Deadline: Feb. 17. Issue: Apr. 17. For this feature, we’d like to speak with authors about creating non-human characters and cultures—aliens, monsters, A.I., and more. We’re also interested in romantic fantasy, Gothic horror, and class conscious, “eat the rich,” near-future SF. Pitches on other SFFH themes are welcome; please limit these to standalone titles and first-in-series books. Pub dates: Apr.–Sept. Adult books and new titles only, please; no reprints. Submission deadline: Feb. 17. Visit publishersweekly.com/ SFFHspring23 to submit your titles
(3) NOT JUST ANY BOT. Martha Wells guests on the If This Goes On (Don’t Panic) podcast. The next Murderbot book, System Collapse, will be released November 14. See the cover here.
In this episode, Alan and Diane chat with author, Martha Wells, about Neurodiversity, writing action scenes, the origins of ART (the sentient spaceship), developing humor in writing, and Martha’s new book.
(4) HARD SCIENCE. Jack Dann will be giving a talk for the Tucson Hard-Science SF Channel about the craft of writing, which will include what he calls “The Keys to the Kingdom” and “Writing As Cartography”. He says, “Basically, this will be a craft-based Jack Dann schmooze session relating to the insane joys and anxieties of becoming a writer and (Heaven forfend!) being a writer.” You’ll be able to find it here on YouTube on February 4 8:00 p.m. Eastern.
February 11, 2023 – 4PM EST, 1PM PST, 9PM GMT London, Sunday the 12th at 8AM in Melbourne, AU – New York Fandom in the 70s with Moshe Feder, Andy Porter, Steve Rosenstein and Jerry Kaufman
March 18, 2023 – 4PM EDT, 3PM CDT, 1PM PDT, 8PM London, March 19 at 7AM in Melbourne, AU – Feminism in 1970s Fandom, with Janice Bogstad, Jeanne Gomoll, and Lucy Huntzinger
April 22, 2023 – 7PM EDT, 4PM PDT, April 23 at 12AM in London, 9AM in Melbourne AU – Wrong Turns on the Wallaby Track Part 2, with Leigh Edmonds and Perry Middlemiss
(7) EVERGREEN. Gary Farber pointed out the timeless timeliness of John Scalzi’s 2017 post “The Brain Eater” which deals with writers whose careers hit a flat trajectory and makes them easy to convince that somebody (not them) is to blame.
Okay, I know what you’re thinking. Why would anyone choose the intro to “The Terminator” over the opening battle in “Terminator 2: Judgement Day”? After all, “T2” has that famous shot of the T-800 stomping a human skull, better VFX, more action, and a smoldering, scarred John Connor (Michael Edwards) watching over it all. Is the original’s first scene really better than that?
The answer, of course, is yes, and it all comes down to tone. Sure, the “T2” scene is fun, and it does a decent job of introducing the myth of John Connor. However, at the end of the day it’s little more than an action scene. By contrast, the “Terminator” opening is exactly as bleak as the concept of the Future War demands. There’s no epic battle here, no heroic stand against the machines — only the charred rubble of Los Angeles, a sea of skulls, and a single, desperate soldier fleeing from the lights of the HK-tanks. More extermination than war, this scene establishes the rest of the movie’s hopeless tone.
The opening of “The Terminator” is then rounded off by what must surely be the greatest piece of expository text in the history of cinema: “The machines rose from the ashes of the nuclear fire. Their war to exterminate mankind had raged for decades, but the final battle would not be fought in the future. It would be fought here, in our present. Tonight …” How’s that for setting the scene?
(9) MEMORY LANE.
1952 — [Compiled by Cat Eldridge.]
Our next Beginnings comes from Lis Carey who says C.S. Lewis’ The Chronicles of Narnia: The Voyage of the Dawn Treader, has the “best opening line ever” and she thinks “the rest of the paragraph lives up to it, but I’m not moving right now”. Fortunately it was easy to retrieve from Kindle.
This is the novel’s seventy-first anniversary as it was published in the United Kingdom by Geoffrey Bles in 1952. It is the third of seven novels in The Chronicles of Narnia series.
Like the other novels, it was illustrated by Pauline Baynes, and her work has been retained in many later editions.
THERE WAS A BOY CALLED EUSTACE Clarence Scrubb, and he almost deserved it. His parents called him Eustace Clarence and masters called him Scrubb. I can’t tell you how his friends spoke to him, for he had none. He didn’t call his Father and Mother “Father” and “Mother,” but Harold and Alberta. They were very up-to-date and advanced people. They were vegetarians, non-smokers and teetotalers and wore a special kind of underclothes. In their house there was very little furniture and very few clothes on beds and the windows were always open. Eustace Clarence liked animals, especially beetles, if they were dead and pinned on a card. He liked books if they were books of information and had pictures of grain elevators or of fat foreign children doing exercises in model schools.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 2, 1933 — Tony Jay. Ok I mostly remember him as Paracelsus in the superb Beauty and the Beast series even it turns out he was only in a handful of episodes. Other genre endeavors include, and this is lest OGH strangle me only the Choice Bits, included voicing The Supreme Being In Time Bandits, an appearance on Star Trek: The Next Generation as Third Minister Campio In “Cost of Living”, being in The Adventures of Brisco County, Jr. (and yes I loved the series) as Judge Silot Gato in “Brisco for the Defense” and Dougie Milford In Twin Peaks. (Died 2006.)
Born February 2, 1940 — Thomas Disch. Camp Concentration, The Genocides, 334 and On Wings of Song are among the best New Wave novels ever done. He was a superb poet as well, though I don’t think any of it was germane to our community. He won the Related Book Hugo for The Dreams Our Stuff Is Made Of at Aussiecon 3, a critical but loving look on the impact of SF on our culture, and was nominated for a number of other Hugos for his short fiction. (Died 2008.)
Born February 2, 1944 — Geoffrey Hughes. He played Popplewick aka The Valeyard in the Fifth Doctor story, “The Trial of The Time Lord”. Intriguingly he was also the voice of Paul McCartney in Yellow Submarine which surely is genre. And he as Harper in Randall and Hopkirk (Deceased)’s “Somebody Just Walked Over My Grave” episode. (Died 2012.)
Born February 2, 1947 — Farrah Fawcett. She has a reasonably good SFF resume and she‘s been in Logan’s Run as Holly 13, and Saturn 3 as Alex. (Does anyone like that film?) She was also Mary Ann Pringle in Myra Breckinridge which might I suppose be considered at least genre adjacent. Or not. Series wise, she shows up on I Dream of Jeanie as Cindy Tina, has three different roles on The Six Million Man, and was Miss Preem Lila on two episodes of The Flying Nun. Well, she does fly. (Died 2009.)
Born February 2, 1949 — Jack McGee, 74. Ok so how many of us remember him as Doc Kreuger on the Space Rangers series? Six episodes all told. Not as short as The Nightmare Cafe I grant you but pretty short. I’ve also got him as Bronto Crane Examiner in The Flintstones in Viva Rock Vegas, as a Deputy in Stardust, Mike Lutz in seaQuest, Doug Perren in Buffy the Vampire Slayer and a Police Officer Person of Interest, to name some of his genre roles.
Born February 2, 1949 — Brent Spiner, 74. Data on more Trek shows and films than I’ll bother listing here. I’ll leave it up to all of you to list your favorite moments of him as Data. He also played Dr. Brackish Okun in Independence Day, a role he reprised in Independence Day: Resurgence. He also played Dr. Arik Soong/Lt. Commander Data in four episodes of Enterprise. Over the years, he’s had roles in TwilightZone, Outer Limits, Tales from the Darkside, Gargoyles, Young Justice, The Avengers: Earth’s Mightiest Heroes, Warehouse 13 and had a lead role in the thirteen-episode run of Threshold.
Born February 2, 1986 — Gemma Arterton, 37. She’s best known for playing Io in Clash of the Titans, Princess Tamina in Prince of Persia: The Sands of Time, Strawberry Fields in Quantum of Solace, and as Gretel in Hansel and Gretel: Witch Hunters. She also voiced Clover in the current Watership Down series. Really? Strawberry Fields? That original to the Fleming novel?
(11) COMICS SECTION.
The Week has a sardonic cartoon about the green comet.
For more than fifty years Michael Butterworth, better known for his work as a writer, editor and publisher, has also been a quiet unobtrusive voice in poetry, with roots lying both in the small press poetry journals of the sixties and seventies and in New Wave of Science Fiction. His work is distinguished as much for the restless intelligence, wit and intimacy of his voice as a determination, shown in many of these poems, to paint metaphorical pictures of the perils we face due to our poor regard for the fragile biosphere in which we live. In other poems, he finds, within the events of an ordinary life, scope for the transcendent, and in still others his use of nonsense and absurdity playfully captures the moment, puncturing the illusions of the self. Across his work, elements are reiterated but endlessly transfigured –
The effect is at once familiar and yet profound, in language that has the confessional qualities and simplicity of early influences such as Sylvia Plath and the Beats, and the later influence of Zen poets such as Ryōkan. Occasionally the writing is startlingly radical – a reminder of the poet’s beginnings in the New Wave.
A collection such as this one from Space Cowboy Books is overdue, and Complete Poems: 1965-2020 brings to more deserving attention a less heard voice in modern poetry.
…The third season, officially titled “Pennyworth: The Origin of Batman’s Butler,” was the first season of the show to originate on HBO Max. The series originally debuted on Epix in 2019, with Season 2 airing on that channel in two chunks in 2020 and 2021. Season 3 launched on HBO Max in October 2022.
“While HBO Max is not moving forward with another season of ‘Pennyworth: The Origin of Batman’s Butler,’ we are very thankful to creator Bruno Heller and executive producers Matthew Patnick, Danny Cannon and John Stephens, along with Warner Bros. Television, for their brilliant, unique, gripping depiction of the origin of Alfred Pennyworth, one of the most iconic characters in the Batman world,” an HBO Max spokesperson said in a statement….
… Whether this will be your first time buying Valentine’s Day-specific Star Wars Funko Pops or if you started collecting the special holiday Funko Pops last year and are looking to build up your collection, these figures are the perfect way to add a pop of romantic hues and swoon-worthy sci-fi charm to any room. There’s a Kylo Ren, Rey, BB-8, and Princess Leia figure, and each figure is entirely red, white, and pink and costs around $13….
[Thanks to Cat Eldridge, Mike Kennedy, John King Tarpinian, Joe Siclari, Chris Barkley, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day by Andrew (not Werdna).]
(1) 2023 SMOFCON NEWS. MCFI president Rick Kovalcik has announced new discount rates for Smofcon40, being held December 1-3, 2023 at the Marriott Downtown, Providence, RI, USA.
There is now a $40 (attending) rate for First Smofcon Attendees, Young Adult (Under 33 Years Old / Born After 1 December 1990), or Unwaged / Retired / Hardship. We expect these rates to be good at least through the end of pre-registration. We trust people not to abuse the Unwaged / Retired / Hardship rate. Unfortunately, we will not be refunding $10 to anyone who already bought at the $50 rate. The $50 full attending rate is good at least through 28 February 2023.
We have been working on our official website at smofcon40.org and expect to have an integrated membership / payment system up shortly. In the meantime, memberships may still be bought by filling out the form at https:tinyurl.com/Smofcon40Membership and paying by PayPal to [email protected] or mailing a check to MCFI at PO Box 1010, Framingham, MA 01701 USA.
Gay Ellen Dennett has been chosen as Smofcon40 Chair and can be reached at [email protected].
The committee has a signed contract with the hotel. They expect to publish a link for room reservations in the late spring. Any additional questions may be sent to [email protected].
(2) BOOK SHOPPING IN MONGOLIA. [Item by Mikael Thompson.] Here are two recent translations I saw in Mongolian bookstores recently. First is Howl’s Moving Castle (literally, “Howl’s habitually-nomadizing castle”–nüü- meaning ‘to move, shift pastures, nomadize’ and -deg indicating habitual aspect). Second is the just-released translation of The Man Who Fell to Earth.
Oghenechovwe will be visiting the ASU Tempe campus at the end of March, where he will be engaging with initiative communities, participating in meetups, and talking about his work and it’s connection to how we think about being human in a technologically advances future in a number of venues.
… I’m not really a good hand for visuals, so I usually have a hard time figuring out what I want to do with a new website like this. I decided I’d take a survey of the sites put up by some of the authors whose work I’ve enjoyed over the years, and see what I could infer from them.
Ugly On Purpose
Let’s start with a couple of sites that aren’t formatted for visual appeal.
Charlie Stross is a writer of deep, complex, even mind-bending fiction. He’s also a veteran of multiple tech startups. His author website is spartan….
Cory is a science fiction writer, journalist and technology activist who in 2020, was inducted into the Canadian Science Fiction and Fantasy Hall of Fame. In the years since I published his first professional fiction sale in Science Fiction Age magazine (though I didn’t buy his first professionally sold short story, a distinction we get into during our chat), he’s won the Locus, Prometheus, Copper Cylinder, White Pine and Sunburst Awards, and been nominated for the Hugo, Nebula and British Science Fiction Awards.
His novels include Down and Out in the Magic Kingdom (2003), Eastern Standard Tribe (2004), Someone Comes to Town, Someone Leaves Town (2005), Little Brother (2008), his most recent, Walkaway (2017), and others. His most recent short story collection is Radicalized (2019). He’s also a special consultant to the Electronic Frontier Foundation, a non-profit civil liberties group that defends freedom in technology law, policy, standards and treaties.
We discussed how different D.C. seems to him now that he’s a U.S. citizen, the way his remarkable evening hanging with both David Byrne and Spider Robinson put things in perspective, the lessons we learned (both good and bad) from Harlan Ellison, our differing levels of hope and despair at the current state of the world, the major effect Judith Merril had on the direction of his life, how an ongoing column he wrote for Science Fiction Age magazine predicted the next 20 years of his life, our differing opinions as to what it means when we say stories are didactic, how to continue on in the face of rejection — and then once we do, how not to become parodies of ourselves, the best piece of advice he didn’t follow, our differing views on spoilers, what he recently came to understand about the reactionary message of traditional hardboiled fiction — and how he used that in his upcoming trilogy, knowing when to break the rules of writing, and much more.
(6) A STOPPED CLOCK TELLS THE RIGHT TIME. Camestros Felapton initially discusses a point made by Larry Correia that he agrees with – how did that happen? But they soon part company again in “Guns & Nonsense: Part 5, Defence in Depth”.
…However, Correia is apparently naïve enough to think that gun control must be perfect before it can be an additional layer of security. The opposite is obviously true. Making it harder for people who wish to hurt others to get access to guns is an additional layer of security. It’s not a perfect layer but as demonstrated in multiple wealthy nations, it is a very effective layer.
Of course, if Correia conceded that gun control is an effective layer in a model of “defence in depth” then a rather alarming conclusion would logically follow: gun control is part of self-defence. Ah. The implication of that is both huge but also demonstrable. A right to protect yourself from harm applied equitably i.e. a right that makes it easier for everybody is the opposite of tyranny….
(7) MEMORY LANE.
1968 — [Compiled by Cat Eldridge.] Agatha Christie’s At Bertram’s Hotel
Food has an important role in Christie’s fiction. (And yes, I adore her detectives, all of them. That’s why you will see more culinary quotes from her fiction.) Hercule Poirot and his oh so perfect breakfast, or the quote this time from At Bertram’s Hotel, a Miss Marple novel (she is taking a two-week holiday in London at this hotel though she doesn’t figure into our quote, though she loved breakfast here, “Miss Marple inserted a knife gingerly but with confidence. She was not disappointed. Rich deep yellow yolk oozed out, thick and creamy. Proper eggs! “) The manager is telling one of the guests what an English breakfast once was like, and what he can have there now.
‘Eggs and bacon?’
‘As you say—but a good deal more than that if you want it. Kippers, kidneys and bacon, cold grouse, York ham, Oxford marmalade.’
‘I must remember to get all that… don’t get that sort of a thing any more at home.’
Humfries smiled. ‘Most gentlemen only ask for eggs and bacon. They’ve—well, they’ve got out of the way of thinking about the things there used to be.’
‘Yes, yes… I remember when I was a child. … Sideboards groaning with hot dishes. Yes, it was a luxurious way of life.’
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born January 27, 1940 — James Cromwell, 83. I think we best know him as Doctor Zefram Cochrane In Star Trek: First Contact which was re-used in the Enterprise episode “In a Mirror, Darkly (Part I)”. He’s been in other genre films including Species II, Deep Impact, The Green Mile, Space Cowboys, I, Robot, Spider-Man 3 and Jurassic World: Fallen Kingdom. He played characters on three Trek series, Prime Minister Nayrok on “The Hunted” episode of Star Trek: The Next Generation and Jaglom Shrek in the two part “Birthright” story, Hanok on the “Starship Down” episode of Deep Space Nine and Zefram Cochrane once as noted before on Enterprise.
Born January 27, 1950 — Michaela Roessner, 73. She won the Astounding Award for Best New Writer after writing Walkabout Woman. Though not genre, her two historical novels, The Stars Dispose and The Stars Compel, about Catherine de Medici are excellent. ISFDB lists another novel of genre status, Vanishing Point. None of her fiction is available digitally, alas.
Born January 27, 1953 — Joe Bob Briggs, 70. Writer, actor, and comic performer. Host of the TNT MonsterVision series, and the ongoing The Last Drive-in with Joe Bob Briggs on Shudder from 2018–present. The author of a number of nonfiction review books including Profoundly Disturbing: Shocking Movies that Changed History! And he’s written one genre novel, Iron Joe Bob. My favorite quote by him is that after contracting Covid and keeping private that he had, he said later that “Many people have had COVID-19 and most of them were much worse off than me. I wish everybody thought it was a death sentence, because then everyone would wear the f*cking mask and then we would get rid of it.”
Born January 27, 1956 — Mimi Rogers, 67. Her best known SFF role is Professor Maureen Robinson in the Lost in Space film which I did see in a theatre I just realized. She’s also Mrs. Marie Kensington in Austin Powers: International Man of Mystery, and she’s Orianna Volkes in the Penny Dreadful hitchhiker horror film. She’s got one-offs in Tales from The Crypt, The X-Files, Where Are You Scooby Doo? and Ash v. Evil Dead.
Born January 27, 1957 — Frank Miller, 66. He’s both an artist and writer so I’m not going to untangle which is which here. What’s good by him? Oh, I love The Dark Knight Returns, both the original comic series and the animated film, though the same not no true of Sin City where I prefer the original series much more. Hmmm… What else? His runs on Daredevil and Electra of course. That should do.
Born January 27, 1965 — Alan Cumming, 58. I’m now watching The Good Wife where plays Eli Gold, the ultimate crisis manager. His film roles include performances as Boris Grishenko in GoldenEye, Fegan Floop In the Spy Kids trilogy, Loki, god of Mischief in Son of the Mask, Nightcrawler In X2 and Judas Caretaker in Riverworld (anyone know this got made?).
Born January 27, 1966 — Tamlyn Tomita, 57. I’m fairly sure I first saw her in a genre role on the Babylon 5 film The Gathering as Lt. Cmdr. Laurel Takashima. Or it might have been on The Burning Zone as Dr. Kimberly Shiroma. And she had a recurring late on Eureka in Kate Anderson, and Ishi Nakamura on Heroes? She’s been in a number of SFF series in one-off roles including Highlander, Quantum Leap, The Sentinel, Seven Days, FreakyLinks, Stargate SG-1 and a recurring as late as Tamiko Watanabe in The Man in The High Castle.
Born January 27, 1970 — Irene Gallo, 53. Creative Director for Tor.com and Tor Books. She’s won an amazing thirteen Chelsey Awards, and two World Fantasy Awards, as art director of Tor.com and for the Worlds Seen in Passing: Ten Years of Tor.com Short Fiction anthology. She also co-wrote Revolution: The Art of Jon Foster with Jon Foster and Cathy & Arnie Fenner.
(9) IF YOU CAN MAKE IT THERE. FANAC.org’s next FanHistory Project Zoom Session will be “New York Fandom in the 70s with Moshe Feder, Andy Porter, Steve Rosenstein and Jerry Kaufman”. Catch it live on February 11, 2023 at 4:00 p.m. Eastern
The story of New York fandom is fascinating. From the worldcon in the 60s to fragmentation and multiple fannish groups in the 70s, there’s a real story to tell. How did NY fandom come to break apart? What were the fannish clubs and how were they different? Who were the movers and shakers? How did the emergence of Star Trek and Star Trek conventions affect NY fandom? Did moving Lunacon out of the city have a big effect? What were the highlights and heartbreaks? Join four of the stalwarts of 70s New York fandom, as they revisit those days.
(10) JEOPARDY! SF QUESTIONS 2023-01-26[Item by David Goldfarb.] Troy Meyer continues to extend his winning streak. On Thursday’s Jeopardy! episode there were two clues with SF content, both in the Double Jeopardy round.
Line in the Sand, $1600: A passage in this novel relays: “Gurney saw Fremen spread out across the sand there in the path of the worm”
Emma Moore responded correctly.
“B” Movies [i.e., movies whose titles began with the letter B], $2000: This Terry Gilliam fantasy features a futuristic bureaucracy
Troy Meyer responded correctly.
(11) FOUNDATIONS OF MIDDLE-EARTH. Austin Gilkeson delves into “The Lore of the Rings” at the New York Review of Books.
One September day in 1914, a young J.R.R. Tolkien, in his final undergraduate year at Oxford, came across an Old English advent poem called “Christ A.” Part of it reads, “Éalá Éarendel engla beorhtast/ofer middangeard monnum sended,” which he later rendered: “Hail Éarendel, brightest of angels/above the middle-earth sent unto men!” Safe in his aunt’s house in Nottinghamshire while battles raged on the continent, Tolkien took inspiration from this ode to the morning and evening star and wrote his own poem in modern English, “Éarendel the Mariner.” That poem was not published in his lifetime, but after it came the stories that would become The Silmarillion, The Hobbit, and The Lord of the Rings, which in turn inspired, to varying degrees, Earthsea, Star Wars, Dungeons & Dragons, Harry Potter, The Wheel of Time, The Witcher, Game of Thrones, and so on, an apostolic succession of fantasy.
The latest in the line is The Lord of the Rings: The Rings of Power. Amazon Studios does not have the rights to The Silmarillion, the posthumous collection of Tolkien’s mythology that serves as a sort of bible for Middle-earth, nor is it adapting The Lord of the Rings, Tolkien’s 1954 novel about the hobbit Frodo’s quest to save Middle-earth by destroying the One Ring, which holds the power of the Dark Lord Sauron. Peter Jackson’s film trilogy still looms too large. Instead, the showrunners, J.D. Payne and Patrick McKay, have crafted a prequel, set thousands of years before the events of the three-volume novel and drawn from bits of lore in its prologue, “Concerning Hobbits,” and extensive appendices on Middle-earth history and culture. It’s an undertaking not dissimilar from Tolkien’s own reworking of “Christ A,” spinning out a narrative from a few textual scraps—the kind of academic exercise an Oxford professor of Old English could appreciate….
(12) SUN DIALS ARE RIGHT OUT. “What time is it on the Moon?” in Nature. “Satellite navigation systems for lunar settlements will require local atomic clocks. Scientists are working out what time they will keep.” SF authors and Andy Weir take note…
The coming decade will see a resurgence in lunar exploration — including dozens of missions and plans to establish permanent bases on the Moon. The endeavours pose myriad challenges. Among them is a subtle, but fundamental, question that meteorologists worldwide are working to answer: what time is it on the Moon?…
The Moon doesn’t currently have an independent time. Each lunar mission uses its own timescale that is linked, through its handlers on Earth, to coordinated universal time, or UTc — the standard against which the planet’s clocks are set. But this method is relatively imprecise and spacecraft exploring the Moon don’t synchronize the time with each other. The approach works when the Moon hosts a handful of independent missions, but it will be a problem when there are multiple craft working together. Space agencies will also want to track them using satellite navigation, which relies on precise timing signals.
It’s not obvious what form a universal lunar time would take. Clocks on Earth and the Moon naturally tick at different speeds, because of the differing gravitational fields of the two bodies. Official lunar time could be based on a clock system designed to synchronize with UTC, or it could be independent of Earth time….
(13) HWA KERFUFFLE. Tom Monteleone, alleging that “gatekeepers” at the Horror Writers Association websites were keeping his post from appearing, took to Facebook to nominate David Schiff for an HWA Lifetime Achievement Award. But before sharing the reasons Schiff should receive the recognition, Monteleone made known his real agenda:
…That said, and despite the last few LAA years looking very much like a very obvious DEI project, I am compelled to nominate a smart, old white guy: Stu Schiff…
Since then people have left over 500 comments, some applauding what he said and adding their own feelings about “virtue signaling” and “wokeness”, while others have called for him to apologize. He has made additional comments which others are engaging. The worthiness of some of the 2017 LAA winners has also been denigrated.
As the person who was president of the HWA when these LAA awards were selected and given, I stood behind them then, and I stand behind them today. And I also stand behind Kevin Wetmore and the LAA committee who made these selections.
I’m more than disappointed their names have been attacked. I have zero tolerance for the transphobia and hateful comments spewed forth.
For the record? They were chosen on merit, period. Anyone who thinks otherwise is dead wrong. I was there. Their Race, gender, sexuality. Etc. we’re not the defining factors.
Also? SCHIFF’s validation and consideration will not be based negatively based upon this hurtful thread.
Even though I’m not president now, I know my colleagues in the HWA will not hold this against a candidate. In fact? Proof of such can be seen in the fact that many people who’ve been very critical against the HWA in the past have been brought in as GOH and in other capacities. There’s always room for growth and learning…
Brian Keene finally decided he needed to come off the sidelines and wrote a long comment that includes this quote:
… But now, with this second topic, there *are* people speaking up directly, and telling you [Monteleone] that some of the things you’re saying here are hurtful. They’re not going through me to do it. They’re saying it right here, directly to you. Maybe you’re not hearing them, so let me try saying it instead.
You’re publishing Mary’s collection of Edward Lucas White stories. She turned that in to you two days ago. That night, she said to me, quote: “Back in the day, Tom was the first editor in this business to treat me like a colleague and not like a groupie.” End quote. Today she saw your trans comments elsewhere in this thread. As the mother of a trans daughter, she was incredibly hurt by them. She’s downstairs right now, trying to reconcile all this. As the soon-to-be step-father to a trans-daughter, and as someone who has known that child since she was 4 years old, and has seen her struggle first hand, I’m hurt by them, too. You have always been kind and generous and supportive of Mary and I both, but what are we supposed to do at the wedding reception? Stick you at a back table like “that one uncle”? Because that’s how it’s coming across to us both…
[Thanks to Cat Eldridge, Mike Kennedy, John King Tarpinian, Mikael Thompson, David Goldfarb, SF Concatenation’s Jonathan Cowie, Chris Barkley, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editors of the day Jayn and David Goldfarb.]
Mike Davis here: Laird is a private person and I’m trying to convey just how serious this is without revealing too much personal information. Make no mistake: This is very serious, and potentially life threatening. That said: He needs a bronchoscopy. He has a mass on his lung. His blood sugar numbers are dangerously high. He will need medications as well. These are just a few of the things that will need to be paid for.
We are raising funds for Laird for three reasons:
Medical bills (and they will be very high, make no mistake).
Health Insurance (his friends are looking into getting him health insurance, if possible)
Lost income (Laird has been on a sickbed since September or so. That’s a long time to be unable to work.)
Laird has been very supportive of so many in the horror community. It’s our turn to give back.
…Those black-and-white Doctor Who stories that we have now are already far from the versions that were first put out on VHS in the 1990s. Now, software can restore the original video look to these smudgy old tele-recordings.
With our televisions getting bigger and the resolution becoming sharper, these vintage episodes from the ’60s are beginning to look ever more anachronistic, like listening to a scratchy Noel Coward 78 next to Kendrick Lamar’s latest. It’s difficult to find any black-and-white movie or TV show on Netflix and even BritBox seems wary. While it welcomes plenty of antique TV, it has precious few non-colour series in its vast archive.
Not that colourising old black-and-white Doctor Who is entirely new. Some Jon Pertwee episodes, first broadcast in colour, for years existed only as black and white tele-recordings (the original colour tapes having been junked). Until 2013, the only copy of The Mind Of Evil that survived was in black-and-white, until it was discovered that it was possible to recover the original colour by decoding chroma dot signals within the picture. Only when it was being readied for DVD release was it discovered that episode one didn’t have any chroma dot information, which meant it had to be colourised from scratch….
A frothy musical comedy from Weimar Germany, starring an actress whose unexpected death at 31 may have been a Gestapo murder. The first known Irish feature to be directed by a woman. An American drama from 1939 distributed to largely Black audiences, starring Louise Beavers as the progressive warden of a reform school.
All these films might have disappeared forever, at least in their complete forms. But all are showing beginning Thursday in To Save and Project, the Museum of Modern Art’s annual series highlighting recent preservation work. Some titles, like the opening-night selection, “The Cat and the Canary,” a popular silent from 1927, were preserved by MoMA itself. Others have been flown in from archives around the globe.
Decisions about which films become candidates for preservation — or even what preservation means for any given movie — are rarely clear-cut. They depend on a combination of commercial interests, historical judgments, economic considerations and the availability and condition of film materials….
…Years of losing business to online sellers and the rise of digital comics pushed many comic stores to close down. Fat Jack’s remained operating, as community members raised money to help them out of a 2019 economic downturn. But, right as stability seem to be in sight, the pandemic sent them into a six-month shutdown. Being an in-person store, Fat Jack’s saw sales plummet.
“We’re in a terrible situation and we desperately need your help,” wrote Fat Jack’s manager, Eric Partridge, on the store’s official GoFundMe. According to Partridge, who has been managing the store for 28 years, most Center City clientele had settled into remote work and were no longer making their way into Philly — a reality that, per a 2022 Center City District report, the city continues to struggle with. Only 57% of foot traffic is back, compared to 2019 levels.
“We used to have about 222 to 250 people a week, but now we are down to about 180,” said store owner Mike Ferraro. Fat Jack’s subscription program has also been affected. Working from home meant that readers had to cancel their membership due to being unable to pick up their comics….
(6) FANHISTORY ZOOM AVAILABLE. Fanac.org has added a two-part Zoom panel about Pittsburgh fandom to its YouTube channel.
Pittsburgh in the late 60s/70s saw an explosion of fannish activity, with the founding of the Western Pennsylvania SF Association (WPSFA), the creation of PghLANGE and the publication of many fanzines, including Granfalloon (Linda Bushyager and Suzanne Tompkins). What made Pittsburgh special?…This group of panelists can certainly tell us – they’re the Founding Mothers of WPSFA and PghLANGE. This conversation among friends truly conveys what it was like to be young, female, and the center of fannish creativity in 1970s Pittsburgh. It’s history through facts and anecdotes, from how the organizers of the 1960 Worldcon felt about these new kids, to the Breezewood Curse and where the name PgHLANGE came from. You’ll learn where and why Harlan Ellison whispered “Save me” to Ginjer, the contents of the first PgHLANGE art show, who Mary Esther is, and how Bob Silverberg came to welcome the Founding Mothers to Pittsburgh. It’s great fun, and the convention stories of far too many people sharing far too little sleeping space may remind you of your early convention experiences.
In part 2 of this session, we continue the conversation by the Founding Mothers of WPSFA and PghLANGE (with a few friends!), and continue the focus on fans, professionals and conventions of the 70s…
There are some great stories about Harlan Ellison, and Robert Silverberg. Octavia Butler’s interaction with the group comes up too. Linda talks about why she started writing, and her connection to the NYcon, and Ginjer comments on her transition from social worker to award winning editor. The impact of Star Trek on WPSFA is dissected as well. Fans, both living and dead, are remembered, with stories and anecdotes, including the full story of the Pittsburgh subway system. My favorite is the story of “the Sensuous SF writer”….There are touching stories, funny stories, and at least one story that achieved mythic status in fandom. If you were a Pittsburgh fan in the 70s, you may find yourself mentioned!
Note: Participants had a few technical difficulties and there are some rough spots in the recording.
(7) MEMORY LANE.
1996 — [Compiled by Cat Eldridge.] George R.R. Martin’s A Game of Thrones
I gather that it’s hard to properly describe food to someone who won’t be able to actually taste it. This apparently isn’t a problem for George R.R. Martin who inserts detailed descriptions of food everywhere in A Song of Ice and Fire.
I have not seen the HBO series so I’ve no idea how this was scripted into an actual scene if indeed it was. I like the novels and my long standing policy as you know by now is not to watch an adaption of any such work that I’ve enjoyed immensely. Full cast audio adaptations are different as, for many reasons, they work for me whereas video adaptations don’t.
Below is one of my favorite such passages.
All the while the courses came and went. A thick soup of barley and venison. Salads of sweetgrass and spinach and plums, sprinkled with crushed nuts. Snails in honey and garlic. Sansa had never eaten snails before; Joffrey showed her how to get the snail out of the shell, and fed her the first sweet morsel himself. Then came trout fresh from the river, baked in clay; her prince helped her crack open the hard casing to expose the flaky white flesh within. And when the meat course was brought out, he served her himself, slicing a queen’s portion from the joint, smiling as he laid it on her plate. She could see from the way he moved that his right arm was still troubling him, yet he uttered not a word of complaint.
Later came sweetbreads and pigeon pie and baked apples fragrant with cinnamon and lemon cakes frosted in sugar, but by then Sansa was so stuffed that she could not manage more than two little lemon cakes, as much as she loved them. She was wondering whether she might attempt a third when the king began to shout.
King Robert had grown louder with each course. From time to time Sansa could hear him laughing or roaring a command over the music and the clangor of plates and cutlery, but they were too far away for her to make out his words.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born January 12, 1930 — Bruce Lansbury. Brother of Angela Lansbury. He is best remembered as producer of eighty-eight episodes of Murder, She Wrote starring his sister. He also was a writer for fifteen episodes of the show. He produced the bulk of the episodes of The Wild Wild West, and many episodes of Mission: Impossible. (That was how I found him as I’m watching the entire series.) He was producer of Buck Rogers in the 25th Century, Knight Rider and Wonder Woman, and executive produced The Fantastic Journey. (Died 2017.)
Born January 12, 1951 — Kirstie Alley. She’s here for being Saavik on Star Trek II: The Wrath of Khan, her very first film. It was, errr, interesting reading the various rumors why this was her only Trek film. Her SFF experience otherwise was brief limited to being the villain’s ex-girlfriend in Runaway, an uncredited handmaiden on Quark, and being in the Village of the Damned as Dr. Susan Verner. (Died 2022.)
Born January 12, 1952 — Walter Mosley, 71. I have read his Ezekiel “Easy” Rawlins series but hadn’t been aware that he wrote SF of which he has four novels to date, Blue Light, Futureland: Nine Stories of an Imminent Future, The Wave, and 47. There’s a Jack Kirby art book called Maximum Fantastic Four was conceived of and orchestrated by him. Interestingly enough, he’s got a writing credit for episode of Masters of Science Fiction called “Little Brother” where Stephen Hawking is the Host according to IMdB.
Born January 12, 1955 — Rockne O’Bannon, 68. Creator of five genre series in Alien Nation, Cult, Defiance, Farscape and seaQuest. He also helped write the Warehouse 13 pilot. He has also written and produced for Constantine, Revolution and V, among many other projects. I truly loved Farscape and seaQuest but thought Defiance went bad fast.
Born January 12, 1957 — John Lasseter, 66. Animator fired from Disney for promoting computer animation who joined Lucasfilm which eventually became Pixar under Steve Jobs. And where he directed Toy Story, A Bug’s Life, Toy Story, Cars and Cars 2. He also Executive Produced Toy Story 3 as well as Zootopia, Finding Dory and Incredibles 2.
Born January 12, 1960 — Oliver Platt, 63. My favorite role by him is Porthos in The Three Musketeers but his first genre role was as Randy Steckle in Flatlineers and he later played Rupert Burns in the Bicentennial Man film on Asimov’s The Positronic Man. He voices Hades in Wonder Woman, not surprising given his deep voice.
Born January 12, 1970 — Kaja Foglio, 53. Writer, artist, and publisher. Foglio co-won the first Hugo Award for Best Graphic Story at Anticipation (2009) for the absolutely stunning Girl Genius, Volume 8: Agatha Heterodyne and the Chapel of Bones, created with her husband artist Phil Foglio and colorist Cheyenne Wright, and co-won two more Hugos in the following years. Having won three three years running, they removed themselves from further competition. If you haven’t read them, you’re in for treat as they’re quite amazing. Her husband Phil Foglio and colorist Cheyenne Wright do stunning work.
Born January 12, 1980 — Kameron Hurley, 43. Winner of a Best Related Work Hugo at London 3 for We Have Always Fought: Challenging the Women, Cattle and Slaves Narrative. Fiction wise, her most excellent God’s War won a BFA and a Kitschie, whereas her The Geek Feminist Revolution won her a BFA for non-fiction. Very impressive indeed. Oh, and she won a Hugo for Best Fan Writer at Loncon 3 as well. Nice.
…“Do I see this in the near term replacing the kind of writing that we’re doing in writers rooms every day? No, I don’t,” says Big Fish and Aladdin writer John August, who has tested the free research preview and talked about it on the popular Scriptnotes podcast, which he co-hosts with Craig Mazin (The Last of Us). Still, he adds, “There certainly is no putting the genie back in the bottle. It’s going to be here, and we need to be thinking about how to use it in ways that advance art and don’t limit us.”
Another prominent writer and showrunner, speaking to The Hollywood Reporter anonymously, has taken ChatGPT for several test rides and says the chatbot seems incapable of writing funny jokes or producing results that might be useful to include in a script without “substantial creative input from me.” This showrunner adds, “When people conclude that this is going to replace professional writers, I think they’re sort of swallowing an Elon Musk-style fantasy about the future that is not actually connected to the technology.”…
Electric vehicle manufacturer Tesla has notified the state of Texas of its plans to spend upward of $770 million expanding its already immense Austin-based factory….
(11) HOME SWEET HOME. Steve Vertlieb posted an intimate view of his “living” room (Steve’s quotemarks) on Facebook. Looks very fannish, although the stacks may be too straight. (Click for larger images.)
2022 was a record year for space with 180 successful rocket launches to orbit — the most ever, and 44 more than in 2021. The launches were dominated by rockets from US company SpaceX and from the Chinese government and businesses…
(13) JUSTWATCH. Here are JustWatch’s Top 10 lists for December.
[Thanks to Chris Barkley, Andrew Porter, Michael Toman, Diana Glyer, Steve Vertlieb, SF Concatenation’s Jonathan Cowie, BravoLimaPoppa,Cat Eldridge, Mike Kennedy, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
Al Milgrom was the artist for my ’70s run on Captain Marvel, and therefore the co-creator of Dr. Minn-Erva, portrayed by Gemma Chan in the Captain Marvel movie. But Al’s so much more than Captain Marvel.
He edited The Incredible Hulk, drew The Avengers, and both wrote and drew Spectacular Spider-Man. During his early days in comics, he lived in the same Queens apartment building as Howard Chaykin, Walter Simonson, and Bernie Wrightson. His career at Marvel lasted far longer than mine, for he was the inker of X-Factor for eight years (1989–1997) and edited Marvel Fanfare for its full 10-year run (1982–1992). But his impact wasn’t limited to Marvel, as over at DC, he co-created Firestorm with previous guest of the podcast Gerry Conway. He also worked at nearly every existing comics company during his career, including Archie, Dark Horse, Image, Star Reach, Warren, and more.
We discussed our time working together on ’70s Captain Marvel, how he responded when Gerry Conway asked him to provide cover sketches for Jack Kirby, his memories of meeting Jim Starlin in middle school (and what Joe Orlando said about the duo when they brought their portfolios up to DC Comics), what he learned working as a backgrounder for the legendary Murphy Anderson, the day Marie Severin and Roy Thomas sent him on a wild motorcycle ride to track down Rick Buckler, how the artists on Marvel’s softball team always played better than the writers, why (and how) he works best under pressure, how he became a triple threat writer/artist/editor, the conflicting advice Joe Orlando gave him about his DC Comics covers, what not to talk about with Steve Ditko, how Jim Shooter got him to edit at Marvel, and much more.
(2) 1960 TAFF TRIP REPORT. TAFF Baedekerby Don Ford is the latest addition to the Trans-Atlantic Fan Fund’s library of free downloads. And if you enjoy the book, a donation to TAFF is a fine way to express your appreciation.
Don Ford (1921-1965) was the founding US administrator of the TransAtlantic Fan Fund and also won the 1960 eastbound race held in 1959, with rival candidates Terry Carr – a later winner in 1965 – and Bjo Trimble. He attended the 1960 Eastercon in London, played tourist and visited UK fans in London, Cheltenham and Liverpool, and made a side trip to Paris. His trip report TAFF Baedeker was published promptly in two sections, 1960 and 1961. It includes sidelight contributions from several British fans who gave their own accounts of the TAFF winner’s adventures: Norman Ashfield, Ken Bulmer, Ted Carnell, Bill Gray, Roberta Gray (née Wild), Eric Jones, Ella Parker, John Roles and Norman Shorrock.
Ansible Editions ebook officially released at the TAFF site on 1 January 2023. Cover artwork by Arthur Thomson (Atom) from section two (1961) of the original report, reflecting the fact that Don Ford was not only an enthusiastic cameraman but conspicuously tall at six and a half feet. 34,000 words with introduction and notes.
(3) FUTURE TENSE. The December 2022 entry in the Future Tense Fiction series, published on December 24m is “A Lion Roars in Longyearbyen,” a story by Margrét Helgadóttir about a holiday parade, a hunter, a zoo full of lab-grown animals, and a missing lion.
Electricity was rationed at night in Longyearbyen, yet a few lights blinked stubbornly over the empty streets. Automated trash collectors alternated from side to side. One of them paused, as if sensing the tall man’s presence, then buzzed on, sucking up glittering confetti from the frozen ground….
…Environmental philosophers coined the term “biotic artifact” four decades ago. At the time, it referred to the sheep and cattle whose carefully manufactured temperaments, plump haunches, and passivity in the company of humans made them suitable objects for commodification. Upon earning the label “domestic,” they simultaneously became subjects of greater care and objects of diminished dignity compared with their wild counterparts.
Biotic artifacts were popular from the start. Wild animals suffered in the face of a hundred centuries of growth in domestic livestock. Today, 96 percent of mammalian biomass is humans and domesticated animals. This means 24 times the weight of all the lions, whales, and musk-ox combined are creatures who spend their lives in pens, fields, factories, and other manufactured spaces. The remaining 4 percent of wild, mammalian life accrues rarity value by default….
In a blog post on Wednesday, the author wrote that some of his planned shows in the “Game of Thrones” universe have been “shelved” at the streamer. After HBO parent company WarnerMedia merged with Discovery in April, HBO Max’s content slate has been growing thinner to cut costs, contributing to the cancellation of shows like “Love Life,” “Minx” and “FBoy Island.”
Though “Game of Thrones” prequel “House of the Dragon” had the biggest season finale HBO has seen since that of the original series and has been renewed for Season 2, Martin wrote that other projects in development aren’t as set in stone.
“Some of those are moving faster than others, as is always the case with development,” Martin wrote. “None have been greenlit yet, though we are hoping… maybe soon. A couple have been shelved, but I would not agree that they are dead. You can take something off the shelf as easily as you can put it on the shelf. All the changes at HBO Max have impacted us, certainly.”
This is most likely our last update of the year. We have over 19,450 fanzines digitally archived and approx 23,000 publications total. Our APA Mailing view is growing as we go back and annotate our fanzine index pages, with 924 fanzines so far shown in their FAPA mailings (in context, sort of). Fancyclopedia is growing, the YouTube channel has topped 150K views, and the fannish community is continuing to provide scans and information to make the Fan History project better. Thank you all! Happy New Year.
(7) READYING THE WELCOME MAT. BBC Radio 4’s nonfiction program about prospects for ”First Contact” is available for online listening or downloading.
For thousands of years we have gazed up at the stars and wondered: is anybody out there? The idea of meeting aliens has been the inspiration for countless books and films; for art and music. But today, thinking about meeting life on, or from, other planets is no longer dismissed as pure make-believe – it’s the focus of political consideration and cutting-edge space science. Farrah Jarral presents the story of the fantasy and the reality of preparing for first contact with extra-terrestrials.
(8) CHRISTOPHER TUCKER (1941-2022). Christopher Tucker, the makeup artist who created John Hurt’s prosthetics for The Elephant Man and Michael Crawford’s mask in The Phantom of the Opera, died December 14. The Guardian noted many other genre credits as well,
Tucker received official recognition from the UK film world when Bafta made its first presentation of a best makeup award in 1983. The honour went to him, along with Sarah Monzani and Michèle Burke, for their work on the 1981 Canadian-French film La Guerre du Feu (Quest for Fire), a prehistoric fantasy. It included making dentures to snap on over the actors’ own teeth. “Primitive man’s teeth were rather different to modern teeth,” Tucker observed.
…He received other Bafta nominations, for best makeup and best special visual effects, for the 1984 gothic horror film The Company of Wolves. His tasks included transforming the actor Stephen Rea into a wolf as he clutches his face and rips off his own skin – a deliberately laboured and bitingly realistic scene with muscles expanding and contracting – as well as creating wolves bursting out of the mouths of characters.
….[He] designed the face of the obese bon vivant Mr Creosote, one of the characters played by Terry Jones in the 1983 Monty Python film The Meaning of Life. He also made masks for David Niven in Old Dracula (1974), Gregory Peck and Laurence Olivier in The Boys from Brazil (1978), Angela Lansbury in The Company of Wolves, and Daryl Hannah in High Spirits (1988).
Tucker was on the team that brought to life the Mos Eisley cantina bar scene, featuring various alien races, early in the first Star Wars film (1977, later retitled Star Wars: Episode IV – A New Hope). The humanoid Ponda Baba and a giant praying mantis were his creations….
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born December 30, 1865 — Rudyard Kipling. Yea, Kipling. I didn’t do him last year and he’s written enough of a genre nature such as the Just So Stories for Little Children stories like “How the Camel Got Hump“ and “The Cat that Walked By Himself“ being wonderful stories with a soupçon of the fantastic in them that I should’ve of done so. Or there’s always The Jungle Book, which run to far more stories than I thought. Yes, he was an unapologetic Empire-loving writer who expressed that more than once but he was a great writer. (Died 1936.)
Born December 30, 1922 — Jane Langton. Author of the Hall Family Chronicles series which is definitely SFF in nature having both fantasy and SF elements in these charming tales for children. The eight books herein are mostly not from the usual suspects though Kindle has the final novel but the Homer Kelly mysteries which both Fantastic Fiction and ISFDB list as genre or genre-adjacent are partially available. (Died 2018.)
Born December 30, 1945 — Concetta Tomei, 77. Was Dominique, co-proprietor of Big Time TV along with Blank Reg, on the Max Headroom series which I loved. She had guest appearances on Star Trek: Voyager as Minister Odala in the “Distant Origin” episode as well was in the Deep Impact film.
Born December 30, 1950 — Lewis Shiner, 72. Damn, his Deserted Cities of the Heart novel was frelling brilliant! And if you’ve not read his Wild Cards fiction, do so now. He also co-wrote with Bob Wayne the eight-issue Time Masters series starring Rip Hunter which I see is on the DC Universe app. Yea! Anyone that’s read the Private Eye Action As You Like It collection of PI stories I see listed on Kindle with Joe Lansdale? It looks interesting.
Born December 30, 1951 — Avedon Carol, 71. She was the 1983 winner of the Trans-Atlantic Fan Fund to Albacon II in Glasgow, and she was GOH at Wiscon II along with Connie Willis and Samuel R. Delany. She has been nominated for three Hugos as Best Fan Writer. She’s been involved in thirty apas and fanzines according to Fancyclopedia 3.
Born December 30, 1952 – Somtow Sucharitkul, 70. AKA S. P. Somtow. A Thai-American musical composer. He’s also a science fiction, fantasy, and horror author writing in English. He’s been nominated for two Hugos, first at Chicon IV for his short story, “Absent Thee from Felicity Awhile…” and second at ConStellation for his “Aquila” novellette. He did win a World FantasyAward for “The Bird Catcher“ novella.
Born December 30, 1959 — Douglas Anderson, 63. The Annotated Hobbit, for which he won the Mythopoeic Award, is one of my favorite popcorn readings. I’m also fond of his Tales Before Narnia: The Roots of Modern Fantasy and Science Fiction which has a lot of great short fiction it, and I recommend his blog Tolkien and Fantasy as it’s one of the better ones on fantasy literature out there. Today he’s talking about Clark Ashton Smith.
Born December 30, 1971 — Eugie Foster. She was nominated for a Hugo at Aussiecon 4 for one of the most wonderfully titled novelettes I’ve ever heard of, “Sinner, Baker, Fabulist, Priest; Red Mask, Black Mask, Gentleman, Beast”. It won a Nebula and was nominated for a BSFA as well. I’ve not read it, who here has read it? She was managing editor for Tangent Online and The Fix. She was also a director for Dragon Con and edited their onsite newsletter, the Daily Dragon. (Died 2014.)
Born December 30, 1976 — Rhianna Pratchett, 46. Daughter of Terry who now runs the intellectual property concerns of her father. She herself is a video game writer including the recent Tomb Raider reboot. For her father, she’s overseen and been involved several years back in The Shepherd’s Crown, the last Discworld novel, to print. She was also with Simon Allen the writer of The Watch, the Beeb’s Ankh-Morpork City Watch series. She’s a co-director of Narrativia Limited, a production company which holds exclusive multimedia and merchandising rights to her father’s works following his death. They, of course, helped develop the Good Omens series on Amazon.
…To the best of my belief, the style in which I write is a perfectly natural mode of utterance for me, and is not affected. My approach to literature is primarily artistic, poetic, esthetic, and for this reason I like the full-hued and somewhat rhythmic type of prose. For many years, I wrote only verse (I have published three volumes of it); and I have always had a prejudice in favor of what is called “the grand manner.” I have also made many paintings and drawings, of a fantastic type; and this pictorial trend has probably influenced my story-writing too. Perhaps, in some case, it has led me to an overuse of adjectives in the effort to achieve a full and vivid vizualization, or rendering of atmosphere….
One of the few categories where genre performances are running strong is —
*BEST SUPPORTING ACTRESS*
Frontrunners Angela Bassett (Black Panther: Wakanda Forever) Dolly de Leon (Triangle of Sadness) Jamie Lee Curtis (Everything Everywhere All at Once) Stephanie Hsu (Everything Everywhere All at Once) Janelle Monáe (Glass Onion: A Knives Out Mystery)
Ron Howard’s “Star Wars” prequel movie “Solo” was supposed to launch a new sector of storytelling for the long-running franchise. Young iterations of Han Solo (Alden Ehrenreich) and Lando Calrissian (Donald Glover) were introduced and intended for sequels and spinoffs, while the 2018 film also revealed that Darth Maul was still alive. None of these plot threads have continued as “Solo” bombed at the box office with just $392 million worldwide, barely making a profit for Disney.
Speaking to NME in a recent interview, Howard said that any talks of a “Solo” sequel are coming only from fans and not Lucasfilm itself. In other words, “Solo 2” is still dead.
…Howard added, “But there’s some great characters launched, and the folks from Lucasfilm love the fans and really do listen so I would never say never — but I’m not aware of any concrete plans right now to extend the story or deal with that particular set of characters.”…
…Since our last update in June, the entirety of Hotel Pennsylvania has been enshrouded in scaffolding and the first floors have begun to be razed from the top of the structure. This upper section had a lighter stone façade with columns, window pediments, and a thick ornate cornice stretching across the roof parapet. The LED advertising boards on the corners of the Seventh Avenue elevation remain uncovered and operating as work progresses above. Demolition is expected to finish by July 2023, as noted on the construction board….
The oldest known Earth stuff that remains on the surface of our planet is a mineral that’s been called the “Time Lord” because it’s so incredibly good at keeping geologic time.
The mineral is zircon, andscientists have found bits of it that formed 4.37 billion years ago, not too long after the proto-Earth’s epic collision with a Mars-sized object that spawned our moon.
Tiny crystals of zircon can look like sand, or useless crud. But don’t be fooled. With a radioactive tick-tock that marks the passing of billions of years, these small but mighty minerals offer us a peek into the Earth’s early development.
…In the Jack Hills region of western Australia, for example, there’s rock that formed from a beach 3 billion years ago. The oldest zircons ever discovered came from this rock.
Ackerson once found a zircon that’s 4.32 billion years old. Zircons that old “are extremely, extremely, extremely rare, and they’re the only windows we have into the earliest Earth,” he says.
These days, to know a zircon’s exact age, scientists can zap it with a laser like the one at a geochronology lab at Penn State University….
(15) VIDEO OF THE DAY. Turner Movie Channel’s in memoriam reel “TCM Remembers 2022” includes many genre figures including Nichelle Nichols, Douglas Trumbull and Robbie Coltrane.
[Thanks to John King Tarpinian, Chris Barkley, Andrew Porter, Daniel Dern, Joey Eschrich, Dariensync, SF Concatenation’s Jonathan Cowie, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Paul Weimer.]
(1) FUTURE TENSE. The November 2022 entry in the Future Tense Fiction series is “Universal Waste” by Palmer Holton, a story about a small-town cop, a murder, and a massive futuristic recycling operation.
(2) WISCON 2023. Kit Stubbs, Treasurer of SF3, WisCon’s parent not-for-profit organization, rallies everyone with the hashtag Let’s #RebuildWisCon!
WisCon 46 in 2023 is happening! We are thrilled to announce that Gillian Sochor (she/her, G is soft like “giraffe”, Sochor like “super soaker”) is joining Lindsey and Sherry as our third co-chair. This means we are going ahead with an in-person con for 2023!…
Finances Thanks to everyone who donated and offered matching gifts last year, we were able to cover the cost of our 2022 hotel contract. We are now looking to raise $30,000 in this year’s annual fundraiser which will allow us to do all kinds of awesome things for WisCon 46 in May 2023, including:
Offset the cost of hotel rooms for members who need to isolate due to COVID-19 and who otherwise might not be able to due to the financial burden
Purchase more high-quality air filters for con spaces and masks for members
Expand the meal voucher program, introduced last year, which enables members in need to eat for free at local restaurants
Continue to offer CART services for transcription, now that the state of Wisconsin is no longer providing funds to offset that cost
And part of that $30,000 will go towards rebuilding WisCon’s savings after last year.
If you weren’t aware, WisCon can’t pay for itself with registrations alone. We try to keep the cost of registration down to make our con as affordable as possible. But what that means is that we’re counting on the members of our community who can chip in extra to do so! Please donate today to help #RebuildWisCon!…
WisCon Member Assistance Fund This year we’re also looking to raise $3,000 for our WisCon Member Assistance Fund! The WMAF is a specially designated fund that can only be used to provide travel grants to help members attend WisCon. Please consider making a donation via PayPal.
(3) THIS COULD BE YOUR BIG BREAK! Daniel Dern says he won’t be covering Arisia 2023, and suggests I ask another Filer would be interested in getting a press credential to attend and reporting on the convention The upcoming Arisia will be held from January 13-16, 2023, at the Westin Boston Seaport hotel. Vaccination Verification required. If you’re game, email me at mikeglyer (at) cs (dot) com and I will put you in touch with the con.
(4) GOTHAM AWARDS. Everything Everywhere All at Once, the multiverse-spanning adventure, won Best Feature at the Gotham Awards 2022 reports Variety. And cast member Ke Huy Quan won Best Supporting Performance. I don’t know why I’ve never heard of the Gotham Awards before, but if they keep going to sff movies I’ll be talking about them in the Scroll again.
(5) NEXT YEAR’S LOSCON. Loscon 49 will be held over Thanksgiving Weekend in 2023. The theme: “Enchanted Loscon”. Guests of Honor — Writer: Peter S. Beagle; Artist: Echo Chernik; Fan: Elayne Pelz. At the LAX Marriott Hotel from November 24-26, 2023. More information at: www.loscon.org.
(6) ZOOMIN’ ABOUT PITTSBURGH. The last FANAC Fan History Zoom of 2022 will be on December 10, about the major fannish breakout in Pittsburgh in the late Sixties and Seventies. Write to [email protected] if you want to get on the list to see it live.
…Science fiction and fantasy, on the other hand, are driven by the aesthetic. They are about the look and feel. The sense of wonder. They don’t have an inherent plot structure.
This means that you can map Science Fiction onto a Mystery structure easily.
When I decided I wanted to do “The Thin Man in space,” I needed to understand the structure of the Nick and Nora movies specifically. So I began by watching all six of the films. This was a great hardship, as I’m sure you can imagine. Here are some of the beats that are in all of the films: A happily married couple and their small dog solve crime while engaging in banter and drinking too much. Interestingly, they also contain the element that Nick does not want to investigate and Nora really wants him to. Nick almost always gets along well with law enforcement. He has an uneasy relationship with the wealth of Nora’s family. There’s always a scene in which he goes off sleuthing on his own and carefully looks over a crime scene. More than one murder.
From there, I started building the world of the novel. THAT is the hallmark of science-fiction and fantasy. We engage in worldbuilding in which we think about how changing an element or introducing a technology has ripple effects. For this, I knew I wanted to be on a cruise ship in space. There’s a writing workshop that my podcast, Writing Excuses, runs every year on a cruise ship. I based my ship, the ISS Lindgren on the types of things that happen on those and extrapolated for the future….
George R. R. Martin. Two Signed Early Partial Manuscripts ofGame of Thrones. Includes: 1 box, 384 leaves. Typed, dated November 1994. Boldly signed on the cover page in blue sharpie. [Together with]: 3 boxes, 888 leaves. Typed, dated July 1995. Boldly signed on the cover page in blue sharpie.
Two early drafts of the first book from A Song of Ice and Fire, the hit HBO series and international phenomenon.
The impact that A Game of Thrones has had on the fantasy genre, both as a novel and a television series, is almost impossible to exaggerate. Named to the BBC list of “100 ‘most inspiring’ novels” in 2019 alongside C.S. Lewis’s The Chronicles of Narnia, Frank Herbert’s Dune, and Ursula K. Le Guin’s Earthsea trilogy, it almost single-handedly cemented “grimdark” as a fantasy subgenre and helped inspire the likes of Joe Abercrombie and Marlon James, both masters of fantasy in their own right. The overwhelming success of the HBO show redefined fantasy for the general public and has been lauded by both authors and publishers as responsible for boosted sales in fantasy and science fiction….
…As is his typical process, Martin created five copies of each draft of Game of Thrones. Two were kept for his personal files; one was sent to his editor; a fourth was given to Texas A&M University where the archive of Martin’s oeuvre resides; and this, the fifth and final copy, was initially donated to a ConQuesT charity auction, held annually in Kansas City. Parris McBride, Martin’s wife, hoped the charity would get “a few bucks for them;” alas, no one bid on the items. They were then picked up by one of the original book researchers for A Song of Ice and Fire, and from there found their way to Heritage….
Our annual special issue – Amazing Stories: SOL SYSTEM – a double-sized issue, both in digital and print, of Amazing Stories. It will be chock full of stories set in exciting futures within our solar system. The publication is set for April 2023.
We’re also planning an online convention for April 2023 to celebrate this issue as well. Most of the contributing authors will be there!
We’re really excited about this and we know you’ll love it. Backers of our Kickstarter can choose digital copies of the magazine, print copies, convention memberships, and many more bonus add-ons as well.
(10) THE WATTYS. The winners of Wattpad’s 2022 Watty Awards have posted. The Grand Prize Winner, worth $5,000, is Nichole Cava’s The Vampire Always Bites Twice.
There are also Category Award winners for Fantasy, Science Fiction, Horror, Paranormal, and Fanfiction, to name a few. The website’s format makes it hard to distinguish the shortlist and the winner – more work than I was willing to invest. If you want to try, they’re all at the link.
– Wattpad, the global entertainment company and leading webnovel platform, announced the 2022 Watty Award winners! With over 500 winners across nine languages, the 2022 Watty Awards were the biggest edition yet. This year’s USD $5,000 English-language grand prize went to Nichole Cava for The Vampire Always Bites Twice (55.1K reads), which follows a criminal necromancer and vampire private eye that unexpectedly team up to solve the case of a missing barista.
In addition to cash prizes, 2022 Watty Award prizes included multiple publishing and entertainment adaptation opportunities from Wattpad WEBTOON Studios and the Wattpad WEBTOON Book Group. Among the more than 30,000 entries for the 2022 Watty Awards, these winning stories were selected…
(11) PYUN OBITUARY. Albert Pyun, director of Cyborg, Interstellar Civil War, Tales of an Ancient Empire, the Saturn-winning The Sword and the Sorceror and the 1990 version of Captain America, has died November 26 at 69, after several years of dementia and multiple sclerosis.
(12) MEMORY LANE.
2007 — [By Cat Eldridge.] Dorothy and Toto in Oz Park (2007)
Fifteen years ago, a very special statue went up in Oz. No, not that Oz, but the park in Chicago, so first let’s talk about that park. It had been developed as part of the Lincoln Park Urban Renewal Area during the Seventies, and this park was formally named the Oz Park in 1976 to honor Baum who settled in Chicago in 1891 in an area west of the park.
During the Nineties, the Oz Park Advisory Council and Lincoln Park Chamber of Commerce hired Chicago artist John Kearney to do all the figures for the Park.
He first created a sculpture of the Tin Man which he fashioned out of chrome bumpers. It was his last such sculpture done that way as the bumpers of chrome were increasingly scarce and thus way too expensive.
Next came the Cowardly Lion which was cast in bronze. Take a look at the detail in the fur — quite amazing, isn’t it?
Next is the rather colorful Scarecrow that is a seven-foot-tall sculpture, cast in an amazing twenty-two separate pieces in Kearney’s own foundry on Cape Cod.
Now we come to the last statue, Dorothy and Toto. This final statue to be completed was Dorothy and Toto, using the so-called lost wax technique which you can see an example of here being done. Kearney added paint for the blue dress and the iconic ruby red shoes. The final statue was installed fifteen years ago.
(13) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born November 29, 1910 — Kendell Foster Crossen. He was the creator and writer of the Green Lama stories. The character was a Buddhist crime fighter whose powers were activated upon the recitation of the Tibetan chant om mani padme hum. He also wrote Manning Draco series, an intergalactic insurance investigator, four of which are can be found in Once Upon a Star: A Novel of the Future. The usual suspects has a really deep catalog of his genre work, and the Green Lama stories have been made into audio works as well. (Died 1981.)
Born November 29, 1918 — Madeleine L’Engle. Writer whose genre work included the splendid YA sequence starting off with A Wrinkle in Time, which won the Newbery Medal and a host of other awards, and has been made into a 2003 television film and a theatrical film directed by Ava DuVernay. She produced numerous loosely-linked sequels, including A Wind in the Door, A Swiftly Tilting Planet, Many Waters, and An Acceptable Time. In addition to her fiction, she wrote poetry and nonfiction, much of which related to her universalist form of Christian faith. She was honored with a World Fantasy Award for Life Achievement in 1997. In 2013, Crater L’Engle on Mercury was named for her. (Died 2007.) (JJ)
Born November 29, 1925 — Leigh Couch. Science Teacher and Member of First Fandom. Active in fandom, along with her husband and children, during the 1960s and 70s, she was a member of the Ozark Science Fiction Association and one of the editors of its fanzine Sirruish. She was on the committee for the bid to host Worldcon in Hawaii in 1981. She was honored for her contributions as Fan Guest of Honor at the first Archon, the long-running regional convention which grew out of that early St. Louis-area fandom. (Died 1998.) (JJ)
Born November 29, 1942 — Maggie Thompson, 80. Librarian, Editor, and Fan who, with her husband Don, edited from the 1960s to the 90s the fanzines Harbinger, Comic Art, Rainy Days, and Newfangles, and wrote a column for The Buyer’s Guide for Comic Fandom. When this became the professional publication Comic Buyer’s Guide in 1983, because of their extensive knowledge of comics, she and her husband were hired as editors; after he died in 1994, she continued as editor until it ceased publication in 2013. Under their editorial auspices, it won two Eisner Awards and the Jack Kirby Award. Together they were honored with the Inkpot Award, and twice with the Comic Fan Art Award for Favorite Fan Writers.
Born November 29, 1950 — Kevin O’Donnell Jr. Writer who produced a number of genre novels and more than 70 short fiction works. He was chair of the Nebula Award Committee for nearly a decade, and business manager for the SFWA Bulletin for several years; he also chaired for 7 years SFWA’s Grievance Committee, which advocates for authors who experience difficulties in dealing with editors, publishers, agents, and other entities. He received the Service to SFWA Award in 2005, and after his death, the award was renamed in his honor. (Died 2012.)
Born November 29, 1969 — Greg Rucka, 53. Comic book writer and novelist, known for his work on Action Comics, Batwoman and Detective Comics. If you’ve not read it, I recommend reading Gotham Central which he co-created with Ed Brubaker, and over at Marvel, the four-issue Ultimate Daredevil and Elektra which he wrote is quite excellent as well. I’ve read none of his novels, so will leave y’all to comment on those. He’s a character in the CSI comic book Dying in the Gutters miniseries as someone who accidentally killed a comics gossip columnist while attempting to kill Joe Quesada over his perceived role in the cancellation of Gotham Central.
Born November 29, 1976 — Chadwick Boseman. Another death that damn near broke my heart. The Black Panther / T’Challa in the Marvel metaverse. The same year that he was first this being, he was Thoth in Gods of Egypt. (If you’ve not heard of this, no one else did either as it bombed quite nicely at the box office.) He was Sergeant McNair on Persons Unknown which is at least genre adjacent I would say. And he even appeared on Fringe in the “Subject 9” episode as Mark Little / Cameron James. I understand they did a stellar tribute to him in the new Black Panther film. His Black Panther was nominated at Dublin 2019 for a Hugo but lost to another exemplary film, Spider-Man: Into the Spider-Verse. (Died 2020.)
The Bodleian’s Tolkien archivist Catherine McIlwaine, writer John Garth and academic Stuart Lee discuss the role of JRR Tolkien’s son, Christopher, in promoting the works of his father and furthering understanding about them.
McIlwaine is co-editor with Bodley’s Librarian Richard Ovenden of The Great Tales Never End: Essays in Memory of Christopher Tolkien, while Garth and Lee have both contributed essays. Christopher was his father’s literary executor and published 24 volumes of his father’s work over four decades, more than Tolkien published during his lifetime. The collection of essays includes reflections on Christopher’s work by world-renowned scholars and reminiscences by family members.
McIlwaine is the Tolkien archivist at the Bodleian Libraries. Garth is an author and freelance writer and editor. He is author of The Worlds of J.R.R. Tolkien: The Places that Inspired Middle-earth and Tolkien and the Great War: The Threshold of Middle-earth. Lee is an English lecturer at the University of Oxford who lectures on fantasy literature with a focus on Tolkien. Discussions are chaired by Grace Khuri, a DPhil candidate at Oxford and the first Oxford postgraduate to write a PhD solely on Tolkien.
(16) HOW TO CONTACT THE CHENGDU WORLDCON. The Chengdu Worldcon posted this list of its “working emails”:
(17) DOING RESEARCH AND ASKING EXPERTS. Gideon P. Smith steers writers toward resources for “Writing the Science Right” at the SFWA Blog.
Getting the science right in SF can make the difference between writing cute stories and great science fiction. If you are a non-scientist writing SF and want to know how to do that, then this blog post is for you….
(18) LA ARTIST & WRITER. Some of you already know him, and All About Jazz invites the rest of you to “Meet Tony Gleeson”.
Tell Us A Bit About Yourself.
I’m an artist by vocation and a musician by avocation (I’ve played guitar all my life and picked up keyboards a couple of decades back). Music of all kinds has always been a major part of my life, but early on I made the choice to pursue the visual arts as my career. I spent my so-called formative years on the east coast, in upstate New York, Washington DC, and New York City. When I attended art school in Los Angeles, I fell in love with southern California and after a few years back in Manhattan, I persuaded my wife Annie to move there— quite an adventurous step for her as she’d never been on the West Coast. We’ve been Angelenos since 1977. We have three grown kids pursuing their own lives and adventures, but the house is hardly empty or still with our two cats, Django and Mingus, and our bird Charlie.
Annie’s been an NICU RN and I’ve run an illustration and design studio ever since we got here. I figure I’ve had around a thousand illustrations published: magazines, newspapers, book covers, catalogues and product illustrations. I’ve also done concept art for film, TV, advertising, and toy and product design.
I was a bookseller for several years early in the new millennium. I’m also a writer, with ten crime novels published in Britain and the United States. The most recent, A Different Kind of Dead, was released in the U.S. by Wildside in 2021. The new one, Find the Money, also by Wildside, is due for release before this year’s end. I’m kind of a polymath with a lot of interests (including film, baseball, classic mysteries, science fiction, and comic art) that tend to veer into obsessions….
Look, I was not expecting this. Two years and more than a dozen shows into the Disney+ experiment, I think we’ve all developed a decent enough sense of what to expect from the television incarnations of the two biggest entertainment franchises on the planet. And for the most part, these shows have been fine. Some fun moments. Some actors who are better than their material. Maybe a hint of a political idea. There was no reason for Andor—a prequel to a prequel whose original premise was already quite dodgy—to be any better.
And then it turned out to be good. Not just good for Star Wars, but just plain good. Best TV of the year good. I have to admit that I went a bit Kübler-Ross about this. First there was Anger—this show is too good to be Star Wars. No way does a story this smart, this thoughtful about the compromises of life under fascism, and the costs of rising up to resist it, exist only as a lead-in to a floppy-haired teenager doing an amusement park ride….
(20) FONT FOLLY. [Item by Mike Kennedy.] A memorable Saturday Night Liveskit from 2017 poked a lot of fun at the “lazy choice“ of the font Papyrus for the mega-blockbuster movie Avatar. (You may not be familiar with the controversy, but it’s a real thing.)
“Saturday Night Live” can be very hit or miss when it comes to their sketches, but it should come as no surprise that “Papyrus” will go down as one of their best. The bit features Ryan Gosling as a man who has disassociated from the world around him because he remembered that James Cameron’s mega-blockbuster “Avatar” used a variation of the Papyrus font for its logo. It’s the kind of thing you may think about for a second or two before moving on with your life, but the sketch from former “SNL” writer Julio Torres dedicates itself to making Gosling’s breakdown look as dramatic as possible.
Like the “Potato Chip” segment, it’s the kind of “SNL” bit that makes you laugh at how seriously everyone is playing their part with something so silly and bizarre. It’s just a logo, and yet Gosling plays it as if the material is worthy of a conspiracy thriller. Since the 2017 sketch, Cameron has given the “Avatar” logo a typeface facelift that gives the series more of an identity, although it’s not that different. It honestly looks as if the graphic designer took the modified Papyrus logo as is, and filled it with air.
The “Terminator 2” filmmaker can change the logo all he wants, but if the internet has taught me anything, it’s that it never forgets. For five years, Cameron has remained silent on the whole Papyrus conversation … until now. With the long-awaited “Avatar: The Way of Water” only weeks away, the blockbuster mastermind is finally breaking his silence.
In the January 2023 issue of Empire, James Cameron finally faces the logo demons that have been haunting him for minutes, as he jokes about how the graphic design choice got in the way of getting even more money. “Just think of how much we could have grossed if it wasn’t for that damn font,” says Cameron…
[Thanks to Mike Kennedy, JJ, John King Tarpinian, Jeffrey Smith, Danny Sichel, Daniel Dern, Scott Edelman, Joey Eschrich, Cora Buhlert, Rich Lynch, Chris Barkley, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]
…Bear, who moved to the Seattle area in 1987, also had an impact on his adopted home. He was a member of the team that created and organized the Washington State Centennial Time Capsule. And GeekWire contributor Frank Catalano recalls introducing Bear to the late software billionaire Paul Allen — a contact that helped lead to the creation of the Science Fiction Museum and Hall of Fame, now part of Seattle’s Museum of Pop Culture.
The accolades streaming in from friends and admirers stressed the personal as well as the public contributions made by Bear over the decades. “Greg the man was a friend,” fellow science-fiction icon Harry Turtledove tweeted. “Greg the writer was quite remarkable.”…
…As a “hard” science fiction writer who does extensive research, Bear has dived into everything from nanotechnology (his 1983 novel Blood Music is credited by some as being its first use in science fiction) to planetary science. A current fascination, in part because it’s a key setting in the War Dogs trilogy, is Titan. “It’s got a hazy orange layer,” he explained. “It’s full of plastics, and waxes, and organic chemistry. Then, it turns out, it’s actually got a water ocean underneath.”
But the hard science fiction reputation can mask the fact that Bear has also written — successfully — novels that are fantasy, horror, and near-future techno thrillers. “I find the idea, and then I try to find the story that fits it,” he said. “Some of these ideas are coming up so fast that you can’t write about them as far-future ideas.”…
The SFWA Blog’s“In Memoriam – Greg Bear” notes he was a past President, and quotes from a selection of several other Presidents.
…Current SFWA President Jeffe Kennedy remarked, “When I took over as a newbie President of SFWA, Past-President Greg Bear was unfailingly gracious to and supportive of me. I loved his work and admired him as an author, so to discover what a truly kind person he was meant so much. He will be greatly missed by SFWA and the larger community.”
Former SFWA Presidents also wished to pay their respects to their colleague and friend as such:
“There are few people in my life from whom I learned so much, and was so fortunate to have known, than Greg Bear.” – Paul Levinson
“Whether or not he was one of the greatest novelists of speculative fiction may be questionable for the ages to argue but a Prince of SF he surely was. From the beginning to the end, he was a sincere literary artist, scientifically learned, a speculative visionary, if not the king of that which has no king, surely a prince seated at the SF table.” – Norman Spinrad
“Greg Bear and I were friends for thirty years. What I loved about his work was that it freely embraced the entire scope science fiction has to offer: from the far future (Anvil of Stars), through the present day (Quantico), to cavorting with creatures we know only from the distant past (Dinosaur Summer), he took us on a grand tour of his boundless imagination.” – Robert Sawyer
“Greg was my vice president, unflappable, always supportive, funny, endearing, and smart. Heart-breaking he is leaving us so soon.” – Jane Yolen
Sixteen years after her death, the writer Octavia Butler is experiencing a renaissance.
Butler, seen here on a mural at a middle school that bears her name, is celebrated for novels that grappled with extremism, racial justice and the climate crisis.
The future she wrote about is now our present moment. What follows is a tour of the worlds that made her — and the worlds that she made.
She wrote 12 novels and won each of science fiction’s highest honors. In 1995, she became the first science fiction writer to be awarded a MacArthur “genius” grant. The MacArthur Foundation said of Octavia E. Butler, “Her imaginative stories are transcendent fables, which have as much to do with the future as with the present and the past.”
Part of what has made Butler so beloved is the work that preceded these honors: the way she envisioned her own future and encouraged herself to keep going despite the very real obstacles in her path. She recorded her goals and aspirations in her personal journals in terms that have since resonated across the decades:
I will buy a beautiful home in an excellent neighborhood.
I will help poor Black youngsters broaden their horizons.
I will travel whenever and wherever in the world that I choose.
Deteriorating health has made it necessary to move Ray to a nursing home. Ray loves to receive letters and if you would like to let him know how much you enjoyed his work, now would be a good time (and soon). Send to Ray Nelson, c/o Walter Nelson, PO Box 370904 Reseda CA 91337
In his cartoons Nelson popularized the association fans with propeller beanies, and he was honored with the Rotsler Award in 2003.
(5) PITTSBURGH FANDOM BACK IN THE DAY. Fanac.org’s next FanHistory Project Zoom Session is “Fannish Life in 1970s Pittsburgh, with Ginjer Buchanan, Linda Bushyager, Suzanne Tompkins, and Laurie Mann”. It will take place Saturday December 10, 2022 at 4:00 p.m. Eastern.
Pittsburgh in the late 60s/70s saw an explosion of fannish activity, with the founding of the Western Pennsylvania SF Association (WPSFA), the creation of PghLANGE and the publication of many fanzines, including Granfalloon (Linda Bushyager and Suzanne Tompkins). What made Pittsburgh special? Why the resurgence of fannish activity? Who were the driving forces? In this session, Ginjer Buchanan, Linda Bushyager and Suzanne Tompkins, three of the movers and shakers of 1970s Pittsburgh fandom, talk about that era. Our Moderator Laurie Mann is a current Pittsburgh fan as well as a fan historian.
The FBI’s takedown of Z-Library, one of the world’s largest repositories of pirated books and academic papers, this month set ablaze the subset of TikTok devoted to discussing books and authors, said Lexi Hardesty, a BookTok content creator.
“I have never seen authors and readers go head-to-head the way they did that week,” said Hardesty, a student at the University of Kentucky.
Readers were mourning that their ability to download free textbooks, novels and academic papers had disappeared overnight. Some BookTokers compared the shutdown of the website to the mythical burning of the library of Alexandria in 48 B.C., Hardesty said. “Some even said that shutting it down was an extension of slavery.”
Yet authors across BookTok were relieved. “Piracy costs us our sales, specifically for marginalized authors; it adversely impacts public libraries; and it hurts the publishing industry,” said Nisha Sharma, an author and BookToker. “Essentially when you mourn Z-Library, you are mourning the end of theft.”…
(7) MEMORY LANE.
1995 — [By Cat Eldridge.]Deep Space Nine‘s “The Sword Of Kahless”
“Did you see the look on the face of that Klingon that I killed? It was as if he understood the honor bestowed upon him. The first man in a thousand years to be killed by the Sword of Kahless.” — Kor
“I’m sure he was very proud.” – Dax
On this evening twenty-seven years ago in syndication, Deep Space Nine‘s “The Sword Of Kahless” was brought to us for our enjoyment.
The story was created by Richard Danus and was turned into a script by Hans Beimler.
The episode was directed by LeVar Burton. It features the return of John Colicos as Kor. Colicos had first appeared as Kor, the very first Klingon in all of Trek, in Trek’s “Errand of Mercy” and had previously appeared in this series in the episode “Blood Oath”.
GO GET YOURSELF A CUP OF WARM KLINGON BLOODWINE AS SPOILERS LIKE BLOOD OFF A BATLEFF FOLLOW NOW.
Kor has returned to the Deep Space Nine to get the help of Worf and Dax to help to find the ancient Sword of Kahless. It was the very first bat’leth forged by the founder of the Klingon Empire, Kahless the Unforgettable. After they find the sword, they are forced to evade the forces of Toral, son of Duras, and Worf and Kor starting fighting to the death.
Worf and Kor realize that the Sword is partially sentient and has turned them against each other, and will lead to the end of the Empire.
Worf ponders if they really were meant to find it; Kor firmly asserts that they were, but notes that they were also not meant to keep it. So they teleport the sword into space where hopefully it will stay forever.
IF YOU HAVE DRANK ENOUGH OF THAT WINE, COME ON BACK BY THE WARMING FIRE.
The sword itself was created specifically for the episode, and was made to seem more elaborate than the bat’leths previously seen in Trek, including hand etchings to make it appear similar to Damascus steel.
This episode was somewhat unpopular with many viewers when it first aired, something which disappointed writer Hans Beimler and producer René Echevarria. What particularly disappointed them was the fact that many viewers were unable to accept the notion that the bat’leth itself had no actual power. According to Echevarria, “A lot of fan reaction was that there must be a tech explanation, that the sword must be emitting something. I was astonished.” — Star Trek: Deep Space Nine — The Office Poster Magazine
Michelle Erica Green, who watched the episode in April 2013 for TrekNation, thought that it was not a typical Deep Space Nine episode and that it required that the viewer had knowledge of Worf’s history from the Next Generation. It rated slightly off the “Little Green Men” episode that preceded it and the “Our Man Bashir” that followed it.
It of course is streaming at Paramount +.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born November 20, 1923 — Nadine Gordimer. South African writer and political activist. Her one genre novel was July’s People which was banned in her native country under both governments. Her three stories are collected in Beethoven Was One-Sixteenth Black and Other Stories. She received the Nobel Prize in Literature, recognized as a writer “who through her magnificent epic writing has been of very great benefit to humanity”. (Died 2014.)
Born November 20, 1923 — Len Moffatt. He was a member of First Fandom. Len and his second wife June helped organize many of the early Bouchercons for which they received a Lifetime Achievement Award from the Bouchercon staff. He was a member of LASFS. He wrote far too many zines to list here. Mike has an excellent look at his memorial here. (Died 2010.)
Born November 20, 1929 — Jerry Hardin. Actor famous for his character roles, whom genre fans know as the informant Deep Throat in The X-Files, or perhaps as Samuel Clemens in the Star Trek: The Next Generation double episode “Times’s Arrow”. Other TV series guest appearances include Star Trek: Voyager, Sliders, Brimstone, Time Trax, Lois & Clark, Quantum Leap, Dark Justice, Starman, Alfred Hitchcock Presents, The (new) Twilight Zone, and The Incredible Hulk, and he had roles in Big Trouble in Little China and Doomsday Virus (aka Pandora’s Clock). (Died 1993.)
Born November 20, 1926 — John Edmund Gardner. No, not the one that wrote that Grendel novel, but the who was actually an English spy and a novelist who is remembered for his James Bond novels of which he wrote, according to critics, way too many as they though they were silly, but also for his Boysie Oakes spy novels and three novels containing featuring Professor Moriarty that are most tasty. (Died 2007.)
Born November 20, 1932 — Richard Dawson. Usually one appearance in a genre film or show isn’t enough to make the Birthday list but he was Damon Killian on The Running Man, a juicy enough role to ensure making this list. Twenty years earlier he was Joey on Munster, Go Home! He’d voice Long John Silver on an animated Treasure Island film in the Seventies. And he had a one-off on the classic Fantasy Island as well. (Died 2012.)
Born November 20, 1944 — Molly Gloss, 78. What a lovely name she has! Her novel Wild Life won the 2000 James Tiptree, Jr. Award. She has two more SF novels, The Dazzle of Day and Outside the Gates. Her “Lambing season” short story was nominated for a Hugo at Torcon 3, and “The Grinnell Method” won a Sturgeon.
Born November 20, 1956 — Bo Derek, 66. She makes the Birthday list for being Jane Parker in Tarzan, the Ape Man. There’s also Ghosts Can’t Do It and Horror 101 as well as the two Sharknado films she did. A friend of Ray Bradbury, she was the presenter when Kirk Douglas received the 2012 Ray Bradbury Creativity Award.
Born November 20, 1963 — Ming-Na Wen, 59. Actor born in Macau who appeared as Agent Melinda May in Agents of S.H.I.E.L.D. She was raised near Pittsburgh, PA and graduated from Carnegie Mellon University. She has also had main roles in the series Stargate Universe and the short-lived Vanished, and a recurring role in Eureka. Her breakthrough genre role was providing the voice for Disney’s Mulan, for which she won an Annie Award (awards which recognize voice actors in animated productions). This led to a lengthy career providing voices for animated features and series, including Spawn, The Batman, Adventure Time with Finn & Jake, Phineas and Ferb, Robot Chicken, and Guardians of the Galaxy, as well as a plethora of Mulan spinoffs, offshoots, tie-ins, and video games. Other genre appearances include the films The Darkness, Starquest (aka Terminal Voyage), Tempting Fate, and Rain Without Thunder.
(9) COMICS SECTION.
Non Sequiturshows a space probe confirming what you already suspected.
… The white-spotted dog, who became “the first beagle on the moon” in a series of Peanuts comic strips in 1969, is now on his way back to the moon aboard NASA’s Artemis 1 mission(opens in new tab). Snoopy, in the form of a small doll dressed in a one-of-a-kind replica of NASA’s pressure suit for Artemis astronauts, is the “zero-g indicator,” or ZGI, on board the space agency’s now lunar-orbit-bound Orion spacecraft.
“Oh, I’m sorry, Snoopy. They had to put you on a leash because you’re hanging in the Orion capsule right now,” NASA Administrator Bill Nelson said during an August photo op with the beagle (in this case, a costume character(opens in new tab), also wearing the bright orange spacesuit). “Snoopy was the last person to be put in Orion when they closed the hatch.”
Snoopy’s leash, or tether, was to keep the doll in view of a camera inside Orion’s cabin. Traditionally, zero-g indicators have been flown on crewed spacecraft as a visual sign for the astronauts that they have reached orbit. The Artemis 1 Orion is flying without a crew — other than Snoopy, four LEGO minifigures(opens in new tab), Shaun the Sheep(opens in new tab) and three instrumented manikins(opens in new tab) — so the doll was flown for the benefit of the public watching the launch on NASA’s television channel or website….
… Graham Hancock, the journalist who hosts the series, returns again and again to his anger at this state of affairs and his status as an outsider to “mainstream archaeology,” his assessment of how terrible “mainstream archaeology” is about accepting new theories, and his insistence that there’s all this evidence out there but “mainstream archaeologists” just won’t look for it. His bitter disposition, I’m sure, accounts for some of the interest in this show. Hancock, a fascinating figure with an interesting past as a left-leaning foreign correspondent, has for decades been elaborating variations on this thinking: Humans, as he says in the docuseries, have “amnesia” about our past. An “advanced” society that existed around 12,000 years ago was extinguished when the climate changed drastically in a period scientists call the Younger Dryas. Before dying out completely, this civilization sent out emissaries to the corners of the world, spreading knowledge, including building techniques that can be found in use at many ancient sites, and sparking the creation of mythologies that are oddly similar the world over. It’s important for us to think about this history, Hancock adds, because we also face impending cataclysm. It is a warning….
However, the last half of Slate’s article is devoted to an interview with archaeologist John Hoopes about why no credence should be placed in Hancock’s theories.
…So a fast decision was made to change the shrinking fabric. Since the velour was causing so much grief, they had to do something with all those extra shirts. Waste was not going to happen on such a tight budget….
[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, JJ, John King Tarpinian, Jennifer Hawthorne, Frank Catalano, Daniel Dern, Chris Barkley, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Kendall.]
(1) ABOUT THE BIRD. Neil Clarke, Editor of Clarkesworld, tweeted a series of thoughtful insights in reply to the current anxiety about Twitter’s future as a vehicle for marketing short fiction magazines. Thread starts here. Excerpts follow.
Michael has won five Hugo Awards and three Locus Awards, as well as a Nebula, World Fantasy, and Theodore Sturgeon Memorial Award — plus has been nominated for and lost more of these major awards than any other writer. His novels include Vacuum Flowers, Stations of the Tide, and Bones of the Earth, plus his most recent, City Under the Stars, a novel co-authored with the late Gardner Dozois. He’s also published a baker’s dozen of short story collections over the past three decades, starting with Gravity’s Angels in 1991 and most recently Not So Much Said the Cat in 2016, as well as the 118 short stories included in The Periodic Table of Science Fiction, one per each element. His recent novel The Iron Dragon’s Mother completed a trilogy begun with The Iron Dragon’s Daughter in 1993, which was named a New York Times Notable Book. Two of his short stories — “Ice Age” and “The Very Pulse of the Machine” — were adapted for the Netflix series Love, Death + Robots.
We discussed his response to learning a reader of his was recently surprised to find out he was still alive, how J. R. R. Tolkien turned him into a writer, why it took him 15 years of trying to finally finish his first story, how Gardner Dozois and Jack Dann taught him how to write by taking apart one of his tales and putting it back together again, why it was good luck he lost his first two Nebula Awards the same year, the good advice William Gibson gave him which meant he never had to be anxious about awards again, which friend’s story was so good he wanted to throw his own typewriter out the window in a rage, the novel he abandoned writing because he found the protagonists morally repugnant, why he didn’t want to talk about Playboy magazine, the truth behind a famous John W. Campbell, Jr./Robert Heinlein anecdote, and much more.
…Various authors and artists are invited to come to the event, including Chris Barkley who is Astronomincon’s guest fan of honor this year.
“Science fiction conventions have been around for much longer than people think. Most people believe the mythology that Star Trek conventions were the beginning start of science fiction conventions. No, the first science fiction conventions actually took place in the 1930s, 1936. And the first World Science Fiction Convention took place in New York City in 1939,” Barkley said….
(4) LOTS OF POSSIBILITIES. At The New Yorker, Stephanie Burt asks if the Multiverse is where originality goes to die or if it unlocks new storytelling possibilities. Includes references to Leinster and Stapleton (and Borges) with quotes from Sanifer. “Is the Multiverse Where Originality Goes to Die?”.
…All these multiverses might add up to nothing good. If all potential endings come to pass, what are the consequences of anything? What matters? Joe Russo, the co-director of “Endgame,” has warned that multiverse movies amount to “a money printer” that studios will never turn off; the latest one from Marvel, “Doctor Strange in the Multiverse of Madness,” a sloppily plotted heap of special effects notable for its horror tropes, cameos, and self-aware dialogue, has earned nearly a billion dollars at the box office. This year, Marvel Studios announced the launch of “The Multiverse Saga,” a tranche of movies and TV shows that features sequels and trequels, along with the fifth and sixth installments of the “Avengers” series. (“Endgame,” it turns out, was not the end of the game.) Warner Bros. has released MultiVersus, a video game in which Batman can fight Bugs Bunny, and Velma, from “Scooby-Doo,” can fight Arya Stark, from “Game of Thrones.” Even A24, a critically admired independent film studio, now counts a multiverse movie, “Everything Everywhere All at Once” (2022), as its most profitable film.
There’s a reason that studios plan to spend billions of dollars—more than the economic output of some countries—to mass-produce more of the multiverse: tens of millions of people will spend time and money consuming it. Is the rise of the multiverse the death of originality? Did our culture take the wrong forking path? Or has the multiverse unlocked a kind of storytelling—familiar but flexible, entrancing but evolving—that we genuinely need?
Andrew (not Werdna) dissents on one count: “I wouldn’t consider Endgame to be a multiverse movie.”
…Developmental psychologists have their own vocabulary for what [James] Cameron was up to in math class. His teenage dream of Pandora was somewhere between a heterocosm – the imaginary world of an adult author intended for publication such as Thomas Hardy’s Wessex or Mervyn Peake’s Gormenghast – and a paracosm, an imaginary world conjured by a child that, in its original form, is almost entirely private. Usually begun between ages six and 12, they seem to be linked to all the private clubhouses, hidden rituals and secret societies of middle childhood, in that they are maintained over a period of time, sometimes years, as the child builds a logically consistent, satisfyingly complete alternative universe for themselves. They tend to peter out with adolescence, about 12 or 14.
Many cultural figures have been drawn to these imaginary worlds. Wolfgang Amadeus Mozart and his sister, for example, shared a secret language and addressed one another as “King” and “Queen”of their fictional kingdom. The Brontës imagined an “infernal world” of Byronic villains and architectural majesty. CS Lewis made up a land of animals where cats acted like the knights of the round table. Robert Louis Stevenson drew maps. JRR Tolkien invented languages, while the Polish science-fiction writer Stanisław Lem issued fake passports. Friedrich Nietzsche and his sister Elisabeth created an imaginary world revolving around an inch-and-a-half-tall porcelain squirrel. “Everything that my brother made was in honour of King Squirrel; all his musical productions were to glorify His Majesty; on his birthday poems were recited and plays acted, all of which were written by my brother.”
Today, the Nietzsches would be show-runners with a deal with Apple+ to write and direct their own long-running King Squirrel series (“From the mind that brought you Thus Spake Zarathustra and the studio that brought you God is Dead: A CSI investigation …”).
…Anyway, you’re back with brand new horror book Garth Marenghi’s TerrorTome. Apparently it’s been 30 years in the making. How come it took so long? [Wiping anti-bacterial gel into hands] The nature of time has been the main issue. Seconds and minutes quickly form themselves into hours, transmuting by degrees into days, weeks, months and, ultimately, years. Before you know it, decades have elapsed. The essential issue was the ever passing of time between the commencement and conclusion-ment of my task.
Would it have been quicker had you bothered to learn how to type with more than two fingers? Writing balls-to-the-walls horror is extremely physical. Typing with more than two fingers is counterproductive for any horror writer; you need to concentrate your strength on two fingers alone. I get quite hard when I write, so the best way to channel that energy is by banging – bang, bang, bang. If you type with your hands dancing all over the keyboard [mimes touch-typing], you’re essentially rubbing without release. It’s far more potent to jab….
…The network has decided to cancel the sci-fi drama after its recent fourth season.
It’s an unexpected fate for a series that was once considered one of HBO’s biggest tentpoles — an acclaimed mystery-box drama that racked up 54 Emmy nominations (including a supporting actress win for Thandiwe Newton).
… Yet linear ratings for the pricey series fell off sharply for its third season, and then dropped even further for season four. Westworld’s critic average on Rotten Tomatoes likewise declined from the mid-80s for its first two seasons to the mid-70s for the latter two. Fans increasingly griped that the show had become confusing and tangled in its mythology and lacked characters to root for. Looming over all of this is the fact Warner Bros. Discovery CEO David Zaslav has pledged aggressive cost-cutting, though network insiders maintain that saving money was not a factor in the show’s cancellation….
(8) SHE REALIZED HER DREAM. Fanac.org has posted a video interview, “Maggie Thompson: Before, During and After the Origins of Comics Fandom”, in two parts. Maggie Thompson has the unique distinction of being a second generation science fiction fan, one of the architects of comics fandom in the early 60s, and is a much-revered professional in the comics field. She is interviewed by Dr. Chris Couch.
Part 1: In this absolutely delightful interview, Maggie talks about her lifelong experiences with science fiction, science fiction fandom, and popular culture. From her early love of the Oz books and her delight in John Campbell’s magazine Unknown, to her convention and masquerade experiences, to her professional successes, Maggie’s anecdotes are engrossing. There are great stories here – how she acquired her complete set of Unknowns, the origins of her publications Comic Art and Newfangles, the family connection to Walt Kelly (and the Pogo comic strip), her friendship with Carl Barks, and more.
Endearingly, when asked as a child what she wanted to be when she grew up, Maggie answered “I want to be a BNF” (Big Name Fan). She has certainly accomplished that ambition.
Part 2: In this part of the interview by Dr. Chris Couch, we learn more about Maggie Thompson and her influence on comics. With husband Don Thompson, she published fanzines Comic Art and Newfangles, and went on to edit The Comics Buyer’s Guide and others. Maggie is a respected professional in the field and has been recognized with many awards, including the Eisner, the Harvey, the Inkpot, and the Jack Kirby awards.
Continuing this absolutely delightful interview, Maggie talks about her segue into the professional field, the end of Newfangles and the start of the The Comic Buyers Guide. The engrossing anecdotes continue, with the nature of cosmopolitan Iola, Wisconsin, her articulation of “perpetual but non-exclusive rights”, Dark Shadows, and the Done in One label for comics. There are stories of some of the field’s great figures, including Harlan Ellison, Stan Lee, and Carl Barks. You’ll see questions from the audience as well.
After decades of furious activity in science fiction and comics, Maggie remains bubbling and full of enthusiasm for her chosen community. There was no need to ask Maggie what keeps her involved—the answers are more than clear.
(9) THE SUCCESSOR TO SMALL, CUTE ROBOTS. [Item by Martin Morse Wooster.] I saw this documentary about the rover Opportunity tonight. The film has very good special effects from ILM. But people should know the film, as the trailer points out, tries to turn the rover into Wall-E (“She” “has a face”). I would have liked at least five minutes about the science Opportunity discovered instead of having NASA people who have spent too much time in media training talk about how brave the robot was. *Sigh* “Good Night Oppy – Official Trailer”.
There was a man called Mael the Red who dwelt in Ar-Mor. That was the far western end of Brezh, which was itself the far western end of the Domain. Seen from those parts, Skyholm gleamed low in the east, often hidden by trees or hills or clouds, and showed little more than half the width of a full moon. Yet folk looked upon it with an awe that was sometimes lacking in those who saw it high and huge. — first words of Orion Shall Rise
Some novels I really like. Such is the case with Poul Anderson’s Orion Shall Rise. By now, I must’ve read it at least a dozen times.
It was first issued by Phantasia Press Inc., a small publisher created by Sidney Altus and Alex Berman. (This I did not know having, the Timescape Books from 1983.) They published short-run, hardcover limited editions of science fiction and fantasy books with an emphasis L. Sprague de Camp C. J. Cherryh, Philip José Farmer, and Alan Dean Foster. It was lasted from 1978 to 1989.
The book is said to be part of his Maurai series which really is a bit of lie. There are is only three more stories in total, “The Sky People”, “Progress” and “Windmill” I wonder if he meant to write more, but didn’t. And yes, the Maurai world is visited by the time-traveling character of There Will Be Time.
SPOILERS BEWARE ARE SWIMMING AROUND, AND FLYING TOO
The novel is set apparently several hundred years after a devastating nuclear war which has set back civilization on Earth from a technology viewpoint. and vastly reduced the population as well, by billions it seems. Most of the planet has no advanced technology at all, and The Maurai Federation, the radically anti-technology society in the Pacific Ocean region, is dominated by the Maurai peoples of N’Zealann.
Meanwhile on the other side of the planet, the Domain of Skyholm, a class-based European society, rules over much of lower Europe from their pre-war dirigible aerostat.
Let’s not forget the Northwest Union, a clan-based society based in Pacific Northwest is the most technologically advanced and, and here comes the major spoiler — I did warn you, didn’t I? — they’ve been scavenging pre-War nuclear material to fuel the Orion class starship they have been constructing.
NOW BACK YO MY IMPRESSIONS
So why do I like the Orion Shall Rise so much? Well the story writing is damn perfect and doesn’t slip up at all. I do wish that Anderson had indeed written an actual Maurai series as there’s much here that could’ve been expanded upon.
There is one other thing that is wonderful and that is his characters. It is quite obvious to me that he loves his characters here, so let me quote a lengthy description of one early on:
Clansman was unmistakable. Even his clothes – loose-fitting shirt beneath a cowled jacket, tight-fitting trousers, low boots – were of different cut from their linen and woolen garb, and of finer material. At his ornate belt, next to a knife, hung a pistol; a rifle was sheathed at his saddlebow; and these were modern rapid-fire weapons. His coat bore silver insignia of rank on the shoulders, an emblem of a gold star in a blue field on the left sleeve. Before all else, his body proclaimed what he was. He sat tall and slender, with narrow head and countenance, long straight nose, large gray eyes, thin lips, fair complexion but dark hair that hung barely past his ears and was streaked with white. Though he went clean-shaven in the manner of his people, one could see that his beard would be sparse. He carried himself with pride rather than haughtiness, and smiled as he lifted an arm in greeting.
Everything here feels right, feels alive. I truly regret that was never told in an oral form as its sounds so much like a spoken tale.
It is available from the usual suspects. The Timescape trade edition is available, errr, new for just ten dollars on Amazon. They must have a time machine sitting around.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born November 4, 1912 — Wendayne Ackerman. Wife of Forrest J Ackerman in the Forties. After eight years of marriage, she and FJA divorced but remained friends and companions. Later she translated the German language Perry Rhodan books he acquired for English-language publication. (Died 1990.)
November 4, 1934 — Gregg Calkins. Writer, Editor, and Fan. Mike Glyer’s tribute to him reads: “Longtime fan Gregg Calkins died July 31, 2017 after suffering a fall. He was 82. Gregg got active in fandom in the Fifties and his fanzine Oopsla (1952-1961) is fondly remembered. He was living in the Bay Area and serving as the Official Editor of FAPA when I applied to join its waitlist in the Seventies. He was Fan GoH at the 1976 Westercon. Calkins later moved to Costa Rica. In contrast to most of his generation, he was highly active in social media, frequently posting on Facebook where it was his pleasure to carry the conservative side of debates. He is survived by his wife, Carol.” (Died 2017.)
November 4, 1953 — Kara Dalkey, 69. Writer of YA fiction and historical fantasy. She is a member of the Pre-Joycean Fellowship (which if memory serves me right includes both Emma Bull and Stephen Brust) and the Scribblies. Her works include The Sword of Sagamore, Steel Rose, Little Sister and The Nightingale. And her Water trilogy blends together Atlantean and Arthurian mythologies. She’s been nominated for the Mythopoeic and Tiptree Awards.
November 4, 1953 — Stephen Jones, 69. Editor, and that is putting quite mildly, as he went well over the century mark in edited anthologies quoted sometime ago. The Mammoth Book of Best New Horror accounts for seventeen volumes by itself and The Mammoth Book of (Pick A Title) runs for at least another for another dozen. He also, no surprise, to me, has authored a number of horror reference works such as The Art of Horror Movies: An Illustrated History, Basil Copper: A Life in Books and H. P. Lovecraft in Britain. He has also done hundreds of essays, con reports, obituaries and such showing up, well, just about everywhere.
November 4, 1957 — Jody Lynn Nye, 66. She’s best known for collaborating with Robert Asprin on the ever so excellent MythAdventures series. Since his death, she has continued that series and she is now also writing sequels to his Griffen McCandle series as well. She’s got a space opera series, The Imperium, out which sounds intriguing. And she has written novels with Travis Taylor, Moon Beam and Moon Tracks.
November 4, 1958 — Nancy Springer, 64. May I recommend her Tales of Rowan Hood series of which her Rowan Hood: Outlaw Girl of Sherwood Forest is a most splendid revisionist telling of that legend? And her Enola Holmes Mysteries are a nice riffing off of the Holmsiean mythos. She won an Otherwise Award for her Larque on the Wing novel. The Oddling Prince came out several years ago on Tachyon.
November 4, 1958 — Lani Tupu, 64. He’d be here just for being Crais and the voice of the Pilot on the Farscape series but he’s actually been in several other genre undertakings including the 1989 Punisher as Laccone, and Gordon Standish in Robotropolis. He also had roles in Tales of the South Seas, Time Trax and The Lost World. All of which we can guess were filmed in Australia. Lastly, he appears in the Australian remake of the Mission: Impossible series which if you haven’t seen it is quite excellent. I just found it in DVD format sometime in the past several years.
November 4, 1960 — John Vickery, 62. In Babylon 5, he played Neroon which is where I remember him from as he was a Right Bastard there. His major Trek universe role was as Rusot, a member of Damar’s Cardassian resistance group, appearing in the DS9 episodes “The Changing Face of Evil”, “When It Rains…” and “Tacking Into the Wind”. He also played a Betazoid in Next Gen’s “Night Terrors” and a Klingon in Enterprise‘s “Judgment” episode.
Quantum science and technology is advancing and evolving rapidly and, in the last decade, has shifted from foundational scientific exploration to adoption by commercial and government organizations. It is essential that scrutiny and guidance is applied to this quantum revolution to bring other societal stakeholders onboard and ensure that the benefits can be maximized for all society.
What considerations exist for quantum technologies? How should we engage as a society in the future, as promised and created by this emerging sector? We will discuss some key questions that will shape the forthcoming quantum technology revolution.
(14) FROM THE VAULT. [Item by Martin Morse Wooster.] Charles Schulz tells the BBC’s Peter France about the importance of perseverance and draws a strip with Snoopy in this 1977 BBC clip that dropped today.
(15) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “She-Hulk Pitch Meeting,” Ryan George says She-Hulk is “one of the most meta” Disney Plus shows ever. It has a gratuitous twerking scene with Megan Thee Stallion which is put in there “to rile up angry internet dudus, and then we’re going to make fun of them for getting angry.” This is the show where She-Hulk smashes into the show’s writer’s room, demands they produce better scripts, and then meets the writers’ boss, who is not Kevin Feige.
[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, Cora Buhlert, Steven French, Andrew (not Werdna), JJ, John King Tarpinian, Chris Barkley, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day a Civil War farmer.]
…Last week Stephanie [Sarac] announced she would be stepping down as co-chair for WisCon 46 in 2023. Please join us in thanking Stephanie for all the hard work she did on the post-con survey, Guest of Honor nominations, and department outreach/coordination as co-chair. We’re really grateful for her willingness to jump into things after having only attended WisCon one time!
…In the interest of transparency, we want to let you all know that if the open Co-Chair position isn’t filled by end of November, the in-person con will be cancelled. It is possible we may still do an Online-only con in that scenario, but that depends on a number of other variables. If we’re able to fill the Co-Chair position but aren’t able to recruit Online Con Department lead(s), the con will be in-person only (we won’t be able to have online or hybrid programming). In either scenario of in-person and/or online con not being able to happen, we will use that time to build up departments, train up leads and chairs, fundraise, and put ourselves in the best possible position for a full event the following year.
(2) THE NEXT FANAC.ORG ZOOM. Fanac.org will host an interview with Maggie Thompson titled “Before, During and After the Origins of Comics Fandom,” with interviewer Dr. Chris Couch on Sunday October 30 at 2:00 p.m. Eastern. To attend the Zoom session, send a request to Edie Stern, the FANAC webmaster at [email protected].
…Ray Bradbury conjures a strange new world without television….
.. Ray Bradbury’s “Almost the End of the World” first appeared in The Reporter (December 26, 1957). It later appeared in his short story collection The Day It Rained Forever (1959). If you have an Internet Archive account, you can read it online here.
In multiple earlier reviews in this series, I’ve laid out television’s transformative and speedy infiltration of the American consciousness and daily activities over the course of the 1950s. Multiple Bradbury stories critique this new world. The lovely and crystalline “The Pedestrian” (1951) imagined a future night city in which its denizens are transfixed by their TV scenes. The city, observed by the solitary one-time writer Leonard Mead, is as silent as “a wintry, windless Arizona country” (90). “Almost the End of the World” (1957) ruminates on the effects on American society if a cosmic event severs the viewer from the succor of the screen….
You write in your book about when you first told your parents that you wanted to be an actor. Did they live long enough to see your success?
[When I told them], they looked at me like, “Who are you? Where did you come from? What’s acting again? Isn’t that what a minstrel does?” [Laughs] I think my father must have thought, because he came from Europe to Montreal when he was about 9 or 10 … that his son wanted to be on a horse and wagon roaming across the country.
My father was around when Star Trek began [in 1966]. He died in 1968. I don’t how much of a success I was then, but I was making a living. My mother lived until a few years ago, so she saw that success. The success part wasn’t as [important to them] as long as I could make a living. And that varied as time went on, and as more and more children arrived. The definition of what a living was increased.
Chandler Davis (born Horace Chandler Davis and called “Chan” by his friends) was an internationally esteemed mathematician, a minor science fiction writer of note, and among the most celebrated political prisoners in the United States during the years of the high Cold War.
Dismissed from the University of Michigan (U-M) in 1954 for refusing to cooperate with the House Un-American Activities Committee (HUAC) on First Amendment grounds, he served six months in Danbury Federal Correctional Institution in Connecticut, then faced an academic blacklist that drove him to pursue a career in Canada.
The death of this endlessly resilient, lifelong radical at the age of ninety-six on September 24 in Toronto seems like the passing of an emissary from a world of the socialist Left that no longer exists. Despite errors of political judgment, which Chan was the first to acknowledge, he was for many of us a moral touchstone in our own decades of political upheaval and unpredictability….
Portrait of a town drunk named Al Denton. This is a man who’s begun his dying early—a long, agonizing route through a maze of bottles. Al Denton, who would probably give an arm or a leg or a part of his soul to have another chance, to be able to rise up and shake the dirt from his body and the bad dreams that infest his consciousness. In the parlance of the times, this is a peddler, a rather fanciful-looking little man in a black frock coat. And this is the third principal character of our story. Its function: perhaps to give Mr. Al Denton his second chance. — Opening narration
Rod Serling was, if I must say so, bloody brilliant. And “Mr. Denton On Doomsday”, just the third episode of this series, shows this. (If you’ve not seen it of late, the series it is airing on Paramount +.) A Western, it’s also really look at how a man, two in fact can be redeemed.
SPOILERS LIKE WHISKEY IN A FICTIONAL WESTERN BAR FLOW NOW, SO GO AWAY!
Denton, our lead here played by Dan Duryea, was once known as the quickest draw in town, but riddled with increasing guilt over the dead in his gun fights, one just a teenager, he became drunk and the derision of everyone in this Western town.
(There’s an animated Jonah Hex where this very storyline comes up. It’s called DC Showcase: Jonah Hex and Jonah, when the way-too-young male draws on him, hits with his rifle and knocks him quite unconscious. Right now, I think the only place you can see that is HBO Max.)
A stranger offers him redemption. But he knows gunslingers come from miles around to seek him out and, inevitably, kill him. Or so he fervently hopes. The stranger named Fate (HA!) offers him and another gunfighter each a bottle of the potion.
They fight, do not kill each other, but wound their shooting hand, thus ending their days as gunslingers.
Fate tips his hat to Denton and rides quietly out of town.
DRINK UP, I’M DONE WITH SPOILERS. REALLY, I AM.
Martin Landau who played Dan Hotaling (the younger gunslinger) here would return to play Major Ivan Kuchenko in “The Jeopardy Room” which I’ve already essayed. He would also appear in two more Twilight Zone episodes, “The Beacon” and “One Life, Furnished in Early Poverty”.
The harmonica music you hear in the background is an old Russian folksong known as “Stenka Razin”.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 16, 1924 — David Armstrong. He appeared in two Trek episodes, “A Taste of Armageddon” as a guard to the Eminiar, uncredited of course, and as Kartan in “Operation – Annihilate!” and, though having a name, also uncredited according to Memory Alpha. He also had an amazing twenty-two appearances on The Man from U.N.C.L.E. where he was only credited when he showed as Thrushman, which must have been some sort of inside joke. Genre roles were common for him — I Spy, Get Smart!, The Invaders, The Girl from U.N.C.L.E. and Kolchak were all where he showed up. (Died 2016.)
Born October 16, 1925 — Dame Angela Brigid Lansbury. She first shows up in a genre work as Sibyl Vane in The Picture of Dorian Gray. A few years later, she’s Queen Anne of France in The Three Musketeers. Somewhat later, she’s Miss Eglantine Price in Bedknobs and Broomsticks. She voices Mommy Fortuna in The Last Unicorn, and is Granny in A Company of Wolves which won the BSFA Award for Best Film and is based off Angela Carter’s A Company of Wolves. And yes, she’s in Mary Poppins Returns as The Balloon Lady. (Died 2022.)
Born October 16, 1926 — Joe Sinnott. He worked primarily as an inker. He is best remembered for his work on the Fantastic Four from the Sixties to into the Eighties, with it being first over the pencils of Jack Kirby. He worked, mostly as a freelancer, some sixty years at Marvel, where he had long runs on The Avengers, The Defenders and Thor. And yes, he deserved many an Award — the Alley Award, the Inkpot Award, the Will Eisner Hall of Fame, the Inkwell Awards Hall of Fame and finally the Retro Inkwell Awards Favorite Inker. (Died 2020.)
Born October 16, 1947 — Guy Siner, 75. Apparently he’s one of only 32 actors to appear in both the Star Trek and Doctor Who franchises. He appeared in the “Genesis of the Daleks”, a Fourth Doctor story, and on Enterprise in the “Silent Enemy” episode. Interestingly he shows up on Babylon 5 as well in “Rumors, Bargains and Lies”. And that might place him in very select acting company indeed.
Born October 16, 1958 — Tim Robbins, 64. I think his finest role was as Nuke LaLoosh in Bull Durham, but his first genre role was Phil Blumburtt in Howard the Duck. He played Erik in Erik the Viking, and is in The Shawshank Redemption as Andy Dufresne. He’s Woodrow “Woody” Blake in Mission to Mars. He was Harlan Ogilvy in War of the Worlds followed by being Senator Robert Hammond in Green Lantern.
Born October 16, 1965 — Joseph Mallozzi, 57. He is most noted for his work on the Stargate series. He joined the Stargate production team at the start of Stargate SG-1’s fourth season in 2000. He was a writer and executive producer for all three Stargate series. He also co-created the Dark Matter comic book series with Paul Mullie that became a Syfy series.
Born October 16, 1973 — Eva Röse, 49. Most likely best known for her role as the android Niska in Season 1 of the Swedish Real Humans upon which AMC’s Humans was based. She also was one of the voice cast for the animated Creepschool series, and was Jasmie on The Befallen, a supernatural series that lasted one season there.
(9) COMICS SECTION.
Tom Gauld blends literary analysis with psychoanalysis.
Mort Weisinger tried to prove that Bob Kane wasn’t actually drawing his Batman comics when Kane added Lew Sayre Schwartz as his ghost in 1948
A while back, I wrote about the peculiar situation when it came to Bob Kane’s ghosts on the Batman comic books heading into the 1960s. The majority of the artwork being done for Batman comic books throughout the 1950s and 1960s was by “Bob Kane,” but obviously, for that much artwork to be produced, no one believed that Bob Kane was doing it all himself. As it turned out, by the mid-1950s, Kane wasn’t doing it at ALL, with Sheldon Moldoff doing ALL of the work that was credited to Kane…
(11) AN EARLY FILER.[Noted by John Hertz.]
Plutarch grappled with … the import of the word E’i inscribed on the Temple of Apollo at Delphi. In Greek it can mean “Five”; it can mean “If”: but above all it means “Thou Art”.
M.A. Screech, intr. to Montaigne’s Apology for Raymond Sebond p. xxix (1993)
…There are several converging factors for the rise in horror. First, we can’t underestimate the impact of Jordan Peele or the film Midsommar on the trends of social horror and folk horror, respectively. We apparently now wish to not only watch what we want to read, but read what we want to watch. Second, horror fiction, like crime fiction, is a vastly more diverse landscape than just a few years ago, and a genre that I’d previously stereotyped as full of fear of the other (sorry, Stephen King!) is now distinguished by sympathy for the other. Third, we’ve all gotten far more interested in haunted houses since we became forced to spend every waking hour in them. And fourth, people have simply gotten worse, and it is correspondingly more satisfying to watch them die (hence the return of the slasher)….
…It was during one of my Saturday night movie marathons that I first saw the politically charged sci-fi satire Wild in the Streets (1968), a flick about a bugged-out alternative America guided by an insane pop star named Max Frost, his band mates The Troops and the millions of fans. Twenty-two-year-old Max despised anyone over 30, and throughout the film worked hard to get rid of mature adults who were “stiff with age.” Played with crazed charisma by method actor Christopher Jones, a southern mumbler who critics compared to James Dean, Max Frost began his mission by partnering with a youngish (thirty-seven years old) congressman who helped him by getting the voting age lowered to fourteen….
(14) EYE OPENER. This must be my Mercedes Lackey moment, because our printing “Bulgaria” when it should have been “Croatia” is something I would have thought was more like an easily fixed mistake. Evidently it’s much worse.
[Thanks to Andrew Porter, Chris Barkley, Michael Toman, Michael “Orange Mike” Lowrey, John Hertz, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Camestros Felapton.]
Bogdan Belyaev was working from home when the air raid sirens went off. They hadn’t been heard in the city of Lviv since World War II, but it was February 24, and Russia had just invaded Ukraine. “When we heard that missiles were attacking and that our [internet] connection was dropping from parts of our country, we got into shelter,” says Belyaev. That meant him, his wife, and their dog and two cats huddling in the center of their building. “It’s a ‘shelter,’ really in quotes because it was actually our bathroom,” he says. “There is a rule of two walls. You need to be behind two walls. The first wall is taking the impact, and the second one is stopping the small shrapnel.” But for Belyaev, work carried on because he needed it to. People on the other side of the world were relying on him, and the project was the culmination of a passion he’d had since childhood: Star Wars.
Belyaev is a 29-year-old synthetic-speech artist at the Ukrainian start-up Respeecher, which uses archival recordings and a proprietary A.I. algorithm to create new dialogue with the voices of performers from long ago. The company worked with Lucasfilm to generate the voice of a young Luke Skywalker for Disney+’s The Book of Boba Fett, and the recent Obi-Wan Kenobi series tasked them with making Darth Vader sound like James Earl Jones’s dark side villain from 45 years ago, now that Jones’s voice has altered with age and he has stepped back from the role. Belyaev was rushing to finish his work as Putin’s troops came across the border. “If everything went bad, we would never make these conversions delivered to Skywalker Sound,” he says. “So I decided to push this data right on the 24th of February.”
Respeecher employees in Kyiv also soldiered on while hunkered down. Dmytro Bielievtsov, the company’s cofounder and CTO, got online in a theater where tabletops, books, and more had been stacked in front of windows in case of blasts. Programmers “training” the A.I. to replicate Jones’s voice and editors piecing together the output worked from corridors in the interior of their apartments. One took refuge in an ancient brick “basement” no bigger than a crawl space.
Back at Skywalker Sound in Northern California, Matthew Wood was the supervising sound editor on the receiving end of the transmissions from Ukraine. He says that they hired Respeecher because the vocal performances that the start-up generates have an often elusive human touch. “Certainly my main concern was their well-being,” says Wood, who is a 32-year veteran of Lucasfilm. “There are always alternatives that we could pursue that wouldn’t be as good as what they would give us. We never wanted to put them in any kind of additional danger to stay in the office to do something.”…
(2) THE VOICE OF THE PEOPLE. Charles Payseur takes up the “Fan vs. Pro” debate about contenders for the fan Hugos at Quick Sip Reviews: “Quick Sips 09/23/2022”
… “What kind of fan work should be recognized by the Hugo Awards?” If you answer “the kind of fan work that is underappreciated and deserves recognition” then I’m sorry, that’s not what a popular vote award is going to give you by definition. Already appreciated fans, fanzines, fancasts, and fan artists are going to have the advantage because by virtue of having fans of their own, they’ll get more votes. If you want awards that will seek to award people doing thankless and vital work, you’re going to need a juried award (both steps, too, because even a juried first stage, popular vote second stage is going to probably favor already popular fans).
And I could propose that we get together and create The Fannies (bwahahahaha), but that again is avoiding the question again. “What kind of fan work should be recognized by the Hugo Awards?” Like with all the other categories, the answer is that we should recognize the fan work that was the most popular in a given year. Yes, platform will effect that a lot. Money will effect that a lot. But unless we’re going to seek to correct for wealth, access, and privilege across all the Hugo categories, singling out the fan awards without reckoning with the current shape and state of SFF fandoms is pointless at best. Might as well just say with your whole voice that you don’t think specific finalists or winners DESERVE the recognition. At which point everyone can see what it is you’re really doing….
BD: What led you to first consider launching an imprint?
BK: J.F. Gonzalez and I had often talked about doing this, but we were both of a generation where making this sort of transition was seen as crazy talk. So we never did. But even after he died, the idea was there in the back of my brain, gnawing and gnawing. And I started watching authors younger than me, whom I admire, and the success they were having making the plunge. Two of them are thriller writer Robert Swartwood and horror/sci-fi writer Stephen Kozeniewski. They were who finally convinced me to make the move. Rob got me to see that with the size of my audience and fan base, it was ridiculous not to do this.
For the entirety of my career, other companies — big and small — have had partial ownership of my rights and my intellectual properties. And these days, IP is king. These corporations aren’t paying for books or films or comics or video games. They’re paying for IP. I want to fully own my IP again. Now, obviously, I’m not talking about the properties I’ve worked on for others — stuff like Aliens, Doctor Who, The X-Files and all of the Marvel and DC Comics stuff. That’s somebody else’s IP and I was paid to play with it. But I’ve got over fifty books and over three hundred short stories of my own. Why should somebody else get a cut of those profits and a share of the ownership when the technology and infrastructure exists for me to produce them myself and get them into stores and the hands of readers?
And I should stress, I have a great relationship with most of my current publishers. But when I reached out to each of them individually and told them this was the direction I wanted to go, they all understood. They get it. This is what’s best for my remaining years, and for my sons.
And that’s what it comes down to, really. My sons. I turn fifty-five this week, and while I’m in relatively good health (despite the misadventures of my first fifty years), I can also hear that mortality clock ticking. I don’t plan on leaving yet, but most of us don’t really get a say in that, you know? Surprises happen. When I’m gone, I don’t want the executor of my literary estate having to chase down royalty checks from twenty different sources, and I don’t want my sons to have to share my intellectual property with a bunch of other people. By bringing everything in house, they’ll have total control over all of that.
(4) CENSORING FOR POWER. [Item by Martin Morse Wooster.] In the Washington Post, YA sf writer David Levithan, who PEN America rates as the 11th most censored author in the US, says censorship ultimately won’t prevail and supporters of free expression will win. “Standing up to the new censorship”.
… What I’ve come to believe, as I’ve talked to authors and librarians and teachers, is that attacks are less and less about the actual books. We’re being used as targets in a much larger proxy war. The goal of that war isn’t just to curtail intellectual freedom but to eviscerate the public education system in this country. Censors are scorching the earth, without care for how many kids get burned. Racism and homophobia are still very much present, but it’s also a power grab, a money grab. The goal for many is a for-profit, more authoritarian and much less diverse culture, one in which truth is whatever you’re told it is, your identity is determined by its acceptability and the past is a lie that the future is forced to emulate. The politicians who holler and post and draw up their lists of “harmful” books aren’t actually scared of our books. They are using our books to scare people….
(5) AGE OF EMPIRES AGING WELL. [Item by Martin Morse Wooster.] In the Financial Times, Chris Allnutt discusses a tournament for Age Of Empires II, first released in 1999, with a $200,000 prize and how older games still get big prizes at tournaments.
It is, by and large, older titles–those that have had longer to build a competitive scene and tweak their game mechanics–that dominate the most lucrative tournament rosters. Data 2 continues to top the table for e-sports prize money, with about $48 million up for grabs in 2021, eight years after its initial release. Counter-Strike: Global Offensive (2022) and League Of Legends (2009) earned players $21 million and $8 million respectively. That’s nearly a third of all 2021’s prize money.
As a franchise, Age Of Empires speaks particularly well to the penchant for nostalgia. The series has spawned four games in total, with Age Of Empires IV released last year. But the second game still boasts the higher player count on Steam.
(6) FINAL WRITE-A-THON RESULTS. The Clarion Workshop Write-a-Thon raised $6,713.34 this year. The majority of the funds will go to scholarships for the Clarion Class of 2023. Forty-four writers participated in the Thon this year.
… While [Travis] Baldree wrote Legends & Lattes for his own satisfaction, the book has still gone on to be a genuine hit. Even months later, it’s holding strong in some of Amazon’s most competitive fiction markets. It’s currently the 19th most popular book on the retail giant’s competitive Romantic Fantasy list. It’s also number five in the LGBQT+ Fantasy category.
If there’s one place where its influence has been most deeply felt, however, it’s the realm of “cozy fantasy.”
Inspired directly by Legends & Lattes, enthusiastic readers established the CozyFantasy community on Reddit. Since its inception in May 2022, r/CozyFantasy has added more than 5,000 subscribing members. The community sees hundreds of posts every week from people sharing reviews, looking for recommendations, and eager to chat about their favorite works from the sub-genre.…
(8) PYTHON ALUM PALIN’S NEW BOOK. [Item by Martin Morse Wooster.] In the Financial Times, Sir Michael Palin discusses his newest book, Into Iraq, which also is part of a series that was broadcast on Channel 5 beginning on September 20.
In September 2019 I went into Bart’s Hospital in London for open-heart surgery (during which a mitral valve was repaired and an aortic valve replaced0, but within a few months I was feeling not only better but bolder too, and looking at my atlas again with a renewed confidence. Before I could rush to the nearest airport, however, the world hit the pause button. Airports emptied and the world fell silent…
…On a bright morning, we gathered outside the Rixos hotel in the town of Duhok. “Candle In The Wind’ was playing in the lift as I checked in the previous night, and ‘Hey Jude’ as I sat down to breakfast. Shielded from the road by blast barriers, we were briefed by James Willcox, whose company Untamed Borders socializes n taking people to places most other people don’t want to go. Standing beside him was Peter, ex-army, accompanying us as security and medical escort. No one suggested that he was here because I was so old, but I couldn’t help sensing that he was keeping an eye on me. I, in turn, was determined to pretend I was 29, not 78.
(9) TOM MADDOX HEALTH UPDATE. Tom Maddox’s wife Mary told his Facebook followers he’s had a stroke:
Tom is in the hospital (ICU) after having a severe stroke. He is unconcious and may not wake up the doctors say at present. The doctor told me if he lives he will go to a nursing home for critical care. I am beyond grief stricken and am going everyday to the hospital and he is restless but when I am there he sleeps peacefully.
(10) TOM CHMIELEWSKI (1952-2022). Science fiction writer Tom Chmielewski died in June at the age of 70. The family obituary is here.
He worked in the field of journalism beginning in 1975, and worked at the Kalamazoo Gazette from 1987-1997. After leaving the Gazette, he worked as a part-time instructor at WMU; started a monthly publication called Great Lakes Stage, which covered theatre in the Midwest; and served as editor of Trains.com, an online publication based in Milwaukee that covered model railroading, one of his passions.
He was a member of the Clarion workshop class of 1984. He served as Treasurer to the Clarion Foundation from 2016-2022, where he did tremendous work behind-the-scenes for the Foundation, including supporting their Thon fundraiser for numerous years.
He published his first novel Lunar Dust, Martian Sands in 2014 through his company, TEC Publishing, followed by two more novels in his Mars trilogy, Rings of Fire and Ice (2018), and The Silent Siege of Mars (2019). He created and released an audio drama, “Shalbatana Solstice,” a prequel to his first novel, that was later broadcast by the BBC.
Chmielewski is survived by his brothers and sisters-in-law, four nieces and a nephew, and his former wife, Susan Lackey.
Contributions may be made to the Tom Chmielewski Memorial Fund, which is designated for older writers who wish to attend Clarion, set up in his honor by the Clarion Foundation. To make a donation, go to theclarionfoundation.org (if donating online, designate your contribution for Tom’s fund by sending an email to [email protected]foundation.org. You may also mail a check made out to The Clarion Foundation to 716 Salvatierra St., Stanford, CA 94305-1020.)
(11) MEDIA BIRTHDAY.
1987 – [By Cat Eldridge.] Thirty-five years ago, what might indeed be the sweetest damn film ever released premiered today in The Princess Bride. Yes, I’m biased.
Based off the exemplary novel of fourteen years previously by William Goldman who adapted in the film here, I need not detain the story here as I know there’s not a single individual here who’s not familiar with it. If there is anyone here with that hole in their film education, why are you reading this?
It’s streaming on Disney + right now and you can rent it pretty much everywhere. Go and then come back here!
It’s a very sweet love story, it’s a send-up of classic adventure tales, it’s a screwball comedy, it’s a, well, it’s a lot of things done absolutely perfectly. Did I mention sword fights? Well I should.
I fell in love with The Princess Bride when Grandfather played by Peter Falk repeated these lines from the novel: “That’s right. When I was your age, television was called books. And this is a special book. It was the book my father used to read to me when I was sick, and I used to read it to your father. And today, I’m gonna read it to you.” A film about a book. Cool!
Yes, they shortened the title of book which was The Princess Bride: S. Morgenstern’s Classic Tale of True Love and High Adventure, The “Good Parts” Version. But unwieldy for a film. Though a stellar book title indeed.
There are very few films that successfully adapt a book exactly as it written. (Not looking at you the first version of Dune or Starship Troopers.) The only one I’ve seen that did was Like Water for Chocolate off the novel by Laura Esquivel. That Goldman wrote the script obviously was essential and the cast which you know by heart so I’ll not detail here were stellar in their roles certainly made a difference.
Rob Reiner was without doubt the director for it and the interviews with him have indicated his love for the novel.
That it won a Hugo at Nolacon II was I think predestined. I won’t say it magical, no I take that back, in many ways it was magical. And I think that it was by far the best film that year. My opinion, yours of course might well be different.
Only six percent of the audience reviewers at Rotten Tomatoes don’t like it. Ponder that.
Deluxe one-sixth scale figures of the cast members are starting to be released. You can stage your own version of the film.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 25, 1919 — Betty Ballantine. With her husband Ian, she created Bantam Books in 1945 and established Ballantine Books seven years later. They won one special World Fantasy Award for professional work in 1975 and another one shared with Joy Chant et al for The High Kings which is indeed an amazing work. ISFDB lists just one novel for her, The Secret Oceans, which I’ve not read. Who here done so? (Died 2019.)
Born September 25, 1930 — Shel Silverstein. Not sure how he is SFF but ISFDB lists him as such for his Every Thing On It collection and a handful of aptly named poems, and I’m more than thrilled to list him under Birthday Honors. I’m fond of his poetry collection Where the Sidewalk Ends and will also note here A Light in the Attic if only because it’s been on “oh my we must ban it now attempts” all too often. So what do you think is genre by him? (Died 1999.)
Born September 25, 1932 — J. Hunter Holly. Her various book dedications showed she had a strong love of cats. I’ve not encountered her novels but she wrote a fair number of them including ten genre novels plus The Assassination Affair, a novel in The Man from U.N.C.L.E. franchise. Only The Flying Eyes novel by her is available from the usual digital suspects. (Died 1982.)
Born September 25, 1946 — Felicity Kendal, 76. She plays Lady Clemency Eddison in the the Tenth Doctor story, “The Unicorn and The Wasp”, one of my favorite Who tales which I reviewed at Green Man here. She recently played Baroness Ortsey in the new Pennyworth series. And though it’s definitely really not genre, I’m noting her role in Shakespeare-Wallah, story of a family troupe of English actors in India, just because it’s a fascinating story.
Born September 25, 1951 — Mark Hamill, 71. OK, I’ll confess that my favorite role of his is voicing The Joker in the DC Universe. He started doing this way back on Batman: The Animated Series and has even done so on other such series as well. Pure comic evilness! Oh, and did you know he voices Chucky in the new Child’s Play film? Now that’s really, really creepy.
Born September 25, 1952 — Christopher Reeve. Superman in the Superman film franchise. He appeared in the Smallville series as Dr. Swann in the episodes “Rosetta” and “Legacy”. His Muppet Show appearance has him denying to Miss Piggy that he’s Superman though he displayed those superpowers throughout that entire episode. (Died 2004.)
Born September 25, 1977 — Clea DuVall, 45. A long genre history if we include horror (and I most gleefully do) — Little Witches, Sleeping Beauties, Ghosts of Mars and How to Make a Monster. Series appearances include Buffy the Vampire Slayer, a main role on Carnivàle as Sofie Agnesh Bojakshiya (loved that series), a recurring role as Audrey Hanson on Heroes, and though we didn’t see it, she was in the unsold television pilot for the never to be Virtuality series as Sue Parsons, she had a recurring role in American Horror Story: Asylum as Wendy Peyser, and finally another recurring role in The Handmaid’s Tale as Sylvia.
Born September 25, 1983 — Donald Glover, 39. A cast member of Community as Troy Barnes, a series that is least genre adjacent. His first genre appearance is in The Muppets film as a junior CDE executive. He also appeared in a season 43 episode of Sesame Street as famous musician LMNOP. And then there’s the minor matter of being in Solo: A Star Wars Story as someone called Lando Calrissian, Spider-Man: Homecoming as Aaron Davis and then voicing Simba in The Lion King. Not bad at all.
For about two months in 1970, ITV aired episodes of a bonkers science fiction comedy series based (oh so very loosely) on Miguel de Cervantes’ literary classic Don Quixote. The show, entitled The Adventures of Don Quick, follows an astronaut named Don Quick (Ian Hendry) and his sidekick, Sam Czopanser (Ronald Lacey), who are part of an “Intergalactic Maintenance Squad” that sends them, each episode, to try to “maintain” or otherwise improve alien planets—which usually do not at all need their help, and whose citizens range from bemused to quite irritated by the intrusion.
Fun fact: Angela Carter, the queen of feminist fairy tales herself, was once commissioned by ITV to write the script for an episode of the show, which was (alas!) never produced….
Did you know the character played by Ernie Hudson in NBC’s Quantum Leap revival goes back more than 30 years within the world of the show?
Herbert “Magic” Williams first appeared in the original iteration of the series in the 1990 episode entitled “The Leap Home, Part II,” where Dr. Sam Beckett (Scott Bakula) travels back to the days of the Vietnam War, leaping into the body of Herbert “Magic” Williams, who served in the same Navy SEALs platoon as Sam’s older brother, Tom.
This will actually be addressed by Williams in the fourth episode of the revamp. “[Magic] does explain, from his point-of-view, that leap,” showrunner and executive producer Martin Gero (Blindspot) teased during a recent interview with TVLine. “Ernie [Hudson] gives this phenomenal monologue. It’s so beautiful. It might be my favorite scene of this first chunk [of episodes]. It’s really, really special.” He also went on to tease an adventure in the Old West — circa the 1870s — come Episode 5. “We’re telling some stories that have not been told about the West, and that is very exciting for us.”
…Poor Enola is still facing down misogynist creeps in this new trailer. After opening her very own detective agency, people are still uncertain of her crime-solving abilities. Cut the girl some slack! Hasn’t she gone through enough? Still, folks beg to be assigned to her older brother Sherlock (Henry Cavill), reliant on his wits instead of hers.
“While I have not a single case, Sherlock’s latest seems to be vexing him,” Enola tells us. Cut to Sherlock playing a sad violin, panicking over his inability to crack the case.
Not only does Enola have a sad big bro to fix, she does have a big case to prove herself as a professional sleuth….
(17) REVISIT AN EIGHTIES OPEN FILK SESSION. Fanac.org has posted video from when Julia Ecklar was the special filk guest at Tropicon 8, held in Dania, Florida, in 1989. This recording captures the second part of an open filk at the convention, and includes 11 songs (of which Julia sings seven).
The singers in order of appearance are: Julia Ecklar, Linda Melnick, Dina Pearlman, C.J. Cherryh, Francine Mullen, and Doug Wu.
This includes much of the conversation between songs, the laughter and the real feel of a 1980s convention filk session.
One lovely addition is that Linda Melnick signs on one of the songs, as well as sings.
Another bonus – this video includes several songs by Orion’s Belt, which consisted of Dina Pearlman, Francine Mullen and Doug Wu.
Tropicon was a small convention, and you will see some of the author guests in the filk. That’s Tropicon 8 GoH Lynn Abbey sitting next to C.J. Cherryh for example, and Joe Green sitting back against the wall…
Thanks to Eli Goldberg for sound editing on this recording and for the details in the song listing.
Alice (Pugh) and Jack (Styles) are lucky to be living in the idealized community of Victory, the experimental company town housing the men who work for the top-secret Victory Project and their families. The 1950’s societal optimism espoused by their CEO, Frank (Pine)—equal parts corporate visionary and motivational life coach—anchors every aspect of daily life in the tight-knit desert utopia. While the husbands spend every day inside the Victory Project Headquarters, working on the “development of progressive materials,” their wives—including Frank’s elegant partner, Shelley (Chan)—get to spend their time enjoying the beauty, luxury and debauchery of their community. Life is perfect, with every resident’s needs met by the company. All they ask in return is discretion and unquestioning commitment to the Victory cause. But when cracks in their idyllic life begin to appear, exposing flashes of something much more sinister lurking beneath the attractive façade, Alice can’t help questioning exactly what they’re doing in Victory, and why. Just how much is Alice willing to lose to expose what’s really going on in this paradise? An audacious, twisted and visually stunning psychological thriller, “Don’t Worry Darling” is a powerhouse feature from director Olivia Wilde that boasts intoxicating performances from Florence Pugh and Harry Styles, surrounded by the impressive and pitch-perfect cast.
(20) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers: Nope,” the Screen Junkies, in a spoiler-packed episode, says that Jordan Peele is one of the few directors trying to preserve cinema “in a world dominated by corporate IP.” Daniel Kaluuya is “the oldest young man ever” and Nope is “an old-fashioned Black cowboy movie.” But while Peele is geeky enough he has an Akira reference as an Easter egg, much of the film shows “we’re so emotionally stunted that we can only process trauma through old SNL references.”
[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, Cora Buhlert, Daniel Dern, Andrew Porter, Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]
“This movie is not illegal. I just said that to get you to come.” So says Vera Drew, the writer-director-star-effects artist behind the queer Batmanmovie The People’s Joker. But before the film’s premiere at the Toronto International Film Festival, Warner Bros. served a cease-and-desist order against the film anyway. Subsequent festival screenings have been canceled, leaving the future of The People’s Joker in doubt.
…Fanfiction might seem like an unlikely vehicle for real-life autobiography. But given how personal the relationship can get between fans and the pop culture they love, it makes sense that Vera, a passionate fan of the Bat-verse, would use the Joker’s character and lore to tell the story of her own transformation from a failed improv comedian into a gloriously unhinged trans agent of comedic chaos. The People’s Joker might even be called an act of comedic terrorism, if it wasn’t so damn sincere….
California sued Amazon on Wednesday, alleging that the company caused higher prices across the state and “stifled competition.”
Amazon penalizes sellers on its site if they offer products elsewhere for lowerprices, the state alleged. That makes it harder for others to compete, therefore entrenching Amazon’s market power, the state said in a press release announcing the lawsuit.
“For years, California consumers have paid more for their online purchases because of Amazon’s anticompetitive contracting practices,” state Attorney General Rob Bonta (D) said in a statement.
Amazon spokesman Alex Haurek said in a statement that the California attorney general “has it exactly backwards” and that “sellers set their own prices” on the website.
“Amazon takes pride in the fact that we offer low prices across the broadest selection, and like any store we reserve the right not to highlight offers to customers that are not priced competitively,” Haurek said in a statement. “The relief the AG seeks would force Amazon to feature higher prices to customers, oddly going against core objectives of antitrust law.”…
(3) FOR THOSE SCORING AT HOME. Kevin Standlee has posted a concise scorecard listing what happened to every Worldcon Business Meeting agenda item in “2022 WSFS Business Meeting Summary”.
Because people have asked for it multiple times, here is the shorter version of the 2022 Business Meeting Summary. You must have the 2022 WSFS Business Meeting Agenda in order for anything here to make sense, because I’m not going to list titles or try to summarize what each item is. If I did that (which I did already in my day-by-day summaries), this would be so long that people would complain that they wanted a summary of the summary.
(4) TOLKIEN DOWNCHECKED AGAIN. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Stephen Bush discusses the legacy of JRR Tolkien and responds to criticism made by Adam Gopnik of The New Yorker.
…It is certainly true that any court seeking to convict Tolkien of great literature would struggle. Unlike other fantasy authors, such as Michael Moorcock or Ursula Le Guin, his work provides little in the way of social or political commentary. Nor will readers find characters in whom they see themselves or their own experiences, such as the schoolchildren in the Harry Potter books. Or, indeed, much in the way of deep character work at all: for the most part, existential doubt, moral complexity, sexual desire and ambiguous inter-personal relationships are in short supply in The Lord of the Rings.
But that same court would also struggle to convict Tolkien for devising the formula that Gopnik imputes to him. The concept of a chosen one travelling through a ‘vaguely medieval’ world, aided and abetted by fantastical creatures, in search of some cosmic doodad (or, as the screenwriter and frequent Hitchcock collaborator Angus MacPhail called it, ‘a MacGuffin’) predates Tolkien. The ‘Tolkien formula’ may be found in various retellings of the story of the Holy Grail. To the extent that Tolkien deviates from that story, it is in the introduction of the dark lord Sauron. But, given that in The Lord of the Rings we never hear Sauron speak, he never engages the heroes directly and his motivations are, in essence that he does evil things because he’s evil Sauron alone can hardly be seen as great innovation on the old story of the Holy Grail….
Grace hosts our ‘official’ first episodes with Alicia, Leah, and Tim, as they properly introduce themselves to the audience. Everyone recounts their history with Tolkien’s legendarium, and shares personal experiences and interactions with Tolkien fandom & scholarship. We wrap up with a summary of why ‘Queer Lodgings’ exists, some of our goals for the podcast, and tease some future episode topics – some intense, some decidedly more ‘fluffy’!
(6) FURRY SITE BANS AI ART. [Item by Mike Kennedy.] Website Fur Affinity puts its foot (paw?) down regarding AI-generated art. Such works are now lumped in with other artwork judged to be lacking artistic merit and banned from the site. The furry site is not the first website to enact such a ban, though not all the prior ones are as strict. “Furry Fandom Site Bans All AI Art” reports Vice.
In a Sept. 5 policy update first spotted by journalist Andy Baio, Fur Affinity announced that artwork lacking “artistic merit,” which is banned from the site, now includes “submissions created through the use of artificial intelligence (AI) or similar image generators.” …
The update states: “AI and machine learning applications (DALL-E, Craiyon) sample other artists’ work to create content. That content generated can reference hundreds, even thousands of pieces of work from other artists to create derivative images. Our goal is to support artists and their content. We don’t believe it’s in our community’s best interests to allow AI generated content on the site.”
… As Baio also noted, several social art gallery sites have taken a stand against this groundswell of AI-generated art by banning it outright: Inkblot, a new site that just launched in open beta, has a zero tolerance policy on AI artworks, and Newgrounds, a social site for sharing animations and art that’s been around since 1995, banned AI art from its Art Portal feed, specifically forbidding anything made with Midjourney, DALL-E, CrAIyon (formerly DALL-E Mini) and ArtBreeder.
Newgrounds makes interesting concessions to allow it elsewhere on the platform, like on one’s own blog, but not on the Art Portal, where a flood of AI art could drown out other works….
Minicon 15 was held April 13-15, 1979 in Minneapolis, with Guests of Honor Theodore Sturgeon, Rick Sternbach and Tom Digby.
In this brief 16+ minute Guest of Honor speech, Sturgeon speaks about his experience at the “Jupiter Encounter” at JPL, seeing photos of Ganymede and Callisto for the first time. This is followed by a rumination on humanity, interwoven with his shaping of “Sturgeon’s Law,” and an exposition on his favored “Ask the Next Question” philosophy. In this recording, you get a sense of the man himself. A lovely (and knowledgeable) intro by Bob Vardeman sets the stage.
Thanks to Geri Sullivan and the Video Archeology project for providing the recording.
(8) JEAN-LUC GODARD (1930-2022) French director Jean-Luc Godard died September 13 at age 91. One of his movies, Alphaville, is SF and coincidentally the only genre film ever to win the Golden Bear at the Berlin film festival: “Jean-Luc Godard, giant of the French New Wave, dies at 91” in the Guardian. An excerpt:
…Godard went on to make a string of seminal films in the 1960s at a furious rate. His next film, Le Petit Soldat, suggested the French government condoned torture, and it was banned until 1963, but it was also the film on which Godard met his future wife, Anna Karina, as well as coining his most famous aphorism, “Cinema is truth at 24 frames a second.” Other highlights included A Woman Is a Woman, a self-referential homage to the Hollywood musical, which again starred Karina, along with Belmondo and won more Berlin awards; the extravagant, epic film-about-film-making Contempt, with Michel Piccoli, Brigitte Bardot, Jack Palance and Fritz Lang; and Alphaville, a bizarre hybrid of film noir and science fiction….
(9) MEDIA BIRTHDAY.
1968 – [By Cat Eldridge.]Doctor Who’s “The Mind Robber” (The Second Doctor). I’ve not essayed a story of the Second Doctor before so this will be interesting to do. Let’s get at it.
It was first broadcast in five weekly parts from September 14 to October 12, 1968 on BBC.
The Second Doctor who was played by Patrick Troughton who, yes, was The Doctor for three seasons. He had two Companions here, Frazer Hines who played Jamie McCrimmon and Wendy Padbury who was Zoe Heriot.
In a place where fiction is real, creatures such as Medusa and the Minotaur exist. The Master tries to have the Doctor replace him as the Storyteller there as he dying. Of course nothing is that simple…
BBC says that this is indeed the first incarnation of The Master. Though their office timeline disputes that.
Reception was decidedly mixed for it, but years later Charlie Jane Anders of io9 listed the cliffhanger to the first episode — in which the TARDIS breaks apart — as one of the greatest cliffhangers in the history of Doctor Who.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 14, 1941 — Bruce Hyde. Patterns emerge in doing these Birthdays. One of these patterns is that original Trek had a lot of secondary performers who had really short acting careers. He certainly did. He portrayed Lt. Kevin Riley in two episodes, “The Naked Time” and “The Conscience of the King” and the rest of his acting career consisted of eight appearances, four of them as Dr. Jeff Brenner. He acted for less than two years in ‘65 and ‘66, before returning to acting thirty-four years later to be in The Confession of Lee Harvey Oswald which is his final role. (Died 2015.)
Born September 14, 1944 — Rowena Morrill. Well-known for her genre illustration, she is one of the first female artists to impact paperback cover illustration. Her notable works include The Fantastic Art of Rowena, Imagine (French publication only), Imagination (German publication only), and The Art of Rowena. Though nominated for the Hugo four times, she never won, but garnered the British Fantasy Award, and the World Fantasy Award for Lifetime Achievement. OGH’s obituary for her is here. (Died 2021.)
Born September 14, 1947 — Sam Neill, 75. Best known for role of Dr. Alan Grant in Jurassic Park which he reprised in Jurassic Park III. He was also in Omen III: The Final Conflict, Possession, Memoirs of an Invisible Man, Snow White: A Tale of Terror, Bicentennial Man, Legend of the Guardians: The Owls of Ga’Hoole, The Adventurer: The Curse of the Midas Box, Thor: Ragnarok and Peter Rabbit.
Born September 14, 1950 — Michael Reaves, 72. A scriptwriter and story editor to a number of Eighties and Nineties animated television series, including Batman: The Animated Series, Disney’s GargoylesHe-Man and the Masters of the Universe, Smurfs, Space Sentinels, Star Wars: Droids and The Transformers. Live action wise, he worked on Next Generation, Sliders, Swamp Thing, original Flash and Young Hercules. He also worked on two of my favorite animated Batman films, Batman: Mask of the Phantasm and Batman: Mystery of the Batwoman.
Born September 14, 1959 — Mary Crosby, 63. One major role that I’ll get to at the end, and she certainly is present in genre series. First in Freddy’s Nightmares, twice as Greta Moss, then in Lois & Clark: The New Adventures of Superman as Monique, in the Trek universe on Deep Space Nine as Natima Lang in the “Profit and Loss” episode, and the major role was on The Ice Pirates as Princess Karina.
Born September 14, 1961 — Justin Richards, 61. Clute at ESF says “Richards is fast and competent.” Well I can certain say he’s fast as he’s turned out thirty-five Doctor Who novels which Clute thinks are for the YA market between 1994 and 2016. And he has other series going as well! Another nineteen novels written, and then there’s the Doctor Who non-fiction which runs to over a half dozen works. He writes mainly Doctor Who novels with thirteen, so from the Eighth through the Thirteenth Doctor so far, and Creative Consultant for the BBC Books range of Doctor Who novels. He’s written novels with Professor Bernice Summerfield as the protagonist as well. And written more SF that aren’t Whovian than I possibly list here. One such series is, as EoSF notes is “the Invisible Detective sequence, beginning with The Paranormal Puppet Show (2003; vt Double Life2004), consists in each case of two stories: one set in the 1930s, where the four young protagonists solve sf and fantasy mysteries; the other set in the contemporary world, where a parallel tale is told.”
Born September 14, 1972 — Jenny T. Colgan, 50. Prolific writer of short stories in the Whovian universe with a baker’s dozen to date, several centered on River Song. She novelized “The Christmas Invasion”, the first full Tenth Doctor story. She has two genre novels, Resistance Is Futile and Spandex and the City. She contributed a story to the historical adventures inspired by Jodie Whittaker’s first series as The Doctor.
(11) COMICS SECTION.
The Far Side knows how a man’s ideas about driving can get out of hand.
Forget debating the airspeed velocity of an unladen African versus a European swallow. How many pigeons would it take to lift a person seated in a launch chair to the top of the Q1 skyscraper in Australia? Answer: You could probably manage this with a few tens of thousands of pigeons, as long as they don’t get spooked by a passing falcon or distracted by someone with a bag of seeds. That’s just one of many fascinating (and amusing) tidbits to be gleaned from What If? 2, the latest book from cartoonist and author Randall Munroe and the sequel to 2014’s bestselling What If?...
Ars Technica:Somehow people got into the habit of asking you these really weird, silly, sometimes impossible, implausible questions. And you started answering them. How exactly did that happen?
Randall Munroe: When I started drawing comics, I was surprised to learn there were so many people who were entertained by the same niche science ideas or funny applications of math to different problems—stuff I laughed at but I didn’t expect anyone else to. Then I put up these comics and found there are a whole bunch of people out there who think about stuff the way I do. That was really cool. But I definitely didn’t expect that people would start thinking of me as the person to settle arguments. I’d get these emails: “Hey, me and my friend have been arguing about this for a while now, and we don’t know how to answer the question. It feels like it’s not a good enough question to bother a real scientist with. But we both agreed you seemed like a great person to send it to.”
(13) JEOPARDY! Andrew Porter clicked off his TV long enough to report that on tonight’s episode of Jeopardy! – “There was an entire category, ‘Cons,’ dealing with SF, gaming and media cons, but I didn’t note any of the mistakes, except one contestant wrongly answered with a mispronunciation of Ursula K. Le Guin’s name before correcting it, too late.”
In Star Trek: Lower Decks, the show’s upbeat Orion character — D’Vana Tendi — is often hit with in-universe prejudices informed by the earliest of Star Trek canon. (The green-skinned alien race appeared in the very first episode of Trek ever: the original pilot, “The Cage,” filmed way back in 1964.) In 2020, Noël Wells — the voice actress who helps bring Tendi’s character to animated life — admitted that some of these jokes went over her head. But not anymore. Now, she’s further into a performance that is bringing new life to one of Star Trek’s worst tropes: the seductive alien slave….
“We don’t always get to choose our mentors.”
Because Lower Decks is ostensibly focused on the activities of the lower-level crew members in Starfleet, it stands to reason that the careers of these underdogs can only go so far. And yet, this season is focused on Tendi training to become a legit science officer in the mold of Jadzia Dax or Spock. In Season 3 Episode 3, “Mining the Mind’s Mines,” Tendi is evaluated by the ship’s bird-like counselor, Dr. Migleemo (Paul F. Tompkins), about her ability to assert herself in big, high-stakes situations.
It’s the kind of personal growth storyline that pervades much of Star Trek, with echoes of TNG episodes like “Coming of Age,” and “Thine Own Self.” Eventually, Tendi draws strength not from Migleemo’s advice, but from her cankerous former boss, Dr. T’Ana (Gillian Vigman), who is literally a cranky cat….
Asking the internet to name a scientific mission has become something of a tradition, but we think even the bravest might quail at a recent ask on Twitter.
An unofficial Twitter account promoting future missions to our Solar System’s ice giants, Ice Giant Missions, requested suggestions for what to name a probe sent to Uranus.
Given the potential puns that are inevitably attached to Uranus, this is dangerous territory, even beyond the expected “Something McSomethingface”. That, of course, was among the top answers, but with ground as fertile as Uranus, why flog a dead horse?
Surprisingly, however, the buttjokes appear to be in the minority, with many respondents taking the question in good faith, and answering accordingly.
A mission to Uranus is not currently in development, but nor is it entirely a pipe dream. Missions have been sent, by now, to most planets in the Solar System. Mercury, Venus, Mars, Jupiter, and Saturn have all been visited and surveyed by dedicated probes. Even Jupiter’s moons are getting a mission.
The ice giants, on the other hand, have been somewhat neglected. Earlier this year, this led a panel of experts from the US National Academies to recommend a mission to Uranus in its decadal report to NASA.
Since 2006, a number of Doctor Who stories that are either entirely or partially missing from the archives have been recreated with new animated visuals being matched to the existing soundtracks. The work has been completed by a number of different teams, most recently Big Finish Creative….
Do you ever wonder where every great fairytale begins? Welcome to the School for Good and Evil…
(19) A LOT TO THINK ABOUT. [Item by Martin Morse Wooster.] Math-loving fans should know about this Netflix documentary “A Trip to Infinity”.
Eminent mathematicians, particle physicists and cosmologists dive into infinity and its mind-bending implications for the universe.
[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Cora Buhlert, Rich Lynch, Martin Morse Wooster, JJ, John King Tarpinian, Andrew Porter, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Xtifr.]