24 Have Spice Suit, Will Travel

Posted on August 15, 2024 by Mike Glyer

(1) SFWA ON ITS THIRD PRESIDENT THIS SUMMER. Chelsea Mueller today resigned as Interim President of the Science Fiction and Fantasy Writers Association. Mueller had been in office only since the beginning of August, as SFWA’s VP becoming the organization’s Interim President upon the resignation of SFWA President Jeffe Kennedy on August 1. Anthony W. Eichenlaub, SFWA Secretary, is stepping up as the new Interim President. Mueller’s and Eichenlaub’s statements are excerpted in the File 770 post “Mueller Resigns as Interim SFWA President; Eichenlaub Takes Office”.

To learn why the organization is in a crisis SFWA members must read the Forum. Those outside can get only a very general idea from social media posts like M L Clark’s statement on Bluesky.

Author Jenny Rae Rappaport his urging SFWA members to sign a Petition for bylaws amendment to forbid NDAs. The supporting statement follows. The wording of the amendment is at the link.

In the last several years, SFWA has begun requiring its Board members, employees, and key volunteers to sign non-disclosure agreements (NDAs) to ensure confidentiality. However, recent events have shown that these NDAs cause more problems than they solve. Because the NDAs are overly broad without clear limits or expiration dates, they leave employees, Board members, and volunteers uncertain about what they can and cannot say without potential legal repercussions. Even more concerning is that these NDAs have created distrust between SFWA membership and the Board, and an environment where the perception exists that bad actors can mistreat others and violate SFWA’s bylaws with impunity.

There is no legal requirement for SFWA as a 501(c)(3) to use NDAs, for either its legal or tax status. Many nonprofits, both inside and outside California, function perfectly well without using NDAs, either trusting that people will follow the laws about disclosure of personal, financial, and medical information, or using individual confidentiality agreements with the details of what information needs to be kept confidential spelled out.

Accordingly, in the interests of greater transparency for the organization, we, the undersigned members of SFWA, petition for the following change to the bylaws:

(2) INDUSTRY REACTS TO GAME HUGO WINNER. PC Gamer marvels that “Somehow, Baldur’s Gate 3 isn’t done winning yet: It’s just claimed the most prestigious award for science fiction and fantasy writing”.

….A special videogame category was added in 2021 to recognize the increased impact of videogames amidst the early days of the Covid-19 pandemic, but it was a one-off: No game-related Hugo was awarded in 2022 or ’23.

In 2023, however, Worldcon voted to make the Best Game or Interactive Work a permanent category for 2024—wouldn’t you know it, just in time for the Baldur’s Gate 3 behemoth to smash through the walls like the Kool-Aid Man and run off with it. BG3 beat out Alan Wake 2 (yet again), Chants of Senaar, Dredge, The Legend of Zelda: Tears of the Kingdom, and Star Wars Jedi: Survivor for the big prize….

“The Hugo nominees and awards have determined my reading list since forever, so it’s a huge honor to be standing here,” Larian boss Swen Vincke said during his acceptance speech (via Polygon).

“Videogame writing is often underestimated. It is very very very hard work. For Baldur’s Gate 3 we had to create over 174 hours of cinematics just to be able to respect the choices of the players and to make sure that each and every single one of them would have an emotional story that was reflecting their choices and their agency. It takes a very long time, it takes a very large team … It takes a lot of perseverance and a lot of talent. So I’m very happy for all of them and for all of the team back home that we can get this, and very grateful to the fandom.”

Vincke isn’t kidding when he says Larian wanted to ensure Baldur’s Gate 3 was as reactive as possible to player choices: The studio recently revealed that the game’s rarest ending has only been unlocked by 34 players—and remember, this is a game that’s sold well over 10 million copies. (For a little added context, 1.9 million Baldur’s Gate 3 players were turned into a cheese wheel. Which is fine, really: No one has as many friends as the man with many cheeses.)…

(3) ELLISON FOUNDATION HAD IRS CHARITABLE STATUS REVOKED. The IRS has revoked the 501(c)(3) charitable status of The Harlan and Susan Ellison Foundation after it failed to file the required Form 990 for three straight years. Douglas J. Lane provides detailed coverage of the Foundation’s creation, activities, and status in his blog post “For Want of a Form”:

On Monday, August 12, 2024 the Internal Revenue Service updated its monthly list of 501(c)(3) organizations for whom it was revoking charitable status based on failure to file Form 990, Return of Organization Exempt from Income Tax, for three consecutive years.

Among the organizations freshly listed was EIN number 873507738, The Harlan and Susan Ellison Foundation.

The revocation of charitable status puts the Foundation and its president, J. Michael Straczynski, in a tricky spot, as it makes the organization fully taxable. They cannot receive tax-free donations or offer deductions to donors. Under California law, they will also not be able to distribute charitable funds. There are other ramifications, and while reinstatement is possible, it comes with a swath of requirements.

It’s critical to say at the outset of this account of the public-facing facets of the Foundation: I ascribe no malicious intent or nefarious purpose to anyone involved in any of the events that led to this revocation, and no impropriety is indicated by anything that has occurred. Indeed, Joe Straczynski speaks in a caring and sincere way about the place the Ellisons have in his heart, and how he wants to carry out their wishes. The Foundation has a laudable vision. But malicious intent and carelessness are two different things, and it’s clear a severe breakdown occurred somewhere along the way that resulted in opacity where transparency was required, creating a situation in which warnings were missed and the Foundation was positioned for a catastrophic setback that was wholly avoidable…

Lane also posted the information today at The Harlan Ellison Facebook Fan Club, leading to this series of comments from J. Michael Straczynski.

Thursday, August 15, 2024 at 10:21 a.m.

This is literally the first time I’m hearing this. We’ve had no contact from them directly or indirectly. If the forms were not submitted that’s strictly a paperwork issue and that’s on us. I need to find out what happened on the attorney side. This will be fixed and as per this the status will then be reinstated once we’ve sent in the forms.

Thursday, August 15, 2024 at 11:21 a.m.

Okay, last quick update for the moment. It looks like the notices were being sent to the wrong address/suite number. Also, as for the Packard, it was not sold, it was given freely to a member of this very forum in exchange for looking after it and maintaining it in Harlan’s memory. He can confirm this here if he so desires.

So bottom line for now: the paperwork fell through a crack between different offices over who was handling what, and the address (as noted in the link) was incorrect for the notices. I assumed all this was being properly attended to, while I was busy getting Harlan’s work back into print. That error was mine. The good news is that since this was apparently a comedy of errors on both sides, there should be no issue with getting this rectified swiftly by simply filing the paperwork.

Thursday, August 15, 2024 at 12:41 p.m.

Okay…I just heard from the business management firm we’ve been using and they confirmed that they hadn’t looked after this because they believed it was already being handled by others. They’re filing the paperwork as we speak and this will be rectified promptly.

Thursday, August 15, 2024 at 3:25 p.m.

This has now been officially resolved. We just confirmed with the tax dept that we never received any notices from the IRS. We sent in and they have now filed the returns with the correct address. After the IRS processes them, we will handle the paperwork to reinstate the Foundation which will apparently not be a problem. The IRS will update their records so no further notices are missed. The tax dept now has the Foundation on their schedule so they won’t miss it again anyway. Just to be on the safe side moving forward we are going to hire a nonprofit attorney on retainer to coordinate all of the moving parts so nothing falls through the cracks in future.

A colorful day but at least it’s ending better than it began.

(4) ANOTHER LOOK AT GAIMAN ALLEGATIONS. The Spinoff books editor Claire Mabey listened to the Tortoise Media podcast “Master: the allegations against Neil Gaiman” and distilled the information into a timeline with explicit details of the encounters described by survivors in “The New Zealand allegations at the centre of a Neil Gaiman podcast investigation”.

(5) AMERICAN NON-IDOL. I don’t know that any of the many ways John Scalzi restates the basic point in his 3,600-word post really feels like it stuck the landing, but the oft-repeated message makes sense: “Please Don’t Idolize Me (or Anyone, Really)” at Whatever.

In the wake of the various recent allegations involving Neil Gaiman, people have been both very sad that someone who they looked up to as an inspiration has, allegedly, turned out to be something less than entirely admirable, and are now looking to see who is now left that they can rotate into the spot of “the good dude,” i.e., that one successful creative guy who they think or at least hope isn’t hiding a cellar full of awful actions. One name I see brought up is mine, in ways ranging from “Well, at least we still have Scalzi,” to “Oh, God, please don’t let Scalzi be a fucking creep too.” Which, uhhhh, yeah? Thanks?…

…Every person you’ve ever admired has fucked up, sometimes really badly. Everyone you’ve ever looked up to has secrets, and it’s possible some of those secrets would materially change how you think about them, not always for the better. Everyone you’ve ever known has things about them you don’t know, many of which aren’t even secrets, they’re just things you don’t engage with in your day-to-day experience of them. Nevertheless it’s possible if you were aware of them, it would change how you feel about them, for better or for worse. And now let’s flip that around! You have things about you that even your best friends don’t know, and might be surprised to learn! You have secrets you don’t wish to share with the class! You have fucked up, and lied, and have been a hypocrite too!…

…Oh, God, this is where Scalzi starts admitting to terrible, terrible things. No. I feel pretty confident I live a tolerably ethical life. Part of the reason for this is that I have what I think is a decent operating principle, which is: If I’m thinking of doing something, and Krissy called me right then and asked “what are you doing?” and I would be tempted to lie to her about it, then I don’t do that thing….

(6) GET READY FOR FANTASTIC FEST. “Fantastic Fest 2024 Lineup Featuring Terrifier 3, Never Let Go, More Unveiled” – Deadline has details.

Fantastic Fest, the country’s largest genre film festival, has unveiled the feature lineup for its 19th edition, taking place at the Alamo Drafthouse South Lamar in Austin, TX, from September 19th- 26th.

Featuring 28 World Premieres, 23 International and North American Premieres, and 15 U.S. Premieres, the fest opens with the world premiere of James Ashcroft’s The Rule of Jenny Pen, a new thriller starring John Lithgow and Geoffrey Rush. Lionsgate’s horror thriller Never Let Go will be presented during the opening night gala, with director Alexandre Aja, star Halle Berry and the team from 21 Laps in attendance. Meanwhile, opening night will also feature the world premiere of Terrifier 3, the latest film in Damien Leone’s horror franchise, centered on the horrifying Art the Clown.

(7) AURORA AWARDS VOTING STATISTICS. Clifford Samuels has posted the “Final results for the 2024 Aurora Awards” at the Canadian Science Fiction and Fantasy Association website. The direct link to the statistics is here.

(8) SIMULTANEOUS TIMES. Space Cowboy Books of Joshua Tree, CA brings listeners Simultaneous Times episode 78. Stories featured in this episode:

“When You See A Dragon, You Run” by Jenna Hanchey, read by the author

“The Darling Murders” by Jonathan Nevair. Read by Jean-Paul Garnier

Music by Phog Masheeen. Theme music by Dain Luscombe.

(9) TODAY’S BIRTHDAY.

[Written by Lis Carey.]

Born August 15, 1933 – Bjo Trimble, 91.

By Lis Carey: Bjo was born in Holdenville, Oklahoma, in 1933, discovered sf fandom in 1952. She was serving in the US Navy, at the Great Lakes Naval Station, and saw an announcement in Astounding Science Fiction about the science fiction convention that weekend in Chicago—the 10^th Worldcon, the one we now call Chicon II, though at the time it had no official name. The largest Worldcon ever at the time, with 870 members, it was a great place for a smart and friendly young woman to meet people and make connections in fandom. Her new acquaintances included Robert Bloch, Willy Ley, August Derleth, and Harlan Ellison.

Bjo Trimble attends the 2024 Peabody Awards at Beverly Wilshire on June 9. Photo by Jon Kopaloff.

When it was discovered that she was an artist and cartoonist, she was recruited to provide illustrations for fanzines, sealing her fate. She claims to have met her husband, John Griffin Trimble, under Forrest J Ackerman’s piano, during a particularly crowded party. He was serving in the US Air Force, and they traded Stupid Officer Stories.

But as we all know, this was mere prelude. Bjo was active in LASFS (Los Angeles Science Fiction Society), and organized a fashion show for Solacon (the 16^th Worldcon). In 1960, she started Project Art Show, which brought the first modern, organized art show at a science fiction convention to Pittcon, the 1960 Worldcon. Bjo continued the project, bringing art shows to Worldcons and other conventions. By 1969, Project Art Show had become The International Science-Fantasy Art Exhibition” (ISFAE), and was judging and awarding prizes, as well as organizing the art shows.

But in 1968, Bjo started turning her attention to a new fannish interest–Star Trek. Bjo and John Trimble were active in the letter-writing campaign credited with getting the show a third season, after it was initially canceled after its second season. They also helped convince NASA to name the first of the Space Shuttles Enterprise, although that was a test vehicle never intended for space flight.

Bjo was a major contributor to the Star Trek Concordance, containing cross-referenced details on every character, setting, event and device in every episode of the original Star Trek, and, in later editions of the book, its animated incarnation, and the Star Trek films. Originally self-published, it got a mass market publication by Ballantine Books in 1976, and an updated edition by Citadel Press in 1995. On the Good Ship Enterprise: My 15 Years with Star Trek, her memoir of her experiences in Star Trek fandom, was published in 1982.

Bjo was a Guest of Honor at Dragon Con, which was also the 6^th North American Science Fiction Convention, in 1995. Bjo and John Trimble were Fan Guests of Honor at ConJosé, the 60^th Worldcon. Bjo, or Bjo and John, were also honored at many Star Trek and other science fiction conventions.

In addition, Bjo and John Trimble were Baron and Baroness of the Society for Creative Anachronism’s Barony of the Angels, from September 2008 to January 2012. That’s at least fandom adjacent, right?

Sadly, John in April 2024, but Bjo is still with us. Her contributions to fandom will remain.

(10) COMICS SECTION.

Non Sequitur’s Jeffrey looks into the future.
Dog Eat Doug suspects that cats lie.
Rhymes With Orange explains the universe.

(11) MUTANTS DESERVE AWARDS. The Walt Disney Studios has a “For Your Consideration” website for the X-Men ’97 series.

(12) PAGING ALL READERS. “Book Bars Gain Momentum Around New York”: Eater tells you where to find the ones in New York City.

A flurry of book bars has recently opened that prioritize solo time as much as low-key conversation, offering a fun alt-combo to record bars and libraries. These spaces for reading, drinking, listening to music, and chatting with other book lovers (or not) are a post-shutdown pivot from social distancing. And while the throwback staple had started to revive just after the pandemic, their openings have gained momentum around the city.

Like wine bars and cocktail bars, the focus in book bars is less on needing labor to make complicated dishes as the case may be in a full-fledged restaurant. Instead, the business relies on easier-to-procure revenue streams: booze, books, and sometimes, ready-made snacks, like olives, nuts, and tinned fish. But book bars, owners say, are less about practicality than about creating a community, a third place that’s conducive to reading and chatting while enjoying a drink…

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(13) PURINA HOBBIT CHOW. “What’s on the Menu in Your Fantasy World?” at Gastro Obscura.

FOOD AND FANTASY HAVE LONG gone hand in hand. Our oldest myths and fairy tales abound with ravenous monsters and enchanted apples, while modern fantasy literature has brought us the second breakfast-savoring hobbits of The Lord of the Rings and the sprawling medieval banquets of A Song of Ice and Fire. Fantasy fans rally around official cookbooks from the worlds they love, as well as unofficial recreations and fanfiction that explores the diets of their favorite characters.

(14) THE TREES THAT GREW THE POOH-STICKS. BBC Countryfile invites readers to “Discover the real-life Winnie-The-Pooh locations that inspired the famous children’s books by AA Milne”.

Ashdown Forest in East Sussex is perhaps best known as The Hundred Acre Wood, the beloved setting of arguably the most famous children’s books ever written, Winnie-the-Pooh, published in 1926, and The House at Pooh Corner (1928)….

…Today, the 6,500-acre heathland and woodland 36 miles south of London, is a rare and protected area, providing habitat for endangered flora and fauna. In this gentle, ancient landscape, we can enjoy its literary, cultural and environmental history; we can be twitchers, walkers or pub-goers….

(15) NOW LEAVING ON TRACK 9-3/4. “Back to Hogwarts pop-up coming to Grand Central Terminal with spellbinding interactive activities” reports AMNY.

For the first time ever, Warner Bros. Discovery will be hosting a Back to Hogwarts pop-up in New York City. From Aug. 30 through Sept. 1, “Harry Potter” fans can gather at Vanderbilt Hall at Grand Central Terminal to celebrate the start of a new school year at Hogwarts.

In the “Harry Potter” universe, all students board the Hogwarts Express and return for a new year on Sept. 1. Warner Bros. Discovery hosts global celebrations in cities like London, Paris, Rio de Janeiro, and Tokyo, uniting fans worldwide with digital activities, in-person gatherings, and watch-alongs, plus huge celebrations at “Harry Potter” destinations such as the Wizarding World of Harry Potter at Universal Studios.

At the New York pop-up, guests can expect to find magical performances, LEGO building activities, an interactive “Harry Potter: Quidditch Champion” experience, and a Butterbeer toast, courtesy of the flagship Harry Potter New York store. On Sept. 1, there will be a ticketed event with a live 11 a.m. countdown, marking when the Hogwarts Express would leave Kings Cross station in the series.

Though all of the events are free to attend, “Harry Potter” fans must sign up for a timed-entry ticket, which will be available starting Aug. 19. To make sure you don’t miss it, sign up and opt into email communications from the Harry Potter Fan Club by Aug. 17. On Aug. 19, an email will be sent including a link to the ticket site ahead of release at 12 p.m. EST.

(16) NOT A ROLLING STONE. SAILING, MAYBE. [Item by SF Concatenation’s Jonathan Cowie.] Today’s Nature has Stonehenge on the cover. There’s a Nature News item here.

The history of Stonehenge poses many challenges, not least of which is where all of the stones came from and how they were transported to the site. The Neolithic structure is made up of two main types of stone — sarsens sourced some 25 kilometres away near Marlborough, and bluestones that originated in Wales. The largest of the bluestones at the site is the six-tonne Altar Stone, but it is an anomaly: it did not come from Wales. In this week’s issue, Anthony Clarke and colleagues reveal that the Altar Stone probably made a remarkable journey of some 750 kilometres from Scotland. The researchers analysed two fragments from the stone and discovered a striking similarity to the Old Red Sandstone of the Orcadian Basin in northeast Scotland. The team suggests that the stone could have been transported by sea, indicating that there might have been a significant level of societal organization within Neolithic Britain.

The original research by Anthony Clarke and colleagues link above is to “A Scottish provenance for the Altar Stone of Stonehenge”.

(17) UPLIFTING HUMANS. [Item by SF Concatenation’s Jonathan Cowie.] In a series of stories and novels, David Brin explored the idea of species uplift where by a technological civilization genetically manipulates a non-sentient species into full-blown sentience: a process called ‘uplifting’. Brin’s series has a climax in the Hugo-winning The Uplift War (1986).

Last weekend, while folk in Glasgow were preparing for the Hugo Awards ceremony, Isaac Arthur posted one of his monthly ‘Sci-Fi Sunday’ videos. While in David Brin’s stories the humans appeared to be the exception in the Galaxy who evolved sentience naturally whereas every other civilization seems to have been uplifted with the original uplift being made by some ancient and now extinct civilization. Conversely, in Isaac’s video, he explores the notion that humans were uplifted by an alien race.

Now, it has to be said that Isaac himself does not subscribe to the idea of humans being uplifted (he makes that clear both at the video’s beginning and end), but explores the concept hypothetically. Included in the mix is a slightly more sober idea that the Earth might have been subject to panspermia and specifically directed panspermia… As well as a brief dive into Eric von Daniken which, mercifully, he looks at purely through an SFnal lens… “Were Primitive Humans Uplifted By Aliens?”

Many believe humanity’s climb upward may have been assisted by outsiders. Is this possible, and if so, what does that tell us about our own past… and future?

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Clifford Samuels, Christian Brunschen, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Barkley — So Glad You (Didn’t) Ask #90, A Column of Unsolicited Opinions

Posted on August 12, 2024 by Mike Glyer

THE 2024 HUGO AWARDS CEREMONY IN GLASGOW SCOTLAND, A PHOTO ESSAY

By Chris M. Barkley:

(1-3) Lining Up for the Hugo Awards Ceremony outside of the Armadillo, 7:00 pm local time.

(4) Artist Maurizo Manzieri (right) and Silvio Sosio (left), publisher and editor of the magazine Robot and the online magazine Fantascienza.com, outside of the Armadillo, 7:00 pm.

(5) Hugo Ceremony Auditorium Stage.

(6) Hugo Awards Ceremony poster.

(7) Gay and Joe Haldeman.

Forty-two more photos follow the jump!

Continue reading →

Pixel Scroll 7/29/24 No One Scrolls Here These Days, It’s Too Pixeled

Posted on July 29, 2024 by Mike Glyer

(1) TOLKIEN’S ANSWERS. “’Human stories are always about one thing – death’: Why the shadow of death and WW1 hang over The Lord of the Rings” – at BBC. Includes video of the referenced interview.

In a 1968 interview, the BBC spoke to author JRR Tolkien about his experiences during World War One, how they had a profound effect and influenced his epic fantasy novel, Lord of the Rings.

“Stories – frankly, human stories are always about one thing – death. The inevitability of death,” The Lord of the Rings author JRR Tolkien told a BBC documentary in 1968, as he tried to explain what his fantasy magnum opus was really about.

The novel, the first volume of which was published 70 years ago this week, has enthralled readers ever since it hit the shelves in 1954. The Lord of the Rings, with its intricate world-building and detailed histories of lands populated with elves, hobbits and wizards, threatened by the malevolent Sauron, had, by the time of the interview, already become a bestseller and a cornerstone of the fantasy genre.

To better explain what he meant by the story being about death, Tolkien reached into his jacket pocket and pulled out his wallet, which contained a newspaper clipping. He then read aloud from that article, which quoted from Simone de Beauvoir’s A Very Easy Death, her moving 1964 account of her mother’s desire to cling to life during her dying days….

(2) TOR/SCALZI PARTNERSHIP EXTENDED. With six books still owed on his previous 13-book deal, Tor has signed John Scalzi up for yet another ten books: “Tor Publishing Group and Tor UK Announce Major Multi-Book Deal for Bestselling and Award-Winning Author John Scalzi” at Reactor.

…This new deal marks another long-term commitment by Tor Publishing Group and Tor UK to the works of John Scalzi, with the first book of this new contract tentatively scheduled for 2029.

John Scalzi said of the deal, “It’s rare in publishing to get anything close to continuity—authors go from one publishing house to the next. So I’m especially proud that this contract not only extends my two-decade association with Tor Books, but gives us both an opportunity to build on what’s come before, and make what comes next even better. We have so much planned in the years ahead. I can’t wait for you all to read it.”

Patrick Nielsen Hayden commented, “It’s fantastic to know that we’ll be in the John Scalzi business for even more years to come. He’s a remarkable writer and I can’t wait to see what he does next.”…

(3) TAFF WINNER’S ITINERARY. Trans-Atlantic Fan Fund administrator Sandra Bond today issued Taffluorescence 5, containing news of 2024 delegate Sarah Gulde’s movements and other hot news from TAFF. Gulde’s visit to the UK will take her to:

22-26 July: London… 26-29 July: Blackpool (Star Trek con)… 29 July-8 August: Inverurie… 8- 13 August: Glasgow… 13-16 August: Elgin… 16-20 August: Inverness… 20-23 August: Newcastle… 27-30 August: Stoke… 30 August-3 September: Liverpool… 3-10 September: Wrexham… 10-13 September: Neath… 13-16 September: Broadway (Give my regards… oh, that Broadway…) 16 September-11 October: London, Bath, Cornwall, Stratford.

Do not hesitate to give generously when the TAFF hat is passed.

(4) SHADOWY ENDING. The LA Times takes readers “Inside SDCC 2024 with ‘What We Do in the Shadows’ cast”. (Behind a paywall.)

…FX is going all out for “Shadows” at Comic-Con this year for their “farewell tour.” The acclaimed mockumentary comedy series — which earned eight Emmy nominations earlier this month — has announced that its upcoming sixth season will be its last. The Bayfront’s exterior is draped in a gigantic “Shadows” promotional poster, and just below the hotel is an activation area that features one designed to look like the show’s vampire mansion.

Before their panel presentation, the cast and creatives head to an area where they are greeted by fans in full cosplay despite the sweltering heat. The “Shadows” team is then shuttled to the convention center, where it listens in backstage as a packed Hall H receives a sneak peek at the Season 6 premiere. (Berry and Newacheck share a thumbs up when they hear the audience erupt in laughter after a Laszlo moment.) And after their Hall H presentation, they and the rest of their group will be chatting up fans — some in cosplay, some with “Shadows”-themed paraphernalia, all with enthusiasm — as they sign autographs and pose for selfies. As for Season 6, Simms says, “It’s exactly what we wanted to do.”

“We wanted to make a last season that was not sentimental or trying to tie up every loose end,” he says. “Just make [a season] that is super funny and at the end has a good ending, which we’re not going to tell you.”

(5) R-R-R-R MATEY! Deadpool & Wolverine made a lot of money this weekend, its $205 million domestic box office ranking as the eighth biggest opening of all time among any film and by far the biggest launch for an R-rated film, not adjusted for inflation. The first Deadpool was the previous record-holder at $133.7 million. “Box Office: ‘Deadpool & Wolverine’ Sets Record With $205 Million Debut” at Variety.

…Disney’s superhero sequel has collected $205 million in its opening weekend, ranking as the eighth-best debut of all time ahead of 2018’s “Black Panther” ($202 million) and behind 2015’s “Jurassic World” ($208 million) and 2012’s “The Avengers” ($207 million). Only nine films in Hollywood history have crossed the $200 million milestone in their opening weekends. Ticket sales also easily surpassed 2016’s “Deadpool” ($132 million) to set the record for the biggest R-rated opening weekend ever. The 2018 sequel, “Deadpool 2,” now stands as the third-biggest R-rated debut with $125 million. Among the newest installment’s many benchmarks, “Deadpool & Wolverine” landed by far the biggest start of the year, overtaking Disney’s Pixar sequel “Inside Out 2” ($155 million debut).

Internationally, “Deadpool & Wolverine” captured $233.3 million for a staggering global tally of $438 million. After three days of release, the film, starring Ryan Reynolds and Hugh Jackman, is already the sixth-highest grossing of 2024. Disney spent about $200 million to produce and roughly another $100 million to promote the movie.

(6) DUNE DESIGN. Fonts In Use investigates “The Mystery of the Dune Font” in this 2023 article.

In the six decades since the publication of the original Dune novel in 1965, the science fiction franchise has gone through many different typographic identities. Notable examples include the use of Giorgio for the British paperbacks by NEL (c. 1968) and Albertus for David Lynch’s movie adaptation (1984). But another typeface has even stronger ties to Dune and its author. It appeared on the covers of dozens of books, including the classic Dune trilogy and its sequels, and also on other titles by – or about – Frank Herbert, from various imprints. Strangely enough, the name of this typeface is barely known even among die-hard fans….

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

July 29, 1941 – David Warner. (Died 2022.) Let’s consider David Warner. Where shall we start? I say with his role in Time Bandits where Warner plays Evil Genius, a malevolent being capable of twisting and warping reality. He needs the map to be able to escape the Fortress of Darkness, where he’s been imprisoned. Evil is also different because He understands technology, and in his clawed hands “The world will be different. Because I have understanding.” What’s that he has an understanding of? Digital watches. “And soon I shall have an understanding of cassette recorders and car telephones.” A truly excellent role for him.

Next up in my estimation would be his performance as John Leslie Stevenson and Jack the Ripper in Nicholas Mayer’s exemplary Time after Time which has Malcolm McDowell as H. G. Wells.

As Warner as Jack offhandedly says to Wells, “Ninety years ago, I was a freak. Here, I’m an amateur.” Warner does a bang on the ear of making Jack revel in the violent nature of the present such as the ease in which one can purchase firearms and how killing has become much more efficient because of them.

Jack says, “We don’t belong here? On the contrary, Herbert. I belong here completely and utterly. I’m home.”

So what next? That’d have to be Chancellor Gorkon in Star Trek VI: The Undiscovered Country, the chancellor of the Klingon High Council who hopes to forge a peace between his people and the Federation.

Memory Alpha notes “Jack Palance was Nick Meyer’s original choice for the role. (Captains’ Logs: The Unauthorized Complete Trek Voyages, p. 141) However, Palance proved to be extremely costly to hire as well as slightly hesitant to accept the part.” They need a performer who fitted the script’s description of Gorkon as “savagely tall” and Warner was six feet, two inches tall.

David Warner recognized that the role was not a particularly large one, saying, “I just sat there for one scene and then got killed! Which is fine – I don’t have a problem with that. It’s exposition, setting it all up.” (From Star Trek Magazine issue 153, p. 47) . He did a lot with what little time had do you agree?

Those are the three performances that I think he’s most memorable in. Did he have other roles which I should note?

He voiced in the Batman: The Animated Series a character named Ra’s al Ghul, a very long live criminal mastermind. He voices him to utter perfection as one who both respects and disdains Batman.

That he’s a man of many roles is beyond dispute as he’s played Doctor Von Frankenstein and The Creature, Reinhard Heydrich who I can only describe as the souless monster that was responsible for the Holocaust; Bob Cratchit, a Professor Summerlee, Lord Mountbatten, The Doctor, Houdini and Professor Abraham Van Helsing.

I’m sure that I missed some interesting performances he did, so feel free to tell me that I overlooked them as you always do.

(8) COMICS SECTION.

Jumpstart jumped to the wrong conclusion (started last week).
Lola meets a different family of elves.
Thatababy finds a working prop.
The Argyle Sweater is horrifying once you figure it out.
Caption It is looking for a good Batman caption.

(9) REYNOLDS RAP. The Hollywood Reporter gives reasons for ranking these as the “13 Best Ryan Reynolds Movies”. For example, you probably already forgot this one:

11. Detective Pikachu (2019)

The first thing you think of when you consider that famous yellow cutie that the Pokémon brand was built from probably isn’t Ryan Reynolds. His initial casting as Pikachu, for which he lent his voice and face via motion capture, was initially met with understandable confusion and a share of derision. But somehow, against all odds, it works. A gumshoe Pikachu with missing memories, teaming up with a failed Pokémon trainer, Tim Goodman (Justice Smith), and a cub reporter, Lucy Stevens (Kathryn Newton), to uncover a city-wide conspiracy is the kind of clever, special effects heavy take on the neo-noir that makes the film appealing for more than just Pokémon fans.

I couldn’t count the names of Pokémon characters I know on one hand, and I didn’t go into this movie as a fan. Yet, I found Rob Letterman’s film to be an engaging fantasy-mystery, and Reynolds’ performance to be a breezy and grounding element in a film entirely set in a lore-heavy fictional reality. As far as video game adaptations go, Detective Pikachu is one of the best, and it doesn’t get overly caught up in minutiae, instead allowing the cast and audience to simply focus on delivering a good time within the framework of a silly, but no less endearing, concept. And as for a bit of film trivia, before Reynolds accepted the role, Hugh Jackman was on WB’s shortlist to voice Pikachu — but he wasn’t quite ready to don the yellow just yet.

(10) KEEP ON DREAMING. Popverse is on hand when “Doctor Who and Star Trek showrunners announce that the two franchises are crossing over… for a mobile game”.

… During San Diego Comic-Con 2024 Star Trek: Strange New Worlds showrunner Alex Kurtzman and Doctor Who showrunner Russell T. Davies came together for a joint event titled Intergalactic Friendship Panel: Star Trek X Doctor Who. This raised some eyebrows, and the anticipation only grew after Saturday’s Star Trek panel. During the panel, Kurtzman was asked about a Doctor Who crossover, and his answer pointed to the crossover panel. “I think you should come to the panel later today and ask the same question,” Kurtzman teased.

Now, we know what that tease was referring to – a crossover between the Doctor Who: Lost in Time and Star Trek Lower Decks: The Badges Directive mobile games. It’s perhaps not the crossover fans were hoping for – we were kind of crossing out fingers for a live-action meetup, but at least one of the panelists has hope that that may happen someday. …

(11) BACK TO THE SILO. Shelf Awareness picked up this Silo news at Comic-Con.

During San Diego Comic-Con, Apple TV+ announced that the second season of the hit series Silo, which is based on Hugh Howey’s sci-fi stories–including the novellas Wool, Shift, and Dust–will premiere November 15 with the first episode, followed by one new episode every Friday through January 17, 2025.

Steve Zahn (The White Lotus, Treme) is joining the season 2 cast..

(12) THE CTHULHU IN THE HAT? H.P. Lovecraft’s Dagon for Beginning Readers by R.J. Ivankovic is a droll, Seuss-inspired parody. (No, I don’t know if the Seuss corporate lawyers have heard of it yet.)

So a warning to all,
for what it is worth:
when the monsters arise
they will conquer the earth.

The famous H.P. Lovecraft story Dagon is gracefully retold in anapestic tetrameter and illustrated in a darkly whimsical style by genius poet-artist R.J. Ivankovic.

A sailor escapes in a lifeboat after his ship is attacked by a German raider during World War I. He soon finds himself in more bizarre peril, stranded in a dark, stinking mire on the edge of a mammoth pit. Venturing into the pit, he discovers a monolith covered in weird hieroglyphics and something stranger still that crawls from the slime a creature that may be the vanguard of a vast and monstrous invading army from the depths of the sea.

(13) VIDEO OF THE DAY. It’s ultimately an ad, however, it is cute: “Sand Whiskers and Starlight: The Feline Chronicles of Dune”.

Join us on a pawsome journey as we unveil our beloved feline friends who aren’t just curled up in a cozy corner; they’re out there, backpacking across continents, camping under the stars, floating in cosmic space, time-traveling to study with art masters, seeking enlightenment on pilgrimages, commanding the seven seas and skies, and even hustling in the Big Apple!

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Sandra Bond, Bill, Jim Janney, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 6/30/24 Mr. Holmes, They Were The Pixels Of An Enormous Scroll!

Posted on June 30, 2024 by Mike Glyer

(1) VASTER THAN EMPIRES. George Sandison, managing editor for Titan Books, hopes to demystify publishing in his newly-launched a series of newsletter posts. First up, a survey of the industry: “Submissions: steering the iceberg”.

I find myself, these days, in the preposterous position of working in genre fiction. Having been publishing since 2014 as an indie, and heading up a major trade list since 2019, it’s close to second nature in a lot of ways.

But for the vast majority of people outside the industry, publishing is arcane, weird and no doubt seems arbitrary. There is a huge extended community of readers, reviewers, fans and authors fascinated by publishers and their lists, but so few ways for those people to get a sense of how publishers work, and why.

Which is silly.

So I’d like to make some sense of it all. The intent here is that this will be the start of a series of articles which will shine a light on some of the many, many opaque bits of publishing. Because really, none of it is that complicated, at least taken in isolation – doing it all at the same time is the trick, which will likely be a recurring theme across the series…..

…So exactly how big a mountain are we talking about? Fortunately there are a couple of useful numbers to call on to help make sense of it.

The last time anyone was mad enough to try and count how many books are published in the UK each year they came up with a number in the region of 200,000, which averages out to 548 a day. I remember seeing a survey in The Bookseller (link lost to the vagaries of time, with apologies) that it was 250,000 one year.

Now say I’m overseeing a list of 100 publications a year, across all formats, you can begin to see how many publishers – and editors – are involved, to say nothing of self-publishers….

(2) HOW TO CLOSE THE BARN DOOR. Futurism tells what happens after “John Scalzi Discovers That One of His Book Covers Was Created Using AI”.

…Regardless, Scalzi’s handling of the discovery seems like a model for anyone who finds themselves in a similar situation — which, given the Wild West of still-forming norms and practices around AI art, wouldn’t be surprising for anyone in a creative industry.

Their article is based on Scalzi’s Whatever post “A Note on ‘AI’ Art and My Book Covers” from June 21. And here’s what he said:

Well, Goddamnit, it looks like some “AI”-generated art got onto one of my covers, specifically, the cover to the Italian edition of Starter Villain. Some (actual human) artists tracked down the cover art, and (on Adobe’s stock art site, at least), it’s marked as “generated with AI.”

It’s my policy not to accept AI-generated art for final cover art, and I thought I and my team had communicated that widely. When this art was presented to me for approval, I made the assumption that it was done by a human, and approved it. So, this is on me….

… That being the case, here’s what I am doing right now to make sure we don’t have this happen again, and to mitigate some of the damage AI-generated art is doing to the actual humans in the field.

1. I have instructed my agent (who is sending the instruction down the chain), that all book contracts henceforth have to agree that cover art must be created by a human artist. Stock art use is acceptable, but that stock art must be human-created, not AI-generated. We will expect our contractual partners to exercise due diligence to make sure these conditions are met (by, as an example, using only stock art sites that note when art is AI-generated). I’ll note that Tor already has agreed to this. So this is no longer just a policy; it’s a hard contractual point.

2. I have donated to the Association of Science Fiction and Fantasy Artists, specifically to their Sponsored Memberships for BIPOC artists, to help emerging artists from marginalized communities receive the benefit of the professional and artistic community that ASFA can provide. They will need it for this new era of artistry….

(3) MESSIANIC PROPHECY. Deadline thinks it’s happening: “’Dune 3′ Release Date Hinted As Denis Villeneuve Movie Is Set For 2026 Holidays”.

Let the speculation begin. The “Untitled Event Film” Warner Bros had dated for December 2026 now is being billed as a “Denis Villeneuve Event Film,” and sources said the studio and Legendary are holding the date with expectations that he wraps up the spectacular trilogy with Dune 3.

Hurdles still have to be cleared as they’re still working on script and locking cast, but it is the project Villenueve has been working on….

…Villeneuve and Legendary are prepping Dune: Messiah, which the filmmaker said in January “should be the last Dune movie for me.” They next will reteam Nuclear War: A Scenario, based on Annie Jacobsen’s nonfiction book that explores a ticking-clock scenario about what would happen in the event of a nuclear war…

(4) NOT QUIET AT THE BOX OFFICE. According to Yahoo! — “Box Office: ‘A Quiet Place: Day One’ Scores Franchise-Best $53 Million Debut, Kevin Costner’s ‘Horizon’ Misfires With $11 Million”.

“A Quiet Place: Day One” is making noise at the box office, collecting a roaring $53 million in its domestic opening weekend. The nearly silent thriller added $45.5 million internationally for a global tally of $98.5 million.

Though it landed in second place behind Disney-Pixar’s billion-dollar blockbuster “Inside Out 2,” the ticket sales for “Day One” are especially impressive because spinoff stories usually don’t bring in as much business as direct sequels. Yet “A Quiet Place: Day One” — a prequel in Paramount’s post-apocalyptic horror series — landed the biggest debut in the franchise, exceeding the original 2018 “A Quiet Place,” ($50 million to start) and the 2021 sequel, “A Quiet Place Part II” (a $48 million debut during COVID).

(5) DODGING ROWLING’S ENDORSEMENT. [Item by Mike Kennedy.] JK Rowling: (Regarding the July 4th election in the UK.) The Labour Party supports Trans Rights, so don’t vote for them. I endorse the UK‘s Communist Party instead.

Communist Party of Britain: (Backs away from her slowly.) Uh, no thanks, we’re good!

“U.K. Communist Party Backs Away Slowly After J.K. Rowling Expresses Support” at The Daily Beast.

The Communist Party of Britain affirmed that it supports transgender people’s right to “live equal, full and meaningful lives” after J.K. Rowling, almost as well known at this point for her hatred of trans women as for penning the mega-popular Harry Potter series, expressed tacit support for its candidates. On Saturday, Rowling encouraged her social media followers to vote Communist, a move made in response to the anti-trans feminist group For Women Scotland tweeting that a party spokesperson had told them it stood “in support of [recognizing] the nature of biological sex.” A day later, a statement was released on the party’s official X account clarifying the matter. “For avoidance of doubt, the Communist Party supports the right of trans people to medically transition, to have access to healthcare and live equal, full and meaningful lives, socially, economically and politically,” it said. “We believe that such liberation will only be possible under socialism.” Rowling’s blessing, likely now to be rescinded, came after she published an op-ed in The Times of London on Friday disavowing the Labour Party over its support for trans rights….

(6) GRAPHIC NOVEL RECOMMENDATIONS. The New York Times’ Sam Thielman reviews The Complete Web of Horror edited by Dana Marie Andra; The Ribbon Queen by Garth Ennis and Jacen Burrows; All My Bicycles, by Powerpaola; and Very Bushwack, by Sig Burwash. “Book Review: Best Graphic Novels in June – The New York Times (nytimes.com) (Link is to unlocked article.)

(7) SFF ZINE LAUNCHES TOMORROW. The WYRMHOLE is coming July 1.

hey have you ever wondered: "what does a terminally-online SFF magazine look like, and how horrible can it get?" Well, LOOK NO FURTHER

we talk craft. stories. Hole jokes. recs. TikTok. memes. the internet at its worst. SOFT LAUNCH TMRW https://t.co/Y1n6z7Nwfl
— Carolyn Zhao (@carolynwtzhao) June 30, 2024

(8) AMAZING’S BEST. “Amazing Stories Releases THE BEST OF 2023!”. Edited by Lloyd Penney, The Best of 2023 features 29 science fiction short stories, published throughout 2023 on the Amazing Stories website, featuring a collaborative cover from Ron Miller and Tom Miller.

Stories by Paul Saka; Heather N. Santo; Royce Badgers; David Ian; David Hewitt; David Hankins; Adam Breckenridge; Nerine Dorman; Victor Jimenez; Gene Turchin; Adrian Tchaikovsky; Jack McKenzie; David Newkirk; John Andrew Karr; James Mapes; Alex Graham-Heggie; Leonid Korogodski; Dave Creek; John Taloni; Norman Spinrad; Lisa Fox; Andrew Hiller; Chaz Osburn; Ray Daley; Michael Carabott; Pete Carter; C.J. Peterson; Jenna Hanchey; Jeff Hewitt.

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

June 30, 1959 — Vincent D’onofrio, 65. You no doubt know Vincent D’onofrio as Edgar the Bug in Men in Black which I’ll talk about about shortly, but let me first discuss what I think is his greatest role which was his decade-long performance as New York City Police Detective Robert Goren in Law & Order: Criminal Intent.

Of course it’s not genre but it’s rare that we get to see an actor in a primary role that long. Goren is an incredibly intense, extremely intelligent though opponents often thought he wasn’t and physically imposing man, but is could be very unpredictable and sometimes volatile and even angry.

Like Holmes, his methods were unusual and he admitted that “I am an acquired taste”. Eames, his female partner, often explained him to individuals who were puzzled and offended by him.

If you’ve not seen Men in Black, you really should and I’m assuming you have, otherwise, go away. You can come back later. He played Edgar / The Bug, Edgar being a farmer who is killed and eaten by a giant alien insect. An Effing Big Bug. From here out, it’s his voice and his body language that is what carries being under the Rick Baker designed face and full body suit. Now there’s a great interview with him and director Barty Sonnefiejd here that you should read: “Vincent D’Onofrio’s Men in Black: A Sugar-Water Oral History” at Vulture.

I singled out these two roles above all the roles he’s had because they demonstrate his most extraordinary skills — the first being the use of his voice to convey a character in a way I believe that is truly rare among performers, and second, the sheer physicality that he bring to a role.

I know the Rick Baker suit added to his bulk but his acting ability made the character even more present, more menacing that just the alieniness created by the suit and the sheer nastiness of his head of it grew more corrupt, more decayed. A truly brilliant performance.

Feel free to mention other roles that I didn’t note.

(10) COMICS SECTION.

Alley Oop tangles genres.
Eek! finds the lowest bidder.
Frank and Ernest have trouble with a self-driving car.
FurBabies enjoys a relabeling success.
JumpStart knows the algorithm is ahead of us.
Pearls Before Swine cleans up its vocabulary.
Reality Check is about a solar-powered game board. Sort of.
Speedbump has a New Math punchline.
Saturday Morning Breakfast Cereal’s twist ending won’t surprise fans.

Tom Gauld foresees the publishing apocalypse.

Beware of the book festivals!
(My latest @GuardianBooks cartoon) pic.twitter.com/Jv4A0Hyer0
— Tom Gauld (@tomgauld) June 29, 2024

(11) “JOHN WICK MEETS LOOPER”. “Ryan Coogler Mattson Tomlin Team for A Vicious Circle at Universal” learned The Hollywood Reporter.

Universal Pictures has landed the rights to A Vicious Circle, a Boom! Studios graphic novel series created by Terminator Zero showrunner Mattson Tomlin and artist Lee Bermejo.

Tomlin will write the screenplay adapting his own work while Ryan Coogler, the filmmaker behind the Black Panther movies, will produce via his Proximity Media banner.

Also producing are Proximity’s Sev Ohanian and Zinzi Coogler, along with Boom!’s president of development Stephen Christy.

Circle is a two-hander action thriller about assassins from the future hunting each other through time. “John Wick meets Looper” is how it is being described.

(12) SHREK 5. Courtesy of Yahoo! – “Eddie Murphy gives fans ‘Shrek 5’ update, reveals Donkey is ‘gonna have his own movie’ next”.

Eddie Murphy is returning to the fairytale-fueled world of “Shrek.”

In an interview with Collider published Monday, Murphy opened up about voice acting as “Donkey” in the franchise’s next film. “We started doing ‘Shrek’ four or five months ago,” Murphy told Collider, while promoting his latest “Beverly Hills Cop” installment, “I recorded the first act, and we’ll be doing it this year, we’ll finish it up.”

“Another ‘Shrek’is coming out, and Donkey’s gonna have his own (spin-off) movie,” Murphy said, adding later that he thinks “Shrek 5” will be released sometime in 2025….

(13) CHEEK TO CHEEK. “Scientists in Japan Give Robots a Fleshy Face and a Smile” according to Yahoo!

Engineers in Japan are trying to get robots to imitate that particularly human expression — the smile.

They have created a face mask from human skin cells and attached it to robots with a novel technique that conceals the binding and is flexible enough to turn down into a grimace or up into a squishy smile.

The effect is something between Hannibal Lecter’s terrifying mask and the Claymation figure Gumby.

But scientists say the prototypes pave the way for more sophisticated robots, with an outward layer both elastic and durable enough to protect the machine while making it appear more human.

Beyond expressiveness, the “skin equivalent,” as the researchers call it, which is made from living skin cells in a lab, can scar and burn and also self-heal, according to a study published June 25 in the journal Cell Reports Physical Science…

…Scientists, including Takeuchi and his colleagues at the University of Tokyo, have been working with lab-made human skin for years.

In 2022, the research team developed a robotic finger covered in living skin, allowing the machine’s digit to bend like a human finger, giving it the tactility to potentially perform more precise tasks.

Takeuchi’s team had tried anchoring the skin with mini-hooks, but those caused tears as the robot moved. So the team decided to mimic ligaments, the tiny ropes of loose tissue that connect bones….

(14) VIDEO OF THE DAY. “90s Time Traveler Discovers Taylor Swift” — Ryan George tell how it happened.

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Lloyd Penney, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, Kathy Sullivan, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Steve Wright.]

2024 Seiun Awards

Posted on June 4, 2024 by Mike Glyer

The winners of the 55th Seiun Awards, the Japanese speculative fiction award honoring the best works of the previous calendar year, have been announced. The awards will be presented July 6 at Yanecon, the 62nd Japan Science Fiction Convention, to be held in Nagano Prefecture.

The award has nine categories. The full list of winners in Japanese is here. Below are the items shortlisted in the categories for translated works.

BEST TRANSLATED LONG WORK

The Kaiju Preservation Society by John Scalzi. Translated by Masayuki Uchida

BEST TRANSLATED SHORT WORK

“Solidity” by Greg Egan. Translated by Makoto Yamagishi

Pixel Scroll 5/10/24 Pride And Prejudice And Pixels

Posted on May 10, 2024 by Mike Glyer

(1) STAR TREK WINS PEABODY AWARD. The Star Trek franchise was among the Peabody Award winners announced today. Given to television, radio, and other media, the Peabody honors “stories that powerfully reflect the pressing social issues and the vibrant emerging voices of our day.”

TrekMovie.com homes in on the story of greatest interest to fans: “Star Trek Franchise Wins Peabody Award” –

… This is actually Trek’s second Peabody. In 1987 the Next Generation episode “The Big Goodbye” won the Entertainment, Children’s & Youth Award. The first season of Star Trek: Discovery was also nominated for the same award.

Here is the full text of the announcement for Star Trek…

The Institutional Award – Star Trek

The original Star Trek television series aired on NBC for only three seasons, from September 1966 to June 1969. It was fresh, prescient, and so ahead of its time that it couldn’t quite capture the mainstream audience required for hits during a particularly insipid time in television. But fast forward nearly 60 years, and creator Gene Roddenberry’s vision is alive and well, having spawned a media franchise of 13 feature films, 11 television series, and numerous books and comics, with a legendary fan following. Today Star Trek is more vibrant, imaginative, funny, entertaining, and progressive than ever. And these days, we’ve got the special effects to make it look stellar.

The original science-fiction series was set aboard a starship, Enterprise, whose mostly human crew encountered alien life as they traversed the stars, led by the iconic Captain James T. Kirk (William Shatner). It was groundbreaking for its diverse cast and for its unapologetically progressive values—exploration over colonialism, cooperation over violence. Its fandom grew over time, and the successors to the original series have updated the franchise without losing its moral core—the dream of a future free from human destruction, poverty, and bigotry. Subsequent captains have served as models of ethical and diverse leadership: The Next Generation’s Jean-Luc Picard (Patrick Stewart), Deep Space Nine’s Benjamin Sisko (Avery Brooks), and Voyager’s Kathryn Janeway (Kate Mulgrew) among them.

With every passing decade, new versions have proliferated, attracting new generations of fans. Film reboots directed by J.J. Abrams and Justin Lin revived Kirk and his crew with new, young actors, zippier dialogue, and vastly improved effects in the 2000s and 2010s. The Streaming Era has brought a raft of reimaginings with a variety of sensibilities, from the dark and complicated Star Trek: Discovery to the crowd-pleasing prequel Star Trek: Strange New Worlds (featuring a young Spock!) to the hilariously meta cartoon Star Trek: Lower Decks. As the latest versions of Star Trek invite in a new generation of viewers, the interstellar travelers still encounter danger and difficulty, of course. But the Starfleet crew always comes out on top— and without sacrificing essential values that seem quintessentially human: valor, self-sacrifice, curiosity, compassion, broadmindedness.

“From a groundbreaking television series to an expansive collection of films, novels, comic books and so much more, Star Trek has been delivering joy, wonder, and thought-provoking stories since the 1960s,” said Jones. “With powerful anti-war and anti-discrimination messages, it has blazed trails for all science fiction franchises while winning over passionate fans across the globe. We’re proud to honor Star Trek with Peabody’s Institutional Award.”

The Hollywood Reporter has the complete list of Peabody Awards 2024 Winners.

Other winners of genre interest are:

CHILDREN’S/YOUTH

Bluey (Disney+)
Creator Joe Brumm’s endearing family of animated Australian dogs have captivated both children and adults for years in episodes equally delightful and heartrending. Very little feels off the table, as Bluey fearlessly tackles topics from death to infertility to fleeting friendships, all while maintaining a sense of innocence and exuberance for the children, and affinity and understanding for the parents, who are allowed to be dynamic, imperfect beings on their own growth journey.
Ludo Studio, Australian Broadcasting Corporation, BBC Studios

ENTERTAINMENT

The Last of Us (HBO | Max)
In HBO’s post-apocalyptic The Last of Us, a faithful adaptation of the critically-acclaimed Naughty Dog video game, the road trip odyssey of Joel and Ellie (played by Pedro Pascal and Bella Ramsey) functions as a recursive meditation on love and loss—and how love is capable of changing people, for good and for ill. In the hands of showrunner Craig Mazin, who worked in collaboration with Neil Druckmann, a co-director on the original game, this adaptation extracts new layers from the text that expand its meaning—imagining what a life of love and fulfillment, and survival, can look like at the end of the world.
HBO in association with Sony Pictures Television Studios, PlayStation Productions, Word Games, The Mighty Mint, and Naughty Dog.

(2) MINNESOTA BOOK AWARDS. The Friends of the Saint Paul Public Library announced the Minnesota Book Awards winners. The complete list is at the link.

Emma Törzs’ fantasy novel Ink Blood Sister Scribe is the winner of the Genre Fiction category.

For generations, the Kalotay family has guarded a collection of ancient and rare books. Books that let a person walk through walls or manipulate the elements—books of magic that half-sisters Joanna and Esther have been raised to revere and protect.

All magic comes with a price, though, and for years the sisters have been separated. Esther has fled to a remote base in Antarctica to escape the fate that killed her own mother, and Joanna’s isolated herself in their family home in Vermont, devoting her life to the study of these cherished volumes. But after their father dies suddenly while reading a book Joanna has never seen before, the sisters must reunite to preserve their family legacy. In the process, they’ll uncover a world of magic far bigger and more dangerous than they ever imagined, and all the secrets their parents kept hidden; secrets that span centuries, continents, and even other libraries . . .

(3) OUT OF TIME. Jonathan Russell Clark analyzes “Why We Love Time Travel Stories” for Esquire.

…For Wells’s contemporaries, Gleick notes, “technology had a special persuasive power.” For us, now a quarter of the way through the 21st century, things have grown complicated. Technology governs everything we do, but rather than enhancing our lives, our gadgets seem to exploit us, isolate us, box us in. Moreover, the technology itself has moved beyond our understanding, leaving us dependent on the two or three corporate entities producing it. The World of Tomorrow never arrived; no matter how much technology has progressed, it is still frustratingly Today.

Instead of holding out for a future that will solve our problems, contemporary readers now look into the past to address the wrongs inflicted on the less powerful, so what makes a convincing time-travel story in the 21st century isn’t the verisimilitude of the science but rather the morality of the characters’ intentions. In her book on ’80s movies, Life Moves Pretty Fast, Hadley Freeman notes that in Back to the Future, “Marty’s meddling in the past results in his parents living in a nice house, with chicer furnishings, posher breakfast dishes, and even domestic help in the form of Biff Tannen in 1985. Marty’s triumph is to lift his family up to middle-class status.” If Hollywood rebooted the franchise today, Freeman writes, “Marty’s challenge would be to save the world.” I still think a remake would keep Marty’s adventures confined to his personal bubble; it’s just that instead of reuniting his parents to ensure his existence, his mission would instruct him to meddle in his parents’ past because, down the line, this will save the world. Nowadays, to exploit time travel for personal gain—and indeed to tell a story in which such actions are uncritically celebrated—is unacceptable, as is returning to our discriminatory, segregated, slavery-filled history without seriously grappling with those realities. It’s no longer technology but rather moral conviction that now has a special persuasive power on us….

(4) A RARE HEINLEIN CONNECTION. Dave Hook has done fascinating research into a forgotten Heinlein collaborator: “Who is Elma ‘Miller’ Wentz?”

I know I’ve read this story in “Beyond the End of Time” at least once, but I remember nothing about it or even that it existed until seeing this. I found this very interesting for several reasons:

To my knowledge, this is the only fiction published by Heinlein with a co-author during his lifetime.
Heinlein clearly was not fond of it, as he never allowed this and two of his other early stories published as by “Lyle Monroe” to be reissued in a Heinlein collection during his lifetime (per Wikipedia).
I had no idea who “Elma Wentz” was.

…Sometime in the early 1930s, she moved to Los Angeles. Her family did also, although it’s not clear if they moved at the same time or not.

William H. Patterson, Jr.’s “Robert A. Heinlein: In Dialogue with His Century: Volume 1: 1907-1948: Learning Curve” (“Robert A. Heinlein: In Dialogue…”), 2010 Tor, noted that Elma was working for Upton Sinclair on Sinclair’s California 1934 governor’s campaign as his personal secretary. Patterson also notes that she and her husband to be, Roby Wentz, met Robert A. Heinlein when Heinlein joined Sinclair’s related “End Poverty in California” (EPIC) movement in early 1935. The EPIC movement overlapped substantially with Sinclair’s run for governor. This resulted in her and Roby becomes friends with Robert A. Heinlein and his first wife Leslyn (MacDonald) Heinlein, and with journalist (and future SF writer) Cleve Cartmill….

(5) GUARDIAN REVIEW ROUNDUP. Lisa Tuttle’s “The best recent science fiction, fantasy and horror – reviews roundup” for the Guardian encompasses The Other Valley by Scott Alexander Howard; A View from the Stars by Cixin Liu; Flowers from the Void by Gianni Washington; The Dark Side of the Sky by Francesco Dimitri; The Hungry Dark by Jen Williams; and To the Stars and Back by various writers.

(6) VANISHING POINT. Atlas Obscura advises “Don’t Stare at the Dark Watchers”.

… There are dozens of similar accounts of so-called dark watchers by hikers in the Santa Lucia Mountains near Big Sur, California. The stories often share details: The figure stands seven to 10 feet tall and has a walking stick and hat, for example. No one has ever been able to interact with the looming figures—they always disappear once the hiker acknowledges them…

…Despite their ephemeral nature—and claims that they only appear to hikers with low-tech, old-school gear—stories of these cryptids go back hundreds if not thousands of years. Some people trace the legend to the pre-colonial oral stories of the Chumash, Indigenous peoples that have lived along the Central Coast of California and the Channel Islands for 13,000 years. But while there are many Chumash accounts of various creatures in December’s Child by Thomas Blackburn—the most complete written record of Chumash stories—it’s unclear whether any describe the dark watchers.

“These entities—whatever they are—have not just influenced the local people,” says Offutt. “They influenced some pretty famous people, too.” The earliest written accounts of dark watchers go back to the 1700s, when Spanish colonists gave the mysterious beings their name: los vigilantes oscuros. Since then, sightings have continued, and in 1937, the creatures made their literary debut….

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born May 10, 1969 — John Scalzi, 55. This is not full accounting of everything that the rather prolific John Scalzi has done, nor is it limited to his fiction. Now that I’ve got that out of the way let’s start…

I was trying to remember what I first read by him and I think it was actually Old Man’s War whereas I expect you know the characters of Old Man’s War are senior citizens who leave Earth to have their brains transplanted into cyborg bodies and sent off to be fight in an interstellar war. Scalzi has said the series was in homage in Heinlein’s Starship Troopers.

I only read further in the series through the “Questions for a Soldier” short story, The Ghost Brigades and the Zoe’s Tale. The latter broke my heart really it. Damn, I so like the main character here, and spoiler alert, what happened to her really did severely distressed me. Effing hell.

So who here has read and liked The Android’s Dream novels? I liked everything I read by Scalzi save this. Maybe it was the premise itself, maybe the weirdness of the sheep hybrid which I’ll not discuss lest somebody be here who’s keen to read it still, maybe there there was too much Philip K. Dick in it. Whatever it was, I didn’t like it. So tell me why I should have.

Space opera, I knew he had it in him. And the Interdependency series certainly proved that amply. Lovely premise of an Empire, spoiler alert again so go drink Romulan blood wine, as the portals connecting the worlds of their Empire are apparently collapsing. The titles of the final novel in the trilogy sums up the trilogy up nicely, The Last Emperox.

And then there’s the Hugo winning Redshirts. Obviously off the Trek’s infamous oh my he’s a red shirt and will die a horrible death meme, it allowed Scalzi to play around with that delicious premise. No, I’m not saying a word more, so no spoiler alert needed. It’s a great story told well. There’s even something that Scalzi might well have borrowed from the Clue film here.

The last novel I want to talk about involves Fuzzies. Fuzzy Nation, authorized by the estate of H. Beam Piper, was not intended to be a sequel to Little Fuzzy, the Piper novel which was nominated for a Hugo. Scalzi wrote it first and then got permission from the Estate to publish it. It doesn’t feel like something the Piper would have written, but it’s worth reading none the less.

Now let’s note Whatever, no doubt the most entertaining blog done by any writer, genre or otherwise. Is this what he won a Fan Writer Hugo for? If so, great choice. It’s something I very much look forward to reading every day. I see his Hugo for Best Related Book was related to his blog, Your Hate Mail Will Be Graded: A Decade of Whatever 1998–2008.

Ok, that’s what I like by him. No, it’s not everything but I did say it would be. As always, I know you’ll give copious comments about what I didn’t mention.

(8) COMICS SECTION.

Off the Mark’s lines up the usual suspects.
Shoe lets the name speak for itself.
Speed Bump disappoints these readers.
Carpe Diem has an unexpected haunting.
Nathan W Pyle shows a character resisting inimical forces!

pic.twitter.com/54ewLpkJgf
— Nathan W Pyle (@nathanwpyle) May 9, 2024

(9) A VICIOUS GANG OF FACTS. Those skeptics at ScreenRant pooh-pooh “8 Sci-Fi Movie Inventions Ruined By Real Science”. First on their list of impossibilities:

8. Lightsabers

The Star Wars Series

One of the most iconic movie weapons ever created, lightsabers need little introduction. The mythical weapons of both the legendary Jedi order and the insidious Sith, these blazing hot swords of pure light can slice through nearly anything in the Star Wars universe, barring specialty-made materials like Durasteel. Not only that, but they’re also capable of deflecting bolts from energy-based blaster weapons, making them an impressive source of offense as well as defense. In the lore of the franchise, the lightsabers are powered by the mysterious Kyber crystals.

The lightsabers operate on different laws of physics than those in reality. Creating a powerful enough beam of light to cut through solid metal would result in a much longer, unwieldy weapon, not limited in its projection to a mere three feet. Even ignoring the issues regarding the lightsabers’ power source, which would easily need to be connected to some kind of power-generating backpack with today’s available technology, the ability of the weapons to physically clash with one another disobeys the properties of light. In reality, crossing lightsabers would simply pass through one another.

(10) BEWARE DOCTOR WHO SPOILER. Is it really? I don’t know, so better safe etc. “Doctor Who’ Star Ncuti Gatwa Filmed With 20 Babies in Season Premiere”.

While filming episode one of “Doctor Who” season 14, entitled “Space Babies,” Millie Gibson had to do the impossible: keep the attention of 20 infants at once. Although she was bearing her soul in a speech integral to her character’s backstory, the babies kept dozing off and losing their attention to the flashing lights of the space-age set. So, to keep their little eyes focused on her, she delivered her lines while a nursery rhyme played on her phone just out of camera view.

“It was so hard honestly,” recalled Gibson. “It was the most bizarre thing but it will stay in my mind forever.”

…“They were such divas,” Gatwa joked about his toddler co-stars. “They had so many demands.”…

(11) FLAME ON! I don’t know how this cooking news item ended up at Popular Mechanics: “’Star Wars’ Fans, Truff’s Latest Super-Spicy Hot Sauce Is for You”.

…That’s right: Truff—the brand behind the decadent truffle-infused hot sauces Oprah has named to her Favorite Things list for the last three years—just dropped a new hot sauce with some serious Star Wars flair. Truff’s Star Wars Dark Side Hot Sauce is nothing to play with, given it’s now the brand’s spiciest sauce, featuring the hot-as-Hades ghost pepper.

Yes, the ghost pepper is certainly quite hot, topping out at over 1 million Scoville Units. That said, it isn’t the hottest. That title only recently belongs to Pepper X, which reaches more than double the ghost pepper’s 1+ million Scoville Units. According to Britannica, though, less than 20 years ago, the ghost pepper actually was the fieriest, most fearsome of them all. But just because there’s one hotter out there now doesn’t mean ghost peppers aren’t still fierce, as you’ll find out when you crack open this hot sauce….

(12) MONSOON Q&A. A BBC interview: “Doctor Who star Jinkx Monsoon on playing ‘zany’ villain Maestro”.

… American drag queen Jinkx Monsoon, who plays the new nemesis, tells BBC Newsbeat her “dreams have been granted in a wonderful way”.

Jinkx is known as the “Queen of Queens” after winning a regular and All Star season of RuPaul’s Drag Race.

And she says moving to the world’s longest-running science fiction show felt like a natural progression for a self-described trans queer actor.

“Sci-fi has always been queer. Anyone who tells you otherwise is delusional,” she says.

“There are prominent writers, directors, producers who are queer in these fields. And it just hasn’t really been able to be talked about and a lot of them nowadays are done being silent.”

She adds there has been “so much queer progress” in society, but feels in the entertainment industry “there’s still been this thing of queer people behind the cameras”.

“And only certain palatable society-approved queer people get to be in front of the camera.

“What I really love about this Doctor Who season is it saying: ‘To hell with that’.”

(13) HOLY SH!T! Aka the video of the day — Hell and Back by Scott Base. A short film based on original Bad Space comic. Mark sent the link with a warning, “I’m not sure I’d want to see a whole movie…”

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Lise Andreasen, Mark Roth-Whitworth, Michael J. Walsh, Teddy Harvia, Kathy Sullivan, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Brian Z.]

Pixel Scroll 4/27/24 Pixel, Pixel, Scroll And Stumble. File Churn And Cauldron Double

Posted on April 27, 2024 by Mike Glyer

(1) DEAD PLASTIC. [Item by SF Concatenation’s Jonathan Cowie.] What would you do if the world suddenly ran out of digital money?

With some parts of Worldcon fandom (such as publications policy increasingly becoming digital myopically to the exclusion of all else), this is a very topical subject. Of course sercon trufans know that the current trend is to be abhorred: they’ve read the likes of Brunner, Gibson and Orwell).

The past couple of decades, SF has on occasion looked at digital privilege, monitoring and so forth, as well as social reactions against it (Max Headroom’s Blank Reg for example). So the new BBC Radio 4 drama series, that had its first episode this week, is timely. It envisages a near-present day in which suddenly all debit and credit cards stop working. The phenomena is not local, or national, but global….!

“Money Gone, Money Gone – 1. ‘Insufficient Funds’” (Episode 1 of 5)

Valentine’s Day 2025. The UK awakes to financial catastrophe and no one can access any money. Ross sees opportunity as the country descends into chaos, but Grace has picked the worst day run away.

A fast-paced satirical drama starring Robert Bathurst (Cold Feet, Toast of London), Charlotte Richie (Ghosts, Call the Midwife), Aaron Heffernan (War of the Worlds, Brassic) and Josette Simon (Wonder Woman, Blakes 7).

(2) HANGING OUT ONLINE. John Scalzi, in “One Year of Bluesky”, assesses the social media platform for his Whatever readers.

…Now, the flip side of this is you can’t just sit back and let Bluesky happen to you. You have to engage with it — actual engagement! Not the kind where an algorithm pokes you with a stick! — or you’re going to be bored. It’s not an endless TikTok firehose where all you have to do is put yourself in its path. It’s a spigot, and you control how much or how little you get. Everyone says they want that, but it turns out a lot of people kinda like the firehose instead.

The other aspect of Bluesky being algorithm-free (and still being relatively small; its user base currently sits at 5.5 million) is that it’s not great for being famous or being an influencer, or being a troll. I think the Bluesky technical and cultural schema confuses the famous and/or influencer and/or shitty people who come onto the service to be famous, or to influence, or to be shitty for clicks. You can’t game an algorithm to go viral, and the sort of marketing that works on other social media works less well on Bluesky, and even if it did work that way, there aren’t hundreds of millions of people to broadcast at. You can try to do all these things on Bluesky, obviously. But Instagram and TikTok and Threads and the former Twitter are all still there, and much easier to game and influence and troll. People who come to Bluesky to do those things don’t seem to stay very long.

Which is a feature, not a bug, for me, and comports with how I want to do social media….

(3) A FURRY APOCALYPSE. Maya St. Clair evangelizes for a comedy film in “Would You Survive HUNDREDS OF BEAVERS?”

…Humanity, thanks to industrialized agriculture and the highway, now possesses the upper hand. But underneath it all, one sometimes senses a vague, sublimated longing to return to more survivalist times. Plexiglass Paul Bunyans and the Giant Musky dot the landscape, standing in shared reverence to older struggles of brute force, consumption, survival. On the radio, Gordon Lightfoot reminds us that even the sunny Great Lakes are biding their time to kill us. And this year we have Hundreds of Beavers, a two-hour slapstick tour de force that gleefully revives the hairy, primordial struggle of the old Midwest. In Moby-Dick, Herman Melville chronicled the “universal cannibalism of the sea”; Hundreds of Beavers brings us, at last, the universal cannibalism of Green Bay, Wisconsin….

“Hundreds of Beavers Official Trailer”.

In this 19th century, supernatural comedy, a drunken applejack salesman must go from zero to hero and become North America’s greatest fur trapper when he loses his whole operation in a fire and is stranded in the wilderness. Now facing starvation, he must survive in a surreal winter landscape surrounded by Hundreds of Beavers – all played by actors in full-sized beaver costumes. Using nothing but his dim wits, he develops increasingly complex traps to battle the beavers and win the hand of a mischievous lover.

(4) RAY DALEY (1969-2024). Author Ray Daley died April 19 following a heart attack on March 28. His earliest sff was self-published beginning in 2012. His work included the collection A Year Of Living Bradbury; 52 Stories Inspired By Ray Bradbury (2014).

His first blog post in 2012 was charmingly frank:

…I can be a bit anal about wanting to be as factual as I can be, to the point where it actually gets in the way of the storytelling. I actually came across this problem when I wrote my first story I decided to sell. I had a great idea but the facts ruined it so I had to go with my own reality on that occasion….

(5) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born April 27, 1963 — Russell T. Davies, 61. Let’s talk about the man who in large part made the revival of Doctor Who possible, Russell T. Davies.

He was both the showrunner and head writer for the revival of the Doctor Who for the first five years. His last episode was the Tenth Doctor’s “The End of Time” which he wrote and executive produced. He wrote thirty-one episodes during his tenure.

But let’s go back in time to his earlier series.

His Dark Season children’s series had three young teenagers in a contemporary secondary school who discover a plot by the villain Mr Eldritch to take over the world using school computers. The next three episodes focus on a new villain: the archaeologist Miss Pendragon who becomes a part of the ancient supercomputer Behemoth. The two distinct plot elements who later converge when Pendragon crashes through the school stage as Eldritch walks into the auditorium.

Following up on that would be Century Falls which tells the story of teenager Tess Hunter and her mother, who move to the seemingly idyllic rural village of Century Falls, only to find that it hides many powerful secrets. Something dark has happened here and it will take her to bring it out into the light.

And then there’s The Second Coming which gave BBC the vapours (spelling there deliberately used) It concerns a video store worker by the name Steve Baxter, played by Christopher Eccleston, who realizes he is in fact the Son of God that has but a few days to find the human race’s Third Testament and thus avert the Apocalypse. It ran on Channel 4 with major changes from what Davies originally envisioned.

Torchwood was his first post-Who series and I think it was brilliant early on. From my perspective, the characters, the setting and the storyline was quite amazing. No, not every story was great but over the first two seasons were well-worth watching. Now keep in mind that of the first two series, Davies wrote only the première episode but was the showrunner with Christopher Chibnall. The last two series, “Children of Earth” and “Miracle Day” I cared not for at all.

Then he would do the Sarah Jane Adventures, technically a children’s series but I saw it and it was lovely for everyone. A spin-off of Doctor Who with the companion Sarah Jane played by Elizabeth Sladen. He would be one of five, yes five, executive producers here.

Now living in modern-day Ealing, London, she investigates extraterrestrial matters and protects Earth against alien threats with a group of teenage accomplices. It ran five series with a sixth planned until she passed on from pancreatic cancer.

Davies made a cameo appearance in The Five(ish) Doctors Reboot. Haven’t seen it? What are you waiting for?

So Davies has now returned as Doctor Who’s showrunner. He of course cast Rwandan–Scottish actor Ncuti Gatwa for the Fifteenth Doctor. Or was the Fourteenth Doctor originally? Only Davies knows. Or did a week later. Time is a cool thing.

I’m reasonably sure that covers his genre work.

(6) COMICS SECTION.

The Far Side proves even a Western showdown has a logical order.
Tom Gauld’s cartoon has a bit more edge than usual!

My cartoon for this weekend’s @GuardianBooks #illusion #writing #goodreads pic.twitter.com/Cyr8iOFGEa
— Tom Gauld (@tomgauld) April 27, 2024

Nathan W. Pyle takes us to a lawn belongings transfer.

pic.twitter.com/O5vUpqiX4W
— Nathan W Pyle (@nathanwpyle) April 27, 2024

(7) FALLOUT UNSHELTERED. Inverse reveals “How Amazon’s Best New Sci-Fi Show Built Its Massive Post-Apocalyptic World”.

… Though this may be an entirely new saga, there is no question that it is set within the all-too recognizable world of the Fallout series. In fact, Nolan was committed to bringing this vast universe to life as faithfully and precisely as possible — and this daunting task fell on the shoulders of production designer Howard Cummings and costume designer Amy Westcott….

… And so, Cummings and Westcott dove into the vast world of Fallout. Neither being self-proclaimed “gamers,” this involved a mountain of research….

…The more he watched and listened to the fans, the more detail he discovered within the universe. “It all has such history. It’s crazy — I used to turn on my phone and just fall asleep listening to the history of Fallout.”

Cummings became so familiar with the look and feel of Fallout that Bethesda Games, the company responsible for the series, essentially “let [him] go” do his thing, he says. “But I had to go to them when we were creating new stuff, because I wanted to make sure it was right. I knew that fans would sit there and go through it all and find every friggin’ Easter egg!”

Bethesda collaborated with Cummings, helping him craft many new crucial pieces of Fallout lore — perhaps most excitingly, a map showing the locations of every single Vault in America. It is this mixture of ultra precise replication paired with thoughtful new creation that makes the design of the series a feat in world-building and a surefire hit with fans and newcomers alike.

(8) GAIMAN FILM PROJECT. “Neil Gaiman Teams With Graphic India For Animated Pic ‘Cinnamon’” reports Deadline.

New York Times best-selling author Neil Gaiman is teaming with Graphic India for the English-language animated movie, Cinnamon.

Based on a short story written by Gaiman, the screenplay is being adapted by the Coraline author and leading Indian animation writer and creator, Sharad Devarajan (The Legend of Hanuman; Baahubali: The Lost Legends) with Sarena Khan and Sujatha SV. Indian animator Jeevan J. Kang is set to direct.

Blurb for project: Born with pearl eyes that render her blind to the physical world, Cinnamon’s destiny is shaped forever when a mysterious talking tiger appears. Offering to lead her through the wonders and trials of the wild, Cinnamon begins a perilous adventure that will shape her path and test her resolve. She enters a hidden realm where the line between the mundane and the mystical is as thin as a whisper and where the ancient wisdom of India breathes life into a jungle thrumming with secrets….

(9) IMAGINARY WEALTH. [Item by Mike Kennedy.] OK, it’s mostly guesswork. But it’s still interesting to see these extremely rich fictional characters ranked and to see that none of them would be so rich as to be completely out of line in the modern world. Only the top 2 crack the $50B mark, leaving them way, way behind in the race for the richest person in the world (for which they’d have to be worth over 4 times that much). “15 Richest Fictional Characters Of All Time” at The Richest. The ladder runs from Jay Gatsby to Scrooge McDuck, with a surprising number of sff characters in between.

2 – SMAUG

Smaug’s Net Worth: $54.1 Billion

The Hobbit’s very own dragon Smaug never speaks a word, but has managed to invade the town of Dale, which happens to be sitting on a pile of gold.

Some sources have placed Smaug’s net worth as high as $62 billion dollars, with $54.1 billion deemed a “conservative estimate.”

(10) I DIDN’T KNOW IT WAS MISSING. Dan Monroe wants to know “Whatever Happened to the BLACK HOLE?”

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Lise Andreasen, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day JeffWarner.]

Pixel Scroll 2/15/24 I Think There Is A World Market For About Five Pixel Scrolls

Posted on February 15, 2024 by Mike Glyer

(1) INTERNATIONAL REACTION TO HUGO AWARDS CENSORSHIP REPORT. Chris M. Barkley and Jason Sanford’s report “The 2023 Hugo Awards: A Report on Censorship and Exclusion” (also available at Genre Grapevine and as an e-book epub file and as a PDF) has sparked the attention of mass media: .

The Guardian: “Authors ‘excluded from Hugo awards over China concerns’”. In addition to covering the report, the article includes an excellent quote from Chinese social media:

…The incident prompted discussion among the science fiction community in China. One commenter on Weibo wrote: “Diane Lacey’s courage to disclose the truth makes people feel that there is still hope in the world, and not everyone is so shameless … I can understand the concerns of the Hugo award staff, but ‘I honestly think that the Hugo committee are cowards.’”…

BBC Radio 4: Last night’s arts programme Front Row’s third quarter looked at the Hugo Awards debacle. “Ukraine drama A Small Stubborn Town, Emma Rice, The Hugo Awards”. Jonathan Cowie says, “It was a superficial dive. For example, it did not note that the nominating stats literally did not add up, so clear fraud, nor that Glasgow also is ignoring WSFS rules.” (Cowie adds, “Remember to skip to the programme’s final third quarter.”)

In the wake of the Hugo Awards scandal, Gavia Baker-Whitelaw, culture critic and Hugo awards finalist, Han Zhang, editor-at-large at Riverhead Books, focussed on finding works in the Chinese language for translation and publication in the US, and Megan Walsh, author of The Subplot: What China is reading and why it matters, discuss the fallout and what is reveals about the popularity of Sci-Fi in China.

There’s also a paywalled article in New Scientist: “Amid (more) Hugo awards controversy, let’s remember some past greats”.

IT IS a truth universally acknowledged that all awards are total bunk except for the ones you personally have lifted into the air in triumph. That rule doesn’t hold, however, if your prize is in some way sullied later on. This, sadly, is the situation for the winners of the 2023 Hugo awards….

Slashdot has an excerpt of 404 Media’s paywalled article: “Leaked Emails Show Hugo Awards Self-Censoring To Appease China”.

And here are some highlights from the vast social media discussion.

John Scalzi: “The 2023 Hugo Fraud and Where We Go From Here” at Whatever

Cora Buhlert: “The 2023 Hugo Nomination Scandal Gets Worse”

Mary Robinette Kowal’s thread on Bluesky starts with this link.

Neil Gaiman commented on Bluesky: “I’m unsure how comfortable I would be participating if anything I was involved in was nominated for a Hugo in 2024, if there were people involved who had been part of what happened in Chengdu.”

Chuck Tingle’s thread on X.com begins, “this report of leaks regarding what actually happened at hugo awards shows a disgusting way. years of buckaroos working in and around hugo awards popularizing phrases like ‘chuck tingle made the hugos illegitimate’ when the rot was starting with them.”

Courtney Milan, on Bluesky, offers a series of short scripts for how censorship could have been deflected. The first is: “Ways to handle censorship if someone asks you on the DL to censor your award. 1. ‘No, this isn’t in our rules. Is this going to be a problem? I can let the community know that the Hugo rules aren’t going to be applied if so.’”

(2) IT ONLY GETS VERSE. [Item by Jennifer Hawthorne.] A brilliant poem by TrishEM about the Hugo mess: “A Vanilla Villain’s Variant Villanelle” at What’s the Word Now. The first stanza is:

It’s wrong to allege we were mere censors’ tools;
If you knew all the facts, you’d condone our behavior.
I grok Chinese fans, and was their White Savior.
I maintain the Committee just followed the rules.

(3) HOW CENSORSHIP WORKS. Ada Palmer’s post about censorship and self-censorship comes highly recommended: “Tools for Thinking About Censorship”. It begins:

“Was it a government action, or did they do it themselves because of pressure?”

This is inevitably among our first questions when news breaks that any expressive work (a book, film, news story, blog post etc.) has been censored or suppressed by the company or group trusted with it (a publisher, a film studio, a newspaper, an awards organization etc.)

This is not a direct analysis of the current 2023 Chengdu Hugo Awards controversy. But since I am a scholar in the middle of writing a book about patterns in the history of how censorship operates, I want to put at the service of those thinking about the situation this zoomed-out portrait of a few important features of how censorship tends to work, drawn from my examination of examples from dozens of countries and over many centuries….

(4) ELIGIBILITY UPDATE FOR US NATIONAL BOOK AWARDS. “US National Book Awards: Opening to Non-US Citizens” – Publishing Perspectives has the story.

In recent years, as readers of Publishing Perspectives’ coverage of book and publishing awards know, there have been several cases in which higher-profile book and publishing awards programs have decided to broaden their eligibility requirements for authors whose work is submitted.

Today’s (February 15) announcement from the National Book Foundation about the United States’ National Book Awards‘ change in eligibility opens the program to submissions of work by authors who are not citizens of the United States, as long as they “maintain their primary, long-term home in the United States, US territories, or Tribal lands.”

These new updated criteria will be in effect as of March 13, when submissions for the 75th National Book Awards open….

(5) WAYWARD WORMHOLE. Two workshops will be available at “The Rambo Academy Wayward Wormhole – New Mexico 2024”.

The Rambo Academy for Wayward Writers is pleased to announce the second annual Wayward Wormhole, this time in New Mexico. Join us for the short story workshop to study with Arley Sorg and Minister Faust, or the novel workshop with Donald Maass, C.C. Finlay, and Cat Rambo.

Both intensive workshops will be hosted at the Painted Pony ranch in Rodeo, New Mexico. The short story workshop runs November 4-12, 2024, and the novel workshop runs November 15 through 24, 2024.

The Rambo Academy for Wayward Writers has been in existence for thirteen years, serving hundreds of students who have gone on to win awards, honors, and accolades, including Nebula, Hugo, and World Fantasy Awards. “I attended Clarion West, and have taught at multiple workshops now,” says Academy founder Cat Rambo. “While others have delivered the gold standard, I decided to stretch to the platinum level and deliver amazing workshops in equally amazing settings. Last year’s was a castle in Spain, this year a fabulous location in southwestern America. And wait till you hear what we’ve got cooked up for 2025!”

More details about these exciting workshops and how to apply!

(6) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]

Photos from the reopened Chengdu Science Fiction Museum

The Chengdu SF Museum reopened to the public a few weeks ago, after an event a few days earlier involving Hai Ya and other authors. The images I’ve selected here are primarily because of their potential interest to MPC types, but you can click on the following links to see the Xiaohongshu galleries these came from.

As far as I can tell, all of these photos have been taken in the past few weeks; there are none from when the Worldcon was running.

Gallery 1, Gallery 2, Gallery 3, Gallery 4, Gallery 5, Gallery 6, Gallery 7, Gallery 8, Gallery 9

(7) OCTOTHORPE. Episode 103 of the Octothorpe podcast, “Just This Guy, Y’know?”, is available for listening. John Coxon, Alison Scott, and Liz Batty say:

Octothorpe 103 is here! We discuss a bunch of stuff which isn’t Hugo Award-related before moving onto the bits of the kerfuffle that we couldn’t fit into 102 and hadn’t come out when we recorded.

The words “Octothorpe 103 Hugo Regalia Shop” appear above a selection of costumes. There are small depictions of a clown, a pirate, a panda and a banana above full-length depictions of a member of the Catholic church (with Hugos on their mitre and crosier), a gangster (labelled “boss”, holding a Hugo), Zaphod Beeblebrox (holding three Hugos) and Jesus (with a crown of thorns but made with Hugos).

(8) MOURNING MUSIC. “Matthew” (at Bandcamp) is a tribute song about Matthew Pavletich by his sister, Jo Morgan. Matthew died in January. The lyrics are heart-wrenching – see them at the link.

‘Matthew’ is a touching tribute dedicated to Jo’s beloved brother who passed away after a courageous battle with Motor Neurone Disease. Tenderly capturing the power of familial love, serving as an anthem honouring all the qualities defining him.

Jo says “I wrote this song to celebrate my brother Matthew who passed away from Motor Neurone Disease in January 2024. There are so many wonderful qualities about this beautiful man and I am so blessed to have had him as my brother. He lost so much to this illness, and I want the world to know about this sweet and humble gentle man.”

Jo will be making a donation from some of the proceeds from the song to support MND NZ and animal welfare charities.

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born February 15, 1945 — Jack Dann, 79. It’s been awhile since we’ve done an Australian resident writer, so let’s do Jack Dann tonight. Yes, I know he’s American-born but he’s lived there for the past forty years and yes he’s citizen there.

In 1994 he had moved to Melbourne to join Janeen Webb, a Melbourne based academic, SF critic, and writer, whom he had met at a conference in San Francisco and who he married a year later. Thirty years later they’re still married.

They would edit together In the Field of Fire, a collection of science fiction and fantasy stories relating to the horrors of the Vietnam War. I’m not aware who anyone else has done one on this subject, so go ahead and tell who else has.

He published his first book as an editor, Wandering Stars: An Anthology of Jewish Fantasy and Science Fiction forty years ago, (later followed up by More Wandering Stars: An Anthology of Jewish Fantasy and Science Fiction) and his first novel, Starhiker, several years later.

His Dreaming Again and Dreaming down-under are excellent anthologies of Australian genre short fiction. The latter, edited with his wife, would win a Ditmar and a World Fantasy Award. Dreaming Again, again edited with his wife, also won a Ditmar.

With Nick Gever, he won a Shirley Jackson Award for one of my favorite reads, Ghosts by Gaslight: Stories of Steampunk and Supernatural Suspense.

He’s written roughly a hundred pieces of shorter fiction. I’ve read enough of it to say that he’s quite excellent in that length of fiction. Recently Centipede Press released in their Masters of Science Fiction, a volume devoted to him. Thirty stories, all quite excellent.

So what is worth reading for novels beyond Starhiker which I like a lot? Well if you’ve not read it, do read The Memory Cathedral: A Secret History of Leonardo da Vinci in which de Vinci actually constructs his creations as it is indeed an amazing story.

The Rebel: An Imagined Life of James Dean is extraordinary. All I’ll say here is Dean lived, had an amazing life and yes it’s genre. I see PS Publishing filled out the story when they gave us Promised Land.

Those are the three novels of his that I really, really like.

(10) COMICS SECTION.

Frazz points out the divide between general SF fans and hard SF fans.
Frank and Ernest has the differences in danger.
The Argyle Sweater cracks awesome Dr. Seuss puns in the middle of an exorcism.
Carpe Diem has the downside of pride in your creation.
Candorville has early cartoon wars.

(11) EVIL GENIUS GAMES. [Item by Eric Franklin.] Morrus, the owner of ENWorld, posted an article on “The Rise And Fall Of Evil Genius Games” that may be of interest to the gaming contingent of File770’s readership: EGG has produced games for a number of licensed genre properties, including Pacific Rim, Escape from New York, and The Crow. “DriveThruRPG – Evil Genius Games”.

How does a company go from over twenty core staff to just six in the space of a few weeks?

In the summer of 2023, Evil Genius Games appeared to be riding high. They’d made about half a million dollars over two Kickstarter campaigns and had raised $1M from several rich investors in the form of technology companies. The company boasted 25-30 core staff, an official tabletop role-playing game for a movie franchise called Rebel Moon was well under development, and EGG standees and window clings representing characters from the d20 Modern-inspired Everyday Heroes could be seen in game stores across America.

By the end of the year, the Rebel Moon game was dead, staff had been asked to work without pay for periods of up to three months, freelancers were struggling to get paid, people were being laid off, and the company’s tech company investors seemed to be having cold feet in the face of escalating expenditure and dwindling resources….

(12) SFF FROM LAGOS. “’Iwájú’ trailer: Disney’s enticing limited series is set in a futuristic Nigeria” says Mashable. Available February 28 on Disney+.

“Iwájú” is an original animated series set in a futuristic Lagos, Nigeria. The exciting coming-of-age story follows Tola, a young girl from the wealthy island, and her best friend, Kole, a self-taught tech expert, as they discover the secrets and dangers hidden in their different worlds. Kugali filmmakers—including director Olufikayo Ziki Adeola, production designer Hamid Ibrahim and cultural consultant Toluwalakin Olowofoyeku—take viewers on a unique journey into the world of “Iwájú,” bursting with unique visual elements and technological advancements inspired by the spirit of Lagos.

(13) NSFF770? [Item by Mike Kennedy.] Star Zendaya walked the red carpet at the Dune Part Two premiere wearing a formfitting silver and translucent robot-inspired outfit. Friendly warning: anyone inclined to over-agitation at such a sight might want to make sure they’ve taken their heart medication before checking out the video. “Zendaya’s Robotic Outfit For The ‘Dune: Part Two’ Premiere Has To Be Seen To Be Believed” at Uproxx. Article includes a roundup of X.com posts with video.

(14) WHAT REALLY MATTERS. “This new map of the Universe suggests dark matter shaped the cosmos” at Nature. See the compilation photo at the link.

Astronomers have reconstructed nearly nine billion years of cosmic evolution by tracing the X-ray glow of distant clusters of galaxies. The analysis supports the standard model of cosmology, according to which the gravitational pull of dark matter — a still-mysterious substance — is the main factor shaping the Universe’s structure.

“We do not see any departures from the standard model of cosmology,” says Esra Bulbul, a senior member of the team and an astrophysicist at the Max Planck Institute for Extraterrestrial Physics (MPE) in Garching, Germany. The results are described¹ in a preprint posted online on 14 February.

The galactic clusters were spotted in the most detailed picture ever taken of the sky using X-rays, which was published late last month. This image revealed around 900,000 X-ray sources, from black holes to the relics of supernova explosions.

The picture was the result of the first six months of operation of eROSITA (Extended Roentgen Survey with an Imaging Telescope Array), one of two X-ray telescopes that were launched into space in July 2019 aboard the Russian spacecraft SRG (Spectrum-Roentgen-Gamma). eROSITA scans the sky as the spacecraft spins, and collects data over wider angles than are possible for most other X-ray observatories. This enables it to slowly sweep the entire sky every six months….

(15) VALENTINE’S DAY IN THE TARDIS. How can you not click when Radio Times offers to tell about “Doctor Who’s four greatest love stories – and why they make the cut”?

The love stories definitely aren’t the main focus in Doctor Who… but they certainly don’t hurt.

From David Tennant’s Ten and Billie Piper’s Rose being ripped away from each other in Doomsday, to Matt Smith’s Eleven and Alex Kingston’s River Song finding their way back to each other through time, some of them are love stories for the ages.

Some of them, perhaps, deserved a little more time (looking at Jodie Whittaker’s Thirteen and Mandip Gill’s Yaz), and some don’t even feature the Doctor at all, with Karen Gillan’s Amy and Arthur Darvill’s Rory melting our hearts….

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Jason Sanford, Cat Rambo, Kathy Sullivan, Eric Franklin, SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

NESFA Presents Skylark, Gaughan Awards at Boskone 61

Posted on February 11, 2024 by Mike Glyer

The New England Science Fiction Association honored the winners of two annual awards at Boskone 61 on February 10.

SKYLARK AWARD

NESFA presented the Skylark Awards for 2023 and 2024 at the ceremony.

2023: John Scalzi

2024: Ellen Kushner & Delia Sherman

The Edward E. Smith Memorial Award for Imaginative Fiction (the Skylark) is presented annually by NESFA® to some person, who, in the opinion of the membership, has contributed significantly to science fiction, both through work in the field and by exemplifying the personal qualities which made the late “Doc” Smith well-loved by those who knew him.

Delia Sherman (left) and Ellen Kushner (right). Photo by Malka Svei.

Here is an example of the award trophy:

The admonition about where to stick it is, after a fashion, a genuine safety warning that dates to this Jane Yolen anecdote. The line is usually delivered by the audience with great gusto.

JACK GAUGHAN AWARD FOR THE BEST EMERGING ARTIST

2024: Alex Dos Diaz

The Gaughan Award honors the memory of Jack Gaughan, a long-time friend of fandom and one of the finest SF artists of the 20th century. Because Jack felt it was important to encourage and recognize new blood in the field, The New England Science Fiction Association, Inc., presents the Gaughan Award annually to an emerging artist (an artist who has become a professional within the past five years) chosen by a panel of judges.

Alex Dos Diaz’ website, with images of many more works, is here.

FELLOWS OF NESFA

Tonight’s ceremony also included the induction of two Fellows of NESFA:

2024: Jenny & Paul Kraus

[Thanks to Lisa Hertel for the story.]

Pixel Scroll 2/2/24 Scroll Pixel Very Simple Man, With Big Warm Filey Secret Heart

Posted on February 2, 2024 by Mike Glyer

(1) UNLOAD THE CANON. Rev. Tom Emanuel calls on scholars and students to “Decanonize Tolkien” at Queer and Back Again.

In the fifty years since Tolkien’s death, his work and legacy have irrevocably shaped our understanding of what fantasy even is. This Oxford don, whose seemingly anachronistic, unclassifiable, wildly popular stories of Elves, Hobbits, and magic rings were once dismissed by the self-appointed guardians of Western literature, has now become one of its canonical figures.

Whether this is a good or a bad thing depends very much on whom you ask. Speaking as a lifelong Tolkien fanatic, my answer is: a bit of both. Either way, we might as well throw in the towel on biblical scholarship as on Tolkien scholarship. Just as the Bible is an inescapable, bone-deep influence on Western culture even for those who do not accord it status as Scripture, Tolkien is an inescapable influence on modern fantasy and, by extension, the study of the fantastic. His canonical status is why we cannot yet write him off; he means too much to too many people, has exerted too great a gravitational pull upon our field of inquiry. Yet that same canonical status is also why Tolkien scholarship must explore new horizons of reception and applicability and grapple responsibly with Tolkien’s complicated legacies both literary as well as cultural, historical as well as contemporary – another feature his work shares with the Bible. In fairness to my colleagues, many exceptional scholars, both established and emerging, are actively breaking new ground in Tolkien studies. More is needed, however, and an active reconsideration of approaches which have held sway in our field for too long….

…Those of us who study the man will always find it edifying (possibly) and entertaining (most certainly) to “interpret every single note Tolkien once wrote on a napkin and subject this analysis to multiple peer review,” to quote from this forum’s prompt. If we seek to continue in a genuinely Tolkienian spirit, however, we would do well to consider more deeply and carefully the effects of Tolkien’s fiction upon his readers and the wider culture in which they are implicated.

Key to this endeavor will be loosening the grip of so-called “authorial intent” over large swaths of Tolkien fandom and scholarship….

(2) HUGO AWARDS MESS REACHES ESQUIRE. [Item by PhilRM.] A not-terrible article that just showed up in Esquire about Chengdu touches, briefly and not terribly accurately, on the Puppies, and is almost entirely about the exclusions rather than the complete lack of believability of the numbers (although Heather Rose Jones’ work gets a link), but at least it delivers a well-deserved drubbing to Dave McCarty. “Hugo Awards 2024: What Really Happened at the Sci-Fi Awards in China?”

…In 2021, the voting process to select the host city for the 2023 convention became a lightning rod for conspiracy theories. Each year, anyone who purchases a membership in the World Science Fiction Society can vote on where WorldCon will be held two years later. In 2021, voters could choose between Chengdu and Winnipeg, Canada for the 2023 convention. “There were concerns that a couple thousand people from China purchased memberships [in the World Science Fiction Society] that year to vote for Chengdu,” says Jason Sanford, a three-time Hugo finalist. “It was unusual, but it was done under the rules.”

While Sanford welcomed the participation of new Chinese fans, other people were alarmed that many of the Chinese votes for Chengdu were written in the same handwriting and posted from the same mailing address. The chair of the convention that year, Mary Robinette Kowal, says some members of the awards committee wanted to mark those votes as invalid. “But if you’re filling out a ballot in English and you don’t speak English, you hand it to a friend who does,” she says. “And the translation we’d put in could be read as ‘where are you from,’ not ‘what is your address.’”

Eventually, a few votes were invalidated by the committee, but most were allowed to stand. “China has the largest science fiction reading audience on the planet by several magnitudes, and they are extremely passionate,” Kowal says….

…When McCarty finally shared last year’s nominating statistics on his Facebook page, authors, fans, and finalists were shocked. In the history of the awards, no works had ever been deemed ineligible like this. Many people who had expected Kuang to win for Babel were now stunned to see she very well could have, and McCarty’s refusal to explain what happened made everything worse. (McCarty did not respond to interview requests for this story.)

“Fandom doesn’t like people fucking with their awards, no matter who does it or why,” says John Scalzi, a three-time Hugo Award winner who was a finalist last year in the Best Novel category: the very same category in which R.F. Kuang should have been nominated for Babel, according to the nomination count on page 20 of McCarty’s document. “The reason people are outraged right now is because they care about the award, in one fashion or another, and this lack of transparency feels like a slap,” Scalzi says….

The article ends:

At the end of my Zoom call with Sanford, I see some emotion in his face around the eyes. “When I was young, science fiction and fantasy books literally saved my life,” he says. “I looked for books that were Hugo finalists or winners, and they showed me a way forward. They showed me there are other people out there who think like me.”

Whatever happens to the Hugos moving forward, one thing is clear: No one should have the power to erase books from the reading lists of future Jason Sanfords.

Jason Sanford disavowed the last paragraph on Bluesky.

Yes, I read the Esquire article I was interviewed for about the Hugo Awards controversy. A good article overall. I liked how the transparency of the Hugos is compared to lack of the same with most literary awards. Then I read the closing paragraph. Oh gods. SMDH. Be nice & know I didn’t write that.

Editor’s Note: The article also says of McCarty, “Within the WorldCon community, he’s nicknamed the ‘Hugo Pope’ for serving on so many awards committees over the years.” It’s a nickname I haven’t heard before. And Ersatz Culture reminds me that the October 26 Scroll carried a photo of a signature book showing McCarty refers to himself as ‘Hugo Boss’.

(3) WE DON’T TALK ABOUT HUGOS. Artist Lar deSouza has done a cartoon inspired by the controversy. See it on Bluesky: “We don’t talk about Hugos….”.

(4) IN THE YEAR OF THE DRAGON, A HEADLINE. “Dungeons & Dragons Publisher Denies Selling Game To Chinese Firm: Here’s What To Know” reports Forbes.

Wizards of the Coast, the Hasbro division behind tabletop game Dungeons & Dragons, is denying rumors sparked by a Chinese news report that a struggling Hasbro could be selling its Dungeons & Dragons franchise to Chinese video game company Tencent….

…But in a Thursday statement to multiple outlets, including Forbes, Wizards of the Coast, the Hasbro division that publishes Dungeons & Dragons and games including Magic: the Gathering, denied the rumors, claiming while the company has multiple partnerships with Tencent, “we are not looking to sell our D&D [intellectual property],” and the company would not comment any further on “speculation or rumors about potential M&A or licensing deals.”…

(5) FIGHT GOES INTO THE SECOND ROUND. [Item by Cat Eldridge.] “Disney To Appeal Ron DeSantis Legal Loss As The Empire Strikes Back” reports Deadline. Of course they are. It’s The Mouse. They have far more lawyers than there are pirates in The Pirates of The Caribbean Ride at Walt Disney World. And those lawyers know more about fighting dirty than those pirates ever did. Hmmm…. Mickey with an eye patch and cutlass…

The lines at Disney World may be long, but the Mouse House isn’t standing around to let Ron DeSantis savor his win yesterday in the company’s First Amendment lawsuit against the failed presidential candidate.

Less than 24 hours after a federal judge agreed with the Florida Governor and deep-sixed Disney’s nearly year long legal action, the Bob Iger-run entertainment giant and Sunshine State mega-employer gave official notice they plan to challenge Wednesday’s dismissal.

“Notice is given that Plaintiff Walt Disney Parks and Resorts, U.S., Inc. (“Disney”) hereby appeals to the United States Court of Appeals for the Eleventh Circuit from the Order Granting Motions to Dismiss and the final judgment entered by the U.S. District Court for the Northern District of Florida on January 31, 2024,” said outside Disney counsel Daniel Petrocelli and a small legion of lawyers in a filing this morning.

No word yet when the actual appeal will be filed, but it could be within the next week or so, I hear.

In a Florida knife fight that started with Disney’s slow but eventual opposition to the state’s parental rights bill, known by detractors AKA the “Don’t Say Gay” law, and then turned to DeSantis’ throwing overboard the long standing governance the company had over the region around Orlando’s Disney World and appointing his own Central Florida Tourism Oversight District Board. As the dust-up escalated, Disney filed its suit in April, as past and now present CEO Iger and the so-called “woke” battling DeSantis, who was eyeing what became a face plant of a primary campaign, hurled missives at each other in public…

(6) URSA MAJOR. Nominations for the Ursa Major Awards, Annual Anthropomorphic Literature and Arts Award, are open and will continue until February 17.

To nominate online, all people must first enroll. Go here to ENROLL FOR ONLINE NOMINATIONS or to LOGIN if you have already enrolled.

You may choose up to five nominees for each category:

Nominations may be made for the following categories:

Best Anthropomorphic Motion Picture
Best Anthropomorphic Dramatic Short Work
Best Anthropomorphic Dramatic Series
Best Anthropomorphic Novel
Best Anthropomorphic Short Fiction
Best Anthropomorphic Other Literary Work
Best Anthropomorphic Non-Fiction Work
Best Anthropomorphic Graphic Story
Best Anthropomorphic Comic Strip
Best Anthropomorphic Magazine
Best Anthropomorphic Published Illustration
Best Anthropomorphic Game
Best Anthropomorphic Website
Best Anthropomorphic Costume (Fursuit)
Best Anthropomorphic Music

(7) CALL FOR ‘WEIRD HOLLYWOOD’ SUBMISSIONS. Christopher J. Garcia, Chuck Serface, and Alissa Wales are planning an issue of The Drink Tank about Weird Hollywood. “Weird,” however you define that term, can apply to Hollywood as the city itself or as the entertainment industry. The editors are interested in fiction, art, history, poetry, photography, or anything printable you want to contribute. Send submissions to Chris at [email protected] or to Chuck at [email protected]. The deadline is March 1, 2024.

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born February 2, 1990 — Sarah Gailey, 33. Sarah Gailey comes to our attention with their Best Related Work Hugo at Worldcon 75 with their Women of Harry Potter posts. Fascinating look at some other commenters mostly. Here is the “Women of Harry Potter: Ginny Weasley Is Not Impressed” post at Reactor.

Their alternate history “River of Teeth” novella, the first work in that series, was nominated for a Hugo Award for Best Novella at Worldcon 76 and a Nebula. It’s also the first work in their American Hippo duology, the other being the novella “Taste of Marrow”.

Upright Women Wanted by Sarah Gailey, art by Will Staehle

Upright Women Wanted is set in the a fantasy of a Wild West of a twenty minutes into the future dystopian hyper heterosexual America which is all I can say about giving away spoilers about it. Major trigger warnings for any conservative readers here.

Their Magic for Liars, is quite excellent I would say. It’s a murder mystery set in school for young wizards but it’s nothing like those books. They discuss their book here in a YouTube video.

The Echo Wife is a thriller with some very adult questions about the nature of what being human actually means. To say anymore would be spoiling it. It’s damn good. I’d say that it’s their best work to date.

Their latest novel, Just Like Home, is not one I’ve read. Let’s just say that I don’t do serial killers and leave it at that.

They also scripted The Vampire Slayer series on Boom! Comics from the universe of Buffy the Vampire Slayer.

They have done a double, double handful of short fiction, almost so far collected though the American Hippo collects the “River of Teeth” novella and the “Taste of Marrow” novella, and two short stories, “Worth Her Weight in Gold” and “Nine and a Half”, all part of the River of Teeth storytelling.

Finally they have a magical, in the best way magic is, newsletter called Stone Soup. “It’s about the things we cook, the things we read, the things we write. It’s about the things we care about, together and separately; it’s about everything we add to the pot, in little bits and pieces, to make something great. It’s about community.” You can sign up for the free level, or the paid which I do and is well worth the cup of coffee a month it’ll cost you. (My Patreon fees collectively are larger than any of my streaming services by far.) Mike has from to time included material from it here.

(9) COMICS SECTION.

Frazz ponders the power of story.

(10) ARE WRITERS GETTING PAID? The Society of Authors is skeptical. According to the Guardian, “Spotify claims to have paid audiobook publishers ‘tens of millions’ in royalties”.

Spotify has said that it has paid audiobook publishers “tens of millions” since allowing users 15 hours of audiobook listening in its Premium subscription package last autumn.

The company said that the figure, reported by trade magazine the Bookseller, is “100% royalties” and that it expects to “continue growing” royalty payouts in future. It would not give a more precise amount for payouts made so far, but said that the “tens of millions” figure applies in both pounds and dollars.

However, the Society of Authors (SoA) said they “remain concerned at the lack of clarity about the deals”. The industry body said it is “still waiting to see the effect on author incomes and whether these are real additional sales or simply take market share from Amazon”….

(11) JEOPARDY! [Item by Andrew Porter.] A Tolkien category featured on tonight’s episode of Jeopardy! Some contestants stumbled.

Category: Talking About Tolkien

Answer: Humphrey Carpenter’s bio of J.R.R. Tolkien, C.S. Lewis & like-minded friends has this title, like their literary circle.

Wrong question: What is the Oxford group?

Right question: What is the Inklings?

Answer: To his family and close friends, Tolkien was known by this name, the first “R” in his initials.

Wrong questions: What is Rael? and What is Robert?

Right question: What is Ronald?

(12) CSI SKILL TREE. The latest episode of CSI Skill Tree is “Game Localization with Siyang Gao and Emily Xueni Jin”. The series examines how video games envision possible futures and build thought-provoking worlds. In this episode, the participants discuss the process of video game localization, which encompasses both translation and deeper work, even up to adapting a game’s mechanics, cultural references and allusions, and more to better resonate with players who encounter the game outside of its initial linguistic and cultural context.

Siyang Gao is a writer, translator, and video game localizer who specializes in narrative-heavy games, and Emily Xueni Jin is an essayist, researcher, and fantastic translator of science fiction who translates both from Chinese to English and the other way around. Also, here’s a YouTube playlist with all 14 of the Skill Tree episodes thus far.

(13) K5 WAS NO K9; RETIRED. The New York Times says “Goodbye for Now to the Robot That (Sort Of) Patrolled New York’s Subway”.

The New York Police Department robot sat motionless like a sad Wall-E on Friday morning, gathering dust inside an empty storefront within New York City’s busiest subway station.

No longer were its cameras scanning straphangers traversing Times Square. No longer were subway riders pressing its help button, if ever they had.

New York City has retired the robot, known as the Knightscope K5, from service inside the Times Square station. The Police Department had been forced to assign officers to chaperone the robot, which is 5 feet 3 inches tall and weighs 400 pounds. It could not use the stairs. Some straphangers wanted to abuse it.

“The K5 Knightscope has completed its pilot in the NYC subway system,” a spokesman for the department said in an email.

On Friday, the white contraption in N.Y.P.D. livery sat amid a mountain of cardboard boxes, separated from the commuting masses by a plate-glass window. People streaming by said they had often been mystified by the robot.

“I thought it was a toy,” said Derek Dennis, 56, a signal engineer.

It was an ignominious end for an experiment that Mayor Eric Adams, a self-described tech geek, hoped would help bring safety and order to the subways, at a time when crime remained a pressing concern for many New Yorkers….

(14) TUNES INSPIRED BY LOVECRAFT STORY. Another musical discovery that might be of interest: “The Music of Erich Zann” from Half Deaf Clatch via Speak Up Recordings at Bandcamp.

‘The Music of Erich Zann’ is one of my favourite short stories by H.P Lovecraft, and I’ve been wanting to do a musical adaptation for a long while now. This EP started out as a few short atmospheric instrumentals, but very quickly turned into a full blown musical work with lots of lyrics!

The words are an abridged version of the story and detail the salient points, rather than providing a blow by blow account, if you haven’t read the actual story I highly recommend it.

I kept the instrumentation relatively simple, just an acoustic guitar, electric cello, pipe organ, percussion and atmospheric soundscapes. The majority of the sounds are made by acoustic or electro-acoustic instruments, the electric cello was played through an Orange ‘Crush’ acoustic amp and EHX Soul Food pedal, any ‘otherworldly’ effects were created with instruments put through octavers and auto filters.

In the original story Lovecraft says that Eric Zann plays a ‘viol’, it is widely accepted that he meant a viol da gamba, a Baroque era instrument which closely resembles the cello, but has five to seven strings, and frets. Since these are rare and very expensive, I obviously decided to use my electric cello for this EP, as buying a viol da gamba seemed an unnecessary extravagance.

(15) OUT OF THE JUG. The Guardian visits with “The man who owes Nintendo $14m: Gary Bowser and gaming’s most infamous piracy case”.

In April 2023, a 54-year-old programmer named Gary Bowser was released from prison having served 14 months of a 40-month sentence. Good behaviour reduced his time behind bars, but now his options are limited. For a while he was crashing on a friend’s couch in Toronto. The weekly physical therapy sessions, which he needs to ease chronic pain, were costing hundreds of dollars every week, and he didn’t have a job. And soon, he would need to start sending cheques to Nintendo. Bowser owes the makers of Super Mario $14.5m (£11.5m), and he’s probably going to spend the rest of his life paying it back….

…In the late 00s he made contact with Team Xecuter, a group that produces dongles used to bypass anti-piracy measures on Nintendo Switch and other consoles, letting them illegally download, modify and play games. While he says he was only paid a few hundred dollars a month to update their websites, Bowser says the people he worked with weren’t very social and he helped “testers” troubleshoot devices.

“I started becoming a middleman in between the people doing the development work, and the people actually owning the mod chips, playing the games,” he says. “I would get feedback from the testers, and then I would send it to the developers … I can handle people, and that’s why I ended up getting more involved.”

In September 2020, he was arrested in a sting so unusual that the US Department of Justice released a press release boasting about the indictment, in which acting assistant attorney general Brian C Rabbitt called Bowser and his co-defendants “leaders of a notorious international criminal group that reaped illegal profits for years by pirating video game technology of US companies”.

“The day that it happened, I was sleeping in my bed, it was four in the morning, I’d been drinking all night,” Bowser says. “And suddenly I wake up and see three people surrounding my bed with rifles aimed at my head … they dragged me out of the place, put me in the back of a pickup truck and drove me to the Interpol office.”…

(16) VIDEO OF THE DAY. Ryan George’s “Echo Pitch Meeting” invites everyone to step inside the Pitch Meeting that led to Echo! Beware what you step in, though, because there are spoiler warnings.

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, JJ, Kathy Sullivan, Joey Eschrich, PhilRM, Jason Sanford, Robin Anne Reid, Ersatz Culture, Chuck Serface, Steven French, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

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Tag Archives: John Scalzi

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NESFA Presents Skylark, Gaughan Awards at Boskone 61

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