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Pixel Scroll 3/31/24 I Shall Name This Clever WordPlay After Myself, Said Tom Eponymously

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(1) WHY BARDON DECLINED A 2024 HUGO NOMINATION. Natasha Bardon has posted on Instagram her reasons for declining her Best Editor, Long Form Hugo nomination: 

Learn more about Bardon in this interview from 2020 – “An Interview With… Natasha Bardon” — and this news item from the Bookseller in 2022 – “Bardon promoted to publisher at HarperVoyager and Magpie Books”.

(2) WHAT’S ON THE BALLOT. Cora Buhlert analyzes all the categories in “Some Thoughts on the 2024 Hugo Finalists” which were announced at the UK Eastercon.

Here is Buhlert’s reaction to the voters’ picks for Best Related:

Best Related

I guess everybody knows my strong preference for well-researched non-fiction in this category by now, so I’m pleased that five of six finalists in this category are actually books.

The late Maureen Kincaid Speller was an always insightful critic, so I’m glad to see the collection  A Traveller in Time: The Critical Practice of Maureen Kincaid Speller by Maureen Kincaid Speller, edited by Nina Allan, on the ballot.

Volumes 2 and 3 of Chinese Science Fiction: An Oral History, edited by Yang Feng, are the sequels to the first volume which was nominated in this category last year and most worthy they are, too.

All These Worlds: Reviews & Essays by Niall Harrison does exactly what it says on the tin. I haven’t this collection yet, but it’s exactly the sort of thing I like to see in this category.

A City on Mars by Kelly and Zach Weinersmith is an illustrated popular science book about how feasible it is to colonise Mars. I wasn’t familiar with this book at all, though again it absolutely fits into this category.

The Culture: The Drawings by Iain M. Banks is an art book collecting drawings that the late Iain M. Banks did of spacecraft, locations, etc… of his Culture series. Again, I had no idea that this book existed, but it’s most fitting finalist.

Finally, we have a podcast or rather videocast named Discover X nominated in this category. Discover X appears to be a collection of interviews with various SMOFs and SFF professionaly done by Tina Wong at last year’s Chengdu Worldcon.

Discover X was initially nominated in Best Fancast, but since it is a professional project, it was moved into Best Related. This isn’t the first time a professional podcast was nominated in Best Related. Writing Excuses was nominated in this category several times approx. 10 years ago.  I’m not very happy with podcasts nominated in Best Related, but since there is no professional podcast (procast?) category, there really is no other place to put them. And podcasts are among the less edgy of the many edge finalists we’ve seen in this category in recent years.

There also was a withdrawl is this category, because Bigolas Dickolas Wolfwood was nominated for a viral tweet promoting the Hugo-winning novella This Is How You Lose the Time War by Amal El-Mohtar and Max Gladstone, which pushed the book up various bestseller lists due to Bigolas Dickolas Wolfwood’s many Twitter followers. Now the Bigolas Dickolas Wolfwood affair is a perfect example of how word of mouth works and can catapult a work into the stratosphere. Bigolas Dickolas Wolfwood also appears to be a great person and it was very classy of them to decline a nomination. However, this nomination also illustrates why the Best Related Work needs to be reformed and the definition tightened. Because how on Earth can you compare a single tweet, even one which sold thousands of books, with a 400 page non-fiction book?

And even if we limited Best Related to non-fiction books and long essays, we’d still get a wide range of potential finalists as this year’s ballot shows….

(3) TAKEN FROM THE SHELF. Haven’t had enough Eastercon this weekend? Rob Hansen is prepared to immerse you in the 1956 edition — CYTRICON II – at his richly-detailed fanhistory site.

CYTRICON II, the 1956 UK national science fiction convention was held at The George Hotel in the town of Kettering over the Easter weekend, Friday 30th March – Monday 2nd April. Overflow hotel was The Royal, with The Swan Hotel hosting a further seven fans. Parties were held in both The George and The Royal. The con was organised by the London Circle.

Here’s a brief excerpt from a contemporaneous conreport.

ARCHIE MERCER:

At a quarter to four on Good Friday I staggered from the train at Kettering station, adjusted my two slung haversacks, took a tighter grip on my gramophone(in the right hand) and a parcel consisting mainly of records for same (in the left), and set my face firmly towards the George Hotel. About fifty yards ahead of me, Walt Willis stalked his proud and lordly way. About as far again behind me, I could discern the chatter of several more humans – if they too were fen, and if so who, I still don’t know. Besides I can’t say that it’s all that important.

Arriving at the George in good order, I was immediately caught up in a furious burst of misapprehensions by Joyce, the receptionist, who was practically insisting that I must have a car and wanted to know the number of it. I explained patiently that the nearest thing was the train I’d so carelessly abandoned down at the station and I hadn’t a clue as to its number. So she decided to humour me and let me in without it. I signed the book under Peter Reaney, moved within — and the Con was on….

(4) EX MACHINA REWATCH MOVIE REVIEW. [Item by Erin Underwood.] 2023 was AI’s breakthrough year, and as we move into 2024, I wanted to take a look back at one of the best AI films to see how it held up over the last decade. Check out my new rewatch review of Alex Garland’s groundbreaking AI film Ex Machina. Does the story and the technology hold up? Is it still the instant classic everyone thought it was back in 2014? “Ex Machina Movie Review – A groundbreaking AI film in 2014. What’s it like now?”

(5) BOOK PRESERVATION. Via WIRED: “This Woman Deconstructs 100-Year-Old Books To Restore Them”.

Author, educator and book restorer Sophia Bogle has nerves of steel: one slip of the hand and a century-old first edition book could be ruined. Come inside her workshop as she breaks down the amazing deconstruction, revitalization, and reassembly that goes into her history preserving speciality.

(6) READY FOR MY CLOSEUP. Forbes shares a look “Inside The Ambitious Plan To Broadcast The Entire Total Solar Eclipse”.

It’s nature’s most spectacular sight, but during North America’s total solar eclipse on April 8, the sun’s corona will only be visible for a few precious minutes from any one location.

However, totality itself will be viewed for a combined total of 100 minutes from a 115-mile path of totality stretching from Mexico to the Canada, via the U.S. So why not have cameras stationed all along the track and broadcast the entire thing as one continuous livestream?

That’s the thinking behind the Dynamic Eclipse Broadcast Initiative, a nationwide citizen science team armed with a $314,000 NASA grant, hoping to pioneer a unique new way to broadcast a total solar eclipse.

It’s as much about solar science as it is about broadcasting, however, with a new understanding of the solar corona the ultimate prize.

DEB is the brainchild of the team behind the successful Citizen CATE experiment from the 2017 total solar eclipse, the last to cross the U.S, which saw more than 60 identical telescopes equipped with digital cameras positioned from Oregon to South Carolina to image the solar corona.

The resulting images were then spliced together to reveal the plasma dynamics of the inner solar corona, which is 10,000 times hotter and dimmer than our star’s surface—and can only be studied in full during a total solar eclipse….

(7) VFX OSCAR WINNER TIM MCGOVERN DIES. Visual effects artist Tim McGovern died March 30 at the age of 68. He won an Oscar for his work on the 1990 film Total Recall. Deadline’s profile covers his other accomplishments.

…The Visual Effects Society recently recognized McGovern with the 2023 Founders Award for his contributions to the art, science, or business of visual effects and meritorious service to the Society.

McGovern was a founding member of Sony Pictures ImageWorks and ran it as the Senior VFX Supervisor as well as the SVP of Creative and Technical Affairs. After leaving Sony, McGovern continued as an independent VFX artist and filmmaker.

McGovern’s most recent film credits include Shazam! Fury of the Gods (2023), Jungle Cruise (2021), Men in Black: International (2019), First Man (2019), Ant-Man and the Wasp (2018), Dunkirk (2017), The Huntsman: Winter’s War (2016), and Mission: Impossible — Rogue Nation (2015), among many others….

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 31, 1960 — Ian McDonald, 64. What works by Ian McDonald have I enjoyed so much that I’ve read them over and over, and then when they were available as audioworks listened to them several more times? That’s easy. The Desolation Road series, Desolation Road and Ares Express which I’m holding to be the best story ever set on Mars.

Ian McDonald

A town that develops around an oasis on a terraformed Mars with a cast of characters that are truly fascinating? What’s not to really like? Not to mention the Ares Express running across the desert. Damn I wanted to see that train! 

(I do have a list of other works set on Mars I like — Kage Baker’s The Empress of Mars, Larry Niven’s Rainbow Mars, Arthur Clarke’s The Sands of Mars, Kim Stanley Robinson’s Mars trilogy and Frederik Pohl’s Man Plus.) 

Completely shifting his tone was King of Morning, Queen of Day. Multiple generations of Irish women might have the potential to bring the fey who are obviously quite dangerous into their world. That isn’t the best aspect of the novel — it’s the characters herein. He’s very skilled in his character crafting. 

The Chaga saga set in Africa (Chaga and Kirinya) with its slow moving alien biological invasion is perfectly horrific; I’ve not yet read the short fiction set in the series.

I read both of the future India series, River of Gods and Cyberabad. I throughly enjoyed River of Gods but found Cyberabad less than interesting.

I tried the first of Everness series. No, not my cup of tea. Really not. 

Which was not true of The Dervish House, my last choice. An alternative history of Istanbul set now, well it was twenty years in the future when it was written, though the changes there suggest a history that deviated a lot earlier. Loved the characters. Loved the technology he created. Loved the story. Brilliant all around.

(9) CREDIT GRAB? CBR.com explains why “Marvel’s New Addition to Wolverine’s List of Creators Draws Controversy”.

Marvel’s decision to add a new name among Wolverine’s creators in the upcoming film Deadpool & Wolverine has sparked controversy among fans and comic creators alike.

It has been revealed that Roy Thomas, former editor-in-chief of Marvel Comics, will be credited as one of the four creators of Wolverine. The other creators of the character include the late writer Len Wein, artist Herb Trimpe, and designer John Romita Sr. The news sparked a Facebook post from writer Bobbie Chase, who worked at Marvel in the 1980s and 1990s, asking others to discuss the true creators of the character as well as the implications for editors-in-chief to claim creation over other characters.

Chase also mentioned speaking to Wein’s widow about the changes, saying, “Recently my friend and Len Wein’s widow, Christine Valada, got a call from Marvel executive David Bogart, informing her that in the upcoming Wolverine & Deadpool movie, Roy Thomas will now be credited as the co-creator [of Wolverine], and David said it’s a done deal. […] Of course Christine is seriously concerned about Len’s legacy. Len was profoundly important to the comic book industry, and that legacy is being changed for the worse, six years after his death.”

Chase’s frustrations about this change stemmed from the fact that the other creators of Wolverine have all died, making it hard to dispute the authenticity of Thomas’ addition to the list…. 

(10) CLOWNS AND QUESTION MARKS. 13th Dimension called on fans to “Dig These 13 Great ‘Serious BATMAN’ Moments in BATMAN ’66”. Here’s one example:

The Joker Is Wild. Batman and Robin are nearly unmasked by the Joker after being momentarily grabbed by the villain’s henchmen. The heroes are engaging the villain while he hijacks a live TV performance of the opera Pagliacci – that is why Joker is wearing a white Pierrot clown costume. I think that this image is very much in the dramatic style and spirit of the amazing Norm Saunders paintings used for the 1966 Topps Batman trading card set, inspired by the series.

(11) TAKING IT OUT FOR A SPIN. Gizmodo says “Star Trek: Strange New Worlds’ Incredible Musical Episode Is Getting the Vinyl It Deserves”. It comes out June 7.

Of all the highs Star Trek: Strange New Worlds’ sophomore season pulled off—intense action, Vulcan drama, familiar faces, and plenty more—perhaps one of the most delightful of all was “Subspace Rhapsody,” its earnestly cheesy all-singing, all-dancing musical showstopper. And if you’ve had the soundtrack streaming non-stop since last year, we’ve got great news for you.

io9 can exclusively reveal that Lakeshore Records is going to release the complete 11-track score for the episode on a black vinyl record, with artwork inspired by the poster released for the episode at San Diego Comic-Con last year forming the cover….

(12) VIDEO OF THE DAY. Matt Mitchell says this is how it would sound “If Dune was Southern”. Y’all pay attention now.

(P.S. I’m told one of the references is to Tony Chachere’s spice.)

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Wobbu Palzooza, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 3/22/24 White Rabbits Are Easy, Try Pulling A Pixel Out Of A Hat

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(1) YE KEN NOW. [Via MT Void.] Read Michael Dirda’s article “The two best American fantasy writers you’ve probably never heard of” at the Washington Post. He’s talking about Avram Davidson and Manly Wade Wellman.

… Happily, though, these too-little-known but excellent writers — did I mention that both were honored with the World Fantasy Award for lifetime achievement? — have been supported and championed in recent years by independent publishers and knowledgeable admirers. Let’s start with Wellman.

Back in 2012, Haffner Press assembled “The Complete John Thunstone,” all of Wellman’s stories from Weird Tales magazine about a Manhattan-based occult investigator who, armed with a silver sword-cane, combats demons, the evil magician Rowley Thorne (loosely based on Aleister Crowley) and a hidden race of malignant humanoids called the Shonokins. Fans of Marvel Comics’ Doctor Strange will feel right at home…

… Despite the similarity in their structure, these tales of mystery and the supernatural excel at evoking the uncanny, even as the myriad details of Southern legend and lore further ramp up the tension and foreboding. Think of them, then, as round-the-campfire stories or front-porch yarns: They are shivery without being gruesome, they move right along, and each will leave you wanting to read just one more.

By contrast, Avram Davidson is far more literary, as well as amaster of many vocal registers and genres. In relating his brilliantly gonzo fantasies, he often takes his own sweet time, reveling in pyrotechnic sentences, Jewish slang, mordant humor, digressions and archaic diction. You’ll certainly find all these in “AD 100: 100 Years of Avram Davidson: 100 Unpublished or Uncollected Stories,” edited by Neva Hickman….

(2) NOT AT ALL ELEMENTARY, MY DEAR WATSON. “The Weird Lawsuit Over Netflix’s Enola Holmes, Explained” at Slashfilm.

…In the case of another prominent pop culture figure, Sherlock Holmes, many of the stories featuring Sir Arthur Conan Doyle’s famous detective entered the public domain some time ago. Copyright typically lasts for the duration of an author’s life plus 70 years, 120 years from the date of their creation, or 95 years from their publication date — whichever comes soonest. Doyle passed away in 1930, and a lot of his Sherlock Holmes novels entered the public domain in the 20th Century, beginning in 1981 when 1887’s “A Study in Scarlett” made the transition. So, by the time author Nancy Springer published her first “Enola Holmes” novel in 2006 — a novel based on the world established by Doyle — she was mostly in the clear.

In 2020, Netflix’s first adaptation of a Springer book, “Enola Holmes” arrived, welcoming girls into the detective club and becoming a big enough hit for the streamer to green-light a sequel. When “Enola Holmes 2” debuted in 2022, it proved to be an even more charming mystery outing, firmly cementing these films as a solid new franchise for Netflix. All in all, then, a pretty nice little success story for the biggest streamer in the game. Or at least it would have been if it wasn’t for that pesky copyright law….

…. The complaint alleged that Springer and the other parties infringed copyright and trademark law with the “Enola Holmes” products, specifically stating (via The Guardian) that Sir Arthur Conan Doyle had created “significant new character traits for Holmes and Watson” in the 10 stories that remained protected by copyright law in the U.S. Back in 2014, a ruling made all the Sherlock Holmes stories authored prior to 1923 property of the public domain, allowing Springer and others to use the character and his world in their creations. But the 10 remaining stories, referred to in the 2020 lawsuit, were written between 1923 and 1927, meaning they were still covered by copyright law.

So, what exactly had Springer, Netflix, and the others infringed upon from these specific stories? Well, emotions, apparently…

(3) TREK HISTORY ON THE AUCTION BLOCK. Two of the highlighted items in March 29’s “The Greg Jein Collection Hollywood/Entertainment Showcase Auction” are from Star Trek: The Original Series – a phaser, and a shuttlecraft model.

Star Trek: The Original Series (Paramount TV, 1966-1969), Mid-Grade Type-1 Phaser. Vintage original iconic prop measuring 3.75″ x 1.75″ x 1″. Constructed of hollow fiberglass, painted dark gray with silver stripe on both sides, with wooden emitter tip, acrylic gauge, aluminum power dial and diamond patterned decal. This very rare prop was used by the production for closer shots. Exhibiting scuffing and some paint retouching as well as adhesive remnants on the underside. Comes with a COA from Heritage Auctions. From the Collection of Greg Jein.

Heritage Auctions says about the shuttlecraft:

This piece is truly special. Greg, obviously known for his incredible model-building prowess, built this as a “stand-in” for his screen-used Galileo shuttlecraft filming miniature for the famous Star Trek exhibit at the Smithsonian in 1992. Greg feared his original miniature would become damaged, so he spared no attention to detail in creating this piece, knowing it would be viewed by hundreds of thousands of visitors at the National Air and Space Museum….

Star Trek: The Original Series (Paramount TV, 1966-1969), Greg Jein-Built Galileo Shuttlecraft Model for “Star Trek: The Exhibit” at the Smithsonian (1992). Original static model miniature constructed of cast resin elements, vacuum-formed plastic, mixed-media components, all expertly assembled, painted, and finished with Enterprise-gray paint, tape details, and transfer lettering for badging. Measures approx. 22″ x 14″ x 7.5″. The Greg Jein-built model was on display at the legendary “Star Trek: The Exhibit” at The Smithsonian National Air and Space Museum, Washington, D.C., from February 1992 through January 1993. Exhibits age, paint chipping, cracking and handling. Comes with a COA from Heritage Auctions. From the Collection of Greg Jein.

(4) EATING THE FANTASTIC. Scott Edelman invites listeners to join biographer Julie Phillips for Jӓgerschnitzel in Episode 221 of the Eating the Fantastic podcast.

I first met this episode’s guest, Julie Phillips, in the dealers room of the 2006 Los Angeles Worldcon, where I was introduced by Gordon Van Gelder, her editor on James Tiptree, Jr.: The Double Life of Alice B. Sheldon. That biography had been out only a few weeks by then, and it would go on to win the National Book Critics Circle Award, the Hugo and Locus Awards, and the Washington State Book Award. It’s a truly magnificent achievement, and if you haven’t already read it, you should track it down immediately. Once you do, you’ll understand why I’m anxiously awaiting her next biography — of the great Ursula K. Le Guin.

Julie Phillips

Her most recent book is The Baby on the Fire Escape: Creativity, Mothering, and the Mind-Baby Problem (2002). Her articles have appeared in The New Yorker, Ms., The Village Voice, Newsday, Mademoiselle, and many other publications. She currently lives in Amsterdam, where she reviews books for 4Columns.org and writes about English literature for the Dutch daily newspaper Trouw.

When I learned the Washington County Museum of Fine Arts had asked her give the kickoff lecture of its More than Muses Weekend in nearby Hagerstown, Maryland, I reached out to see whether she had time to break bread so I could share her wisdom with you. And I’m so pleased she agreed. We met for lunch the day after her presentation at Schmankerl Stube Bavarian restaurant, one of my favorite places to eat in Hagerstown.

We discussed why she called The Baby on the Fire Escape “a weird hybrid monster of a book,” the one thing she regrets not researching more thoroughly for her Tiptree bio, the reason there’s more space for the reader in a biography than a memoir, why some children of artistic mothers can make peace with their relationships and others can’t, the three things she felt it important to squeeze into the seven minutes she was given to speak at Ursula K. Le Guin’s memorial service, her writing method of starting in the middle of a book and working out toward both ends, the occasional difficulty of withholding judgement on one’s biographical subjects, the relationship between biographer Robert Caro and editor Robert Gottlieb, plus much more.

(5) ARTIFICIAL INTELLIGENCE, REAL BALONEY. “A Celebrity Dies, and New Biographies Pop Up Overnight. The Author? A.I.” finds the New York Times.

After Joseph Lelyveld, a former executive editor of The New York Times, died last month, his brother Michael Lelyveld went online to see how he was being remembered. He found obituaries in major news outlets, as expected. But he also found other, unexpected portraits of his brother.

At least half a dozen biographies were published on Amazon in the days immediately following Lelyveld’s death. Several of them were available for purchase on the very day he died. The books, he said, described his brother as a chain smoker, someone who honed his skills in Cairo and reported from Vietnam — none of which is true.

“They want to make a buck on your grief,” said Michael Lelyveld.

Books like this are part of a macabre new publishing subgenre: hasty, shoddy, A.I.-generated biographies of people who have just died…

(6) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 22, 1920 — Ross Martin. (Died 1981.) Let’s talk about Ross Martin and his involvement with Wild Wild West which is a fascinating story indeed. 

He got his first acting job in the early Fifties series Lights Out’s “I Dreamed I Died” episode. 

This was not the beginning of his performance career as he did a lot of radio before that, including the last broadcast episode of Dimension X, and two of X Minus One, one of which taken from was Bradbury’s “The Man in The Moon” story which I believe Bradbury himself adapted for broadcast. 

Before the Wild Wild West, he would be in the Conquest of Space, a film about the first interplanetary flight to the planet Mars, and in The Colossus of New York where he’s Dr. Jeremy “Jerry” Spensser (sic) whose brain gets put into a giant robotic body. What could possibly go wrong?  

Ross Martin in 1965

Mike wants to note that that though “not genre, he played the villain in Experiment in Terror which was a memorable film.” Thanks Mike! 

Not surprisingly, he’d be in Twilight Zone. The first time “The Four of Us are Dying” where he’s already dead as Johnny Foster. Seriously he is. Nice touch there, Serling. The next time is in what starts as a purely SF episode which is described this way, “Space Cruiser E-89, crewed by Captain Paul Ross, Lt. Ted Mason (his character), and Lt. Mike Carter, is on a mission to analyze new worlds and discover if they are suitable for colonization.”  Well, this being the Twilight Zone, it will take a trip into the very strange of course. 

It is said that the Artemus Gordon character was largely shaped by Martin himself. He created almost all of his disguises for the show, and even the gadgets used on the series were either created by him or largely constructed with his input. Even the make-up he did for many of the episodes was mostly his own design. Given that he was in eighty-five episodes, that’s quite amazing!

Gordon missed nine episodes after suffering a heart attack. The actor was temporarily replaced by familiar actors like William Schallert and Alan Hale, Jr.  So yes the Captain did escape from the island. And time traveled. 

I loved the series, loved him and Conrad, thought they made a great pair of agents. I’ve watched the series quite a few times including on DVD about a decade ago, that viewing allowed me to see pre-production sketch that was made of his very first make-up design for the pilot episode. 

The four season boxed set has the two movies plus all the extras from seasons two  through four but very oddly not the ones from the first season when these were first released as separate sets. A very odd thing to do. And yes, you can find the separate seasons easily enough on eBay. 

After this series, his genre appearances are as follows. 

He appeared in another Serling series playing Mister Gingold, a  moneylender with almost no compassion for his debtors who would get his due justice Night Gallery-style in “Camera Obscura”, and again as Bradley Meredith in “The Other Way Out” as the jig is up after he kills a go-go dancer. Serling did not write this script and it shows. There’s nothing at all interesting here.

Not genre (I think, we could call it genre adjacent) was his role was Charles Chan in The Return of Charlie Chan. 

Definitely genre was his appearance on Quark as Zorgon the Malevolent in “All the Emperor’s Quasi-Norms, Parts 1 & 2”. 

I’m down to his last three genre appearances, he was in    The New Adventures of Wonder Woman  as Bernard Havitol in the “IRAC is Missing” episode and his next two genre role was as Ace Scanlon in a Fantasy Island two parter, “The Devil and Mandy Breem” and “The Millionaire”.

His final genre role was on Mork & Mindy as Godfrey in the “Mork and the Bum Rap” episode. That, I think, covers it. 

(7) COMICS SECTION.

From Cooper Lit Comics:

(8) USE THE COFFEE MACHINE, LUKE. “’Star Wars’ Marathon Set From Alamo Drafthouse With All Nine Films” says The Hollywood Reporter.

Alamo Drafthouse is hosting a Star Wars marathon of all nine movies to screen back-to-back May 3-4, coinciding with the 25th anniversary of Star Wars: Episode I — The Phantom Menace.

The Texas-based theater chain will host the 21-hour marathon of the Skywalker Saga’s episodes one through nine at the Alamo Drafthouse New Mission in San Francisco. The all-in-one-sitting viewing will start May 3 with The Phantom Menace and end a day later with a screening of The Rise of Skywalker.

There will be breaks for “unlimited coffee and water” to keep your eyes open in case the Force isn’t enough. Audiences can expect Star Wars-themed food items from a galaxy far, far away at the concession stands, an immersive Star Wars lobby for selfies, and games and trivia between screenings.… 

(9) WARP FACTOR TEA. Of course, if you’re not a coffee drinker, Adagio Teas looks like they have at least ten selections in their “To Boldly Brew…” line. One of them is “Picard’s Tea. Earl Grey. Hot. Tea”. Below are three examples of the art on the product tins.

Picard’s Tea. Earl Grey. Hot. Creamy Earl Grey Moonlight blends beautifully with Summer Rose, (English roses in honor of Sir Patrick Stewart’s homeland). Extra rose petals added for that touch of Starfleet Command red. [Episodes: TNG 2×11 “Contagion,” 4×26 “Redemption,” 6×19 “Lessons,” 7×20 “Journey’s End,” 7×25/26 “All Good Things…”]

(10) ON THE BEACH. [Item by SF Concatenation’s Jonathan Cowie.] “NASA’s Mars rover probes ancient shorelines for signs of life” reports Science. A  core drilled by Perseverance in October 2023 suggests it has been driving on the remains of an ancient beach.

…For the past few months, NASA’s rover, which is collecting rock samples to eventually send to Earth, has explored a ring of rocks just inside the rim of Jezero crater, which is thought to have been filled with water billions of years ago. An initial analysis suggests the rocks are composed of rounded grains of carbonate, a mineral that precipitates out of water. It’s a promising sign that the rocks were once beachfront property, says Briony Horgan, a planetary scientist at Purdue University who leads the rover’s science campaign. “You can imagine the waves crashing up against the shores of an ancient palaeolake,” she says….

(11) A PENGUIN IN YOUR FUTURE. “Colin Farrell returns in Max’s first The Penguin teaser” — let AV Club set the stage.

While fans will need to wait an extra year to see Robert Pattinson re-don his black cape for The Batman Part II (the film is now set to premiere in 2026), they don’t need to stay out of Matt Reeves’ gritty version of Gotham entirely. Colin Farrell’s Oz Cobb—in all his prosthetic-covered glory—is returning far sooner for his own eight-episode spinoff series, which lands on Max sometime this fall.

Move over, Tony Soprano. A new boss is coming to HBO. The first teaser for The Penguin opens in a flooded Gotham, right where the 2022 film left off, with Farrell doing exactly what any DC villain worth his salt should do: monologuing….

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Dann, Steven French, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 3/15/24 What Can You Scroll About Chocolate Covered Stepping Disks?

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(1) WALDROP TO THE SCREEN. George R.R. Martin tells us, “The Chickens Are Coming” at Not A Blog.

Howard Waldrop is gone, but his work will live on.

…And here’s the latest one, an adaptation of Howard’s most famous story, THE UGLY CHICKENS.  Winner of the Nebula.   Winner of the World Fantasy Award.   Nominee for the Hugo, but, alas, not a winner.   A pity, that.  Howard never won a Hugo, but in some more Waldropian  world he has ten of them lined up on his mantle.

Felicia Day (SUPERNATURAL, THE GUILD, DR. HORRIBLE’S SING ALONG BLOG) stars in our film of “that dodo story.”   Mark Raso (COPENHAGEN, KODACHRONE) directed.   Michael Cassutt (TWILIGHT ZONE, MAX HEADROOM, TV101, EERIE INDIANA, and many more) did the screenplay.

Howard saw a rough cut of the film before he died.   He liked it, which pleases me no end.   I only wish we had been able to screen the final cut for him.

(2) HIGH CALIBER CANON. The Atlantic’s list of“The Great American Novels” includes Fahrenheit 451 by Ray Bradbury, The Haunting of Hill House by Shirley Jackson, A Wrinkle in Time by Madeleine L’Engle, Do Androids Dream of Electric Sheep by Philip K. Dick and a number of other works of genre interest.

(3) INTERNATIONAL BOOKER PRIZE LONGLIST. Based on the descriptions of the works at the website, there are no books of genre interest among the 13 that made the International Booker Prize 2024 longlist.

(4) BECOMING THE LIFE ON MARS. Space.com interviews Robert Zubrin about his new book: “’The New World on Mars’ offers a Red Planet settlement guide”.

To say that Dr. Robert Zubrin, the esteemed Colorado-based aerospace engineer, author, lecturer and founding president of the Mars Society, has the Red Planet on his mind is a colossal understatement.   

This pioneering educational voice and influential space authority has written many books on the timely topic of Mars and Mars settlement over the years as interest in humankind’s role in its ultimate development has risen exponentially. Now Zubrin adds to his impressive catalog of visionary volumes about our mysterious planetary neighbor with the recent release of “The New World on Mars” (Diversion Books, 2024), a fascinating and infinitely readable peek into Mars’ inestimably rosy future….

Space.com: One of the most interesting chapters deals with the psychological aspects of leaving Earth and establishing an identifiable Martian culture with its own customs, rites and rituals and the importance of that process. Can you elaborate on that subject more?

Zubrin: The Mars Society over the past couple years held two contests asking people to design a 1,000-person Mars colony and a one-million-person Mars city-state. And by design we meant not just the technology or the economy, but the social system, political system, what kind of sports are likely to be played, as well as the aesthetics. 

Between the two contests, there were something like 300 entries. The ideas proposed spanned a huge range of political systems from socialist, to democratic and libertarian. Rather than attempt to choose my favorite system for a Martian utopia, I took the point of view that there will be many Martian cities founded by different people with very different ideas on what the ideal state should be, and it’s going to be sorted out by natural selection.  

Some of the answers I came up with I like a lot, like human liberty. But this is in contradiction to many visions of science fiction colonies that are totally controlled because no one would immigrate to one. The ones that will outgrow the others will clearly be the ones that are most attractive to immigrants. Freedom is a great attractor. North Korea does not have an illegal immigrant problem. Martian colonies will have to be highly inventive and invention only thrives under freedom. I believe a Mars colony will also require a great deal of social solidarity, so it will not be multi-cultural and will need to have a strong sense of community and common identity….

(5) DOCTOR WHO STARTING TIME.  From Variety we learn “’Doctor Who’ Starring Ncuti Gatwa Reveals May Premiere Date”.

…The new season of “Doctor Who,” starring “Sex Education” breakout Ncuti Gatwa as the Fifteenth Doctor, will premiere on May 10.

The new installment will be the first-ever to launch on Disney+ and release simultaneously worldwide. The premiere will start on May 10 at 7 p.m. ET in the U.S. and internationally (excluding the U.K.) with Christmas special “The Church on Ruby Road” airing before two brand-new episodes. In the U.K., the season will premiere at midnight GMT on May 11 on BBC iPlayer.

…A new trailer for the season will debut on March 22.

(6) SHATNER WON’T BE ECLIPSED – FOR LONG, ANYWAY. The Los Angeles Times interviewed “William Shatner on his long career, horses and watch design”. Behind a paywall, unfortunately. Here’s the first paragraph:

A documentary on his life, “You Can Call Me Bill,” directed by Alexandre O. Philippe (“Lynch/Oz”), is scheduled to roll out in theaters March 22 to coincide with his 93rd birthday. He continues to host and narrate the puzzling-phenomena History series “The UnXplained With William Shatner.” A 2022 performance at the Kennedy Center, backed by Ben Folds and the National Symphony Orchestra, is about to be released both as an album, “So Fragile, So Blue,” and a concert film. The title song, says Shatner, “encompasses a lot of my thinking about how we’re savaging the world, and [I’d hope] it’d be a song that people would listen to and perhaps be inspired to do something about global warming.”

And on April 8, for 15 minutes before the shadow of an eclipse falls over Bloomington, Ind., Shatner will address “55, 60,000 people” in the Indiana University football stadium. “So what do you say, what do you write, what do you do? I’m going to have to solve those problems.”…

(7) SIMULTANEOUS TIMES CELEBRATES ANNIVERSARY. Space Cowboy Books presents a special six-year anniversary episode of Simultaneous Times in collaboration with Worlds of IF Magazine bringing you works from the pages of Worlds of If Magazine #177. Listen to the podcast at the link. Story and poetry featured in this episode:

  • “Contact” by Akua Lezli Hope; with music by Fall Precauxions. Read by the author
  • “The Pain Peddlers” by Robert Silverberg; with music by Phog Masheeen. Read by Jean-Paul Garnier
  • “Time Junkies” by Pedro Iniguez; with music by Fall Precauxions. Read by the author

Theme music by Dain Luscombe

(8) RELICS OF WONKY PROMOTION TRANSMUTED TO CHARITY GOLD. “Props from botched Willy Wonka event raise more than £2,000 for Palestinian aid charity” reports the Guardian. The charity is Medical Aid for Palestinians.

Props from a botched Willy Wonka event in Glasgow that went viral after frustrated attenders called the police have raised more than £2,000 at auction for a Palestinian aid charity.

Fabric backdrops from the “immersive experience”, which was cancelled midway, were found in a bin outside the warehouse where it took place.

Monorail Music, a record shop in the city, auctioned the remains on eBay after they were passed on by the finder. The listing said: “Don’t miss out on this rare opportunity to own a piece of history.”

The Wonka event gained online notoriety after images of the sparsely decorated warehouse in Glasgow, staffed by actors dressed as Oompa Loompas and other characters, spread worldwide. On Thursday, the listing had a total of 57 bids and the items were sold for £2,250. Michael Kasparis, online manager of Monorail, described the outcome as “amazing”….

(9) RED FLAGS RAISED ABOUT TCG-CON. Outside the Asylum urges “Don’t Go to TCG-Con”. Here’s the synopsis of a long post with many receipts:

Summary: TCG-con frequently does not pay out its advertised prizes and staff compensation. They currently owe upwards of $50,000 to players, cosplayers, judges, and other staff members for previous conventions, and appear to be in the process of collapsing entirely. I would strongly recommend not purchasing a ticket to their future events, trying to get a refund if you already have, and warning anyone you know away from them as well. If you’re owed money yourself, see the end of this page for information on next steps.

(10) GRANT PAGE (1939-2024). Deadline pays tribute in “Grant Page Dead: Australian Stuntman In ‘Mad Max’ Films & 100-Plus Others Was 85”.

Grant Page, the Australian stunt icon who performed in and coordinating stunts for the original Mad Max,sequel Beyond Thunderdome,the upcoming prequel Furiosa: A Mad Max Sagaand more than 100 other films and TV series, died Thursday in a car crash. He was 85.

A legend of Aussie cinema, Page worked … on the 1979 action classic Mad Max,which introduced the world to Mel Gibson. He performed and served as stunt coordinator on …  its 1985 second sequel Mad Max Beyond Thunderdome… He also worked on … prequel, Furiosa: A Mad Max Saga, which is on the radar to premiere at Cannes in May, and on his 2022 pic Three Thousand Years of Longing.

(11) COMICS SECTION.

The New Yorker cartoon for the Ides of March gives us Dr. Seuss’ interpretation instead of Shakespeare’s.

(12) I BECAME WHAT I BEHELD. “Grant Morrison Responds to Zack Snyder’s Take on Batman Killing, ‘If Batman Killed His Enemies, He’d Be the Joker’” (comicbook.com) – in a quote at Comicbook.com.

Filmmaker Zack Snyder recently stirred up some controversy when he defended his aggressive version of Batman from Batman v Superman: Dawn of Justice who killed, a choice that for many comic book fans runs counter to basic tenets of the character. Now, comic book writer Grant Morrison is weighing in and they don’t agree with Snyder. According to Morrison, “if Batman killed his enemies, he’d be the Joker.”

In their newsletter Xanaduum (via ScreenRant), Morrison — whose own work has been among some of the more definitive takes on Batman — dug into not only the practical aspect of why Batman doesn’t kill (because he’d end up arrested by Commissioner Gordon, in theory) but also the psychological aspect of the character and how Batman’s “no-kill” rule is something locked into him from the time he was a small child and is a part of his mental state having never fully developed, in some respect, out of the child who saw his parents murdered in Crime Alley.

“That Batman puts himself in danger every night but steadfastly refuses to murder is an essential element of the character’s magnificent, horrendous, childlike psychosis,” Morrison wrote.

There’s also the matter of the line between what Batman does and what the villains do. Villains kill; Batman does not. It makes all the difference, at least to Bruce Wayne who, should he ever cross the line, would then become no better than those who killed his parents….

(13) SNOWPIERCER RESCUED. It won’t be frozen out by streaming services after all says Deadline: “’Snowpiercer’: AMC Picks Up Season 4 After TNT Scrapped Sci-Fi Drama”.

The final season of Snowpiercer has finally found a home.

The fourth season of the sci-fi drama will air on AMC after the company acquired the rights to the Tomorrow Studios-produced series. It comes after TNT scrapped the show last year as part of a wider Warner Bros. Discovery content write-down strategy.

Deadline revealed in January 2023 that the fourth season wouldn’t air on its original home, as part of a slew of content cuts that also included the axing of Batgirl, Abrams’ HBO drama Demimonde, and TBS series such as The Big D, Chad and Kill The Orange Bear….

(14) A YELLOWSTONE UNSTUCK IN TIME. Gizmodo assures us “Josh Brolin’s Sci-Fi Hole Show Will Get Even Sci-Fi-er, Holier in Season 2”.

…The central mysteries of Outer Range surround that giant hole, which materializes on property owned by Brolin’s Wyoming rancher character and is eventually established to be a time portal. Along the way, various characters go missing, are revealed to have been born in different centuries, notice odd happenings that seem anachronistic, or are unmasked as characters we’ve already met who happen to be several years older than they should be. In season two, we’ll all take a time leap; the action begins in 1984 with a younger version of Brolin’s character, and Vanity Fair describes the narrative structure as “gamely hopping between different decades (and centuries) with newfound propulsion.”

An astrophysicist called in to help the time-travel stuff make sense—but according to new showrunner Murray, “The biggest part of what time travel meant to me and the writers was: How can this help us expose something that a character’s going through?” We’re very intrigued to see where this wild trail heads next….

(15) DISHING IT UP. A reporter tells BBC that “’Journalists are feeding the AI hype machine’”.

When Melissa Heikkilä looks back on her past four years writing about artificial intelligence (AI), two key things jump out to her, one good, one bad.

“It’s the best beat… AI is a story about power, and there are so many ways to cover it,” says the senior reporter for magazine MIT Technology Review. “And there are so many interesting, and eccentric people to write about.”

That’s the positive. The negative, she says, is that much of the wider media’s coverage of AI can leave a lot to be desired.

“There is more hype and obfuscation about what the technology can and cannot actually do,” says Ms Heikkilä. “This can lead to embarrassing mistakes, and for journalists to feed into the hype machine, by, for example, anthropomorphizing AI technologies, and mythologizing tech companies.”…

(16) RIGHT TURN, CLYDE. And while we’re on the subject of dud reportage – “Seismic signal that pointed to alien technology was actually a passing truck” says Physics World.

In January 2014 a meteor streaked across the sky above the Western Pacific Ocean. The event was initially linked to a seismic signal that was detected on Papua New Guinea’s Manus Island. This information was used by Harvard University’s Amir Siraj and Avi Loeb to determine where the object likely fell into the ocean. Loeb then led an expedition that recovered spherical objects called spherules from the ocean bottom, which the team claimed to be from the meteor.

Because of the spherule’s unusual elemental composition, the team has suggested that the objects may have come from outside the solar system. What is more, they hinted that the spherules may have an “extraterrestrial technological origin” – that they may have been created by an alien civilization.

Now, however, a study led by scientists at Johns Hopkins University has cast doubt on the connection between the spherules and the 2014 meteor event. They have proposed a very different source for the seismic signal that led Loeb and colleagues to the spherules.

“The signal changed directions over time, exactly matching a road that runs past the seismometer,” says Benjamin Fernando, a planetary seismologist at Johns Hopkins who led this latest research.

“It’s really difficult to take a signal and confirm it is not from something,” explains Fernando. “But what we can do is show that there are lots of signals like this, and show they have all the characteristics we’d expect from a truck and none of the characteristics we’d expect from a meteor.”

That’s right, it was a truck driving past the seismometer, not a meteor….

(17) WAR OF THE WORLD. “Air defense for $13 a shot? How lasers could revolutionize the way militaries counter enemy missiles and drones” at Yahoo!

Britain this week showed off a new laser weapon that its military says could deliver lethal missile or aircraft defense at around $13 a shot, potentially saving tens of millions of dollars over the cost of missile interceptors that do the job now.

Newly released video of a test of what the United Kingdom’s Defense Ministry calls the DragonFire, a laser directed energy weapon (LDEW) system, captured what the ministry says was the successful use of the laser against an aerial target during a January demonstration in Scotland.

“It’s a potential game changer for air defense,” the video says as a bright laser beam pierces the night sky over a firing range in the remote Hebrides archipelago, creating a ball of light as it hits its target.

The Defense Ministry says the DragonFire can precisely hit a target as small as a coin “over long ranges,” but it did not offer specifics. The exact range of the weapon is classified, it said.

The laser beam can cut through metal “leading to structural failure or more impactful results if the warhead is targeted,” a UK Defense Ministry statement said….

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Sandra Miesel, SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 3/7/24 Files Scroll In Where Pixels Fear To Thread

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(1) WILL THE DOCTOR APPROVE WHEN BBC MARKETING DEPARTMENT USES AI TO PROMOTE DOCTOR WHO? [Item by Ersatz Culture.] The BBC media centre published an article by the “Head of Media Inventory: Digital” earlier today, about their plans to use AI to promote Doctor Who.  It leads:

Experimentation is at the heart of how we approach marketing at the BBC. Testing and learning on how we let audiences know what BBC content is most relevant to them and we know they might love underpins our digital marketing strategy. However, experimentation in marketing typically requires more time spent on the creative work to make extra assets. Generative AI offers a great opportunity to speed up making the extra assets to get more experiments live for more content that we are trying to promote.

We’re going to take it one step a time, starting simple and learning as we go. We have chosen to start with Doctor Who, as it is a joint content priority for both BBC Public Service UK and BBC Studios marketing teams. There’s a rich variety of content in the Whoniverse collection on iPlayer to test and learn with, and Doctor Who thematically lends itself to AI which is a bonus.

We will be creating human-written marketing copy for a Doctor Who push notification, email subject line and in the promotional rail on BBC Search – then we will be using generative AI to suggest copy variations which are then reviewed and approved by our marketing team before being shown to the audience. Their success will be measured by click- rates, open-rates, and post-impression conversion-rates across each channel.

The article also provides details about how the BBC proposes to have human oversight and review of this process.

One fan pointed out that the 1979 story “City of Death” had already depicted the Doctor’s attitude towards computer-generated content.

(2) CHILDREN’S BOOK AUTHORS SIGN OPEN LETTER ABOUT GAZA. Publishers Weekly reports on an open letter to the Society of Children’s Book Writers and Illustrators signed by children’s book creators in “SCBWI Addresses the Humanitarian Crisis in Gaza”.

… Hundreds of children’s and YA creators including Jason Reynolds, Elizabeth Acevedo, Brendan Kiely, Sabaa Tahir, and Maggie Tokuda-Hall added their names to the petition, which features an illustration—“We Feel Your Silence”—by Egyptian-born picture book artist Hatem Aly….

The full text of the open letter is at the link. The letter begins:

Dear Society of Children’s Book Writers and Illustrators,

Our community of kids’ book creators and readers is calling out for solidarity and transparency.

The humanitarian crisis in Gaza is the deadliest for children in modern history. UNICEF, among other leading human rights organizations like Amnesty International and Human Rights Watch, recognized that “there is no safe place for children in Gaza” and that this is a war against children.

As the preeminent global community for children’s book creators whose mission is to, in part, “establish a more imaginative and inclusive world through the power of children’s literature,” many active, past, and prospective members of the community are struggling to feel a sense of inclusion and belonging when SCBWI remains silent.

Currently, over a million children are being actively starved while the Israeli government refuses to permit aid into the Gaza strip. Children are being carpet bombed and sniper-attacked in the Israeli government designated safe zone, Rafah, with nowhere to escape. Thousands of children have been orphaned, wounded, undergone surgeries and amputations without anesthesia, and disabled. Palestinian libraries, schools, universities, and publishing houses have been decimated….

Some signers from the sff community whose names jumped out at me are: Alaya Dawn Johnson, Alex Brown, Alyssa Wong, B. Sharise Moore, Daniel José Older, Jacqueline Woodson, Natalie C. Parker, Olivia A. Cole, Raina Telgemeier, and Tochi Onyebuchi.

SCBWI’s Executive Director has responded with a message on Instagram:

According to Publishers Weekly —

…Responses were mixed, and executive director Sarah Baker engaged with several commenters directly. Various community members thanked SCBWI “for supporting the voices of all authors and illustrators… while acknowledging this horrendous war and humanitarian crisis.” Others called the letter “performative” and “disappointing,” some said they would not renew subscriptions, and one called the approach “genocidal apologism.” SCBWI has more than 22,000 members around the world….

(3) URSA MAJOR AWARDS DITCH MUSIC CATEGORY. The Ursa Major Awards for anthropomorphic literature and arts announced March 6 they have dropped the Music Category.

No further explanation was given. Commenters seem to believe the decision was in response to a specific instance of ballot stuffing, or a finalist’s use of AI to create art.

(4) JACK WILLIAMSON LECTURESHIP. David Sweeten has circulated the schedule for the 47th Annual Jack Williamson Lectureship, being held at Eastern New Mexico University from April 11-13 in Portales, NM. The guest of honor is Martha Wells, with emcee Connie Willis.

Below is a brief rundown of the events as they stand, but some items are still in development. Generally, the main events of the Lectureship will take place on Friday, but please let me know if you can make the dinner on Thursday. Also, Connie’s workshop on Saturday is always a delight.

  • Thursday, April 11th: 
    • 3 pm: a forensic talk from Cordelia Willis.
    • 5-7 pm: Opening event in the Greyhound Lounge (CUB basement) with activities run by ENMU student organizations (including the History Guild doing a presentation on Jack Williamson, the Clayhounds [ENMU ceramics club] bringing scifi themed pottery and paint-and-takes, and more)
    • 7-9 pm: Lectureship participant dinner for authors, the committee, and academic presenters (please email me if attending so I can update the catering)
  • Friday, April 12th: 
    • 8:30 am: Academic Panel (CUB, Zia room)
    • 10 am: Guest of Honor Reading from Martha Wells (CUB, Zia room)
    • 12 pm: Keynote lunch with remarks from Connie Willis, keynote address from Martha Wells, and scifi/fantasy trivia 
    • 1:30 pm: Tour of Special Collections, including Jack’s Office and the Science Fiction Special Collection (GSSC, Special Collections)
    • 1:30 pm: Board Game Session (GSSC, Presentation Area)
    • 3-6:30 pm: Author Panels (JWLA)
    • 7 pm: Dinner at Asplunds’ house, Potluck
  • Saturday, April 13th: 
    • 8:30 am: Academic Panel (JWLA)
    • 10 am: Connie’s Writing Workshop (JWLA)

(5) TERRY CARR ON THE DILLONS. In January we reported the sale of Leo and Diane Dillon’s original art for the cover of The Left Hand of Darkness (see Pixel Scroll 1/27/24 item #2). Le Guin’s book was part of the Ace Specials series edited by Terry Carr.

Yesterday I happened upon an article Carr wrote for the fanzine Focal Point in 1971 (see page 6) right after he had to “fire” them because he was told their covers weren’t helping to sell the books. Though he reassured everyone:

…Don’t weep for Leo and Diane. They’re among the most sought-after artists in the book field, and they make a lot more money from the work they do for Time-Life Books or Fawcett Premier than we could ever pay them at Ace. When you visit them and look in on their studio you find incredibly beautiful sketches and partially finished paintings there. ’’That one was due last Tuesday,” says Diane, ’’and we were supposed to have twenty-five double-page spreads done for a history of Hawaii last month.” For the Dillons, the SF Specials were an extra job every month that they didn’t need and which they did for less money than they could get anywhere else. They did them out of friendship and love for the freedom to paint what they wanted….

Carr’s Focal Point column continues with several pages of detailed commentary on the covers they painted for the Ace series.

Ironically, just two issues later, Focal Point reported that Terry Carr himself had been let go by Ace.  However, they said Carr would continue editing the Ace Specials, working from home. The last Ace Special in the first series was released in August 1971. Carr would go on to enjoy a highly honored career as a freelance editor. And, in fact, in the Eighties he came back to Ace and edited a second series of Ace Specials.

(6) HOLY CATS, BATMAN! “Lego unveils 4,200-piece set celebrating 85 years of Batman: See the $300 creation” at Yahoo!

Fans of Lego and “Batman: The Animated Series” will have a chance to own a piece of history as Warner Bros. Discovery and DC celebrate 85 years of the Caped Crusader with a new brick set.

Lego Group on Thursday unveiled the Batman Gotham City Skyline set, an “amazing recreation of Gotham City as it appears in ‘Batman: The Animated Series.'”

The Lego press release adds:

…The 4,210 piece set is a Batman fan’s dream as every tower and building meticulously recreates iconic locations from Warner Bros. Animation’s “Batman: The Animated Series” including the Gotham City Court, Arkham Asylum, the classic Batwing and Bat Signal. The set is also full of Easter eggs and beloved characters including Catwoman, The Joker, Harley Quinn and Batman himself. In addition, parts of the set open up to reveal more intricacies inside.

The perfect set for DC fans, the Gotham City Skyline set is a stunning display piece which can be wall-mounted or placed on a shelf….

(7) GOTHAM AFTER DARK. Get an R-rated look at Gotham when The Gotham Follies of 1939: A Dark Night Parody come to Los Angeles on June 1. Tickets go on sale March 13; waitlist at the link.

Experience the allure of Prohibition-era Gotham City in The Gotham Follies of 1939—a captivating parody blending vaudeville, burlesque, cabaret, and contemporary entertainment from the creator of The Empire Strips Back. Step into a world where the Dark Night’s universe comes alive on stage, promising an unforgettable night of laughter, danger, and pure escapism at The Montalbán this summer.

Read the FAQS, ma’am.

(8) NOTES ON A CAREER. In this video from Variety, “Star Wars & Harry Potter Composer John Williams Reveals How He Came Up With Cinemas Biggest Scores”.

Musical genius, John Williams, takes us through his incredible career and shares how the soundtracks for some of the biggest movie franchises such as Star Wars, Harry Potter and Jurassic Park were brought to life.

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 7, 1944 — Stanley Schmidt, 80. This Scroll I come to speak of an editor that I really like, Stanley Schmidt. Starting in 1978, his longest tenure as an editor was at Analog Science Fiction and Fact magazine for an extraordinary thirty-four years. I’m reasonably sure that he was nominated a record twenty-nine times before winning a Best Editor, Short Form at LoneStarCon. That Award came just before his retirement from Analog, nice timing indeed.

But let’s go back in time now. 

Stanley Schmidt accepts the Solstice Award. Photo by Kathi Overton.

He started out as a writer with his first short story being “A Flash of Darkness” being published in Analog in September of 1968.  Likewise his first novel, The Sins of the Fathers, serialized in Analog from November 1973 to January 1974. So one could, well I will, say that his editing of Analog was well rooted in his own history with it. 

Now where was I? Oh there. The Sins of The Fathers is an amazing work and would’ve made a stellar series but Schmidt was not, shall I say a prolific writer with just three novels and I count thirty-two short stories, so that didn’t happen. However the Lifeboat Earth collection of nine stories does continue what was started here, so do get it and read them if you enjoyed this novel.

He edited a lot, and I do mean a lot, of Analog anthologies taken from the material he edited in those years he was there. I can’t say which you should read as they’re all likely to have excellent reading in them, aren’t they?  

He only edited four other anthologies of which I’ve only read one, having a decided jones for alternate history of all sorts: Roads Not Taken: Tales of Alternate History, co-edited with Gardner Dozois. Turtledove, Silverberg and Resnick, to name but a few, have stories here… Great stories all of course.

Before I take your leave, I should note that he had the honor of winning the Robert A. Heinlein Award which is given for outstanding published works in science fiction and technical writings that inspire the human exploration of space.

(10) THE FEDERATION RETURNS. Camestros Felapton declares “I finally watched Star Trek Discovery Season 4” and delivers a season overview.

…Yes, it is nice that this crew gets to have a season in which they are actually part of a Star Fleet that is not trying to kill them (or is barely functioning) and eventually story elements fall into place that pull things together both thematically and as a genuinely interesting science-fiction story….

(11) FREE GAME. “Indie developer says Warner Bros is “retiring” his game from official platforms, so he’s giving it away for free instead” reports GameRadar+. Download it for free at Fire Face – Games.

Owen Deery, an indie developer behind the puzzle game Small Radios Big Televisions, has stated that Warner Bros. will soon be “retiring” the game from digital storefronts. In response, Deery is giving away the PC version for free to everyone. 

Small Radios Big Televisions released back in 2016 on Steam and PS4, published by the Warner Bros. subsidiary Adult Swim Games. The puzzler has you collect cassette tapes found in abandoned factories and explore the virtual worlds within them. However, Deery says it will soon be unable to buy, and that it will be removed from storefronts “within the next few weeks.”…

(12) MEET THE EMPEROR. Vanity Fair learns why at age 80 “Christopher Walken Still Rules: On ‘Dune: Part Two,’ ‘Star Wars’ and True Power”.

Truly intimidating power, Walken says, doesn’t have to announce itself. That’s his explanation for why the long-ruling emperor doesn’t feel obliged to dazzle with his appearance. “There is something about getting older that you’re sort of not inclined to get out of your pajamas,” he tells Vanity Fair. “He maybe doesn’t take a shower as often as he should. There’s a little bit of ‘the hell with it’ at a certain point.”…

…None of that will help a humble earthling get into the mindset of a galactic overlord. “I can tell you that it’s probably better not to think about it,” Walken says. “When I was young, I had to play a king in something. I was in a Shakespeare play. It was Henry II. And an older actor said to me, ‘Don’t worry about it.’ He said, ‘If the director sets it up so that people treat you like the king, you don’t have to do much.’ And I sort of trusted that to happen.”

The show of power and wealth is all around Shaddam IV, so Villeneuve and Walken believed it didn’t have to be piled on top of him as well. “The emperor’s got the trappings, he’s got the court, he’s got the costume, he’s got the bodyguards. And so I figured I’d just let them call me the emperor,” Walken says.

This withholding approach to the intimidating power broker is actually foreshadowed in another iconic Walken performance, in which he delivered an intimidating speech about a lion who reigns as “king of the jungle,” but tolerates the other animals nipping at him, taking food from his domain, and encroaching on his territory—“until one day…that lion gets up and tears the shit out of everybody.”…

(13) ARMORER GUILTY IN RUST VERDICT. AP News reports in Santa Fe, NM, “’Rust’ armorer Hannah Gutierrez-Reed convicted of involuntary manslaughter”.

A jury convicted a movie weapons supervisor of involuntary manslaughter Wednesday in the fatal shooting of a cinematographer by actor Alec Baldwin during a rehearsal on the set of the Western movie “Rust.”

The verdict against movie armorer Hannah Gutierrez-Reed assigned new blame in the October 2021 shooting death of cinematographer Halyna Hutchins after an assistant director last year pleaded no contest to negligent handling of a firearm.

Gutierrez-Reed also had faced a second charge of tampering with evidence, stemming from accusations that she handed a small bag of possible narcotics to another crew member after the shooting to avoid detection. She was found not guilty on that count.

Immediately after the verdict was read in court, the judge ordered the 26-year-old armorer placed into the custody of deputies. Lead attorney Jason Bowles said afterward that Gutierrez-Reed will appeal the conviction, which carries a penalty of up to 18 months in prison and a $5,000 fine.

(14) USE THE CHURCH KEY, LUKE. Stephen Colbert rounded up some more examples of old Cristal beer product placements inserted in Star Wars films for the opening minutes of his Late Show monologue.

(15) PITCH MEETING. It’s an old movie but apparently a new Pitch Meeting – “Ghostbusters (1984)”.

(16) VIDEO OF THE DAY. “The hate monologue” from the I have no mouth and I must scream animation.

[Thanks to Andrew Porter, John King Tarpinian, Kathy Sullivan, N., Ersatz Culture, Dann, Danny Sichel, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn, with an assist from Braxis.]

Pixel Scroll 1/17/24 Send Pixels, Scrolls And Files, The Fifth Has Hit The Fan

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(1) SEATTLE 2025 WORLDCON MEMBERSHIP RATES RISE TOMORROW. At least for a few more hours the cost of a WSFS Membership + Attending Membership Supplement for an adult over the age of 25 is $175. The other permutations are explained at the Memberships – Seattle Worldcon 2025 page.

Mark Roth-Whitworth sent a few editorial comments along with the foregoing reminder:

I just got our memberships for Seattle in ’25. Ouch. This far out, $175 each, and I think it goes up after tomorrow.

Was the same demographic going as did back in the Sixties and Seventies, it would be a *lot* smaller. Most of us were working class. Hell, my late wife and I together maybe made the median income, or maybe just under. In 1993 it would have been hard to pay for this.

Forget the graying of fandom, how about the economic stratification of fandom? Where are the folks who are making a living working construction, or flipping burgers, or barista, or drive a cab, or working in a thousand other jobs that we need, but make crap wages? Or people on SSI or other welfare?

I know I ghosted a con or two in my mid-twenties, when I just did not have the money. I don’t know a lot of folks who go to other than their local cons, and work them to afford it.

Have we become elite?

(2) EMMY AWARDS. Genre TV was shut out at the 75th Primetime Emmy Awards ceremony which aired on January 15. The complete list of winners – largely repeated wins by Succession, The Bear, and Beef — is here.

(3) HISTORIC MOMENTS IN TELEVISION. There are, however, plenty of genre highlights in the Television Academy’s anniversary list of 75 “Top TV Moments”.

Arguably the first one on the list is genre, because fans voted the Hugo Award to TV coverage of the Apollo 11 mission. Beyond that, you have to wait ‘til way down the list before there’s another.  

1. The Moon Landing. After Apollo 11 landed on the moon, astronaut Neil Armstrong proclaims “One small step for man, one giant leap for mankind. 1969.

40. The Twilight Zone. “Time Enough at Last” After a nuclear catastrophe, loner Harry Bemis (Burgess Meredith) is left with all the time in the world to read his beloved books, only to shatter his glasses, leaving him virtually blind. 1950.

50. Star Trek – Kirk and Uhura kiss, 1968

51. Game of Thrones — “The Rains of Castamere” At Robb’s (Richard Madden) wedding, Catelyn (Michelle Fairley) reveals chain mail under Bolton’s (Michael McElhatton) clothes just as Robb’s wife is murdered, Robb is shot with arrows, and his men’s throats are cut.

And there are several more beyond that, from The Last of Us, Lost, another from Game of Thrones, and the Mary Martin version of Peter Pan.

(4) DEEP IMPACT. Animation World Network’s Kevin Geiger anticipates “The Impact of AI on Hollywood in 2024: 12 Predictions”. Short version: AI will take away a bunch of existing jobs. Here’s an excerpt of what he forsees.

4. Deepfake filmmaking has become the new paradigm.

The continued evolution of deepfake technology enables filmmakers of all resource levels to create younger versions of living actors or bring deceased actors back to the screen. This has already been used to tell stories that span different periods. While the technology offers exciting creative opportunities, it raises significant ethical concerns regarding consent and the potential misuse of digital likenesses. Seeing is no longer believing.

5. Rise of the AI-driven extras and stunt doubles.

The use of AI-generated virtual extras and stunt doubles will be a game-changer in reducing production costs and logistical complexities, particularly in scenes requiring large crowds or dangerous stunts. However, the application of AI technology will accelerate the reduced employment opportunities for human extras and stunt performers.

6. The visual effects industry becomes more director-driven.

AI’s ability to produce sophisticated visual effects quickly and cost-effectively is set to enhance the visual storytelling in films. The prospect of generating visual effects via “prompting” (otherwise known as “directing”) will make VFX more director-driven, and encourage greater creative expression and experimentation. The number of “technical directors” required on a film will be reduced: a benefit to major studios and indie producers, but a threat to hired guns.

7. AI-assisted editing is now the default starting point.

AI-assisted editing is revolutionizing work reels and post-production by autonomously selecting takes, suggesting edits, and assembling rough cuts. This can significantly speed up the editing process and reduce costs, but over-reliance on AI could reduce the editor’s creative control, lead

(5) AAFCA AWARDS. The 15th Annual African-American Film Critics Association (AAFCA) Award Winners include Spider-Man: Across the Spider-Verse.

Best Drama: Origin
Best Comedy: American Fiction
Best Musical: The Color Purple
Best Director: Ava DuVernay (Origin)
Best Screenplay: American Fiction
Best Actor: Colman Domingo (Rustin)
Best Actress: Aunjanue Ellis-Taylor (Origin)
Best Supporting Actor: Sterling K. Brown (American Fiction)
Best Supporting Actress: *TIE* Da’Vine Joy Randolph (The Holdovers), Danielle Brooks (The Color Purple)
Best Ensemble: The Color Purple
Breakout Performance: Lily Gladstone (Killers of the Flower Moon)
Emerging Filmmaker: Cord Jefferson (American Fiction)
Best Independent Feature: A Thousand and One
Best Animated Feature: Spider-Man: Across the Spider-Verse
Best Documentary: Stamped From The Beginning
Best Music: The Color Purple
Best International Film: Io Capitano
Best Short Film: The After

(6) EKPEKI Q&A. Paul Semel interviews “’The Year’s Best African Speculative Fiction 2022’ Co-Editor Oghenechovwe Donald Ekpeki”.

While other Best Of type anthologies only consider short stories, The Year’s Best African Speculative Fiction 2022 also includes poems. I recently interviewed Stephen Kotowych, the editor of Year’s Best Canadian Fantasy And Science Fiction: Volume One, which also includes poetry. Is there something going on in the speculative realm where poetry is becoming more popular or respected?

Speculative poetry is such a wide and important form that we decided to include this year to make the book separate from last year’s. Hopefully, it’s something that matches up with the vibrancy the speculative poetry world exudes [and this is a] chance to showcase some of that speculative poetry vibrancy going on

(7) THE METERS OF MIDDLE-EARTH. And CBR.com studies “How The Lord of the Rings Made Poetry Exciting”.

…The characters of The Lord of the Rings used poetry as a coping mechanism to deal with negative emotions. Shortly after leaving the Shire, the hobbits were overwhelmed with uncertainty and weariness about the journey ahead. To raise their spirits, Frodo recited “The Road goes ever on and on,” a poem that Bilbo had taught him. In Jackson’s The Lord of the Rings: Fellowship of the Ring, Gandalf and Bilbo both sang sections of this same poem. As the hobbits rested at Weathertop, poetry again assuaged their worries. In the chapter “A Knife in the Dark” from Tolkien’s The Fellowship of the Ring, Aragorn “began to tell them tales to keep their minds from fear.” These tales came in the form of poems, such as the song of Beren and Lúthien….

(8) FREE READ. Entries in the Quantum Shorts flash fiction contest are available to read at the link. The shortlist will be announced in March.

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born January 17, 1931 — James Earl Jones, 93. This Scroll you’re getting James Earl Jones, most notably known in our circles as the voice of a certain Sith Lord whose voice he did up to Star Wars: The Rise of Skywalker, but he’s got much more, and sometimes surprisingly diverse career here. So let’s see what he’s done…

His film debut was as Lieutenant Lothar Zogg, the B-52’s bombardier  in Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. 

In 1969, Jones participated in making short films for what became Sesame Street. These were combined with animated segments, then were shown to groups of children to see if the format appealed to children. As cited by production notes included in the Sesame Street: Old School 1969–1974 DVD, the short that had the greatest impact with test audiences was one showing a bald-headed Jones counting slowly to ten. And yes, it was shown on the show when it aired.

I truly love him in Conan the Barbarian as Thulsa Doom, an antagonist for the character Kull of Atlantis. Thulsa Doom was created by Robert E. Howard in the “Delcardes’ Cat” story. Neat character for him, I’d say. 

He’s in Allan Quatermain and the Lost City of Gold withthe name of Umslopogaas, a fearless warrior and old friend of Allan Quatermain. I looked him up in the original novel, Allan Quatermain. Please don’t make me do that again. Really. Don’t. 

Ahhh, Field of Dreams: “Ray, people will come Ray. They’ll come to Iowa for reasons they can’t even fathom. They’ll turn up your driveway not knowing for sure why they’re doing it.” Great role. To say more would involve spoilers, right? 

He voices Mufusa, the lion murdered by his brother in The Lion King and its sequel, who death does not stop from being present. Really present. Extraordinary performing by him. 

Did you know that he narrated Stallone’s Judge Dredd? Well he did. He was uncredited at time but as is with these things, it didn’t stay a secret permanently, did it? 

He had series appearances on Faerie Tale Theatre (as, and I simply love it, Genie of the Lamp, Genie of the Ring), Highway to Heaven, Shelley Duvall’s Bedtime Stories, Picket Fences, Lois & Clark: The New Adventures of Superman, (he was the uncredited narrator of 3rd Rock from the Sun (maybe he’s the nameless narrator for all of the multiverse?), Touched by an Angel in which he’s the Angel of Angels, cool name, Stargate SG-1 , Merlin and finally as himself on The Big Bang Theory.

He hosted Long Ago and Far Away, a children’s series that lasted thirty-five episodes with each of them based on a folk or fairy tale. Stop motion animation, live actors and traditional animation were all used.

That’s it, folks.

Carrie Fisher, James Earl Jones and Jim Parsons in a scene from Big Bang Theory.

(10) COMICS SECTION.

(11) PAYDAY FOR COMIC OWNER. “Rare copy of The Amazing Spider-Man No 1 sells for more than £1m” – the Guardian wanted you to know. And weep if you ever owned a copy in your youth.

A rare copy of the first issue of The Amazing Spider-Man has sold for more than £1m.

The comic, published in March 1963, reached a record-setting $1.38m (£1.1m) at auction. It is one of only two copies of The Amazing Spider-Man No 1 rated “near mint/mint” by comic book grading service Certified Guaranty Company (CGC).

“It was obvious this Spider-Man was an opportunity not likely to come around, and the final price reflected that,” said Barry Sandoval, vice president at Heritage Auctions, the company that ran the auction, according to Fine Books magazine.

The copy sold for nearly three times as much as a CGC-rated “near mint” version sold in July last year for $520,380 (£410,184)….

(12) TODAY’S THING TO WORRY ABOUT. The lede is the most interesting part of Variety’s article “When Superman and Batman Copyrights Expire in a Decade, Will It Be Kryptonite for DC?”.

About a decade ago, Zack Snyder developed a storyline for the DC Extended Universe that involved Bruce Wayne impregnating Lois Lane.

The subplot in which Batman cuckolds Superman was poised to unfold in “Justice League,” with Batman dying in the sequel and Lois raising their spawn with Superman. Snyder’s vision for Wonder Woman was equally unorthodox, with visuals featuring a superheroine who brandished the decapitated heads of her conquered enemies like an ISIS jihadi.

Warner Bros. and DC Studios — which hold a firm grip on their intellectual property — rejected Snyder’s ideas, which were deemed “super creepy,” according to a source familiar with the back and forth. (DC declined to comment for this story. A representative for Snyder did not respond to a request for comment.) But in the next decade, artists and rival studios won’t need permission to create their own take on the characters.

A sad fact of Hollywood is that while superheroes never truly die, all copyrights do. On Jan. 1, Disney lost control of “Steamboat Willie,” and within 24 hours two horror-comedies starring Mickey Mouse were announced. The DC characters are the next major expirations looming on the horizon. Superman and Lois Lane will enter the public domain in 2034, followed by Batman in 2035, the Joker in 2036 and Wonder Woman in 2037….

(13) FIREFLY ON THE CHEAP. SYFY Wire admires “How Serenity Slashed Its Budget from $100 Million to $39 Million” and was able to get greenlighted.

…In a 2005 interview with the Los Angeles Times, the effects crew and film’s creators opened up about the ways they shaved tens of millions off the film’s cost. Basically, they shot it like a TV show, creating only what was necessary and meticulously storyboarding things out so no resources were wasted.

One of the movie’s most ambitious set pieces, a wild chase scene early in the film, was projected to be one of the costliest segments in the film. So instead of trying to build out a massive CGI chase, they built a trailer with a cantilevered arm big enough to hold the on-screen hovercraft and actors. Then they just shot the scene on Templin Highway around Santa Clarita. For the Reaver vehicle chasing the crew, they hacked an old pick-up truck together with some CGI overlays for final effects. In the end, a scene expected to take 30 days was finished up in five.

To create the spaceship models in the space-set scenes, they used a common cost-cutting approach called “kit bashing,” where you combine several different ship models and kits and mix them all together to create something new. It’s a cheap alternative to full-on spaceship design, and it saved time and money for plenty of those space scenes.

They even had to rebuild the Serenity ship itself for sets, using old blueprints and DVD screen grabs for reference, a process they knocked out in a brief 14 weeks and under budget. All the explosions and pyrotechnics in the film were also done on a tight schedule, filmed across three nights at Mystery Mesa near Valencia. Traditionally, that level of sci-fi action pyro work for a blockbuster movie would’ve taken around two weeks….

(14) KLINGONS DON’T DRINK MERLOT. TrekMovie.com invites as to watch as “Paul Giamatti Auditions For Star Trek, Recreates His Iconic ‘Merlot’ Moment In Klingon”.

Danish movie journalist and friend of TrekMovie Johan Albrechtsen has once again used a non-Star Trek promotional junket to recreate a Star Trek moment. As Paul Giamatti was promoting his award-winning role in The Holdovers Albrechtsen brought up the actor’s previously expressed interest in playing a Klingon in Star Trek. And he persuaded the Giamatti to recreate his famous “I am not drinking any f###ing Merlot!” moment from the 2004 wine-themed film Sideways, but this time in Klingon. The moment was then edited to create a new Star Trek “audition tape” with Giamatti as a Klingon captain, cut into a scene from The Next Generation….

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Kathy Sullivan, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 1/4/24 It’s 2024, Are Those Godstalks Distimmed Yet?

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(1) THE MUSIC OF HEAVY METAL. Maya St. Clair remembers “When Heavy Metal Magazine Made Playlists” at News from the Orb.

When I worked at Heavy Metal magazine, people in my life inevitably assumed it was a publication about heavy metal music. My usual response was “not really,” and I’d describe how Heavy Metal was a comics magazine focused on experimental, adult-rated sci-fi/fantasy. I’ve since realized that a better response would have been “fuck it, probably” — since Heavy Metal, like cosmic background radiation, seemed to presuppose and pervade everything, including music. Name a thing, and Heavy Metal had it: yellow, cyan, black, magenta, rectangles, circles, pterodactyls, Homer, Shakespeare, love, death, superheroes, hamburgers, Jane Fonda, H. P. Lovecraft, boobs, dicks, God, jazz, rockabilly, and (inevitably) heavy metal music, lower case….

St. Clair has compiled playlists at Spotify that emulate some Heavy Metal writers’ Eighties recommendation lists. Including two by my old friend Lou Stathis! Here’s the first —

In 1980, as it reached the height of its influence and circulation, Heavy Metal introduced music criticism by SFF editor/music nerd Lou Stathis and others, in the “Dossier” section. The contrarian Stathis was a fearless advocate for the experimental over the conventional (he hated the fucking Eagles, man, and Bruce Springsteen’s normie-ism was a running joke). Alternative icons like Brian Eno, Genesis, the Cure, Grace Jones, Gary Numan, Laurie Anderson, and Tangerine Dream got their recognition in Heavy Metal, plus uncountable niche bands.

Anyway, the HM squad would occasionally throw together a DJ set, album recs, or mixtape. I’ve consolidated them into playlists on Spotify, linked below….

The Metal Box: Lou Stathis’ 1983 Singles Picks

Stathis sometimes compiled lists of his “heavy rotation” singles and albums. In April 1984, he listed his top picks for the previous year. Some, like Michael Jackson and Eurythmics, are recognizable. Others are supremely obscure.

The Metal Box 1983 on Spotify

(2) ON A TANGENT. Dave Truesdale introduces the “Tangent Online 2023 Recommended Reading List”, once again targeting SFWA as the reason “real world politics” have intruded on the science fiction field. Not because Truesdale is unaware of the history of sf, but because he argues that somehow the Thirties political activism of young sff writers and editors didn’t really count.

For the most part, the literary aspect of the science fiction field proceeded as usual in 2023; the general machinery operated well enough to keep the magazines and books appearing on reasonable schedules, and SFWA (the Science Fiction and Fantasy Writers Association, formerly for decades since its 1965 inception the Science Fiction Writers of America) the field’s one and only member-funded 501(c)(3) tax exempt administrative organization, was still alive and kicking, though to my mind and due to external “real world” politics, took a wrong turn that gave the outside world an entirely misleading picture of the organization as a literary organization, but instead revealed its political advocacy (or lack thereof) on any given issue.…. 

…Politics has entered the SF field directly but sporadically over the past 97 years, since its official birth as a genre began with the April 1926 issue of Amazing Stories. Early readers became fans when they corresponded with others through letter columns, and small SF fan clubs began to sprout all over the country. The first SF worldcon was held July 1-4, 1939 in New York City, to coincide with the World’s Fair in the same city. Attendance was in the dozens and many of the members were in their teens. Sam Moskowitz (later to become SF’s premiere historian) chaired, with a few of his friends, this first worldcon at the ripe old age of 19. A group of SF fans known by their club name of the Futurians, led by Donald A. Wollheim (later founder of DAW Books), Frederik Pohl, C. M. Kornbluth, Doc Lowndes, and a few others were at odds with Moskowitz’s group and wanted to attend the worldcon. Many of these young SF fans were fashionably members of the local socialist or communist branches; it was the cool thing to do at the time. Without getting into the details (there were many different accounts given from both sides) the Moskowitz faction turned the Wollheim, Pohl, faction (the Futurians) away and were thus excluded from the convention. This became known in fandom and the early fan press as “The Great Exclusion Act.” Wollheim and Pohl, among others were either in their teens (C.M. Kornbluth 14 or 15, Pohl 19) or early twenties (Wollheim 24, Doc Lowndes 22) and full of headstrong piss and vinegar. That the feud between fan groups and the turning away of some from the worldcon was primarily because of politics was downplayed by Pohl when he wrote in his autobiography The Way the Future Was, “We pretty nearly had it coming,” and then, “What we Futurians made very clear to the rest of New York fandom was that we thought we were better than they were. For some reason that annoyed them.”

So in essence what amounted to an early fan feud between SF fan clubs whose members were still in their teens or early twenties and had little to do with politics, has somehow become the one size fits all go-to argument that supposedly proves politics has always been a part of SF and SF fandom and is thus nothing new….

(3) STAY OR GO? Catherynne M. Valente’s post “On Recent Developments at Substack” at Welcome to Garbagetown analyzes the dilemma of persisting in using that platform.

Many people have reached out to me to discuss Substack’s not-always-stellar history of managing a diverse breadth of opinions and/or policies on monetization.

Let me make it clear: This was always an issue, and I have always been aware of it. It’s gotten worse of late. And now I just feel like Marc Maron trying to figure out what to do with his friends who voted for Trump….

…Yes, Substack has and does allow dipshit fascist transphobic and otherwise morally-cancerous fuckgiblets to post freely and make money from their platform. They also allow a lot of marginalized creators to flourish and make a livelihood here. Like every other site I’ve ever known, all of whom have been incredibly reluctant to crack down on extreme right-wing content despite that very policy allowing it to proliferate wildly and bring us to a very bad historical place. Do I want them to kick out anyone making money on hate? Yep. Do I understand the slippery slope argument about free speech? That it’s much easier to take no stance and allow everything, trusting the users to sort it out, than to take the step of defining what opinions can be allowed to be heard? Yep.

I do not know if I’m going to stay here. I just don’t know. I came to Substack because of the Twitter diaspora. I managed to build a small audience, built mostly on hating fascism and idiocy. I like the community I and all of you have built here and I’m reluctant to migrate and lose people. But I don’t want to support the Badness by being here. And yet, if I go, does that not just abandon another space because bad people are also here, handing them control of yet another hugely-recognized platform, control they could never achieve on their own just on numbers and popularity, while the people who have any moral compass whatsoever have to continually start over from scratch?…

(4) AWARD-WORTHY APPAREL. The “Costume Designers Guild Awards 2024 Nominations” include two sff-specific categories. (See the full list of finalists at the link.)

Excellence in Sci-Fi/Fantasy Film

  • Barbie – Jacqueline Durran
  • Haunted Mansion – Jeffrey Kurland
  • The Hunger Games: The Ballad of Songbirds & Snakes – Trish Summerville
  • The Little Mermaid – Colleen Atwood & Christine Cantella
  • Rebel Moon – Part One: A Child of Fire – Stephanie Porter

Excellence in Sci-Fi/Fantasy Television

  • Ahsoka: Part Eight: The Jedi, the Witch, and the Warlord – Shawna Trpcic
  • Loki: 1893 – Christine Wada
  • The Mandalorian: Chapter 22: Guns for Hire – Shawna Trpcic
  • What We Do in the Shadows: Pride Parade – Laura Montgomery
  • The Witcher: The Art of the Illusion – Lucinda Wright

(5) OCCIDENTAL OCCULT. Former Horror Writers Association President Lisa Morton will teach a three-part online course “Confronting the Spectral: A History of Ghosts in the Western World With Lisa Morton” beginning January 22 through Atlas Obscura Experiences. Full details including schedule and prices at the link.

What We’ll Do

In this three-part lecture series, explore how people have thought about ghosts through time in the Western world.

Course Description

In this course, we’ll trace the history of ghostly encounters reported across the Western world, both friendly and nefarious. We’ll begin with ghosts from the classical world who haunted heroes like Gilgamesh and Odysseus, and look at the Biblical story of Saul and the Witch of Endor. We’ll meet medieval necromancers, Victorian spiritualists, and finally, the modern ghost-hunter. By the end of our time together, you’ll not only have a deep understanding of how cultures have conceived of the most common supernatural entity throughout history, but also ideas and suggestions for engaging in your own supernatural investigations.…

(6) SEA DEVILS SPINOFF? “Doctor Who Spinoff Series Seemingly Confirmed, Will Feature Classic Villains” says CBR.com.

A production listing on the Film and Television Industry Alliance website confirmed pre-production has begun on a spinoff series of the massively popular sci-fi series Doctor Who, which is scheduled to begin filming in March. The listing also provides a brief summary of the project, describing it as a fantasy-action adventure featuring the Sea Devils, an old villain from the classic Doctor Who series.

The listing does not provide any further details about the show’s plot, but it does reveal some of the crew members involved in the project, such as Doctor Who showrunner Russel T Davies set to return as the series’ writer. Other names include producers Phill Collinson, Vicki Delow, Julie Gardner and Lord of the Rings TV series producer Jane Tranter….

…As for when the spinoff series may see a premiere, the listing does not provide any concrete information, though it does confirm the projected filming date of March 4, 2024. …

(7) NEEDS WORK. The Mary Sue’s Charlotte Simmons would like to be a Zack Snyder fan if only the auteur would make that a little easier: “’Rebel Moon’ Proves That Zack Snyder Needs To Grow Up, and I Say That With Love”.

…Sure, it would have given the infamously obnoxious Snyder cult some more ammunition, but more good movies is a win for everybody. Sadly, whatever remotely interesting set dressing Zack Snyder cooked up here was woefully undermined by incoherent storytelling at its most relentless and suffocating character development—nay, the bare essentials of characterization—behind a mountain of formulaic sci-fi battles and dialogue that not even an amateur could be proud of.

Indeed, Rebel Moon is proof in the pudding that Snyder has some serious work to do, and that’s a damn shame, because the nature of his raw creative pursuits is stupendously important in the genres he occupies, which perhaps makes his failures all the more depressing….

(8) OCTOTHORPE CENTURY. John Coxon, Alison Scott and Lis Batty receive a telegram in episode 100 of the Octothorpe podcast, “I Don’t Have Show Notes or Alcohol”.

We celebrate with a bevy of special segments, including ”letters of comment”, “talking about the Glasgow Worldcon”, and “aftershow involving games”. PRETTY ADVANCED STUFF. 

(9) GLYNIS JOHNS (1923-2024). Actress Glynis Johns, best known to fans as Mrs. Banks in Disney’s Mary Poppins (1964) and as a forest maiden who assists Danny Kaye’s character in The Court Jester (1955), died January 4 at the age of 100. She also appeared in several episodes of Sixties TV’s Batman as Lady Penelope Peasoup.

…Johns won a Tony for her role as Desiree Armfeldt in the original Broadway production of Stephen Sondheim’s “A Little Night Music,” introducing the song “Send in the Clowns” — written for her by Sondheim. In addition she was Oscar-nominated for her supporting role in 1960’s “The Sundowners.”…

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born January 4, 1958 — Matt Frewer, 66. I encountered Matt Frewer the same way that I suspect most of you did when he was unrecognizable as Max Headroom almost forty years ago. That character debuted in April 1985 in the Channel 4 film Max Headroom: 20 Minutes into the Future. It’s virtually identical to the premiere of the American television series, though there might be a bit of foul language if I remember correctly. Or not. 

Two days after it was broadcast, Max hosted on the same channel The Max Headroom Show, a program where he introduced music videos, made pointed comments on various topics, and conducted rather off the wall interviews with guests before a live studio audience. These would eventually be aired in the States on Cinemax.

Max would become a global spokesperson for New Coke, appearing on way too many TV commercials with the catchphrase “Catch the wave!”.  You can see one of those commercials here

Now we come to the Max Headroom series which on ABC from just March 31, 1987, to May 5, 1988 with just a total of fifteen episodes. Damn it seemed like it lasted longer than that. He, like everyone on the series, was spot on in creating a believable future. I consider it one of the best SF series ever done.

He’s got way too many genre roles to list them all here so let me focus on a few of my favorite ones.

He was Dr. Jim Taggart on Eureka. On screen for a total of eighteen episodes, his Aussie character was the Eureka’s veterinarian and “biological containment specialist”, which means he catches whatever needs to be caught. If it moved and it did something weird, he was after it.

And then he was Dr. Aldous Leekie, the primary Big Bad on the first season of Orphan Black. He was in charge of the handling the clones as if anyone should trust him.

Though I find it hard to believe, the Hallmark Channel produced the Hallmark Sherlock Holmes films. And he was Sherlock Holmes in four of these films — The Sign of Four, The Hound of Baskervilles, The Royal Scandal and The Case of the Whitechapel Vampire.

My final role for him a silly one indeed, it’s in In Search of Dr. Seuss where he is the Cat in The Hat. This thirty-nine-year-old film is a delightful romp  — Christopher Lloyd as Mr. Hunch, Patrick Stewart is Sgt. Mulvaney, and the list goes on far too long to give in full here. 

And yes, he’s been in a lot of genre films, go ahead and tell me your favorite. 

(11) COMICS SECTION.

(12) WHO IS YOUR HOST. All you Tennant fans pay attention: “David Tennant To Host 2024 BAFTA Film Awards” reports Deadline.

Former Doctor Who actor David Tennant has been set as the host of the 2024 BAFTA Film Awards, which take place February 18 at the Southbank Centre’s Royal Festival Hall in London….

…Jane Millichip, CEO of BAFTA, added: “We are over the moon that David Tennant will be our host for the 2024 EE BAFTA Film Awards. He is deservedly beloved by British and international audiences, alike. His warmth, charm, and mischievous wit will make it a must-watch show next month for our guests at the Royal Festival Hall and the millions of people watching at home….

(13) SEMI-MANDATORY VIEWING. Dylan sang “Everyone Must Get Stoned” but never mind that, CBR.com insists you see these 10 “Must-Watch Sci-Fi Movies For Fans of The Genre”. Or heck, maybe you already have! In the middle of the list comes the film that gave us Ripley.

5. Alien Combined Science and Horror Perfectly

Alien (1979)

The crew of a commercial spacecraft encounters a deadly lifeform after investigating an unknown transmission….

Swiss artist H.R. Giger’s biomechanical designs for the alien artifacts and creatures helped turn a great movie into an incredible one. With a story that starts out similarly to Forbidden Planet, in which a space crew investigates a distress signal, the film is transformed into an intense thriller with a horrifying Alien Xenophorph stalking and killing the crew. With stunning visuals and a premise too good for just one movie, Alien spawned a multi-media franchise that has entertained for more than four decades.

(14) MORE PICKUP. And it’s arguably appropriate to follow a mention of the Alien series (“Get away from her you bitch!”) with Giant Freakin Robot’s news item “Exoskeletons Take Huge Step Toward Becoming Common”.

Science fiction would appear to be becoming nonfiction in Europe. Indeed, in Italy, a groundbreaking pilot project involving real-life exoskeletons achieved exciting results. The Port System Authority of the Northern Tyrrhenian Sea and the Livorno Port Company reported marked advantages using the exoskeletal tech, developed by IUVO and Comau (a subsidiary of Stellantis)….

…The workers regularly undertook strenuous tasks: loading and unloading goods, relocating heavy loads, and securing containers onto ships. Without the sci-fi-reminiscent exoskeletons, these activities are notoriously exhausting. They also pose genuine risks of introducing musculoskeletal disorders.

The initial evaluations conducted by IUVO and Comau involved measuring muscle activity and gathering feedback through questionnaires–all to assess the perceived drop in fatigue. The findings were overwhelmingly positive. Laborers reportedly adjusted well to the novel technology, additionally recognizing the exoskeleton’s significant impact on their efficiency and physical well-being. 

Based on the data, utilizing MATE XT and MATE XB technologies can potentially lessen the effort required by workers.

By how much? As much as thirty percent….

(15) VIDEO OF THE DAY. The How It Should Have Ended crew knows “How Batman Should Have Ended” – meaning the version where Michael Keaton is Batman and Jack Nicholson is The Joker.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 1/3/24 Yippie-i-ay (Yippie-i-ay), Yippie-i-oh (Yippie-i-oh), Ghost Pixels In The Sky

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(1) EMSH REVIVAL FOR AGAIN, DANGEROUS VISIONS. J. Michael Straczynski told Facebook readers about the work he’s doing to get the second Ellison anthology, Again, Dangerous Visions, ready for publication. It involves the interior art and graphics.

Now that Harlan’s first Dangerous Visions is locked for print, we’re now moving to getting a proper galley for Again, Dangerous Visions. The main problem, in my eyes, with that process is that many of the later editions used the same Ed Emshwiller graphics/stats made for the original book (second generation images), or worse still, simply copied/reproduced the graphics from the printed pages themselves (third generation images).

This needs to be the most pristine version of the book done since the original print run, so after an exhaustive search, Ed’s original stats/graphics were discovered, and despite being sick as a dog (long story) I’ve spent every night for the past several days, going until dawn in most cases, carefully scanning every one of those eighty-plus images at high res, using air-blowers to remove dust, and gloves to avoid getting finger oil on anything.

I’ve just finished the last of the scans, and these images are just gorgeous, in astonishing detail and clarity. Honestly, so many of them could have been book covers all by themselves. Thinking that assembling these along the lines we see in the book, joined by ECG like pulses, might make a really cool promotional poster (but that’s just a thought for the moment, haven’t discussed it with anyone yet).

(2) ON THE NOSE. Philip Athans describes the use of an evocative fiction technique in “Smells Like Vivid Description” at Fantasy Author’s Handbook.

…I was surprised to hear in this video that, “Smell is apparently the strongest inducer of memories—of early memories. And the beauty is, even people suffering from Alzheimer’s dementia, never lose their olfactory memory.”

If you look back to last week’s post about How to Tell, it’s all about triggering memories. So a particular smell can help introduce some further detail about either or both of the world and the character. For instance, I find the smell of old books particularly delightful. This is my childhood love of the old books in the library coming to the forefront, and helping to propel my own love of collecting vintage books decades and decades later. If I were a character in a novel the smell of an old book could trigger a two-paragraph mini info dump about my childhood spent primarily in books, which turned into an adulthood spent primarily in books….

… Smells can also poke certain emotional triggers in your POV character, and go a long way to establishing the atmosphere of a scene….

(3) KGB. Fantastic Fiction at KGB speculative fiction reading series hosts Ellen Datlow and Matthew Kressel present P. Djéli Clark and Eric Schaller on Wednesday, January 10. The event begins at 7:00 p.m. Eastern in the KGB Bar, 85 East 4th Street, New York, NY 10003 (Just off 2nd Ave, upstairs).

P. DJÉLI CLARK

Phenderson Djéli Clark is the award-winning and Hugo, Nebula, World Fantasy, and Sturgeon nominated author of the novels Abeni’s Song and A Master of Djinn, and the novellas Ring Shout, The Black God’s Drums, and The Haunting of Tram Car 015. His short stories have appeared in online venues such as Tor.com and in print anthologies including, Hidden Youth and Black Boy Joy. His upcoming novella, The Dead Cat Tail Assassins, will be out in 2024.

ERIC SCHALLER

Eric Schaller’s latest collection of dark fiction, Voice of the Stranger contains stories selected for Fantasy: Best of the Year, Best of the Rest, and The Year’s Best Weird Fiction. His fiction can also be found in his collection Meet Me in the Middle of the Air and in many anthologies and magazines. His stories are influenced in part by his studies in the biological sciences and the uneasy relationship humans have with each other and the world around them.

(4) WHAT TECH FORESEES IN 2024. Tech.co’s post “Experts’ Predictions for the Future of Tech in 2024” begins with a survey of sff:

2024 is about to dawn on the world. But in one of the most precient novels of the science fiction genre, it already has: Octavia Butler’s decades-old novel Parable of the Sower opens in Los Angeles in 2024.

Butler’s fictional world dealt with many of the social and environmental pressures that we’ll definitely be seeing a lot of in the real 2024. Climate change has boosted sea levels and increased droughts, increased privatization from greedy corporations is threatening schools, police forces are militarized, and a Presidential candidate is literally saying he’ll “make American great again.”

It’s hard to beat Butler’s entry when it comes to predicting what’s coming down the pike in the new year, and no one has really come close. Honorable mention goes to a 1995 episode of Star Trek: Deep Space Nine featuring a time-travelling social-commentary jaunt to 2024 San Francisco that deals with revolutionaries and homelessness encampments. A distant finalist is a grim tale by Harlan Ellison, A Boy and His Dog, which features a dystopian 2024 set among post-nuclear war mutated cannibals.

Things aren’t looking quite as bad for the real 2024, however. None of the dozens of industry experts and tech leaders that we’ve looked to for opinions about the future predicted a single incident of cannibalism….

(5) NOMINATE FOR THE REH AWARDS. “The 2024 Robert E. Howard Awards Are Open for Nominations!” announces the Robert E. Howard Foundation. You do not need to be a Foundation member to nominate.

…Under the new rules, nominations are due in to the Awards committee by February 15, 2024, with the Awards committee selecting the top nominees in each category for the final ballot by March 1, 2024….

(6) CRITTERS READERS’ POLL. Meanwhile, the “26th Annual Critters Readers’ Poll” is open through January 14. The Readers’ Poll honors print & electronic publications published during 2023. Its newest categories are Magical Realism, and Positive Future Fiction (novel & short story).

(7) MAYOR SERLING. [Item by Mike Kennedy.] Slashfilm reminds us of the time that Jack Benny took a detour through the Twilight Zone. No, not any of The Twilight Zone TV series nor the theatrical nor TV films. Not even the radio dramas. It all happened inside Jack Benny‘s own eponymous TV show. “Rod Serling Played The Mayor Of The Twilight Zone On The Jack Benny Program”.

…Serling’s episode aired on January 15, 1963, and, as was the show’s custom, he also played himself. In the fictionalized universe of the series, Benny hires Serling to help his struggling writers smarten up their material. Though Serling acknowledges he has little experience with comedy (before “The Twilight Zone,” he was probably best known as the Emmy-winning writer of “Requiem for a Heavyweight”), he’s excited to collaborate with Benny’s two-man staff.

This does not go well.

After repeated clashes with Benny’s writers, Serling gives up, citing his desire to tell stories with deeply considered characterizations and thought-provoking themes. Benny takes issue with Serling’s dismissive opinion of his style of comedy and fires back that “The Twilight Zone” can’t possibly tell stories of significance because the Twilight Zone does not actually exist. And you can probably guess what happens next.

After quarreling with Serling, Benny decides to take a leisurely walk home. On the way there, he gets lost in a thick fog and finds himself in an area of town he doesn’t recognize. Eventually, he encounters a road sign which tells him exactly where he is. It reads: “Welcome to Twilight Zone, Population: Unlimited.” Below this is an arrow pointing left to “Subconscious 27 Mi,” and one pointing right to “Reality 35 Mi.”

This is when matters take a distressingly surreal turn….

(8) JUST SEWN THAT WAY. Camestros Felapton gives the film a thorough critique in “Review: Poor Things”. Beware spoilers.

Yorgos Lanthimos’s 2023 film starring Emma Stone is a dark comedy fantasy set in an unreal, stylised world suggestive of the late 19th century. Based on the novel by Alisdair Gray (which I haven’t read) but stripped of its Scottish setting and metatextual elements, the film follows the strange life of Bella Baxter.

Dr. Godwin Baxter is a surgeon and a mad-scientist like figure who resembles Victor Frankenstein in his obsession to reanimate corpses surgically but who also resembles Frankenstein’s monster physically due to experiments conducted on him by his own father…

(9) MEMORY LANE.

[Written by Cat Eldridge.]

1990 — Isaac Asimov’s “The Fourth Homonym” story is the source of our Beginning this time. His Black Widowers stories of which this is one I think are some of the cleverest bar style stories ever done even if they weren’t set in a bar like Clarke’s White Hart tales.  

These stories which were based on a literary dining club he belonged to known as the Trap Door Spiders.  The Widowers were based on real-life Spiders, some of them well known writers in their own right such as Lin Carter, L. Sprague de Camp, Harlan Ellison and Lester del Rey.

This story was first published thirty-four years ago in The Asimov Chronicles: Fifty Years of Isaac Asimov. It may be the only Black Widower story not collected in the volumes that collect the other stories. 

There were sixty-six stories over the six volumes that were released. So far only one volume, Banquets of the Black Widowers, has been released as an ePub. And yes, I’ve got a copy on my iPad as they are well worth re-reading.

And now for one of the best Beginnings done I think in the Black Widowers stories…

“Homonyms!” said Nicholas Brant. He was Thomas Trumbull’s guest at the monthly banquet of the Black Widowers. He was rather tall, and had surprisingly prominent bags under his eyes, despite the comparative youthfulness of his appearance otherwise. His face was thin and smooth-shaven, and his brown hair showed, as yet, no signs of gray. “Homonyms,” he said.

“What?” said Mario Gonzalo blankly.

“The words you call ‘sound-alikes.’ The proper name for them is ‘homonyms.’ “

“That so?” said Gonzalo. “How do you spell it?”

Brant spelled it.

Emmanuel Rubin looked at Brant owlishly through the thick lenses of his glasses. He said, “You’ll have to excuse Mario, Mr. Brant. He is a stranger to our language.”

Gonzalo brushed some specks of dust from his jacket sleeve and said, “Manny is corroded with envy because I’ve invented a word game. He knows the words but he lacks any spark of inventiveness, and that kills him.”

“Surely Mr. Rubin does not lack inventiveness,” said Brant, soothingly. “I’ve read some of his books.”

“I rest my case,” said Gonzalo. “Anyway, I’m willing to call my game ‘homonyms’ instead of ‘sound-alikes.’ The thing is to make up some short situation which can be described by two words that are sound-alikes – that are homonyms. I’ll give you an example: If the sky is perfectly clear, it is easy to decide to go on a picnic in the open. If it is raining cats and dogs, it is easy to decide not to go on a picnic. But what if it is cloudy, and the forecast is for possible showers, but there seem to be patches of blue here and there, so you can’t make up your mind about the picnic. What would you call that?”

“A stupid story,” said Trumbull tartly, passing his hand over his crisply waved white hair.

“Come on,” said Gonzalo, “play the game. The answer is two words that sound alike.”

There was a general silence and Gonzalo said, “The answer is ‘whether weather.’ It’s the kind of weather where you wonder whether to go on a picnic or not. ‘Whether weather,’ don’t you get it?”

James Drake stubbed out his cigarette and said, “We get it. The question is, how do we get rid of it?”

Roger Halsted said, in his soft voice, “Pay no attention, Mario. It’s a reasonable parlor game, except that there don’t seem to be many combinations you can use.”

Geoffrey Avalon looked down austerely from his seventy-four-inch height and said, “More than you might think. Suppose you owned a castrated ram that was frisky on clear days and miserable on rainy days. If it were merely cloudy, however, you might wonder whether that ram would be frisky or miserable. That would be ‘whether wether weather.’ “

There came a chorus of outraged What!’s.

Avalon said, ponderously. “The first word is w-h-e-t-h-e-r, meaning if. The last word is w-e-a-t-h-e-r, which refers to atmospheric conditions. The middle word is w-e-t-h-e-r, meaning a castrated ram. Look it up if you don’t believe me.”

“Don’t bother,” said Rubin. “He’s right.”

“I repeat,” growled Trumbull, “this is a stupid game.”

“It doesn’t have to be a game,” said Brant. “Lawyers are but too aware of the ambiguities built into the language, and homonyms can cause trouble.”

The gentle voice of Henry, that waiter for all seasons, made itself heard over the hubbub by some alchemy that worked only for him.

“Gentlemen,” he said. “I regret the necessity of interrupting a warm discussion, but dinner is being served.”

(10) TEA FOR 2(ND). Before reading Cat’s birthday, pour yourself a cup of “Second Breakfast – Chapters Tea”.

Small batch hand blended English breakfast tea with Marigold petals. Perfect for breakfast, second breakfast, elevensies, luncheon, and afternoon tea. Enter our fan drawn rendition of a realm where friendship, nature, and the simple pleasures of life come first. Inspired by, but not affiliated with, our favorite series with a ring.

(11) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born January 3, 1892 — J.R.R. Tolkien. (Died 1973.) Obligatory preface — this is my personal encounters with Tolkien, so if I’ve not been up close with something say The Silmarillion than it isn’t here. And I haven’t with that work. Some works I haven’t read get included anyways as they passed through Green Man and have a Story attached to them. 

Tolkien in 1972.

J.R.R. Tolkien is one of the individuals who I always picture in the photo of him that must be of in his seventies with his pipe with that twinkle in his eye. He looks like he could be akin to a hobbit himself about to set down to elevenses. 

The Hobbit, or There and Back Again which was published by George Allen & Unwin  eighty-six years ago written for his children but obviously we adults enjoy as much, and so it is my favorite work by him.  Dragons, hobbits, epic quests, wizards, dwarves — oh my!  

I’ve lost count of the number of time I’ve read over the years, and the recent time, just several back as a listening experience showed the Suck Fairy enjoys it as much as I do.

I hadn’t realized until putting together this Birthday that all three volumes of the Lord of The Rings were published at the same time. The Fellowship of the Ring and The Two Towers in 1954, The Return of The King the following year. I’m so used to trilogies being spread out over a longer period of time. 

Though I’ve not read the trilogy nearly as much I’ve read The Hobbit, and that shouldn’t surprise you, I do enjoy it though I will confess that The Fellowship of the Ring is my favorite of the three novels here. 

It was nominated at Tricon for a Best All-Time Series Hugo. Asimov’s Foundation series won that year. It did garner an International Fantasy Award first Best Series and the same for a Prometheus Hall of Fame Award. I’m more than a bit surprised that it didn’t get nominated for a Retro Hugo.

Now unto a work that I like just as much as the sister of Kate Baker, Kathleen Bartholomew, does. That being Farmer Giles of Ham. Kathleen, who now has Harry, Kage’s Space Pirate of a parrot, says “Farmer Giles is a clever, solid, shrewd fellow, clearly cut from the same cloth as the most resourceful hobbits elsewhere in Tolkien’s most famous universe.” It’s a wonderful story indeed.

We got in a custom bag from the United Kingdom that the USPS made me sign for so that HarperCollins UK could sure that all twelve volumes of The History of Middle-Earth got here. No, I didn’t read it, but I did skim it. Liz reviewed it for Green Man and here’s that review thisaway. A hobbit sitting down and having elevenses is shorter than it is. 

A much, much shorter work is The Road Goes Ever On is a song cycle and much more first published in 1967. It’s a book of sheet music and as an audio recording. It is largely based off poems in The Lord of The Rings. Tolkien approved of the songs here. 

Why it’s important is that side one of this record consisted of has him reading six poems from The Adventures of Tom Bombadil, than the first track on side two has him reading part of the Elvish prayer of “A Elbereth Gilthoniel” from The Lord of the Rings. 

I love Letters from Father Christmas which were originally written for his children. I see Allen and Unwin gave what I think was the better title of The Father Christmas Letters when they first published then collectively in 1976 which was more declarative. A local theatre group dud a reading of them some twenty years back — it was a wonderful experience as it was snowing gently outside the bookstore windows where they were doing it as we had hot chocolate and cookies.

I’m sure I’ve forgotten something by him that I like but I think that I’ve prattled on long enough this time… 

(12) COMICS SECTION.

  • Nonsequitur has a nice variation on the old Hans Christian Andersen tale.
  • Carpe Diem is a vision of the future.
  • Dog Eat Doug shows when the bark(er) is as fierce as the bite.

(13) BEGUILE THE DIAL. [Item by Steven French.] A call for more weirdness on U.K. TV: “Britain is plagued by bland, box-ticking television. Bring back weird TV” in the Guardian.

…Schedules from the 60s and 70s – the height of Britain’s TV weirdness –contained nuclear attacks, ghosts, war stories, brutal public safety films and intellectually demanding folk horror dramas such as Robin Redbreast, Penda’s Fen and Artemis 81….

(14) WOULD YOU BELIEVE…IRISH REUNIFICATION? Gizmodo reminds fans that “2024 Is a Hell of a Year in Star Trek History” with a slideshow that starts at the link.

A lot—a lot—happens historically in Star Trek’s 2024, crucially important events that go on to not just shape Earth as it is in the early 21st century, but form foundational pillars for the contemporary Star Trek timeline. It’s a year we’ve heard about, and visited, multiple times across several Trek shows. So what’s exactly wild about it? Well, let us take a look through Trek’s past to find out… and perhaps, our future?

(15) AI IN LAW ENFORCEMENT. “’Proceed with caution:’ AI poses issues of discrimination, surveillance” at WBUR.

There are many uses for AI as the technology becomes more accessible and normalized, but not everyone is excited about that premise. AI scholar and activist Joy Buolamwini is one of those critics. She’s the founder of the Algorithmic Justice League and author of the book “Unmasking AI: My Mission to Protect What Is Human in a World of Machines.”

She started her journey as a scholar enamored by the promise of AI. But her views changed when she tried face-tracking software and it didn’t work well on her dark skin. However, the software registered her when she put on a white mask.

Buolamwini questioned whether her problem was unique or would happen to others with dark skin. And she found that the data was skewed.

“The data sets we often found were largely male and largely pale individuals,” Buolamwini says.

This poses problems especially when AI is used by law enforcement agencies to identify suspects, assess whether a defendant will commit another crime, and assign bond limits or flight risk status. Buolamwini uses Porcha Woodruff’s story as an example. Woodruff was 8 months pregnant when she was mistakenly arrested for carjacking after being misidentified by Detroit police’s facial recognition software.

“We’re creating tools for mass surveillance,” Buolamwini says, “that in the hands of an authoritarian state can be used in very devastating ways.”

Buolamwini stresses that even if data set bias was addressed, accurate artificial intelligence could still pose problems and be abused….

(16) UNFORGETTABLE IMAGES. This Yardbarker slideshow might just live up to its title: “The 20 most epic moments in sci-fi movies”. At least, there’s a bunch of my favorites here.

Science fiction excels at pushing the boundaries of the possible, both in terms of the stories it tells and the methods by which it brings those stories to life. People often go to sci-fi films to see the world brought to life in ways new, strange, and sometimes terrifying, precisely because the genre is so adept at taking things in the present and exploring what they might look like in the future. Some of the best scenes in sci-fi films take the viewer out of themselves, allowing them to encounter something akin to the sublime.

In sixteenth place:

The assembling of the Avengers during the battle against Thanos in ‘Avengers: Endgame’

Throughout much of the 2010s, the Marvel Cinematic Universe was the franchise that couldn’t be beaten, and it had its fair share of epic moments. The pinnacle, however, was during the climactic battle against the genocidal Thanos in Avengers: Endgame, when at last, the Avengers and all of those who have been restored appear to strike back against the Titan. It evokes the moment in the first Avengers film where the beloved characters first united, and it is also a climactic moment for those devastated when so many were killed with the Snap. In the world of comic book movies, no one ever remains truly dead.

(17) ‘TIL THEN HE’S COPYRIGHT KRYPTONITE. Someday you may ask “When Do Superman & Batman Enter the Public Domain?” Yahoo! has anticipated your interest. First on the list:

When does Superman enter the public domain?

As per US law, 2034 is the year when Superman would be joining the public domain.

In 2034, fans of Man of Steel and a few other DC characters will be able to use Superman in their content up to a certain extent without being afraid of copyright, trademark, or patent laws as that’s when Superman will be joining the public domain (PD).

According to US law, a property introduced before 1978 makes its way into the public domain if 95 years have passed after its first publication. So, because Superman made his debut on April 18, 1938, in Action Comics #1, he will be joining the public domain in 2034.

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Kathy Sullivan, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Michael J. Walsh.]

Pixel Scroll 12/25/23 It’s Not My Pixel, Monkey Boy!

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(1) SCROLL LITE. I’m spending Christmas with my brother and his wife today, so this will be a short edition of the Scroll. I wish a happy holiday season to all of you!

(2) ‘TIL NEXT YEAR. Santa’s finished his rounds and can relax at his favorite intergalactic watering hole. (An Emsh cover for Galaxy Magazine.)

(3) DOCTOR BARBIE. [Item by SF Concatenation’s Jonathan Cowie.] It’s Christmas and some science journals have festive light-heartedness…

The cover of the British Medical Journal (BMJ) relates to the fantasy film hit of the year Barbie. “Christmas 2023: Ideas for a new world”.

The cover of The BMJ’s Christmas issue this year shows a Barbie that challenges sexist and racist norms. Richard Hurley describes the other new ideas this Christmas issue presents.

See also: “This Barbie is a surgeon”.

In her elegant qualitative study, Katherine Klamer dares the reader to dream bigger for a rising generation of girls.1 In an analysis of nearly 90 Barbies, Klamer found that Barbie brand medical professional dolls largely treated children (63%, n=48/76), with only three dolls (4%, n=3/76) working with adults. 59% of the Barbie brand dolls were white, 28% black, and 6% East Asian, and none had any physical disabilities. All Barbie brand doctors appeared to have either no specialization or were paediatricians with no apparent sub-specialization. Analysis showed that the dolls’ personal safety accessories were inadequate for standard practice; 98% of the Barbie brand dolls came with stethoscopes yet only 4% had face masks. Overall, the group of Barbies showed only a very limited range of medical careers.1 As surgeons in decidedly male dominated fields, we support Klamer’s conclusion that Barbies should represent a more diverse field of medical and scientific professions and that safety comes before fashion. Surely, personal protective equipment (known as PPE) should be commonplace accessories in medical and scientist Barbies’ wardrobes. While the evolution of Barbie’s career options has expanded in recent decades, there is clearly still room for improvement….

The issue also includes an article about  “The space doctors”

Few doctors get to go on real space missions, but they do conduct space research, often in extreme…

What do you actually do on a mission?

SR: “You’re trying to simulate the conditions in an environment like the Moon or Mars or anywhere in space so that you can test out technologies and see how they stand up and whether they’re appropriate to be used by a group of isolated people. But you also train future astronauts.”

RV: “When I started in analogue missions (where researchers carry out field tests in places with physical similarities to space environments1 ) there was me and two other doctors in the whole discipline and that was it. Now analogue space medicine has grown into a bigger specialty, and I think that may be because of the Lunar Gateway (the planned extraterrestrial space station to orbit the Moon) plus multiagency/international collaboration planning an extraterrestrial space station on Mars. For that we need to have more testbeds for doing what we call ‘quick, fast, and fail’ to learn what works. To do that you need analogues.”…

(4) MEMORY LANE.

[Written by Cat Eldridge.]

1980 — I assume most of you are familiar with the M*A*S*H series that ran eleven seasons starting in 1972. Based off of the Robert Altman film of the same name, it was supposed to be a comedy but a lot of very dark humor, pathos, tragedy and even quite moving deaths got in it as well. 

It did three Christmas-centered episodes of which I think only “Death Takes A Holiday” from the ninth season stands up as a truly interesting story. 

The secondary story which I’ll detail first has Charles Emerson Winchester the Third, our insufferable Bostonian surgeon, refusing to help salvage things after a party for orphans is cancelled. Everyone else digs into their rations from home and puts together a true military style Christmas party, but him. 

It turn out that Emersons don’t do public charity and he had given expensive chocolate that he got from his parents to that orphanage instead. Thus he’s understandably angry when he discovers the chocolate had made its way to the black market. So he takes the director aside and shouts at him, but the director says the candy was better used to purchase rice and cabbage, which the kids needed far more than candy.

So now for the main story.

A soldier shot by a sniper is choppered in on Christmas. It’s clear that there’s absolutely no hope of saving him as the surgeons know he is brain dead and will die no matter what they do. Just as they’re dropping life saving measures, they find a photograph of his family.

So Hawkeye, B.J., and Margaret decide to keep him alive, not indefinitely as not cannot happen even as a Christmas miracle, just until December 26th, so his family will never have to think of Christmas as the day their husband and father died. They succeed until after late evening, but he doesn’t make it to midnight. Finally, Hawkeye makes the decision to push the hands past midnight, and they agree to the list his time of death as early the next morning. 

So no Christmas miracles, just a lie that will help a family be just a little more happy come the next Christmas. Maybe. 

As our medical staff leave the dead behind and Father Mulcahy has administer the Last Rites, they are greeted by Potter as Santa. Potter says Santa knows they’ve “been very good boys and girls today” and has an elf, one of the orphans, give them the last four pieces of nurse Peg’s mother’s fudge from California.

Snow begins falling as they each take a piece and toast each other with it, wishing each other a Merry Christmas while the M*A*S*H staff  in the Mess Tent sing the last lines of “Silent Night”. 

Writing episodes was never a solitary enterprise for the series, so this episode was written by Mike Farrell, John Rappaport, Dennis Koenig, Thad Mumford, Dan Wilcox, and Burt Metcalfe and directed by Farrell. Mike Farrell played Captain B.J. Hunnicutt on the series. 

Colonel Potter here became the third and final member of the 4077th to play Santa Claus, after Hawkeye in “Dear Dad”, and B.J. in “Dear Sis”.

(5) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born December 25, 1924 — Rod Serling. (Died 1975.) Rod Serling is best remembered for the original and certainly extraordinary Twilight Zone series and its sequel series of sorts Night Gallery, with the former winning an impressive three Hugos. He was involved at some stage in Seven Days in May, as well as The New People series, The Strange Case of Dr. Jekyll and Mr. Hyde, UFOs: Past, Present, and Future and Planet of the Apes.

So let’s look at that work I listed above which is other than Twilight Zone and Night Gallery and what Serling had to do with them, if anything. 

Let’s start Seven Days in May, a very scary film indeed, which first in released in 1964. Director John Frankenheimer hired Serling to write the script off the novel of the same name by Fletcher Knebel and Charles W. Bailey II. It’s a solid piece of alternative history.

The New People series isn’t really anything he was involved in despite many websites listing him as being so. He was given the idea by Aaron Spelling about a group of young people who crash-land on a remote island and with everyone thinking they’re dead, they set out to form a new society.   

He said in a later interview that “He brought me the idea and I wrote the pilot script. Beyond that, I have nothing to do with it. The show is somewhere between Gilligan’s Island and San Francisco State. It may work. But not with me.” The original never-aired fifty-one minute pilot was screened at UCLA Film & Television Archive with a full Serling credit eleven years ago.

Now Serling again had nothingwith the final aired version of The Strange Case of Dr. Jekyll and Mr. Hyde film. He was hired to write the script when it was to film in London but Jason Robards was unhappy with his script so it was moved because of a strike to Toronto and a new script by a new writer done. No idea what happened to that script. A pity as it might’ve been interesting.

UFOs: Past, Present, and Future was narrated by Rod Serling, Burgess Meredith, and José Ferrer who had been involved in The Twilight Zone. A documentary purportedly proving they were real. It is various claimed that officials at California’s Norton Air Force Base, the U.S. Department of Defense or the National Republican Party asked for this film. Serling had no role in it beyond narrating part of it. 

Planet of the Apes is an interesting story as the script he wrote was then modified by subsequent screenwriters. Even Serling himself disputes that much of his script remains in the final shooting script saying “The original script that I wrote was considerably different than the one they ultimately used” and whether iconic visual aspects of the film such as the hand of The Statue of Liberty were solely his idea. 

So The Twilight Zone and The Night Gallery which I just checked to make sure and yes Paramount + is still streaming the original Twilight Zone. 

The Twilight Zone as created, largely written by and presented by Rod Serling premiered on CBS with the “Where is Everybody?” episode sixty-four years ago. An earlier pilot was developed but it ended up airing on a different show, Westinghouse Desilu Playhouse, and was later adapted as a radio play. Serling served as executive producer and head writer; he wrote or co-wrote ninety-two of the show’s one hundred and fifty-six episodes. 

The series would run four seasons in total. It would win the Hugo at Pittcon and then again the next year at Seacon for Best Dramatic Presentation repeating that for a third year straight at Chicon III. It didn’t do that for a fourth year running at DisCon I as no Best Dramatic Presentation Hugo was awarded. 

Some of my favorite episodes? “Five Characters In Search of an Exit” for its minimalistic approach to, well, everything; “Nightmare at 20,000 Feet” with Shatner of course which was actually written not by Serling but by Richard Mathewson; “The Mighty Casey” and “I Sing The Body Electric”, an episode based on a story by Ray Bradbury. Although Bradbury contributed several scripts to the series, this was the only one produced. 

Now for The Night Gallery. Unlike The Twilight Zone which has seeped into my consciousness and into my bones as well, I’ll willingly admit that although I’ve watched bits and pieces of it down the decades that I won’t say that’s it has gotten a firm hold on my consciousness like its predecessor. I think it’s that I’m just not interested in horror and suspense which was its focus, so what I saw just didn’t interest me the way the stories on The Twilight Zone always did.  It’s not just as pure a storytelling experience for me as that series is. Oh well. 

(6) COMICS SECTION.

Tom Gauld brings back a couple of his Good King Wenceslas variations.

(7) WHO WAS THAT MASKED DOG? CBR.com tells how “Batman: Ace the Bat-Hound Received an Award-Winning New Christmas Origin”.

It’s our yearly Comics Should Be Good Advent Calendar! This year, the theme is the Greatest Christmas Comic Book Stories Ever Told! I had you all vote for your all-time favorite comic book Christmas stories and I collected all the votes, and now I am counting down the results! Each day will spotlight the next story on the list as we count down from #24 all the way to #1!

Every day until Christmas Eve, you can click on the current day’s Advent Calendar post, and it will show the Advent Calendar with the door for that given day opened, and you can see what the “treat” for that day will be! You can click here to see the previous Advent Calendar entries.

And now, we open the sixteenth door on the calendar…

Who was the original Ace the Bat-Hound?

The best thing about Ace the Bat-Hound (created by Bill Finger, Sheldon Moldoff and Charles Paris) is that originally he wasn’t even Batman and Robin’s DOG!

When he debuted in 1955’s Batman #92, he was just a dog that they found with a distinctive mark on his forehead and Bruce Wayne advertised in the local newspaper that he found the dog. The dog then jumped into the Batmobile while Batman and Robin were on the way to a crime scene, and since Batman and Robin couldn’t very well be seen hanging around with the same dog that Bruce Wayne just advertised that he had found, Robin made him a mask to cover the distinctive mark, and so Ace the Bat-Hound made his debut!…

[Thanks to Steven French, Kathy Sullivan, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie, for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 12/15/23 Earth Scrolls Are Easy

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(1) EATING THE FANTASTIC. Scott Edelman invites listeners to feast on crab fried rice with Nina Kiriki Hoffman in Episode 214 of his Eating the Fantastic podcast.

Nina Kiriki Hoffman

Nina Kiriki Hoffman, who aside from having sung the earworm “Feelings” with me more times than I can count, has either won or been a finalist for the Nebula Award, the Locus Award, the World Fantasy Award, the Theodore Sturgeon Award, the HOMer award from CompuServe, the Endeavour Award, the Mythopoeic Society Award, the James Tiptree Jr. Award, and the Philip K. Dick Award.

She won the 2008 Nebula Award for Best Short Story for “Trophy Wives,” and her novel The Thread That Binds the Bones won the Bram Stoker Award for first novel. Other novels include The Silent Strength of Stones (a sequel to The Thread That Binds the Bones), A Fistful of Sky, and A Stir of Bones. Her novella ‘”Unmasking,” published in 1992 by Axolotl Press, was a finalist for the 1993 World Fantasy Award. Her novella “Haunted Humans” was a finalist for the 1995 Nebula Award for Best Novella and on the same ballot as her novelette”The Skeleton Key,” shortlisted for Best Novelette.

We discussed the way a ghost story which left her wanting more led to her taking her writing more seriously, her early reactions to reading Robert A. Heinlein and Ursula K. Le Guin, how the Clarion workshop convinced her she could have a career as a writer, the way she wanted to grow up to be a combination of Ray Bradbury and Zenna Henderson, what she learned about characterization from Samuel R. Delany while at Clarion, the major difference she saw between the horror and science fiction communities during the early days of the Internet, how my perception of the arc her career was affected not by what she wrote but by what she sold, the lesson Ellen Datlow taught her which she passes on to her students, and much more.

(2) DEFENSE BUDGET DIVIDEND? SYFY Wire gets us ready for holiday conversations with these Seussian factoids: “5 Things to Know About How the Grinch Stole Christmas!”

WWII training cartoons led the way for special to get made

During WWII, a lot of talented artists were enlisted to create materials that would help the war effort, or help train troops heading overseas. Two of those talents were animator Chuck Jones and [Theodore] Geisel, who met and worked together on the U.S. Military commissioned animated short films produced by Warner Bros. Studio. The Private Snafu series helped educate G.I.s on a range of subjects in an easy and entertaining way. 

Having worked well together, Jones approached Geisel about adapting the book into an animated holiday special in the same vein as the hit 1965 animated special, A Charlie Brown Christmas. Unhappy with previous adaptations of his books, Geisel agreed to give Jones the rights because of their previous personal collaborations. 

(3) CLIMATE ACTION ALMANAC. ASU’s Center for Science and the Imagination and the ClimateWorks Foundation will launch their new book, The Climate Action Almanac, with a free virtual event on January 16, 2024, at 3:00 p.m. Eastern time. The event will feature, among its speakers, the SF authors Kim Stanley Robinson, Libia Brenda, and Vandana Singh. They’ll explore how to craft narratives about hopeful climate futures that catalyze real-world action and resonate with policy realities, especially in the wake of the recent COP28 UN climate summit.

When we think of climate, the stories we tell about the future are bad: megastorms, crop failures, and heat waves loom over us. These narratives are compelling, but can leave us feeling hopeless, helpless, and disillusioned.

To motivate broad-based change in the present, we need visions of positive climate futures grounded both in science and in local geographical and cultural particularities. We need stories that bridge the imperative for global coordination with values, resources, and community action, envisioning transformation that grows bottom-up and bottom-out, rather than top-down.

In the wake of the COP28 climate summit, join us for the launch of a collection of such stories: The Climate Action Almanac, presented by CSI and the ClimateWorks Foundation. We’ll hear from contributors from across the globe who have charted pathways toward a vibrant, decarbonized future.

The event is free and open to everyone. Register today!

This event will take place in English, with simultaneous interpretation into Spanish. It is presented by CSI and Future Tense in collaboration with the ClimateWorks Foundation and ASU’s Convergence Lab.

(4) DRIVEN. “Famous Cars: The Most Memorable & Expensive Cars to Ever Grace Our Screens” – Investing Magazine has a list. Many are from sff productions. Here’s one that wasn’t cheap to begin with, and now is worth a fortune:

9. The Original Batmobile

As Seen In: Batman the Movie
Year: 1966 
Estimated Value: $4.6 million*

Built by famous designer George Barris, the original Batmobile was based off a 1955 Ford Lincoln Futura. This concept car was worth $250,000 at the time. But by the time it had become an iconic part of pop culture, the Batmobile was worth $4.6 million. 

(5) CURBING A HABIT. Charlie Jane Anders shares a technique for keeping doomscrolling from interfering with writing in “A Productivity Hack That’s Been Helping Me Lately” at Happy Dancing.

I used to be way better at staying focused on pouring words into a word processor, which would puree them gently into a delicious word slurry that I would send to my publisher. (At which point the publisher takes the word slurry, mixes it with gravel and limestone to turn it into decorative bricks for your garden, or so I’m assuming.) Anyway, in recent years it’s gotten harder to tear my gaze away from the sussurating horrors gathering in the desolate crevices of the collective unconscious.

Basically, the doomscrolling has gotten harder and harder to resist. It’s bad for my concentration — and, frankly, for my mental health.

(To be clear, I support staying informed about the state of the world! But not to the point where you’re just marinating in learned helplessness. And I really believe what I wrote in that book, that creativity is a worthwhile and valid way to deal with awful times. And as I keep saying, daydreaming is the opposite of doomscrolling — and daydreams are powerful.)

So I’ve come up with a productivity hack to keep myself from staring at news sites and social media all day. I recently told a friend about this method, and she seemed to find it useful too. So here it is.

Basically, my main problem is social media and news sites, plus emails to some extent. All of this stuff lives on my browser on my computer at home, and I experimented for a few years with installing browser extensions to block certain sites during daytime hours — but they usually wanted to invade my privacy, and they weren’t super reliable.

Then I discovered a way to just make my browser inaccessible during work hours, using my Mac’s settings. (I’m running the latest version, Sonoma 14.1.1.)…

(6) MAJOR SF+F EVENTS IN EUROPE IN 2024. [Item by Dave Lally.]  Now that Chengdu Worldcon 2023 is over… The year 2024 has a number of major SF+F events, in Europe, approaching (and all dates given herein are inclusive).  And this data is primarily for those from outside the area (to help).

Mid April 2024 sees another major SF+F event (herein numbered No 2 :  Eastercon/UK  (in late March-early April) being No 1):   

Luxcon (Luxembourg National SF+F Con): —

Fri 12 (unofficial for early arrivals), Sat 13-Sun 14 April

Venue: Forum Geesseknappchen, Hollerich, (western) Central Luxembourg City, L-1430, Grand Duchy of Luxembourg. 

Everyone in Luxembourg speaks English fluently (and many therein also speak many other languages).

The Grand Duchy (in the EU) has one of the highest standards of living in Europe.   Currency: Euro.

Luxcon held a very successful Eurocon –with that year’s Luxcon– in 2022.

Their website: Official Luxcon. Also double check other media re updates.

Nearest Airport : Luxembourg [ IATA :  LUX ] – fast connecting express bus from the airport to the Luxembourg City Central Rail Station. Thence and FREE (*) local buses (no 10, and no 20) from there to the Con venue.

[* Nota Bene within Luxembourg and at all times, all local public transport (standard class) — incl the Luxembourg City tram (LuxTram), local buses and local CFL (rail) trains– are Free.  Hugo Gernsback (yes him, originally from here) has a street named after him in eastern Luxembourg City.] 

 Luxembourg City Rail Station is served by: 

  1. SNCB (Belgian Rail) trains from Brussels Midi (via Arlon and usually one per hour) tho the cost from Arlon (Luxembourg border) to the Luxembourg Rail Station portion (see * above) is free. And sometimes there is a train change at Arlon. Note this train usually has NO catering thereon (so stock up on food/drink before travelling).  Brussels Midi is of course served by EUROSTAR trains from London St Pancras International Rail Station and from many other places, elsewhere in Europe;
  2. SNCF (French Rail) – TGV (High Speed) trains (with catering) from Paris Gare de L’Est (via Metz, tho there may be a change of train on that route). Paris-Gare de L’Est is right next door to Paris-Gare Du Nord (which itself is well served by EUROSTAR trains from London St Pancras -as above).  

 [No doubt local Luxembourg fen, reading this,  will be able to update/augment this data. ]

And as usual fen from anywhere overseas are very welcome at any SF+F Cons here in Europe, including Luxcon.

(More events to follow.)

(7) MEOWMEOW. The New York Times ran an obituary for “Neil Drossman, Adman Who Sold With a Smile, Is Dead at 83”. Not a genre figure; he just made a big imprint on popular culture with his memorable ads.

Neil Drossman, who brought a cheeky wit and a tireless work ethic to the award-winning print advertisements and television commercials he wrote for clients like Meow Mix cat food, Teacher’s Scotch whisky and 1-800-Flowers, died on Nov. 25 in the Bronx. He was 83….

From the late 1960s until this year, Mr. Drossman was a copywriter and an executive at several agencies, some run by the advertising guru Jerry Della Femina and some he helped run himself….

…One of the most enduring lines Mr. Drossman wrote was for Meow Mix: “Tastes so good, cats ask for it by name.” That came at the end of commercials in which cats appeared to sing (“Meow meow meow meow/Meow meow meow meow”) for their chicken and seafood…

…In 1973 and 1974, Mr. Drossman ghostwrote full-page testimonials for Teacher’s Scotch in the voices of celebrities like Groucho Marx, George Burns and Mel Brooks. The Brooks ad was written as an interview with Mr. Brooks’s character the 2,000 Year Old Man.

“Sir, when was Scotch discovered?”

“It was during the Ice Age. We had so many tons of ice, we didn’t know what to do. So we made drinks, all kinds of drinks.”….

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born December 15, 1951 — David Bischoff. (Died 2018.) Our community is blessed with many amazing writers of which David Bischoff was one. So let’s talk about him.  

His first writings were in the Thrust fanzine where he did a mix of commentary and criticism. (Thrust got one Hugo nomination as a fanzine and four as semi-prozine.)  Editor Doug Fratz would later convert it into a prozine for which Bischoff along with John Shirley and Michael Bishop were regular contributors. 

David Bischoff

His first novel, The Seeker, which was co-written with Christopher Lampton was published by Laser Books forty-seven years ago. He was extremely prolific. No, I don’t mean sort of prolific, I mean extremely prolific. He wrote some seventy-five original novels which is to say not within of any of the many media franchises that he wrote within plus another thirty-five or so novels falling within those media franchises.

What franchises? Oh how about these for a start and this is not a full listing by any means — Aliens, Alien Versus Predator, Farscape, Gremlins 2: The New Batch, Jonny Quest, SeaQuest DSV,  Space Precinct and War Games.. And no, I never knew there were Jonny Quest novels. 

Oh, and I must single out that he wrote two Bill, the Galactic Hero novels, Bill, the Galactic Hero on the Planet of Tasteless Pleasure and Bill, the Galactic Hero on the Planet of Ten Thousand Bars which is either a great idea or maybe not. Not having read them I have no idea. 

And he wrote for the Trek universe, two most excellent episodes at that. He co-wrote the ”Tin Man” episode from Next Generation, a Nebula nominee, with Dennis Putman Bailey, and the “First Contact” episode from the same series written with Dennis Russell Bailey, Joe Menosky, Ronald D. Moore and Michael Piller. 

Almost none of his extensive fiction has been collected save that which is in Tripping the Dark Fantastic from a quarter of a century ago which collects a few novelettes and some short stories. 

Very little of his fiction is available from the usual suspects, almost none of it his original works. And Tripping the Dark Fantastic is not available. 

(9) COMICS SECTION.

  • The Far Side shows a new kind of “Love, American Style.”
  • Free Range found the answer to a super trivia question.

(10) NO LONGER THE ANSWER. Deadline says “Mayim Bialik Out At ‘Jeopardy!’”.

Mayim Bialik will no longer be part of the Jeopardy! hosting team.

The actor posted the news on Instagram on Friday.

The move comes as Ken Jennings has been hosting Season 40 of the syndicated show by himself.

Deadline revealed in May that The Big Bang Theory and Call Me Kat star walked away from hosting the final week of season 39 of the gameshow as a result of the strike.

Mayim Bialik’s Instagram says:

“As the holiday break begins in Hollywood, I have some Jeopardy! news. Sony has informed me that I will no longer be hosting the syndicated version of Jeopardy! I am incredibly honored to have been nominated for a primetime Emmy for hosting this year and I am deeply grateful for the opportunity to have been a part of the Jeopardy! family. For all of you who have supported me through this incredible journey and to the fans, contestants, writers, staff and crew of America’s Favorite Quiz Show, thank you.”

(11) HARI HARI SELDON SELDON. “Elon Musk to open a STEM-focused K-12 school, university in Austin” according to the New York Post.

SpaceX CEO Elon Musk plans to launch a STEM-focused primary and secondary school in Texas before debuting a glittering university “dedicated to education at the highest levels,” according to a tax filing.

Musk, who moved from California to the Lone Star State during the pandemic, will build the schools in Austin with a $100 million donation from the billionaire’s charity called The Foundation, according to tax filings first reported by Bloomberg.

The charity’s name appears to be a nod to the science fiction series written by famed author Isaac Asimov that details the collapse of a ruling empire to make way for the birth of an alternate society — fitting considering Musk’s public criticism of the current education system….

… The Foundation’s application to open the schools was initially filed in October 2022 and approved in March, according to Bloomberg, though it’s unclear when the K-12 school will break ground…

(12) DOESN’T LOOK LIKE A GALLIFREYAN ARMY KNIFE. “Doctor Who’s Ncuti Gatwa Shows Off the Fifteenth Doctor’s New Sonic Screwdriver” – CBR.com has the story. Somebody might think this is a spoiler, so no image here. Just a link to the video: “Ncuti Gatwa’s New Sonic Screwdriver”.

… In the official video posted to YouTube on the Doctor Who channel, Gatwa talks about the design elements of the newly remodeled sonic screwdriver, which comes with its own unique bells and whistles. As Gatwa demonstrates, the sonic is much larger than most previous iterations and contains several new gadgets, including a connector allowing it to link to other devices like a “USB port,” as the actor describes it….

(13) MARTIAN DOG YEARS. “The Biggest Sci-Fi Show of the Year Challenges Its Star In One Revolutionary Way” –that’s how Inverse describes For All Mankind and its lead, actor Joel Kinnaman.

Since 2019, Kinnaman has played the show’s lead, Ed Baldwin, who begins his journey as an Apollo astronaut in 1969 in Season 1. By Season 4, it’s 2003, and Ed is pushing 80, but still living on the Mars colony Happy Valley. At 44 in real life, Kinnaman is convincingly playing nearly double his age but, as he tells Inverse, this is the moment he has been waiting for since getting cast in the first place.

“The idea of doing this is what initially really appealed to me with this character,” Kinnaman reveals. “But of course, it’s rare that you have to wait five years to do the thing that you really were looking forward to doing with a character.”

As Ed Baldwin leads Helios workers on Mars to a labor strike in the episode “Leningrad,” Inverse caught up with Kinnaman to get a sense of how he took Ed this far, and whether or not he can play the character again in Season 5.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Lise Andreasen, Scott Edelman, Joey Eschrich, Dave Lally, Kathy Sullivan, SF Concatenation’s Jonathan Cowie, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day RedWombat.]

Pixel Scroll 10/3/23 Midnight At The Oasis

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(1) My mother’s mental state was actually back to about normal today. And putting together even this short Scroll will do wonders for mine.

(2) AFROPANTHEOLOGY. Oghenechovwe Donald Ekpeki & Joshua Uchenna Omenga provide an “Introduction to Afropantheology” at Public Books.

African cosmologies recognize two spheres of existence—the physical and the spiritual—between which there is an inseparable link, as well as constant interactions. Each sphere of existence is connected to the other: the living to the dead, the born to the unborn, humans to the deities. “A community develops its mode of relating to its ancestors and the gods, harmonizing the interconnectedness of everything,” according to Dr. K. C. Nweke. “Each community has its spiritual exclusiveness through its relatedness to the ancestors in the underworld who oversee the ephemeral world.”1

Today, many works of African fiction reflecting African cosmology are themselves fictional reflections of these African realities of life. Yet this can make it easy to mislabel such literary fiction as mere fantasy.

The genre of fantasy (part of the broader category of speculative fiction) can simply mean imaginative fictions involving outlandish characters, magical elements, and often set in created worlds. It is often a genre of escapist literature, in which readers must suspend their belief to enjoy. As such, “fantasy” can be an ill-fitting term, when describing many literary works of similar rendering from the African continent. In response, a new term was conceived to capture this gamut of African literary works, which, though having fantasy elements, are additionally imbued with the African spiritual realities: Afropantheology….

(3) ALEX SCHOMBURG ART AUCTION ON OCTOBER 6. Susan Schomburg sends word that artwork by her grandpa, Alex Schomburg, will be auctioning through Heritage this Friday, October 6. Here is a search link to his lots: Search: Alex Schomburg.

And here is a link to his original art for “World at Bay”.

 (4) MY INDIANA BAT HOME. “Your FIRST LOOK at America’s Only Permanent BATMAN ’66 MUSEUM” at 13th Dimension. (The museum’s own website is here: Fiberglass Freaks Batman Museum.)

October will be a helluva month for Batman ’66 fans: It will feature the opening of the only permanent museum dedicated to the 1966 Batman TV show.

The Batman Museum in Logansport, Indiana — which is reminiscent of the popular Hollywood Museum exhibit from several years ago — will be operated by Fiberglass Freaks, Mark Racop’s company that builds the only officially licensed full-scale Batmobile replicas.

But the museum will be more than just about the greatest version of Batman’s ride — it will feature displays of costumes, real and replica; set reconstructions; memorabilia; a theater; props; other vehicles; a gift shop; and more.

… Fiberglass Freaks’ Batman Museum is located at 525 East Market Street, Logansport, Indiana, 46947;

Hours will be 1 p.m.-7 p.m. Tuesday-Thursday; 1 p.m. 8 p.m. Friday and Saturday; closed Sunday and Monday.

(5) ADS SUBTRACT. Cory Doctorow takes readers through “Google’s enshittification memos” at Pluralistic.

…When I think about this enshittification curve, I often think of Google, a company that had its users’ backs for years, which created a genuinely innovative search engine that worked so well it seemed like *magic, a company whose employees often had their pick of jobs, but chose the “don’t be evil” gig because that mattered to them.

People make fun of that “don’t be evil” motto, but if your key employees took the gig because they didn’t want to be evil, and then you ask them to be evil, they might just quit. Hell, they might make a stink on the way out the door, too…

Google is a company whose founders started out by publishing a scientific paper describing their search methodology, in which they said, “Oh, and by the way, ads will inevitably turn your search engine into a pile of shit, so we’re gonna stay the fuck away from them”:

http://infolab.stanford.edu/pub/papers/google.pdf

Those same founders retained a controlling interest in the company after it went IPO, explaining to investors that they were going to run the business without having their elbows jostled by shortsighted Wall Street assholes, so they could keep it from turning into a pile of shit:

https://abc.xyz/investor/founders-letters/ipo-letter/

And yet, it’s turned into a pile of shit. Google search is so bad you might as well ask Jeeves. The company’s big plan to fix it? Replace links to webpages with florid paragraphs of chatbot nonsense filled with a supremely confident lies,,,

How did the company get this bad? In part, this is the “curse of bigness.” The company can’t grow by attracting new users. When you have 90%+ of the market, there are no new customers to sign up. Hypothetically, they could grow by going into new lines of business, but Google is incapable of making a successful product in-house and also kills most of the products it buys from other, more innovative companies…

(6) CAN*CON COULD BE FOR YOU. Derek Künsken recommends:

If you are a writer in some far off place without access to other writers, editors, agents (like my early career), I really recommend you check out the virtual program of

@CanConSF

that will run 14 and 15 October. It’s got a lot for aspiring and leveling-up writers!

CanCon registration is at their website here.

(7) WORD POWER. Steve Erikson did a five part essay on “The Language of Magic and the Magic of Language” on Facebook.

…Oxford Dictionary:

mag·ic

/ˈmajik/

noun

1. the power of apparently influencing the course of events by using mysterious or supernatural forces.

“suddenly, as if by magic, the doors start to open”

Okay, let’s look at this definition. There are three key words here: ‘influencing,’ ‘mysterious’ and ‘supernatural.’ Now, I’m not going to back up still further to define ‘mysterious’ or ‘supernatural,’ and if ‘influencing’ is in any way baffling, I can’t help you.

Anthropology examines ‘magic’ in cultures with an emphasis on the ‘influencing’ aspects, specifically in terms of the material component. Why? Because that is the only component of ‘magic’ that can be explored in a pseudo-scientific sense. The rest is metaphysical. Ethnology can add a narrative element, of course, when, for example, shamans explain stuff to the ethnologist, who in turn records the details. Those explanations may be accurate or entirely made up. They can be well-established (tradition) or invented on the fly. Even shamans can have a sense of humour.

All human cultures possess some ideation of magic, of the miraculous and the unseen. I can’t think of a single one that doesn’t. Large elements of even the Western world hold to these notions in some iteration, whether blanketed under ‘religion,’ ‘faith’ or ‘spiritualism.’ Atheism rejects the whole shebang in favour of a strictly mechanistic universe, but atheism is a minority position dwelling within a larger, global culture of belief.

No, really, it is. …

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 3, 1874 — Charles Middleton. He is no doubt best remembered for his role as the Emperor Ming the Merciless in the three Flash Gordon serials made between 1936 and 1940 which is only genre production he appeared in save three chapters of a Forties Batman serial in which he played Ken Colton. (Died 1949.)
  • Born October 3, 1931 — Ray Nelson. SF writer best known for his short story “Eight O’Clock in the Morning” which was the basis of John Carpenter’s They Live.  He later collaborated with Philip K. Dick on The Ganymede Takeover. In the 1940s Nelson appropriated the propeller beanie as a symbol of science fiction fandom. His fannish cartoons were recognized with the Rotsler Award in 2003. He was inducted to the First Fandom Hall of Fame in 2019. (Died 2022.)
  • Born October 3, 1933 — Norman Adams. The SF Encyclopaedia says genre wise that “Adams may be best known for his cover for the first edition of Larry’s Niven’s World of Ptavvs” on Ballantine Books in 1966.  I must say having looked at his ISFDB listings that their assessment is absolutely right. (Died 2014.)
  • Born October 3, 1935 — Madlyn Rhue. She on Trek’s “Space Seed” as Lt. Marla McGivers, Khan Noonien Singh’s (Ricardo Montalbán) love interest. Other genre appearances included being on the original Fantasy Island as Lillie Langtry in “Legends,” and Maria in the “Firefall” episode of Kolchak: The Night. (Died 2003.)
  • Born October 3, 1944 — Katharine Kerr, 79. Ok I’m going to confess that I’ve not read her Deverry series so please tell me how they are. Usually I do read such Celtic tinged series so I don’t know how I missed them. Her Polar City SF mystery novels (second written with Kate Daniel) sound fascinating. Only the first, Polar City Blues, is available from the usual suspects.
  • Born October 3, 1964 — Clive Owen, 59. First role I saw him in was the title role of Stephen Crane in the Chancer series. Not genre, but fascinating none the less. He’s been King Arthur in film of the same name where Keira Knightley was Guinevere. He’s also was in Sin City as Dwight McCarthy, and in The Pink Panther (though weirdly uncredited) as Nigel Boswell/Agent 006. I’ll also single him out for being Commander Arun Filitt in Valerian and the City of a Thousand Planets.
  • Born October 3, 1973 — Lena Headey, 50. Many of you will know her as Cersei Lannister on Game of Thrones, but I liked her sociopathic Madeline “Ma-Ma” Madrigal on Dredd better.  She was also Angelika in The Brothers Grimm, a film I’m sure I’ve seen but remember nothing about. 
  • Born October 3, 1988 — Alicia Vikander, 35. She was Ava, an artificial intelligence, in Ex Machina, spooky film it was. Several years later, she starred as Lara Croft in the rebooted Tomb Raider. In The Man from U.N.C.L.E., she plays Gaby Teller. Finally she’s The Lady / Esel in The Green Knight, a retelling of the story of Sir Gawain.  

(9) DUBAI YANKS THE WELCOME MAT OUT FROM UNDER. The International Association of Library Associations and Institutions announced today that “Invitation to host IFLA WLIC 2024 in Dubai withdrawn”. Bruce Arthurs says, “This reminded me of some of the travails past & ongoing about SF/F cons being held in morally objectionable countries. The big difference here is that it was the host city itself that yanked the rug out, rather than the conference committee.”

IFLA has been informed of the decision to withdraw the invitation to hold the 2024 World Library and Information Congress in Dubai.

The decision was communicated to us by the Emirates Library and Information Association who led the bid to support the development of the field and wider region.

The Association has underlined its ongoing commitment to IFLA, and keenness to find other ways to bring librarians from the country and region closer to the global library field. IFLA is grateful to the Association for the work that it has done, and firmly believes that this provides a strong basis for building engagement in other ways going forwards.

Acknowledging the reservations expressed about holding the Congress in Dubai, we recognise the disappointment that many in the region and beyond will feel. IFLA remains committed to finding ways to engage with and support the librarians in MENA and the surrounding regions who were looking forward to experiencing the vibrancy of a World Library and Information Congress. Continuing our work in this area is vital if we are to be not just an international, but a truly global Federation.

As Dubai was the only viable bid, there will now not be a World Library and Information Conference in 2024.

(10) CHENGDU WORLDCON UPDATE. [By Ersatz Culture.]

  • Worldcon COVID preparations

The Health Bureau of the Pidu District of Chengdu carried out a number of checks and inspections in August and September, and these will continue in the run up to the con.

Photo of a meeting held September 25th, the first four characters on the LED display read “Science Fiction Conference”.  Source: https://weibo.com/3339983832/Nl50S16Up

Photo of what I assume is a ventilation check at the con venue.  Source: here (presumably taken from elsewhere, but I’ve not been able to track it down.)

On September 26th, local media in Sichuan province published an interview (in Chinese) with Ben Yalow.  Here is an extract via Google Translate:

Reporter: What do you think of Chengdu’s bid and preparation process?

Ben Yalow: I first heard about the Chengdu bid when I met a group of Chinese fans at the World Science Fiction Convention in Dublin 2019. It’s always fun to meet a new fan base. This group of people in the Chengdu circle have worked hard to present a successful World Science Fiction Convention, and now things are going smoothly.

  • Zhejiang University SF club weekly newsletter

Both of the above stories came from the Zhejiang University SF club newsletter, edited by File 770 commenter Zimozi Natsuco.  Besides items about the Chengdu Worldcon, there are lots of items about other SF activities in China and other parts of the world, and is well worth checking out (via Google Translate or similar tools) if that interests you.  NB: the current issue namechecks the Chengdu coverage that has been published here on File 770, so this is perhaps a biased opinion…

The current issue can be found here, and a list of earlier issues here

[Thanks to Andrew Porter, Ersatz Culture, John King Tarpinian, Oghenechovwe Donald Ekpeki, Rob Thornton, Susan Schomburg, Bruce D. Arthurs, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day OGH.]