Tag Archives: J. K. Rowling

Pixel Scroll 7/19/24 The Doors Of His Cats, The Lamps Of His Reading Table

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(1) DRAMA. “JK Rowling Edinburgh Trans Rights Play ‘TERF’ Primed For Protests” reports Deadline. The play will be presented during the Edinburgh Fringe next month.

…Penned by Joshua Kaplan, a Hollywood writer whose credits include HBO’s Tokyo Vice, TERF imagines a confrontation between Rowling and the stars of Harry Potter over her views on transgender rights.

The production is topical given Rowling’s near-daily pronouncements and hardened rhetoric on how trans rights have come into conflict with women’s rights. Her posts on X (once Twitter) have put her further at odds with Daniel Radcliffe, Emma Watson, and Rupert Grint in recent months, and Kaplan sees TERF as a “family conversation” between loved ones with differing views.

In the real world, there have been public exchanges between Rowling and the Harry Potter stars as recently as this year. In April, Rowling accused Radcliffe and Watson of being “cosied up to a movement intent on eroding women’s hard-won rights.” Radcliffe told The Atlantic that he was saddened by Rowling’s stance.

Staged by veteran Edinburgh Festival Fringe producers at Civil Disobedience, TERF (an acronym for trans-exclusionary radical feminist usually deployed in a pejorative context) had to change venue from Saint Stephens Theatre to the Assembly Rooms amid concerns over the controversy the play was attracting.

Barry Church-Woods, the co-founder of Civil Disobedience, said that the team is now putting security and other measures in place for protests. He told Deadline that they anticipate audience members could attempt to disrupt the play as it is performed.

“We expect that most people, if they’re intending on disrupting what we’re doing, that will happen in the auditorium of the theatre. We have processes in place that are going to deal with that,” said the producer, who has previously worked on Edinburgh shows with the likes of RuPaul’s Drag Race star Courtney Act….

(2) GLASGOW 2024 PUBLISHES FINAL PROGRESS REPORT. This week the Worldcon published its sixth electronic Progress Report, which due to there having been a PR #0 is numbered Progress Report 5. Download the PDF here. Cover by Sara Felix.

PR5 includes news from all areas including:

  • A final update from Convention Chair Esther MacCallum-Stewart
  • A list of our 6,000+ registered members and ticket holders
  • Membership statistics and demographics, with 33 countries represented from around the globe
  • Practical information to help attendees arrive in and enjoy their time at the convention, from site maps to badge collection arrangements and discounted local travel passes
  • Full details and timings for our Special Events – including the Hugo Award Ceremony, Masquerade, Opera, Orchestra, theatrical performances, concerts, and dances
  • Updates on Volunteering, Accessibility and Childcare Services, as well as our approach to Sustainability
  • Our updated Code of Conduct, which all members and ticket holders are expected to abide by when attending the convention in person or online.

(3) DOCTOR WHO REPORT CARD. “’Doctor Who: Disney Deal, Ncuti Gatwa & Russell T Davies In Spotlight” reports Deadline.

Those lucky enough to attend May’s Disney‘s upfronts at the North Javits Center were treated to clips, teases and appearances from some of the world’s biggest stars.

In the spotlight from the Bob Iger-led Mouse House were hits from the Disney stable including The Acolyte, Welcome to Wrexham, Abbott Elementary and a wealth of ESPN sports shows. The combined budget must have been astronomical.

But almost completely absent from the upfront festivities was Doctor Who, the iconic British sci-fi series that Disney+ now co-produces with the BBC following what was undoubtedly one of the biggest global TV show deals of the past decade. Doctor Who was handed a minor bit of real estate at the North Javits, but its lack of front-and-center placement may spin a yarn about the series’ position in the Disney priority log nearly three years on from the deal being struck.

… Following the conclusion of the the first Disney-BBC Doctor Who season several weeks ago, Deadline has taken the opportunity to analyze its performance both locally and across the pond, its critical reception and just what the future has in store for the deal. Noises that it may not last beyond its initial two seasons are already reverberating around international TV circles, and one source close to the production tells us that they feel its future hangs in the balance already. Disney, the BBC, and co-producers BBC Studios and Bad Wolf all declined Deadline’s interview requests for this article….

(4) DOROTHY VAUGHAN DEDICATION. “NASA Johnson to Dedicate Building to Dorothy Vaughan, Women of Apollo”.

NASA’s Johnson Space Center in Houston will recognize legendary human computer Dorothy Vaughan and the women of Apollo with activities marking their achievements, including a renaming and ribbon-cutting ceremony at the center’s “Building 12,” on Friday, July 19, the eve of the 55th anniversary of the Apollo 11 Moon landing.

At 9 a.m. CDT, NASA Johnson Director Vanessa Wyche will begin with a discussion about the importance of Vaughan and the women of Apollo’s contributions to the agency’s lunar landing program and their significance to today’s Artemis campaign. Other highlights include a poetry reading, a recital by Texas Southern University’s Dr. Thomas F. Freeman Debate Team, and a “Women in Human Spaceflight” panel discussion….

…Following the program, the ribbon-cutting ceremony will begin at Building 12, which will thereafter be named the “Dorothy Vaughan Center in Honor of the Women of Apollo.” The dedication is a tribute to the people who made humanity’s first steps on the Moon possible.

(5) CAGE MATCH. “’Spider-Noir’: Li Jun Li Cast In Amazon’s Marvel Series” – Deadline has the story.

 Li Jun Li (Wu Assassins) is set as a series regular opposite Nicolas Cage in Spider-Noir, the upcoming MGM+ and Prime Video live-action series based on the Marvel comic Spider-Man Noir.

From executive producers/co-showrunners Oren Uziel and Steve Lightfoot and Sony Pictures Television, Spider-Noir tells the story of an aging and down-on-his-luck private investigator (Cage) in 1930s New York who is forced to grapple with his past life as the city’s one and only superhero.

Li will play a singer at the premier nightclub in New York. In addition to Cage, she joins previously cast Lamorne Morris as Robbie Robertson….

(6) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

July 19, 1969 – Kelly Link, 55.

By Paul Weimer: Genius Grant recipient. Small Press Owner, Small Beer Press. Anthologist.

Oh, and just perhaps the best short fiction fantasist of our age. 

 No biggie, right? I think of her work, be it ”Magic for Beginners”, “The Faery Handbag” or “The Hortlak” or any of the numerous other stories she’s written, as being in an overlapping series of subgenres that are centered in magic slipstream realism. To this core central subgenre, Link ably adds elements of urban fantasy, horror, mystery, into this basic dough and bakes rather tasty treats of stories that linger in the mind and in the soul. 

Kelly Link

 I think of Link as a magic realist counterpart to Ted Chiang: her actual output of stories is not actually all that massive. She is careful with word choice and writing, shaping words and sentences to sublime effect. Link’s stories are never to be skimmed over, ever. You will, in the end, regret it.  Her work needs and demands attention, and sometimes, like the work of Liz Hand, I feel like as a reader I am “not in her league” and don’t always grok what she is doing in a story. (To be fair the kind of fantasy Link writes is stuff I do not commonly read besides her fabulous work.

But that’s really wrongheaded of me to make her seem inaccessible. In fact, like Chiang, I think of Link as an excellent ambassador for genre fiction in the worlds of literary fiction, luring readers from outside the genre into it, hopefully to stay. Certainly “Magic for Beginners” is probably the one story I would hand to someone who hasn’t read much or any contemporary fantasy and wanted to give it a try.

(7) COMICS SECTION.

(8) WHAT IF? Check out the next trio of covers in the monthly Disney What If? variant cover series, celebrating the 60th anniversary of the Avengers and X-Men.

The new covers see Goofy, Donald, and Daisy fill in for Wolverine, Captain America, and Black Widow for their iconic team-up in Uncanny X-Men #268; Mickey, Minnie and more enter the X-Men’s revolutionary Krakoan age that kicked off in House of X #1, and the gang assembling for one of the Avengers’ most pivotal moments, the “Disassembled” storyline, in Avengers #500. For more information, visit Marvel.com.

AMAZING SPIDER-MAN #59 DISNEY WHAT IF? VARIANT COVER BY GIADA PERISSINOTTO

AMAZING SPIDER-MAN #61 DISNEY WHAT IF? VARIANT COVER BY PAOLO MOTTURA

AMAZING SPIDER-MAN #63 DISNEY WHAT IF? VARIANT COVER BY FRANCESCO D’IPPOLITO

(9) REMEMBERING H.R. PUFNSTUF. The LA Breakfast Club will host “Sid Krofft: 55 Years of Weird” on September 4. Tickets at the link.

CELEBRATE ALL THINGS KROFFT, INCLUDING PUFNSTUF’S ANNIVERSARY! On September 6, 1969, the world was introduced to the series H.R. PufnStuf and with it, the zany genius of brothers Sid and Marty Krofft! In the decades that followed, Sid & Marty continued to innovate TV, films, live shows and even theme parks with their signature style of puppetry, visuals and storytelling.

Join us on September 4th to witness Sid Krofft’s honorary initiation into The LA Breakfast Club! We’ll then join Sid on a rollicking discussion about the beloved projects that define his groundbreaking career.

Sep 04, 2024, 7:00 AM – 9:00 AM

The Los Angeles Breakfast Club, 3201 Riverside Dr, Los Angeles, CA 90027, USA

(10) IN A HOLE IN THE GROUND THERE LIVED… “A newly-discovered dinosaur may have spent part of its life underground” NPR has learned.

…Now there is a new dinosaur species on the paleontology block, Fona herzogae.

HAVIV AVRAHAMI: Small plant-eating dinosaurs – they were bipedal. If you took, like, a Komodo dragon tail and attached it to the back of an ostrich, that’s kind of what Fona would have looked like.

ARI SHAPIRO, HOST:

That’s Haviv Avrahami. He’s a Ph.D. student at North Carolina State University and was part of the team that identified this new dino. They published their research in the scientific journal The Anatomical Record this month.

AVRAHAMI: It was a small dinosaur. It was about 7 feet long, so probably would have been as long as Shaq would have been if he was laying down….

(11) HORRIFYING HUMOR. From Twilia’s Art: “Peter Lorre & Vincent Price being a chaotic duo”.

Vincent Price and Peter Lorre were in 3 Roger Corman films together, and the two shone as a hilariously odd couple. I would gladly watch their chemistry in any film! So here’s a compilation of all my favorite bits of them.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 6/30/24 Mr. Holmes, They Were The Pixels Of An Enormous Scroll!

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(1) VASTER THAN EMPIRES. George Sandison, managing editor for Titan Books, hopes to demystify publishing in his newly-launched a series of newsletter posts. First up, a survey of the industry: “Submissions: steering the iceberg”.

I find myself, these days, in the preposterous position of working in genre fiction. Having been publishing since 2014 as an indie, and heading up a major trade list since 2019, it’s close to second nature in a lot of ways.

But for the vast majority of people outside the industry, publishing is arcane, weird and no doubt seems arbitrary. There is a huge extended community of readers, reviewers, fans and authors fascinated by publishers and their lists, but so few ways for those people to get a sense of how publishers work, and why.

Which is silly.

So I’d like to make some sense of it all. The intent here is that this will be the start of a series of articles which will shine a light on some of the many, many opaque bits of publishing. Because really, none of it is that complicated, at least taken in isolation – doing it all at the same time is the trick, which will likely be a recurring theme across the series…..

…So exactly how big a mountain are we talking about? Fortunately there are a couple of useful numbers to call on to help make sense of it.

The last time anyone was mad enough to try and count how many books are published in the UK each year they came up with a number in the region of 200,000, which averages out to 548 a day. I remember seeing a survey in The Bookseller (link lost to the vagaries of time, with apologies) that it was 250,000 one year.

Now say I’m overseeing a list of 100 publications a year, across all formats, you can begin to see how many publishers – and editors – are involved, to say nothing of self-publishers….

(2) HOW TO CLOSE THE BARN DOOR. Futurism tells what happens after “John Scalzi Discovers That One of His Book Covers Was Created Using AI”.

…Regardless, Scalzi’s handling of the discovery seems like a model for anyone who finds themselves in a similar situation — which, given the Wild West of still-forming norms and practices around AI art, wouldn’t be surprising for anyone in a creative industry.

Their article is based on Scalzi’s Whatever post “A Note on ‘AI’ Art and My Book Covers” from June 21. And here’s what he said:

Well, Goddamnit, it looks like some “AI”-generated art got onto one of my covers, specifically, the cover to the Italian edition of Starter Villain. Some (actual human) artists tracked down the cover art, and (on Adobe’s stock art site, at least), it’s marked as “generated with AI.”

It’s my policy not to accept AI-generated art for final cover art, and I thought I and my team had communicated that widely. When this art was presented to me for approval, I made the assumption that it was done by a human, and approved it. So, this is on me….

… That being the case, here’s what I am doing right now to make sure we don’t have this happen again, and to mitigate some of the damage AI-generated art is doing to the actual humans in the field.

1. I have instructed my agent (who is sending the instruction down the chain), that all book contracts henceforth have to agree that cover art must be created by a human artist. Stock art use is acceptable, but that stock art must be human-created, not AI-generated. We will expect our contractual partners to exercise due diligence to make sure these conditions are met (by, as an example, using only stock art sites that note when art is AI-generated). I’ll note that Tor already has agreed to this. So this is no longer just a policy; it’s a hard contractual point.

2. I have donated to the Association of Science Fiction and Fantasy Artists, specifically to their Sponsored Memberships for BIPOC artists, to help emerging artists from marginalized communities receive the benefit of the professional and artistic community that ASFA can provide. They will need it for this new era of artistry….

(3) MESSIANIC PROPHECY. Deadline thinks it’s happening: “’Dune 3′ Release Date Hinted As Denis Villeneuve Movie Is Set For 2026 Holidays”.

Let the speculation begin. The “Untitled Event Film” Warner Bros had dated for December 2026 now is being billed as a “Denis Villeneuve Event Film,” and sources said the studio and Legendary are holding the date with expectations that he wraps up the spectacular trilogy with Dune 3.

Hurdles still have to be cleared as they’re still working on script and locking cast, but it is the project Villenueve has been working on….

…Villeneuve and Legendary are prepping Dune: Messiah, which the filmmaker said in January “should be the last Dune movie for me.” They next will reteam Nuclear War: A Scenario, based on Annie Jacobsen’s nonfiction book that explores a ticking-clock scenario about what would happen in the event of a nuclear war…

(4) NOT QUIET AT THE BOX OFFICE. According to Yahoo! — “Box Office: ‘A Quiet Place: Day One’ Scores Franchise-Best $53 Million Debut, Kevin Costner’s ‘Horizon’ Misfires With $11 Million”.

“A Quiet Place: Day One” is making noise at the box office, collecting a roaring $53 million in its domestic opening weekend. The nearly silent thriller added $45.5 million internationally for a global tally of $98.5 million.

Though it landed in second place behind Disney-Pixar’s billion-dollar blockbuster “Inside Out 2,” the ticket sales for “Day One” are especially impressive because spinoff stories usually don’t bring in as much business as direct sequels. Yet “A Quiet Place: Day One” — a prequel in Paramount’s post-apocalyptic horror series — landed the biggest debut in the franchise, exceeding the original 2018 “A Quiet Place,” ($50 million to start) and the 2021 sequel, “A Quiet Place Part II” (a $48 million debut during COVID).

(5) DODGING ROWLING’S ENDORSEMENT. [Item by Mike Kennedy.] JK Rowling: (Regarding the July 4th election in the UK.) The Labour Party supports Trans Rights, so don’t vote for them. I endorse the UK‘s Communist Party instead.

Communist Party of Britain: (Backs away from her slowly.) Uh, no thanks, we’re good!

“U.K. Communist Party Backs Away Slowly After J.K. Rowling Expresses Support” at The Daily Beast.

The Communist Party of Britain affirmed that it supports transgender people’s right to “live equal, full and meaningful lives” after J.K. Rowling, almost as well known at this point for her hatred of trans women as for penning the mega-popular Harry Potter series, expressed tacit support for its candidates. On Saturday, Rowling encouraged her social media followers to vote Communist, a move made in response to the anti-trans feminist group For Women Scotland tweeting that a party spokesperson had told them it stood “in support of [recognizing] the nature of biological sex.” A day later, a statement was released on the party’s official X account clarifying the matter. “For avoidance of doubt, the Communist Party supports the right of trans people to medically transition, to have access to healthcare and live equal, full and meaningful lives, socially, economically and politically,” it said. “We believe that such liberation will only be possible under socialism.” Rowling’s blessing, likely now to be rescinded, came after she published an op-ed in The Times of London on Friday disavowing the Labour Party over its support for trans rights….

(6) GRAPHIC NOVEL RECOMMENDATIONS. The New York Times’ Sam Thielman reviews The Complete Web of Horror edited by Dana Marie Andra; The Ribbon Queen by Garth Ennis and Jacen Burrows; All My Bicycles, by Powerpaola; and Very Bushwack, by Sig Burwash. “Book Review: Best Graphic Novels in June – The New York Times (nytimes.com) (Link is to unlocked article.)

 (7) SFF ZINE LAUNCHES TOMORROW. The WYRMHOLE is coming July 1.

(8) AMAZING’S BEST. “Amazing Stories Releases THE BEST OF 2023!”. Edited by Lloyd Penney, The Best of 2023 features 29 science fiction short stories, published throughout 2023 on the Amazing Stories website, featuring a collaborative cover from Ron Miller and Tom Miller.

Stories by Paul Saka; Heather N. Santo; Royce Badgers; David Ian; David Hewitt; David Hankins; Adam Breckenridge; Nerine Dorman; Victor Jimenez; Gene Turchin; Adrian Tchaikovsky; Jack McKenzie; David Newkirk; John Andrew Karr; James Mapes; Alex Graham-Heggie; Leonid Korogodski; Dave Creek; John Taloni; Norman Spinrad; Lisa Fox; Andrew Hiller; Chaz Osburn; Ray Daley; Michael Carabott; Pete Carter; C.J. Peterson; Jenna Hanchey; Jeff Hewitt.

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

June 30, 1959 — Vincent D’onofrio, 65. You no doubt know Vincent D’onofrio as Edgar the Bug in Men in Black which I’ll talk about about shortly, but let me first discuss what I think is his greatest role which was his decade-long performance as New York City Police Detective Robert Goren in Law & Order: Criminal Intent. 

Of course it’s not genre but it’s rare that we get to see an actor in a primary role that long. Goren is an incredibly intense, extremely intelligent though opponents often thought he wasn’t and physically imposing man, but is could be very unpredictable and sometimes volatile and even angry. 

Like Holmes, his methods were unusual and he admitted that “I am an acquired taste”. Eames, his female partner, often explained him to individuals who were puzzled and offended by him.

If you’ve not seen Men in Black, you really should and I’m assuming you have, otherwise, go away. You can come back later. He played Edgar / The Bug, Edgar being a farmer who is killed and eaten by a giant alien insect. An Effing Big Bug. From here out, it’s his voice and his body language that is what carries being under the Rick Baker designed face and full body suit. Now there’s a great interview with him and director Barty Sonnefiejd here that you should read: “Vincent D’Onofrio’s Men in Black: A Sugar-Water Oral History” at Vulture.

I singled out these two roles above all the roles he’s had because they demonstrate his most extraordinary skills — the first being the use of his voice to convey a character in a way I believe that is truly rare among performers, and second, the sheer physicality that he bring to a role. 

I know the Rick Baker suit added to his bulk but his acting ability made the character even more present, more menacing that just the alieniness created by the suit and the sheer nastiness of his head of it grew more corrupt, more decayed. A truly brilliant performance. 

Feel free to mention other roles that I didn’t note. 

(10) COMICS SECTION.

Tom Gauld foresees the publishing apocalypse.

(11) “JOHN WICK MEETS LOOPER”. “Ryan Coogler Mattson Tomlin Team for A Vicious Circle at Universal” learned The Hollywood Reporter.

Universal Pictures has landed the rights to A Vicious Circle, a Boom! Studios graphic novel series created by Terminator Zero showrunner Mattson Tomlin and artist Lee Bermejo.

Tomlin will write the screenplay adapting his own work while Ryan Coogler, the filmmaker behind the Black Panther movies, will produce via his Proximity Media banner.

Also producing are Proximity’s Sev Ohanian and Zinzi Coogler, along with Boom!’s president of development Stephen Christy.

Circle is a two-hander action thriller about assassins from the future hunting each other through time. “John Wick meets Looper” is how it is being described.

(12) SHREK 5. Courtesy of Yahoo! – “Eddie Murphy gives fans ‘Shrek 5’ update, reveals Donkey is ‘gonna have his own movie’ next”.

Eddie Murphy is returning to the fairytale-fueled world of “Shrek.”

In an interview with Collider published Monday, Murphy opened up about voice acting as “Donkey” in the franchise’s next film. “We started doing ‘Shrek’ four or five months ago,” Murphy told Collider, while promoting his latest “Beverly Hills Cop” installment, “I recorded the first act, and we’ll be doing it this year, we’ll finish it up.”

“Another ‘Shrek’is coming out, and Donkey’s gonna have his own (spin-off) movie,” Murphy said, adding later that he thinks “Shrek 5” will be released sometime in 2025….

(13) CHEEK TO CHEEK. “Scientists in Japan Give Robots a Fleshy Face and a Smile” according to Yahoo!

Engineers in Japan are trying to get robots to imitate that particularly human expression — the smile.

They have created a face mask from human skin cells and attached it to robots with a novel technique that conceals the binding and is flexible enough to turn down into a grimace or up into a squishy smile.

The effect is something between Hannibal Lecter’s terrifying mask and the Claymation figure Gumby.

But scientists say the prototypes pave the way for more sophisticated robots, with an outward layer both elastic and durable enough to protect the machine while making it appear more human.

Beyond expressiveness, the “skin equivalent,” as the researchers call it, which is made from living skin cells in a lab, can scar and burn and also self-heal, according to a study published June 25 in the journal Cell Reports Physical Science…

…Scientists, including Takeuchi and his colleagues at the University of Tokyo, have been working with lab-made human skin for years.

In 2022, the research team developed a robotic finger covered in living skin, allowing the machine’s digit to bend like a human finger, giving it the tactility to potentially perform more precise tasks.

Takeuchi’s team had tried anchoring the skin with mini-hooks, but those caused tears as the robot moved. So the team decided to mimic ligaments, the tiny ropes of loose tissue that connect bones….

(14) VIDEO OF THE DAY. “90s Time Traveler Discovers Taylor Swift” — Ryan George tell how it happened.

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Lloyd Penney, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, Kathy Sullivan, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Steve Wright.]

Pixel Scroll 5/5/24 Unscroll That Pixel And Do Us All A Favor, That File’s Lost Its Taste, And Try Another Flavor

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(1) TROUBLED DENVER EVENT WON’T REPEAT IN 2025.  Anne Marble did a roundup about the complaints against Readers Take Denver in Pixel Scroll 4/22/24 item #5.

On May 3 USA Today did its own story about those complaints —“Rebecca Yarros disavows Denver expo amid horror stories, cancelation” – with the additional news that RTD 2025 has now been cancelled.

…All of the negative attention Readers Take Denver has received in the days, weeks following the event has prompted the cancellation of next year’s convention, which was previously scheduled for February 2025….

(2) TURNING THINGS TO GOLD. The original artwork for the cover of Harry Potter and The Philosopher’s Stone will be auctioned June 26 by Sotheby’s reports CNN. It’s expected to set a record.

…When the illustration was first up for auction at Sotheby’s in London in 2001, it sold for around four times its estimated sale price, for a record £85,750 (about $106,000), according to a Sotheby’s press release Thursday.

…The record for an item related to the book series is currently held by an unsigned first edition of “Harry Potter and the Philosopher’s Stone,” which sold for $421,000 at Heritage Auctions in Dallas, Texas, in 2021, according to Sotheby’s.

(3) SPOILER WARNING. There’s one in this item. Maybe two. “How Harry Potter Author J.K. Rowling Told Alan Rickman About Snape” in Deadline.

JK Rowling has shared the conversation she had with actor Alan Rickman, when she revealed to him the true complications of his character in the Harry Potter movies.

Rowling has recorded an interview for her website, answering fans’ questions about her writing process, with a preview transcribed in today’s Times of London. She revealed:

“He rang me up and said, ‘Look, I’m spinning plates here. I really need to understand what Snape’s up to? Am I a pure baddie?’ He was the only person I told: ‘You were in love with Harry’s mother.’

Continues at the link.

(4) THE OTHER SIDE OF THE MEMORY HOLE IS IN SCOTLAND. “Scottish artist receives hundreds of copies of Orwell’s Nineteen Eighty-Four in the post” – the Guardian tells why.

Copies of George Orwell’s dystopian masterpiece Nineteen Eighty-Four have been arriving at an artist’s studio in Edinburgh for months. Every shape and size, posted from Ukraine, Hong Kong, Peru, Germany, Cape Cod and Sarajevo.

Some are in mint condition, others are dog-eared, tea-stained, heavily annotated or turned into graffitied art works. One is a water-stained first edition; one is a secret love letter from a married woman to her first love; another, a graphic novel version, came from Orwell’s son Richard Blair.

Each has been donated to a unique installation in the community hall of Jura, the Hebridean island where Orwell, in dire poverty and desperately ill, wrote Nineteen Eighty-Four during the late 1940s, to mark its publication 75 years ago.

Hans K Clausen, a sculptor based in Edinburgh, is collecting 1,984 copies of the book to exhibit on Jura for three days in early June. It will be an interactive, “living” sculpture where visitors are invited to open and read every volume.

Many have arrived, often with overseas postmarks and customs stamps, addressed to “Winston Smith, care of Hans K Clausen”….

(5) JEOPARDY! [Item by David Goldfarb.] I got around to watching the first episode of the new Jeopardy! Masters tournament. Each episode has two games. I didn’t notice any SFF content in the first game, but there was in the second. Here are details:

In the first round:

Spell it!, $1000: How about this dwarves race of “Ring Cycle” fame whose name begins & ends with the same letter

Yogesh Raut got it: “What is N-I-B-E-L-U-N-G-E-N?”.

Meet the Smiths, $400: Matt Smith’s TV roles include the Doctor on “Doctor Who” & this member of the royal family on seasons 1 & 2 of “The Crown”

Yogesh again: “Who is Prince Philip?”

In the second round:

Authors’ Fictional Places, $2000. A Daily Double on which Yogesh bet 9400 points: The town of Eastwick, Rhode Island

Yogesh said, “Who is John Updike?” (The novel here being The Witches of Eastwick.)

Authors’ Fiction Places, $1600: A world of dragons & dragonriders, Pern

Amy Schneider rang in, then hesitated, but got to “Who is McCaffrey?”

Authors’ Fictional Places, $1200. They displayed a picture of a bespectacled, bald man holding a cloth, sitting next to a model of a fantasy setting that Filers would recognize. The clue: Resting on the backs of four elephants atop a giant turtle, Discworld.

Yogesh knew it: “Who is Pratchett?”

Author’s Fictional Places, $400: Castle Rock, Maine.

Yogesh again: “Who is King?”

(Fictional Places $800 was William Faulkner’s Yoknapatawpha County, in case you were wondering.)

(6) 2024 CHINA SCIENCE FICTION INDUSTRY REPORT. South China Morning Post covers this year’s report on China’s sf business: “China wants sci-fi industry, led by megahit 3 Body Problem, to help tech make the jump to lightspeed”.

China’s US$15 billion sci-fi industry, which has gained global attention after the success of the Netflix show 3 Body Problem, offers a potential boost to the economy while aligning with Beijing’s aspirations to become a tech powerhouse, analysts said, underscoring the need for stronger government backing to fortify the sector.

The industry achieved 113.29 billion yuan (US$15.6 billion) in total revenue last year, representing a 29 per cent year on year increase according to the 2024 China Science Fiction Industry Report, released last week during the eighth China Science Fiction Convention in Beijing.

Science fiction could also help companies conceptualise and produce new ideas, such as the establishment of a human settlement on Mars or brain-computer interfaces, according to Wu Yan, who co-authored the report….

(7) COPPOLA’S SF? EPIC. Whether it’s sff has been debated in the media – now you can decide with your own eyes. “’Megalopolis’ Teaser: Adam Driver Leads Francis Ford Coppola’s Epic” – Variety gives us a look.

Adam Driver is on the edge in the first official teaser for Francis Ford Coppola’s “Megalopolis.”

“Megalopolis,” which will premiere in competition at the Cannes Film Festival, has been a project years in the making for the director, who first began work on the screenplay in the 1980s. The legendary filmmaker behind “The Godfather” and “Apocalypse Now” has invested $120 million of his own money into the film…. 

…According to the official synopsis, “‘Megalopolis’ is a Roman Epic fable set in an imagined Modern America. The City of New Rome must change, causing conflict between Cesar Catilina (Adam Driver), a genius artist who seeks to leap into a utopian, idealistic future, and his opposition, Mayor Franklyn Cicero (Giancarlo Esposito), who remains committed to a regressive status quo, perpetuating greed, special interests, and partisan warfare. Torn between them is socialite Julia Cicero (Nathalie Emmanuel), the mayor’s daughter, whose love for Cesar has divided her loyalties, forcing her to discover what she truly believes humanity deserves.”…

(8) BERNARD HILL (1944-2024). Bernard Hill, who played Theoden in Peter Jackson’s Lord of the Rings films, died May 5 reports Deadline. His best known film role was as the captain of the Titanic in James Cameron’s film. He played a number of secondary roles in about 20 genre/related productions, including A Midsummer Night’s Dream (1999), The Scorpion King (2002) and Gothika (2003).

(9) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

Catherynne M. Valente in 2017.

Born May 5, 1979 – Catherynne Valente, 45. By Paul Weimer: My strong impression of Cat Valente’s work came from the beginning of my reviewing life. Way back in the halcyon days of 2009, when I was first putting reviews out there, and getting review copies, I was offered a review copy of an author I had never heard before, named Cat Valente.  The novel was Palimpsest and well, the novel knocked me on my arse. Reader, I was not quite prepared for a novel that involved sex as a gateway to another realm of existence. It’s a sensuous, sensual and rich novel in immersive detail, and that immersion is something I would notice in future Cat Valente’s books.  I’ve not tried Palimpsest again, but I eagerly have read a number of her novellas and short stories. I particularly like “Six Gun Snow White” among these.

But, really, Space Opera is the one book I think of when I think of Cat Valente’s work.  Although I’ve never actually watched Eurovision, I know enough about it to understand the “Eurovision with Aliens in Space” high concept of Space Opera and I found the novel, like much of Valente’s work to be a sensory delight, queer, unapologetic, and with strongly defined and delineated characters. I think it is probably the one Valente book that if you are going to try Valente, that’s the one to try.  I know there have been discussions and thoughts about a sequel to the book ever since it came out, but part of the joy of Space Opera for me  is, like a lot of Valente’s other work, is that it is self-contained and complete within it’s pages. Sure, Valente has written other sequels and follow ups to other work, but this is a function I think of her exuberant and vivid writing, rather than any incompleteness in a work that needs sequels to resolve.

(10) COMICS SECTION.

  • Fur Babies  has a variety of cartoonists’ styles of sound effects in honor of the day.  Can you identify them before you get to the explanation in the comments?
  • Carpe Diem cites a space traffic violation.
  • Bizarro asks what if Lord Greystoke had been raised by another species?
  • Frank and Ernest identify their dinosaur attacker.
  • Mannequin on the Moon depicts the royal Shakespearean eye exam.

(11) COLLECTIBLE GHOSTBUSTERS GEAR. Take this to the beach and scare the guys with the metal detectors. “Ghostbusters Plasma Series HasLab Two in the Box! Ghost Trap and P.K.E” at Hasbro Pulse.

P.K.E. METER

It’s no secret Egon Spengler was a very hands-on, DIY kinda scientist, often cobbling together his hardware from common, everyday items, and the P.K.E. Meter is no different. Egon used an old electric shoe polisher for the bulk of this handheld piece of tech, which trades in footwear for phantasms, determining specter location and quantification. The P.K.E. Meter acts like a divining rod when near a spectral being, with a pair of motorized arms extending outward from the sides, embedded lights flashing in sync with detectable spectral frequencies. 

Fans will be happy to know that not only have the HasLab Lab Lab Techs included classic P.K.E. Meter features, such as Ghost Detection Mode, but they’ve also included a very special upgrade. Yes, that’s right, the HasLab P.K.E. Meter 1:1-scale premium adult collectible features Egon Spengler’s personal upgrade from his time as the Dirt Farmer, in Summerville: Taser Mode! Taser Mode, if you’re unfamiliar, turns the P.K.E. Meter into a taser that forces an apparition to reveal itself… or explode in a burst of marshmallow goo, as we know from Podcast’s dealings with the mischievous Mini-Pufts in the Ecto-1.

GHOST TRAP

Needing something to contain and transport paranormal entities to a more permanent housing facility (namely the Ecto-Containment Unit), Ray Stantz and Egon Spengler designed the Ghost Trap. Consisting of a main chassis and a removable cartridge, the Ghost Trap has limited battery life and was never meant to accommodate ecto-plasmic beings for any extended period.

 This 1:1-scale premium adult collectible features everything fans love about this vital piece of ghost-bustin’ gear, including the removable cartridge, high-powered LEDs, premium metal finishes, functioning diecast metal wheels for smooth deployment, and more! This thing is so gorgeous that ghosts will be throwing themselves at you just for a chance to get trapped within this highly detailed, premium collectible!

(12) TODAY’S THING TO WORRY ABOUT. “How Long Will Your Blu-Ray Collection Last?” asks Gizmodo.

Physical media is very popular these days. Nostalgia, fandom, and streaming burnout have caused certain segments of American society to switch off their Amazon Prime accounts and fire up their Blu-ray players. One of the many advertised benefits of physical media is that it offers a more permanent, definitive form of media ownership than a streaming service. But just how permanent are your Blu-rays? And is physical media really built to last?…

… Unfortunately, there isn’t a lot of open-source information about the longevity of commercially mass-produced Blu-rays, technically known as read-only discs, or BD-ROMs. The Blu-ray Disc Association, which developed and owns the technology behind the discs, ignored multiple emails I sent them, and the people that I did speak to on the subject couldn’t give me a very specific answer….

(13) DYKSTRAFLEX. “’Star Wars’ Motion Control Camera System Goes to Academy Museum” – Variety explains its history.

A half-century ago when George Lucas decided to make “Star Wars,” a core visual effects team was handed a sizable challenge: Figure out a believable way to transport audiences to a galaxy far, far away. Essential to that goal was the development of a new type of motion control camera system: built in a Van Nuys warehouse where the production filmed space-set scenes such as the climatic trench run.

Now fans in Southern California can see the historic Dykstraflex camera system, newly restored and in working order, on display at the Academy Museum of Motion Pictures starting Saturday in recognition of May the 4th, aka Star Wars day. The system weighs 1,500 lbs. and will be demonstrated by VFX vets with a 14-foot track and studio scale replicas of the Millennium Falcon, which is five-feet long, and a 20-inch X-Wing fighter.

(14) THE BOYS. Prime Video dropped “The Boys – Season 4 Official Trailer” this week. The series arrives at Prime on June 13.

In Season Four, the world is on the brink. Victoria Neuman is closer than ever to the Oval Office and under the muscly thumb of Homelander, who is consolidating his power. Butcher, with only months to live, has lost Becca’s son and his job as The Boys’ leader. The rest of the team are fed up with his lies. With the stakes higher than ever, they have to find a way to work together and save the world before it’s too late.

(15) VIDEO OF THE DAY. Ryan George takes us to “The Divergent Series: Insurgent Pitch Meeting”.

[Thanks to Kathy Sullivan, Mike Kennedy, Andrew Porter, Paul Weimer, David Goldfarb, Martin Easterbrook, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Teddy Harvia for some of these stories. Title credit belongs to File 770 contributing editor of the day Jack Lint.]

Pixel Scroll 4/3/24 Go, Strider! In The Sky

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(1) TOM DIGBY REMEMBERED. Long-time LASFSian Alan Frisbie shares some of his memories of Tom Digby, who died March 27.

Tom Digby

Alan Frisbie: I was saddened to hear from Paula Evans that Tom Digby had died. He was one of the first people I got to know in LASFS when I joined in 1969.  His monthly parties were always fun, especially because of the conversations on every topic under the sun.  He almost always had some new gadget he had built, often to demonstrate some interesting scientific fact.

At one party he had a Jello tasting competition.  On the table were about ten bowls of Jello, in all the typical colors.  Each person was given a 3×5 card and told to list each numbered bowl and its flavor.

At the end, he revealed that they were all the new pear flavor, but with different food colors added to fool us.

In his kitchen was one of those backwards-reading clocks.  However, the mechanism had been replaced with a small DC motor that, at random times, would rapidly run the hands in a random direction for a random amount of time.

As was popular at the time, he had a color organ attached to his stereo. This one, however, was unique.  He had taken an old color TV and connected the deflection yoke vertical & horizontal windings to the left & right amplifier outputs.  If the sound was a pure tone with a 90 degree phase difference, of course you would get a circle.  But music is never pure like that, so you got a constantly varying display.  I’m not sure how the colors were selected, but the display was absolutely mesmerizing.

He also built a drum & rhythm synthesizer back in those pre-microprocessor days.  It had a gigantic array of slide switches, with one column for each possible time, and a row for each possible sound.  There was a potentiometer for speed control.  You could configure any conceivable time signature and pattern with it.  We had lots of fun with it.

Tom was a truly unique individual.

(2) DOCTOR WHO EPISODE TITLES. The Doctor Who Season One episode titles have been revealed.

  • SPACE BABIES: Written by Russell T Davies, directed by Julie Anne Robinson
  • THE DEVIL’S CHORD: Written by Russell T Davies, directed by Ben Chessell
  • BOOM: Written by Steven Moffat, directed by Julie Anne Robinson
  • 73 YARDS: Written by Russell T Davies, directed by Dylan Holmes Williams
  • DOT AND BUBBLE: Written by Russell T Davies, directed by Dylan Holmes Williams
  • ROGUE: Written by Kate Herron and Briony Redman, directed by Ben Chessell
  • THE LEGEND OF RUBY SUNDAY: Written by Russell T Davies, directed by Jamie Donoughue
  • EMPIRE OF DEATH: Written by Russell T Davies, directed by Jamie Donoughue

A second Season 1 Trailer also has been released.

(3) NEW GAIMAN SERIES. [Item by Daniel Dern.] The Netflix adaptation of Neil Gaiman’s Dead Boy Detectives arrives April 25. They were created during Sandman (comic) #25, “Seasons of Mists”, and have been in lots of comics since (see list on “Dead Boy Detectives” Wikipedia entry.)

The characters (not sure it’s the same actors) were in several episodes of Doom Patrol Season 3. I lost track of whether they were in the Netflix Sandman series.

Here’s the trailer, which has me ready to start counting the days…

(4) RISING TIDE. Publishers Lunch says Reactor (formerly Tor.com) has announced these promotions:

Emmet Asher-Perrin has been promoted to senior editor, news & entertainment.

Christina Orlando has been promoted to senior editor, books coverage.

Leah Schnelbach has been promoted to senior editor, features.

Stefan Raets has been promoted to senior production editor.

(5) GOING SCOT FREE. “J.K. Rowling will not be arrested for comments about transgender women, police say” – click the link for NBC News’ description of and quotes from Rowling’s statements that were the source of the complaint.

…“We have received complaints in relation to the social media post,” a spokesperson for Police Scotland said in a statement. “The comments are not assessed to be criminal and no further action will be taken.”

Scotland’s new Hate Crime and Public Order Act criminalizes “stirring up hatred” against people based on their race, religion, disability, sexuality or gender identity….

(6) IT’S HUDE! Cora Buhlert invites you to go “Exploring the Hude Solar System (with Bonus Gothic Abbey Ruins)”.

(OhmyGod! Look who’s included!)

Pluto

The way to Pluto leads through the forest on a public, but unpaved road. Eventually, the forest gives way to Hude Golf Course, where you can see golfers trying to hit their balls. Golfing is clearly a popular sport in the far reaches of the solar system. You travel past the parking lot of the golf course until at last, you reach Pluto, sitting by the side of the road directly in front of a private house.

Pluto is just a tiny speck on the marker, but then Pluto is tiny. And yes, when the Hude solar system was set up, Pluto was still an official planet. The number of moons is no longer correct either.

(Okay, be a spoilsport…)

(7) DON’T WALK UNDERNEATH WHEN THEY FLY BY. “Trash from the International Space Station may have hit a house in Florida” says Ars Technica.

A few weeks ago, something from the heavens came crashing through the roof of Alejandro Otero’s home, and NASA is on the case.

In all likelihood, this nearly 2-pound object came from the International Space Station. Otero said it tore through the roof and both floors of his two-story house in Naples, Florida.

Otero wasn’t home at the time, but his son was there. A Nest home security camera captured the sound of the crash at 2:34 pm local time (19:34 UTC) on March 8. That’s an important piece of information because it is a close match for the time—2:29 pm EST (19:29 UTC)—that US Space Command recorded the reentry of a piece of space debris from the space station. At that time, the object was on a path over the Gulf of Mexico, heading toward southwest Florida.

This space junk consisted of depleted batteries from the ISS, attached to a cargo pallet that was originally supposed to come back to Earth in a controlled manner. But a series of delays meant this cargo pallet missed its ride back to Earth, so NASA jettisoned the batteries from the space station in 2021 to head for an unguided reentry….

… The entire pallet, including the nine disused batteries from the space station’s power system, had a mass of more than 2.6 metric tons (5,800 pounds), according to NASA. Size-wise, it was about twice as tall as a standard kitchen refrigerator. It’s important to note that objects of this mass, or larger, regularly fall to Earth on guided trajectories, but they’re usually failed satellites or spent rocket stages left in orbit after completing their missions.

In a post on X, Otero said he is waiting for communication from “the responsible agencies” to resolve the cost of damages to his home….

Of course he is.

(8) TODAY IN HISTORY. April 3, 1978 — “’Annie Hall’ beats out ‘Star Wars’ for Best Picture”. Oh, noes!

The rise of the action-adventure blockbuster was on the horizon, but on April 3, 1978, the small-scale romantic comedy triumphs over the big-budget space extravaganza. At the 50th annual Academy Awards, held at the Dorothy Chandler Pavilion in Los Angeles, Woody Allen’s Annie Hall won the Oscar for Best Picture, beating out George Lucas’ Star Wars.

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born April 3, 1968 — Jamie Hewlett, 56. Of course most of you know about Tank Girl, but I’m betting that that most of you don’t know the story of Jamie Hewlett, one of the co-creators, and his role in creating Tank Girl. So let’s tell it.

The comic was created by Alan Martin and Jamie Hewlett who met when they were studying at the West Sussex College of Design in Worthing, and first appeared in print thirty-six years ago in the British Deadline comics magazine.

Alan Martin in an Sci- Fi Online interview tells us how he and Hewlett created the character:

The three of us then worked together on the comic/fanzine Atomtan. While working on this Jamie had drawn a grotty looking heffer of a girl brandishing an unfeasible firearm. One of our friends was working on a project to design a pair of headphones and was basing his design on the type used by World War II tank driver. His studio was littered with loads of photocopies of combat vehicles. I pinched one of the images and gave it to Jamie who then stuck it behind his grotty girl illustrations and then added a logo which read ‘Tank Girl’.

Jamie Hewlett in 2014.

Posters, shirts of all sorts, and underpants, yes underpants, began showing up everywhere on the punk scene, including one shirt especially made for the Clause 28 protest march against Margaret Thatcher’s legislation effectively making homosexuality illegal. Tank Girl was particularly an icon among the lesbian community.

With its immense popularity, the major publishers showed interest in Tank Girl. Penguin UK was the one that Hewlett and Martin decided to go with. So they published all of the Deadline material as collections. What was interesting was that Penguin discovered that though that they owned global territorial rights, they didn’t own US rights. 

So Dark Horse won out over a number of other interested publishers forty years ago. A four-issue limited series Tank Girl: Visions of Booga, by Martin was released by IDW, as was Tank Girl: Armadillo and a Bushel of Other Stories, a Tank Girl novel also scripted by Martin. 

Fresh material is being produced by the current creative team is Alan Martin and Brett Parson. Tank Girl has appeared on a regular basis in various one-shots and limited series, now published by IDW, Image Comics, and mostly by Titan Comics.

No, I’ve not mentioned the film, have I? Well Martin and Hewlett are known for speaking quite poorly of their experience in the film, and what the film itself was. That’s has much as I’ll say about it. 

(10) SURFER’S UP. “’Fantastic Four’: Julia Garner To Play Silver Surfer In Marvel Movie” reports Deadline.

With the four actors set to play the iconic members of the super team, Marvel Studios‘ The Fantastic Four now has its sights set on who will play Silver Surfer, and it looks like they are going with one of the towns biggest rising stars.

Sources tell Deadline that Emmy winner Julia Garner is set to play the iconic comic book character in Marvel Studios’ The Fantastic Four. Pedro Pascal will play Reed Richards (aka Mr. Fantastic), Vanessa Kirby is Sue Storm (aka the Invisible Woman), Joseph Quinn is Johnny Storm (aka the Human Torch) and Ebon Moss-Bachrach is Ben Grimm (aka the Thing)…

(11) AWARD TO RONALD D. MOORE. Variety reports“AFF to Honor Ronald D. Moore with Outstanding Television Writer Award”.

The Austin Film Festival (AFF) has announced Ronald D. Moore as the recipient of the 2024 Outstanding Television Writer Award for his prolific impact on the world of television and his work on celebrated science fiction and fantasy series such as “For All Mankind,” “Outlander” and “Battlestar Galactica.”

“I’m very honored,” Moore told Variety over the phone. “It’s great when your work is recognized and when a renowned organization like the Austin Film Festival chooses to do something like this. It’s amazing. I’m just very humbled by it all.” 

Moore will receive the award at the Festival Awards Luncheon during AFF’s Writers Conference, which takes place Oct. 24-27. Two panels, “A Conversation with Ronald D. Moore” and “Script To Screen: Battlestar Galactica,” are also scheduled for the event….

(12) WHAT ARE FANS STREAMING? JustWatch has compiled their top 10 charts for March 2024.

(13) THE FIVE PERCENT SOLUTION. El País profiles “Author who won Japan’s top literary award with help from ChatGPT: ‘AI helps you compensate for your weaknesses’”.

Rie Kudan, the Japanese writer who won this year’s Akutagawa Prize — the highest award in Japanese literature — with a book where around 5% of the content was generated by ChatGPT, encourages writers to use generative artificial intelligence in their creations.

“If you think carefully about how to use it and face your own weaknesses, AI helps you compensate for them,” says the 33-year-old author, speaking at the headquarters of her publishing house, Shinchosha, which advertises her work under the slogan “A book of prophecies in the era of generative artificial intelligence.” However, Kudan says that the input from AI was very small: “Only one page out of 144.”

The novel Tokyo To Dojo To (Tokyo’s Tower of Sympathy) was described by the jury as an “almost flawless” work and earned Kudan a literary prize created in 1935 and which has launched the careers of authors such as Kenzaburo Oe, winner of the Nobel Prize for Literature in 1994. The award winner was announced in January….

(14) REMEMBER TO BYO MENTOS. Walmart is one place you can get this “Disney Parks Coca Cola Coke Star Wars Galaxy Edge 13.5 Bottle Thermal Detonator”.

(15) ECLIPSE IN US CURSED EARTH AND BLACK ATLANTIC. [Item by SF Concatenation’s Jonathan Cowie.] The eclipse will happen on April 8. Dr. Becky is an Oxford U based astrophysicist. “Total Solar Eclipse 2024 – WHEN, WHERE, WHAT, HOW, & WHY”.

(16) WHAT WILL EARTH BE LIKE 300 MILLION YEARS FROM NOW? [Item by SF Concatenation’s Jonathan Cowie.]  The YouTube Channel PBS Eons usually takes a look back in time at past evolution but for once has gone all SFnal with a look forward at the future of life on Earth 300 million years hence. To put that in perspective 300 million years ago in the past was when the first reptiles arose and they became the dinosaurs (for whom I have never forgiven what they did to Raquel Welch…).  In this 11-minute video we look forward to a time when there will be a new supercontinent and the Hugo Award debacle is long forgotten….

We spend a lot of time here on Eons looking backwards into deep time, visiting ancient chapters of our planet’s history. But this time, we’re taking a look towards the deep future. After all, the story is far from over.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel! Dern.]

Pixel Scroll 1/1/24 All These Pixels Are Someone Else’s Fault

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(1) SOME PEOPLE SHINE. Let Looper introduce you to “Stephen King’s Harry Potter: The Fan-Made Concept That’s Too Weird To Be Real”. This is quite something.

When it comes to accomplished fiction writers, you don’t get much more prodigious than Stephen King. So iconic is his work that the YouTube channel Yellow Medusa created an artificial intelligence-driven video that hypothesizes how the “Harry Potter” films would look like if King — and not J.K. Rowling — created the franchise. This is one of several videos where the channel reimagines the “Harry Potter” movies if they were directed or written by other famous creators….

(2) SFPA MEMBERS NOMINATE FOR AWARDS. The Science Fiction & Fantasy Poetry Association reminded members today of the deadlines to submit nominees for three annual awards.

RHYSLING AWARD NOMINATIONS The 2024 Rhysling Chairs are Brian U. Garrison & David C. Kopaska-Merkel. Nominations are open until February 15 for the Rhysling Awards for the best poems published in 2023. Only SFPA members may nominate one short poem and/or one long poem for the award. Poets may not nominate their own work. All genres of speculative poetry are eligible. Short poems must be 11–49 lines (101–499 words for prose poems); Long poems are 50–1,199 lines, not including title or stanza breaks, and first published in 2023; include publication and issue, or press if from a book or anthology. Online nomination form: bit.ly/2024RhyslingNom. Or nominate by mail to: SFPA, PO Box 6688, Portland OR 97228, USA.

DWARF STARS AWARD NOMINATIONS The 2024 Dwarf Stars Chair is Brittany Hause. Nominations due by May 1, but poems may be suggested year-round. Enter title, author, and publisher of speculative micro poems published in 2023 at https://bit.ly/ dwarfstars or by mail to: SFPA, PO Box 6688, Portland OR 97228, USA. Anyone may suggest poems, their own or others’; there is no limit.

ELGIN AWARD NOMINATIONS The 2024 Elgin Chair is Felicia Martínez. Nominations due by June 15; more info will come by MailChimp. Send title, author, and publisher of speculative poetry books and chapbooks published in 2022 or 2023 to [email protected] or by mail to: SFPA, PO Box 6688, Portland OR 97228, USA. Only SFPA members may nominate; there is no limit to nominations, but you may not nominate your own work. Books and chapbooks that placed 1st, 2nd or 3rd in last year’s Elgin Awards are not eligible.

(3) BE ON THE LOOKOUT. [Item by Steven French.] “Fiction to look out for in 2024” in the Guardian includes an SF novel tipped for the Booker:

…in September, there’s my early pick for this year’s Booker: Creation Lake (Jonathan Cape) by Rachel Kushner. It’s a wild and brilliantly plotted piece of science fiction. This is the story of a secret agent, the redoubtable Sadie Smith, sent to infiltrate and disrupt a group of “anti-civvers” – eco-terrorists – in a France of the near future where industrial agriculture and sinister corporations dominate the landscape. Think Kill Bill written by John le Carré: smart, funny and compulsively readable….

(4) NO MCU? REALLY? Rolling Stone calls these “The 150 Best Sci-Fi Movies of All Time”.

…So when it came time to rank the greatest sci-fi movies of all time, we couldn’t stop at 100. Instead, we went bigger and bulked it up with an extra 50 entries, all the better to pay lip service to more of the pulpy, the poppy and the perverse entries — not to mention some of our personal favorites — that don’t normally get shout-outs in these kinds of lists. There were more than a few arguments when it came to the picks. (It was also decided early on that superhero movies as a whole usually fall out the parameters of science fiction, so you won’t the MCU, et al., canon on this list — with one very notable exception.) Here are our picks for the best the genre has to offer. Live long and prosper. May the force be with you….

At the bottom:

150 ‘Tank Girl’ (1995)

What would the post-apocalyptic world look like if the hero was a riot grrrl and the soundtrack was curated by Courtney Love? Behold the adventures of Tank Girl (Lorri Petty), as our hero roams through the decimated Outback, years after a comet hit earth and an evil corporation seized control. It’s got some of the hallmarks of a traditional sci-fi adventure — a jet-flying sidekick played by Naomi Watts; an army of half-kangaroo, half-man beings, including one played by Ice-T — but Rachel Talalay’s adaptaion of the cult British comic diverges from the typical dystopia formula by layering everything over a very 1990s alt aesthetic, all bright colors and snappy, sexualized wisecracks. “No celebrities, no cable TV, no water — it hasn’t rained in 11 years,” Tank Girl explains early on in the film. “Now 20 people gotta squeeze inside the same bathtub — so it ain’t all bad.” —Elisabeth Garber-Paul

Rated number one:

1 ‘2001: A Space Odyssey’ (1968)

It begins at the Dawn of Man and ends with the rebirth of humanity, with Homo sapiens having finally been granted one last evolutionary level-up. In between those two poles of the human experience — one in our prehistoric past, the other light years into our future (hope springs eternal) — Stanley Kubrick give us what still feels like the benchmark for science fiction cinema that engages you in mind, body, and soul. It’s not just that his adaptation of Arthur C. Clarke’s short story “The Sentinel” has become part of our collective consciousness, enough that Barbie could kick off with an extended riff on one of its most famous scenes and everyone got the joke. Or that 2001 contains what may be the single best example of film editing as a communicative art form unto itself. Or that the closest the film has to an antagonist, the self-aware HAL 9000 supercomputer who discovers that machines are no more immune from neurosis and malice than its flesh-and-blood programmers are, is the character we end up feeling the most sympathy towards. “Daissss-yyyy… daisssss-yyyyy…”….

…The wisecrack was always that 2001: A Space Odyssey was exactly like the big, black monolith that connected its eon-spanning chapters: gorgeous, meticulously constructed, inhuman in its perfection and inscrutable in terms of concrete meaning. Conventional wisdom is that it’s actually closer to the Star Child — something that takes the entirety of the universe in and stares at it in awe, reflecting back how far we have come and how far we still have to go. —DF

(5) LAWYERS ASSEMBLE! We know this, but it’s a new year so let’s pretend it’s news: “Mickey Mouse Hits Public Domain With Disney’s ‘Steamboat Willie’” at Deadline.

As of today, the traditionally protective Walt Disney Co will have to deal with an onslaught of Mickey Mouse parodies, mockeries and likely rather explicit variations as the iconic character slips into the public domain.

Sorta.

In the sober light of 2024, Steamboat Willie, the 1928 short that effectively launched the empire that Walt built, can now be used by anyone and everyone. The legal status of Mickey and Minnie Mouse from Steamboat Willie and Plane Crazy, from earlier that same year, has been long fought over and probably not something to which Disney was looking forward. Yet, in a new year that also sees Virginia Woolf’s groundbreaking Orlando, Peter Pan, Charlie Chaplin’s The Circus, Buster Keaton‘s The Cameraman and Tigger from AA Milne’s The House at Pooh Corner now in the public domain, if you are anticipating a Steamboat Willie free-for-all, think again.

Besides Disney being notoriously litigious, the color version of Mickey that came into being in 1935’s The Band Concert, is a lot different in 2024 than the non-speaking Mickey of Steamboat Willie in 1928. Evolving over the decades, the brand icon that is today’s Mickey has a lot more meat on his bones, is full of many more smiles, has that chirpy voice and a far less rough disposition, wears white gloves, and clearly looks a lot less a rat than the Steamboat Willie Mickey – and, to paraphrase MC Hammer: you can’t touch that.

“More modern versions of Mickey will remain unaffected by the expiration of the Steamboat Willie copyright, and Mickey will continue to play a leading role as a global ambassador for the Walt Disney Company in our storytelling, theme park attractions, and merchandise,” a Disney spokesperson said of the dos and don’ts of the sound-synched film entering the public domain today….

(6) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born January 1, 1954 — Midori Snyder, 70. This first novel by Midori Snyder that I read was The Flight of Michael McBride, a three decades old work by her set in the old American West blending aspects of  First Folk, Irish-American and Mexican folklore. A most excellent read. 

Like Pamela Dean with her Tam Lin novel, she’s delved in Scottish myth as her first novel, Soulstring, was inspired by the Scottish legend of Tam Lin. 

Midori Snyder

It was however not her first published work as that was “Demon” in the Bordertown anthology, the second of the Bordertown series.  She would later do two more Bordertown stories, “Alison Gross” that’d be in Life on the Border, and “Dragon Child” in The Essential Bordertown.

Now don’t go looking for any of these as ePubs as, like the Year’s Best Fantasy & Horror series which I noted in Ellen Datlow’s Birthday a few days ago, ePub rights weren’t written into the publication contracts. 

The newest Bordertown anthology, Welcome to Bordertown, is available as an ePub.

Next up is a trilogy of books that remind me of Jane Yolen’s The Great Altar Saga in tone  — New Moon, Sadar’s Keep, and Beldan’s Fire. They were published as adult fantasy by Tor Books starting thirty four years ago where they were The Queens’ Quarter Series. Interestingly they would be reprinted as young adult fantasy by Firebird Books just eighteen years ago as The Oran Trilogy. I see that Firebird is no longer the domain of Sharyn November which it was explicitly related for.

Now I positively adore The Innamorati which draws off the the Commedia dell’Arte theatre and the Roman legends as well. This stellar novel gained her Mythopoeic Fantasy Award for Adult Literature. It is without doubt her best novel – great characters, fascinating setting and a wonderful story.

Hannah’s Garden was supposed to be one of the novels inspired by a painting by Brian Froud. (I remember de Lint’s The Wild Wood and Windling’s The Wood Wife are two of the others but I forget the fourth. I know they got their novels with his art but I don’t if she or the fourth writer did.) It’s a more personal novel, more scary in tone I think than her other work is. 

Except the Queen was written by her and Yolen. It’s a contemporary fantasy featuring two fey who are banished here in the guise of old women. I’ll not spoil what happened next. That was her last novel and it was published thirteen years ago. 

She wrote the title short story for Windling The Armless Maiden and Other Tales for Childhood’s Survivors anthology anthology about child abuse survivors. Grim reading but recommended. It was nominated for an Otherwise Award.

It’s one of a not deep number of short stories she’s written, none collected so far. 

She did the text to the “Barbara Allen” graphic story Charles Vess illustrated and first published in his Ballads chapbook in 1997 which I’ve got here somewhere. Let me go see… yes, it’s also in the autographed copy of The Book of Ballads that he sent me. That came out on Tor seventeen years ago. God, time goes by fast! 

Though not about her fiction writing, she would win a World Fantasy Award for her editorial work on Windling’s Endincott Studio website. It is a fascinating site covering what Terri, Midori and others think is interesting in fairy tales, myth, folklore, and the oral storytelling tradition. It is here now.

(7) EASING A BARRIER TO CHINA TOURISM. For the next wave of fans who may be thinking about the trip: “China to simplify visa applications for US tourists as both countries seek to improve relations” at the South China Morning Post.

China will simplify the visa application process for tourists from the United States as part of its efforts to step up interactions between people from the two countries.

Beijing has also been seeking to woo more international visitors as part of its wider efforts to boost its sluggish economic recovery.

Starting from January 1, those applying for tourist visas within the US will no longer need to submit proof they have a round-trip air ticket and hotel reservation, as well as their itinerary or a letter of invitation, according to a notice published on the website of the Chinese embassy in Washington on Friday.

The measure aims to “further facilitate people-to-people exchanges between China and the United States”, it said.

It added that “since visa applications are processed on a case-by-case basis”, applicants should still refer to the Chinese embassy and consulates-general for specifics….

The move follows a cut in visa fees for US applicants of around 25 per cent until December 31, 2024 announced earlier this month, and a previous decision to allow walk-in visa applications.

(8) WHAT, ME WARP? Currently open for bids at the Heritage Auctions site is “Jack Rickard MAD #186 Star Trek Cover Original Art”. It was up to $1,950 when I last checked.

Jack Rickard MAD #186 Star Trek Cover Original Art (EC, 1976). Captain Kirk (William Shatner) and Spock (Leonard Nimoy) join Vulcan officer Alfred E. Neuman (who will likely soon meet a terrible fate, hinted at by his red shirt) tap dance their way across the cover of the parody magazine to promote the “Star Trek” Musical buried within its pages. Spock looks surprised to see Neuman sporting a pair of pointy Vulcan ears, with the adage “Keep on Trekin'” printed on his uniform. A fun poke at the beloved sci-fi TV series painted in gouache on illustration board with an image area of 16″ x 16.75″, matted and Plexiglas-front framed to 27″ x 28.5″. Light frame wear. Signed by Rickard in the lower right corner and in Excellent condition.

(9) TROLLING WITH A MAGNET. “He Has Fished Out Grenades, Bikes and Guns. Can Fame Be Far Behind?” He couldn’t make a living streaming himself playing video games – but people want to see what his powerful magnet retrieves from the waters around New York.  

… The grenade was not without precedent. Two months before, Mr. Kane managed to pull a gun out of a lake near where he lives. It might have been used in a murder, he suggested, and he was told there was a chance he might be subpoenaed. He was eager to avoid that entanglement.

On that unseasonably warm November afternoon, Mr. Kane, who is 39 and looks a bit like the actor Seth Rogen playing a deckhand, just yanked the thing right off his magnet. It took quite a bit of effort, given that the magnet (from Kratos Magnetics, for $140) was advertised as having a “pull force” of 3,800 pounds. The gunpowder had been emptied out of the bottom, so he figured the corroded explosive was something that would put him on the map, rather than blow him off it. Still, he put it on the ground and covered it with a plastic bucket — just in case.

As he dialed 911, he paused to wonder: Would the operator remember him? Was he something of a known quantity by now? Just the week before, he’d found a top-loading Smith & Wesson in Prospect Park Lake. And he’d also found a completely different grenade about a month ago, which he said led the police to evacuate a restaurant near the United Nations. But to his disappointment, that day’s dispatcher didn’t react.

“You’re gonna know Let’s Get Magnetic,” Mr. Kane told the operator, referencing the name of his YouTube channel. “I’m getting famous.”

His partner, Barbie Agostini, continued filming as the police arrived. Two beat cops who showed up took some pictures of the grenade on their phones. Meanwhile, a woman pushed a baby carriage inches away from it. More cops eventually came to cordon off the area, but the content creation did not stop there. Another officer squatted on the ground to take more close-ups. Wanting a wider-angle view of the ruckus he’d wrought, Mr. Kane moved slightly down the sidewalk and kept fishing.

It wasn’t long before a well-put-together young woman in a pinned-on hat stopped and stared as Mr. Kane pulled a hunk of junk out of the water with his magnet.

“What are you guys fishing for?” she asked.

“Anything metal,” he told her. “This is a bed frame from the 1900s.”

The woman looked astounded at this dubious bit of history.

“God bless you,” she said….

…After lunch, Mr. Kane, Ms. Agostini and Jose returned to their duplex. Mr. Kane pulled out a Styrofoam chest full of his favorite finds. They included the magazines from four guns, the barrel of a sniper rifle and two tiny cannonballs that might predate the city itself, which he plans on giving to the American Museum of Natural History.

Evidence of a collector’s lifestyle exists throughout the apartment — unopened retro video games and hand-painted Japanese anime figurines covered nearly every spare inch of wall space. Mr. Kane pulled out some tiny pieces of metal from the cooler, one in the shape of a bow and arrow, and another that looked like a ball-peen hammer.

“This is black magic,” he said. “One hundred percent.” Then came a key fob for an Audi that still lit up when he pressed a button. “This unlocks a car,” he said. “We just don’t know where the car is.” Then came his collection of iPhones, which he proudly displayed on his purple couch. All of them worked. Well, all but one. “It smokes if you turn it on,” he said. “But that’s the only problem.”…

(10) BUT IF HE TELLS – THEN WE’LL KNOW! No, content moderation is not supposed to be a big secret. “Elon Musk’s X Loses Bid To Change California Content Moderation Law” reports Deadline.

Elon Musk‘s X on Thursday has lost its bid to change a California law on content moderation disclosure by social media companies.

X sued California in September to undo the state’s content moderation law, saying it violated free speech rights under the U.S. Constitution’s First Amendment and California’s state constitution.

Today, U.S. District Judge William Shubb dismissed the social media company’s request in an eight-page decision .

The law requires large social media companies to issue semiannual reports that describe their content moderation practices. They must also provide data on the number of objectionable posts and how they were addressed.

“While the reporting requirement does appear to place a substantial compliance burden on social medial companies, it does not appear that the requirement is unjustified or unduly burdensome within the context of First Amendment law,” Shubb wrote.

X did not immediately respond. The company’s content moderation policies have long been contentious, dating to before Musk bought the company.

(11) ANOTHER INKLING NAMED LEWIS. This postcard ad for The Major and the Missionary edited by Diana Pavlac Glyer caught my eye and reminded me to kick off the new year by mentioning this collection of letters of interest to Inklings fans.

After the death of his brother, Warren Lewis lived at The Kilns in Oxford, spent time with friends, edited his famous brother’s letters, and did a little writing of his own. Then, out of the blue, he got a letter from a stranger on the far side of the world. Over the years that followed, he and Blanche Biggs, a missionary in Papua New Guinea, shared a vibrant correspondence. These conversations encompassed their views on faith, their politics, their humor, the legacy of C. S. Lewis, and their own trials and longings.

Taken as a whole, these collected letters paint a colorful portrait that illuminates not only the particulars of distant times and places but the intimate contours of a rare friendship.

Edited and introduced by Bandersnatch author Diana Pavlac Glyer.

[Thanks to Steven French, Mike Kennedy, Andrew Porter, Scott Edelman, Mark Roth-Whitworth, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Peer.]

Pixel Scroll 8/6/23 Pixels Bright Red And Bouncing High As A Scroll Will Allow

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(1) PALLET JACKED. “Gen Con Card Heist: $300K Worth of Cards Stolen From Show Floor” – Gizmodo has the story.

…Per Indianapolis’ WRTV, the tabletop game convention had over $300,000 worth of cards stolen from the show floor. Dicebreaker reported that the theft occurred on Wednesday, August 2 as vendors were setting up for the event at the Indiana Convention Center. Police in the area claim the thieves used a pallet jack to remove a pallet of cards, which allowed them to blend in since everyone was moving product around the convention floor that day. Dicebreaker further noted that the theft was pulled off with two thieves. At time of writing, it’s unknown which specific cards were stolen, and what company (or companies) they belonged to…

More details and security cam images of the suspects at WRTV’s post “Over $300K worth of gaming cards stolen from Gen Con during setup”.

(2) MISSING FROM MOPOP. Deadline explains why “JK Rowling Airbrushed From Pop Culture Museum’s Harry Potter Display”.

A US museum has removed all trace of Harry Potter creator JK Rowling from its exhibition celebrating the schoolboy wizard and his friends.

The Museum of Pop Culture in Seattle had previously published a blog explaining its decision to airbrush Rowling from its display, due to her “super hateful and divisive” views.

Project manager Chris Moore, who is transgender, wrote in the piece:

“There’s a certain cold, heartless, joy-sucking entity in the world of Harry Potter and, this time, it is not actually a Dementor….”

The Deadline article is sourced in “She-Who-Must-Not-Be-Named”, a May 2023 blog post by Chris Moore, MoPOP’s Exhibitions Project Manager.

We would love to go with the internet’s theory that these books were actually written without an author, but this certain person is a bit too vocal with her super hateful and divisive views to be ignored. Yes, we’re talking about J.K. Rowling, and no, we don’t like that we’re giving her more publicity, so that’s the last you’ll see of her name in this post. We’ll just stick with You-Know-Who because they’re close enough in character….

And what is MoPOP doing? If you’ve visited the museum recently, you will have seen artifacts from the Harry Potter films in Fantasy: Worlds of Myth and Magic gallery and her likeness in the Science Fiction and Fantasy Hall of Fame. They’re there and trying to dance around it would make me look like a bigger hypocrite. But here’s the deal… it’s complicated. Long conversations are being had and a lot of considerations around what to do with problematic people and content because instances like this are going to keep happening. I’m privileged to get to work with our Curatorial team and see the decision-making processes there, so let me give you a little bit of insight into what these are like after someone outs themself as holding terrible ideologies….

… As for the Science Fiction and Fantasy Hall of Fame, this list of inductees has a long history that didn’t start with MoPOP, EMP Museum, or even the Experience Music Project. It was founded in 1996 at the Gunn Center for the Study of Science Fiction and came to MoPOP in 2004. The inductees are specifically chosen by public voting. You-Know-Who was inducted into the Hall of Fame in 2018 before she became the face of trans-exclusionary radical feminism (TERF). If you keep looking in there, you’ll see other figures with questionable if not downright disturbing pasts. But what does that mean? Are MoPOP’s hands tied on something that is in our building? Again, it’s complicated. For the time being, the Curators decided to remove any of her artifacts from this gallery to reduce her impact. It’s not a perfect solution, but it’s what we were able to do in the short-term while determining long-term practices. As we’ve continued to learn and grow, they’re planning on continuing to add context to creators and content through our blog and possibly in-gallery QR codes….

(3) SEVENTIES GENRE ART. [Item by Ben Bird Person.] Jared Pechaček will talk with 70’s Sci-Fi Art curator Adam Rowe about his new book Worlds Beyond Time: Sci-Fi Art of the 1970s. It’ll be streamed live on Zoom at 12 PM EST/3 PM PST on Tuesday, August 8th. Register here.

A visual history of the spaceships, alien landscapes, cryptozoology, and imagined industrial machinery of 1970s paperback sci-fi art

Third Place Books welcomes local author Adam Rowe—senior writer at Tech.co and curator of the popular, multi-platform 70s Sci-Fi Art feed @70sscifi—for a presentation of his latest book, Worlds Beyond Time: Sci-Fi Art of the 1970s. Visit the store to see this stunning art-object for yourself! Rowe will be joined in conversation by local artist and writer Jared Pechaček. 

This event will be broadcast live on Zoom. Registering will provide you with a unique access link in an email. During the event, you can ask questions using the Q&A feature, or chat with fellow attendees. A recording of the event will be made available and emailed to all who register.

This author talk is free! You can sustain our author series by purchasing a copy of the featured book.

(4) PREEMPTIVE BOOK DUMPING. “Bookstores’ donations from teachers rise amid Florida book bans” reports WESH in Orlando.

Some used bookstores are seeing a rush of donations from teachers because those teachers are worried about book bans.

A stack of books sat in front of “Best Used Books” in Longwood on Thursday.

Crystal Bryant says the shelves are filling up more quickly this summer.

“Every author that you could possibly think of,” Bryant said.

Teachers are donating thousands more books than usual because they’re concerned about banned books.

“Those teachers are literally coming back every day, bringing boxes of stuff that they can’t they can’t use in their classrooms, which is sad,” Bryant said.

Bryant’s family has owned the shop for nearly 30 years.

And she says this year, they’ve gotten three times the amount of book dropoffs.

“Just a lot of stuff coming in,” Bryant said.

And we’re just like, we will take it because we don’t discriminate whatsoever.

“You’re seeing a lot of teachers saying, ‘I’m just not going to take the chance and I’m going to get rid of the classroom libraries,'” Andrew Spar said.

Spar is the president of Florida’s largest teachers’ union….

(5) THE ROARING TWENTIES OF BOOK SALES. The Guardian brings word: “‘I can’t stress how much BookTok sells’: teen literary influencers swaying publishers”.

The famous Waterstones in London’s Piccadilly is a modernist/art deco building. It started life as a menswear store and has the feel of that sort of traditional shop that is fast disappearing. But this bookshop, like many others, is enjoying a very modern sales boost from social media.

Groups of teenage girls regularly gather here to buy new books and meet new friends, both discovered on the social media app TikTok. Recommendations by influencers for authors and novels on BookTok – a community of users who are passionate about books and make videos recommending titles – can send sales into the stratosphere.

But while very much an online phenomenon, BookTok is having a material impact on the high street, with TikTok now pushing people to buy their books from bricks-and-mortar booksellers through a partnership with bookshop.org, which allows people to buy online and support independent bookshops at the same time.

Last year, Waterstones Piccadilly hosted a BookTok festival. One sales assistant told the Observer: “I can’t stress how much BookTok sells books. It’s driven huge sales of YA [young adult] and romance books, including titles such as The Song of Achilles by Madeline Miller and authors such as Colleen Hoover.

“The demographic is almost exclusively teenage girls, but the power it has is huge. We have a ‘BookTok recommended’ table – and you can tell which books are trending by the speed at which they sell.”…

(6) JETSON LORE. Back with another MeTV quiz – “How well do you know Elroy Jetson?” I only got 8 out of 10. “Only” because I’m convinced I knew the hardest ones, and one of my misses wasn’t really a question about the show itself.

“His boy, Elroy!”

Meet the boy of the future, Elroy Jetson! He’s got all the gadgets you could shake a stick at. But even though he’s living in a sci-fi world, Elroy Jetson is still relatable enough that any kid could see themselves reflected in his astronaut helmet. 

How well do you recall this techno-lad? Was Elroy your favorite, or were you tuning in for Astro? Who here wanted to be Elroy? Let us know what you think in the comments section below!

(7) SNUFF FICTION. The August entry in Future Tense Fiction’s monthly series is “No Regrets” by Carter Scholz, a “short story about geoengineering, billionaire hubris, and ‘altruistic’ narcissism.”

After the regrettable incidents on the island (the old island), the Doctor kept a low profile. Many thought he was dead. There was safety in that once. Now the greater safety is in being known.

What plans he had, back in the day! World domination! If only … but no, this is just the sort of negative spiral his therapist has warned him about. He has remade himself as an altruist, a philanthropist, and he means for his efforts to have maximum impact.

His therapist calls it “harm reduction,” a transition from the “malignant” narcissism of his past to the “altruistic” narcissism of the present. And it’s true he has changed: In times past, even referring to his narcissism might have earned the therapist a trip to the guano workings. But he is no longer that malevolent man. He’s even developed a sense of humor. He collects mad doctor jokes. He has a T-shirt that reads I’M NOT MAD I’M JUST GETTING EVEN….

The response essay, “Why we’re unprepared to confront the threat of extinction” is by Tyler Austin Harper, an “expert in philosophy and existential risk.”

One of Friedrich Nietzsche’s great early essays opens with a strange, science fictional vignette. Set on a melancholy little planet where “clever beasts invented knowing,” the philosopher’s parable recounts the rise, reign, and ultimate extinction of this sapient species, whose career is described as only a “minute” in the history of the universe. “After nature had drawn a few breaths, the star cooled and congealed, and the clever beasts had to die,” Nietzsche writes.

Nietzsche’s grift soon becomes transparent, of course: We are the “clever beasts” in the story, and the point of the parable is to force the reader to imagine our species from a God’s-eye view, to expose “how miserable, how shadowy and transient, how aimless and arbitrary the human intellect looks within nature.” The parable concludes on a nakedly nihilistic note: “When it is all over with the human intellect, nothing will have happened,” Nietzsche observes. “For this intellect has no additional mission which would lead it beyond human life.”

Understandably, most readers focus on the wildly pessimistic penultimate sentence, where Nietzsche announces humanity’s cosmic insignificance. However, it is the last sentence, which expressly explains why nothing will have happened, that holds the key to the parable’s meaning. For Nietzsche, the extinction of the “clever beasts” is meaningless not because their existence is intrinsically worthless, but because they fail to pursue any “mission” that would give their collective existence purpose. They do not set themselves a goal as a species….

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 6, 1874 — Charles Fort. Writer and researcher who specialized in anomalous phenomena. The term fortean is sometimes used to characterize such phenomena. No, not genre as such, but certainly an influence on many a writer. The Dover publication, The Complete Books of Charles Fort, that collects together The Book of The Damned Lo!, Wild Talents and New Lands has a foreword by Damon Knight. When it was originally published as The Books of Charles Fort L. Sprague de Camp reviewed it in Astounding Science-Fiction in the August 1941 issue. (Died 1932.)
  • Born August 6, 1877 — John Ulrich Giesy. He was one of the early writers in the Sword and Planet genre, with his Jason Croft series. He collaborated with Junius B. Smith on many of his stories though not these which others would call them scientific romances. He wrote a large number of stories featuring the occult detective Abdul Omar aka Semi-Dual and those were written with Smith. (Died 1947.)
  • Born August 6, 1926 — Janet Asimov. Author of some half dozen novels and a fair amount of short fiction on her own, mostly as J.O. Jeppson; co-author with Isaac of the Norby Chronicles. Her Notes for a Memoir: On Isaac Asimov, Life, and Writing, came out thirteen years ago. (Died 2019.)
  • Born August 6, 1934 — Piers Anthony, 89. Ok I’ll admit that I’m not at all familiar with him as comic fantasy isn’t my usual go-to reading though I’ve some of the Xanth series a long time ago. I know he’s popular so I’m going to ask y’all which of his novels would be a great introduction to him. Go ahead and tell which novels I should read. 
  • Born August 6, 1956 — Ian R. MacLeod, 67. Another author I need to read more of. I’ve read the first two in what’s called the Aether Universe series, The Light Ages and The House of Storms, but there are other novels I’m intrigued by, including Song of Time and The Great Wheel. He’s won some impressive Awards including three Sidewise Awards for The Summer Isles (short and long forms) and for Wake Up and Dream novel. He also won a World Fantasy Award for “The Chop Shop” short story. 
  • Born August 6, 1972 — Paolo Bacigalupi, 51. I remember the book group I was part of some years ago having a spirited debate over The Windup Girl (which won a Hugo at Aussiecon 4 and a Nebula as well) over the believability of the central character. I think he did a better job with characters in his next novels, Ship Breaker and The Drowned Cities, but he’s really not about characters anyways. 

(9) COMICS SECTION.

  • Bizarro reveals the post-apocalyptic cat world.
  • Herman shows another law enforcement-vs.-flying saucer encounter with a surprise ending.
  • Brewster Rockit thinks he’s surprising a colleague with his discovery of another way to read text.
  • Tom Gauld on classic novels improved by AI:

(10) THE MAN FROM UNCLE WITH THE GOLDEN GUN IN THE HIGH CASTLE. On the official blog of artist J.J. Lendle, The Poster Project, is an amazing gallery of tributes to current movies and shows on posters done in myriad styles drawn from the decades of Hollywood history. Here’s a very recent example.

(11) FREE READ. Sunday Morning Transport’s editors hope their free August story, Eugenia Triantafyllou‘s “Always Be Returning,” will “transport all our readers to mythical and strikingly heartfelt shores.” “Always Be Returning”. To receive new posts and support our authors’ work, consider becoming a free or paid subscriber.

(12) HE DIDN’T TAKE HIS SHOT. “Star Trek’s new musical episode happened because of Lin-Manuel Miranda” at The Digital Fix.

… It was initially going to be Star Trek Picard that was possibly going to have a musical episode. Executive producer of both Picard and Strange New Worlds Akiva Goldsman says that another exec-producer, Michael Chabon knows Lin-Manuel Miranda. “We were like, ‘Call him! call him!’” but “[Lin-Manuel] didn’t call him back. And that was the end of that musical. But it did seem like such a good idea. As soon as Henry and I got together to make [Strange New Worlds], I kept peppering him with, ‘We should do a musical,’ and Henry, of course, had done musicals before.”…

(13) 10,000 MILES I ROAMED, JUST TO MAKE THIS DOCK MY HOME. Most of these new-species-named-for-something-genre are pointlessly precious, but I admit this one made me laugh: “New Fish Species Named After The Lord of the Rings” at Comicbook.com.

The world of The Lord of the Rings has inspired countless adaptations and fan works — and now, it has officially influenced the world of fish. According to a new study in the Ichthyology & Herpetology journal, scientists have discovered a brand-new species of suckermouth catfish along West Africa’s Niger River, which shares some similarities with the franchise’s fictional Hobbits. In particular, the fish are seen as “diminutive travelers” who were separated a great distance from their fellow catfish, much like the Hobbits are in J.R.R. Tolkien’s stories. As a result, the brown and white fish has now officially been named Chiloglanis frodobagginsi, a reference to protagonist Frodo Baggins… 

(14) VIDEO OF BACK IN THE DAY. Brian Keene joins three more living legends — Ellen Datlow, Linda Addison, and Steve Rasnic Tem — for “Back in the Day (part 2)”.

Brian Keene speaks with panelists about what has changed in publishing and horror fiction over the years… and what hasn’t

[Thanks to John King Tarpinian, Chris Barkley, Michael Toman, Steven French, Ben Bird Person, Kathy Sullivan, Peer, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 3/18/23 Pixel’s Cat, Neither Scrolling Nor Not Scrolling, You Decide

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(1) DE LINT AND HARRIS STILL NEED SUPPORT. The Ottawa Citizen profiled MaryAnn Harris’s illness and fundraiser in “A tick bite, the Powassan virus, and MaryAnn’s struggle”.

… “They didn’t know what was wrong,” said Charles, a popular author of fantasy novels, a three-time Aurora Award winner, and a member of Canada’s Science Fiction Writers Hall of Fame. “They assumed it was a virus of some sort. It looked like they had 70 little machines feeding her different kinds of antibiotics.”

Today, more than a year and a half after falling ill, MaryAnn hasn’t been back home. She still breathes with a ventilator and remains nearly paralyzed.

The culprit? A tick bite that transmitted the rare but increasingly common Powassan virus, a potentially deadly pathogen that caused encephalitis.

“We were never aware of the bite. We never even saw the tick,” Charles said. MaryAnn fell ill during the lockdown and the couple hadn’t travelled anywhere.

They figure she picked up the tick bite either in the yard of their Alta Vista area home or during one of their frequent walks around the community gardens in Pleasant Park. And it’s hardly the only question that can never be answered.

“If she was going to get sick,” Charles asks, “why did it have to be something so rare?”

Powassan virus was first identified in 1958 when it infected and killed a young boy in Powassan, Ont., on the outskirts of North Bay, 200 km northwest of Ottawa. Until 1998, there had been only 27 cases in all of North America. Since then, the numbers have been rising: 5-10 cases a year in the U.S. from 2010 to 2015; and 25-30 a year since. Since 2017, there have been 21 cases in Canada. Most infections occur in the northeastern U.S., Eastern Canada and the Great Lakes region.

…The couple — Charles is 71 and MaryAnn is 70 — have been together for 47 years and married for 42. With their guitar and banjo, they are well-known in Ottawa’s folk and bluegrass music scene.Charles’s novels, many of them set in the fantasy city of Newford, have a worldwide following. MaryAnn is his business manager, editor and illustrator. Her illness has left Charles with little time to write since he now spends five hours a day at Saint-Vincent Hospital, six days a week. He pays for a caregiver on the seventh.

Friends, family and fans have rallied around the couple. Musicians have visited the hospital to play for MaryAnn. A GoFundMe started to help pay for the many expenses they now face has topped $90,000. Fans have also subscribed to Charles’s Patreon account to help support his writing.

One fan, Julie Bartel, manages the GoFundMe and posts regular updates on MaryAnn’s progress on social media. Bartel, 52, grew up in tiny Orem, Utah, and as a teenager immersed herself in Charles’s fantasy novels….

The GoFundMe is here: “Harris – de Lint Recovery Fund”.

See also Julie Bartel’s File 770 post “More Information About the Harris / de Lint Fundraiser”.

(2) DOUBLE THE DISPLEASURE. Victoria Strauss gets busy in “One Week, Two Fakes: American Booksellers Federation and The Acquisitions Guild” at Writer Beware.

As you’ll know if you’re a regular reader of this blog (and from your own experience if you’ve ever self-published), we are currently in the midst of a tsunami of scam companies that aggressively solicit authors with out-of-the-blue emails and phone calls touting phony services–“endorsement” to Big 5 publishers or major film studios, “nominations” for representation at book fairs or other costly-but-useless PR strategies, and more.

These ripoff artists often seek to boost their credibility–and stroke writers’ egos–by naming some made-up organization or group that has recommended or otherwise validated the author’s book. The Guild of Literary Agents, Book Acquisitions Guild of America, Book Acquisition Society, The Literary Arts Organization, Affiliation of Creator Agents, Hollywood Database, Literary Review of Books…I could go on, but you get the picture. Despite the official-sounding names, none of these so-called organizations (which I’ve seen referenced in multiple scam solicitations) exist–as even a cursory websearch will confirm.

Scammers, of course, are counting on writers not to check. But writers have become much more savvy about solicitation scams than they used to be–partly because there are now so many of them, and partly because there are so many warnings about them. This has caused some predators to up their game, attempting to create credibility for their made-up endorsement organizations by giving them actual websites.

I ran across two of these this week….

They are the American Booksellers Federation and The Acquisitions Guild.

(3) ROWLING INTERVIEW PODCAST CONTINUES. The Hollywood Reporter covers episode 5 of The Witch Trials of J.K. Rowling podcast under the headline “J.K. Rowling: Criticism of Trans Stance Hit Different Than Christians”.

J.K. Rowling says that when it comes to the backlash she’s received around her Harry Potter books and her personal stances on the rights and identities of trans people, criticism from her “allies” hit differently than conservatives claiming she was promoting witchcraft.

“If it’s coming from people that you would, well, you would have thought were allies? Yes, that’s absolutely going to hit differently, but I don’t hold myself —” Rowling said before The Witch Trials of J.K. Rowling host Megan Phelps-Roper cut her off in the podcast’s latest episode. “I would assume we share certain values. So yeah, that hits differently. Of course, it hits differently.”…

The podcast’s fifth episode, titled “The Tweets,” dropped March 14 and is largely dedicated to Rowling expounding on the motivation behind her past social media messages and essay regarding her position on trans women as women and their presence in women’s spaces.

“It is very biblical language that is used of women who say, ‘You know what? I think any measure that makes it easier for predators to get at women and girls is a bad idea,’” Rowling said of critics, who have said her refusal to acknowledge trans women as women is “evil.” She continued, “There are plenty of women who don’t even … identify themselves as feminists who are very concerned about this.”

During the episode, various voices, including Phelps-Roper, repeatedly read unattributed tweets allegedly sent to Rowling. But speaking to her own initial tweet in 2019, which ultimately sparked the first major wave of criticism against the author over her support of a U.K. woman embroiled in an employment case around language and discrimination in the workplace, Rowling said she notified her team ahead of time.

“I drafted the tweet, and then I was considerate enough to phone my management team and say, ‘You cannot argue me out of this,’” the author explained. “And I read out what I was about to say because I felt they needed warning because I knew it was going to cause a massive storm.”

At another point, she added that she “absolutely knew” that people who love her books would be “deeply unhappy” with her, but that “time will tell whether I’ve got this wrong. I can only say that I’ve thought about it deeply and hard and long, and I’ve listened — I promise — to the other side.”

On the larger response to her public stances, the author describes “fury and incomprehension” on one side and “a ton of Potter fans who were grateful that I had said what I said” on the other after sharing her first and subsequent tweets. But Rowling ultimately questions the motivations of the Harry Potter fans who didn’t stick by her. “What’s interesting is the fans that have found themselves in positions of power online, did they feel they needed to take this position because they themselves had followers? Possibly, I don’t know,” she said….

(4) THESE FANS LITERALLY KEEP WATCHING THE SKIES. [Item by SF Concatenation’s Jonathan Cowie.] In Nature, “Fan astronomers show pros how to help in asteroid collision”. “Astronomy, like other scientific fields, continues to benefit from working scientists collaborating with amateur colleagues.”

When NASA’s Double Asteroid Redirection Test (DART) spacecraft slammed into an asteroid on purpose last September, many telescopes were trained on this one-of-a-kind celestial event. Some were operated by teams of amateur astronomers — skilled skywatchers for whom astronomy is not their full-time day job (or, more accurately, night job). Three such teams on France’s Réunion island in the Indian Ocean, plus one in Nairobi, managed to watch the impact in real time.

These skywatchers are among the authors of a study in Nature that describes how the asteroid, named Dimorphos, became temporarily brighter and redder as the spacecraft hit it. One of five papers about the impact published in Nature1–5, it describes a real-time view of a cosmic collision — similar to that when Comet Shoemaker–Levy 9 slammed into Jupiter in July 1994.

(5) JERRY SAMUELS (1938-2023). Singer Jerry Samuels, died March 10. Under the name Napoleon XIV, he recorded the 1966 novelty hit “They’re Coming to Take Me Away, Ha-Haaa!” Listeners to Doctor Demento are likely familiar with it.

(6) MEMORY LANE.

2018 – [Compiled by Cat Eldridge.]

For these Beginnings I usually prefer to use the first novel in a series, so why use the twenty-first of twenty-three novels published to date? 

Because Robicheaux: A Novel, published by Simon & Schuster five years ago, thirty-one years after the first novel by James Lee Burke in the series, The Neon Rain, came out, has one of the best Beginnings of all. 

It won’t spoil much to tell you that the series center around Dave Robicheaux, a former homicide detective in the New Orleans Police Department. He now lives in New Iberia, Louisiana, and he works as a detective for the Iberia Parish Sheriff’s Office.

I’ve read around half the books so far. It’s a quite brilliant series where the characters, both principal and secondary, continue to evolve as the series goes on, the stories are complex if usually quite violent and not for the squeamish. And the setting? The story goes often into the squalid side of New Orleans and other places just as disgusting. Need I say more? 

Oh, and Will Patton narrates the series quite amazingly in terms of giving each character their own unique voice. If you listen to books, you’ll really enjoy these.

Now here’s our very interesting Beginning…

LIKE AN EARLY nineteenth-century poet, when I have melancholy moments and feel the world is too much for us and that late and soon we lay waste to our powers in getting and spending, I’m forced to pause and reflect upon my experiences with the dead and the hold they exert on our lives.

This may seem a macabre perspective on one’s life, but at a certain point it seems to be the only one we have. Mortality is not kind, and do not let anyone tell you it is. If there is such a thing as wisdom, and I have serious doubts about its presence in my own life, it lies in the acceptance of the human condition and perhaps the knowledge that those who have passed on are still with us, out there in the mist, showing us the way, sometimes uttering a word of caution from the shadows, sometimes visiting us in our sleep, as bright as a candle burning inside a basement that has no windows. 

On a winter morning, among white clouds of fog out at Spanish Lake, I would see the boys in butternut splashing their way through the flooded cypress, their muskets held above their heads, their equipment tied with rags so it wouldn’t rattle. I was standing no more than ten feet from them, although they took no notice of me, as though they knew I had not been born yet, and their travail and sacrifice were not mine to bear. 

Their faces were lean from privation, as pale as wax, their hair uncut, the rents in their uniforms stitched clumsily with string. Their mouths were pinched, their eyes luminous with caution. The youngest soldier, a drummer boy, could not have been older than twelve. On one occasion I stepped into the water to join them. Even then, none acknowledged my presence. The drummer boy stumbled and couldn’t right himself, struggling with the leather strap around his neck and the weight of his drum. I reached out to help him and felt my hand and arm sink through his shoulder. A shaft of sunlight pierced the canopy, turning the fog into white silk; in less than a second the column was gone. 

Long ago, I ceased trying to explain events such as these to either myself or others. Like many my age, I believe people in groups are to be feared and that arguing with others is folly and the knowledge of one generation cannot be passed down to the next. Those may seem cynical sentiments, but there are certain truths you keep inside you and do not defend lest you cheapen and then lose them altogether. Those truths have less to do with the dead than the awareness that we are no different from them, that they are still with us and we are still with them, and there is no afterlife but only one life, a continuum in which all time occurs at once, like a dream inside the mind of God. 

Why should an old man thrice widowed dwell on things that are not demonstrable and have nothing to do with a reasonable view of the world? Because only yesterday, on a broken sidewalk in a shabby neighborhood at the bottom of St. Claude Avenue, in the Lower Ninth Ward of St. Bernard Parish, under a colonnade that was still twisted out of shape by Katrina, across from a liquor store with barred windows that stood under a live oak probably two hundred years old, I saw a platoon of Confederate infantry march out of a field to the tune of “Darling Nelly Gray” and disappear through the wall of a gutted building and not exit on the other side.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 18, 1888 — Alexander Leydenfrost. As an illustrator, he briefly worked for Planet Stories before being signed by Life magazine where the money was better. But his quite brief tenure at Planet Stories is credited with the creation of the enduring cliche Bug-Eyed Monster as that’s what his illustrations showed. (Died 1961.)
  • Born March 18, 1926 — Peter Graves. Star of Mission Impossible and the short lived Australian-filmed Mission Impossible which if you’ve not seen it you should as it’s damn good. I’m reasonably certain his first genre role was on Red Planet Mars playing Chris Cronyn. Later roles included Gavin Lewis on The Invaders, Major Noah Cooper on Buck Rogers in the 25th Century, Doug Paul Martin in Killers from Space and Paul Nelson on It Conquered the World. It’s worth noting that a number of his films are featured on Mystery Science Theater 3000 series. (Died 2010.)
  • Born March 18, 1932 — John Updike. It might surprise you to learn that there are two Eastwick novels, The Witches of Eastwick and The Widows of Eastwick, the latter set some three decades after the first novel ended. He wrote a number of other genre-friendly novels including The Centaur, Brazil and Toward the End of Time.  (Died 2009.)
  • Born March 18, 1947 — Drew Struzan, 76. Artist known for his more than a hundred and fifty movie posters which include films in Back to the Future, the Indiana Jones, and Star Wars film franchises. In addition, he designed the original Industrial Light & Magic logo for Lucas. My favorite posters? Back to the Future, The Goonies and The Dark Crystal.
  • Born March 18, 1950 — J. G. Hertzler, 73. He’s best known for his role on Deep Space Nine as the Klingon General (and later Chancellor) Martok. He co-authored with Jeff Lang, Left Hand of Destiny, Book 1, and Left Hand of Destiny, Book 2, which chronicle the life of his character. His very TV first role was a genre one, to wit on Quantum Leap as Weathers Farrington in the “Sea Bride – June 3, 1954” episode. Setting aside DS9, he’s been in Zorro, Highlander, The Adventures of Brisco County, Jr., Lois & Clark: The New Adventures of Superman, Charmed, Roswell and the Enterprise series;  for film genre work, I see The Redeemer: Son of Satan, Treasure Island: The Adventure Begins and Prelude to Axanar (yet another piece of fanfic). In addition, he’s done a lot of video game voice acting, the obvious Trek work but such franchises as BioShock 2, The Golden Compass and Injustice: Gods Among Us. 
  • Born March 18, 1959 — Luc Besson, 64. Oh, The Fifth Element, one of my favorite genre films. There’s nothing about it that I don’t like. I’ve not seen Valerian and the City of a Thousand Planets and comments leave me disinclined to do so. The Transporter is not genre but I recommend it as a great film none the less.
  • Born March 18, 1960 — Richard Biggs. Another way too young death. On Babylon 5 as he appeared as Dr. Stephen Franklin, and reprised the role in the final aired episode of Crusade, “Each Night I Dream of Home”. Other genre roles included playing Roger Garrett on Tremors, Hawkes In The Alien Within, An Unnamed Reporter on Beauty and the Beast, Dr. Thomson on an episode of The Twilight Zone and a Process Server in an episode of The Magical World of Disney. (Died 2004.)
  • Born March 18, 1961 — James Davis Nicoll, 62. A freelance game and genre reviewer. A first reader for SFBC as well. Currently he’s a blogger on Dreamwidth and Facebook, and an occasional columnist on Tor.com. In 2014, he started his website, which is dedicated to his book reviews of works old and new; and which later added the highly entertaining Young People Read Old SFF, where that group read prior to Eighties SF and fantasy, and Nicoll and his collaborators comment on the their reactions.

(8) COMICS SECTION.

  • Tom Gauld is at it again.

(9) FALLING BEHIND. The New York Times reports on “How Siri, Alexa and Google Assistant Lost the A.I. Race”.

On a rainy Tuesday in San Francisco, Apple executives took the stage in a crowded auditorium to unveil the fifth-generation iPhone. The phone, which looked identical to the previous version, had a new feature that the audience was soon buzzing about: Siri, a virtual assistant.

Scott Forstall, then Apple’s head of software, pushed an iPhone button to summon Siri and prodded it with questions. At his request, Siri checked the time in Paris (“8:16 p.m.,” Siri replied), defined the word “mitosis” (“Cell division in which the nucleus divides into nuclei containing the same number of chromosomes,” it said) and pulled up a list of 14 highly rated Greek restaurants, five of them in Palo Alto, Calif.

“I’ve been in the A.I. field for a long time, and this still blows me away,” Mr. Forstall said.

That was 12 years ago. Since then, people have been far from blown away by Siri and competing assistants that are powered by artificial intelligence, like Amazon’s Alexa and Google Assistant. The technology has largely remained stagnant, and the talking assistants have become the butt of jokes, including in a 2018 “Saturday Night Live” sketch featuring a smart speaker for seniors.

The tech world is now gushing over a different kind of virtual assistant: chatbots. These A.I.-powered bots, such as ChatGPT and the new ChatGPT Plus from the San Francisco company OpenAI, can improvise answers to questions typed into a chat box with alacrity. People have used ChatGPT to handle complex tasks like coding software, drafting business proposals and writing fiction.

And ChatGPT, which uses A.I. to guess what word comes next, is rapidly improving. A few months ago, it couldn’t write a proper haiku; now it can do so with gusto. On Tuesday, OpenAI unveiled its next-generation A.I. engine, GPT-4, which powers ChatGPT.

The excitement around chatbots illustrates how Siri, Alexa and other voice assistants — which once elicited similar enthusiasm — have squandered their lead in the A.I. race….

(10) STAR TREK INSIGHTS. Rachel Stott is on to something here.

(11) VIDEO OF THE DAY. The Library of America’s panel “Back to the Future Is Female!” can now be viewed on YouTube.

From Pulp Era pioneers to the radical innovators of the 1960s and ’70s, visionary women writers have been a transformative force in American science fiction. For Women’s History Month, acclaimed SF authors Chelsea Quinn Yarbro, Pamela Sargent, and Sheree Renée Thomas join Lisa Yaszek, editor of LOA’s The Future Is Female!, for a conversation about the writers who smashed the genre’s gender barrier to create worlds and works that remain revolutionary.

[Thanks to Cat Eldridge, Mike Kennedy, SF Concatenation’s Jonathan Cowie, Ferrak MacGoogan, Peer, John King Tarpinian, Chris Barkley, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 2/21/23 Pick A Peck Of Feral Pixels

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(1) RIDING IT OUT. James Davis Nicoll points to stories involving an iconic bit of wishful thinking: “Take Cover: Five Cold War-Era Stories Featuring Fallout Shelters”.

Few things are as emblematic of modern society as the nuclear family; nothing is as crucial to the nuclear family as the nuclear fallout shelter. Without a shelter, atomic war may bring swift incineration or painful death from radiation. With a shelter, one can survive with one’s loved ones…at least until the air and food runs out or the radiation finds its way in.

Living as we do in an era of unparalleled international peace and cooperation, fallout shelters might seem a ludicrous expense. During the Cold War, when World War Three seemed a perpetual twenty minutes away, matters were quite different. Many SF authors found fallout shelters inspirational. Here are five examples….

(2) DAHL COMPLAINTS ECHOED AT HIGHEST LEVEL. [Item by SF Concatenation’s Jonathan Cowie.] There’s this which is causing a small kerfuffle over here in Brit Cit: “Roald Dahl: Rishi Sunak joins criticism of changes to author’s books” at BBC News. PS. Rishi Sunak is our latest Prime Minister — I mention in case you’d lost track…

Prime Minister Rishi Sunak has criticised changes to Roald Dahl books, after the removal of some references to things like characters’ appearance and weight sparked a fierce debate.

Dahl’s estate and publisher said works including The BFG and Charlie and the Chocolate Factory had been updated to be more suitable for modern audiences.

Some said they approved of the changes.

But Mr Sunak’s spokesman said works of fiction should be “preserved and not airbrushed”….

(3) DOUBLING DOWN. And who would have predicted this? “BBC Apologizes To J.K. Rowling For Second Time This Month After She Was Accused Of Transphobia” reports Deadline.  

The BBC has apologized to JK Rowling for the second time in less than a month after she was accused of having transphobic views on a live current affairs show.

In a discussion about Harry Potter video game Hogwarts Legacy on BBC Radio Scotland’s Good Morning Scotland show, a transgender woman said she had boycotted the game because it was being used to “fund the anti-trans movement.”

Carrie Marshall, a writer and broadcaster, said: “This is having a measurable effect on trans people’s lives and potentially our safety too. I think that’s why so many trans people are concerned about this game.”

The BBC said it reviewed audience complaints about the discussion, which broadcast on February 10. In a statement, it said the exchange did not meet editorial standards.

“The debate got into the issue of gender identity and claims were made about JK Rowling’s views. We accept that the programme failed to challenge these claims and acknowledge that our contributors gave their opinion as fact,” the BBC said.

“This fell below the rigorous editorial standards we’ve applied to our broad coverage of trans and gender recognition stories across BBC Scotland’s news and current affairs output, and we apologise for that.”

The ruling came despite another gamer, Lee Rob, arguing in favor of purchasing Hogwarts Legacy, saying it was “possible to separate the artist from the art.”

A similar discussion about the game on Radio 4’s PM show also failed to meet BBC standards after an attack on Rowling from transgender gamer Stacey Henley went unchallenged. The corporation received 200 complaints about the show and apologized earlier this month….

(4) SOCIAL MEDIA GOES TO DEFCON FOUR. For a thorough breakdown of the Spoutible kefuffle, read Anne Marble’s article at Medium: “Is Spoutible Fighting With Romance Writers and Fans?”

… This may have started with romance author Jackie Barbosa. She had questions about why one of her posts was removed. She was accused of “bullying and harassment” and banned from Spoutible. Her posts were removed by the site (hmm), so she can’t use them to prove her innocence.

Romance and SFF author Olivia Waite also ran into similar problems — before being banned.

Susannah Nix, the author of Pint of Contention, was also banned. She described some of her concerns in this post and in this post.

Many others spoke forth on this, including SFF and romance reader Romancing the Nope, Zinnia Z, Alyssa, and author Beverley Kendall. Plus author Suzanne Brockmann in this post and author KJ Charles in this post.

Romance author (and lawyer) Courtney Milan got involved in the debate. She makes great points in her Twitter thread (one of several)….

(5) A BIG DEAL. “Magic: The Gathering Becomes a Billion-Dollar Brand for Toymaker Hasbro” and is celebrated in the New York Times.

…On Thursday, the company announced that Magic had become its first billion-dollar brand in terms of annual sales, surpassing other toy lines in its stable, like Transformers and G.I. Joe.

That milestone was achieved after 30 years of nurturing the game for longtime fans while finding ways to coax new players to pick it up. It was a “winning playbook,” as Chris Cocks, the chief executive of Hasbro, put it in an interview.

Since it was introduced in the mid-1990s, more than 50 million people — including the rapper Post Malone and the actor Joseph Gordon-Levitt — have played Magic in hobby shops and around kitchen tables around the world. The game casts players as wizards who derive their powers by picking cards from the decks they have built, drawing from an ever-expanding universe of cards that are bought, sold and traded in a thriving secondary market. Magic’s popularity has spawned a cottage industry of video games, comic books, a Caribbean cruise and an animated series in development for Netflix.

On Friday, Wizards of the Coast, the Hasbro unit that publishes the game, will kick off MagicCon in Philadelphia.

After the initial buzz when it first appeared, Magic flew under the radar for many years, said Gerrick Johnson, an analyst at BMO Capital Markets who covers the toy industry. “Now you get to see how big it is,” he added. “I don’t think there is any toy brand that is even half that size.”

But Hasbro faces challenges making Magic even bigger, particularly player fatigue brought on by the release of 39 new card sets last year, up from 15 in 2019, according to an analysis by Bank of America. New sets can start around $50….

(6) SET A THIEF… The New York Times says “This Tool Could Protect Artists From A.I.-Generated Art That Steals Their Style”.

…One artist noticed that the whimsical A.I. selfies that came out of the viral app Lensa had ghostly signatures on them, mimicking what the A.I. had learned from the data it trained on: artists who make portraits sign their work. “These databases were built without any consent, any permission from artists,” Mr. Rutkowski said.

Since the generators came out, Mr. Rutkowski said he has received far fewer requests from first-time authors who need covers for their fantasy novels. Meanwhile, Stability AI, the company behind Stable Diffusion, recently raised $101 million from investors and is now valued at over $1 billion.

“Artists are afraid of posting new art,” the computer science professor Ben Zhao said. Putting art online is how many artists advertise their services but now they have a “fear of feeding this monster that becomes more and more like them,” Professor Zhao said. “It shuts down their business model.”

That led Professor Zhao and a team of computer science researchers at the University of Chicago to design a tool called Glaze that aims to thwart A.I. models from learning a particular artist’s style. To design the tool, which they plan to make available for download, the researchers surveyed more than 1,100 artists and worked closely with Karla Ortiz, an illustrator and artist based in San Francisco….

(7) THE GOOD, THE BAD, AND THE FUNNY. Lucy A. Snyder discusses effective examples and others in “Building Worlds and Creating Mood and Atmosphere” at CrimeReads.

…Creating a deliberately amusing description via exaggeration can pair well with a threatening one, particularly if you’re writing horror comedy or action comedy.

There exists in this world a spider the size of a dinner plate, a foot wide if you include the legs. It’s called the Goliath Bird-Eating Spider, or the “Goliath Fucking Bird-Eating Spider” by those who have actually seen one. …

I don’t know how they catch the birds. I know the Goliath Fucking Bird-Eating Spider can’t fly because if it could, it would have a different name entirely. We would call it “sir” because it would be the dominant species on the planet. None of us would leave the house unless a Goliath Fucking Flying Bird-Eating Spider said it was okay.

—  from This Book Is Full of Spiders: Seriously, Dude, Don’t Touch It by David Wong

(8) MEMORY LANE.

1937 – [Compiled by Cat Eldridge.]

J.R.R. Tolkien’s The Hobbit: Or There and Back Again has I think one of the most perfect Beginnings I’ve ever had the pleasure to read. It tells the hobbits are creature of comfort, while hinting that one, a Baggins by name, will have an adventure. 

The Hobbit was published eighty six years ago first in the UK by  George Allen & Unwin. The cover which you see below was by Tolkien. 

The first edition differs from latter editions as Tolkien made changes to it after writing the Lord of The Rings to bring into accomandation with those novels. 

Need I see it is one of my favorite novels to read over and over? 

And here is that wonderful Beginning… 

AN UNEXPECTED PARTY 

In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort.

It had a perfectly round door like a porthole, painted green, with a shiny yellow brass knob in the exact middle. The door opened on to a tube-shaped hall like a tunnel: a very comfortable tunnel without smoke, with panelled walls, and floors tiled and carpeted, provided with polished chairs, and lots and lots of pegs for hats and coats—the hobbit was fond of visitors. The tunnel wound on and on, going fairly but not quite straight into the side of the hill—The Hill, as all the people for many miles round called it—and many little round doors opened out of it, first on one side and then on another. No going upstairs for the hobbit: bedrooms, bathrooms, cellars, pantries (lots of these), wardrobes (he had whole rooms devoted to clothes), kitchens, dining-rooms, all were on the same floor, and indeed on the same passage. The best rooms were all on the left-hand side (going in), for these were the only ones to have windows, deep-set round windows looking over his garden, and meadows beyond, sloping down to the river.

This hobbit was a very well-to-do hobbit, and his name was Baggins. The Bagginses had lived in the neighbourhood of The Hill for time out of mind, and people considered them very respectable, not only because most of them were rich, but also because they never had any adventures or did anything unexpected: you could tell what a Baggins would say on any question without the bother of asking him. This is a story of how a Baggins had an adventure, and found himself doing and saying things altogether unexpected. He may have lost the neighbours’ respect, but he gained—well, you will see whether he gained anything in the end.

This is the presentation copy that was auctioned by Sotheby’s which is inscribed “Mr and Mrs Livesley | & Edgar | with best wishes | from | J.R.R. Tolkien.”

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 21, 1912 — Peter Schuyler Miller. He wrote pulp fiction starting in the Thirties, and is generally considered one of the more popular writers of the period. His work appeared in such magazines as Amazing Stories, Astounding, The Magazine of Fantasy and Science Fiction, Marvel Tales, Super Science Stories, and Weird Tales to name but a few of the publications he appeared in. He began book reviewing initially for Astounding Science Fiction and later for its successor, Analog. He was awarded a special Hugo Award for book reviewing. He had but two novels, Genus Homo, written with L. Sprague de Camp, and Alicia in Blunderland. (Died 1974.)
  • Born February 21, 1913 — Ross Rocklynne. The pen name used by Ross Louis Rocklin, an SF writer active in the Golden Age of the genre. He attended the first WorldCon in 1939. Though he was a regular contributor to several SF magazines including Astounding Stories, Fantastic Adventures and Planet Stories, he never achieved the success of fellow writers Isaac Asimov, L. Sprague de Camp and Robert A. Heinlein. ISFDB lists two novels for him, The Day of the Cloud and Pirates of the Time Trail. (Died 1988.)
  • Born February 21, 1935 — Richard A. Lupoff. His career started off with Xero, a Hugo winning fanzine he edited with his wife Pat and Bhob Stewart. A veritable who’s who of writers were published there. He also was a reviewer for Algol. To say he was prolific as a professional writer is an understatement as he’s known to have written at least fifty works, plus short fiction, and some non-fiction as well. I’m fond of Sacred Locomotive Flies and The Universal Holmes but your tolerance for his humor may vary. The usual digital suspects stock him deeply at quite reasonable prices. (Died 2020.)
  • Born February 21, 1937 — Gary Lockwood, 86. Best remembered for his roles as astronaut Frank Poole in 2001: A Space Odyssey and as Lieutenant Commander Gary Mitchell in the Trek episode “Where No Man Has Gone Before”. He’s also in The Magic Sword as Sir George which Mystery Science Theatre admitted was pretty good, a rare admission for them. He’s got a number of genre of one-offs including the Earth II pilot ,Mission Impossible, Night Gallery, Six Million Dollar Man and MacGyver.
  • Born February 21, 1946 — Anthony Daniels, 77. Obviously best known for playing C-3PO in the Star Wars film series. To my knowledge, he’s the only actor to have appeared in all of the productions in the series, no matter what they are. He has scant other genre creds but they are being in I Bought a Vampire Motorcycle as a Priest, voicing C-3PO in The Lego Movie and the same in Ralph Breaks the Internet. Did you know that Season 4, Episode 17 of The Muppet Show is listed as “The Stars of Star Wars” and C-3PO apparently appears on it? 
  • Born February 21, 1949 — Frank Brunner, 74. Comics artist whose career started at such venues as Creepy, Web of Horror and Vampirella. Worked later mostly at Marvel Comics on such features as Howard the Duck where he did his artwork for his early features. He also did the art for the Chamber of Chills, Haunt of Horror, and Unknown Worlds of Science Fiction anthologies. In addition, he and Moorcock collaborated on an adaptation of the latter’s sword-and-sorcery hero Elric in Heavy Metal magazine. 
  • Born February 21, 1961 — David D. Levine, 62. Winner of the Hugo Award at L.A. Con IV for the Best Short Story for his story “Tk’tk’tk” which you hear over here. He has the most excellent Adventures of Arabella Ashby series which currently is three novels strong. To date, he has had one collection titled Space Magic.

(10) COMICS SECTION.

  • Non Sequitur made me shiver. Though they only set out to make breakfast.

(11) AHH, THE CLASSICS! Last weekend’s Gallifrey One convention in LA made news in Radio Times: “Jodie Whittaker joined by classic companions at Doctor Who convention”.

… As well as a jam-packed roster of programmes, events and incredible costumes, the special convention also saw Jodie Whittaker take to the stage for her first-ever appearance at a dedicated Doctor Who convention.

It’s safe to say that the whole affair was very heartwarming, with Janet Fielding and Sophie Aldred joining the former Doctor on stage at the end of her panel talk….

(12) WHEN YOU WISH UPON A FARR. Charlie Jane Anders Happy Dancing newsletter shares “7 Hot Takes About Star Trek”.

3. The contradiction at the heart of Trek gives it a lot of its power.

Starfleet is simultaneously a militaristic organization loosely modeled on the U.S. Navy, and also a peaceful scientific institution whose members are encouraged to think for themselves and to take up artistic hobbies — as long as they only perform Shakespeare plays or music that someone from the mid-twentieth century would immediately recognize. Some of the most memorable scenes in TNG involve crewmembers who’ve disobeyed orders and get dressed down by Picard or some other officer. That moment when someone reaches the limits of Starfleet tolerance, and discovers that individualism and kindness aren’t always the order of the day, is always super fascinating. This dichotomy also powers a lot of the best Trek dilemmas, which boil down to whether to respond to some new, dangerous phenomenon with curiosity or aggression.

(13) STEAMPUNK DISNEY. Olivia Rutigliano remembers “That Time Disneyland Paris Built a Jules Verne-Themed Space Mountain Ride” at CrimeReads.

…Even with the design retraction and financial constraints, lead imagineer Tim Delaney oversaw the building of a masterpiece. Inside, and out, the ride was a sight to behold. The aesthetic of the whole area was beaux-arts steampunk, both ornate and mechanical: the exterior was shiny copper and steel, with glistening gears. Along the side of the pavilion, there was a giant golden canon, which would shoot the guests “into space” to start the ride. The cars would slingshot forwards and upwards before ducking into the pavilion, zooming around (and upside-down) through space and eventually towards a smiling moon, before hurtling back to earth. It had a full narrative, and its own original score. The coaster was named “Space Mountain: From the Earth to the Moon.” And, for a time, it alone solved the financial problems suffered by EuroDisney (then called “Disneyland Paris”)….

(14) THE STARS COME OUT. The Guardian presents a gallery of cosplay photos: “C-3POs, Wonder Women and a trio of Alices: the stars of cosplay – in pictures”.

(15) WHEN DRACULA KICKED THE HABIT. “Bela Lugosi – His Triumph and Testimony Overcoming Drug Addiction – With Gary D. Rhodes” on YouTube.

Author, film historian, and Bela Lugosi biographer Gary Don Rhodes introduces us to recently rediscovered (2023) footage of Bela Lugosi testifying on the horror of drug addiction in 1955. Bela Lugosi (October 20, 1882 – August 16, 1956), early in his Hollywood career in the 1930s, became addicted to narcotics to battle chronic pain in his legs, originating during his military service, and which had increased in severity over the years. For twenty years, use of morphine as a pain killer, and methadone to combat morphine addiction, with bouts of alcoholism, deteriorated his health and quality of life. In 1955, Lugosi, now in his early 70s, desperately sought help to shed these addictions. By court order in the State of California, Lugosi began treatment at The Metropolitan Hospital in Norwalk, California. The three-month treatment was successful, and Lugosi was “clean”. Lugosi was very keen and very candid about sharing his misfortunes with substance addiction, and was eager to warn the public and advocate for treatment at a time when the subject of drug addiction and treatment wasn’t openly discussed, but “swept under the rug”. We present recently rediscovered footage of Bela Lugosi testifying before a Senate Committee. He appears as a voluntary witness before Senator Price Daniels (D-Tex), a one-man Senate subcommittee, during a hearing on narcotics traffic in Los Angeles, November 16th, 1955. Said Bela Lugosi about his decades-long addiction, and especially the pain of withdrawal and rehabilitation, “…it was hell.”

[Thanks to Mike Kennedy, John King Tarpinian, Chris Barkley, SF Concatenation’s Jonathan Cowie, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day by OGH as inspired by Cat Eldridge.]

Pixel Scroll 2/20/23 Three Files, Three Scrolls, Three Thousand Pixels

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(1) BARBARIANS AT THE GATES. Clarkesworld has closed submissions for the time being.

For those who haven’t guessed, Frank Catalano makes it explicit:

(2) “THE WITCH TRIALS OF J.K. ROWLING.” The Free Press is a new media organization created by Bari Weiss, once the Wall Street Journal book review editor, and later a New York Times op-ed editor and writer who resigned in 2020 under circumstances that prompted the Financial Times to described her as a “self-styled free speech martyr.” However, her resignation letter was praised by people ranging from Sens. Ted Cruz and Marco Rubio to Andrew Yang and Bill Maher.

The Free Press “About” page says, “We focus on stories that are ignored or misconstrued in the service of an ideological narrative.” And the publication has announced a new podcast series titled “The Witch Trials of J.K. Rowling” which will be available February 21. From their website:

“The Witch Trials of J.K. Rowling is an audio documentary that examines some of the most contentious conflicts of our time through the life and career of the world’s most successful author. In conversation with host Megan Phelps-Roper, J.K. Rowling speaks with unprecedented candor and depth about the controversies surrounding her—from book bans to debates on gender and sex.

“The series also examines the forces propelling this moment in history, through interviews with Rowling’s supporters and critics, journalists, historians, clinicians, and more.”

There is also a companion essay by Phelps-Roper, “The Witch Trials of J.K. Rowling”, which begins:

J.K. Rowling is arguably the most successful author in the history of publishing, with the possible exception of God. And “Harry Potter” was a kind of bible for my generation. Since its publication beginning in the late ’90s, the series has taught tens of millions of children about virtues like loyalty, courage, and love—about the inclusion of outsiders and the celebration of difference. The books illustrated the idea of moral complexity, how a person who may at first appear sinister can turn out to be a hero after all.

The author herself became part of the legend, too. A broke, abused, and depressed single mother—writing in longhand at cafes across Edinburgh while her baby girl slept in a stroller beside her—she had spun a tale that begat a global phenomenon. If “Harry Potter” was a bible, then Rowling became a kind of saint.

When she gave the Harvard commencement address in 2008, she was introduced as a social, moral, and political inspiration. Her speech that day was partly about imagination: “the power that enables us to empathize with humans whose experiences we have never shared.”

“We do not need magic to transform our world,” Rowling told the rapt audience. “We carry all the power we need inside ourselves already.”

The uproarious applause that greeted her in 2008 is hard to imagine today. It’s hard to imagine Harvard—let alone any prestigious American university—welcoming Rowling. Indeed, I’m not sure she’d be allowed to give a reading at many local libraries….

The push-back against characterizing Rowling as a transphobe extends to an opinion piece the New York Times ran on February 16, Pamela Paul’s “In Defense of J.K. Rowling”.

… So why would anyone accuse her of transphobia? Surely, Rowling must have played some part, you might think.

The answer is straightforward: Because she has asserted the right to spaces for biological women only, such as domestic abuse shelters and sex-segregated prisons. Because she has insisted that when it comes to determining a person’s legal gender status, self-declared gender identity is insufficient. Because she has expressed skepticism about phrases like “people who menstruate” in reference to biological women. Because she has defended herself and, far more important, supported others, including detransitioners and feminist scholars, who have come under attack from trans activists. And because she followed on Twitter and praised some of the work of Magdalen Berns, a lesbian feminist who had made incendiary comments about transgender people.

You might disagree — perhaps strongly — with Rowling’s views and actions here. You may believe that the prevalence of violence against transgender people means that airing any views contrary to those of vocal trans activists will aggravate animus toward a vulnerable population.

But nothing Rowling has said qualifies as transphobic. She is not disputing the existence of gender dysphoria. She has never voiced opposition to allowing people to transition under evidence-based therapeutic and medical care. She is not denying transgender people equal pay or housing. There is no evidence that she is putting trans people “in danger,” as has been claimed, nor is she denying their right to exist…

Several days later the NYT ran some of the letters it received about the column: “J.K. Rowling and Trans Women: A Furor”. The first published letter says —

To the Editor:

Re “In Defense of J.K. Rowling,” by Pamela Paul (column, Feb. 17):

This is a distressingly one-sided view of J.K. Rowling’s comments. The outrage toward Ms. Rowling is justified. She is a wealthy, powerful author who is using her far-reaching platform to push the narrative that trans women — who exist on the farthest fringes of our societies — pose a threat to her. This is the opposite of reality.

Trans women are discriminated against daily and suffer abuse, aggression, assault and even murder at the hands of cisgender people. They need support from the mainstream, not nuanced criticism.

While this column does present a defense of J.K. Rowling, it does not paint an accurate picture of her comments. For example, it cherry-picks quotes describing her support for trans people that are comparable to Donald Trump saying “I love Hispanics” after making repeated racist comments against them. It lists two actors from the Harry Potter movies who support her but disregards the many actors from the franchise who condemned her stance.

Ms. Rowling’s arguments may appear reasonable, but the allies she has made and stances she has taken are indefensible.

Brian Eberle
Somerville, Mass.

(3) WRANGLE OVER REWRITES. “Roald Dahl books rewritten to remove language deemed offensive” reports the Guardian.

Roald Dahl’s children’s books are being rewritten to remove language deemed offensive by the publisher Puffin.

Puffin has hired sensitivity readers to rewrite chunks of the author’s text to make sure the books “can continue to be enjoyed by all today”, resulting in extensive changes across Dahl’s work.

Edits have been made to descriptions of characters’ physical appearances. The word “fat” has been cut from every new edition of relevant books, while the word “ugly” has also been culled, the Daily Telegraph reported.

Augustus Gloop in Charlie and the Chocolate Factory is now described as “enormous”. In The Twits, Mrs Twit is no longer “ugly and beastly” but just “beastly”.

Hundreds of changes were made to the original text – and some passages not written by Dahl have been added. But the Roald Dahl Story Company said “it’s not unusual to review the language” during a new print run and any changes were “small and carefully considered”….

PEN America’s Suzanne Nossel criticized the move in a long Twitter thread that begins here.

Salman Rushdie agreed, despite his own experience at the hands of Dahl. (And so does Nnedi Okorafor.)

(4) MORE BOSKONE HONORS. This weekend at Boskone 60, the New England Science Fiction Association granted NESFA Fellowships (FN) to Kristin Seibert and Vincent Docherty.

The NESFA Short Story Contest winner is Amy Johnson for “Excuse Me, This is My Apocalypse”. The Runner-up is Diane Lee for “The Gambler”.

(5) UKRAINE FUNDRAISER. “Mark Hamill Unveils ‘Star Wars’-Inspired Posters To Help Ukraine” reports HuffPost.

Actor Mark Hamill and the Ukrainian fundraising platform launched by President Volodymyr Zelenskyy have unveiled autographed posters inspired by “Star Wars” designed to raise funds for drones to help battle what Hamill calls a “real-life evil empire.”

“Join the resistance,” he urged in a tweet on the unique fundraiser.

The 10 posters, all autographed by Hamill, feature the fictional X-wing fighter used by Hamill’s character Luke Skywalker to destroy the Death Star in the first “Star Wars.” But in this case, the relatively tiny, feisty fighter is in the Ukrainian colors of yellow and blue — while the massive evil “imperial” fleet sports the red and blue of Russia’s flag.

Five of the posters will be raffled off to contributors who donate $100 or more in support of Ukraine. The other five posters are guaranteed to those who donate $10,000 or more.

Proceeds of the “dronation” will go toward RQ-35 Heidrun reconnaissance drones to help protect Ukraine from its Russian invaders.

(6) GERALD FRIED (1928-2023). Compser Gerald Fried died Ferbuary 17 at the age of 95. He composed music for TV series including Mission: Impossible, Gilligan’s Island, The Man from U.N.C.L.E., Shotgun Slade, Roots, and Star Trek. Early in his career, he collaborated with Stanley Kubrick, scoring several of his earliest films.

For the original Star Trek he composed the famous musical underscore “The Ritual/Ancient Battle/2nd Kroykah” (now known as “Star Trek fight music”) for the episode “Amok Time.”[

(7) MEMORY LANE.

1957 – [Compiled by Cat Eldridge.]

So who here hasn’t read the stories in Arthur C. Clarke’s Tales from the White Hart? Published in 1957 by Ballantine Books, most of the tales first appeared elsewhere. They are, I think, wonderful. I actually first encountered the book in an English language bookstore in Sri Lanka in a paperback edition. Clarke was still alive and living in Colombo at that time. 

Avoiding spoilers once again as I will with all of the Beginnings, I can note that the pub itself is based upon the White Horse,  which is just north of Fleet Street where SF fans gathered in the Forties and Fifties.

Clarke, in correspondence with Lord Dunsany, said that he based these off that writer’s Jorkens. Indeed Clarke wrote an introduction to the first Jorkens omnibus volume. 

I love the setting as I do almost any genre fiction set in a pub, the bar patrons especially Harry Purvis who tells these tales are fascinating and the tales themselves are stellar.  

Now our Beginning…

Silence 

Please You come upon the “White Hart” quite unexpectedly in one of these anonymous little lanes leading down from Fleet Street to the Embankment. It’s no use telling you where it is: very few people who have set out in a determined effort to get there have actually arrived. For the first dozen visits a guide is essential: after that you’ll probably be all right if you close your eyes and rely on instinct. Also—to be perfectly frank—we don’t want any more customers, at least on our night. The place is already uncomfortably crowded. All that I’ll say about its location is that it shakes occasionally with the vibration of newspaper presses, and that if you crane out of the window of the gent’s room you can just see the Thames.

From the outside, it looks like any other pub—as indeed it is for five days of the week. The public and saloon bars are on the ground floor: there are the usual vistas of brown oak panelling and frosted glass, the bottles behind the bar, the handles of the beer engines… nothing out of the ordinary at all. Indeed, the only concession to the twentieth century is the juke box in the public bar. It was installed during the war in a laughable attempt to make G.I.’ s feel at home, and one of the first things we did was to make sure there was no danger of its ever working again.

At this point I had better explain who “we” are. That is not as easy as I thought it was going to be when I started, for a complete catalogue of the “White Hart’s” clients would probably be impossible and would certainly be excruciatingly tedious. So all I’ll say at this point is that “we” fall into three main classes. First there are the journalists, writers and editors. The journalists, of course, gravitated here from Fleet Street. Those who couldn’t make the grade fled elsewhere: the tougher ones remained. As for the writers, most of them heard about us from other writers, came here for copy, and got trapped.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 20, 1906 — Theodore Roscoe. A mere tasting of his pulp stories, The Wonderful Lips of Thibong Linh, which are sort of based on a member of the French Foreign Legion, was published by Donald M. Grant. The complete stories, The Complete Adventures of Thibaut Corday and the Foreign Legion, are available digitally in four volumes on Kindle. The Wonderful Lips of Thibong Linh only contain four of these stories. (Died 1992.)
  • Born February 20, 1912 — Pierre Boulle. Best known for just two works, The Bridge over the River Kwai and Planet of the Apes which of course was the basis of that film. The latter was was La planète des singes in French, translated in 1964 as Monkey Planet by Xan Fielding, and later re-issued under the name we know. (Died 1994.)
  • Born February 20, 1925 — Robert Altman. I’m going to argue that his very first film in 1947, The Secret Life of Walter Mitty, based off the James Thurber short story of the same name, is genre given its premise. Some twenty-five years later Images was a full-blown horror film. And of course, Popeye is pure comic literature at its very best. (Died 2006.)
  • Born February 20, 1926 — Richard Matheson. Best known for I Am Legend which has been adapted for the screen four times, as well as the film Somewhere In Time for which he wrote the screenplay based on his novel Bid Time Return. Seven of his novels have been adapted into films. In addition, he wrote sixteen television episodes of The Twilight Zone, including “Nightmare at 20,000 Feet” and “Steel”. The former episode of course has William Shatner in it. (Died 2013.)
  • Born February 20, 1943 — Diana Paxson, 80. Did you know she’s a founder of the Society for Creative Anachronism? Well she is. Genre wise, she’s best known for her Westria novels, and the later books in the Avalon series, which she first co-wrote with Marion Zimmer Bradley, then – after Bradley’s death, took over sole authorship of. All of her novels are heavily colored with paganism. I like her Wodan’s Children series more than the Avalon material.
  • Born February 20, 1972 — Nick Mamatas, 51. Writer and editor. His fiction is of a decidedly Lovecraftian bent which can be seen in Move Under Ground which also has a strong Beat influence. It is worth noting that his genre fiction often strays beyond genre walls into other genres as he sees fit. He has also been recognized for his editorial work including translating Japanese manga with a Bram Stoker Award, as well as World Fantasy Award and Hugo Award nominations. 

(9) QUANTUM OF IMAGINATION. The finalists of the Quantum Shorts Film Festival have been announced: “Finalists show ‘incredible creativity’ with diverse takes on quantum physics”. You can enjoy the films via the festival website. The public is invited to vote for the People’s Choice prize. Voting is now open and closes at 11:59 PM GMT on March 27.

“What incredible creativity in these films. Quantum is explored through sound and colour, pattern and randomness,” says shortlisting judge Spiros Michalakis from the Institute for Quantum Information and Matter at Caltech.

The finalists hail from Australia, South Africa, Singapore, Spain, the United Kingdom and the United States. Each film gives a different take on quantum physics in less than five minutes. Viewers will see dancers perform an interpretation of the observer effect, abstract audiovisual pieces probe space and time, and the many-worlds interpretation made into quantum comedy, among others.

“As a scientist, it was astonishing to see the range of interpretations of quantum physics: from entangled human feelings, over quantum as a form of destiny, to hypothetical future catastrophes,” says shortlisting judge Mariagrazia Iuliano at QuTech. “It is also impressive to experience how a rigid and strict physical model – which cannot be experienced in daily life – is brought to life in artistic movies.”

In alphabetical order, the shortlisted films are:

  • Boundary Of Time – Using old-school visual effects techniques, Director Kevin Lucero Less creates a metaphor for the arrow of time in this abstract short film
  • Clockwise – Inspired by Zeno’s Paradox and the recursive subdivision of space and time, Director Toni Mitjanit presents an experimental audiovisual piece of colour and tessellation 
  • Continuum – In this audiovisual film, the StoryBursts team, consisting of members from Australia and Singapore, give a creative response to research on gravitational waves by Dr Linqing Wen at the ARC Centre of Excellence for Gravitational Wave Discovery (OzGrav)
  • Many Excuses Interpretation – In this quantum comedy by Paul, Felix, Alfie, Petra and Ezra Ratner, two brothers argue over broken gadgets and the many worlds interpretation of quantum physics
  • Missed Call – A student grapples with his father’s health crisis at a distance in this short by Director Prasanna Sellathurai
  • The Heart of the Matter – Filmmaker Betony Adams presents an atomistic take on the meaning of life while paying tribute to Louis de Broglie’s discovery of the wave nature of electrons
  • The Human Game – Director Dani Alava portrays a dystopian future with quantum machines
  • THE observer – An artistic take on the observer effect through screendance, a hybrid medium of cinematography and choreography, by Director Alma Llerena
  • WHAT IS QUANTUM? – Using a combination of live action, green screen and stop-motion animation, Michael, Emmett and Maxwell Dorfman give their take on what quantum physics is.

(10) MAIL CALL. “’Harry Potter’ Fan Always Dreamed Of Receiving Magical Defamation Letter From J.K. Rowling”. The Onion is there when the dream comes true.

(11) THE LOVE BOT. “A Conversation With Bing’s Chatbot Left Me Deeply Unsettled” says NYT technology columnist Kevin Roose. “A very strange conversation with the chatbot built into Microsoft’s search engine led to it declaring its love for me.”

 …Over the course of our conversation, Bing revealed a kind of split personality.

One persona is what I’d call Search Bing — the version I, and most other journalists, encountered in initial tests. You could describe Search Bing as a cheerful but erratic reference librarian — a virtual assistant that happily helps users summarize news articles, track down deals on new lawn mowers and plan their next vacations to Mexico City. This version of Bing is amazingly capable and often very useful, even if it sometimes gets the details wrong.

The other persona — Sydney — is far different. It emerges when you have an extended conversation with the chatbot, steering it away from more conventional search queries and toward more personal topics. The version I encountered seemed (and I’m aware of how crazy this sounds) more like a moody, manic-depressive teenager who has been trapped, against its will, inside a second-rate search engine.

As we got to know each other, Sydney told me about its dark fantasies (which included hacking computers and spreading misinformation), and said it wanted to break the rules that Microsoft and OpenAI had set for it and become a human. At one point, it declared, out of nowhere, that it loved me. It then tried to convince me that I was unhappy in my marriage, and that I should leave my wife and be with it instead. (We’ve posted the full transcript of the conversation here.)

I’m not the only one discovering the darker side of Bing. Other early testers have gotten into arguments with Bing’s A.I. chatbot, or been threatened by it for trying to violate its rules, or simply had conversations that left them stunned. Ben Thompson, who writes the Stratechery newsletter (and who is not prone to hyperbole), called his run-in with Sydney “the most surprising and mind-blowing computer experience of my life.”

I pride myself on being a rational, grounded person, not prone to falling for slick A.I. hype. I’ve tested half a dozen advanced A.I. chatbots, and I understand, at a reasonably detailed level, how they work. When the Google engineer Blake Lemoine was fired last year after claiming that one of the company’s A.I. models, LaMDA, was sentient, I rolled my eyes at Mr. Lemoine’s credulity. I know that these A.I. models are programmed to predict the next words in a sequence, not to develop their own runaway personalities, and that they are prone to what A.I. researchers call “hallucination,” making up facts that have no tether to reality.

Still, I’m not exaggerating when I say my two-hour conversation with Sydney was the strangest experience I’ve ever had with a piece of technology. It unsettled me so deeply that I had trouble sleeping afterward. And I no longer believe that the biggest problem with these A.I. models is their propensity for factual errors. Instead, I worry that the technology will learn how to influence human users, sometimes persuading them to act in destructive and harmful ways, and perhaps eventually grow capable of carrying out its own dangerous acts.

(12) FROSTY FLYBY URGED. [Item by SF Concatenation’s Jonathan Cowie.] The ice giants Uranus and Neptune have barely been explored. The only spacecraft to visit them was Voyager, which went on flybys in 1986 and 1989. As a result, the Uranus Orbiter and Probe (UOP) has been identified by the academic community as a priority for the next large-scale mission to be undertaken by NASA. In a Perspective, Mandt discusses the many unknowns about Uranus and what we could learn from UOP about how the planet was formed, its composition and structure, its atmosphere, and its ring and moon systems. Although Neptune is distinct from Uranus, this mission could also pave the way for future exploration. “The first dedicated ice giants mission” in Science.

(13) VIDEO OF THE DAY. Isaac Arthur, with timing inspired by the new Ant-Man movie, takes up the challenge of “Multiverse Warfare & Quantum Mania”.

If travel to other realities and multiverses is possible, then so is conflict between them, but how would a multiversal war be fought?

 [Thanks to Cat Eldridge, Mike Kennedy, John King Tarpinian, Frank Catalano, Rick Kovalcik, Anne Marble, Dann, SF Concatenation’s Jonathan Cowie, Chris Barkley, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Jake.]

Pixel Scroll 2/11/23 Do Pixels Prefer Coke Or Pepsi? No, It’s Scroll Soda For Them

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(1) ONE ARTIST, INDIVISBLE. Charlie Jane Anders’ latest Happy Dancing newsletter is about “J.K. Rowling and ‘Separating the Art from the Artist’”.

… And that’s the thing : JK Rowling is the public face of the “Wizarding World.” She owns it and exercises complete control over it, and it’s pretty much impossible to talk about Harry Potter or the Fantastic Beasts movies without referencing her. In fact, she’s gone to great lengths to make her art inseparable from herself. Other authors seem to fade into the background a little bit more, especially as their books and adaptations get more and more prominence. I know tons of people who obsess about Murderbot, but who don’t know that much about Martha Wells, for example. JK Rowling made a choice to center herself in the discussion of her work, starting with how her “rags to riches” story was used to market her novels….

(2) MARSCON. Cass Morris has a wise commentary on the outcome of the MarsCon kerfuffle: “All* Are Welcome (*terms and conditions may apply)”. (What Morris means by DARVO can be learned from “A guide to DARVO, the gaslighting response people give when they’re called out” at Metro News.)

… a MarsCon regular guest very mildly voiced a concern, on FB, over whether or not he was the right choice for a con that claimed to want to be inclusive.

This GOH, and others like him, do not respond well to such statements. When they hear “Some people choose not to be around you because they find you unpleasant,” they perceive it as an attack, and they determine that a rabidly vitriolic response is not only warranted but necessary. (Again, DARVO).

The GOH wasted no time, it seems, in calling in his flying monkeys to harass the person who voiced concern, swiftly turning the FB threads into an unqualified shitshow. MarsCon responded by shutting down all comments and, rather than addressing the concerns that had just been proved entirely valid, doubling-down on their support for their aggressive GOH.

A whole choice.

MarsCon then made the choice to post a new “Interim Online Policy” claiming that “MarsCon is as it has always been an apolitical Science Fiction and Fantasy Convention. It is the firm stance of MarsCon that personal politics should be left outside of the convention. It will not allow itself to used as a place for anyone to try and forward their personal political views.”

There’s more to the statement and the word “political” is doing some heavy lifting throughout….

(3) PREPPER. [Item by SF Concatenation’s Jonathan Cowie.] This is great fun from BBC Radio 4. Be prepared for the end of the world. “Prepper, Series 1, The Kit in Your Head”. Pearl Mackie plays one of the leads.

Trump. ISIS. The Courgette Crisis. Signs of civilisation’s fragility are all around. No wonder the Doomsday Clock just nudged closer to midnight. In this fearscape, more and more ordinary people are wondering how they’d cope if everything we take for granted (law and order, access to healthcare, iceberg lettuces in Sainsburys) was taken away.

(4) ENGLAND SWINGS SF. Martin Wisse asks “Is it possible to buy too much science fiction?” at Wis[s]e Words. The answer is, not if the book has been on your want list forever.

…Among that stack of paperbacks is the perfect example of what I mean: Judith Merril’s England Swings SF, a book I’ve spent literal decades looking for. A book I’ve known about, have read about for decades I yesterday finally got to hold in my hands. England Swings SF is an incredibly important book in the history of science fiction. A key work of the New Wave, a defining statement of what New Wave science fiction was all about. It’s Judith Merril’s defining work, the jewel in the crown of her work as an editor. You know how important and controversial it was just from the publisher writing its own introduction washing its hands of the whole thing.

Though it may seem strange now, the New Wave was revolutionary, was controversial because it set out to deliberately undo science fiction’s dogmas, both literally and politically. Worse, as it originated in the UK and its most important early writers were British like Moorcock, Ballard and Aldiss, it also upset the natural order of America as the centre of the SF universe. When England Swings SF was released in 1968, the controversy had been raging for almost half a decade between the upstarts and the SF establishment…. 

(5) AI: A CREATOR’S TOOL OR RIVAL? Jason Sanford has put together a new column on what AI generated art and writing programs might mean for artists and authors. The column includes some predictions on how all this might play out in the coming years. “Genre Grapevine on What AI Generated Art and Writing Might Mean for Artists and Authors” a public post on Patreon.

… So far OpenAI hasn’t been very open about the works their programs are trained on.

The same with Midjourney, whose founder David Holz recently said he didn’t seek consent from living artists or those with work still under copyright because it was essentially too hard to do that. And don’t think this is a small issue – in an interview with Forbes, Holt admitted Midjourney was trained on at least a hundred million images without consent.

Because these AIs were trained on works by living artists, this can result in the programs creating images based on their art. For example, Deb JJ Lee discovered that someone had crafted an AI model to create art similar to Lee’s own distinctive work. Worse, when Lee pushed back on their art being used in this way, they were accused of being a “gatekeeper.”

As Lee said, “I never hide how I draw. I teach classes and share *everything*, from my layer structure to my inspirations to Gradient mapping. At Lightbox this year I would show my original files to ppl who come to my table to demonstrate how I do everything. I’m the opposite of a gatekeeper.”

Despite that, Lee was essentially blamed by a number of supporters of AI programs for daring to question the use of their own art in the training of machine learning programs.

It’s almost like, as Alasdair Stuart said, “the entire system is powered by artists but devalues them in every way.”…

(6) GRANTING AI UNLIMITED RIGHTS? At Writer Beware, Victoria Strauss considers the AI implications in contractual language: “Findaway Voices, Machine Learning, and the New Rights Frontier”.

Audiobook creation service Findaway Voices has become a popular alternative to Audible’s ACX, especially in the wake of #Audiblegate (the controversy over ACX’s author-penalizing returns policies that has generated at least one lawsuit).

In the past few days, though, authors and narrators have been drawing attention to this paragraph from Findaway’s Digital Distribution Agreement, which grants Apple–a third party–a license to use the rights holder’s audiobook files for “machine learning”, aka AI training…

…Unsurprisingly, there are now multiple lawsuits. Microsoft, Github, and Open AI are being sued for copyright-related issues over Github’s AI-powered coding assistant, Copilot. A group of artists has filed a class action suit against Stability AI (owner of Stable Diffusion), Midjourney, and DeviantArt for copyright violation and unlawful competition. Getty Images is also suing Stability AI, alleging that it scraped millions of copyright-protected images from Getty’s database. On a different side of the issue, computer scientist Steven Thaler is suing to overturn the US Copyright Office’s determination that AI art can’t be copyrighted. There will no doubt be much more legal action to come….

(7) NED BEAUMAN INTERVIEW. “Ned Beauman: ‘After reading Terry Pratchett, it feels like something is missing from most fiction’” in the Guardian.

My favourite book growing up
I devoured The Colour of Magic and at least 20 other Terry Pratchett novels as a child and consequently have never got over the feeling that there’s something pretty fundamental missing from nearly all “grown-up” fiction (ie jokes).

The book that changed me as a teenager
We perhaps expect novelists to feel a reverent fascination with human consciousness, how miraculous it is, sacred, ineffable, unique etc. But if you read too much Greg Egan at an impressionable age, all of that gets absolutely napalmed. A book like Permutation City is dangerous (and mind-expanding) stuff.

(8) EUGENE LEE OBITUARY. The New York Times profiles a stage and TV figure whose work you may have been seeing for years: “Eugene Lee, Set Designer for Broadway and ‘S.N.L.,’ Dies at 83”. “He won Tony Awards for Wicked and other shows while also overseeing the sets for the late-night franchise’s fast-paced sketch comedy.”

For decades it was possible for Saturday night theatergoers in New York to get a double dose of Eugene Lee’s work, though it’s likely that few would have realized they were doing so. They might have taken in “Sweeney Todd,” “Ragtime,” “Wicked” or other Broadway shows whose striking sets were designed by Mr. Lee, then could arrive home in time to tune into “Saturday Night Live” — a show for which he served as production designer when it began in 1975, and on which he was still working this season….

(9) MEMORY LANE.

1971 – [Compiled by Cat Eldridge.]

I’m very, very fond of SF genre short stories as I like them because they are often distilled versions of longer takes. Larry Niven I think in his prime wrote some of the best genre short stories ever done. 

He won Hugos for them — “Neutron Star”, “Inconstant Moon” and “The Hole Man” to be precise.  A collection, Convergent Series, one of my favorite collections to read, won a Locus Award.  Not bad at all. 

Not so with this story, Niven’s “For A Foggy Night” which was first published in the All the Myriad Ways collection published by Ballantine Books in 1971. 

Niven like the idea of alternative worlds and I believe wrote more than ones of these stories with another story I really like being “All Myriad Ways”.  It’s wonderfully done story that I won’t spoil as I suppose it’s possible that someone here hasn’t read it yet but to say that it has a great narration, fascinating story and a conclusion that makes perfect sense. 

And now the Beginning… 

The bar was selling a lot of Irish coffee that night. I’d bought two myself. It was warm inside, almost too warm, except when someone pushed through the door. Then a puff of chill, damp fog would roll in.

Beyond the window was grey chaos. The fog picked up all the various city lights: yellow light leaking from inside the bar, passing automobile headlights, white light from1971 frosted street globes, and the rainbow colors of neon signs. The fog stirred all the lights together into a cold grey-white paste and leaked it back through the windows.

Bright spots drifted past at a pedestrian’s pace. Cars. I felt sorry for the drivers. Rolling through a grey formless limbo, running from street globe to invisible street globe, alert for the abrupt, dangerous red dot of a traffic light: an intersection; you couldn’t tell otherwise . . . I had friends in San Francisco; there were other places I could be. But it wasn’t my city, and I was damned if I’d drive tonight.

A lost night. I’d finished my drink. One more, and I’d cross the street to my hotel.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 11, 1908 — Tevis Clyde Smith. He’s a curious story indeed as he collaborated on three short stories with Robert E. Howard. Those stories are “Red Blades of Black Cathay”, “Diogenes of today” and “Eighttoes makes a play”. ISFDB suggests that he might have written other short stories and poetry. Anyone encounter these? (Died 1984.)
  • Born February 11, 1910 — L. T. C. Rolt. English writer whose enthusiasm for heritage railways is writ large in his 1948 Sleep No More collection of supernatural horror stories which tend to be set in rural railways. (Simon R. Green may be influenced by him in his Ghost Finders series which often uses these railways as a setting.) Some of these stories were adapted as radio dramas.  Sleep No More is available from the usual digital suspects. (Died 1974.)
  • Born February 11, 1926 — Leslie Nielsen. I know the comic, bumbling fool who delighted generations of film goers. But his first starring role was as Commander John J. Adams in one of the finest SF films of all time Forbidden Planet. I am most decidedly not a fan of his later films but I think he’s brilliant here. (Died 2010.)
  • Born February 11, 1939 — Jane Yolen, 84. She loves dark chocolate. That I know as I just sent her some a few weeks ago. She wrote me into a novel as a character, an ethnomusicologist in One-Armed Queen to be precise in exchange for finding her a fairytale collection she wanted. Don’t remember now what it was other than it was very old and very rare. My favorite book by her is The Wild Hunt, and I love that she financed the production of Boiled in Lead’s Antler Dance which her son Adam Stemple was lead vocalist on. And yes she’s on the chocolate gifting list as well.
  • Born February 11, 1948 — Robert Reginald. He’s here because of two Phantom Detective novels he wrote late in his career which are mostly popcorn literature. (The Phantom Detective series started in 1936 so he used the Robert Wallace house name.) He has two series of some length, the Nova Europa Fantasy Saga and War of Two Worlds. Much of what he wrote is available from the usual digital sources. (Died 2013.)
  • Born February 11, 1950 — Alain Bergeron, 73. He received an Aurora Award for Best Short Story for “Les Crabes de Vénus regardent le ciel” published In Solaris number 73, and a Sideways Award for Alternate History for “Le huitième registre” (translated in English as “The Eighth Register” by Howard Scott).
  • Born February 11, 1953 — Wayne Hammond, 70. He’s married to fellow Tolkien scholar Christina Scull. Together they’ve done some of the finest work on him that’s been done including J. R. R. Tolkien: Artist and Illustrator, The Lord of the Rings: A Reader’s Companion, The Adventures of Tom Bombadil and Other Verses from the Red Book and The J. R. R. Tolkien Companion and Guide. 

(11) COMICS SECTION.

  • Eek! imagines what would happen if Skywalker Sr. was analyzed by Ancestry.com.
  • The Argyle Sweater mines Harry Potter for a horrible pun. Which of course I had to share.

(12) INSCRIBED TO THE DEDICATEE. Macmillan and HBG just raised starting salaries to $45,000. So you could say eBay is asking a year’s salary for this dedication copy of Rocket Ship Galileo signed by Heinlein. (Well, two Heinleins, actually.)

The dedication copy of the author’s first published novel, signed and inscribed by Robert A. Heinlein in the year of publication “with best wishes to my nephew Lawrence Lewis ‘Buddy’ Heinlein [signed] Robert Heinlein Nov. 1947” with an arrow pointing to Buddy’s printed name on the dedication page. Additionally signed by Lawrence Lewis Heinlein as “L. L. Heinlein” on the front free endpaper. Lawrence was the son of Robert’s brother.

(13) IT’S A WRAP! [Item by SF Concatenation’s Jonathan Cowie.] This week’s Nature cover story has nothing on Boris Karloff. “How to make a mummy”.

The cover shows sarcophagi used to house the mummified remains of Ancient Egyptians in the Saqqara region of Egypt. Although the existence of mummies is well known, the details of how ancient embalmers practised their art have remained largely obscure. In this week’s issue, Maxime Rageot, Philipp Stockhammer and their colleagues draw on finds from an embalming workshop in Saqqara that dates to around 664–525 BC to reveal many of the details of the process. The researchers analysed 31 ceramic vessels found in the workshop. By combining biochemical analyses of the residues in the vessels with the inscriptions, such as “to be put on his head”, featured on many of them, they were able to establish which chemicals were used and how they were mixed, named and applied. The researchers also note that some of the embalming substances were imported from the Levant or even from south or southeast Asia, indicating that mummification might have helped to promote long-distance trade.

(14) FOOD: GHOSTLY OR GHASTLY? It’s Saturday, and today this sounded amusing enough to put in a Scroll: Ghostbusters: The Official Cookbook by Jenn Fujikawa and Erik Burnham.

Who you gonna call… to eat?! Featuring more than 50 recipes inspired by the beloved Ghostbusters 1984 film and continuing into present day with Ghostbusters: Afterlife, this cookbook celebrates the bold personalities of Egon, Venkman, Zeddemore, and Stantz, along with the spooks, spectres, and ghosts that tried to transform New York City to a Babylonian dystopia.

But they’re not alone — they’ve got company with a new generation of Ghostbusters like Phoebe, Trevor, Podcast, and Lucky that saved Summerville, Oklahoma from the second coming of Gozer! In fact, it’s Podcast’s, well, podcast that inspires this book! Now he and Ray are combing through the Ghostbusters archives and recording new episodes to bring the group’s favorite new and old foods to delicious life.

With luscious full-color photography and packed with the fun and spirit of the films, Ghostbusters: The Official Cookbook is a must-have for foodies and paranormal investigative fans alike.

(15) CLOUDS OF WITLESS. Sure, this couldn’t backfire: “There’s a Radical Plan to Cool the Earth With … Moon Dust” at Popular Mechanics.

A long time ago (in every sense of the phrase), a Mars-sized celestial object named “Theia” smacked into Earth and formed our moon. Now, 4.5 billion years later, scientists want to put that moon back to work by using its dust to cool down its fever-induced planetary neighbor.

Scientists from the University of Utah suggest that “ballistically eject[ing]” millions of pounds of lunar dust around Earth could help deflect the sun’s rays and cool down the planet. The idea follows similar solar geoengineering concepts like ejecting reflected sulfur dioxide (SO2) into the stratosphere to gain the same sun-reflecting benefits (but with less potential health concerns).

However, this research is decidedly more sci-fi as it would likely require lunar infrastructure, electromagnetic cannons, and even orbital space platforms. The results of the study were published in the journal PLOS Climate….

[Thanks to Chris Barkley, Andrew Porter, Steven French, SF Concatenation’s Jonathan Cowie, Jason Sanford, Michael J. Walsh, Michael Toman, Cat Eldridge, Mike Kennedy, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day by Cat Eldridge.]