Pixel Scroll 5/13/22 Make Room Party, Make Room Party

(1) COME THE MILLENNIUM. This year marks 60 years of the iconic Spider-Man. Marvel Comics will celebrate this milestone anniversary with a special issue honoring the comic that started it all, Amazing Fantasy. Arriving in August, Amazing Fantasy #1000 will be a giant-sized one-shot brought together by some of the industry’s most acclaimed creators.

Here’s just some of what fans can expect from this landmark issue:

  • Visionary writer Neil Gaiman’s grand return to the Marvel Universe
  • Emmy Award winning creator behind “Veep” and “Avenue 5” Armando Ianucci’s Marvel Comics debut
  • Spider-Man mastermind Dan Slott and superstar artist Jim Cheung team up to explore the enduring love between Peter Parker and Mary Jane Watson in a story set in the far future
  • Acclaimed artist Michael Cho and novelist Anthony Falcone introduce a new Spider-Man villain
  • Ho Che Anderson crafts a horror-fueled Spidey adventure that cuts to Peter Parker’s core
  • Plus stories by Rainbow Rowell, Jonathan Hickman, and many more!

 “It’s Spider-Man’s 60th and we wanted to celebrate in style by inviting some of the greatest creative minds in the world to celebrate it!” Editor Nick Lowe said.

Join the industry’s top talent in celebrating Spider-Man’s birthday when Amazing Fantasy #1000 arrives in August. 

(2) THE SKY IS FALLING. Chillercon, the Horror Writers Association’s UK event, announced a change of venue after the ballroom ceiling collapsed in their planned facility. The con will still take place in Scarborough from May 26-29.

The convention received news this week that there has been a ceiling collapse in the Cabaret Ballroom of the Grand Hotel, one of our main programming rooms in that hotel, and asbestos has been discovered. The room has been closed off and the hotel declared safe to run by the relevant authorities, but for the last forty-eight hours the convention committee has been working with both hotels towards the best solution for both the ability of ChillerCon UK to run effectively and for the safety of our attendees, as obviously we are keen to ensure there’s no risk to anyone attending.

To that end, we are pleased to confirm that all programming and accommodation has now been moved to the Royal Hotel with immediate effect….

(3) EATING THE FANTASTIC. Scott Edelman invites listeners to join John Appel for a dry-aged burger in Episode 171 of the Eating the Fantastic podcast.

John Appel

John’s debut novel Assassin’s Orbit, published last year, was a finalist for the 2022 Compton Crook Award. He’s a former US Army paratrooper, a long-time information security professional, a historical fencer, and a life-long gamer who’s written the occasional tabletop RPG adventure. He co-edited the anthology Skies of Wonder, Skies of Danger along with Mary Alexandra Agner. John’s also a graduate of the Viable Paradise workshop and a founding member of the Maryland Space Opera Collective writing group.

We met for lunch at the White Oak Tavern, which is in the Enchanted Forest Shopping Center in Ellicott City, Maryland, and if there was ever a proper place to record an episode of Eating the Fantastic, an Enchanted Forest certainly sounds like it.

We discussed how pitching his debut novel as “Battlestar Galactica meets Golden Girls” got him an agent, why his background in table-top RPGs might be the reason he writes novels rather than short stories, how he deals with the “candy bar” scenes of his plots, the way critique groups and sensitivity readers can help make books better, how to juggle multiple viewpoints and still have them all be equally compelling, the political aspects of his novel which make it a different read than it would have been when it was first begun, his particular set of skills which helped bring fight scenes alive, and much more.

(4) BARRIERS REMAIN. Nalo Hopkinson is profiled by Silvia Moreno-Garcia for the University of British Columbia publication Beyond: “As publishing becomes more varied and diverse, challenges remain for writers of colour”.

…Hopkinson believes universities can help enrich the literary landscape by embracing genre fiction, looking at alternatives that deviate from traditional forms of learning and helping students develop a sense of belonging. For example, the traditional workshop model, where students sit around a circle discussing their stories, may be of little value to a student if they are the only writer of colour in a class.

“I encounter a lot of emerging writers who come from a marginalized community who feel that they won’t be welcomed,” she explains.

Hopkinson believes something that helped her become a writer was “middle class entitlement.” She grew up in a place where Black people were in the majority, where her father was a teacher and her mother a librarian and literature seemed an obtainable pursuit.

“There’s a certain type of entitlement because of that. Not wealth, but entitlement,” she says. “That sense of I have a right to be here.”

The hardest lesson for Hopkinson to teach is this self-empowerment….

(5) THE MEMORY LIBRARIAN. “Janelle Monáe: ‘Erasure is happening right under our noses’” the singer and author tells Christiane Amanpour at CNN Style.

…As Monáe wrote on Instagram in December, they have always used sci-fi and Afro-Futurism as “vehicles” for translating ideas into music, art and now literature. But the singer told Amanpour that they believe memory and history are under threat in today’s America.

“I think that there is definitely an agenda for erasure,” Monáe said, pointing to Florida Governor Ron DeSantis signing the so-called “Don’t Say Gay” bill, which bans LGBTQ+ topics in elementary school classrooms, and Texas Governor Greg Abbott signing legislation that restricts how race and US history is taught in the state’s schools.

“These are real experiences for our ancestors, real experiences for us,” Monáe said. “And erasure is happening right underneath our noses. And it’s being done through lawmaking.”…

(6) VIDEO GAMES. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Tom Faber discusses TV adaptations of games.

What film directors seem to miss while adapting games for cinema is that games do not resolve around stories we are told but worlds we inhabit. They need to ask what it means for this story to be watched rather than played, and how it might have to change accordingly. In that respect, TV may prove a more natural fit. The length of a series creates space for the spreading storytelling style of games and their myriad characters. This breathing room should also allow showrunners to capitalise on the abundant lore and environmental detail of modern games, which assist in the trendy pursuit of ‘world building.’

Two TV shows that offer hope for the future are both animations. Castlevania, a vampire story based on a series of hit 1990s games, has become a surprise hit on Netflix since launching in 2017.  It is sharply written with mature themes and thoughtful plotting and paved the way for last year’s Arcane. Another Netflix show, Arcane digs into the origin stories of two heroes from the online battle arena game League Of Legends using striking animation that blends hand-painted textures with 3D graphics. Unlike other adaptations, Arcane forgoes fussy plot exposition in favor of character-driven drama and plays loosely with its source material, focusing on the complex relationship between two women and including action only where it meaningfully impacts the narrative.

(7) STURGEON SYMPOSIUM. The Gunn Center for the Study of Science Fiction is hosting the first annual Sturgeon Symposium on September 29-30 at the University of Kansas in Lawrence, KS. Here’s the call for papers. They are accepting proposals until June 30.

(8) TIME TRAVEL AND SEX. Nibedita Sen is interviewed by Sarah Gailey in “First Times” at Stone Soup.

First Times is structured unlike anything I’ve read before, using recursion in the narrative to expand and deepen the theme of the story. What inspired you to work in this particular structure? How did you approach storytelling in this medium?

A couple of things, actually – the most important of which is that this was my very first time (hah) writing interactive fiction. As such, I really wanted to keep the game as short and simple as possible, having been warned how easily the simplest-seeming idea can balloon once you actually get down to writing multiple branches of a narrative. Another piece of advice I was given, as a first time IF-writer, was to think about replayability – a game shouldn’t be a one-and-done (hah) kind of thing, but something a reader could go back to multiple times, discovering something new every time….

(9) FRED WARD (1942-2022). Actor Fred Ward has passed on at the age of 79. Detective Harry Philip Lovecraft in Cast a Deadly Spell, Earl Bassett in Tremors and sequels, and the lead in Remo Williams: The Adventure Begins. He was also in The Crow: Salvation, Invasion Earth (miniseries), had parts in episodes of The Incredible Hulk and The Hitchhiker. The New York Times tribute here comments:

…Mr. Ward was likely best known for his performances in “The Right Stuff,” the acclaimed 1983 adaptation of a book by Tom Wolfe, and “Tremors,” a monster movie that ascended to cult classic status since its release in 1990.

But his long career included a broad range of roles in which he applied a sometimes gruff but almost always grounded charisma to parts on film and TV: among other parts, a union activist in “Silkwood,” a detective in “Miami Blues,” Henry Miller in “Henry and June,” and a motorcycle racer in “Timerider: The Adventures of Lyle Swann.”…

(10) MEDIA BIRTHDAY.

1994 [By Cat Eldridge.] Twenty-eight years ago, The Crow premiered. I saw it at the theatre and yes, I liked it quite a bit. I’m not a horror fan but I found this quite impressive.  I hadn’t realized until now that it was co-written by John Shirley along with David J. Schow but I’ll get back to that in awhile. 

It was directed by Alex Proyas who would later be nominated for a Hugo at Aussiecon Three (1999) for Dark City. (The Truman Show won that year.) And he’d also later direct I, Robot.

The Crow was produced by Jeff Most, Edward R. Pressman and Grant Hill. Most would produce the sequels, The Crow: City of AngelsThe Crow: Salvation and The Crow: Wicked Prayer. Pressman was the uncredited executive producer for Conan the Destroyer and Grant Hill was involved in the Matrix films plus V for Vendetta.

Of course the movie starred Brandon Lee, an actor who gave the film a certain tragic edge by dying. The other major roles were held by Ernie Hudson and Michael Wincott. Ernie you know, but Michael Wincott has largely played villains in such films as Alien Resurrection and The Three Musketeers (remember I hold them to be genre). 

So yes, it was written by John Shirley along with David J. Schow. Checking IMDB, I see Shirley has written far too many screenplays too list all of them here, so I’ll just note his work on Deep Space NineBatman Beyond and Poltergeist: The Legacy. Though definitely not genre, he also wrote one episode of the Red Shoe Dairies. Really he did.

The Crow did well at the box office making nearly a hundred million against twenty-four million in costs. 

So what did the critics think? Michael Wilmington of the Chicago Tribune had this to say: “What’s scary about The Crow is the story and the style itself: American Gothic, Poe-haunted nightmare, translated to the age of cyberpunk science fiction, revenge movies and outlaw rock ‘n’ roll, all set in a hideously decaying, crime-ridden urban hell.” And Caryn James of the New York Times said: “It is a dark, lurid revenge fantasy and not the breakthrough, star-making movie some people have claimed. But it is a genre film of a high order, stylish and smooth.”

It holds a most exemplary ninety percent rating among audience reviewers at Rotten Tomatoes. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 13, 1922 Bea Arthur. Really only one meaningful genre credit but oh but what a credit it is. She’s in the Star Wars Holiday Special as Ackmena. That character in the Star Wars canon was the nightshift bartender in Chalmun’s Cantina in Mos Eisley on Tatooine who joined the resistance. (Died 2009.)
  • Born May 13, 1937 Roger Zelazny. Where do I start? The Amber Chronicles are a favorite, as is the Isle of The Dead, To Die in Italbar, and well, there’s very there’s very little by him that I can’t pick him and enjoy for a night’s reading. To my knowledge there’s only one thing he recorded reading and that’s a book he said was one of his favorite works, A Night in the Lonesome October. No, I’ve not forgotten about his Hugos. Roger Zelazny would win his first Hugo for …And Call Me Conrad which would later be called This Immortal.  It would be the first of six Hugos that he would win and one of two for Best Novel, the other being for Lord of Light. His other four Hugos would be for the “Home Is the Hangman” novella, the “Unicorn Variation“ novelette, “24 Views of Mt. Fuji, by Hokusai” novella and “Permafrost” novelette. (Died 1995.)
  • Born May 13, 1946 Marv Wolfman, 76. He worked for Marvel Comics on The Tomb of Dracula series for which he and artist Gene Colan created Blade, and the Crisis on Infinite Earths series in which he temporarily untangled DC’s complicated history with George Pérez. And he worked with Pérez on the direct-to-DVD movie adaptation of the popular “Judas Contract” storyline from their tenure on Teen Titans. (I’m not going to list his IMDB credits here. Hell, he even wrote a Reboot episode!) 
  • Born May 13, 1949 Zoë Wanamaker, 73. She’s been Elle in amazing Raggedy Rawney which was a far better fantasy than Harry Potter and the Philosopher’s Stone where she was Madame Hooch. And she was Cassandra in two Ninth Doctor stories,” The End of the World” and “New Earth”. 
  • Born May 13, 1951 Gregory Frost, 71. His retelling of The Tain is marvellous. Pair it with Ciaran Carson and China Miéville’s takes on the same legend taking an existing legend and remaking it through modern fiction writing. Fitcher’s Brides, his Bluebeard and Fitcher’s Bird fairy tales, is a fantastic novel though quite horrific.
  • Born May 13, 1964 Stephen Colbert, 58. Ubernerd who’s currently recovering from his third bout of Covid. He’s hosted charity showings of Tolkien. Genre credits a cameo as a spy in The Hobbit: The Desolation of Smaug, the voice of Paul Peterson in Mr. Peabody & Sherman and the voice of President Hathaway in Monsters vs. Aliens

(12) THE SLEEPER SYMBIOTE CLAIMS A NEW HOST IN VENOM #11. This cover reveal is really only the first phase of Sleeper Agent’s look. They are symbiotes, after all. Pick up his debut issue when Venom #11 arrives in August.

Writers Al Ewing and Ram V and artist Bryan Hitch’s acclaimed run on Venom continues to reshape the symbiote mythos in each explosive issue! And luckily for Venom fans, the trio of superstar creators have no plans to slow down as the ongoing series enters its’ third terrifying arc this August in Venom #11. Kicking off a three-part story called “VENOMWORLD”, readers will see Eddie and Dylan Brock’s journey take a sharp turn as they deal with the shocking revelations of Venom #10. Dylan is still at the mercy of Bedlam while Eddie battles his way across the cosmos, discovering more about the symbiotes than ever before. And the hits keep coming as the Sleeper symbiote joins the fray with a deadly new look… 

(13) LIVE TWEETING. Cat Rambo did the Writers Corner Live show, talking about The Reinvented Heart with Mary Elizabeth Jackson. 

(14) BEWARE SPOILERS. [Item by Martin Morse Wooster.] Doctor Strange 2 writer Michael Waldron, in a spoiler-packed article, discusses his screenplay and the Star Wars film he is working on for Kevin Feige. BEWARE SPOILERS! “’Doctor Strange 2′ Writer on Wanda, Mr. Fantastic, ‘Star Wars’ Movie” in Variety.

SPOILER ALERT: This story discusses major plot points in Doctor Strange in the Multiverse of Madness, currently playing in theaters. Do not read until you’ve seen the movie.

As an alum of “Community” and “Rick and Morty,” screenwriter Michael Waldron certainly knows outré, genre-hopping science fiction; with “Doctor Strange in the Multiverse of Madness,” Waldron found a kindred spirit in director Sam Raimi, who invented outré, genre-hopping horror with his “Evil Dead” trilogy.

Together, Raimi and Waldron have made one of the most distinctive — and, for some, controversial — movies ever in the Marvel Cinematic Universe. To wit (the big spoilers start here): Wanda Maximoff (Elizabeth Olsen) goes full Scarlet Witch and brutally murders anyone who gets in the way of her mission to find a universe in which her sons from the 2021 Disney+ series “WandaVision” are still alive. It’s a heel turn that has shocked many — including Olsen — especially when Wanda decimates the Illuminati, the team of superheroes from an alternate reality that includes Patrick Stewart’s Charles Xavier (from 20th Century Fox’s “X-Men” movies), Anson Mount’s Black Bolt (from ABC’s “Inhumans” TV series), and John Krasinski’s Reed Richards, the first time the leader of the Fantastic Four has appeared in the MCU….

(15) IT WILL BECOME ROUTINE. “Huntsville International Airport becomes first commercial airport allowed to land a space vehicle” reports WAFF.

The Huntsville International Airport was approved by the Federal Aviation Administration (FAA) to allow commercial space vehicles to land at the airport….

Sierra Nevada Corporation’s Dream Chaser is a space utility vehicle that is designed to transport crew and cargo to destinations such as the International Space Station.

Sierra Space was awarded six missions by NASA to resupply the International Space Station. The FAA could grant the Dream Chaser the option to land in Huntsville in 2023.

“This is a significant milestone for Huntsville International and for our community in the pursuit of landing a commercial space vehicle right here in Rocket City U.S.A.,” Chairman of the Board of Directors for the Port of Huntsville/Huntsville International Airport, Mark McDaniel, said in a statement. “That’s going to be an exciting day, not just for the Airport but also for the talented and dedicated partners in this effort.”

(16) EATING OUTSIDE THE BOX. [Item by Martin Morse Wooster.] In the Washington Post, Marylou Tousignant says that May 11 was National Eat What You Want Day and recommended ten foods kids could try, including Japanese tuna eyeballs, Vietnamese coconut worms, and Marmite. “On Eat What You Want Day, try something new”.

… It’s easy to think of foods you love and want to eat. We decided to tinker with the idea and tell you about 10 unusual dishes from around the world that you may never have heard of. We’re calling it International Give It a Try Day….

She alerted me to all the damage Paddington caused in this commercial when he switched from marmalade to Marmite sandwiches! “Paddington Bear Marmite TV Commercial “.

[Thanks to Chris Barkley, Andrew Porter, Michael Toman, Dan’l, Paul Weimer, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]