd. “I don’t believe we need to leave what I would term offensive language in our books, because frankly all I care about is that people can enjoy Agatha Christie stories forever.”
The financial and cultural stakes of the exercise are enormous. Authors like Dahl, Christie and Fleming have, together, sold billions of copies of books, and their novels have spawned lucrative film franchises. In 2021, Netflix bought the Roald Dahl Story Company, including rights for classics such as “The BFG,” for a reported $1 billion. Leaving the works unchanged, with offensive and sometimes blatantly racist phrases throughout, could alienate new audiences and damage an author’s reputation and legacy.
But altering a text carries its own risks. Critics say editing books posthumously is an affront to authors’ creative autonomy and can amount to censorship, and that even a well intentioned effort to weed out bigotry can open the door to more pervasive changes.
“You want to think about the precedent that you’re setting, and what would happen if someone of a different predisposition or ideology were to pick up the pen and start crossing things out,” said Suzanne Nossel, the chief executive of PEN America.
Changes could also remake the literary and historical record by deleting evidence of an author’s racial and cultural prejudices, and eroding literature’s ability to reflect the place and time in which it was created. “Sometimes the historical value is intimately intertwined with why something is offensive,” Nossel said.
Then there’s the chance that readers who cherish the original works will revolt….
(6) TIME TO SET YOUR COURSE. The Horror Writers Association has posted the lineup for 2023 Horror University Online at Teachable.com. Single courses are $65 for non-HWA members.
Horror University Online, the HWA’s program of interactive workshops and presentations provides opportunities for writers to learn from some of the strongest voices in horror.
On its customer Web site, the Union Pacific Railroad characterizes a gondola as an “extremely sturdy open design” for carrying “rugged unfinished commodities”; its “large flat interior design with side walls” is described as “more flexible than a flat car.” These qualities make the modern gondola particularly popular with the steel industry, for transportation of loose materials like scrap metal, waste, coke, and slag as well as finished products like iron or steel plate, pipe, structural steel, and rails for railroad track. Other commodities commonly shipped in these versatile cars include mineral ores, granite slabs, gravel, logs, lumber, railroad ties, and even prefabricated railroad track, also known as “panel track.”
These unique versions of the ubiquitous gondola are the perfect addition to your annual Halloween train. Each of the five ghosts is individually lighted and features a flickering glowing effect that is sure to bring your spooky Halloween train to life.
British billionaire Sir Richard Branson’s rocket company Virgin Orbit has filed for bankruptcy in the US after failing to secure new investment.
The satellite launch company halted operations weeks ago but it hopes to find a buyer for the business.
The company, based in California, announced last week that it would cut 85% of its 750-strong workforce.
Earlier this year, a Virgin Orbit rocket failed to complete its first-ever satellite launch from UK soil….
… On Tuesday, the company said Virgin Investments, part of Virgin Group, would provide $31.6m in new money to help Virgin Orbit through the process of finding a buyer.
It has filed for what is known as Chapter 11 bankruptcy protection in the US. This allows a business to keep operating and address its financial issues while providing protection against creditors who are owed money.
Former president of Virgin Galactic Will Whitehorn said the failed launch in Cornwall and the collapse of Silicon Valley Bank at the time it was trying to raise new funding contributed to its downfall.
But Mr Whitehorn said the business deserved a second chance because there was “a lot of demand” in the industry.
“What you have got to remember is they have got nearly 50 satellites into space already, so I think there’s a chance they’ll be back,” he said….
(10) MEMORY LANE.
1928 – [Compiled by Cat Eldridge.]
For this Beginning , we have Robert E. Howard’s very first Solomon Kane story, “Red Shadows”. It was first published in Weird Tales in the August 1928 issue. Most of Howard’s tales about Kane were in Weird Tales. The last time it had a hardcover printing was in The Savage Tales of Solomon Kane by Del Rey twenty years ago. It is now available from the usual suspects.
SPOILER WARNING.
Look we are dealing with a nearly century old character, so it’s hard to believe anyone here hasn’t heard of its history.
Other authors will take Kane and adapt him, e.g. Paul Di Filippo’s Observable Things and he is namechecked in Philip José Farmer’s Doc Savage: His Apocalyptic Life.
Also Tales of the Shadowmen, an anthology series which is co-edited by Jean-Marc Lofficier and Randy Lofficier. All of the characters there from French and international genre fiction exist in the same multiverse.
END OF SPOILERS IF INDEED THERE WERE ANY
And now our Beginning of Solomon Kane…
The moonlight shimmered hazily, making silvery mists of illusion among the shadowy trees. A faint breeze whispered down the valley, bearing a shadow that was not of the moon-mist. A faint scent of smoke was apparent.
The man whose long, swinging strides, unhurried yet unswerving, had carried him for many a mile since sunrise, stopped suddenly. A movement in the trees had caught his attention, and he moved silently toward the shadows, a hand resting lightly on the hilt of his long, slim rapier.
Warily he advanced, his eyes striving to pierce the darkness that brooded under the trees. This was a wild and menacing country; death might be lurking under those trees. Then his hand fell away from the hilt and he leaned forward. Death indeed was there, but not in such shape as might cause him fear
“The fires of Hades!” he murmured. “A girl! What has harmed you, child? Be not afraid of me.”
The girl looked up at him, her face like a dim white rose in the dark.
“You—who are—you?” her words came in gasps.
“Naught but a wanderer, a landless man, but a friend to all in need.” The gentle voice sounded somehow incongruous, coming from the man.
The girl sought to prop herself up on her elbow, and instantly he knelt and raised her to a sitting position, her head resting against his shoulder. His hand touched her breast and came away red and wet.”
“Tell me.” His voice was soft, soothing, as one speaks to a babe.
“Le Loup,” she gasped, her voice swiftly growing weaker. “He and his men—descended upon our village—a mile up the valley. They robbed—slew—burned—”
“That, then, was the smoke I scented,” muttered the man. “Go on, child.”
“I ran. He, the Wolf, pursued me—and—caught me—” The words died away in a shuddering silence. “I understand, child.
Then—?””
“Then—he—he—stabbed me—with his dagger—oh, blessed saints!—mercy—”
Suddenly the slim form went limp. The man eased her to the earth, and touched her brow lightly.
“Dead!” he muttered.
Slowly he rose, mechanically wiping his hands upon his cloak. A dark scowl had settled on his somber brow. Yet he made no wild, reckless vow, swore no oath by saints or devils.
“Men shall die for this,” he said coldly.”
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born April 4, 1902 — Stanley G. Weinbaum. His first story, “A Martian Odyssey”, was published to general accolades in July 1934, but he died from lung cancer less than a year-and-a-half later. ISFDB lists two novels, The New Adam and The Dark Other, plus several handfuls of short stories that I assume were out for consideration with various editors at the time of his death. (Died 1935.)
Born April 4, 1948 — Dan Simmons, 75. He’s the author of the Hyperion Cantos and the Ilium/Olympos cycles. Hyperion won a Hugo Award at ConFiction (1990), and The Fall of Hyperion was nominated the following year at ChiCon V (1991). Both are, if my memory serves me right, excellent. If you like horror, Song of Kali which won a World Fantasy Award is quite tasty indeed. In 2013 he became a World Horror Convention Grand Master. Beware his social media, which include remarks about environmental activist Greta Thunberg.
Born April 4, 1949 — David C. Sutherland III. An early Dungeons & Dragons artist. His work heavily influenced the development of D&D. He was also one of their writers on such modules as the Queen of the Demonweb Pits that Gary Gygax edited. He also drew the maps for Castle Ravenloft. (Died 2005.)
Born April 4, 1952 — Cherie Lunghi, 71. Her fame arose from her role as Guinevere in Excalibur. (I saw Excalibur in a 1920s-built theater on a warm summer night with hardly anyone there.) She was also Baroness Frankenstien (Victor’s Mother) in Kenneth Branagh’s Mary Shelley’s Frankenstein. She was also in The Lady’s Not for Burning as Jennet Jourdemayne. That I’ve not seen.
Born April 4, 1959 — Phil Morris, 64. His first acting role was on the “Miri” episode of Trek as simply Boy. He was the Sam the Kid on several episodes of Mr. Merlin before returning to Trek fold as Trainee Foster in Star Trek III: The Search for Spock. Next interesting role is voicing Vandal Savage on a three-part Justice League Unlimited story called “The Savage Time”, a role he reprised for Justice League: Doom. No, I’ve not forgotten that he was on Mission: Impossible as Grant Collier. He also played the Martian Manhunter (J’onn J’onzz) on Smallvillie. And yes played Silas Stone on Doom Patrol and no, I didn’t spot that was him in that role.
Born April 4, 1967 — Xenia Seeberg, 56. She is perhaps best known for her role as Xev Bellringer in Lexx, a show’s that’s fantastic provided you can see in its uncensored form. I’ve also see she played Muireann In Annihilation Earth, Noel in So, You’ve Downloaded a Demon, uncredited role in Lord of The Undead, and Sela in the “Assessment” episode of Total Recall 2070.
Born April 4, 1965 — Robert Downey Jr., 58. Iron Man in the Marvel Universe film franchise. (I loved the first Iron Man film, thought they could’ve stopped there.) Also a rather brilliant Holmes in Sherlock Holmes and Sherlock Holmes: A Game of Shadows. Also voicing James Barris in an animated adaption of Philip K. Dick’s A Scanner Darkly which picked up a nomination at Nippon 2007. Yes, he’s plays the title role in Dolittle which despite having scathing critical reviews has a rather superb seventy-six rating among audience reviewers at Rotten Tomatoes.
Born April 4, 1968 — Gemma Files, 55. She’s a Canadian horror writer, journalist, and film critic. Her Hexslinger series now at three novels and a handful of stories is quite fun. It’s worth noting that she’s a prolific short story writer and four of them have been adapted as scripts for The Hunger horror series.
(12) PUT ANOTHER TRAILER ON THE BARBIE. [Item by N.] “After being expelled from ‘Barbie Land’ for being a less-than-perfect doll, Barbie sets off for the human world to find true happiness.”
To live in Barbie Land is to be a perfect being in a perfect place. Unless you have a full-on existential crisis. Or you’re a Ken.
(13) JEOPARDY! David Goldfarb tuned into the April 3 episode of Jeopardy! and noted this sff reference:
In the Double Jeopardy round, “Their lesser-known books” for $400:
This author went to Venus instead of Narnia in his space novel “Perelandra”
Eventual game-winner Crystal Zhao responded to this correctly.
(14) JEOPARDY! REDUX. And tonight Andrew Porter found that Jeopardy! devoted an entire category to “The World of Middle-Earth” – the contestants could have been better prepared….
Answer: This peak is where the Ring was forged & the only place it can be destroyed.
Wrong questions: What is Mordor? and What is Sauron?
Right question: What is Mount Doom?
Answer: This creepy guy calls the Ring of Power his “precious”
Wrong question: Who is uh, er, I lost it.
Right question: Who is Smeagol?
Answer: Sting is the name Bilbo gives to this possession.
…Studying Uranus’s seasons takes a while. One year on the distant, bluish gas giant — the time it takes Uranus to go once around the sun — is 84 Earth years.
“This is so long that no one human can hope to study it directly,” said Heidi B. Hammel, vice president for science at the Association of Universities for Research in Astronomy.
Dr. Hammel notes that although Uranus was discovered 242 years ago, sophisticated instruments did not exist then, and even electronic detectors capable of accurately measuring the brightness of the planet did not exist until the 1950s.
Long-term brightness measurements since then suggest the northern hemisphere of Uranus, now emerging into sunlight, is brighter than the southern hemisphere, which Voyager 2 observed when it flew by in 1986….
Benjamin Franklin invented lightning rods in the 18th century, and the devices have been protecting buildings and people from the destructive forces of lightning ever since. But the details of how lightning rods function are still the subject of scientific research.
Although modern lightning protection systems involve extra equipment that makes them more efficient, the lightning rod itself is quite simple: a copper or aluminum rod set above the highest point of a building, with wires connected to the ground. When lightning strikes a building it will preferably pass through the rod — the path of least resistance — and then through the wires into the ground, protecting the building and its contents from the extremely high currents and voltages produced by lightning.
But a rod doesn’t wait for the lightning to strike. Less than one millisecond before the lightning touches it, the rod, provoked by the presence of the negative discharge of the lightning, sends a positive discharge up to connect to it.
Brazilian researchers recently got lucky, photographing this event with high-speed video cameras at very high resolution. They captured the electric action in São José dos Campos, a city northeast of São Paulo.
The scientists were in the right place, at the right time, and with the right equipment to capture 31 of these upward discharges as they happened. With their location, about 150 yards away from the lightning strikes, and their camera, a device that records 40,000 images a second, they were able to take clear photographs and a slow-motion video of what happens in that instant before the charge from the rod meets the charge from the lightning bolt. The scientists’ study and photos were published in Geophysical Research Letters in December….
Doctor Who fans were treated to another visit by the Fourteenth Doctor during yesterday’s Red Nose Day telethon, with David Tennant re-enacting his regeneration scene with Sir Lenny Henry to start the show.
This marked Tennant’s second appearance as The Doctor since he returned to Doctor Who for Jodie Whittaker’s final episode, taking viewers by surprise when the Thirteenth Doctor regenerated.
In the opening sketch, Henry prepared to open the show, saying in the mirror, “Comic Relief, Salford, make some noise!” before doubling over in pain. “I’ve got to stop having them all you can eat hotel breakfasts.”…
…In the animated sequel, Miles Morales (voiced by Shameik Moore) and Gwen Stacy (Hailee Steinfeld) work to save every Spider-Man, Spider-Woman and Spider-Person in the multiverse. Together with a new crew, Miles must stop a mysterious new villain, who happens to be planning a disaster that could disrupt each universe. In the trailer, he is told, “Being a Spider-Man is a sacrifice.”…
[Thanks to Cat Eldridge, Mike Kennedy, Andrew Porter, Dann, David Goldfarb, Rich Lynch, N., Dan Bloch, SF Concatenation’s Jonathan Cowie, John King Tarpinian, Chris Barkley, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]
(1) DON’T MISS IT. That’s what Frank Cifaldi of GameHistoryOrg said after he encountered Filer “Orange Mike” Lowrey working at a bookstore in the Milwaukee Airport. Lowrey told him the whole fascinating story of how the store came to exist. Thread starts here.
I was so enthralled I went up to the register and was like "hey, I'm fascinated by this place, can we chat?" A man with an orange hat, orange glasses, and an orange shirt pushed aside his laptop and said "oh, heavens yes." His name is Orange Mike, and he's worked here since 1979. pic.twitter.com/qAhqejSuAA
— Frank Cifaldi (GDC).nes (@frankcifaldi) April 3, 2023
(2) QUANTUM OF IMAGINATION. The winner, runner-up, and People’s Choice of the Quantum Shorts Film Festival have been announced.
Missed Call has taken First Prize in the Quantum Shorts film festival! The emotive short film by director Prasanna Sellathurai tells of a physics student grappling with his father’s health crisis.
“I am thrilled and honoured to be awarded first place in this year’s Quantum Shorts Film Festival!” says Prasanna Sellathurai. “I’ve often heard that quantum physics can be considered difficult to approach. This award proves to me that passionate stories, that find creative ways to marry the most personal with the most complex, can speak to all of us.”
Missed Call was one of two winners selected by Quantum Shorts judges Ágnes Mócsy, Alex Winter, Honor Harger, Jamie Lochhead, José Ignacio Latorre and Neal Hartman from a shortlist of nine quantum-inspired films. THE observer was selected as Runner Up. A public vote on the shortlist picked The Human Game for the People’s Choice Prize, rounding out the top three films in the festival.
In addition to an engraved plaque, the winner gets $1500, the runner-up $1000, and the People’s Choice $500.
…The author Judy Blume says a rise in intolerance in America has led to a “much worse” epidemic of book banning than she experienced in the 1980s.
The children’s and young adult author, whose frank depictions of adolescence and puberty have long caused controversy, said it was time to fight back against censorship.
In an interview on the BBC’s Sunday with Laura Kuenssberg, Blume said of book banning: “I thought that was over, frankly … I came through the 80s when book banning was really at its height. And it was terrible. And then libraries and schools began to get policies in place and we saw a falling-off of the desire to censor books….
(4) IT’S A FEATURE NOT A BUG. Blue Beetle comes to theaters August 18.
From Warner Bros. Pictures comes the feature film “Blue Beetle,” marking the DC Super Hero’s first time on the big screen. The film, directed by Angel Manuel Soto, stars Xolo Maridueña in the title role as well as his alter ego, Jaime Reyes. Recent college grad Jaime Reyes returns home full of aspirations for his future, only to find that home is not quite as he left it. As he searches to find his purpose in the world, fate intervenes when Jaime unexpectedly finds himself in possession of an ancient relic of alien biotechnology: the Scarab. When the Scarab suddenly chooses Jaime to be its symbiotic host, he is bestowed with an incredible suit of armor capable of extraordinary and unpredictable powers, forever changing his destiny as he becomes the Super Hero BLUE BEETLE.
… The letters NCC should be familiar to most, from avid Star Trek fans to casual viewers. They are painted across the majority of Federation starships, or at least are present within most of the franchise’s main vessels. Most people pay attention to the actual name given to the ship, such as Voyager or, of course, Enterprise. For example, the iconic ship’s name is the USS Enterprise, followed by NCC and a number indicating which iteration of the ship this is….
(6) IN SPACE, EVERYONE CAN HEAR YOU FOOL. [Item by Mike Kennedy.] Space.com compiled the “Best space pranks: From space apes to smuggled sandwiches”. Be sure to click through to the article and follow all the Twitter links especially on the last entry.
It turns out the sky is not the limit when it comes to a good old-fashioned practical joke.
Here we explore some of the best pranks carried out in space, from a forbidden sandwich to a gorilla at large on the International Space Station (ISS).
These pranks show the lighter side of space exploration. …
(7) LESLIE H. SMITH (1958-2023). [Item by Ken Josenhans, her husband.] Leslie H. Smith died unexpectedly of heart disease on March 26, age 64. The family obituary is here.
A second-generation fan, she was the daughter of Beresford ‘Smitty’ Smith.
Professionally, she was first a copyeditor, later a musician and voice teacher.
Smith was an active fanzine fan from the 1970s through the 1990s, at first in New Jersey and Philadelphia. With Linda Bushyager, she was a co-editor of the fanzine Duprass. With her husband, Ken Josenhans, she was co-OE of the music apa ALPS, and co-host of the fanzine fans convention Ditto 7 in Ann Arbor.
She was slated to be the copyeditor for the 1987 revival of Weird Tales, but instead she moved away to Ann Arbor, Michigan.
She gafiated around 2000 as classical song and opera became her calling, but she remained in contact with her fannish friends.
(8) MEMORY LANE.
2017 – [Compiled by Cat Eldridge.]
Let me first note that Ann Leckie’s Translation State, a stand alone novel in this universe, will be out in June. The publisher is billing it as a mystery.
Our Beginning this Scroll comes from Provenance which follows the Ancillary trilogy and like Translation State is a stand alone novel. It was published by Orbit Books in 2017. It apparently is a mystery as near as I can tell having not read it yet.
Without further commentary, here is the Beginning…
There were unexpected difficulties,” said the dark gray blur. That blur sat in a pale blue cushioned chair, no more than a meter away from where Ingray herself sat, facing, in an identical chair.
Or apparently so, anyway. Ingray knew that if she reached much more than a meter past her knees, she would touch smooth, solid wall. The same to her left, where apparently the Facilitator sat, bony frame draped in brown, gold, and purple silk, hair braided sleekly back, dark eyes expressionless, watching the conversation. Listening. Only the beige walls behind and to the right of Ingray were really as they appeared. The table beside Ingray’s chair with the gilded decanter of serbat and the delicate glass tray of tiny rose-petaled cakes was certainly real—the Facilitator had invited her to try them. She had been too nervous to even consider eating one.
“Unexpected difficulties,” continued the dark gray blur, “that led to unanticipated expenses. We will require a larger payment than previously agreed.
“That other anonymous party could not see Ingray where she sat—saw her as the same sort of dark gray blur she herself faced. Sat in an identical small room, somewhere else on this station. Could not see Ingray’s expression, if she let her dismay and despair show itself on her face. But the Facilitator could see them both. E wouldn’t betray having seen even Ingray’s smallest reaction, she was sure. Still. “Unexpected difficulties are not my concern,” she said, calmly and smoothly as she could manage. “The price was agreed beforehand.” The price was everything she owned, not counting the clothes she wore, or passage home—already paid.
“The unexpected expenses were considerable, and must be met somehow,” said the dark gray blur. “The package will not be delivered unless the payment is increased.”
“Then do not deliver it,” replied Ingray, trying to sound careless. Holding her hands very still in her lap. She wanted to clutch the green and blue silk of her full skirts, to have some feeling that she could hold on to something solid and safe, a childish habit she thought she’d lost years ago. “You will not receive any payment at all, as a result. Certainly your expenses must be met regardless, but that is no concern of mine.”
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born April 3, 1783 — Washington Irving. Best known for his short stories “Rip Van Winkle” and “The Legend of Sleepy Hollow”, both of which appear in The Sketch Book of Geoffrey Crayon, Gent. collection. The latter, in particular, has been endlessly reworked downed the centuries into genre fiction including the recent Sleepy Hollow series which crossed over into the Bones series. (Died 1859.)
Born April 3, 1927 — Donald M. Grant. He was responsible for the creation of several genre small press publishers. He co-founded Grant-Hadley Enterprises in 1945, Buffalo Book Company in 1946, Centaur Press in 1970 and Donald M. Grant, Publisher, Inc. in 1964. Between 1976 and 2003, he won five World Fantasy Awards and a Balrog Award as well. (Died 2009.)
Born April 3, 1928 — Colin Kapp. He’s best remembered for his stories about the Unorthodox Engineers which originally largely appeared in the New Writings in SF anthologies. I’d also single out his Cageworld series which is set in the future when humanity lives on nested Dyson spheres. Both series are available at the usual digital suspects. (Died 2007.)
Born April 3, 1929 — Ernest Callenbach. Ecotopia: The Notebooks and Reports of William Weston was rejected by every major publisher so Callenbach initially self-published it. Ecotopia Emerging is a prequel published later. Yes, I read both. The Suck Fairy with her steel toed boots has not been kind to either work. If you can find a copy, Christopher Swan’s YV 88: An Eco-Fiction of Tomorrow which depicts the regreening of Yosemite Valley, it is a much more interesting read. (Died 2012.)
Born April 3, 1936 — Reginald Hill. Now this surprised me. He’s the author of the most excellent Dalziel and Pascoe copper series centered on profane, often piggish Andrew Dalziel, and his long suffering, more by the book partner Peter Pascoe solving traditional Yorkshire crimes. Well there’s a SF mystery tucking in there set in 2010, many years after the other Dalziel and Pascoe stories, and involves them investigating the first Luna murder. I’ll need to read this one.
Born April 3, 1946 — Lyn McConchie, 77. New Zealand author who has written three sequels in the Beast Master series that Andre Norton created and four novels in Norton’s Witch World as well. She has written a lot of Holmesian fiction, so I’ll just recommend her collection of short stories, Sherlock Holmes: Familar Crimes: New Tales of The Great Detective. She’s deeply stocked at the usual digital suspects.
Born April 3, 1968 — Jo Graham, 55. Her first novel, Black Ships, re-imagines The Aeneid, and her second novel, Hand of Isis, features the reincarnated main character of the first novel. If that‘s not enough genre cred for you, she’s written Lost Things, with Melissa Scott and a whole lot of Stargate Atlantis and Stargate SG-1 novels.
(10) COMICS SECTION.
Brewster Rockit refines the search for extraterrestrial intelligence.
And about the April 2 Sally Forth, Daniel Dern says, “I’m not sure whether this is fourth wall or some other wall…”
(Dern footnote about Sally Forth: “Sidney The Hat” is a well-known-to-some newspaper/journalism reference. A friend who I’d the link to, knew the reference, and replied to me with “Sidney The Hat!” and, after I did a quick web search on that, I know now about it.” See “Sally Forth 40th Anniversary Special: The Sad True Story of Sidney and the Hat”. And now so do you.)
Cast your mind back to mid-2021, and you remember the announcement of a new DC Comics show called My Friend Superman.With how quiet it’s been since that initial reveal, you wouldn’t be wrong in thinking that it got quietly canceled, especially in light of Warner Bros. Discovery’s recent scuttling (or reshuffling) of animated series, DC or otherwise, in the last several months. And it doesn’t help that there’s been only one image of the show to go off of, as seen above.
But the show definitely still exists. Earlier in the week alongside the grand reveal of Genndy Tartakovsky’s Unicorn: Warriors Eternal(set to premiere on May 4), Warner Bros. Discovery confirmed My Friend Superman would air on Adult Swim after Unicorn completes its run during the spring and presumably summer. After hitting Cartoon Network’s more adult-focused airing block, episodes will encore during Saturday nights over on the Toonami sub-block. It’ll also hit HBO Max, but at time of writing, it’s not clear what release schedule (or method) the show will run on for the streaming service….
…Oliver continued, “The fact is anyone wanting to use the Steamboat Willie Mickey Mouse will probably still be taking a risk but if you know anything about this show by now, we do like to take a risk every now and then.”
The late-night host then introduced “a brand new character for this show” in the form of a black and white Mickey Mouse.
Although Mickey Mouse is set to enter the public domain in 2024, Oliver added, “we are staking our claim to Mickey Mouse right now and I know Disney’s lawyers might argue that this Mickey is closely associated with their brand. Although they should know that he’s pretty associated with our brand now too.”
Oliver pointed out that the Steamboat Willie Mickey Mouse had been appearing in the opening credits for Last Week Tonight throughout his latest season and he doesn’t doubt that “Disney has some other legal arguments up their sleeve.”
“We’re only likely to find out what the [arguments are] if and when they sue,” he said before introducing a costumed Mickey Mouse character…
Monsoon is set to be playing a major role in the series.
“In a galaxy of comets and supernovas, here comes the biggest star of all. Jinkx Monsoon is on a collision course with the TARDIS, and ‘Doctor Who’ will never be the same again,” showrunner Russell T Davies said.
“I’m honored, thrilled, and utterly excited to join ‘Doctor Who!’ Russell T Davies is a visionary and a brilliant writer — I can’t wait to get into the weeds with him and the crew! I hope there’s room in the TARDIS for my luggage,” Monsoon said….
NASA and the Canadian Space Agency (CSA) announced the four astronauts who will venture around the Moon on Artemis II, the first crewed mission on NASA’s path to establishing a long-term presence at the Moon for science and exploration through Artemis….
The approximately 10-day Artemis II flight test will launch on the agency’s powerful Space Launch System rocket, prove the Orion spacecraft’s life-support systems, and validate the capabilities and techniques needed for humans to live and work in deep space.
…The flight, set to build upon the successful uncrewed Artemis I mission completed in December, will set the stage for the first woman and first person of color on the Moon through the Artemis program, paving the way for future for long-term human exploration missions to the Moon, and eventually Mars. This is the agency’s Moon to Mars exploration approach.
[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Rich Lynch, Ken Josenhans, Daniel Dern, Paul Weimer, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]
…”It’s really hard to watch an event like this become a partisan debate. It’s really, really hard,” O’Leary said on Fox Business March 30. “I actually think it’s triggering and going to trigger a new narrative, and this is going to be a difficult one to deal with, that could have been avoided.”
O’Leary suggested that artificial intelligence tools could possibly be used to detect people with violent motives.
“Are you willing, in America, to allow AI to scrape social media and target you to law enforcement?” O’Leary asked. “If we said yes to that, those people wouldn’t be dead.”
“All of these shooters generally post hours before they do the deed on some social media here or there,” he added. “In China, for example, a combination of face recognition with AI scraping of all the social media would identify this individual hours before they did their move into the school, and they could have been apprehended”.
In this case, messages sent by the shooter on Instagram hinted at the attack before it happened. O-Leary thinks these online conversations can be detected and that action could possibly prevent future shooting events….
Chris Barkley sent the link with this comment: “Apparently, ‘Mr. Wonderful’ has never seen Minority Report. Fortunately, we have.”
Sci-fi is a genre that appears to be getting less fun by the decade. In the early 1900s, George Méliès imagined that the moon was populated by lunar goddesses, stripy, insectoid aliens and giant, psychedelic mushrooms. These days we’re fully aware it’s just a boring rock in space that even Nasa hasn’t bothered to visit in 50 years. Nobody believes in aliens except far-out conspiracy theorists and Khloé Kardashian.
Why then has arch-eccentric Wes Anderson chosen now to debut his first sci-fi movie? Asteroid City, the new trailer for which dropped this week, centres on a 1955 convention of young stargazers in a fictional US desert town. It features just about every indie actor from the past half a century or so; from Scarlett Johansson to Tilda Swinton, Edward Norton to Bryan Cranston, and teases the possibility of some kind of alien intervention among the geeky Americana and whistling sand dunes.
But is this really a sci-fi movie at all? And even if it is, will it be remembered as such?…
“The Last of Us,” a postapocalyptic television thriller, recently concluded its first season with a stunning finale. However, as a physician and horror superfan, I found the show’s beginning more striking: A 1960s talk-show host asks two epidemiologists what keeps them up at night. “Fungus,” one replies.
He’s worried about a real-world species of Ophiocordyceps known to hijack the body and behavior of ants. Fast forward to the show’s central, fictional drama: a pandemic caused by a type of that fungus, which mutated as the world grew warmer. The new version infects humans and turns them into ravenous, zombielike beings whose bodies are overtaken by mushrooms.
Fungal epidemics in humans are infrequent, in part because human-to-human transmission of fungi is rare, and I am not aware of any involving zombielike creatures. It’s far more likely that the next pandemic will come from a virus. But the idea that climate change is making the emergence of new health threats more likely is solid. Could it cause a fungus ubiquitous in the environment to morph into a lethal pathogen in humans? It’s possible.
Scientists like me worry that climate change and ecosystem destruction may be creating opportunities for fungal pathogens to grow more infectious, spread over larger distances and reach more people. For example, Candida auris, a drug-resistant yeast that can be deadly in hospitalized patients, may have gained the ability to infect people thanks to warmer temperatures, according to some scientists. On March 20, the Centers for Disease Control and Prevention said Candida auris has spread at “an alarming rate” in health care facilities and is “concerning.”…
(5) SCORED OF THE RINGS. [Item by Ben Bird Person.] As the Japanese composer Ryuichi Sakamoto (1952-2023) passed away recently, I thought maybe this would be a nice piece of ephemera to commemorate his lesser-known work: “Nokia 8800 ringtones [in honor of Ryuichi Sakamoto”.
(6) MEMORY LANE.
2023 – [Compiled by Cat Eldridge.]
The Beginning for this Scroll is rather different as it is for a novel — Devil’s Gun (The Disco Space Opera Book 2) — that isn’t out yet. It’s the sequel to Cat Rambo’s You Sexy Thing, one of my favorite novels of recent times.
As you know, we have an excerpt here from You Sexy Thing, one selected by the author set in the kitchens of the Last Chance Restaurant. It’s way cool. And tasty too.
You Sexy Thing had characters well worth hanging out with, detailed settings that felt quite real and a fascinating story. I expect no less out of its sequel given how extraordinarily good its author is.
Devil’s Gun will be released on Tor Macmillan, August 29th, and here’s a preorder link. Audiobook should available at the same time according to her. The cover art has not yet been revealed by Tor.
Here’s the Beginning as provided by the author. Thanks Cat!
Over the course of her military career, Niko Larsen had awoken to all sorts of conditions, including firefights, battlestorms, unexpected evacuations, and last minute musters. This was, however, the first time she had awoken to the cries of a panicked bio-ship.
“Captain Captain CAPTAIN!”
The words came from all around her, nearly blasting her out of her bunk. You Sexy Thing might have been a supra-intelligent being but right now it seemed reduced to far below that by panic. “They’re INSIDE me!”
Niko rolled out of her bed in one easy motion, and didn’t bother with anything other than a gun and its belt. Still strapping it on, she raced down the corridor towards the central control room. The other members of the crew were less awake, startled faces appearing in doorways as she flashed past.
Her mind flipped through possibilities as fast as her footsteps. How could someone have gotten aboard? The ship was docked, but still double-locked. Surely the ship would have alerted them the moment someone tried to cut their way in. Was this the blow from Tubal Last she’d been expecting, or some other, entirely new, threat?
She hit the doorway running, prepared for anything except what she saw…
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born April 2, 1921 — Redd Boggs. Los Angeles fanzine writer, editor and publisher. The 1948 Fantasy Annual was his first zine with Blish as a contributor, with Discord being nominated for the Best Fanzine Hugo. He was nominated for the Retro Hugo for Best Fan Writer, and Sky Hook was nominated for Best Fanzine. Boggs was also a member of First Fandom. (Died 1996.)
Born April 2, 1926 — Robert Holmes. Scriptwriter who came up with some brilliant Doctor Who stories including the Fourth Doctor-era The Talons of Weng-Chiang, one of my all-time favorite tales, which he collected in Doctor Who: The Scripts. He was the script editor on the series from 1974 to 1977 and was in ill health during much of that time. He died while working on scripts for the second and final Sixth Doctor stories of The Trial of a Time Lord. (Died 1986.)
Born April 2, 1933 — Murray Tinkelman. Illustrator of genre covers during the Seventies. Glyer has a most excellent look at him here in his obituary posting. I’m very fond of his cool, diffuse style of illustration that made it seem as if the subject of the cover was just coming into focus as you looked at them. Here’s the first edition of Vonnegut’s Cat’s Cradle. (Died 2016.)
Born April 2, 1939 — Elliot K. Shorter. Fan, bookseller, and Locus co-editor once upon a time. He was attending conventions by the early Sixties and was a major figure in Sixties and Seventies fandom, and involved in a number of APAs. And as Mike notes, he spread his larger than life enthusiasm wide as he “belonged to the Tolkien Society of America, Hyborean Legion, the City College of New York SF Club, ESFA, Lunarians, Fanoclasts and NESFA.” He was involved in the Worldcon bid and helped run Suncon, the 1977 Worldcon which came out of the bid. All of this is particularly remarkable as he was one of the very few African-Americans in Sixties fandom. (Died 2013.)
Born April 2, 1940 — Peter Haining. British author and anthologist responsible for a number of really cool works such as The Sherlock Holmes Scrapbook, The Legend and Bizarre Crimes of Spring Heeled Jack, Doctor Who: The Key to Time A year by year record (which covered all of classic Who) and James Bond: A Celebration. He was responsible for some one hundred and seventy books in his lifetime. (Died 2007.)
Born April 2, 1948 — Joan D. Vinge, 75. Best-known for The Snow Queen which won a well-deserved Hugo and a sequel plus a related work, her most excellent series about the young telepath named Cat, and her Heaven’s Chronicles, the latter which I’ve not read. Her first new book in almost a decade after her serious car accident was the novelization of Cowboys & Aliens. And I find it really neat that she wrote the anime and manga reviews for The Year’s Best Fantasy & Horror anthologies.
Born April 2, 1978 — Scott Lynch, 45. Author of the Gentleman Bastard series of novels. I know I read The Lies of Locke Lamora but who here has read the entire series to date? And I see he was writing Queen of the Iron Sands, an online serial novel for awhile. May I note he’s married to Elizabeth Bear, one of my favorite authors?
(9) SUNDAY MORNING TRANSPORT. Darcie Little Badger’s “Those Hitchhiking Kids” is a free read this week at The Sunday Morning Transport, so feel free to share it.
What does wanderlust mean when you’re a ghost? Find out by joining Darcie Little Badger’s wonderfully intrepid Corey and Jimena on the road.
The Sunday Morning Transport is a reader-supported publication. To receive new posts and support our authors’ work, consider becoming a free or paid subscriber.
(10) RUSS COLLECTION PREVIEWED. Samuel Delany reminded Facebook readers about a Joanna Russ collection that’s on the way.
Coming this October: Here’s the first volume from the Library of America’s assemblage of the works of my dear friend Joanna Russ (22 Feb., 1937—29 April, 2011) which contains all of her fiction except her 2nd (And Chaos Died) and her last novel (The Two of Them). You’ll all of her stories. Its wonderfully researched chronology is the closest thing we’ll have to a biography for a while. Edited by Russ scholar, Nikole Rudnik, it’s a fuckin’ fine job!
A second volume, if the gods smile on the country and publishing’s profits go above 6%, will, include the missing novels, *And Chaos Died* [1970] and The Two of Them* [1978] as well as a healthy handful of her crusading criticism—especially “How to Suppress Women’s Writing,” and the late collection of early essays, What Are We Fighting for. Easily they could throw in the best and wittiest of her reviews, and a heaping good handful of her Byronically bountiful letters, and another of her as yet uncollected—though published-—early tales.
(11) VIDEO OF THE DAY. [Item by N.] Socratic debate on the nature of Doctor Who’s queer representation. It’s a long’un (~48 mins). “Doctor Who Was Queerbait”. This video particularly focuses on “Thasmin”, the pairing of the Thirteenth Doctor and companion Yasmin Khan, whether it delivers what it seems to promise, and the question of its canonicity.
The Doctor and the Valeyard’s lesser known second trial, with Thasmin on the stand.
[Thanks to Chris Barkley, Michael Toman, Cat Eldridge, N., Ben Bird Person, Daniel Dern, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]
(1) CALL FOR ACTION. Shepherd is looking for trans people to be supported by others refusing to participate in cons in states that are enacting these kinds of laws.
No trans people will be able to appear on panels at cons in these states without violating the law. Trans authors will not be able to give readings. If you are a cis author and able to say no to appearances in these states and don't, *why the fuck aren't you*.
Sure maybe it's not the fault of the nice people running the con in which case they can damned well inform state legislators for the district the con is in how much money your appearance would have brought and demand they fix the law.
A Twitter discussion of the proposed Missouri law and link to its text is here.
(2) STILL “HALLUCINATES FACTS WITH GREAT CONFIDENCE”. “OpenAI Debuts GPT-4” and Publishers Weekly describes the claimed improvements.
OpenAI, the company behind GPT-3 and ChatGPT, today announced the release of GPT-4. This is a major upgrade to the amount of textual and image data that GPT relies on for its (mostly) uncannily accurate and verbose responses. OpenAI says that “GPT-4 is more reliable, creative, and able to handle much more nuanced instructions than GPT-3.5.”
The dataset is clearly larger than the earlier versions, though OpenAI is cagey as to the current size. The last version appeared to know little or nothing beyond early 2020; GPT-4 is trained with data up to September 2021.
GPT-4 is a so-called “multimodal large language model,” meaning it responds to both text and images. In the product demo, a picture of food in a fridge was used to generate recipes for the range of leftovers on display.
OpenAI readily admits that GPT-4 has the same limitations as previous GPT models and is not fully reliable—it “hallucinates” facts with great confidence. But the extensive data published on the product web page shows that the new version performs far better than its predecessors. OpenAI claims that GPT-4 is 82% less likely to respond to requests for content that isn’t currently allowed, and 60% less likely to make stuff up….
(3) PATTERSON QUIZZED ABOUT BAN. Martin County, Florida school district officials removed James Patterson’s YA series Maximum Ride from its elementary school library but is keeping it accessible for older students. The author’s reaction? “James Patterson: If Florida bans my books, ‘no kids under 12 should go to Marvel movies’” at MSN.com. The piece includes a Q&A.
You live nearby in Palm Beach County. Would you consider speaking directly to Martin County school board officials?
I almost went up there, and if the book had been totally banned, I would have.
But if I did speak to them, I’d say look, absolutely it’s important for you to keep your kids safe, and you should do a better job at that. If a book comes into your home with your child ask them, ‘What’s it about? Are you enjoying it? Oh, you’re having nightmares, let’s talk about it.’ But there are far scarier things on the internet than there are in libraries.
Amid a nationwide controversy over select books being banned, the Tri-County Unitarian Universalists in Summerfield will host a marathon public reading of the book “Fahrenheit 451” by Ray Bradbury on Saturday, March 18. While not currently banned in Florida, the book has been the subject of restriction efforts in the past.
“We believe very strongly that it is important that people study what’s going on in the world and learn to think critically about everything,” Cindy Grossman of the TriUU said. “Bradbury believed that strongly when he wrote his book. It may be science fiction, but he was trying to warn people about this kind of censorship and how good it is for humanity to expose themselves to different literature.”…
This really is shaping up to be an exciting year for Doctor Who fans, as it’s been reported that the sci-fi series’s bosses are planning a brand new spin-off show with Jemma Redgrave at its helm, as head of scientific research Kate Lethbridge-Stewart.
It’s a role that Redgrave has played since 2012, but in this new Torchwood-style series based on UNIT — the Unified Intelligence Taskforce — she will reportedly be taking the lead.
The fictional military organisation has appeared in Doctor Who, Torchwood and The Sarah Jane Adventures but could very well be getting a proper offshoot of its own….
(7) IMAGINE 2200 OPENS. Submissions are now being taken for the third year of Imagine 2200: Climate Fiction for Future Ancestors, Grist’s annual short story contest “envisioning hopeful, equitable climate futures.”
Imagine 2200 challenges entrants to write stories that help envision the next 180 years of climate progress. Whether built on abundance or adaptation, reform or a new understanding of survival, the contest celebrates stories that provide flickers of hope, even joy, and serve as a springboard for exploring how fiction can help create a better reality.
Read more about this year’s contest and find out how to submit a story here.
The winning writer will be awarded $3,000, with the second- and third-place winners receiving $2,000 and $1,000, respectively. Nine additional finalists will each receive $300.
All winners and finalists’ stories will be published in an immersive collection on Grist’s website.
Stories will be judged by a panel of literary experts, including acclaimed authors Paolo Bacigalupi, Nalo Hopkinson, and Sam J. Miller.
… Sensitivity readers can become the implied “baddy” or “goody” (depending on where you stand) in such cases, their service seen as the reason that changes have been made. However, this view assumes that sensitivity readers have more power than they actually do, says Helen Gould, a sensitivity reader who advises on issues including race and mental health issues. “I’m never directly editing text,” she says. When asked to perform a sensitivity read, she will read it, annotate sections where she thinks specific changes could be made – for example, an author might have written an inaccurate description of how a Black hairstyle is achieved (“It’s amazing how much of the work I do is about Black hair!”) – and provide overall feedback. Authors and editors can then choose to accept her suggestions and implement changes, ignore them, or ask to discuss them further….
(8) IN SUPPERTIMES TO COME. Rae Mariz has a wonderful post about “Feeding Future Ancestors” at Sarah Gailey’s Stone Soup.
…Which brings me back to our kitchen in Stockholm, with my twelve year old daughter and the responsibility I feel to show her the skills that will help her feed herself and her friends in the world they’ll be inheriting. There won’t be a recipe I can hand down to her with precise directions for how to recreate familiar flavors. The ingredients we’ve taken for granted as staples might not be available—either because she recrossed oceans, or because the industrialization of agriculture will have come to its inevitable end. How can I help her prepare for the future when I don’t even have the foresight to meal-prep a day in advance? I’m still working it out, doing what I can—in the kitchen, in my prose, on the streets—to contribute to a livable planet and a more caring culture. Kids eat what we give them.
The hard truth is that she’s probably already picked up on whatever I have to show her. I’ve certainly already fed her something that will horrify future ancestors when she reminisces about her childhood in whichever storytelling form arises to replace the internet….
(9) JOHN JAKES (1932-2023). Author John Jakes, best known for historical bestsellers like The Bastard and North And South, both adapted for television, died March 11 at the age of 90.
…Born on March 31, 1932, in Chicago, Jakes published his first short story at 18, earning $25, and would go on to author more than 80 books in his lifetime that sold more than 120 million copies worldwide….
With so many mainstream bestsellers to talk about, the fact that he wrote a lot of sff has been overlooked by the obituaries, the reason why Cora Buhlert has written an extended tribute here: “Remembering John Jakes (1932 -2023)”.
…What is only a footnote in all of the mainstream obituaries is that John Jakes was also an SFF writer as well as a writer of crime fiction, westerns and erotica long before he found success beyond imagination with historical sagas.
I certainly had no idea that John Jakes had written SFF before I came across his name in a review at Galactic Journeyand thought, “Wait a minute, the North and South guy used to write SFF?” Turns out John Jakes did not just write SFF, he wrote a lot of it and was also one of the protagonists of the second sword and sorcery boom….
… Crump would go on to become one of the most important artists to work for Walt Disney Co.
It’s a Small World, the Enchanted Tiki Room and the Haunted Mansion are just a few of the projects Crump would contribute to once he joined Walt Disney Imagineering, known as WED Enterprises (for Walter Elias Disney) in 1959. With Imagineering, the division of the company that oversees Disney theme parks, Crump‘s designs would help define the look of Disneyland…
… Crump fought for Disneyland to retain a handcrafted quality. He was a no-nonsense, tell-it-like-it-is artist who was offended at the suggestion that others would be offended by his critiques. Crump, for instance, enjoyed a close relationship with [Mary] Blair, the artist who designed the dolls for It’s a Small World and whose style informed the bulk of the interior of the attraction. An accomplished watercolorist and muralist, Blair, like Crump, was handpicked by Disney to transition out of animation and into theme park design.
Crump spoke to The Times in 2018 about, among many topics, the creation of It’s a Small World. Still an imposing, broad-shouldered figure in his then-late-80s, Crump was emphatic. “I had Mary’s sketches in a book and gave them to the model shop,” he said. “I said, ‘Whatever you design, make sure they look like these drawings.’ I was given the job of supervising It’s a Small World. I knew it was only going to work if everything looked like Mary Blair. As far as I was concerned, this is a Mary Blair ride. So off we went. The rest is history.”….
(11) MEMORY LANE.
1992 – [Compiled by Cat Eldridge.]
Our Beginning is Rita Mae Brown’s Rest in Pieces: A Mrs. Murphy Mystery which was published by Bantam in hardcover thirty-one years ago.
The prefaces are always by Sneaky Pie who is also listed as the co-author of this series.
I’m going do a bit of a spoiler here and tell you the mysteries focus on a postmistress named Mary Minor “Harry” Haristeen plus her tiger cat named Mrs. Murphy, a fat grey cat named Pewter and a corgi named Tee Tucker.
Her other series, the “Sister” Jane Mysteries, centers around no-kill fox hunting and has foxes, owls, cats, dogs and others I’ve probably forgotten as characters. Oh, and humans obviously.
I enjoy the ones that I’ve read quite a bit though I’ve by no mean read all thirty she’s done so far in this series.
And now the Beginning…
Dear Reader:
Here’s to catnip and champagne!
Thanks to you my mailbox overflows with letters, photos, mousie toys, and crunchy nibbles. Little did I think when I started the Mrs. Murphy series that there would be so many cats out there who are readers . . . a few humans, too.
Poor Mother, she’s trying not to be a grouch. She slaves over “important themes” disguised as comedy and I dash along with a mystery series and am a hit. This only goes to prove that most cats and some dogs realize that a lighthearted approach is always the best. Maybe in a few decades Mom will figure this out for herself.
The best news is that I was able to afford my own typewriter. I found a used IBM Selectric III so I don’t have to sneak into Mother’s office in the middle of the night. I even have my own office. Do you think I should hire Pewter as a secretary?
Again, thank you, cats out there, and the dogs, too. Take care of your humans. And as for you humans, well, a fresh salmon steak would be a wonderful treat for the cat in your life.
All Best, SNEAKY PIE
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born March 15, 1852 — Isabella Augusta, Lady Gregory (née Persse). Irish dramatist, folklorist, theatre manager. With William Butler Yeats and Edward Martyn, she created the Irish Literary Theatre and the Abbey Theatre. She produced a number of books of retellings of stories taken from Irish mythology. Gods and Fighting Men, all seven hundred pages strong, is the best look at her work. It’s available at all the usual digital sources. (Died 1932.)
Born March 15, 1920 — Lawrence Sanders. Mystery writer who wrote several thrillers that according to ISFDB had genre elements, such as The Tomorrow File and The Passion of Molly T. Now I’ve not read them so I cannot comment how just on how obvious the genre elements are, but I assume it’s similar to what one finds in a Bond film. One of these novels btw is described on the dust jacket as an “erotic spine tingler”. Huh. (Died 1998.)
Born March 15, 1924 — Walter Gotell. He’s remembered for being General Gogol, head of the KGB, in the Roger Moore Bond films as well as having played the role of Morzeny, in From Russia With Love, one of Connery’s Bond films. He also appeared as Gogol in The Living Daylights, Dalton’s first Bond film. I’m fairly sure that makes him the only actor to be a villain to three different Bonds. (Died 1997.)
Born March 15, 1926 — Rosel George Brown. A talented life cut far too short by cancer. At Detention, she was nominated for the Hugo Award for best new author, but her career was ended when she died of lymphoma at the age of 41. She wrote some twenty stories between 1958 and 1964, with her novels being Sibyl Sue Blue, and its sequel, The Waters of Centaurus about a female detective, plus Earthblood, co-written with Keith Laumer. Sibyl Sue Blue is now available from the usual suspects. (Died 1967.)
Born March 15, 1939 — Robert Nye. He did what the Encyclopaedia of Fantasy describes as “bawdy, scatological, richly told, sometimes anachronistic reworkings of the traditional material” with some of his works being Beowulf, Taliesin (which was the name of my last SJW cred), Faust, Merlin and Mrs. Shakespeare: The Complete Works. His Falstaff novel is considered the best take on that character. Some of his works are available at the usual digital suspects. (Died 2016.)
Born March 15, 1943 — David Cronenberg, 80. Not a Director whose tastes are at all squeamish. His best films? I’d pick Videodrome, The Fly, Naked Lunch and The Dead Zone. Though I’m tempted to toss Scanners in that list as well. ISFDB says he has one genre novel, Consumed, which garnered a Bram Stoker Award nominated for Superior Achievement in a First Novel. Oh, and he was in the film version of Clive Barker’s Nightbreed.
Born March 15, 1946 — Chris Morris, 77. First genre writing was in the exemplary Thieves’ World shared universe, such as “What Women Do Best” with Janet Morris, and “Red Light, Love Light”. He’s also written in the Merovingen Nights, Heroes in Hell and Sacred Band of Stepsons saga series.
There will be no second season of Willow, Disney+’s live-action original series based on the 1988 fantasy film directed by Ron Howard. The news comes two months after the eight-episode first season of the show, which served as a sequel to the classic movie, ended its run on the streaming platform.
Willow, which picked up years after the events of the film, did not have the zeitgeist cultural impact of the original but was well received by critics, getting a 83% on Rotten Tomatoes. While the series won’t continue, Willow remains an important IP in the Lucasfilm library, so it might be revisited in the future….
Marvel is closing in on the source of a leak of a script from Ant-Man and the Wasp: Quantumania before the movie was released, and it intends to take legal action, a Disney company source tells The Hollywood Reporter.
A federal judge in California on Monday issued subpoenas to Reddit and Google directing them to identify the users who leaked the dialogue. The order came after the company moved for information on whoever posted then-unreleased dialogue from the film to the r/MarvelStudiosSpoilers subreddit.
Marvel is likely to pursue litigation against the person or group responsible for the leak. That could include a referral to prosecutors for criminal copyright infringement, among other charges….
… Today, we think of Superman’s Fortress as an ice palace, far away from humanity in the Arctic. But originally, it was just a mountain cave where Clark stashed his belongings he didn’t have anywhere else to house. This “Secret Citadel” was located in a mountain range outside of Metropolis. It first appeared in Superman #17 in 1942, and it didn’t make many appearances. In those days, Superman’s Kryptonian heritage was more of an afterthought, a mere explanation for how he got his powers. The term “Fortress of Solitude” first appeared in Superman #58 1949, as Superman’s sanctuary located in “the polar wastes.” Interestingly, the name “Fortress of Solitude” actually predates Superman. The pulp adventurer Doc Savage had a Fortress of Solitude located in the frozen north, and DC Comics very liberally took the name and concept….
[Thanks to Chris Barkley, Andrew Porter, Michael Toman, Lise Andreasen, Cat Eldridge, Mike Kennedy, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
