Pixel Scroll 6/8/22 Goodness, Gracious, Great Scrolls Of Fur

(1) BIG RESPONSE. The “Send Oghenechovwe Donald Ekpeki to Worldcon” GoFundMe appeal passed its $7,000 goal in just over a day. A total of $7,460 has been raised from 156 donors at this writing.

(2) WHEN THE MOON HITS YOUR EYE. [By Mike Kennedy.] OK, so it wasn’t as big as the Moon (or even a pizza pie) but the “love tap” that the James Webb Space Telescope received was from an object bigger than expected. “NASA’s new powerful space telescope gets hit by larger than expected micrometeoroid” at The Verge.

NASA expected the JWST to be hit by quite a few micrometeoroids over its lifetime, but also expected them to be typically smaller than a grain of sand. One of the impacts received so far, though, was from an object bigger than that (though NASA hasn’t said just how big). It damaged one of the mirrors enough to cause a “marginally detectable effect in the data.“ Controllers are still working on it, but they feel they can make sufficient adjustments to the mirror to partially cancel the data distortion.

…Since its launch, JWST has already been hit by at least four different micrometeoroids, according to a NASA blog post, but all of those were small and about the size of what NASA expected the observatory to encounter. A micrometeoroid is typically a small fragment of an asteroid, usually smaller than a grain of sand. The one that hit JWST in May, however, was larger than what the agency had prepared for, though the agency didn’t specify its exact size. NASA admits that the strike, which occurred between May 23rd and May 25th, has caused a “marginally detectable effect in the data” and that engineers are continuing to analyze the effects of the impact….

(3) THE DECLARATION OF SWEETWEIRD. Charlie Jane Anders promulgated “The Sweetweird Manifesto” this week. The post names plenty of works she regards as examples and creates a retroactive history of the form.

…And here’s where I should admit that sweetweird isn’t actually a formal movement, and nobody except for me has been using that term. I wrote in my recent writing advice book Never Say You Can’t Survive that I’m burned out on “grimdark” storytelling that revels in nastiness and extreme violence, and instead I’m ready for “sweetweird.”… 

What is Sweetweird?

The core idea of sweetweird is: the world makes no sense, but we can be nurturing, frivolous and kind. We don’t have to respond to the ludicrous illogic of the world around us by turning mean and nasty, or by expecting everyone else to be horrible. At the very least, we can carve out friendly, supportive spaces in the midst of chaotic nonsense, and maybe help each other survive.

Instead of demanding that the universe stop being a farrago, we embrace the strangeness and make it our own. The unrealness of our consensus reality liberates us, because it undermines the fiction of “normality” and creates a space for us to be our authentic eccentric selves. Decency without conformity, joy that doesn’t depend on a false sense of stability. Affectionate silliness….. 

(4) FREE READS. Aliette de Bodard alerted fans that two of her short stories are available to read for free:

“Sword of Bone, Halls of Thorns” at The Sunday Morning Transport is a story about an exorcist, a talking sword, creepy vegetation and how the choices we make haunt us beyond death and rebirth. 

“The Scholar of the Bamboo Flute” is a reprint available in Uncanny Magazine. Basically it’s Utena-inspired sapphic shenanigans set in a 19th Century Vietnamese-esque academy. (if you don’t know the anime Utena, let’s just say it involves magical duelling, a princess and a whole hell of a lot of queerness, and it’s one of my absolute favourites–a formative watch for me). 

(5) ARTIST Q&A. The Science Fiction and Fantasy Poetry Association’s SPECPO blog posted “An Interview with Austin Hart, Star*Line 44.3 Cover Artist, by Jean-Paul Garnier (editor)”.

What led you into the visual arts, and what inspires you to create?

I just admired people that could draw from an early age. I had a couple of uncles that were good artists, and my dad is an architect and my mom is good at drawing even though she doesn’t do it much. I remember some kids in my classes in elementary school that were good artists early on and just trying to keep up with them. Marvel and Image comics and trading cards were very popular and I liked drawing characters and weapons from RPGs. I remember finding out about Robert Crumb, and later Frank Frazetta, early on and that raised the bar in my head for what was possible, but I could never be as good as they are. I am more impressed by pros who can do quick lose expressive sketches with very few lines than people who can make a fully rendered drawing or painting. I am very envious of those types of pros.

(6) SFF’S OWN LOST CAUSE MYTH. Camestros Felapton took notes on a 95-minute YouTube chat between host Ethan Van Sciver and guest Larry Correia: “Watching You Tube so you don’t have to: Larry & Ethan edition”.

…What sustained me through what was an extraordinarily dull experience was the question on whether the elephants in the room would get mentioned. Put these guys together and there are two elephants: one quite significant and based in Switzerland and one less so and based in California.

… In short, EVS and LC had a lot in common to talk about! You won’t be surprised to discover that they didn’t talk about it either…

…After that, we get a garbled history of the Puppy campaigns. Events get shoehorned together and the absence of Vox Day from the story looms ever larger. It becomes this big mysterious thing as to why people might think of the Sad Puppy 2 campaign as being racist and misogynistic (hint: Vox Day aside from anything else). The absence of Day from the narrative enables this spin that the pushback against the Sad Puppy campaign from a diversity perspective was wholly irrational…

(7) THE WORLD NEEDS A HERO. DC dropped this trailer for Black Adam today. Only in theaters October 21.

(8) MEDIA BIRTHDAY.

1984 [By Cat Eldridge.] Thirty-eight years ago on this day, Indiana Jones and The Temple of Doom, the sequel to the Hugo-winning Raiders of the Lost Ark, premiered. It’s actually a prequel to that film. Once again it’s directed by Steven Spielberg from a story by George Lucas. The screenplay was by the husband and wife team of Willard Huyck and Gloria Katz, best known for American Graffiti which yes involved both George Lucas and Harrison Ford. 

Harrison Ford was of course back along with Kate Capshaw, Amrish Puri, Roshan Seth, Philip Stone and Ke Huy Quan. Capshaw would marry Spielberg seven years later and yes they are still married, bless them! 

I’ll admit that Indiana Jones and The Temple of Doom was nearly not as fun for me as Raiders of the Lost Ark but critics loved it, with Roger Ebert in his Chicago Sun-Times review saying it was “the most cheerfully exciting, bizarre, goofy, romantic adventure movie since Raiders, and it is high praise to say that it’s not so much a sequel as an equal. It’s quite an experience.”  

And Kathleen Carroll of the New York Daily Postwas equally exuberant: “Indie, you will be happy to learn, hasn’t changed a bit. Played with gruff determination by the appealingly rugged Harrison Ford, he continues to set quite a pace for himself in Spielberg’s rip-roaring, boldly imaginative sequel to his blockbuster hit.” 

It’s worth noting that It did get banned in India which as one who spent considerable time in Sri Lanka is something I fully understand as there are truly disgusting Indian stereotypes in that film.

It was fantastically profitable as it cost just under thirty million in production and publicity costs and made ten times that at the box office in its initial run! 

Audience reviewers at Rotten Tomatoes are very fond of it, giving it an eighty-four percent rating. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 8, 1910 – John W. Campbell, Jr.  Author of half a dozen novels, a score of shorter stories like “Who Goes There?” and “Forgetfulness.” For 34 years he edited Astounding, renamed Analog, and a short-lived fantasy companion, Unknown (see Fred Smith’s Once There Was a Magazine). Ushered in the Golden Age of SF. Won 17 Hugos, of which nine were Retrospective, all but one for editing (the exception: Retro-Hugo for “Who Goes There?”). On the other hand, in his ASF editorials he supported many forms of crank medicine, and promoted Dianetics, and specious views about slavery, race, and segregation, all of which was well-known in sf fandom. In the Sixties he rejected Samuel R. Delany‘s Nova for serialization saying that he did not feel his readership “would be able to relate to a black main character.” Focusing on his foundational contributions, his name was put on the John W. Campbell Award for Best New Writer, but after 46 years it was renamed the Astounding Award when a winner called him out for “setting a tone of science fiction that still haunts the genre to this day.” (Died 1971) [OGH]
  • Born June 8, 1915 Frank Riley. He’s best known for They’d Rather Be Right (co-written with Mark Clifton) which won a Hugo Award for Best Novel at Clevention (1955). Originally published in serialized form in Astounding unlike his eight short SF stories that were all published in If. Sadly he’s not made it into the digital realm yet except for scattered stories. (Died 1996.)
  • Born June 8, 1917 George D. Wallace. He’s here for playing Commando Cody in the early Fifties Radar Men from the Moon movie serial. He would later show up as the Bosun on Forbidden Planet, and had minor roles late in his career in MultiplicityBicentennial Man and Minority Report. He also played a Star Fleet Admiral in “The Man of the People” episode of The Next Generation. (Died 2005.)
  • Born June 8, 1926 Philip Levene. He wrote nineteen episodes of The Avengers including creating the Cybernauts which won him a Writer’s Guild Award, and served as script consultant for the series in 1968–69. He also has three genre acting credits, one as a Supervisor in “The Food” episode of Quatermass II; the second as a Security Guard in the X the Unknown film, and finally as Daffodil in Avenger’s “Who’s Who” episode. (Died 1973.)
  • Born June 8, 1928 Kate Wilhelm. Author of the Hugo–winning Where Late the Sweet Birds Sang. She also won a Hugo for Best Related Book and a Locus Award for Best Nonfiction for Storyteller: Writing Lessons and More from 27 Years of the Clarion Writers’ Workshop. SFWA renamed their Solstice Award the Kate Wilhelm Solstice Award. She established the Clarion Workshop with her husband Damon Knight and writer Robin Scott Wilson. (Died 2018.)
  • Born June 8, 1946 Elizabeth A. Lynn, 76. She is well known for being one of the first genre writers to introduce gay and lesbian characters as an aspect of her stories. So in honor of her, the widely known A Different Light chain of LGBT bookstores took its name from her novel of that name. Her best known work is The Chronicles of Tornor series. Her Watchtower novel won a World Fantasy Award as did “The Woman Who Loved the Moon” story. 
  • Born June 8, 1947 Sara Paretsky, 75. Best best known for her private detective novels focused on V.I. Warshawski, she has one genre novel in Ghost Country. It too involves V.I. Warshawski and may or may not involve things of supernatural nature. I haven’t encountered it, so I’d be interested in hearing from anyone who has. 
  • Born June 8, 1973 Lexa Doig, 49. Cowgirl the hacker on TekWar,the post-Trek Shatner series that he actually made sense in as opposed to Barbary Coast. She was also Andromeda Ascendant/Rommie on Andromeda and Sonya Valentine on Continuum, and the voice of Dale Arden in the animated Flash Gordon series. One-offs in Earth: Final ConflictThe 4400Stargate SG-1, Eureka, V, Smallville, Supernatural and Primeval: New World

(10) COMICS SECTION.

  • Mannequin on the Moon has a wonderful word processing gag.
  • Crankshaft is about someone who hasn’t kept up with the times. (Which it usually is, come to think of it.)

(11) HEAD OUT ON THE HIGHWAY. This bookseller delivers – the entire store! “Rita Collins Drives a Traveling Bookstore Around the United States” at Today.

From May to October, you can find Rita Collins, 70, in the front seat of a white Sprinter van, driving across America. In this era of RVs and #vanlife Instagram photos, Collins’ ride is set apart. Rattling around, in the back of her van, is a fully functional used bookstore.

While stopping in small towns and cities around the U.S., Collins relishes in the wonder that comes across people’s faces when they realize this van is not like any other. Whether she’s parked outside of a book festival, coffee shop or farmer’s market, Collins finds herself having the same conversation, encouraging people to climb the wooden steps and take a peek inside….

Like most traditional bookstores, St. Rita’s Traveling Bookstore and Textual Apothecary has floor-to-ceiling shelves organized by genre, overhead lighting and a carpet on the floor. The main difference, of course, is that it’s on wheels. The bookstores’ 600 volumes are set at a 15 degree angle to keep them from falling as Collins drives from state to state — so far, she’s been to 30, and has traveled cross-country three times. 

(12) HERE COMES THE PITCH. “’Ms. Marvel’ directors presented a PowerPoint to Kevin Feige to convince him to include animation, inspired by ‘Into the Spider-Verse’” at MSN.com.

…With past shows like “Moon Knight,” “Hawkeye,” “Loki,” and “WandaVision” taking on a more serious tone, here comes a standout show that’s refreshingly light.

You can give some of that credit to filmmaking duo Adil El Arbi and Bilall Fallah.

The Moroccan-Belgian filmmakers (known collectively as Adil and Bilall) instantly saw “Ms. Marvel” as a show that should be filled with color, life, and celebration of culture….

Adil and Billal felt animation would make the show pop. So they compiled a presentation with things that inspired them and headed to the Marvel Studios offices to pitch how they would direct the series to studio head Kevin Feige and his team.

“Kevin walked in and I have to admit, I was a little starstruck,” Bilall said. “We did this whole PowerPoint presentation and we told them that this is our influences for the show. ‘Into the Spider-Verse’ was a big one because of the animation.”

“For us, the animation was something we always wanted to put into it,” Adil added. “We wanted to portray that dream world of Kamala Khan and the comic book aspect to it. We were afraid that Kevin would say no because it’s different from the other shows of the MCU.”

(13) THEY ROCK TO THE TREES. A 2015 article at Hollywood.com involving Andy Serkis, The Imaginarium, motion capture, and animation — with a nod to 2001: A Space Odyssey — tells how an “Andy Serkis meeting inspired Coldplay’s chimp video”.

A chance meeting between British rocker Chris Martin and actor Andy Serkis inspired the band to embrace motion-capture technology for a new music video.

The musicians were transformed into chimps in the promo for their new single Adventure Of A Lifetime using techniques pioneered in Hollywood movies such as Avatar and The Lord of The Rings.

It has now been revealed the idea came about after frontman Chris bumped into Andy on a plane, and the pair discussed the actor’s experiences with motion-capture on films such as King Kong and the Planet of the Apes series.

The rockers spent six months making the short clip, and used “full motion performance capture rigs” to transform themselves….

Coldplay – Adventure Of A Lifetime (Making Of Video)

Coldplay – Adventure Of A Lifetime (Official Video) – YouTube

(14) HERMAN, LILY, & GRANDPA, OH MY. ScreenRant invites us to watch “’The Munsters’ Return in First Trailer for Rob Zombie Movie”. The Munsters will premiere this fall on Universal All Access.

…Today, Universal released the first teaser for the film, which is practically a shot-for-shot remake of the original Munsters opening credits, complete with the classic Munsters theme song. It makes it pretty clear that if you were expecting Zombie to turn The Munsters into a stereotypical Rob Zombie movie full of blood and guts, you were mistaken. (Zombie has already said, this is not an R-rated reimagining; it’s a PG-rated tribute.)…

(15) X MINUS TWO. Paramount Plus promises this is “the dumbest science fiction movie ever made!” Beavis and Butt-Head Do the Universe, streaming on June 23,

In perhaps the dumbest space movie ever made, Beavis and Butt-head are sentenced to Space Camp by a “creative” judge in 1998, leading to a trip on the Space Shuttle, with predictably disastrous results. After going through a black hole, they reemerge in our time, where they look for love, misuse iPhones, and are hunted by the Deep State. Spoiler: They don’t score.

(16) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] Alasdair Beckett-King asks, “What happens if you merged King of the Hill and Lord of the Rings?” in “Return of the King of the Hill of the Rings”.

[Thanks to Michael Toman, Cora Buhlert, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, Chris Barkley, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 6/6/22 Make Your Own Kind Of Pixel, Even When Nobody Else Scrolls Along

(1) FUND OGHENECHOVWE DONALD EKPEKI’S TRIP TO CHICON 8. Jason Sanford has set up a GoFundMe that will “Send Oghenechovwe Donald Ekpeki to Worldcon”. Donate at the link.

This year Oghenechovwe Donald Ekpeki became the first African writer to win the Nebula Award for Best Novelette for his story “O2 Arena ,” with that story also making him the first African writer to be a finalist for the Hugo Award in the same category. In addition, he became the first person from Africa to be a finalist for the Hugo Award for Best Editor, Short Form, for his work on the groundbreaking anthology Year’s Best African Speculative Fiction.

 This fundraiser is to allow Ekpeki to travel from Nigeria to attend Chicon 8, the World Science Fiction Convention (Worldcon) in Chicago. In addition to allowing Ekpeki to attend the Worldcon where he is a finalist for two Hugo Awards, the fundraiser will also enable him to work on building in-person connections at Worldcon between genre fans and professionals from Africa and around the world….

(2) 2024 NASFIC BID. The Buffalo in 2024 NASFiC bid chair Wayne Brown answered File 770’s question about who is on the committee. Says Brown:

We have a small group right now but are looking to add more committee members.  Right now the committee consists of:

  • Wayne Brown (chair)
  • Alex Von Thorn
  • Debi Chowdhury
  • Marah Searle-Kovacevic
  • David Ennis

(3) UP ABOVE THE WORLD SO HIGH. Astronaut Chris Hadfield is one of the shortlisted authors for the 2022 Wilbur Smith Adventure Writing Prize worth £10,000.

  • The Apollo Murders by Chris Hadfield (Quercus)
  • Where Blood Runs Cold by Giles Kristian (Bantam Press, Transworld Publishers)
  • The Vacation by John Marrs (Pan, Pan Macmillan)
  • The Plant Hunter by T.L. Mogford (Welbeck Publishing Group)
  • Sankofa by Chibundu Onuzo (Virago, Little, Brown Book Group)
  • Moonlight and the Pearler’s Daughter by Lizzie Pook (Mantle, Pan Macmillan)

The judges discuss their definition of adventure here.The winner of the 2022 Wilbur Smith Adventure Writing Prize will be announced at an online ceremony on September 21. 

(4) JUBILEE COVERAGE. [Item by SF Concatenation’s Jonathan Cowie.] The weekend has been a blast. If you get a chance catch the “Jubilee Platinum Party at the Palace.” [Note: Can only be viewed in the UK. But there are many short video clips on The Royal Family Channel.]

The next day we had a parade through central London and even the Daleks were well behaved.

(5) PULP FOREVER. Cora Buhlert has an essay about Harald Harst, a forgotten German pulp detective of the Weimar Republic era, in The Drink Tank #439 on page 10:

So-called dime novels or penny dreadfuls are a child of the industrial revolution, when the invention of the rotary printing press made it possible to publish cheap literature for the masses. The dime novel was born in the mid-nineteenth century and in the United States gave way to pulp magazines at the turn of the twentieth century. But in Germany, the dime novel never died….

(6) HE’S BACK. Netflix announced The Sandman will begin airing August 5.

There is another world that waits for all of us when we close our eyes and sleep — a place called the Dreaming, where The Sandman, Master of Dreams (Tom Sturridge), gives shape to all of our deepest fears and fantasies. But when Dream is unexpectedly captured and held prisoner for a century, his absence sets off a series of events that will change both the dreaming and waking worlds forever. To restore order, Dream must journey across different worlds and timelines to mend the mistakes he’s made during his vast existence, revisiting old friends and foes, and meeting new entities — both cosmic and human — along the way. Based on the beloved award-winning DC comic series written by Neil Gaiman, THE SANDMAN is a rich, character-driven blend of myth and dark fantasy woven together over the course of ten epic chapters following Dream’s many adventures.

(7) MEDIA BIRTHDAY.

1980 [By Cat Eldridge.] It’s been forty-two years since this film came out and I can’t remember if I’ve seen it. It certainly sounds familiar but that doesn’t mean anything. So let’s get to it.

It was both directed and written by William Sachs who previously had done Secrets of the Gods (re-released in theatres as The Force Beyond in 1977) and The Incredible Melting Man. It was produced by Marilyn Jacobs Tenser who had absolutely no genre background though she did produce Superchick and The Pom Pom Girls

The cast consisted of Stephen Macht, Avery Schreiber. James David, Hinton Lionel and  Mark Smith. And one more individual — Dorothy Stratten.  Now let’s be honest, Dorothy Stratten was Galaxina. Literally. And as she was a Playboy Playmate, she was the only draw for this R-rated SF film which also had a triple breasted alien in it a decade before Total Recall had its triple-breasted Mars whore.

As Jeffrey Anderson said in his review, “Unfortunately, the actual movie isn’t much. Stratten in fact plays a robot and doesn’t do or say much for at least the first half of the movie; and, despite her Playboy status, she keeps her clothes on. Then we’ve got the rest of the movie to deal with: it’s a lazy attempt to spoof the popular sci-fi movies of the day, including Star WarsAlien, and many others, but the jokes are little more than references and they simply don’t work.” 

It was made in less than three weeks on a shoestring budget of about five million and the box office was somewhat less than that. It was never released outside of the States.  

No, the audience reviewers at Rotten Tomatoes do not like it, giving it just a twenty-three percent rating.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 6, 1918 Richard Crane. In the Fifties, he would be cast in two of the series that largely defined the look and feel of televised SF for a decade. First, he was the dashing lead in Rocky Jones, Space Ranger which lasted for thirty-nine thrilling episodes; second, he’s Dick Preston in nine of the twelve episodes of the wonderfully titled Commando Cody: Sky Marshal of the Universe. He was also the lead in the fifteen-chapter serial Mysterious Island which was a very loose adaption of the Jules Verne novel. He died far too young died of a heart attack at the age of fifty. (Died 1969.)
  • Born June 6, 1931 Joan Marshall. She played Lt. Areel Shaw in Star Trek‘s “Court Martial”, a rather excellent affair. Her other major genre other was as Wilma in The Twilight Zone‘s “Dead Man’s Shoes”.  She also had roles in Men in SpaceThe Outer LimitsThe Munsters and I-Spy. The Munsters appearance was in My Fair Munster, the Unaired Pilot as Phoebe Munster. (Died 1992.)
  • Born June 6, 1936 Levi Stubbs. Remember the voice of Audrey in The Little Shop of Horrors film?  (It was nominated for a Hugo at Conspiracy ’87 the year Aliens won.) Well that was this individual who was the lead vocalist of the Four Tops. Cool, very cool.  On the film soundtrack, he performs “Feed Me (Git It)”, “Suppertime” and “Mean Green Mother From Outer Space”. (Died 2008.)
  • Born June 6, 1947 Robert Englund, 75. I think his best performance was as Blackie on the very short-lived Nightmare Cafe. Short-lived as in just six episodes. Of course most will remember him playing Freddy Krueger in the Nightmare on Elm Street franchise. He actually appeared in a couple of now forgotten horror films, Dead & Buried and Galaxy of Terror, before landing that role. And he’s continued to do myriad horror films down to the years ranging from CHUD  to Strippers vs Werewolves. (Really. Truly. He did.)  Versatile man, our Robert. So versatile in fact that he’s on Stranger Things as Victor Creel in a recurring role.
  • Born June 6, 1951 Geraldine McCaughrean, 71. Fifteen years ago, she wrote Peter Pan in Scarlet, the official sequel to Peter Pan commissioned by Great Ormond Street Hospital, the holder of Peter Pan’s copyright which J.M. Barrie granted them. So has anyone here read it?  By the way, she’s extremely prolific having now written over one hundred and eighty books! 
  • Born June 6, 1959 Amanda Pays, 63. I first encountered her as Thero Jones on Max Headroom, a series I think should be considered one of the best SF series ever made. She appeared as Dawn in the Spacejacked film. She also had a guest role as Phoebe Green in the episode “Fire” of The X-Files, and was cast as Christina “Tina” McGee in The Flash of the 1990 series, and she has a recurring role on the present Flash series as the same character.
  • Born June 6, 1963 Jason Isaacs, 59. Captain Gabriel Lorca, the commanding officer of the USS Discovery in the first season of Discovery and also provided the voice of The Inquisitor, Sentinel, in Star Wars Rebels, and Admiral Zhao in Avatar: The Last Airbender. Oh, and the role of Lucius Malfoy in the Harry Potter film franchise.
  • Born June 6, 1964 Jay Lake. Another one who died far too young. If you read nothing else by him, read his brilliant Mainspring Universe series. Though his Green Universe is also extremely entertaining. He won an Astounding Award for Best New Writer and an Endeavour Award for Last Plane to Heaven: The Final Collection which collects a lot of his most excellent short fiction.  He has two Hugo nominations, one at Noreascon 4 for his “Into the Gardens of Sweet Night” novelette and one at LoneStarCon3 for his “The Stars Do Not Lie” novella. (Died 2014.)

(9) BERLIN IN 1967. Cora Buhlert’s new Galactic Journey article chronicles the point where the peace and love 1960s turned violent in West Germany, namely the protests against the visit of the Shah of Iran to West Berlin and the murder of Benno Ohnesorg in 1967: “[June 6, 1967] Blood in the Streets of West Berlin: The Shah Visit and the Shooting of Benno Ohnesorg”. Content warning for police violence in words and pictures as well as a photo of a body.

… On June 2, the Shah and his wife were due to visit West Berlin. Therefore, the student parliament of the Free University organised a panel discussion about the Iranian regime on the day before. Among those invited to speak at the meeting was Bahman Nirumand. The Iranian embassy in West Germany was incensed and demanded that the panel discussion be cancelled. However, the chancellor of the Free University refused, citing the rights to freedom of speech and freedom of assembly. This is not the first time that the Iranian government has tried to suppress criticism in West Germany, by the way. They have also repeatedly invoked a lese-majeste law dating from the days of the Second German Empire (which ended fifty years ago) in order to have unfavourable news articles retracted….

(10) ARTIST KELLY REMEMBERED. Brian Murphy offers a tribute to the late Ken Kelly at DMR Books: “Remembering Ken Kelly: Master of Light and Dark, and the Imagination”.

… I have a hard time writing about artists because their images speak so much louder and more potently than words. Just spend a minute looking at the covers of the Berkley Medallion Conans, and your tribute to Kelly’s passing is paid. Maybe you are lucky enough to have copies with the foldout posters intact. Kelly’s iconic images of Conan alone make him an S&S immortal, and of course they only scratch the surface of his epic 50 year career….

(11) LOVECRAFT: IT’S COMPLICATED. At Deep Cuts in a Lovecraftian Vein, Serbian horror author and scholar Dejan Ognjanović explains what the works of H.P. Lovecraft mean to him: “A Serbian Looks At Lovecraft”.

… In my childhood, in the early 1980s, during my initial investigations into the scarce horror fiction then available in Serbian, Lovecraft was literally unknown. Not a single story by him had been translated by my late teens, i.e. by 1989. Thus my first encounter with him was indirect – it was through the idea of Lovecraft, as re-imagined in an Italian comic series Martin Mystere, the episode “The House at the Edge of the World” (“La Casa ai confini di mundo”, 1982), which I read in the summer of 1986, when I was 13. It was love at first sight: for the first time I encountered the concept of houses haunted not by ghosts or any traditional monster, but by unnamable inter-dimensional entities; it also involved places serving as portals into non-Euclidean spaces, nameless cosmic vistas, alien temples and weird-looking gods/demons…

(12) A SWORD & SORCERY PODCAST. The Rogues in the House podcast talk about their fantasy influences:  “Sweet Nostalgia: A Nerd’s Journey”.

The Rogues are once again joined by Flame and Crimson author, Brian Murphy–this time to discuss the works of fiction most near and dear to their roguish hearts.

(13) NO MORE LICENSE TO KILL. “Seven years, 40 editions and 3117 trained witchers later,” the Witcher School live-action role-play events in Poland has shut down: “’Witcher school’ closes after CD Projekt Red pulls license over political ties” reports Indy100.

A ‘Witcher school’ located in Poland has been forced to close after its licence was abruptly pulled by the game’s publisher.

The reasons for which are currently unclear but organisers have claimed that the decision was due to a staff member’s involvement with an ultra-conservative political group, according to Eurogamer.

[CD Projekt Red pulled the license because of a staff member’s involvement with the ultra-conservative Polish Catholic organization Ordo Iuris, which is anti-abortion, anti-LGBTQ+, and rejects the idea of gender equality.]

The Witcher School ran live-action role-playing (LARP) events in Poland themed around the popular videogame series with 40 editions of the event and over 3000 “Witchers” taking part.

But after 7 years, the publisher of the hit videogame seriesCD Projekt Red, officially ended the contract with the school in February 2022 with a three-month notice, effectively ending their use of The Witcher’s characters, setting and storylines.

(14) FUNERAL DIRECTOR. Nicholas Meyer talks with Ethan Alter of Yahoo! Entertainment on the death of Spock in this piece about the 40th anniversary of The Wrath of Khan. “’Wrath of Khan’ director reveals how he killed Spock in the 1982 blockbuster” at Yahoo!

It’s been forty years since Spock put the needs of the many ahead of the needs of the few — or the one — in the final moments of Star Trek II: The Wrath of Khan. With the U.S.S. Enterprise‘s warp drive inoperable thanks to a devastating attack launched by Khan Noonien Singh (Richardo Montalban), Starfleet’s most popular Vulcan officer descends into the starship’s engine room and absorbs a lethal dose of radiation, surviving just long enough to save the day and say goodbye to his closest companion, James T. Kirk. And no matter how many times you’ve seen Wrath of Khan in the four decades since the movie’s June 4, 1982 release, Spock’s passing never fails to trigger tears, whether you’re human, Klingon… or Gorn.

The tears were certainly flowing on the Wrath of Khan set when William Shatner and Leonard Nimoy — who had been part of each other’s lives since the 1966 premiere of the original Star Trek TV series — played what was intended to be their final scene together. In his 2010 memoir, The View From the BridgeWrath of Khan director, Nicholas Meyer, described members of the crew weeping as Spock told Kirk: “I have been, and always shall be, your friend.”…

(15) WEBB TELESCOPE. Inverse tells us, “We Finally Know When The Webb Telescope’s First Color Images Will Arrive — Here’s What To Expect”

…On Sunday, July 12, the Webb team will release an unconfirmed number of full-color images based on observations by two of Webb’s four science instruments: the Near-Infrared Camera (NIRCam) and the Mid-Infrared Instrument (MIRI).

The Webb’s two other instruments, the Near-Infrared Spectrograph (NIRSpec) and the Fine Guidance Sensor/Near-Infrared Imager and Slitless Spectrograph (FGS/NIRISS) don’t capture photo-like images of the universe. Instead, they sort incoming light from distant objects into distinct wavelengths. Scientists can then use these data to measure the temperature and chemical makeup of those objects.

“We will release the scientific data from those observations as well — not just the color JPGs, but also the actual quantitative data — to the astronomical community,” Pontoppidan explains.

What can we expect to see in those first images and data? The Webb team is keeping specific spoilers under wraps, but they’ve offered a few (very broad) hints…

(16) NOSE FOR NEWS. [Item by Martin Morse Wooster.] This is the first trailer for Disney’s Pinocchio remake, which is not Guillermo del Toro’s version (That’s a Netflix project.)

This reminds me of the version of Pinocchio that sank Roberto Benigni’s career because he stupidly played Pinocchio instead of Geppetto.  “Call the vice squad!” warned Washington Post critic Stephen Hunter.  “It’s a 50-year-old man wearing jammies!”

(17) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] David Sproxton and Peter Lord, creators of Aardman Animations, explain how stop-motion animation is done in this excerpt from a 1981 episode of Blue Peter.

[Thanks to Chris Barkley, Andrew Porter, Michael Toman, Cora Buhlert, Jason Sanford, Hampus Eckerman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Kaboobie.]

Pixel Scroll 6/2/22 The Left Hand Of Pixelness

(1) NOBEL MEDAL AUCTION. Heritage Auctions is taking bids for the “Dmitry Muratov 2021 Nobel Peace Prize Medal”, being sold to benefit children and their families forced to flee Ukraine and those internally displaced since the start of the war in February. All proceeds will support UNICEF’s humanitarian response for children in Ukraine and neighboring countries.

Dmitry Muratov is the editor-in-chief of the influential Russian news outlet Novaya Gazeta. Bidding will conclude with a live auction at The Times Center in Manhattan on World Refugee Day, June 20.

“The editors of Novaya Gazeta decided it was necessary to help those in desperate need,” says Muratov, who in 1993 co-founded the Moscow-based publication that is now the last independent newspaper in Russia. “Everyone understood that we had to help, and the sale of the Nobel medal through Heritage Auctions gave us a powerful opportunity to help Ukrainian refugees. We hope that everyone around the world supports us and contributes to this movement, however they can.”

Muratov shared the 2021 Nobel Peace Prize with Filipino journalist Maria Ressa. The Norwegian Nobel Committee celebrated their “fight for freedom of expression in a world in which democracy and freedom of the press face increasingly adverse conditions.”

(2) ORIGINS AWARDS HELD OVER TO 2023. The Game Manufacturers Assocation (GAMA) told Facebook readers:

We are not having the Origins Award this year. We will be bringing them back for 2023 and will have information this fall on categories and submission process.

The awards also were not given in 2021, which prompted this comment from Jason Williams:

Can I ask then what happened to all the physical games which were entered as the awards were open for entry in 2021,(this is for game titles produced in 2020) and publishers did invest time and resources on making entries. Maybe those games which were entered need to have awards in 2023 recognized if there are enough staff available then. The fact that in 2021, submissions were accepted, but no awards were ever given, seems pretty wrong. Especially since titles are only able to be entered for the awards in the year they are published and these titles can never be considered for these awards in the future.

GAMA did not reply.

(3) JASON SANFORD. Camestros Felapton continues his series of why-you-should-vote-for each Best Fan Writer finalist with “Jason Sanford: Hugo 2022 Fanwriter Finalist”.

Jason Sanford is a fan journalist, reviewer and award-nominated novelist. He is having a busy year with two different streams of his work being recognised in 2022: he was a Nebula Award & Philip K Dick Award finalist for Best Novel with The Plague Birds and he is a Hugo Award Finalist for Best Fan writer.

As well as being a published fiction writer, Sanford is a prolific fan writer with an active interest in news and invents within fandom and genre publishing…. 

(4) NKWETI Q&A. “Nana Nkweti on Writing Cameroonian American Experiences & Crossing Genres” at Open Country.

Nana Nkweti started writing at nine years old. A sci-fi lover even then, her earliest stories saw her in future worlds, going on space adventures. Like most writers, she was a voracious reader, digging through her father’s books, the good fortune of having a home library. She read everything from fantasy to the realist classics, and began to imagine herself and girls who looked like her reflected in those stories.

It is no surprise then that the 10 stories in her collection Walking on Cowrie Shells centre Cameroonian women. The characters share her intersectional identity, as a Black woman, a hyphenated American, an ethnic African. But the stories also speak to the universal idea of people charting next steps, growing and evolving along the way.

The title “Walking on Cowrie Shells” is a play on the English idiom. She deploys it in the book to embody that sense of being in a threshold, in liminal spaces, of teetering between choices, between cultures or identities. Her characters are tentative; they are about becoming and figuring life out, who they are, who they want to be….

(5) BARRIERS TO PUBLICATION FOR AFRICAN SFF WRITERS. The If This Goes On (Don’t Panic) podcast takes up “Publishing in Africa: Publishing Platforms Or the Lack Therof with Oghenechovwe Donald Ekpeki”. The cohosts are Alan Bailey, Cat Rambo, Diane Morrison, and Graeme Barber.

In our 3rd audio column about publishing in Africa we chat with Oghenechovwe Donald Ekpeki about how Africans are being deplatformed within the publishing business. We also discuss the The Emeka Walter Dinjos Memorial Award For Disability In Speculative Fiction. As this episode was recorded before the 2022 Nebulas, we’d also like to congratulate Oghenechovwe on his award.

(6) SAULSON REPORTS ON CONVENTIONS. Sumiko Saulson reports “StokerCon 2022 was like a Black family reunion, but the struggle is far from over” at SF Bayview. Includes quotes from Craig L. Gidney, Steve Van Patten, and L.M. Wood.

…“The best part of going to cons these days is seeing the increase of diverse creators in the community. When I first started going to cons, I was one of a few folks of color. Now I’m one of many. And it feels great!

“I love that there are other Black queer creators out there – such as yourself [referring to Saulson], Kai Ashante Wilson and Marlon James. And even in that cohort, there are immense differences! For years, I wrote my fiction in isolation, collecting rejection slips like some people collect decoder rings. Now, not only is there a readership, there are other authors. It’s a great time to be publishing!” rejoiced Craig L. Gidney, author of the “Nectar of Nightmares.”

Another positive outcome for the new in-person conventions is an increase in POC representation amongst the Guests of Honor. For instance, Floyd Norman, an 86-year-old African American animator, writer, and comic book artist who was the first Black person to be a regular employee on Walt Disney’s animation staff will be the artist guest of honor at WorldCon in Chicago this year….

Saulson also covered the discussion here of SFWA’s removal of Mercedes Lackey from the Nebula Conference:

…In the wake of the incident, the power dynamics remained in play, as older, white authors have flocked to the File 770 article on the situation in defense of Mercedes Lackey, many of them citing Samuel Delaney’s personal lack of offense at the comment in their sometimes mean spirited comments about Jen Brown. Many such comments were removed from the “r/fantasy” Reddit…. 

Many comments weren’t approved for File 770, either, but speaking about the ones that were, including two welcome additions from Saulson, my goal for having that discussion was to let some in the File 770 commenting community who needed to do so alleviate their ignorance, while others came alongside to battle the excuse-makers and set proper boundaries for future discussion. I’ll point to what I said in that discussion:

Introducing the word shibboleth is an unwelcome attempt to ask white people to give intent priority over the clear statements from black people who take offense at the word. Even if Delany or Steve Barnes aren’t condemning Lackey, the status of the word is plain to see.

(7) TIME FOR A ROYAL FLUSH? [Item by Olav Rokne.] Various members of my book club and I have been jabbering away about monarchy in SFF at various points over the past several years. So when we realized that the vestigial monarch of England (and various former vassal states) was marking an arbitrary anniversary of a meaningless ceremony, Amanda and I decided was a good opportunity to talk about the various kings, tsars, emperors, etc. that populate so much SF. So we collaborated with some other folk in pulling this blog post together quickly this week. “The Tsars Like Dust” at the Hugo Book Club Blog.

…Given that there are few places that are still governed by monarchs of anything other than a vestigial variety, it might seem reasonable that few authors choose to engage critically with the consequences of the monarchies they depict. Americans under the age of 244 and British people with no recollection of what things were like before Peterloo don’t have any direct experience with just how truly awful it would be to live in a polity governed by Emperoxes. (Even if there’s a good ruler like Greyland once in a while, they end up being hamstrung by the weight of tradition.) 

Authors seeking to more accurately depict what a space empire might look like should probably look to the few modern-day examples of absolute monarchy that still exist, places like the Sultanate of Oman, the Kingdom of Eswatini, and the Kim Family Protectorate of North Korea. To put it bluntly, in the real world there is a strong correlation between the authority of monarchs, and a lack of human rights, and this is rarely depicted in science fiction….

(8) TONOPAH NEWS. The Westercon 74 in Tonopah program schedule is now online. Strangely, it seems to be in alphabetical order by title of the program item – rather than in chronological order.

The Virtual Program schedule is in chrono order.

(9) MEDIA BIRTHDAY.

2015 [By Cat Eldridge.] Seven years ago this evening, on what was ABC Family, the Stitchers series premiered. The premise is simple: Kirsten Clark, who has been recruited into a covert government operation is to be “stitched” with the memories of people recently deceased to investigate murders. 

It was created by Jeff Schechter who as near as I can tell had little genre background other than Strange Days at Blake Holsey High and Animorphs, but I will single him out for the very non-genre series, Transporter: The Series which was off Luc Besson’s Transporter film. 

Kirsten Clark was played by Emma Ishta. In addition, you’ll recognize two other cast members — Salli Richardson-Whitfield from Eureka who is Magritte “Maggie” Baptiste here and Allison Scagliotti of Warehouse 13 who is Camille Engelson in this series. The only other actor worth noting is Kyle Harris as Cameron Goodkin. 

Stitchers was popular enough that it made through three seasons before getting canceled. It did not accrue a lot of episodes, being treated like a British series as each series had only only ten episodes save the first that had eleven.

So did the critics like it? No, they didn’t. 

Variety’s review was typical: “About as slim as a sci-fi-inspired premise gets, ‘Stitchers’ joins a long list of series built around wide-eyed youths with an unusual skill who are recruited to join a save-the-world-type enterprise. In this case, the protagonist is a beautiful and brilliant Caltech student with temporal dysplasia, which means she doesn’t feel the passage of time. Most viewers, however, will likely feel it acutely while wading through this tired and predictable hour, which centers on a secret program that hacks into the brains of the recently deceased to solve crimes. While its heroine might not know it, skipping ‘Stitchers’ will save you time.”

Collider wasn’t any kinder: “The show’s premise thematically belongs to Syfy, and the cast is very CW, but nothing about Stitchers really comes together for ABC Family. Kirsten is described as emotionally void, and the show shares the same fate. Unfortunately, it doesn’t also happen to be brilliant to offset its other faults. The show is all over the place with its story and its tone, portraying Kirsten as a hacker, and then as a super-sleuth. Though there is some potential and humor present with its minor cast, the series pulls together elements of many other series — like CSI and Bones — without improving upon them. A missed opportunity, Stitchers is looking for signs of life, but hasn’t found them yet.” 

Eighty six percent of audience members at Rotten Tomatoes liked it. Good for them.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 2, 1921 Virginia Kidd. Literary agent, writer and editor, who worked mostly is SF and related fields. She represented R.A. Lafferty, Ursula K. Le Guin, Anne McCaffrey, Judith Merril, and Gene Wolfe. She was married to James Blish, and she published a handful of genre short fiction.  Wolfe modeled Ann Schindler, a character in Castleview, in large part on Kidd. (Died 2003.)
  • Born June 2, 1920 – Bob Madle, 102. Helped start his local sf club in 1934, went to what he considered to be the first-ever sf convention in 1936, and attended the first Worldcon (Nycon I) in 1939. Bob Madle named the Hugo Awards. He was the first North American TAFF (Trans-Atlantic Fan Fund) delegate to an overseas con (Loncon, 1957). Twenty years later he was Fan Guest of Honor at the 1977 Worldcon. First Fandom has inducted him to their Hall of Fame, and given him the Moskowitz Award for collecting. He’s a winner of the Big Heart Award).  This post about his centennial birthday two years ago includes photos and a summary of his fannish life in his own words. (OGH)
  • Born June 2, 1929 Norton Juster. Author of The Phantom Tollbooth, it is said that he met Jules Feiffer who illustrates that work when he was taking his trash out. There is of course the superb film that followed. And let’s not forget The Dot and the Line: A Romance in Lower Mathematics, a work well worth an evening spent reading. He wrote a lot of other works, none of which I recognize. (Died 2021.)
  • Born June 2, 1937 Sally Kellerman. You know she was in Star Trek as Dr. Elizabeth Dehner in “Where No Man Has Gone Before”.  But did you know she also appeared on the Twilight ZoneThe Outer LimitsLost HorizonThe InvadersThe Ray Bradbury Theater, and finally Boris and Natasha: The Movie in which she played Natasha Fatale? Quite a genre record, isn’t it? (Died 2022.)
  • Born June 2, 1941 Stacy Keach, 81. Though best known for playing hard-boiled Detective Mike Hammer, he’s got a long association with our genre starting with being The Mountain of the Cannibal God, an Italian horror film. Next up for him was Class of 1999 followed by voicing both Carl Beaumont / Voice of Phantasm in Batman: Mask of the Phantasm, a film I really, really like. More horror, and a really silly title, await him in Children of the Corn 666: Isaac’s Return where The Hollow has a tasteful title which the Man with the Screaming Brain does not provide him. Storm War, also known as Weather Wars, is SF. And then there is Sin City: A Dame to Kill which is a rather nice piece of film making. And yes, he’s been in a televised version of Macbeth playing Banquo.
  • Born June 2, 1965 Sean Stewart, 57. Fantastic author whose Galveston novel that won the World Fantasy Award I highly recommend as well as the Resurrection Man novels. I’ve not read his most recent set of novels, The Cathy’s Book series, but it’s take on augmented reality sounds intriguing.
  • Born June 2, 1979 Morena Baccarin, 43. Very long genre history starting with portraying Inara Serra in Firefly and  Serenity; Adria in the Stargate SG-1 series and the Stargate: The Ark of Truth; Anna in the 2009 version of the series V; Vanessa in the Deadpool franchise; and Dr. Leslie Thompkins in Gotham. She also did an exemplary job of voicing Black Canary in Justice League Unlimited
  • Born June 2, 1982 Jewel Staite, 40. Best known as the engineer Kaylee Frye in the Firefly verse. She was Jennifer Keller in Stargate Atlantis, Catalina in the Canadian series Space Cases, Tiara VanHorn in Honey, I Shrunk the Kids: The TV Show and “Becca” Fisher in Flash Forward. Genre one-offs? Oh yes: The Odyssey (twice), Are You Afraid of The Dark (again twice), The X-FilesSo WeirdSabrina: The Animated SeriesThe ImmortalSeven DaysStargate AtlantisSupernaturalLegends of TomorrowThe Order and The Magicians.

(11) DANGER ZONE. Lawyers, Guns & Money’s Robert Farley compares Pete Mitchell (from Top Gun: Maverick) to Luke Skywalker: “Pete Mitchell and Luke Skywalker”.

… As it happens, the distance between Top Gun and Top Gun: Maverick is 36 years, while the distance between Return of the Jedi and the Last Jedi is 34 years. In both films those numbers are fully realized; Hammill and Cruise each play characters with the weight of three and a half decades on their shoulders. It is perhaps worth mentioning that the mission in Top Gun: Maverick is modeled on nothing so much as Luke Skywalker trench run against the Death Star in A New Hope. I find it awfully interesting that Pete “Maverick” Mitchell and Luke “Red Five” Skywalker each returned to the screen thirty-five years after the completion of their triumphant 80s arcs. I would not have guessed that the former would have been much more favorably received than the latter, and I think it’s worth investigating why….

(12) SFWA AUCTION RESULT. The second SFWA Silent Auction brought in nearly $18,400. Over 200 items, tuckerizations, and virtual sessions were offered. The funds will go to support SFWA’s ongoing work to promote, advance, and support SFF storytelling.

(13) UNFINISHED SYMPHONY. Paul Weimer delves into “the final, and incomplete, work by a master of science fiction and fantasy” — “Microreview [book]: Aspects by John M. Ford” at Nerds of a Feather. But first he issues a warning:

…If reading incomplete books is not your cup of tea, if the fact that this story does end abruptly without resolution, then, honestly, you probably don’t need to continue on with this book review and can go, read The Dragon Waiting or something else. I admit that it poked and prodded at my brain, but I think the book and what it does, what we have of it, is worth discussing, even in an incomplete stage. Inside baseball, perhaps, but it is akin to being shown the first chapters of a book or part of a novella from a friend writer, asking for what they think of it and what works and what does not….

(14) A NICE WAY TO SPEND 100 HOURS. Joe DelFranco is gung ho about Elden Ring: “Review [Video Game]: Elden Ring by From Software” at Nerds of a Feather.

Elden Ring is a vast, seemingly endless experience, that delivers wonders and death at every turn. A hit in all spheres of the industry, loved by fans and journalists both, not just for its generous amount of content but for its ability to transport the player firmly into the Lands Between without loosening its grip for hours on end. From Software has delivered a game that lets the player go on the adventure that they wish without holding their hand, a rarity in video games nowadays; a risk that paid off….

(15) THEY AIM TO PLEASE. The Corridor Crew wants to show you have different the series would be if Stormtroopers could hit what they shoot at: “We Made Star Wars Stormtroopers Accurate”.

Jordan and Fenner set out to correct the most glaring mistake in the original Star Wars trilogy–the lack of affordable health care for the Stormtroopers.

(16) UNLIKELY HERO RETURNS. Willow is an original series streaming on Disney+ beginning November 30.

(17) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In Harry Potter and the Order of the Phoenix Pitch Meeting,” Ryan George says when Dolores Umbridge shows up in the fifth Harry Potter movie, she’s “super-snotty and mean: because she interrupts Dumbledore’s annual speech on the many ways Hogwarts students can die. Also, the vision of Voldemort Harry conjures up is even more terrifying because Voldemort’s wearing a zip-up hoodie!”

[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, Bonnie Warford, Chris Barkley, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Steve Davidson.]

Pixel Scroll 5/17/22 Never Scroll Pixels After Midnight

(1) JEMISIN ON BBC. The BBC World Service’s In the Studio program features “N K Jemisin: Writing new worlds”. (Also available at BBC Sounds.)

New York-based writer N. K. Jemisin is one of the biggest names in modern science-fiction. She’s the first in the genre’s history to win three consecutive Hugo Awards, for each book in her Broken Earth trilogy. 

In conversation with presenter Dr Vic James, Jemisin talks in-depth about world-building. She reveals how the initial idea for Broken Earth came to her in a dream. This then led her to a NASA writing residency and a trip to Hawaii, flying over its volcanoes in order to accurately visualise the trilogy’s setting: a super-continent called The Stillness that is ravaged by earthquakes and volcanic eruptions. 

Jemisin reflects on how it all came together, how she gives voice to the oppressed, and why she thinks these books have resonated with so many people around the world. 

(2) GET YOUR IMAGINARY PAPERS. Imaginary Papers is a quarterly newsletter about science fiction worldbuilding, futures thinking, and the imagination from ASU’s Center for Science and the Imagination.

Imaginary Papers Issue 10 features an essay by writer, editor, and scientist Pippa Goldschmidt on the 2014 short film Afronauts, and humanities scholar Paul Cockburn on Ignatius Donnelly’s 1890 novel Caesar’s Column and its vision of a gridlock-free New York City. There’s also a writeup of UNICEF’s Imagining Health Futures project.

(3) SFF IS WHERE YOU FIND IT. [Item by Ferret Bueller.] Finally made it back to Mongolia, and here’s pictures of two of the recent SF translations in a local bookstore.

(4) STAND BY FOR NEWS. The Guardian takes a teasing tone as it communicates that Russell T Davies is back in charge of Doctor Who, and changing everything – with the trans actor Yasmin Finney playing Rose Tyler and David Tennant returning, too: “Two Doctors, and a trans actor playing Rose? How Russell T Davies is mixing things up in the Tardis all over again”. The article ends —

A black Doctor? A trans Rose? This is political correctness gone mad. You’re right. There is no way on earth that a shapeshifting ancient alien god and an interdimensional explorer trapped in a parallel dimension should be played by anything other than a white British guy and the woman from I Hate Suzie respectively.

This isn’t the Doctor Who I am used to. But it is. The transgender actor Bethany Black had a role on Doctor Who in 2015. In an episode in 2006, Jack Harkness said that he had a trans co-worker. If you factor in the audio episodes, you’ll find yourself inundated with trans characters, actors and writers.

Wait, so I’m the one who’s wrong? Exactly right. Stop watching. The rest of us will have a blast.

Do say: “It’s great that Rose Tyler is being played by a trans woman.”

Don’t say: “Oh God, does this mean I have to start watching Doctor Who again?

(5) HEAR FROM THREE LEADING FANTASY WRITERS. Waterstones Bookshops offers “Shelley Parker-Chan, Tasha Suri and C. L. Clark in conversation” on Monday May 30 at 18:30 British Summer Time — livestream tickets for £5. (The in-person component is sold out).

Join us for what promises to be a brilliant evening of conversation with bestselling fantasy authors Shelley Parker-Chan, Tasha Suri and C. L. Clark.

Masters of sapphic fantasy literature, these three authors will be talking about their most recent books: Shelley Parker-Chan’s debut novel She Who Became The Sun (publishing in paperback this June), Tasha Suri’s epic fantasy The Jasmine Throne and C. L. Clarks’s political fantasy The Unbroken.

(6) REWARDS FOR ADVENTUROUS READERS. Simone Heller, in the fourth installment of “Speaking the Truth with Oghenechovwe Ekpeki”, asks the Nigerian author about the intricacies of writing from a complex multilingual background for a global audience. 

Your stories are usually set in a (futuristic) Nigeria. Do you include bits and pieces or even chunks from the languages surrounding you? And if so, is it accepted by international editors and readers?

Well, there’s a bit of truth telling to my writing. Chunks of my reality mixed in with it. Set in Nigeria as you observed, my themes usually touch on issues that are relevant here, and this is also reflected in my language. The dialogue of my characters shifts between pidgin English and regular English as a speaker in my position would. The subject matter, humour, delivery of the conversation also aims to reflect the way we communicate. It’s as I said, your culture and identity are reflected in your language. So it does come across as unfamiliar or odd to Western or other readers removed from that culture and identity. It’s definitely created a difficulty in publishing sometimes, it’s led to odd and overediting requests and an inability to connect or be properly appreciated by readers and reviewers who are not open to these diverse tongues and see everything different as inferior. But I suppose that is the price for speaking my truth with the tongue in my mouth in a world that sees the other as inferior. So yea.

(7) A COUPLE OF MIDWESTERNERS. Hear John Scalzi fielding questions on the “Page Break with Brian McClellan” podcast.

Brian’s guest this week is science fiction author John Scalzi. John is known for a massive variety of work, including his early career as a reviewer and columnist, his bestselling breakout novel Old Man’s War, his time as president of the Science Fiction Writers of America, and his well-known blog, Whatever.

John and Brian talk about paradigm shifts in their industry, being a longtime public figure, and his well-publicized thirteen-book contract with Tor. They also talk about living and working in the Midwest, and the real nature of professional jealousy.

(8) STUDIO 54. Rich Horton shared on Facebook a post with his picks for “potential Hugo awards from the year 1954 (that is, alternate 1955 Hugos, since two of the 1955 Hugos went to stories from 1955, and the one winner from 1954 is widely regarded as the worst Best Novel Hugo winner of all time. Short version: I actually came up with what I think is a quite strong list of novel nominees…”

(9) PROTACTILE. [Item by Andrew (not Werdna).] The New Yorker reports ways that “DeafBlind Communities May Be Creating a New Language of Touch”. Being an SF fan of a certain age, I can’t help think of John Varley’s “Persistence of Vision.”

…Protactile is full of a kind of tactile onomatopoeia, in which a hand resembles the feel of the thing it’s describing. In what the linguists call “proprioceptive constructions,” the speaker recruits the receiver’s body to complete the word, say, by turning her hand into a tree (five fingers as branches) or a lollipop (fist as candy). At one point, I asked Nuccio where she was from, and she told me to make my hand into a fist, which represented the globe. “You and I are in America, over here,” she said, touching my first knuckle. “And this is the ocean.” She traced a finger to my wrist to find the country where she was born, Croatia. She accomplished all of this in a series of movements that Edwards said followed consistent grammatical rules. At another point, Nuccio described how difficult her life had been when she’d worked as a technician in a genetics lab as she went blind. She had me point my finger up, and told me that it was now the flame of the Bunsen burner that she’d used in her lab. She demonstrated how to adjust the flame on one of my knuckles, and how delicate the apparatus was. I was astonished by the precision of this tactile illustration, which felt, in the moment, more vivid than any verbal description could have….

(10) MEDIA BIRTHDAY.

1977 [By Cat Eldridge.] Forty-five years ago, Man from Atlantis: The Killer Spores aired on NBC. It was the third of four pilot episodes that preceded the regular Man from Atlantis television series which only lasted thirteen episodes. Calling them pilot episodes is I think just a bit disingenuous — they were full blown episodes of the series. 

The extended episode, I hesitate to call it a movie, was directed by Reza Badiyi and written by John D.F. Black. Badiyi is best known for directing episodes of shows such as The Six Million Dollar Man, Phoenix and Deep Space Nine. Black was associate producer on ten episodes of Trek including “The Man Trap”, “Mudd’s Women” and “The Corbomite Manuever”. 

It of course starred It Patrick Duffy as Mark Harris and Belinda Montgomery as Doctor Elizabeth Merrill. 

Just in case, someone here hasn’t seen it, I won’t discuss the story which was actually a damn good SF one. Unfortunately the series itself was doomed as it has very high production costs and an audience that dropped way too fast, so NBC didn’t pick up its option after the first thirteen episodes were made. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 17, 1913 Peter B. Germano. Though neither of his SF novels was of great distinction, The Interplanetary Adventures and The Pyramids from Space (written as Jack Berlin), his scriptwriter output was as he did work on The Time TunnelVoyage to the Bottom of the Sea, Land of the LostBattle of the Planets and the revival version of The Next Step Beyond, which warrants his being noted here. (Died 1983.)
  • Born May 17, 1936 Dennis Hopper. I think his first genre film would be Tarzan and Jane Regained… Sort of, an Andy Warhol film. Queen of Blood, a vampire film very thinly disguised as SF film, was his next genre film. My Science Project was his next outing before he took part in The Texas Chainsaw Massacre 2. And now we get to the Super Mario Bros. where he played King Koopa. What a weird film that was! He followed that by being Deacon on Waterworld… And then doing Space Truckers. Ouch. No, I didn’t like it. He’s El Niño in The Crow: Wicked Prayer, a film I barely remember. His final role was voicing one of the animated wolves in Alpha and Omega. He was also in Blue Velvet but I’ll be damned if I can figure out how to call that genre. Would you?  (Died 2010.)
  • Born May 17, 1946 F. Paul Wilson, 76. I’ve read, let me check, oh about half I see of the Repairman Jack novels. Anyone here finished them off, and should I do so? What else by him is worth my time? He’s won five Prometheus Awards for Best Libertarian SF Novel, very impressive indeed. 
  • Born May 17, 1950 Mark Leeper, 72. As Mark says on his site, “In and out of science fiction circles Mark and Evelyn Leeper are one of the best known writing couples on the Internet. Mark became an avid science fiction fan at age six with TV’s ‘Commando Cody.’ Both went to the University of Massachusetts in 1968.” And as Bill Higgins says here, their MT VOID is one of the longest published fanzines still going. 
  • Born May 17, 1954 Colin Greenland, 68. His partner is the Susanna Clarke, with whom he has lived since 1996. Greenland’s The Entropy Exhibition: Michael Moorcock and the British ‘New Wave’ in Science Fiction study is based on his PhD thesis. His most successful fictional work is the Plenty series that starts with Take Back Plenty and continues with Seasons of PlentyThe Plenty Principle and wraps up with Mother of Plenty. In the Eighties and Ninties, he was involved in the editorial work of Foundation: The Review of Science Fiction and Interzone. And yes, he won the Clarke Award for that Take Back Plenty novel.
  • Born May 17, 1954 Bryce Zabel, 68. A producer, director and writer. Genre wise, he’s been involved as a producer or director with M.A.N.T.I.S.Dark SkiesBlackbeardLois & Clark: The New Adventures of Superman and The Crow: Stairway to Heaven. Writing wise, he written for most of these shows, plus the screenplays for Mortal Kombat: Annihilation and Atlantis: The Lost Empire.
  • Born May 17, 1956 Dave Sim, 66. Did you know there was a Cerebus radio show at one point? Well there was. Need I say that I read the entire run of Cerebus. The three hundred issues ran from 1977 until 2004. It was created by Sim, written and drawn by him and remained solely his undertaking until background artist Garhard joined up with sixty-fifth issue. As Cerebus continued, it incorporated more and more of Sim’s very controversial views, particularly on women, feminism and the fall of Western Society from those factors. Collected Letters: 2004 and Dave Sim’s Collected Letters 2 contains his responses to the letters he got criticizing him but not the letters themselves. 
  • Born May 17, 1967 Michael Arnzen, 55. Winner of four Bram Stoker Awards, one for his Grave Markings novel, another for Goreletter and yet another for his poetry collection, Freakcidents. Very impressive indeed. Not to mention an International Horror Guild Award for Grave Markings. 

(12) GODDESS HISTORY. Read an extract from Queens of the Wild by Ronald Hutton at the link.

Ronald Hutton, author of Pagan Britain and The Witch, returns with Queens of the Wild, a history of the goddess-like figures who evade both Christian and pagan traditions, from the medieval period to the present day.

In this riveting account, Hutton explores the history of deity-like figures in Christian Europe. Drawing on anthropology, archaeology, literature, and history, Hutton shows how hags, witches, the fairy queen, and the Green Man all came to be, and how they changed over the centuries.

Looking closely at four main figures—Mother Earth, the Fairy Queen, the Mistress of the Night, and the Old Woman of Gaelic tradition—Hutton challenges decades of debate around the female figures who have long been thought versions of pre-Christian goddesses. He makes the compelling case that these goddess figures found in the European imagination did not descend from the pre-Christian ancient world, yet have nothing Christian about them. It was in fact nineteenth-century scholars who attempted to establish the narrative of pagan survival that persists today. In this extract, Hutton focuses on the how the goddess-like figure of Nature develops during the Middle Ages and early modernity….

(13) PARANORMAL CRIME. [Item by Martin Morse Wooster.] I didn’t know there were people who collected “haunted dolls!” “Haunted Dolls, Curses, and a True Crime Voodoo Cold Case” by Susan Furlong at CrimeReads.

In writing my crime novel What They Don’t Know, I wanted my lead character to have an unusual relationship with her collection of dolls. As a psychological thriller, what better than to include haunted dolls? Not knowing a lot about haunted dolls and wanting to learn more, my research took me to Alabama where I met with Kevin Cain, ghost hunter, haunted doll collector, and author. There we discussed real doll-infested crimes, proving once more, that reality is sometimes stranger than fiction….

(14) WHERE TO GET YOUR GEAR. The Octothorpe podcast – John Coxon, Alison Scott, and Liz Batty – have unfurled a logo short at the Octothorpe Fans shop.

Octothorpe the Podcast

The shop has quite a few other things for sale. I laughed out loud when I saw this quote on a pillow: “Dave Kyle says You Can’t Sit Here“.

(15) A START TO YOUR CHRISTMAS LIST. Meanwhile, others of you may need this “Edward Gorey Sterling Cat Reading a Book Pin”.

This sterling silver pin is adapted from a drawing by Edward Gorey that is part of a series of renderings of fanciful cats engaged in unusual activities. Here a casually seated cat is reading a book with obvious delight. Edward Gorey’s initials are engraved on the back. 

(16) THIS SIDE UP. Thanks to David Dyer-Bennet linking to this on FB I learned today “Why do refrigerator magnets only stick on one side?”. EngineerDog.com explains Halbach Arrays.

(17) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers:  Moon Knight” the Screen Junkies say that having used up its A team, its B team, and its C-team, Marvel was down to either doing Moon Knight or Hellcow. “Are you ready for action?” the narrator says.  “Moon Knight isn’t.  When danger strikes, he blacks out.”  There are so many blackouts in this series “that it reminds me of when Four Loko was legal.”

[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, Ferret Bueller, Rob Thornton, Joey Eschrich, Andrew (not Werdna), Chris Barkley, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Jack Lint.]

Pixel Scroll 5/3/22 Click HERE For A Witty, Never-Before-Seen, Cleverly Referential Scroll Title, Generated Possibly By A Million Hamsters Running On Top Of Discarded BlackBerries

(1) A BIT OF HISTORY. The Finnish Postal Museum is looking for letters from Tove Jansson. “Have you received or are you in possession of a letter written by Tove Jansson?”

Tove Jansson (1914–2001) was a prolific letter writer all her life. She also wrote short stories and other texts throughout her life and became known for her books about the Moomins. She devoted the last decades of her life almost entirely to literature aimed at adults.

During Tove Jansson´s lifetime letters were a natural way for people to keep in touch as electronic media either did not exist or was expensive to use. When translations of the Moomin books were published in different parts of the world in the 1950s and 1960s, Tove Jansson’s number of contacts increased and her correspondence became international.

… In the first phase of this project, we will explore the kinds of letters in existence. We will then decide on the basis of the material whether it would be possible to produce an exhibition or publication of Tove’s letters….

(2) POD PERSON CAMESTROS. He speaks! Camestros Felapton was interviewed by Eric Hildeman of the Milwaukee Science Fiction League on their podcast Starship Fonzie, as he explains in “My Podcast Debut”. Camestros shyly says:

I haven’t listened to it yet because I then had a long day at work and also I find my own voice too weird. But if you want me to say “umm” and “ahh” and talk over the host too much (that’s what I recall of what I said) then now is your chance!

Does Camestros jump the shark? Find out here: Starship Fonzie #15.

(3) SF IN HUNGARY. [Item by Bence Pintér.] Csilla Kleinheincz, an influential author/translator/editor of Hungarian SFF, does a Q&A with Guest Editors Vera Benczik and Beata Gubacsi at SFRA Review: “Interview with Csilla Kleinheincz”.

Guest Editors: How does the Hungarian fantastic incorporate and/or subvert the themes and tropes of Anglo-American fantastic tradition? Do you think there’s a pressure to follow international trends?

Csilla Kleinheincz: …What Hungarian SF can offer is its own unique blend of the fantastic that could be written only by Hungarian authors, reflecting on our own cultural and historical influences and leaning on our own surroundings. Hungarian weird fiction is especially strong nowadays, perhaps because our history and our present are so rich in grotesque and dystopian elements and also because a small but very active creative community has formed around the main publisher of weird fiction, The Black Aether….

(4) PROFILE ON A HUGO FINALIST. [Item by Olav Rokne.] In their Special Issue on Contemporary African Literature, Open Country profiles Hugo finalist Oghenechovwe Donald Ekpeki. “Oghenechovwe Donald Ekpeki’s Curation of African Speculative Fiction”.

“A lot of people were pleasantly perplexed,” Ekpeki says of the initial reaction. “Almost every review had a phrase like ‘this is unusual speculative fiction based on unusual cultures,’ so they still find African speculative fiction unusual. There is still a lot of ground for us to cover, it would seem.”

(5) AND THE VOTERS SAY! When the Jean Cocteau Cinema in Santa Fe, NM reopens this weekend, here are what poll respondents picked as the “Upcoming Events” from 10 options offered by theater owner George R.R. Martin.

Thank you to the nearly 300 folks who voted in our audience poll to choose the movies for the Jean Cocteau Cinema’s grand re-opening weekend! Unveiling the top 5 films, the first films to play in the newly renovated theater, May 6-8th:

Spirited Away 
Beauty & the Beast (1946)
Forbidden Planet
War of the Worlds (1952)
Cabaret

All screenings will be seated FIRST COME, FIRST SERVED. Theater doors will open 20 minutes before showtime. Anyone who isn’t able to get a seat is most welcome to hang out with a cocktail in the lobby bar, or a coffee over at Beastly Books!  

(6) NOT QUITE TRUE NORTH. At Grimdark Magazine, Matthew John reviews “The Northman”.

The Northman is a film that should not exist–not at its scale, not in this day and age. It is an unflinching epic of fire and ice, of burning love and cold-served vengeance. It is a story rooted in legend, but most viewers will probably be familiar with the bones of this tale from Hamlet, the Lion King, or Conan the Barbarian. Our protagonist, Prince Amleth, must avenge the death of his father and rescue his mother from the clutches of his uncle (or so he thinks). How director Robert Eggers managed to convince a studio to pay northward of a hundred million dollars so he could adapt this legend into an R-rated, ultra-violent, artistic yet historically-accurate viking film is beyond this reviewer’s ken. But man…am I glad he did!…

(7) USE THE VOICE, LUKE. [Item by Cora Buhlert.] This tweet by Mark Hamill suggests that there will be a second season of Masters of the Universe: Revelation, which was probably the most pleasant TV surprise of the year for me last year: 

The fact that there may be a second season is itself another pleasant surprise, since I feared the show would fall victim to toxic fanboys complaining that Teela having muscles ruined their childhood or some such thing as well as to Netflix ditching its entire animation department to focus more on soap operas about rich people in pretty dresses.

(8) DEFLECTING THE CUT DIRECT. “Sony Refuses Chinese Demand to Delete Statue of Liberty from Latest ‘Spider-Man’” reports National Review, and the studio ultimately did not release the film in China.

Chinese authorities asked Sony to delete the Statue of Liberty from the climactic sequence of Spider-Man: No Way Home before distributing the movie in China, Puck reported on Sunday citing multiple sources.

The climactic sequence of the movie features an action sequence of over 20 minutes in which characters battle amid scaffolding around the Statue of Liberty.

When Sony refused to delete the statue from the movie, Chinese authorities asked if the company could diminish the statue’s presence. Sony considered the request, the sources told Puck, but ultimately decided against editing the movie and did not release it in China. It’s unclear whether Chinese censors blocked the movie’s release or if Sony preemptively opted against releasing it….

(9) MEDIA BIRTHDAY.

1956 [By Cat Eldridge.] Sixty-six years ago, Forbidden Planet opened in New York City in general release, following a March debut at a science fiction convention and a limited release elsewhere.  

It was produced by Nicholas Nayfack, and directed by Fred M. Wilcox. The screenplay was by Cyril Hume who had previously written several Tarzan films from a story by Irving Block and Allen Adler.  (A year later, he’d write The Invisible Boy (aka S.O.S Spaceship) which had Robbie the Robot as one of the characters. No, I’ve never heard of it. Here’s the poster for it.) 

It had a primary cast of Walter Pidgeon as Dr. Edward Morbius, Anne Francis as Altaira “Alta” Morbius and Leslie Nielsen as Commander John J. Adams. Les Tremayne was the Narrator. And no, I’ve not forgotten Robbie the Robot which had Frankie Darro as the Robot and Marvin Miller as the voice of the Robot. I could write an entire essay on Robbie the Robot and if I remember correctly I have.

Forbidden Planet was released to film theaters during 1972 as one of MGM’s Kiddie Matinee features with some six minutes of film cut to make it receive a “G” rating from the MPAA, including a Fifties-style nude scene of Anne Francis swimming sans a bathing suit. (It’s debatable if she was actually nude.) 

So what was the reception for it upon its release? Well it turned a very modest profit of eight hundred thousand over its budget of two million. 

Critics were generally impressed with it. The New York Times critic said he “had a barrel of fun with it. And, if you’ve got an ounce of taste for crazy humor, you’ll have a barrel of fun, too,” while Variety proclaimed “Imaginative gadgets galore, plus plenty of suspense and thrills, make the Nicholas Nayfack production a top offering in the space travel category.”

And let’s give the Los Angeles Times the last word: “a more than another science-fiction movie, with the emphasis on fiction; it is a genuinely thought-through concept of the future, and the production MGM has bestowed on it gives new breadth and dimension to that time-worn phrase, ‘out of this world.”

Audience reviewers at Rotten Tomatoes give it a spectacular eighty-five percent rating. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 3, 1928 Jeanne Bal. In Trek’s “The Man Trap” episode, she played Nancy Crate, a former lover of Leonard McCoy, who would be a victim of the lethal shape-shifting alien which craves salt. This was the series’ first-aired episode that replaced “The Cage” which the Network really didn’t like. She also had one-offs in Thriller and I-Spy. (Died 1996.)
  • Born May 3, 1939 Dennis O’Neil. Writer and editor, mostly for Marvel Comics and DC Comics from the Sixties through the Nineties, and was the Group Editor for the Batman family of titles until his retirement, which makes him there when Ed Brubaker’s amazing Gotham Central came out.  He himself has written Wonder Woman and Green Arrow in both cases introducing some rather controversial storytelling ideas. He also did a rather brilliant DC Comics Shadow series with Michael Kaluta as the artist. A police procedural series from Matt Reeves was in development, to be set in the same continuity as The BatmanGotham Central was very seriously being considered as the name for the series. It unfortunately will not happen. (Died 2020.)
  • Born May 3, 1949 Ron Canada, 73. He’s one of those actors who manages to show up across the Trek verse, in this case on episodes of Next Generation, Deep Space Nine and Voyager. He also showed up in the David Hasselhoff vanity project Nick Fury: Agent of SHIELD as Gabe Jones, and had further one-offs on The X-FilesStar Gate SG-1ElementaryGrimm and The Strain. He has a recurring role on the Orville series as Admiral Tucker.
  • Born May 3, 1958 Bill Sienkiewicz, 64. Comic artist especially known for his work for Marvel Comics’ Elektra, Moon Knight and New Mutants. His work on the Elektra: Assassin! six issue series which written by Frank Miller is stellar. Finally his work with Andy Helfer on The Shadow series is superb.
  • Born May 3, 1965 Michael Marshall Smith, 57. His first published story, “The Man Who Drew Cats”, won the British Fantasy Award for Best Short Story. Not stopping there, His first novel, Only Forward, won the August Derleth Award for Best Novel and the Philip K. Dick Award. He has six British Fantasy Awards in total, very impressive indeed. 
  • Born May 3, 1985 Becky Chambers, 37. My last encounter with her was the most excellent The Galaxy, And The Ground Within. Her Wayfarers series won the Best Series Hugo at Dublin 2019: An Irish Worldcon. A Closed and Common Orbit was a finalist at WorldCon 75 for Best Novel but lost out to another exemplary novel, N. K. Jemisin’s The Obelisk GateRecord of a Spaceborn Few would be on the ballot at Dublin 2019 but lose out to yet another exemplary novel, Mary Robinette Kowal’s The Calculating Stars. (A digression: The Wayfarers are the best series I’ve listened to in a long time.) “To Be Taught, if Fortunate” was a finalist at ConZealand in the Best Novella category but lost out to “This Is How You Lose the Time War” by Amal El-Mohtar and Max Gladstone.
  • Born May 3, 1986 Pom Klementieff, 36. In the MCU film universe she plays Mantis and first she’s up in Guardians of the Galaxy Vol. 2, but then is in Avengers: Infinity War and Avengers: End Game and two films in production, Thor: Love and Thunder and Guardians of the Galaxy Vol. 3. Plus forthcoming on Disney +, The Guardians of the Galaxy Holiday Special. It’s amazing what a pair of very, very cute antennae will do! (Also been in Black Mirror, Westworld, and voiced characters on The Addams Family.)

(11) AUTHOR PUSHES BACK. [Item by Cora Buhlert.] This isn’t SFF, but I think there is a lot of audience crossover. Luke Jennings, author of the novels that the TV show Killing Eve was based upon, speaks out regarding the controversial finale of the TV series (which killed off a major lesbian characters) and says that he does not feel bound to what the TV show has done: “’Villanelle will be back!’ Killing Eve’s author speaks out over the catastrophic TV finale” in the Guardian. Beware spoilers!

…When Phoebe Waller-Bridge and I first discussed Villanelle’s character five years ago, we agreed that she was defined by what Phoebe called her “glory”: her subversiveness, her savage power, her insistence on lovely things. That’s the Villanelle that I wrote, that Phoebe turned into a screen character, and that Jodie [Comer] ran with so gloriously.

But the season four ending was a bowing to convention. A punishing of Villanelle and Eve for the bloody, erotically impelled chaos they have caused….

(12) INCOMING. No one goes unsplattered in Raquel S. Benedict’s latest bid for attention, “The Sterility of Safe Fiction: Who Are We Protecting?” at Seize the Press. This circular accusation kicks off the piece:

…And yet an influential faction of authors, editors, publishers and critics within contemporary sci-fi and fantasy speaks as though safe is the greatest quality a work of art can aspire to. Fiction must be safe, they say. If it’s not safe, then it might cause harm. What kind of harm? Who are we harming? That’s not important. The important thing is to avoid harm by making your fiction as safe as possible. By making our fiction safe, we will make the sci-fi/fantasy community safe….

It’s an introduction, but not to what follows the immediate three-asterisk break. In the next section Benedict’s new topic is that there’s trouble my friends, right here in the sff genre, and apparently anybody who pays to attend one of the workshops in the field is to blame for whatever that ill-defined trouble might be. Benedict recites the dollar costs involved in attending Clarion West and the Odyssey Writing Workshop and judges:

…But those who can pay the gatekeeper get to determine what it means to be safe. And so our notions of safety are shaped by bourgeois sensibilities…. 

(13) SHOCKED, I TELL YOU. [Item by Martin Morse Wooster.] J.R.R. Tolkien’s grandson Simon tells BBC Live Breakfast in 2012 that his grandfather would not have liked any film that depicted his imaginary world and “my grandfather knew what an elf looked like, and it did not look like Orlando Bloom.”

(14) WEIRD TRAILER. Is the world ready for Daniel Radcliffe as…Weird Al Yankovic? Coming this fall to the Roku Channel. “Weird: The Al Yankovic Story”.

(15) MINI SERIES. According to Slashfilm, “Rebecca Romijn Insisted On Wearing A Starfleet Dress On Star Trek: Strange New Worlds”.

The original “Star Trek” series remains spellbinding for its forward thinking science fiction ideas. But it remains equally spellbinding for being a show so firmly entrenched in the ’60s that all female crew members on board the USS Enterprise wear short miniskirts while the men get to strut around in far less revealing uniforms. And while “Trek” has gone a long way in the decades since to make Starfleet uniforms work for all genders and body types (“The Next Generation” even featured male officers in the Starfleet minidress, or “skant,” uniform), that classic short-skirt look has at least one major fan: “Star Trek: Strange New Worlds” star Rebecca Romijn. 

Una Chin-Riley, better known to Captain Christopher Pike and “Star Trek” fans as “Number One,” rocks the Starfleet dress look throughout the first five episodes of “Strange New Worlds,” with the tough-as-nails first officer of the Enterprise making a strong case for this seemingly outdated look to make a major comeback. And you can consider this mission accomplished for Romijn, who not only requested that Una wear a Starfleet dress, but that she actively wear it during action sequences…

(16) SCIENTIFIC OBJECTIVE. [Item by Mike Kennedy.] Scientists are describing a theoretical new telescope that could be used to image exoplanets. It would use the gravity of the sun as the objective lens.

Positioning the telescope proper in a line with the Sun and the exoplanet in question would take significant advances in space propulsion. The telescope would have to be positioned many times further away from the Sun than any of the planets & moved around to line up the shot. It would then need to be repositioned for the next planet of choice.

The paper, “Integral Field Spectroscopy with the Solar Gravitational Lens,“ was published in The Astrophysical Journal.

“Scientists describe a gravity telescope that could image exoplanets” at Phys.org.

In the time since the first exoplanet was discovered in 1992, astronomers have detected more than 5,000 planets orbiting other stars. But when astronomers detect a new exoplanet, we don’t learn a lot about it: We know that it exists and a few features about it, but the rest is a mystery.

To sidestep the physical limitations of telescopes, Stanford University astrophysicists have been working on a new conceptual imaging technique that would be 1,000 times more precise than the strongest imaging technology currently in use. By taking advantage of gravity’s warping effect on space-time, called lensing, scientists could potentially manipulate this phenomenon to create imaging far more advanced than any present today.

In a paper published on May 2 in The Astrophysical Journal, the researchers describe a way to manipulate solar gravitational lensing to view planets outside our solar system. By positioning a telescope, the sun, and exoplanet in a line with the sun in the middle, scientists could use the gravitational field of the sun to magnify light from the exoplanet as it passes by. 

(17) JUSTWATCH – TOP 10S IN APRIL. JustWatch – The Streaming Guide says these were the Top 10 Sci-Fi Movies and TV Shows in the US in April 2022.

Rank*MoviesTV shows
1Spider-Man: No Way HomeSeverance
2The BatmanMoon Knight
3Sonic the HedgehogHalo
4MoonfallFrom
5Ghostbusters: AfterlifeDoctor Who
6Venom: Let There Be CarnageOutlander
7DuneStar Trek: The Next Generation
8Spider-Man: Far From HomeThe Walking Dead
9Spider-Man: HomecomingStar Trek: Picard
10Spider-Man: Into the Spider-VerseGhosts

*Based on JustWatch popularity score

(18) YOU WILL BELIEVE A DOG CAN FLY. Just because they’re super – doesn’t make them heroes. In theaters July 29, “DC League of Super-Pets”.

(19) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Ghostwire: Tokyo,” Fandom Games says this game is very good at describing Japanese folklore, but “feels like an anime you really have to convince people to watch.”  SJWs will like the cat who runs a convenience store, but another plot point is a character who’s really constipated.

[Thanks to JJ, John King Tarpinian, Chris Barkley, Andrew Porter, Cora Buhlert, Hampus Eckerman, Olav Rokne, Bence Pintér, Michael Toman, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 4/30/22 Those Who Cannot Remember Past Pixel Scrolls Are Doomed To Re-File Them

(1) CAT RAMBO AT FUTURE TENSE. The new entry from Future Tense Fiction, a monthly series of short stories from Future Tense and Arizona State University’s Center for Science and the Imagination about how technology and science will change our lives. Cat Rambo’s “The Woman Who Wanted to Be Trees” at Slate.

“For someone like me,” Nefirah’s client said, “it’s not a question of whether or not I’ll be remembered. The question is precisely how.”…

Tamara Kneese, an expert on the digital afterlife, delivers a response in her essay “Is a Lasting Digital Memorial to a Dead Person Even Possible?”

I’m a death scholar and a sustainability researcher at a major tech company, so Cat Rambo’s “The Woman Who Wanted to be Trees” hit home. In the story, a death care worker is asked to memorialize clients in innovative ways, using cutting-edge technologies to blur the boundaries between life and death, and between humans and the natural world. For the past 15 years, I have been researching how people use technology to remember and communicate with the dead. My forthcoming book, Death Glitch: How Techno-Solutionism Fails Us in This Life and Beyond, explores the fundamental incompatibility between dreams of technologically mediated life extension and the planned obsolescence of material technologies…. 

(2) AUTHOR MAGNET. The inaugural Santa Fe Literary Festival will take place May 20-23, at the Santa Fe Community Convention Center in Santa Fe, NM. The authors who are scheduled to appear include Margaret Atwood, Sandra Cisneros, John Grisham, Joy Harjo, Anne Hillerman, Craig Johnson, Phil Klay, Jon Krakauer, Emily St. John Mandel, George R.R. Martin, N. Scott Momaday, James McGrath Morris, Douglas Preston, Rebecca Roanhorse, Bob Shacochis, Colson Whitehead and Don Winslow.

Besides author readings and book signings, the festival will feature meals during which chefs and food writers will talk about the food they’ve prepared, their work and their books; Walk & Talks, during which attendees and authors will together explore parts of Santa Fe; and Tea & Tequila, featuring tea and tequila tastings. On Monday, the last day of the festival, attendees will be able to go on literary day trips in Santa Fe and nearby areas in northern New Mexico.

(3) FRESH VIEWPOINT. Artists & Climate Change’s “Wild Authors: Oghenechovwe Donald Ekpeki” is a Q&A with a 2022 double-Hugo-nominee and editor of The Year’s Best African Speculative Fiction (2021)

In your short story “Mercy of the Wild,” you wrote from the viewpoint of a lion. What inspired that story?

“Mercy of the Wild” was a point of experimentation for me. I love to experiment with forms and styles or speculative fiction, and that was one such experiment that I was delighted to follow up on. The story was inspired by an almost childlike, wide-eyed curiosity about what goes on in the minds of the creatures we share the planet with. What if we heard their story, from the horse’s mouth so to speak. Or as the Igbo proverb says, “Until the lion learns to tell its story, the hunt will always glorify the hunter.” This got me wondering, what if the roles were reversed? Its telling impresses on me the need for people of diverse cultures to champion and find spaces for their stories to thrive in the world of today.

(4) GREAT LEAP FORWARD.  Cora Buhlert was a guest on the Dickheads podcast (as in Philip K. Dick) and discussed “‘The Big Jump’ – Leigh Brackett” with Grant Warmack and host David Agranoff.

In the first episode of this podcast, Solar Lottery, David said he would someday do this episode. So four years later, in January of this year, he sat down with a couple of colleagues and discussed the lesser-known novel The Big Jump by Leigh Brackett. The pair of talents he was privileged to have here are newcomer to Leigh Brackett writer/music manager/tarot reader Grant Wamack and long time ‘Bracketteer’ teacher/translator/writer and three time Hugo nominee Cora Buhlert. Enjoy.

(5) S&S: Here is more about the nascent New Edge sword and sorcery movement: “New Edge S&S Guest Post: Oliver Brackenbury” at Scott Oden’s blog.

[Scott Oden:] I put out the call, a few days ago, for a few guest posts relating to the New Edge of Sword & Sorcery. And here is our first victim . . . er, participant. Oliver is a podcaster, a screenwriter, and a novelist; he’s also one of the organizers of the whole New Edge movement. Oliver, you have the floor . .

[Oliver Brackenbury]: …I’ve been in conversations like that before, in other scenes and settings, and I thought “Wouldn’t be nice if all this energy was directed at really changing the situation?”. So I proposed an open, yet specific question – “What could we do to get more young people into this genre we all love?”.

Now, I can take credit for asking the question, but I cannot take credit for the incredible amount of energy I unwittingly tapped into by asking it. The conversation that took off was galloping and enthusiastic and good-natured and productive and WOW!

Scott Oden’s own thoughts about the movement appear in “Putting a NEW EDGE on an Old Blade”.

A genre can grow dull. The accretion of old social mores — the misogyny, racism, and homophobia of bygone eras — can oxidize a genre, making it seem as graceless as a barnacle-encrusted hunk of metal drawn from the sea. A genre’s founders can (and will) die, leaving less-invested imitators to tease out only the surface tropes while its deeper meanings are lost to the ages. And, over time, that genre starts to become irrelevant to the world at large.

In today’s fiction market, this is largely the fate of sword-and-sorcery. Mainstream publishers are loath to market a work as S&S because they consider it a dead end market. Readers less concerned with genre labels use the term nowadays to describe any book with swordplay and magic, from Tolkien to Pratchett — and they’re unaware that it has (or had) a very specific meaning. In short, the term sword-and-sorcery has lost its edge. It has rusted, and is stuck in a very old and problematic scabbard.

There is, however, a nascent movement that has started in the small press sphere to remove that blade from its sheath, to clean the rust from it, sharpen it on a grinding wheel, and fashion a new scabbard — one free from the old problems of the genre. That movement is called the NEW EDGE of S&S….

(6) SUBGENRE GETS NEWSLETTER SOURCE. There’s now also a free weekly sword and sorcery newsletter with the delightful name “Thews You Can Use” from Sword & Sorcery News. It just started.

This week’s Roundup will be a little different—not that you’d know, since it’s the first. Rather than covering the week in S&S news, I’ll go back over the last couple months. Here’s a quick roundup of S&S news from February through April…. 

(7) MURDERBOT AND POLICY. The New America website will hold a gathering of its Science Fiction/Real Policy Book Club to discuss All Systems Red on June 1 at 6:00 p.m. Eastern. Register here.

Science fiction can have real policy impacts, and comes rife with real-life commentary. For the next, we have selected All Systems Red by Martha Wells.

The novel explores a spacefaring future in which corporate-driven exploratory missions rely heavily on security androids. In Wells’ engaging – at times funny – tale, one such android hacks its own system to attain more autonomy from the humans he is accompanying. The result is a thought-provoking inquiry into the evolving nature of potential human-robot relations.

Join Future Tense and Issues in Science and Technology at 6pm ET on Wednesday, June 1 to discuss the novel and its real-world implications. The book club will feature breakout rooms (they’re fun and stress-free, we promise) where we can all compare notes and share reactions, even if we didn’t finish the book (though we picked a short one this time!).

(8) SPACE FORCE OFFICIALLY GROUNDED. I hadn’t realized the show wasn’t already canceled. Well, it is now: “Netflix cancels Steve Carell sci-fi comedy ‘Space Force’” reports SYFY Wire.

…In addition to Carell as General Mark Naird, the show also starred an A-list supporting cast of John Malkovich (Dr. Adrian Mallory), Ben Schwartz (F. Tony Scarapiducci), Tawny Newsome (Captain Angela Ali), Lisa Kudrow (Maggie Naird), and Diana Silvers (Erin Naird). 

That group is chock full of talent, which may have been part of its downfall — according to THR, the show’s large budget was reportedly in part because of the actors’ salaries, with Carell getting over $1 million per episode. That much built in spending, along with mixed reviews for both seasons, apparently resulted in a failure for Space Force to (ahem) launch into a third season…. 

(9) MEDIA BIRTHDAY.

1938 [Compiled by Cat Eldridge.] Not his official appearance as Bugs Bunny that will happen in “A Wild Hare” on July 27, 1940. But a preliminary version of the character we now know as him first showed up in “Porky’s Hare Hunt” eighty-four years ago today. The Looney Tunes cartoon was directed by Ben “Bugs” Hardaway (do note his name) and an uncredited Cal Dalton. It stars Porky Pig as a hunter whose quarry is a rabbit named Happy. Yes, Happy.

Oh, I well know that most Bugs Bunny fans will tell you that July 27 is the day that he was created as that is the anniversary of the 1940 debut of the familiar rabbit and his adversary, Elmer Fudd. In that July debut people also heard for the first time Bugs’s famous line, “What’s up, Doc?”

But today is the real anniversary of the creation of this character.  He first appeared on the theater short called as I noted above “Porky’s Hare Hunt.” Perhaps the reason people don’t recognize, or indeed want to credit him as that rabbit, is Bugs in that early cartoon was credited as Happy Rabbit. And admittedly it really looks pretty much like any rabbit save the smirking face, doesn’t it? Or does he? 

It’s been uploaded to YouTube so go watch it. It may not look like him but it acts like him and it sounds like him. Several sources state that Mel Blanc voiced him here but the cartoon itself has no credits.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 30, 1930 Bill Buchanan. A musician who was not a filker but might have been. Really. Truly. His most famous composition took place in 1956, when he and Dickie Goodman created the sound collage “The Flying Saucer”.  They then did “The Flying Saucer Goes West” which is a lot of fun. A short time later, they would do “The Creature (From A Science Fiction Movie)” / “Meet The Creature (From A Science Fiction Movie)”. With other collaborators, he did such works as “Frankenstein Of ’59/Frankenstein Returns”.  Checking iTunes, quite a bit of what he did is available. (Died 1996.)
  • Born April 30, 1938 Larry Niven, 84. One of my favorites author to read, be it the Gil Hamilton the Arm stories, Ringworld, Protector, The Mote in God’s Eye with Jerry Pournelle (The Gripping Hand alas didn’t work for me at all), or the the Rainbow Mars stories which I love in the audiobook version as you know since I wrote an essay on them. What’s your favorite Niven story? And yes, I did look up his Hugos. “Neutron Star” was his first at NyCon followed by Ringworld at Noreascon 1 and in turn by “Inconstant Moon” (lovely story) the following year at L.A. Con I,  “The Hole Man” (which I don’t remember reading) at Aussiecon 1 and finally “The Borderland of Sol” novelette at MidAmericaCon. He’s not won a Hugo since 1976 which I admit surprised me. 
  • Born April 30, 1968 Adam Stemple, 54. Son of Jane Yolen. One time vocalist of Boiled in Lead. (Which I just discovered has not released a recording in a decade. Damn.) He was the lead vocalist for Songs from The Gypsy which was based on The Gypsy, the novel written by Steven Brust and Meghan Lindholm. A truly great album.  With Yolen, he’s written the Rock ‘n’ Roll Fairy TalesPay the Piper and Troll Bridge which are well worth reading, plus the Seelie Wars trilogy which I’ve not read. He’s also written two Singer of Souls urban fantasies which I remember as quite engaging.
  • Born April 30, 1973 Naomi Novik, 49. She wrote the Temeraire series which runs to nine novels so far. Her first book, His Majesty’s Dragon, won her the Astounding Award for Best New Writer. She most deservedly won the Nebula Award for Best Novel for Uprooted which is a most excellent read. I’ve not yet read her Spinning Silver novelwhich won a Mythopoeic Fantasy Award for Adult Literature, so opinions are welcome. She has a number of Hugo nominations starting at Nippon 2007 for His Majesty’s Dragon, then next at MidAmericaCon II for Uprooted, The Temeraire series at Worldcon 75. No wins yet which really, really surprises me. She’s twice been a finalist for Lodestar Award for Best Young Adult Book with A Deadly Education at DisCon III for  and this year at Chicon 8 for The Last Graduate.
  • Born April 30, 1982 Kirsten Dunst, 40. Her first genre role was as Claudio in Interview with the Vampire. Later genre roles include Judy Shepherd in Jumanji, voicing Christy Fimple in Small Soldiers, voicing Becky Thatcher in The Animated Adventures of Tom Sawyer, Mary Jane Watson in Spider-Man franchise, voicing Kaena in Kaena: The Prophecy, and showing up on Star Trek: The Next Generation as Hedrilin in the “Dark Page” episode. She would have been nine years old in that episode!
  • Born April 30, 1985 Gal Gadot, 37. Wonder Woman of course in the DC film universe. Other genre work, well, other than voicing Shank on Ralph Breaks the Internet, there really isn’t any. She did play Linnet Ridgeway Doyle in the Kenneth Branagh production Death on the Nile which is quite lovely but not genre adjacent, but I really don’t mind as they’re lovely mysteries. Oh, and she’s playing The Evil Queen in the forthcoming Snow White film.
  • Born April 30, 2003 Emily Carey, 19. Yes, nineteen years old. She has had a lot of roles for her age. First she played the twelve-year-old Diana in Wonder Woman followed by playing  the fourteen-year-old Lara in the rebooted Tomb Raider.  And then she’s in Anastasia: Once Upon a Time in the lead role of Anastasia.  She’s Teen Wendy Darling in the forthcoming The Lost Girls. She was in the genre adjacent Houdini and Doyle as Mary Conan Doyle, and finally she’s in the not-yet-released G.R.R. Martin’s House of the Dragon series as the young Alicent Hightower. 

(11) COMICS SECTION.

(12) CHALK AROUND THE CLOCK. The Pasadena Chalk Festival returns June 18-19 at The Paseo.

The Pasadena Chalk Festival began in 1993 after a summer intern at the Light Bringer Project attended a street painting festival in Paris and brought back her amazing pictures and observations. The first “Chalk on the Walk” took place at Centennial Square at Pasadena City Hall with over 150 visual artists participating in the first Los Angeles-area event. All proceeds went toward community arts programs and HIV/AIDS resources.

In 2010, The Pasadena Chalk Festival was officially named the largest street painting festival by the Guinness World Record, welcoming more than 600 artists using over 25,000 sticks of chalk and drawing a crowd of more than 100,000 visitors in one weekend. 

Below is an hour-long video of last year’s Chalk Festival. And here is File 770’s roundup of sff art from the 2019 festival via Twitter.

(13) DON’T SAY PAY. The Florida legislature’s move to punish Disney for publicly opposing the “Parental Rights in Education” bill, also known as the “don’t say gay” bill fails to conform to other requirements of state law says the corporate giant: “Disney’s special tax district suggests its repeal is illegal” in the Miami Herald.

As Florida legislators were rushing through passage of a bill to repeal the special district that governs Walt Disney World last week, they failed to notice an obscure provision in state law that says the state could not do what legislators were doing — unless the district’s bond debt was paid off. Disney, however, noticed and the Reedy Creek Improvement District quietly sent a note to its investors to show that it was confident the Legislature’s attempt to dissolve the special taxing district operating the 39-square mile parcel it owned in two counties violated the “pledge” the state made when it enacted the district in 1967, and therefore was not legal. The result, Reedy Creek told its investors, is that it would continue to go about business as usual.

The statement, posted on the website of the Municipal Securities Rulemaking Board on April 21 by the Reedy Creek Improvement District, is the only public statement Disney has supplied since lawmakers unleashed their fury over the company’s vocal opposition to the “Parental Rights in Education” law, also known as the “don’t say gay” bill. The statement, first reported by WESH 2, quotes the statute which says, in part, that the “State of Florida pledges…it will not limit or alter the rights of the District…until all such bonds together with interest thereon…are fully met and discharged.”

… In essence, the state had a contractual obligation not to interfere with the district until the bond debt is paid off, said Jake Schumer, a municipal attorney in the Maitland law firm of Shepard, Smith, Kohlmyer & Hand, in an article for Bloomberg Tax posted on Tuesday and cited in a Law and Crime article.

The law passed by the Republican Legislature on a largely party-line vote, and signed into law by the Republican governor, either violates the contract clause of the Florida Constitution, or is incomplete, Schumer told the Herald/Times on Tuesday. If the Legislature wants to dismantle the Reedy Creek Improvement District, it has more work to do.

(14) FLY YOU FOOLS! J. Michael Straczynski would like to tell you about the worst musical he ever saw. Thread starts here.

(15) DO TOUCH THAT DIAL. Tor.com’s Robert Repino beggars the imagination by reminding readers about “Six Bizarro Made-for-TV SFF Movies That Actually Exist”. Such as —

Gargoyles (1972)

Not to be confused with the prematurely canceled ’90s cartoon of the same nameGargoyles starred B-movie tough guy Cornel Wilde (from The Naked Prey). The opening voiceover raises the stakes pretty high: In the aftermath of the war between God and Satan, a race of creatures climbs out of hell to terrorize mankind every few centuries. In the modern age, the gargoyles are relegated to myth and statues, leaving humans completely unprepared for their next onslaught.

Whoa. That sounds serious. Until you notice that the gargoyles reemerge in a desert that is surely within driving distance of the studio. And it takes only a handful of armed townsfolk to quell the apocalyptic uprising. But those minor details aside, this movie remains a guilty pleasure for my generation, in part because of the Emmy-winning makeup wizardry of Stan Winston. The gargoyles aren’t that scary, but they look pretty darn cool, and some of them even fly. And by “fly,” I mean “slowly lift off the ground with a barely concealed cable.”

(16) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] Alasdair Beckett-King meets the evil emperor, who wonders why the people don’t love him!

What do you do when you’ve seized power and/or purchased a large social media company? You monologue.

[Thanks to Cat Eldridge, Mike Kennedy, Cora Buhlert, Martin Morse Wooster, JJ, John King Tarpinian, Chris Barkley, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Cliff.]

Announcing the Emeka Walter Dinjos Memorial Award For Disability In Speculative Fiction

By Oghenechovwe Donald Ekpeki: The Emeka Walter Dinjos Memorial Award For Disability In Speculative Fiction aims to award disability in speculative fiction in two ways. One, by awarding a writer of speculative fiction for their representation or portrayal of disability in a world of speculative fiction, whatever their health status; and two, by awarding a disabled writer for a work of speculative fiction in general, whatever the focus of the work may be.

Each of the two awards will come with a cash prize of $250USD. For the moment, the awards will be awarded only to writers of short fiction, but in the future may grow to encompass other lengths and forms of speculative writing. These awards were born out of a need to provide assistance for disabled speculative fiction writers struggling with various maladies, and to encourage the representation of disability in speculative fiction.

While not exactly a fortune, the hope is that these funds will assist the winner(s) yearly to be able to cater to small needs that help them manage their ailments (like insulin and other medications) or simply provide self care of any kind they choose.

ADMINISTRATION

The awards will be given by Oghenechovwe Donald Ekpeki, the awards administrator, with special recommendations from writers and editors like Mazi Nwonwu of Omenana, Lezli Robyn of Galaxy’s Edge, M L Clark, Ross Showalter and others I will indicate. And there will be a spreadsheet for all to make recommendations of works they would like considered.

The awards will be given to works up to 25,000 words, and there will be a honor list of five works in both categories. The announcement will also come with a promotion of ways for readers to offer financial support to all the finalists in both categories.

Authors or publishers recommending works currently for sale or behind a paywall for consideration can email a copy of the work if they would like to provide a free copy for consideration, to jembefolastories@gmail.com

TIMELINE

The awards will be given for works published in the previous calendar year. The awards administrator will be taking recommendations from the special recommenders from now until May 31, 11:59PM (West African Time). In that time, anybody can also add works they deem fitting and deserving to the spreadsheet here as well. After this consideration period, the selected winners and shortlist will be announced, and the winnings disbursed accordingly.

Note: the use of “disability” here is loose and includes all ailments and conditions that make it difficult for a writer to pursue their creative tasks, even if their financial or social situation is such that they can cater to that difficulty better than others in different contexts. Historically, self-identification in publishing has been a site of traumatic public contention, which this award will not perpetuate. No candidate will be expected to produce proof of their disability and its impact. We begin the work of dignifying and uplifting each other by acting in good faith, and on the honor principle.

EMEKA WALTER DINJOS

Emeka Walter Dinjos, for whom the award is named, was a disabled Nigerian speculative fiction writer, editor and founder based in Awka, Anambra. He passed away at the age of 34, on Wednesday the 12th of December 2018, due to health complications from diabetes.  His short fiction was published in prominent venues like Space & Time, Stupefying Stories, Bourbon Penn, Writers of the Future Volume #33, Beneath Ceaseless Skies, Deep Magic, Galaxy’s Edge, Lamplight Magazine, Abyss & Apex. Dinjos was the first Nigerian to win the Writers of the Future Contest, though he was unable to attend the event due to visa issues. He was the founder of Subsaharan Magazine, a speculative fiction magazine at the time. And he wrote about speculative fiction, literature and pan-African culture and life on his Medium page. You can read more about Dinjos’s works there and on his Goodreads page, and about his passing on Future SF.

FOUNDER’S NOTE ON THE PROJECT: THE “WHY” OF THE AWARD

Emeka Walter Dinjos was an active voice in writing and publishing on the African continent, and his works inspired a great many speculative fiction creatives on the continent, myself included. Being disabled, too, and knowing other disabled speculative fiction writers on the continent, in the course of my editing several anthologies, con running and a host of other pan-African speculative fiction activities I have been involved in, and are privy to the difficulties that persons suffering health maladies in a place with poor to no healthcare can face, especially when limited financially. I have also enjoyed some success in the world of short fiction publishing, having sold works to venues like Galaxy’s Edge, Asimov’s, Apex, and Tordotcom. So, I understand how long a way even these little payments can go in keeping a disabled or ailing writer well, active and even alive. Thus, I saw the need for these awards: not just to give a grant, or assistance, but to celebrate these writers for the herculean efforts I know it takes to create while ailing. It is not enough to aid them. We must celebrate them as well.

Walter was a pioneer. I admired and followed him, and tried to walk in his footsteps, especially as he was ailing. I felt a kinship with him even at a distance, for I was opportuned to interact with him only once, before he passed. And ironically, to empathize at that time, while he was ill. Disability was one of the strong lines that connected us, but not the only one. I have also enjoyed some success with awards and “firsts”: the first African writer to be nominated for the Nebula and Hugo awards in their novelette categories, the first African-born Black writer nominated for the Hugo and Nebula awards at all, and the first writer of colour nominated in both prose and editing categories of the Hugo awards in one year. My climate fiction novelette, “O2 Arena,” which earned me the above nominations and firsts, is also about disability, and dedicated to Walter Dinjos, Voke Omawunmi Stephen and ailing Africans, including artists. I donated the proceeds for the reprint of “O2 Arena” to a charity organizing cancer treatment for Nigerian women. But I wanted to do more for the writers still here. The dreamers still struggling, and excelling.

For me, this award is a dual opportunity: to honour the brilliant and impactful young man who did so much for us in the genre, and to give back to the community and the most vulnerable people in it. This desire impelled me to reach out to Dinjos’s family and ask permission to name this award after him. This is the reason for the Emeka Walter Dinjos Memorial Award for Disability In Speculative Fiction.  And I hope that this award will grow in prize money and categories, as we try to institutionalize not only the assistance but also the celebration of disability writing in the genre.

Pixel Scroll 2/27/22 Diskworld Engineers

(1) WHERE THE FUTURE COMES FROM. Nnedi Okorafor was featured in Chicago Magazine in January: “Nnedi Okorafor’s Books Focus on Future Tense”.

What are some of your favorite books?

Wizard of the Crow [by Ngugi wa Thiong’o], The Talisman by Stephen King [and Peter Straub], Life of Pi [by Yann Martel], and Ben Okri’s The Famished Road, which is like a dream, so psychedelic. It’s probably the most influential book for me. It’s about a young boy who was born with spirit friends, but it’s an adult novel. He views the world in such a way that the mystical and mundane coexist. It’s set in Nigeria during a very politically tumultuous time. Akata Woman, my new book, pays homage to The Famished Road. The first time I read it, I was an undergrad. This guy I was dating had gotten it for an African studies class and I just stole it from him. He didn’t care. He didn’t even read it. For me, it changed everything.

(2) AARDMAN NEWS. [Item by Martin Morse Wooster.] I watched this 2015 BBC Documentary, “A Grand Night In: The Story of Aardman”, directed by Richard Mears, which tells the story of Aardman. You learn lots of things in it, including where their name came from — it’s a 1972 animation that company founders Peter Lord and David Sproxton sold to the BBC about a creature that’s half-human, half aardvark. They talk about how Nick Park submitted student films to the company and essentially became the third partner, with his creation Wallace and Gromit earning him two Oscars with a third for his short “Creature Comforts.”

Lots of actors and fellow animators are in this, including Terry Gilliam, Matt Groening, John Lasseter, and even Jeffrey Katzenberg, the great Bill Nighy, who’s done voice work for Aardman, says the four things that seem to him to be England at its best are the Rolling Stones, Harold Pinter, Crystal Palace FC, and Aardman Animations.

Aardman fans will note this show was done before the last theatrical release, Early Man, which bombed and led to everything Aardman does going straight to Netflix.

Fun facts: the documentary says that the Oscar for best animated feature happened because of the success of Chicken Run (2000).  Nick Park says he wanted to call Wallace And Gromit: The Curse Of The Were-Rabbit “The Great Vegetable Hunt” but changed it because focus groups of kids said they didn’t like vegetables.

I thought this was a fun hour.

(3) M SQUAD. [Item by Steven French.] Some alliteration here! “A mashup of mythology, Middle-earth and Marvel comics, …” — “Marlon James: ‘Violence is violent and sex is sexy. You are supposed to be appalled’” in The Guardian.

…He read whatever he could get his hands on – “the only category I needed for a book was ‘next’” – coming late to classic fantasy fiction simply because there wasn’t a drugstore paperback of The Lord of the Rings. Instead he gorged on film tie-ins, fairytales and comics. He attended the “posh” school, where he always felt a bit of an outsider. It was this sense of “having to negotiate a world you don’t belong to”, that he associated with Mantel’s Thomas Cromwell, and which he gives to Sogolon and also to the ambitious Nina Burgess in A Brief History, the character closest to him, he says….

(4) TABLE TOP SFF GAMES. CBR.com gives us “The 10 Best Sci-Fi Board Games, Ranked”.

3. Terraforming Mars Is Corporate Greed & Future Progress

Terraforming Mars is one of the most beloved board games in the world at the moment. The game currently sits in the top 5 board games of all time, according to hobbyists on the website Board Game Geek. In Terraforming Mars, players take on the role of different corporations that are attempting to terraform and mine resources from Mars for greed and political gain. The game has tons of unique cards, combos, and strategies which is what keeps players coming back to it time and time again.

(5) HOME ON THE STRANGE. “Outer Range: First look at Josh Brolin’s Amazon Prime Video thriller” at Vanity Fair.

…Brolin plays Royal Abbott, an old-school cowboy and patriarch tested by horrors both known and unknown. In the former category: His daughter-in-law has gone missing, and simmering tension with the rival Tillerson family is about to reach a boil. And in the latter: A giant metaphysical void has popped up on the Abbott property, representing…something. An alternate dimension? Aliens? Nightmares? As Royal stumbles upon it, we quickly glean that it’s his—and our—destiny to find out. Eventually. 

Outer Range is difficult to pinpoint, its shades of Yellowstone and Westworld (continuing in prestige TV’s ongoing Western trend) gradually giving way to a true singularity…. 

(6) CLEAR FEAR. Catriona Ward contends, “‘When done right, horror is a transformative experience’” in a Guardian Q&A.

Does it chafe to be described as a horror writer?
Like most terms applied to books, it’s both really useful and not useful at all, but I love horror. I think it’s one of the most expressive, most empathetic genres you can work in. Everyone feels afraid at some point in their life. Reading is a sustained act of telepathy or empathy, and reading horror is even more profound than that: it’s asking people to share real vulnerabilities of yours and open themselves up to their own. It is like going down a tunnel, and hopefully the writer is leading the way with a torch, taking the reader’s hand….

(7) MEDIA BIRTHDAY.

1994 [Item by Cat Eldridge] Twenty-eight years ago this evening, TekLab, the third of the TekWar episodes, aired. Created by William Shatner who you all know, the novels are ghost-written by Ron Goulart, but I don’t know how much input he had into the TV series. TekWar would be developed for television by Stephen Roloff who earlier had done the same for Friday the 13th: The Series and Beyond Reality, also produced in Canada. 

TekLab would take our detectives to London attend a ceremony at the Tower of London which marks the start of a campaign to restore the British monarchy. Before the film ends, much will happen including the appearance of Excalibur. 

The primary cast was Greg Evigan as Jake Cardigan, Eugene Clark as Sid Gomez, William Shatner as Walter Bascom, Michael York as Richard Stewart, Laurie Winger as Rachael Tudor and Maurice Dean Winter as Lt. Winger. 

I can’t say the critics loved this William Shatner created affair as they didn’t, with one saying of the series in general that it was “bargain basement science fiction with a stale protagonist, a convoluted murder mystery, and a narrative that feels incomplete.” Audience reviewers at Rotten Tomatoes currently give this film specifically a thirty-one percent rating. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 27, 1934 Van Williams. He was the Green Hornet (with the late Bruce Lee as his partner Kato) on The Green Hornet and three Batman cross-over episodes. He would voice President Lyndon B. Johnson on the Batman series, show up in an episode of Mission Impossible, and also do a one-off Quinn Martin’s Tales of the Unexpected and that’s it. (Died 2016.)
  • Born February 27, 1937 Barbara Babcock, 85. She had a remarkable six roles on Star Trek, first as Mea 3 on “A Taste of Armageddon” followed the “Assignment: Earth” episode as Beta 5 Computer / Isis, then in “The Tholian Web” as the voice of Cmdr. Loskene followed  by being on “Plato’s Stepchildren” as Philana. Her final appearance was in “The Lights of Zetar” as the Voice of Zetar. Somebody in casting really, really liked her voice. She also showed up on Green HornetLogan’s RunMission: ImpossibleNight GallerySalem’s Lot and Alfred Hitchcock Presents.
  • Born February 27, 1940 Howard Hesseman. Though best-known as DJ Johnny Fever on WKRP in Cincinnati and the New WKRP in Cincinnati (and yes, I remember the frozen turkey episode vividly), he did do quite a bit of genre. His first genre role I’m reasonably sure was as Dr. Louis Faraday in The Flight of The Navigator, a most superb film, he is Rupert King in “Titan Man” portion of Amazon Women on the Moon. He’s Doctor Berg in Martin Child, and his last genre film was Halloween II where he was Uncle Meat. Huh. He’s done one-offs on the Faerie Tale TheatreThe Ray Bradbury Theatre and The Outer Limits. (Died 2022.)
  • Born February 27, 1944 Ken Grimwood. Another writer who died way too young, damn it.  Writer of several impressive genre novels including Breakthrough and Replay, a World Fantasy Award winner, which I’ve thoroughly enjoyed and Into the Deep and Elise which are listed in ISFDB but which I’m not at all familiar with. Who’s read them? (Died 2003.)
  • Born February 27, 1960 Jeff Smith, 62. Creator and illustrator of Bone, the now complete series that he readily admits that “a notable influence being Walt Kelly’s Pogo”. Smith also worked for DC on a Captain Marvel series titled Mister Mind and the Monster Society of Evil. He’s won a very impressive eleven Harvey Awards and ten Eisner Awards! Kindle, though not Apple Books, has the complete Bone for a very reasonable twenty dollars.
  • Born February 27, 1962 Adam Baldwin, 60. Genre roles include Firefly and its continuation in Serenity as Jayne Cobb. Colonel John Casey in the exemplary Chuck series, Independence Day as Major Mitchell and Mike Slattery in The Last Ship, series I’ve yet to see. He’s also done voice work such as Hal Jordan and Jonah Hex on Justice League Unlimited, and Metamorpho on Beware the Batman
  • Born February 27, 1964 John Pyper-Ferguson, 58. I certainly remember him best as the villain Peter Hutter on The Adventures of Brisco County, Jr. but I see that he got he got his start in Canadian horror films such as Hello Mary Lou: Prom Night II and Pin: A Plastic Nightmare. His first major SF role was in Space Marines as Col. Fraser. And though he has an extensive one-off career in genre series with over two dozen appearances, his occurrence as a repeated cast member is not uncommon as he’s Agent Bernard Fainon in the new Night Stalker for several episodes, shows up as Tomas Vergis on Caprica for six episodes and I see he’s had a recurring role on The Last Ship as Tex  Nolan. Yep, two Last Ship performers here in these Birthdays. 

(9) COMICS SECTION.

(10) SPEED OF LIGHTFINGERS. Oghenechovwe Donald Ekpeki told Facebook readers a funny story related to his interview in a recent issue of Locus.

(11) TIME ON HIS HANDS. “Men In Black Turns 25: Why The Movie Remains A Sci-Fi Comedy Classic” at GameRant.

…Barry Sonnenfeld’s Men in Black is one of the most popular science-fiction films of the past half-century. Joining the ranks of Star WarsStar Trek, and most recently Dune, the Men in Black franchise has the benefit of being one of the most internationally recognizable science-fiction I.P.’s in recent memory. While the sequels and reboot of the M.I.B. property have certainly done a lot towards hindering the brand, the first Men in Black remains a propulsive, thrilling, and funny entry in a landscape that often sees more failures than successes….

And John King Tarpinian says, “The movie made me to want to buy the Hamilton Ventura watch.”

(12) TAKING THE HANDOFF. Geek Tyrant boosts the signal for “STAR WARS Severed Hand Magnets Include Luke Skywalker and Wampa Hands”. What a concept.

Regal Robot has a Star Wars Separation Collection, and they introduced two new severed hand magnets. Those magnets include a severed Luke Skywalker hand holding a lightsaber and a severed wampa hand, the one sliced off by Luke Skywalker….

(13) VIDEO OF THE DAY. Fanac.org has taken a sound recording of Fred Lerner’s 1963 interview of fannish legend Sam Moskowitz, matched in still photos to create a YouTube video.

Sam Moskowitz (SaM) was the chairman of the first World Science Fiction Convention (1939), a mover and shaper of science fiction fandom from the earliest days, and a historian of the field. 

In this audio interview (presented with illustrative pictures) from 1963, Fred Lerner, noted librarian, bibliographer and historian, conducts a conversation that ranges from the definition of science fiction, to typical early plots, to an analysis of the early 60s magazine and paperback industry. 

SaM was both a professional in the field, a writer, anthologist and critic as well as an iconic fan presence. In this interview, he speaks as a professional, casually inserting fannish references as he discusses the differences between science fiction fandom in the 30s and 60s, analyzes how fans relate to the general readership, and talks about the gaps that science fiction can fill.

In Fancyclopedia.org, it is reported that “one friend described him as “physically massive” — with a booming voice.” In later years, SaM had throat cancer which required the surgical removal of his larynx, necessitating that he speak through an electronic voice-box, held against his throat. In this recording, you can hear SaM speak in his own voice about the field he loved and lived in. Thanks to Fred Lerner for providing the recording, and to Dr. Eric Fleischer (Dr. Gandalf) for digitization.

[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Chris Barkley, Steven H Silver, Daniel Dern, Steven French, Andrew Porter, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 2/19/22 I Am NOT Pixel Number Six

(1) COLUMBIA COLLEGE REACTS TO ALLEGATIONS AGAINST WELLER. Columbia College Chicago has announced that faculty member and Bradbury biographer Sam Weller, accused by a former colleague of sexual assault, will ‘step away’ from teaching during Columbia investigation.

A Columbia faculty member publicly accused of sexual assault by a former colleague at the college has agreed to “step away” from the classroom while the college investigates the claims. 

In an article published on Medium Feb. 12, Cara Dehnert, a former associate professor of instruction in the Business and Entrepreneurship Department, accused Sam Weller, associate professor in the English and Creative Writing Department, of sexually assaulting her in his office on March 25, 2018. 

…Dehnert said she received no communication from Human Resources after her meeting with them in 2020, and as of Feb. 18 has not heard from the college following the publication of her article.

In a Feb. 15 statement, Lambrini Lukidis, associate vice president of Strategic Communications and External Relations, said the college was investigating the allegations against Weller. 

“Columbia College Chicago is aware of recent new allegations of potential criminal behavior and misconduct, which the College is investigating,” the statement said. “All reports of crimes and misconduct are taken seriously, investigated by the College and forwarded to local law enforcement if necessary.”  

Over the course of the past week, Dehnert’s post was shared on various social media platforms, via email and in the Columbia Engage app. As word of the accusation spread, calls for accountability and for Weller’s removal from the classroom grew. A petition titled “Hold Sam Weller accountable” was posted Wednesday on Change.org, and as of Friday evening had garnered more than 2,600 signatures. 

In a Feb. 16 interview, Madhurima Chakraborty, president of the Faculty Senate and associate chair of the English and Creative Writing Department, said she wanted more transparency from the college. 

“I want there to be clarity around accountability,” Chakraborty said. “I want there to be a clear understanding of what it is that we should be able to expect from our workplaces and the place where we study.” 

A statement from Lukidis to the Chronicle on Feb. 18 said Weller and the college “have agreed he will step away from his classes pending the outcome of the investigation.”  

Students enrolled in Weller’s classes received an email Friday afternoon from Pegeen Reichert Powell, chair of the English and Creative Writing Department, informing them that Weller’s classes would be taught by a substitute “for the time being.”…  

A local Chicago TV news devoted two minutes to the story, strangely failing to identify the accused person but interviewing the accuser on camera: “Columbia College Professor to ‘Step Away’ From Teaching Amid Sexual Assault Probe” at NBC Chicago.

Cara Dehnert Huffman has learned she’s not the only one, as she told Facebook readers yesterday.

… Since then, I’ve been contacted by five other women and counting who shared similar experience. Except all of them were students at the time.

I don’t know why Columbia College Chicago didn’t act when Sam’s behavior was reported by someone else in 2017. I don’t know why (it appears) that CCC did not act when I reported in 2020.

I’ve said all along that my only goal is to help people moving forward. But as I read and listen to heart wrenching tale after tale, all of which are too similar to mine and all of which done by the hands of Sam, I’ve reconsidered my position.

The pattern is clear. Sam’s abuse and manipulation go back as early as 2008. 2008!!!! …

(2) SOMETHING PROS WONDER ABOUT. Lincoln Michel asks, “Do blurbs work?” and answers: Maybe, but yes if Stephen King blurbs your first novel: “Do Blurbs Actually Work?”

… Yes, sometimes. I myself have bought books thanks to blurbs now and then. Recently, I was browsing a translated literature table and saw The Houseguest by Amparo Dávila. I’d never heard of the author, but the book had blurbs from Carmen Maria Machado and Julio Cortázar so I thought, hell, let’s give this author a try! I’m glad I did.

Whenever blurb discourse heats up, plenty of readers say blurbs are a factor. So yes, they can sell books.

At the same time, yes, it is perhaps true that blurbs are rarely the deciding factor….

(3) GET READY. Oghenechovwe Donald Ekpeki pointed Facebook readers to the cover and table of contents release for Bridging Worlds: Global Conversations on Creating Pan-African Speculative Literature In A Pandemic at Jembefola, which will be released as a free download there on February 21.

…It will feature 18 non-fiction pieces by 19 creatives You can check out the TOC  here.

Our amazing cover was done by Dare Segun Falowo. The book itself will be free to download in all formats, following and due to the events inspired by Amazon KDP’s bad behaviour….

… 2020 was a landmark year in the lives of speculative fiction writers trying to both survive and create in the pandemic-lockdown breakout year. It was especially difficult for Black people, and Africans on the continent and in the diaspora.

The Bridging Worlds anthology examines those difficulties and how Black people and African writers navigated them. Even though we had myriad experiences in the different worlds we inhabit, we were nonetheless plagued by well, the same plague, no pun intended.

Bridging Worlds seeks to explore the threads and lines that connect us as we navigated this singular yet multifaceted experience, and show that connection in the various non-fiction pieces written in the diverse styles and forms the authors chose….

(4) WRAPPED. George R.R. Martin gave Not a Blog readers a progress report on House of the Dragon.

Exciting news out of London — I am informed that shooting has WRAPPED for the first season of HOUSE OF THE DRAGON.

Yes, all ten episodes.   I have seen rough cuts of a few of them, and I’m loving them.  Of course, a lot more work needs to be done.   Special effects, color timing, score, all the post production work.

But the writing, the directing, the acting all look terrific.   I hope you will like them as much as I do…. 

HBO/HBO Max chief content officer Casey Bloys was asked by Variety when the show will air.

…While Bloys could not tell Variety when “House of the Dragon” might premiere, he did confirm that it’s likely the show sticks around for more than just one season.

“If you’re betting on whether we’re going to do a second season, I think it’s probably a pretty good bet,” Bloys said. “Generally speaking, we usually let something air and see how it does, but obviously, we’ll make preparations ahead of time to make sure we’re ahead of the game.”…

(5) SFF MAGAZINE TRENDS AND INSIGHTS. Jason Sanford has published the “Genre Grapevine SF/F Magazines Survey Results” in a free Patreon post. He notes, “It turns out the results before the pandemic match up pretty close to the results in 2022. I also included a ton of the comments people shared as they completed the survey. Some fascinating stuff in those comments.”

At the end of 2019 I released the special report #SFF2020: The State of Genre Magazines, which examined the history of genre magazines along with the issues facing today’s magazines and podcasts. The report also included interviews with the editors, publishers, and staff of a number of leading SF/F magazines and podcasts.

I intended to follow that report with an examination of the attitudes of people in the science fiction and fantasy community towards their genre’s magazines and podcasts. I completed a survey on this topic in December 2019 and intended to combine the survey results with more interviews and research.

If all went well, the report would have been released in February 2020.

Of course, all did not go well. The global COVID pandemic shut the world down and swept my own personal life. I didn’t have the time to complete the report.

A few weeks ago I looked over the 2019 survey results and realized they presented an opportunity to see if the pandemic had changed attitudes among people in the SF/F community toward genre magazines and podcasts. I re-ran the same survey and compared the results….

(6) MYSTERIES REVEALED. Editor Laura Stadler tweeted a thread inviting readers to better understand what editors do. However, it’s in German, and if Twitter’s translations are not up to your standards, by all means, don’t click! Personally, I found it helpful. Thread starts here. The translation of the first tweet says —

Twitter, let’s talk about what editors do? And why am I, as an editor, not an absolute enemy of authors and why do you really not have to be afraid of me and my work on your texts?

(7) RETURN TO WONDERLAND. Literary Hub’s Erin Morgenstern shares the experience of rereading Carroll’s story for Alice in “How Lewis Carroll Built a World Where Nothing Needs to Make Sense”.

… Every time I read the books, I am struck by something that hadn’t captured my attention the same way in previous readings. On this most recent re-reading, I noticed anew how often Alice interferes with pencils belonging to other characters, and I was particularly caught by the question of what does the flame of a candle look like after the candle is blown out? There are treasures to be found in these pages, glimmering, whether it is your first time reading, or fifth, or fiftieth.

No matter how familiar these stories may be, that white rabbit might lead you somewhere unexpected, if only you will follow….

(8) MEDIA BIRTHDAY.

1960 [Item by Cat Eldridge]

The time is the day after tomorrow. The place: a far corner of the universe. A cast of characters: three men lost amongst the stars. Three men sharing the common urgency of all men lost. They’re looking for home. And in a moment, they’ll find home; not a home that is a place to be seen, but a strange unexplainable experience to be felt. — opening narration

On this date sixty two years ago, The Twilight Zone’s “Elegy” aired for this first time. It was the twentieth episode of the first season and was written by Charles Beaumont who you might recognize as the screenwriter of 7 Faces of Dr. Lao. Beaumont would die at just thirty-eight of unknown causes that were assumed to be neurological in nature. 

The cast for this SF Twilight Zone episode was Cecil Kellaway as Jeremy Wickwire, Jeff Morrow as Kurt Meyers, Kevin Hagen as Captain James Webber and Don Dubbins as Peter Kirby. 

This episode was based on his short story “Elegy” published in Imagination, February 1953. It was included in Mass for Mixed Voices: The Selected Short Fiction of Charles Beaumont.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 19, 1912 Walter Gillings. UK fan of some note. He edited Scientifiction, a short lived but historic fanzine. Shortly thereafter he edited Tales of Wonder, regarded as the first UK SF zine. Clarke made his pro debut here. He’d edit a number of other genre zines later on, and ISFDB lists him as having two genre stories to his credit whereas Wiki claims he has three. (Died 1979.)
  • Born February 19, 1915 Fred Freiberger. He’s best remembered as  the producer of the third and final season of Star Trek. He was also involved in the Wild Wild West, the second season of Space: 1999 which he’s wholly responsible for and the short-lived Beyond Westworld. He was brought unto Trek after Roddenberry resigned as Showrunner. (Died 2003.)
  • Born February 19, 1937 Terry Carr. Well known and loved fan, author, editor, and writing instructor. I usually don’t list Awards both won and nominated for but his are damned impressed so I will. He was nominated five times for Hugos for Best Fanzine (1959–1961, 1967–1968), winning in 1959, was nominated three times for Best Fan Writer (1971–1973), winning in 1973, and he was Fan Guest of Honor at ConFederation in 1986. Wow.  He worked at Ace Books before going freelance where he edited an original story anthology series called Universe, and The Best Science Fiction of the Year anthologies that ran from 1972 until his early death in 1987. Back to Awards again. He was nominated for the Hugo for Best Editor thirteen times (1973–1975, 1977–1979, 1981–1987), winning twice (1985 and 1987). His win in 1985 was the first time a freelance editor had won. Wow indeed. Novelist as well. Just three novels but all are still in print today though I don’t think his collections are and none of his anthologies seem to be currently either. A final note. An original anthology of science fiction, Terry’s Universe, was published the year after his death with all proceeds went to his widow. (Died 1987.) 
  • Born February 19, 1937 Lee Harding, 83. He was among the founding members of the Melbourne Science Fiction Club along with Bertram Chandler. He won Ditmar Awards for Dancing Gerontius and Fallen Spaceman. In the Oughts, the Australian Science Fiction Foundation would give him the Chandler Award in gratitude for his life’s work. It does not appear that any of his work is available from the usual digital sources. 
  • Born February 19, 1964 Jonathan Lethem, 58. His first novel, Gun, with Occasional Music, a weird mix of SF and detective fiction, is fantastic in more ways that I can detail here. I confess that I lost track of him after that novel so I’d be interested in hearing what y’all think of his later genre work particularly his latest, The Arrest. His only major Award win was a World Fantasy Award for The Wall of the Sky, the Wall of the Eye collection. 
  • Born February 19, 1966 Claude Lalumière, 56. I met him once here in Portland. Author, book reviewer and has edited numerous anthologies. Amazing writer of short dark fantasy stories collected in three volumes so far, Objects of WorshipThe Door to Lost Pages and Nocturnes and Other Nocturnes. Tachyon published his latest anthology, Super Stories of Heroes & Villains
  • Born February 19, 1968 Benicio del Toro, 54. Originally cast as Khan in that Trek film but unable to perform the role as he was committed to another film. (And yes, I think he would’ve made a better Khan.)  He’s been The Collector in the Marvel film franchise, Lawrence Talbot in the 2010 remake of The Wolfman, and codebreaker DJ in Star Wars: The Last Jedi.  Let’s not forget that he was in Big Top Pee-wee as Duke, the Dog-Faced Boy followed by being in Terry Gilliam’s Fear and Loathing in Las Vegas as Dr. Gonzo which damn well should count as genre even if it isn’t. 

(10) COMICS SECTION.

  • The Far Side sympathizes with a famous writer.
  • xkcd explains the tractor beam – in its own idiocyncratic way.

(11) QUEEN TO QUEEN SEVEN. Paul Weimer returns to A Green Man Review with an assessment of “Greta Kelly’s The Seventh Queen

When last we left Askia, things had gone so very wrong for her. Her efforts to protect her people, her lost kingdom had been completely dashed, and she has been captured. Now, at the heart of the power of her enemy, and nearly completely denuded of her powers, Askia has to find new ways and techniques to resist and oppose Radovan, and not incidentally, save her own life. For it is certain that, like his previous captives and victims, Radovan will, within a month, kill her, and take and distribute her power as he did his previous Empresses.

The Seventh Queen continues the story from Kelly’s debut novel The Frozen Queen.

(12) EATING THE FANTASTIC. Scott Edelman invites listeners to brunch with Natalie Luhrs in episode 165 of the Eating the Fantastic podcast.

My guest for brunch at the Unconventional Diner — about which Washington Post food critic Tom Sietsema wrote — when he placed the restaurant at #4 on his Fall dining guide last year — “No restaurant fed me more often, or better, throughout the pandemic than French chef David Deshaies’s whimsical tribute to American comfort food.” — was two-time Hugo Award finalist Natalie Luhrs.

She’s the former science fiction and fantasy reviewer for Romantic Times Book Reviews and was briefly an acquisitions editor for Masque Books, the digital imprint of Prime. Though she dabbles in writing speculative fiction and poetry, she is mostly known for her non-fiction — which earned her those nominations — and can be found at her personal blog, Pretty Terrible, the intersectional geek blog, The Bias, which she co-founded with previous guest of this podcast Annalee Flower Horne, and of course, on Twitter, as @eilatanReads.

We discussed why I had a more optimistic outlook on her chances of winning last year than she did, the emotions which inspired her most recently nominated work and the doxxing that resulted from her offering up that opinion, her love for Dune even as she recognizes the classic novel’s problematic parts, what she once said about the Lord Peter Wimsey continuations which caused a backlash, the ways romance and science fiction conventions differ, where she chooses to expend her spoons when controversies arise, the importance of making our shared fannish community a welcoming space for all, recent science fiction novels which blew her mind, and much more.

Natalie Luhrs

(13) A YEAR OF ROVING. NASA interviewed Mars 2020 team members on the occasion of Perseverance’s Landiversary.

It’s been one busy year for NASA’s Perseverance Mars rover! Join us in the Mars Yard at the Jet Propulsion Laboratory as we celebrate the one-year anniversary of the robotic explorer’s historic Mars landing. We’ll be chatting with members of the Mars 2020 team who helped make the moment happen, and they’ll tell us what’s next for the rover.

(14) NUMBER NINE, NUMBER NINE. BBC Culture’s Nicholas Barber is not ready to concede to Plan 9 From Outer Space: “Is this the worst film ever made?”

…Among cinephiles who enjoyed bad films as much as good ones, Plan 9 from Outer Space became known as the one movie you had to watch, and watch again, and tell your friends (or enemies) to watch, too. Xavier Mendik, co-editor of The Cult Film Reader, says that it “remains a key template for judging cult film status”. Its fans wrote unofficial sequels and mounted stage adaptations. Jerry and his buddies aim to watch it in an episode of Seinfeld from 1991. And in 1994, Tim Burton’s biopic of Ed Wood climaxes with the making of the film. “This is the one,” beams Wood (Johnny Depp) at its premiere. “This is the one they’ll remember me for”.

… And here’s the third key to its strange charm: it isn’t actually a failure in every respect. Don’t get me wrong. Plan 9 from Outer Space is a terrible film. A dreadful film. An atrocious film. But it does have some elements that are halfway decent, and it’s unlikely that it would have a cult following without them…

(15) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] A family of excited Star Wars fans have turned up at a new exhibition on the construction of the Millennium Falcon months before it opens.

 A life-size prop of the spaceship was built in Pembroke Dock, Pembrokeshire, in 1979 for the Empire Strikes Back, which was filmed in Elstree.

And news of a permanent exhibition there, due to open in April, pushed some fans to make the jump to hyperspace prematurely.

Mark Williams, who works for the Pembroke Dock Heritage Trust, said one family had “jumped the gun a little bit” amid a flurry of calls, emails and social media posts from fans.

[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, Jason Sanford, Chris Barkley, Scott Edelman, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Paul Weimer.]

Pixel Scroll 2/15/22 The Silver Mithril Playbook

(1) OSCAR FAN VOTING OPENS. “Oscars to recognize fan favorite film at 2022 ceremony” reports Entertainment Weekly.

…AMPAS announced Monday that beginning now through March 3, audiences can vote on Twitter for their favorite movie of 2021 using the #OscarsFanFavorite hashtag or by casting a ballot on the Oscars Fan Favorite website. The winning fan-favorite film of the year will then be announced live during the 2022 Oscars ceremony….

In addition to the fan-favorite vote, the Academy is asking audiences to use Twitter to vote for an #OscarsCheerMoment spotlighting moments that made them “erupt into cheers in theaters” while watching. Five winners selected from the pool of participants will win a package, including tickets to a full year of free movies in a theater of their choice, streaming subscriptions, and exclusive items from the Academy Museum shop.

(2) TRUNK MUSIC. And in relation to the previous announcement, CBR.com says the logrolling has begun in earnest: “Snyder Cut Fans Mobilize to Win Justice League an Oscar in the Fan-Voted Category”.

… The passionate fanbase surrounding Zack Snyder’s Justice League is back at it again, this time calling for the Academy of Motion Picture Arts and Sciences to give an Oscar to Snyder’s film.

… Following the film’s release, Justice League formed a wide and vocal fanbase, who spent years demanding Warner Bros. to allow Snyder to complete his version of the film. Some of the film’s stars joined in on the #ReleasetheSnyderCut movement, confirming that his version was already near completion and only needed visual effects work to be completed.

(3) 2022 RHYSLING AWARD CHAIR UPDATE: The Science Fiction & Fantasy Poetry Association today announced that due to unexpected medical reasons, Kimberly Nugent has had to step down from serving as the 2022 Rhysling Award Chair.

In her absence, SFPA President Bryan Thao Worra has appointed Webmaster F.J. Bergmann and Secretary Brian Garrison to finish out the Chair duties this year.

(4) BATTLING AMAZON KDP. Oghenechovwe Donald Ekpeki has written a long catch-up post for Facebook readers, published yesterday, which covers many topics, including news that Amazon Kindle Direct Publishing restored his royalties, and that The Year’s Best African Speculative Fiction (2021) anthology has consequently been turned into a free download. Here is a brief excerpt:

…Amazon KDP did eventually pay my complete royalties, about $1500 which I got using Suyi Davies Okungbowa’s US account. Jason Sanford helped send the Gofundme money & I finished paying all the authors with it & donated all the Amazon royalties to the African Speculative Fiction Society as I promised. The money is being used to help set up a fund that will help African writers navigate institutional barriers to entry & participating in international SFF activities like the ones Amazon & other bodies have thrown up.

I withdrew the book from Amazon completely cuz the evil they’ve done is enough. & I just can’t trust em as a platform anymore.

…I have made the anthology, which is the first ever Year’s Best African Speculative Fiction anthology entirely free in all formats as I promised.

You can download the file at Jembefola: The Year’s Best African Speculative Fiction (2021) by Oghenechovwe Donald Ekpeki

(5) ERIC FLINT MEDICAL UPDATE. Eric Flint told his Facebook followers yesterday that he’s in the midst of a long hospital stay for a staph infection.

It’s been a while since I’ve posted anything and the reason is simple: I’ve been in the hospital for the past three weeks, sicker than the proverbial dog. I came down with a staph infection that caused me to collapse getting out of bed — and then I couldn’t get up, I was so weak. (Trust me, this is a a really scary experience.)

I’d always known staph infections could be rough, but I had no idea just how bad they could be. Happily, I’m over the worst of it and my recovery is coining along well. I’ll probably be released from the hospital in ten days, although I’ll still have to do home rehab for a while longer.

(6) BUTLER Q&A REVISITED. “Octavia Butler imagines a world without racism” on NPR’s Book of the Day podcast.

During Black History month, Book of the Day is bringing you some interviews from the archives, including this one with author Octavia Butler. Butler wrote many sci-fi classics, like the Parable series and Kindred, so she’s accustomed to imagining different worlds. NPR’s Scott Simon asked her back in 2001 to imagine a world without racism. Butler believed that in racism’s place we would have to have absolute empathy. But she told Simon that this would most certainly present its own challenges – and we would probably just find something else to fight about.

(7) BLACK HISTORY MONTH CONTINUES. The Horror Writers Association blog continues its “Black Heritage HWA interview series” –

What inspired you to start writing?

I’ve always been a writer. One of my earliest memories is folding white paper in half, drawing stick figures and captions, and titling the book “Baby Bobby.” On the back, I wrote “Baby Bobby is a book about a baby. The author is Tananarive Due.” I spelled a bunch of the words wrong, but BOOM. I came into this world understanding that I was a writer.

Do you make a conscious effort to include African diaspora characters and themes in your writing and if so, what do you want to portray?

I do. I have several projects with my agent and every one of them has an African American protagonist. Each character has obstacles to overcome, which they do despite the deck being stacked against them. All of these are based on real life people. My intent is to put forth to the African American Community, especially the younger generation, that it is possible to overcome obstacles and not to be deterred from their final objective, goals, and dreams in life.

What has writing horror taught you about the world and yourself?

You know, I didn’t tend to think of a lot of it has horror going in, but certainly see how the label fits. I believe that we get through things, not over them. Sometimes the way through involves terror and tribulation—also that hope can be a twisted thing and at times you find flecks of it in the most unexpected places.

What inspired you to start writing?

Hands down, it was my father, Chris Acemandese Hall. He was a songwriter, artist, activist and author. As a songwriter, he penned the jazz classics, “So What” and “Bitches Brew” sung by vocalese great, Eddie Jefferson. As an artist, you may have seen his works from Let’s Celebrate Kwanza, Melanin and Me, the Lost Books of the Bible and Budweiser’s Great Kings of Africa promo where he did the Hannibal poster, the Ethiopian who led a Carthaginian army and a team of elephants against Rome in the Second Punic War. As an author, he was responsible for creating Little Zeng, a character I’m now developing in my new horror novel. Little Zeng was the first published African Griot superhero. He was published three years before Black Panther who Marvel introduced in July, 1966.

Dad also co-founded an activist group called AJASS (African Jazz Art Society & Studio), along with Elombe Brath and others. Among starting the Black is Beautiful ideology with the Black Arts Movement, featuring the Grandassa Models, AJASS’s influence in the African-American diaspora not only affected civil rights leaders, as well as poets, musicians, photographers, models, artists and singers, it influenced every cell in my body.

What is one piece of advice you would give horror authors today?

Bring your personal brand of weirdness to the page. I want to meet your demons. I want to be made to feel uncomfortable about how much you love vampires and werewolves. I want to see the monsters that frightened your great grandparents and the cultural superstitions that haven’t been white washed by American society. Tell me about the thing that scared you the most when you were a kid and why it still haunts you to this day. Write about race and sex and class and trauma and politics and religion and don’t pull any punches. I want to laugh, cry and clutch my pearls while you’re trying to scare me.

(8) HWA ON MAUS. The Horror Writer Association’s Officers and Board of Trustees issued a statement on a Tennessee school district’s decision about Maus.

The Horror Writers Association condemns banning books in no uncertain terms. We believe authors need to be able to tell their stories without fear of reprisal.
 
The banning of “Maus” in a Tennessee school district, which was done on the eve of International Holocaust Remembrance Day, is nothing less than censorship and anti-Semitism.
 
“Maus” is not the first text to be excluded from school libraries. Recently, LGBTQ+ texts have been banned in a Washington state school district, and many other books by authors of color have been censored in districts across America. These are chilling examples of censorship, racism, anti-Semitism, and white washing. We all need to be more vocal each and every time this happens.

These actions set a dangerous precedent in a free society. They cannot and should not be tolerated. The HWA condemns all attempts at censorship, particularly these obvious attempts of the establishment to silence marginalized voices. We urge you to speak out in your local communities against such autocratic tactics that not only threaten our creative community but also make our world less safe.

(9) CALL ME UNRELIABLE. A guest feature by S. A. Barnes – “The Curse of Being an Unreliable Narrator” at Sarah Gailey’s Stone Soup.

I remember clearly the first time someone else referred to Claire Kovalik, the main character in Dead Silence, as an unreliable narrator. My emotional response took me aback—first, surprise and then a sudden surge of defensiveness.

She’s doing the best she can, I wanted to say. I mean, come on, she’s locked up in what amounts to a mental institution at the start of the story, after a head injury and a traumatic incident that she doesn’t quite remember involving her crew and a mysterious ghost ship. What do you want from her???

The funny thing is, the statement wasn’t meant as a critique, not at all. It was simply a fact—Claire Kovalik is an unreliable narrator. Of course she is. She must be, for all the reasons listed above and more. And I’d done those things very intentionally, so why the strange and powerful reaction?

It took me a bit to step back from that moment and deconstruct what was going on in my mind….

(10) SF AUTHORS ANTICIPATE GENE EDITING. Fanac.org has posted video of the Tropicon 6 (1987) panel “Future Evolution” with Joe Green, Jack Haldeman II, Vincent Miranda and Tom Maddox.

Tropicon 6 was a small local convention, held in Ft. Lauderdale, Florida in 1987. This panel discussion about gene editing and the Future of Future Evolution is worth watching for several reasons. Thanks to author Joe Green, the panel focuses in very quickly on gene editing, and the issues it brings to confront humanity, both technically and ethically. The insightful comments by the panelists, and the issues and choices discussed are still very much with us, despite the panel having been recorded in 1987. One warning – there is loud background air conditioning noise for the first 15 minutes or so, but the sound is perfect for the remainder of the recording. The recording also provides a view into the dynamics of small, local conventions, where the writers are part of the community, know each other, and are not adverse to arguing with the audience. Everyone knows everyone, and no one is shy about asking questions. This panel was held at 10PM on Friday night, and there is silliness in the beginning. Some of the audience questions have been cut due to sound issues. Joe Siclari, now Chairman of the Fan History project, introduces the panel and the panel ending is signalled by me, Edie Stern, now FANAC.org webmaster.

(11) EASTERCON MEMBERSHIPS. Reclamation 2022 is this year’s Eastercon, the annual British national science fiction convention, being held April 15-18 at Radisson London Heathrow.

Membership is £70 until the end of February, after which it will £80. (And it will cost more on the door). Book here.

(12) HORROR WORKSHOPS. HWA’s Horror University Online is offering a series of workshops. Registration is $65 for non-HWA-members, $55 for HWA members, and four- and ten-course bundles are available. Here are the next few —

Jason Henderson, host of the Castle of Horror Podcast, publisher at Castle Bridge Media and best-selling writer of Night of the Book Man and the Alex Van Helsing and Young Captain Nemo series gives you a two-hour course in getting from idea to launchable manuscript in six weeks, covering: Choosing your sub-genre; Making Your Familiar Monsters Different; Outlining your novel; Forcing Yourself to Draft; Editing; and The Basics of Publishing- Traditional and Non-Traditional.

  • March 7: A Writer Prepares: Techniques for Character Development for Fiction Writing with John Palisano.

How does one develop compelling characters? What happens when you hit a wall in a scene and you’re not sure what to do or where to go? What if you just can’t hear the character’s voice? How do you create several characters within a story that all seem to be distinct and memorable?

In my class A Writer Prepares: Character development for fiction writing attendees will gain several useful tools as well as handouts they can use into the future for developing characters for their stories.

Using experience I gained while in Acting and Drama school, as well as real world experience in putting on plays, working on big Hollywood feature films with A-level talent, as well as in multi-award winning fiction of my own, this class A Writer Prepares: Character development for fiction writing is a riff on the famous Konstantin Stanislavsky book and method … but taken into the here and now! Get ready to have some fun!

What makes an agent, editor, or publisher interested in a pitch and how do you prepare to give one? What are the things a pitch should cover and how can you avoid basic mistakes in the process? This workshop is all about the pitches (two verbal, two written) you will need as a writer and the different times when you will use them. This workshop will include hands-on verbal and written pitching of stories with immediate feedback in a safe environment.

(13) FORBES OBIT. Author Lani Forbes died February 3 at the age of 35 reports Rediscovered Books, which invites fans to join them for Lani’s Book Birthday and a Celebration of Life and Literature on February 17. Full details and registration here.

 Young adult author Lani Forbes, whose critically acclaimed Age of the Seventh Sun series won multiple Realm Awards, died on February 3, 2022, in Boise, Idaho, after a nine-month battle with neuroendocrine cancer. She was 35….  

Lani Forbes was the daughter of a librarian and a surfer, which explained her passionate love of the ocean and books. Forbes was born May 6, 1987, in Huntington Beach, California. She grew up in California, and attended high school at Huntington Beach High School. In 2009, Forbes received her Bachelor’s Degree in Psychology from Hope International University. She then received her teaching credentials from Cal State University. After 10 years of teaching, Forbes went on to become a trauma counselor, serving women who had been abused by their spouses through addiction.

Her young adult book series, the Age of the Seventh Sun, premiered in 2020 with the release of The Seventh Sun, followed by The Jade Bones in 2021 and The Obsidian Butterfly in 2022. The Seventh Sun was a finalist for the Realm Awards Book of the Year and won Best Debut, Best Young Adult, and Best Epic Fantasy. Forbes’s passion was showing readers the transformative and encouraging power of story on the human experience….

(14) MEDIA BIRTHDAY.

1988 [Item by Cat Eldridge] Thirty-four years ago, the Red Dwarf series first aired on BBC Two. It was created by Doug Grant and Rob Naylor who based it off their Dave Hollins: Space Cadet that aired in the BBC Radio 4 series Son of Cliché show also produced by them.

As of two years ago, seventy-four  episodes of the series have aired, including one special, concluding the twelfth series. The cost has had myriad changes with only Chris Barrie as Rimmer, Craig Charles as Lister, Danny John-Julesas as Cat and Robert Llewellyn as Kryten being there for the entire series. 

Because Grant and Naylor not only directed the series but wrote the material and frequently changed everything as the series went along, critics came to be sharply divided on the series. The changes often caused them to loathe Grant and Naylor. Or love them. No middle ground at all. Grant and Naylor didn’t care one fuck. That’s a direct quote. 

BBC gave them two hundred fifty thousand pounds per episode, about three hundred thirty thousand dollars currently. Not a big budget but enough. It’s now broadcasting on Dave which is a British free-to-air television channel owned by UKTV, a joint venture of the BBC and Thames TV.

(15) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 15, 1883 Sax Rohmer. Though doubtless best remembered for his series of novels featuring the arch-fiend Fu Manchu, I’ll also single out The Romance of Sorcery, as he based his mystery-solving magician character Bazarada on Houdini who he was friends with. The Fourth Doctor story, “The Talons of Weng-Chiang” had a lead villain who looked a lot like most depictions of Fu Manchu. (Died 1959.)
  • Born February 15, 1907 Cesar Romero. Joker in the classic Sixties Batman TV series and film. I think that Lost Continent as Major Joe Nolan was his first SF film, with Around the World in 80 Days as Abdullah’s henchman being his other one. He had assorted genre series appearances on series such as The Man from U.N.C.L.E., Get SmartFantasy Island and Buck Rogers in the 25th Century. (Died 1994.)
  • Born February 15, 1939 Jo Clayton. Best remembered for the Diadem universe saga which I’m reasonably sure spanned twenty novels before it wrapped up. Damned good reading there. Actually all of her fiction in my opinion is well worth reading. Her only award is the Phoenix Award given annually to a Lifetime achievement award for a science fiction professional who has done a great deal for Southern Fandom. (Died 1998.)
  • Born February 15, 1945 Douglas  Hofstadter, 77. Author of Gödel, Escher, Bach: An Eternal Golden Braid. Though it’s not genre, ISFDB notes he wrote “The Tale of Happiton “, a short story included in the Rudy Rucker-edited Mathenauts: Tales of Mathematical Wonder
  • Born February 15, 1945 Jack Dann, 77. Dreaming Down-Under which he co-edited with Janeen Webb is an amazing anthology of Australian genre fiction. It won a Ditmar Award and was the first Australian fiction book ever to win the World Fantasy Award. If you’ve not read it, go do so. As for his novels, I’m fond of High Steel written with Jack C. Haldeman II, and The Man Who Melted. He’s not that well-stocked digitally speaking though Dreaming Down-Under is available at the usual suspects.
  • Born February 15, 1948 Art Spiegelman, 74. Author and illustrator of Maus which if you’ve not read, you really should. He also wrote MetaMaus which goes into great detail how he created that work. (Discussed here at Green Man Review.) And yes, I know he had a long and interesting career in underground comics but I’ll be damned if I can find any that are either genre or genre adjacent. I know if I’m wrong that you’ll correct me. 
  • Born February 15, 1958 Cat Eldridge, 64. He’s the publisher of Green Man Review. He’s retconned into Jane Yolen’s The One-Armed Queen as an enthomusicologist in exchange for finding her a rare volume of fairy tales.
  • Born February 15, 1971 Renee O’Connor, 51. Gabrielle on Hercules: The Legendary Journeys and Xena: Warrior Princess. I’m reasonably sure that I watched every damn episode of both series when they aired originally. Quite fun stuff. Her first genre role was first as a waitress in Tales from the Crypt and she’s had some genre film work such as Monster Ark and Alien Apocalypse. She’s also played Lady Macbeth in the Shakespeare by the Sea’s production of Macbeth

(16) FROM DEEP POCKETS TO DEEP SPACE. [Item by Martin Morse Wooster.] In the Washington Post, Christian Davenport interviews billionaire Jared Isaacman, who went into space last year on the first private spaceflight.  Isaacman says he is launching another four-person private spacelight later this year, and the Polaris Dawn mission will have the first private astronaut performing a spacewalk. “Jared Isaacman to fund 3 SpaceX flights, including first crewed launch of Starship”.

…In addition to the first commercial spacewalk, Isaacman said the first Polaris mission would endeavor “to go farther than anyone’s gone since we last walked on the moon — in the highest Earth orbit that anyone’s ever flown.” The record was set in 1966 by the Gemini 11 crew, which flew to 853 miles, the highest altitude for any non-lunar crewed mission, according to NASA.

The flight, which would take off from the Kennedy Space Center in Florida, would require a license from the Federal Aviation Administration. But the FAA considers only the safety of people and property on the ground in granting such approval and not the risks their activities in space might pose to the crew.

The crew would also test SpaceX’s Starlink laser-based satellite communications technology in space. While Starlink satellites now beam Internet signals to rural areas on Earth, SpaceX is hoping to use the system for human spaceflight missions to the moon and Mars. 

(17) ENTERPRISE: SKELETON WAR. [Item by Ben Bird Person.] Fan artist Marieke (@Spacelizart) did this piece based on Star Trek: Enterprise (2001-2005) and the 2013 meme Skeleton War:

(18) HASBRO MAKES THE RUN TO MARKET IN 13 PARSECS. That Hashtag Show turns thumbs down on this action figure: “Hasbro Fails Miserably With Star Wars Black Series Krrsantan”.

Well folks, The Book of Boba Fett Season 1 is in the books. One of its unquestionable highlights was Black Krrsantan leaping from the comic book page to live-action. Carey Jones perfectly brought the gladiator-turned-bounty-hunter to life, ably joining the late Peter Mayhew and Joonas Suotamo as Star Wars Wookiee mainstays. Hasbro, of course, is now looking to seize on Krrsantan’s popularity. The toy maker just announced a Black Series figure for the character, and frankly, it couldn’t be a bigger fail.

… Sorry, Hasbro, but the “new” Black Series Krrsantan is, in a word, awful. As many across social media have pointed out, the figure is nothing more than a repainted retread of an old Chewbacca figure from almost a decade ago. The only difference is the head sculpt. That, at least, features the Wookiee’s braids and scars. Unfortunately, the differences pretty much end there. Even the bowcaster weapon is the same. You can’t look at the Black Series figure and not think “black Chewbacca.” Plus, the monochrome accessories (while true to the comics) just look, well, cheap….

(19) GAME TO MOVIE. “’BioShock’ Movie in the Works at Netflix” says The Hollywood Reporter.

…The streaming giant [Netflix] has partnered with Take-Two Interactive, the game’s parent company, to develop a potential cinematic universe. Vertigo Entertainment and Take-Two will serve as producers.

No writer or filmmaker is on board at this time. The partnership deal has been in the works for almost a year.

Released in 2007 from 2K Games, a subsidiary of Take-Two, the first-person shooter game featured a crumbling underwater city named Rapture, its society fragmented in a civil war with many inhabitants addicted or using a genetically enhancing serum that gives people powers while also living in fear of Big Daddies, mutated humans who have been merged with diving suits. Into this world is dropped the game’s protagonist, Jack, a survivor of a mysterious plane crash in the Atlantic Ocean….

(20) FOR THOSE OF YOU KEEPING SCORE AT HOME. The New York Times has an update: “China, Not SpaceX, May Be Source of Rocket Part Crashing Into Moon”.

The developer of astronomy software who said that Elon Musk’s company would cause a new crater on the moon says that he “had really gotten it wrong.”

…Part of a rocket is expected to crash into the far side of the moon on March 4. Initially thought to be a SpaceX rocket stage, the object may actually be part of a Long March 3C rocket that launched in 2014….

(21) SITH OF ONE, HALF A DOZEN OF THE OTHER. Lucasfilm Games dropped this trailer today: “Star Wars: The Old Republic’s Legacy of the Sith”.

Legacy of the Sith will send players to the darkest depths and farthest reaches of the galaxy and unlock the ability to choose your personal combat style.

(22) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers: Ghostbusters: Afterlife,” the Screen Junkies say that the newest Ghostbusters movie “invites you to remember how great the original was and — that’s it. That’s the whole movie.”  The film “gives the loudest people what they want…Easter eggs the size of Denver omelets.”

[Thanks to John King Tarpinian, Andrew Porter, Michael Toman, Ed Fortune, Rob Thornton, Chris Barkley, Ben Bird Person, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]