Pixel Scroll 3/24/22 If You Want A Picture Of The Future, Imagine A Hand Clicking On A Pixel Scroll – For Ever

(1) MOPOP INTRODUCES NEW ONLINE COLLECTION VAULT. [Item by Frank Catalano.] Seattle’s Museum of Pop Culture is finally putting part of its collection online. This is a very cool development for fans of science fiction as popular culture.

The announcement this week only covers a small part of the MoPOP permanent collection, but it’s far more than has been available before. I originally visited and covered the physical MoPOP vault in 2014 for GeekWire (“Preserving the future: A rare glimpse inside the EMP Museum vault”) and interviewed its curators for a podcast about preservation a few years later (“Preserving the future: How MoPOP protects and presents our ever-changing popular culture”).

How do I know it’s only a small subset of everything MoPOP has to offer? Back in 2014, I donated more than 50 lobby cards for science fiction and fantasy films to the permanent collection, and only one has appeared in the online vault so far, for Futureworld. (WHY that crappy movie and not ones for 2001, Planet of the Apes, or others? No idea.)

Direct link: MoPOP Online Collection Vault.

(2) GAIMAN’S ANSWERS. “Neil Gaiman Q&A: ‘As long as there’s a Tardis, all’s right with the world’” in New Statesman.

What’s your earliest memory?

My grandmother taking me to a bridge in my pushchair to watch the steam trains go by. I was 23 months old. I also remember her venting, months later, about the Beatles song “She Loves You” and how their use of the word “yeah” instead of “yes” meant we were now all living in the end times.

Who are your heroes?

As a boy I loved urbane and unflappable literary characters, such as PG Wodehouse’s Rupert Psmith, and indomitable heroes on television – Adam West’s Batman, Adam Adamant, Doctor Who, and the Monkees. When I was a teenager the Stranglers released “No More Heroes” around the same time that David Bowie sang “Heroes”. I listened to them both and thought we are meant to be our own heroes…

(3) KIJ JOHNSON’S NEW JOB. The Ad Astra Center for Science Fiction & the Speculative Imagination at the University of Kansas has announced that sff author Kij Johnson will join the Center as Associate Director. Johnson previously held the same title at KU’s Gunn Center for the Study of SF.

“Kij is a fantastic writer and educator. I’m very excited that she is on board to help shape the vision and impact of Ad Astra,” said center Director Chris McKitterick. “She has been a valued colleague for many years and someone I admire for their tenacity of thought, dedication to students, and excellence in craft.”

Johnson is a writer of speculative and experimental short fiction and novels. She has won the Hugo, Nebula, and World Fantasy Awards, as well as the Grand Prix de l’Imaginaire and others.

In 2013, she gave the inaugural Tolkien Lecture at Oxford University; since then, she has been a guest of honor at conferences and conventions in Sweden, France, and the United States. Johnson has also been a professor in the Department of English at the University of Kansas, starting in 2012.

“Science fiction—speculative fiction—offers a unique way of engaging with big ideas. In some ways, it is the dominant storytelling mode of our era,” Johnson said. “To continue my work exploring speculative fiction as a practitioner and educator through the efforts of the Ad Astra Center is particularly gratifying.”

These efforts will include many of the center’s public outreach projects, including conferences, classes, presentations, masterclasses, events, and workshops. Kij will be on hand to offer her expertise and experience in driving these projects.

“Right now, Kij and I are planning some wonderful things,” said McKitterick. “For fans, scholars, and writers of spec fic, there will be a lot to enjoy.”

(4) SEE SLF PANEL. The Speculative Literature Foundation has posted their panel “Creating a Shared World” on YouTube.

Writers from George R.R. Martin’s Wild Cards and Ellen Kushner’s Tremontaine come together to talk about the challenges and delights of working in a shared universe. Panelists: Ellen Kushner, author of Swordspoint and other fantasy novels, Delia Sherman author of The Porcelain Dove, Walter Jon Williams author of the Privateers and Gentlemen series, and David D. Levine author of Arabella of Mars. Moderated by Mary Anne Mohanraj, SLF Director.

(5) LE GUIN BIO. Publishers Marketplace, behind a paywall, notes that Julie Phillips, author of the Hugo Award-winning James Tiptree Jr.: The Double Life of Alice B. Sheldon, is at work on an untitled biography of Ursula K. Le Guin (first revealed in 2016) “which will intimately examine Le Guin’s intellectual and emotional development as a person and writer, her struggles with depression, her visionary politics, and her commitment to literary freedom.”

(6) A WORKING WRITER. Cat Rambo shares some words of wisdom from “Jane Yolen on Creativity, Productivity, and Returning to Scotland” on Medium.

I had the great pleasure of interviewing Jane Yolen, author of literally hundreds, perhaps thousands, of books, poems, and stories. This was such a joy of an interview that I wanted to pull out some of my favorite quotes….

(7) OPEN THE POD BAY DOOR HAL. [Item by Mike Kennedy.] … And for God’s sake hold onto that rope!

An article in Vanity Fair (partial paywall) tells stories of the making of 2001: A Space Odyssey. These include the critical scene where astronaut Dave Bowman (played by Kier Dullea) is attempting to re-enter Discovery One and has to try a hazardous jump through vacuum without a helmet.

Dullea did the stunt himself because his face would be to the camera. In fact, his face could have ended up in the camera. The stunt was performed by the expedient of having the actor drop down a vertical shaft toward a camera mounted at the bottom. To control his fall, a rope was tied to him and belayed by a crewmember who had to stop Dullea when a knot tied in the rope reached the crewman’s hands.

I’m sure Dullea was never happier to get a scene right on the first take. And I’d make a bet he took more than one deep breath after doing so. “Behind the Scenes of 2001: A Space Odyssey, the Strangest Blockbuster in Hollywood History”.

… By March the production had moved onto its most elaborate set of all: the Discovery’s work and living area, a centrifuge that rotated to simulate gravity. Kubrick’s production team had taken six months to build an actual centrifuge, with a diameter of 40 feet and a weight of 40 tons. Dressed for its entire 360 degrees, the set could turn forward or backward, at a top rate of three miles an hour, creaking and groaning as it got up to speed. For some scenes the actors had to be strapped in place by hidden harnesses as they spun upside down, with props such as meal trays and video pads glued or bolted in place. Depending on the shot, the set’s entire circumference might be aglow with lights, the actors locked inside and forced to turn on the camera themselves before hitting their marks. In production photos the set resembles a demented and unlikely torture device, a hybrid of jewelry tumbler and blistering heat lamp. With God knows how many megawatts surging through the entire setup, lights frequently exploded while unsecured props and overlooked pieces of equipment plummeted as they reached the top of the arc, narrowly missing actors and crew members. “A portentous spectacle, accompanied by terrifying noises and popping light bulbs,” as Clarke described it….

(8) TIME BENDER. Brian James Gage discusses how he places real people in his supernatural historical novels at CrimeReads: “How (and Why) I Write Supernatural Historical Fiction”.

…Each day started with a brief meditation session where I would clear my mind and say to myself, “All that matters is the characters. Follow their lead, their needs and desires, and everything else about the narrative will unfold naturally.” As after all, in fiction, it truly is the characters who guide the story.

Let them lead and the story-arc will follow.

During my brief meditation, I would ask my characters what they were doing that day, how they were feeling, what they needed, and even if there was anywhere specific they wanted to go. Then I would kindly ask them to show up to set, so I could guide them on a wild and horrific adventure. And during this new ritual, I found something of vast importance—my authentic voice. In August 2020, I had the first draft of The Sommelier complete and for the first time in my life, the entire process felt like a wellspring of creativity and command as I purged my characters’ truth onto the page….

(9) TEXAS SCHOOL DISTRICT SCREENS LIBRARY HOLDINGS. In the wake of actions by Texas governor Greg Abbott, “Texas superintendent tells librarians to pull books on sexuality, transgender people” reports NBC News.

…“I don’t want a kid picking up a book, whether it’s about homosexuality or heterosexuality, and reading about how to hook up sexually in our libraries,” Glenn said.

He also made it clear that his concerns specifically included books with LGBTQ themes, even if they do not describe sex. Those comments, according to legal experts, raise concerns about possible violations of the First Amendment and federal civil rights laws that protect students from discrimination based on their gender and sexuality.

“And I’m going to take it a step further with you,” he said, according to the recording. “There are two genders. There’s male, and there’s female. And I acknowledge that there are men that think they’re women. And there are women that think they’re men. And again, I don’t have any issues with what people want to believe, but there’s no place for it in our libraries.”

Minutes later, after someone asked whether titles on racism were acceptable, Glenn said books on different cultures “are great.” 

“Specifically, what we’re getting at, let’s call it what it is, and I’m cutting to the chase on a lot of this,” Glenn said. “It’s the transgender, LGBTQ and the sex — sexuality — in books. That’s what the governor has said that he will prosecute people for, and that’s what we’re pulling out.”

Over the next two weeks, the school district embarked on one of the largest book removals in the country, pulling about 130 titles from library shelves for review. Nearly three-quarters of the removed books featured LGBTQ characters or themes, according to a ProPublica and Texas Tribune analysis. Others dealt with racism, sex ed, abortion and women’s rights. 

Two months later, a volunteer review committee voted to permanently ban three of the books and return the others to shelves. But that may not be the end of the process…. 

(10) MEMORY LANE.

1999 [Item by Cat Eldridge.] Twenty-three years ago this month, Rainbow Mars was published by Tor. It is my absolutely favorite work by Larry Niven, with Ringworld being my second. It contains six stories, five previously published and the longest, “Rainbow Mars”, written for this collection, plus some other material. It is about Svetz, the cross-reality traveler who keeps encountering beings who really should not exist including those Martians. 

The first story, “Get A Horse!” was first published in The Magazine of Fantasy and Science Fiction in October 1969. That was followed by “Bird in the Hand” in the same magazine, October of the next year. Surprisingly the third story, “Leviathan!” was published in Playboy in August of that year. 

(Yes I know Playboy did a lot of SF, it’s just that I wouldn’t have expected this story to show up there. It fits F&SF better in my opinion. Your opinion on that matter of course may differ.)

Then “There’s a Wolf in My Time Machine” was published in October of that year in the fine zine that printed the first two. Finally the last story that got printed at that time, “Death in a Cage” was published in Niven’s The Flight of the Horse collection in September of 1973 which collected these stories as well. (The Flight of the Horse also had “Flash Crowd” which I like a lot and “What Good is a Glass Dagger?” which is fantastic.) 

Now we get Rainbow Mars, the novel that finishes out the work this delightfully silly work. Some of Pratchett idea’s from a conversation he had with Niven remain in the final version of Rainbow Mars, mainly the use of Yggdrasil, the world tree. Though there’s Norsemen as well…

There’s two other two short pieces, “The Reference Director Speaks”, in which Niven speaks about his fictional sources for the Mars he creates, and “Svetz’s Time Line” which is self-explanatory. 

An afterword, “Svetz and the Beanstalk”, rounds out the work in which Niven talks about the fictional sources for Rainbow Mars as a whole.

The fantastic cover art, which was nominated for a Chelsey Award, is by Bob Eggleton who has won, if my counting skills are right tonight, an impressive nine Hugos, mostly for Best Professional Artist though there was one for Best Related Work for his most excellent Greetings from Earth: The Art of Bob Eggleton

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 24, 1834 William Morris. Credited with creating the modern fantasy literature genre which may or may not be true, he certainly wrote some of its earlier works, to note his epic poem The Earthly ParadiseThe Wood Beyond the World and The Well at the World’s End, plus his entire artistic motif fits nearly within a fantasy literature and artistic design that looks as if it was created by the Fey Themselves. All of his works can be found at the usual digital suspects, often at no cost. (Died 1896.)
  • Born March 24, 1874 Harry Houdini. His literary career intersects the genre world in interesting ways. Though it’s not known which ones, many of his works were apparently written by his close friend Walter B. Gibson who as you know is the creator of The Shadow. And one famous story of his, “Imprisoned with the Pharaohs”, was actually ghost written by Lovecraft! ISFDB lists another piece of genre fiction for him, “The Spirit Fakers of Hermannstad”. And IMDB notes that he appeared in The Master Mystery which decidedly genre with robots and death rays. (Died 1926.)
  • Born March 24, 1930 Steve McQueen. Another one who died far too young. He got his big break by being the lead, Steve Andrews, in The Blob. Setting aside the two different roles on Alfred Hitchcock Presents which are at least genre adjacent, The Blob is his only genre appearance in his brief life. He died of a damn heart attack. (Died 1980.)
  • Born March 24, 1946 Gary K. Wolfe, 76. Monthly reviewer for Locus for twenty-seven years now and yes I enjoy his column a lot. His brief marriage to Ellen R. Weil ended with her tragic early death. They co-wrote Harlan Ellison: The Edge of Forever. Old Earth Books has reprinted many of his reviews done between 1992 and 2006 in  Soundings: Reviews 1992-1996. He’s also written several critical looks at the genre, Critical Terms for Science Fiction and Fantasy and The Known and the Unknown: The Iconography of Science Fiction. The Coode Street Podcast was nominated seven times before winning a Hugo at DicCon III; his Bearings: Reviews 1997-2001 was nominated for Best Related Work at Renovation; and Soundings: Reviews 1992-1996 was nominated for the same at L.A. Con IV. Very impressive indeed.
  • Born March 24, 1946 — Andrew I. Porter, 76. Editor, publisher, fan. He discovered fandom in 1960 and before the end of the year his first news-related column about upcoming paperbacks was appearing in James V. Taurasi’s Science Fiction Times. Porter has been nominated for the Hugo 26 times in the fanzine and semiprozine categories. His fanzine Algol: The Magazine About Science Fiction, later renamed Starship, won a Hugo for Best Fanzine in 1974, in a tie with Richard E. Geis, who was then doing The Alien Critic. (OGH accepted that Hugo on behalf of Geis. Sorry!Porter won two more Hugos with Science Fiction Chronicle, the newzine he began publishing monthly in May 1980, and twenty years later sold to DNA Publications.  He has won the Big Heart Award, and was Fan Guest of Honor at the 1990 Worldcon. And with John Bangsund, he was responsible for Australia hosting its first Worldcon. (OGH)
  • Born March 24, 1949 Tabitha King, 73. Wife of Stephen, mother of that writing brood. I met her but once on the lot of the original Pet Sematary a very long time ago. ISFDB to my surprise lists only two novels she’s written solely by herself, Small World and Wolves at the Door, and one with Michael McDowell, Candles Burning. None of her books are with her husband which surprises me. 

(12) COMICS SECTION.

  • From Idiot of the East:

(13) STORYBUNDLES. Learn how the sausage is made: “THE INDIE FILES: A Guide to SFWA StoryBundles” at the SFWA Blog.

… We seek a well-rounded collection that includes a variety of subgenres and a diversity of authors, settings, and characters. We also look for unique takes on our theme, which means you should never self-reject if you think your book only kind-of fits! 

Conversely, because readers do not select each book individually in a bundle, we avoid books that preach a strong message or contain content that many readers may find disturbing. Those books have a place! But we prefer not to roll them into our bundles….

(14) EVEN-MORE-COLOSSAL CAVE, COMING SOON(ISH). [Item by Daniel Dern.] “Sierra Founders Ken And Roberta Williams Are Remaking 1976’s Colossal Cave Adventure” reports HotHardware. Alternate item title, perhaps: “I’d Love To Play A New Version Of That Game,” said Dern adventurously.

“Roberta and Ken Williams were retired for 25 years, mostly living in Mexico, playing golf, and exploring the world on their boat. In 2020 when the Covid pandemic struck, Ken and Roberta were locked down like everyone. Ken was bored and Roberta suggested he write a book about Sierra. The process of writing the book brought back long forgotten memories resulting in Ken deciding to learn Unity and deciding to make a game,” a related FAQ explains.

They didn’t have any interesting in starting another company, and instead were “just looking for something fun to build.” Roberta had the idea to pay homage to the game that inspired Sierra and “changed our lives.”

And so here we are. Colossal Cave 3D Adventure is being built with Unity. It promises a fully immersive 3D experience with over 143 locations to explore, and will release to the Quest 2, PC, and Mac. And true to old school form, there will be a boxed version (with a USB stick in the box), though those details are still being hammered out.

You will be in a 3D maze of twisty passages! A hollow voice is unlikely to cry out, “God stalk!” 🙂 (quips Dern).

(15) INITIAL THOUGHTS. On a different subject, Daniel Dern suggested a too-long Scroll title that is too entertaining to actually discard, so here it is.

If Hans Solo and Chewie started shipping while doing the Kessel Run, we could have T-shirts that were NSFW NFT of a WTF FTL WFH? Nah, NFW.

(16) TAKING THE HYDE OFF ‘EM. “Jekyll & Hyde files for bankruptcy with $1.5M owed in rent” while Crain’s New York Business is watching the courthouse.

Actors put on shows during dinner and each floor of the restaurant focuses on a different aspect of a fictional, 1930s British explorers club, from science fiction to the Gothic horror of its namesake characters, Dr. Jekyll and Mr. Hyde.

Andrew Porter says, “They used to have a branch in the 50s on 6th Avenue, where I went during a Nebula or Stoker weekend, with Stephen Jones and others, A Long Time Ago…”

(17) ERASURE. “Hit Arnold Schwarzenegger Movie Reboot Debuts First Trailer” and Comicbook.com walks us through it.

… This new chapter of the Eraser series trades Schwarzenegger’s John Kruger character for a different U.S. Marshal named Mason Pollard who “specializes in engineering the fake deaths of witnesses that need to leave no trace of their existence.” As you can see in the trailer, this film once again goes with the premise of the Eraser’s mission being compromised in a serious way, forcing him to go on the run with a key witness that’s in his care….

(18) SPACE-TIME. [Item by SF Concatenation’s Jonathan Cowie.] The cover on this week’s edition of Nature has an SFnal riff. The cover image shows a view of the Milky Way captured at Nambung National Park in Western Australia. To understand how the Galaxy formed requires precision age dating of the stars that it contains. In this week’s issue, Maosheng Xiang and Hans-Walter Rix of the Max Planck Institute for Astronomy in Heidelberg, Germany, present an analysis of the birth dates for nearly 250,000 stars in their subgiant evolutionary phase, when they can serve as precise stellar clocks. The researchers found that the individual ages of the stars ranged from about 1.5 billion to more than 13 billion years old. Tripling the age-dating precision for such a large stellar sample allowed the researchers to infer the sequence of events that initiated our Galaxy’s formation. Using this information, Xiang and Rix were able to determine that the oldest part of our Galaxy’s disk had already begun to form about 13 billion years ago, just 800 million years after the Big Bang, and that the formation of the inner Galactic halo was completed some 2 billion years later.

(19) HE’S BACK. [Item by Martin Morse Wooster.] Ryan Reynolds and Mark Ruffalo team up with a Valued Senior Actor about daylight savings time as they plug The Adam Project.

(20) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Batman Returns Pitch Meeting,” Ryan George explains that in this movie Oswald Cobblepot became The Penguin because his parents threw him out the window into a river but penguins saved him,  Villain Max Schreck thre Selina Kyle out of a window but cats licked her a lot so she became Catwoman.  The producer explains he was personally saved by pigeons but since this si a family blog we won’t discuss what happened to him!

[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, Frank Catalano, SF Concatenation’s Jonathan Cowie, Daniel Dern, John King Tarpinian, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Tom Becker.]

Pixel Scroll 3/8/22 I Think There Is A World Market For About Five Pixel Scrolls

(1) DONATE FOR A CHANCE AT A TIARA. Renowned artist Sara Felix says, “I am entering people to win this week’s Tiara Tuesday if they donate to a charity.” The full announcement from her Facebook page is below. Sara explains that while her Facebook shows the event has closed, “if someone donates and lets me know I will enter them in the giveaway.” Email: sillysarasue@gmail.com. Here is the text:

Happy tiara Tuesday y’all!

A friend asked me to make a blue and yellow tiara as support for the Ukrainian people. Seeing all the gorgeous flower crowns that are a cultural tradition I thought marrying the tiara, the blue and yellow, and the flowers would be a fitting tribute.

I would like to auction the tiara and donate the money to Happy Kids Poland who supports orphaned children and kids with disabilities, I will pick a name from the donations. (Thanks Mariya for the suggestions!) Any amount is fine!

From their donation page:

“Together, we collect money for children from orphanages who have come and will be coming to Poland. The Foundation will also try to evacuate children who spent their last nights in the basement and Kiev. The evacuation of orphans from orphanages, foster families and other forms of foster care from Ukraine to Poland…To this day, the need for evacuation and safe admission of children has been declared to us by the guardians of 900 Ukrainian orphans from Lviv, Odessa, Chrust, Kherson and other cities. The numbers keep growing.”

If you don’t want to go through Facebook let me know, their website also takes paypal as well. (https://www.happykids.org.pl/aid-for-children-from…/...)  (Link on the main page: https://www.happykids.org.pl)

(2) CAROL PINCHEFSKY GETS (IN) WIRED. [Item by Daniel Dern.] Carol Pinchefsky isn’t just getting coverage for her new book, Turn Your Fandom Into Cash – A Geeky Guide to Turn Your Passion Into a Business (or at least a Side Hustle) here at File 770 (“Interview with Carol Pinchefsky”).

She’s also getting traction in WIRED, with a full-episode one-hour interview on WIRED’s weekly podcast Geek’s Guide to the Galaxy, episode #504, “Carol Pinchefsky Interview”, and a WIRED.com article, “It’s Not Easy Running a Geeky Business”, summarizing and linking to the podcast.

Carol notes: “I know David Barr Kirtley and have been on his show three other times. But this was the first time I’ve had an episode dedicated to myself.”

Could a nomination for Best Related Work Hugo be, if not next, soon?

(3) FREE EDITORS PANEL PART OF SLF MEMBERSHIP DRIVE. As part of the Speculative Literature Foundation’s Genesis Membership Drive they are hosting free virtual panels every week for the month of March.

This Saturday’s panel will be What do Editors Want? — March 12, 2:00–3:00 p.m. Central. RSVP here.

A panel of short fiction editors talk about what they’re looking for in stories right now — and what to avoid! What common mistakes do writers make? What makes a story stand out from the slushpile?

Panelists: Award-winning editors Lynne Marie Thomas, editor-in-chief of Uncanny Magazine, and Neil Clarke, editor-in-chief of Clarkesworld Magazine. Moderated by Mary Anne Mohanraj, SLF Director.

(4) SCANNING THE BALLOT. They were just announced six hours ago but Cora Buhlert already has her analysis of the Nebula finalists up. Quick work! “Some Comments on the 2021 Nebula Finalists”. A brief quote —

…A Desolation Called Peace by Arkady Martine is a sequel to the 2020 Hugo winner A Memory Called Empire and probably the most obvious finalist in this category. It’s also a great book.

Finally, Plague Birds by Jason Sanford is another very pleasant surprise on this ballot, since it got less attention than the other novels, probably due to being published by a small press, Apex Books. I’m also really happy for Jason, who’s one of the hardest working people in SFF. Plague Birds is a great novel as well, which hits a lot of my personal buttons….

(5) FLA IN THE OINTMENT. On the Orlando in 2023 NASFiC Bid Facebook page, Adam Beaton works to turn the current criticism of Chengdu into a political asset.

So, we’ve been seeing the recent chatter about letters and petitions about Chengdu WorldCon 2023, and here are our thoughts:

There isn’t an actual mechanism to take away the Worldcon based on the actions of what that committee’s government chooses to do or even not do. We can say, though, that the power of boycotting has always been a way for many diverse voices to be seen and heard, from the Cogadh na Talún in Ireland to the Swadeshi Movement in India. Such actions can and should always be considered by any of the members of WSFS.

The NASFiC can never be the Worldcon, and no one can promise you that. What we can promise you, however, is our deep commitment to running for you the best alternative to the Worldcon we can–a convention that celebrates the diversity and inclusivity that empowers us all as fans and commits our spirit to “keep moving forward,” as Walt Disney once said.

It’s also vital for us to recognize that some in the community have strong feelings about our own government here in Florida and perhaps even the American South at large. It would be hypocritical to not point that out in a statement like this, and we see and hear all of your opinions and feelings regarding this topic.

The WSFS community is a culture of creativity. We’ve never been afraid to express ourselves through any medium, and in the end, it’s the best advice we can give you all regarding this topic.

Be like Walt. Keep moving forward.

(6) ON GOTHAMER WINGS. Abigail Nussbaum assesses “The Batman” at Asking the Wrong Questions.

…The guiding principle was clearly “The Dark Knight, but more so”. The film is structured more as a crime story than a superhero story, with a strong presence for the Gotham police department, an emphasis on organized crime and institutional corruption, and a deranged villain—Paul Dano as the Riddler—who is obsessed with exposing the seedy underbelly of the supposedly respectable Gotham leadership. This is all well-executed as far as it goes, and to his credit, Reeves improves on the original where it was most obviously lacking. The action scenes are coherent and gripping, and the visuals—though eventually the brown and grey color palette becomes quite tedious—are rich and velvety. But where Nolan’s Batman movies were, for better and worse, putting their own stamp on the material, Reeves’s just feels like it’s turning up the dial on someone else’s work…. 

(7) BAT CAVING. In contrast, the Washington Post’s David Betancourt says that The Batman is, in his view, the best DC superhero movie since The Dark Knight because it isn’t part of the DC Extended Universe. “’The Batman’ with Robert Pattinson shows that it’s best when he works alone”.

…Batman is a superhero who looks cool next to other heroes on screen but doesn’t need them for relevancy.  Batman doesn’t need a co-star; he’s the star.  He doesn’t need a cavalry; he is the cavalry. This Caped crusader is the one card in DC’s hand that can beat anything Marvel can throw at them….

(8) EXPANDED POSSIBILITIES. Gareth L. Powell confesses “What I Owe to Bounty Hunter Leia”.

… But one of the key things that influenced me — and I only realised this recently — was the moment at the beginning of Return of the Jedi when Boushh the mysterious bounty hunter pulls off his mask to reveal… He was Leia all the time!

As a youngster, this seemed revolutionary. I thought it was so badass. I’d consumed quite a few 1960s and 1970s sci-fi movies and TV shows by that point, and those tended to feature scantily-clad love interests with poor survival skills, who regularly needed the hero to come and bail them out of trouble. But here, the princess got tooled-up and went to rescue her man. And she even managed to stare down Jabba the Hutt with a thermo detonator!…

(9) FOWLER PROFILE. The Guardian interviews Karen Joy Fowler about her non-sff book Booth, but that doesn’t mean there aren’t any genre gems: “Karen Joy Fowler: ‘I’m a bossy writer; I’m not going to not tell you’”

Booth is dedicated, among others, to the science fiction and fantasy writer Ursula K Le Guin.
She’s enormously important to me. I was living in Davis, California when I’d just begun to publish fiction, and the University of Davis invited her to do some events. I got a call: this lunch was being arranged, and she’d asked that I be included. I’d been reading her since college and was completely in awe – the Booker was great, but I don’t think anything matches the heady success of learning that Ursula K Le Guin wanted to meet me! We became friends and I wrote a couple of introductions to her books. One of them I wrote before she died, the other I wrote after. In the one I wrote before, I called her a genius and she made me take the word out; she said it made her feel squirmy. I did as she asked, but kind of put it back after she died, knowing she would not want me to. She’s a truly amazing voice; there cannot be another writer who has imagined more worlds in more interesting ways….

(10) GOODWIN OBIT. Laurel Goodwin, last surviving member of the first Star Trek pilot “The Cage”, has died at the age of 79 reports Deadline.

Laurel Goodwin, an actor who made her movie debut at age 19 opposite Elvis Presley in the 1962 feature Girls! Girls! Girls! and four years later played a crew member in the original, failed Star Trek pilot starring Jeffery Hunter, died February 25. She was 79.

… it was a performance in an episode that never made it to air for which she earned an enduring cult following: She played Yeoman J.M. Colt in “The Cage,” the unaired 1965 pilot for Star Trek that starred Hunter as Captain Christopher Pike. The pilot was rejected by NBC, though some scenes were recycled for a 1966 two-part episode (“The Menagerie”) after William Shatner had replaced Hunter as the Enterprise captain. (“The Cage” subsequently was released in various home entertainment formats.)

(11) MEDIA BIRTHDAY.

1968 [Item by Cat Eldridge] McCoy: “Fantastic machine, the M-5. No off switch.”

Fifty-four years ago this evening on NBC, Star Trek’s “The Ultimate Computer“ first aired. It was the twenty-fourth episode of the second season, and one of six Trek teleplays written by D C Fontana — the other five being “Catspaw”, “Tomorrow is Yesterday”, “Journey to Babel”, “Friday’s Child” and “By Any Other Name”. “Catspaw” was originally uncredited to her but she did the final teleplay based on what Robert Bloch wrote though it is said Roddenberry did further revisions.

The story is by Laurence N. Wolfe. This is his sole writing credit. Wolfe was a mathematician, who wrote the original story out of his fascination with computers. Later on Wolfe would give his original draft to Bradbury to pass on to Roddenberry. 

It was produced by John Meredyth Lucas who was involved with the series for its entire run in all aspects. He wrote three episodes (“The Changeling“, “Patterns of Force” and “Elaan of Troyius”). 

“The Ultimate Computer“ was also considered particularly important in the casting of an African American, William Marshall, as the inventor of the M-5 as well as the duotronic circuit which was the basis of all Star Fleet computer systems.

Reception for this episode is excellent. Michelle Erica Green said of it that, “Star Trek has never done a better ‘bottle show’ – an episode filmed entirely on standing sets, which usually means that all of the action is located on the ship itself.”  

And Jamahl Epsicokhan says “A wonderfully acerbic debate between Spock and McCoy about the role of computers is also well conceived, ending in Spock’s well-put notion to Kirk, “…but I have no desire to serve under them.” Following the M-5’s initial success, the scene where another captain calls Kirk “Captain Dunsel” is the episode’s best-played and simultaneously funny and painful moment. (In a word, ouch.)” 

Note the remastered episode recreates the entire battle between the Enterprise and the other Star Fleet ships with new ships. 

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 8, 1921 Alan Hale Jr. The Skipper on Gilligan’s Island which y’all decided was genre, and he did show up in such films as Captain Kidd and the Slave Girl and The Fifth Musketeer. Series wise, I see he was on The Wild Wild West and Fantasy Island. He was also in the cast of The Giant Spider Invasion film which is most decidedly SF if of a pulpish variety and got the Mystery Science Theater 3000 treatment. (Died 1990.)
  • Born March 8, 1922 John Burke. He was active in Fandom in the Thirties, with work in The FantastThe Futurian and The Satellite. He went pro by the late Thirties in a number of pulp zines.  If you read nothing else by him, I recommend his late in life series The Adventures of Dr. Caspian and Bronwen, well-crafted horror. Ash-Tree Press collected much of his superb short fiction in We’ve Been Waiting for You And Other Tales of Unease. (Died 2011.)
  • Born March 8, 1931 Paddi Edwards. She’s here for two very different roles. First is for being the voice of Gozer in the Ghostbusters film. Second is having the lead role of Anya on “The Dauphin” of The Next Generation. The casting agents at Disney liked her so she had the role of Flotsam & Jetsam in The Little Mermaid franchise.
  • Born March 8, 1950 Peter McCauley, 72. I remember him best from the most excellent Sir Arthur Conan Doyle’s The Lost World series where he played Professor George Challenger. He also showed as Mr. Spilett on Mysterious Island, another series shot in New Zealand and based off Jules Verne’s novel L’Île mystérieuse. Continuing the Verne riff, he was Admiral McCutcheon in 20,000 Leagues Under the Sea, a Nineties TV version of the novel. 
  • Born March 8, 1970 Jed Rees, 52, Another Galaxy Quest performer, he played Teb, a Thermian. His most recent major genre outing was on Deadpool as Jared / Agent Smith / The Recruiter. He’s had one-offs in Ghost WhispererThe Crow: Stairway to HeavenThe NetX-Files,Outer Limits,The Sentinel and Sliders.
  • Born March 8, 1976 Freddie Prinze Jr., 46. I’m fairly sure his first genre role was in Wing Commander as Lt. Christopher Blair followed by the animated Mass Effect: Paragon Lost in which he voiced Lieutenant James Vega. Speaking of animated endeavors, I’ve got him in Kim Possible: A Sitch In Time voicing Future Jim / Future Tim followed by being in all in all four seasons of the animated Star Wars Rebels as Kanan Jarrus. And that’s a series which I highly recommend as it may well be the best Star Wars fiction ever done. 

(13) TOK SHOW. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Nilanjana Roy discusses #BookTok, a branch of TikTok where readers post book reviews.

I quickly added Rebecca Roanhorse’s Between Earth And Sky fantasy series, inspired by the civilisations of pre-Columbian America, and Matt Haig’s The Midnight Library to my book-buying list. I was soon wondering if I should be reading more #enemiestolovers romance, and found myself developing an unhealthy fascination with the melodramatic thrill of ‘crying reader’ videos.  (BookTokers believe in sharing their motions, throwing books they don’t like across a room, screaming or lipsyncing to music,)…

…This brief immersion to #BookTok has inspired me to dust off my grandmother’s Mills & Boons, and allowed me to buy new romance novels without snobbish guilt.  BookTokers might be much younger than my generation, but they’ve built a place where we can all be #booknerds together.

(14) HAPPIER TIMES.  2006 KYIV EUROCON. [By SF Concatenation’s Jonathan Cowie.] Happier times. Opening ceremony at the 2006 Eurocon, Kyiv. Jim Walker (who has reviewed a number of Eurocons for SF2 Concatenation) behind empty seat. Front bottom left: Ian Watson and Jonathan Cowie looking on.

If memory serves, picture by Roberto Quaglia.

Ditto if memory serves Harry Harrison (western GoH — who Eurocon liaised with SF2 Concatenation to get him there) was behind Roberto on the stage.

Also, this was early on, the hall was full for the actual opening ceremony and a government minister said a few words, there was the singing of the national anthem and the GoHs were introduced.

(15) TALKIN’ ABOUT MY INVESTIGATION. [Item by Martin Morse Wooster.] A former FBI agent turned crime novelist says that FBI agents could get new ideas if they read more horror novels. “What if the FBI Required Recruits to Read Paranormal Crime Thrillers?” at CrimeReads.

Over twelve intense weeks at the FBI Academy in Quantico, Virginia, I learned how to analyze crime scene evidence, elicit information from informants, and detect a liar from a hundred yards away. As a brand new intelligence analyst, however, my training curriculum (regrettably) did not include reading about immortal demons, parallel universes, or reincarnation. Because that would’ve been ridiculous. A complete waste of time. Right?

Well, maybe not.

Paranormal crime thrillers, where these fantastical concepts thrive, don’t obey the neat and tidy rules of the universe. And in my experience at the Bureau, neither do the cleverest of criminals or sneakiest of enemy spies….

(16) CLEARING THE OLD TUBES. NPR says “NASA is opening a vacuum-sealed sample it took from the moon 50 years ago”. The reason for the wait is mentioned in the article.

Fifty years ago, astronauts on one of NASA’s Apollo missions hammered a pair of tubes 14 inches long into the surface of the moon. Once the tubes were filled with rocks and soil, the astronauts — Eugene Cernan and Harrison “Jack” Schmitt — vacuum-sealed one of the tubes, while the other was put in a normal, unsealed container. Both were brought back to Earth.

Now, scientists at NASA’s Johnson Space Center in Houston are preparing to carefully open that first tube, which has remained tightly sealed all these years since that 1972 Apollo 17 mission — the last time humans set foot on the moon….

Because the sample being opened now has been sealed, it may contain something in addition to rocks and soil: gas. The tube could contain substances known as volatiles, which evaporate at normal temperatures, such as water ice and carbon dioxide. The materials at the bottom of the tube were extremely cold at the time they were collected.

The amount of these gases in the sample is expected to be very low, so scientists are using a special device called a manifold, designed by a team at Washington University in St. Louis, to extract and collect the gas.

Another tool was developed at the European Space Agency (ESA) to pierce the sample and capture the gases as they escape. Scientists there have called that tool the “Apollo can opener.”

(17) WHEN GRAVITY FAILS. Netflix released this trailer for a new anime movie which begins streaming on April 28.

In a Tokyo where gravity has broken, a boy and a girl are drawn to each other… The story is set in Tokyo, after bubbles that broke the laws of gravity rained down upon the world. Cut off from the outside world, Tokyo has become a playground for a group of young people who have lost their families, acting as a battlefield for parkour team battles as they leap from building to building. Hibiki, a young ace known for his dangerous play style, makes a reckless move one day and plummets into the gravity-bending sea. His life is saved by Uta, a girl with mysterious powers. The pair then hear a unique sound audible only to them. Why did Uta appear before Hibiki? Their encounter leads to a revelation that will change the world.

(18) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers:  Scream (2022),” the Screen Junkies, in a spoiler-filled episode, say that the new Scream is, like most movies these days, “A self-referential circle jerk of fan service,” and is “the best Scream since the first one, because it basically is the first one.”  But the narrator is interrupted by Scream’s terifying killer Ghostface!  Will the narrator survive?  “You can’t kill off my friends,” he says, “because I don’t have any friends!”

[Thanks to John King Tarpinian, Andrew Porter, Michael Toman, SF Concatenation’s Jonathan Cowie, Daniel Dern, Will R., Chris Barkley, Rob Thornton, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 3/7/22 Head Like A Scroll, Pixeled Like Your Soul

(1) ARRIVAL. “On Coming to Ursula K. Le Guin in My Own Time” at Literary Hub, an excerpt from Amal El-Mohtar’s introduction to Worlds of Exile and Illusion by Ursula K. Le Guin.

… I took Le Guin for granted. When she died in 2018, I could have fit the span of my life inside hers almost three times. She had always been there, like a mountain, or the sun, and it was easy to fall into the certainty that she always would be. I was unfamiliar with her most celebrated works—The Left Hand of DarknessThe Dispossessed, books by which she became the first woman to win a Hugo Award for Best Novel, and then, five years later, the first woman to have won it twice.

I had assumed, with all the oblivious confidence of youth, that I’d get to read them while she was still with us and talk to her about them. I imagined that I would meet her one day, under ideal conditions that would make me seem interesting enough for conversation, and ask her about poetry, about being a middle-aged woman in the 1970s, and about science fiction. Her passing hit me harder than I expected, considering my slender acquaintance with her work, but that was the thing about Le Guin: to have lost her was to have lost a world I longed to visit….

(2) ROMANTIC NOVEL AWARDS. The Romantic Novelists Association announced the winners of the 2022 Romantic Novel Awards in London on March 7. The awards celebrate excellence in romantic fiction in all its forms. The complete list is here. In the RNA category of genre interest the winner is —

The Fantasy Romantic Novel Award

  • A Marvellous Light, Freya Marske, Pan Macmillan

(3) HIDDEN TREASURE. [Item by Bill Burns.] The BBC Archive started a new YouTube channel a couple of months ago, and there are some interesting SF items: BBC Archive – YouTube. As well as Star Wars, Doctor Who, and other media items, there’s these more mainstream pieces from broadcast programs:

  • “Arthur C Clarke predicts the future” (September 1964)
  • “Douglas Adams on HITCHHIKERS GUIDE TO THE GALAXY game” (1984)
  • “ISAAC ASIMOV’s 3 laws of ROBOTICS” (1965)

(4) SCREENTIME MACHINE. For the first five seconds I thought it was a Monty Python sketch. But no – these are all legit sff writers on a 1979 episode of the BBC’s Book Programme trying to answer the question “What is SCIENCE FICTION?”

Robert Robinson presents a science-fiction themed edition of The Book Programme. What constitutes science-fiction, is there room in the genre for the metaphysical or spiritual, or should writers slavishly stick to the scientific? What is to be made of the phenomenon that is the sci-fi convention – is there something unique to science fiction that inspires such devotion in its fans? And is all fiction slowly becoming science fiction? Taking part are: Douglas Adams, the author of the science-fiction comedy ‘The Hitchhikers Guide to the Galaxy’; Harry Harrison, a prolific science fiction writer best known for his ‘Deathworld’, ‘Stainless Steel Rat’ and ‘Bill, the Galactic Hero’ novels; Peter Nicholls, the editor of The Encyclopedia of Science Fiction; and Ian Watson, whose book ‘The Jonah Kit’ won the British Science Fiction Association award for Best Novel and whose new book “God’s World” is reviewed here and forms the basis for the discussion.

(5) RELATED WORKS. Today, Cora Buhlert turns the Non-Fiction Spotlight on “Lovecraft in the 21st Century Dead, But Still Dreaming, edited by Antonio Alcala Gonzalez and Carl H. Sederholm”.

…If you’re just joining us, the Non-Fiction Spotlights are a project, where I interview the authors/editors of SFF-related non-fiction books that came out in 2021 and are eligible for the 2022 Hugo Awards….

The subject of today’s Non-Fiction Spotlight is a collection of scholarly essays about H.P. Lovecraft entitled Lovecraft in the 21st Century: Dead, But Still Dreaming, edited by Antonio Alcala Gonzalez and Carl H. Sederholm….

Why should SFF fans in general and Hugo voters in particular read this book?

Carl: I first became interested in Lovecraft because of references to him in popular culture. As I began to read more and more of his stories, I became fascinated by the ways his work continues to show up in everything from heavy metal music to board games to internet memes to television shows. What I didn’t know was that there were dozens of others having similar experiences. This book provides a glimpse at what others have discovered in their own journey through Lovecraft. I think anyone with an interest in Lovecraft, including SFF fans and Hugo voters, can discover just how far Lovecraft’s influence goes through a book like this. Even those who already have a firm grasp of Lovecraft should be able to find new insights and research opportunities here….

(6) NATURE CALLS. SF² Concatenation has just Tweeted an advance post of the first of its four “Best of Nature Futures” one-page short stories for this year: “Freemium: It’s no game” by Louis Evans.

When SETI detected an alien signal, they called Derek. Derek was a billionaire from designing computer games. He was bankrolling the search.

Soon – an impossibility in physics – Derek was in regular contact with the aliens. But eventually, there is a price….

(7) NEWBERY WINNER’S NEXT. In the Washington Post, Mary Quattlebaum interviews Newbery Award-winner Kelly Barnhill, whose new book The Ogress and the Orphans creates “a complex character that makes readers question the stereotype of ogres.” “In Kelly Barnhill’s new fantasy novel, no single hero can save the day”.

…A more fully formed story started to emerge in 2020. This original fairy tale explored both the conflict and the generosity she was seeing in the world around her. She noticed, for example, that throughout the pandemic, some people worked together to protect one another from the coronavirus, and others did not.

“I saw the power that one individual has to make something better for another,” she said.

A conversation with her “awesome and interesting” 10-year-old nieces also helped shape the story. The girls’ parents are philosophers. They study knowledge — how people think and reason and how they decide right from wrong. The girls thought that philosophy should also consider kindness and animals.

Barnhill listened. “The Ogress and the Orphans” probes what happens to people’s hearts and to the spirit of their communities when they give to others — or turn away. What happens when they respect and include others — or seek power over them?…

(8) WOOL GATHERING. At Bandcamp, Aidan Baker’s album “The Sheep Look Up” is intended as “a ‘soundtrack’ to John Brunner’s 1972 dystopian novel.” Baker is a Canadian musician “making experimental ambient music.”

(9) MEMORY LANE.

1968 [Item by Cat Eldridge] Anne McCaffrey’s Dragonriders of Pern series has a fascinating Hugo history.

She won a Hugo the first time she was nominated, for the novella “Weyr Search” at Baycon (tied with Philip José Farmer’s “Riders of the Purple Wage”.) It was published in Analog Science Fiction / Science Fact, October 1967. It’s in A Dragon-Lover’s Treasury of the Fantastic anthology which was edited by Margaret Weis, available from the usual suspects at a very reasonable price. 

It would be the only win for the Dragonriders of Pern series but by far is not the only nomination for the series. 

Next up would be the “Dragonrider” novella which was nominated one year later at St. Louiscon. Three years later, her Dragonquest novel would get a nod at the first L.A. Con showing that Con had impeccable taste. And at Seacon ‘79, The White Dragon gets nominated. (I really love that novel.) The next L.A. Con would see another novel be nominated, Moreta: Dragonlady of Pern. (I’ve never heard of that one.) And the final nomination, also for a novel, was at MagiCon, for All the Weyrs of Pern.

The series did win a number of other awards including a Nebula for Dragonrider, a Ditmar and Gandalf for The White Dragon, a Balrog for Dragondrums and The Science Fiction Book Club’s Book of the Year Award for The Renegades of Pern. It is, after all, an expansive series.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 7, 1925 Richard Vernon. He is perhaps best remembered for playing the role of Slartibartfast in The Hitchhiker’s Guide to the Galaxy series. His first genre role was Sir Edgar Hargraves in the Village of the Damned which was adapted from John Wyndham’s The Midwich Cuckoos.  He’s also in Goldfinger as Colonel Smithers. (Died 1997.)
  • Born March 7, 1926 Alan Sues. Here for his outstanding performance in The Twilight Zone’s “The Masks” as Wilfred Harper, Jr., one of the most chilling scripts written for that series. He really didn’t have much of a genre history showing just otherwise on Wild Wild West and Sabrina, the Teenage Witch unless you want to include Rudolph and Frosty’s Christmas in July where he played Scratcher the jealous Reindeer. (Died 2011.)
  • Born March 7, 1942 Paul Preuss, 80. I know I’ve read all of the Venus Prime series written by him off the Clarke stories. I am fairly sure I read all of them when I was in Sri Lanka where they were popular among the British ex-Pat community.  I don’t think I’ve read anything else by him. 
  • Born March 7, 1944 Stanley Schmidt, 78. Between 1978 and 2012 he served as editor of Analog Science Fiction and Fact magazine, an amazing feat by any standard! He was nominated for the Hugo Award for Best Professional Editor every year from 1980 through 2006 (its final year), and for the Hugo Award for Best Editor Short Form every year from 2007 (its first year) through 2013 with him winning in 2013 at LoneStarCon 3.  He’s also an accomplished author and l know I’ve read him but I can’t recall which novels in specific right now though I know I enjoyed what I read by him.
  • Born March 7, 1945 Elizabeth Moon, 77. I’ll let JJ have the say on her: “I’ve got all of the Serrano books waiting for when I’m ready to read them. But I have read all of the Kylara Vatta books — the first quintology which are Vatta’s War, and the two that have been published so far in Vatta’s Peace. I absolutely loved them — enough that I might be willing to break my ‘no re-reads’ rule to do the first 5 again at some point. Vatta is a competent but flawed character, with smarts and courage and integrity, and Moon has built a large, complex universe to hold her adventures. The stories also feature a secondary character who is an older woman; age-wise she is ‘elderly’, but in terms of intelligence and capability, she is extremely smart and competent — and such characters are pretty rare in science fiction, and much to be appreciated.” 
  • Born March 7, 1954 Elayne Pelz, 68. She is a member of LASFS (and officer) and of SCIFI who worked on myriad cons, mainly in art show and treasury.  She was married to famous SF fan Bruce Pelz and assumed leadership of Conagerie, the 2002 Westercon, upon Bruce’s death and the con was held successfully. She was the Chair of Loscon 20.
  • Born March 7, 1970 Rachel Weisz, 52. Best remembered  for The Mummy films which I really, really love (well the first two with her), and her first genre film was Death Machine, a British-Japanese cyberpunk horror film which scores rather well – fifty-one percent — among audience reviewers at Rotten Tomatoes. I’ve also got her in Chain Reaction and The Lobster. As of late, Weisz starred as Melina Vostokoff in the MCU film Black Widow.

(11) INSIDER TRADING. Gizmodo finds evidence of intergalactic smuggling: “Star Wars Galactic Starcruiser Rare Merch Already on eBay”.

It’s only been a few days since Disney’s lavishly priced Star Wars Galactic Starcruiser attraction previewed for invited media, influencers, and guests—yet eBay listings are already being promoted for exclusive items from the experience. Some item postings even have timetables for guests who have yet to step onto the Halcyon ship but promise to bring back merch for sale.

A sign that this might be different from the usual hive of scum and villainy where merch-flippers tend to dwell is that the prices seem to reflect ways to offset the cost of the trip itself—or for those who got freebies to maybe even get on board again….

(12) 2021 WAS GOOD FOR ONE THING. Yahoo! reports “Guillermo del Toro is really not into the Oscars’ new format”.

…Pan’s Labyrinth director Guillermo del Toro has brought up another point of contention: The new format for the upcoming awards ceremony.

The Academy of Motion Pictures and Arts recently unveiled its new format, which involves pre-taping a select eight categories and announcing the winners in a pre-show. The categories moved to this lower-tier position include Best Production Design, Editing, Makeup and Hairstyling, Original Score, Sound, Documentary Short, Animated Short and Live-Action Short. After the last couple of arduous years in the film industry, del Toro thinks this change could not come at a worse time.

“The nominees that we have here, most of the ones we have here tonight, [worked] against many, many difficult odds [to get here], and we don’t do [films] alone,” del Toro said while receiving the Hollywood Critics Association’s Filmmaking Achievement Award. “We do them together, and the people that made them with us did it risking everything in a pandemic, showing up, making the day, somewhat in a miracle.

“I must say, if any year was the year to think about it, this is not the year not to hear their names live at the Oscars. This is the year to sing it, and sing it loud,” Del Toro continued. “We shouldn’t do it this year; we shouldn’t do it ever, but not this year… And we must say this… 2021 was a f**king great year for movies.”…

(13) TIME’S THREE. “Take three historical figures, throw them together in some situation, and tell us the story that ensues.” That simple description was enough make a success of Fantastic Books’ Kickstarter campaign, fully funding the anthology Three Time Travelers Walk Into…, which will appear in June. “It pulls together the adventuring of such disparate figures as Julia Child, Jesus Christ, Michael Jackson, and Vlad the Impaler (well… not all in one story).”

Edited by Michael A. Ventrella, the contributing authors are Eric Avedissian, Adam-Troy Castro, Peter David, Keith R.A. DeCandido, Gregory Frost, David Gerrold, Henry Herz, Jonathan Maberry, Gail Z. Martin, Heather McKinney, James A. Moore, Jody Lynn Nye, L. Penelope, Louise Piper, Hildy Silverman, S.W. Sondheimer, Allen Steele, and Lawrence Watt-Evans.

(14) YOU CAN TAKE IT WITH YOU. Gizmodo noticed that “A Mars Rock Appears to Be Stuck in Perseverance Rover’s Wheel”. (Image at the link.)

NASA’s Perseverance rover has involuntarily adopted a traveling companion, in the form of a stone that’s lodged in one of its six aluminum wheels.

An image captured by Perseverance’s Onboard Front Left Hazard Avoidance Camera, or Hazcam for short, shows the interloper sitting on the interior of a wheel. The rover must’ve kicked up the rock while exploring Jezero Crater, where it’s been operating since it landed on Mars in February 2021.

The picture was taken on February 25, 2022, but a similar image taken five days later showed the rock still firmly in place. The stone, it would appear, is now a stubborn fixture of the $2.2 billion rover…. 

(15) RETURN TO SENDER. “Dreaming of Suitcases in Space”. Hard to believe, but the New York Times, not Philip K. Dick, came up with that title. “A California start-up company believes it can one day speed delivery of important items by storing them in orbit.”

…Inversion is building earth-orbiting capsules to deliver goods anywhere in the world from outer space. To make that a reality, Inversion’s capsule will come through the earth’s atmosphere at about 25 times as fast as the speed of sound, making the parachute essential for a soft landing and undisturbed cargo.

Inversion is betting that as it becomes cheaper to fly to space, government agencies and companies will want to not only send things to orbit but also bring items back to earth….

…What Inversion is trying to do is not easy. Designing a vehicle for re-entry is a different engineering challenge than sending things up to space. When a capsule enters the atmosphere from space, it is traveling at such high speeds that there is the danger of burning up — a huge risk for human travelers and precious nonhuman cargo alike.

Seetha Raghavan, a professor in the University of Central Florida’s mechanical and aerospace engineering department, said it would be even more difficult to handle the heat, vibration and deceleration of the capsule when the vehicle size shrank.

“It all becomes harder when you have a smaller item to control,” Ms. Raghavan said.

Inversion’s plan for capsules in orbit raises questions about whether it will contribute to congestion in space, already a problem with the megaconstellations of satellites. And the abundance of satellites interfering with observations of planets, stars and other celestial bodies has been a common complaint among astronomers.

But Inversion said it was using materials to make its capsules significantly less reflective to decrease visual pollution. In addition, the company said its capsule would come with systems to avoid debris and collisions in orbit….

(16) CUBISM. [Item by Ben Bird Person.] Artist/illustrator Will Quinn did this piece commemorating the Dungeons & Dragon‘s gelatinous cube.

According to Patreon, “I listen to ‘Not Another D&D Podcast’ while I draw these days, and they were coincidentally fighting an ooze monster during this drawing (not a Gelatinous Cube, though. It was a Juiblex).”

[Thanks to JJ, John King Tarpinian, Andrew Porter, Michael Toman, Rob Thornton, Ben Bird Person, Chris Barkley, Bill Burns, SF Concantenation’s Jonathan Cowie, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Charon Dunn.]

Pixel Scroll 1/10/22 All Have Scrolled And All Must Have Pixels

(1) HIPY PAPY BTHUTHDTH THUTHDA CTHULHU. Scott Lynch noticed that Pooh entered the public domain on New Year’s Day. Thread starts here.

He’s not the only creator to hit the ground running: “’Winnie-the-Pooh’ just entered the public domain. Here’s what that means for fans” in the Washington Post.

Luke McGarry began drawing a nude Pooh Bear as soon as he heard the news. The original, nearly 100-year-old “bear of very little brain” from the Hundred Acre Wood had rung in this new year by entering the public domain. Now quite humbly, McGarry’s creative appetite felt rumbly.

The Los Angeles-based artist sat and penned his Winnie-the-Pooh idea in four panels, announcing the 1926 character’s free-for-all status as of Jan. 1, with a winking if satirically speculative interpretation: “Disney still owns their version of me. … But as long as I don’t put a little red shirt on, I can do as I like” — a reference to how the character’s attire regularly began to be depicted beginning in the 1930s.McGarry waited a day to post his colorful cartoon on social media. Later he checked his accounts: “I didn’t think it was going to blow up like it did.” On Twitter alone, the illustration received nearly 40,000 likes. The artist realized his Pooh toon could bring some cash flow. “Had I anticipated there being any demand, I would’ve probably had prints done in advance.”…

(2) SPIDER-MAN CRUSHING IT. Spider-Man: No Way Home is still breaking box office records. Having grossed $1.53 billion worldwide, it’s now the eighth-highest grossing movie ever globally (not adjusted for inflation) reports Variety.

In the U.S. the film sits in sixth place, having just passed James Cameron’s Titanic, and Deadline estimates it is around $10 million away from overtaking Avengers: Infinity War ($678.8 million) as the fifth-highest grossing movie ever stateside.

(3) BUTLER ADAPTATION SERIES ORDERED. “FX Picks Up ‘Kindred’ Series Based on Octavia E. Butler Novel”The Hollywood Reporter has details.

FX is moving ahead with its adaptation of Octavia E. Butler’s Kindred.

The Disney-owned outlet has given a series order to Kindred, which comes from FX Productions and writer and showrunner Branden Jacobs-Jenkins (Watchmen). It’s based on the influential 1979 novel by Hugo Award winner and MacArthur Fellow Butler, following a young Black woman in Los Angeles who finds herself pulled back and forth in time.

FX ordered a pilot for Kindred in March 2021. Janicza Bravo (Zola) directed the pilot episode. The series stars newcomer Mallori Johnson, Micah Stock, Ryan Kwanten, Gayle Rankin, Austin Smith, Antoinette Crowe-Legacy and David Alexander Kaplan.

(4) DAW: THE FIRST TEN YEARS. At Dark Worlds Quarterly, G.W. Thomas begins a series on Donald A. Wollheim: “Donald A. Wollheim Part 1: 1934-1945”.

When you say the name “Donald A. Wollheim” you have to say which one you are referring to. Is it the force behind ACE Books or the creator and publisher of DAW Books? Or the Avon editor who tried to combine comics and Pulps? Or the editor of The Avon Fantasy Reader?  Is it the editor who published the unauthorized edition of The Lord of the Rings and created the modern fantasy boom? Is it the fanzine editor who published H. P. Lovecraft, C. L. Moore, Robert E. Howard, A. Merritt and Frank Belknap Long? Is it the editor without any budget who cobbled together Pulps with the help of the Futurians? Or is it the writer who so often appeared under a pseudonym like Martin Pearson, Millard Verne Gordon or Lawrence Woods? Donald A. Wollheim was all of them in his career spanning over fifty years….

(5) THE JAWS THAT CATCH. G.W. Thomas would also like to tell you about big bugs, zillions of ‘em! “Giant Ants of the Pulps” at Dark Worlds Quarterly.

Giant Ants of the Pulps seems like a no-brainer, right? Of course the Pulps were crawling with mad scientists creating giant bugs, or ones that comes from other planets, or are encountered when we arrive on jungle planets. A fascination with the formic race goes back to writers like H. G. Wells, who despite the film versions, never actually did giant ants. What he did do was write the first giant monster novel in The Food of the Gods (Pearson’s, December 1903-June 1904) but he chose giant bees over ants. Later he wrote “The Empire of the Ants” (The Strand, December 1905), in which he supposed an intelligent race of army ants that begin to take over the world. These critters have weapons but are not gigantic in size. Hollywood combined the two along with Joan Collins.

(6) OPEN SESAME. [Item by Daniel Dern.] Watch The Door into Summer on Netflix:

A pioneering roboticist awakens in 2025 after decades in cryosleep. To change the past and reunite with his adopted sister, he seeks a way back to 1995.

I saw somebody’s Facebook post out this earlier today (and I see that sundry more are posting/commenting. We just finished watching it. This was one of the Heinlein sf novels I grew up reading/re-reading (when they’re short and one-offs, and not competing with a Borges-level Mount Can’t-Read-Em-All, it’s easier), and they dun good. (I could drop a cheap shot at Starship Troopers here, but I’ll refrain.) There are sundry differences in details, but the core plot remains intact (including Petronius The Arbiter, aka Pete, our protagonist’s credential).

The dialogue is all in Japanese, with subtitles available (often harder-to-read than I would have liked when the background was mostly white). (If there was a change subtitle settings, we didn’t see it.)

We didn’t see Heinlein’s name in the credits — although, it might have been lurking in the untranslated credits… but the Netflix listing includes:

Kento Yamazaki (“Alice in Borderland”) stars in this science fiction tale adapted from the novel by Robert A. Heinlein.

(7) GIZZARD-FI. The Odyssey Writing Workshop Blog has posted an interview with graduate Larry Hodges.

You’re a 2006 graduate of the Odyssey Writing Workshop. What made you decide to attend? What insights did you gain into your own work?

I did some research and asked around, and Odyssey seemed the most recommended workshop. (Having Robert J. Sawyer as a “Writer in Residence” that year greatly helped!) Probably the biggest insight I learned about my own work was that I’m an “idea” and “humor/satire” writer who needs to focus on character and other aspects equally. I also went in knowing that I had little feel for description, and so have spent years working to overcome that. One thing that helped: Robert and Odyssey Director Jeanne Cavelos suggested writing a story that was all about description, and so I wrote and sold “In the Belly of the Beast,” where the whole story takes place in the belly of a dragon that has swallowed a bunch of people, including a wizard who creates a field to protect them in the dragon’s stomach—and much of the story revolved around vivid descriptions of the “venue.” It also became a character story about the wizard….

(8) THE INFLUENTIAL LE GUIN. Tor.com’s Vanessa Armstrong has a recommendation: “New Crafting with Ursula Podcast Has Writers Like Becky Chambers Delving Into Ursula K. Le Guin’s Work”.

… This series, called Crafting with Ursula, stems from David Naimon’s long-running Between the Covers podcast. In each episode, Naimon will talk with an author about how specific works of Le Guin have influenced aspects of their own creative process.

The first episode, which is available now, has Becky Chambers (Wayfarers series, A Psalm for the Wild-Built) discussing the craft of creating aliens and alien cultures, something Chambers has beautifully done in her own stories. …

(9) MEDIA BIRTHDAY.

1969 [Item by Cat Eldridge.] Fifty-three years ago this evening, Star Trek’s “Let That Be Your Last Battlefield” first aired on NBC. It was the fifteenth episode of the third season. It written by Oliver Crawford who also penned “The Galileo Seven” as based on a story by Gene L. Coon who was writing under his pen name “Lee Cronin” due to contractual reasons. Coon was the showrunner for the series through most of the second season and was responsible for such major elements as the Klingons and the naming of the United Federation of Planets and Starfleet Command. 

The cast stars here were Frank Gorshin as Commissioner Bele and Lou Antonio as Lokai. Gorshin would be known in this period for his recurring role on Batman as The Riddler. Lou Antonio did a few genre one-offs. 

The episode has since been rated as one of the best of the Trek series with ColliderHollywood ReporterPopMatters, SciFi and ScreenRant all rating it among the best episodes produced. 

Spock’s comment that “Change is the essential process of all existence” which remains one of the most memorable lines of dialogue ever said on Trek comes from this episode.

The original version when Beale and Lokai run through the Enterprise shows the burning cities of World War II Europe. The remastered version shows the Cheron cities still burning from space. (That scene was done because the episode was running short.) 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 10, 1904 Ray Bolger. Best remembered obviously as The Scarecrow In The Wizard of Oz. He also showed as the villainous Barnaby in Babes in Toyland, two appearances on Fantasy Island, and as Vector In “Greetings from Earth” on the classic version of Battlestar Galactica.  He narrated a version of Peter and The Wolf which certainly is genre. (Died 1987.)
  • Born January 10, 1924 Mike Butterworth. In 1965, he became the primary script writer at Ranger magazine where he was responsible for scripting the space opera The Rise and Fall of the Trigan Empire, which remains to this day one of the most popular boys’ adventure strips ever published in the UK. Between Ranger and later Look and Learn, it would have a run of 854 issues in total, divided between the two magazines. (Died 1986.)
  • Born January 10, 1937 Elizabeth Anne Hull. She has served as the President of the Science Fiction Research Association and editor of its newsletter. She has been a member of the panel for the John W. Campbell Memorial Award for best SF novel since 1986. With her husband Frederik Pohl, Hull edited the Tales from the Planet Earth anthology. She is also the editor of the Gateways: Original New Stories Inspired by Frederik Pohl anthology. She has co-authored three short stories with him, “Author Plus”, “The Middle Kingdom” and “Second Best Friend”. (Died 2021.)
  • Born January 10, 1944 Jeffrey Catherine Jones. She was an artist providing more than a hundred and fifty covers for many different types of genre books through the mid-Seventies including the Ace paperback editions of the Fafhrd and Gray Mouser series. Among her work was also Flash Gordon for Charlton Comics in the Sixties and the Conan Saga for Marvel Comics in the late Eighties. (Died 2011.)
  • Born January 10, 1944 William Sanderson, 78. I remember him best as J. F. Sebastian, the possibly insane genetic designer working for Tyrell in Blade Runner. but he’s had a career obviously after that film including appearing as Skeets in The Rocketeer, voicing Dr. Karl Rossum on Batman: The Animated Series, playing the character Deuce on Babylon 5 (a series I’ve watched through at least three times), E. B. Farnum on Deadwood (ok, it’s not genre, but it’s Will and Emma’s favorite show so let’s let it slide) and Sheriff Bud Dearborne on True Blood
  • Born January 10, 1947 George Alec Effinger. I’ve read his Marîd Audran series at least three times  as it’s an amazing series in both the characters and the setting. I never read the short stories in this setting until Golden Gryphon Press sent me Budayeen Nights for Green Man to review and they were quite excellent as well.  I really should listen to the stories soon to see how they work that way. (Died 2002.)
  • Born January 10, 1959 Fran Walsh, 63. Partner of Peter Jackson, she has contributed to all of his films since the late Eighties when she started out as co-writer of Meet the Feebles, and as producer since The Fellowship of the Ring which won a Hugo. Need I note the next two films won Hugos as well? Huh The Hobbit films did not win Hugos.  
  • Born January 10, 1958 Jeff Kaake, 64. He’s on the Birthday Honors list as he was Captain John Boon on the Space Rangers which lasted only six episodes. Damn. That was a fun show! He was also Thomas Cole on Viper which lasted four seasons but really isn’t genre. And he showed up in the Stormageddon film (which sounds like the name a Filer would give to a SJW Cred) as well which is genre. 

(11) MARK YOUR BALLOT “X”. The polls are open! Marvel is asking fans to help select the newest X-Men team once again. As with last year’s X-Men election, the second annual event to choose the newest protectors of Krakoa will run until 11:59 p.m. EST on Thursday, January 13. Participants can vote at marvel.com/xmenvote.

In 2021, True Believers everywhere voted in the first-ever X-Men election. They shaped X-Men history by choosing Polaris to star in Gerry Duggan and Pepe Larraz’s X-Men. Throughout the election, fans campaigned for their favorite candidates resulting in “X-MEN VOTE” trending worldwide on Twitter and ultimately changed the future of all mutantkind!

Several nominations have been accepted to determine the final member of one of the most iconic teams in the Marvel Universe. Now, the last member of this new X-Men team is in YOUR hands! Each person can only cast one vote, so read about each nominee below and make your decision carefully!

X-Men Ballot Nominations:

  • ARMOR: Hisako Ichiki can create a powerful psionic force field around herself, giving her superhuman strength and durability. She planted the first Krakoan flower on Mars, and as a member of the New Mutants aided her brethren across the globe.
  • AVALANCHE: A long-standing member of the Brotherhood, Dominikos Petrakis used his seismokinetic powers against the X-Men. Though he was killed by the Red Skull, he was one of countless mutants to be resurrected on Krakoa, where he became an agent of S.W.O.R.D.
  • BLING!: A former member of Gambit’s Chevaliers squad at the Xavier school, Bling! has more recently teamed up with Psylocke and her team to defend Krakoa despite still questioning the new mutant nation’s motives. She possesses a diamond-hard body, superhuman strength and the ability to fire crystalline projectiles.
  • FIRESTAR: Angelica Jones is a veteran super hero, boasting former memberships in the Avengers, New Warriors, Young Allies, and the X-Men themselves – in addition to being one of Spider-Man’s most amazing friends. Despite her codename, her powers are microwave-based, allowing her to ignite, melt, or otherwise superheat whatever she targets. She has yet to claim Krakoan citizenship…
  • GENTLE: The first X-Man to hail from the nation of Wakanda, Nezhno Abidemi now calls Krakoa his home. His mutant power allows him to exponentially increase his musculature, giving him almost limitless strength and invulnerability.
  • GORGON: Like the mythical creature of his namesake, Tomi Shishido’s gaze can turn anyone who meets it into stone. Although he possesses many other superpowers, Gorgon’s proficiency with swords is his greatest strength. Due to his skill with a blade, he was able to turn the tide at a crucial moment during the Contest of Swords in Otherworld. Unfortunately, he died doing so and came back… different.
  • MICROMAX: A British mutant, Scott Wright has served as an agent of various agencies of the Crown including MI13 and F.I.6. In the past, he was also briefly a member of Excalibur – and controversially O*N*E* – when he came into conflict with many of his fellow mutants.
  • PENANCE: Monet St. Croix touts herself as a near-perfect mutant specimen, with a wide range of powers and talents. Also, though she once considered it a burden, Monet is now capable of shifting to and from her deadly Penance form at will. She currently is the co-CXO of X-Corp.
  • SIRYN: The daughter of lauded X-Man Banshee, Theresa Cassidy made a name for herself as a member of X-Factor, making use of the same sonic powers as her father. The current X-Factor team was finally able to free her from the influence of the divine being known as Morrigan, to whom she’d sacrificed to save a fellow mutant.
  • SURGE: One of the most powerful electrokinetics on Krakoa, Noriko Ashida can produce devastating blasts of lightning and move at incredible speeds. She’s poised to team-up with her fellow New X-Men alums to protect the next generation of mutantdom.

Election results, along with the full X-Men team, will be unveiled during the Hellfire Gala in Marvel comics this June.

(12) SUPERMAN IS FEELING BETTER. Kevin Smith chats with Yahoo! Entertainment about his efforts to write a Superman movie in the 1990s. “Kevin Smith’s Superman movie that never was: Filmmaker revisits bonkers ’90s project that nearly starred Sean Penn”.

…Smith’s unfiltered critique and suggestions for for a different direction ultimately landed him an audience with then-studio boss Lorenzo di Bonaventura, who in turn hired Smith to write a new screenplay. Based on DC’s 1992-93 crossover comic event The Death of Superman, the film would be revamped with the title Superman Lives.

But Smith would have to collaborate on the project with producer Jon Peters — and that’s where things got really interesting. Peters had quite a Hollywood trajectory, starting as Barbra Streisand’s hairdresser then becoming her lover and then producing her films, eventually becoming a veritable power player (he’s currently portrayed by Bradley Cooper via a madcap performance in Paul Thomas Anderson’s Licorice Pizza, to give you one perspective on him). In the early ’90s, Peters acquired the film rights to Superman from Warner Bros. and he would have the final say on the new movie.

Smith recalled various visits to Peters’s “gigantic f**king house” where the eccentric producer told Smith they’d make a great Superman movie together because they were “from the streets” (as Smith points out, neither Superman nor Peters nor Smith was from the streets) and insisted Smith read aloud his entire script drafts to Peters while the producer parked himself on a nearby couch….

(13) JEOPARDY! Andrew Porter tuned into tonight’s Jeopardy! where an entire category was devoted to a familiar subject.

Category: Hugo Awards

$1000 clue

This author, Hugo nominated in his 20s for “Babel-17,” has the middle initial “R” for “Ray.” He won a few years later.

Photo shows Delany in whitest photo I’ve ever seen of him.

No one could ask, “Who is Samuel R. Delany?”

(14) AS LONG AS WE’RE IN THE NEIGHBORHOOD. James Davis Nicoll ponders “Five Hypothetical Reasons Aliens Would Bother Visiting Earth”.

…A question that may well occur to our hypothetical aliens: “If humans are willing to use nuclear weapons on each other, what will they do to beings who are not related to them at all?” The worst-case scenario is that the aliens will conclude it’s safest not to find out. That possibility is explored in works like Greg Bear’s The Forge of God, in which what initially appears to be benign first contact very rapidly is revealed as an effort to expunge humans and all our works from the universe before we become a menace to other species….

(15) RUTLAND WEEKEND TELEVISION. “Ichthyosaur: Huge fossilised ‘sea dragon’ found in Rutland reservoir”BBC News has the story.

Rutland is more than thirty miles from the coast, but 200 million years ago higher sea levels meant it was covered by a shallow ocean.

When water levels at the Rutland reservoir were lowered again in the late summer of 2021, a team of palaeontologists came in to excavate the remains. Special attention was paid to the removal of the huge skull.

A large block of clay containing the ichthyosaur’s head was carefully dug out before being covered in plaster and placed on wooden splints.

The block, weighing almost a tonne, was raised out of the mud and will now be examined further.

“It’s not often you are responsible for safely lifting a very important but very fragile fossil weighing that much,” said Nigel Larkin, palaeontological conservator and Visiting Research Fellow at Reading University. “It is a responsibility, but I love a challenge.”

(16) VIDEO OF THE DAY. Marvel is ready for its closeup: “All of the Trick Arrows in Marvel Studios’ Hawkeye!”

All of the trick arrows up close and personal! Greg Steele, VFX Supervisor of Marvel Studios’ Hawkeye talks to Lorraine Cink about how they created all of the arrows in the show, and how they work with the Stunt and Special Effects department to make the show come together.

[Thanks to John King Tarpinian, Andrew Porter, P J Evans, Chris Barkley, Bill, Elektra Hammond, Jon F. Zeigler, Danny Sichel, SF Concatenation’s Jonathan Cowie, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Greg Hullender.]

Pixel Scroll 1/9/22 Chapter Scroll Dune

(1) SFF A “FORM OF SUBVERSIVE ACTIVISM”. Eugen Bacon’s thoughtful review appears in the latest issue of Fafnir – Nordic Journal of Science Fiction and Fantasy Research, Volume 8, Issue 2 (Feb 2022): “Trends in Black Speculative Fiction”.

… More than two decades after the publication of Dark Matter: A Century of Speculative Fiction from the African Diaspora (Thomas), black speculative fiction continues to rise as a powerful conversation in genre fiction, and increasingly tackles precolonial, colonial, and postcolonial themes pertaining to identity and culture, as well as feminist and queer themes pertaining to engaging with difference. Anthologies have become instrumental in the proliferating Afrofuturistic writing that heroes black people in stories from Africa and the diaspora, stories whose visibility is increasingly evident in award nominations and recommendations – for example 2021 Hugo nominee Ekpeki Donald Oghenechovwe, whose novella Ife-Iyoku won the 2020 Otherwise Award.

New Suns: Original Speculative Fiction by People of Color (Shawl) – in its showcasing of interracial and cross-cultural stories – may have stunned its publisher, editor, contributors, and readers by winning the 2020 Locus, World Fantasy, British Fantasy, Ignyte, and Brave New Words Awards. Casting a diverse range of new and established writers, including (among others) Tobias S. Bucklell, Minsoo Kang, Kathleen Alcalá, Alberto Yáñez, and Chinelo Onwual, and featuring a foreword by LeVar Burton, New Suns explored intergalactic stories, dream stories, song stories, coming-home stories, futuristic stories, and even self-aware stories that encapsulate person-of-colour chants full of longing and conviction of belonging and place. With the success of New Suns, it’s no wonder that Solaris announced its acquisition of New Suns 2 for release in 2023 (“Solaris to Publish New Suns 2”)….

… It is clear from just these select exemplars that publishers, authors, and readers alike have a steeping interest in black people’s stories. Thanks to the internet, audio books, and ebooks, the world is in the heart of an ongoing digital revolution that continues to stagger traditional publishing and make best sellers as well as anthologies and collections from smaller presses cheaper and accessible to ravenous readers. As e-publishers and self-publishers create opportunities for writers and readers alike, and more awards recognise calibre and uniqueness, rather than the author’s or publisher’s muscle, black speculative fiction will continue to rise in global distribution, and be increasingly accessible. A reader has only to look for it in anthologies, collections, even award nominations….

(2) CRITTERS ANNUAL READERS POLL. The Critters Workshop, “for serious writers of Science Fiction, Fantasy, and Horror” is hosting its Annual Readers Poll, which honors print and electronic publications published during the past year. (Click here for the official rules.) There are 41 categories. Voting is open through January 14. View the Current standings at the link.

Novels pages: Horror Romance Science Fiction & Fantasy Steampunk | Magical Realism | Positive Future | Erotica Mystery Thriller Children’s | Young Adult | All other |
Short Stories pages: Horror | Romance Science Fiction & Fantasy Steampunk | Magical Realism | Positive Future | All other | Anthologies page Poems page Nonfiction articles page Nonfiction books page |
Other Categories: Artwork page Book/e-book Cover Artwork page Magazine/e-zine Cover Artwork page Authors page Poets page Artists page Book/e-book Editors page Magazine/e-zine Editors page Book Publishers page Review site | Bookstore | Promotional Firms, Sites, and Resources page Fiction ‘zines page Poetry ‘zines page Nonfiction ‘zines page Writers’ Discussion Forum page Writers’ Workshop page Writers’ Resource/Information/News Source page |

(3) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Tochi Onyebuchi and Sarah Pinsker in a virtual event on Wednesday, January 19 starting at 7:00 p.m. Eastern. The readings will be live on YouTube, link to come.

  • Tochi Onyebuchi

Tochi Onyebuchi is a novelist and essayist, who won the World Fantasy Award, the Ignyte Award, and the New England Book Award for Fiction for his novella Riot Baby, a Nebula, Locus, and Hugo Award finalist. His works include the Beasts Made of Night and War Girls series, and the non-fiction book (S)kinfolk. His most recent novel is Goliath from Tordotcom Publishing. He lives in Connecticut.

  • Sarah Pinsker

Sarah Pinsker is a writer of novels and short stories and everything in between. She has won three Nebulas, including best novel for A Song For A New Day in 2020 and best novelette for “Two Truths And A Lie,” in 2021. Her most recent novel is We Are Satellites. She’s also a musician with four albums to her name, including 2021’s Something to Hold. She lives in Baltimore with her wife and two terriers.

(4) WINDY CITY. Doug Ellis notes the 21st Windy City Pulp and Paper Convention is just four months away.  The event will be held May 6-8 at the usual venue, the Westin Lombard Yorktown Center, Lombard, Illinois.  

We’ve sold out all 180 of our dealer tables, to dealers spanning the U.S., from Canada and the U.K.  We’ll be celebrating the 100th anniversary of pulp and comic publisher Fiction House.

At this point, we don’t know what COVID requirements may be in place when the show takes place.  Currently, masking would be required, but protocols may change during the next four months.  We’ll update those as we learn them.

As has been the case in years past, this year’s convention will feature some incredible material in our estate auctions. Friday night (May 6), our auction will focus on material from the estate of legendary collector Robert Weinberg (including many more issues of Weird Tales and a complete run of Planet Stories), while on Saturday night, (May 7) material from the estate of Glenn Lord, literary agent for the estate of Robert E. Howard, takes center stage.  In addition, we also will have a number of interesting items from other consignors.

The deadline to book your hotel room and receive the convention rate is 5:00 central on April 12, 2022.  The link for con hotel reservations is here.

We hope to see you there!

(5) SECOND FÜNF. [Item by Martin Morse Wooster.] In the Washington Post, Elliot Ackerman reviews The Writer’s Crusade: Kurt Vonnegut And The Many Lives Of Slaughterhouse-Five by Tom Roston. Roston argues that Vonnegut may have had undiagnosed PTSD from his experiences in World War II (including being a prisoner of war) and that Slaughterhouse-Five is an expression of his PTSD.  Ackerman finds Roston’s diagnosis unpersuasive and thinks Vonnegut’s own descriptions of how war affected him are a better guide than Roston’s posthumous diagnosis. “Book review of The Writer’s Crusade: Kurt Vonnegut and the Many Lives of Slaughterhouse-Five by Tom Roston”.

… This defiance of categorization is probably why I found myself bristling early on when Roston asserts that his book will seek to answer “whether or not ‘Slaughterhouse-Five’ can be used as evidence of its author’s undiagnosed PTSD.” This investigation, which animates much of Roston’s book, seems misguided. Roston himself acknowledges the reductivism he’s engaged in when he writes, “I imagine reducing his book to a clinical diagnosis or, perhaps worse, putting it in the self-help category, would make Vonnegut shudder.” Indeed, I think it would. Nevertheless, Roston soldiers on, casting himself as part literary scholar and part psychoanalytic sleuth. He deconstructs “Slaughterhouse-Five” and the history around the book in search of incontrovertible proof that Vonnegut had what we would today call post-traumatic stress disorder, even though Roston acknowledges Vonnegut’s consistent denials throughout his life that his wartime experiences left him traumatized….

(6) STAR TREK’S BRIDGE. SFGate’s Victoria Sepulveda explains “Why ‘Star Trek’ made San Francisco the center of the universe”.

…On top of that, San Francisco is a beautiful city with a major recognizable landmark, great for letting TV viewers know when an episode takes us from the far-flung reaches of the cosmos back to Earth. 

But there are other naval cities and major Earth landmarks that could suit this purpose. What really made San Francisco special, Bernardi says, was its progressivism and diversity. Roddenberry was a liberal humanist, and San Francisco, out of all American cities in the 1960s, best captured the issues Roddenberry wanted to delve into in the show. It was a hub for the civil rights and anti-war movements, says Bernardi, who has studied Roddenberry’s papers, which are collected at UCLA….

(7) DEL TORO INTERVIEW. [Item by Martin Morse Wooster.] I listened to this podcast Leonard and Jessie Maltin did with Guillermo Del Toro — Maltin on Movies: Guillermo del Toro. Del Toro is promoting Nightmare Alley (an excellent film I regard as horror-adjacent), but fantasy is never far from Del Toro’s mind; two minutes into the podcast there’s a discussion about whether Berni Wrightson or Richard Corben did better scary clown illustrations.  Del Toro also says Forrest J Ackerman was his “godfather” because Famous Monsters of Filmland was a source of inspiration and education when he was a kid.  Also credited is the great makeup artist Dick Smith, who was very generous with his time and met Del Toro at the train station when he took the train from Guadalajara to meet with the makeup master.  Del Toro tries to follow Smith’s example and give education and encouragement to young people getting started in the movie industry.  Finally, he thinks that Doug Jones, who has a small role in Nightmare Alley and a major one in The Shape Of Water, is a protean talent who is our generation’s Lon Chaney.

Del Toro’s next project is an animated Pinocchio, developed as a collaboration with The Jim Henson Company.

Del Toro shares a lot of wisdom about movie production and life, in what I think is one of the Maltins’ better episodes.

(8) DWAYNE HICKMAN (1934-2022). Actor Dwayne Hickman, best known as TV’s Dobie Gillis, and for appearing in the Western comedy Cat Ballou, died January 9 reports the New York Times: “Dwayne Hickman, T.V.’s Lovelorn Dobie Gillis, Is Dead at 87”. He had a couple of genre roles – if Dr. Goldfoot and the Bikini Machine (1965) counts, or else there’s his appearance on an episode of Kolchak: The Night Stalker (1975).

(9) BOB SAGET (1956-2022). Actor Bob Saget, best known for his comedy sitcom work, died January 9. He worked on episodes of The Greatest American Hero (1983), Quantum Leap (1992), and Robot Chicken (2016), and voiced roles in the animated movies Madagascar (2005), and Casper’s Scare School (2006).

(10) MEDIA BIRTHDAY.

1980 [Item by Cat Eldridge.] Forty-two years ago, New York City public television station WNET’s Experimental TV Lab project premiered their adaptation of The Lathe of Heaven. Based off the Ursula Le Guin novel of the same name, it was directed by David Loxton and Fred Barzyk. It should be noted Le Guin, by her own writings later, was involved in the casting, script planning, script editing, and filming of the production. Thus, we’ll give scripting credits to Diane English, Ursula K. Le Guin and Roger Swaybill. Primary cast was Bruce Davison, Kevin Conway (earlier in Slaughterhouse-Five as Roland Weary) and Margaret Avery. It was budgeted at a quarter of a million dollars.

The Lathe of Heaven became one of the two highest-rated shows that season on PBS that year. Michael Moore writing for Ares magazine liked it saying that “The best science fiction, such as Lathe, examines humankind’s place in the universe and the products and problems created by intelligence.” It was nominated for a Hugo at Denvention Two which had Ed Bryant as Toastmaster, the year The Empire Strikes Back won. Audience reviewers at Rotten Tomatoes currently give a seventy-two percent rating. 

The Lathe of Heaven is the most-requested program in PBS history. It took twelve years to clear up rights to rebroadcast it and that involved replacing the Beatles music with a cover band version. In 2000, The Lathe of Heaven was finally rebroadcast and released to video and DVD. 

I’ve seen this version several times and remember as being rather well crafted but I’ve not the second version made twenty-two years later. Who here has seen that version? 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 9, 1890 Karel Capek. [Spelled with Latin “c” because WordPress doesn’t support the correct special character.] Author of the his 1936 novel War with the Newts and 1920 play R.U.R. (Rossum’s Universal Robots), which introduced the word robot. R.U.R.was a dystopian work about a really bad day at a factory populated with sentient androids. ISFDB shows two additional works by him, Krakatit: An Atomic Fantasy and The Absolute at Large which I’ve not heard of. (Died 1938.)
  • Born January 9, 1908 Simone de Beauvoir. You know who she is but likely don’t know she wrote All Men Are Mortal (Les Hommes Sont Mortels in its original French)in 1946 which tells the story of Raimon Fosca, a man cursed to live forever. It’d be published in English in the States a decade later, and was adapted into a 1995 film of the same name. (Died 1986.)
  • Born January 9, 1925 Lee Van Cleef. The Warden of the Prison in Escape from New York but he was best known for acting in Spaghetti Westerns. Genre wise, he was also Col. Stone in The Beast from 20,000 Fathoms, and Dr. Tom Anderson in Corman’s It Conquered the World. (Died 1989.)
  • Born January 9, 1932 Algis Budrys. I am trying to remember what I read by him and I think it was Some Will Not Die which I remember because of the 1979 Starblaze edition cover. I’ve also read and really enjoyed his Rogue Moon. Setting aside his work as a writer which was exemplary, he was considered one of our best genre reviewers ever reviewing for GalaxyMagazine of Fantasy and Science Fiction, and wrote genre reviews even in the more mainstream Playboy. He edited a number of the L. Ron Hubbard Presents Writers of the Future anthologies which I’ll admit I’ve not read any of. I should note his Tomorrow Speculative Fiction prozine was quite excellent. (Died 2008.)
  • Born January 9, 1950 David Johansen, 72. He’s the wisecracking Ghost of Christmas Past in the oh-so-perfect Scrooged, he played Halston in Tales from the Darkside: The Movie in “The Cat from Hell” episode, and he appeared as a character named Brad in Freejack. I think the brief Ghost of Christmas Past riff in the aforementioned Scrooged is enough to earn him as Birthday Honors here. 
  • Born January 9, 1955 J.K Simmons, 67. You may know him as J. Jonah Jameson in the various Spider-Man films but I find his more interesting genre role to be as Howard Silk in the Counterpart series where he plays two versions of himself in two versions of parallel Berlins in a spy service that may or may not exist. He also portrayed Commissioner James Gordon in Justice League.
  • Born January 9, 1956 Imelda Staunton, 66. Voice of the Snow Queen in The Snow Queen’s Revenge, A Nurse in Shakespeare in Love, Polly in A Midsummer Night’s Dream, Dolores Jane Umbridge In Harry Potter and the Order of the Phoenix and in Harry Potter and the Deathly Hallows as well and Knotgrass in Maleficent and the sequel. 
  • Born January 9, 1957 Greg Ketter, 65. A Minneapolis SF Bookstore owner, DreamHaven to be precise, and con-running fan as well. He is a member of MN-Stf. He’s been involved in myriad regionals and Worldcons. He‘s chaired Minicons and World Fantasy Conventions alike.

(12) COMICS SECTION.

(13) SEÑORITA RIO CREATOR. The work of Lily Renée was part of the “Three with a Pen” exhibit at the Austrian Cultural Forum New York that ended in September. Although the exhibit is over, much material remains online, including a trailer.

Lily Renée

The only child of a well-to-do family, Lily Renée Willheim discovered drawing early, creating opulent fantasy worlds with mythical creatures. As a result of the so-called “Anschluss”, her father lost his job, her school friends were no longer allowed to play with her, and, like many, the family endured a variety of hardships. In 1939, at age seventeen, her parents put her on a children’s transport bound for England where she briefly stayed with a British family.

She reunited with her parents in New York City in 1940, where she lives today. After studying at the Art Students League and School of the Visual Arts, she was hired by comic book publishers. An exception in the male-dominated field, she created illustrations for several comic books including Señorita Rio, a glamorous Brazilian secret agent fighting the Nazis, the comedy duo Abbott and Costello, and others. Her later works include children’s books, decorative motifs, and textile designs. In 2007, Lily Renée attended Comic-Con in San Diego to receive their Inkpot Award and was inducted into the Hall of Fame of Friends of Lulu, an organization promoting women in comics. She celebrates her 100th birthday this year.

Read more about her in The Forward: “This female comic book artist was unknown for decades”.

Like the comic superheroes they invented, the Jewish creators of the characters often had secret identities – at least different names. Superman creators Joe Shuster and Jerome Siegel used the pseudonyms Joe Carter and Jerry Ess. Bob Kane, born Robert Kahn, created Batman. Jack Kirby, the pen name of Jacob Kurtzenberg, concocted Captain America.

Although lesser known, the comic book heroine Señorita Rio was Hollywood starlet Rita Farrar by day and Nazi-fighting secret agent by night. The artist who drew Rio’s action-packed panels in the 1940s, and signed as L. Renee, lived a sort of double life, too.

“Everybody assumed I was a man,” artist Lily Renee Phillips has said of the fan mail she received at the time, which was always addressed to “Mr. Renee.” Fans knew neither Renee’s gender nor her incredible origin story, which rivaled the plotline of Señorita Rio….

(14) DISNEY’S INSPIRATION. In the Washington Post, Philip Kennicott reviews “Inspiring Walt Disney:  The Animation of French Decorative Arts,” an exhibition at the Metropolitan Museum of Art. “Walt Disney’s fascination with France explored in Metropolitan Museum’s ‘Inspiring Walt Disney’”

I have watched more Disney princess films in the past few weeks than in the entirety of my first five decades on the planet. As a citizen of American popular culture, I enjoy their grace and charm. But as a citizen of this thing called the American republic, with its roots in revolution and its rhetoric of equality, I find them often surreal. Isn’t it odd — and perhaps even wrong, in some deeper ethical sense — that Americans are addicted to these gilded fantasies of privilege?A fascinating exhibition at the Metropolitan Museum of Art explores something that is hiding in plain sight if you watch Disney cartoons closely: the curious affinity for all things French, especially the trappings of French aristocracy.

The curators of “Inspiring Walt Disney: The Animation of French Decorative Arts” are upfront about one basic fact: Walt Disney made his movies for a very different audience than that for which the artisans of the French rococo produced their dazzling luxury objects….

(15) EFFECTS OF CHINA CENSORSHIP ON INTERNET AND TECH. According to the New York Times, “As Beijing Takes Control, Chinese Tech Companies Lose Jobs and Hope”.

…Beijing wants its cyberspace to become a tool of governance and national rejuvenation. And it will penalize anyone who fails to serve the goal.

In mid-December, the country’s internet regulator said it had ordered platforms to shut down more than 20,000 accounts of top influencers in 2021, including people who spoke ill of the country’s martyrs, entertainers involved in scandals and major livestreaming stars.

Alibaba was slapped with a record $2.8 billion antitrust fine in September. That was followed by a $530 million fine of Meituan, the food-delivery giant, a month later.

Weibo, China’s Twitter-like platform, was fined 44 times between January and November. Douban, the popular film- and book-reviewing site, was fined 20 times.

Li Chengdong, an e-commerce consultant who invests in start-ups, said some consumer internet companies he owned were struggling with higher compliance costs. “To stay on the safe side, they have to be stricter in compliance than what the government requires,” he said….

(16) ONLY HOW MANY SHOPPING DAYS LEFT? Sold by The Bodleian Library in Oxford, England, these Christmas Cards that look like book covers. Click through the slideshow to see all four examples.

[Thanks to JJ, John King Tarpinian, Andrew Porter, Doug Ellis, Chris Barkley, John A Arkansawyer, Mlex, Michael Toman, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 12/14/21 I Scrolled Pixel Rae’s Lawn

(1) A DRIVING FORCE IN LITERATURE. Liza Burns’ artwork for the new Oregon license plate is composed of 127 symbols of cultural importance to the state. The book icon represents Ursula K. Le Guin. An interactive key is here.

From a distance, the “Celebrate Oregon!” Cultural Trust license plate is a vibrant tapestry of Oregon geography. Look closer, and symbols – 127 in all – tell the story of the history, heritage and cultural practices that make our state unique. The marriage of the two in this piece of art speaks to the inextricable link between the physical and cultural diversity of Oregon.

(2) IS IT A RECORD? Early reports of perhaps 3,000 Worldcon site selection ballots being cast pre-con made some fans curious if the Chengdu/Winnipeg race will set a record. In the table of historic Worldcon statistics “Hugo Voting: Let’s Look at the Record Yet Again” there is one column tracking the number of site selection votes, which Jo Van Ekeren says is fully updated.

(3) RUNNING HARD. The Chengdu in 2023 Worldcon bid’s Facebook page reported on a marathon livestream campaign in progress to drum up support as the voting deadline approaches.

After five days of a marathon campaign of online live streaming to promote DisCon III and call for support of Chengdu’23 Bid, we have seen a new wave of support, and some real LAST MINUTE vote from many of our fans, overcoming all sorts of obstacles, including technical, procedural, language, and payment difficulties. Now we can say that in some way we have already won, not necessarily in the Worldcon bid, but in promoting something we all love and enjoy. We have made many new friends. And we have a better understanding of the world.

Here are the posters for the past five days, and screen captures of tonight’s live streaming event hosted by SFW magazine.

(4) SEATTLE IN 2025. The Seattle 2025 Worldcon bid team has published their first newsletter that we’ve sent out. The full newsletter is here. The bid website is here.

Bid Launches Into New Orbit

After almost two years of coasting through online convention bid tables and Zoom parties, the Seattle in 2025 Worldcon bid is accelerating to cruising velocity with the updating of our website, an appearance at DisCon III, creation of support tiers, release of new information, and plenty of metaphors to herald our progress towards hosting the first Worldcon in Seattle in 64 years. The original 1961 Seacon took place before the Seattle World’s Fair and the opening of the Monorail and Space Needle. We believe 64 years is too long an absence from the Emerald City. Does Worldcon still need us? Will you feed us your site selection votes? Science fiction fans—if we build it, will you come?

The bid is co-chaired by Kathy Bond and SunnyJim Morgan.

(5) UNDERTHING PRESS WILL PUBLISH DIGGER OMNIBUS. Grim Oak Press is partnering with bestselling author of The Kingkiller Chronicle Patrick Rothfuss to create the new imprint, Underthing Press.

…The first project Grim Oak Press and Underthing Press will produce is Digger: The Complete Collection by Ursula Vernon. The deal includes new softcover and hardcover editions of the Hugo Award-winning graphic novel as well as signed and limited copies. Rothfuss has written a new foreword for the book and will sign the limited and lettered editions along with Vernon.

“It all started when I gave away my copy of the Digger Omnibus to a friend, then discovered I couldn’t buy another one. It breaks my heart when I learn that a book I love has gone out of print. I’ve always daydreamed about starting my own imprint, and I couldn’t think of a better place to start than by making a brilliant, Hugo Award-winning comic available to the public again.

“We’re in talks with several folks to bring their books back into print, or in other cases, to make a beautiful specialty edition of a book I particularly love. And I’ll have my own projects too, of course. I’m finally ready to publish a project I’ve been working on for years with friend and Illustrator Nate Taylor. It’s an illustrated version of The Boy that Loved the Moon.”

The crowdfunding campaign for Digger: The Complete Collection will launch February 2, 2022.

(6) R.E.S.P.E.C.T. This SFWA Blog post titled with the author’s name, “Oghenechovwe Donald Ekpeki”, urges people to spell and say African names correctly.

…One is forced to reconsider the clichéd question: What is in a name? Does the value of a name lie in its familiarity or the simplicity of its pronunciation? So that, alas, Nnamdi and other African names fail to elicit value from the Westerners who mock them for this reason? Does a name, for its being unfamiliar or difficult to pronounce, remove from the skills and abilities of the bearer? And if the mockers believe that names represent the value of a person, do they then think that denying a person their name, or misspelling, mispronouncing, or mangling their names devalues them even further? Is the purpose of this deliberate distortion of identity to devalue the bearer of the name?

Names possess value and power to their bearers. Like misgendering a person, failing to honor what someone chooses to be called disrespects that person’s definition of their own self….

(7) PODCAST PEOPLE. Podside Picnic episode 147 features Karlo Yeager Rodriguez, Chris and Kurt as they discuss the holiday horror-comedy, Krampus (2015). Make your lists (and check them twice) to see who deserves to be beaten with birch branches and who should get carried off by Saint Nick’s shadow… “Krampus, Krampus Time Is Here”.

(8) THAT’S HER, TOO. Everything Everywhere All At Once embroils Michelle Yeoh’s character in a multiverse crisis that only she can solve!

(9) MEMORY LANE.

1984 [Item by Cat Eldridge.] Thirty-seven years ago, Starman premiered. It was directed by John Carpenter. The original screenplay was written by Bruce A. Evans and Raynold Gideon, with Dean Riesner making uncredited re-writes. This Starman is not related to the Forties created DC character who is definitely human.  

It starred Jeff Bridges in the lead role which got him an Academy Award nomination. Other principal cast were Karen Allen, Charles Martin Smith and Richard Jaeckel. 

It inspired a short-lived television series of the same name several years later that takes place fifteen years after the film’s story and features the return of the alien as a clone of deceased photojournalist Paul Forrester to meet and guide his now-teenage son Scott Hayden Jr.  It lasted lasted for twenty-two episodes.

Critical reception for the film was, with the exception of a few of pre-reform Grinches, overwhelmingly positive. Roger Ebert said it was “one of 1984’s more touching love stories”. One of those Grinches said that Carpenter turned it into an “irritatingly soft-headed love story. What a waste of a promising idea.” However, the box office did not respond as enthusiastically as it made just twenty-nine million against costs of twenty-four million in production costs. Now audience reviewers at Rotten Tomatoes currently give it a decent but not great sixty-nine percent rating. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born December 14, 1916 Shirley Jackson. She first gained public attention for her short story “The Lottery, or, The Adventures of James Harris” but it was her The Haunting of Hill House novel which has been made her legendary as a horror novelist as it’s truly a chilling ghost story which recently was made into a series.  I see that’s she wrote quite a bit of genre short fiction — who anyone here read it?  And there’s an interesting tale of Hill House, the press that took its name from her novel that came to a bad ending. (Died 1965.)
  • Born December 14, 1920 Rosemary Sutcliff. English novelist whose best known for children’s books, particularly her historical fiction which involved retellings of myths and legends, Arthurian and otherwise. Digging into my memory, I remember reading The Chronicles of Robin Hood which was her first published novel and rather good; The Eagle of the Ninth is set in Roman Britain and was an equally fine read. (Died 1992.)
  • Born December 14, 1949 David Cherry, 72. Illustrator working mostly in the genre. Amazingly, he has been nominated eleven times for Hugo Awards though no wins to date, and eighteen times for Chesley Awards with an astonishing eight wins! He is a past president of the Association of Science Fiction and Fantasy Artists. Oh, and he’s is the brother of the science fiction writer C. J. Cherryh (“Cherry” is the original spelling of the last name of the family) so you won’t be surprised that he’s painted cover art for some of her books as well as for Robert Asprin, Andre Norton, Diane Duane, Lynn Abbey and Piers Anthony to name but a few of his works.
  • Born December 14, 1954 James Horan, 67. One of those actors that had roles across the Trek verse, having appeared on Next GenerationVoyager, Deep Space Nine and Enterprise. He also voiced a character on Roughnecks: Starship Troopers Chronicles, andshowed up on Highlander, Charmed and Lost.
  • Born December 14, 1959 Debbie Lee Carrington. Actress who was an ardent advocate for performers with disabilities. She was the performer inside the Howard the Duck costume, a Martian rebel named Thumbelina in Total Recall, an Ewok in Return of the Jedi (and in the TV movies that followed), a Drone in Invaders from Mars, Little Bigfoot in Harry and the Hendersons, an Emperor Penguin in Batman Returns and a Chucky double in Curse of Chucky.
  • Born December 14, 1960 Don Franklin, 61. He’s  best known for his roles in seaQuest DSV as Commander Jonathan Ford, Seven Days as Captain Craig Donovan, and as one of The Young Riders  as Noah Dixon). No, the last isn’t remotely genre but it was a great role. 
  • Born December 14, 1964 Rebecca Gibney, 57. She was in Stephen King’s Salem’s Lot,, and also in King’s Nightmares and Dreamscapes mini-series. She also had one-offs in Time TraxFarscape and The Lost World, all of which were produced either in Australia or New Zealand, convenient as she’s  New Zealand born and resident.
  • Born December 14, 1966 Sarah Zettel, 55. Her first novel, Reclamation, was nominated for the Philip K. Dick Award in 1996, and tied for the Locus Award for the Best First Novel. Writing under the alias C. L. Anderson, her novel Bitter Angels won the 2010 Philip K. Dick award for best paperback original novel. If you’ve not read her, I’d recommend her Playing God novel which was nominated for an Otherwise Award as a great place to start reading her. 

(11) THE PLAY’S THE THING. Today also is the anniversary of the 1966 broadcast of a well-known Star Trek episode, which Galactic Journey commemorates in this post — “[December 14, 1966] (Star Trek: The Conscience of the King)”.

… …Do you remember Kevin Riley? He caught the alien virus in The Naked Time, locked everyone out of Engineering, and sang Irish songs over the intercom. He’s recently been promoted, but Kirk busts him back down to Engineering alone—presumably, to keep him safe, but nobody tells him that. Kirk doesn’t tell Spock why he’s demoting the Ensign, either.

Spock does put the pieces together and demands to know why Kirk is risking his life. (That’s rich, coming from the man who hijacked the Enterprise to haul it to the one planet with a death penalty for visiting.) Kirk tells Spock to leave his personal life alone. Spock very politely does not point out that 400+ crew members unknowingly traveling with a potential murderer is a bit outside the scope of Kirk’s “personal life.”…

(12) HOWDY, STRANGER! How fascinating to see for sale (at $6,500!) a copy of The Outsider And Others, the first collection of Lovecraft’s writings, published in 1939. Only 1,268 copies were printed, and among 1940s fans, The Outsider was a byword as the most valuable item in the sf collection of anyone who happened to own it. The title is mentioned several times in Rob Hansen’s compilation of Forties LASFS history, Bixelstrasse.

(13) TALKING HEADS. John Scalzi weighed in one of this year’s non-genre additions to the National Film Registry.

(14) MIGHT BE NEWS TO YOU. In this TelevisionAcademy.com interview, the late Leonard Nimoy discusses the Star Trek pilot.

(15) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Harry Potter and the Sorcerer’s Stone Pitch Meeting” on Screen Rant, Ryan George says that the first Harry Potter movie reveals that the wand store where Hogwarts students get wands operates onthe model of “let kids smash things until they buy” and that at the climax, “a mother’s love is super plot armor.”  But why do wizards celebrate Christmas?

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, N., Kathy Bond, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 11/10/21 Pixel-Heroes Battle Pixel-Gorillas

(1) THE SIX-BODY PROBLEM. There’s a new trailer out for China company Tencent’s production of The Three-Body Problem, which is fueling comparisons with another adaptation forthcoming from Netflix. Will Netflix’ Benioff and Weiss, veterans of Game of Thrones, overlook Chinese cultural subtleties? Will China’s censors allow Tencent to address all of them? Variety begins with a gloss of the trailer: “Tencent’s First ‘Three-Body Problem’ Trailer Sparks Netflix Rivalry”:

…The new Tencent trailer opens with an exchange between two off-screen male voices.

“Have significant accidents ever happened to you in your life?” one asks. “No,” the other replies. “Then your life is a sort of accident,” the first continues. “But isn’t that the case for most people?” the second voice asks, and the first responds, to a backdrop of ominous music with deep foghorn-type blasts that would feel at home on the “Tenet” soundtrack: “Then most people’s lives are all accidents.”

In a final line, a woman’s voice says: “This is the end of humanity.”

Several companies have been trying to produce adaptations of Liu Cixin’s novel.

Tencent nabbed the rights to adapt the story into a TV series way back in 2008. Now, its version is entering a crowded playing field.

There are at least two other “Three-Body Problem” adaptations in the works in China, including a film backed by IP rights holder Yoozoo Group that may have fallen permanently to the wayside and an animated take from Gen Z- and anime-leaning platform Bilibili.

Netflix struck its own deal with Yoozoo to create an English-language adaptation, announcing the project last September. The American version is being co-created by “Game of Thrones” big shots David Benioff and Dan Weiss alongside Alexander Woo (“True Blood”), and will be directed by Hong Kong’s Derek Tsang (“Better Days”).

Chinese social media is pressuring Tencent to do a good job:

“‘Three-Body’ is a story full of Chinese elements told by we Chinese from our Chinese perspective and ways of thinking …to express Chinese people’s values, worldview and view of the universe. These things are very hard for foreigners to express — only we are able to do it,” wrote one popular comment in response to Tencent’s Weibo recent post about the new trailer.

It was outranked by the top comment, liked 27,000 times. It read: “Buck up — you better not lose to Netflix’s nonsense version.”

While nationalist users maintained that only a Chinese production could capture the essence of the story, the novel is set during the Cultural Revolution, which could pose a problem for censors in a Chinese retelling.

Incidentally, here is the trailer Bilibili released in 2019 for its anime adaptation of The Three-Body Problem.

(2) CHIP IN. M.C.A. Hogarth is closing in on the $10K stretch goal of a Kickstarter launched to fund a collection of MilSF short stories set in her Peltedverse: To Discover and Preserve by M.C.A. Hogarth. Two days left – you might want to get in on this.

Alysha Forrest, my oldest Peltedverse character, needs some love, aletsen. Not only does she need some, she deserves it. Though fewer in number than the books comprising the Eldritch canon, the Stardancer/light milsf books of the Peltedverse sell well and without nearly the advertising the Eldritch canon has. I have a bunch of short stories that belong to this side of the timeline, but they’re all Patreon extras or newsletter gifts… and I get questions about where new readers can find them all the time! That means it’s time to collect them for retail. And while I have five stories (enough to credibly issue a single volume), they’re pretty short and could use some friends. 

Hogarth has given fans this incentive to push the Kickstarter past $10K:

…if we do, rather than continuing to pad the collection indefinitely, I will promise to finish writing the latest Alysha novel. This is the only way to guarantee you see it within the next year, since it’s otherwise indefinitely backburnered…. 

(3) CLI-FI. The Arizona State University Center for Science and the Imagination today premiered a prerecorded video event, “Cli-Mates: Climate Futures Conversations from Scotland,” in collaboration with the Scottish SF magazine Shoreline of Infinity. The event features the SF authors Kim Stanley Robinson, Ken MacLeod, Xia Jia, Libia Brenda, Gabriela Damián Miravete, Tendai Huchu, and Hannah Onoguwe, along with several scholars and editors.

During the UN Climate Change Conference, or COP26 (1-12 November, 2021), the eyes of the world are on Glasgow, Scotland, where nations, civil-society groups and activists are meeting to determine the shape of global action in the face of the climate crisis. At this moment, perhaps more than any other, we need creatively expansive thinking about possible futures—stories that help us chart a path towards a just, equitable, sustainable global civilization.

(4) FOUNDATION FX. Apple TV+ shows how it’s done in Foundation — Bringing Visions To Life Featurette”.

From the start, the world’s most dedicated visual effects artists and costume designers established that Foundation would be a show unlike any other on TV.

(5) ONE-TIME OPPORTUNITY. [Item by Bruce D. Arthurs.] I came across this interesting-sounding item on Twitter: On November 18, the Smithsonian Archives department presents Yesterday’s Tomorrows: Visions of the Future on Film, a 1984 film that was part of a NMAH exhibit on “how past visions of the future continue to impact our present and inspire even further futures”, plus commentary from current conservator William Bennett. This is part of the Smithsonian 175th Film Fest, presenting films from the Smithsonian archives.

Due to copyright restrictions, viewers will need to register for a Zoom webinar; the presentation won’t be streamed or saved on YouTube.

(6) FROM AREA 57. “Heinz Debuts ‘Marz Edition’ Ketchup Made With Tomatoes Grown in Mars-Like Conditions” reports Smithsonian Magazine.

On Monday, Heinz revealed its first bottle of “Marz Edition” ketchup, a special recipe made with tomatoes grown in extreme temperature and soil conditions similar to the Red Planet. The team of scientists behind the celestial sauce, which is the product of two years of research and development, says the delicious achievement also advances the possibility of long-term food production on Mars.

“We’re so excited that our team of experts have been able to grow tomatoes in conditions found on another planet and share our creation with the world,” Cristina Kenz of Kraft Heinz said in a statement. “From analyzing the soil from Martian conditions two years ago to harvesting now, it’s been a journey that’s proved wherever we end up, Heinz Tomato Ketchup will still be enjoyed for generations to come.”…

Also note that The Late Show with Stephen Colbert last night included a “cold open” of Hunt’s trying to one-up Heinz with Uranus catsup—“The best tasting thing to come out of Uranus.” 

(7) MEDIA BIRTHDAY.

1966 — Fifty-five years on NBC, Star Trek’s “The Corbomite Maneuver” first aired. It was the tenth episode of the first season, and it was written by Jerry Sohl who had previously written for Alfred Hitchcock PresentsThe Outer Limits, The Invaders, and The Twilight Zone. (His other Trek scripts were “Whom Gods Destroy” and “This Side of Paradise”.) It was the first episode that was filmed in which Kelley played Dr. Leonard McCoy, Nichols played Lt. Uhura and Whitney played Yeoman Rand, though we first saw them in “The Man Trap”.  Clint Howard, brother of Ron Howard, played Balok, and Ted Cassidy, who was Gorn in “Arena” and the android Ruk in “What Are Little Girls Made Of?”, voiced the Balok puppet here. So did critics like it? No idea as I can’t find any contemporary reviews of it though media critics now love it. Most put it in their top twenty of all the Trek series episodes. It was nominated for a Hugo at NyCon 3, the year that “The Menagerie” won. “The Naked Time” was also nominated that year. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 10, 1924 Russell Johnson. Best known in what is surely genre for being Professor Roy Hinkley in Gilligan’s Island. His genre career started off with four Fifties films, It Came from Outer Space, This Island Earth, Attack of the Crab Monsters and The Space Children. He would later appear in both the Twilight Zone and Outer Limits. On ALF, he would appear as Professor Roy Hinkley in “Somewhere Over the Rerun”.  (Died 2014.)
  • Born November 10, 1932 Roy Scheider. First genre role was as Dr. Heywood R. Floyd in 2010, the sequel to 2001: A Space Odyssey. His other major genre performance was as Captain Nathan Bridger in the SeaQuest DSV series. He also has roles in The Curse of the Living Corpse (his first acting role, a very low budget horror film), one of The Punisher films, Dracula III: Legacy and Naked Lunch which may or may not be genre.  I do not consider the Jaws films to be genre, but you may do so. (Died 2008.)
  • Born November 10, 1943 Milt Stevens. Today is indeed his Birthday. On the day that OGH announced his unexpected passing did a wonderful post and y’all did splendid commentary about him, so I’ll just send you over there. (Died 2017.)
  • Born November 10, 1950 Dean Wesley Smith, 71. Editor of Pulphouse magazine which fortunately Black Gate magazine has provided us with a fascinating history which you can read herePulphouse I first encountered when I collected the works of Charles de Lint who was in issue number eight way back in the summer issue of 1990. As a writer, he is known for his use of licensed properties such as StarTrekSmallvilleAliensMen in Black, and Quantum Leap. He is also known for a number of his original novels, such as the Tenth Planet series written in collaboration with his wife, Kristine Kathryn Rusch. 
  • Born November 10, 1955 Roland Emmerich, 66. Usually I don’t touch upon SJW affairs here (well I do when I want to) but he’s very strong campaigner for the LGBT community, and is openly gay so bravo for him!  Now back to his genre credits.  The Noah’s Ark Principle was in ‘84 by him written and directed by him as his thesis after seeing Star Wars at the Hochschule für Fernsehen und Film MünchenMoon 44 followed which likely most of you haven’t seen but now we get to his Hollywood films, to wit Universal SoldierThe High Crusade (yes, the Poul Anderson novel — who’s seen it?), StargateIndependence Day… no, I’m going to stop there. Suffice it to say he’s created a lot of genre film. And oh, he directed Stonewall, the 2015 look at that historic event which I know isn’t genre or genre adjacent but is worth noting. 
  • Born November 10, 1960 Neil Gaiman, 61. Where to start? By far, Neverwhere is my favorite work by him followed by the Sandman series and Stardust. And I sort of liked American GodsCoraline is just creepy. By far, I think his best script is Babylon 5’s “Day of The Dead” though his Doctor Who episodes, “The Doctor’s Wife” and “Nightmare in Silver” are interesting, particularly the former. 
  • Born November 10, 1971 Holly Black, 50. Best known for her Spiderwick Chronicles, which were created with fellow writer and illustrator Tony DiTerlizzi, and for the Modern Faerie Tales YA trilogy.  Her first novel was Tithe: A Modern Faerie Tale. (It’s very, very good.) There have been two sequels set in the same universe. The first, Valiant, won the first Andre Norton Award for Young Adult Science Fiction and Fantasy.  Doll Bones which is really, really creepy was awarded a Newbery Honor and a Mythopoeic Fantasy Award.  Suffice it to say if you like horror, you’ll love her. 
  • Born November 10, 1982 Aliette de Bodard, 39. Author of the oh-so-excellent Xuya Universe series. Her Xuya Universe novella “The Tea Master and the Detective” won a Nebula Award and a British Fantasy Award, and was nominated for the Hugo and World Fantasy Award. “The Shipmaker”, also set herein, won a BSFA Award for Best Short Fiction. Her other major series is The Dominion of the Fallen which is equally lauded. She’s nominated for a Hugo this year for her “The Inaccessibility of Heaven” novelette. 

(9) COMICS SECTION.

(10) TAKE THE CASH AND THE CREDIT, TOO. [Item by David Doering.] I caught a reference on Cracked about writer credits and comics. A fan asserted that comic writers only starting get credit regularly thanks to Marv Wolfman. I thought, hmmm… Really?

What do you know? It’s true. The Comics Code Authority in the 60s banned mention of “wolfman” in comics, BUT  “In DC Comics’ House of Secrets #83, the book’s host said that the story was told to him by ‘a wandering wolfman.’” Comically [pun intended], DC then credited the story to “Marv Wolfman”, making the reference OK by the CCA. 

After that, writers asking and getting credit for their stories. See full details and scans of the comics at CBR.com: “Comic Book Urban Legends Revealed #119”.

(11) FALSE GRIT. Joel Haver assures us “You’ll never find a more sandy planet of sand.” So this is a Dune parody, you assume? Hell no, it’s a Star Wars parody – go figure.

(12) TAKING THE MICK OUT. “Guardians of the Galaxy: Cosmic Rewind Blueprints Leaked Online” – and Blog Mickey has a bucket full of what leaked.

A set of blueprints reportedly belonging to the Guardians of the Galaxy: Cosmic Rewind attraction have leaked online. The attraction, which has been under construction for more than 4 years, will open sometime in 2022 at EPCOT. The blueprints pull the curtain back a bit on a project that Disney has only slowly revealed information about. It’s unclear how accurate the blueprints are to the final product, but lets take a look….

…As we saw in early construction photos, roller coaster track weaves throughout the building, but the blueprints show just how much track is inside.

It’s unclear how much of the roller coaster track is for the actual attraction, and how much is for the storage, but the majority of the attraction will take place in the large gravity building that was built from scratch for this attraction….

(13) THE GALACTIC HERO BILL. John Scalzi revealed his true net worth today. Don’t you agree that “Billions and billions” is a phrase that suits an sf writer very well?

(14) SHOW NO MERCY. James Davis Nicoll’s latest Young People Read Old SFF introduces the panel to Ursula K. Le Guin’s 1971 “Vaster Than Empires and More Slow.”

“Vaster” takes place in Le Guin’s Hainish setting, where for the most part other worlds are inhabited by variant humans seeded in the ancient past by the Hainish. “Vaster” is an exception: first contact here is not between two branches of humanity but between humans and something very alien. Let’s see what the Young People make of it! 

Sort of like a Beat Bobby Flay episode, the young judges record a split decision.

(15) LOST IN SPACE TRAILER. Official trailer for the third and final season of Lost in Space. All episodes drop December 1 on Netflix.

(16) UNHOBBLING THE HUBBLE. [Item by Mike Kennedy.] This latest problem started 23 October. NASA seems cautiously optimistic that the Hubble can make a full recovery. WIRED has the story: “NASA Tries to Save Hubble, Again”.

THE HUBBLE SPACE telescope, one of the most famous telescopes of the 20th and 21st centuries, has faltered once again. After a computer hardware problem arose in late October, NASA engineers put Hubble into a coma, suspending its science operations as they carefully attempt to bring its systems back online.

Engineers managed to revive one of its instruments earlier this week, offering hope that they will end the telescope’s convalescence as they restart its other systems, one at a time. “I think we are on a path to recovery,” says Jim Jeletic, Hubble’s deputy project manager.

The problem began on October 23, when the school bus-sized space probe’s instruments didn’t receive a standard synchronization message generated by its control unit. Two days later, NASA engineers saw that the instruments missed multiple such messages, so they put them in “safe mode,” powering down some systems and shuttering the cameras.

Some problems are fairly easy to fix, like when a random high-energy particle hits the probe and flips a bit on a switch. But when engineers encounter an unknown problem, they’re meticulous. The slow process is designed to protect Hubble’s systems and make sure the spacecraft continues to thrive and enable scientific discovery for as long as possible. “You don’t want to continually put the instruments in and out of safe mode. You’re powering things on and off, you’re changing the temperature of things over and over again, and we try to minimize that,” Jeletic says.

In this case, they successfully brought the Advanced Camera for Surveys back online on November 7. It’s one of the newer cameras, installed in 2002, and it’s designed for imaging large areas of the sky at once and in great detail. Now they’re watching closely as it collects data again this week, checking to see whether the error returns. If the camera continues working smoothly, the engineers will proceed to testing Hubble’s other instruments….

(17) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Eternals Pitch Meeting” on Screen Rant, Ryan George, in a spoiler-filled episode, has the writer say he has characters including “a speedster, a lady with ancient weapons, and a super-strong guy who shoots beams from his eyes.” The producer asks, “Yeah, yeah, and Batman and Aquaman. Are you sure you’re in the right office?”  The writer also can’t explain why introducing 10 superheroes we’ve never seen before can’t be done in an eight-hour Disney Plus show instead of a single movie.

After Avengers Endgame, Marvel has the massive task of not only continuing their surviving heroes’ stories, but also making audiences care about all new characters and all-new universe-threatening events. Their latest movie Eternals takes on the gargantuan challenge of introducing ten new superheroes AND explaining why they’re only showing up now. This thing’s getting complicated. Eternals definitely raises some questions. Like should this have been a Disney Plus show? Why do the Eternals only have important conversations at Golden Hour? Why is introducing humans to weapons not considered interfering in their affairs? Wouldn’t the Celestials be interested in stopping Thanos if they need a massive population to birth celestials? Why didn’t Kumail have a shirtless scene after all that work!? What have these post-credit scenes become?! To answer all these questions and more, step inside the Pitch Meeting that led to Eternals! It’ll be super easy, barely an inconvenience.

[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, N., Chris Barkley, Lise Andreasen, David Doering, Joey Eschrich, Bruce D. Arthurs, M.C. Hogarth, Andrew Porter, Michael Toman, and Cat Eldridge  for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 8/8/21 It Is Pitch Black. You Are Likely To Be Pixeled By A Scroll

(1) EMERGENCY HOLOGRAPHIC CAPTAIN. Slashfilm rounds up everything they can find out about Nickolodeon’s “’Star Trek: Prodigy’ Season 1: Release Date, Cast and More”.

…Prodigy will be a kids-oriented show revolving around a group of alien teens who attempt to get away with stealing a Starfleet vessel of their very own, the U.S.S. Protostar. In a fun surprise for older fans, Captain Janeway from the Star Trek: Voyager series will appear as a hologram throughout this show, guiding the teens along their many adventures to the stars….

Pictured: Art for Star Trek: Prodigy . Photo Cr: Nickelodeon/Paramount+ ©2021, All Rights Reserved.

(2) STEER CLEAR. A Starfleet Academy series is also in development. Fansided’s Chad Porto is adamant that “Star Trek series based around Starfleet Academy should avoid these ideas”. From the middle of his list —

The third idea is about Worf. Dang-it. Walked into that one. Do you want to see more Worf? You do? Do you want to see more Worf but not played by Michael Dorn!? Wait, where did everyone go!? No one wants to see it. Don’t do it. No more prequels. I feel like Edna Mode in The Incredibles. No prequels!

(3) HOLLYWOOD AUTO CREATOR GOING AWAY. “Holy hot wheels, Batman! Iconic auto shop site is for sale” reports the LA Times.

A foundation stone of Southern California car culture is about to be dislodged: The North Hollywood home of Barris Kustom Industries — birthplace of the Batmobile, the Munster Koach and a thousand other custom cars — is for sale.

The 10,000-square-foot commercial property, on an 18,000-square-foot corner lot, is offered at $3.995 million and is almost certainly destined for redevelopment.

The package includes the showroom that still houses a Batmobile; the garages where brothers George and Sam Barris did custom body work for celebrities including Elvis Presley, Elton John and Cassandra Peterson, a.k.a. Elvira, Mistress of the Dark; and even the spray booth where “kustom kolors” concocted by George were applied to cars driven by James Dean, John Wayne and ventriloquist Jeff Dunham, for whom Barris built a Bat Smart Car….

(4) IS IT A HOARD? Even if it is, calling the lot a collection sounds like good customer relations. Chuck Rozanki of Denver’s MileHiComics announced he has acquired another mountain of inventory. You should see the pictures: “Chuck Buys Another Huge Collection!”

I have just left California, and entered Nevada through Reno. I spent all day yesterday hauling 400 cases of toys, books, comics, and all sorts of pop-culture collectibles from a huge house on top of a mountain in Oroville, California. When you take a look at the sheer mass of material that I picked up, this ends up being the largest private collection that I have ever purchased. Of even greater importance is that this collection is incredibly diverse, as the gentleman who put it together was a thrift store devotee for the past 40 years, shopping pretty much every day on his lunch break. He picked up an amazing array of fun pop culture collectibles.

In case you are wondering, yes, this is the same collection that I mentioned back in June that I was going to return to pick up in California. There was so much material that it took six weeks for it to all get packed up. When I finished unpacking my two truckloads, I ended up with 13 full pallets out at FedEx, which is about 20,000 pounds. I have at least another thousand pounds in my cargo van, including a mint-in-box customized bicycle that was painted by the same guys who do the custom motorcycles down in LA. The last one sold on eBay for $4000…

(5) MARKIE POST (1950-2021). Actress Markie Post died August 7 reports Deadline.  

…Her first acting credits came in 1979, with appearances on episodes of … The Incredible HulkThe Lazarus SyndromeBuck Rogers in the 25th Century… 

She’d later appear in series such as The Love Boat, … Fantasy Island and The A-Team, before landing the role of bail bondswoman Terri Michaels in ABC’s The Fall Guy. She appeared in 65 episodes of that action drama between 1982 and 1985. Post was also a series regular on NBC’s Night Court, portraying public defender Christine Sullivan for 159 episodes between 1985 and 1992. 

(6) BRAD ALLAN OBIT. Stuntman Brad Allan, who worked on Wonder Woman and the Kingsman series, died August 7: “Brad Allan, Stuntman and Jackie Chan Protege, Dies at 48”. (msn.com).

Allan eventually carved out a space in Hollywood as one of the best in his craft. After serving as both a stunt actor and coordinator on a string of movies with Chan, including “Shanghai Noon” and “Rush Hour 2,” he went on to design action scenes for movies like, “Scott Pilgrim vs. the World,” “Wonder Woman,” “Solo: A Star Wars Story” and the “Kingsman” series. 

By the time of his death, Allan had also completed work on “The King’s Man” and Marvel’s “Shang-Chi and the Legend of the Ten Rings,” which hits theaters next month. 

(7) MEMORY LANE.

  • 1988 – Thirty-three years ago at Nolacon II, Ursula K. Le Guin would win the Best Novelette Hugo for “Buffalo Gals, Won’t You Come Out Tonight.” Other nominated works that year were “Rachel in Love” by Pat Murphy, “Dinosaurs” by Walter Jon Williams, “Flowers of Edo” by Bruce Sterling and “Dream Baby” by Bruce McAllister.  

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 8, 1919 Dino De Laurentiis. Responsible for Dune obviously but less obviously also a lot of other genre including Conan the BarbarianFlash GordonKing KongHalloween II and Halloween IIIDead Zone and The Last Legion. His company even made Army of Darkness! (Died 2010.)
  • Born August 8, 1930 Terry Nation. Best known as scriptwriter for Doctor Who and creator of the Daleks. He later created Blake’s 7. He would also write scripts for Department SThe Avengers, The Champions and MacGyver. (Died 1997.)
  • Born August 8, 1935 Donald P. Bellisario, 86. His genre shows include Tales of the Gold MonkeyAirwolf, Magnum P.I. (according to some of you) and of course that truly amazing show Quantum Leap. He was a writer and producer on the original Battlestar Galactica.
  • Born August 8, 1937 Dustin Hoffman, 84. Ahhh — Captian Hook, the man who got swallowed by the vast crocodile in Hook. Yeah, I like that film a lot. By no means his only genre appearance, as he was Mumbles, Caprice’s fast-talking henchman in Dick Tracy (not a film I love), Mr. Edward Magorium in Mr. Magorium’s Wonder Emporium and the voice of Master Shifu in Kung Fu Panda.
  • Born August 8, 1943 Terry J. Erdmann, 78. He ran the media campaigns for such films as Star Trek V: The Final Frontier, (where he was credited as the film’s publicist). He’s also written such books as the Star Trek: Deep Space Nine Companion, which he co-wrote with Paula Block, his wife who works as a Trek publicist, and The Magic of Tribbles: The Making of Trials and Tribble-ations.
  • Born August 8, 1949 Keith Carradine, 72. Genre roles include Special Report: Journey to MarsStar Trek: Enterprise, Kung Fu, voice work on the animated Spider-Man series, Dollhouse and The Big Bang Theory
  • Born August 8, 1993 Kawennáhere Devery Jacobs, 28. She’s a Kahnawake Mohawk. Why I mention that will be apparent in a moment. Her most recent role is recurring one as Sam Black Crow on now-cancelled American Gods but she has a very long genre history starting with being Monique on the Stephen King’s Dead Zone series. From there, she was Claudia Auditore in Assassin’s Creed: Lineage, a series of three short films based on the Assassin’s Creed II video game before showing up as Ali’s in Rhymes for Young Ghouls which is notable for its handling of First Nations issues. She’s Daisy in Another WolfCop (oh guess which monster), an unnamed bar waitress in Being Human, Nourhan in Exploding Sun and Sam in the The Walking Dead: Michonne video game. Her latest genre role is Blood Quantum about a zombie uprising on a First Nations homeland.

(9) LIGHTEN UP.  John King Tarpinian swears he had none of these. Especially if it had anything to do with disco. “5 of the wildest pieces of vintage Star Trek merch” at Heroes & Icons.

THIS LIGHT-UP JACKET THAT’S PERFECT FOR DISCOS, CONVENTIONS, SF PARTIES AND SCHOOL ACTIVITIES

Sure, a replica of the actual Starfleet uniform is rad, but not as rad as a shiny jacket that “lights up,” “flashes” and “creates a sensation,” with the Enterprise emblazoned on the back. This 1978 official licensed jacket surely would have impressed everyone at school and at the disco.

(10) ABANDONED STARSHIPS. Heroes & Icons also knows about “9 abandoned Star Trek series that never made it to the TV screen”. Some of these I’ve heard about, but not this one!

2. THE HARRY MUDD SHOW

Harcourt Fenton Mudd remains one of the most beloved rogues in the Star Trek universe, even appearing in the new Discovery series, as played by Rainn Wilson of The Office. Roger Carmel, also a delightful Batman villain, originated the role. He was the only character aside from the Enterprise crew to appear in more than one episode (“Mudd’s Woman” and “I, Mudd). No wonder NBC hoped to give him a spin-off. As Carmel himself recalled, “Gene Roddenberry was there and we started talking and Gene said, ‘It’s a shame that series thing for you never worked out.’ I said, ‘What series thing?’ He said, ‘Oh, didn’t you know? Well, after the successful Harry Mudd episodes, NBC wanted to know if I would develop a spin-off series for you starring the Harry Mudd character. A space pirate, intergalactic con-man kind of thing.'” A flabberghasted Carmel asked, “‘My God, Gene, I didn’t know anything about that. What happened?’ He said, ‘Well, the artists didn’t have enough time to develop it.'” Arg! 

(11) TWELVE IS NOT FIVE BY FIVE. Did Capaldi talk himself out of a job? “Doctor Who Is Canceling One Of Its Former Stars”Giant Freakin Robot has the story.

It’s in the area of voice work, in fact, where Capaldi recently may have gotten in a little bit of trouble. As Cinema Blend reported on Thursday, Capaldi was expected to play the Doctor for the Big Finish Doctor Who audio drama Timejacked. However, rather than Capaldi, the Twelfth Doctor will now be voiced by Jacob Dudman, who has done voice work on previous Doctor Who audio dramas.

While it hasn’t been confirmed, there’s a lot of speculation that Capaldi’s recent interview on The Chris Moyles Show may be to blame for his replacement in the Doctor Who audio drama. Capaldi appeared on the show while doing press for The Suicide Squad. During the interview, after Capaldi mentions he’d like to be DJ, he’s asked if he’s ever worked in radio. The actor answers he’s done radio plays, and what he says about them isn’t very complimentary. Capaldi says he finds making them “quite dreary” and that they’re made “in the basement of the BBC with all the pipes and stuff.” He goes on to call it “an absolutely glamor free zone.” 

(12) FANTASTIC PLASTIC. I’d almost forgotten these (and now I’ll have to start all over again!) “It’s the 50th anniversary of the most horrific kids’ toys ever” reminds Input.

…Nabisco, the cookie and cracker conglomerate that bought Aurora soon after these kits were released, found itself in a world of pain after horrified parents, op-ed writers, and boisterous protesters decried the toys as misogynistic and grotesque — and wholly inappropriate for kids. This year marks the 50th anniversary of the torture-toy scandal, during which public outcry led to not only the discontinuation of an outrageously successful toy line, but also to the passage of legislation that would keep similarly objectionable toys off store shelves, at least in California.

But a half-century later, these kits still thrive, thanks, of course, to the internet…. 

(13) MIND ON THE GAME. In the Washington Post, Shannon Liao reviews the about to be released video game Psychonauts 2, a sequel to the 2005 Psychonauts, which was one of the first video games to address mental health issues.  She talks to game designers who explain how they tried to have a good story while trying to improve gamers’ mental health. “’Psychonauts 2’ preview: Double Fine discusses game’s bosses, mental health”.

…To undo the mistake he made, Raz must venture back into his mentor’s mind, but this time, it’s transformed into a fantastical level that’s part hospital, part casino. Eventually, he’s able to undo the bad mental connections he made in Hollis’s mind, undo other mental connections she’s formed such as “defiance is useless” and get her to recognize better connections such as “wisdom = decisions.” It’s clear throughout this level that Raz is genuinely feeling regret and guilt for messing with Hollis’s mind without consent. He reflects on what he did wrong, and apologizes to Hollis.

“It’s a small change between the first and second games,” Schafer said. “I noticed in the first game, Raz just kind of pops into everyone’s mind willy nilly. He’s like, ‘hey!’ And so in every level on ‘Psychonauts 2,’ except for some near the end where it’s an emergency situation, in every brain you go into, there is a moment of actually getting consent from the person’s brain that you’re going into, because it is an invasive process going into someone’s brain. There’s a lot more dialogue about that, which we try to be careful about in the second game.”…

(14) VIDEO OF THE DAY. We ran the trailer, now see the whole short film: Forsaken Mandalorian And The Drunken Jedi Master – A Star Wars Fan Film.

A Forsaken Mandalorian hunts down a Hutt Courier to recover an asset that unexpectedly leads him to team up with an outcast Drunken Jedi Master to fulfill his sworn duty.

[Thanks to Martin Morse Wooster, JJ, Michael Toman, John King Tarpinian, Cat Eldridge, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to contributing editor of the day Soon Lee.]

Le Guin Stamp Issued Today

The Ursula K. Le Guin commemorative Forever stamp was officially unveiled today during a ceremony at the Portland (OR) Art Museum.

“Ursula once said she wanted to see science fiction step over the old walls of convention and hit right into the next wall — and start to break it down, too,” said Joseph Corbett, U.S. Postal Service chief financial officer and executive vice president, who served as the stamp ceremony’s dedicating official. “She felt the ideas represented in her fiction could help people become more aware of other ways to do things, other ways to be and to help people wake up.”

SF author Brenda Clough attended the ceremony and wrote it up for Book View Cafe.

…  The ceremony was attended by Le Guin’s husband Charles, her son Theodore and his wife Nancy, and her granddaughter. Speakers included Linda Long, curator and archivist at the University of Oregon library, where all of Le Guin’s papers and letters are housed. Amy Wong, a book editor at the Portland Oregonian, spoke of Le Guin’s many letters to the newspaper, covering topics that ranged from protesting the cancellation of Star Trek to the nation’s democratic process. And granddaughter India Downs Le Guin spoke of living with her grandmother after graduate school….

You can watch highlights from the Ursula K. Le Guin Stamp Ceremony in this YouTube video.

The outdoor ceremony was held in the Evan H. Roberts Sculpture Mall of the Portland Art Museum.

The 33rd stamp in the Literary Arts series honors Ursula K. Le Guin (1929–2018), who “expanded the scope of literature through novels and short stories that increased critical and popular appreciation of science fiction and fantasy.” The stamp features a portrait of Le Guin based on a 2006 photograph. The background shows a scene from her landmark 1969 novel The Left Hand of Darkness, in which an envoy from Earth named Genly Ai escapes from a prison camp across the wintry planet of Gethen with Estraven, a disgraced Gethenian politician. 

The artist for the stamp is Donato Giancola, a three-time Hugo winner who also was named a Spectrum Awards Grandmaster in 2019.

Information about how to order first day covers is here.

Pixel Scroll 7/10/21 More Scrolls About Pixels And Fnord

(1) GRRM’S NEW PROJECT. George R.R. Martin is one of the executive producers of the forthcoming Dark Winds series based on the books by Tony Hillerman. The Hollywood Reporter lists the others:

…The series is created and executive produced by Graham Roland (Tom Clancy’s Jack Ryan) and stars Zahn McClarnon (Fargo), who is also an executive producer, and Kiowa Gordon (The Red Road). Vince Calandra (Castle Rock) is the showrunner and also an executive producer. Chris Eyre (Smoke Signals) will direct the pilot and executive produce. Other executive producers include George R.R. MartinRobert Redford, Tina Elmo and Vince Gerardis. In a rare move, the production has secured permission to film on tribal lands in New Mexico….

Martin’s own announcement on Not A Blog says:

…I am thrilled to report, Joe Leaphorn and Jim Chee are returning to television.

We just got word from AMC that they are greenlighting DARK WINDS, based on Tony’s novels about the two Navajo tribal policemen.   The first season will be six episodes long, adapted (largely) from LISTENING WOMAN, one of my favorite books in the series.   If we get the viewers. more seasons will follow, and more books will be adapted.

…DARK WINDS will be filmed in and around Santa Fe and Gallup, and on the Navajo reservation, and based out of the Native-owned Camel Rock Studios (the former Camel Rock Casino), right here in the Land of Enchantment.   Filming will begin in August, and continue — we hope — for many years.

Bob Redford and Chris Eyre have put together a great team (with a little help from yours truly), and we hope to make a great show, one that truly captures the magic of this very special place.   Look for DARK WINDS on AMC in 2022.

(2) EYEWITNESS TO SFF HISTORY. Alec Nevala-Lee introduces the video of his interview: “Talking with Barry Malzberg”.

In the course of researching my book Astounding, I got to know the author Barry N. Malzberg, who by any estimation has had one of the most singular careers in all of science fiction. Over the course of three sessions in July 2019, I interviewed Barry about his life and work in a conversation that ended up lasting close to two hours, which I’ve finally put online. We spoke about his influences and early career; his time at the Scott Meredith Literary Agency; the rise and fall of the softcore erotica market; his friendships with Dean Koontz and Bill Pronzini; his brief stint as editor of Amazing Stories magazine; his encounter with the editor John W. Campbell; and the origins, legacy, and “bad karma” of his novel Beyond Apollo. I think there’s some good stuff there, so enjoy! (If you get the chance, you might also want to check out my recent interview with the science fiction podcaster Mikel J. Wisler, in which we discuss a similarly broad range of topics, including my New York Times review of Project Hail Mary by Andy Weir.)

(3) BUHLERT ONLINE READING. Cora Buhlert will be taking part in the monthly Flash Fiction Night organized by Space Cowboy Books in Joshua Tree, California on Tuesday, July 13 at 6:00 p.m. Pacific US Time. It’s a free online event — register here.

Cora wrote at her blog:

I’ll be reading some science fiction flash fiction together with Andy Dibble and Douglas A. Blanc. It’s already the third Flash Fiction Night and you can watch recordings of the first two on the Space Cowboy Books YouTube channel.

(4) THE FUTURE’S NOT FAR AWAY. [Item by Martin Morse Wooster.] Kim Stanley Robinson took part in a forum about climate change moderated by Ezra Klein in the June 27 New York Times Magazine.  Other panelists include Saul Griffith, Rhinna Gunn-Wright, and Shilela Jasanoff.  Klein appeared pretty familiar with The Ministry of the Future. “What if American Democracy Fails the Climate Crisis?”

Klein: Stan, imagining outside the current context is your specialty as a science-fiction novelist, so I’m wondering what you think the weaknesses of our current systems are.

Kim Stanley Robinson: Well, we are stuck in an international system of nation-states, and we don’t have time to invent and institute any kind of alternative world governance, so we have to use what we’ve got. But we also have the Paris agreement, and climate equity was written into it so that developed rich nations were tasked with paying more and doing more and helping the historically disadvantaged and even colonized nations. Executing all that is, of course, a different story.

(5) LE GUIN. Andrew Porter sent this link to an article which he says surprisingly eluded him when The Guardian originally published it in March. It’s a review of the nonfiction book Le Guin completed during her last year: “Dreams Must Explain Themselves by Ursula K Le Guin review – writing and the feminist fellowship”. (The title essay appeared in Porter’s fanzine, and was collected in a 40-page chapbook of essays under the same title in 1975.)

In 1973 Ursula Le Guin was phoned by publisher and science fiction fan Andrew I Porter, trying to persuade her to write about herself in his magazine Algol. “Andy kept saying things like, ‘Tell the readers about yourself,’ and I kept saying things like, ‘How? Why?’” Standing in her hallway, with a child and a cat circling her legs, it seemed impossible to explain over the crackling connection that “the Jungian spectrum of introvert/extrovert can be applied not only to human beings but also to authors”. Le Guin knew that at one end of the spectrum there are authors such as Norman Mailer, who talk about themselves, and at the other, authors who, like her, need privacy….

(6) IT’S AROUND HERE SOMEPLACE. “Look: Long-lost ‘Wizard of Oz’ dress found in box at D.C. school” reports UPI. And it’s not quite as rare as you might at first believe. It’s the sixth version of Dorothy’s dress from the 1939 film known to still exist.

A long-lost dress worn by Judy Garland in The Wizard of Oz has been found decades later in a box at a university in Washington, D.C.

Catholic University announced in a news release that the dress, which was gifted to the school nearly 50 years ago by actress Mercedes McCambridge while she was serving as the drama department’s artist-in-residence, was found by drama department lecturer Matt Ripa in a box placed atop some mail slots near his desk.

Ripa said he had often gone searching for the dress during his free time after hearing about the long-lost item in 2014, but he was apparently beaten to the discovery by Thomas Donahue, a now-retired drama professor, who had placed the box in Ripa’s office before leaving the school last year.

Ripa said the box must have been placed atop the mail slots by someone, causing it to evade his notice until last month.

“As soon as I popped the top off the box, I knew what it was,” Ripa told The Washington Post. “I saw that blue gingham and I just started laughing and laughing. I mean, I’m still laughing. Because I was shocked, holding a piece of Hollywood history right in my hands.”

The school contacted Ryan Lintelman, entertainment curator at the Smithsonian’s Museum of American History, to verify whether the dress was authentic. Lintelman and two colleagues examined the garment and determined that it appears to be the real deal.

(7) SPEAKING OF. “Andy Serkis Is Returning To The Lord Of The Rings”Giant Freakin Robot has the story.

Andy Serkis is going back to Middle Earth – but not in the way you might think. The actor, who has lent his voice to Gollum in The Lord of the Rings trilogy and the first Hobbit film, will be narrating J.R.R Tolkien’s work in a brand new series of audiobooks.

(8) ON THE TUBE. In The Space Review, Emily Carney and Dwayne Day give a very deep, spoiler-filled dive into the second season of For All Mankind“Revisiting the past’s future: ongoing ruminations about ‘For All Mankind’”.

Emily Carney:

Another interesting aspect about “For All Mankind” is that the show includes women as equal characters with equal time in the show’s narrative. That probably owes to the show’s “Star Trek” heritage. But the show doesn’t really start out that way in season one: it begins with the Soviets beating the US to the punch, and shows how the US astronaut cadre responds to this defeat. By this point in the show’s timeline, women aren’t astronauts, so we see the show’s Deke Slayton imploring his men to “get mad,” “kick the dog,” and let loose during the weekend after the Soviet landing.

This is when we get to meet Ed Baldwin and Gordo Stevens, who were just mere kilometers from the lunar surface weeks before. At The Outpost, an astronaut hangout modeled on a long-gone bar not far from Johnson Space Center, the astronauts have an insane, alcohol-soaked party, which culminates in a group singalong to Jimmy Ruffin’s “What Becomes of the Brokenhearted?” In my mind, I think this was shown to compare how men coped with defeat and heartbreak versus how women—in the upcoming narrative—would cope with similar stressful situations. Ed Baldwin even briefly kneecapped his own career by opening up about his frustrations with NASA to a reporter. At any rate, by this point, women were wives and mothers in the “For All Mankind” universe, not astronauts or management.

Dwayne:

Yeah, that’s a good observation. Initially, it’s all machismo. It’s brave men and heroes. But that’s about to change very fast. And that makes the show’s title a bit ironic—it’s not about “man” after the first episode.

After the Soviet Union beats America to the Moon, the Americans respond by landing Apollo 11, which in this alternative timeline, nearly ends in failure. But the Soviets then follow up with another significant first when they land a woman on the Moon. We see one of the female characters—a young Mexican girl named Aleida—smile when she sees that a woman is on the Moon.

(9) MEMORY LANE.

1981 — Forty years ago, John Carpenter’s Escape from New York premiered. (That was how it was shown on-screen.)  Starring Kurt Russell as Snake Plissken, this film was written by John Carpenter and Nick Castle. It was directed by John  Carpenter, and produced by  Larry Franco and Debra Hill. Supporting cast was Lee Van Cleef, Donald Pleasence, Ernest Borgnine, Isaac Hayes, Adrienne Barbeau, and Harry Dean Stanton. The film received generally positive reviews with Russell in particular finding strong favor with the critics; it did very well at the box office earning far more than it cost to produce; and audience reviewers at Rotten Tomatoes give it a seventy-seven percent rating which is far better than the thirty-nine percent rating the the Escape from L.A. sequel gets. It did not get a Hugo nomination at Chicon IV. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 10, 1903 — John Wyndham. His best known works include The Day of the Triffids and The Midwich Cuckoos, both written in the Fifties. The latter novel was filmed twice as Village of the Damned. The usual suspects have an impressive selection of his novels including these titles though little of his short fiction is available, alas. The Day of the Triffids is currently a buck ninety-nine there. (Died 1969.)
George Clayton Johnson by Tony Gleeson.
  • Born July 10, 1929 — George Clayton Johnson, He’s best known for co-writing with William F. Nolan the Logan’s Run novel, the source for the Logan’s Run film. He was also known for his scripts for the Twilight Zone including “A Game of Pool,” “Kick the Can,” “Nothing in the Dark,” and “A Penny for Your Thoughts,” and the first telecast episode of the original Star Trek, “The Man Trap.” (Died 2015.)
  • Born July 10, 1931 — Julian May. She‘s best known for her Saga of Pliocene Exile (known as the Saga of the Exiles in the UK) and Galactic Milieu series: Jack the BodilessDiamond Mask and Magnificat. She was inducted into the First Fandom Hall of Fame at Sasquan. (Died 2017.)
  • Born July 10, 1941 — David Hartwell. Encyclopedia of Science Fiction describes him as “perhaps the single most influential book editor of the past forty years in the American science fiction publishing world”.  I certainly fondly remember the The Space Opera Renaissance he co-edited with Kathryn Cramer. Not to mention that his Year’s Best Fantasy and Year’s Best SF anthologies are still quite excellent reading, and they’re available at the usual suspects for a very reasonable price. (Died 2016.)
  • Born July 10, 1941 — Susan Seddon Boulet. If you’ve read the American edition of Terri Windling’s The Wood Wife (which won the Mythopoeic Fantasy Award for Adult Literature Award), you’ve seen her amazing work. Or perhaps you’ve got a copy of Pomegranate‘s edition of Ursula Le Guin’s Buffalo Gals, Won’t You Come Out Tonight which also features her art. If you’re keen on knowing more about this amazing artist, see the Green Man review of Susan Seddon Boulet: A Retrospective. (Died 1997.) 
  • Born July 10, 1945 — Ron Glass. Probably best known genre-wise as Shepherd Book in the Firefly series and its sequel Serenity. His first genre role was as Jerry Merris in Jerry Merris, a SF horror film, and he’d later show up voicing Philo D. Grenman in Strange Frame: Love & Sax (“slated as the world’s first animated lesbian-themed sci-fi film”; look it up as it has a very impressive voice cast) and he showed up twice as J. Streiten, MD in Agents of S.H.I.E.L.D. Oh, and he was on Voyager playing a character named Loken in the “Nightingale” episode. (Died 2016.)
  • Born July 10, 1953 — Hans Beimler, 68. He was co-executive producer, director, and writer on TekWar before co-producing a number of Next Gen episodes. He was involved in over a hundred episodes of Deep Space Nine in a numberof production roles too complicated to describe here. And he was one of the executive producers of the short-lived Dresden Files.
  • Born July 10, 1970 — John Simm, 51. The second of the modern Masters on Doctor Who.  He appeared in the final three episodes of the Time of the Tenth Doctor: “Utopia,” “The Sound of Drums,” and “Last of the Time Lords.” He also played Sam Tyler in the most excellent Life on Mars. And he played Macbeth atChichester Festival Theatre.

(11) TANGLED UP IN BLUE. Janice Marcus spotlights the latest (in 1966) work from oft-overlooked writer Rosel George Brown: “[July 10, 1966] Froth, Fun, and Serious Social Commentary (Sibyl Sue Blue)”.

Sibyl Sue Blue was not what I expected.

Set in the futuristic year of 1990, Rosel George Brown’s Sibyl Sue Blue takes place in a world both like and unlike today’s world of 1966. Sibyl is a tenacious and smart detective working for the city’s homicide department. When a series of bizarre ‘suicides’ start plaguing the city’s youth, she’s called in to investigate. As she follows the clues, she’s drawn into increasingly strange events, from trying alien drugs to being invited to join a spacefaring millionaire on an off-world jaunt.

Sounds like fun, right? Yet when Judith Merril told me the other day that she’ll be reviewing it in an upcoming issue of Fantasy and Science Fiction, she mentioned that “…under all the froth and fun and furious action, there is more acute comment on contemporary society than you are likely to find in any half dozen deadly serious social novels.

She’s right!

(12) JUNGLE CRUISE. Yahoo! shows what the redesigned Disneyland attraction will be like: “Disneyland revamps Jungle Cruise ride after racism criticism”.

…The Jungle Cruise will officially reopen on July 16, with some changes, the park announced Friday. The ride, which takes passengers through Asia, Africa and South America, had been closed since the park itself reopened April 30, after being shutdown because the pandemic. 

The company had announced in January that it would remove “negative depictions” of native people and pledged to make further changes to “reflect and value the diversity of the world around us.” 

The ride, which originally opened in 1955, has been criticized, for example, for depicting the locals as headhunters.

“We’re excited to be building on the story of the Jungle Cruise to include new adventures that stay true to the experience we know and love, while adding more humor, more wildlife, and an interconnected story,” Chris Beatty, an Imagineer who worked on the renovations, said in a news release. “As part of creative development, we’ve also introduced characters from around the world and took a thoughtful approach to ensure accurate representation of cultures in our story.”

Beatty explained in behind-the-scenes video of the upgrade that one of the team’s goals was to “bring a sense of inclusivity” to the project. “We want to make sure that everyone that rides the Jungle Cruise can see themselves in the characters and in this experience.”

They also wanted to keep it classic and to highlight the “skippers,” the Disney cast members who make jokes while leading the faux tour of the area.

As part of the new storyline, chimpanzees have taken over a wrecked boat and the tourists have climbed up a tree in search of safety…. 

(13) RISKY BUSINESS. The Hubble Space Telescope suddenly went offline almost a month ago. Now “NASA will attempt a ‘risky’ maneuver to fix its broken Hubble Space Telescope as early as next week”.

…However, a recent NASA announcement suggests a glimmer of hope: The agency tweeted on Thursday that it had successfully tested a procedure that would switch parts of the telescope’s hardware to their back-up components.

This could pave the way for the payload computer to come back online, leading to the restart of Hubble’s scientific observations.

NASA reported the procedure could happen as early as next week, following additional preparations and reviews. The telescope and the scientific instruments on board remain in working condition.

But the switch will be “risky,” according to NASA astrophysics division director Paul Hertz.

“You can’t actually put your hands on and change hardware or take a voltage, so that does make it very challenging,” he told New Scientist.

…On June 30, NASA announced it had figured out that the source of the payload computer problem was in Hubble’s Science Instrument Command and Data Handling unit (SI C&DH for short), where the computer resides.

“A few hardware pieces on the SI C&DH could be the culprit(s),” NASA said.

Backup pieces of hardware are pre-installed on the telescope. So it’s just a matter of switching over to that redundant hardware. But before attempting the tricky switch from Earth, engineers have to practice in a simulator, the agency added.

NASA has rebooted Hubble using this type of operation in the past. In 2008, after a computer crash took the telescope offline for two weeks, engineers successfully switched over to redundant hardware. A year later, astronauts repaired two broken instruments while in-orbit – Hubble’s fifth and final reservicing operation. (NASA does not currently have a way to launch astronauts to the space telescope.)

[Thanks to Martin Morse Wooster, JJ, Michael Toman, Tony Gleeson, John King Tarpinian, Cat Eldridge, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to contributing editor of the day John A Arkansawyer.]