2024 Prometheus Best Novel and Hall of Fame Winners

The Libertarian Futurist Society has announced the Best Novel and Hall of Fame for Best Classic Fiction Prometheus Award winners for 2024.

THE PROMETHEUS AWARD FOR BEST NOVEL

Critical Mass, by Daniel Suarez (Dutton) has won the 2024 Prometheus Award for Best Novel for novels published in 2023.

The citation says:

Set in the inner solar system, this fast-paced science fiction thriller follows engineer-entrepreneurs striving against the odds to use space-mined materials to build infrastructure in space for commercial development.

Heroic characters risk their lives in an audacious mission to complete a space station, allowing construction of a nuclear-powered spaceship and rescue of stranded crew members on the distant asteroid Ryugu. The resourceful band must achieve their goals amid shortsighted opposition, censorship, shifting alliances and international tensions of Earth governments.

Unusually realistic in depicting the perils of living and working in space, Suarez achieves a high level of plausible engineering speculation. Government is shown as the problem and cooperation through free enterprise as part of a space-based solution to problems on Earth.

Included is a plausible depiction of the creation of a functional, private, decentralized currency beyond the reach of Earth, relevant in this era of inflationary government fiat money.

The other 2023 Best Novel finalists were Theft of Fire, by Devon Eriksen (Devon Eriksen LLC); Swim Among the People,  by Karl K. Gallagher (Kelt Haven Press); God’s Girlfriend, by Dr. Insensitive Jerk (AKA Gordon Hanka) (Amazon); and Lord of a Shattered Land,  by Howard Andrew Jones (Baen Books).

 THE PROMETHEUS HALL OF FAME FOR BEST CLASSIC FICTION

The Truth, a 2000 novel by Terry Pratchett (HarperCollins), won the 2024 Best Classic Fiction award and will be inducted into the Prometheus Hall of Fame.

The citation says:

First nominated for the Prometheus Award for Best Novel in 2001, when it became a finalist, The Truth is part of Pratchett’s humorous but historically informed Discworld series.

This story revolves around the incidental founding by a struggling scribe of the Discworld’s first newspaper, using the newly invented printing press in the city of Ankh-Morpork. Amidst cutthroat competition, shadowy opponents, a political crisis and threats to a free and independent press, the newspaper evolves in the free market – just as real newspapers did historically.

All too timely in its focus on misinformation and its affirmation of the value of freedom of speech and the press as a bedrock principle sustaining free societies while serving as a vital check on criminality and corrupt government, the novel portrays how journalists find and report the facts (or not) and strive to communicate “the truth.”

Smart and sly, hilarious but serious, The Truth ultimately offers an inspirational tale of underdogs fighting for the truth against formidable opposition.

The other Prometheus Hall of Fame finalists were Orion Shall Rise, a 1983 novel (Timescape) by Poul Anderson; “The Trees,” a 1978 song by the Canadian rock group Rush; and Between the Rivers, a 1998 novel (TOR) by Harry Turtledove.

AWARDS CEREMONY. The 44th annual Prometheus Awards will be presented online, most likely on a Saturday afternoon in mid- to-late August, in a Zoom awards ceremony with three-time Best Novel winner Victor Koman as a speaker and presenter.

PROMETHEUS AWARDS HISTORY. The Prometheus Awards, sponsored by the Libertarian Futurist Society (LFS), was first presented in 1979, making it one of the most enduring awards after the Nebula and Hugo awards, and one of the oldest fan-based awards currently in sf.

In the words of the LFS:

For more than four decades, the Prometheus Awards have recognized outstanding works of science fiction and fantasy that dramatize the perennial conflict between liberty and power, favor voluntary cooperation over institutionalized coercion, expose the abuses and excesses of coercive government, and/or critique or satirize authoritarian systems, ideologies and assumptions.

Above all, the Prometheus Awards strive to recognize speculative fiction that champions individual rights, based on the moral/legal principle of non-aggression as the ethical and practical foundation for peace, prosperity, progress, justice, tolerance, mutual respect, civility and civilization itself.

While the Best Novel category is limited to novels published in English for the first time during the previous calendar year, Hall of Fame nominees — which must have been published, performed, broadcast or released at least 20 years ago — may be in any narrative or dramatic form, including novels, novellas, stories, films, television series or episodes, plays, musicals, graphic novels, song lyrics, or verse.

The Best Novel winner receives a plaque with a one-ounce gold coin, and the Hall of Fame winner a plaque with a smaller gold coin.

[Based on a press release.]

2024 Prometheus Hall of Fame Award Finalists Announced

Rush

The Libertarian Futurist Society has selected four finalists for the 2023 Hall of Fame Award for Best Classic Fiction.

This year’s finalists – first published between 1978 and 2000 – include novels by the late Poul Anderson and Terry Pratchett, Harry Turtledove and a song by the Canadian rock group Rush.

  • Orion Shall Rise, a 1983 novel (Timescape) by frequent Prometheus winner Poul Anderson became a Best Novel finalist. It explores the corruptions and temptations of power and how a free society might survive and thrive after an apocalypse. The story is set in a post-nuclear-war Earth with four renascent civilizations in conflict over the proper role of technology. Anderson focuses on forward-thinking visionaries who dream of reaching for the stars while trying to revive forbidden nuclear technology that destroyed their now-feudal, empire-dominated world. Most intriguing: the depiction of a clearly libertarian society with minimal government operating in formerly western Canada and northwestern United States.
  • The Truth, Terry Pratchett’s 2000 novel (HarperCollins) was first nominated in 2001 for Best Novel. It is part of his satirical but historically informed Discworld series and shows the founding by a struggling scribe of the Discworld’s first newspaper using the new printing press in (of course!) the city of Ankh-Morpork, and its publisher’s struggles for freedom of the press during a political crisis. All too timely in its focus on misinformation and its theme of freedom of speech and press, the novel portrays how journalists report the facts (or not) and communicate “the truth” amid pressure from competing political factions. 
  • “The Trees,” a 1978 song by Rush was released on the Canadian rock group’s album “Hemispheres”. The lyrics are by Neil Peart and the music by Geddy Lee and Alex Lifeson. The song warns against coerced equality in a beast fable – or in this case, a “tree fable.” Peart poetically present a Nature-based fable of envy, “oppression” and misguided revolution motivated by a true-believer ideology of coercive egalitarianism. The survival and individuality of different kinds of trees – both agitating Maples and lofty Oaks – are threatened when a seemingly “noble law” is adopted in the forest to keep the trees “equal by hatchet, axe and saw.”
  • Between the Rivers, a 1998 novel (TOR) by Harry Turtledove, tells an alternate-history story about humanity’s attempt to forge its own destiny at the dawn of civilization. Framed as a Bronze Age mythology in a pattern inspired by Julian Jaynes’ “bicameral-mind” hypothesis, the novel revolves around a city ruled by actual gods where men begin to think for themselves and make progress through commerce and mathematics. Among those men are a young merchant with strange ideas upholding free will and independence and challenging traditional cultural assumptions in a struggle for freedom from divine rule.

In addition to the above finalists, the Prometheus Hall of Fame Finalist Judging Committee considered six other nominees: Zelig, a 1983 film written, directed by and starring Woody Allen; Floating Worlds, a 1976 novel by Cecilia Holland; “Primary Education of the Camiroi,” a 1966 short story by R.A. Lafferty; That Hideous Strengtha 1945 novel by C.S. Lewis; Kalina 1969 novel by E.C. Tubb; and “The Last Word,” a 2000 story by Harry Turtledove.

The final vote will take place in mid-2024. All Libertarian Futurist Society members are eligible to vote. The award will be presented at a major science fiction convention and/or online.

Nominees may be in any narrative or dramatic form, including prose fiction, stage plays, film, television, other video, graphic novels, song lyrics, or epic or narrative verse; they must explore themes relevant to libertarianism and must be science fiction, fantasy, or related genres.

First presented in 1979 (for Best Novel) and presented annually since 1982, the Prometheus Awards have recognized “outstanding works of science fiction and fantasy that dramatize the perennial conflict between Liberty and Power, favor private social cooperation over legalized coercion, expose abuses and excesses of obtrusive government, critique or satirize authoritarian ideas, or champion individual rights and freedoms as the mutually respectful foundation for peace, prosperity, progress, justice, tolerance, civility, and civilization itself.”

The awards include gold coins and plaques for the winners for Best Novel, Best Classic Fiction (Hall of Fame), and occasional Special Awards. 

The Prometheus Award is one of the most enduring awards after the Nebula and Hugo awards, and one of the oldest fan-based awards currently in sf. 

Nominations for the 2024 Hall of Fame Award can be submitted to committee chair William H. Stoddard ([email protected]) at any time up to September 30, 2024. All LFS members are eligible to nominate. 

More information about the LFS is available at www.lfs.org and the Prometheus blog (lfs.org/blog/).

[Based on a press release.]

Pixel Scroll 8/17/23 These Scrolls Don’t Understand The Concept Of Pixels The Same As We Do

(1) FACES IN THE NEWS. A long, detailed infographic has been posted here by Chengdu Association for Science and Technology (Chengdushi Kexue Jishu Xiehui), which Zimozi Natsuco says, “is always considered as the upper guidance institution of Chengdu Science Fiction Association”. It is translated:  

Understand Worldcon by 1 picture: All you want to know about 2023 Chengdu World Science Fiction Convention is here!

It opens with a six-pack of guests:

Shown in addition to GoHs Robert J. Sawyer and Liu Cixin are new guests Michael Swanwick, David Wesley Hill, Touya Tachihara and Kim Bo-young.

(2) TWO BEAUTIES. In two minutes James Bacon tells the story of two copies of X-Men 28, featuring the debut of Banshee, one with fanhistorical significance.

I share here two issues of X-Men 28, videoed in the basement of Sub-City in Dublin. The very nice high grade copy on the left belongs to the store, the one on the right is of Irish fanhistorical significance. Both are very beautiful.

(3) SEANAN MCGUIRE VIRTUAL AND LIVE APPEARANCES. Join urban fantasy author Seanan McGuire as she celebrates the two new additions to the October Daye series — Sleep No More and The Innocent Sleep with a series of events.

September 5 — Seanan McGuire In conversation with Catherynne Valente: Virtual Event Hosted by Mysterious Galaxy House

September 29 — Seanan McGuire Reddit AMA / October Daye – Astra Publishing House —  Reddit.com/ r/Fantasy

October 30 — Seanan McGuire in Conversation at University Book Store in Seattle, WA

(4) JUST ADD WATER. Radio Times reports “Doctor Who lost story The Underwater Menace to be animated”.

The partially missing Doctor Who adventure The Underwater Menace is set to be restored with new animated visuals.

Out of 253 episodes from the show’s first six years, 97 remain lost in their original form, due to the BBC’s policy of junking archive programming between 1967 and 1978.

However, audio recordings of all episodes exist, with The Underwater Menace – a 1967 serial starring Patrick Troughton as the Second Doctor – being the latest story to be given new life by way of animation….

All four episodes will be animated in colour for a new DVD and Blu-ray release – though the second and third episodes do exist in their original live-action form and these will also be available on the set, along with the option to watch the animated episodes in black-and-white.

(5) OCTOTHORPE. John Coxon, Alison Scott and Liz Batty read Six Wakes by Mur Lafferty. They they talked about it, and recorded it, and now you can listen to it: “Resolutely Alison All the Time”. You can also play the fun game, ”Who was away during the recording time leading to the release of a bonus episode”, which is always a hoot, eh? 

(6) BARBIE’S INFERNO. Fanac.org has posted the audio recording from Minicon 23 (1988) of Jeanne Gomoll reading her fanzine article “Barbie’s Inferno”. (There’s a YouTube transcript available.)

Minicon 23 was held April 1-3, 1988. On Saturday afternoon, David Emerson hosted a program of fanzine readings, including Jeanne Gomoll’s reading of her hysterical short piece, “Barbie’s Inferno.”  This 18 minute audio recording, enhanced with images, is a delightful visit both to that program in 1988, and to the subject matter – Jeanne Gomoll’s childhood experiences with Barbie…Jeanne is an outstanding writer, as well as an excellent reader.  This short recording provides an empathetic glimpse into what many fans have experienced — what it’s like to grow up in a family where you and your parents have very different ideas of who you should be.  Plus you learn about waxers. 

Thanks to Geri Sullivan for recording, preserving, digitizing and providing this program.

Originally published in Harlot (edited by Anne-Laurie Logan and Avedon Carol, 1983), a newly revised version of “Barbie’s Inferno” is contained in Pretending, the first volume of Jeanne’s two volume memoir, Pretending and Becoming (to be released).

(7) PROMETHEUS AWARDS CEREMONY AUGUST 19. Sarah Hoyt (Darkship Thieves) and Dave Freer (Cloud-Castles) will participate in the 43rd annual Prometheus Awards live Zoom ceremony Saturday, August 19, along with leaders from The Heinlein Society and Heinlein Trust.

The Libertarian Futurist Society’s half-hour awards show is free and open to the public, including all interested sf/fantasy fans, and will begin at 2:00 p.m. Eastern. The Zoom link is here.

This Prometheus Blog post also has the Zoom link and more details about the speakers.

(8) FREE READ. Grist shares new climate fiction from Imagine 2200 in “When We Are Ruins, Dance On Us”.

A revolution has moved society off of fossil fuels. In Singapore, the former Supreme Court building, long abandoned and newly haunted, bemoans what it has lost. Through the building’s musings, we hear about how the world has changed, and how hard it can be for the privileged to let go of an unjust past that benefited them.

(9) HOW FI IS CLI-FI? Ann-Marie Cahill asks “How Accurate is Climate Fiction? (And Does Is Matter?)” at Book Riot.

Here’s a great question to kick off your next book club meeting: How Accurate is Climate Fiction? To be clear, I am not questioning the Climate Crisis, nor any of the far-more-educated-than-me climate scientists who feel like they have been screaming into the void for eons. Unfortunately, you are more likely to elicit action out of people with an Aerosmith song and Bruce Willis brooding in space than reading the latest World Meteorological Organization report (it’s here, in case you’re interested).

The follow-up to this great opener is, naturally: Do We Even Want Cli-Fi to be Accurate? And there lies the problem. Science Fiction has always been the go-to genre for exploring our options. Climate Fiction (or cli-fi) fits in this perfectly, giving us a literary platform to test our worst-case scenarios and come up with some inspiration to make it better. Or at least that’s the theory. Cli-fi has been a fairly popular sub-genre for science fiction, with a recent surge in the last five years — not a surprise when you consider the growing need to do something about the Climate Crisis. For many climate scientists, it may be the best way to impart much-needed information to the general public. Of course, there is a fine line between accurate and “based on sound scientific principle.” One sells the hard science message, and the other sells the books. The difference is a question of how much accuracy we, as the reader, can handle in our climate fiction. And if it’s not accurate, why don’t we feel any better about our future? …

…In short, Climate Fiction is as accurate as the author wants it to be. Whether the book passes your mental benchmark for accuracy, reasonable scientific principle, or an acceptable suspension of disbelief is completely up to you. If you don’t like it, you can always close the book. Life’s too short to spite-read….

(10) SCOFFER. Unlike the previous writer, Sergey Lukyanenko thinks what the West calls climate change is very overrated. Here’s a quote from the transcript of his appearance at VK Fest 2023, “The Image of the Future in Russian Science Fiction”.

What dangers await humanity? What do you see today from the key for the next 50 years?

SERGEY LUKYANENKO: I’m not going to talk about environmental problems, which are very fond of being raised in the West, because these problems, in fact, are much less terrible than they are trying to show us. This is a slightly invented problem from the finger, so that there is something to fight with and how to fill heads. I may say a sad thing for people, but on the scale of planet Earth, humanity, in general, is such a trifle that can be completely compressed into cubes and drowned in a small lake. They say that if all of humanity is collected and placed in Lake Baikal, the water level there will rise by only a couple of millimeters. That’s all you need to know about us and our impact on nature.

Of course, we do a lot of harm to nature, but some serious exploding volcano will release carbon dioxide and other dust into the atmosphere in a couple of days much more than humanity does in a year. Remember, there was such an Icelandic volcano Eyjafjallajökull. As soon as he “baited” a little there in Iceland, and all over Europe, the planes stopped flying, because it became dangerous to fly. Ecology is not such a big problem, in my opinion.

(By the way, why is Lukyanenko’s picture missing from item #1?)

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 17, 1930 Harve Bennett. The individual who gave us Star Trek II: The Wrath of Khan. Really he did. He would then serve as Producer on the next three Trek films, The Search for SpockThe Voyage Home and The Final Frontier. Bennett also wrote Star Trek III, co-wrote the story and screenplay for Star Trek IV, and co-wrote the story for Star Trek V. His only on scene appearance is in the latter as the Starfleet Chief of Staff. He’s the voice of the Battle simulator computer in Wrath of Khan, and the Flight Recorder in the Search for Spock. (Died 2015.)
  • Born August 17, 1945 Rachel Pollack. She’s getting a Birthday note for her scripting duties on her run of issues 64–87 (1993-1995) of Doom Patrol. She also assisted in the creation of the Vertigo Tarot Deck with McKean and Gaiman, and she wrote a book to go with it. She won a World Fantasy Award for Godmother Night, and an Arthur C. Clarke Award winner for Unquenchable Fire. She also wrote Salvador Dali’s Tarot, a book-length exposition of Salvador Dalí’s Tarot deck, comprising a full-page color plate for each card, with her commentary on the facing page. (Died 2023.)
  • Born August 17, 1956 John Romita Jr., 67. If you’ve read Spider-Man since the Sixties, it’s very likely that you’ve seen his artwork as he had six stints on it between 1980 and 2009. He find a number of other titles on Marvel and DC including SupermanGhost Rider, HulkAll-Star BatmanEternalsCaptain America and Daredevil to name but a few of the titles he illustrated. He also worked with Mark Miller at Image Comics on Kick-Ass, and did the one shot Punisher/Batman: Deadly Knights
  • Born August 17, 1962 Laura Resnick, 61. Daughter of Mike Resnick. She is a winner of the John W. Campbell Award for Best New Writer. She’s the author of the Esther Diamond series, and I’ve not read her Manhattan Magic series so I’m interested to know what y’all think of it. She’s readily available at the usual.
  • Born August 17, 1966 Neil Clarke, 57. Editor in Chief of Clarkesworld Magazine which has won a impressive number of Best Semiprozine Hugos and a World Fantasy Award before crossing the threshold to become a prozine. He’s a nine-time Best Editor – Short Form nominee. SFWA also gave him a Kate Wilhelm Solstice Award. He edits The Best Science Fiction of the Year series for Night Shade Books.  
  • Born August 17, 1973 Rae Carson, 50. She’s done ten novels including one in the Star Wars universe. (I’m tempted to say who hasn’t?) Quite impressively, her debut novel, The Girl of Fire and Thorns, was a finalist for the William C. Morris YA Award and the Andre Norton Award. And she is married to Charles Coleman Finlay, SF editor and writer.

(12) COMICS SECTION.

  • Tom Gauld has it figured out.

(13) MORE SFF IN LEARNEDLEAGUE. [Item by David Goldfarb.] There’s currently a Mini-League going on, focusing on “Notable Women of Asia”. Match Day 7 had this question:

The Astounding Award for Best New Writer, which is awarded to writers in science fiction or fantasy, was renamed after 2019 winner Jeannette Ng called its previous namesake “a fucking fascist” in her acceptance speech, a speech for which she won a Hugo the following year. In her 2020 acceptance speech for that Hugo, Ng called for the freedom of “my most cyberpunk of cities”, the place where she was born. What city is that?

The answer of course was Hong Kong: this had a 57% get rate, with the most common wrong answer being Hanoi (given by 8% of players).

Also in the recent past there was a One-Day Special quiz about the show Quantum Leap. You can read its questions here.

(14) MARRIAGE IS WHAT BRINGS US TOGETHER.  The Marvel press release calls it the moment fans never thought would happen—the wedding of Emma Frost and Tony Stark! Taking place in X-Men #26 (on sale 9/6) and Invincible Iron Man #10 (on sale 9/27), writer Gerry Duggan will deliver this highly-anticipated story alongside X-Men artists Jim Towe and Javier Pina and Invincible Iron Man series artist Juan Frigeri. The Fall Of X era has hit both mutantkind and Iron Man where it hurts and as their enemies grow stronger, Emma and Tony will strengthen their alliance to “till death do they part!”

Witness the shocking proposal and Emma’s even more shocking answer in X-Men #26, and then put on your best Hellfire attire for the introduction of Mrs. and Mr. Emma Frost in Invincible Iron Man #10! The circumstances of the ceremony is riddled with secrets and subterfuge, but fans can get their first inside look at the nuptials in the X-Men / Iron Man: The Wedding of Emma Frost & Tony Stark Trailer, featuring never-before-seen artwork!

“Emma and Tony — I think now people are starting to get a sense of how they work,” Duggan told AiPT Comics in a recent X-Men Monday. “I hope you all check it out. They are getting married. I promise no shenanigans. Beyond that, I don’t know what you’re going to get.”

(15) SCIENTISTS LEAVING TWITTER. Nature surveyed scientists to ask their reasons for leaving Twitter. “Thousands of scientists are cutting back on Twitter, seeding angst and uncertainty”.

…Nature obtained the e-mail addresses of thousands of scientists who were identified through a social-media research project as having tweeted about papers on which they were a corresponding author1. The survey from Nature asked whether people had changed their use of Twitter in the past six months and why. The reasons respondents gave varied, but many of those who had markedly reduced or stopped their activity on X mentioned Musk’s management of the platform. Many said that they had noticed an uptick in the amount of fake accounts, trolls and hate speech on the platform.

Žiga Malek, an environmental scientist at the Free University of Amsterdam, mentioned in the survey that he had started seeing a lot of “strange” political far-right accounts espousing science denialism and racism in his feed. He has to block them constantly. “Twitter has always been not so nice let’s say, but it is a mess right now,” he said.

Researchers have found that, contrary to such public claims from Musk, hate speech increased after he took over2. Musk has threatened to sue at least one group studying these trends.

A lot of experts and specialists are leaving the platform, says Timothy Caulfield, a law scholar and science communicator at the University of Alberta in Edmonton, Canada. “If that happens, are we just making room for a massive echo chamber that can spread misinformation in a way that is very harmful to society?”

X did not respond to Nature’s request for comments.

Where are they going?

The most popular alternative social-media site that respondents mentioned opening accounts with was the free, open-source software platform Mastodon. Compared with X, Mastodon allows for better community moderation, says Rodrigo Costas, an information scientist at the Centre for Science and Technology Studies at Leiden University in the Netherlands, who has been studying scientists’ use of Twitter since 2011. In February, he and Jonathan Dudek, a communications researcher also at the Centre for Science and Technology Studies, examined the Twitter profile information of 400,000 researchers — obtained for a previous research project3 — to see who was broadcasting their movement to other platforms. Roughly 3% of the profiles mention a Mastodon account, according to the researchers’ preliminary analysis.

Although it has been around for some seven years, Mastodon has a much smaller user base than do other social-media platforms. In Nature’s survey, LinkedIn was the second most popular place for respondents to open new accounts, and Instagram, owned by Meta, was third. Threads, also owned by Meta and pitched as an alternative to X, had started just a few days before the survey was launched. It reportedly attracted 100 million users in its first five days, and was the fourth-most-popular platform among survey respondents, with about 1,000 people saying that they had joined (See ‘Signs of dissatisfaction’)….

(16) I SHALL RETURN. The New Yorker tells what it learned about a growing business that parallels online selling: “What Happens to All the Stuff We Return?”

…Steady growth in Internet shopping has been accompanied by steady growth in returns of all kinds. A forest’s worth of artificial Christmas trees goes back every January. Bags of green plastic Easter grass go back every spring. Returns of large-screen TVs surge immediately following the Super Bowl. People who buy portable generators during weather emergencies use them until the emergencies have ended, and then those go back, too. A friend of mine returned so many digital books to Audible that the company now makes her call or e-mail if she wants to return another. People who’ve been invited to fancy parties sometimes buy expensive outfits or accessories, then return them the next day, caviar stains and all—a practice known as “wardrobing.” Brick-and-mortar shoppers also return purchases. “Petco takes back dead fish,” Demer said. “Home Depot and Lowe’s let you return dead plants, for a year. You just have to be shameless enough to stand in line with the thing you killed.” It almost goes without saying that Americans are the world’s leading refund seekers; consumers in Japan seldom return anything….

(17) SFF SALE. [Item by BGrandrath.] So here is another of my favorite BookTubers promoting a Whatnot sale. I recommend her channel; she has a series called Books Without Barcodes where she reviews…well, books published before they had barcodes. She gives a fresh look to books you and I read years ago. This video is titled “Once in a Lifetime Science Fiction Book Haul”.

[Thanks to SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, James Bacon, John Coxon, Michael Grossberg, BGrandrath, Ersatz Culture, Zimozi Natsuco, David Goldfarb, John King Tarpinian, Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Peer.]

2023 Prometheus Best Novel and Hall of Fame Winners

The Libertarian Futurist Society has announced the Best Novel and Hall of Fame for Best Classic Fiction Prometheus Award winners for 2023.

THE PROMETHEUS AWARD FOR BEST NOVEL

Cloud-Castles by Dave Freer (Magic Isle Press) has won the 2023 Prometheus Award for Best Novel for novels published in 2022.

The citation says:

Set on diverse habitats floating above a gas-giant planet, this zestful and often funny coming-of-age adventure charts the progress of a mis-educated, socially awkward and well-meaning young man, brilliant but naïve, thrust into a succession of strange human and alien cultures and life- and liberty-threatening situations. 

With help from a street-smart sidekick, he escapes imprisonment and slavery and forges innovative, profitable businesses with decentralized, stateless people scattered through the planet’s clouds. 

Through such entrepreneurship, cooperative individualism and fish-out-of-water encounters with an “outback” frontier culture reflecting the Australian novelist’s own heritage, the story (formally a comedy in structure according to the classic Greek definition) reveals how markets work, why profits are moral and necessary in a free society and how societies flourish through reinvestment and market innovation. 

The other 2023 Best Novel finalists were Widowland by C.J. Carey (Quercus); Captain Trader Helmsman Spy by Karl K. Gallagher (Kelt Haven Press); A Beast Cannot Feign by “Dr. Insensitive Jerk” (AKA Gordon Hanka) (Amazon); and Summer’s End by John Van Stry (Baen Books.)

 THE PROMETHEUS HALL OF FAME FOR BEST CLASSIC FICTION

“Free Men,” a Robert Heinlein novelette, won the 2023 Best Classic Fiction award and will be inducted into the Prometheus Hall of Fame.

Robert A. Heinlein

The citation says:

Heinlein’s 1966 novelette, first published in his collection The Worlds of Robert A. Heinlein and later collected in Expanded Universe, offers a strong defense of freedom and American ideals. 

The novelette focuses on the aftermath of an invasion and U.S. occupation after a nuclear “20 Minute War” and how a small band of heroic but practical guerrilla fighters survive, adapt and resist tyranny at great cost.

The other Prometheus Hall of Fame finalists were “Primary Education of the Camiroi,” a 1966 short story by R.A. Lafferty; That Hideous Strength, a 1945 novel by C.S. Lewis; Circus World, a 1981 collection of linked stories by Barry B. Longyear; and The Truth, Terry Pratchett’s 2000 novel and part of his Discworld series.

AWARDS CEREMONY. The 43rd annual Prometheus Awards will be presented online in mid-August in a Zoom awards ceremony.

PROMETHEUS AWARDS HISTORY. The Prometheus Awards, sponsored by the Libertarian Futurist Society (LFS), was first presented in 1979, making it one of the most enduring awards after the Nebula and Hugo awards, and one of the oldest fan-based awards currently in sf.

In the words of the LFS:

The Prometheus Awards recognize outstanding works of science fiction and fantasy that dramatize the perennial conflict between liberty and power and champion cooperation over coercion as the root of civility and social harmony. 

Such works may critique or satirize authoritarian trends, expose abuses of power by the institutionalized coercion of the State, imagine what forms a fully free society might take or imagine paths to creating such societies, and/or uphold individual rights and freedom for all as the only moral and practical foundation for peace, prosperity, progress and justice. 

The Best Novel winner receives a plaque with a one-ounce gold coin, and the Hall of Fame winner a plaque with a smaller gold coin.

2023 Prometheus Award Finalists For Best Novel

The Libertarian Futurist Society has announced the five finalists for the Best Novel category of the 43rd annual Prometheus Awards.

The Best Novel winner will receive an engraved plaque with a one-ounce gold coin. An online Prometheus awards ceremony is planned for August at a time and event to be announced.

Here are the five Best Novel finalists, listed in alphabetical order by author, with the LFS’ commentary explaining how they fit the distinctive focus of the Prometheus Awards:

Widowland, by C.J. Carey (Quercus) – This dystopic alternate history focuses on oppressed castes of women in a Nazi-controlled Great Britain protectorate after World War II. The protagonist is an English woman working in a faceless bureaucracy to rewrite the novels of women such as Jane Austen, Emily Bronte and Louisa May Alcott. We see her dawning awareness and quiet resistance to the regime’s efforts to expunge from literature proto-feminist themes of independence that might threaten the new order of conformity, obedience and repression. Suspenseful and plausible in its plot, characterization and world-building, the novel goes an imaginative step beyond the focus of Orwell’s Nineteen Eighty-Four on news propaganda and history suppression to explore the bowdlerization of culture and suggest how classic literature and art inspire people to think for themselves and challenge authoritarian regimes.

Cloud-Castles, by Dave Freer (Magic Isle Press) – Set on diverse habitats floating above a gas-giant planet, this zestful and often funny coming-of-age adventure charts the progress of a mis-educated, socially awkward and well-meaning young man, brilliant but naïve, thrust into a succession of strange human and alien cultures and life- and liberty-threatening situations. With help from a street-smart sidekick, he escapes imprisonment and slavery and forges innovative, profitable businesses with decentralized, stateless people scattered through the planet’s clouds. Through such entrepreneurship, cooperative individualism and fish-out-of-water encounters with an “outback” frontier culture reflecting the Australian novelist’s own heritage, the story (formally a comedy in structure according to classic Greek definition) reveals how markets work, why profits are moral and necessary in a free society and how societies flourish through reinvestment and market innovation.

Captain Trader Helmsman Spy, by Karl. K. Gallagher (Kelt Haven Press) –The fourth novel in Gallagher’s Fall of the Censor series (Storm Between the Stars, Between Home and Ruin, and Seize What’s Held Dear, all previous finalists) explores how people cooperate voluntarily even in the underground niches of a statist system. The series portrays an interstellar war between a long-isolated alliance of solar systems with basically free societies and a vast empire that maintains control by continuously purging history and destroying older books. The title character is a starship captain commanding a spying expedition, disguised as a merchant venture, into enemy territory. The captain and crew strive to gain key information and insights about the aggressors while navigating their way under cover amid exotic human cultures with radically different customs and laws – including slaver societies and worlds where women oppress men.

A Beast Cannot Feign, by “Dr. Insensitive Jerk” (AKA Gordon Hanka) (Amazon) – Provocative, politically incorrect and sometimes intentionally in poor taste, this satire weaves melodramatic villains and a critique of authoritarian progressive politics into a story of first contact. The “aliens” are actually genetically modified humans, mysteriously different in their customs and behavior, who have returned to Earth to establish a radically free colony against strong official resistance. The author explores the human capacity for self-deception, mocks the excesses of government regulation and bureaucracy, and as a cautionary tale, shows the tragedy of mutual misunderstandings that can spark conflict and violence between radically different cultures. This novel radically tests the nature and boundaries of coercion and consent – fundamental issues in libertarianism – as they might apply to the economy, government and sexual politics.

Summer’s End, by John Van Stry (Baen Books) – Notable for its unusually detailed focus on free-market economics and practical cost-versus-risk calculations affecting affordable spaceship travel and engine/gravity maintenance, this coming-of-age adventure weaves family issues, emerging friendships, class differences, political conflicts, straight and gay romance, humor and clashing cultures into a Heinlein-juvenile-style hero’s journey. The well-paced tale is told through the eyes of a young engineering-school graduate, a former gang member struggling to reform his violent impulses and escape low-class “Prole” origins, who has lots to learn after taking an apprentice-level job on an old tramp steamer plying trade routes among habitats and moons throughout the solar system (including libertarian communities on Ceres). Struggling to apply what he’s learned, the engineer hopes to liberate his genius brother from a corrupt and repressive society on Earth.

Fifteen novels were nominated by LFS members for this year’s award, virtually all published in 2022, with one published in the last two months of 2021, eligible under the rules. 

The other nominees were: The School for Good Mothers, by Jessamine Chan (Simon & Schuster); Let Us Tell You Again, by Mackey Chandler (Amazon); Entropy, by Dana Hayward (Amazon); The Master Code, by T.A. Hunter (Amazon); Our Missing Hearts, by Celeste Ng (Penguin Press); Openings: A Hayek Chronicles Novel, by James S. Peet (self-published); Sisters of the Vast Black and Sisters of the Forsaken Stars (a combined nomination), by Lina Rather (Tor Books, Tordotcom); The Warrior Worlds,  by Stephen Renneberg  (Amazon); Ex Supra, by Tony Stark (Amazon); and Termination Shock,  by Neal Stephenson (William Morrow).

The Prometheus Award, sponsored by the Libertarian Futurist Society (LFS), was established and first presented in 1979, making it one of the most enduring awards after the Nebula and Hugo awards, and one of the oldest fan-based awards currently given in sf. The Prometheus Hall of Fame category for Best Classic Fiction, launched in 1983, is presented annually with the Best Novel category.

All LFS members have the right to nominate eligible works for the Prometheus Awards. A 12-person judging committee, drawn from the membership, selects the Prometheus Award finalists for Best Novel. Following the selection of finalists, all LFS upper-level members (Benefactors, Sponsors and Full Members) have the right to vote on the Best Novel finalist slate to choose the annual winner. 

The LFS says these are the kinds of work recognized by the Prometheus Award –

For more than four decades, the Prometheus Awards have recognized outstanding works of science fiction and fantasy that dramatize the perennial conflict between Liberty and Power, favor voluntary cooperation over institutionalized coercion, expose the abuses and excesses of coercive government, critique or satirize authoritarian ideas, or champion individual rights and freedoms as the ethical and practical foundation for peace, prosperity, progress, justice, mutual respect, and civilization itself.

A full list of past Prometheus Award winners in all categories is here. For reviews and commentary on these and other works of interest to the LFS, visit the Prometheus blog

[Based on a press release.]

2023 Prometheus Hall Of Fame Award Finalists

The Libertarian Futurist Society has selected five finalists for the 2023 Hall of Fame Award for Best Classic Fiction.

This year’s finalists – first published between 1945 and 2000 – include novels by C.S. Lewis and Terry Pratchett, a Robert Heinlein novelette, an R.A. Lafferty story and a collection of linked stories by Barry B. Longyear.

  • “Free Men,” a 1966 novelette by Robert Heinlein first published in his collection The Worlds of Robert A. Heinlein and later collected in Expanded Universe, offers a strong defense of freedom and American ideals. The novelette focuses on the aftermath of an invasion and U.S. occupation after a nuclear “20 Minute War” and how a small band of heroic but practical guerrilla fighters survive, adapt and resist tyranny at great cost.
  • “Primary Education of the Camiroi,” a 1966 short story by R.A. Lafferty reporting on a fact-finding trip by an Earth delegation to study education practices on the planet Camiroi. The story offers a scathing and satirical critique of the top-down approach and lack of rigor in public/government education, arguably more relevant now than when it was first published. Besides incorporating flashes of Lafferty’s deadpan original voice and distinctive brand of humor, the story shows how to train youth to be competent and capable adults – rather than serfs – who can accept liberty and its concomitant responsibilities.
  • That Hideous Strength, a 1945 novel by C.S. Lewis (Book 3 of his Space Trilogy), revolves around a sociologist and his wife who discover a totalitarian conspiracy and diabolical powers scheming to take control of humanity, in the guise of a progressive-left, Nazi-like organization working for a centrally planned pseudo-scientific society literally hell-bent to control all human life. Its cautions about the therapeutic state and the rising ideology of scientism (science not as the value-free pursuit of truth, but as an elitist justification for social control) seem prescient today.
  • Circus World, a 1981 collection of linked stories by Barry B. Longyear that imagines how Earth’s circus troupes have evolved on a far-distant planet into a circus- and magic-defined culture without a government but with strongly individualistic, voluntary and cooperative social norms and only One Law, designed to make it nearly impossible to impose government regulations or other legislation, that helps the planet’s citizens peacefully cooperate in resistance against coercive human invasion and statist tyranny.
  • The Truth, Terry Pratchett’s 2000 novel, first nominated in 2001 for a Prometheus in the Best Novel category, is part of his satirical but historically informed Discworld series. With his usual tongue-in-cheek style, this novel focuses on politics and the development of newspapers, when a struggling scribe who’s the son of a privileged family conceives the notion of producing his newsletter with a new printing press. All too timely in its focus on misinformation and its theme of freedom of speech and press, the novel portrays how journalists report the facts (or not) and communicate “the truth” amid pressure from competing political factions. 

    In addition to these nominees, the Prometheus Hall of Fame Finalist Judging Committee considered three other works: The End of Eternity,  a 1955 novel by Isaac Asimov;  “The Trees,” a 1978 song by Neal Peart and Rush; and “Or Give Me Death,” a 1955 short story by Donald Westlake.

    The final vote will take place in mid-2023. All Libertarian Futurist Society members are eligible to vote. The award will be presented at a major science fiction convention and/or online.

Nominations for the 2023 Hall of Fame Award can be submitted to committee chair William H. Stoddard ([email protected]) at any time up to Sept. 30, 2023. All LFS members are eligible to nominate. Nominees may be in any narrative or dramatic form, including prose fiction, stage plays, film, television, other video, graphic novels, song lyrics, or epic or narrative verse; they must explore themes relevant to libertarianism and must be science fiction, fantasy, or related genres.

First presented in 1979 (for Best Novel) and presented annually since 1982, the Prometheus Awards have recognized “outstanding works of science fiction and fantasy that dramatize the perennial conflict between Liberty and Power, favor private social cooperation over legalized coercion, expose abuses and excesses of obtrusive government, critique or satirize authoritarian ideas, or champion individual rights and freedoms as the mutually respectful foundation for peace, prosperity, progress, justice, tolerance, civility, and civilization itself.”

The awards include gold coins and plaques for the winners for Best Novel, Best Classic Fiction (Hall of Fame), and occasional Special Awards. 

More information about the LFS is available at www.lfs.org and the Prometheus blog (lfs.org/blog/).

[Based on a press release.]

2022 Prometheus Best Novel and Hall of Fame Winners

The Libertarian Futurist Society has announced the Best Novel and Hall of Fame for Best Classic Fiction Prometheus Award winners for 2022.

PROMETHEUS AWARD FOR BEST NOVEL. Rich Man’s Sky by Wil McCarthy (Baen Books), has won the 2022 Prometheus Award for Best Novel for novels published in 2021.

The citation says:

McCarthy’s imaginative sf adventure explores human expansion throughout the solar system, propelled by four billionaires, in a suspenseful mosaic of epic conflicts and maneuvers between governments and markets and among politicians, soldiers, spies and entrepreneurs.

As a secret government team of elite military women infiltrate and aim to violently undercut the billionaires’ visionary space projects before they change the world for good or ill, some of the super-rich “Four Horseman” are revealed to be admirable, and some decidedly not. Yet McCarthy makes all four real and human as they spearhead game-changing private-enterprise efforts that governments aren’t able or willing to do.

This Heinlein-esque tale of State-threatened market innovations persuasively counters stereotypes from what free-market economist Ludwig von Mises dubbed “the anti-capitalist mentality.”

The other 2022 Best Novel finalists were Between Home and Ruin and Seize What’s Held Dear by Karl K. Gallagher (Kelt Haven Press); Klara and the Sun by Kazuo Ishiguro; and Should We Stay or Should We Go by Lionel Shriver (Harper Collins).

THE PROMETHEUS HALL OF FAME FOR BEST CLASSIC FICTION. Citizen of the Galaxy, a Robert Heinlein novel, won the 2022 Best Classic Fiction award and will be inducted into the Prometheus Hall of Fame.

The citation says:

Arguably the best of his “juveniles,” Heinlein’s 1957 novel strongly dramatizes an anti-slavery theme while exploring the meaning of freedom and defending the right to use force in self-defense. The epic, planet-hopping saga revolves about a young man’s coming of age amid repeated displacement into new societies and situations (including one intriguing libertarian group of Free Traders) in a rich and complex interstellar future.

The other Prometheus Hall of Fame finalists were That Hideous Strength, a 1945 novel by C.S. Lewis; Circus World, a 1981 collection of linked stories by Barry B. Longyear; and “The Trees,” a 1978 song by the rock group Rush.

AWARDS CEREMONY. The 42nd annual Prometheus Awards will be presented online in late August (on a weekend date tba) in a Zoom awards ceremony. Prometheus-winning authors Travis Corcoran and F. Paul Wilson will serve as presenters.

PROMETHEUS AWARDS HISTORY. The Prometheus Awards, sponsored by the Libertarian Futurist Society (LFS), was first presented in 1979, making it one of the most enduring awards after the Nebula and Hugo awards, and one of the oldest fan-based awards currently in sf.

In the words of the LFS:

The Prometheus Awards recognize outstanding works of science fiction and fantasy that dramatize the perennial conflict between liberty and power and champion cooperation over coercion as the root of civility and social harmony. Such works may critique or satirize authoritarian trends, expose abuses of power by the institutionalized coercion of the State, imagine what forms a fully free society might take, and/or uphold individual rights and freedom for all as the only moral and practical foundation for peace, prosperity, progress and justice. 

The Best Novel winner receives a plaque with a one-ounce gold coin, and the Hall of Fame winner a plaque with a smaller gold coin.

2022 Prometheus Award Finalists For Best Novel

The Libertarian Futurist Society has announced five finalists for the Best Novel category of the 42nd annual Prometheus Awards.

The Best Novel winner will receive a plaque with a one-ounce gold coin. An online awards ceremony is planned for August at a time and event to be announced.

Here are the five Best Novel finalists, listed in alphabetical order by author:

  • Between Home and Ruin, by Karl K. Gallagher (Kelt Haven Press)

– A direct sequel to his 2021 Best Novel finalist Storm Between the Stars, this second novel in Gallagher’s Fall of the Censor series continues his dramatization of a prolonged interstellar war between a long-isolated group of colonized solar systems and a much larger human polity. The Censorate is an authoritarian human empire that maintains its Orwellian power by memory-holing the past and destroying older books, art and records to subjugate planetary populations. After rediscovering a path to other solar systems, the Fierans are fighting against Censorate invasion to preserve their freedom, independence and culture. This sequel, which drives home its themes with a cross-cultural love story about a man and woman separated by war, also powerfully highlights governmental atrocities of war, including mass murder and destruction of civilian cities – a focus especially timely in 2022 as brutal war rages anew in Eastern Europe. 

  • Seize What’s Held Dear, by Karl K. Gallagher (Kelt Haven Press)

– In his third Fall of the Censor novel, a direct sequel to Between Home and Ruin, Gallagher explores further the quest to preserve knowledge, commerce, civility and civilization itself despite war, tyranny and the suppression of culture, history and memory. The novel also illuminates the practical effectiveness of private contractual courts and arbitration systems in maintaining law and justice without government, even amidst challenging and ongoing disagreements, occasional crimes and contractual disputes in a messy and recognizably human society. Gallagher compellingly dramatizes a variety of space battles and military strategies while contrasting the belligerents’ strategies, operations and tactics: The Fierans have the military and community of a messy but mostly free society, while the Censorate is an information-crippled totalitarian empire of bureaucratic yes-men wherein facing facts, reporting bad news, questioning authority and telling the truth can be fatal.

  • Klara and the Sun, by Kazuo Ishiguro (Faber and Faber)

– Set in a near future when commercial development of AI robots make them affordable for affluent-family servants and companions, this poignant fable by the Japanese-British Nobel-Prize-winner subtly explores existential questions about self-awareness, intelligence, agency, servitude, foundations of liberty, and personhood. Told through the limited, fallible eyes of its gentle title character, this story explores her childlike thirst to comprehend the world, conceiving a solar-energy-related proto-religion and embarking on a secretive quest to save her ailing girl charge. Just as few people glimpse Klara’s awareness while virtually all remain blind to her potential personhood in a culture increasingly antagonistic to AIs, Ishiguro intentionally leaves readers with few clues about Klara’s true nature. This hauntingly ambiguous meta-libertarian tragedy evokes the ancient tragedy of widespread slavery, once commonly accepted and only recently abolished via the universalizing liberal/libertarian commitment to dignity, self-ownership and freedom for all.

  • Rich Man’s Sky, by Wil McCarthy (Baen Books)

– This imaginative sf adventure explores human expansion throughout the solar system, propelled by four billionaires. McCarthy weaves a suspenseful mosaic of epic conflicts and maneuvers between governments and markets as a team of elite military women infiltrate and aim to violently undercut the billionaires’ visionary space projects before they change the world for good or ill.  Some of the “Four Horseman” are revealed to be admirable, and some decidedly not, but McCarthy makes all four real and human as they spearhead game-changing private-enterprise projects that governments aren’t capable or willing to do. Today, many vilify the super-rich while State aggression, assassination, spying, sabotage and other abuses “throwing muscle around” are often excused, minimized, hidden or ignored. Overall, this Heinlein-esque tale of State-threatened market innovations persuasively counters stereotypes from what free-market economist Ludwig von Mises dubbed “the anti-capitalist mentality.” 

  • Should We Stay or Should We Goby Lionel Shriver (HarperCollins)

– Explicitly affirming the libertarian self-ownership principle that “Our lives belong to us… and it’s up to us how we choose to end them,” this kaleidoscopic novel explores 12 alternate-universe scenarios. An aging, comfortably affluent British married couple makes end-of-life decisions with unpredictable consequences. Shriver, with her characteristic wit and maverick insights, shows how aging and life/death decisions are difficult enough but become much worse through government paternalism, welfare-state bureaucracies, socialized health care, forced medication, involuntary hospitalization, virtual imprisonment, anti-suicide laws, massive debt/inflation and/or other government dysfunctions. Variously evoking dystopian specters (Orwell, Burgess’ A Clockwork Orange, Kesey’s One Flew Over the Cuckoo’s Nest) or exploring the downsides of seemingly utopian advances (super-long lives, cryogenics), the thought-provoking, fast-paced novel satirically but seriously offers timely cautionary tales as the average life expectancy of the world population rises into the 70s and beyond.

LFS members also nominated these 2021 novels for this year’s award: Sainthood in Sixty Seconds, by Dr. Insensitive Jerk (Amazon); Redemption, by Regina Joseph (Amazon); Titan: Mammon Book 1, by Robert Kroese (St. Culain Press); Purgatory Mount, by Adam Roberts (Gollancz, Hachette);  Hellraisers & Heartbreakers, Purgatory & Pair’O’Dice and Lone Star Libre! (Books 4-6 in the Watcher of the Damned series), by R.H. Snow (Rosa de Oro);Triple Cross, by Marc Stiegler (LMBPN Publishing); Project Hail Mary, by Andy Weir (Ballantine Books); and Man in the Middle and White Hat (Space Hackers books 1 and 2) by Steve Wire (Plaintext Publishing).

All LFS members have the right to nominate eligible works for the Prometheus Awards. The Prometheus Award finalists for Best Novel are selected by a 12-person judging committee. Following the selection of finalists, all LFS upper-level members (Benefactors, Sponsors and Full members) read and vote on the Best Novel finalist slate to choose the annual winner. 

Membership in the Libertarian Futurist Society is open to any science fiction fan interested in how fiction can promote an appreciation of the value of liberty.

The Prometheus Award, sponsored by the Libertarian Futurist Society (LFS), was established and first presented in 1979, making it one of the most enduring awards after the Nebula and Hugo awards, and one of the oldest fan-based awards currently in sf. 

The LFS says these are the kinds of work recognized by the Prometheus Award –

For more than four decades, the Prometheus Awards have recognized outstanding works of science fiction and fantasy that dramatize the perennial conflict between Liberty and Power, favor voluntary cooperation over institutionalized coercion, expose the abuses and excesses of coercive government, critique or satirize authoritarian ideas, or champion individual rights and freedoms as the ethically proper and only practical foundation for peace, prosperity, progress, justice, mutual respect, and civilization itself.

A full list of past Prometheus Award winners in all categories is here. For reviews and commentary on these and other works of interest to the LFS, visit the Prometheus blog

[Based on a press release.]

2022 Prometheus Hall Of Fame Award Finalists

The Libertarian Futurist Society has selected four finalists for the 2022 Hall of Fame Award.

  • Citizen of the Galaxy, a 1957 novel by Robert Heinlein, and arguably the best of his “juveniles,” that strongly dramatizes an anti-slavery theme while exploring the meaning of freedom and defending the right to use force in self-defense. The epic, wide-ranging, planet-hopping saga revolves about a young man’s coming of age amid repeated displacement into new societies and situations (including one intriguing libertarian group of Free Traders) in a rich and complex interstellar future.
  • That Hideous Strength, a 1945 novel by C.S. Lewis (Book 3 of his Space Trilogy), revolves around a sociologist and his wife who discover a totalitarian conspiracy and diabolical powers scheming to take control of humanity, in the guise of a progressive-left, Nazi-like organization working for a centrally planned pseudo-scientific society literally hell-bent to control all human life.
  • Circus World, a 1981 collection of linked stories by Barry B. Longyear that imagines how Earth’s circus troupes have evolved on a far-distant planet into a circus- and magic-defined culture without a government but with strongly individualistic, voluntary and cooperative social norms and only One Law, designed to make it nearly impossible to impose government regulations or other legislation, that helps the planet’s citizens peacefully cooperate in resistance against coercive human invasion and statist tyranny.
  • “The Trees,” a 1978 fantasy-themed song with pointed lyrics by Rush (released on the Canadian rock group’s album Hemispheres), concisely and poetically presents a fable of envy, revolution, and coercive egalitarianism that threatens the survival and individuality of different kinds of trees that make up a forest with a “noble law” that keeps the trees “equal by hatchet, axe and saw.”

In addition to these nominees, the Prometheus Hall of Fame Finalist Judging Committee considered four other works: The Winter of the World, a 1975 novel by Poul Anderson; “It’s a Good Life,” a 1953 story by Jerome Bixby; Exiles, Volume 1: The Ruins of Ambrai, a 1994 novel by Melanie Rawn; and “The Measure of a Man,” the Feb. 13, 1989 TV episode of Star Trek: The Next Generation, with screenplay by Melinda Snodgress.

The final vote will take place in mid-2022. All Libertarian Futurist Society members are eligible to vote. The award will be presented at a major science fiction convention.

First presented in 1979 (for Best Novel) and presented annually since 1982, the Prometheus Awards have recognized “outstanding works of science fiction and fantasy that dramatize the perennial conflict between Liberty and Power, favor private social cooperation over legalized coercion, expose abuses and excesses of obtrusive government, critique or satirize authoritarian ideas, or champion individual rights and freedoms as the mutually respectful foundation for peace, prosperity, progress, justice, tolerance, civility, and civilization itself.” 

The awards include gold coins and plaques for the winners for Best Novel, Best Classic Fiction (Hall of Fame), and occasional Special Awards. 

More information about the LFS is available at www.lfs.org, and the Prometheus blog (lfs.org/blog/).

L. Neil Smith (1946-2021)

L. Neil Smith

Author L. Neil Smith, a well-known advocate of libertarianism in the sf genre, died August 27.

Smith created the Prometheus Award – originally conceived as a one-off award when it was given for the first time in 1979. The Libertarian Futurist Society was organized by other fans in 1982 to continue the Prometheus Awards program. Smith became a perpetual favorite, nominated 15-times for the Prometheus Award and winning four times — for The Probability Broach (1982), part of his seven-book North American Confederacy series, Pallas (1994), The Forge of the Elders (2001), and a Special Award given to him and illustrator Scott Bieser for The Probability Broach: The Graphic Novel in 2005.

With 28 books to his credit, Smith may actually be most widely-known for three Star Wars novels featuring Lando Calrissian, all published in 1983.

He also wrote the nonfiction books Lever Action (2001) and Down with Power: Libertarian Policy in a Time of Crises (2012).

He was an early member of the Libertarian Party and twice mounted unsuccessful attempts to secure its Presidential nomination (for 2000 and 2004).

Sarah A. Hoyt wrote a farewell: “Goodbye, My Friend”. The family has set up a place to leave remembrances, “Lester ‘L. Neil’ Smith, III’s Memorial Website”.

[Thanks to Dann for the story.]