(1) TARDIS TAKES OFF FOR SHORTENED SEASON. “‘Doctor Who’ Season 13 begins filming under strict COVID-19 safety measures” reports UPI.

The producers of long-running British sci-fi series Doctor Who announced filming has commenced on the 13th season of the show’s 2005 revival.

BBC America, which airs Doctor Who in the United States, said Jodie Whittaker is returning as the 13th incarnation of the Doctor for Season 13, which is being filmed “under strict industry and U.K. government guidelines to ensure the safety of all cast and crew.”

“In this strangest of years, the Doctor Who production team have worked wonders to get the show back into production,” showrunner Chris Chibnall said. “We’re thrilled to be back making the show.”

Chibnall said the extra time required to follow the COVID-19 safety protocols led to the decision to do an eight-episode season instead of the usual 11 episodes.

(2) GOLDSMITHS PRIZE. M. John Harrison’s novel The Sunken Land Begins to Rise Again has won the Goldsmiths Prize 2020 worth £10,000.

Harrison is an acclaimed genre writer, winner of the Arthur C. Clarke Award and Philip K. Dick Award for Nova Swing (2007), and the Tiptree Award for Light (2003), and with many other major awards nominations to his credit. Whether The Sunken Land Begins to Rise Again is genre was not evident from the three reviews I consulted, but since one of them was in Locus Online perhaps that should count for something.

The Goldsmiths Prize, established in 2013, rewards “fiction that breaks the mould or extends the possibilities of the novel form.” Works must be written in English by authors from the UK or the Republic of Ireland, and be published by a publisher based in one of those countries.  

The award judges were Will Eaves, Sarah Ladipo Manyika, Chris Power, and Frances Wilson (chair). [Via the estimable Locus Online.]

(3) ELUSIVE TIMES. Cat Rambo discusses “Shooting at a Rolling Hoop: Predicting the Near Future” on the SFWA Blog, about the challenge of writing her contribution to And The Last Trump Shall Sound (which features a cover with a take on Grant Wood’s American Gothic, using Trump and Pence as the iconic couple.)

… Over and over, something was brought home to me in this: when we write science fiction, we are writing about our own times, simply seen through a lens that changes how it is perceived, in a way that adds meaning. Paradoxically, the closer the time in which you’re trying, the harder this is to do. The far future is easy; so much can be hidden in those intervening, ample swathes of time. In the near future, the fabric is stretched out tighter, to the point where every imperfection catches your eye, and yet that gives it a reality, an immediacy, perhaps even an earnestness sometimes lacking in works more removed in chronological terms.

(4) SEARCHING FOR HARDING. Cora Buhlert takes a look at the elusive golden age fantasy and horror writer Allison V. Harding and wonders why some folks insist that Harding must have been a man despite evidence to the contrary: “The Elusive Allison V. Harding and How to Suppress Women’s Writing… Again”.

…Allison V. Harding is also a mystery, because we almost nothing about her. Of course, there are plenty of pulp authors about whom we know next to nothing, but most of them are one or two story wonders, not one of the top ten most prolific contributors to Weird Tales. Furthermore, Allison V. Harding was clearly popular in her day, as the letter columns and reader polls in Weird Tales indicate.

So why do we know so little about her, even though the history of Weird Tales is fairly well documented? Part of the reason is that early Weird Tales scholars like Robert Weinberg didn’t much care for Allison V. Harding’s stories and dismissed them as forgettable fillers and therefore never even bothered to research the author….

(5) MULTI-TASKING. Stacey Abrams, Democratic politician from Georgia and also a fan, has written several romantic suspense novels under the pen name Selena Montgomery: “Stacey Abrams: Georgia’s political heroine … and romance author” in The Guardian.

….Abrams wrote her first novel during her third year at Yale Law School, inspired after reading her ex-boyfriend’s PhD dissertation in chemical physics. She had wanted to write a spy novel: “For me, for other young black girls, I wanted to write books that showed them to be as adventurous and attractive as any white woman,” she wrote in her memoir Minority Leader. But after being told repeatedly by editors that women don’t read spy novels, and that men don’t read spy novels by women, she made her spies fall in love. Rules of Engagement, her debut, was published in 2001, and sees temperatures flare as covert operative Raleigh partners with the handsome Adam Grayson to infiltrate a terrorist group that has stolen deadly environmental technology.

(6) BAD TO THE BONE. [Item by Cora Buhlert.] At the crime fiction site Criminal Element thriller writer Chris Mooney tells what makes a great villain. All examples are SFF and Mooney’s latest novel is borderline SF as well: “The Ultimate Villain Creates the Ultimate Hero”.

… The best, most memorable villains are, to paraphrase screenwriter John Truby (who has consulted on more than 1,000 films), exceptionally good at attacking the hero’s greatest weakness, or weaknesses.  Truby calls such a villain “the ultimate antagonist.” The crisis points in the story force the hero to make incredibly difficult decisions that not only reveal the hero’s true nature but also force the hero to face his or her true self. And more often than not, the hero and the antagonist are competing for the same goal.

But how do you accomplish such a feat in an established pop culture behemoth franchise like Star Trek, where beloved and iconic heroes have already been through dozens of life-and-death scenarios by dozens of villains? How can you elevate the story, make it more meaningful and dramatic, when a book or comics reader or audience of a film or TV show knows from the very beginning that the hero and main supporting characters won’t die or get physically harmed in any serious way?

You create the ultimate antagonist.

The second Star Trek movie brought back a well-known villain from one of its classic episodes—Khan Noonien Singh, the genetically-engineered superhuman from “Space Seed.” The movie could have followed a simple connect-the-dots story about revenge, but the writers turned Khan into an antagonist who not only has the upper hand but is also much smarter than Kirk, more prepared…. 

(7) LIKE A TROLLING STONE. “The Dissident Act of Taking a Walk at Night” — Matthew Beaumont unpacks Ray Bradbury’s “The Pedestrian” for Literary Hub.

…Crossing and re-crossing the city at night on foot, aimlessly reclaiming the freedom of its streets from automobiles, Bradbury’s Pedestrian is identifiable as the scion of a distinct tradition of urban rebellion or resistance, the dissident tradition of the nightwalker.

The distant origins of the so-called “common night-walker” lie in late 13th-century England, when Edward I introduced the Statute of Winchester as a means of enforcing the curfew that prevailed at that time throughout the nation’s towns and cities. This “nightwalker statute,” as it was known, then became central to the colonial law instituted in North America in the late 17th century.

In 1660, colonial law stipulated that the state’s night watchmen should “examine all Night Walkers, after ten of the clock at Night (unless they be known peaceable inhabitants) to enquire whither they are going, and what their business is.” If the individual accosted could not “give Reasonable Satisfaction to the Watchman or constable” making this enquiry, they were liable to be arrested and taken before the magistrate, who would ask them “to give satisfaction, for being abroad at that time of night.” In urban settlements throughout North America there was in the early modern period no right to the night, particularly for plebeians. Almost by definition, the poor could not “give satisfaction for being abroad” after dark. In the streets at night the itinerant were an inherent threat to society. Today, as in the 1950s, residues of this situation persist. Indeed, in some places in the United States, the term “common nightwalker” remains on the statute books, where it indicates a vagrant as well as a streetwalker or sex worker.

“An idle or dissolute person who roams about at late or unusual hours and is unable to account for his presence” is the definition of a nightwalker offered by two legal commentators who summarized a number of relevant statutes in the 1960s. The ordinance against vagrants in Jacksonville, Florida, for instance, includes a reference to nightwalkers. The state, in its infinite leniency, doesn’t construe a single night’s wandering as necessarily criminal. “Only ‘habitual’ wanderers, or ‘common night walkers,’” the authors of a legal textbook explain, “are criminalized.” “We know, however, from experience,” they rather drily add, “that sleepless people often walk at night.” The sleepless, the homeless and the hopeless, then, are all susceptible to this archaic charge.

It is against this legal background—and in view of the persistent suspicion about solitary people who inhabit the streets at night that, historically, it has sponsored—that Bradbury’s portrait of a nocturnal pedestrian trapped in a dystopian cityscape demands to be interpreted. Despite the passage of more than 300 years since the origins of colonial law in North America, nightwalking remains a socially transgressive activity.

For Bradbury, writing in the 1950s, it potentially also has political implications. “The Pedestrian” is an affirmation of the heterodox politics of the night, which “has always been the time for daylight’s dispossessed,” as Bryan Palmer writes, “—the deviant, the dissident, the different.” The Pedestrian’s footsteps, echoing on empty, darkened pavements, interrupt the ominous silence of the totalitarian city, which insists that its inhabitants remain visible but inaudible at all times.

(8) TURKEY TIME. HBO Max dropped a trailer for the new Melissa McCarthy film Superintelligence.

When an all-powerful AI (James Corden) chooses to study the most average person on Earth, Carol Peters (Melissa McCarthy), it’s the perfect recipe for a Thanksgiving movie.

(9) MEDIA ANNIVERSARY.

• Twenty-five years ago,  Ursula K. Le Guin’s “Forgiveness Day” as published in the November 1994 Asimov’s Science Fiction wins the 1995 Theodore Sturgeon Memorial Award for the best short SF story published in English in the previous calendar year. There were fourteen other nominated stories so they won’t be listed here. Only John Kessel and Michael Swanwick who have each won once out of seven nominations have been nominated more than Ursula K. Le Guin who is tied at one win out of six with Nancy Kress and Ian McDonald. It would win a Locus Award for Best Novella and be nominated for the Hugo, Nebula and Otherwise Awards. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

• Born November 11, 1916 – Don Franson.  Active in the N3F (Nat’l Fantasy Fan Fed’n): three terms as President; club historian; three terms editing The Nat’l Fantasy Fan; Kaymar Award (service; can only be received once); two President’s Awards (later named for him).  Also LASFS (L.A. Science Fantasy Society).  With Howard DeVore, Hugo, Nebula, and World Fantasy Awards (most recently, 3rd ed. 1998).  Also SF Title Changes (with Michael Viggiano); 1945-1964 vol. of N3F’s Author Index to “Astounding” / “Analog”; A Key to the Terminology of SF Fandom (1962).  A dozen short stories.  Fanzine Trash Barrel excelled at thumbnail-size fanzine reviews.  (Died 2002) [JH]
• Born November 11, 1922 — Kurt Vonnegut Jr. The Sirens of Titan was his first SF novel followed by Cat’s Cradle which, after turning down his original thesis in 1947, the University of Chicago awarded him his master’s degree in anthropology in 1971 for this novel.  Next was Slaughterhouse-Five, or The Children’s Crusade: A Duty-Dance with Death which is one weird book and an even stranger film. It was nominated for best novel Nebula and Hugo Awards but lost both to Ursula K. Le Guin’s The Left Hand of Darkness.I’m fairly sure Breakfast of Champions, or Goodbye Blue Mondayis his last genre novel there’s a lot of short fiction where something of a genre nature might have occurred. (Died 2007.) (CE) 
• Born November 11, 1925 — Jonathan Winters. I thought he was in Get Smart! which was why I was going to list him here but he wasn’t… Huh. However he’s in a number of genre series and films including Twilight Zone, Wild Wild West as Albert Paradine II, Mork & Mindy where he was Mearth, the animated Smurfs series and The Animaniacs. And that’s a very selective list to say the least. (Died 2013.) (CE) 
• Born November 11, 1927 — Mack Reynolds. He’d make Birthday Honors just for his first novel, The Case of the Little Green Men, published in 1951, which as you likely know is a murder mystery set at a Con.  He gets Serious Geek Credits for writing the first original authorized classic Trek novel Mission to Horatius.  And I’ve seriously enjoyed his short fiction. He’s been nominated for six Hugos but never won. Wildside Press has seriously big volumes of his fiction up at the usual digital suspects for very cheap prices. (Died 1983.) (CE) 
• Born November 11, 1945 – Delphyne Joan Hanke-Woods.  One Best-Fanartist Hugo, two FAAn (Fan Activity Achievement) Awards.  Also worked as a pro.  Guest of Honor at ConClave V, Archon 5 (which I keep saying should be pronounced “Arch on”, but what do I know?), Windycon XI, Xanadu III, Capricon 7, Bubonicon19.  Here is her cover for Mike Resnick’s Weird Chicago (part of successful bid to hold 70th Worldcon).  Here is Journey Planet 17.  Here is a Doctor Who image.  Here is an interior from the Minicon 17 Program Book (at left; for “gafiate” in image at right, see here).  Here is an interior from The Drink Tank 300.  Our Gracious Host’s appreciation here.  (Died 2013) [JH]
• Born November 11, 1946 – Ian Miller, 74.  A hundred covers, as many interiors; games; two Ralph Bakshi films; sculpture.  Four years art editor for Interzone.  The Art of Ian Miller; three earlier artbooks.  Here is R is for Rocket.  Here is Kai Lung’s Golden Hours.  Here is The Difference Engine.  Here is Seven Stars.  Elaborate Wikipedia entry.  [JH]
• Born November 11, 1948 – Kathy Sanders, 72.  Among our finest costumers; has also served as judge, and Masquerade Director (the on-stage costume competition at SF cons we call the Masquerade evolved from dress-up parties).  Here is “The King and Queen of Wands”.  Here is “The Court of the Peacock King”.  Here is “Fantasy and Science Fiction”.  Here is “Treasures of the Earth”.  Int’l Costumers Guild Life Achievement Award.  [JH]
• Born November 11, 1960 — Stanley Tucci, 60. He was Puck in that film version of A Midsummer Night’s Dream. However, his first role was asDr. John Wiseman in Monkey Shines. (Shudder.) he shows as in forgettable The Core, and was amazing as Stanley Kubrick in The Life and Death of Peter Sellers. And I’m fond of his voicing Boldo in The Tale of Despereaux. (CE)
• Born November 11, 1962 — Demi Moore, 58. Ghost of course gets her the Birthday Honors. And yes I did see it. Sniff. But she got also  her genre creds with her second film Parasite which is good as she didn’t do much after that of a genre nature that she is Piper Griffin in the forthcoming Songbird based off our Pandemic. (CE)
• Born November 11, 1973 – Brett Savory, 47.  Four novels, thirty shorter stories.  Three anthologies.  British Fantasy Award; Bram Stoker Award for Editing; World Fantasy Award.  Likes “drumming, writing, editing, and drinking Bumbu rum, which is the world’s best…. Go try some.  Tell me I’m wrong.  I’ll wait.”  [JH]
• Born November 11, 1994 – Ellie Simmonds, 26.  Four novels from Ellie’s Magical Bakery.  Outside our field, five gold medals, starting at age 13, in the Paralympics (she has achondroplasia), setting two world swimming records; ten World Championship titles.  Active in the Scout Association (U.K.) and Girlguiding.  [JH]

(11) MANDALORIAN GROG. [Item by Cora Buhlert.] You can drink a Baby Yoda cocktail at a bar in Banbridge, Northern Ireland: “Jennifer Aniston makes restaurant’s adorable Baby Yoda cocktail go viral” (Entertainment Weekly.) I did pass through Banbridge last year while travelling from Worldcon in Dublin to Eurocon in Belfast, but I didn’t visit this bar nor did I have a Baby Yoda cocktail.

(12) ANYTHING FUNNY IS SUSPECT. Literary Hub looks back at the “The First Reviews of Slaughterhouse-Five“, including one by Michael Crichton:

A little over a half century ago, Kurt Vonnegut’s Slaughterhouse-Five—a darkly comic, throughly batshit, semi-autobiographical anti-war novel about a fatalistic young American soldier who survives the firebombing of Dresden and becomes “unstuck in time”—exploded onto the literary scene. A bestseller upon its release, the book has gone on to become one of the most beloved and influential (not to mention challenged) works of contemporary American fiction. It has also enjoyed a storied pop culture life, appearing or being namechecked in everything from The Wonder Years to The Simpsons, Footloose to Varsity Blues. There was even a 90s folk-rock duo called Billy Pilgrim who weren’t half bad.

Before it joined the ranks of the immortals, though, Slaughterhouse-Five had to run the book review gauntlet just like any other novel. Today, on what would have been the Vonnegut’s ninety-eight birthday, we look back at five of the earliest critical takes….

(13) EXO MARKS THE SPOT. “Looking for Another Earth? Here Are 300 Million, Maybe” – the New York Times says the real estate is out there.

…“It’s not E.T., but it’s E.T.’s home,” said William Borucki when the mission was launched in March 2009. It was Dr. Borucki, an astronomer now retired from NASA’s Ames Research Center, who dreamed up the project and spent two decades convincing NASA to do it.

Before the spacecraft finally gave out in 2018, it had discovered more than 4,000 candidate worlds among those stars. So far, none have shown any sign of life or habitation. (Granted, they are very far away and hard to study.) Extrapolated, that figure suggests that there are billions of exoplanets in the Milky Way galaxy. But how many of those are potentially habitable?

After crunching Kepler’s data for two years, a team of 44 astronomers led by Steve Bryson of NASA Ames has landed on what they say is the definitive answer, at least for now. Their paper has been accepted for publication in the Astronomical Journal.

Kepler’s formal goal was to measure a number called eta-Earth: the fraction of sunlike stars that have an Earth-size object orbiting them in the “goldilocks” or habitable zone, where it is warm enough for the surface to retain liquid water.

The team calculated that at least one-third, and perhaps as many as 90 percent, of stars similar in mass and brightness to our sun have rocks like Earth in their habitable zones, with the range reflecting the researchers’ confidence in their various methods and assumptions. That is no small bonanza, however you look at it….

(14) YIPES! Pretty much the whole story is in CNN’s headline: “That ‘murder hornet’ nest scientists found and destroyed had nearly 200 queens. They say they got there ‘just in the nick of time'”

Researchers approximate nearly 200 queens were produced from that single nest, which is a significant uptick over the two queens they originally found.

Entomologists from the Washington State Department of Agriculture (WSDA) eradicated and cleared out the nest found inside of the cavity of a tree near Blaine, Washington on October 24.

[Thanks to John Hertz, Daniel Dern, Cora Buhlert, John King Tarpinian, JJ, Mike Kennedy, Cat Eldridge, Martin Morse Wooster, Michael Toman, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]