Pixel Scroll 12/15/22 Pixel’s Turn To Scroll

(1) LOCUS REACHES CROWDFUNDING TARGET. The Locus Magazine Indiegogo appeal hit the target today. When I checked in they had exceeded their $75,000 goal and were at $78,571. Although today was the announced deadline, Locus has extended the appeal to the end of the year.

…But, wait, it’s not over yet! On advice from those that know, we are going to extend our campaign to the end of the year: if we hit $85k that will cover all of the expenses of the fundraiser and we will get the whole $75k. FTW!

Also, we really want to reach our Special Short Story Issue stretch goal!! At $85,000 we’ll dedicate one of our 2023 monthly issues to the art of short fiction, and already have Kelly Link, Usman T. Malik, and Ted Chiang lined up for a roundtable feature. 

Oh, and (Jan-Erik Zandersson might want to cover his eyes here) Locus hitting its goal means John Scalzi is going to do a Christmas story.

(2) TRUMP’S BIG ANNOUNCEMENT. Former President Trump’s hyped “big announcement” would probably not be covered in today’s Scroll except that it proved to be the introduction of his “’official Donald Trump Digital Trading Card’ collection with a picture of himself in superhero costume, cape and ‘Trump Champion’ belt.” “’Losing the plot’: Trump mocked after announcing superhero card collection” at Yahoo!

… But when the announcement came on Thursday, Trump said he was merely offering supporters “limited edition cards featur[ing] amazing ART of my Life & Career”, which he promised would prove “very much like a baseball card but hopefully much more exciting”.

“GET YOUR CARDS NOW!” the 76-year-old former president commanded, above the picture of himself standing in a ring for boxing or wrestling, muscles rippling under a red leotard and wearing high blue boots emblazoned with “45” (his presidential number) and an American flag as a cape.

The cards, the declared candidate for the Republican nomination in 2024 said, cost “Only $99 each” and “would make a great Christmas gift”….

And how did the base react? We take you now to Jon Del Arroz’ reaction video titled “Trump HUMILIATES Himself With His New CRINGE Announcement. Make It STOP!”

“This is ridiculous. This reeks of an nft scam where you’re just like collecting these things that are not actually collectible. They’re digital pictures just like this one. Just take a screenshot friends and you’ll have it yourself. Let’s go to the website and check it out. All right. Collecttrumpcards.com here we go. [laughs] And it’s loading slow, too, how exciting. How exciting. Gosh this is so sad. I mean to me like a president doing this, somebody who is a 2024 Contender or kind of was. Uh, the site’s not even loading. Womp womp uh it is actually embarrassing. Like he he should not be stooping to this kind of thing, especially as like a big businessman or whatever. Like I mean you’d think that he’d have a better sort of business plan going forward to where he’s making real money. I mean this is like selling stupid trinkets that aren’t even actual trinkets, you don’t even get anything out of it, and it’s just kind of sad to watch. I think this is really the downfall of Trump when you’re doing a big announcement in all this and this is what you come out with….”

It’s my blog so I don’t have to run an image of Trump’s superhero card to illustrate this item. I think that’s a right guaranteed to me by the Constitution. Or the LA County sanitation code. Somewhere.

(3) MARLEY WAS DEAD. Open Culture invites you to “Hear Neil Gaiman Read A Christmas Carol Just Like Charles Dickens Read It”. (It’s an updated 2014 post.) The recording is here.

In Christmases past, we featured Charles Dickens’ hand-edited copy of his beloved 1843 novella A Christmas Carol. He did that hand editing for the purposes of giving public readings, a practice that, in his time, “was considered a desecration of one’s art and a lowering of one’s dignity.” That time, however, has gone, and many of the most prestigious writers alive today take the reading aloud of their own work to the level of art, or at least high entertainment, that Dickens must have suspected one could. Some writers even do a bang-up job of reading other writers’ work: modern master storyteller Neil Gaiman gave us a dose of that when we featured his recitation of Lewis Carroll’s “Jabberwocky” from memory. Today, however, comes the full meal: Gaiman’s telling of A Christmas Carol straight from that very Dickens-edited reading copy….

(4) HORROR HOSTESS. Via the Horror Writers Association blog, “Nuts and Bolts: Interview with Aurora Gorealis”. There’s a substantial excerpt at the link, however, only HWA members have access to the full article.

In the tradition of such sinister seductresses as Vampira and Elvira, Aurora Gorealis is a Baltimore-based horror host who weaves dark magic from a combination of campy movies, sassy attitude, and the occasional pun of dubious quality.

Since 2017, Aurora (aka: Melissa LaMartina) has been playing the character during “Shocktail Hour” at the Golden West Café in Baltimore, combining live comedy and screenings of off-the-wall classics such as “Phantom of the Paradise” and “House on Haunted Hill” (complete with William Castle-style gimmicks)….

(5) STONE THE PHONE. “‘Luddite’ Teens Don’t Want Your Likes” reports the New York Times.

…“Lots of us have read this book called ‘Into the Wild,’” said Lola Shub, a senior at Essex Street Academy, referring to Jon Krakauer’s 1996 nonfiction book about the nomad Chris McCandless, who died while trying to live off the land in the Alaskan wilderness. “We’ve all got this theory that we’re not just meant to be confined to buildings and work. And that guy was experiencing life. Real life. Social media and phones are not real life.”

“When I got my flip phone, things instantly changed,” Lola continued. “I started using my brain. It made me observe myself as a person. I’ve been trying to write a book, too. It’s like 12 pages now.”

Briefly, the club members discussed how the spreading of their Luddite gospel was going. Founded last year by another Murrow High School student, Logan Lane, the club is named after Ned Ludd, the folkloric 18th-century English textile worker who supposedly smashed up a mechanized loom, inspiring others to take up his name and riot against industrialization….

… “But that wasn’t enough,” she said. “So I put my phone in a box.”

For the first time, she experienced life in the city as a teenager without an iPhone. She borrowed novels from the library and read them alone in the park. She started admiring graffiti when she rode the subway, then fell in with some teens who taught her how to spray-paint in a freight train yard in Queens. And she began waking up without an alarm clock at 7 a.m., no longer falling asleep to the glow of her phone at midnight. Once, as she later wrote in a text titled the “Luddite Manifesto,” she fantasized about tossing her iPhone into the Gowanus Canal.

While Logan’s parents appreciated her metamorphosis, particularly that she was regularly coming home for dinner to recount her wanderings, they grew distressed that they couldn’t check in on their daughter on a Friday night. And after she conveniently lost the smartphone they had asked her to take to Paris for a summer abroad program, they were distraught. Eventually, they insisted that she at least start carrying a flip phone….

(6) THERE’S A LOT AT THE END OF GRAVITY’S RAINBOW. “Thomas Pynchon, Famously Private, Sells His Archive” – and the Huntington Library is its new home reports the New York Times.

For years, archival traces of the novelist Thomas Pynchon have been almost as rare as sightings of the man himself.

Only a handful of confirmed photos of him are known to exist. While letters by him sporadically pop up for sale, those that have surfaced in publicly accessible archives have tended to disappear from view just as quickly, following protests from the famously private author.

But now, the Huntington Library, Art Museum and Botanical Gardens in San Marino, Calif., has acquired Pynchon’s literary archive, promising to open a window into the mind and methods of an author whose dense, erudite, playfully postmodern and often extremely long novels like “Gravity’s Rainbow” (760 pages) and “Against the Day” (1,085) have inspired serious scholarship, cultish devotion and wild-eyed conspiracy theories.

The archive includes 48 boxes — 70 linear feet, in archivist-speak — of material dating from the late 1950s to the 2020s. There are typescripts and drafts of all his published books, from “V.” (1963) to “Bleeding Edge” (2013). And there are copious research notes on the many, many subjects (World War II rocketry, postal history, 18th-century surveying) touched on in his encyclopedic novels.

But for all its richness, those hoping for a more intimate view of the man who twice made a cheeky cameo on “The Simpsons” with a paper bag over his head may be out of luck.

The archive includes correspondence relating to the publishing process, the library said, but no private letters or other personal material. And no, there are no photographs of Pynchon either…..

(7) DEFENDING SANDMAN. [Item by SF Concatenation’s Jonathan Cowie.] Last night BBC Radio 4 Front Row arts programme had Neil Gaiman. Neil, apparently, has been getting a fair bit of criticism saying that Sandman is too woke what with non-binary characters and all.  Neil thinks this strange as 30 years ago when Sandman first came out there was no problem.  OK, so woke did not exist then, but Neil points out that nobody back then complained that Sandman was too PC.. “Neil Gaiman, China’s art censorship in Europe, Decline of the working class in the creative industries”.

(8) MEMORY LANE.

1995 [By Cat Eldridge.] Winnie statues in the London Zoo

Yes, we already had a look at the Winnie the Pooh statue in White River, Ontario, but neither one of those statues is of him. Rather the examples today are of the bear that inspired A.A. Milne to create that marvelous bear.

The first, not at all surprisingly, stands close to the War Memorial.

This bronze statue, which is called the Winnie the bear and Lt. Colebourn Statue, was sculpted by Canadian artist William (Bill) Epp, and donated to London Zoo by the Canadian province of Manitoba. A copy of an identical statue in the Assiniboine Park Zoo, Winnipeg.

The plaque reads:

Winnie and Lt. Colebourn
by Bill Epp
presented by the people
of Manitoba
unveiled July 1995

But it’s not the only sculpture of Winnie you’ll find here in the London Zoo! There is another bronze of Winnie, shown as a young cub, by sculptor Lorne McKean. It was unveiled by Christopher Robin Milne in 1981. It is located near Animal Adventure right by the Blackburn Entrance.

McKean likes swans since two of her commissions have been them, Girl and A Swan and simply Swans. She also did a stellar Fox fountain with a bronze fox on a rock with water in Old Fox Yard, Stowmarket.  

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born December 15, 1923 Freeman Dyson. Physicist best known in genre circles for the concept he theorized of a Dyson Sphere which would be built by a sufficiently technologically advanced species around a sun to harvest all solar energy. He credited Olaf Stapledon in Star Maker (1937), in which he described “every solar system… surrounded by a gauze of light traps, which focused the escaping solar energy for intelligent use,” with first coming up with the concept. (Died 2020.)
  • Born December 15, 1937 John Sladek. Weird and ambitious would be ways to describe his work. The Complete Roderick Is quite amazing, as is Tik-Tok, which won a BSFA, and Bugs is as well. He did amazing amounts of short fiction, much of which is collected finally in the ironically named Maps: The Uncollected John Sladek. He is generously stocked at the usual suspects. (Died 2000.)
  • Born December 15, 1949 Don Johnson, 73. Though Miami Vice is where most will know him from, he has impressive genre creds including the lead in the Ellison-derived A Boy and Dog, voicing Wazir’s Son in Aladdin and the Wonderful Lamp, Office Andy Brady in the Revenge of the Stepford Wives film and another Sheriff, Earl McGraw, in the From Dusk till Dawn: The Series.
  • Born December 15, 1951 David Bischoff. His “Tin Woodman” which was written with Dennis Bailey and nominated for a Nebula would be adapted into a Next Generation story. He also wrote the Next Gen story “First Contact” (with Dennis Russell Bailey, Joe Menosky, Ronald D. Moore and Michael Piller.) And he continued the Bill the Galactic Hero story with Harry Harrison.  He’s also written a kickass excellent Farscape novel, Ship of Ghosts. (Died 2018.)
  • Born December 15, 1952 Marta DuBoi. Her first genre role is on the Starman series as Dr. Ellen Dukowin the “Fever” episode though you’ll likely better recognize her as Ardra on the “Devil’s Due” episode of the Next Generation. She also had roles on The Land of The LostThe Trial of the Incredible Hulk and Tales of the Golden Monkey. (Died 2018.)
  • Born December 15, 1953 Robert Charles Wilson, 69. He’s got a Hugo Award for Spin, a John W. Campbell Memorial Award for The Chronoliths, a Theodore Sturgeon Memorial Award for the “The Cartesian Theater” novelette and Prix Aurora Awards for the Blind Lake and Darwinia novels. He also garnered a Philip K. Dick Award for Mysterium. Very, very impressive indeed. 
  • Born December 15, 1963 Helen Slater, 59. Was Supergirl in the film of that name, and returned to the 2015 TV series of the same name as Supergirl’s adoptive mother. Also within the DC Universe, she voiced Talia al Ghul in in Batman: The Animated Series. Recently she also voiced Martha Kent in DC Super Hero Girls: Hero of the Year. And Lara in Smallville… And Eliza Danvers on the Supergirl series. Me? I’m not obsessed at all by the DC Universe.  Her other genre appearances include being on Supernatural, Eleventh HourToothlessDrop Dead Diva and Agent X
  • Born December 15, 1970 Michael Shanks, 52. Best known for playing Dr. Daniel Jackson in the very long-running Stargate SG-1 franchise. His first genre appearance was in the Highlander series and he’s been in a lot of genre properties including the Outer LimitsEscape from MarsAndromeda (formally titled Gene Roddenberry’s Andromeda and there’s a juicy story there), Swarmed, Mega Snake, Eureka, Sanctuary, Smallville, Supernatural and Elysium. Wow! 

(10) A “KING KONG” BIRTHDAY CAKE. [Item by Steve Vertlieb.] For my 70th birthday (December 15th, 2015), dear friends Bruce and Ann Gearhart in Baltimore surprised me with the most wonderful celebratory cake I’ve ever been given.

“The Girl In The Hairy Paw,” edited and compiled by Ronald Gottesman and Harry M. Geduld, with wonderful cover art by Dave Willardson, was published by Avon Books in 1976 and featured, as its lead chapter, my lengthy essay on the making and production of the original “King Kong.” Its release was a significant benchmark in my life and career, as it was the first time that my work had ever been published in a book.

The opening chapter of this legendary volume was adapted from my series of articles comprising the cover story for the premiere issue of “The Monster Times” in 1972. This astonishing birthday sheet cake, replicating the book’s famous “King Kong” cover, thrilled me beyond words.

Carving into this wondrous pastry was delayed by a solid half hour while we all took pictures of it. It was simply too precious to deface. Fortunately, sanity eventually prevailed and this wondrous cake was ravenously devoured. Still, I wish that it might somehow have been preserved forever…. a delectable artifact commemorating my lifelong favorite film.

After seven years, the astonishing, childlike joy of having received this unforgettable gift brings a wondrous smile to my aging lips.

(11) TURKISH CARVINGS COULD BE FIRST COMIC STRIP. “Prehistoric carvings are oldest known story sequence” behind a paywall in Nature.

An 11,000-year-old carving in Turkey is the earliest known portrayal of a narrative scene. Archaeologists have uncovered other etched images in southeastern Turkey from the Neolithic period, which in the Near East stretched roughly from 10,000 bc to 7,000 bc and
includes the transition from nomadic life to settlements. But, unlike previously identified images, the latest discovery consists of two adjacent panels with a progressing storyline….

Although the Nature article is paywalled, the source journal article with numerous photos is available: “The Sayburç reliefs: a narrative scene from the Neolithic” at Cambridge Core.

(12) SF READER LITMUS TEST. [Item by Daniel Dern.] Having pre-registered as press for the rapidly-approaching CES (I’m not going IRL/F2F, but want some of the PR email barrage), Daniel Dern just got this:

Subject: CES to Feature FoodTech Sessions, Exhibits & More – Connect w/ Cultivated Meat CEO Panelist?

Dern asks/thinks (but did not reply with) this, to a mix of fellow tech journalists and Filers: Who else first quick-read this as a, with all due respect to SF writer Terry Bisson [1] ‘made-of-cultivated-meat’ panelist rather than the more likely meaning?

[1] http://www.terrybisson.com/theyre-made-out-of-meat-2/

(13) WITH ALICE. [Item by Daniel Dern.]It zooms through the skies with the greatest of ease! “Antimatter Could Travel Through Our Galaxy With Ease, Physicists Say”Gizmodo has the story.

A team of physicists determined that enigmatic ‘antinuclei’ can travel across the universe without being absorbed by the interstellar medium. The finding suggests we may be able to identify antimatter that is produced by dark matter in deep space.

The physicists estimated the Milky Way’s so-called transparency to antihelium-3 nuclei—meaning, how permissive the galaxy’s interstellar medium is to antinuclei zipping through space.

“Our results show, for the first time on the basis of a direct absorption measurement, that antihelium-3 nuclei coming from as far as the centre of our Galaxy can reach near-Earth locations,” said ALICE physics coordinator Andrea Dainese, in a CERN release….

(14) WHY IT CRATERED. MLive takes you back to “Space World: The Michigan amusement park that never was”.

In the late 1970s, a Detroit-area aeronautical engineer who helped make NASA’S Apollo program possible dreamed up an amusement park called Space World. He hoped to build it on what was then farmland in Ypsilanti Township. He eventually broke ground on the park in nearby Huron Township, but down-to-earth troubles like high interest rates scrubbed the project.

(15) VIDEO OF THE DAY. From The Late Late Show With James Corden, “Avatar Ed: James Explains The First ‘Avatar’ To Kids”.

This group of schoolchildren is getting older, so it’s time they got… “the talk”. That is of course, the talk about what “Avatar” is and why they should care.

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Daniel Dern, Steve Vertlieb, SF Concatenation’s Jonathan Cowie, Mike Kennedy, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Barkley — So Glad You (Didn’t) Ask #69

Fandom and the Pendulum: The Astronomicon 13 Fan Guest of Honor Speech

By Chris M. Barkley:

“We do not see things as they are. We see things as we are.”  — Anais Nin 

I was resetting a cuckoo clock the other day when I became transfixed with the motion of the pendulum. Back and forth, in a hypnotic, rhythmic action.   

Looking at it, I think that it is the best visual representation of the passage of time.

In doing so, I was also reminded of several conversations I had with friends at Chicon 8 several weeks earlier.

Separately, without prompting or encouragement, each of them described how in the current state of sf fandom the pendulum had taken a strong, hard excessive turn and in a direction that they did not particularly like very much.

All of them had similar complaints and, oddly, all of them mentioned the same metaphor; that it seemed that the pendulum of change had taken a hard swing and it was in a direction that they didn’t like.

To wit, that recently, fandom seems to be a not a very inviting place unless they strictly adhered to a particular ideology.

And I concur.

Because, like the pendulum, the recent social and political shifts in sf fandom, particularly the branch I know well, literary fandom, can be observed and measured. 

Chris M. Barkley

In order to understand where we are now, we must examine the origins of sf fandom. Even today, the general public believes a very persistent myth that conventions and fandom began after the cancellation of Star Trek and the gathering of fans that started taking place in the early 1970’s. In truth, it began over forty years before then… 

In the early 1930’s, Amazing Stories and several other pulp magazines in the United States, began running letter of comment columns. The published letters included the addresses of the fans who sent them. These letter writers, who were nearly all white and male, began to correspond with each other. Local fans found each other and began to form clubs dedicated to science fiction and fantasy. A similar movement was also underway in the United Kingdom as well. By late 1936, they began to call some of these larger meetups conventions.

In the US, the New York contingent of fans decided to hold a World Science Fiction Convention (NyCon 1) in New York City, in conjunction with the futuristic theme of the World’s Fair being held in the nearby borough of Queens.

(BTW, fandom’s first significant feud began at that convention, as several well known members of First Fandom were excluded from attending, mainly because of personality conflicts but at the time, their political differences were played up. More on this later in this speech).

The progenitors of fandom began a whole host of fannish traditions; fanzines and fan writing, literary serious criticism of genre fiction, small press publishing, cos-play, filk singing, convention panels and ‘dead dog’ parties.

As the decades flew by, the marginal popularity of sf, fantasy and horror with the public came and went but remained constant in that initial group of fans, some of whom eventually became well known authors, editors, artists and convention runners. 

In the early years, the first two main genre fiction awards, the Hugo (in 1953) and the Nebula (in 1965) were established. 

Women authors and editors (Andre Norton, C.L. Moore, Cele Goldsmith, Leigh Brackett and Judith Merril) paved the way for the next generation of better known and renowned writers of the 1970’s and 1980’s, Ursula K. LeGuin, Anne McCaffrey, Vonda McIntrye, Joanna Russ and Octavia Butler among others.

I entered fandom in June 1976. I was a witness to and a participant in a lot of the pendulum swing in fandom; the slow but persistent emergence of women and the LGBTQ+ community, the calling out of sexism and harassment and the inclusion of more people of color in fandom.

In other words, the fandom of the early days is as far removed from today’s fandom as the fiction of Nathaniel Hawthorne is from N. K. Jemisin, the art of Rembrandt from Jon-Michel Basquiat, the musical Oklahoma! is to Hamilton and the swinging moves of Benny Goodman are from the grooves of Rihanna.

And I want to be quite clear about this, as an African-American citizen of the United States of America, I applaud, encourage and welcome all of these changes in fandom. Because in 2022, representation, in the face of an increasing societal turmoil and partisan division, matters even more than ever.

But, as a close observer (and an active participant) in some of these changes, I can tell you that none of this came very quickly or very easily.

As the pendulum swung, other factors and effects came into play; personal computers, cell and smartphones, social media sites and the internet became a double edged sword. Technological advances made it easier to call out toxic fans and their behavior but it also enabled bad actors to disrupt fannish activities and the lives of fans on an incredibly personal level.

Fandom is subject to the same major sources of social change, including population growth and composition, culture and technology, the natural environment, and social conflict as any other artistic movement. 

Here’s the thing; these changes, shifts and, if you will, the swings of the pendulum are not only true and observable, they are unavoidable and inevitable.

Because, as history has shown us again and again, in every movement of substance, whether it be music, art, literature, science, sports and (especially) politics undergo the change on a regular and inevitable basis.

A sizable portion of the fans attending genre conventions are female, people of color and the LGBTQ+ community. The people who are a part of the sf/f community today are more diverse, more knowledgeable, technically adroit, and, for the most part, they’re unafraid to let you know how they feel. And, as much as their right-wing adversaries would like them to go away, this newly emerging segment of fandom is not likely because they are the new majority, which was mainly brought on by the Puppies’ overt and militant actions against fandom.

And inevitably, with the advances came some pushback, in the form of harassment and trolling, by privileged individuals, who are mostly white, are either frightened by an otherness of others outside of their own experiences or their own racist upbringing and xenophobic tendencies.

In the early to mid-2010’s, this all came to head with is now known as the “Puppy Wars” (Sad/Angry/Rabid) which were expertly chronicled by Camestros Felapton in his Hugo Award nominated non-fiction work, Debarkle

The fannish backlash against this reprehensible group of egocentric bullies played out over several years; the Puppies may have disrupted the Hugo Award nomination process for a few years but they eventually lost the war when nearly all of their gamed nominees lost and the World Science Fiction Convention Constitution was sufficiently amended to stop it being successfully attempted again.

But this wasn’t to say there were no lasting effects from this conflict; while diversity has become even more celebrated (at least more so in this branch of fandom), there were several troubling, high profile incidents in the past few years:

  • Conservative provocateur Jon Del Arroz filed a lawsuit against Worldcon 76 (which was held in San Jose. California) when it banned him (rightfully so) from attending the convention due to his overtly inflammatory statements about fandom. But Del Arroz filed a lawsuit in response to the convention committee’s public announcement of that decision, which claimed he made racist statements. Worldcon 76 and Del Arroz announced in June 2021 they had settled the suit shortly before it was scheduled to go to trial. Four of the five claims had been dismissed by the judge, but the charge of defamation, of him being a “racist”, would have been the bone of contention if a trial had gone forward. The convention ceded a $4000 settlement to Del Arroz and a public apology, which can still be seen on the Worldcon 76 website. It is believed that the legal fees incurred by the convention committee were around $100,000.
  • In 2019 and 2020, sf writer Adam-Troy Castro and his late wife Judi were beset by a series of increasingly vicious cyber identity thefts that drained their bank accounts, ruined their credit rating and forced them to move out of their longtime home. Go-Fund Me campaigns saved them from being homeless but the culprits of these attacks remain unknown and at large.
  • A few months ago, white supremacist trolls somehow arranged the suspension of the Twitter accounts of authors Harry Turtledove and Patrick Tomlinson. Both accounts were eventually restored but Twitter has no explanation of how this occurred nor have they offered an explanation of how it happened or any whether they are investigating the breach.
  • Patrick Tomlinson and Hugo Award nominated Nigerian sf author and editor Oghenechovwe Donald Ekpeki received death threats as they attended Chicon 8. In the four years preceding the convention, Tomlinson and his family members were the constant and frequent targets of identity theft, trolling and death threats. 

To counter these reactionary fans, many convention committees enacted Codes of Conduct over the past decade. The trouble was that in the years since they were first introduced, some of these CoC’s were either not very well defined, not very transparent on how they were implemented or, in the worst case scenario, poorly enforced. The most recent examples include:

  • At the 2022 Nebula Award Conference in Los Angeles, newly minted Science Fiction and Fantasy Writers Association Grandmaster Mercedes Lackey, during a panel titled “Romancing Sci-Fi and Fantasy”, was alleged to have uttered a racial slur. Author of color Jen Brown, complained about the incident on Twitter and Lackey, without the benefit of an investigation or a hearing, was summarily dismissed (along with her husband Larry Dixon, who vociferously defended her on social media) from further participation in the Conference. Lackey fully apologized two days later and said she had not intentionally said anything racist, but had fumbled saying “person of color”. While friends and colleagues (such as authors of color Samuel R. Delany and Steven Barnes) rallied to her defense, Jen Brown and a legion of others continued to condemn her and boycott her works. As of this writing, SWFA has not offered a full explanation, any indication that an investigation was conducted or an apology for their actions.
  • Almost exactly a week later on Memorial Day weekend at Balticon 56, local author and conrunner Stephanie Burke found herself in a strikingly similar situation; she was accused by the Programming staff of racist statements and behavior. To compound matters, Burke was accused of never responding to an email about the incident, but it was discovered later that the email was never sent. On top of all of that, Ms. Burke suffered the embarrassment of being removed from an ongoing panel she was on and then was verbally abused by a “senior staffer” of Balticon, who was found in violation of the Code of Conduct. The very next day,Yakira Heistand, the Chair of Balticon 56, publicly apologized for Ms. Burke’s treatment but also stated that the allegations would be fully investigated. 
  • On September 1, 2022, 105 days after the alleged incident, Balticon 56 issued this statement:

Of the complaints against Ms. Burke, our Investigation Team determined there were no Code of Conduct violations. Witnesses confirmed that she was speaking of her own experiences and not making general statements about another individual or class of people. Speaking one’s own truth is not a violation of our Code of Conduct. Ms. Burke is welcome to be a program participant in the future. Again, we apologize for the manner in which the reports were communicated.

“The BSFS Investigation Team and Board of Directors have found that Senior Staffer 1 who approached Stephanie Burke prior to her panel and asked her to step away acted courteously and in accordance with our policy. Senior Staffer 2’s behavior during the discussion violated our Code of Conduct. The Board has determined that Senior Staffer 2 will be barred from volunteering for Balticon for a period of 2 years and from serving as a Department Head for an additional 2 years.”

  • In researching this speech, I have read many Codes of Conduct from other conventions. My partner was reading one and they came across a line in one upcoming convention that really stood out:

(Convention X) prioritizes marginalized people’s safety over privileged people’s comfort.”

To me, there is nothing ordinary about this statement. 

While it is all good and well to try to be welcoming to marginalized fans, Convention X’s committee would do well to focus on the safety of EVERY fan attending their convention.

The Code of Conduct should be a group’s fail safe to deal with fans and participants who commit unseemly and disruptive behavior but it must be done as fairly, equitably and transparently as possible.


These incidents I have outlined have exposed some of the more serious divisions within our fannish community. My feeling is that fandom, in my estimation, is rapidly approaching a societal impasse; it seems it cannot go towards any sort of future without reconciling with its present set of circumstances. 

I take no joy in pointing out these deficiencies in fandom. I am also saddened that there will be those in fandom who will see this speech as a personal attack on the very progressive wing of fandom.

To them I say this; no one, including myself, is above criticism. And that constructive and earnest criticism can only be helpful. 

Because together, we can change the direction and velocity of the pendulum in a more useful direction.

For the record, I will make the following confession; when stating one’s preferred pronouns or gender preference became an ongoing issue at the beginning of the last decade, I was very confused about the point of doing so. Gradually, I came to understand that it was a matter of personal acknowledgement, empowerment and respect for the trans community. And if asked, I show the same respect that is offered to me.

I also think that while I support this affirming stance, I am not in favor of anyone being forced, coerced or being required to do so in order to participate in an activity or social event.

Because when diversity is coerced in such a manner, it ceases to be that. It is perceived, rightly, as a matter of control. And when the cost of diversity is a rigid, inflexible set of standards that is almost impossible for anyone to meet, it disallows those who may have differing opinions. That’s the moment it becomes oppression and we become the sort of people we have come to loathe and fear.

Again, I refer to the pendulum of history, which has shown, time after time, that the exclusion or purging of members of the aforementioned groups I referred to earlier in this speech. 

In many of those historical instances, in order for the movement to improve and become more just, those being excluded were involved in heinous, insidious and vile beliefs. 

Robert Silverberg, who had attended an unbroken string of Worldcon appearances dating back to the early 1950’s, said that he would not attend Chicon 8 because he did not want to be subjected to any abuse because of his past statements that have been considered, even by me, as insensitive and ill advised. (You want to know what he said? Google it.)   

George R.R. Martin, the creator of Game of Thrones and a multiple winner of the Hugo and Nebula Awards, said he wasn’t attending this year’s Worldcon, either. Although he is quite busy writing the last two novels in the Westeros series and overseeing several television projects for HBO, he may have an entirely different reason for not attending. After hosting and producing a disastrously long winded and nostalgia tinged 2020 Hugo Award Ceremony, many think that he has worn out his welcome at Worldcons. 

I know both of them quite well and I, for one, would tell either one of them that they would be welcomed at any convention I was running. Why?

Because neither of them are our enemies. Our enemies are fear, hate and prejudice in the absence of understanding.

My good friend David Gerrold has repeatedly stated over the years that when you attend Worldcon, it is like an annual family gathering. Fathers and mothers, siblings, cousins, aunts and uncles and so on. And, like all families, there are rivalries, grudges, simmering resentments, educational, class and political differences as well.

But despite those differences, we all unite because of our mutual love of science fiction, fantasy, films, television shows, art, comics, manga, graphic stories and much, much more.

Any imposition of a lock-step set of ideological beliefs, no matter on which extreme of the political spectrum it comes from, are dividing fandom right now and fandom, particularly this progenitor of all the others, will eventually, and tragically, become unsustainable. 

The first mention of a “graying of fandom” came to my attention around the turn of this century. In short, the people who are currently attending, running and administering conventions and other fannish activities are getting older. 

I have observed that there are a number of younger fans attending Chicon 8, they were far outnumbered by older fans. Collectively, we need to attract a legion of younger, more diverse fans, who are not only interested in merely extending our existing traditions, but creating new ones as well.

Being one of those older fans, I can see that my time in fandom will someday be coming to an end. I have already announced (to anyone who will listen) that I will be attending conventions and other events into the near future, I will no longer be actively working on any future local conventions or Worldcons.  

I am not doing this because I am tired or unenthusiastic, I am doing so because I have other, more pressing pursuits such as remaining healthy and active, seeing to the safety and well being of my four adorable grandchildren and other family members and, of course, more writing.

I wrote this speech not just as a warning (although it can be read that way), but as a cry into the abyss that we need not act against our own best interests and be seen as the overseer of the death of fandom.

As I see it, the pendulum has already swung to an extreme position. And the direction it swings next may cleave fandom into many, many pieces that cannot be made whole again. We must not let this happen.

My final words of advice to everyone consists of the following:

As a family, we should treat each other as peers, not rivals with agendas.

And in this family, there will be arguments and disagreements. And when we have these arguments,  we’ll argue ferociously. But let’s argue with facts, logic, evidence, and most of all respect for the person you are arguing with. Argue with empathy.

Act towards others as you would act towards yourself. People who are unable to do that will become evident and will soon find themselves on the outside of our social circles, looking in.  

Let’s show kindness, even in the face of hate and adversity.

Be the change you want to see in the world.

And finally, ask not what fandom can do for you, but what you can do for fandom.

“Never seen a true statement, a wise statement, that existed in only one culture or tradition. Truth isn’t created, it is observed.”

– Steven Barnes

Pixel Scroll 6/27/22 Scroll Ain’t Nothing But Pixel Misspelled

(1) STOP STICKING IT TO AUTHORS. In “Amazon’s e-book return policy comes under criticism from authors” NPR takes up the cause of the writers whose pockets are being picked.

… Authors are protesting Amazon’s e-book return policy, a system they say allows readers to “steal” from self-published authors. Amazon’s current return policy for e-books allows customers to “cancel an accidental book order within seven days.” But, for some readers, seven days is more than enough time to finish a book and return it after reading, effectively treating Amazon like a library.

When an Amazon customer returns an e-book, royalties originally paid to the author at the time of purchase are deducted from their earnings balance….

…Those suggesting the read-and-return practice think they’re “sticking it to Amazon,” but in reality are only harming the authors, said Eva Creel, a fantasy writer who publishes under the name E. G. Creel.

“I have my book available at the library. If somebody wants to read it for free, they can,” Creel said. “But reading it and making me think that I’ve made an income and then that income being taken away from me, that feels like stealing.”

Science fiction and fantasy author Nicole Givens Kurtz said she’s concerned that this trend will continue.

“If people continue to promote [reading and returning e-books], it impacts my income, which impacts my quality of life and my ability to take care of my family,” she said. “I don’t think readers quite understand or see the person behind the product.”

(2) STURGEON SYMPOSIUM CFP. The Gunn Center reminds everyone that the deadline for proposals for the first annual Sturgeon Symposium is only 3 days away. The event takes place September 29-30 at the University of Kansas in Lawrence, KS. See the call for papers here.

(3) INCIDENT INTERRUPTS BUSINESS AT MACMILLAN. “After ‘Security Incident,’ Macmillan Closes, Will Not Process Orders” reports Shelf Awareness. The details are not disclosed.

Macmillan sent a notice to customers saying that because of “a security incident” on Saturday that involved its servers and internal system, the company has closed offices today, Monday, June 27, in order to continue its investigation and to rebuild “a secure working environment.” As a result, Macmillan is currently not able to process, receive, place or ship orders. The company added that it will keep customers posted.

(4) HUGO TAKES. This month the SF Insiders blog launched. Who’s writing it? No idea! It’s a secret.

Not unlike other writers hoping to break into the science fiction and fantasy field, we have high hopes, many opinions, and no power. We remain anonymous to protect ourselves from the Internet horrors we’ve seen inflicted on others.

The blog’s first order of business is evaluating the 2022 Hugo finalists. They’ve written about two Hugo categories and the Astounding Award so far.

2. Sheila Williams

Williams is the only previous winner on this year’s ballot and the editor of Asimov’s Science Fiction. She’s also edited several anthologies, but none of those were published in 2021. Asimov’s output for 2021 was exactly what we’ve come to expect and Williams continued involvement with the Dell Award did not go unnoticed by us. There’s a reason she’s won two Hugos and continues to appear on this list.

5. Escape Pod

A science fiction podcast that publishes a mix of reprint and original stories. Their editors are finalists for Editor Short form and we stand by the opinions stated there. On discussing this publication for the second time, however, we questioned why the same work is eligible for two awards. This isn’t the first time it has happened, but we think it would be more fair if these magazines choose to be in one or the other. With how often there are repeat finalists in these categories, restricting it to one would give us more variety to choose from.

We were supposed to talk about the Astounding Award finalists during this week’s Zoom, but we went in a different direction instead: the “not a Hugo” status of the award. Maybe someone can tell us how has this never become an official Hugo Award? As writers, the current status feels like a slap in the face and we’re not even eligible yet….

(5) LE GUIN, ROBINSON, AND UTOPIAS. The Tin House podcast offers “Crafting with Ursula : Kim Stanley Robinson on Ambiguous Utopias”.

Today’s guest, Kim Stanley Robinson, is perhaps the living writer most associated with utopian literature today. And as a student of the philosopher, political theorist, and literary critic Fredric Jameson, Robinson has thought deeply about the history of utopias, the history of the novel, and the strange hybrid form that became the utopian novel. In his mind it was Ursula K. Le Guin who wrote the first truly great utopian novel. We discuss Le Guin’s utopian work alongside his, and contextualize her importance historically. Robinson also shares some incredible anecdotes from his time in the 70s as her student and the ways their lives as fellow writers have intersected over the decades.

What is a utopian novel? What is an ambiguous utopia? And why has this genre become a particularly vital form and even a critical tool of the human imagination today? Listen in to find out. 

(6) NO COUNTRY FOR YOUNG MEN. [Item by Olav Rokne.] The Ringer does some interesting research into the trend of Hollywood blockbuster action movies that center on older actors and finds that it’s a multifaceted phenomenon that can be tied to economic heft of older moviegoers, changing media tastes in younger generations, and shifts in how movie studios build tentpole features around intellectual property rather than around individual actors and their personal brands. “The Golden Age of the Aging Actor”.

They quote film historian Mark Harris: “Maybe they’re gamers, or maybe what they really enjoy is TikTok, or maybe it’s something else, but a generation can’t generate stars if it doesn’t really love the medium that creates and accommodates stars.”

(7) BRYAN BARRETT OBITUARY. Fan and bookdealer Bryan Barrett, who co-chaired the 1998 World Fantasy Convention, died June 21. Lucy Huntzinger relayed the news from Bryan’s nephew, and wrote a tribute about him on Facebook which says in part:

…I can’t say enough about what a genuine, caring, intelligent, interesting man he was. He was always willing to help out friends with his little truck while he still had it, and he had a marvelous time at the San Jose Worldcon in 2018 seeing many old fannish and mystery friends again.

Because of his poor health in the last few years he lived a life that became increasingly housebound and full of medical appointments, but he never stopped caring about the world, about fairness and justice, about democracy….

(8) MEMORY LANE

1966 [By Cat Eldridge.] Fifty-six years ago this evening on ABC, the rather at first mundane soap opera Dark Shadows first aired. Now it wasn’t until ten months later that the Toothy One, vampire Barnabas Collins, as played by Jonathan Frid, made his first appearance. 

Before its six seasons and one thousand two hundred and twenty-five episodes ran their course, those of us who watched it will have seen Frankenstein style monsters, ghosts, a parallel universe, time travel, warlocks, werewolves, witches, and even zombies. I’m sure I’ve forgotten something of a fantastic nature that happened there. 

It has never left syndication in forty years. Dark Shadows (later referred to as Dark Shadows: The Revival) was attempted in 1991. That too created by Dan Curtis who was responsible for Dark Shadows, it lasted twelve extremely poorly received episodes. Dan Curtis also did two films set in the Dark Shadows continuity, House of Dark Shadows and Night of Dark Shadows.

It was somewhat unusual in a small company of performers played many roles; and as performers came and went, some characters were played by more than one performer.

I am not going to comment about Tim Burton directing a film version of this starring Johnny Depp, who finally realized one of his childhood fantasies of being Barnabas Collins. Really. I’m not. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 27, 1909 — Billy Curtis. You’ll best remember him as the small Copper-Skinned Ambassador in Trek’s “Journey to Babel” episode. His genre experience goes all the way back to Wizard of Oz where he was a Munchkin, and later on he’s a mole-man in Superman and The Mole-Men, and later on a midget in The Incredible Shrinking Man. He had lots of one-offs, be it on Batman (twice there), Bewitched, Gilligan’s Island, Planet of The Apes or Twilght Zone. (Died 1988.)
  • Born June 27, 1941 — James P. Hogan. A true anti-authoritarian hard SF writer in the years when that was a respectable thing to be. The group that gave out the Prometheus Award certainly thought so with fifteen nominations and two Awards for two novels, The Multiplex Man and Voyage from Yesteryear. I’m sure that I’ve read at least a few of his novels, most likely Inherit the Stars and The Gentle Giants of Ganymede. A decent amount of his work is available at the usual suspects. (Died 2010.)
  • Born June 27, 1952 — Mary Rosenblum. SF writer who won the Compton Crook Award for Best First Novel for The Drylands, her first novel. She later won the Sidewise Award for Alternate History Short Form for her story, “Sacrifice”. Water Rites and Horizons are the only ones available at the usual suspects. (Died 2018.)
  • Born June 27, 1959 — Stephen Dedman, 63. Australian author who’s the author of The Art of Arrow-Cutting, a most excellent novel. I really should read Shadows Bite, the sequel to it. He’s the story editor of Borderlands, the tri-annual Australian science fiction, fantasy and horror magazine published in Perth. Kindle has The Art of Arrow-Cutting and a few other titles.
  • Born June 27, 1966 — J.J. Abrams, 56. Executive Producer of AliasLost: Missing PiecesStar Trek, Lost, FringeStar Trek Into DarknessAlmost Human… Well you get the idea. Most fans really like, a few very vocal ones really hate his guts mostly for his Star Trek work. I love Fringe unreservedly and therefore will forgive any transgressions he committed elsewhere. 
  • Born June 27, 1972 — Christian Kane, 50. You’ll certainly recognize him as he’s been around genre video fiction for a while first playing Lindsey McDonald on Angel before becoming Jacob Stone on The Librarians. And though Leverage ain’t genre, his role as Eliot Spencer there is definitely worth seeing. 
  • Born June 27, 1975 — Tobey Maguire, 47. Spider-man in the Sam Raimi trilogy of the Spidey films. His first genre appearance was actually in The Revenge of the Red Baron which is one seriously weird film. Much more interesting is his role as David in Pleasantville, a film I love dearly. He produced The 5th Wave, a recent alien invasion film. 
  • Born June 27, 1987 — Ed Westwick, 35. British actor who has roles in the dystopian Children of MenS. Darko (a film I couldn’t begin to summarize), Freaks of Nature (a popcorn film if ever there was one), the “Roadside Bouquets” episode of the British series Afterlife (which I want to see) and The Crash (which may or may not be SF).

(10) COMICS SECTION.

  • Nancy shows a writer with ambitious goals.

(11) TRALFAMADORIAN TOOLKIT. Emily Temple has collected “Kurt Vonnegut’s Greatest Writing Advice” for Literary Hub.

5. Sound like yourself
The writing style which is most natural for you is bound to echo the speech you heard when a child. English was Conrad’s third language, and much that seems piquant in his use of English was no doubt colored by his first language, which was Polish. And lucky indeed is the writer who has grown up in Ireland, for the English spoken there is so amusing and musical. I myself grew up in Indianapolis, where common speech sounds like a band saw cutting galvanized tin, and employs a vocabulary as unornamental as a monkey wrench.

In some of the more remote hollows of Appalachia, children still grow up hearing songs and locutions of Elizabethan times. Yes, and many Americans grow up hearing a language other than English, or an English dialect a majority of Americans cannot understand.

All these varieties of speech are beautiful, just as the varieties of butterflies are beautiful. No matter what your first language, you should treasure it all your life. If it happens to not be standard English, and if it shows itself when your write standard English, the result is usually delightful, like a very pretty girl with one eye that is green and one that is blue.

I myself find that I trust my own writing most, and others seem to trust it most, too, when I sound most like a person from Indianapolis, which is what I am. What alternatives do I have? The one most vehemently recommended by teachers has no doubt been pressed on you, as well: to write like cultivated Englishmen of a century or more ago.

(12) HISTORY JUMPS THE TRACKS. Annalee Newitz joins Margaret Atwood on the list of sff writers who didn’t set out to predict the present in “Science fiction, abortion, and predicting the future” at Slate.

A few months before COVID shut the world down in 2020, I published a book called The Future of Another Timeline. Set in 2022, it’s about a group of time travelers who live in an alternate United States where abortion was never legalized. Working in secret, they travel 130 years back to the 19th century to foment protests against the anti-abortion crusader Anthony Comstock. Their goal is to change the course of history. Spoilers: They succeed—sort of. When they return to 2022, abortion is legal in a few states, though it remains illegal in the majority of them.

It is not a good feeling to live through a version of the dark timeline I imagined in my fiction….

(13) A LONG TIME AGO. Craig Miller posted the letter he sent to winner of a contest he ran for The Star Wars Corporation in the Seventies.

In issue two of the Newsletter of the Official Star Wars Fan Club, I announced a contest to come up with an actual name for the newsletter. Fans could send up to three suggestions. We received a huge number of entries. I don’t remember how many but, apparently, there were thousands.

…The winning name: Bantha Tracks. And the winner, Preston Postle.

The letter is dated just 10 months after I started this newzine. I should have asked Craig for some of his discards – I’ll bet there were some better ideas in there than File 770, eh?

(14) THIS REMINDS ME. [Item by Chris Barkley.] When I heard this story, naturally I thought of this quote: “When a distinguished but elderly scientist states that something is possible, he is almost certainly right. When he states that something is impossible, he is very probably wrong.” Listen to the Here and Now report on WBUR: “Don’t worry about the robot revolution: One expert explains why AI is nowhere near sentience”.

For decades, robot revolutions have been a staple of science fiction stories. But earlier this month, the stuff of fiction came a little too close to reality when Blake Lemoine, a Google engineer, claimed that the company’s artificial intelligence had achieved sentience, the ability to experience feeling and thought.

While Lemoine’s claims made waves online, many experts are pretty skeptical. They argue that just because a program can imitate human language doesn’t mean it’s actually human.

One of those critics is Emily M. Bender, a professor at the University of Washington specializing in computational linguistics and grammar engineering. She spoke with Here & Now‘s Celeste Headlee.

(15) GOOD FORM. Walter Jon Williams told readers he recently leveled up in his martial arts training: “Achievement Unlocked”.

…I successfully tested for my 6th degree black belt in Kenpo Karate. In the days since, I’ve been judging at the tests of lower-ranking belts, and participating in a demonstration in front of a live audience.

All with a torn achilles tendon which requires me to walk with a cane much of the time.

Fortunately most of the test consisted of theory and philosophy. I was required to do some forms, but I designed most of these myself, and could alter them when I needed to. (For the demonstration, I was able to do my own kata more or less without modification, and the other form requires me to alter the steps once. It was uncomfortable and a little awkward, but I wasn’t left with the impression I’d bungled anything.)…

(16) POORFEADING. Jon Del Arroz, who styles himself a leading figure of ComicsGate, wrote an article belittling Heather Antos’ work for IDW. A true case of Muphry’s law in action, as Taylor Talks Comics pointedly reveals in a thread that starts here. A couple of excerpts —

(17) YOUTH WANTS TO KNOW. [Item by Daniel Dern.] Thanks for a friend alerting me that Dr Strange In The Multiverse Of Madness is now available on the Disney+ streaming service for free (well, no $ other than the monthly fee), I’ve got one non-spoiler question (not directly germane to the movie, but I suddenly found myself wondering):

What happens when Blackadar Boltagon (aka Black Bolt), a (Jack Kirby-created) Inhuman usually ruler of Attilan and (often but not always) spouse to (the Inhuman named) Medusa, whose slightest whisper is explosive, burps, hiccups, or sneezes. (Or, for that matter, snores — let’s hope he doesn’t have sleep apnea.)

(18) OLDER THAN LUCY AND PROBABLY DESI. “Ancient fossils in the ‘Cradle of Humankind’ are more than 1 million years older than previously thought” reports Yahoo!

In 1936, archeologists began unearthing a trove of early human fossils in a South African cave. Now, researchers say most of those ancient bones date back 3.7 million years, which makes them more than 1 million years older than previously thought….

To gauge the ages of the hominid skeletal remains, Granger and his team used a technique known as “cosmogenic nuclide dating,” or burial dating, which involves examining the rocks that encased the ancient bones. It works like this: When energetic particles from space, or cosmic rays, hit rocks, they produce elements like aluminum and beryllium that build up and decay at a known rate.

“We’re able to take a rock that was exposed to cosmic rays, and if it falls into a cave, it’s shielded from more radiation,” Granger told Insider, adding, “It’s called burial dating because, really, what we’re doing is dating when the rock was buried.”

Granger used the same method in 2015 to estimate that one set of Australopithecus remains found in the Sterkfontein Caves, nicknamed Little Foot, was about 3.4 to 3.7 million years old. The new study suggests that in addition to Little Foot, all Australopithecus remains on the site are between 3.4 and 3.7 million years old, rather than roughly 2 million years old, as scientists previously thought.

The remains’ shifting age puts the species within roughly the same time frame that the famous human ancestor “Lucy” — which belonged to the species Australopithecus afarensis — roamed what’s now Ethiopia, 3.2 million years ago. According to Granger, that refutes the theory that the Sterkfontein individuals descended from Australopithecus afarensis. “There must be an older common ancestor somewhere,” Granger added…

[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Chris Barkley, Olav Rokne, Stephen Burridge, Alan Baumler, Daniel Dern, Andrew Porter, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]

Jon Del Arroz’ Twitter Account Restored

Jon Del Arroz let everyone know he’s back on Twitter today. It didn’t take Elon Musk buying the company to make that happen after all.

For reasons not explained, none of his tweets prior to today are displayed, and a long string of them are labeled “This tweet was deleted by the author.” When asked why, JDA answered:

Two of JDA’s other accounts — @leadinghispanic and @rislandiabooks – remain suspended at this writing.

Twitter Pitches Third Strike at Jon Del Arroz

Jon Del Arroz’ @Rislandiabooks Twitter account has bitten the dust, suspended only a matter of days after launching. Previously, it took months of people reporting his @JonDelArroz (“Jon Del Arroz Permabanned from Twitter”) and then his @LeadingHispanic (“JDA Out of GAMA, Suspended by Twitter”) accounts before Twitter acted on JDA’s violations of the service’s rules against “hateful conduct.”

Someone has even made a watch-it-played style video of them reporting JDA’s latest account to Twitter.

Of course, this is whack-a-mole, not baseball. When his @LeadingHispanic account was shuttered, JDA was back with @Rislandiabooks five days later. The third account started out by pretending to be run by one of his friends, however, he could never remember not to use the first person when tweeting the usual links to his crowdfunding appeals, comics, books, and misogynistic BS. So if JDA pops up again it won’t come as a surprise.

Pixel Scroll 5/11/22 Pixelled In The Scroll By A Chuck Tingle Pixel Scroll Title

(1) STAR TREK SPOILER WARNING. Let that be said right up front. Anybody that doesn’t want Picard Season 2 spoiled, please skip to the next item.

Okay. Now for the rest of you: “Star Trek Producers Fought Over Which New Shows Get To Bring Back Wesley Crusher” reports TrekMovie.com.

Today Paramount released a “Wesley Crusher’s Return” video feature that was also included in The Ready Room. The video features executive producers Akiva Goldsman and Alex Kurtzman discussing the fact that after the idea of Wesley returning on Picard was brought up, it started a sort of Crusher conflict with at least one other series…

Actor Wil Wheaton commented on Facebook:

I had no idea that the showrunners of the different Star Trek shows were fighting over who could write Wesley into their story.

This just feels like such a huge validation and such a huge win for Wesley, for me, and for all the other kids who were weird, unseen, awkward, or any of the other qualities we all had in common that made him important to us.

And as long as I have your attention: I feel seen and celebrated right now, in a way I never have before. I feel like it’s personal in a way that is brand new, that *belongs* to me, because it is a gift that was given to me.

I don’t know who all the people were, at every step of the way, who made Wesley’s return to Star Trek canon happen, but I am so grateful to all of them for making this happen.

And I’m so grateful to everyone who has celebrated me, and Wesley. It feels really good and it means a lot to me.

Here’s the clip:

(2) LMB MAKES HISTORY. “Bujold interview by Asena Ideus, 23 March 2022” was posted by Lois McMaster Bujold at Goodreads.

Raw version of an email interview I did for a college student for her history thesis paper. I was rather bemused to have my teen fannish enthusiasms viewed as history; my parents would have been quite surprised…

When it comes to Star Trek zines, you are featured in Spockanalia 2 (issued 1968) for your short piece The Free Enterprise. Could you talk more about that, especially since fanzine culture is so different (practically nonexistent) today? What were fanzines like during the ‘60s and ‘70s? The first documented fanzines began in the 1930s, but were they extremely popular among SF fans when Star Trek: TOS was airing or were they still an emerging medium?

LMB: Fanzine culture is thriving today, its content just moved online. It’s just called blogs and websites. It may not know its own history in some cases, true.

One commenter described the internet hitting fanfic as like throwing a gasoline tanker truck onto a campfire, which sounds about right to me….

(3) COMICMIX BACK IN THE SEUSS BUSINESS. Publishers Weekly has the details. “ComicMix Launches Campaign to Publish Public Domain Seuss Stories”. The Kickstarter is here. (People have pledged $4,813 of its $5,000 goal at this writing.)

Less than a year after settling a lawsuit with Dr. Seuss Enterprises, ComicMix is launching a Kickstarter campaign to fund the publication of The Zaks and Other Lost Stories by Theodor Geisel, aka Dr. Seuss, to be released in July. The stories, which are in the public domain and available digitally on the Seussville website, include the titular story The Zaks, and The Sneetches, among others. ComicMix plans to release the titles of the other stories in the compilation as successive crowdfunding goals are met.

Between 1950 and 1956, Geisel published 23 stories in Redbook, including the seven that will be published in this compilation…. The ComicMix edition of the stories was created with high-quality scans from the original Redbook stories, tracked down from collectors of the magazine. Redbook reverted the copyright to these stories to Geisel, but the copyright was not renewed, so the versions that appeared in the magazines are now in public domain. 

ComicMix issued an official comment about the publication, stating, “This book is not associated with, nor approved by, nor even particularly liked by Dr. Seuss Enterprises L.P., a California limited partnership, which owns some of the copyrights of the works of Theodor Seuss Geisel, the author and illustrator who created many works under the pseudonym ‘Dr. Seuss.’ ” Hauman, who preferred to comment about the upcoming book in Seuss-like rhyme, had this to say:

“We found Dr. Seuss stories, once thought to be lost,
that we’re bringing to you at a reasonable cost.
Some tales are familiar, though not quite this way,
but all fine examples of Seuss’s wordplay!
We spruced them all up, and now are good times
to rediscover his artwork and rhymes.
We filled up a book to put on your shelf
So that you can at last read them for yourself!” OY

Dr. Seuss Enterprises declined to comment on the story.

(4) WOKE SF TROLLS. [Item by Mlex.] A thoughtful discussion of the flap of people complaining about “woke” sf by Christopher Reeves, commentator for DailyKos. “Right-wing trolls accusing science fiction of being ‘woke’ are messing with my childhood”.

Sometimes, I fall into a rabbit hole I didn’t even know was going to happen. I was following along with a YouTube thread regarding Stargate SG-1 when it was pointed out a reboot was possible. I, having followed the series, thought, “Cool, cool, I might really enjoy this so tell me more.” I sat down to watch and learned a few things, but within the first three minutes, something interesting came about. According to a video on the subject: “Fans have become concerned following the recent release of The Wheel of Time series, and the upcoming Lord of the Rings: The Rings of Power series. Both of those series have taken significant creative license to change the characters and story to fit what many science fiction and fantasy fans believe is a ‘woke’ or progressive agenda at a cost to the canon of the original stories.

Wait, what? I’ve read almost all of Tolkien. I’ve watched every Star Trek series. I’ve read some of Ringworld, and in general, I devoured science fiction. What on Earth are these fans so upset about? What am I missing here? I decided last night to do a little bit of looking, and I regret some of the time I sacrificed but it certainly left me with some thoughts. I can always tell things are going wrong when people use terms like “woke” which is just one of those right-wing slurs that they use to replace “compassionate” or “reasonable” it seems….

(5) FREE READ. The “Unofficial Hugo Book Club Blog,” a Best Fanzine Hugo finalist, has made their submission to the Hugo Voter Packet available as a free read at the link. And a very nice job they did, picking the material and creating the design.

(6) JDA SNEAKS BACK ONTO TWITTER. You knew that wouldn’t take long. Jon Del Arroz after being ousted from Twitter on May 6 simply opened another account and immediately resumed tweeting the usual links to his crowdfunding appeals, comics, and books. And misogynistic BS. (The last image below wasn’t posted by JDA, but I bet he wishes he’d thought of it.)

(7) LYNN HARRIS DIES. [Item by Joel Zakem.] Long-time Midwestern and Southern fan Lynn Harris passed away on May 10, 2022. She was 70 years old. Lynn was an artist who was known for running and/or working on many convention art shows, including at the late lamented Rivercon and Kubla Khan. She received the Rebel Award at the 2000 Deep South Con.

(8) PATRICIA MCKILLIP (1948-2022). World Fantasy Award for Lifetime Achievement honoree Patricia A. McKillip died May 6 at the age of 74. Her best-known works included the books in the Riddle-Master trilogy, The Riddle-Master of Hed (1976), Heir of Sea and Fire (1977), and Harpist in the Wind (1979) — the latter her only Hugo finalist, also a finalist for the World Fantasy Award, British Fantasy Award, and winner of a Locus Award.

Four of her books won the Mythopoeic Award for Adult Literature or Adult Fantasy, Something Rich and Strange (1995), Ombria in Shadow (2003, which also won the World Fantasy Award), Solstice Wood (2007), and Kingfisher (2017). Her other World Fantasy Award winning book was The Forgotten Beasts of Eld (1975), which was published in 1974, the year after the appearance of her first published work, The Throme of the Erril of Sherrill (1973), a novella.

McKillip’s Encyclopedia of Science Fiction entry written prior to her death summed up her career: “Over the past two decades, eschewing the use of fantasy backgrounds for inherently mundane epics, McKillip has become perhaps the most impressive author of fantasy story still active.”

(9) MEMORY LANE.

1999 [By Cat Eldridge.] The considerable joy of doing these anniversaries is finding these weird little shows that I’ve never heard of. So it is with a Disney series called So Weird whichran for sixty-five episodes. So Weird could best be described as a younger version of the X-Files and it far darker than anything which was on Disney when it debuted in 1999. It lasted for just three seasons. 

It was centered around teen Fiona “Fi” Phillips (played by Cara DeLizia) who toured with her rocker mom Molly Phillips (played by Mackenzie Phillips). They kept running into strange and very unworldly things. For the third and final season, she was replaced by Alexz Johnson playing Annie Thelen after the other actress gets the jones to see if she could make in Hollywood. (Well she didn’t.)

The story is that one of the characters, Annie, while visiting an Egyptian museum encounters a cat who once belonged to Egyptian queen that now wants her very much missed  companion back. Yes, both the cat and the princess are either immortal or of the undead. 

The writer of this episode, Eleah Horwitz, had little genre background having written just three Slider episodes and a previous one in this series. He’d later be a production assistant on ALF. 

Now if you went looking to watch So Weird’s “Meow” on Disney + after it’s debuted, the streaming service pulled the second season within days of adding the series but returned it a month later within any reason for having pulled it. The show has never been released on DVD. 

However the first five episodes in the first season of the series were novelized and published by Disney Press as mass-market paperbacks, beginning with Family Reunion by Cathy East Dubowski. (I know the Wiki page says Parke Godwin wrote it but the Amazon illustration of the novel cover shows her name. So unless this is one of his pen names, it is not by him.) You can find the other four that were novelized in the Amazon app by simply doing So Weird + the episode name. No they are not available at the usual suspects.

I didn’t find any critics who reviewed it, hardly surprising given it was on the Disney channel but a lot of folks really liked including John Dougherty at America: The Jesuit Review: “As a kid, my favorite show was about death. Well, not just death: it was also about faith, sacrifice and trying to make sense of life’s ineffable mysteries. Strangest of all, I watched it on the Disney Channel. ‘So Weird’ ran for three seasons from 1999 to 2001. It was Disney’s attempt to create a kid-friendly version of ‘The X-Files,’ tapping into an in-vogue fascination with ghosts, alien encounters and other paranormal phenomena. In practice, it became something more: a meditation on mystery and mortality.” 

I think I’ll leave it there. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 11, 1930 Denver Pyle. His first genre performance is in The Flying Saucer way back in 1950 where he was a character named Turner. Escape to Witch Mountain as Uncle Bené is his best known genre role. He’s also showed up on the Fifties Adventures of SupermanCommando Cody: Sky Marshal of the UniverseMen Into  SpaceTwilight Zone and his final role was apparently in How Bugs Bunny Won the West as the Narrator. (Died 1997.)
  • Born May 11, 1935 Doug McClure. He had the doubtful honor of appearing some of the worst Seventies  SF films done (my opinion of course and you’re welcome to challenge that), to wit The Land That Time ForgotThe People That Time ForgotWarlords of the Deep and even Humanoids From The Deep. Genre wise, he also appeared in one-offs in The Twilight ZoneOut of This WorldAirWolfAlfred Hitchcock PresentsFantasy Island and Manimal. Some of which were far better. (Died 1995.)
  • Born May 11, 1936 Gordon  Benson Jr. Publisher and bibliographer who released the first of his many SF bibliographies around the early Eighties. Writers such as Anderson, Lieber and Wellman were covered. Early bibliographies written solo were revised for the Galactic Central Bibliographies for the Avid Reader series, are listed jointly with Phil Stephensen-Payne as later ones. (Died 1996.)
  • Born May 11, 1952 Shohreh Aghdashloo, 70. Best known genre role is Chrisjen Avasarala on The Expanse series. (I’ve not seen it, but have listened to all of The Expanse series.) She also had a recurring role as Farah Madani on The Punisher. She was also in X-Men: The Last Stand as Dr. Kavita Rao, but her role as The Chairman in The Adjustment Bureau didn’t make it to the final version. She was Commodore Paris in Star Trek Beyond, and she had a recurring role as Nhadra Udaya in FlashForward
  • Born May 11, 1976 Alter S. Reiss, 46. He’s a scientific editor and field archaeologist. He lives in Jerusalem, and has written two novels, Sunset Mantel and Recalled to Service. He’s also written an impressive amount of short fiction in the past ten years, which has appeared in Strange HorizonsF&SF, and elsewhere. 

(11) DISNEY, PAY THE WRITER. LA Times business columnist Michael Hiltzik reports at length about #DisneyMustPay in “Disney’s unpaid artists”.

Given its immense appetite for entertainment content to keep its movie and television pipelines filled, you would think that Walt Disney Co. would do its best to treat its creative talent fairly.

You would be wrong.

For years, Disney has been cheating the writers and artists of tie-in products — novelizations and graphic novels based on some of its most important franchises — of the royalties they’re due for their works. That’s the conclusion of a task force formed by the Science Fiction and Fantasy Writers of America and joined by the Writers Guild East and West and several other creator advocacy organizations.

…[Mary Robinette Kowal] and others say that Disney has refused to take a proactive approach to identifying the creative artists who are owed money and paying what it owes. The company has ignored pleas by the task force and individual agents to post a portal on its website and a FAQ page to inform writers how to file claims and to whom their claims should be addressed.

The company has also refused to accept names and contact information from the SFWA for writers and artists who have reached out to the organization. “Disney gets away with this by using the exhaustion tactic,” Kowal told me. “They wear people down.”

The tactic works, she says: “Some authors have just given up because Disney puts up roadblocks and makes people jump through hurdles.”

The company, according to Kowal, has told some authors who stopped receiving royalties or royalty statements that this happened because it didn’t have their addresses. “They tell that to authors they’ve sent author copies of books to,” Kowal says, “so clearly they have their mailing addresses.”…

(12) FLASHBACK. [Item by SF Concatenation’s Jonathan Cowie.] BECCON’s 40th anniversary reunion has been held – a year late due to CoVID.

BECCON was a series of biennial conventions in the 1980s: 198119831985; and the 1987 UK Eastercon. BECCON standing for the Basildon Essex Centre CONvention with ‘Centre’ becoming ‘Crest’ when the hotel changed its name. The 40th anniversary reunion would have taken place last year but was postponed due to CoVID. The gathering took place in Arlesey, Bedfordshire, where previous reunions had taken place so as to give one of BECCON’s film projectionists, Graham Connor, a fan experience (Graham had severe mobility issues several years prior to his passing and could not get to conventions). BECCON may be a thing of the past but those involved with it, for the most part, are still very active in fandom and BECCON did spawn two spin-out ventures still going today: Beccon Publications (a number of whose books have been short-listed for Hugos) and the SF² Concatenation (the winner of a number of Eurocon Awards).

Those present at the reunion were from far left and clockwise: John Stewart,Roger Robinson (Beccon Publications), Jenny Steele (sadly obscured), Brian Ameringen (Porcupine Books), Peter TyersArthur Cruttenden, Caroline Mullan (2023 Eastercon committee), Anthony Heathcote and Jonathan Cowie (SF² Concatenation),

The BECCON ’87 programme book front cover. This was back in the days (prior to the 2010s) when Eastercons had a souvenir programme book in addition to the schedule timetable booklet.  It is particularly notable as being the first British Eastercon programme book to have a full colour cover. The cover art was by one of the convention’s GoHs, Keith Roberts.

(13) DOCTORAL THESIS. At Nerds of a Feather, Arturo Serrano concludes “’Doctor Strange 2′ is visually delightful and narratively bland”.

Despite the refreshing shift in visual style brought into the MCU by director Sam Raimi, Doctor Strange in the Multiverse of Madness is far from the milestone it was expected to be. The ongoing saga of the Avengers was supposed to expand into a wealth of possibilities with the addition of alternate realities, character variants, and reclaimed franchises just acquired by Disney from Fox. But what this movie delivers is smaller than the sum of its parts….

(14) LOST IN SPACE. Serrano also finds another franchise lacking: “‘Star Trek: Picard’ season 2 is aimless and inconsistent”

Season 2 of Star Trek: Picard bites more than it can chew. In the span of ten episodes, it tries to explore xenophobia, eugenicism, the weight of self-blame, repressed trauma, the tragedy of finitude, the tension between open and closed societies, the human yearning for intimate connection, the fear of loneliness, the responsibilities that come with parenthood, immigration policy, the purpose of life in old age, the narcissism inherent to the search for a legacy, authoritarianism, temporal paradoxes, suicide, and the uncertainty about the turbulent direction of humankind in the 2020s. Unfortunately, the show doesn’t manage to say anything insightful about any one of its myriad themes….

(15) SAGE AGAINST THE MACHINE. Inverse presents “The 8 best movie time machines of all time, ranked by scientists”. You’d be surprised what kind things scientists have to say about the TARDIS.

These time-defying contraptions fill us with wonder because, while we’re innately curious with a desire to explore, we also love fawning over shiny screens and elaborate gadgetry. Humans are hardwired to push any button we see. No matter the ramifications….

6. DOCTOR WHO’S TARDIS

WHAT IT DOES: It takes you to another realm that enables you to move through time (the time vortex).

Everyone we spoke to mentioned this iconic machine, which looks like an old, blue, British police box.

“What other time machine gets a decorating job every few years, keeps updating its canon, and has an Olympic-sized swimming pool? Or even a personality?” Šiljak says. “The way the TARDIS operates and interacts with the Doctor is also a great suspension of disbelief catalyst that allows me to enjoy a plot that has holes.”

Its properties are bizarre, but its time-travel abilities are appealing to real scientists.

“The core of the TARDIS is a tesseract, which is a four-dimensional cube,” says Dr. Erin Macdonald, an astrophysicist, writer, producer, and Star Trek science advisor. “The reason this is great scientifically is our universe is four-dimensional, but we can only control three of those dimensions (space, not time). It logically makes sense that if we had an object that had four dimensions, that extra dimension could be time and could have more control than just space.”

Jan J. Eldridge, a theoretical astrophysicist and associate professor in the physics department at the University of Auckland, New Zealand, adds that the TARDIS’ ability to travel freely through both space and time also helps explain another of its key features: the interior doesn’t match the exterior.

“Any technology that allows you to bend space-time to travel through time would also leave you with the ability to stretch and square space-time itself,” she says.

(16) JEOPARDY! A whole category about sci-fi trilogies on tonight’s Jeopardy!, and Andrew Porter was tuned in. Unfortunately, the contestants weren’t!

Category: Sci-Fi Trilogies

Answer: This Alphanumeric book series follows up on the “Judgment Day” film, telling more of the story of Skynet & John Connor.

No one could ask, What is T-2?

Answer: The first in a Cixin Liu trilogy, this numerical novel is partially set during China’s Cultural Revolution.

No one could ask, What is ‘The 3-Body Problem”?

(17) SPACE EXTRICATION. “I hate that MS Word considers this an error,” says John King Tarpinian. “Double Space” at Nerdy Tees.

(18) CEREAL KILLER. Today’s Heather Martin says, “I tried Tropicana Crunch, the new cereal designed to be eaten with orange juice”.

Tropicana Crunch Honey Almond Cereal is a limited-edition offering for the “cereal curious” released to honor National Orange Juice Day on May 4. It’s the first cereal made specifically for pairing with OJ, and the company claims it’s “crispy and ready to get citrusy.” It comes thoughtfully packaged with one of Tropicana’s famous red-striped straws, so you can finish the cereal … juice … with class instead of lapping it from the bowl like a dehydrated Labrador….

It’s hard to swallow, I’ll grant you, but hear me out: It might be a sound concept. I often talk to clients who either don’t like milk or are allergic to it, and just like the box says, many times they tell me that they have tried orange juice on cereal.…

(19) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers:  The Batman,” the Screen Junkies say Robert Pattinson is the first Gen-Z Batman, because the “villains are influencers, he’s worse off than his parents, and his home town will very soon be under water.”  Also, the Riddler “talks a big game abou cleaning up the city while dressed like a garbage bag.”

[Thanks to JJ, John King Tarpinian, Cora Buhlert, Cat Rambo, Joel Zakem, Michael J. Walsh, Rich Lynch, SF Concatenation’s Jonathan Cowie, Adam Rakunas, Chris Barkley, Andrew Porter, Michael Toman, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

JDA Out of GAMA, Suspended by Twitter

Jon Del Arroz said today in a video that the Games Manufacturers Association – a group for tabletop game publishers – “suspended me for hate speech and bullying, now they’ve fully removed me from the group under false pretenses, and they’ve also engaged an attorney on the matter.” Del Arroz confirms he has been removed from both the Facebook group and GAMA and adds, “I’ve forwarded the matter to my attorney who has handled the Worldcon suit and we are working on it.”

Del Arroz joined GAMA and introduced himself in its private Facebook group on May 4. Rodney Smith of Watch It Played (YouTube) protested his admission to the organization and wrote a comment about JDA’s track record of harassment. After an FB group moderator deleted Smith’s comment he tweeted a copy of it, making the situation public knowledge.

GAMA pointed members to their Code of Conduct and the form to be used in reporting violations. Several people tweeted that they were going to fill out the form and submit it. GAMA initially announced that Del Arroz was suspended from the FB group for 28 days. They have not yet made a statement about his removal from the organization.

Also today, Twitter suspended JDA’s @leadinghispanic account.

Last August his @jondelarroz account was permabanned from Twitter. But he soon popped up again as @leadinghispanic, another transparently JDA-written account. As the months passed many complaints were lodged with Twitter about the evasion of the ban and for the content of some of @leadinghispanic’s tweets without effect. It is unknown why Twitter decided to act today.

Del Arroz still has an active Facebook account at this writing, however, after his Twitter suspension he told FB followers:

Several GAMA Members Protest Addition of Jon Del Arroz to Organization

Jon Del Arroz has apparently joined the Game Manufacturers Association (GAMA.org – a group for tabletop game publishers), and it’s already causing dissent.

Rodney Smith of Watch It Played, a YouTube game reviewer, wrote a comment to the private GAMA Member Facebook group to acquaint them with JDA’s track record but the moderators immediately took it down. Therefore, he reposted it to Twitter along with a copy of Jon Del Arroz’ self-introduction.

Del Arroz says he’s working with The Gaming Goat (TGG), a publisher whose CEO Jeff Bergen has several times been embroiled in controversy. For example, last year in a Board Game Geek forum over 1500 posts were made after TGG advertised the availability of a Tournament Fishing Rulebook in an ad that included a prominent image of a frog making the okay hand gesture, accused of being a right-wing dogwhistle combining the gesture with Pepe the Frog, another figure in alt-right memes.   

Rodney Smith also said:

GAMA answered on Twitter, and was engaged by another writer.

Will GAMA take action?

Meanwhile, JDA is, as usual, enjoying the attention.

Incidentally, GAMA runs Origins Game Fair, which made news in 2018 when its previous Executive Director John Ward withdrew the event’s invitation for Larry Correia to be one of its guests of honor after the announcement was met with numerous protests: “Origins Game Fair Drops Larry Correia as Guest”.

Update: GAMA subsequently announced a suspension of JDA’s account.

GAMA member Eric Lang also had thoughtful comments. Thread starts here.

Pixel Scroll 4/29/22 It’s The Time Of The Pixels For Scrolling

(1) DISNEYLAND ORIGINALS FOR SALE. Heritage Auctions’ catalog for “Disneyland: The Auction” includes an impressive assortment of retired equipment from the park, in addition to all the other collectibles. Coming up for bid on May 21-22 will be things of this nature –

See more featured lots for ‘Disneyland: The Auction’ in this video.

(2) IN TIMES OF COVID. Norwescon 44 was held in Sea-Tac, WA from April 14-17. A week afterwards the committee published Norwescon 44 Post-Con COVID Report 1 dealing with cases they’d been informed about as of April 25. This case is receiving vocal attention in the comments:

Case 3: Reported on Friday, April 22. Started experiencing symptoms on Tuesday, April 12 (two days pre-con), tested positive on Friday, April 15, and stayed at the convention through Sunday, April 17. Was present throughout the convention, particularly the space-focused panels, and had dinner at Denny’s on Friday. Reported case to the Health Department and did not have exposure notification tracking active.

(3) CON OR BUST BEING REVIVED. The Flights of Foundry Opening Ceremonies video included an announcement by Alex Jennings and Brandon O’Brien about the return of the Con-or-Bust project in partnership with Dream Foundry.

[Brandon O’Brien:] As people of color we know how difficult it can be to access creative spaces like conventions. Travel, registration and other related expenses can be difficult to muster for a lot of reasons. When I attended my first convention it was only because there was a project that was generous enough to see people like me share space with my colleagues and fellow fans without it I would not have had the networking opportunities, the community, or even the will to participate in our field to this day and i am still deeply grateful for that generosity that project was Con-or-Bust….  

Kate Nepveu has worked hard to make sure it can continue even in her absence.

[Alex Jennings:] Following the example she set we’re excited to share with you that we’ll be working with Dream Foundry to revive  and expand Con-or-Bust. This project will help make cons, writing retreats, and other opportunities available to writers and fans of color…  

Brandon O’Brien said he will be serving on the Dream Foundry board in an oversight capacity and be running the project. They’re working on the details and will have more updates soon.

(4) EATING THE FANTASTIC. Scott Edelman invites listeners to uncover Alex Segura’s secret identity in Episode 170 of his Eating the Fantastic podcast.

Alex Segura

We’re about to do a little time traveling, you and I. That’s because I worked for both Marvel and DC Comics from the mid-’70s through the early ’80s, and my guest this episode is Alex Segura, a writer whose latest novel, Secret Identity, is a noir murder mystery set during the mid-‘70s comics industry I lived through.

Segura seems like the perfect person to tackle that particular overlapping Venn diagram of genres. He’s written murder mysteries before — including five novels in the Pete Fernandez series, beginning with Bad Beat in 2016 and concluding with Miami Midnight in 2019, plus the six-part Lethal Lit: A Tig Torres Mystery podcast series. He’s also worked for Archie Comics and DC Comics, and is currently the Senior Vice President of Sales and Marketing at Oni Press.

Some of his more well-known comics work includes his Archie Meets Kiss arc — he also had the gang meet the Ramones and the B-52s — plus his “Occupy Riverdale” story. His Black Ghost miniseries was named one of the five new comic book series for the end of summer by the New York Times. He also supplied an origin story for everybody’s favorite new Star Wars character in the novel Poe Dameron: Freefall.

In a better world, I’ve have been able to make a day trip to NY so we could have an in-person conversation, but that’s not the world in which we live at the monent, so he grabbed Chinese food at Taystee Garden in Kew Gardens, Queens, I did the same from Evergreen Chinese Restaurant in Inwood, West Virginia, and we chatted with several hundred miles between us.

(5) PORTAL STORY. “I think this new Amazon series is sf,” writes Martin Morse Wooster. I think so too! Night Sky arrives on Prime Video May 20.

(6) NEW BUHLERT FICTION. Congratulations to Cora Buhlert who has a flash story in Wyngraf Magazine of Cozy Fantasy: “A Cry on the Battlefield”.

Cora also shared the link to the other flash story Wnygraf posted today, “The God’s Apology” by Ian Martínez Cassmeyer, which she says is also well worth reading.

(7) FIVESOOTH! The Royal Shakespeare Company is staging My Neighbour Totoro from October 8, 2022 – 21 January 2023 at the Barbican.

In this video, Executive Producer Joe Hisaishi, Director Phelim McDermott and members of the creative team for My Neighbour Totoro, discuss the creative process behind the landmark adaptation of Studio Ghibli’s celebrated 1988 animated feature film to the stage, in collaboration with Improbable and Nippon TV.

(8) WRITER Q&A. “Neil Gaiman: ‘Whatever I loved about Enid Blyton isn’t there when I go back as an adult’” he tells a Guardian interviewer.

…The writer who changed my mind
It wasn’t until I was 22 that I realised I could stop dreaming of being a writer and instead be a writer. It was Harlan Ellison’s fault, from his introduction to a short story called Count the Clock that Tells the Time, in a collection called Shatterday. He wrote about wasting time, how you look around and time’s gone. It plugged straight into everything I had ever thought or dreamed about becoming a writer and in that moment I was determined to become a writer. I thought better to try and fail than not to try and let the time blow past.

The book that made me want to be a writer
I don’t recall there being a time that I ever didn’t want to be a writer, but CS Lewis and his Narnia books definitely made me realise that these stories I loved were being written by a person. Lewis wasn’t pretending to be invisible, he was very happily there in the text, making these lovely friendly asides to the reader. I loved that so much, and loved the idea of doing it too….

(9) WHEN WORDS FAIL. Sandra M. Odell cautions against being “More Writerly Than Thou” at the SFWA Blog. Her successful book set off a long struggle to resume writing again. While telling what helped her she advises:

… Before you encourage someone to write faster, better, more successfully, ask yourself if that’s what you mean to say.  More importantly, ask if that’s what they need to hear…

(10) NEAL ADAMS (1941-2022). Famed comic artist Neal Adams died April 29 at the age of 80. The Hollywood Reporter paid tribute:

Adams jolted the world of comic books in the late 1960s and early ’70s with his toned and sinewy take on heroes, first at DC with a character named Deadman, then at Marvel with X-Men and The Avengers and then with his most lasting influence, Batman.

During his Batman run, Adams and writer Dennis O’Neil brought a revolutionary change to the hero and the comics, delivering realism, kineticism and a sense of menace to their storytelling in the wake of the campy Adam West-starring ’60s ABC series and years of the hero being aimed at kiddie readers.

… “It was no secret that we were doing Batman right,” Adams said during a panel at San Diego Comic-Con in 2010. “It was as if the memory of DC Comics went along with the statements that both Denny and I were making, that we want it to be more realistic, more gritty. And that’s how we remember — whether it was true or not — that Batman should be. And when we did it, everybody went, ‘Ah, that’s it. We don’t need comedy anymore.’”

Adams, also with O’Neil, came up with a then-controversial turn for Green Lantern/Green Arrow, tackling social issues such as drug addiction, racism and overpopulation and creating the Green Lantern hero, Jon Stewart, who became one of DC’s first Black icons. Their 1971 two-part story “Snowbirds Don’t Fly” remains a watermark in the evolution to more mature readers….

…He helped change the practice of comic book publishers keeping the original art by artists or even shredding and tossing it, influencing companies to establish policies of returning the art, something that allowed artists to enjoy a second income stream. The biggest case in point: Marvel returned pages of art to Jack Kirby, the co-creator of Fantastic Four, Thor, X-Men and Hulk.

He also proved to be a champion of two writer-artists who laid the foundation for DC, Superman creators Jerry Siegel and Joe Shuster… [He] led a lobbying effort that eventually led to greater recognition for the pair, a creator tag in comics and other media that continues to this day, plus a pension….

(11) MEDIA BIRTHDAY.

1981 [Compiled by Cat Eldridge.] Forty-one years ago on this evening, The Greatest American Hero series served up the ever so sweet and rather nostalgic “My Heroes Have Always Been Cowboys”. It starts off with Ralph quitting twice after perceiving that he has failed badly. 

Meanwhile one of the secondary characters tells Ralph that her friend wants to go to an appearance by John Hart, the actor who played the second version of the Lone Ranger. Ralph is excited because Hart is his childhood hero. Why am I not surprised? 

Later in the episode, Ralph and Hart get to have a talk and Ralph realizes that society needs its heroes and decide to wear the suit again. 

I watched a lot of the Lone Ranger when I was rather young and never realized that there were two actors in that role. And no, I never figured out the deal with the silver bullets. Obviously that version of the Old West didn’t have werewolves.

And yes, it was very, very sweet to see one of the Lone Rangers sort of playing his role again. If only as a mentor. 

The Greatest American Hero series is streaming currently on Peacock. 

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 29, 1887 H. Bedford-Jones. Pulp writer of whom only maybe ten percent of his twelve hundred stories could be considered genre but some such as the Jack Solomon novels, say John Solomon, Argonaut and John Solomon’s Biggest Game are definitely genre. Like many of the early pulp writers, he used a number of pen names, to wit Michael Gallister, Allan Hawkwood, Gordon Keyne, H. E. Twinells and L. B. Williams. In 2006, Wildside Press published a collection of his short stories, The House of Skulls and Other Tales from the Pulps. (Died 1949.)
  • Born April 29, 1908 Jack Williamson. By the end of his long career in sff he had won eight lifetime achievement / grand master honors, and been inducted to the Science Fiction Hall of Fame. I’ll frankly admit that he’s one of those authors that I know I’ve read a fair amount by can’t really recall any specific titles as I didn’t collect him either in hard copy or digitally. A quick bit of research suggests the Legion of Space series was what I liked best when I was reading him. Aussiecon Two awarded him a Hugo for Wonder’s Child: My Life in Science Fiction (1985), and Millennium Philcon saw him get one for his “Ultimate Earth” novella (2000), which also won the Nebula. (Died 2006.)
  • Born April 29, 1923 Irvin Kershner. Director and producer of such genre works as the Amazing Stories and seaQuest DSV series, Never Say Never Again, RoboCop 2 and The Empire Strikes Back. By the way, several of the sources I used in compiling this Birthday claimed that was the best Star Wars film. (Died 2010.)
  • Born April 29, 1943 Russell M. Griffin. Author of but four novels as he died far too young of a heart attack. The Makeshift God was his first novel,  I remember that novel as being a rather excellent dystopian affair, and Century’s End was even bleaker. He wrote but nine stories. He alas has not made into the digital realm yet. (Died 1986.)
  • Born April 29, 1946 Humphrey Carpenter. Biographer whose notable output includes J. R. R. Tolkien: A Biography; he also did the editing of The Letters of J. R. R. Tolkien, and is responsible for The Inklings: CS Lewis, JRR Tolkien, Charles Williams and their Friends. He also wrote the engaging Mr. Majeika children’s series which is most decidedly genre. (Died 2005.)
  • Born April 29, 1955 Kate Mulgrew, 67. Captain Kathryn Janeway on Star Trek: Voyager and she’ll be voicing that role again on the animated Star Trek: Prodigy.  Other genre roles include voicing Red Claw on Batman: The Animated Series, the recurring role of Jane Lattimer on Warehouse 13 and Clytemnestra in Iphigenia 2.0 at the Signature Theatre Company. Finally she voiced Titania in a recurring role on Gargoyles.
  • Born April 29, 1958 Michelle Pfeiffer, 64. Selina Kyle aka Catwoman in Tim Burton’s Batman Returns. She was also in the much better The Witches of Eastwick as Sukie Ridgemont and was Brenda Landers in the “Hospital” segment of Amazon Women on the Moon. She played Laura Alden in Wolf, voiced Tsippōrāh in The Prince of Egypt, was Titania in A Midsummer Night’s Dream, voiced Eris in Sinbad: Legend of the Seven Seas, was Lamia in Stardust and is playing The Wasp (Janet van Dyne) in the Marvel Universe. 
  • Born April 29, 1960 Robert J. Sawyer, 62. Hominids won the Hugo for Best Novel at Torcon 3, and The Terminal Experiment won a Nebula as well. Completing a hat trick, he won a John W. Campbell Memorial Award for Mindscan too. Very impressive.  And then there’s the FlashForward series which lasted for thirteen episodes that was based on his novel of that name.  Interesting series that ended far too soon. 
  • Born April 29, 1970 Uma Thurman, 52. Venus / Rose in The Adventures of Baron Munchausen (Kage’s favorite film alongside Time Bandits; review by Kage here), Maid Marian in the Robin Hood film that starred Patrick Bergin which I highly recommend, Poison Ivy in Batman & Robin which she will follow by being Emma Peel in The Avengers

(13) TIME LORD. The May issue of David Langford’s Ansible appeared today. How can that happen? He claims, “I reversed the polarity of the neutron flow!” Today the ansible, tomorrow the sonic screwdriver!

(14) OUTSIDE THE BOX. The Guardian calls it “‘Very gay, very trans’: the incredible Doctor Who spin-off that’s breathing new life into the franchise”  — the Doctor Who Redacted podcast. (Available here at BBC Sounds.)

…Written by Juno Dawson, Doctor Who: Redacted was launched alongside the Easter TV special, Legend of the Sea Devils, and has been described by the producer/director Ella Watts as “very gay, very trans”, and sitting “to the left” of the main show. The 10-part BBC Sounds audio drama follows three best mates who make “the Blue Box Files”, a paranormal conspiracy podcast about a certain police box popping up throughout history. Their tongue-in-cheek theorising suddenly gets all too real when they’re sucked into an action-packed alien adventure of their own.

The friends are university dropouts, who now live in different UK cities but stay connected via their hobby podcast. The leader of the gang (and the drama) is a trans woman, Cleo, who works as a theatre usher, lives on a south London estate and is saving up for surgery. She’s played by transgender activist Charlie Craggs, a scene-stealer in her first ever acting role, who describes her casting as “a huge step for the trans community. I’m so honoured to be part of something so sacred to so many”.

Juno Dawson always had Craggs in mind to play her protagonist. “She’s such a force,” says Dawson. “The label “trans activist” can be a club with which to beat trans people. It’s a dehumanising term, but Charlie uses her voice so cleverly – with humour and honesty. When it came to casting, I said to Ella: ‘Look, we can either audition Charlie Craggs or find a trans actor and tell her to play it like Charlie Craggs.’ There were some nerves at the BBC about hiring someone untrained but I’m so glad we stuck to our guns.”

Founder of the podcast-within-a-podcast is devoted “boxspotter” and resident believer Abby (Vigil’s Lois Chimimba), who is bisexual and a full-time carer for her sick mother in Glasgow. The lineup is completed by sceptical Shawna (Grange Hill’s Holly Quin-Ankrah), an out-and-proud lesbian studying computing at her local college in Sheffield….

(15) WORD OF THE DAY. Here’s something Jon Del Arroz had never been called before.

(16) A ROCK AND A HARD PLACE. Forbes reports “A Massive Asteroid Visible To The Naked Eye Is Heading Our Way And NASA Is Re-Routing An Old Spacecraft To Visit It”.

Remember NASA’s OSIRIS-REx spacecraft that visited the distant Bennu asteroid and scraped-up a sample in October 2020. It’s going to deliver that sample to NASA September 24, 2023 as it swings by Earth—and then it’s off on a new mission of explore a near-Earth asteroid that could one day be a “planet-killer.”

The Apophis asteroid is enormous and classed as “potentially hazardous” by NASA. Thought to be about 1,100 feet/340 meters in diameter (that’s about the same height as the Empire State Building in Manhattan in New York), Apophis will get to within just 23,000 miles/37,000 on April 13, 2029.

During that close pass it will even be visible to the naked eye as seen from some parts of Earth.

The newly-named OSIRIS-Apophis Explorer (OSIRIS-APEX) will already be in orbit of it by then. NASA announced this week that the spacecraft, having dropped off its package in 2023, will make its first maneuver toward Apophis 30 days later.

Although it will pass Earth inside the orbits of our geosynchronous satellites in 2029, Apophis won’t pose a danger this time around.

So why visit it?

Scientists suspect that the effect on it of the close pass in 2029 could be a slight alteration to its future trajectory. We know Apophis will make very close passes in 2060 and 2068. Might the 2029 event put Apophis on an “Earth-resonant impact trajectory ?”…

(17) SJW CREDENTIALS IN HISTORY. The BBC in 1973 meets Quicksilver and Quince, two cats with their own checking account who make charitable donations to cathedrals and the Royal Society for the Protection of Birds!

(18) ROLL CREDITS. This is how Star Trek: Strange New Worlds episodes will begin. Here are the opening seconds of the five-year mission.

(19) VIDEO OF THE DAY. And Wil Wheaton hosts this special preview of Star Trek: Strange New Worlds.

 [Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Cora Buhlert, Christian Brunschen, John A Arkansawyer, Martin Morse Wooster, JJ, John King Tarpinian, Chris Barkley, and Andrew Porter  for some of these stories. Title credit belongs to File 770 contributing editor of the day Jack Dominey.]

Pixel Scroll 4/1/22 This Title Contains A Non-Fungible Tribble

(1) DIAL Q FOR MOCKERY. It may be April 1 but calling 323-634-5667 gets you the message: “Star Trek Picard Easter Egg: Real Phone Number Lets You Call Q” reports Gizmodo.

Which, of course actually works. Turns out, calling the number and not being fictional rogue geneticist Adam Soong however, just gets Q mocking you for trying to call the mighty, incomprehensible society that is the Q Continuum. Check out our recording of the phone message below:

If you can’t hear the message, here’s a transcript:

“Hello! You have reached the Q Continuum. We are unable to get to the phone right now, because we are busy living in a plane of existence your feeble, mortal mind cannot possibly comprehend.

“Furthermore, it’s pointless to leave a message, because we of course already knew that you would call, and we simply do not care. Have a nice day.”

(2) A FOOLISH CONSISTENCY. Daniel Dern sent this link with the caution – “Note, (Stardate) April 1, 2022.” “Timekettle New Cross-Species Translator Supports Klingon and Dog&Cat”.

The Timekettle team has launched cross-species language translation through its self-developed translation engine on April 1st, 2022. It is now possible to chat with aliens from the Klingon Empire, as well as with your pets via Woof or Meow.

Dern also suggested trying it on this: “GreenEggsAndHam” at the Klingon Language Wiki.

(3) PRESSED DOWN, SHAKEN TOGETHER, AND RUNNING OVER. What was Brandon Sanderson’s final take? According to CNBC, “Author’s record-breaking Kickstarter campaign closes at $41.7 million”.

Brandon Sanderson asked Kickstarter fans for $1 million to self-publish four novels he wrote during the pandemic. Thirty days later, his campaign has topped $41.7 million from more than 185,000 backers and is the most-funded Kickstarter in the crowdfunding site’s history.

Sanderson’s campaign surpassed the previous record holder in just three days, topping the $20.3 million in funds that smartwatch company Pebble Technology generated in 2015.

With the project successfully funded, Kickstarter will take a 5% fee from the funds collected, or more than $2 million….

(4) EATING THE FANTASTIC. Scott Edelman invites listeners to pig out on pork BBQ with Paul Witcover in episode 168 of his Eating the Fantastic podcast.

Paul Witcover

Paul Witcover‘s first novel, Waking Beauty (1997) was short-listed for the James Tiptree, Jr. Award. He’s also written five other novels: Tumbling After (2005), Dracula: Asylum (2006), The Emperor of All Things (2013) and its sequel, The Watchman of Eternity (2015), plus most recently, Lincolnstein, just out from PS Publishing.

His 2004 novella “Left of the Dial” was nominated for a Nebula Award, and his 2009 novella “Everland” was nominated for a World Fantasy Award. His short fiction has appeared in Twilight Zone magazine, Isaac Asimov’s Science Fiction magazine, Night Cry, and other venues. A collection of his short fiction, Everland and Other Stories, appeared from PS Publishing in 2009, and was nominated for a Shirley Jackson Award. He’s been a frequent reviewer for Realms of FantasyLocusNew York Review of Science Fiction, and elsewhere. He teaches fiction at UCLA Extension and at Southern New Hampshire University, where he is the Dean of the Online MFA program.

We discussed the reason the pandemic resulted in some of the best years of his freelance career, the way he thrives as a writer when dealing with the boundaries of historical fiction, why his new novel Lincolnstein is “exactly what you think it is,” how he writes in yesterday’s vernacular without perpetuating yesterday’s stereotypes, what can and can’t be taught about writing, the reasons he felt lucky to have attended Clarion with Lucius Shepard, the effect reading slush at Asimov’s and Twilight Zone magazines had on his own fiction, what Algis Budrys told him that hit him like a brick, and much more.

(5) PATREON EXPLAINS IT TO JDA. Jon Del Arroz, who as usual says he didn’t do nothin’, asked Patreon to explain why they killed his account. They answered and he has posted their response letter — which mentions that “our guidelines apply equally to off-platform activity.” It would be ironic if Patreon bounced him for the racist and misogynistic tweets and YouTube videos he posts which those platforms permit to go undisciplined despite their own community guidelines.  

(6) AGING ORANGE. [Item by SF Concatenation’s Jonathan Cowie.] Check out BBC Radio 4’s Front Row arts programme. Last night’s episode includes an item on A Clockwork Orange, it being the 60th anniversary of the novel. It was very interesting. Apparently there was an unpublished sequel which was basically having a message that art does not spread violence though society. Front Row – “A Clockwork Orange, the National Poetry Competition winner announced, Slow Horses and Coppelia reviewed”.

(7) WESTWARD HO. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Tom Faber reviews Horizon Forbidden West.

The one-line pitch is that you’re a hunter-gatherer fighting robot dinosaurs across a post-apocalyptic US.  With such a fun hook, nobody needed Horizon Zero Dawn to have a good story, yet its narrative proved unexpectedly compelling.  The game takes place a thousand years after rampaging machines have wiped out most of humanity.  Survivors have clustered into tribal communities who view relics of technology as objects of either suspicion or religious reverence.  The dramas of warring clans are narrated alongside the tale of how our world came to ruin. Guerillas struck gold with flame-haired heroine Aloy, who balances grit and tenderness as one of the most memorable new characters of its console generation…

Forbidden West is the first truly eye-popping flex of the PS5’s muscles, with graphics so beautiful that I have often found myself halting the adventure just to gawp at the landscape, whether dust clouds careening across the desert or forest leaves quivering in the breeze.  The robot enemies are ingenious works of biomechanical clockwork, shaped like snakes, hippos, ferrets, rams, and pterodactyls, with electric cables for sinew and gleaming steel for ligaments.

(8) CLARION WEST CLASSES. Registration for Clarion West’s Spring online classes and workshops is now open. Full information and ticket prices at the links.

This workshop aims to give you practical tools for evaluating publishing contracts. While it’s impossible to teach you everything there is to know about the legal side of publishing in a single class, it is possible to gain a general understanding of the rights involved and the practical mindset needed to protect your interests.

After a brief lecture on common publishing contractual terms, instructor Ken Liu (a lawyer and an author) will lead participants in interactive exercises to spot potential issues in language taken from actual contracts. Whether you’re looking at your first pro short story sale or an offer to adapt your novel into a TV show, the exercises in this class will help you.

Depending on the contracts used in the exercises, topics covered may include publishing rights (print, web, electronic, audio, etc.), performance rights, foreign language rights, media rights (gaming, film, and TV), royalties, advances, taxes, indemnification, etc. There will also be a Q&A period to address specific questions from participants.

This class is provided for educational purposes only, and none of the content should be construed as professional legal, tax, or financial advice.

With demand for transgender and nonbinary narratives on the rise, more cisgender (non-trans/nonbinary) people are adding trans and nonbinary characters to their stories. But what can you do to make sure you’re providing accurate representation? In this session, we will explore the “Three Es” of writing a trans/nonbinary character, the best craft approaches for each, and their potential pitfalls. We’ll also go over (in)appropriate reasons to write a trans/nonbinary narrative, general dos, and don’ts, and an overview of the experiences most often used incorrectly in stories.

This class for intermediate to advanced writers focused on craft to help you flex your funny muscles (since bones don’t flex). We’ll cover new ways to look at your funny fiction, techniques, exercises, the odd hack and trick- and culminate in a small mini-workshop where we’ll go over a piece you worked on!

This class meets three times: April 12, 16 and May 10, 2022, 11:00 AM to 12:30 PM Pacific.

This class will give an overview of the tools libraries use to discover materials and what makes a title more likely to be ordered for a library’s collection. We will also discuss the challenges and opportunities librarians face in acquiring materials and how authors can position themselves to be in a library’s line of sight when it comes to getting their books included in library collections.

We’ll cover physical materials (books and audiobooks) as well as the prickly digital (ebooks and audiobooks) library landscape.

Finally, we’ll also cover a little bit about doing library programs, like readings and classes.

Attendees will come away with a better understanding of how libraries locate and purchase materials and the limitations and differences between the library and the consumer markets.

You know it’s possible to be a successful short story writer with a full-time job, family, and hobbies. The question is, How? How do you get beyond the slush pile? How do you find the time to write when you have a million other obligations? This class will cover how to level up your craft as a short story writer and how to find the time, motivation, and persistence to stick with it while living a full life.

Suitable for writers at all stages of their careers, this class will emphasize self-compassion and give you ideas for how to level up your stories!

(9) HE WAS AN INFLUENCE ON BRADBURY. [Item by Alan Baumler.] Loren Eisley was a prolific science writer, and at least one sf writer liked him. About his book The Star Thrower Ray Bradbury wrote, “The book will be read and cherished in the year 2001. It will go to the Moon and Mars with future generations. Loren Eiseley’s work changed my life.” In “Erik Visits an American Grave, Part 1,059”, Erik Loomis traces the author’s life for readers of Lawyers, Guns & Money.

…As Ray Bradbury said of Eiseley, “he is every writer’s writer, and every human’s human.” This is a great description and his combination of interest in science, human origins, evolutionary theory, and what it means to be a human being continued to lead to best sellers. He quickly moved on his popularity to become the leading interpreter of science in the United States. Darwin’s Century followed in 1958. I haven’t read that one. I have read his 1960 book The Firmament of Time. This was an attempt to give people hope to live with science in an era of such astounding advances that it threatened human beings, particularly nuclear science….

(10) MEDIA BIRTHDAY.

1995 [Item by Cat Eldridge.] Twenty-seven years ago this evening on BBC One, the Bugs series first aired. The series was created by Brian Eastman and producer Stuart Doughty with input from writer and producer Brian Clemens who is best known for his work on The Avengers which is why he considered this “an Avengers for the 1990s”. No idea if that was true having not seen it.

It lasted, despite almost being cancelled at the end of series three, for four series and forty episodes. It had an immense, and I do mean that, cast including Jaye Griffiths who was on Silent Witness early on (I’m watching all twenty-one series of it right now), Craig McLalachlan who was the lead in The Doctor Blake Mysteries, Jesse Birdsall who played Fraser Black in the very popular soap opera Hollyoaks and Steve Houghton who’s Gregg Blake in the London Burning series.

So how was it? I couldn’t find any contemporary reviews, but this later review suggests that it was a mixed bag: “Bugs is a mid-1990s British techno-espionage TV series, intended to be The Avengers (1960s) for a new decade. Wikipedia has the facts. Absolutely laden with Hollywood Science tropes, and quite prone to So Bad, It’s Good.” Another review noted that, “The show does have a cult following in the UK and in 2005 was released on DVD. The main cast have also spoken very highly of the show and the work they did on it, expressing that Bugs was deliberately ahead of its time and set a bench mark for other shows to come.” 

JustWatch says it is not streaming anywhere at the current time.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 1, 1883 Lon Chaney. Actor, director, makeup artist and screenwriter. Best remembered I’d say for the Twenties silent horror films The Hunchback of Notre Dame and The Phantom of the Opera in which he did his own makeup. He developed pneumonia in late 1929 and he was diagnosed with bronchial lung cancer which he died from. (Died 1930.)
  • Born April 1, 1917 Sydney Newman. Head of Drama at BBC, he was responsible for both The Avengers and Doctor Who happening. It’s worth noting that Newman’s initial set-up for The Avengers was much grittier than it became in the later years. (Died 1997.)
  • Born April 1, 1925 Ernest Kinoy. He was a scriptwriter for such stories as “The Martian Death March” to Dimension X and X Minus One as well as adapting stories by Isaac Asimov,  Ray Bradbury,  Philip K. Dick for the both series. He also wrote an adaptation of Shirley Jackson’s “The Lottery” for NBC’s Presents: Short Story. (Died 2014.)
  • Born April 1, 1926 Anne McCaffrey. I read both the original trilogy and what’s called the Harper Hall trilogy oh so many years ago when dragons were something I was intensely interested in. I enjoyed them immensely but haven’t revisited them so I don’t know what the Suck Fairy would make of them. I confess that I had no idea she’d written so much other genre fiction! And I recounted her Hugo awards history in the March 7 Pixel Scroll (item #9). (Died 2011.)
  • Born April 1, 1930 Grace Lee Whitney. Yeoman Janice Rand on Star Trek. She would reach the rank of Lt. Commander in Star Trek VI: The Undiscovered Country. Folks, I just noticed that IMDB says she was only on eight episodes of Trek, all in the first fifteen that aired. It seemed like a lot more at the time. She also appeared in in Star Trek: The Motion Picture, Star Trek III: The Search for Spock, Star Trek IV: The Voyage Home and Star Trek VI: The Undiscovered Country. By the last film, she was promoted to being a Lt. Commander in rank. Her last appearance was in Star Trek: Voyager’s “Flashback” along with Hikaru Sulu. Oh, and she was in two video fanfics, Star Trek: New Voyages and Star Trek: Of Gods and Men. (Died 2015.)
  • Born April 1, 1942 Samuel R. Delany, 80. There’s no short list of recommended works for him as everything he’s done is brilliant. That said I think I’d start off suggesting a reading first of Babel- 17 and Dhalgren followed by the Return to Nevèrÿon series. His two Hugo wins were at Heicon ’70 for the short story “Time Considered as a Helix of Semi-Precious Stones” as published in New Worlds, December 1968, and at Noreascon 3 (1989) in the Best Non-Fiction Work category for The Motion of Light in Water: Sex and Science Fiction Writing in the East Village, 1957-1965.  I will do a full look at his awards and all of his Hugo nominations in an essay shortly. 
  • Born April 1, 1953 Barry Sonnenfeld, 69. Director of The Addams Family and its sequel Addams Family Values  (both of which I really like), the Men in Black trilogy and Wild Wild West. He also executive-produced Lemony Snicket’s A Series of Unfortunate Events which I’ve not seen, and did the same for Men in Black: International, the recent not terribly well-received continuation of that franchise.
  • Born April 1, 1963 James Robinson, 59. Writer, both comics and film. Some of his best known comics are the series centered on the Justice Society of America, in particular the Starman character he co-created with Tony Harris. His Starman series is without doubt some of the finest work ever done in the comics field. His screenwriting is a mixed bag. Remember The League of Extraordinary Gentlemen? Well, that’s him. He’s much, much better on the animated Son of Batman film. And I’ll admit that James Robinson’s Complete WildC.A.T.s is a sort of guilty pleasure.

(12) IT CAUGHT ON IN A FLASH. Cora Buhlert has a new story out. A flash story called “Rescue Unwanted,” it appears as part of the flash fiction Friday series of Wyngraf Magazine of Cozy Fantasy“Cozy Flash: ‘Rescue Unwanted’”.

After a lengthy and laborious climb, Sir Clarenbald the Bold finally reached the summit of the Crag of Doom. The cave of the dragon lay before him, its mouth a dark void in the grey rock….

(13) WHERE IT’S AT. The Movie District has mapped out the “Invasion of the Body Snatchers (1956) Filming Locations” with a combination of stills from the movie and contemporary Google Maps images. This is pretty damn interesting to me because I used to live two blocks from a few of the places in Sierra Madre.

(14) RAZZIES REVERSED. “Razzie Awards Backtrack, Rescind Bruce Willis Award – and Shelley Duvall Nomination as Well”The Wrap explains why.

The Razzie Awards have reversed their decision to stand by their “Worst Performance by Bruce Willis in 2021” award. “After much thought and consideration, the Razzies have made the decision to rescind the Razzie Award given to Bruce Willis, due to his recently disclosed diagnosis,” a statement by co-founders John Wilson and Mo Murphy says.

“If someone’s medical condition is a factor in their decision making and/or their performance, we acknowledge that it is not appropriate to give them a Razzie.” Willis’ family announced on Wednesday that the actor had been diagnosed with the cognitive disorder aphasia and was stepping away from acting.

The Razzie Awards came under fire on Wednesday for refusing to rescind the special award for Willis, and for making an inflammatory Tweet. “The Razzies are truly sorry for #BruceWillis diagnosed condition,” the parody awards ceremony wrote on Twitter. “Perhaps this explains why he wanted to go out with a bang in 2021. Our best wishes to Bruce and family.”

In addition, the organization took the opportunity to rescind another previous nomination – Worst Actress for Shelley Duvall in “The Shining.”

“As we recently mentioned in a Vulture Interview, extenuating circumstances also apply to Shelley Duvall in ‘The Shining.’ We have since discovered that Duvall’s performance was impacted by Stanley Kubrick’s treatment of her throughout the production.  We would like to take this opportunity to rescind that nomination as well.”…

(15) JEOPARDY! Andrew Porter says tonight’s Jeopardy! contestants struck out on this one.

Category: Books and Authors

Answer: In “The Story of” this man, his friends include Too-Too, an owl, Chee-Chee, a monkey, & Dab-Dab, a duck.

No one could ask, “Who is Doctor Dolittle?”

(16) JUSTWATCH – TOP 10’S IN MARCH. JustWatch says these were the “Top 10 Sci-Fi Movies and TV Shows in the US in March 2022”.

Rank*MoviesTV shows
1Spider-Man: No Way HomeSeverance
2DuneHalo
3The Adam ProjectUpload
4After YangResident Alien
5Spider-Man: Far From HomeDoctor Who
6Spider-Man: HomecomingRaised by Wolves
7Venom: Let There Be CarnageSnowpiercer
8Spider-ManStar Trek: The Next Generation
9InterstellarThe X-Files 
10The Matrix ResurrectionsBattlestar Galactica

*Based on JustWatch popularity score. Genre data is sourced from themoviedb.org

(17) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Hancock Pitch Meeting” Ryan George explains that Hancock has a scene where one character destroys her house to prevent her husband from knowing she has super powers.  But the producer is troubled by another scene where Hancock becomes enraged and violent after he is taunted.  “How could that happen?” the producer asks.  “That’s just not in Will Smith’s character!”

[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, Cora Buhlert, Alan Baumler, Scott Edelman, Michael J. Walsh, Dennis Howard, Dan Bloch, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]