Critical Mass, by Daniel Suarez (Dutton) has won the 2024 Prometheus Award for Best Novel for novels published in 2023.
The citation says:
Set in the inner solar system, this fast-paced science fiction thriller follows engineer-entrepreneurs striving against the odds to use space-mined materials to build infrastructure in space for commercial development.
Heroic characters risk their lives in an audacious mission to complete a space station, allowing construction of a nuclear-powered spaceship and rescue of stranded crew members on the distant asteroid Ryugu. The resourceful band must achieve their goals amid shortsighted opposition, censorship, shifting alliances and international tensions of Earth governments.
Unusually realistic in depicting the perils of living and working in space, Suarez achieves a high level of plausible engineering speculation. Government is shown as the problem and cooperation through free enterprise as part of a space-based solution to problems on Earth.
Included is a plausible depiction of the creation of a functional, private, decentralized currency beyond the reach of Earth, relevant in this era of inflationary government fiat money.
The other 2023 Best Novel finalists were Theft of Fire, by Devon Eriksen (Devon Eriksen LLC); Swim Among the People, by Karl K. Gallagher (Kelt Haven Press); God’s Girlfriend, by Dr. Insensitive Jerk (AKA Gordon Hanka) (Amazon); and Lord of a Shattered Land, by Howard Andrew Jones (Baen Books).
THE PROMETHEUS HALL OF FAME FOR BEST CLASSIC FICTION
The Truth, a 2000 novel by Terry Pratchett (HarperCollins), won the 2024 Best Classic Fiction award and will be inducted into the Prometheus Hall of Fame.
Terry Pratchett in 2011.
The citation says:
First nominated for the Prometheus Award for Best Novel in 2001, when it became a finalist, The Truth is part of Pratchett’s humorous but historically informed Discworld series.
This story revolves around the incidental founding by a struggling scribe of the Discworld’s first newspaper, using the newly invented printing press in the city of Ankh-Morpork. Amidst cutthroat competition, shadowy opponents, a political crisis and threats to a free and independent press, the newspaper evolves in the free market – just as real newspapers did historically.
All too timely in its focus on misinformation and its affirmation of the value of freedom of speech and the press as a bedrock principle sustaining free societies while serving as a vital check on criminality and corrupt government, the novel portrays how journalists find and report the facts (or not) and strive to communicate “the truth.”
Smart and sly, hilarious but serious, The Truth ultimately offers an inspirational tale of underdogs fighting for the truth against formidable opposition.
The other Prometheus Hall of Fame finalists were Orion Shall Rise, a 1983 novel (Timescape) by Poul Anderson; “The Trees,” a 1978 song by the Canadian rock group Rush; and Between the Rivers, a 1998 novel (TOR) by Harry Turtledove.
AWARDS CEREMONY. The 44th annual Prometheus Awards will be presented online, most likely on a Saturday afternoon in mid- to-late August, in a Zoom awards ceremony with three-time Best Novel winner Victor Koman as a speaker and presenter.
PROMETHEUS AWARDS HISTORY. The Prometheus Awards, sponsored by the Libertarian Futurist Society (LFS), was first presented in 1979, making it one of the most enduring awards after the Nebula and Hugo awards, and one of the oldest fan-based awards currently in sf.
In the words of the LFS:
For more than four decades, the Prometheus Awards have recognized outstanding works of science fiction and fantasy that dramatize the perennial conflict between liberty and power, favor voluntary cooperation over institutionalized coercion, expose the abuses and excesses of coercive government, and/or critique or satirize authoritarian systems, ideologies and assumptions.
Above all, the Prometheus Awards strive to recognize speculative fiction that champions individual rights, based on the moral/legal principle of non-aggression as the ethical and practical foundation for peace, prosperity, progress, justice, tolerance, mutual respect, civility and civilization itself.
While the Best Novel category is limited to novels published in English for the first time during the previous calendar year, Hall of Fame nominees — which must have been published, performed, broadcast or released at least 20 years ago — may be in any narrative or dramatic form, including novels, novellas, stories, films, television series or episodes, plays, musicals, graphic novels, song lyrics, or verse.
The Best Novel winner receives a plaque with a one-ounce gold coin, and the Hall of Fame winner a plaque with a smaller gold coin.
(1) RELIC OF FIRST WORLDCON. You have one day left to bid on Frank R. Paul’s artwork for the first Worldcon program book (1939) at Heritage Auctions. It was going for $925 when I looked earlier.
Frank R. PaulWorld Science Fiction Convention –Nycon Program Book Illustration Original Art (Nycon, 1939). From the first ever World Science Fiction Convention (aka Worldcon) in 1939! And the art is by noted sci-fi artist Frank R. Paul, which makes this doubly desirable! The original art for this program banner was created in ink and signed in the lower right of the 20.5″ x 3.25″ image area. UV Glass-front framed to 29″ x 12.75″. Lightly toned, with some minor whiteout art clean-ups. In Very Good condition. From the Roger Hill Collection.
(2) WATERSTONES DEBUT FICTION PRIZE. The Ministry of Time by Kaliane Bradley is the only genre work among six novels that have been shortlisted for Waterstones Debut Fiction Prize. The complete list of finalists is at the link. The marketing copy for Bradley’s book says:
A boy meets a girl. The past meets the future. A finger meets a trigger. The beginning meets the end. England is forever. England must fall.
In the near future, a disaffected civil servant is offered a lucrative job in a mysterious new government ministry gathering ‘expats’ from across history to test the limits of time-travel.
Her role is to work as a ‘bridge’: living with, assisting and monitoring the expat known as ‘1847’ – Commander Graham Gore. As far as history is concerned, Commander Gore died on Sir John Franklin’s doomed expedition to the Arctic, so he’s a little disoriented to find himself alive and surrounded by outlandish concepts such as ‘washing machine’, ‘Spotify’ and ‘the collapse of the British Empire’….
(3) HOLD ‘EM BY THE NOSE AND KICK ‘EM IN THE ASS. At Fantasy Author’s Handbook, Philip Athans has an idea: “Let’s Reject Rejections”.
Your query to an agent has been rejected. Your short story was rejected by a magazine. You are a potato and are starting to show roots so the chef rejected you.
Aside from the potato thing, this happens so often to literally every writer, how does this not make us all feel like rejects?
And no one should feel like a reject.
But then, no agent can represent all the authors. No publisher can publish all the books. That means we have to figure out how to deal with rejection. The good news is that’s super easy. All you have to do is develop a thick skin. I heard skin thickening is offered by a sanitarium in the Swiss Alps for as little as €400,000 per treatment. It requires only one treatment per rejection letter, so most trillionaire authors should be able to soak that up. The rest of us will have to remain entirely human.
And no human wants to be, likes to be, feels they should be or deserve to be, rejected.
But then there’s that reality again: No agent can represent all the authors. No publisher can publish all the books.
We have to figure out not how to render ourselves immune to normal, healthy human emotional responses, but to, for lack of a better term, roll with it….
This weekend, Grand Rapids, Minnesota will honor its best-known former resident — Judy Garland.
And at its annual Judy Garland Festival, the city will fundraise to bring back a prized prop that the actress made famous. But, it won’t be an easy stroll down the Yellow Brick Road.
Minnesota lawmakers set aside $100,000 this year to help the Judy Garland Museum purchase the coveted ruby slippers of “The Wizard of Oz” fame. Experts expect the shoes could sell for a much higher price.
“They could sell for $1 million, they could sell for $10 million. They’re priceless,” says Joe Maddalena, Heritage Auctions executive vice president.
The ruby slippers are one of four sets remaining.
This pair’s unique story
The shoes were on display at Garland’s namesake museum in Grand Rapids in the summer of 2005 when a burglar struck. John Kelsch, the museum director at the time, says a man broke in through the back door and snatched the slippers….
(5) BICYCLE THIEF. [Item by Eric Hildeman.] Carl Klinger of the Milwaukee Steampunk Society had his penny farthing stolen and smashed. Fortunately, a fundraiser to get him a new one was successful. “Starship Fonzie #40 – Transcript”.
…What’s a penny farthing? It’s that old-timey sort of bicycle with the enormously huge wheel in front and a much smaller wheel in back. You know, the sort that Passpartout rode in the opening scenes of the 1956 film “Around the World in 80 Days,” starring David Niven. There’s also one on display in the Streets of Old Milwaukee exhibit in the Milwaukee Public Museum.
Well, who knows why it was stolen, but it was, and police were notified. Usually when a bike is stolen it’s never recovered, but this is a very unusual bicycle. Very tricky to ride, very obvious to spot. So the guy who’d stolen it noticed the news story regarding the theft, saw his own image caught on security camera, and apparently panicked. I guess he had a rap sheet as long as his arm regarding other charges the law wanted to nab him on. So he was living in hiding, the thief I mean. Why someone like that would steal an item so obvious to spot is beyond me. But when he saw the news story regarding the theft, he got afraid that his cover might be blown and, not wanting the law to come after him, he smashed the bicycle, dumped it somewhere where it would be found, and then fled out of state….
So Carl was out a very unique, very expensive steampunk-themed bicycle. And we were all bummed about this. Well, Carl put out a fundraiser to get him a new penny farthing, and the fundraiser, I’m pleased to say, was successful. He needed about $2000 for a new one, his fundraiser garnered $3,000. Karl will have a new bike, and he’ll likely ride it around at the Steampunk Picnic this year.
So, a happy ending to that particular thievery story. We love our friends at the Milwaukee Steampunk Society.
A unique bike stolen from outside a West Allis bar was recently found – badly damaged.
Video captures a guy nabbing it, crashing it and running away with it.
“It’s absolutely not rideable,” said Carl Klinger, the bike theft victim. “It’s not even fixable.”
Those words were not what Klinger expected to hear when West Allis police found his treasured bike.
“When I got there, it was just laying on the ground and it was just completely demolished,” he said.
The unique, old-time high-wheel bike was stolen more than two weeks ago as it was parked outside of a bar. Police knew who they were looking for after seeing surveillance video.
Wesley Yoakum was found more than 600 miles away, in Newton County, Missouri.
…Nearly every part of the bike was damaged. The seat was torn off, the tire bent, even the stitches were torn out of the tool case.
His friends have started a GoFundMe to help him buy a new bike so he can get back to riding again…
(6) ORYCON 44. [Item by Michael Pinnick.] Orycon 44 is being held October 18-20 this year at the DoubleTree Hotel Portland. Orycon is Oregon’s oldest literary and creative science fiction convention. Our Writer GoH is David D. Levine, our Artist GoH is Jennie Breeden, and our Media GoH is Victoria Price. Website: https://orycontemp.tezhme.net/
Writer GoH David D. Levine; Artist GoH Jennie Breeden; Media GoH Victoria Price.
(7) ELIZABETH BEAR Q&A. Long Lost Friends has a two-part interview with author Elizabeth Bear.
…This reactionary under layer of gaming’s enthusiast media, which makes its home mostly on X and YouTube, does not actually have the slightest impact on how games are made, or indeed which games are made. Look at Gamergate: what did it actually achieve? Games are more diverse than they were 10 years ago, not less; I saw more non-white male faces and characters in this year’s spate of Summer Game Fest trailers and demos than at any previous time in the almost 20 years I’ve been covering games. But they can still make people’s online lives hell for a while. I know this because I’ve been through it, several times.
I was running the UK branch of Kotaku when Gamergate kicked off, and so I had a front-row seat for their harassment tactics, which included sending the most disgusting threats imaginable through all the online channels available to them, trying to get me fired by emailing game publishers and my bosses with dossiers of my professional misdeeds and journalistic failings (read: writing about video games from a feminist perspective), searching for my and my colleagues’ real addresses and phone numbers and family members (and posting those details to their subreddits if they found them), and putting together unhinged Google Docs with links drawn between “SJW” journalists and developers. One of these mad documents appeared briefly in a recent Netflix documentary about 4chan, prompting several of my friends to text me a screenshot asking me if I knew that I was a figure in old “alt-right” conspiracy theories. Unfortunately, yes, I did.
It’s happened again a few times since, for various reasons. Unfortunately, dealing with online mobs is a part of the job for many journalists and indeed game developers these days, and despite all the shit I’ve dealt with over the years as a woman covering video games, I’m still rather glad I don’t write about politics. But I know exactly how awful it can feel when they mobilise against you, especially if it’s the first time. They’ll search for whatever they think is the least flattering image of you on Google Images, use it as a cutout for a YouTube thumbnail image, and then rant for 10 minutes over screenshots of your articles. They’ll tweet prominent people in games, trying to get them to publicly discredit you. They’ll set their followers on you. It’s hard not to meet their manufactured rage with a lot of genuine rage of your own.
It’s tempting to dunk on these people endlessly, but outrage fuels outrage – especially now, when there is literal money to be made posting inflammatory nonsense on X or YouTube. If Gamergate proved anything, it’s that nobody has to pander to rage-baiting toxic gamers, or even listen to them. That said, I still don’t think there’s been enough public pushback against this flavour of online abuse from the biggest publishers in games over the past few months, when the consultancies they work with, the journalists and critics who cover them, and even some of their own developers have been caught in an online shitstorm. Take it from me: vocal support means a lot….
(9) MEMORY LANE.
[Compiled by Paul Weimer.]
June 19, 1946 — Salman Rushdie, 78.
By Paul Weimer: It was senior year in high school that I first heard of Salman Rushdie, and yes, it was the fatwa issued against him for The Satanic Verses. As a result, he first came onto my radar, but I didn’t pick up a copy at that point. Coming from a conservative family, even with all the SF I had read to that point, a book named “The Satanic Verses” would be a bridge too far. I already had had to deal with my mother coming to terms with Dungeons and Dragons. But one day, after Chemistry class, I noticed my teacher was in fact, reading the book. I asked him about it, asked him what it was like, and if it was any good. (This was also the conversation where I learned that ennui was not pronounced en-you-eye, although my teacher thought I was just messing with him). In any event, I waited for the book to hit paperback, by which time I was commuting to Brooklyn College, and so I could read it on the subway in surety and safety.
Salman Rushdie in 2023.
The Satanic Verses, brilliant, strong and vibrant, was probably my first real contact with magic realism and was perhaps the most “literary” novel I attempted reading that wasn’t assigned in school. I am pretty sure that 19-year-old me didn’t grok the half of the book. Or maybe even that much. But it stunned me all the same.
In the meantime, I’ve enjoyed a number of other works of his, particularly in audio (a couple of them read by Rushdie himself), like Midnight’s Children, The Enchantress of Florence, The Ground Beneath her Feet, and Haroun and the Sea of Stories. In all of this and throughout all of these books, including The Satanic Verses, there is a strong and abiding interest in the nature and the use of stories. I know there is plenty to untangle in terms of immigration, East-West Relations, history, mythology, and faith. Salman Rushdie’s work is a seemingly bottomless well for exploring and investigating these themes.
Does he consider himself a SFF writer? I’m not sure, but if he isn’t, he has a house on the borderlands, ready to provoke and evoke thought in readers.
Covers for DC’s MultiVersus: Collision Detected were revealed in DC’s Sept. 2024 solicitations, ahead of the story’s release and show DC’s holy trinity paired up with a variety of MultiVersus characters from franchises that include Adventure Time, Steven Universe, Scooby-Doo and more….
…DC’s full description of MultiVersus: Collision Detected reads: “Bruce Wayne, Diana Prince, and Clark Kent each wake in a cold sweat, troubled by strange dreams they’ve had about ‘the rabbit,’ ‘the star child,’ and ‘the witch.’ Their investigation into these enigmatic visions brings them to unexpected locales and unusual characters, but none more unusual than the mysterious “rabbit” from their dreams as they find themselves face-to-face with the one and only Bugs Bunny. What the heck is going on here? And who in the name of the Multiverse are ‘the star child’ and ‘the witch’? The hit video game spills from your screen and into the DCU, and it’s bringing a whole lot of friends from some of your favorite universes with it!”
Since the genre’s inception, science-fiction writers have imagined what the future might hold for Earth and beyond. While their stories are often fantastical, many of them anticipated technologies that actually exist today, such as television and artificial intelligence. However, countless more made predictions that were absolute whiffs.
Here’s the first of their half-dozen duds.
1. Nuclear-Powered Soap Dispenser
While many sci-fi authors envisioned the possibilities of nuclear power, Philip K. Dick’s “The Land That Time Remembered” got specifically stuck on the idea of a society where humans washed their hands with “soap dispensers powered by the almighty atom,” and where “torrents of soap spurted forth by means of the forces that birthed the universe.”
This stunning jigsaw puzzle features glorious artwork from Paul Kidby, Sir Terry Pratchett’s artist of choice, depicting all the favourite Discworld characters. Paul Kidby provided the illustrations for The Last Hero, designed the covers for the Discworld novels since 2002, and is the author of the bestselling The Art of Discworld. This expanded artwork is available for the first time in jigsaw puzzle format in a deluxe gift box with an accompanying booklet identifying each of the characters along with quotes, trivia and more.
(14) MCDONALD’S KILLING AI DRIVE-THROUGH. [Item by Mike Kennedy.] Let’s just hope that the AI doesn’t try to kill McDonald’s back. Or worse, take it out on us.
Anyway, you’re not free and clear yet. McDonald’s makes it clear they’re going to try again later, apparently hoping the technology will improve enough to not dish out ice cream cones with bacon on top. (Wait! Where’s the problem there?) “McDonald’s kills AI drive-thru ordering after mistakes” at Axios.
Friction point: Customers had reported a slew of AI ordering blunders.
One posted video of the system incorrectly believing she’d ordered hundreds of dollars of chicken McNuggets, the Today Show reported.
In another case, a customer was given an ice cream cone topped with bacon, the New York Post reported….
Recreate the classic Doctor Who adventure “Pyramids of Mars” from 1975 featuring the Fourth Doctor! This Doctor Who Pyramids of Mars Priory Collector’s Playset features an opening and closing pyramid along with detailed set pieces like a Sarcophagus and Egyptian urns. Complete with 5-inch scale action figures of Sutekh and Marcus Scarman, you’ll be able to make your very own adventure with the Pyramids of Mars!
Days after solar storms spurred widespread sightings of auroras across Earth in early May, a new bout of eruptions on the sun brought glowing skies to another planet: Mars.
From pole to pole, Mars was hit by a barrage of gamma rays and X-rays, followed by charged particles from a coronal mass ejection. These led to auroras that would have appeared, if any viewers were on its surface, as a deep green color, reports theNew York Times’Robin George Andrews.
(17) VIDEO OF THE DAY. The latest Pitch Meeting is Superman (1978), for some reason.
[Thanks to Kathy Sullivan, Mike Kennedy, Andrew Porter, Paul Weimer, Scott Edelman, Daniel Dern, Michael Pinnick, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Teddy Harvia for some of these stories. Title credit belongs to File 770 contributing editor of the day Mark and Ellen.]
(1) SCAM TARGETING WESTERN AUTHORS PURPORTS TO BE FROM SCIENCE FICTION WORLD. [Item by Ersatz Culture.] On Saturday May 11th, the Weibo account of Science Fiction World magazine issued a statement about fraudulent emails addressed to authors. The emails claimed that SFW had decided to no longer publish work by the author that had previously been acquired, but would retain the copyright, and offered the author the chance to pay to reclaim their copyright. The post did include an image showing part of the (English language) email that one affected author did receive, but redacted their name. A Weibo post a day or so earlier identified at least one such affected author, but at time of writing, that author hasn’t posted about it on Twitter or Bluesky, so I’ve not included their name here.
A Google Translate rendition of the statement, with minor manual edits, follows.
Dear readers, authors and partners,
Recently, we have received feedback from foreign science fiction writers that we work with. Some criminals are using impersonation techniques to launch carefully planned email fraud incidents targeting those foreign writers.
This fraudulent email uses the email address “[email protected]“, purporting to be from an editor at our company. It falsely informs the author that their work will not be published due to so-called “commercial evaluation” or other reasons, and illegally claims to retain the copyright of the author’s work, proposing that the author should pay a fee to redeem their copyright.
We strongly condemn such illegal behavior and have taken corresponding measures to cooperate with law enforcement agencies and actively investigate the matter. In order to protect the rights and interests of all authors, readers and partners, we hereby issue the following anti-fraud guidelines. Please be vigilant and jointly prevent such fraud as follows:
1. Get confirmation through official channels: Our company will formally notify you through official channels (the official contact channels are indicated on the copyright pages of “Science Fiction World” and its journals) for any decisions regarding the publication status of the work, copyright transfer, or financial transactions. . When receiving similar emails, please do not reply directly to the email, but verify through official channels.
2. Be wary of fake email addresses: Scammers often use addresses that are very similar to official email addresses to send emails. When receiving similar emails, please carefully check the sender’s email address and pay attention to identifying subtle differences, such as adding or replacing characters, using different top-level domain names, etc.
3. Understand the formal processes: Our company has complete and strict business processes. For major matters such as copyright and contract changes, our company will implement a strict and formal process and will never make a hasty decision through just one email.
4. Direct communication verification: If you receive such an email, the most direct and effective way is to contact us through the official contact method you know to verify the situation. Never use the contact number or return address provided in the email for verification.
5. Improve information security awareness: Keep personal information and communications safe, and do not click on unknown links or attachments in emails to prevent personal information from being leaked or being attacked by malware.
We are fully aware of the importance of each author’s work and the hard work behind it.
We will fight resolutely to the end against any behavior that undermines the rights of authors. At the same time, we also encourage authors or other individuals who receive similar emails to report them to us and local law enforcement agencies in a timely manner, so as to jointly maintain a good creative and publishing environment.
Here, we reiterate our commitment to all partners: we will continue to strengthen information security protection and ensure that the rights and interests of every author who works with us are respected and protected to the greatest extent. The general public is requested to remain vigilant and work together to build a safe space for literary exchange.
We are pleased (delighted, ecstatic) to announce that one further lost story by Terry Pratchett has been found.
A Stroke of the Pen: The Lost Stories, published in 2023, collected 20 rediscovered tales from when Terry wrote under a pseudonym back in the 1970s and 1980s. It was, at the time, believed to be the last stories of his. But, we were wrong.
One final published tale has been found, that was missed from this collection: Arnold, the Bominable Snowman, which brings us to some more news.
This new story will appear in the paperback edition of A Stroke of the Pen, which will publish in September 2024. Furthermore, the story itself will be published online – for free – by Penguin Books, so that those who bought the hardback do not miss out on this tale. More information on the paperback edition, and where to read the story online, will be made available at a later date….
(3) FANFICTION GOT THERE FIRST. In case you thought the title sounded familiar, The Hollywood Reporter says there’s a reason: “’The Hunt for Gollum’ LOTR Movie Already Exists”. And for a moment, Warner Bros.’ lawyers were trying to pitch the video into Mount Doom.
There’s a 2009 fan-made film titled The Hunt for Gollum that you can watch below. The film, directed by Chris Bouchard, is rather ambitious. The Hunt for Gollum spans 39 minutes and has received plenty of praise from fans upon its release.
Following WB’s announcement, the film was taken offline for many hours and YouTube put up a notice saying Warner Bros. had filed a copyright claim against the fan movie and blocked it. LOTR fans reacted quite negatively to the takedown online and, early Friday, the film was restored to YouTube….
The fan-made Hunt for Gollum is set during opening act of The Fellowship of the Ring and fills in a quest that was only briefly discussed in Jackson’s 2001 film: Gandalf (played by Patrick O’Connor in the short) meets with Aragorn (Adrian Webster) and asks him to hunt for Gollum to find out more about Frodo’s magic ring. Aragorn has a series of adventures, traps and loses Gollum and gets attacked by orcs and Ringwraiths. Gollum is recaptured by the Elves of Mirkwood, and he’s interrogated by Gandalf….
With my terrible hearing I can’t say whether the audio is in English – but the closed captioning is in Spanish.
(4) SPFBOX. Mark Lawrence’s tenth Self-Published Fantasy Blog-Off (“SPFBOX”) immediately filled its 300-entry quota on May 10 and has moved on to “SPFBOX phase 1”.
This is the VERY prelimary allocation of books to blogs.
What now follows will be swapping from blog to blog for books that meet the contest rules but have authors who are friends with someone in the blog they’ve been allocated to.
And elimination of books that don’t meet the rules, followed by their replacement with books that didn’t get selected in the original 300.
In “Space Babies,” the debut episode of the newly relaunched 2024Doctor Who “Season 1” (or Season 14, or Season 40, depending on how you count) the Doctor (Ncuti Gatwa) and Ruby Sunday (Millie Gibson) have a quick discussion about how beaming works in the universe of Star Trek. When the Doctor makes one small quip, fans of both venerable sci-fi franchises might wonder if travel between the Final Frontier and the Whoinverse, is, indeed possible in some kind of mega-geek-multiverse….
At the start of “Space Babies,” Ruby asks the Doctor if they were just beamed somewhere, saying “Is that like a matter transporter? Like in Star Trek?” The Doctor grins broadly and says, “We gotta visit them one day.” This is not the first time Doctor Who has referenced Star Trek (or that Trek has referenced Who) but, it does seem to be the biggest indication to date — at least on screen — that the canon of Trek could exist in an adjacent dimension, rather than just as fiction.
Throughout all of post-2005 Doctor Who, there have been multiple references to characters and ideas from the Star Trek franchise. Rose called the 9th Doctor “Spock,” in the Season 1 episode “The Empty Child,” the 10th Doctor flashed the Vulcan “live long and prosper” hand symbol in the Season 2 episode “Fear Her,” while the 12th Doctor evoked the famous opening lines “Space… the final frontier,” in the Season 10 episode “Oxygen.” And that’s just a small sampling of Trek Easter eggs in Who!
(6) CHALLENGING HERSELF. “Brush and Ink” at Colleen Doran’s Funny Business, is illustrated with examples based on Gaiman’s Sandman series.
I used to get a lot of ribbing for having an elaborate, decorative style. The word was, artists who choose to add decoration and complex rendering are probably hiding drawing deficiencies.
While I agree that this is sometimes the case (and I can think of a few artists who make my hair go the wrong way with endless rendering and very weak underdrawing,) not all of us are covering up poor structure with frou frou.
I always start with a simple, solid drawing before adding the stylization. If the drawing isn’t solid, I don’t proceed until it is.
Awhile ago I decided to challenge my skill set with a series of minimalist brush and ink pieces. I limited the time cost of each drawing to 10 minutes or less. And I tried to stick to no underdrawing, if possible.
That is, one and done, no prelim. Ink only, nothing else.
While I’ve shown some of these drawings before, you folks on Substack probably haven’t seen most of them.
Most of the original exploratory sketches were based on characters from Neil Gaiman’s SANDMAN series, like this group of sketches of Death….
Nicki Lynch, left, and Sheila Strickland, right, at the Southern Fandom Press Alliance party during Worldcon 76 in San Jose. Photo by Kay McCutcheon.
(7) R.I.P. SHEILA STRICKLAND. Longtime File 770 subscriber Sheila Strickland died May 9. The Louisiana fan said in her zine for the Southern Fandom Press Alliance a few months back that her doctors had detected cancer and it had spread to her intestine and liver. She went into hospice just a few days ago. Rich Lynch says, “She was a great lady, always looking toward the future. And now she’s very much missed.”
Guy H. Lillian III says Sheila’s sister told her Facebook friends that the family obituary will be in the New Orleans Advocate this week and the funeral on May 16 at the Greenoaks Funeral Home and Memorial Park in Baton Rouge at noon.
(8) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born May 11, 1918 — Richard P. Feynman. (Died 1988.) I’ll admit that I don’t begin to understand what most of the work Richard P. Feynman did as a theoretical physicist. I seriously doubt most of you do.
While at Princeton, Feynman was recruited for the theoretical division of the Manhattan Project, the very, very secret U.S. Army laboratory set up in Los Alamos, for the purpose of developing the atomic bomb. He was present at the first detonation of an atomic bomb.
Richard P. Feynman. (Caltech Archives)
In 1965, he shared the Nobel Prize in Physics with Julian Schwinger and Sin-Itiro Tomonaga. The three each created new mathematical tools for a theory called quantum electrodynamics, which describes how subatomic particles interact with light.
Now there is the matter his influence on the genre. Although as I said was his work in theoretical physics, Feynman was largely pioneered the field of quantum computing and was solely responsible for the concept of nanotechnology. So yes, two widely used SF concepts are from him.
By the late Fifties, he was already popularizing his love of physics through books and lectures including lectures on nanotechnology called There’s Plenty of Room at the Bottom, and a multi volume publication of his undergraduate lectures, The Feynman Lectures on Physics. Yes, these are available from the usual suspects.
He also became known through his autobiographical works Surely You’re Joking, Mr. Feynman! and What Do You Care What Other People Think?. Naturally there would be books written about him. The biography by James Gleick, Genius: The Life and Science of Richard Feynman is the one I’ll single out as being the best.
It’s worth noting last is that he was selected to be a member the Presidential Rogers Commission that investigated the Space Shuttle Challenger disaster.
Lis notes that during the Challenger explosion hearings, Feynman demonstrated on camera that an O-ring dropped into ice water lost all the resilience critical to its function on the shuttle solid rocket fuel tanks.
(9) ROBERT BLOCH WEBSITE UPDATE. Eight vintage photos of Robert Bloch with such friends/family as Bob Tucker, Dean A. Grennell, Fritz Leiber, Marion Bloch, and others have been added to the RobertBloch.net gallery.
…As reported by Uproxx, during a virtual Pride month panel at Swansea University, Davies described the queer representation in the MCU show [Loki] as being a “feeble gesture”. As you may recall, Tom Hiddleston’s God of Mischief became the first openly queer lead character in MCU canon thanks to a reference to the character’s love life in the first season, but at the time Davies wasn’t impressed by the inclusion: “Loki makes one reference to being bisexual once, and everyone’s like, ‘Oh my god, it’s like a pansexual show.’ It’s like one word. He said the word ‘prince’ and we’re meant to go, ‘Thank you, Disney! Aren’t you marvelous?’ It’s a ridiculous, craven, feeble gesture towards the vital politics and the stories that should be told.”
…Reflecting on that statement now, Davies admits that his comments were a mistake, explaining that he reached out to Herron immediately to apologize. Little did he know that they would continue chatting, striking up a friendship, which would then result in working together on Doctor Who….
… For the upcoming season, Herron and her co-writer Briony Redman have penned episode 6 which is titled ‘Rogue’. Of course, since the Doctor Who team like to keep their cards close to their chests, little has been revealed about the episode, but we do know that it is set in the Regency era and will feature Mindhunter star Jonathan Groff.
This action followed the New York Times’ 2022 article “Disney, Built on Fairy Tales and Fantasy, Confronts the Real World” which said the company’s Disney Stories Matter team “was marked for caution because she is ‘body conscious’ and jealous of Peter Pan’s attention, according to the executives…”
The Street’s May 7 report says:
…[The] Disney’s Stories Matter team was developed to spot and correct “negative depictions of people and cultures” in Disney’s products.
“We are reviewing our offerings beyond the screen, which include products, books, music and experiences,” reads the Stories Matter homepage on Disney’s website. “While advisories for negative depictions of people and cultures may be added to some offerings, others will be reimagined. We are also investing in new ways to better reflect the rich diversity of stories in our world. This work is ongoing and will evolve as we strive toward a more inclusive tomorrow.”…
The PlanDisney website, answering the question “Why does Tinkerbell no longer have a meet and greet and are their plans to bring her back?” says that currently the only location where Tink does meet visitors is at Pixie Hollow at the Disneyland Resort in California.
Minnesota officially unfurled its new state flag atop the capitol for the first time Saturday on statehood day.
The new flag and accompanying state seal were adopted to replace an old design that Native Americans said reminded them of painful memories of conquest and displacement.
The new symbols eliminate an old state seal that featured the image of a Native American riding off into the sunset while a white settler plows his field with a rifle at the ready. The seal was a key feature of the old flag. That’s why there was pressure to change both.
Officials didn’t pick any of the most popular designs submitted online that included options like a loon — the state bird — with lasers for eyes….
The new flagThe loon with lasers for eyes
[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Ersatz Culture, Lise Andreasen, Danny Sichel, Rich Lynch, Teddy Harvia, Kathy Sullivan, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Kaboobie.]
…Linebarger, who died of a heart attack in 1966 at age 53, could not have predicted that tropes from his sci-fi stories about mind control and techno-authoritarianism would shape 21st-century American political rhetoric. But the persistence of his ideas is far from accidental, because Linebarger wasn’t just a writer and soldier. He was an anti-communist intelligence operative who helped define U.S. psychological operations, or psyops, during World War II and the Cold War. His essential insight was that the most effective psychological warfare is storytelling. Linebarger saw psyops as an emotionally intense, persuasive form of fiction—and, to him, no genre engaged people’s imagination better than science fiction.
I pored over Linebarger’s personal papers at the Hoover Institutionpropaganda collection while researching my forthcoming book, Stories Are Weapons: Psychological Warfare and the American Mind. Boxes of his studies on the politics of China and Southeast Asia are filed alongside his fiction manuscripts and unpublished musings on psychology. Here, I realized, was an origin story for modern conspiracy politics, which blur the line between sci-fi plots and American patriotism—they came from a psywar operative. Put another way, an agent of what some would now call the “deep state” had devised the far-out stories that politicians like Greene use to condemn it. Perhaps, if she and others knew this, they might not be so eager to blame space lasers and vaccine microchips for what ails our nation….
(2) WESTERCON 76 UTAH HOTEL RESERVATIONS OPEN. [Item by Kevin Standlee.] Westercon 76 has updated their hotel/venue web page with their hotel booking information. I published a post on the Westercon.org site about it{ “Westercon 76 Utah Opens Hotel Reservations”.
The short version is “use the link on the convention hotel/venue page” or “use group code WET when booking through Hilton.com.
Police have arrested nine Georgians suspected of running a sophisticated criminal operation stealing valuable antique books – including an original Alexander Pushkin manuscript – from national libraries across Europe.
Shelves of 19th-century Russian-language literature had been ransacked over two years across several countries and replaced with fakes, Europol, the EU police agency, revealed on Thursday.
The University of Warsaw, which was among the targets, last year reported the theft of first editions of works by the influential authors Pushkin and Nikolai Gogol.
Europol said the suspects allegedly sometimes posed as academics to gain access to the books in order to make counterfeits of “outstanding quality”.
While in the reading rooms “they would meticulously measure the books and take photographs before handing them back” – only to return days, weeks or months later to swap them with near perfect copies.
In other cases they “relied on a more crude approach” and simply staked out the collection in national libraries, decided what was of interest and later broke in and stole the books, police said….
(4) MARK D. BRIGHT (1955-2024). Black comics creator Mark D. Bright died March 27. The Comics Journal’s in-depth tribute begins:
Issue #257 of DC’s House of Mystery wasn’t short on talent when it hit the stands in late 1977. Like all issues of that horror anthology, it had its fair share of clunkers, but you couldn’t fault the art team. Joe Orlando (on the cover), Ernie Chan, Michael Golden, Arthur Suydam… and in between these heavy hitters was a three-pager by a newcomer named Mark D. Bright, raised in Montclair, NJ, and not yet a graduate of the Pratt Institute in Brooklyn. He would have other names in credit boxes throughout the years: M.D. Bright, “Doc” Bright, but a rose by any other name would smell as sweet. Bright would go on to a long and storied career, doing well-regarded work for both Marvel and DC throughout the 1980s and 1990s. He was also the co-creator of Icon with Dwayne McDuffie, one of the cornerstones of Milestone Comics, and co-creator of the oddball superhero comedy series Quantum and Woody with frequent collaborator Christopher Priest. Bright passed away on March 27, 2024, leaving the world of comics a much poorer place….
(5) TODAY’S BIRTHDAY.
[Written by Paul Weimer.]
Born April 28, 1948 — Terry Pratchett. (Died 2015.)
By Paul Weimer: It took a second bite at the apple for me to fall for the works of Terry Pratchett. My first attempt was in the 90’s, when I had vaguely heard about his work, and picked up The Color/Colour of Magic. I thought it was fine and I also tried the Light Fantastic and Sourcery. But it really didn’t gel for me. I thought at the time Pratchett was an okay writer, and maybe the humor wasn’t quite what I was looking for in fantasy at the time. (To be fair, the humor in those early Discworld novels is a lot broader than the later more refined ones).
Terry Pratchett in 2011.
It took over a decade and my late friend Scott to get me to try Pratchett again. Scott was passionate about a number of writers. Zelazny, which we had in common. Lois M. Bujold, which we also had in common. Michael Scott Rohan. And Terry Pratchett. Scott encouraged me and “talked me through” finding where I would best enjoy Pratchett’s oeuvre. I found an affinity for Pyramids (and the best Mathematician on all of Discworld), but when it came to The Night Watch, I really started understanding the Discworld Project and what it was doing. From then on, Pratchett was on auto-buy. Vimes and company remained my favorite, although The Librarian is probably my single favorite minor character, if only for the fantastic idea of L-Space.
Beyond Discworld, there is also Good Omens of course, and also the Long Earth series. The latter feels a lot more the work of his co-author Stephen Baxter than Pratchett but there are moments, scenes, images where the utter magic of Terry Pratchett’s work and writing and humanism comes through.
One of my not-in-a-Pratchett bits that involves Pratchett is a bit in the late Vernor Vinge’s Rainbows End. In that novel, in its (now a) alternate history, Pratchett went on to write many many more Discworld novels, and became so popular that people would use VR to cosplay as being from the new area of the Discworld these imaginary novels were set (basically an entrepot more along the lines of Alexandria, Egypt). I could wish, Zelazny style, to walk into that world and bring home copies of those “lost” Pratchett novels. I would love to read them.
And, sadly I never got to meet him in person. My loss.
Happy birthday.
(6) COMICS SECTION.
Off the Mark agrees that there’s always leftovers.
(7) DOUBLE FEATURE. The Flights of Fantasy Film Festival will show The War of The Worlds (1953 — 4K Restoration) and ten of the Best George Pal Oscar-Winning Puppetoons (restored in Technicolor®) at the Historic 1931 Regency Westwood Theater in LA on Wednesday, May 22 at 7:00 p.m. Tickets at the link.
Scheduled to appear are special guests director Joe Dante (Gremlins), Ann Robinson (star of War of the Worlds), and director-producer Arnold Leibovit (The Puppetoon Movie, The Time Machine 2002). These distinguished guests will offer their unique perspectives and insights, sharing behind-the-scenes stories and discussing the lasting impact of George Pal’s work on the world of cinema. Maxwell DeMille (master of ceremonies) is a prominent figure in reviving old Hollywood glamour through vintage-themed events. His commitment to authenticity has made him a leading figure in the vintage entertainment scene, and he also hosts film screenings and lectures on classic Hollywood culture.
…This morning Lego revealed two more entries in its 2024 campaign to bring the ethos of its classic space sets across its various lines: for Lego Art, there’s a beautiful, buildable recreation of the Milky Way, containing 3,091 pieces for you to build into a technicolor spiral galaxy and hang on your wall. For those looking for something a little less macro-scaled, but still high on detail, the new 3,601-piece Artemis Launch System, part of the Lego Icons series, includes a mobile launch tower, a rocket support and crew bridge, and then of course a multistage rocket, complete with 2 solid-fuel boosters. The model also even includes a small brick-built recreation of the ESA Orion spacecraft, which can be put into the rocket or as part of a separate display stand, highlighting Artemis’ mission to further explore the Moon….
A spacecraft has carefully approached and imaged a large hunk of metal orbiting Earth — a step in tackling humanity’s mounting space junk woes.
The delicate space mission, undertaken by the Japanese satellite technology company Astroscale, used its ADRAS-J satellite to travel within several hundred meters of an abandoned section of a noncommunicative, derelict rocket, proving it could safely observe in such close proximity…
[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Jeffrey Smith, Kevin Standlee, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, Kathy Sullivan, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]
(1) OOKPIK FIXED. Terry Fong, chair of the Montréal in 2027 Worldcon bid, sent an official reply to a question from File 770 about the $350 level presupport.
We goofed on the wording of one of our membership presupport levels. The description of our highest level (Ookpik) now reads as follow:
“We will pay your Advance WSFS membership (voting fee) in the 2027 Site Selection election. You still will have to join the 2025 Worldcon as at least a WSFS (supporting) member in order to vote on the 2027 Site Selection. (Of course, you have to cast your own ballot.) If we win, you will get a full attending membership including a WSFS membership. All the perks of lower support levels, a piece of nifty swag from a previous CANSMOF-sponsored convention AND a fridge magnet. You also get a unique nifty cool ribbon for your support at this level.”
Apologies to all for any confusion arising from our previous wording.
It’s very, very, funny. The recording is about 1 hr, 10 minutes long. It does not include all the Q&A. Audio provided by Steven Silver. Thanks, Steven! Portrait of Terry Pratchett by Charles Williams, from the N4 Program Book.
They met a week earlier at a pub near the University of Copenhagen, where both were undergraduates. “I had asked my cousin if he knew any nice single guys with long hair and long beards,” Dr. Rasmussen said. “And he said, ‘Sure, I’ll introduce you to one.’”
Dr. Arboll, in turn, had been looking for a partner that shared his interest in Assyriology, the study of Mesopotamian languages and the sources written in them. “Not many people know what an Assyriologist actually does,” he told her.
“I do,” said Dr. Rasmussen, who had taken some of the same classes.
Dr. Arboll, now a professor of Assyriology at the university, said, “When I heard that, I knew she was a keeper.” …
(4) NOW, WHATEVER YOU DO, DON’T PANIC! [Item by SF Concatenaton’s Jonathan Cowie.] Douglas Adams’ novel The Hitch-Hiker’s Guide to the Galaxy (1979) was the subject of the last third of this week’s BBC Radio 4 show A Good Read.
Now, I came to Hitch-Hiker’s in its original incarnation as the 1978 BBC 4 Radio show the last two episodes of which greatly benefited from some cohesiveness from John Lloyd. That season and the subsequent ‘Christmas edition’ (which became the first episode of the second season) is for me what Hitch-Hiker’s is all about: to me, you can keep the subsequent series; the fist season and Christmas episode alone were works of true genius).
I was not alone, Hitch-Hiker’s was a favourite with almost all to my fellow members of my college SF group, Hatfield PSIFA (now Hertfordshire University PSIFA). And even then we were not alone. I remember at the 1979 Worldcon in Brighton, Britain, when the Hugo Award short-list for ‘Best Dramatic Presentation’ was read out there was a huge cheer from the audience. As it happened, the film Superman won and Kal El himself in the mortal guise of Christopher Reeve (not Clark Kent) took to the stage. He, very graciously, said while he was happy that technically Superman had won that clearly for the people there in the hall it was Hitch-Hiker’s that was the true winner… (You have to remember that, back in the 1970s, N. America dominated the Worldcon and Hugos far more than they do today.)
Which brings us to this week’s BBC Radio 4 A Good Read. The presenter noted that though the novel (1979) came out some 45 years ago, Hitch-Hiker’s had never been a subject on that programme! It has to be said that the novel did not get an entirely smooth ride as one of the show’s panelists did not like SF and another took a more of a curate’s egg approach. All this despite the presenter noting that 15 million copies of the book had been sold among other related adaptations to other media and merch. Nonetheless, some interesting points were made including that the character Zaphod Beeblebrox was a politician who actually never did run anything but was a self-serving, self publicist… It was noted that here there are parallels with some of today’s politicians (examples, it was hinted, including in the UK and elsewhere (the US?), who could she have meant?).
“Harriett’s choice is Douglas Adams’ story about Arthur Dent’s journey through space with an alien called Ford Prefect after earth is demolished to make way for a bypass.”
You can access this episode of A Good Read at the link. Remember to skip to the programme’s final third. (Phew. Now, where’s my towel?)
A federal judge in California this week dismissed four of six claims made by authors in a now consolidated lawsuit alleging that Open AI infringes their copyrights. But the court gave the authors a month to amend their complaint, and the suit’s core claim of direct infringement—which Open AI did not seek to dismiss—remains active.
Following a December 7 hearing, federal judge Araceli Martínez-Olguín needed just 13 pages to dismiss a host of claims made by the authors, including vicarious infringement (count two), claims that Open AI removed or altered copyright management information (count three); negligence under the unfair competition law (count five); and unjust enrichment (count six). The court allowed a fourth claim of “unfairness” under the unfair competition law to proceed, however, holding that, if true, the authors’ claims that Open AI used their copyrighted works “to train their language models for commercial profit may constitute an unfair practice.”….
…When I say “show, don’t tell,” the first thing I’m attacking is the info dump. This is when authors effectively stop the story and start explaining, when they start writing an article instead of a scene. I’ve called out one author on that here, so you can see an example of what not to do, but in reading—and loving—Star Bridge, when I got to Chapter 8, I found a fantastic example of how to balance showing a character’s experience of an imagined world while conveying, not dumping, all sorts of specific information about how that world operates.
In Star Bridge, authors Jack Williamson and James E. Gunn seems to have committed the cardinal sin of opening each and every chapter with what, on the surface, would appear to be short info dumps. Presented under the title THE HISTORY, we’re “told” a little about the unique future in which interstellar travel, via a teleportation device, is strictly controlled by Eron, a monopoly that has reached essentially imperial status. The story begins with our hero, Horn, having been sent to assassinate the leader of this monopoly. It’s a fun ride, and one that goes into deeper places as the story unfolds….
(7) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born February 14, 1970 — Simon Pegg, 54. Though Simon Pegg’s certainly not James Doohan, who’s beloved for being the first and for most Trekkies still the only Montgomery “Scotty” Scott no doubt, I found his version in Star Trek, Star Trek Into Darkness and Star Trek Beyond to be quite true to the original character. Though it’s been eight years since the last film, they are talking apparently about a fourth film.
(For the record, I thought the primary actors were fine in all three, but the scripts in the second two sucked. And the less said a certain recast villian from the original series, the better.)
Simon Pegg in 2016.
Paramount + has all of the Tom Cruise Mission Impossible films of which there are eight so far. Pegg is Benji Dunn, an IMF technician, who debuts in Mission: Impossible III as a supporting protagonist before returning in Mission: Impossible – Ghost Protocol, Mission: Impossible — Rogue Nation, Mission: Impossible – Fallout, Mission: Impossible – Dead Reckoning Part One, and Part Two, no longer as a supporting cast member but as a leading cast member.
So who’s seen some of these? Opinions please?
Now let’s deal with his non-franchise film roles. His first venture into the genre was Shaun of the Dead which he co-wrote with Edgar Wright and had an acting role in as, errr, Shaun. Of course he got, wait for it, the meaty role. You can groan now.
It was inspired by ideas they used for their Spaced comedy series about two women living in a small but posh apartment, particularly an episode in which Pegg’s character hallucinates a zombie invasion. Though not SF, the fourteen episodes often made references to popular culture, including SF and horror films, comic books, and video games.
At Romero’s invitation, Pegg and Wright made both cameo appearances in Romero’s Land of the Dead. Not meaty roles, but they are there.
He appeared in a Ninth Doctor story, “the Long Game” as The Editor. The BBC press release for this episode says Pegg had grown up with Who and he considered it a “great honour” to guest star on the series, and he was rather pleased at being cast as a bad guy.
I’m going to note just several of the animated works he did. He did the voice and motion capture for detective Thompson in The Adventures of Tintin (also known, though I didn’t know this before as charmingly as The Adventures of Tintin: The Secret of the Unicorn). And he did the voice of what sounds like a bad sneeze, Reepicheep the Mouse, in The Chronicles of Narnia: The Voyage of the Dawn Treader.
Let’s end with Nandor Fodor and the Talking Mongoose, a curious film indeed. It is based on the legend of Gef an apparently talking mongoose , a story that got extensive coverage in the British tabloid press in the early 1930s. Pegg plays investigator Nandor Fodor, and Neil Gaiman voices Gef. It left British critics terribly annoyed. Not that it takes much to annoy them, does it?
(8) COMICS SECTION.
Eek!reveals the truth about a superhero’s laundry.
Speed Bump shows the last person on Earth learning the reason she’s still around.
The superhero quartet — the first characters created for Marvel Comics by Stan Lee and Jack Kirby — will be played by Pedro Pascal as Reed Richards (aka Mr. Fantastic), Vanessa Kirby as Sue Storm (aka the Invisible Woman), Joseph Quinn as Johnny Storm (aka the Human Torch) and Ebon Moss-Bachrach as Ben Grimm (aka the Thing).
As part of the casting announcement, Disney has swapped the release dates of “The Fantastic Four” (now set for July 25, 2025) and “Thunderbolts” (now set for May 2, 2025). Those are two of four Marvel tentpoles currently set to open in 2025, along with “Captain America: Brave New World” in February and “Blade” in November. Four Marvel films are also scheduled for 2026, including “Avengers: The Kang Dynasty.” That’s a ramp up from 2024: Marvel only has “Deadpool & Wolverine” for theaters, on July 26….
… Madame Web isn’t so much a movie as it is the pretense of one — a collection of Easter eggs and prequel nonsense strung together by half-assed ADR and dialogue that feels like it was drummed up in Screenwriting 101. But the most alarming thing about Madame Web is that it is a movie that never really gets started. Instead, it’s just one long prelude to the actual story, like being trapped in one of Cassie Webb’s time-looping visions with no escape….
The “Repo Man” director is revisiting the off-kilter world of extraterrestrials and car repossession that he mined so memorably in the 1984 cult classic in a new sequel that is being introduced to buyers at the Berlin Film Festival and European Film Market. Entitled “Repo Man 2: The Wages of Beer,” the film is being backed by Buffalo 8 Productions, a film and media company best known for the critically acclaimed work on Netflix series “The Jeffrey Dahmer Tapes.” Cox wrote the script along with directing the film.
Kiowa Gordon, best known for his role as Embry Call in “The Twilight Saga” and for his work in the AMC series “Dark Winds,” is set to lead the cast as Otto. Emilio Estevez played Otto in the 1984 original. The film picks up after Otto has boarded his trusty 1967 Chevy Malibu to journey across the infinities of time and space. In that time he has aged exactly 90 minutes.
(13) THAT IS THE QUESTION. Revisit Sir Patrick Stewart’s visit to Sesame Street from many years ago: “Patrick Stewart Soliloquy on B”.
[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Daniel Dern, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Danny Sichel.]
A play about the reincarnation of the Victorian computing pioneer Ada Lovelace has won this year’s Women’s prize for playwriting.
Intelligence, by Sarah Grochala, follows Lovelace’s attempts to forge a career for herself as a serious scientist in 1840s London and being continually obstructed by men.
But in an unexpected twist of fate, Lovelace finds herself repeatedly reincarnated and gets the chance to try for fame again, first as Grace Hopper (creator of COBOL) in 1940s America, and then as Steve Jobs in 1980s Silicon Valley. Eventually, confronted with the destruction of all her work by a shady tech billionaire, she realises that it is the very nature of intelligence that she should be fighting for….
Josh Kirby’s art has adorned hundreds of book covers – perhaps most notably dozens of Terry Pratchett novels, especially the bestselling Discworld series.
His body of work is far more wide-ranging, though – Kirby’s paintings have graced the covers of volumes by Ray Bradbury, Ian Fleming, HG Wells, Jack Kerouac, Herman Melville and Neil Gaiman, and he’s done posters for movies including the Star Wars franchise.
Now the family of the artist, who died in 2001, is looking for a philanthropist of the arts to keep the vast collection of original paintings together and make sure Kirby’s original artworks are preserved for posterity in one or more museums or galleries.
(5) MORE ON ROGER PERKINS. [Item by SF Concatenation’s Jonathan Cowie.] The British SF fan recently sadly died. He was introduced to fandom through the ‘City Illiterates’, the Phil Strick SF class at the Sandford Institute in 1971 before moving to the City of London Institute of Literature (City Lit – hence the ‘City Illiterates’). His first convention was Chessmancon in 1972 after which he was an Eastercon and Novacon regular. He then became part of the BECCON (Basildon Essex Centre/Crest CONvention) team that ran series of biennial SE England regional conventions (1981, ’83 and ’85) conventions before running the BECCON ’87 Eastercon (Britain’s national convention) in Birmingham (which saw the launch of SF2 Concatenation as an annual print zine as one of a couple of the convention’s spin-offs). Roger was BECCON’s treasurer for all four conventions. He went on to be a member of the 1989 Contrivance Eastercon. In their bid to host that year’s Eastercon, they held a fan vote on two sites: one on mainland Britain and one on the Jersey Channel Isles. The vote for Jersey was decisive but nonetheless caused the usual ire of fandom’s vocal minority who claimed that as the Channel Isles were not part of Britain (it is a UK protectorate), they should not host the British national convention. Nonetheless, that convention was such a success that it prompted others to put on the 1993 joint Eastercon-Eurocon in the same venue a couple of years later. Roger gafiated shortly after moving from NE London to Wales where he had a boat called Chrestomancy.
BECCON ’81 committee and GoH. From left: Peter Tyers, Simon Beresford, Jonathan Cowie (behind), Mike Westhead, Anthony Heathcote, Bernie Peek, Barrington J. Bayley (GoH), Kathy Westhead, Roger Robinson, John Stewart, Brian Ameringen, Simon Beresford, Charles Goodwin, Roger Perkins.
The Daily Mirror’s Nicola Methven, who is well-sourced on Doctor Who, said Gibson would be replaced by Andor star Varada Sethu in Gatwa’s second season as the Time Lord.
The BBC and Bad Wolf did not respond to a request for comment. The story has not been denied and appeared to be confirmed by Gatwa on Instagram (see below)….
…The Mirror said the decision was made by Doctor Who showrunner Russell T Davies and Gibson will not appear in the 2024 Christmas special after her first full season, which premieres in May.
“Millie Gibson has all but left now and there’s a brand new companion, which is really exciting,” a source told the Mirror. “Russell is keeping things moving and isn’t letting the grass grow, that’s for sure.”
On Sethu, a BBC source added: “Varada is a real gem, Russell was just blown away by her talent. The cast and crew have really warmed to her and he’s sure the fans will too.”…
Born January 20, 1948 — Nancy Kress, 76. Another one of my favorite writers. Okay, I do like a lot of female writers. I also have a fair number who get chocolate. A coincidence? You decide.
She has won two Hugos, the first for her “Beggars in Spain” novella — later a novel as well, both are excellent in their own way. Isaac Asimov’s Science Fiction Magazine published it first in April 1991 in three parts. Avon than, after expanded it, adding three additional parts to the novel, published it two years. There followed Beggars and Choosers, and Beggars Ride. They make up the Sleepless series.
Nancy Kress
She’s a prolific writer. The Probability Universe trilogy, or a trilogy so far, with an Earth wrecked by ecology disaster coupled with a stargate and an alien artifact of possible immense power is fascinating.
The Crossfire twofer reminds a bit of something Anderson might do if he was writing today with a colony finding that it’s sharing a world with an alien race. It’s excellent but then she’s a very, very good writer always.
Under the pen name Anna Kendell, she wrote a trilogy of present day thrillers in a series called Robert Cavanaugh Genetic. Bit awkward I think but it gets some point across.
Not to be outdone there, that name went all out fantasy in Soulvine Moor Chronicles Series where a man cross over to the land of the dead. It was set in imagined medieval times.
We’re back to her name and her fascination with genetics, so t Nebula Award-winning novella, the Yesterday’s Kin series, this purely SF looks the limits of human genetics.
Now for her short stories, oh my, I think she wrote, though I can’t count accurate that high, close to a hundred stories. So which collection is the best to get a reason sampling of these stories? That’s easy —the Subterranean Press’ massive 560 page The Best of Nancy Kress.
Heritage Auctions in Dallas, US, has sold a number of comics. A Superman> no. 1 went for £2,006,269 (US$2.34 million). The first Amazing Spider-Man from 1963 in mint condition fetched £1,086,990 (US$1.38 m) which is reportedly nearly three times the previous record for that title. Finally, an All-Star Comics no.8, which saw Wonder Woman’s debut, was sold for £1,182.166 (US$1.5m).
The huge UFO seemed to have made it through the Moonbase interceptor shield, and evaded Sky Diver. Over 100 feet across (police laser range finders put it at 100 cubits exactly), the UFO shone with many lights, some of which were presumably navigation landing lights.
The craft hovered and rotated for eight minutes before appearing to land on the River Thames.
So why did it pick Canary Wharf, London’s second financial centre and overflow from the city’s ‘Square Mile’? Well, for us Brit Cit locals, who are used to seeing SHADO mobiles rumbling through green belt woodland, the prevailing view is that that location was picked to avoid the said SHADO mobiles as these are too bulky to operate in the city. (Besides, think of the damage a mobile cannon could do to the area’s opulent buildings.)
Of course, it wasn’t long before SHADO released its cover story. The UFO was composed of a hundred drones flying in formation to mark Samsung’s launch of its new AI powered Galaxy S smartphone. Believe that if you must.
The truth is up there.
(11) FOR YOUR BETROTHED. Manly Brands has plans for your wedding ceremony – give your spouse a selection from the “Lord of the Rings™ Ring Collection”. Others not shown include The Gollum and The Ringwraith. Fully endorsed by marriage counselors and divorce attorneys!
[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
Over the years the Dungeons & Dragons brand has appeared in countless places, with everything from t-shirts and playing cards to video games and big screen Hollywood films. Now, the legendary RPG is coming to an envelope near you as a series of exclusive DnD stamps from the United States Postal Service (USPS) that are being released to commemorating the 50th anniversary of the legendary TTRPG.
So get ready to roll a saving throw versus shipping and handling, as we take a closer look at these unique collectibles.
Dern quips: “One of the USPS’s packaged sets will come with special dice that you can use when bringing D&D-stamped letters, packages, etc to a post office counter, for the opportunities including of free upgrade to a higher (faster) service delivery level; reduced total price (for packages, etc); even getting back 1 or 2x fresh stamps. (However, unlucky rolls can delay or fail delivery, damage your package, etc.)”
Additionally, when these stamps are used, the USPS is inserting phrases [1] to its (unofficial) [2] motto (which, I’m assuming, isn’t a guarantee):
…nor dragons, illithids, quicksand, vortexes, Balrogs, orcs, triffids, feral flat cats, time storms, falling space elevators, sandworms, Black Bolt sneezing, hamburglers, or dramatic readings by Harlan Ellison, [shall etc.]
[1] I’m not a D&Der, though continue to play NetHack, so I’m drawing from my more general sf/comics reading, etc.
…The imagination of Bram Stoker gave life to one of literature’s most enduring terrors, Count Dracula. But the Irish-born writer’s mind was not only full of flapping cloaks, dripping fangs and creaking coffins. Stoker, it can now be confirmed, also had a strong vein, or shall we say streak, of bureaucratic efficiency running through his personality.
Researchers working for the Actors’ Benevolent Fund, the charity that supports actors and stage managers in need, have discovered that the minutes of its founding meeting, back in 1882, were taken by Stoker. It has now been confirmed that the handwriting matches documents held by the University of Bristol Theatre Collection, with images of the notes released this weekend….
(3) OLD SPARKY. Author Gareth L. Powell looks at the damage solar activity could wreak on terrestrial infrastructure in “Sci-Fi Eye: The wrong kind of sunshine” at The Engineer.
… When the charged particles from a coronal mass ejection hit the Earth’s atmosphere, they cause a geomagnetic storm that can disrupt radio transmissions and damage power lines. The most famous recorded example of this is the Carrington Event of 1859, which disabled the US telegraph network, causing fires and electric shocks. More recently, in 1989, a geomagnetic storm disrupted power distribution in Quebec and caused aurorae as far south as Texas.
If another large coronal mass ejection hit the Earth today, our satellites would most obviously be at risk, and the intense radio emissions and magnetic effects could disrupt our satellite-based communication, weather, and GPS networks. At the same time, the energetic ultraviolet radiation would heat the Earth’s atmosphere, causing it to expand and increase the drag on those satellites, shortening their orbital lifetimes.
A severe event could also knock out power and disrupt electronic hardware, perhaps even causing errors and data loss as charged particles flip ones to zeroes and vice versa.
According to New Scientist, the most powerful solar storm ever to have hit us may have occurred 14,300 years ago, leaving a huge spike in radioactive carbon in tree rings from the time. So far, evidence has been discovered for nine more of these ‘Miyake’ events. Should one occur today, it could destroy all our satellites and potentially disable energy grids for months….
(4) QUITE A HANDFUL. Lisa Tuttle reviews these five books for the Guardian’s“The best recent science fiction and fantasy – reviews roundup”: Three Eight One by Aliya Whiteley; The Glass Woman by Alice McIlroy; The Principle of Moments by Esmie Jikiemi-Pearson; The Knowing by Emma Hinds; Thirteen Ways to Kill Lulabelle Rock by Maud Woolf.
Unusually among the most influential TV shows, Peter Watkins’ simulation of a nuclear attack on the UK – made at the peak of the cold war – was not shown for 19 years. BBC bosses feared it would show viewers the futility of preparations for armageddon and its physical reality: evaporating eyeballs, rats outnumbering people in the streets. Counterintuitively, the show’s banning – supposed to reduce mass panic – led Britons to suspect that atomic war must be even worse than they had thought….
Terry Pratchett: Choosing to Die (BBCTwo, 2011)
A major debate of the next few years will surely be the right to elective death for the terminally ill. Celebrities recently joining this campaign – Esther Rantzen, Susan Hampshire – would acknowledge that they follow the brave trail of Terry Pratchett, the great fantasy novelist, who faced the harsh reality of death in an impeccable documentary in which he travelled to meet people intending to manage their exits and, with a terminal diagnosis of his own, examined the options. Because of Pratchett, this film will be seen as moving the dial on the question of self-determination….
(6) NASA NOT SCREWED AFTER ALL. [Item by Mike Kennedy.] After more than three months, NASA has finally managed to open the OSIRIS-Rex sample return cylinder from asteroid Bennu. They had to invent, and test, a new tool to safely remove a couple of screws as a workaround for the stuck top of the container. “NASA can finally touch the ‘rarest’ rocks on Earth” – and Mashable breathes a sigh of relief. (Photos at the link.)
Two little screws almost ruined the ending of NASA‘s seven-year space journey to asteroid Bennu and back.
But after more than three months of trying to pry the lid off a can containing the bulk of rocks and dust from the asteroid, engineers have finally done it. To remove the stuck top, they made and tested new tools that could safely unscrew the fasteners without damaging the precious sample.
So far the science team has only seen grainy cell phone pictures of the sample, said Andrew Ryan, a co-investigator on the NASA mission, but better photos are expected next week….
(7) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born January 13, 1977 — Orlando Bloom, 47. Speaking of The Lord of The Rings: The Fellowship of the Rings, let’s talk about Orlando Bloom who I think magnificently played Legolas here and in the other five Jackson Tolkien films. Mind you this is one of the reasons I didn’t watch The Hobbit films as he wasn’t in the novel, was he?
So what else for genre work? Well there’s being Will Turner in the Pirates of the Caribbean film series. I’ve seen just the first but I immensely enjoyed it and thought he was quite good in it.
Orlando Bloom in 2013.
Carnival Row which sounds like someone read Bill Willingham’s Fables and crossed it with a police procedural has him as Rycroft “Philo” Philostrate, an inspector of a Constabulary. It’s on Amazon, and I’d checking out.
He was the Duke of Buckingham in The Three Musketeers. Yes, I consider it genre.
He was Tommy Hambleton was in Needle in a Timestack, script by John Ridley from the Robert Silverberg story which first was published in the June 1983 issue of Playboy.
He has a single mystery to his name, a Midsomer Murders, “Judgement Day” in which he plays Peter Drinkwater, a petty thief who gets murdered. I mention this because acting on that series is a coveted affair indeed in Britain.
(8) COMICS SECTION.
Pickles discusses what C.S. Lewis used to call “chronological snobbery.”
Although there’s been a fair amount of ink spilled, over the last few years, about the ways Disney’s Star Wars movie franchise kind of fell off a cliff in the immediate aftermath of The Rise Of Skywalker, it’s worth remember that Star Trek has had it a hell of a lot worse. Although Trek’s television fortunes are doing pretty great at the moment—four series and counting, mostly well-received, right now—the series has been in retreat at the box office for fully eight years at this point, after the under-performance of 2016’s Star Trek: Beyond. (To the point that franchise star Chris Pine—a Major Movie Star!—has said more than once than he has absolutely no clue whether he still has that job, for all that the official line is that “Star Trek 4” is still in “active development.”)
But in the wake of Star Wars making noises this week indicating that it’s getting back into the movie-making tauntaun saddle with a film based on its beloved Mandalorian characters, we guess Star Trek needed to remind everybody that it’s still out there, potentially dominating the box office, too. Per Deadline, Paramount has let it be known that it’s started working with J.J. Abrams’ Bad Robot on a new Star Trek movie, even poaching some talent from the competition by hiring Andor’s Toby Haynes to direct. (Seth Grahme-Smith is writing, although details about the plot/concept/etc. are, unsurprisingly, zilcho at the moment.)…
Fargo creator Noah Hawley’s FX anthology series is just wrapping up its fifth critically acclaimed season. He still has more ideas for the show, and in spite of the ongoing upheaval in Hollywood, Hawley says he believes gifted creators will always be able to tell their stories.
“Every generation has its masterpieces. You know, we had masterpieces before the golden age of television, and we’ll have masterpieces afterwards. It’s our responsibility to make them and to trick these corporations into paying for us to make them, right?” Hawley says.
The Emmy-winning writer also talks to Eric Deggans about his upcoming television adaptation of Ridley Scott’s Alien franchise, and explains why he thinks people are getting tired of densely plotted shows on TV — including season 4 of Fargo, which had 23 main characters.
Lilton Stewart III, award-winning American filmmaker and creator of November 11th Pictures, has teamed with producer Lucinda Bruce on Oswald Down the Rabbit Hole, a film that will capture the magic of iconic cartoon characters through the lens of horror. The feature, described as Who Framed Roger Rabbit meets Nightmare on Elm Street, is set to begin filming in Spring 2024, with an announcement teaser trailer releasing this month.
Oswald follows main character Art and some of his closest friends as they track down his long-lost family lineage. When they find his Great-Grandpa Oswald’s abandoned home, they are transported to a place lost in time, shrouded by dark Hollywood Magic. The group finds that they are not alone when the cartoon Rabbit, a dark entity, comes to life. Art and his friends must work together to escape their magical prison before the Rabbit gets to them first….
“Much like Pooh, Tigger, and Mickey Mouse, the Oswald character entered the public domain on January 1, 2023. Originally owned by Disney, control of the cartoon rabbit shifted to Universal in 1928, leading to the creation of Mickey Mouse to compensate for the loss. Nothing says ‘copyright expiration’ like a horror reimagining!”
The urban core of the Sangay archaeological site shows artificial earthen platforms and dug streets distributed along the edge of the cliffs flanking the Upano River. Recent investigation revealed a dense system of pre-Hispanic urban centers in the Upano Valley of Amazonian Ecuador, in the eastern foothills of the Andes. This discovery changes the perception of the Amazon’s ancient human past.
When intact, the Amazonian forest is dense and difficult to penetrate, both on foot and with scanning technologies. Over the past several years, however, improved light detection and ranging scans have begun to penetrate the forest canopy, revealing previously unknown evidence of past Amazonian cultures. Rostain et al.describe evidence of such an agrarian Amazonian culture that began more than 2000 years ago. They describe more than 6,000 earthen platforms distributed in a geometic pattern connected by roads and intertwined with agricultural landscapes and river drainages in the Upano Valley. Previous efforts have described mounds and large monuments in Amazonia, but the complexity and extent of this development far surpasses these previous sites.
…Collaborators from the University of Glasgow say they have debuted the first successful, unsupported autophage (Latin for “self-eating”) rocket engine prototype. Revealed earlier this week during the American Institute of Aeronautics and Astronautics SciTech Forum, the Ouroboros-3—named after the ancient Egyptian symbol of a snake eating its own tail—utilizes its own body as an additional fuel source. In a video of the tests, the Ouroboros-3 can be seen shrinking in length as its body is burned away during a simulated launch….
(14) FIND OUT WHAT YOU MISSED IN 2023. [Item by SF Concatenation’s Jonathan Cowie.] The Northern hemisphere’s academic year’s, spring edition of SF2 Concatenation is now up.
New , SF2 Concatenation has its spring* season edition. It includes the season’s full news page, with its Film News; Television News; Publishing News; General Science News and Forthcoming SF Books from major British Isles SF imprints for the season, among much else. Separately SF2 Concatenation has a couple of stand-alone articles and convention reports. Plus there is the usual tranche of stand-alone book reviews. Something for every SF enthusiast and/or science bod. * ‘Spring’ season here being the northern hemisphere, academic year spring.
In the news page mix SF2 Concatenation has its annual bit of fun with our selection of ‘Best SF’ books and films of the previous year, 2023. This is also on SF2 Concatenation’sBest SF Books and Films archive, so you can see whether any of their previous years’ choices went on to win major SF awards. (Of course it is too early to see how our latest – 2023 – selection fares.)
Time to sit down at the PC, open the lap top or pad and explore the news page and its links to trailers and videos as well as science papers.
For details of / links to the new content, scroll down to beneath ‘Most recently added‘ below.
FORTHCOMING
Mid-March will see the first of the zine’s four ‘Best of Nature ‘Futures’ short, short SF stories of the year. If you want to check out past stories in this series the Best of Nature ‘Futures’ archive is here.
Most recently added
v34(1) 2024.1.15 — New Columns & Articles for the Autumn 2024
[Thanks to, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, Kathy Sullivan, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]
(1) CHARTING THE DECLINE OF SFF MAGAZINES. Steve Davidson of Amazing Stories has shared a graph on Facebook showing decade-by-decade the number of sff magazine titles and issues since 1923. The numbers really drop off as they approach 2023, as you might guess. Now you can see it, too.
…Following the posthumous release of his final few novels, there could never again be a new Terry Pratchett book.
Until now.
A Stroke of the Pen: The Lost Stories, published this week, compiles short tales written by Pratchett for newspapers in the ’70s and early ’80s and not republished since. It’s not the first such collection – before he died, Pratchett himself approved several volumes of his early tales, originally published in the Bucks Free Press newspaper where he wrote children’s stories under the inherited nom-de-plume ‘Uncle Jim’. The Lost Stories are different, though – until last year, nobody knew they existed.
“It always puzzled me why his inspiration for writing short stories dried up in the mid ’70s”, says Colin Smythe, Pratchett’s friend and publisher, who would become his literary agent when the Discworld novels found success in the ’80s. “It turns out it had not.”…
…The best stories have sparks of originality that, the reader wishes, could have been kindled into greater length. The Fossil Beach starts from the premise that putting a fossilised seashell to your ear enables you to hear a prehistoric ocean, spinning a neat and funny little time-travel comedy from that notion. The collection’s final story, The Quest for the Keys, is the best as well as the longest. It opens in “Morpork” – not exactly the Discworld’s Ankh-Morpork, but a more thinly rendered “evil, ancient, foggy city” – where a disreputable wizard, Grubble the Utterly Untrustworthy, sends the none-too-bright warrior Kron on the titular quest. It rattles along, and is liable to remind the Pratchett fan of The Colour of Magic. But it only confirms what the collection as a whole says: that this is a writer on his way somewhere more interesting….
… What’s vanity radio/TV? In the “writer beware” context, it’s radio or television air time that you, the program guest, have to pay for. Such schemes have been around forever in various forms, aimed at experts and creatives of all kinds, from services that explicitly sell pay-to-play interviews, to show hosts that charge interview fees to defray the fees that they themselves have to pay their platforms.
The main selling point is the promise that your interview will be heard by a large and eager audience, giving wide exposure to you and your book (see the pitches screenshotted below).
In reality, though, vanity radio primarily means local AM/FM stations (not national radio), often in obscure time slots; or internet radio broadcasts and podcasts delivered via platforms like Blog Talk Radio, Spreaker, and streaming services such as iHeart Radio. Internet radio listenership has steadily risen over the last decade and a half, but unless there are subscriber lists (as on YouTube, for instance), there’s usually no way to determine the audience for any given host or show–or to authenticate any listenership claims the show may make.
Ditto for vanity television: interviews may appear on local channels–again, often at times when viewership may be low–but are most often delivered via “sponsored content” internet stations such as The Spotlight Network, or proprietary online “channels” like Daily Spark TV, or “cable alternative” apps like TikiLIVE, which provide no reliable way of verifying audience.
Bottom line: lots of people may be tuning in…or no one at all. Which means that that the only benefit authors can be sure they’ll receive for their money is an audio or video clip they can post to their websites and social media accounts.
Whether that’s worth it when it costs $99 or $150 or $200 is debatable enough. But when the price tag is four figures?…
(5) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]
Crowdsourced spreadsheet of panel members
This Chinese-language online spreadsheet shows in red the members of panels/events, where those people or organizations have publicly posted about them. The Weibo post announcing it indicates that it is open to submissions for the missing information – if anyone has info, if you post a comment here, it will be seen and added to that spreadsheet. NB: the information may not be 100% correct due to late cancellations and the like.
CSFDB activities at the Worldcon
A weixin.qq.com post by the Chinese Science Fiction Database linked from the aforementioned Weibo post provides full details of their activities, including a panel whose members include Sanfeng (aka Feng Zhang) and Arthur Liu, both of whom have contributed posts or commented here at File 770. The post states (via Google Translate):
Note: Translation and video recording will be provided for this event, and we will produce a Chinese and English subtitled version after the event.
I asked Arthur Liu, and he said those recordings and subtitles are something that the CSFDB team are providing off their own back. It’s still unclear what exactly the con will be providing via official streams and the like.
34th Galaxy Awards shortlist
I’m not sure if this shortlist is new information, but it doesn’t look to have been previously covered on File 770. Hugo Best Short Story finalists “On the Razor’s Edge” and “The White Cliff” both make an appearance, as do the western works Love, Death and Robots (an anthology of the adapted stories, I think), Ken Liu’s Good Hunting (I think this is a collection including the titular story), Stanislaw Lem’s The Star Diaries and a Roger Luckhurst non-fiction book.
The award ceremony is on Thursday 19th at the Sheraton across the lake from the Worldcon site.
Successful lottery applicants have been notified
My searches for relevant Xiaohongshu posts today were dominated by successful applicants to the lottery for the three ceremonies. From this incredibly unscientific sample set, it seems like the Hugo ceremony was most popular, followed by the opening ceremony. I only found one post showing attendance for the closing ceremony.
Another view of the Hugo rocket decoration
This Xiaohongshu post has a few images of the interior of the museum, including a wider angle view on the Hugo rocket that was in yesterday’s Scroll. It doesn’t look that impressive at first glance, until you notice the tiny human figure under it…
Venue video
The Chengdu Worldcon committee has posted a video on Facebook with many interior views of the décor of the building where the con will be held.
(6) OVERSIGHT. Hugo Administrator Dave McCarty has arrived in Chengdu and on Facebook has shared photos of the view of the Chinese Science Fiction Museum from his hotel room window.
(7) WE HAVE LIFTOFF! And Chris Barkley took off for China this morning after sending us this photo message: “Well, it’s HAPPENING. Tell my fellow Filers that I will be safe and I’ll TRY to behave.”
(9) SIMULTANEOUS TIMES. Space Cowboy Books has launched Episode 68 of the Simultaneous Times podcast. Stories featured in this episode are:
“This is an Optimistic Science Fiction Story About the Future” by Marie Vibbert. Music by Fall Precauxions
“Space Radio” by Michael Butterworth. Music by Phog Masheeen
“Space Age Mermaid” by Tonya R. Moore. Music by Phog Masheeen.
And theme music by Dain Luscombe
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 15, 1911 — James H. Schmitz. Writer of short fiction in a space opera setting, sold primarily to Galaxy Science Fiction and Astounding Science-Fiction. His “Lion Loose” was nominated for a Short Fiction Hugo at Chicon III, and The Witches of Karres was nominated for Best Novel at NyCon 3. Sources laud him for his intelligent female characters. His collections and novels are available at the usual suspects. (Died 1981.)
Born October 15, 1919 — E.C. Tubb. A writer of at least one hundred forty novels and two hundred twenty short stories and novellas, he’s best remembered I think for the Dumarest Saga. His other long-running series was the Cap Kennedy stories. And his short story “Little Girl Lost” which was originally published in New Worlds magazine became a story on Night Gallery. He novelized a number of the Space: 1999 episodes. Somewhat surprisingly he’s never been nominated for or won any awards. (Died 2010.)
Born October 15, 1923 — Italo Calvino. Writer and Journalist who was born in Cuba, but grew up in Italy. His works range widely across the literary spectrum, across realism, surrealism, and absurdism. As a genre writer he is best known for his “cosmicomics”, linked stories which explore fantastical speculations about subjects such as mathematics, evolution, and human perception. At the time of his death in 1985, he was the most-translated Italian author, and he was recognized with a World Fantasy Award for Life Achievement. (Died 1985.)
Born October 15, 1926 — Ed McBain. Huh, I never knew he ventured beyond his mystery novels where he was best known for his 87th Precinct novels but he published approximately twenty-four genre stories and six SF novels between 1951 and 1971 under the names S. A. Lombino, Evan Hunter, Richard Marsten, D. A. Addams, and Ted Taine. ISFDB has a list and I can’t say I know any of them. Any of y’all read them? Some are distinctly pulpier in nature such as Find The Feathered Serpent. (Died 2005.)
Born October 15, 1935 — Ray “Duggie” Fisher. Editor, Conrunner and Fan, who chaired the 1969 Worldcon in St. Louis, was on the committee for several other conventions, and was a founding member of the Poplar Bluff Science Fiction Club and the Ozark Science Fiction Association. His fanzine ODD was a finalist for a Best Fanzine Hugo. His contributions to fandom were, sadly, cut short by his death at age 52 due to complications of diabetes. (Died 1988) (JJ)
Born October 15, 1942 — Lon Atkins. Editor, Conrunner, and Fan who chaired a DeepSouthCon and was editor of numerous fanzines and apazines, including eight years as co-editor of Rally! He was Fan Guest of Honor at a Westercon, and a recipient of Southern Fandom’s Rebel lifetime achievement award. He was also a ferocious Hearts player. (Died 2016.) (JJ)
Born October 15, 1954 — Linnea Sinclair, 69. Merging romance, SF and paranormal into, well, damned if I know. She’s here solely because I’m really tickled by the use of her SJW credentials as Games of Command and the short story “Of Cats, Uh, Furzels and Kings” feature telepathic feline creatures called ‘Furzels’. Sinclair has stated that these are inspired by her two cats.
Born October 15, 1968 — Jack du Brul, 55. A writer of somewhat SF novels that EoSF says of “the Philip Mercer sequence featuring a geologist who – not entirely unlike Steven Spielberg’s similarly scholarly Indiana Jones – has physical gifts extending beyond the probable.” He also co-wrote, and continued after Clive Cusler passed on, The Oregon Files.
(12) LEARNEDLEAGUE: SFF ONE-DAY SPECIAL. [Item by David Goldfarb] The LearnedLeague is in its off-season, which as usual means single-topic one-day quizzes. There was one recently about the cartoon Avatar: The Last Airbender. You can read its questions here.
Beyond Fest and the American Cinematheque saluted producer Roger Corman on [September 30] with a four-film marathon followed by a conversation with some of the directors who began their careers working for the now-legendary genre icon….
…“The vast majority of people can’t tell good from bad,” said [Amy Holden] Jones. “You get notes on cuts that don’t particularly make sense, to get reshoots that aren’t fixing what’s actually the problem. But mainly the executives can’t tell good from bad. And Roger knew it immediately.”
“I’ll never be working for anybody again who knows as much about movies as Roger did when I was starting out,” said Dante, who went on to make the “Gremlins” movies. “Unfortunately, the problem is that the more movies you make, and the more executives you meet, the more you realize that there are almost none who know as much about movies as you do. And so they are no help.
“In fact, they’re a hindrance and you spend a lot of time trying to please people who don’t know what they want,” added [Joe] Dante. “And if they did, they wouldn’t know how to express it anyway. So I think all of us feel that the best years of our creative lives were spent working for somebody who knew more than we did. And that was Roger.”
[Allan] Arkush pointed to Corman when he said, “The profound thing is, this is the only person to run a studio who knows how to make a movie.”…
(14) PARTY LIKE IT’S 1998. “Lost In Space Forever” – a skit with Jonathan Harris and Bill Mumy.
The end of this 1998 documentary features a short skit with Will, Dr. Smith and the Robot on the Jupiter 2.
[Thanks to SF Concatenation’s Jonathan Cowie, Mike Kennedy, Gareth Jelley, Jennifer Hawthorne, David Goldfarb, Steven French, Andrew Porter, Ersatz Culture, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]
“Of all the dead authors in the world, Terry Pratchett is the most alive,” said John Lloyd at the author’s memorial in 2015. This sentiment remains as true now, 40 years after the publication of Pratchett’s first Discworld novel, The Colour of Magic. The anniversary has been commemorated in a set of illustrated Royal Mail stamps. There’s been a show dedicated to Pratchett at the Edinburgh fringe. A Kickstarter for a graphic novel adaptation of Good Omens, the book he co-wrote with Neil Gaiman, became the number one comics campaign in Kickstarter history, bringing in more than £2.4m; a second series of the TV adaptation was also released.
All this would make 2023 an impressive year by any writer’s standards – but happened in the month of August alone. The big event comes this month, with the publication of A Stroke of the Pen, a collection of rediscovered early stories. This past year also brought an animated adaptation of Pratchett’s children’s novel The Amazing Maurice, and a new set of Discworld audiobooks….
Naturally, the best paragraphs are the ones that quote Pratchett:
…Not that Pratchett was universally disparaged: the critics who actually read his books tended to like them. When AS Byatt reviewed Thief of Time, she said it deserved to win the Booker prize. Of course, Pratchett never got a look in. “Thank goodness,” he said, “because I think my earnings would have gone down considerably if I suddenly got literary credibility.” He also joked that when he was given an OBE for services to literature, those services “consisted of refraining from trying to write any”…
… In 1969, Bisson quit writing for a decade and left New York for “hippie commune” work in the South and Southwest. He met his wife, Judy Jensen, in a commune, and they became involved in the May 19th Communist Organization, a group created by former members of the Weather Underground. In 1975, the couple moved back to New York to organize for May 19th, and Bisson worked as an auto mechanic in taxi garages and a copywriter. He sold his first science-fiction novel, “Wylrdmaker,” to the publisher David Hartwell in 1981, for fifteen hundred dollars. The novel was pulp: it told the story of Kemen of Pastryn, a satirical futuristic version of Conan the Barbarian. It wasn’t the book Bisson wanted to write, he told me, but “it was the smartest thing I ever did. That’s when I discovered you didn’t have to be fucking Hemingway or Fitzgerald to write a novel.” His second novel, “The Talking Man,” was more of a passion project—it was a fantasy novel set in the rural South, with junkyards instead of castles. “There was a sense of science fiction as a very urban literature and the future as a very urban place,” the writer Karen Joy Fowler told me. “Terry’s perspective was more land-based, regional, and populist.”
If May 19th had asked him to do anything risky, Bisson would have. But he was always suspected of being a “petit-bourgeois intellectual” and thus was kept on the sidelines. In 1985, he was subpoenaed to testify in front of a grand jury, to identify friends who had gone into hiding, and who were suspected for bombings at the Capitol and three military bases nearby. He refused to comply, and spent three months in prison—a short stint, he notes, compared with those of his friends. There, Bisson started his third novel, “Fire on The Mountain,” an alternative history in which the abolitionist John Brown’s revolt at Harper’s Ferry succeeded. When it was published, in 1988, Bisson dedicated the book to Kuwasi Balagoon and the Black Liberation Army….
…Nowadays, the language of Nineteen Eighty-Four is used by rightwingers to indict “wokeism”. Any new coinage from the left is called “Newspeak”; any attempt to acknowledge moral ambiguity is dismissed as “doublethink”. With the single word “Orwellian”, a college’s overreaching speech policy, for example, is framed as an existential threat to the free world. But Nineteen Eighty-Four wasn’t a warning against a university’s inclusivity statement. It was a warning about men like Trump and Putin and the violent mass movements they inspire….
… When my Nineteen Eighty-Four book was announced, described as a “feminist retelling”, I was treated to a personal experience of how far things had gone. The news attracted a storm of misogynist and antisemitic abuse in rightwing tweets, blogs, YouTube videos, even newspaper articles. This was long before the novel was available to be read – before I’d barely written a few chapters. Still, all the attackers were sure what would be in it: a full-throated endorsement of Big Brother. …
…From what we’ve been able to gather, it appears that a group of Ohayocon staffers and volunteers had formed an informal union called Convention of Ohio Volunteer Network (COVEN) and presented a document of demands to Phelps and other members of the board of Cultural Exchange Society, Inc on March 4th, 2023. You can read a full version of that document here. …
Update 10/6/2023 (8:50pm CDT): Ohayocon has put out a statement regarding the current situation which is, frankly, confusing. In the statement, Ohayocon says “Contrary to misinformation swirling online, NO volunteers or members of the Senior Leadership Team have been fired from Ohayocon…” which is at odds with Phelp’s repeated, explicit statements that the con chair and marketing head had been fired….
(5) SMALL WONDERS 4. Co-editors Cislyn Smith and Stephen Granade are proud to bring a mix of flash fiction and poetry for the spooky month in Small Wonders Issue 4, now available on virtual newsstands here. Subscriptions are available at the magazine’s store and on Patreon.
The Issue 4 Table of Contents and release dates on the Small Wonders website:
Cover Art: “Rebuilding” by Carrie Alyson
“Katya’s Microscope” (fiction) by Monica Joyce Evans (2 Oct)
“Five Easy Hairstyles for Snake-Haired Girls” (poem) by Jelena Dunato (4 Oct)
“Granny’s Spider” (fiction) by Wen Wen Yang (6 Oct)
“On the bare unwelcoming shore” (fiction) by Zohar Jacobs (9 Oct)
“Drunken Supernova” (poem) by Keira Perkins (11 Oct)
“Faith That Builds Worlds” (fiction) by Eric A. Clayton (16 Oct)
“If We Live to Be Giants” (fiction) by Allison Mulder (13 Oct)
“Sever” (poem) by Lora Gray (18 Oct)
“Five Functions of Your Bionosaur” (fiction) by Rachael K. Jones (20 Oct)
Four years ago, Spotify’s business was stagnating. Apple had overtaken it as the top paid music service in the United States, losses were mounting and customer growth was slowing.
Daniel Ek, the company’s chief executive, decided that Spotify needed to transform from a music service into the everything store for audio. The first missing piece was podcasts, a business that has helped boost ad sales.
On Tuesday, Spotify said that it would begin offering 15 hours of audiobooks each month as part of its streaming service for premium subscribers in Britain and Australia. This winter, it will expand the offering to subscribers in the United States.
Spotify’s expansion into books has the potential to shake up the retail landscape for audiobooks, a fast-growing segment of publishing that has long been dominated by the Amazon-owned audio retailer Audible.
(7) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]
Just over two weeks after attending tickets/memberships for the con were halted without notice, the promised single day tickets have finally gone on sale. Key points:
Adult (over-25) tickets are 128 yuan per day (around $18 USD)
“Teenager” (13-25) tickets are 78 yuan per day (around $11 USD)
For reference, the original 5-day ticket prices were 320 and 200 yuan ($44 and $28 USD) respectively
Tickets are only available for Thursday 19th through Sunday 22nd, i.e. not the opening day
Ticket sales will close at the end of Saturday 14th (presumably Beijing-time, but this isn’t explicitly stated)
Translations of some of the reply comments on the Weibo post reflect the above:
I bought three single-day tickets, which are more expensive than the pass, and I can’t participate in the lottery
Why is there no 18-day single-day ticket opening ceremony at 8pm。This day is a variety of activities, and by then there will be almost no one during the day。
File 770 contributor Feng Zhang posted photos of the October issue of Chengdu Culture/Tianfu Culture, in which the Worldcon is a cover feature, and in which he is interviewed.
A couple of Xiaohongshu posts about the interior decor
The Wandering Earth 2 exhibit has progressed a bit since the video included in a Scroll a couple of days ago. http://xhslink.com/KAbNfv(I’ve attached the image, as there’s not much else to that post)
A company making large lamps seems to be making replicas of the planets to be displayed at the con. http://xhslink.com/739Mfv The text of the post refers to “10 major planets”, so maybe Pluto-diehards will be in luck?
Lapine Lingo in American English: Silflay; Author(s): Thomas E. Murray; Source: American Speech , Winter, 1985, Vol. 60, No. 4 (Winter, 1985), pp. 372-375; Published by: Duke University Press
“The general conclusion concerning silflay and its infiltration into American speech, then, is clear: whereas the Russians may or may not be coming, the rabbits have definitely already come and gone, and in their short stay have left a significant linguistic imprint on a sizable portion of the American population. As for the future of silflay, I think it may warrant further attention. Will its popularity die a slow and inconsequential death, as is the case with so many nonce creations, or will it spread, either geo-graphically or socioeconomically, to other English-speaking peoples? Moreover, what of the other terms that Adams created (over forty are listed in the Glossary at the end of the novel)? Will one or more of them charm some innocent lover of bunnies into increasing his or her vocabulary and thus propagating other aspects of the lapine lingo? Perhaps not, but given the current, unexpected popularity of silflay, the entire rabbit language phenomenon certainly bears watching.”
(9) NM-AZ BOOK AWARD WINNERS. The New Mexico Book Co-op has announced the 2023 winners of the New Mexico-Arizona Book Awards.
The winner in the Sci-Fi category is Avery Christy for Mountain Knight.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 7, 1938 — Jane Gallion (Ellern). Writer, Poet, and Fan who was one of the members of the Los Angeles Science Fiction Society subgroup The Blackguards, which hosted many parties and tournaments. She edited the fanzines Karuna, and Topaze (etc.), contributed to many other fanzines over the years, and was known for her three post-apocalyptic novels which were very early examples of feminist works involving explicit sex. (Died 2003.)
Born October 7, 1942 — Lee Gold, 81. She’s a member of LAFA and a writer and editor in the role-playing game and filk music communities. She published Xenofilkia, a bi-monthly compilation of filk songs which has been published since 1988, four issues of the Filker Up anthology; and has published for forty-four years, Alarums and Excursions, a monthly gaming zine. She’s edited more fanzines than I care to list here, and is a member of the Filk Hall of Fame along with Barry Gold, her husband.
Born October 7, 1945 — Hal Colebatch. Lawyer, Journalist, Editor, and Writer from Australia who has written, singly or in collaboration, two novels and at least two dozen shorter pieces set in Larry Niven’s The Man-Kzin Wars series. However, his main body of work is non-genre, including six books of poetry, short stories, and radio dramas and adaptations. His non-fiction books include social commentary, biography and history, and he has published many hundreds of articles and reviews in various news and critical venues. (Died 2019.)
Born October 7, 1946 — Chris Foss, 79. UK Illustrator known for the Seventies UK paperback covers for Asimov’s Foundation trilogy and E. E. “Doc” Smith’s Lensman and Skylark series among many that he did. He also did design work for the Jodorowsky version of Dune.Alien has his Spaceship design, and he did redesign of Gordon’s rocket cycle for the 1980 Flash Gordon film.
Born October 7, 1947 — John Brosnan. Australian writer who died way too young of acute pancreatitis. He used at least seven pseudonyms, and wrote scripts for a number of what I’ll generously call horror films including one I know that somehow I saw — Carnosaur. If you like your SF with a larger dose of pulp, his Sky Lords trilogy (The Sky Lords, The War of the Sky Lords and The Fall of the Sky Lords) is damn good. Airships, airships! (Died 2005.)
Born October 7, 1950 — Howard Chaykin, 73. Comic book artist and writer. His first major work was for DC Comics, drawing “The Price of Pain” which was an adaptation of author Fritz Leiber’s characters Fafhrd and the Gray Mouser in Sword of Sorcery #1. He would illustrate damn near everything else from Batman and The Legion of Super-Heroes for DC to Hulk and Iron-Man for Marvel (to name but two series) but I think his best genre work was his own American Flagg! series.
Born October 7, 1956 — Rick Foss, 67. Historian, Writer, Food Connoisseur, Conrunner, and Fan who has had around a dozen short fiction works published, mostly in Analog, some of which are in his Probability Zero universe. He is also a food writer, maintains a blog of interesting and little-known stories about food and cooking, has published the book Food in the Air and Space: The Surprising History of Food and Drink in the Skies about the history of airline food, and has had occasional food-related contributions on File 770. He is a member of LASFS and SCIFI, has worked many Loscons and other conventions, and chaired Loscon Sixteen in 1990. Along with his twin brother Wolf Foss, he was Fan Guest of Honor and Toastmaster at Windycon 19 in 1992.
Born October 7, 1959 — Steven Erikson, 64. He’s definitely most known for his Malazan Book of the Fallen series, which began with the publication of Gardens of the Moon and was completed with the publication of The Crippled God, ten novels later. Though I’ve not read it, and didn’t know it existed until now, he’s written the Willful Child trilogy, a spoof on Star Trek and other tropes common in the genre.
As recently announced by Apple TV+, the fourth season of “For All Mankind” is set to debut on Nov. 10. Created by Ronald D. Moore, along with current showrunners Ben Nedivi and Matt Wolpert, “For All Mankind” explores how humanity’s space exploration efforts may have proceeded differently if the Soviet Union had beaten the United States to landing a man on the moon.
One of the ways the show has distinguished its timeline from our own has been the inclusion of altered or entirely new mission patches worn by the astronauts in the series. For the past three seasons, Icon Heroes, a pop culture collectibles company, has sold limited edition replicas of the “For All Mankind” embroidered emblems.
Now, the Irvine, California-based company is offering those same alternate Apollo artworks, space shuttle symbols and Martian marks as collectible pinback buttons….
(13) 2023 LAUREATE AWARD. The National Fantasy Fan Federation has announced the 2023 Laureate Award winners. The Laureate Award was first given in 1941.
Best Fan Writer — Martin Lock Best Fan Artist — Jose Sanchez Best Fan Website — Fanac.org from Joe Siclari, Edie Stern, and Mark Olsen Best Non-N3F Fanzine — Simultaneous Times Newsletter from Jean-Paul L. Garnier Best N3F Fanzine — Tightbeam Best Podcast — Simultaneous Times Best Novel — Lords of Uncreation by Adrian Tchaikovsky Best Shorter Work or Anthology — Return to Glory by Jack McDevitt Best Pro Artist — Austin Arthur Hart Best Editor — Toni Weisskopf Best SF Poet — Michael Butterworth Best Comic Book — New Think 1.0 Best Anime — Chainsaw Man Best Manga — Mindset Best Television Show, Film, or Video — Heath Row’s Productions Best None of the Above — Manuscript Press (Rick Norwood) and aruffo.com for reprinting the daily comic strip Alley Oop
The architect who created the look of Princeton’s campus wrote ghost stories. Fittingly, Ralph Adams Cram’s stories are about haunted buildings, and what haunts those buildings is the past. In a story collection that he published in 1895, empty houses prove, over and over, to be anything but. In a crumbling castle near Innsbruck, Austria, where a devilish nobleman once set the ballroom on fire while his guests danced inside, two “ghost hunters” get caught up in a danse macabre. In a secluded convent near Palermo, Italy, a visitor follows a beckoning specter to the site where, a century earlier, the nuns bricked up one of their sisters in the convent’s walls, a heartless punishment for a sin of the heart. In an abandoned old manse in the Latin Quarter of Paris, rumored to have once been a favorite haunt of the city’s witches, a gang of young “rake-hell” students spends the night on a dare, with predictably ghastly results.
The thesis is straightforward: We inhabit buildings, and they inhabit us, in a larger sense than we might think. In 1907, a group of archaeologists who planned to do excavations in the ruins of Glastonbury Abbey performed séances to get advice from the former inhabitants on where to dig. Cram wrote a defense of their methods, arguing not that they dialed up literal ghosts but that buildings are a deep well of memory that outlasts their inhabitants. (The archaeologists found what they were looking for, but England is so crowded with historical odds and sods that they find kings under parking lots, so their chances were already good.)…
Beyond Neptune’s orbit lie thousands of small icy objects in the Kuiper belt, with Pluto its most famous resident. But after 50 astronomical units (AU)—50 times the distance between Earth and the Sun—the belt ends suddenly and the number of objects drops to zero. Meanwhile, in other solar systems, similar belts stretch outward across hundreds of AU….
A new discovery is challenging that picture. While using ground-based telescopes to hunt for fresh targets for NASA’s New Horizons spacecraft, now past Pluto on a course out of the Solar System, Fraser and his colleagues have made a tantalizing, though preliminary, discovery: about a dozen objects that lie beyond 60 AU—nearly as far from Pluto as Pluto is from the Sun. The finding, if real, could suggest that the Kuiper belt either extends much farther than once thought or—given the seeming 10-AU gap between these bodies and the known Kuiper belt—that a “second” belt exists…
It was a long slog. But NASA‘s Curiosity rover did it.
The space agency’s car-sized robot, which has ventured up Mars’ Mount Sharp for nearly a decade, successfully traversed rocky terrain to arrive at a scientifically-intriguing site made by ancient avalanches of boulders, debris, and water. Today, this place, Gediz Vallis Ridge, exists as a prominent hill blanketed with large rocks.
After making the arduous trek (scientists worked to find a passable route to this area for three years), the Curiosity rover turned around and snapped an expansive image of the Martian landscape beyond, which NASA released on Oct. 5.
[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Juli Marr, Andrew (not Werdna), Mark Roth-Whitroth, Steven French, John-Paul L. Garnier, JeffWarner, Andrew Porter, Ersatz Culture, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]
(1) SFWA GIVERS FUND GRANT DEADLINE OCTOBER 1. During SFWA’s recent annual business meeting, Chief Financial Officer Erin M. Hartshorn gave an update on the current amounts in each of the organization’s benevolent funds: $388,000 for the Emergency Medical Fund, $66,000 for the Legal Fund, and $103,000 for the Givers Fund, which will give away $30,000 worth of grants this fall. Applications for grants from the Givers Fund are due October 1.
…This program, supported by ARD, ZDF, and 3sat, precedes the October 22 presentation to Rushdie of the Peace Prize of the German Book Trade, as Publishing Perspectives readers know. The award carries a purse of €25,000 (US$26,389).
In a statement today, Frankfurt president and CEO Juergen Boos has said, “I was very moved that Salman Rushdie is not missing the opportunity to meet the audience in Frankfurt in person, in addition to attending the award ceremony for the Peace Prize….
…As you’ll remember, the stabbing attack on Rushdie at the Chautauqua Institution in upstate New York occurred on August 12, 2022. Dealing with severe injuries and the preparation of his new book, Rushdie has made very few public appearances since then, one of them in May in a videotaped message from New York for the British Book Awards….
(3) HOW NETFLIX DVD WORKED. [Item by Dan Bloch.] Tomorrow is, of course, Netflix DVDs last day, and there are of course lots of articles about this, all saying more or less the same thing (“Netflix DVD, we’ll miss you, even though we canceled our subscription a long time ago”). This one is different: “Netflix’s DVD service shuts down: here’s the complex tech behind it” at The Verge. It’s a longish but very interesting article about how the technology in their shipping hubs works.
… Bronway custom-designed a massive disc robot called the “automated rental return machine,” or ARRM 3660. The ARRM, as Netflix employees simply called it, was an assembly-line-sized machine consisting of 6,500 parts total. At its center were two carousels, housed behind glass doors, that were loaded up with incoming mail and then used pneumatic arms to perform all of the things people had done before: slice open returned envelopes, unpack discs, inspect them, clean them, add them to a facility’s inventory system, and get them ready to go out of the door again — basically, every job short of sorting discs and stuffing envelopes for the next customer.
The robotics company sold 180 of these machines to Netflix in 2010, and they were deployed in stages across all of its hubs. The labor savings alone were enormous. “The hubs were a spectacular number of people,” recalled Johnson. “You could replace about five humans opening the discs with one machine.”
Once a hub was fully automated, it really only required a handful of people to operate. Warehouse workers would arrive at 2AM each day to flip on the machines and process tens of thousands of DVDs in time to deliver them to the Postal Service later that morning. “It was just one person per machine,” Gallion said. “You’d have one person running the stuffer, one person running the sorter, one person running the rental return machine.”
But automation wasn’t just about labor costs alone. Machines were also a lot better at their job, which led to less frustration for Netflix subscribers. Customers who borrowed entire seasons of a TV show would frequently mix up discs — they might put season 7 disc one of The Simpsons in the sleeve for season 7 disc two.
Netflix hub employees were supposed to catch those mix-ups and make sure that the next customer didn’t accidentally receive the wrong disc. “But humans aren’t very good at that,” Johnson said. Machines, on the other hand, aren’t fooled by similar-looking titles. “If barcode A doesn’t match barcode B, then clearly, you’ve got a mismatch,” he said…
… If you know anything about this subject, you’ve probably heard that LLMs are trained to “predict the next word,” and that they require huge amounts of text to do this. But that tends to be where the explanation stops. The details of how they predict the next word is often treated as a deep mystery.
One reason for this is the unusual way these systems were developed. Conventional software is created by human programmers who give computers explicit, step-by-step instructions. In contrast, ChatGPT is built on a neural network that was trained using billions of words of ordinary language.
As a result, no one on Earth fully understands the inner workings of LLMs. Researchers are working to gain a better understanding, but this is a slow process that will take years—perhaps decades—to complete.
Still, there’s a lot that experts do understand about how these systems work. The goal of this article is to make a lot of this knowledge accessible to a broad audience. We’ll aim to explain what’s known about the inner workings of these models without resorting to technical jargon or advanced math….
(5) CHENGDU WORLDCON UPDATE. [Item by Ersatz Culture.]
I’m not sure if this is a new announcement, but I don’t recall seeing any mention of it prior to today. Douban – which can be compared to both IMDB and Goodreads – has a listing for “Stellar Concerto”, which features stories from the three Worldcon GoHs. The listing indicates there are new stories in this anthology, although I assume that means they are new in translation, but have been previously published in their original language. The publisher is the Chengdu-based 8 Light Minutes Culture, which has a few staff on the Chengdu concom.
The October issue’s cover feature is about SF, although it doesn’t seem to have an explicit Worldcon connection, on the cover at least. There are photos of some of the interior content, which seems to involve at least a couple of people on the concom, at this Weibo post: https://weibo.com/1662229842/NlnnPvnGo
The HelloChengdu Weibo account linked to a Sichuan Daily post from a couple of days ago with a 2-minute Worldcon-related video that has CG renderings of the venue that I don’t think I’ve seen before. Although given that the con is ~20 days away, I’d have thought the time for CG renders over real-world footage should have long passed.
This one is way beyond my negligible language skills – and I think it might be a repost of something previously released – but I believe it goes over the Puppies stuff (29:43 and later), Marko Kloos declining his Hugo nomination (from 36:26) and the resulting elevation of The Three-Body Problem to be a finalist., Other people/things shown or namechecked include: VD and LC (30:02, VD numerous times after that), Zoe Quinn (from 32:39), GRRM’s Puppygate blog post (37:33), N. K. Jemisin (40:30), Robert Silverberg (45:24), the “GRRM Can Fuck Off Into the Sun” blog post (48:00).
This isn’t something that most File 770 readers are going to need or want to watch, but I think it’s a good illustration that Chinese fans aren’t ignorant of stuff that happens in the Anglosphere.
…The core problem of A Life With Footnotes is one that felt easy to predict before even turning the first page. Terry Pratchett, to be perfectly blunt, did not live a particularly interesting life. He was the precocious son of working class parents in post-war England, who fell in love with science fiction and fantasy in his teens, fooled around with writing them with only moderate success, did some creative-adjacent salaried work (journalism, then PR), and then hit on a concept that ballooned into a world-class success with remarkable speed, after which he was very rich and very successful for the rest of his life. In other words, the life story of quite a few midcentury authors (give or take the stratospheric success). What set Pratchett apart, like most writers, was what was going on in his head….
But then, one of the most startling choices in A Life With Footnotes is how little it has to say about Pratchett the author….
Wilkins’s focus seems, instead, to be on the business side of things….
While I agree with Nussbaum’s description of what is and isn’t there, Pratchett was unable to complete his autobiography before he died so my own focus is on the book we have thanks to Rob Wilkins’ efforts, not the book we wanted.
For Idea, a rare-book dealer and publisher in London, the dwindling of print has never been much of an issue. If anything, it has been a boon for the understated business that David Owen and Angela Hill have built, largely on the back of Instagram’s early infrastructure.
But now, Idea is navigating yet another swerve — the death of the Instagram timeline. In 2021 the social media platform moved from a chronological feed to a more opaque algorithm, which boosted videos. That meant less exposure for posts of, for example, vintage fashion books, which in turn made book selling on Instagram something of a slog.
And even though Idea has some 500,000 followers — W magazine called it an “Instagram phenomenon” in 2015 — the company is ready to experiment with a fairly antiquated idea that some may consider riskier than print itself: a physical bookstore.
In late September, Idea will open a store spread over three floors of a brick building on Wardour Street, in the London neighborhood of Soho. (The location is also Mr. Owen and Ms. Hill’s current home — they rent in the building — in a district crowded with David Bowie walking tours and lines for a Supreme store nearby.)
“What it really feels like is the perfect answer to all the frustration we’ve had with Instagram for the last couple of years, compared to the absolute joy and wonder we’ve had with it the eight previous to that,” Mr. Owen said.
When Mr. Owen and Ms. Hill started their Instagram account in 2010, it quickly became a popular feed. Glossy scans of their collection — which included issues of Six, a magazine by Commes des Garçons ($3,050); “Pentax Calendar” by Guy Bourdin ($500); and “Fiorucci: The Book” by Eve Babitz ($365) — popped out against a sea of heavily filtered selfies….
A shopping agreement for a streaming series based on The Mote in Gods Eye and The Gripping Hand has been secured by Untitled.
With the end of the WGA strike, real work has begun to craft and pitch an expected 24+ episode, 3 year story arc.
Questions abounded on how to both streamline and lengthen the proposed series for streaming audiences. Let’s see how Untitled proceeds, now that the clock has started.
—
When asked Why 3 Arms? Larry Niven explained yesterday that his approach to the initial alien design was inspired by the dual question of why tool makers would need symmetry in their biology if there was limited-to-no gravity. He also posed: Do we need a spine? What if the spine was an evolutionary mistake?
“I acted Macbeth for exactly 365 days,” says the actor, whose new memoir is “Making It So.” “The role got into me so deeply it dominated my life at the time and caused me to drink too much alcohol after the performance was over. No other role I have played has affected me so profoundly.”…
…Describe your ideal reading experience (when, where, what, how).
Immediately on waking up I make a cup of Yorkshire Gold with a chocolate digestive and read in bed for half an hour, or more. Always a book. Never a script or emails. This not only wakes me up, it puts me back in the world we are living in and who we are today. Unless there is an urgent reason I do not look at newspaper headlines, or listen to the news until halfway through the morning.
What’s your favorite book no one else has heard of?
Michael Gambon, the Irish-English actor best known for his role as Hogwarts headmaster Albus Dumbledore in six of the “Harry Potter” movies, has died, Variety has confirmed. He was 82.
“We are devastated to announce the loss of Sir Michael Gambon,” his family said in a statement. “Beloved husband and father, Michael died peacefully in hospital with his wife Anne and son Fergus at his bedside, following a bout of pneumonia.”
While it is easier for a character actor, often working in supporting roles, to rack up a large number of credits than it is for lead actors, Gambon was enormously prolific, with over 150 TV or film credits in an era when half that number would be impressive and unusual — and this for a man whose body of stage work was also prodigious.
He played two real kings of England: King Edward VII in “The Lost Prince” (2003) and his son, King George V, in “The King’s Speech” (2010); Winston Churchill in his later years in the 2015 ITV/PBS “Masterpiece” telepic “Churchill’s Secret”; U.S. President Lyndon Johnson in John Frankenheimer’s 2002 HBO telepic “Path to War,” for which he was Emmy-nominated; and a fictional British prime minister in “Ali G Indahouse,” also in 2002. And as Hogwarts headmaster in the “Harry Potter” movies, he presided over the proceedings therein. In 2016, he served as the narrator for the Coen brothers’ paean to golden-age Hollywood, “Hail! Caesar.”…
And you can see a photo of Michael Gambon, circa 1970, from when he was invited by producer Cubby Broccoli to test for James Bond at the Tim Burton Wiki.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 28, 1913 — Ellis Peters. Nom de plume of the writer of The Cadfael Chronicles,which I’ll admit I broke my rule of never watching a video adaption of a print series that I like. Derek Jacobi as Cadfael was damn perfect. She is here because she was the writer of two excellent ghost novels, The City Lies Four-Square and By This Strange Fire, under her real name of Edith Pargeter. (Died 1995.)
Born September 28, 1932 — Michael G. Coney. British-born writer who spent the last half of his life in Canada. He’s best remembered for his Hello Summer, Goodbye novel. I’m very fond of The Celestial Steam Locomotive and Gods of the Greataway which might be set on what could be Vancouver Island. His only Award was from the BSFA for Brontomek!, one of his Amorphs Universe works, although he was a 1996 Nebula nominee for his “Tea and Hamsters” novelette, and a five-time finalist for the Aurora Award. (Died 2005.)
Born September 28, 1938 — Ron Ellik. Writer and Editor, a well-known SF fan who was a co-editor with Terry Carr of the Hugo winning fanzine, Fanac, in the late 1950s. Ellik was also the co-author of The Universes of E.E. Smith with Bill Evans, which was largely a concordance of characters and the like. Fancyclopedia 3 notes that “He also had some fiction published professionally, and co-authored a Man from U.N.C.L.E. novelization.” The Encyclopaedia of Science Fiction says he died in an auto accident the day before his wedding. (Died 1968.)
Born September 28, 1950 — John Sayles, 73. I really hadn’t considered him a major player in genre films but he is. He’s writer and director The Brother from Another Planet and The Secret of Roan Inish; and he wrote the scripts of Piranha, Alligator, Battle Beyond the Stars, The Howling, E.T. the Extra-Terrestrial, The Clan of the Cave Bear and The Spiderwick Chronicles.
Born September 28, 1963 — Greg Weisman, 60. Writer who’s best remembered for Gargoyles, Spectacular Spider-Man and Young Justice. He also scripted some of Men in Black: The Series and Roughnecks: Starship Troopers Chronicles. He also wrote children’s novel World of Warcraft: Traveler, followed by a sequel, World of Warcraft: Traveler – The Spiral Path. Children’s novels in the Warcraft universe? Hmmm…
Born September 28, 1982 — Tendai Huchu, 41. Zimbabwean author who’s the editor along with Raman Mundair and Noel Chidwick of the Shores of Infinity zine. He’s also written a generous number of African centric stories of which “The Marriage Plot” won an African Speculative Fiction Society Nommo Award for African Speculative Fiction for Best Short Story.
Born September 28, 1986 — Laurie Penny, 37. They are the writer of one genre novella to date, “Everything Belongs to the Future“, published at Tor.com, and a generous number of genre short stories. They were a finalist for the Astounding Award for Best New Writer at Worldcon 75 won by Ada Palmer. “Vector at Nine Worlds: Laurie Penny”, an interview with them by Jo Walton is in Vector 288.
(12) COMIC SECTION.
The Far Side shows something that might be a case for an insurance company. But is it an act of God?
(13) FIFTY CALIBER. Congratulations to Michaele Jordan on her appearance in 50 Give or Take!
Winnie-the-Pooh: The Deforested Edition is a reimagining of the A.A. Milne classic created by the toilet paper company Who Gives A Crap.
There is just one, stark difference: There are no trees.
The Hundred Acre Wood? Gone.
Piglet’s “house in the middle of a beech-tree” is no longer “grand.”
Six Pine Trees is six pine stumps.
Yes, this is imaginative PR (a free eBook is available on the Who Gives A Crap website; a hardcover was available for purchase but is now sold out). But the company’s co-founder, Danny Alexander, said the goal is to raise awareness about deforestation. Who Gives A Crap prides itself on “creating toilet paper from 100% recycled paper or bamboo,” he said….
… Alexander said Who Gives A Crap has tried to spread the word that “over a million trees are cut down every single day just to make traditional toilet paper,” according to a study the company commissioned….
John Coxon is husky, Alison Scott is a dingo, and Liz Batty is a ridgeback.
We discuss Chengdu, our impact on Chinese fandom, Glasgow, its impact on Glaswegian fandom, and then all the Hugo categories bar one (foreshadowing). Or four, depending on how you count.
Intensity-modulated proton therapy (IMPT) is an advanced cancer treatment technique that uses narrow pencil-like beams of protons – painted spot-by-spot and layer-by-layer within the patient – to deliver radiation in highly complex dose patterns. Combined with sophisticated treatment planning techniques, IMPT can shape the proton dose to match the targeted tumour with unprecedented accuracy, maximizing the destruction of cancer cells while minimizing damage to nearby healthy tissue.
Looking to showcase the impressive power of IMPT to create intricate dose distributions, medical physicist Lee Xu from the New York Proton Center came up with an unusual approach – he used proton pencil beams to recreate a series of well-known paintings as treatment plans, effectively using the protons as a paintbrush….
Medical physicist showcases the power of proton therapy by recreating well-known paintings using proton pencil beams as the paintbrush. https://t.co/u6D25EPKsX
The James Webb Space Telescope (JWST) is aweing scientists and the public alike with its spectacular images of distant galaxies and its discoveries of dozens of new black holes. Yet JWST is also rewriting scientists’ understanding of objects on a slightly smaller, more relatable scale: how planets form from swirls of gas and dust around young stars. Such ‘protoplanetary’ disks are what the environs of the Sun would have been like 4.6 billion years ago, with planets coalescing from the whirling material around an infant star.
JWST is revealing how water is delivered to rocky planets taking shape in such disks. It’s providing clues to the exotic chemistry in these planetary nurseries. And it has even found fresh evidence for a cosmic hit-and-run in one of the most famous debris disks, encircling the star Beta Pictoris…
[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Steven French, Lise Andreasen, Jeff Smith, SF Concatenation’s Jonathan Cowie, Dan Bloch, Bill, Mike Kennedy, Andrew Porter, and Ersatz Culture for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
