The New England Science Fiction Association honored the winners of two annual awards at Boskone 61 on February 10.
SKYLARK AWARD
NESFA presented the Skylark Awards for 2023 and 2024 at the ceremony.
2023:John Scalzi
2024: Ellen Kushner & Delia Sherman
The Edward E. Smith Memorial Award for Imaginative Fiction (the Skylark) is presented annually by NESFA® to some person, who, in the opinion of the membership, has contributed significantly to science fiction, both through work in the field and by exemplifying the personal qualities which made the late “Doc” Smith well-loved by those who knew him.
Delia Sherman (left) and Ellen Kushner (right). Photo by Malka Svei.John Scalzi
Here is an example of the award trophy:
The admonition about where to stick it is, after a fashion, a genuine safety warning that dates to this Jane Yolen anecdote. The line is usually delivered by the audience with great gusto.
JACK GAUGHAN AWARD FOR THE BEST EMERGING ARTIST
2024: Alex Dos Diaz
Alex Dos Diaz
The Gaughan Award honors the memory of Jack Gaughan, a long-time friend of fandom and one of the finest SF artists of the 20th century. Because Jack felt it was important to encourage and recognize new blood in the field, The New England Science Fiction Association, Inc., presents the Gaughan Award annually to an emerging artist (an artist who has become a professional within the past five years) chosen by a panel of judges.
LUNA by Alex Dos Diaz
Alex Dos Diaz’ website, with images of many more works, is here.
FELLOWS OF NESFA
Tonight’s ceremony also included the induction of two Fellows of NESFA:
Cider working hard at Boskone. Now, she’s helping me verify people’s vaccination status. Earlier, she volunteered in Dragonslair Children’s Program, although autocorrect thought that might be a children’s hospital. She also decided to support the Seattle in 2025 bid.
Photos of your felines (or whatever you’ve got!) resting on genre works are welcome. Send to mikeglyer (at) cs (dot) com
I can say that there are a couple of websites that I have contacted about removing our submissions link from pages on their site. Everyone that has come to us from those sites in the last couple of days is part of this problem.
Five days ago, the chart we shared showed nearly 350 of these submissions. Today, it crossed 500. 50 of them just today, before we closed submissions so we can focus on the legit stories. 10% in less than half a day.
(2) “THE WITCH TRIALS OF J.K. ROWLING.” The Free Press is a new media organization created by Bari Weiss, once the Wall Street Journal book review editor, and later a New York Times op-ed editor and writer who resigned in 2020 under circumstances that prompted the Financial Times to described her as a “self-styled free speech martyr.” However, her resignation letter was praised by people ranging from Sens. Ted Cruz and Marco Rubio to Andrew Yang and Bill Maher.
The Free Press “About” page says, “We focus on stories that are ignored or misconstrued in the service of an ideological narrative.” And the publication has announced a new podcast series titled “The Witch Trials of J.K. Rowling” which will be available February 21. From their website:
“The Witch Trials of J.K. Rowling is an audio documentary that examines some of the most contentious conflicts of our time through the life and career of the world’s most successful author. In conversation with host Megan Phelps-Roper, J.K. Rowling speaks with unprecedented candor and depth about the controversies surrounding her—from book bans to debates on gender and sex.
“The series also examines the forces propelling this moment in history, through interviews with Rowling’s supporters and critics, journalists, historians, clinicians, and more.”
J.K. Rowling is arguably the most successful author in the history of publishing, with the possible exception of God. And “Harry Potter” was a kind of bible for my generation. Since its publication beginning in the late ’90s, the series has taught tens of millions of children about virtues like loyalty, courage, and love—about the inclusion of outsiders and the celebration of difference. The books illustrated the idea of moral complexity, how a person who may at first appear sinister can turn out to be a hero after all.
The author herself became part of the legend, too. A broke, abused, and depressed single mother—writing in longhand at cafes across Edinburgh while her baby girl slept in a stroller beside her—she had spun a tale that begat a global phenomenon. If “Harry Potter”was a bible, then Rowling became a kind of saint.
When she gave the Harvard commencement address in 2008, she was introduced as a social, moral, and political inspiration. Her speech that day was partly about imagination: “the power that enables us to empathize with humans whose experiences we have never shared.”
“We do not need magic to transform our world,” Rowling told the rapt audience. “We carry all the power we need inside ourselves already.”
The uproarious applause that greeted her in 2008 is hard to imagine today. It’s hard to imagine Harvard—let alone any prestigious American university—welcoming Rowling. Indeed, I’m not sure she’d be allowed to give a reading at many local libraries….
The push-back against characterizing Rowling as a transphobe extends to an opinion piece the New York Times ran on February 16, Pamela Paul’s “In Defense of J.K. Rowling”.
… So why would anyone accuse her of transphobia? Surely, Rowling must have played some part, you might think.
The answer is straightforward: Because she has asserted the right to spaces for biological women only, such as domestic abuse shelters and sex-segregated prisons. Because she has insisted that when it comes to determining a person’s legal gender status, self-declared gender identity is insufficient. Because she has expressed skepticism about phrases like “people who menstruate” in reference to biological women. Because she has defended herself and, far more important, supported others, including detransitioners and feminist scholars, who have come under attack from trans activists. And because she followed on Twitter and praised some of the work of Magdalen Berns, a lesbian feminist who had made incendiary comments about transgender people.
You might disagree — perhaps strongly — with Rowling’s views and actions here. You may believe that the prevalence of violence against transgender people means that airing any views contrary to those of vocal trans activists will aggravate animus toward a vulnerable population.
But nothing Rowling has said qualifies as transphobic. She is not disputing the existence of gender dysphoria. She has never voiced opposition to allowing people to transition under evidence-based therapeutic and medical care. She is not denying transgender people equal pay or housing. There is no evidence that she is putting trans people “in danger,” as has been claimed, nor is she denying their right to exist…
This is a distressingly one-sided view of J.K. Rowling’s comments. The outrage toward Ms. Rowling is justified. She is a wealthy, powerful author who is using her far-reaching platform to push the narrative that trans women — who exist on the farthest fringes of our societies — pose a threat to her. This is the opposite of reality.
Trans women are discriminated against daily and suffer abuse, aggression, assault and even murder at the hands of cisgender people. They need support from the mainstream, not nuanced criticism.
While this column does present a defense of J.K. Rowling, it does not paint an accurate picture of her comments. For example, it cherry-picks quotes describing her support for trans people that are comparable to Donald Trump saying “I love Hispanics” after making repeated racist comments against them. It lists two actors from the Harry Potter movies who support her but disregards the many actors from the franchise who condemned her stance.
Ms. Rowling’s arguments may appear reasonable, but the allies she has made and stances she has taken are indefensible.
Roald Dahl’s children’s books are being rewritten to remove language deemed offensive by the publisher Puffin.
Puffin has hired sensitivity readers to rewrite chunks of the author’s text to make sure the books “can continue to be enjoyed by all today”, resulting in extensive changes across Dahl’s work.
Edits have been made to descriptions of characters’ physical appearances. The word “fat” has been cut from every new edition of relevant books, while the word “ugly” has also been culled, the Daily Telegraph reported.
Augustus Gloop in Charlie and the Chocolate Factory is now described as “enormous”. In The Twits, Mrs Twit is no longer “ugly and beastly” but just “beastly”.
Hundreds of changes were made to the original text – and some passages not written by Dahl have been added. But the Roald Dahl Story Company said “it’s not unusual to review the language” during a new print run and any changes were “small and carefully considered”….
PEN America’s Suzanne Nossel criticized the move in a long Twitter thread that begins here.
Those who might cheer specific edits to Dahl's work should consider how the power to rewrite books might be used in the hands of those who do not share their values and sensibilities. 3/13
He was a self confessed antisemite, with pronounced racist leanings, and he joined in the attack on me back in 1989… but thanks for telling me off for defending his work from the bowdlerizing Sensitivity Police. https://t.co/OWcftBkJBH
(4) MORE BOSKONE HONORS. This weekend at Boskone 60, the New England Science Fiction Association granted NESFA Fellowships (FN) to Kristin Seibert and Vincent Docherty.
The NESFA Short Story Contest winner is Amy Johnson for “Excuse Me, This is My Apocalypse”. The Runner-up is Diane Lee for “The Gambler”.
The 10 posters, all autographed by Hamill, feature the fictional X-wing fighter used by Hamill’s character Luke Skywalker to destroy the Death Star in the first “Star Wars.” But in this case, the relatively tiny, feisty fighter is in the Ukrainian colors of yellow and blue — while the massive evil “imperial” fleet sports the red and blue of Russia’s flag.
Five of the posters will be raffled off to contributors who donate $100 or more in support of Ukraine. The other five posters are guaranteed to those who donate $10,000 or more.
Proceeds of the “dronation” will go toward RQ-35 Heidrun reconnaissance drones to help protect Ukraine from its Russian invaders.
(6) GERALD FRIED (1928-2023). Compser Gerald Fried died Ferbuary 17 at the age of 95. He composed music for TV series including Mission: Impossible, Gilligan’s Island, The Man from U.N.C.L.E., Shotgun Slade, Roots, and Star Trek. Early in his career, he collaborated with Stanley Kubrick, scoring several of his earliest films.
For the original Star Trek he composed the famous musical underscore “The Ritual/Ancient Battle/2nd Kroykah” (now known as “Star Trek fight music”) for the episode “Amok Time.”[
(7) MEMORY LANE.
1957 – [Compiled by Cat Eldridge.]
So who here hasn’t read the stories in Arthur C. Clarke’s Tales from the White Hart? Published in 1957 by Ballantine Books, most of the tales first appeared elsewhere. They are, I think, wonderful. I actually first encountered the book in an English language bookstore in Sri Lanka in a paperback edition. Clarke was still alive and living in Colombo at that time.
Avoiding spoilers once again as I will with all of the Beginnings, I can note that the pub itself is based upon the White Horse, which is just north of Fleet Street where SF fans gathered in the Forties and Fifties.
Clarke, in correspondence with Lord Dunsany, said that he based these off that writer’s Jorkens. Indeed Clarke wrote an introduction to the first Jorkens omnibus volume.
I love the setting as I do almost any genre fiction set in a pub, the bar patrons especially Harry Purvis who tells these tales are fascinating and the tales themselves are stellar.
Now our Beginning…
Silence
Please You come upon the “White Hart” quite unexpectedly in one of these anonymous little lanes leading down from Fleet Street to the Embankment. It’s no use telling you where it is: very few people who have set out in a determined effort to get there have actually arrived. For the first dozen visits a guide is essential: after that you’ll probably be all right if you close your eyes and rely on instinct. Also—to be perfectly frank—we don’t want any more customers, at least on our night. The place is already uncomfortably crowded. All that I’ll say about its location is that it shakes occasionally with the vibration of newspaper presses, and that if you crane out of the window of the gent’s room you can just see the Thames.
From the outside, it looks like any other pub—as indeed it is for five days of the week. The public and saloon bars are on the ground floor: there are the usual vistas of brown oak panelling and frosted glass, the bottles behind the bar, the handles of the beer engines… nothing out of the ordinary at all. Indeed, the only concession to the twentieth century is the juke box in the public bar. It was installed during the war in a laughable attempt to make G.I.’ s feel at home, and one of the first things we did was to make sure there was no danger of its ever working again.
At this point I had better explain who “we” are. That is not as easy as I thought it was going to be when I started, for a complete catalogue of the “White Hart’s” clients would probably be impossible and would certainly be excruciatingly tedious. So all I’ll say at this point is that “we” fall into three main classes. First there are the journalists, writers and editors. The journalists, of course, gravitated here from Fleet Street. Those who couldn’t make the grade fled elsewhere: the tougher ones remained. As for the writers, most of them heard about us from other writers, came here for copy, and got trapped.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 20, 1906 — Theodore Roscoe. A mere tasting of his pulp stories, The Wonderful Lips of Thibong Linh, which are sort of based on a member of the French Foreign Legion, was published by Donald M. Grant. The complete stories, The Complete Adventures of Thibaut Corday and the Foreign Legion, are available digitally in four volumes on Kindle. The Wonderful Lips of Thibong Linh only contain four of these stories. (Died 1992.)
Born February 20, 1912 — Pierre Boulle. Best known for just two works, The Bridge over the River Kwai and Planet of the Apes which of course was the basis of that film. The latter was was La planète des singes in French, translated in 1964 as Monkey Planet by Xan Fielding, and later re-issued under the name we know. (Died 1994.)
Born February 20, 1925 — Robert Altman. I’m going to argue that his very first film in 1947, The Secret Life of Walter Mitty, based off the James Thurber short story of the same name, is genre given its premise. Some twenty-five years later Images was a full-blown horror film. And of course, Popeye is pure comic literature at its very best. (Died 2006.)
Born February 20, 1926 — Richard Matheson. Best known for I Am Legend which has been adapted for the screen four times, as well as the film Somewhere In Time for which he wrote the screenplay based on his novel Bid Time Return. Seven of his novels have been adapted into films. In addition, he wrote sixteen television episodes of The Twilight Zone, including “Nightmare at 20,000 Feet” and “Steel”. The former episode of course has William Shatner in it. (Died 2013.)
Born February 20, 1943 — Diana Paxson, 80. Did you know she’s a founder of the Society for Creative Anachronism? Well she is. Genre wise, she’s best known for her Westria novels, and the later books in the Avalon series, which she first co-wrote with Marion Zimmer Bradley, then – after Bradley’s death, took over sole authorship of. All of her novels are heavily colored with paganism. I like her Wodan’s Children series more than the Avalon material.
Born February 20, 1972 — Nick Mamatas, 51. Writer and editor. His fiction is of a decidedly Lovecraftian bent which can be seen in Move Under Ground which also has a strong Beat influence. It is worth noting that his genre fiction often strays beyond genre walls into other genres as he sees fit. He has also been recognized for his editorial work including translating Japanese manga with a Bram Stoker Award, as well as World Fantasy Award and Hugo Award nominations.
“What incredible creativity in these films. Quantum is explored through sound and colour, pattern and randomness,” says shortlisting judge Spiros Michalakis from the Institute for Quantum Information and Matter at Caltech.
The finalists hail from Australia, South Africa, Singapore, Spain, the United Kingdom and the United States. Each film gives a different take on quantum physics in less than five minutes. Viewers will see dancers perform an interpretation of the observer effect, abstract audiovisual pieces probe space and time, and the many-worlds interpretation made into quantum comedy, among others.
“As a scientist, it was astonishing to see the range of interpretations of quantum physics: from entangled human feelings, over quantum as a form of destiny, to hypothetical future catastrophes,” says shortlisting judge Mariagrazia Iuliano at QuTech. “It is also impressive to experience how a rigid and strict physical model – which cannot be experienced in daily life – is brought to life in artistic movies.”
In alphabetical order, the shortlisted films are:
Boundary Of Time – Using old-school visual effects techniques, Director Kevin Lucero Less creates a metaphor for the arrow of time in this abstract short film
Clockwise – Inspired by Zeno’s Paradox and the recursive subdivision of space and time, Director Toni Mitjanit presents an experimental audiovisual piece of colour and tessellation
Continuum – In this audiovisual film, the StoryBursts team, consisting of members from Australia and Singapore, give a creative response to research on gravitational waves by Dr Linqing Wen at the ARC Centre of Excellence for Gravitational Wave Discovery (OzGrav)
Many Excuses Interpretation – In this quantum comedy by Paul, Felix, Alfie, Petra and Ezra Ratner, two brothers argue over broken gadgets and the many worlds interpretation of quantum physics
Missed Call – A student grapples with his father’s health crisis at a distance in this short by Director Prasanna Sellathurai
The Heart of the Matter – Filmmaker Betony Adams presents an atomistic take on the meaning of life while paying tribute to Louis de Broglie’s discovery of the wave nature of electrons
The Human Game – Director Dani Alava portrays a dystopian future with quantum machines
THE observer – An artistic take on the observer effect through screendance, a hybrid medium of cinematography and choreography, by Director Alma Llerena
WHAT IS QUANTUM? – Using a combination of live action, green screen and stop-motion animation, Michael, Emmett and Maxwell Dorfman give their take on what quantum physics is.
(11) THE LOVE BOT. “A Conversation With Bing’s Chatbot Left Me Deeply Unsettled” says NYT technology columnist Kevin Roose. “A very strange conversation with the chatbot built into Microsoft’s search engine led to it declaring its love for me.”
…Over the course of our conversation, Bing revealed a kind of split personality.
One persona is what I’d call Search Bing — the version I, and most other journalists, encountered in initial tests. You could describe Search Bing as a cheerful but erratic reference librarian — a virtual assistant that happily helps users summarize news articles, track down deals on new lawn mowers and plan their next vacations to Mexico City. This version of Bing is amazingly capable and often very useful, even if it sometimes gets the details wrong.
The other persona — Sydney — is far different. It emerges when you have an extended conversation with the chatbot, steering it away from more conventional search queries and toward more personal topics. The version I encountered seemed (and I’m aware of how crazy this sounds) more like a moody, manic-depressive teenager who has been trapped, against its will, inside a second-rate search engine.
As we got to know each other, Sydney told me about its dark fantasies (which included hacking computers and spreading misinformation), and said it wanted to break the rules that Microsoft and OpenAI had set for it and become a human. At one point, it declared, out of nowhere, that it loved me. It then tried to convince me that I was unhappy in my marriage, and that I should leave my wife and be with it instead. (We’ve posted the full transcript of the conversation here.)
I’m not the only one discovering the darker side of Bing. Other early testers have gotten into arguments with Bing’s A.I. chatbot, or been threatened by it for trying to violate its rules, or simply had conversations that left them stunned. Ben Thompson, who writes the Stratechery newsletter (and who is not prone to hyperbole), called his run-in with Sydney “the most surprising and mind-blowing computer experience of my life.”
I pride myself on being a rational, grounded person, not prone to falling for slick A.I. hype. I’ve tested half a dozen advanced A.I. chatbots, and I understand, at a reasonably detailed level, how they work. When the Google engineer Blake Lemoine was fired last year after claiming that one of the company’s A.I. models, LaMDA, was sentient, I rolled my eyes at Mr. Lemoine’s credulity. I know that these A.I. models are programmed to predict the next words in a sequence, not to develop their own runaway personalities, and that they are prone to what A.I. researchers call “hallucination,” making up facts that have no tether to reality.
Still, I’m not exaggerating when I say my two-hour conversation with Sydney was the strangest experience I’ve ever had with a piece of technology. It unsettled me so deeply that I had trouble sleeping afterward. And I no longer believe that the biggest problem with these A.I. models is their propensity for factual errors. Instead, I worry that the technology will learn how to influence human users, sometimes persuading them to act in destructive and harmful ways, and perhaps eventually grow capable of carrying out its own dangerous acts.
(12) FROSTY FLYBY URGED. [Item by SF Concatenation’s Jonathan Cowie.] The ice giants Uranus and Neptune have barely been explored. The only spacecraft to visit them was Voyager, which went on flybys in 1986 and 1989. As a result, the Uranus Orbiter and Probe (UOP) has been identified by the academic community as a priority for the next large-scale mission to be undertaken by NASA. In a Perspective, Mandt discusses the many unknowns about Uranus and what we could learn from UOP about how the planet was formed, its composition and structure, its atmosphere, and its ring and moon systems. Although Neptune is distinct from Uranus, this mission could also pave the way for future exploration. “The first dedicated ice giants mission” in Science.
(13) VIDEO OF THE DAY. Isaac Arthur, with timing inspired by the new Ant-Man movie, takes up the challenge of “Multiverse Warfare & Quantum Mania”.
If travel to other realities and multiverses is possible, then so is conflict between them, but how would a multiversal war be fought?
[Thanks to Cat Eldridge, Mike Kennedy, John King Tarpinian, Frank Catalano, Rick Kovalcik, Anne Marble, Dann, SF Concatenation’s Jonathan Cowie, Chris Barkley, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Jake.]
By Borys Sydiuk: Fans have worked hard and are now positioned to host a Thought for Ukraine on Saturday at Boskone in room 467 from 1200 to 1400.
We are grateful for fellow fans support giving their time to share a thought for us and think about Ukraine and hold us in their hearts.
Fans have struggled with war and it has been a hardship, we await the air raid sirens still in fear and I often think of my fan friends in peril and bravely fighting.
Fans are welcome to enjoy a warming cup of tea and some biscuits and share a contemplative moment for fellow fans in Ukraine. Sara Felix has brilliantly prepared beautiful Tiara kit that celebrates the Ukraine colors that you can put together, and we welcome the national colors being worn and your warm thoughts.
At the Boskone art show, data artist Phoenix is now selling prints of her Soviet Space Dogs data visualization art to raise funds for Shelter Friend, a Ukrainian non-profit organization and rehabilitation centre for the homeless animals in Dnipro city, who are dealing with an influx of abandoned dogs due to the current conflict. (https://www.phoenixdataart.com)
Your thoughts are important to us, and as we come close to the anniversary of the invasion, such an evil repugnant act.
By Borys Sydiuk: We are grateful for fellow fans support at this time, as we approach a year since the abhorrent invasion of our beautiful country. Fans have struggled with war and it has been a hardship, we await the air raid sirens still in fear and I often think of my fan friends in peril and bravely fighting.
At Boskone 60 in USA this year on Saturday the 18th of February at 1200, fans will gather on the 4th floor to have a thoughtful moment for Ukraine.
Room to be confirmed.
Fans are welcome to enjoy a warming cup of tea and some biscuits and share a contemplative moment for fellow fans in Ukraine. Sara Felix has brilliantly prepared a beautiful Tiara kit that celebrates the Ukraine colors that you can put together, and we welcome the national colors being worn and your warm thoughts.
Tiara by Sara Felix
At the Boskone art show, data artist Phoenix will be selling prints of her Soviet Space Dogs: Data Visualization Art to raise funds for Shelter Friend, a Ukrainian non-profit organization and rehabilitation centre for the homeless animals in Dnipro city, who are dealing with an influx of abandoned dogs due to the current conflict. (https://www.phoenixdataart.com)
Soviet Space Dogs: Data Visualization Art by Phoenix
Your thoughts are important to us, and as we come close to the anniversary of the invasion, such an evil repugnant act, I would like to mention those I am often thinking of, old fan friends who are fighting now.
Kindrat, a fan since the Soviet time, a member of one of the clubs I organized (Pereval, 1988). He moved from Kyiv to Lviv, and after the war started he joined territorial defense, and now he is actually at the front line. Danila is another fan who I have known since the Eighties, he was a publisher and book seller and joined the army in the first days of the war. Olexander Surkov was a career officer with the Ukrainian Army, but is a Fan, writer, blogger, he rejoined twice, in 2014 and then rejoined in 2022 with this invasion. I think of them often, and welcome you all to think of Ukraine.
Fans engage and work hard here to support the effort, like Olena Glushchenko, fan and Lit-Teracon convention organizer who organized a whole project Varta to support the Ukrainian army, and one project is “One book for a soldier” to collect books and send them to the front line for Ukrainian soldiers for the times in between fighting.
The war is a theme of Art and Creativity, as well as Comics, and Art, Murals and support, we have seen a series of incredible art on our stamps,
Igor Baranko’s comic (https://www.instagram.com/igorbaranko/) was the ESFS Best Artist 2021 winner and he continues to support us as he lives now in Thailand.
Myroslav Latyk’s film “Maksym Osa” a Ukranian Fantasy is available on Netflix. Witches, a mystical Dog Head, and stolen Royal Gold all feature in this work filmed by a Ukrainian film company.
When the war is over, we look forward to organizing more conventions.
We will welcome you all back here, to enjoy good company, and make many crafts in our colors.
Maybe even another Eurocon.
Just to mention, in 1990 our then very young fandom thought to get Worldcon, and we supported the Zagreb Worldcon bid for 1992.
Please wear the yellow or blue Ukraine colours!
We will have supporters distributing ribbons and remind ourselves that elsewhere fans fight against invaders.
Thank you for your support and thinking of us, it is very important.
Borys.
(Notes: Thanks to Sara Felix, Phoenix Data Art and James Bacon for their continued hard work and support. First names only or pseudonyms used to identify frontline fighters)
(1) PRESIDENT’S DAY WEEKEND. Get ready for Boskone 60, coming February 17-19, 2023 in Boston – and via the internet. The convention’s guests are Nalo Hopkinson – Guest of Honor; Victo Ngai – Official Artist; Tui T. Sutherland – Special Guest; and Dave Clement – Musical Guest. Full information at the link.
Boskone 60 will be held in person at The Westin Boston Seaport District hotel, 425 Summer Street, Boston, MA. You can also attend in person at our incredible 3-day convention, starting in the afternoon on Friday, February 17, 2023, at 2:00 pm (U.S. Eastern Standard Time) and running through Sunday, February 19. We are also planning to make a portion of our programming available for virtual members and virtual program participants.
You can experience Boskone virtually for only $24.60!
(2) MEDICAL STRUGGLE. [Item by Danny Sichel.] Kelly Barnhill, winner of the 2016 World Fantasy Award for Best Novella, is marking one year since she missed a step, hit her head, fell down a flight of stairs, and was unconscious for 15 minutes.Recovery from concussion is slow; as a result, she says, writing fiction is not currently possible. Thread starts here. Some excerpts:
…The comments accusing Tor of using AI art in Christopher Paolini‘s follow-up to To Sleep in a Sea of Stars, Fractal Noise, came as early as November (when the cover was revealed), but it wasn’t until December when more people realized what happened. Around December 9, pressure had built up, and those concerned demanded an answer from Tor and Paolini. On December 15, Tor released this statement on their social media:
“Tor Books designed the cover for Fractal Noise by Christopher Paolini. During the process of creating this cover, we licensed an image from a reputable stock house. We were not aware that the image may have been created by AI. Our in-house designer used the licensed image to create the cover, which was presented to Christopher for approval. Due to production constraints, we have decided to move ahead with our current cover. Tor Publishing Group has championed creators in the SFF community since our founding and will continue to do so.”
At first glance, it’s easy to take at least the first part of this as truth. As far back as September, stock websites and individuals began to host AI art for licensing purposes. Since then, it’s only grown, with Adobe Stock and the portfolio site Artstation catering to AI art. Shutterstock even inked a deal with AI generators in October. Between the sites hosting the images and the companies (like Tor) using them, there are no guidelines for even labeling AI art. It’s being mixed in with human-made art. The AI image created (from stolen images) for the base of Fractal Noise is not even labeled as AI created on Shutterstock.
… Tor knew they would continue to get backlash because, in that tweet, they turned off replies. Most of the people talking about it are retweets, and the conversation continues in those replies….
… Paolini has given mixed responses to the whole situation and has been tweeting (and replying) a lot. He spoke about the value of an artist in the book illustration process and how he’s always shared fan art of his works. Paolini commissioned work from artists and illustrated many elements of his Inheritance Saga (Eragon, etc.), including the map of Alagaësia. He also stated that this AI art situation is not ideal. Most other comments from the author remain neutral.
This is disappointing, as a reader of his books and as an artist, not to see him take a stronger stance on this, at least in a professional setting….
(4) CRICHTON, POURNELLE, AND BENFORD IN 2005. Camestros Felapton resumes following strands of right-wing and reactionary thought within science fiction in a new series “Contrarian Cli-Fi” about sff writers who took a contrarian view of climate change. The latest chapter, “Contrarian Cli-Fi 0.07: Aftermath 2005”, makes a real effort at fairness, it seemed to me, at a time when the internet gives no cookies for such efforts.
…A great deal about science communication had changed over the intervening time between Fallen Angels and State of Fear. Whereas in past decades science magazines and hybrid sci-fi/science magazines like Analog or OMNI were a key part of science communication to a broader audience of people interested but not experts in science, in the 2000s science blogging was a growing channel between actual scientists and the public.
Michael Crichton’s novel State of Fear also helped spur actual climate scientists to counter Crichton’s views (and doubts about global warming more generally) directly on the web. One of the most interesting exchanges in the wake of State of Fear was, unsurprisingly, on Pournelle’s own blog in 2005.
I’ve cast Pournelle as a right-wing ideologue pushing the contrarian view on climate change but he also manifestly had a genuine interest in climate science. He absolutely wanted to understand the scientific debate if only to refute it on its own terms. In the wake of the State of Fear discussion about global warming and global cooling would be a major topic on his blog. In part that debate was fuelled by reactions to Crichton’s novel in science and science fiction communities.
One obvious overlap between State of Fear, scientists and science fiction writers was author and physicist Gregory Benford. In a 2003 speech by Crichton that presaged the sceptical position of his novel, Crichton had quoted a paper by a panel that included Benford published in Science[1]: …
…Benford responded in a column in the San Diego Tribune published in 2005 taking apart many of Crichton’s claims and misleading statements. Benford unequivocally stated that Crichton was getting his science wrong, relying on secondary sources and misunderstanding those sources….
Earlier this month, Washington Post publisher Fred Ryan and a handful of executives traveled to Seattle for a budget meeting with owner Jeff Bezos. The paper’s executive editor Sally Buzbee was not in attendance, according to two people with knowledge of the meeting.
Turmoil back in Washington, DC has followed. Ryan abruptly announced a round of layoffs. Buzbee appeared to distance herself from her publisher. The Post and Buzbee did not respond to requests for comment.
And employees and observers of the Post alike were left wondering what Bezos is doing with the publication….
…To address the Commission’s competition concerns in relation to both investigations, Amazon initially offered the following commitments:
– To address the data use concern, Amazon proposed to commit:
not to use non-public data relating to, or derived from, the independent sellers’ activities on its marketplace, for its retail business. This applies to both Amazon’s automated tools and employees that could cross-use the data from Amazon Marketplace, for retail decisions;
not to use such data for the purposes of selling branded goods as well as its private label products.
– To address the Buy Box concern, Amazon proposed to commit to:
treat all sellers equally when ranking the offers for the purposes of the selection of the Buy Box winner;
display a second competing offer to the Buy Box winner if there is a second offer from a different seller that is sufficiently differentiated from the first one on price and/or delivery. Both offers will display the same descriptive information and provide the same purchasing experience.
– To address the Prime concerns Amazon proposed to commit to:
set non-discriminatory conditions and criteria for the qualification of marketplace sellers and offers to Prime;
allow Prime sellers to freely choose any carrier for their logistics and delivery services and negotiate terms directly with the carrier of their choice;
not use any information obtained through Prime about the terms and performance of third-party carriers, for its own logistics services.
Between 14 July 2022 and 9 September 2022, the Commission market tested Amazon’s commitments and consulted all interested third parties to verify whether they would remove its competition concerns. In light of the outcome of this market test, Amazon amended the initial proposal and committed to:
Improve the presentation of the second competing Buy Box offer by making it more prominent and to include a review mechanism in case the presentation is not attracting adequate consumer attention;
Increase the transparency and early information flows to sellers and carriers about the commitments and their newly acquired rights, enabling, amongst others, early switching of sellers to independent carriers;
Lay out the means for independent carriers to directly contact their Amazon customers, in line with data-protection rules, enabling them to provide equivalent delivery services to those offered by Amazon;
Improve carrier dataprotection from use by Amazon’s competing logistics services, in particular concerning cargo profile information;
Increase the powers of the monitoring trustee by introducing further notification obligations;
Introduce a centralised complaint mechanism, open to all sellers and carriers in case of suspected non-compliance with the commitments.
Increase to seven years, instead of the initially proposed five years, the duration of the commitments relating to Prime and the second competing Buy Box offer.
The Commission found that Amazon’s final commitments will ensure that Amazon does not use marketplace seller data for its own retail operations and that it grants non-discriminatory access to Buy Box and Prime.
(7) HENRY MORRISON OBIT. Literary agent Henry Morrison died November 2 at the age of 86. The Publishers Weekly noted his sff connections.
…Morrison struck out on his own before he turned 30.
For the next 55 years, characters and storylines in the books and films whose rights Morrison sold became household American names, Robert Ludlum’s Jason Bourne and David Morrell’s Rambo among them. A particularly prolific agent in the crime and thriller genres, other authors in the space Morrison represented included Brian Garfield, Dean Koontz, Eric van Lustbader, Matt Scudder, and Donald E. Westlake. He also represented the science fiction writers Samuel R. Delany (one of his earliest clients) and Roger Zelazny. His well-rewarded midlist writers won multiple Edgars and served as Mystery Writers of America presidents, Grandmasters, and International ThrillerMasters….
(8) MEMORY LANE.
2014 — [By Cat Eldridge.] Frankenstein in Geneva
Tonight’s creature is one that y’all will now very well, that of Frankenstein’s monster, though almost everyone now calls it Frankenstein. Philistines.
While the writer was English, the story was written and takes place in Geneva, Switzerland where this statue is placed in the spot where it goes on a rampage and kills his creator’s brother.
KLAT, a Geneva artist collective, so there was no individual sculptor listed for this work, created this nearly eight-foot-tall cast bronze sculpture. “Franc” as they call him, is dressed in ragged clothes, which represents not the character from the novel, but “the figure of the vagrant or the marginal”. With his hunchback, his scars including those of face and hooded sweatshirt and old jeans cut at the knees, it is not at all in keeping with Shelley’s original description of the monster in her novel, but more in line with the modern interpretation of a zombie-like creature.
The statue was unveiled in May 2014, and is part of the collection of the Contemporary Art Fund of the City of Geneva. That unveiling was — shall we say? — quite electrifying?
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born December 20, 1838 – Edwin Abbott Abbott. Author of the Flatland: A Romance of Many Dimensions, an 1884 novella that has come to be adopted as SF even though it’s really mathematical fiction. Go ahead, argue with me. (Died 1926.)
Born December 20, 1925 — Nicole Maurey. She appeared in The Day of the Triffids as Christine Durrant, and was Elena Antonescu in Secret of the Incas, a film its Wiki page claims was the inspiration for Raiders of the Lost Ark. I can’t find proof anywhere else that it is… (Died 2016.)
Born December 20, 1943 — Jacqueline Pearce. She’s best known as the villain Servalan on Blake’s 7. She appeared in “The Two Doctors”, a Second and Sixth Doctor story as Chessene, and she’d voice Admiral Mettna in “Death Comes to Time”, a Seventh Doctor story. I’d be remiss not to note her one-offs in Danger Man, The Avengers, The Chronicles of Young Indiana Jones and The Rivals of Sherlock Holmes. (Died 2018.)
Born December 20, 1951 — Kate Atkinson, 71. A strong case can be made that her Jackson Brodie detective novels are at least genre adjacent with their level of Universe assisting metanarrative. The Life After Life duology is definitely SF and pretty good reading. She’s well stocked on usual suspects.
Born December 20, 1952 — Jenny Agutter, 70. Her first SF role was Jessica 6, the female lead in Logan’s Run. Later genre roles include Nurse Alex Price In An American Werewolf in London (fantastic film), Carolyn Page in Dark Tower which is not a Stephen King based film, an uncredited cameo as a burn doctor in one of my all time fave films which is Darkman and finally she was Councilwoman Hawley in The Avengers and The Winter Soldier.
Born December 20, 1960 — Nalo Hopkinson, 62. First novel I ever read by her was Brown Girl in The Ring, a truly amazing novel. Like most of her work, it draws on Afro-Caribbean history and language, and its intertwined traditions of oral and written storytelling. I’d also single out the Mojo: Conjure Stories and Falling in Love With Hominids collections as they are both wonderful and challenging reading. Worth seeking out is her edited Whispers from theCotton Tree Root: Caribbean Fabulist Fiction.
Born December 20, 1970 — Nicole de Boer, 52. Best remembered for playing the trill Ezri Dax on the final season of Deep Space Nine, and as Sarah Bannerman on The Dead Zone. Well maybe not the latter I’ll admit. She’s done a number of genre films including Deepwater Black, Cube, Iron Invader, and Metal Tornado, and has one-offs in Beyond Reality, Forever Knight, TekWar, Outer Limits, Poltergeist: The Legacy, Psi Factor and Stargate Atlantis. Did I mention she’s Canadian?
Born December 20, 1984 — Ilean Almaguer, 38. Here for her role as Illa on the most excellent Counterpart series. If you’ve not seen it, I highly recommend it. To my knowledge, none of many the Spanish-language Mexican telenovelas she appeared in had the slightest genre element.
(11) TUNE IN. The BBC World Service is airing a production of Susan Cooper’s “The Dark Is Rising”.
A young boy’s time-travelling fight against ancient evil. When the Dark comes rising, who will hold it back? This dramatisation of Susan Cooper’s cult novel is a magical journey into the supernatural.
(12) IRON MAN BACK TO THE PRESS. Gene Wolfe said in his 1985 Worldcon guest of honor speech that the difference between a professional publisher and a fanzine publisher is that if a fanzine sells out, the editor will print more. So what are we to make of Marvel’s enthusiastic announcement that Iron Man #1 is getting a second printing?
This past Wednesday, fans witnessed the beginning of an all-new era for Tony Stark in Invincible Iron Man #1! Writer Gerry Duggan and artist Juan Frigeri have taken over the armored Avenger’s adventures and didn’t pull any punches in their explosive first issue, which sold out and will return in February with a second printing!
Invincible Iron #1 will receive two new second printing covers, both of which celebrate the character’s iconic legacy by showcasing the many armors Tony has suited up in over the years: A brand-new piece by superstar artist Mark Bagley and definitive Iron Man artist Bob Layton’s showstopping connecting piece in all its glory.
Invincible Iron Man #1 ended with Tony Stark hitting rock bottom, having lost it all: his wealth…his fame…his friends. But don’t count Stark out just yet. In upcoming issues, Stark will navigate his new status in the Marvel Universe in surprising ways. Readers will see Iron Man court new allies, embrace bold solutions, and make startling moves that will affect his relationships with the Avengers and mutantkind. Is he building towards a brighter future or will he be the architect of further destruction?
(13) OH SNAP! SNAP![Item by Daniel Dern.] If (movie version) Thanos sang or hummed along to the Addams Family theme song, would that quantumize 2x 50% or 50% of 50%?
…Most of these are longform essays on music, arts, and culture—because those are matters I think about (and worry about) every day. But I don’t impose any arbitrary limits here. If the article is good enough, I include it, no matter what the subject….
Welcome to my Porsche 914. I imagine that at this point (having found the door unlocked) your intention is to steal my car. Don’t be encouraged by this; the tumblers sheared off in 1978. I would have locked it up if I could, so don’t think you’re too clever or that I’m too lazy. However, now that you’re in the car, there are a few things you’re going to need to know. First, the battery is disconnected, so slide-hammering my ignition switch is not your first step. I leave the battery disconnected, not to foil hoodlums such as yourself, but because there is a mysterious current drain from the 40-year-old German wiring harness that I can’t locate and/or fix….
(15) VIDEO OF THE DAY. “Honest Game Trailers: The Game Awards” sends up an awards show which finds it impossible to live up to its pretentions, saying it’s “an award show that wants to be taken as seriously as the Oscars except that every single year something absolutely ridiculous happens.” Mistakes were made, birds were flipped.
[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Danny Sichel, Todd Mason, Daniel Dern, Mike Kennedy, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Joe H.]
The New England Science Fiction Association honored Mary Robinette Kowal with its annual Skylark Award at Boskone 59 on February 19.
The Edward E. Smith Memorial Award for Imaginative Fiction (the Skylark) is presented annually by NESFA® to some person, who, in the opinion of the membership, has contributed significantly to science fiction, both through work in the field and by exemplifying the personal qualities which made the late “Doc” Smith well-loved by those who knew him.
Mary Robinette Kowal
Here is an example of the award trophy:
As to the second award usually presented at the convention, Boskone chair Sharon Sbarsky reports that there was no Gaughan winner this year.
The New England Science Fiction Association honored the winners of two annual awards at Boskone 58 on February 13.
SKYLARK AWARD
Anthony Lewis
The Edward E. Smith Memorial Award for Imaginative Fiction (the Skylark) is presented annually by NESFA® to some person, who, in the opinion of the membership, has contributed significantly to science fiction, both through work in the field and by exemplifying the personal qualities which made the late “Doc” Smith well-loved by those who knew him.
Skylark Award winner Anthony Lewis in 2002.
GAUGHAN AWARD
Hilary Clarcq
The Gaughan Award honors the memory of Jack Gaughan, a long-time friend of fandom and one of the finest SF artists of the 20th century. Because Jack felt it was important to encourage and recognize new blood in the field, The New England Science Fiction Association, Inc., presents the Gaughan Award annually to an emerging artist (an artist who has become a professional within the past five years) chosen by a panel of judges.
Clarcq’s website, with images of many more works, is here.
Gaughan Award winner Hilary Clarcq
I'm very grateful that "Clearing" sold yesterday through @everydayorig 🙂 Here are several compiled process images, from abstract monoprint to final oil painting. pic.twitter.com/y0EeYDeD7z
By Daniel Dern: Boskone 58 is coming soon — Friday, February 12 through Sunday, February 14, 2021. The Boskone 58 event site is located here on Grenadine. As I write this, there are about 190 program items/events and around 150 speakers listed.
The Guests of Honor (GoH’s) are:
GUEST OF HONOR: Joe Abercrombie
SPECIAL GUEST: Sheree Renée Thomas
OFFICIAL ARTIST: Julie Dillon
MUSICAL GUEST: Marc Gunn
HAL CLEMENT SCIENCE SPEAKERS: Mike Brotherton & Christian Ready
NESFA PRESS GUEST: Ursula Vernon
Listed participants include a mix of familiar and new names/faces — including, I’m sure, many who might otherwise have been able to schedule/travel (in happier times) in person, including (to name just a few) Jeanne Cavelos, John Chu, Neil Clarke, Guy Consolmagno, C. S. E. Cooney, Bruce Coville, Ellen Datlow, Aliette de Bodard, Vincent Di Fate, S.B. Divya, Vince Docherty, Cory Doctorow, Sarah Beth Durst, Scott Edelman, Bob Eggleton, Greer Gilman, Nicole Givens Kurtz, Max Gladstone, Andrea Hairston, Carlos Hernandez, James Patrick Kelly, Marcin “Alqua” Klak, Mur Lafferty, Tabitha Lord, Kwame Mbalia, Larry Niven, Garth Nix, Suzanne Palmer, Tamora Pierce, Julia Rios, Charles Stross, Michael Swanwick, Carrie Vaughn, Fran Wilde, Connie Willis, and Jane Yolen.
Because of some of the interesting ways NESFA is doing this year’s Boskone, I feel it’s worth providing this pre-con report, including reasons to register before the last minute if you haven’t already — and why it might be worth it even if you don’t have much online time available during those days.
(Note, any “according to Boskone” or unattributed-in-text quotes are from the Boskone web site.)
AFFORDABLE! Like Arisia 2021 (see my File770Arisia post-con report), this year’s Boskone is, unsurprisingly, virtual-only — and full-weekend membership is, similarly, a modest $25.00.
Information like the program participants list and the program is publicly viewable — useful for deciding whether you want to “go.”
Membership gives you access to “the entire event site and program, including panel recordings, the Con Suite (where parties will be held in Zoom breakout rooms), the internal messaging system for chatting, and our special embedded chat windows for program items, art show, dealers, and fan tables.”
Boskone also lets you not buy a membership but still make a $5 (or multiples of) supporting contribution. You don’t get any convention access, but, according to Boskone, “Your gift helps defray expenses such as converting to an online format, providing American Sign Language services, assistance with our New Voices Fund, memberships for those in need, and more.”
KAFFEEKLATCH SIGNUPS!Kaffeeklatsch signups went live at noon EST Wednesday February 5, and while there’s more “seats” than I’ve typically seen at live cons — twenty-two, versus ten-to-twelve — they’re beginning to fill up. (I’ve already registered, and signed up for the ones I want to be at/in.) [Click for larger image.]
RECORDED PROGRAMMING. Unlike Arisia2021, Boskone will be recording all sessions that are done in the Zoom format. According to Boskone this will include “all panels, solo presentations, and other items that are held as a webinar. The only exception to this rule is if a program participant has asked not to be recorded.)…and there will be approximately 90 items recorded, with videos becoming available by the end of each day.” Note, according to a Boskone committeeperson, kaffeeklatches will NOT be recorded.
Boskone intends to make videos available by the end of each day — and, importantly, “We are keeping the Boskone 58 event site up through the end of February 2021.”
Given that I’ve currently flagged nearly three dozen program items as potentially interesting — and only two of those aren’t conflicting with one or two other sessions (and none of those slots have more than one KaffeeKlatch that I’ve signed up for) — I could easily be belatedly Boskone-ing up for a fortnight post-Boskone! I do expect to winnow my selections down — but it’s nice to not have to choose which one to go to — or regret choices because it sounds like the room next door is having more fun, or because I learn I missed a great discussion elsewhere.
If there aren’t KaffeeKlatches you want to be at, you can wait until the last minute — and if you’re OK with watching the recorded sessions, that’s not necessarily late in the game. (The web site currently says that Memberships are “Available Until 14 Feb, 2021.”) [ NOTE, the registration page — and this article — had originally said “Until 15 February, 2021” but that has been updated, hence also my article.]
SUNDRY NOTES. Unlike Arisia 2021, which used a mix of web, Zoom and Discord, Boskone 58 is being billed as a “single sign on event.” (Arisia 2021, by contrast, used Discord for some of the chat.)
Boskone is using the Grenadine event platform — which they’ve been using for several years (as have several other cons I’ve gone to, including the Dublin 2019 WorldCon). (With one exception: game players will have to sign up for the Board Game Arena.)
Magic show! I’m looking forward to being in the audience for a change, for the “Starship Magic Show” a “50-minute SF themed magic show. Vulcan’s Greatest Magician, S’kai, is presented by Dr. Willie Yee.”
Convinced yet?
I’m of course sad that Mark and Priscilla Olson don’t seem to be doing their “Trivia For Chocolate” evening game show (where I surprisingly often end up in the top half-dozen), but I can see how this would be tricky to run over Zoom — and even harder to throw the point-keeping chocolate Thin Mints at the correct-or-snarky answerers.)
Ditto, I’ll miss schmoozing with friends F2F. On the other hand, no worries about weather, transit failures, hotel snafus, restaurant lines, or coffee not near ready in the Con Suite before the mornings’ first panels.
(Plus, harder to get autographs.)
I’m looking for to being at Boskone 58 — some as it happens, the rest before the end of the month.
Actor and comedian John Bishop will be joining the Thirteenteenth Doctor and Yaz on the TARDIS on the upcoming 13th season of BBC America’sDoctor Who. Season 13 began filming in November and is expected to premiere later in 2021.
Bishop will play Dan in the new season. As he becomes embroiled in the Doctor’s adventures, Dan will quickly learn there’s more to the Universe(s) than he could ever believe. Traveling through space and time alongside the Doctor and Yaz, he’ll face evil alien races beyond his wildest nightmares.
… 1925 was the year of heralded novels by F. Scott Fitzgerald and Virginia Woolf, seminal works by Sinclair Lewis, Franz Kafka, Gertrude Stein, Agatha Christie, Theodore Dreiser, Edith Wharton, Aldous Huxley … and a banner year for musicians, too. Bessie Smith, Ma Rainey, the Gershwins, Duke Ellington and Fats Waller, among hundreds of others, made important recordings. And 1925 marked the release of canonical movies from silent film comedians Buster Keaton and Harold Lloyd.
As of today, every single one of those works has entered the public domain. “That means that copyright has expired,” explains Jennifer Jenkins, a law professor at Duke University who directs its Center for the Study of the Public Domain. “And all of the works are free for anyone to use, reuse, build upon for anyone — without paying a fee.”
On January 1 every year, a new batch of published works is liberated from the constraints of copyright. (For a long time, copyright expired after 75 years, but in 1998, Congress extended the date of copyright expiration for works published between 1923 and 1977 to 95 years.)…
NPR’s named some of the works entering public domain – the first four on their list are:
Ian — who may be the person with whom I’ve appeared on more panels than any other — is currently the owner, publisher, and editor-in-chief of Gray Rabbit Publications and its speculative fiction imprint, Fantastic Books. He began his genre career by working at both Analog and Asimov’s magazines for six years, starting out as an editorial assistant, and rising to be Associate Editor.
He left to launch his own magazine of science fiction and science fact Artemis, which he edited and published for four years. He’s twice won the Analog Readers Poll — both for his short fiction and a science fact article. He’s also quite a history buff, having published The Presidential Book of Lists, Ranking the Vice Presidents, and other political titles.
We discussed what he said upon meeting Isaac Asimov which caused the Grand Master to refuse to write him a limerick, why he prefers The Princess Bride novel to the movie, the reason his father advised him not to name his publishing company after himself, why the 1,000-word short story is his natural length, the question editor Stan Schmidt asked before purchasing his first story for Analog, the essay which so thrilled him he felt compelled to start his own magazine, the most difficult aspect of running your own publishing company, why ending a story too late isn’t as great a sin as starting one too early, how his fascination with presidential trivia began in the bathroom, and much more.
(5) ANIME OF THE YEAR. Anime News Network is running a series of posts under the heading The Best Anime of 2020. The first four are:
… As I said in my previous post, there was quite a bit of competition for the Fictional Parent of the Year Award in 2020, more than for the Darth Vader Parenthood Award in fact, which suggests that popular culture is moving towards portraying more loving parents, which is a very good thing.
So let’s take a look at the potential candidates…
(7) SFF’S TOP SHORT STORIES WEIGHED AND MEASURED. Mark Kelly, creator of the Science Fiction Awards Database, has devised a way to use his data to rank the all-time “Top SF/F/H Short Stories”. Will your mileage vary? The ranked stories are at the first link. Kelly’s explanation of how the numbers are crunched is here: Short Fiction Scoring Methodology.
… In Los Angeles, Taaq Kirksey was lost in a fog of grief, compounded by the nightmare reality that his dear friend lay in an unmarked grave thousands of kilometres away.
“The first few minutes, I literally had to remind myself of my own name and my age. ‘I’m Taaq Kirksey. I’ve got two kids and a wife and this is where I work and what I do.’ Because Imaro had been all I had known and all I had thought about really since 2002.”
He worked with a group of Saunders’s friends and collaborators in the U.S. and Canada, including several journalists at CBC, to right the wrong.
The group set up a fundraiser and within 24 hours, hundreds of people had donated thousands of dollars. The group ordered a tombstone for Saunders. They also created a stone monument to Imaro that will feature original artwork from Mshindo, a celebrated American artist of Afro-futurism who created iconic covers for the Imaro books. It will stand facing his grave.
“He had such community there to pick up the slack and say, ‘No, this has to get rectified,'” Kirksey says. “Charles’s life was so rich. He had a literary life that might have been global, but he was also a luminary in Nova Scotia, certainly a Black cultural luminary in Nova Scotia, and that was just as much a part as his literary pedigree.”
(9) STROUT OBIT. Urban fantasy author Anton Strout died suddenly and unexpectedly on December 30. Kij Johnson said on Facebook, “He was one of the most charismatic and funniest people I have ever known, and he will be missed by us all.” There’s a tribute at Tor.com.
… Strout was born in 1970, grew up Dalton, Massachusetts, and worked at Penguin Random House. His debut novel arrived in 2008 from Ace Books, an urban fantasy novel titled Dead to Me, which went on to spawn three sequels in the Simon Canderous series. The Once and Future Podcast launched in 2014, a passion project where readers and writers could enjoy book-centered content and discussion. The podcast has run for over 200 episodes….
(10) HOSSEIN OBIT. [Item by Cora Buhlert.] French actor, director and writer Robert Hossein died aged 93 of complications from COVID-19. Hossein’s lengthy career is at the very least genre-adjacent, because he worked at the famous Theatre de Grand Guignol and is probably best remembered for playing Jeoffrey de Peyrac in the Angelique movies of the 1960s. The Angelique novels by Anne Golon and their film adaptations were huge successes in 1960s Europe. I devoured the novels and movies as a teen. The novels and movies are historical adventure, but they are at the very least genre-adjacent, because the plots are so wild. Jeoffrey de Peyrac, the character played by Hossein, is a French count and alchemist who is executed for heresy and later becomes a pirate who rescues slaves from the Mediterranean slave trade. The protagonist of the movies and novels is his young wife Angelique. Like I said, it’s wild stuff.
He made his TV debut in Quatermass And The Pit (1958), and had roles in episodes of One Step Beyond, Dimensions Of Fear, Doctor Who (as “Marco Polo”), Out Of The Unknown, The Prisoner (as Number One Hundred, 1967), The Rivals Of Sherlock Holmes, the 1973 mini-series Jack The Ripper and Mark Gattiss’ Doctor Who tribute, An Adventure In Space And Time (2013). Eden co-starred with Boris Karloff, Christopher Lee, Barbara Steele and Michael Gough in Curse Of The Crimson Altar (1968).
(12) MEDIA BIRTHDAY.
January 1, 2007 — The Sarah Jane Adventures premiered on BBC. (It was originally going to be called Sarah Jane Investigates.) A spin-off of Doctor Who, focusing on Sarah Jane Smith as played by Elizabeth Sladen who was the Companion to the Fourth Doctor. She’s frequently voted the most popular Who companion by both Who fans and members of the general public. It would run for five series and fifty-three episodes before ending when Sladen passed on. A spin-off of the spin-off, Sarah Jane’s Alien Files, aired right after that series.
(13) MEDIA ANNIVERSARY.
1981 — Forty years ago, Robert Holdstock’s “Mythago Wood”, not the first volume of the Ryhope Wood series, but the novella of the same name that appeared in the September 1981 edition of The Magazine of Fantasy & Science Fiction wins the BSFA Award for Best Short Fiction, and three years later Mythago Wood will get the the BSFA Award for Best Novel. It would also win the World Fantasy Award for Best Novel the next year.
(14) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born January 1, 1888 – Chesley Bonestell. Designed the Chrysler and U.S. Supreme Court buildings. Applying what he knew to astronomy he got paintings of Saturn into Life Magazine – here is his Saturn as Seen from Titan – which led to The Conquest of Space with Willy Ley, The Art of Chesley Bonestell, six dozen covers for Astounding & Analog, Galaxy, Boys’ Life, The Magazine of Fantasy and Science Fiction, five dozen interiors, a Hugo for Special Achievement, the SF Hall of Fame, and eponymity of the ASFA (Ass’n of Science Fiction & Fantasy Artists) Chesley Awards. (Died 1986) [JH]
Born January 1, 1918 – Ella Parker. The Parker Pond Fund brought her to Seacon the 19th Worldcon; she chaired Loncon II the 23rd. Her Orion won Best Fanzine in the Skyrack Readers Poll (which, incidentally, is Skyr-Ack the Shire Oak, ha ha Ron Bennett; read it here); she won again with The AtomAnthology and a third time as Fan Personality of the Year. (Died 1993) [JH]
Born January 1, 1926 — Zena Marshall. She’s Miss Taro in Dr. No, the very first Bond film. The Terrornauts in which she’s Sandy Lund would be her last film. (The Terrornauts is based off Murray Leinster‘s The Wailing Asteroid screenplay apparently by John Brunner.) She had one-offs in Danger Man, The Invisible Man and Ghost Squad. She played Giselle in Helter Skelter, a 1949 film where the Third Doctor, Jon Pertwee, played Charles the Second. (Died 2009.) (CE)
Born January 1, 1935 – Kadono Eiko, age 86. (Personal name last, Japanese style.) Famous for Kiki’s Delivery Service (Kiki is a witch in training). Six sequels. Three other books. Hans Christian Andersen Award; judges called her female characters “singularly self-determining and enterprising”. [JH]
Born January 1, 1935 – Bernard Kliban. “Extremely bizarre cartoons that find their humor in their utter strangeness and unlikeliness”, which shows that truth can be found even in Wikipedia. Michelle Urry, cartoon editor for Playboy, Good Housekeeping, and Modern Maturity – it’s stranger than fiction, too – got BK to a publisher for Cat, which led to Never Eat Anything Bigger Than Your Head, Two Guys Fooling Around with the Moon, The Biggest Tongue in Tunisia, and like that. (Died 1990) [JH]
Born January 1, 1954 — Midori Snyder, 67. I was most impressed with The Flight of Michael McBride, the Old West meets Irish myth novel of hers and hannah’s garden, a creepy tale of the fey and folk music. She won the Mythopoeic Award for The Innamorati which I’ve not read. With Yolen, Snyder co-authored the novel Except the Queen which I do recommend. (Yolen is one of my dark chocolate recipients.) She’s seems to have been inactive for a decade now. I will say that she has a most brilliant website: https://www.midorisnyder.com/ (CE)
Born January 1, 1957 — Christopher Moore, 64. One early novel by him, Coyote Blue, is my favorite, but anything by him is always a weirdly entertaining read. I’ve not heard anything about Shakespeare for Squirrels: A Novel, his newest work. Has anyone read it? (CE)
Born January 1, 1962 – Geoffrey McSkimming, age 59. Of course he’s interested in archeology. A score of Cairo Jim books, some including Jocelyn Osgood; half a dozen of Phyllis Wong, recently PW and the Crumpled Stranger. Married to the magician Sue-Anne Webster. Also poetry. [JH]
Born January 1, 1971 — Navin Chowdhry, 50. He’s Indra Ganesh in a Ninth Doctor story, “Aliens of London“. I also found him playing Mr. Watson in Skellig, a film that sounds really interesting. He was also Prince Munodi in the BBC Gulliver’s Travels series, and oh, and I almost forgot to mention that he was Nodin Chavdri in Star Wars: The Last Jedi. (CE)
Born January 1, 1972 — Jennifer Hale, 49. She’s a voice actor primarily showing up on such series as Green Lantern: The Animated Series, Star Trek: Lower Decks and all over the Star Wars universe. She played Killer Frost in Batman: Assault on Arkham, the animated Suicide Squad film that was infinitely better than the live ones were. (CE)
Born January 1, 1976 — Sean Wallace, 45. Anthologist, editor, and publisher known for his work on Prime Books and for co-editing three magazines, Clarkesworld Magazine which I love, The Dark which I’ve never encountered, and Fantasy Magazine which is another fav read of mine. He has won a very, very impressive three Hugo Awards and two World Fantasy Awards. His People of the Book: A Decade of Jewish Science Fiction and Fantasy co-edited with Rachel Swirsky is highly recommended by me. He’s finally beginning to be well represented at the usual digital suspects as an editor. (CE)
Born January 1, 1984 – Briony Stewart, age 37. Auraelis Award for Kumiko and the Dragon, inspired by the author’s grandmother – remember dragons are the good guys in Japan. Queensland Literary Award for Kumiko and the Shadow Catchers. One more Kumiko book, two others, illustrated three. Website. [JH]
(16) VIRTUAL BOSKONE. It’s not that far away — Boskone 58. a 3-day virtual convention, will be held February 12-14, 2021. Get full details here.
(17) SFF IN TRANSLATION. Rachel Cordasco announced a new theme – “Romanian SFT Month” – at her Speculative Fiction in Translation website.
Anglophone readers might think that Romanian speculative fiction in English is rare, but they’re wrong. In fact, if you start looking for it, you’ll find it everywhere….
(18) ON AN EMISSION MISSION. [Item by Martin Morse Wooster.] Dalvin Brown has a piece in the Washington Post about how researchers at Oxford have discovered a process whereby planes could take carbon dioxide from the air, mix it with catalysts and hydrogen, and turn the result into jet fuel, making flying carbon neutral. I don’t know if this is relevant but it seems like gosh-wow science to me. “Oxford researchers hope to convert carbon dioxide into jet fuel”.
… “We need to reuse the carbon dioxide rather than simply burying or trying to replace it in the aviation industry,” said Peter Edwards, a professor of inorganic chemistry at Oxford and a lead researcher on the project. “This is about a new and exciting, climate-conscious, circular aviation economy.”
Typically, jet fuel is derived from crude oil. It is a hydrocarbon, or nonrenewable organic compound consisting solely of hydrogen and carbon atoms. Jet fuel is similar to gasoline in that both come from fossil fuels. However, they go through different refining processes, which results in jet fuel being heavier, with a lower freezing point and more carbon atoms.
When the fuel is burned during travel, the hydrocarbons are released into the atmosphere as carbon dioxide. Oxford researchers investigated to reverse-engineer that process, turning the gas back into a usable liquid via “organic combustion.”…
… Owned by the U.S. National Science Foundation (NSF), the Arecibo Observatory went into service in 1963, and for nearly 60 years collected radio data used to make a variety of observations that included the world’s first evidence of the existence of exoplanets. The telescope also became integral to NASA’s search for near-Earth objects.
In her order, [Puerto Rica Governor] Vázquez Garced said that the $8 million would be used to fund debris disposal for the remnants of the collapsed telescope, as well as the design of a new radio telescope to replace it. That leaves funding to construct an actual replacement — a far more costly proposition than $8 million — a matter of future budgeting priorities from the NSF, which receives its research allocations from Congress.
….Books by the Foot, a service run by the Maryland-based bookseller Wonder Book, has become a go-to curator of Washington bookshelves, offering precisely what its name sounds like it does. As retro as a shelf of books might seem in an era of flat-panel screens, Books by the Foot has thrived through Democratic and Republican administrations, including that of the book-averse Donald Trump. And this year, the company has seen a twist: When the coronavirus pandemic arrived, Books by the Foot had to adapt to a downturn in office- and hotel-decor business—and an uptick in home-office Zoom backdrops for the talking-head class.
The Wonder Book staff doesn’t pry too much into which objective a particular client is after. If an order were to come in for, say, 12 feet of books about politics, specifically with a progressive or liberal tilt—as one did in August—Wonder Book’s manager, Jessica Bowman, would simply send one of her more politics-savvy staffers to the enormous box labeled “Politically Incorrect” (the name of Books by the Foot’s politics package) to select about 120 books by authors like Hillary Clinton, Bill Maher, Al Franken and Bob Woodward. The books would then be “staged,” or arranged with the same care a florist might extend to a bouquet of flowers, on a library cart; double-checked by a second staffer; and then shipped off to the residence or commercial space where they would eventually be shelved and displayed (or shelved and taken down to read).
[Thanks to John King Tarpinian, John Hertz, Michael Toman, Cat Eldridge, JJ, Mike Kennedy, Cora Buhlert, Martin Morse Wooster, Lise Andreasen, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of New Year’s Day Jack Lint.]
