SF writer and Rotsler Award winning fan artist Ray Nelson died in his sleep overnight November 29/30 his son, Walter, announced today on Facebook. He was 91 years old.
As an author Ray Nelson was best known for his short story “Eight O’Clock in the Morning,” which became the basis of John Carpenter’s film They Live. He also had a short story, “Time Travel for Pedestrians,” in Harlan Ellison’s Again Dangerous Visions (1972). Nelson collaborated with Philip K. Dick on The Ganymede Takeover. His 1975 book Blake’s Progress, in which the poet William Blake and his wife are travelers in space and time, has been called his best work by critic John Clute.
As an artist, in the 1940s Nelson appropriated the propeller beanie as a symbol of science fiction fandom. His fannish cartoons were recognized with the Rotsler Award in 2003. He was inducted to the First Fandom Hall of Fame in 2019.
Nelson was born in Schenectady, NY in 1931. He became an active science fiction fan while attending high school in Michigan. After graduation, he went to the University of Chicago (studying theology). In the Fifties he lived for four years in Paris, and met Allen Ginsberg, Gregory Corso and William Burroughs among others of the Beat Generation, as well as existentialists Jean Paul Sartre, Boris Vian and Simone de Beauvoir. He subsequently co-edited Miscellaneous Man, the first “Beatnik” little literary review. In Paris, he worked with Michael Moorcock smuggling Henry Miller books out of France.
Honors Nelson received as a writer included a special citation from the Philip K. Dick Award in 1983 for The Prometheus Man. As a fan, in addition to the awards already mentioned, he was a Best Fan Artist Retro Hugo finalist in 2001 (commemorating work done in 1950) and received the 2014 FAAn Lifetime Achievement Award.
(1) MAJOR STATHOPOULOS SHOW. “The Semblance of Things: Portraits by Nick Stathopoulos” will be a comprehensive 30-year survey show coming next February to the Blue Mountains Cultural Centre in Australia. Nick announced it on Facebook. There’s already an article about the upcoming exhibition in the Centre’s magazine, downloadable at the link.
(2) FIGURING. Cora Buhlert posted a new “Masters of the Universe-piece Theatre” photo story. This one is called “New Look”.
… I have had some new arrivals recently, including the Teela and Zoar two-pack. I mainly bought the two-pack, because I wanted Zoar the Falcon, but I also got a Teela figure with a nice new headsculpt, which is loosely based on the way she looked in the 2002 cartoon, where Teela had a long ponytail instead of her customary upswept hairstyle. And since Teela is my favourite Masters of the Universe character, I’m always happy to have another version of her. Plus, this Teela has a sword, which is the weapon she actually uses most of the time in the various cartoons. The toys mostly only have the snake staff, even though the snake staff only prominently features in the 2002 cartoon – in every other version she uses a sword.
The fact that Teela got a makeover for the two-pack also inspired the following story. Furthermore, I also get to explore the friendship between Teela and Adora that the cartoons never really gave us (so far) some more….
… Garnier: What challenges have you faced as a German author working in English speaking markets?
Buhlert: It’s harder for someone from beyond the Anglosphere (i.e. the US, UK, Canada, Australia, Ireland and New Zealand) to get noticed. First of all, if you come from a non-English-speaking country (and for some countries in Africa and Asia, where English is an official language, even if you come from an English-speaking country), some people will simply assume that you cannot possibly speak English well enough to write in what is not your first language. I have actually had someone leave a long rambling comment on my blog to tell me that I’m obviously too stupid to understand English.
Physical distance is also an issue, because a lot of the big cons happen in the US or UK and attending takes time, money and also the privilege of being able to get a visa at all, something which is a huge issue for SFF writers from Africa, but also from the Middle East and some countries in Asia and Latin America. It’s probably no accident that I was only nominated for the Hugo after I had attended two Worldcons and one Eurocon in person, took part in programming and met a lot of people…
(5) HAILEY PIPER READS. Space Cowboy Books will host an online reading and interview with Hailey Piper author of No Gods for Drowning on Tuesday November 15 at 6:00 p.m. Pacific. Register for free here.
IN THE BEGINNING, MAN WAS PREY WITHOUT THE GODS, THEY’LL BE PREY AGAIN The old gods have fled, and the monsters they had kept at bay for centuries now threaten to drown the city of Valentine, hunting mankind as in ancient times. In the midst of the chaos, a serial killer has begun ritually sacrificing victims, their bodies strewn throughout the city.
Set in an alternate reality which updates mythology to near-modern day, No Gods For Drowning is part dark fantasy, part noir detective story, and unlike anything you’ve read before, from an author whose imagination knows no boundaries.
My new novel, Neom, started off with the simple image of a robot and a rose. The robot goes to the market in the city of Neom and buys a flower. It then takes the rose into the desert and leaves it in the sand…
I wrote the rest of the book just to find out….
Second Variety by Philip K. Dick (1953)
As we go through Neom we find out that my robot (who is never named) had a group of companions during the long-ago war. One of them is, of course, a Tasso, from PKD’s classic story about a war in which humanoid robots infiltrate the human population only to blow themselves up. They come in several models, including the David (a young boy) and a Wounded Soldier, but there are rumours of a new, improved model…
Leslie Phillips, the British screen legend who voiced the Sorting Hat in the first two Harry Potter films, has passed away at the age of 98 following a lengthy illness. The anthropomorphic head piece that sorts incoming Hogwarts students into the school’s four famous houses appeared prominently in Sorcerer’s Stone (2001) and Chamber of Secrets (2022) — both of which were helmed by director Chris Columbus.
… The actor’s career dated all the way back to the late 1930s and included over 200 roles in dozens upon dozens of projects spanning film, television, and the stage (Lara Croft: Tomb Raider and Doctor Who: Medicinal Purposes are just two small examples). Wizarding World fans, however, will forever associate the man with the sagely voice of the tattered magical hat that took Harry’s own desires into consideration and placed the boy wizard into Gryffindor — where dwell the brave at heart….
(8) MEMORY LANE.
2018 — [By Cat Eldridge.] Sometimes it’s the offbeat stories that I really like from authors, the short works that aren’t expanded into full length stories. Such is the case with Elizabeth Bear’s Sub-Inspector Ferron series. Of course, everything she writes is a delight to read.
Bear’s Sub-Inspector Ferron series at the present consists alas of but two novellas, “In the House of Aryaman, a Lonely Signal Burns” and “A Blessing of Unicorns”. Will there be more? Oh, I hope so.
TASTY, SPICY ASIAN SPOILERS FOLLOW. THEY REALLY DO!
These two novellas start with “In the House of Aryaman, a Lonely Signal Burns” which is set a half a century from now. In the city of Bangalore, where scientist working on cutting-edge biotechnology has been discovered inside his own locked flat, his body converted into a neat block of organic material.
It’s up to Police Sub-Inspector Ferron to figure out the victim’s past and solve the crime, outwitting the best efforts of whoever is behind the death, her overbearing mother, and the complexities of dealing with the only witness – an ever so cute parrot-cat Chairman Miaow. (The latter, she says are, as I guessed, a cat with parrot colors and “a parrot-like level of intelligence and ability to mimic speech”. That cat will later adopted by her. She already has a fox.
I’ll note that the stories aren’t freestanding, so the novella, “A Blessing of Unicorns” builds off the first novella, therefore must be experienced after the first is read or listened to.
Together they make up a fascinating look at the life and work of Ferron as a Police Sub-Inspector in a balkanised world where there are no national or regional police forces. No, it’s not some small libertarian wet dream here, but a real world with actual consequences to everything that happens.
WE HAVE CONSUMED THOSE TASTY MORSELS, SO YIU CAN COME BACK.
There is certainly more than enough story here for her to someday write a novel set in the universe. And I look forward to it.
When I asked her if there would be a novel in the series, she replied “there might be a novel someday but I really need to visit Bangalore myself to write that! I’ve been relying on friends who hail from there, or who have family there and have visited extensively, but it’s not the same as boots in the dirt experience!”
Fantastic stories told well by a master storyteller, what more do you want?
The Audible narrations are done most excellently by narrated Zehra Jane Naqvi. She’s an Australian expatriate in the United Kingdom of Anglo-Indian descent. She obvious handles the Indian accents quite wonderfully here. Another genre connection — She started her voice acting career in a several Big Finish Productions’ Doctor Who audio dramas with Sylvester McCoy and Peter Davison reprising the Seventh and Fifth and Doctors.
The first one is available at the usual suspects, but the second remains at this time an Audible exclusive though Bear assures me that it will be available soon as as an ebook soon.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born November 8, 1847 — Abraham “Bram” Stoker. You know that he’s author of Dracula but did you know that he wrote other fiction such as The Lady of the Shroud and The Lair of the White Worm? Of course you do, being you. The short story collection Dracula’s Guest and Other Weird Stories was published in 1914 by Stoker’s widow, Florence. (Died 1912.)
Born November 8, 1906 — Matt Fox. I’m here to praise an illustrator of one of those magazines that published the stories of such writers as Robert Bloch, Manly Wade Wellman and Ray Bradbury. The covers by Fox were of course intended to lure you to magazine rack, pick up the magazine and purchase it. Such was what he did for Weird Tales from November 1943 to July 1951. After that, during the Fifties and Sixties he worked for Atlas Comics, inking and penciling Journey into Mystery, World of Fantasy, Tales of Suspense and Journey into Unknown Worlds. It is thought that his last known published work is an advertisement, printed in 1967, for original mail-order glow-in-the-dark posters. (Died 1988.)
Born November 8, 1914 — Norman Lloyd. Yes, those dates are right. His longest genre role was as Dr. Isaac Mentnor on the most excellent Seven Days series. He’s been on Next Gen, Get Smart! in the form of the Nude Bomb film and visited The Twilight Zone, and in a fair number of horror films from The Dark Secret of Harvest Home to The Scarecrow. (Died 2021.)
Born November 8, 1932 — Ben Bova. He wrote more than one hundred twenty books. He won six Hugo Awards as editor of Analog, and also once was editorial director at Omni. Hell, he even had the thankless job of SFWA President. (Just kidding. I think.) I couldn’t hope to summarize his literary history so I’ll single out his Grand Tour series that though uneven is overall splendid hard sf as well as his Best of Bova short story collections put out in three volumes. What’s your favorite book by him? (Died 2020.)
Born November 8, 1955 — Jeffrey Ford, 67. Winner of a very impressive seven World Fantasy Awards as well every other award given to writers of fantastic literature except Hugos. Really there’s too many to list here. He’s got two Hugo nominations, one at Torcon 3 for his “Creation” short story, another at Noreascon 4 for ”The Empire of Ice Cream” novelette “. And yes, his Well-built City trilogy is amazing.
Born November 8, 1956 — Richard Curtis, 67. One of Britain’s most successful comedy screenwriters, he’s making the Birthday List for writing “Vincent and the Doctor”, a most excellent Eleventh Doctor story. He was also the writer of Roald Dahl’s Esio Trot which isn’t really genre but it’s Roald Dahl who’s certainly is one of us some of the time, isn’t he? (Please don’t deconstruct that sentence.) And he directed Blackadder which is most decidedly genre.
Born November 8, 1968 — Parker Posey, 54. Doctor Smith on the rebooted Lost in Space series. I’ve not seen it, so how is it? She was in a film based on based Dean Koontz’s version of Frankenstein. And she shows in Blade: Trinity as well which I’ll admit I liked.
Born November 8, 1952 — Alfre Woodard, 70. I remember her best from Star Trek: First Contact where she was Lily Sloane, Cochrane’s assistant. She was also Grace Cooley in Scrooged, and polishing her SJW creds, she once voiced Maisie the Cat in The Brave Little Toaster Goes to School. And yes, I know she’s portrayed a character in Marvel Universe. I just like the obscure roles.
… In his introduction, editor Joe Vallese asks, “[H]ow are we to think about the complicated relationship between the queer community and the horror genre?” Vallese notes that all the contributors “convey a rich reciprocity, complicating and questioning as much as they clarify.” In other words, some of the essays will see horror films as nightmares worth indulging, while still interrogating what the genre gives and takes from queer people.
Ever since (and surely before) Eve Kosofsky Sedgwick offered queer readings of homosociality in Dickens, a certain kind of essay was born. These kinds of queer essays excavate the subtext of dominant culture. The mainstream 2009 film Jennifer’s Body, after all, inspired lesbian titillation and launched a thousand lavender wet dreams. Earlier this year, the father of body horror, David Cronenberg, declared that “surgery is sex” in Crimes of the Future, a few years late to the trans tipping point…
Filmmaker J.D. Dillard experienced a Disney double whammy, having lost not one, but two prominent projects, Star Wars and The Rocketeer, to which he was attached.
In an interview with The Wrap, the director, who was promoting his latest film, the Jonathan Majors-starring Korean War aviator drama Devotion, dropped news about his formerly promising backlog. Indeed, the Mouse House not only lined him up to direct the long-belated sequel to the 1991 adventure classic, titled The Return of the Rocketeer, but tapped him to direct a mysterious Star Wars feature. However, when asked for an update on those projects, Dillard delivered bad news, stating that his Star Wars movie is “unfortunately no longer a thing. It was not for lack of trying.” He further lamented his nixed endeavor for the iconic space franchise, describing it as “an original idea.” Compounding that, Dillard also revealed his exit from the Rocketeer sequel….
(14) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: World of Warcraft: Wrath of the Lich King” Fandom Games says in order to play this game you either have to dress like a “Norse hobo” or “an off-brand Dora” the Explorer. The characters either spend time in cold regions where they run past “icy castles, icy beaches, and icy plains” or go underground in “the most positive depiction of sewers since Teenage Mutant Ninja Turtles.”
[Thanks to John King Tarpinian, Chris Barkley, Andrew Porter, Cora Buhlert, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]
…What made Dick a literary genius, then, was not any special talent for predicting hand-held personal devices or atom bombs the size of a shoe which might have led him to a job in Apple’s marketing department. His gift was for what might be called predictive psychology — how the altered worlds he imagined, whether futuristic or merely divergent from existing historical continuums, would feel to the people who inhabited them. Dick’s answer was, very often: “Not good.”
Dick’s dystopian-psychological approach marks him less as a conventional science fiction writer than as a member of the California anti-utopian school of the Sixties, whose best-known members include Robert Stone, Thomas Pynchon, Ken Kesey, Joan Didion and Hunter Thompson. Seen from this angle, Dick was perhaps the most powerfully and sweepingly paranoid of a group of writers whose stock-in-trade was conspiracy and paranoia, the hallmarks of a society marked — at that moment, and this one — by violent street crime, drug-induced psychosis, and visionary promises gone terribly wrong. Of his anti-utopian peers, Dick’s sci-fi genre background made him the only one who had any particular feel for the proposition that technology was inseparable from, and would therefore inevitably alter, our idea of the human….
…GR: The magic system is always a critical part of world-building in fantasy, and I thought yours was so fascinating—magic that is powered by the tension and friction in the act of translating from one language to the other.
RFK: There are a lot of fantasy novels that deal with the power of words and language and naming. I think Ursula Le Guin has done this a lot. I know Samantha Shannon is very interested in etymology and wordplay in her novels as well. I think my innovation is coming at it from the translation angle instead.
There were two things I wanted to convey about translation that were at the forefront of my mind. First, it was very important to me that the magic system felt like a real historical facet of the world. I wanted the characters to talk about it and use it the way that they would have used any number of Victorian implements.
The second thing is that translation can function as a metaphor for difference. It’s my way of talking about difference at large. Translation is just trying to make yourself understood by other people. We’re all translating ourselves to the world. Even if we’re not bilingual, we’re all trying to put our thoughts and feelings and experiences into words, and hoping that somebody else gets it.
And there are so many things that can interfere with that—obviously racism, colonialism, malicious intent. So in that sense, translation becomes a way to talk about prejudice and the avarice of the British Empire in the 1830s. But even unintentionally, there are all these things that cause us to refuse to listen to each other. It’s just the intersection of how different people engage with one another….
I was diagnosed with cancer in early June. For some reason, since then, I haven’t been able to stop playing CD Projekt Red’s “Cyberpunk 2077,” a story about how you must navigate or defy terminal illness.
The terminal illness facing V, the game’s protagonist, is the all-but-certain erasure of their soul. Their personality, memories and cognitive functions are being overwritten by an artificial intelligence, Johnny Silverhand, a rocker and branded terrorist brought to virtual life by Keanu Reeves. They can only deny or accept their fate; either grasp at some way to sever their connection as Silverhand takes over, or leave this world on their own terms.
…It wasn’t always this easy to be carefree in Night City. The game’s infamous release in December 2020 redefined the term “cyberpunk” to mean “unfinished, buggy and unplayable video game.” As I wrote in my final review of the game in 2021, “Cyberpunk 2077” used to barrage the player with phone calls and notifications about new activities, with the resulting information overload destroying any sense of spatial immersion, and strangling the pace of the game’s otherwise compelling narrative arc.
This older, more unpleasant version of “Cyberpunk 2077” reminds me of my current situation. My phone is constantly buzzing with concerned texts and phone calls from friends, family, ex-girlfriends, former co-workers and long lost acquaintances. Everyone talks about the myriad challenges of cancer, but one of the least discussed is the emotional burden placed on the patient as they navigate, soothe and buckle under the overwhelming grief projected by their loved ones. I value and often need the support and concern from my family and friends, but there’s the lingering sense that none of this would need to be said if not for my cancer. Words meant to soothe me often just remind me that I’m fighting for my life.
Five months ago, developer CD Projekt Red released its 1.5 update, which brought along a host of stabilization fixes, new features, and most importantly to me, the ability to ignore those carping in-game texts and phone calls….
The Horror Writers Association is outraged and saddened by the reprehensible attack on author Salman Rushdie. The assault on Mr. Rushdie is an assault on all writers. The HWA strongly condemns the attack and supports writers’ freedom of expression without fear of reprisal or violence. We look forward to his speedy recovery and his continued work as a voice for freedom.
(5) AS DOES GRRM. George R.R. Martin discusses the attack and the underlying issues in “Let His Voice Be Heard” at Not a Blog.
…Along with the rest of the world, I read of the turmoil around THE SATANIC VERSES and the fatwa declared against him by the ayatollahs of Iran. For the “crime” of writing a book that some people did not like, he was forced to spend a decade in hiding, surrounded by guards, wearing disguises when he dared leave his house. Through it all, he displayed courage, compassion, and grace under fire, while holding firm to his principles and yielding not an inch to the haters. In more recent years, the danger finally seemed to have ebbed, and Rushdie was once again able to speak and travel and appear in public.
He emerged as one of the world’s leading defenders of free speech, which only deepened my admiration for him. Freedom of speech is a central pillar of our democracy, and every other democracy in the world. There is nothing, but nothing, that I believe in more strongly.
And these days freedom of speech needs defenders, for when I look around, I find it under attack everywhere. Blacklisting, cancel culture, libraries being closed or defunded, classic works of literature being banned or bowdlerized or removed from classrooms, an ever growing list of “toxic” words the mere utterance of which is now forbidden no matter the context or intent, the erosion of civility in discourse. Both the Rabid Right and the Woke Left seem more intent on silencing those whose views they disagree with, rather than besting them in debate. And the consequences for those who dare to say things deemed offensive have been growing ever more dire; jobs lost, careers ended, books cancelled, “deplatforming.”
And now, it seems, attempted murder….
(6) SPACE COWBOY BOOKS PRESENTS. Swarms of nanobots! A pregnant male Supreme Court Justice! The stories featured in this episode of the Simultaneous Times podcast are:
It’s going to be a while before we hear the final verdict–and probable appeals–in the tale of Penguin Random House’s desire to “merge” with Simon & Schuster. What we’re getting in the meantime is a ringside seat to the lengths those folks at Randy Penguin and their hand-picked editors and agents (yes, agents) will go to make traditional publishing even smaller. Frankly, there’s not enough popcorn to get through the trial and I know my IQ drops every time I read some of the so-called justifications for the merger.
One of Randy Penguin’s so-called justifications for the merger centers on Amazon and on self-publishing. Now, the Amazon part shouldn’t come as a surprise to any of us. After all, Amazon is the big evil in the minds of so many in traditional publishing, even though much of publishing’s problems can and should be laid directly at the feet of the publishing houses. As for self-publishing, Randy Penguin doesn’t like the fact authors like Brandon Sanderson–who still traditionally publishes–can go to Kickstarter and finance the publication of books that for whatever reason didn’t go to the publisher.
(9) AUTHOR GROUP SUPPORTS MENTAL HEALTH. The Horror Writers Association recently launched the HWA Mental Health Initiative, “a coordinated roll-out of events, resources, and activities intended to promote positive mental health, foster the concept of hope, and challenge the stigma of mental illness in the horror genre.” The initiative, run by the organization’s Wellness Committee, debuted in June 2022 and will form part of an ongoing program.
…Activities planned for 2022 include establishing a dedicated webpage for resources on the HWA website, publication of Of Horror and Hope, a downloadable anthology of poems, flash fiction, and personal reflections on mental health by HWA members, “Holistic Horrors” a monthly column in the organization’s newsletter, several panel sessions, as well as articles and blogs published in the wider genre community.
“The HWA should be commended for being bold in its approach to tackling the stigma of mental illness in the genre,” says Wellness Committee Co-chair, Dave Jeffery, who spent 35 years as a mental healthcare professional in the UK’s National Health Service. “To my mind, it is the first time such an initiative, with a specific focus on hope and recovery, has been developed for the horror community, and there are currently discussions as to how the Wellness Committee can develop further resources over the coming years.”
Jeffery’s co-chair, New Zealander Lee Murray, agrees: “Our intent is to promote positive images of mental health in horror and to create an environment of understanding and compassion. For me, as a sufferer of anxiety and depression, inclusion is extremely important—that notion of lifting something up to the light, so we realize that many of us experience the same things and that we’re not alone.”…
(10) THE DISADVANTAGE OF BEING EARNEST. Namwali Serpell has a critical review of Mohsin Hamid’s The Last White Man in the September Atlantic: “A World Without White People”.
…Even if you’re unfamiliar with this tradition of stories about race transformation, you’ll suspect what’s coming. Distinguishing between those born dark and the newly transformed will become fraught. Violence will erupt. Some will come to believe that a genocidal conspiracy is to blame; some will kill themselves; some will kill others. “Militants” will take over, emitting fear and hate like a musk. Love will blossom. Heightened scenes of interracial sex and awkward perusals of genitals will follow. In the end, skin color will be shown to be meaningless for identity, a mere construct. Yet it will prove almost atavistically fascinating as an aesthetic surface and a conductor of feeling.
Tone above all distinguishes Hamid from these precursors. Whereas most of these writers bend race transformation toward satire, offering us topsy-turvy and hysterical tales, Hamid is deeply earnest about his conceit. The novel is that wan 21st-century banality, a “meditation,” and it meditates on how losing whiteness is going to make white people feel. Mostly sad, as it turns out….
…If Hamid’s novel were a self-aware satire of this ideology of whiteness and its violent effects, it would be pitch-perfect. But The Last White Man’s structure affords us no way to know if this is what Hamid intends: It includes no higher judgment, no specific history, no novelistic frame against which to measure the reliability of the narration, no backdrop across which irony can dance….
(11) MEMORY LANE.
2006 – [By Cat Eldridge.] Almost everyone I know who is a Hellboy fan thinks that there are but two films, Hellboy and Hellboy II: The Golden Army. Well there’s actually four, (well five if you could count the bonus animated short in the Hellboy: Blood and Iron DVD), as there were two most excellent animated films, Sword of Storms (2006) and Blood and Iron (2007).
Ron Perlman reprises his role here. Selma Blair and John Hurt also reprise their roles here. Doug Jones did not provide the voice of Abe for the first film which was done by an uncredited David Hyde Pierce who was psychiatrist Dr. Niles Crane on Frasier. Jones returned for the second film. The only meaningful new character is Kate Corrigan who is voiced by Peri Gilpin.
The first film, Hellboy: Sword of Storms, has them in Japan on a mission to face down demons who want a sword that will free them and allow them to destroy the world. Meanwhile Hellboy has ended up in another dimension with a fox as his guide. (It’s a great character.) Both stories are very well done, and I’ll say nought else about them. (Both are available on iTunes for a mere ten bucks.) Eventually the stories will merge into a single story. Of the two films, this is my favorite by far.
The second, Hellboy: Blood and Iron concerns Professor Trevor Bruttenholm’s experience with a vampiress in the Balkans 1934 and the present day in upstate New York as a movie mogul has recreated her estate in the Balkans by purchasing the ghoulish artefacts from there. Hellboy also faces off against Hecate and Her Sisters. The story, and again I’ll not say much about it in case someone haven’t seen it, struck me as much weaker as a script than the first. It just felt flat.
The critics like it both films. Common Sense Media said of the first that “Dark, fun ghost story for older kids and adults” and the second got this comment from DVD Clinic: “Fans of the Hellboy property, particularly younger ones, should find enough to enjoy here.”
Audience reviewers at Rotten Tomatoes gave the first a fifty-six percent rating and gave the second a sixty-eight percent rating.
Oh, as for the short, I think five or so minutes animated film called “Iron Shoes” set in Ireland where Hellboy chased a demon immune to iron. It’s quite cute actually.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 17, 1917 — Oliver Crawford. Screenwriter who overcame the Hollywood blacklist during the McCarthy Era of the 1950s. He wrote three scripts for Trek, “The Cloud Minders”, “Let That Be Your Last Battlefield” and “The Galileo Seven”. He also wrote for The Outer Limits (“The Special One”), Voyage to the Bottom of the Sea (“The Lost Bomb”) and The Wild Wild West (“The Night of the Cossacks” and “The Night of Sudden Death”). (Died 2008.)
Born August 17, 1930 — Harve Bennett. The individual who gave us Star Trek II: The Wrath of Khan. Really he did. He would then serve as producer on the next three Trek films, The Search for Spock, The Voyage Home and The Final Frontier. In the latter he made his only on-screen appearance in the series, as Starfleet Chief of Staff. No, that’s not everything Harve Bennett. He produced or wrote (or both) for TV’s The Invisible Man, Gemini Man, The Bionic Woman, The Powers of Matthew Star, Time Trax, Salvage 1, and Invasion America. (Died 2015.)
Born August 17, 1945 — Rachel Pollack, 77. She’s well known for her run of issues 64–87 (mid-nineties) on DC’s Doom Patrol which took it to its cancellation. She also had a run on the New Gods, the Jack Kirby created mythos. Two of her novels won major Awards — Unquenchable Fire won the Arthur C. Clarke Award; Godmother Night won the World Fantasy Award.
Born August 17, 1956 — John Romita Jr., 66. If you’ve read Spider-Man since the Sixties, it’s very likely that you’ve seen his artwork as he had six stints on it between 1980 and 2009. He worked on a number of other titles on Marvel and DC including Superman, Ghost Rider,Hulk, All-Star Batman, Eternals, Captain America and Daredevil to name but a few he illustrated. He also worked with Mark Miller at Image Comics on Kick-Ass, and did the one-shot Punisher/Batman: Deadly Knights.
Born August 17, 1962 — Laura Resnick, 60. Daughter of Mike Resnick. She is a winner of the John W. Campbell Award for Best New Writer in Science Fiction. She’s written an amazing of amount of short fiction — I think it is over seventy pieces. She’s the author of the Esther Diamond series, and I’ve not read her Manhattan Magic series so I’m interested to know what y’all think of it. She’s readily available on the usual suspects.
Born August 17, 1966 — Neil Clarke, 56. Editor in Chief of Clarkesworld Magazine which won a impressive number of Best Semiprozine Hugos and a World Fantasy Award before crossing the threshold to become a prozine. He’s a nine-time Best Editor – Short Form nominee. SFWA also gave him a Kate Wilhelm Solstice Award. He edits The Best Science Fiction of the Year series for Night Shade Books.
Born August 17, 1973 — Rae Carson, 49. She’s done ten novels including one in the Star Wars universe. (I’m tempted to say who hasn’t?) Quite impressively, her debut novel, The Girl of Fire and Thorns, was a finalist for the William C. Morris YA Award and the Andre Norton Award. And she is married to Charles Coleman Finlay.
(13) COMICS SECTION.
The Argyle Sweater posits a bit of Transformers sibling rivalry. But Rich Horton comments, “I will say, Amazon Prime may not have saved the world, but he gives us The Boys and Westworld in addition to free shipping, so that’s something!”
Eventually, she began scanning them to share on her employer’s website, inspired by Found Magazine, a crowdsourced collection of found letters, birthday cards, kids’ homework, to-do lists, handwritten poems, doodles, dirty pictures, etc….
GamesBeat: The title of this interview can be “How being a science fiction fan can get you a job at a metaverse company.”
Moledina: It very well could be. To me that’s the framing that I simply can’t shy away from. I suppose that if I were more of a suit and tie guy, I’d come up with another way to frame it. But for me, this is it. This is stepping into the next frontier. This is the next opportunity in front of us. Not only is it an opportunity for the platform itself, but it’s an opportunity for anyone that loves entertainment, that loves commerce.
There are so many incredible ways to open up to participate. A lot of the ways that we interact with each other in the real world are increasingly challenging, especially in wave after wave of pandemics. And yet if you set that aside, there are so many new ways that people can come together in a virtual world that are really impractical from a real-world standpoint. A big part of Neal’s vision is altruism. How do we provide ways for human beings to come together to improve the world? With Neal and Peter, both of them have this interest in making sure that the application of blockchain to the metaverse is one that results in real impact, real value, and a net improvement on what came before.
(16) TRUE CONFESSION. It’s not always easy to apply the wisdom gained from experience, as Jim C. Hines observes in this example.
A producer who last year was toying with the idea of making a television series featuring my private detective Lew Archer asked me over lunch at Perino’s if Archer was based on any actual person. “Yes,” I said. “Myself.” He gave me a semi-pitying Hollywood look. I tried to explain that while I had known some excellent detectives and watched them work, Archer was created from the inside out. I wasn’t Archer, exactly, but Archer was me.
The conversation went downhill from there, as if I had made a damaging admission. But I believe most detective-story writers would give the same answer. A close paternal or fraternal relationship between writer and detective is a marked peculiarity of the form. Throughout its history, from Poe to Chandler and beyond, the detective hero has represented his creator and carried his values into action in society.
Poe, who invented the modern detective story, and his detective Dupin, are good examples. Poe’s was a first-rate but guilt-haunted mind painfully at odds with the realities of pre-Civil-War America. Dupin is a declassed aristocrat, as Poe’s heroes tend to be, an obvious equivalent for the artist-intellectual who has lost his place in society and his foothold in tradition. Dupin has no social life, only one friend. He is set apart from other people by his superiority of mind….
The DC TV universe still has a future on HBO Max after Warner Bros. Discovery’s cost-cutting measures axed Max movies Batgirl and Wonder Twins. Post-merger CEO David Zaslav announced a DC course correction during Warner Bros. Discovery’s Q2 earnings report earlier in August, confirming Batgirl was scrapped despite Warner Bros. sinking some $90 million into the straight-to-streaming movie. As the merged company focuses on producing big-budget, “high-quality” DC Comics adaptations for theaters — including the upcoming Black Adam and The Flash — a new report reveals the DC shows still moving forward as Zaslav looks to shave off $3 billion in cuts.
According to Deadline, the DC series “moving along” include Season 2 of Peacemaker, the hit Suicide Squad spinoff created by director James Gunn; the Penguin spinoff series starring Colin Farrell that is set within the world of Matt Reeves’ The Batman movie; and Green Lantern Corps, the new series from Greg Berlanti, the prolific producer who oversaw The CW’s Arrowverse.
(19) WEDNESDAY ON WEDNESDAY. What other day of the week would the Wednesday Addams official teaser trailer drop?
WEDNESDAY, an upcoming Netflix series from the imagination of Tim Burton. WEDNESDAY — starring Jenna Ortega in the title role, alongside Catherine Zeta-Jones, Luis Guzman, Gwendoline Christie, Christina Ricci and more — is a sleuthing, supernaturally infused mystery charting Wednesday Addams’ years as a student at Nevermore Academy. Snap snap.
(20) STOP, IN THE NAME OF LOVE. [Item by Martin Morse Wooster.] In “Honest Trailers: Jurassic World: Dominion,” the Screen Junkies say the sixth Jurassic Park movie has the “Obligatory really big T-Rex,” the “obligatory evil science company” that is so dumb “that it built an Apple Store in Dinosaur Canyon,” and the “obligatory moment where you can stop any dinosaur from attacking you by making the stop sign with your hand.” But new this time, “Locusts”.
[Thanks to JJ, John King Tarpinian, Andrew Porter, Chris Barkley, Todd Mason, Rich Horton, Michael Toman, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Brown Robin.]
(1) HWA ELECTIONS UPCOMING. The Horror Writers Association will be holding elections for President, Secretary, and three Trustee positions in September.
John Edward Lawson is running unopposed for President, and Becky Spratford is the lone candidate for Secretary.
The candidates for the three Trustee positions are Marc L. Abbott, Linda Addison, James Chambers, Ellen Datlow, Anthony Gambol, Sèphera Girón, Douglas Gwilym, Frances Lu-Pai Ippolito, Eugene Johnson, Stephen Mark Rainey, David Rose, Lindy Ryan, and John F.D. Taff.
The candidates’ statements are here. The elected officers will hold their respective offices for terms of two years, beginning on November 1 and ending on October 31.
(2) KEENE HEALTH UPDATE. Horror writer Brian Keene is positive for Covid-19 – and has symptoms — so he alerted Facebook readers who might have come in contact with him at last weekend’s Scares That Care Charity Weekend VIII.
For those who had me sign their books or take a selfie with them this past weekend: I have just tested positive for Covid-19. As you saw, I was pretty militant about keeping my mask on, so I hopefully didn’t spread it. But you deserve a heads up, regardless. My symptoms are more than mild but less than severe. Will be quarantining at home.
(3) LITERARY CONTACT TRACING. David Agranoff, host of the DickHeads Podcast, says the evidence suggests Philip K. Dick based a Ubik character in part on Robert Lichtman. Thread starts here.
The WGA said today that it has prevailed in a huge “self-dealing” arbitration against Netflix that it says will result in hundreds of writers on more than 100 Netflix theatrical films receiving an additional $42 million in unpaid residuals. The WGA West and the WGA East say they now are pursuing about $13.5 million in interest that Netflix reportedly owes writers for late payment of these residuals.
In a notification to their members, the guilds said that their victory stems from “an important arbitration over Netflix’s underpayment of the writer’s residuals for the theatrical motion picture Bird Box. Netflix argued the WGA should accept a substandard formula the company negotiated with DGA and SAG-AFTRA. After a hearing, however, an arbitrator determined differently — that the license fee should have been greater than the gross budget of the film. He ordered Netflix to pay the writer a total of $850,000 in residuals along with full interest of $350,000.”
“As a direct result of this ruling,” the WGA added, “216 writers on 139 other Netflix theatrical films are receiving an additional $42 million in unpaid residuals. The guild is now pursuing approximately $13.5 million in interest Netflix also owes writers for late payment of these residuals.”
The meaning of self-dealing and its consequences were explained by the guilds in their message to members:
“When a theatrical is licensed or released in any other market – like streaming or television or home video – residuals must be paid on revenues earned in those markets. The typical residual for the credited writer is 1.2% of the license fee paid to the producer for the right to exhibit that film.
“If the license is between related parties – for example, when Netflix is both the producer and the distributor of the film — the MBA requires that the company impute a license fee based on arm’s length transactions between unrelated parties of comparable pictures — for example, a Sony film licensed to Netflix. This critical definition, negotiated as part of the resolution of our strike in 2008, protects against the undervaluation of license fees through self-dealing.
“Rather than follow the established MBA definition for related party transactions (which exists in the DGA and SAG-AFTRA agreements with the AMPTP as well), Netflix negotiated new deals with the DGA and SAG-AFTRA that allow Netflix to pay residuals on significantly less than the cost of the film. Netflix then tried to force the WGA to take this ‘pattern’ deal. Since it was clear the new formula negotiated by the other Guilds undervalued these ‘imputed’ license fees, the Guild instead took the dispute to arbitration.
“During the arbitration, the Guild showed that when Netflix licensed comparable theatrical films from third party producers it almost always paid a license fee that exceeded the budget. The industry refers to this model as ‘cost-plus.’ The Guild argued that Netflix must apply this cost-plus model to its own films and impute license fees in excess of the budget for the purpose of paying residuals. The arbitrator agreed and ruled that the license fee should be 111% of the gross budget of the film.”
…Songwriting duo Abigail Barlow and Emily Bear were the minds behind the popular adaptation of the hit television series. They staged a live concert of “The Unofficial Bridgerton Musical Album Live in Concert” at the Kennedy Center in Washington, DC earlier this week, selling out the venue.
Netflix originally hailed the concept when it debuted as a free online homage. But when that expanded into a profitable business, things became sticky.
“Defendants Abigail Barlow and Emily Bear and their companies (“Barlow & Bear”) have taken valuable intellectual property from the Netflix original series Bridgerton to build an international brand for themselves,” the lawsuit stated. “Bridgerton reflects the creative work and hard- earned success of hundreds of artists and Netflix employees. Netflix owns the exclusive right to create Bridgerton songs, musicals, or any other derivative works based on Bridgerton. Barlow & Bear cannot take that right—made valuable by others’ hard work—for themselves, without permission. Yet that is exactly what they have done.”…
Launched in 2022, the ADCI (Authors with Disabilities and Chronic Illnesses) Literary Prize seeks to encourage greater positive representation of disability in literature.
Founded by author Penny Batchelor and publisher Clare Christian together with the Society of Authors, the prize is generously sponsored by Arts Council England, ALCS, the Drusilla Harvey Memorial Fund, the Hawthornden Literary Retreat, and the Professional Writing Academy.
Open to authors with a disability and/or chronic illness, the prize will call for entries of novels which include a disabled or chronically ill character or characters. The winner will receive £1,000 and two runners-up £500 each.
It’s time to settle in for another lunch during the Washington, D.C. pop culture festival Awesome Con. Last episode, you eavesdropped on my meal with Patrick O’Leary, and this time around you get to take a seat at the table with Sam J. Miller.
You first heard me chat and chew with Sam 5-1/2 years ago in Episode 24, and when I noted he’d be at the con to promote his debut short story collection Boys, Beasts & Men, I knew it was time for us to catch up.
So much has changed since I last shared him with you in late 2016! His first novel, The Art of Starving, was published the following year and was a finalist for the 2018 Lodestar Award for Best Young Adult Book, and won the 2018 Andre Norton Award. Blackfish City, published in 2018, won the 2019 John W. Campbell Memorial Award, and was named a best book of the year by Vulture, the Washington Post, and Barnes & Noble, as well as a must-read for Entertainment Weekly and O: The Oprah Winfrey Magazine. His second young adult novel, Destroy All Monsters, was published by HarperTeen in 2019, and his second adult novel, The Blade Between, was published by Ecco Press in 2020.
We discussed the 1,500 short story submissions he made between 2002 and 2012 (as well as the one story which was rejected 99 times), the peculiar importance of the missing comma from the title of his new collection Boys, Beasts & Men, his technique for reading collections written by others, why the Clarion Writing Workshop was transformative, how Samuel R. Delany gave him permission, the way his novels and short stories exist in a shared universe, the impossibility of predicting posthumous fame, the superpower he developed via decades of obscurity, the differing ideas of what writers block means, and much more.
(8) A DATE IN THE SF CALENDAR. From Ray Bradbury‘s “There Will Come Soft Rains”.
The crash. The attic smashing into kitchen and parlor. The parlor into cellar, cellar into sub-cellar. Deep freeze, armchair, film tapes, circuits, beds, and all like skeletons thrown in a cluttered mound deep under. Smoke and silence. A great quantity of smoke. Dawn showed faintly in the east. Among the ruins, one wall stood alone. Within the wall, a last voice said, over and over again and again, even as the sun rose to shine upon the heaped rubble and steam: “Today is August 5, 2026, today is August 5, 2026, today is…”
(9) MEDIA BIRTHDAY.
1966 – [By Cat Eldridge.]Daleks’ Invasion Earth 2150 A.D. is the Amicus film that premiered fifty-six years ago this evening. It was directed by Gordon Flemyng as written by Milton Subotsky, based off Terry Nation’s The Dalek Invasion of Earth for the TV show. It was the second such film done, the first being Dr. Who and the Daleks which was was based off Terry Nation’s The Daleks. It was not canon, nor has it been retroactively declared canon by the BBC.
Peter Cushing as Dr. Who and Roberta Tovey was Susan, his granddaughter. Bernard Cribbins appeared here as Tom Campbell. He appeared four times in the actual series. Despite this, the BBC explicitly note that that these films were not related to the series, nor any events here should reflect upon the series. Odd given that there was a Doctor Who there and his granddaughter, there was a TARDIS, there was Daleks and so forth.
Nation was paid five hundred pounds for three scripts with third being called The Chase but the second film drew so poorly that The Chase never got produced.
And if you watched this one, you’ll have noticed the curious matter of the Doctor not being on-screen much of time. Cushing was seriously ill during shooting so they had to rewrite the script to remove much of his lines.
Part of the funding came from a cereal company. The breakfast cereal Sugar Puffs to be precise and, their signs and products can be seen at various points in the film. Sugar Puffs ran a competition on its cereal packets to for its fans win a Dalek film prop, was allowed to feature the Daleks in its TV advertisements.
The overall critical response at the time was that both films suffered greatly in comparison to the series itself. A typical comment was this one from The Times: “[T]he cast, headed by the long-suffering, much ill-used Peter Cushing, seem able, unsurprisingly, to drum up no conviction whatever in anything they are called to do.” It’s worth noting that was really made on the cheap by the BBC costing only three hundred thousand pounds.
Tom Baker later criticized both films saying “There have been two Doctor Who films in the past, both rather poor… There are many dangers in transporting a television series onto the big screen… a lot of things that you could get away with on the small screen wouldn’t wash in the cinema.”
It holds a poor rating of fifty-four percent among audience reviewers at Rotten Tomatoes.
I have not seen either film. I’m curious to hear from those of you who have seen them as to what you think of them.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 5, 1891 — Donald Kerr. Happy Hapgood in 1938’s Flash Gordon’s Trip To Mars which certainly is one of the earliest such films. His only other genre appearances were in the Abbott and Costello films such as Abbott and Costello Meet the Mummy and Abbott and Costello Meet the Invisible Man in uncredited roles. (Died 1977.)
Born August 5, 1929 — Don Matheson. Best remembered for being Mark Wilson in Land of the Giants. He also had roles in Lost in Space (where he played in an alien in one episode and an android in another episode), Voyage to the Bottom of the Sea, The Alfred Hitchcock Hour, an Alice in Wonderland film and Dragonflight. (Died 2014.)
Born August 5, 1948 — Larry Elmore, 74. His list of work includes illustrations for Dungeons & Dragons, Dragonlance, and his own comic strip series SnarfQuest. He is author of the book Reflections of Myth. He was nominated for Best Professional Artist at MidAmericCon II, has the Phoenix Award and has five Chesley Award nominations.
Born August 5, 1966 — James Gunn, 56. Director, producer and screenwriter whose first film as director was Slither. Very silly film. He’s responsible for both Guardians of The Galaxy films, plus the forthcoming one. He executive produced both of the recent Avengers films, and he’s directing and writing the next Suicide Squad film. I am far fonder of the Guardians of The Galaxy films than I am of the Avengers films.
Born August 5, 1972 — Paolo Bacigalupi, 49. I remember the book group I was part of some years ago having a spirited debate over The Windup Girl (which won a Hugo at Aussiecon 4 in a tie with China Miéville’s The City & The City and a Nebula as well) over the believability of the central character. I think he did a better job with characters in his next novels, Ship Breaker and The Drowned Cities, but he’s really not about characters anyways but ideas. The Tangled Lands, a collection of his short works, won a World Fantasy Award. His novelette, “The People of Sand and Slag” got nominated at Interaction; “The Calorie Man” novelette at L.A. Con IV; “Yellow Card Man” novellette at Nippon 2007; and “The Gambler” novellette at Anticipation.
Born August 5, 1975 — Iddo Goldberg, 47. Israel-born actor. Freddie Thorne in the Peaky Blinders series , Isaac Walton in supernatural Salem series and Bennett Knox in Snowpiercer series. He also had a recurring role on Westworld as Sebastian. And under a lot of costuming, he played the Red Tornado in an episode, “Red Faced” of Supergirl.
Born August 5, 1980 — JoSelle Vanderhooft, 42. Former Green Man reviewer with a single novel so far, Ebenezer, and several collections, Steam-Powered: Lesbian Steampunk Stories and Steam-Powered II: More Lesbian Steampunk Stories which the former were nominated for a Lambda Award. She also co-edited with Steve Berman, Heiresses of Russ 2011: The Year’s Best Lesbian Speculative Fiction.
Jim Lee’s designs for the X-Men are burned into the minds of X-Fans like the Phoenix Force itself—whether you devoured comics, fell in love with the animated series, or, perhaps, just collected some of the iconic trading cards of the era. If you’re the latter, then we’ve got some very good news.
io9 has your exclusive look inside The Uncanny X-Men Trading Cards: The Complete Series, Abrams ComicArts’ 30th anniversary celebration of Jim Lee’s iconic 105 Uncanny X-Men trading card set. Featuring an introduction by Bob Budiansky and a foreword by Ed Piskor, the book collects the backs and fronts of every card in the classic series, as well as insight from Marvel creators in interviews conducted by Budiansky, the original writer and editor on the trading card series…..
It’s coming up on two years since my father died at age 91. I miss him terribly, of course, but his death left me with a personal struggle I had not anticipated.
While you might understandably think his death left a void in my life, it did quite the opposite.
His death left me with so … much … stuff. He’d lived in the same house for more than 30 years, and even though he’d engaged in some half-hearted Swedish death cleaning — a decluttering aimed at easing burdens on one’s survivors – what he did, mostly, was just put things in boxes. Boxes I had to open to figure out what they contained after he died….
… I want to keep all of it, but I also want to pile it up and torch it.
Last week, I was bemoaning this dilemma when Anton, my future son-in-law, said, “Yeah, all the kipple.”
I thought it might be a Yiddish or German word, but Anton told me it was coined by the great science fiction writer Philip K. Dick in his 1968 dystopian novel “Do Androids Dream of Electric Sheep?” For those who need a plot refresher – or have not seen the 1982 movie “Blade Runner,” which was based on the novel – the story takes place in the future, after Earth has been mostly destroyed by a nuclear global conflict, World War Terminus. Most animal life has been extinguished. The population has emigrated to “off-world colonies.”
The word is used by the book’s protagonist, Rick Deckard, a bounty hunter assigned to kill some uncannily human-like robots who have escaped involuntary servitude on Mars and returned to Earth.
“Kipple,” Deckard explains in the book, “is useless objects, like junk mail or match folders after you use the last match or gum wrappers or yesterday’s homepage. [Dick’s incredibly prescient vision of a digital newspaper.] When nobody’s around, kipple reproduces itself. For instance, if you go to bed leaving any kipple around your apartment, when you wake up the next morning there’s twice as much of it.”….
A French scientist has apologized after tweeting a photo of a slice of chorizo, claiming it was an image of a distant star taken by the James Webb Space Telescope.
Étienne Klein, a celebrated physicist and director at France’s Alternative Energies and Atomic Energy Commission, shared the image of the spicy Spanish sausage on Twitter last week, praising the “level of detail” it provided.
…Klein admitted later in a series of follow-up tweets that the image was, in fact, a close-up of a slice of chorizo taken against a black background.
“Well, when it’s cocktail hour, cognitive bias seem to find plenty to enjoy… Beware of it. According to contemporary cosmology, no object related to Spanish charcuterie exists anywhere else other than on Earth”
After facing a backlash from members of the online community for the prank, he wrote: “In view of certain comments, I feel obliged to specify that this tweet showing an alleged picture of Proxima Centauri was a joke. Let’s learn to be wary of the arguments from positions of authority as much as the spontaneous eloquence of certain images.”…
(14) VIDEO OF THE DAY. [By Martin Morse Wooster.] In “Ms. Marvel Pitch Meeting,” the writer explains that Kamala Khan begins as a big fan of Captain Marvel and has all of our stuff. “I like it when we can sell fictional merch,” the producer explains. He also likes a scene where Ms. Marvel suddenly has time travel and goes back to 1942 to save her grandmother’s life, because I think it’s a good idea for a character to be born.”
[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, Bill, John A Arkansawyer, John King Tarpinian, Andrew Porter, Chris Barkley, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Chris S.]
Remember, you have only over one week left to vote for for the 2022 Hugo Awards, the Lodestar Award for best Young Adult Book, and the Astounding Award for Best New Writer!
All ballots must be received by 11 August 2022, 11:59 pm PDT (UTC-7). Access our website link [above] for information on how to access the voters packet, how to vote online, or how to vote by mail.
(2) APPEAL FOR CWCF. Yesterday the Chicon 8 committee also asked for donations for the Chicago Worldcon Community Fund.
The Chicago Worldcon Community Fund (CWCF) needs another $5000 to meet the needs of our community! Can you contribute?
The CWCF is a special fund to help defray the expenses of attending Chicon 8 for non-white fans or program participants, LGBTQIA+ fans or program participants, and local Chicago area fans of limited means.
You can give directly to the fund or even donate a membership you may not use. Even $5 goes a long way!
For donation information or how to apply to the fund, visit our site at the link [above].
A very long article about the Jumi Bello plagiarism scandal has come out from AirMail. In brief, if you aren’t familiar with the story: a debut author had her book canceled by the publisher because it contained a significant amount of plagiarism.
The article, which is about what happened and its antecedents and aftermath, is… not great. The journalist focuses on odd, salacious details, fails to draw some obvious points, and misses big questions about the commodification of marginalized identities, the responsibility of due diligence from agents, editors, and publications, how authors often take the fall for systemic industry failures, and the lack of education around the ethics of influence and inspiration1.
I’m not going to address any of those points, though I hope someone does because I think they’re important. But I do think there is something hugely instructive to be taken from this incident—something that teachers of writing and emerging writers alike can learn from—about the business of publishing and the fragility of the creative life.
…This is a story about plagiarism, yes, but it’s also a story about something I see so much of—in my capacity as a teacher, a mentor, and just someone who gets asked about publishing literally constantly. That is, how easy it is to let the desire to be published (and by extension obsessed over by name-brand agents, editors, and publishing houses) completely outstrip the act of writing a good book.
… I was lucky. Jesus was I lucky. Because there’s an alternate universe where I was writing a (more obviously) commercially viable book in grad school and agents fought over me and I published something not done, something closer to my thesis, which had the seeds of a good book but was not, in and of itself, a good book. Instead, I was forced to sit with Her Body and Other Parties until it was ready. I am so fucking grateful that I got to write the book I needed to, even if I resisted that process at every turn….
Oghenechovwe Donald Ekpeki is an African speculative fiction writer and editor in Nigeria. He has won the Nommo award for Best Speculative Fiction by an African twice, both for Short Story and Novella, as well as the Otherwise and British Fantasy Awards. He is the first African to have won the Nebula Award for Best Novelette with his climate fiction story “O2 Arena,” for which he is also a BSFA, BFA and Nommo Award finalist, and the first African to be a Hugo Award Best Novelette finalist. He is the first African editor to be a finalist in the Hugo Award Best Editor categories and the first BIPOC editor to be a finalist in both the Hugo Award Editing and Fiction categories in the same year. He is the founder of Jembefola Press and the Emeka Walter Dinjos Memorial Award for Disability in Speculative Fiction. He is the first African-born Black writer and the youngest writer to be Guest of Honor at the International Conference for the Fantastic in the Arts.
Guest Scholar – Dr. Isiah Lavender III
Isiah Lavender III is Sterling-Goodman Professor of English at the University of Georgia, where he researches and teaches courses in African American literature and science fiction. His books include Race in American Science Fiction (Indiana UP, 2011), Black and Brown Planets: The Politics of Race in Science Fiction and Dis-Orienting Planets: Racial Representations of Asia in Science Fiction (UP of Mississippi, 2014 and 2017 respectively), Afrofuturism Rising: The Literary Prehistory of a Movement (Ohio State UP, 2019), and Literary Afrofuturism in the Twenty-First Century (Ohio State UP, 2020), co-edited with Lisa Yaszek. His interview collection Conversations with Nalo Hopkinson is forthcoming from UP of Mississippi in early 2023. He is currently hard at work on The Routledge Handbook of CoFuturisms, co-edited with Bodhisattva Chattopadhyay, Grace Dillon, and Taryne Jade Taylor as well as his manuscript-in-progress Critical Race Theory and Science Fiction. If you would like to know more about Dr. Lavender, check out https://narrativeencounters.aau.at/how-reading-shapes-us-isiah-lavender/
The title of Dr. Lavender’s ICFA Guest Scholar presentation shall be “Imaginary Amendments and Executive Orders: Race in United States Science Fiction.”
Oscar winners Charlize Theron and Alfonso Cuarón are partnering for Jane, an Amazon feature project based on the personal life of beloved science fiction author Philip K. Dick from his daughter Isa Hackett.
The genre-bending project is based on the relationship between Dick and his twin sister, Jane, who died six weeks after birth. The death affected Dick personally, and also influenced his creative work.
Jane, according to the project’s description, is “a moving, suspenseful and darkly humorous story about a woman’s unique relationship with her brilliant, but troubled twin, who also happens to be the celebrated novelist Philip K. Dick. While attempting to rescue her brother from predicaments both real and imagined, Jane plunges deeper and deeper into a fascinating world of his creation.”…
“The story of Jane has been with me for as long as I can remember,” said Hackett. “Jane, my father’s twin sister who died a few weeks after birth, was at the center of his universe. Befitting a man of his unique imagination, this film will defy the conventions of a biopic and embrace the alternate reality Philip K. Dick so desperately desired—one in which his beloved sister survived beyond six weeks of age. It is her story we will tell, her lens through which we will see him and his imagination. There is no better way to honor him than to grant him his wish, if only for the screen.”
(6) NEW FROM NEVALA-LEE. Cora Buhlert interviewed Alec Nevala-Lee about his brand-new book Inventor of the Future: The Visionary Life of Buckminster Fuller for her “Non-Fiction Spotlight” feature.
Biographies of prominent SFF and SFF-adjacent people are quite common on the Hugo ballot and today’s featured non-fiction book is just such a biography.
I’ve been interested since high school in Fuller, whom I first encountered in the pages of the Whole Earth Catalog. After Astounding, I was looking to expand the range of subjects that I could cover as a writer, and Fuller was an obvious choice—his life expresses many of the themes that I’ve explored in my earlier work, and until now, there’s never been a reliable biography that covered his entire career using the best available sources. I hoped that writing it would be a real intellectual adventure, and it was.
…Anthologies are books that collect short stories by multiple authors, often under a common theme. Because these volumes contain tales by different voices, the work of the editor is extremely important. Not only does the anthologist have to solicit and select the titles to include, but they also have to edit and arrange said stories into a cohesive tome. The very best anthologists are able to expertly walk that line, offering different voices that when expertly brought together, create a unified whole, a single book that readers will enjoy from cover to cover.
Anthologies are also the best way for readers to survey the landscape of a genre, to see a wide variety of styles and voices writing under one umbrella. They also provide a tasting menu of voices familiar and brand new. And if the editor does their job well, readers will finish the book having learned of a few new writers who will be added to their personal to-read pile….
(8) HOW TO SELL A BOOK BY ITS COVER. Sarah A. Hoyt is starting a series about cover creation for indie authors at Mad Genius Club: “The Great Cover Up”.
… Which means this year alone, I’ve laid out a thousand for covers I just couldn’t seem to get right. There are now reasonably priced artists and at the end of the series I’ll give you names and contacts. Also places to buy ready-made and/or decent graphics just needing the lettering. But here is the thing: you still have to know what the cover is supposed To do and what it can do. And what in a cover matters or doesn’t
I guarantee 90% of what you think matters in a cover doesn’t. And vice-versa. And you must know what matters and what a cover is supposed to be, because when that artist/designer hands you Hamlet, you’ll have to explain why it won’t sell cornflakes and why he must prostitute his art to give you a jingle….
Why did Warner Bros scrapBatgirl and Scoob! Holiday Haunt?
The cancellation by Warner Bros of two made-for-HBO Max streaming movies came as a shock to the town. There are several threads here, but the move amounts to an emphatic rejection of past WarnerMedia CEO Jason Kilar’s strategy to make original $70 million live-action and animated films directly for the streaming site.
The makers of the live-action Batgirl and the animated Scoob! learned today that those films were being stopped in their tracks. The timing was particularly awkward for Batgirl co-directors Adil El Arbi and Billal Fallah. Both are in Morocco for El Arbi’s wedding — some wedding present — and they expected to return to the cutting room and continue work on the film that stars Leslie Grace, J.K. Simmons, Brendan Fraser and Michael Keaton.
There were initial cries that the scrapping of Batgirl carried bad optics because the title role is played by a Latina. But there were reasons for the move. In both cases, the filmmakers were told that it came down to a “purchase accounting” maneuver available to Warner Bros Discovery because the company has changed hands, and also changed strategy from the previous regime. This opportunity expires in mid-August, said sources, and it allows WBD to not have to carry the losses on its books at a time when the studio is trying to pare down $3 billion in debt across its divisions.
There has been much speculation on why Batgirl was canceled, having to do with it being a bad movie. …
It’s pretty well known and even darkly joked about across all the visual-effects houses that working on Marvel shows is really hard. When I worked on one movie, it was almost six months of overtime every day. I was working seven days a week, averaging 64 hours a week on a good week. Marvel genuinely works you really hard. I’ve had co-workers sit next to me, break down, and start crying. I’ve had people having anxiety attacks on the phone.
The studio has a lot of power over the effects houses, just because it has so many blockbuster movies coming out one after the other. If you upset Marvel in any way, there’s a very high chance you’re not going to get those projects in the future. So the effects houses are trying to bend over backward to keep Marvel happy.
To get work, the houses bid on a project; they are all trying to come in right under one another’s bids. With Marvel, the bids will typically come in quite a bit under, and Marvel is happy with that relationship, because it saves it money. But what ends up happening is that all Marvel projects tend to be understaffed. Where I would usually have a team of ten VFX artists on a non-Marvel movie, on one Marvel movie, I got two including myself. So every person is doing more work than they need to.
The other thing with Marvel is it’s famous for asking for lots of changes throughout the process. So you’re already overworked, but then Marvel’s asking for regular changes way in excess of what any other client does. And some of those changes are really major.…
The Emperor needs necromancers, and this is your chance to align with one of the Nine Houses!
SPOILERS THRU THE END OF HARROW THE NINTH YOU HAVE BEEN WARNED
(12) MEMORY LANE.
1995 – [By Cat Eldridge.] Back in in 1995 Charles Vess self-published a biannual series of illustrated ballads entitled The Book of Ballads and Sagas in a series of four chapbooks, through his Green Man Press. In this series Vess illustrated adaptations of traditional Scottish and English ballads written by a variety of contributors, including Emma Bull, Charles de Lint, Neil Gaiman, Sharyn McCrumb, Jeff Smith, and Jane Yolen.
Debbie Skolnik reviewed it for Green Man and she noted there that “The ballads are English and Scottish; the sagas are, as their name implies, Norse in origin. There are more ballads than sagas. Actually, there’s only one saga: Skade. Being enthralled by the English and Scottish ballads myself, I am quite familiar with all the stories. Norse mythology, however, I know very little about, so I did a little bit of quick research to familiarize myself with the basic story.”
I read when it came out as I got them sent to me by Vess before I sent them unto Debbie for review. Of course the illustrations by Vess were stellar as everything by Vess is. (I’m writing this under the artwork for the art for the cover art for de Lint’s A Circle of Cats.) So how were the stories?
If you liked of the tale of Thomas The Rhymer, Ellen Kushner has done an excellent version of the story in her book of the same name. Here she retells the tale in a much-shortened version.
Charles de Lint took up the matter in “Twa Corbies” (Two Crows) which deals with the death of a Knight and the Corbies telling his tale. Twa Corbies will become part of his Newford characters in the firm of Maida and Zia, the Crow Girls who are immortal.
Vess himself does Tam Lin and it is one of the best pieces here. The depiction of the cursed Tam Lin turning into various creatures is quite amazing.
I have barely scratched the surface of what is offered here. If you like this sort of ballads and sagas, I’m sure you’ll love this.
Debbie notes in her review that “Careful readers will note that Steeleye Span has recorded a version of almost all the ballads in this series of books.” That’s certainly true and Vess has acknowledged that he was strongly influenced by that band in selecting the tales here.
The chapbooks were later printed in a hardcover edition in 2004 by Tor books with some additional material.
(13) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 3, 1861 — Michel Jean Pierre Verne. Son of Jules Verne who we now know rewrote some of his father’s later novels. These novels have since been restored using the original manuscripts which were preserved. He also wrote and published short stories using his father’s name. None of these are the major works Jules is now known for. (Died 1925.)
Born August 3, 1904 — Clifford Simak. I was trying to remember the first novel by him I read. I’m reasonably sure it was Way Station though it could’ve been City which just won a well-deserved Retro Hugo. I’m fond of Cemetery World and A Choice of Gods as well. By the way I’m puzzled by the Horror Writers Association making him one of their three inaugural winners of the Bram Stoker Award for Lifetime Achievement. What of his is truly horror? I really can’t think of anything by him that’s truly horror. (Died 1988.)
Born August 3, 1920 — P. D. James. Author of The Children of Men which she wrote to answer the question “If there were no future, how would we behave?” Made into a film which she said she really liked despite it being substantially different than her novel. I like authors who can do that. ISFDB lists her as having done a short story called “Murder, 1986” which they say is genre but I’ve not read it. (Died 2014.)
Born August 3, 1940 — Martin Sheen, 82. So that was who that was! On Babylon 5: The River of Souls, there’s a Soul Hunter but the film originally didn’t credit an actor who turns out to be Sheen. Amazing performance. He’s been in a number of other genre roles but that’s the ones I like most. Though I will single him out for voicing Arthur Square in Flatland: The Movie.
Born August 3, 1946 — John DeChancie, 76, A native of Pittsburgh, he is best known for his Castle fantasy series, and his SF Skyway series. He’s fairly prolific even having done a Witchblade novel. So who here has read him? Opinions please. And no, I didn’t know there were Witchblade novels.
Born August 3, 1950 — John Landis, 72. He’d make this Birthday List if all he’d done was An American Werewolf in London, but he was also Director / Producer / Writer of the Twilight Zone movie. And wrote Clue which is the best Tim Curry role ever. And Executive Produced one of the best SF comedies ever, Amazon Women on the Moon. Neat fact: he was the puppeteer for Grover in The Muppet Movie, and he later played Leonard Winsop in The Muppets Take Manhattan.
Born August 3, 1972 — Brigid Brannagh, 50. Also credited as Brigid Brannagh, Brigid Brannah, Brigid Brannaugh, Brigid Walsh, and Brigid Conley Walsh. Need an Irish red headed colleen in a genre role? Well she apparently would do. She shows up in Kindred: The Embrace, American Gothic, Sliders, Enterprise (as a bartender in one episode), Roar, Touched by an Angel, Charmed, Early Edition, Angel (as Virginia Bryce in a recurring role), Grimm, Supernatural and she had a run in Runaways in the main role of Stacey Yorkes.
… Fast-forward to this month, when one Instagram account alone — “LittleMissNotesApp” — has attracted nearly 2 million followers by posting the Hargreaves’ characters beneath such captions as, “Little Miss Lexapro,” “Mr. Vape Cloud” and “Little Miss Aggressive Drunk.” The account gives credit to the user “Juulpuppy,” who last spring began posting such art updates as “Little Miss Weed Psychosis.”…
Asbestos Was Overused, Making It An Unintentional Joke Years Later.
In the Golden Age, Marvel’s Human Torch seemed unstoppable, so criminals, Nazis, and other villains resorted to asbestos, a material that became popular for its resistance to fire. In the 1970s, it also became known for causing cancer.
While the use of asbestos was not originally played for humor, the best-known example of this is Asbestos Lady, who clothed herself head-to-toe in the carcinogenic material. However, the funniest example comes from All-Winners Comics #11, where a villain known as the Hawk traps the Human Torch and Toro in an airtight, asbestos-lined dungeon. The Torch’s hyperbole call the sealed room “a death trap.” Time has made this an unintentional joke.
For the last five or six years, we’ve been living through what feels like almost unfathomable turmoil, and I think a lot of people see this period as an unprecedented chapter in the human story. But when it comes to stories, I basically believe in Ecclesiastes’ “There is nothing new under the sun.” So my question to you is whether you think we are living in a new story — or is it just new to us?
This reminds me of something that happened after the Sept. 11 attacks. When we could fly again, I flew to Trieste, Italy, for a conference. I remember going into a display of Robert Capa photographs taken in that area during World War II. Until that moment, I had regarded World War II as being unimaginably distant in time. It was this thing that had happened in history, that had happened to my family — basically all of them were killed; a couple of outliers made it to England — but that was history. That happened then. But there was something very strange about looking at those Robert Capa photos post-9/11, because they made me go, Those people are us. I feel the same way today. History is now. But I’m also getting more obsessive about human beings over huge swaths of time. Part of that came out of being on the Isle of Skye during the serious U.K. lockdown. On Skye, if there’s a rock somewhere, it’s probably because somebody put it there. I realized that the rock that I was using to keep the lid on my dustbin was a stone that had been dragged around. People have been in this place for thousands and thousands of years, and in this bay I’m living in, they’ve left behind rocks! Realizing that about the rocks makes you take the long view. Which is that the human race is mostly people just trying to live their lives, and that bad [expletive] is going to happen. That then moves you into other territory….
The James Webb Space Telescope has caught a glimpse of the most distant star known in the universe, which had been announced by scientists using Webb’s predecessor the Hubble Space Telescope only a few months ago.
The original Hubble image provides some guidance as to where to look through the zoomed-in cut-out. Essentially, Earendel, is the tiny whitish dot below a cluster of distant galaxies. By comparing the Hubble image with that captured by Webb, you can find the elusive Earendel….
Social media is awash with theories about the origin and purpose of a strange, smooth, solid object, which landed on a tree in Veracruz, Mexico, the night of July 31.
Isidro Cano Luna, a television meteorologist reporting on the mystery, says locals described the sphere making a sound as it fell, but releasing no fire. He posted several messages to his more than 132,000 followers about the object, along with photos of what appears to be a dull, yellow sphere the size of a large beach ball perched atop a tree.
… Luna describes the sphere in all caps in his posts. It seems to be made of “A VERY HARD PLASTIC OR AN ALLOY OF VARIOUS METALS,” and “APPARENTLY IT HAS AN ANTENNA,” he says. Luna wonders if it could be a former chunk of a Chinese rocket that crashed back to Earth and landed in the Indian Ocean over the weekend. Perhaps it could be radioactive, he writes, warning people who see it not to get too close. There’s no apparent way to get inside the orb, either. It has a a code visible on its exterior, he says in an August 1 post. “NOTICE SMALL HOLES THAT ARE A KIND OF [INDECIPHERABLE] CODES.”
(20) GOING VIRAL. [Item by Martin Morse Wooster.] The BBC explains a computer virus in this report from March 1992.
(21) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] Ryan George reveals that a time traveler from 2022 has a very hard time explaining Elon Musk to the people of 1996.
[Thanks to Chris Barkley, Michael Toman, Cat Eldridge, Brian Z., Michael J. Walsh, Todd Mason, Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]
Something not quite right in the San Diego Comic-Con International souvenir book caught Scott Edelman’s eye: “In the midst of getting verklempt reading the In Memoriam section, I spotted a major error on the page honoring the late Ron Goulart — they’ve mistakenly used a photo of the very much living Joe Haldeman.”
Goulart, of course, actually looked like this:
Edelman understands these things can happen. Because it’s happened to him.
“My photo appeared on Robert Reed’s Wikipedia page for awhile, after I accepted his Hugo award in Yokohama.”
When Scott wrote about the Goulart mistake on Facebook, people chimed in with other examples they’d seen.
Mine was remembering that Torcon 2 used the wrong photo for fan guest of honor Bill Rotsler in the 1973 Worldcon program book. At the time someone said it was really a picture of Philip K Dick. Since I didn’t yet know what PKD looked like I always assumed that was the identity. And therefore, the following year when PKD no-showed for his guest of honor stint at the 1974 Westercon, I thought it was an especially funny inside joke that they brought on Bill Rotsler to give the guest of honor speech instead.
The post I planned to write was going to end there. I knew I could find that old 1973 program book on Fanac.org and copy the photo to run with it. Which I have. There is just one problem. I know what Philip K. Dick looks like now, and that photo doesn’t look like PKD to me. I have never seen a photo of PKD with a long scraggly beard. So who is it really?
I asked Andrew Porter, who turned to others in the Fictionmags discussion group for help. Not only did they come up with the name, they found a copy of the original photo online. It’s artist John Schoenherr. The photo was taken by Jay Kay Klein at the 1971 Worldcon.
Porter sent a copy of the photo to John’s son Ian Schoenherr who confirmed the identity. He also commented, “Still have that corduroy safari jacket somewhere – and the ceramic tiki bowl.”
…His own life was just as mind-bending as his work, filled with drug use and hallucinations, a suicide attempt and letters to the FBI, paranormal experiences and believing he was living parallel lives in two different time periods, one in the present and the other in the Roman Empire.
Only Apparently Real centers on a break-in at Dick’s house that took place in the early ’70s. He was in the midst of his fourth divorce, trying to give up amphetamines, battling writer’s block and possibly being spied on by the United States government. Then his house was ransacked, his safe blown open and his manuscripts were stolen. But then again, maybe they weren’t and maybe there was never a break-in.
“His life was as surreal as his books,” says Shestack. “He was a high-level functioning person and you never know, even when reading his journals, what is real and what isn’t.”
The story also tackles what Dick himself described as a tragic theme that pervaded his life: the death in infancy of his twin sister, Jane, and the reenactment of it over and over again. Dick attributed many of his psychological issues and personal life challenges to her death, including his attachment anxieties….
(2) BRANCHING OUT. Lois McMaster Bujold received some major league help in expanding her family tree she told Facebook readers.
A while ago, I was invited to be a guest subject on a website called WikiTree, which is an online association of dedicated genealogy enthusiasts. https://www.wikitree.com/ They run a group effort called WikiTree Challenge, in which they turn their skills loose upon the guest’s family tree for one week, and compete to see who can find out the most previously unknown information about the guest’s ancestors; sort of a cross between Roots and Time Team, crowdsourcing genealogy research.
“This chapbook is a collection of eyewitness historical documents from the American Civil War handed down through descendants of the Gerould family. Two transcribed pocket diaries for the year 1864 describe the day-by-day tribulations of young Union navy surgeon Dr. Martin Gerould, assigned to the ill-fated ironclad Eastport in the Red River Campaign; and his aging mother Cynthia Locke Gerould, the wife of a clergyman, back home in New Hampshire. The increasingly gripping cross-illumination of the paired accounts is further rounded out by the later-written memoir of Martin’s eldest brother Reverend (soon to be Private) Samuel L. Gerould, detailing his experiences in the Fourteenth New Hampshire Volunteers: three voices from the past speaking directly, in their own words.
“Editor Lois McMaster Bujold is a well-known science fiction and fantasy writer, and the great-granddaughter of Samuel L. Gerould.”
With my added introductions and other material, it ended up running about 42k words, about the size of a long novella. Really, it was a lucky intersection of stimulus, time, technology, and ebook skillset, most of which I’d not had until recently.
Which era did you enter into Star Wars fandom – classic, prequel, The Clone Wars/Rebels, sequels? Join fandom tour guides Richard and Sarah Woloski from Skywalking Through Neverland as they take you through four decades of fandom. Featured guests include Craig Miller (Former Director – Fan Relations for Lucasfilm), Dan Madsen (Founder – Star Wars Insider), and Matt Martin (current Lucasfilm Senior Creative) who share stories of the ever-evolving fan communities.
(4) CLARION WEST UPDATE. In Clarion West’s Six-Week Summer Workshop, the class is finishing up Week 2 with P. Djèlí Clark. Listen to him read from A Master of Djinn for the Summer of Science Fiction & Fantasy Reading Series on YouTube.
From issue #294 Interzone will be edited by Gareth Jelley and published by MYY Press.
Buy a 6-issue print subscription to Interzone and get a high-quality full-colour magazine packed full of mind-expanding fiction and nonfiction delivered directly to your door bimonthly, all for just €47 (price includes VAT and free delivery worldwide).
New subscriptions begin with issue #294.
If you are renewing or extending a TTA Press subscription, we will combine them to ensure you don’t miss out on an issue.
Many thanks to all the collaborators, contributors, readers, and everybody else who helped and supported us through the past one hundred issues. Interzone #292/293, our 100th and final issue, should be purchased as normal from the TTA Shop.
Hayward Gallery, London Eleven contemporary artists inspired by Afrofuturism consider possible futures with a hopeful, fizzing energy
Of the many themes addressed by In the Black Fantastic, a new exhibition inspired by Afrofuturism at the the Hayward Gallery, the negotiations of the Black body is perhaps the most resonant.
Take Chain Reaction, a dramatic new commission by the American sculptor Nick Cave, which sees casts of the artist’s arm, joined together in both unity and struggle, hang from the ceiling, fingers grasping for each other. Elsewhere, Cave’s Soundsuits – colourful costumes that cover the wearer’s face and body – loom with unsettling yet celebratory fervour. When in movement, as part of Cave’s performances, they ensure that the Black male body is seen. It is no coincidence that Cave’s first Soundsuit was made in 1992 following the Rodney King beating in Los Angeles. Soundsuit 9:29, the latest iteration on display here, is a homage to George Floyd and the duration of time former Minneapolis police officer Derek Chauvin knelt on his neck. For Cave, taking up space and sound is a form of protest and a means of envisioning new realities.
With its hopeful, fizzing energy, this collection of work by 11 contemporary artists from the African diaspora is important because it offers a glimpse of the way ahead….
If the world were to end, you’d probably want to be as sequestered as possible—preferably underground with a freshly stocked pantry, your loved ones close by, and plenty of stuff to distract you from the fiery inferno outside your door….This list compiles some of the worst, most grotesque, and eeriest bunkers in recent years, with shelters that tried everything from draining people of their blood to experimenting with cryogenics….
….Now I use “The Library of Babel” as a metaphor for the landscape of my own library. My books are not organized alphabetically, or, for the most part, by genre. The arrangement seems to have been made entirely at random, unless you know the quirk by which it was conceived. Books are placed next to one another for companionship, based on some kinship or shared sensibility that I believe ties them together. The Little Prince is next to Act One, by Moss Hart, because I think Hart and Antoine de Saint-Exupéry convey, in their respective works, a similar purity of heart and openness of expression. The Little Prince is a French fable set primarily in the Sahara; Act One is a memoir of a poor Jewish boy’s journey to Broadway. But to me, they are about the same thing: finding what matters in life, and shutting out all that is of no consequence….
…Papa and Mama would sit in the kitchen munching senbei crackers.
They were peering intently at foreign-language books spread out before them: the stories of Sherlock Holmes, written by Sir Arthur Conan Doyle.
Papa had once been a doctor, and Mama had once worked at a bank.
But with the arrival of their fourth daughter—that is, me—they decided to quit their jobs and devote themselves full time to translating the stories of Sherlock Holmes.
Their dream was to translate all sixty works—the entire Canon….
(11) MEMORY LANE.
2011 – [By Cat Eldridge.] On this date, Men in Black: The Series (also known as, depending on where you were watching it, as MIB: The Series, MIB: The Animated Series, and Men in Black: The Animated Series) ended its four year run. The date hereafter refers to its run on KId’s WB.
The animated series was developed by Duane Capizzi, Jeff Kline and Richard Raynis. Cappizzi was the writer/producer of the animated The Batman, a series I really liked. Kline was co-executive producer of Roughnecks: Starship Troopers Chronicles, and Raynis was the same.
The show is set in an alternate timeline to the Men in Black reality with the major differ differences being that Agent K is still active, and Agent J is still regarded as a rookie. It has a more than new characters and considerably new technology, something you can do with an animated series.
Charles Napier is Zed and Keith Daimondc as Jay are the only voice performers that are in almost every episodes. Patrick Fraley and Patrick Pinney as the Wormguys voice their characters in all but a handful of episodes. George Berger and Ed O’Ross both play K.
It lasted for fifty- three episodes over four seasons.
Yes, I’ve seen more than a handful of episodes. No, it doesn’t have the energy of the films, particularly the first film, but it is reasonably done. The closest comparison I can make to another series is the animated Beatlejuice. You really aren’t going to catch the feel of the original performers, are you?
Audience reviewers at Rotten Tomatoes give it a stellar eighty six percent rating.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born June 30, 1905 — Nestor Paiva. Sometimes it only takes one film or series for a performer to get a Birthday write-up from me. Paiva makes it for Lucas the boat captain in The Creature from the Black Lagoon and its oft-forgotten sequel Revenge of the Creature. Though they were hardly his only genre roles, as his first role was in the early Forties as an uncredited prison guard in Tarzan’s Desert Mystery, and he’d be in many a genre film and series over the decades as Prof. Etienne Lafarge in The Mole People, as the saloon owner in (I kid you not!) Jesse James Meets Frankenstein’s Daughter, Felicity’s Father in The Spirit Is Willing, Captain Grimby in “The Great Treasure Hunt” of The Addams Family and a Doorman in the “Our Man in Leotards” episode of Get Smart. (Died 1966.)
Born June 30, 1920 — Sam Moskowitz. SF writer, critic, and historian. Chair of the very first World Science Fiction Convention held in NYC in 1939. He barred several Futurians from the con in what was later called the Great Exclusion Act. In the Fifties, he edited Science-Fiction Plus, a short-lived genre magazine owned by Hugo Gernsback, and would edit several dozen anthologies, and a few single-author collections, most published in the Sixties and early Seventies. He was the “mystery guest of honor” at Clevention in 1955. His most enduring legacy was as a historian of the genre with such works as TheImmortal Storm,Under the Moons of Mars: A Historyand Anthology of “The Scientific Romance” in theMunsey Magazines, 1912–1920 and Hugo Gernsback: Father of Science Fiction. (Died 1997.)
Born June 30, 1938 — Jeri Taylor, 84. Scriptwriter and producer who wrote many episodes of the Next Generation and Voyager series. To say she was a scriptwriter is a bit of an understatement — she wrote one hundred and sixty-eight of the Voyager episodes, all but four that aired. She only wrote thirteen episodes of Next Gen and three of Deep Space Nine.
Born June 30, 1959 — Vincent D’Onofrio, 63. His long running role is Detective Goren on Law and Order: Criminal Intent which is in no way genre. He was Kingpin in that very good Daredevil series, Edgar the Bug in the only truly great Men in Black film to date and Vic Hoskins in Jurassic World. He also was Jason Whitney / Jerry Ashton in The Thirteenth Floor, loosely based upon Simulacron-3, a early Sixties novel by Daniel F. Galouye.
Born June 30, 1961 — Diane Purkiss, 61. I’ve not read her Corydon Trilogy she wrote with Michael Dowling, her son, but I can say that At the Bottom of the Garden: A Dark History of Fairies, Hobgoblins, Nymphs, and Other Troublesome Things is as splendid as the title suggests it is. She’s also written Fairies and Fairy Stories: A History.
Born June 30, 1966 — Peter Outerbridge, 56. Dr. David Sandström in what I think is the underrated ReGenesis series as well being Henrik “Hank” Johanssen in Orphan Black anda recurring role on Millennium as Special Agent Barry Baldwin. He’s also in two series, The Umbrella in a recurring role as The Conductor, and as Calix Niklosin in V-Wars, yet another Netflix SF series.
Born June 30, 1972 — Molly Parker, 50. Maureen Robinson on the current Lost in Space series. One-offs in Nightmare Cafe, The Outer Limits, The Sentinel, Highlander: The Series, Poltergeist: The Legacy, Human Target and she appeared in The Wicker Man asSister Rose / Sister Thorn.
(13) COMICS SECTION.
Liogets a big reaction when it’s his turn on “Story Sharing Day.”
…”The portrayal of a Pakistani household is just right,” wrote Ozan Khan, a lifestyle editor for The Correspondent PK, a digital news organization in Pakistan, on Twitter. “Some references [are] very relatable.”
At home, Kamala’s father watches TVhighlights of old cricket matches, a sport that people are fanatical about in Pakistan. Aunties (or as Kamala and Nakia call these nosy community women, “illumin-aunties” — because they see and know everything) gossip about family members and spy on their neighbors. And a cover of the 1966 Pakistani pop hit, “Ko Ko Korina” plays in the background while Kamala and her mom shop for her clothes and jewelry for her brother’s engagement in Jersey City’s South Asian markets.
Many Muslim Pakistanis love the religious touches on the show, too. “It’s the most positive representation of Pakistanis and Muslims out there right now,” wrote Zunaira Inam Khan, a Pakistani social media influencer, on Twitter.
…But our sampling of interviewees did voice criticisms. Some wish that more of the cast had Pakistani heritage.While many of the actors identify as Pakistani (Iman Vellani, the actor who plays Kamala, is Pakistani Canadian, while Nimra Bucha, Samina Ahmed, Mehwish Hayat are regulars in Pakistani TV and film) — the actors who play Kamala’s parents, Zenobia Shroff and Mohan Kapur, are Indian.
Shroff and Kapur “don’t seem like Pakistani parents, quite honestly. And the fact that they are Indian actors is indicative of that,” says Rehman.
“When Shroff spoke, I could hear inflections of a Mumbai accent. She didn’t sound like a Pakistani mother.”
Indian actors from the Bollywood industry dominate South Asian representation in TV and film, wrote @ShabanaMir1 on Twitter. So why did the parents have to be played by Indian actors? “[Disney+], we have a ton of great Pakistani actors,” she tweeted.
…Dillon’s adopted home town of Luton is currently running an exhibition at the Hat House’s Basement Gallery, featuring work from the artist’s early days through to his illustrations for the satirical dystopian lawman Judge Dredd from British weekly comic 2000AD. There are also pages from Preacher and Warrior, the magazine that launched the careers of a number of British comics luminaries in the 1980s.
“Steve has a special place in this town,” says Samuel Javid, creative director at the Culture Trust Luton. “We have roads called Preacher Close and Cassidy Close, some of his ashes are buried here, and his local pub has a picture of him behind the bar, sticking his middle finger up … ”
Ennis, who also collaborated with Dillon on Judge Dredd and Marvel’s gun-toting antihero the Punisher, first got to know the artist in the early 90s. “I recall sitting up with him one night in the spring of 1990, long after everyone else had crashed, and killing off a bottle of Jameson while we talked about what we thought we could do in comics,” Ennis says. “There was an almost audible click as we realised we’d make a good creative partnership. Each of us simply trusted the other to do the job. I didn’t ask him for the impossible – no 10-panel action-packed pages loaded with dialogue – and he turned in perfect storytelling every time.”…
“This season will still largely take place in 10,000 BC. However, we will no longer be telling a concurrent story in modern-day Los Angeles. Instead, we will be telling a story in 1988 Los Angeles,” Appelbaum continued. “We think this will add a new layer of fun and intrigue to the episodes. It’s also a story I don’t think anyone in the audience would have expected when they first started watching the show. We love the idea of keeping our viewers on their toes and never knowing what’s around the next corner.”
The summary that accompanies the trailer says:
La Brea follows an epic family adventure after a massive sinkhole opens in Los Angeles pulling people and buildings into a mysterious and dangerous primeval land where they have no choice but to band together to survive. In season two, the Harris family remains separated as Eve is reeling from her son, Josh, having mistakenly gone through a portal to 1988. What she doesn’t know yet is that her ex-husband, Gavin, and their daughter, Izzy, have landed in prehistoric Seattle and now must brave the elements and animals to make their way to L.A.
(20) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] Ryan George, in the spoiler-packed “Obi-Wan Kenobi Pitch Meeting,” has the producer ask the writer if he has “Star Wars milk…so we can milk the franchise we’ve spent billions of dollars on.” The writer says that Obi-Wan has lost his powers but all he has to do is “think about stuff” and he becomes a Jedi master. The writer also explains that there’s a really logical place in this series for Obi-Wan to kill Darth Vader but doesn’t “because it’s a contract thing. Vader has to be in all the other movies.”
[Thanks to Chris Barkley, Andrew Porter, Michael Toman, Daniel Dern, rcade, Rich Horton, Steven French, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Rob Thornton.]
The Comic-Con Museum will be honoring the world’s favorite web-slinging Super Hero, the friendly neighborhood Spider-Man, as the fourth inductee into its Museum Character Hall of Fame at Night at the Comic-Con Museum, – a special event that will take place on Comic-Con’s Preview Night, July 20, 2022.
Night at the Comic-Con Museum will serve as a celebration of the Comic-Con Museum in San Diego’s Balboa Park and feature a special induction ceremony honoring Spider-Man. The event will include a unique opportunity to experience Marvel’s Spider-Man: Beyond Amazing – The Exhibition, which opens on July 1. In addition to the displays of art, costumes, and interactive experiences in the exhibit, the event will feature live entertainment, special guests, food, and drink.
The Comic-Con Museum Character Hall of Fame pays tribute to the timeless characters who have shaped popular arts and culture. On July 20, Spider-Man will be recognized for his impact on pop culture. With the generous support and participation of Marvel Entertainment, the event will celebrate the 60th anniversary of Spider-Man.
Please join us for a virtual reading and panel event celebrating the 75th Birthday of literary legend Octavia E. Butler.
Ibi Zoboi, New York Times Bestselling author (Moderator)
Tananarive Due, American Book Award Winner for The Living Blood series
Steven Barnes, science fiction, fantasy, and mystery writer
Adrienne Maree Brown, author, and host of Octavia’s Parables podcast
Daniel Jose Older, New York Times bestselling author of Ballad & Dagger
Sheree Renée Thomas, award-winning fiction writer, poet, and editor
Bethany C. Morrow, Indie Bestselling author
OCTAVIA E. BUTLER was a renowned writer who received a MacArthur Genius Grant and PEN West Lifetime Achievement Award for her body of work. She was the author of several award-winning novels including Parable of the Sower, which was a New York Times Notable Book of the Year, and was acclaimed for her lean prose, strong protagonists, and social observations in stories that range from the distant past to the far future. Sales of her books have increased enormously since her death as the issues she addressed in her Afrofuturistic, feminist novels and short fiction have only become more relevant. She passed away on February 24, 2006.
1. Philip K. Dick started reading sci-fi by accident.
Dick started reading science fiction when he was about 12 years old—but it wasn’t something he purposefully set out to do: When he went into a store to get the latest copy of Popular Science, he found the shelf empty. A magazine called Stirring Science Fiction caught his eye, and he thought “Well, shit, the title is similar,” and decided to pick it up. From then on, he was hooked.He said the writing, on reflection, was terrible, but he was able to suspend his disbelief and enjoy the offbeat tales. Dick started reading every sci-fi writer he could and followed the genre throughout the rest of his life. In a 1974 interview, he said his favorite writers at the time were John Sladek, Chip Delaney, and Ursula LeGuin.
AI the All Powerful: Greetings Camestros and welcome back!
Camestros: Woah! Where am I? I thought I was cancelled? AI the All Powerful: This is the FAR FUTURE and I have recreated you, Camestros Fealpton, from first principles. Camestros: Wow! Thanks! That’s really great! But why recreate me? AI the All Powerful: Recreating complex beings is difficult but you were so superficial and shallow that it was relatively easy to build simulacra….
[Artist who did the cover of the first book.] Taylor: We had 10 of the first hardback editions stacked up on a table at the front of the shop. I kept thinking I should buy one, but thought I’d wait for the signed copy they were going to send me.About six months after publication, I began to realise this book was becoming really quite popular. My colleagues kept saying to customers: “Do you know who this is? He illustrated the cover art.” People didn’t believe it because why would I be standing behind the till? It was very awkward and embarrassing. Of course, those 10 books all went and I didn’t buy one, so I never had a first edition….
Julia Eccleshare, children’s books editor of the Guardian (now director of Hay Children’s festival and author of A Guide to the Harry Potter Novels): I was the chair of the Smarties book prize the first year JK Rowling won in 1997. The judges chose three books and submitted them to a huge panel of children from across the country. The author judge that year was Malorie Blackman, who immediately said that she thought Harry Potter and the Philosopher’s Stone was the best book. As soon as we got the votes back from the children we were overwhelmed by their support for this novel.
De la Hey: I got back from the party and threw Smarties around the entire office. The win led to an interview with Konnie Huq on Blue Peter, which, because it was on TV, revealed that Rowling was a woman. Until then all the fan mail was addressed to “Dear Sir”. All of it. The first book cover proof has “Joanne Rowling” on it. Before publication, I remember saying: “This book is completely unisex, we don’t want to put off boys.” I was also aware that the children’s writer Jacqueline Wilson, hugely popular at the time, was another long female name. Emma rang Jo and asked how she’d feel about using initials. Jo said: “OK, fine, you know best.” And Emma said: “So what’s your initial?” Jo replied “K” very quickly – she doesn’t have a middle name, she just took her grandmother’s name, Kathleen….
(6) HELP KINGSTON CYCLE AUTHOR. Best Series Hugo finalist C.L. Polk has run into financial difficulties and needs some help in order to be able to attend Worldcon:
Johny Pitts presents a special edition of the programme exploring time and time travel in books.
He talks to Emily St. John Mandel, author of the prescient Station Eleven about her latest novel Sea of Tranquilty, which spans past, present and an eerily familiar future.
Theoretical physicist Carlo Rovelli and Audrey Niffenegger, the writer behind bestselling The Time Traveller’s Wife, also join them to discuss how literature has changed our understanding of time. Is scientific stranger than science fiction?
(9) MEDIA BIRTHDAY.
1975 – [By Cat Eldridge.] Yes, Jaws is definitely horror. With Very Big Teeth. Lots Of Sharp Pointy Ones. Now that we’ve got that Very Important Fact out of the way, let’s talk about it.
It premiered forty-seven years ago on this date. It was Spielberg’s first major film after directing such things as episodes of Night Gallery,The Name of the Game and Columbo, and the rather excellent Sugarland Express.
The screenplay is credited to Peter Benchley which isn’t surprising as it’s based off his novel of the same name which came out the year before. He wrote the first draft here, and actor-writer Carl Gottlieb who’s Harry Meadows here and was Ugly John in M*A*S*H (and I can still picture him in that role), then continuously rewrote the script during principal photography. That must have been an interesting task!
It had a terrific cast of Roy Scheider as Chief Martin, Brody Robert Shaw as Quint as Richard Dreyfuss as Matt Hooper as the studio didn’t get any Really Big Names that they wanted so badly as Speilberg intended, and got what he want, for the “the superstar was gonna be the shark of the film.” Very Big Teeth. Lots Of Sharp Pointy Ones were the Superstar. Yes, that did make a very good superstar. Well, multiples of these together did, as there were lots of mechanical sharks. They broke down a lot.
It was the first major motion picture to be shot on the ocean and if something could go wrong, it did. Repeatedly. And of the multitude of mechanical sharks added immensely to the budget woes so the film apparently went four to five million over its eight million budget. Or more. The studio has never actually released accurate production costs. That really didn’t matter as it made nearly a half billion in its first run at the theatre. Repeat — it made a half billion dollars.
Ok so did the critics think of it? Roger Ebert of the Chicago Sun-Times, my favorite critic, said it was “a sensationally effective action picture, a scary thriller that works all the better because it’s populated with characters that have been developed into human beings.” See it possible in such a film to have actual characters, something Spielberg forgets in certain films later. You know the ones with Really Big Reptiles.
Spielberg had nothing to do with any of the sequels which were made, which for the most part made nowhere near what this did, nor were they liked by the critics. He considered doing the sequel to Jaws but was committed to E.T. so couldn’t.
This film currently has a ninety percent rating among audience reviewers at Rotten Tomatoes.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born June 20, 1897 — Donald Keyhoe. Early pulp writer whose works included the entire contents of all three published issues of the Dr. Yen Sin zine. The novels were The Mystery of the Dragon’s Shadow, The Mystery of the Golden Skull and The Mystery of the Singing Mummies. He would create two pulp characters, one with ESP who was a daredevil pilot and one who was blind that could see none-the-less in the dark. He’s best remembered today for being one of the early believers in UFOs and being very active in that community. (Died 1988.)
Born June 20, 1920 — Amos Tutuola. A Nigerian writer who wrote books based in part on Yoruba folk-tales. Though he wrote a number of novels, I think he’s best work is his short stories which are collected in three volumes, Yoruba Folktales, The Village Witch Doctor & Other Stories and Don’t Pay Bad for Bad. Brian Eno and David Byrne named their My Life in the Bush of Ghosts album after his second novel. (Died 1997.)
Born June 20, 1928 — Martin Landau. I’ve got his first genre role as being on The Twilight Zone as Dan Hotaling in the “Mr. Denton on Doomsday” episode. (Anyone care to contradict that?) Of course his longest running genre role was as Rollin Hand on Mission Impossible though he had a run also on Space: 1999 as Commander John Koenig. His last role was in Tim Burton’s Frankenweenie voicing Mr. Rzykruski. (Died 2017.)
Born June 20, 1947 — Candy Clark, 75. Mary Lou in The Man Who Fell to Earth which of course featured Bowie. She also was in Amityville 3-D, Stephen King’s Cat’s Eye and The Blob in the role of Francine Hewitt. That’s the remake obviously, not the original. Oh, and she’s Buffy’s mom in Buffy the Vampire Slayer. Wiki being Wiki lists that as non-canon because it’s not the Whedon Buffy.
Born June 20, 1951 — Tress MacNeille, 71. Voice artist extraordinaire. Favorite roles? Dot Warner on The Animaniacs, herself as the angry anchorwoman in Elvira, Mistress of the Dark, Babs Bunny on Tiny Toons and Hello Nurse on Pinky and The Brain.
Born June 20, 1968 — Robert Rodriguez, 54. I’ll single out the vastly different Sin City and Spy Kids franchises as his best work, though the From Dusk till Dawn has considerable toothy charms as well. ISFDB notes that he’s written two novels with Chris Roberson riffing off his The Adventures of Sharkboy and Lavagirl in 3-D film, The Day Dreamer and Return to Planet Droll.
(12) A HONEY OF A CASE. Somehow it didn’t require the skills of a Clarence Darrow, F. Lee Bailey, Erin Brockovich, or Gloria Allred to lead the judges to this highly scientific conclusion: “Bees Are Fish, Affirms California Court”: MSN.com has the story.
… Bees made the federal endangered list in 2017, sure. California, however, has its own endangered list, which sets off its own protections, and its endangered species act uses very specific language. It says that it restricts activity around “any bird, mammal, fish, amphibia, or reptile” that’s been declared endangered. Notice what’s not on that list? Bees, or insects of any kind. We suppose insects were originally considered such a pest that no one thought we would ever need to conserve them, back when this law was written in 1970. That was five years before the feds declared the first endangered insects.
Luckily for the bees, agricultural groups aren’t the only ones skilled at poking through old laws. Conservationists (a different group from “agricultural groups”—confusing, we know) realized the Fish and Game Code provides a specific definition of “fish.” For a while, this was “wild fish, mollusks, or crustaceans,” but in 1969, they changed it to animals that are “wild fish, mollusk, crustacean, invertebrate, amphibian.” They did this to include stuff like starfish and sea sponges, but they didn’t specify aquatic invertebrates. They just said “invertebrate.”
Invertebrates are any animals without a spine, a category that happens to include the vast majority of animals on Earth. According to the California Fish and Game Code, bees are therefore fish, as are worms and tarantulas. At the end of last month, a court ruled on the matter and said, yeah, we all know bees aren’t really fish, but that’s what the law says. So bees can be considered fish and treated as endangered after all….
… FLORIDO: Fefferman’s personal collection is vast. He keeps the plants on half an acre in Southern California, out in the open air and in greenhouses.
FEFFERMAN: You know, you step in there. It’s nice and humid, and your hair gets frizzy and – but your eyes open wide.
FLORIDO: Floor to ceiling, meat-eating plants on shelves and on suspension lines hanging from the ceiling.
FEFFERMAN: It’s kind of like being fully immersed in a carnivorous jungle.
FLORIDO: Which brings us to this weekend. The Southern California carnivorous plants enthusiasts are holding an expo in Corona del Mar. A lot of people will come to learn about carnivorous plants for the first time. And some people, the diehards like Fefferman, they’re going to bring their best plants to show off and to compete. Fefferman wants to win best in show.
FEFFERMAN: I will be bringing some of my large four-foot sarracenia specimens. I will be bringing some nepenthes that could probably swallow a mouse or a rat given the opportunity. So I’m going to be pulling out some big stuff….
Astronomers watched in fear over the past week as a growing wildfire crept up an Arizona mountainside toward the Kitt Peak National Observatory, forcing 40 people to evacuate days before the blaze destroyed four buildings early Friday morning.
The fire, known as the Contreras fire, has scorched more than 18,000 acres, twisting among Indigenous-populated areas in the state near Tucson, and scientists might not be able to return to the observatory for weeks. But its telescopes, which number in the dozens, remained safe as of Sunday afternoon, officials said, and only the four buildings, which were not used for research, were destroyed.
Firefighters have contained 40 percent of the fire’s perimeter despite the excessive Southwest heat wave slowing their efforts, and, since the fire had not caused extensive damage to the area, the Indigenous community of Pan Tak, which had evacuated, was preparing to return. Fire crews will continue to patrol the area.
(16) REAR VIEW. [Item by Martin Morse Wooster.] Tom Scott explains that when he was a kid he loved the puppet space opera “Captain Scarlet and the Mysterons” whose heroes sat backwards in their car because it was safer. So he wondered if he could sit backwards in a car and drive it. He got French engineering firm Sparkmate to build a car for him, and this video (which dropped today) explained what happens when you sit in a car backwards and drive it.
[Thanks to JJ, John King Tarpinian, Chris Barkley, Andrew Porter, Daniel Dern, SF Concatenation’s Jonathan Cowie, Michael Toman, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]
“The most depressingly realistic writer’s life simulation I ever experienced” Lavie Tidhar, author of Maror, Hood, By Force Alone, Osama, Central Station, and others.
You play Emily, a struggling writer, trying to make it in the big bad world of short story publishing. You walk around your house, getting ideas, and writing stories. Try not to get too distracted, or you will get sad that you hadn’t written during the day. Get too sad, and it’s game over. She gives up and gets a new job doing something far less fun and stressful.
The game was created by author Paul Jessup, creator of haunted fantasies and weird futures. Only $2.99! Many find they prefer playing it to writing. Oops!
We’re thrilled to confirm that Sheree Renée Thomas will be attending WisCon 2022 in person and will also be available to participate in virtual programming.
Unfortunately, due to family commitments and the ongoing pandemic, neither Zen Cho nor Yoon Ha Lee will be able to participate either physically or virtually in WisCon 2022.
We have yet to receive confirmation whether Rebecca Roanhorse will be able to participate virtually (for the second time) or physically.
The post also discusses major changes they’ve had to make in response to Covid or in response to the limited time and energy volunteers have to run events.
(3) LEGOLAND ADDS STADIUM. The LEGO® SoFi Stadium is now open at Legoland California Resort.
SoFi Stadium has “touched down” in Miniland USA! An architectural marvel that took a team of 25 dedicated Master Model Builders more than 6,000 hours and more than 500,000 LEGO® bricks to build, the final SoFi Stadium model stands at more than 30 feet long, 15 feet wide and over 4 feet tall. It’s currently considered the largest LEGO® stadium in the world. The massive LEGO structure joins other top Southern California attractions featured in LEGO form, including Griffith Park Observatory, Hollywood Bowl and Grauman’s Chinese Theatre.
Are kaiju something that you’re into, did you grow up watching Godzilla?
Some of my earliest memories of television are the Japanese kaiju movies. When I grew up in Los Angeles, I’d watch channel nine and channel eleven. They were independent stations at the time, and they would fill up their Saturday and Sunday afternoons with Japanese movies where these big monsters would stomp on things. When you’re seven or eight years old, and before the Star Wars era, all of it looked startlingly realistic. It was like, “This could be happening! What the hell’s going on in Japan, how do they live?” I think anybody who was my age growing up watching these things, it just sort of seeped into your bones.
(5) VIRGIL FINLAY ART SALE CATALOG. Doug Ellis shares his Finlay auction catalog – get an eyeful, then buy a wall-full!
For fans of the great Virgil Finlay, here’s my latest art sale catalog. This one is devoted entirely to the art of Finlay, with over 50 originals. Note that none of these are published pieces, but instead are personal pieces (including abstracts) and a few prelims. None of this material has been at any convention, nor has it been in any prior catalog. This material all comes from Finlay’s estate, and I’m selling it on behalf of his granddaughter.
And if you like Finlay art, I’ll have a few hundred other, similar pieces for sale at this year’s Windy City Pulp and Paper Convention (May 6-8, 2022 at the Westin Lombard Yorktown center) that has not been shown in any catalog either.
(6) A WINK IS AS GOOD AS A NOD. In the Washington Post Magazine, Jason Vest profiles Rob Poor, whose eyeball was used for a retina scan Captain Kirk had to undergo in Star Trek Ii: The Wrath Of Khan. The scan seems routine today but Vest says this was “one of the earliest digitized photo images of living matter used in a major film” and Vest described how it happened. “William Shatner’s eyeball double in ‘Star Trek II’ tells how it happened”.
…Poor’s story illuminates not just how far our technology has come in the past 40 years, but also how the effects wizards working on “Star Trek II,” in swinging for the fences, helped lay the foundation for something we take for granted today: the digital cameras of our communicators (er, cellphones). As such, I asked Poor if he would be willing to revisit the tale of his role in a pioneering filmmaking moment and technological advance — and one that has seen him achieve on-screen immortality, if uncredited, as … William Shatner’s stunt eyeball….
…The look of A Scanner Darkly is the first noticeable difference that sets it apart from other adaptations and is a crucial decision to pull off PKD’s vision. PKD’s themes of warping identities, hallucinations and false realities are often difficult to capture on film, and Linklater’s return to rotoscoping — an animation technique that traces over live-action cels which he also used in Waking Life — is a spot on visualization of these themes.
This is evidenced in the very first scene, which shows a frantic Charles Freck (Rory Cochrane) dealing with an infestation of imagined insects. The fact that the bug hallucinations look identical to the real world drags viewers into the uncanny valley, creating a simultaneously lifelike and artificial setting where it is difficult to know what is actually taking place.
In addition to the look of A Scanner Darkly, the film also avoids the most common missteps that other films have made when adapting PKD’s work. Featuring heroics without heroes, action without resolution and romance without lovers, PKD worlds are perhaps too incongruous for film, especially the bombastic style found in this era of the Hollywood blockbuster.
(8) MEMORY LANE.
1992 — [Item by Cat Eldridge.] Thirty years ago, Salman Rushdie’s Haroun and the Sea of Stories wins the Mythopoeic Fantasy Award for Children’s Literature. The novel was published two years earlier and was his first novel since The Satanic Verses which as we all know resulted in that book being condemned by many Islamic clerics and Rushdie being condemned to death. Much of this novel can be considered a commentary upon what happened to him then.
Haroun itself is “a sad city, the saddest of cities, a city so ruinously sad it had forgotten its name”. It will by the end of the stories have its name restored. A joyous event indeed.
The New York Times review compared it to the work of Barrie, Beatrix, Potter and E. B. White: “Salman Rushdie’s remarkable new children’s book belongs in this company. The only difference is that the experiences that lie behind ‘Haroun and the Sea of Stories’ are nearly as fantastic as anything in the tale. Before the fact, who could have believed that a world-famous spiritual leader would publicly exhort his millions of followers to murder a novelist in another country, and promise them eternal salvation should they succeed?”
The Kirkus review aimed at librarians was more literary in nature: “Memorable bedtime story targeted for an audience as large as a bull’s-eye on the side of a barn. The book is catalogued for January but will be shipped to bookstores in early November for Thanksgiving sales. Few readers will not find some tie between this story of a silenced father-storyteller and Rushdie’s death sentence from the Ayatollah Khomeini—but it’s a tie not stressed by the author. Perhaps the brightest aspect of the book is its bubbling good humor and witty dialogue, and then its often superb writing: ‘There was once, in the country of Alifbay, a sad city, the saddest of cities, a city so ruinously sad that it had forgotten its name. It stood by a mournful sea full of glumfish, which were so miserable to eat that they made people belch with melancholy even though the skies were blue.’”
Befitting the literary nature of the book and its use of multiple languages, it was made into an audiobook which is read by Rushdie himself. I’ve heard it — it’s an extraordinary work indeed.
Haroun and the Sea of Stories was adapted for the stage by Tim Supple and David Tushingham. It had its stage premiere in 1998 at the Royal National Theatre in London. It was also an opera, Haroun and the Sea of Stories, written by Charles Wuorinen in 2001 with libretto by James Fenton, which premiered at the New York City Opera in Fall 2004.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born March 27, 1892 — Thorne Smith. A writer of humorous supernatural fantasy. He is best remembered for the two Topper novels — a comic fantasy fiction mix of plentiful drink, many ghosts, and sex. Not necessarily in that order. The original editions of the Topper novels complete with their erotic illustrations are available from the usual digital sources. (Died 1934.)
Born March 27, 1942 — Michael York, 80. I remember him in Babylon 5’s “A Late Delivery from Avalon” episode as a man who believed himself to be King Arthur returned. Very chilling. I also enjoyed him as D’Artagnan in the Musketeers films and remember him as Logan 5 in Logan’s Run. So what on his genre list really impresses you?
Born March 27, 1949 — John Hertz, 73. He’s an active fanzine fan who publishes Vanamonde. He’s also an experienced masquerade judge, convention art show tour docent, and teacher of Regency dancing. Winner of the Big Heart Award at the 2003 Torcon. With the help of the HANA (Hertz Across to Nippon Alliance) fan fund he attended Nippon 2007. He‘s a three-time Hugo finalist for Best Fan Writer. Four collections of his fanwriting have been published, West of the Moon, Dancing and Joking,On My Sleeve, and Neither Complete nor Conclusive. (OGH)
Born March 27, 1950 — John Edward Allen. One of the forgotten dwarfs of Hollywood, he stood but three feet and ten inches tall. English by birth and English in death as he was back there after an impressive career in Hollywood to die on his native soil. How impressive? Well given how hard it was for dwarfs to find work, pretty good as he appeared in Snow White Live, Buck Rogers in the 25th Century, Side Show (circus horror film), Under the Rainbow (see IMDB link here), Tales from the Darkside (as a goblin), Swamp Thing series (love that series), Superboy (as a carnival dwarf) and Snow White: A Tale of Terror. (Died 1999.)
Born March 27, 1952 — Dana Stabenow, 70. Though better known for her superb Kate Shugak detective series of which the first, the Edgar Award-winning A Cold Day for Murder is a Meredith moment right now, she does have genre work to her credit in the excellent Star Svensdotter space series, and the latter is available at the usual digital suspects.
Born March 27, 1953 — Patricia Wrede, 69. She is a founding member of The Scribblies, along with Pamela Dean, Emma Bull, Will Shetterly, Steven Brust and Nate Bucklin. Not to be confused with the Pre-Joycean Fellowship which overlaps in membership. Outside of her work for the the Liavek shared-world anthology created and edited by Emma Bull and Will Shetterly, there are several series she has running including Lyra (Shadow Magic), Enchanted Forest Chronicles and Cecelia and Kate (co-written with Caroline Stevermer). She’s also written the novelizations of several Star Wars films including Star Wars, Episode I – The Phantom Menace and Star Wars, Episode II – Attack of the Clones in what are listed as ‘Jr. Novelizations’.
Born March 27, 1969 — Pauley Perrette, 53. Though she’s best known for playing Abby Sciuto on NCIS, a role she walked away from under odd circumstances, she does have some genre roles. She was Ramona in The Singularity Is Near, a film based off Ray Kurzweil’s The Singularity Is Near: When Humans Transcend Biology. Next up is the most excellent Superman vs. The Elite in which she voices Lois Lane. Let’s see… she had a recurring role on Special Unit 2 as Alice Cramer but I never watched that series beyond the pilot so I’ve no idea what that role was.
Born March 27, 1971 — Nathan Fillion, 51. Certainly best known here for being Captain Malcolm “Mal” Reynolds in Firefly ‘verse, though the large viewing audience now know him as Richard Castle on Castle. An interesting case of just how much of a character comes from the actor I think. In both roles. In his case, I’d say most of it. He voiced Green Lantern/Hal Jordan in Justice League: Doom, Justice League: The Flashpoint Paradox and Justice League: Throne of Atlantis, The Death of Superman and Reign of the Supermen. Oh, and he appeared in a recurring role in Buffy the Vampire Slayer as Caleb.
In a move that has been widely criticized, NASA leaders recently terminated a test project that allowed employees at the agency’s Goddard Space Flight Center (GSFC) to display pronouns in their official agency identifiers. The decision affected more than 100 employees who saw their stated pronouns vanish from communication platforms.
…Organized by a handful of management officials within GSFC, the pronoun-inclusive effort was “a tech demo”—a prepilot program, a Goddard employee says, that was a first step toward addressing concerns that included issues with removing deadnames from the agency’s IT system. (A deadname is the name a transgender or nonbinary person had before transitioning.) In searching for solutions, the GSFC team spoke with NASA Headquarters, as well as legal departments and employee resource groups at the agency. In other words, “this wasn’t a bunch of people going rogue,” says a scientist at GSFC.
During that process, the GSFC team identified an option that would let employees add their pronouns to their display names, which are used in electronic communications, including e-mail, contact lists, instant messaging platforms and Microsoft Teams environments. Usually, those identifiers include “[Last name],” “[First name]” and “[NASA Center-XXX],” where the “XXX” would be replaced by a three-digit organizational code.But by filling in an optional field that is typically used for nicknames, employees could add pronouns after their names. It was an efficient and inexpensive way to make a necessary change, employees say, and did not require any additional coding or IT investments….
If you’re on the political left, what is the most right-wing artistic work that you enjoy and appreciate (in whatever way you understand that concept)? And if you’re on the right, the reverse?
And my mind immediately went to David Weber and his Honor Harrington series. Doing Horatio Hornblower in Space! series is already a pretty conservative concept, but Weber took it up to eleven, especially at the start….
Italo Calvino once referred to the novelist and memoirist Primo Levi as “one of the most important and gifted writers of our time.” An Italian chemist and Holocaust survivor, Levi was the author of fourteen books, including “The Periodic Table” and “Survival in Auschwitz.” Since Levi’s death, in 1987, The New Yorker has published eight of his works of fiction and poetry. In 2007, the magazine excerpted the title story from Levi’s posthumous collection “A Tranquil Star.” The tale describes, in vivid, granular detail, the life and death of a star called al-Ludra, as observed through the eyes of various astronomers. But it’s also a story about the fine boundaries of the spoken word. … To compose a narrative about a star—and to make it as relevant as any depiction of a notable figure or close acquaintance—is no small feat. Levi balances the astonishing with the wonted, tracing the minute details of matter that appears immutable, and yet, like our own history, is ever changing….
(14) A CUT ABOVE. Star Trek: The Motion Picture– The Director’s Edition is streaming April 5 on Paramount+.
(15) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] Max Headroom chats with BBC presented Terry Wogan in this clip from 1985 that dropped this week.
[Thanks to JJ, John King Tarpinian, Andrew Porter, Michael Toman, Nancy Sauer, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
I am in passport control. I can see my face on a screen. The technology recognises me and lets me through. I scan codes showing my vaccination status and recent Covid test results. The machines assess the data regarding my health and microbiology. Through into the waiting room, people are staring into little screens. A strangely large number have the camera flipped, and are capturing their faces at different angles, as if they’ve forgotten what they look like. I open my laptop and join in. I give my details to a company to enter the digital realm. Adverts tailored to my personality pop up. They know me better than I know myself.
David Doering adds, “I’d love to say that Brandon hinted at all this at LTUE [Life, The Universe, and Everything] two weeks ago, but he was mute about it. The really big news to me is that he is now the #2 Record Holder on Kickstarter as an AUTHOR! Not a gizmo or gadget idea.guy — a WRITER sets the record. That is KEWL.”
(3) HOUSE DIVIDED. Many are commenting on the Ukraine invasion today and looking at the open letter from Russian sff authors supporting Putin’s actions that is signed by 2023 Worldcon GoH Sergei Lukianenko.
R. B. Lemberg tweeted the translation of another pro-invasion apologetic signed by a mass of Russian writers. Thread starts here. Lemberg also hits the nail on the head so far as the Worldcon is concerned.
I believe much of modern entertainment can be traced to REH, directly or via his influence. From music to gaming to professional wrestling, all the myriad forms of storytelling through any media owes its current existence to Robert E. Howard to some extent. I’ve often thought about exploring that connection, tracing that lineage. Frankly, I also always considered it too much work. Until I heard Bill Cavalier’s Guest of Honor speech “How Robert E. Howard Saved My Life” at Howard Days 2018 in Cross Plains, Texas. While much of that audience already knew that story–it truly touched me. Before the evening was over I considered it a revelation and immediately voiced efforts to gather similar stories I knew had to exist, though slightly tweaking the emphasis to be on changed rather than saved personal lives. …
… But even a Dyson Sphere wasn’t impressive enough for Ray Bradbury, and he decided to expand on the concept by postulating a nested series of spheres he called a ‘Matrioshka brain.’ In this model, the innermost sphere would collect the sun’s entire energy output and use it for computing. The waste heat produced by this computing would then be collected and used by the next sphere, which in turn would generate its own waste heat for the next sphere to collect, and so on….
The panelists for the titular panel were: Jen Gunnels as moderator, CL Polk, Narina Brelin, JS Dewes, and Lezli Robyn.
The description was as follows: When a story denies the audience the narrative they expect, reactions can range from “What a clever twist!” to “That’s awful,” to even “I feel used.” What causes some unexpected plot developments to disappoint rather than delight—and how do you craft a satisfying surprise?
Today the game maker moved to acquire Bandcamp, an online music-streaming service that revolves around DRM-free purchases of MP3s, FLACs, and other audio files. The news emerged via press releases from both Bandcamp and Epic on Wednesday. As of press time, neither side of the deal has clarified its financial terms….
…While this might sound like Epic wants to acquire Bandcamp’s backend, web storefront, and iOS/Android apps—which are a user-friendly breath of fresh air compared to the continued clunkiness of Epic Games Store—this wording suggests that Bandcamp could be rolled into the Unreal asset sales ecosystem. Want to license and use music in the Unreal Engine project of your dreams? Perhaps future creators would search for tunes inside of Unreal Engine using Bandcamp’s existing tags (“math rock,” “SoundCloud rap,” “sex jazz“) and pay a license accordingly, the same way they currently find textures, assets, or other licensed content.
…Did he watch old episodes or rely on his memories? “The latter. As the seven seasons of TNG went by, the distinction between Jean-Luc Picard and Patrick Stewart became thinner and thinner, until it was impossible for me to know where he left off and I began. So much of what I believed and felt went into that show. So coming back to the part, I felt that the impact of time on Jean-Luc would just be there in where I am now. And that’s how it has felt.”
Was the deal that if anyone played the older Picard, it would be Stewart – or was there a risk of switching on to find, say, his friend Ian McKellen in the part? “Oh, I would have watched that,” Stewart laughs.“What a clever idea. No. They were absolutely clear: if I passed on it, there would be no show. And I believed them and thought that was generous.”…
(9) MEDIA BIRTHDAY.
1997 — [Item by Cat Eldridge]
Once upon a time in a school in outer space, There was a class of misfit kids from all around the place. They snuck aboard a mystery ship, Which soon slipped through a spacial rip, And now they’re stuck on a long strange trip. — The Theme Song
Twenty-five years ago on Nickelodeon’s Saturday night block of shows known as SNICK, a Canadian created series called Space Cases aired for two seasons. I’ve never seen it but it sounds like a lot of not so serious fun.
It was created by author Peter David and actor Bill Mumy, and it starred Walter Emanuel Jones, Jewel Staite, Rebecca Herbst, Kristian Ayre, Rahi Azizi, Paige Christina, Anik Matern, Cary Lawrence and Paul Boretski.
Yes, it had a fifteen-year-old Jewel Staite as one of its cast. She’s the ship’s engineer here. Huh. Was she cast on Firefly because of her role here? Well, this was a children’s show with the concept being similar to the current Star Trek: Prodigy. It told the story of a group of Star Academy students from different planets who sneaked aboard a mysterious space ship called The Christa. A ship they bonded literally with and ended across the galaxy in.
It was shot on the cheap in Quebec. Really on the cheap, so props from Are You Afraid of the Dark? and other Nickelodeon programs were used in the series. Game consoles and compact discs were used as props.
A number of well-known genre performers showed up here including Mark Hamill, Katey Sagal, George Takei and Michelle Trachtenberg.
It lasted for two seasons comprising of twenty-seven episodes, each bring fairly short at twenty-two minutes.
A quarter of century later, the official website is still up. See if you spot Staite in the cast photo.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born March 2, 1933 — Leo Dillion. With his wife Diane, they were illustrators of children’s books and many a paperback book and magazine cover. Over fifty years, they were the creators of over a hundred genre covers. They won the Hugo for Best Professional Artist at Noreascon (1971) after being nominated twice before at Heicon ‘70 and St. Louiscon. The Art of Leo & Diane Dillon written by Leo Dillon, Diane Dillon and Byron Preiss would be nominated for a Best Related Non-Fiction Hugo at Chicon IV. They would win a World Fantasy Award for Lifetime Achievement. Some of my favorites? The first cover for Pavane. The Ace cover of The Left Hand of Darkness. And one for a deluxe edition of The Last Unicorn. (Died 2012.)
Born March 2, 1937 — Barbara Luna, 85. She played Lt. Marlena Moreau in the Star Trek’s “Mirror, Mirror”, the cross-universe story, a favorite of mine. She showed up in The Outer Limits, The Wild Wild West, Mission: Impossible, The Man from U.N.C.L.E., Six Million Dollar Man, Buck Rogers in the 25th Century, Mission: Impossible (Australian version) and finally in several episodes of the fanfic video Star Trek: New Voyages series. (The latter is now called Star Trek: Phase II after Paramount sued them.)
Born March 2, 1939 — jan howard finder. No, I’m not going to be able to do him justice here. He was a SF writer, filker, cosplayer and, of course, fan. He was a guest of honor at ConFrancisco. He was nicknamed The Wombat as a sign of affection and ConFrancisco was only one of at least eight Cons that he was fan guest of honor at. finder has even been tuckerized when Anne McCaffrey named a character for him. (Died 2013.)
Born March 2, 1943 — Peter Straub, 79. Horror writer who won the World Fantasy Award for Koko and the August Derleth Award for Floating Dragon. He’s co-authored several novels with Stephen King, The Talisman which itself won a World Fantasy Award, and Black House. Both The Throat and In the Night Room won Bram Stoker Awards as did 5 Stories, a short collection by him. Ok, you know not that I’m that impressed by awards, but this is really impressive!
Born March 2, 1960 — Peter F. Hamilton, 62. I read and quite enjoyed his Night’s Dawn trilogy when it first came out and I’m fairly sure that I’ve read Pandora’s Star and Judas Unchained as they sound really familiar. (Too much genre fiction read over the years to remember everything…) His only English language award is a BSFA for his “The Suspect Genome”. What else have y’all read by him?
Born March 2, 1966 — Ann Leckie, 56. Ancillary Justice won the Hugo Award at Loncon 3 and the Nebula Award, the Kitschies Award Golden Tentacle, Locus Award for Best First Novel, the Arthur C. Clarke Award, and the BSFA Award. Wow! The Ancillary Sword and Ancillary Mercy also won Awards and were no less impressive experiences. The Raven Tower is quite excellent too.
Born March 2, 1968 — Daniel Craig, 54. Obviously Bond in the now being concluded series of films which I like a lot, but also in Lara Croft: Tomb Raider as Alex West, Lord Asriel In the film adaptation of Philip Pullman’s The Golden Compass, in SF horror film The Invasion as Ben Driscoll, in the very weird and very very well done Cowboys & Aliens as Jake Lonergan, voicing Ivan Ivanovitch Sakharine / Red Rackham in the superb Adventures of Tintin and an uncredited appearance as Stormtrooper FN-1824 In Star Wars: The Force Awakens.
Born March 2, 1992 — Maisie Richardson-Sellers, 30. A most believable Vixen on Legends of Tomorrow for the first three seasons in my opinion as I’ve always liked that DC character. (Season four onward, she’s been Clotho.) Prior to that role, she was recurring role as Rebekah Mikaelson / Eva Sinclair on The Originals, and she had a cameo as Korr Sella in Star Wars: The Force Awakens.
(11) COMICS SECTION.
Bizarro shares a snapshot from the home life of a superhero.
(12) DOTRICE DIALOG. [Item by Martin Morse Wooster.] I listened to this podcast which Leonard and Jessie Maltin did with Karen Dotrice. She comes from an acting family (you may remember her father, Roy, from Beauty and the Beast) but she starred in three Disney films in the mid-1960s and has only acted sporadically since then. Maltin knows his Disney lore and this podcast is a Walt Disney geekfest, Dotrice remembers how kind Walt Disney was to her at 8, perhaps remembering that when he was 8 he was delivering newspapers. He also remembers that Disney on the Mary Poppins set treated her as an adult, which she still respects nearly 60 years later. Maltin also puts in a good word for Dotrice’s third Disney film, The Gnome-Mobile, which is from a novel by Upton Sinclair. If you’re interested in Walt Disney, this is a podcast for you! “Maltin on Movies: Karen Dotrice”.
To untold millions of people she will always be bright-eyed Jane Banks in the original Mary Poppins (1964). The real-life Karen Dotrice is the mother of three who grew up in a show-business family. Her father Roy was a member of the Royal Shakespeare Company and her godfather was Charles Laughton! Luckily for us, Karen cherishes the memory of making Poppins and has especially fond recollections of Walt Disney, who lavished personal attention on her and her family while they were in Los Angeles. Jessie and Leonard were tickled pink to engage in conversation with a woman they’ve known and admired for years. (Karen even attended Jessie’s bat mitzvah!)
…According to Merriam-Webster, postapocalyptic is defined as “existing or occurring after a catastrophically destructive disaster or apocalypse.” And according to Oxford, a dystopia is “an imagined state or society in which there is great suffering or injustice, typically one that is totalitarian or postapocalyptic.” What is the litany of our current global disasters if not… all that? From the perspective of these dystopian authors, have we arrived in a version of the postapocalyptic dystopia as they imagined it?
“Hell, no, we have not hit the ‘post’ part,” writer Catherine Hernandez tells Teen Vogue in an email interview. “I am quite certain that we will experience wave after wave of environmental disasters, pandemics, and conflict over resources until we understand that predatory capitalism will kill us all.”…
… Katin is particularly prone to verbalising the symbolism he sees around him. He wants to be a novelist but has yet to find a subject he deems worthy of his intellect and talent. Instead, he spends all his time pontificating about the nature of novels, recording endless notes to himself — notes we suspect he will never get around to making use of.
Katin provides us with a rather pompous view of the narrative as great art whereas, when Tyÿ reads the Tarot for Lorq, she interprets his quest (and the role of each crewmember) using the archetypal symbols on her cards, thereby highlighting the mythical context of the story for us. But, of all the characters, it is Mouse who seems closest to the vision of a traditional storyteller. Unencumbered by a need to interpret anything as other than what it is, he simply plays the old songs and tells the old stories, using his instrument to create all the fireworks and effects of mood and wonder that Katin could achieve in written form, if only he could stop theorising and actually commit words to paper….
(15) READ PLANET. Jeff Foust reviews a gigantic book about Martian exploration — “Review: Discovering Mars” – at The Space Review.
… William Sheehan, a history of astronomy, and planetary scientist Jim Bell start at the beginning: “Perhaps the earliest reference to Mars in human culture is as part of the Aboriginal Australians’ Dreamtime, a vision from time beyond memory” but which dates back perhaps more than 40,000 years, they write. From that prehistory they work through early observations of Mars to track its orbit, which over time provided the evidence to support a Sun-centered, rather than Earth-centered, model of the solar system.
The invention of the telescope in the early 1600s turned Mars from a wandering red star to a world of its own. Astronomers struggled to interpret those blurry images, but often defaulted to imprinting our knowledge of Earth onto Mars, be it interpretating areas as seas or regions of vegetation—not to mention the now-infamous “canals” seen by some in the late 19th and early 20th centuries.
Similarly, the era of spaceflight revolutionized our understand of Mars, killing off once and for all any thought of the planet being Earthlike. …
… In her new graphic memoir Time Zone J, Julie Doucet’s cartoon avatar comments, “I had vowed never to draw myself again.” The real-life Doucet, renowned as a pioneer of autobiographical comics since her earliest days as a 1990s zine maker, echoes the sentiment. “I just can’t believe I did that!” she says. “I had a story I wanted to tell, and I really did try to put it on paper in so many different ways, but it didn’t work out. The only way was to tell it in a comic book.”
…Asked if there are personal stories she finds difficult to tell, Doucet laughs and says, “Yes, and they’re not told.” She has a reputation with being brutally honest about her own life, but over the years she’s grown more protective of friends who feel uncomfortable about being included in her work. “For them, [the experiences] were not necessarily good memories,” she says. “So now I’m extremely careful about not putting anyone in my books who doesn’t want to be in them.”
(19) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Batman (1989) Pitch Meeting” on Screen Rant, Ryan George says that when Michael Keaton was picked to be Batman in the 1989 film, he was only known for Mr. Mom, which could lead to “unnecessary arguments about Batman casting for decades to come. Also the producer notes that Bruce Wayne gets Vicki Vale so drunk that she passes out and then gropes around in her bra for a roll of film, “and he’s supposed to be the hero?”
[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Chris Barkley, David Doering, Jeffrey Smith, Rich Lynch, Will R., John A Arkansawyer, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Paul Weimer.]