Live From 770, It’s Bradbury Saturday Night!

(1) AUTOGRAPHING GENESIS. John King Tarpinian sent along these scans of artifacts and photos from Ray’s first ever signing in March 1953.

And here is a photo from another signing of Golden Apples of the Sun later in 1953, in Pasadena, CA. This time Ray was with his pals, Forrest J Ackerman and William F. Nolan.

(2) HOW GENRE IS RAY? [Item by Martin Morse Wooster.] This is from an interview of Alexander Glass by Gareth Jelley in Interzone 202-293.

JELLEY:  “Speaking more generally, I like stories which seem only barely to be fantastical like ‘The Watchful Poker Chip of H. Matisse’ by Ray Bradbury.  It is a really weird tale, but also just a portrait, or distorted snapshot, of society at a certain time.  It is brushed lightly with a feeling of unreality.”

GLASS:  “I remember a story by Bradbury called something like ‘That Old Dog Lying In The Dust” which has no speculative element at all, it’s simply somebody remembering a trip he took to a tiny circus in Mexico.  And that it’s just a description, although because it’s Bradbury, it’s a wonderful description.  And then there at the end, there’s this little section, a couple of sentences, saying how affected the narrator is by the memory, and by the idea that things are lost and in the past and irretrievable.  It’s included in one of the collections along with a load of genre stories and it doesn’t matter, because it’s simply a really well done story, regardless of genre.  Bradbury doesn’t care, and the readership doesn’t care either.  But also it’s not that different in terms of his concerns from something like The Martian Chronicles stories where there’s a science fiction shell, but the core of it is the people’s memories of their childhood or whatever.”

(3) POTIONS ELEVEN. The Portalist says these are “11 Classic Ray Bradbury Books Everyone Should Read”.

One of the best-known writers of the 20th century—in any genre—The New York Times called Ray Bradbury “the writer most responsible for bringing modern science fiction into the literary mainstream.” But while Bradbury’s most popular works were science fiction, he was never constrained by genres, by forms, or by modes. 

Besides sci-fi classics likeFahrenheit 451 and The Martian Chronicles, Bradbury wrote mysteries, horror stories, coming-of-age tales, fictionalized memoirs, and sometimes works that combined all of the above.

With a distinct voice and an unmistakable love of language, Bradbury’s singular stories explore dystopian futures, idyllic pasts, and worlds that never were and never will be. 

For both old fans and newcomers, these must-read Ray Bradbury books show the range and the depth of the master’s many tales, and will give you a solid entry point into his oeuvre, no matter what aspect of it you’re interested in.

(4) COMING BACK IN PRINT. “1950s pulp comic adaptations of Ray Bradbury to be republished”Boing Boing has the story.

The pulp publishing company EC Comics was only around for about fifteen years before absorbed into the broader brands of the publishing world. But in that short time, the fledging comic company was able to establish itself as a cult icon, thanks to a few offbeat anthology collections you may have heard of like Tales from the Crypt and MAD Magazine.

One of the company’s lesser known (but still infamous!) ventures included a series of comic book adaptations of the work of Ray Bradbury. EC Comics put out 28 of these illustrated Bradbury comics between 1951 and 1954, featuring work by now-iconic artists such as Johnny Craig, Reed Crandall, Jack Davis, Will Elder, George Evans, Frank Frazetta, Graham Ingels, Jack Kamen, Bernard Krigstein, Joe Orlando, John Severin, Angelo Torres, Al Williamson, and Wallace Wood….

…If you’re a fan of pulp art, or black-and-white comic art, Home to Stay!: The Complete Ray Bradbury EC Stories looks like a pretty cool collection…

(5) HOW TO GET IT. And here’s the link to Fantagraphics offer to sell you a copy of Home to Stay!: The Complete Ray Bradbury EC Stories.

(6) CLIPPING SERVICE. Fangoria connects the dots of Ray’s history with the San Diego Comic-Con: “Live Forever: Celebrating Ray Bradbury’s Impact On Comic-Con, Genre, And Fandom In See You At San Diego.

In honor of Ray Bradbury’s birthday week we are celebrating with a sneak peek of an excerpt from the upcoming See You At San Diego: An Oral History Of Comic-Con, Fandom and the Triumph of Geek Culture. The book chronicles the rise of fandom and pop culture nostalgia throughout the past century, over the course of 480 pages author and pop culture historian Mathew Klickstein explores how fandom has transformed pop culture. From The Twilight Zone to Ray Bradbury, Famous Monsters of Filmland, and Star Wars, to Twilight — Klickstein explores how fandom has transformed popular culture. Featuring more than 400 photos and art bursts, the book is an essential and defining resource of the forces that have transformed popular culture over the course of the past century. …

…Take a look at an exclusive excerpt below, as some featured guests celebrate Ray Bradbury’s immortal impact on the genre space and fandom. Live forever!

(7) AN ORIGINAL MARTIAN. Brad Leithauser covers a new book in “’The Ray Bradbury Collection’ Review: Mind of the Martian”, behind a paywall in the Wall Street Journal.

Science-fiction writers of the 1950s, like Ray Bradbury, sometimes self-segregated into Martians and Venusians. Which sort of landscape inspired a writer’s brightest and most far-flung dreams? Was it a world beclouded and sodden and torrid—as you might expect on the surface of Venus? Or crystalline and sere and cool—as explorers to Mars might discover?

Bradbury was a Martian. Though he did root a few short stories in the wet, wan, jungly loam of Venus, his heart belonged to that fourth planet from the sun, the diminutive, rose-tinged one. He planted his personal flag on a ball of rock that, at its shortest distance, circles some 34 million miles from Earth. His recounting of our future colonization of Mars’s distinctive terrain, with its desiccated mountains and canals, and its ghost town remnants of a long-vanished, non-human civilization, was his finest literary achievement.

(8) DOCTOR BRADBURY, I PRESUME. Well, he got his honorary doctorate from Woodbury in 2003, so this is stretching a point. Watch “Ray Bradbury’s Caltech Commencement Address – June 9, 2000” on YouTube.

…This is fantastic. I never made it to college. I didn’t have enough money and I decided I was going to be a writer anyway. And the reason I was going to go to college was all those girls. Right? So it’s a good thing I didn’t go. Huh?

Before I start, how many of you here today read me in high school? Huh? How many? You’re all my bastard children, aren’t you?

Thank you, thank you for that….

(9) BURNING SENSATION. Enid News & Eagle columnist David Christy hopes readers will not disregard the warning in Bradbury famous novel: “Revisiting ‘Fahrenheit 451’”.

,,, Bradbury wrote of a future society where books were burned in order to control dangerous ideas and unhappy concepts.

It tells of Guy Montag, a fireman who questions the book-burning policy, and undergoes an internal struggle of suffering and transformation as a results of his questioning society.

In parts of today’s America, there are a few people and politicians who seem bent on making this dystopian society come true, with banning of some books and concepts, particularly in some libraries and certainly in our schools — right here in Oklahoma in fact….

(10) HOW FRIGHTFUL. Fangoria’s Diana Prince says “We don’t scare children enough these days!” Something Wicked This Way Comes: A Dark Dive Into The Bradbury Classic”.

…For some odd reason, modern storytellers seem to be under the impression that kids either can’t handle the macabre or have no interest in fear. As someone who used to be a kid, I can safely state that both assertions are false. My fondest childhood memories were of being frightened silly by the old Disney villains like the witchy Maleficent from Sleeping Beauty and the demonic Chernabog from Fantasia.

Both creations reveled in evil and commanded the forces of darkness. Were they scary to a youngster? Absolutely! Were they more compelling than any of the sickly sweet heroes around them? You bet! “Family friendly” stories almost always had that element of morbidity. From Pinocchio smashing the Cricket in his original novel to the stygian boat ride in Willy Wonka and the Chocolate Factory, it seemed that our fantasies used to nurture a child’s love for the gruesome….

(11) DISNEYLANDING. Jim Denney chronicles the friendship of two geniuses — “’Nothing Has to Die’ —The Walt Disney-Ray Bradbury Friendship” — for the Walt Disney Family Museum blog.

In March 2005, Ray Bradbury gave a talk at the Performing Arts Center in Duarte, east of Pasadena. After his talk, I went up and handed him my copy of The Martian Chronicles to sign. I told him I had co-written a biography of Walt Disney with NBA executive Pat Williams, who had interviewed Ray for the book.

“Oh, yes!” Ray said. “Your friend sent me a copy. Would you like to hear how I met Walt Disney?”

I knew the story—it was in the book—but what a treat to hear it from Ray himself!

“It was 1964,” Ray said. “I was Christmas shopping and I saw a man coming toward me, loaded with Christmas presents. I said, ‘That’s Walt Disney!’ I rushed up to him and said, ‘Mr. Disney?’ He said, ‘Yes?’ I said, ‘I’m Ray Bradbury, and I love your movies.’ He said, ‘Ray Bradbury! I know your books.’ I said, ‘Thank God!’ And he said, ‘Why?’ I said, ‘Because I’d like to take you to lunch sometime.’ And Walt said, ‘Tomorrow?’ Isn’t that beautiful? Not, ‘Next month.’ Or, ‘Someday.’ Tomorrow. Walt was spontaneous. The next day, I met him at his office and we had lunch—soup and sandwiches on an old card table. I told him how much I loved Disneyland, and he was thrilled to hear it.”

And that was the story as he told it to me.

I later discovered that there was much more to the story of that day—and the story of the friendship of Walt Disney and Ray Bradbury. Walt passed away just two years after that first meeting, but they were such kindred souls that they packed a lifetime of friendship into those two years.

(12) YOU CAN STILL TUNE IN. [Item by Jim Meadows.] “The 21st”, a talk show that airs on several downstate Illinois public radio stations, and originates at Illinois Public Media, aka WILL Radio in Urbana IL, aired a segment Ray Bradbury’s birthday that brought together a bunch of Ray Bradbury experts to talk about his work. Listen at the link: “Turning 102: Looking Back at Ray Bradbury’s Legacy”.

Acclaimed author. Space age visionary. Free speech proponent. Public library defender. Literacy advocate. 

These were just some of the multitudes that made up Ray Bradbury, who wrote classics like Fahrenheit 451, The Martian Chronicles, The Illustrated Man, and Dandelion Wine. On what would have been his 102nd birthday, The 21st discussed how Ray Bradbury and his legacy have shaped contemporary literature, space exploration, and his hometown of Waukegan, Ill., and how Waukegan shaped him.

Guests:

Colleen Abel, Ph.D.
Assistant Professor of English and Editor-in-Chief of Bluestem literary magazine at Eastern Illinois University

Jason Aukerman, Ph.D. 
Director, Center for Ray Bradbury Studies
Clinical Assistant Professor of American Studies and English, IUPUI 

Jonathan Eller, Ph.D.
Co-founder and former director, Center for Ray Bradbury Studies

Orton Ortwein 
Research Librarian, Waukegan Public Library

(13) YOU’RE FROM THE SIXTIES! Tripwire Magazine introduces readers to video of a Bradbury talk from 1968: “Sci-Fi Legend Ray Bradbury Speaks At UCLA”.

Thanks to UCLA on YouTube, here is a speech that late sci fi master writer Ray Bradbury gave from back in 1968. As huge fans of the man, we felt we had to share this…

[Thanks to John King Tarpinian for many of these stories. And also to Martin Morse Wooster and Jim Meadows.]

Pixel Scroll 9/20/22 Crisis Of Infinite Credentials: The Anti-Timothy Rises

(1) NONFICTION SPOTLIGHT Q&A. Cora Buhlert’s new “Non-Fiction Spotlight” is an interview with Oghenechovwe Donald Ekpeki about his collection Bridging WorldsBridging Worlds: Global Conversations On Creating Pan-African Speculative Literature In a Pandemic, edited by Oghenechovwe Donald Ekpeki”.

What prompted you to write/edit this book?

It just seemed like often we were shouting into the void, and not being heard. The works we create were received with nary a thought for where they came from or the work that went into them. It might seem like a seperate issue, the origin of the work. But a creator’s identity is very valid to their creation. And you cannot properly value a body of work without knowing it’s history or it’s creator. I witnessed a lot of struggle during the pandemic year, from my perch in Nigeria. And interacted with a lot of writers and creatives of African descent. And I just knew that these experiences needed to be documented, seen and heard.

(2) LASFS WEBSITE REVIVAL. Kristine Cherry is bringing alive the latest iteration of the Los Angeles Science Fantasy Society’s website at LASFS.org. It includes a new blog whose latest feature is “A Letter to Forrest J Ackerman You Won’t Soon Forget”, which was written to Ackerman by Edgar Rice Burroughs in 1931.

(3) SUPPORT FOR INDIE AUTHORS. SFWA has added two sections to their “Indie Pub 101 Main Page”.

Launched in July, Indie Pub 101’s purpose is to provide up-to-date resources for indie authors so they can improve their craft, produce professional books, and promote their indie work competitively in the digital marketplace, using the best practices and innovations of successful indie authors. Of course, many of these resources are useful for creators using traditional publication paths as well.

The two new sections are:

(4) FREE READ. [Item by Olav Rokne.] Edify, a local affairs magazine in Edmonton, got Premee Mohamed to write a story for them. It’s odd, whimsical, and fairly short. “The Control of Certain Impulses”.

(5) 2022 ACFW CAROL AWARDS. The ACFW Carol Awards for Christian Fiction include a speculative fiction category. The complete list is of winners is here.

WINNER

  • Windward Shore by Sharon Hinck (Enclave)

OTHER FINALISTS

  • Secrets in the Mist (Skyworld Book 1) by Morgan L. Busse 
  • Cast the First Stone by Susan May Warren

(6) DNA OF CLASSIC TOYS. Fitting in with last week’s report about the 2022 National Toy Hall of Fame finalists, here’s an article about “How Do You Make the Perfect Toy?”, and why some toys last, from The Walrus.

… Speaking from her home in Chicago, Baxter explains that parents, not toy producers, were the ones driving these sales. “There is this nostalgic element of either wanting to share something from their own childhood or give something that they felt they lacked in their childhood, because they think it will be good,” Baxter says. Especially now, in a largely digital world, there is something about these analog toys “that parents see as desirable for their children [and] that we find desirable for ourselves.” In fact, when Fisher-Price tried to modernize its iconic toy phone by removing the rotary dial, there was a consumer revolt, and sales fell. Nostalgia, Baxter concluded, is what keeps certain toys alive…. 

(7) WILD OATES. [Item by rcade.] After hearing a talk by science fiction author Ted Chiang at the Seattle Book Festival, Joyce Carol Oates claimed that he called the fantasy genre “fundamentally young adult”:

The living American author with the most overloaded prize shelf, Oates is spending her eighties aggravating people on Twitter. In July, she tweeted that a literary agent friend told her young white male writers can’t get published any more: “Joyce Carol Oates claims White male writers are being shut out. The data disagrees” at CNN Style.

In a tweet published Sunday morning, the author of more than 50 books shared a New York Times op-ed criticizing the publishing industry as too sympathetic to the political left.

Along with the link, Oates wrote: “A friend who is a literary agent told me that he cannot even get editors to read first novels by young white male writers, no matter how good; they are just not interested. this is heartbreaking for writers who may, in fact, be brilliant, & critical of their own ‘privilege.'”…

Ted Chiang protects his tweets so his reaction (if any) to Oates’ characterization of his talk is not available, but Jason Sanford scoffed at her interpretation:

You don’t need to know what “that tweet about her foot” references. If it was a genre it would be fundamentally horror.

(8) CREEPTASTIC! Hailey Piper recommends stories by Barker, Gaiman, and Machado for crime lovers who want to read supernatural fiction. “10 Shadowy Meetings of Crime and the Occult” at CrimeReads.

…Sometimes the crime layer peels and reveals more horrific muscle underneath. Crime and horror, especially the occult, have a long-entwined history. Sometimes it’s a ruse like Sherlock Holmes faces in The Hound of the Baskervilles, or ambiguous like in True Detective, but stories of investigators and outlaws facing ghosts, witches, and devils dot the pages of genre-mixed stories in Weird Tales, movies, novels, and comic book characters like Batman, John Constantine, and more. It’s a fun mix, too; hard to predict whether the greater threat might come from and carrying the mix of noir elements suggesting an unjust universe….

(9) MORE TRIBUTES FOR MAUREEN KINCAID SPELLER.

Nina Allan mourns “Maureen Kincaid Speller” at The Spider’s House.

…Death is always difficult to come to terms with, but in the case of Maureen it seems doubly so. She had so much more still to give. Her indomitable spirit, her keen intellect, her wicked sense of humour and the all round pleasure in being in her company – these things make her loss all the more painful. I don’t think I will ever get used to the knowledge that she is no longer with us….

Paul Raven appreciated her inclusiveness: “maureen” at Velcro City Tourist Board.

… I found her an easy person to like, which is rarer than you might think. A lot of it probably had to do with the way in which she would just kinda include you in a conversation or event, even if she didn’t know you that well: an assumption not of friendship, exactly, but of the potential for such….

(10) MEDIA BIRTHDAY.  

1999 [By Cat Eldridge.] Before the Tomb Raider films kicked dust up, there was twenty-three years ago the Relic Hunter series, to put it politely, a ripoff of the Indiana Jones films with a much more sexy central character.

Starring Althea Rae Duhinio Janairo known as professionally when modeling, or acting as Tia Carrere, it has instead of a grizzled Professor, a sexy Sydney Fox, also a professor who is also a globe-trotting “relic hunter” who looks for ancient artifacts to return to museums and/or the descendants of the original owner. See rip off. Many of these relics have genre underpinnings to them, being supernatural in nature or being pieces of advanced technology.

Yes, the series was shot in the Toronto area like so many genre series before the Vancouver region became popular for reasons unknown though I assume it had to do with a shorter commute to the LA studios, and includes many familiar local landmarks among its locations. A sharp eye can spot that the European locations are actually still there. No, not blue screen was not done on this series. 

Jay Firestone who was the Executive Producer here is a Major Player on genre series responsible behind the scenes for such works as AndromedaFX: The SeriesLa Femme NikitaQueen of Swords and Mutant X. Some one hundred seventy shows are in his company holdings right now. 

The Relic Hunter series which premiered in 1999 really didn’t last that long as it went off the air after three seasons and sixty-six episodes. It’s streaming on Amazon, Freevee, Tubu, Vudu and YouTube right now. 

It holds among audience reviewers at Rotten Tomatoes a middling fifty-five percent rating. 

Ok, I’ve not seen it, so who has? 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 20, 1935 Keith Roberts. Author of Pavane, an amazing novel.  I’ve also read his collection of ghost stories, Winterwood and Other Hauntings, with an introduction by Robert Holdstock. Interestingly he has four BSFA Awards including ones for the artwork for the cover of his own first edition of Kaeti & Company. (Died 2000.)
  • Born September 20, 1948 JoAnna Cameron. I’ve previously mentioned in passing Shazam!, a Seventies children’s series done by Filmation. Well she was the lead on Isis, another Filmation children’s series done at the same time. Her only genre appearance was a brief one in the Amazing Spider-Man series. Anyone here seen it? I don’t remember seeing it. (Died 2021.)
  • Born September 20, 1950 James Blaylock, 72. One of my favorite writers. I’d recommend the Ghosts trilogy, the Christian trilogy and The Adventures of Langdon St. Ives which collects all of the Langdon St. Ives adventures together as his best writing, but anything by him is worth reading. I see the usual suspects don’t have much by him but they do have two Langdon St. Ives tales, Homunclus and Beneath London. He’s generously stocked at the usual suspects.
  • Born September 20, 1965 Robert Rusler, 57. Actor whose genre creds include Max in Weird Science, Ron Grady in the genre adjacent A Nightmare on Elm Street 2: Freddy’s Revenge, A.J. In the equally genre adjacent Vamp, Richard Lawson in Sometimes Trey Come Back off the Stephen King novel, a recurring role for twenty two episodes of Lt. Warren Keffer on Babylon 5 (see how many characters JMS would be recasting?), Enterprise’s “Anomaly” as Orgoth and I think that’s it. 
  • Born September 20, 1973 Cody Goodfellow, 49. Best known for his Radiant Dawn sequence which consists of Radiant Dawn and Ravenous Dusk which have more than a touch of the Cthulhu Mythos in them. Perfect Union uses bee genes to create a near perfect utopia that actually is a horror in the end. Very prolific with over ten novels to his name so far. 
  • Born September 20, 1974 Owen Sheers, 48. His first novel, Resistance, tells the story of the inhabitants of a valley near Abergavenny in Wales in  the Forties shortly after the failure of Operation Overlord and a successful German takeover of Britain. It’s been made into a film.  He also wrote the “White Ravens”, a contemporary take off the myth of Branwen Daughter of Llyr, found in the New Stories from the Mabinogion series.
  • Born September 20, 1986 Aldis Hodge, 36. He played Alec Hardison on the Leverage series which just got a reboot. Ok, I know it’s not precisely genre but if there’s a spiritual descendant of Mission: Impossible, this series is it. Both the cast and their use of technology in that series are keeping with the MI spirit. He’s also had one-offs on CharmedBuffy the Vampire SlayerSupernaturalThe Walking DeadStar Trek: Discovery’s Short Takes and Bones (which given that it crossed over with Sleepy Hollow…) He will play Carter Hall/Hawkman in the upcoming Black Adam assuming it doesn’t get cancelled.
  • Born September 20, 1989 Malachi Kirby, 33. His most noted was Stripe in the Black Mirror episode “Men Against Fire”, but he’s also been in the Twelfth Doctor story “Hell Bent” as Gaston. He had the recurring role of Spring Heeled Jack Burton in the Thirties-set version of Jekyll and Hyde which revolved around of the grandson of Dr. Henry Jekyll who has inherited his grandfather’s split personality and violent alter-ego.

(12) FORCES THAT FORMED TOLKIEN. Smithsonian Magazine will host John Garth’s talk “The Real World of J.R.R. Tolkien” on Wednesday, September 21 at 2:00 p.m. Eastern. Tickets $25 at the link.

In this insightful lecture, the British scholar John Garth will tell us about the real-life forces that shaped Tolkien’s imaginary world—particularly the upheavals of the interwar period, which shook Tolkien to the core and prompted him to create the story of a doomed Atlantis-like island, now the basis for a new Amazon Prime television series. Garth, author of a feature in the October issue of Smithsonian, will also take your questions about all things Tolkien in a Q&A with Smithsonian senior editor Jennie Rothenberg Gritz.

(13) CLOSING THE BARN DOOR BEFORE THINGS ESCAPE. A Colorado town library has a new solution to book bans: “Colorado Town Has A Plan To Tackle Censorship: Banning Book Bans” at HuffPost.

A group of residents who showed concerns about books in a Colorado library last month have sparked a ban they did not foresee this week: a ban on book bans.

The Wellington town board voted 5-2 to pass a resolution that barred the board from restricting access to materials at the Wellington Public Library on Tuesday, The Coloradoan reported.

The move followed an August town board meeting where residents, led by town board member Jon Gaiter’s wife, Christine Gaiter, referred to books ― what she called “pornographic materials” ― she said weren’t suitable for kids.

Gaiter’s list of 19 books included “The Bluest Eye” by Toni Morrison and “The Perks of Being a Wallflower” by Stephen Chbosky, according to the newspaper.

Gaiter told the board on Tuesday that she wanted restrictions on children accessing the books, not a book ban, but some residents said in August that they did want a ban.

A “majority” of residents “packed” a board room to support the resolution that would ban book bans on Tuesday, according to The Coloradoan….

(14) TOUGH TRIVIA. The Slate quiz from a couple days ago was on an SF theme: “Slate Quiz: The hardest trivia you’ll answer all week”. I got 10 of 12 quiz questions right. Knew 9 of them cold, guessed the rest but only one of my guesses was right. How about you?

(15) VAT GOT YOUR TONGUE? It’s the season for no reason…. There are 14 questionable flavors available at Archie McPhee’s “Candy Canes” headquarters page.

This year’s candy canes are here in three wonderfully terrible flavors. Butter Candy Canes have the taste of unsalted, but heavily sweetened, butter. Brisket is a holiday staple and Brisket Candy Canes are sure to become a tradition in your family. You can taste the meat! Last, and perhaps most disturbing, we have Caesar Salad Candy Canes. It tastes like salad with a hint of anchovy. Christmas is “yummy” again!

And let’s not forget “Sardine Candy Canes”.

(16) BAT-TIME TO WAKE UP. I think I would find this more palatable: Comics on Coffee’s “Dark Knight Roast”.

The ultimate team-up! Comics On Coffee & DC have joined forces to make your mornings more exciting and action packed with great tasting coffee! This Dark Knight Roast is an excellent cup of coffee, that will leave your taste buds begging for one more cup! Absolutely no bitter aftertaste, with a tiny hint of citrus and chocolate.

(17) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: Outer Wilds”, Fandom Games says this game gives you a chance to explore fascinating new worlds, until the 20-minute timer causes the sun to go supernova if you haven’t completed a task. The narrator says this could be “the next game you annoy your friends about” but if you’re a gamer who likes to punch or blast things, this one is not for you.

[Thanks to John King Tarpinian, Andrew Porter, Chris Barkley, Cora Buhlert, Jennifer Hawthorne, rcade, Olav Rokne, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

I Sing Bradbury Electric: A Loving, Personal Remembrance 

Ray Bradbury at his home in Los Angeles (photo by Danny Tuffs, Getty Images)

By Steve Vertlieb: He was a kindly, gentle soul who lived among us for a seeming eternity. But even eternity is finite. He was justifiably numbered among the most influential writers of the twentieth century. Among the limitless vistas of science fiction and fantasy he was, perhaps, second only in literary significance to H.G. Wells who briefly shared the last century with him. Ray Bradbury was, above all else, the poet laureate of speculative fiction. He shared with Ernest Hemingway the simplicity of phrase inspired by genius. No more legendary literary figure ever claimed Earth as his home, and yet Ray Bradbury was a childlike gargantuan whose life and artistry were shaped by the wonder and innocence of curiosity and tender imagination.

He was born into a world of rocket ships and monsters, a universe traversed by Buck Rogers, Flash Gordon, Frankenstein, Dracula, and a miraculous primordial ape called KING KONG. His boyhood was transformed by the promise of distant worlds and stranger creatures whose outward malevolence masked secret torment, the sadness of being deemed somehow different.

Ray Douglas Bradbury was born in Waukegan, Illinois (a hometown he shared with Jack Benny) on August 22nd, 1920. From birth he shared an affinity with the magical realm of motion pictures. His middle name was dedicated to the imagery of screen swashbuckler Douglas Fairbanks, and so Ray always knew that his spiritual ancestors consisted of pirates and colorful masked swordsmen. Coming of age during America’s great Depression, the gregarious youth was lifted by the seat of his pants by silken images painted in celluloid. His heroes consisted not only of daring cavaliers such as Fairbanks, but by the pervasively exotic characterizations of Lon Chaney Sr., Boris Karloff and Bela Lugosi. The mystic lure of far away worlds beckoned the impressionable adolescent with the promise of tomorrow, while monstrous cinematic cadavers and rockets to Mars replaced the mundane scenery of a Depression-stricken America.

As sympathetic souls and kindred spirits came together in pre-destined unison, Bradbury found himself drawn to the early worlds of science fiction, fantasy, pulp fandom and, together with fellow teenagers Ray Harryhausen and Forrest James Ackerman, began their journey of discovery, forming what has come to be recognized as “first fandom,” in pursuit of creative profit and recognition. Bradbury would later state that he owed everything to Forry Ackerman who sold his first published story. The third member of the imaginative trio, Ray Harryhausen, formalized their creative partnership with the visual realization of Bradbury’s short story “The Fog Horn.” Published in a celebrated issue of The Saturday Evening Post, the short story concerning a sea beast consumed by the tantalizing image of an isolated light house, became the basis for Harryhausen’s first solo screen effort, The Beast From 20,000 Fathoms.

Rod Serling encouraged the celebrated writer to join his literary enclave at CBS Television as the decade reached its conclusion and, while Bradbury submitted several scripts to Serling’s classic science fiction/fantasy anthology series, The Twilight Zone, only one was aired as a part of the series. “I Sing The Body Electric,” inspired by Walt Whitman’s famous poem, served as the basis for a Bradbury story in which an electric grandmother is hired by a wealthy widower to work as his children’s nanny. The episode aired as a part of the series on May 18th, 1962 and was later included in a famous Bradbury anthology of the same name published in 1969. While this remains the only episode of the series penned by Bradbury, Serling managed to include an affectionate reference to the writer in his own melancholy tale (“Walking Distance”) of an advertising executive on the verge of a nervous breakdown, coming home once more to the small town in which he had spent his boyhood. As Martin Sloan (Gig Young) walks along the streets of Homewood, he makes a casual reference to the Bradbury house standing prominently in his gaze. Homewood sweetly represented small town Americana from which both writers had migrated.

Ray Bradbury turned his adolescent energy and enthusiasm into poetic imagery, and brought a human face to Man’s exploration of the stars. When Neil Armstrong took his first small steps upon the lunar landscape in July,1969, generating a giant leap of faith for all Mankind, Bradbury’s frustration over the lack of excitement shown by the television networks covering the monumental story exploded into headlines, and a memorable tirade by the world’s most eloquent innocent. Bradbury sat solemn and quiet as a guest on a network Lunar themed telecast, struggling to fill time with inanity after insanity. Unable to contain his rage at the proliferation of stupidity filling the national airwaves, the child in a man’s body rose to his feet…outraged by the lack of understanding and exhilaration being exhibited by David Frost and his disinterested panel of guests…and threatened to walk off of the live telecast. His contempt for the bland assemblage of guests apparent, Bradbury admonished them as he would a poor student in the gaze of a disappointed teacher. “This is the greatest night in the history of the world,” he raged. The lack of excitement over this cherished, awe inspiring moment in time, was just too much for this child of wonder either to accept or to absorb. The moment that Ray, and millions of children around the world, had dreamt of and imagined since Buck Rogers and Superman had first flown into space some thirty years earlier was finally here. That these simple, uninspired talk show guests were consumed with themselves, rather than this extraordinary moment of mortal achievement and exploration, was more than Bradbury could endure.

Like millions of imaginative children inhabiting Bradbury’s world, I revered his name and legend. Ray Bradbury signified everything I’d ever dreamt of or aspired to.

As a quiet, introspective boy growing up in Philadelphia during the nineteen fifties, I became a poster child for what would one day become known as “A Monster Kid” — a generation of “baby boomers” weaned on, and inspired by, television, the huge monster movie craze of the fifties, and the introduction of a genre movie magazine with the unlikely name of Famous Monsters of Filmland. The progenitor of this magical publication was none other than the editor who had first brought Ray Bradbury to the attention of publishers. Forrest J Ackerman, or as he was known to his millions of adoring children, “Uncle Forry.”

Forry was the Hans Christian Anderson of science fiction, fantasy, and horror, a Walt Disney father figure who, like the proverbial “Pan,” would lure willing children to worlds and concepts beyond the stars, filling their imaginations with inspirational promise and invitation. He was a joyous Pied Piper who, together with his boyhood friends, Ray Bradbury and Ray Harryhausen, would cause generation after generation of creative youth to embrace their dreams, and create their own fantastic lives and careers. Steven Spielberg and George Lucas were only two of the many artists who found their singular paths among the clouds inhabited by Bradbury, Harryhausen, and Ackerman.

Ray Bradbury with Steve and Erwin Vertlieb

It was during the wonderful Summer months of 1974 that I traveled for the first time to Los Angeles, and came face to face with the land of fantasies, dreams, imagination, and motion pictures that had so consumed and mesmerized my own impressionable childhood. I was like the proverbial kid in the candy store. Everywhere I turned represented the reflection of my own childhood longing and wanderings.

Among my friends of the period was composer and orchestrator John Morgan. John announced one afternoon that he had received an invitation to Ray Bradbury’s house that evening, and he wondered if my brother Erwin and I would like to join him for the royal summons. I swallowed my singular exhilaration, and excitedly accepted his generous invitation. Bradbury’s residence was a large yellow structure in a quiet residential neighborhood. We nervously climbed the outer steps and rang the door bell. As the door opened, Ray greeted us personally and ushered the three of us into his living room. I was both thrilled and frightened, for here within my gaze was the legendary writer smiling at me and extending his hand. His hands, I remember, were very large and inviting and I became lost inside their welcome grasp. Ray asked me about my own career, and I told him that I was a published writer and minor film historian. My day job was, I explained, a film editor at a Philadelphia television station.

He asked if I knew that he had written the screen play for John Huston’s magnificent 1956 production of Moby Dick. I assured him that I had. He was very proud of the gift that Huston had given him after the picture had been released. It was a 16-millimeter Technicolor print of the Warner Bros. release given him personally by the director. Ray was like a little kid proudly showing off his Hopalong Cassidy pistol. He asked if I’d like to see a few minutes of the film. I said yes, of course, and he ran to find the print. His joy was infectious as I watched him delicately thread the projector and share his treasure with us.

As the film began to unspool on the screen in his living room I could see that the print was immaculate. My film editor’s eye, however, noticed just the beginnings of an emulsion scratch in the otherwise gorgeous Technicolor print. I took my life in my hands, and asked Ray to stop the film for a moment. I don’t know if it was courage on my part or youthful arrogance. It’s difficult now to say which. Ray looked at me with a puzzled expression. I asked him if he ever cleaned his projector “gate.” He asked what I meant. I said “Ray, do you have a box of cue tips and some Isopropyl Alcohol?” Here was one of the most important writers of the Twentieth Century going dutifully to fetch a box of cue tips for this young upstart transgressing his hospitality. I honestly thought he would lift me bodily from my chair, and hurl me out the door to the street below. Instead, like the gentle soul he was, he went out into another room to bring what I had requested. I took a cue tip from the box he had handed me and immersed it in the accompanying bottle of alcohol. I showed him how to clean the “gate” of the projector in the areas that came into contact with the film print and assured him that this procedure would help to keep his beloved Technicolor print from being torn and permanently scratched. He thanked me for this simple lesson in film maintenance, and appeared grateful, but I was thoroughly convinced at the time that I would soon be black listed all over Hollywood, and forbidden from ever encountering or confronting this splendid Ice Cream Man again. That was Ray. He was just a big kid…a gentle, enthusiastic child with the talent and intellect of a genius.

During that same trip out West we had the unique opportunity to sit in the audience with Ray and his wife for a live, small theater production of Fahrenheit 451. Ray told me that he adored Bernard Herrmann’s original score for the Truffaut film version of his famous novel and, at his insistence, the small theater troupe used excerpts from the Herrmann recording of his score for London Phase 4 Records, with the composer conducting The London Philharmonic Orchestra. The experience was surreal.

After that, Ray and I maintained a sporadic, yet steady correspondence for the rest of his life. I remember running into him at one of Forry Ackerman’s Famous Monsters Of Filmland conventions in Virginia in 1993. I hadn’t seen Ray in years. He was surrounded, as he always was, by a burgeoning crowd of awe-struck fans. I approached him and asked if he remembered an arrogant young man some twenty years earlier who had had the temerity, in his own living room, to lecture him on the care and feeding of his 16-millimeter movie projector. He looked up at me from the hotel couch on which he was sitting and grinned somewhat impishly, pointing his finger in my direction. “Was that YOU?” I assured him that I was, indeed, that brazen young lad. We both chuckled over the recollection of that embarrassing episode so many years earlier. He might have cringed at my appearance, but he didn’t. He simply chuckled in delight. He was A Medicine For Melancholy.

Among the many ties that bound us together was Ray’s passionate interest in symphonic motion picture music written for the screen. We shared a love for the music of such composers as Bernard Herrmann, Miklos Rozsa, and Max Steiner among others. I had known Miklos Rozsa as a friend for nearly thirty years, and Ray not only admired his music, but had worked together with the composer during the filming of King Of Kings for MGM in 1961. Rozsa had won a richly deserved Oscar for his magnificent 1959 score for Metro-Goldwyn- Mayer’s Ben-Hur, and so was asked to write the music for the studio’s early sixties remake of the original 1927 Cecil B. DeMille silent classic. Ray was hired by Metro to write the narration spoken by Orson Welles scattered throughout the picture, and attended some of the recording sessions with Rozsa.

In 2007 the historic Castro Theater in San Francisco was preparing a special film festival honoring the work of the legendary composer, and I was asked to choose the films for the presentation, write the liner notes for the program, and co-host the festival. As it turned out, the Miklos Rozsa film festival became a major San Francisco event in late 2007 and early 2008 with seventeen motion pictures presented to packed houses over a nine-day period. The composer’s daughter, Juliet Rozsa, along with his granddaughters Nicci and Ariana, all drove in from Los Angeles and appeared with me on stage during the introductions. I was honored to read proclamations from both the Mayor of San Francisco, as well as the Hungarian Ambassador to The United States. However, the introduction that thrilled me the most was one written expressly for the event by Ray Bradbury.

Knowing Ray’s love for film music, I wrote him about the festival. He wrote me back asking if he might contribute his own written introduction to the festival. I was honored to accept his lovely request. After all, who was I to say say “no” to Ray Bradbury. Consequently, I felt a tingle of excitement as I read Ray’s brief, loving words from the stage to an audience of some seven hundred people just prior to my “live” interview with Juliet Rozsa, and a 35-millimeter screening of the composer’s masterpiece, Ben-Hur.

Over the years that followed I continued to correspond with Ray, both my mail and through the internet. Each Christmas would bring Ray’s newest holiday poetry which seemed to arrive not through conventional mail delivery but, rather, upon wings of angels within a snow covered sleigh. On one memorable occasion, after sending him an article I’d written pertaining to the science fiction genre we both so adored, he wrote me a lovely note thanking me for continuing to write about the worlds of fantasy and science fiction. He felt a singular obligation to keep the faith, so to speak, through his own place in literary history, and wanted to thank me, as well, for continuing to carry the torch along with him. Despite his advancing years and assorted health problems, which included a debilitating stroke in 1999, he was still the same little boy who had discovered the wonder of other worlds and galaxies so many decades before. Like Ray Harryhausen and Forry Ackerman, with whom he had shared his first spiritual journeys to outer space, he wrote “Steve…You’re a good pal.” I nearly cried when I read that, and wanted to reach out and hug this gentle soul whose life and work had so touched and impacted my own.

Ray continued to find wonder in the music of the movies and particularly loved Jerry Goldsmith’s valiant score for The Wind and The Lion. His affection for Goldsmith’s exhilarating musical themes for the romantic Sean Connery adventure film inspired his own work, and he proudly acknowledged his debt to the composer’s symphonic poetry in creating Now And Forever: Somewhere A Band Is Playing, published by William Morrow Company in 2007.

Jerry Goldsmith

I published my own tribute to Jerry Goldsmith and his music for another epic score, First Knight, in June, 2011, at Film Music Review, and discussed Ray’s love for that earlier Goldsmith music. I sent the article to Ray’s beloved daughter, Alexandra (Zee) shortly after its online publication. I think that one of the greatest thrills of my life, perhaps, was when Zee took my work along with her during a trip to her dad’s home a few weeks later, and read it to him. She wrote me that he smiled from ear to ear and offered his own enthusiastic comments as she read him my words about the Goldsmith music. 

Several weeks later I received a small parcel from Ray in the mail. On the face of the large white envelope were two postage stamps honoring Edgar Allan Poe.

Next to the stamps, Ray had drawn an arrow pointing toward Poe, and written in big letters “My Pa.”

Inside the envelope were a photograph of Ray standing next to a painting of Poe, along with a handwritten note which read…

Steve:

Thanks for “Mickey” (Miklos Rozsa)
4E (Forry Ackerman)
Xmas
& ME!

Love,
Ray

I got to see Ray a couple of more times, and those visits were the most wonderful love fests that I could have imagined. After the death of his lifelong friend friend Forry Ackerman, I sent Ray my Rondo-nominated tribute to my own forty-seven year friendship with Uncle Forry and, as I sat at his side, Ray said “I owe him everything.” I visited Ray shortly after his ninetieth birthday in late August, 2010. He was busily involved in numerous tributes, interviews and appearances honoring his birthday, but he told Zee to please somehow fit me into his schedule…and so I traveled with my little brother Erwin to Ray’s house to spend a loving hour at his feet. It was difficult for him to speak due to ill health, but he was obviously happy to see us and felt invigorated by our visit. I continued to feel astonished that this world renowned literary figure, this giant of a writer, was still living within the confines of the very same humble home he’d shared with an unsuspecting, quiet residential neighborhood for some fifty years. When I asked him about it, he told me that he’d raised his family and enjoyed much of his fame and success in his beloved house. Why would he ever wish to leave it?

In January, 2010, I discovered that my own health had been dramatically failing and that I would need major open heart surgery quite soon if I were to survive. In mid February of that year we scheduled surgery for a few weeks hence. I wrote Ray of my impending procedure, and he playfully instructed Zee to write me of the poetic irony of my requiring heart surgery right around Valentine’s Day. He further instructed her to tell me that he would not allow me to die. Who was I to contradict Ray Bradbury?

I was able to visit Ray one more time during the closing days of August, 2011. Once again, the demands on his time had become nearly impossible, as the world around him was beginning to understand and respect the significance and singular importance of the solitary inspiration who had so profoundly influenced the better part of their lives. Once again, Ray grew excited at the prospect of my impending visit and asked Zee to please arrange his schedule so that he might find time to see me. When Zee wrote me that “Dad” was excited about seeing me during my visit to Los Angeles, I humbly pondered the reasons why Ray Bradbury…this living legend…would grow excited over seeing me, of all people. I think the reason for his enthusiasm had little to do with me personally. It was just that Ray had never truly grown up. He was still the eternal innocent…still the little boy possessed of childlike awe and wonder who was eager to stop time and simply visit with an old “pal.”

Ray had just turned ninety-one and was visibly excited over the news that a film production company had just purchased the rights to his novel Dandelion Wine. As we entered the house, Zee told me that her dad was thrilled by the report and that he couldn’t wait to tell me about it. When I entered his den I found him in good spirits and quite animated. We talked of the sale, and of our nearly forty-year friendship. As the time wore on, and Ray was growing tired, I grew unusually sentimental as we were to preparing to leave. I filled up with tears as I told Ray how deeply I loved him, and how he had so profoundly impacted not only my life, but the lives of literally millions of friends and admirers all over the world who loved him as well, and owed him so very much. I arose from my chair and embraced this frail, gentle soul. I kissed him on his cheek, and told him how much he meant to me. He said “I love you, too, Steve” as each of us smiled and fought back the inevitable tears.

As we left the modest home on Cheviot Drive, I turned once more to see the façade and stood there for a moment, deep in thought and contemplation. As we got into the car, I said to Erwin “I have a terrible feeling that this is the last time we’ll ever see Ray.”

The remaining months of 2011 slipped quickly away. A new year was dawning but, with it, came new health concerns…not only for me, but for my beloved mom who had celebrated her one hundredth birthday six months earlier. In the early morning hours of February 1st, 2012, I received the dreaded telephone call that my mother had passed away. Among the treasured notes and letters of condolence that I received was a touching E-mail from Ray and Zee Bradbury expressing their sadness over the loss of my mom.

Nostalgia for things past and for a simpler time, perhaps, has become a common thread shared by so many so called “baby boomers.” In December, 2011, I was interviewed in my home for two hours by film director Robert Tinnell and a camera crew for a new film documentary concerning the “Monster Kid” phenomenon inspired by Forrest J Ackerman, his groundbreaking Famous Monsters Of Filmland Magazine, and the hugely popular, affectionately remembered monster movie craze of the 1950’s. Such luminaries as Steven Spielberg and George Lucas owe their careers to the phenomenon, as do such decidedly minor players as myself. While the film has not yet been completed, the producers released a theatrical trailer promoting their forthcoming documentary in the Spring. I sent the link for the trailer to Zee Bradbury, inspiring her to write back that “Dad should really be a part of this.” I telephoned Bob Tinnell on his mobile phone while he was driving in West Virginia to let him know that Ray Bradbury was interested in appearing in his film. He pulled off to the side of the road in excitement over the news. I put Bob in touch with Zee, and they arranged for Bob to come and visit Ray either in late May or early June, 2012, to interview him for the film.

In the meantime, I had spoken with Zee about my own impending return to Los Angeles in late August, 2012 and, as usual, she wrote back that her dad was excited about seeing me, and had asked her to re-arrange his schedule so that he might find the time to do so. While at work on the morning of Wednesday, June 6th, I received an E-Mail from Bob Tinnell letting me know that Ray had passed away during the night before at his home in Los Angeles. I stared at my Blackberry phone in stunned silence, unable to fully grasp the news. Ray Bradbury was gone. I began to cry. My lifelong hero and friend had died. I would no longer behold his wonderful face and childlike smile, nor would I ever again find my own hands lost in his. He had joined Forry and his other pals in what must surely be Science Fiction Heaven. Ray shared our lives and existence for an all too brief and shining moment in eternity, and now he had departed, leaving us to face a world sadly dreary in his absence.

Ray has found peace in another realm of immortality, having joined The Ghosts of Forever, and yet his work lives on beyond his fabled physical presence, and we shall continue to sing Bradbury Electric in joyful celebration and chorus for the remainder of our own solitary sojourn upon this wondrous sphere.

— Steve Vertlieb, June 2012
Contributing writer – Film Music Review

Originally published by Roger Hall in Film Music Review.

[Some of the images in the remembrance are from the author’s personal collection. Others are from online sources and no copyright infringement is intended or implied.]

Pixel Scroll 6/6/21 The Wee Pun Shoppes Of Ishtar

(1) NETWORK EFFECT. Martha Wells commented about last night’s win in “Nebula Award!”

So a cool thing happened: Network Effect won the Nebula Award for Best Novel!

I was really shocked and floored. I really didn’t think it would win. We had invited some (vaccinated) friends over to watch the ceremony live on YouTube but I also had to be logged in to a zoom “green room” the whole time, so we spent a lot of Friday and Saturday housecleaning, getting party food at the store, and trying to reconfigure our internet to be robust enough to make this work. (Because of the way the live broadcast worked, if I got kicked out of the green room zoom because of a dropped connection, they wouldn’t be able to let me back in.) We ended up directly connecting my laptop to the router, which worked great. And the Tiramisu cake from the HEB bakery was both beautiful and delicious.

There was a Nebula Red Carpet tag on Twitter for outfits, and I wore a dress I’d actually bought for the Dublin WorldCon, but the back wasn’t sewn quite right, so wearing it for an online event was perfect.

(2) O’DONNELL AWARD. And Connie Willis, winner of The Kevin J. O’Donnell, Jr. Service to SFWA Award, posted her acceptance remarks on Facebook.

Thank you, Jim, for that great introduction and thanks to all of you for this lovely award.

I don’t really deserve it. In the first place, if the service was emceeing the Nebulas, that was really fun.

In the second place, if it was teaching at Clarion and Clarion West, I loved doing that, and I’ve been rewarded every day by the wonderful things my students have accomplished and the awards they’ve won. You Clarion people are great!…

(3) LIVE FROM THE VATICAN. Brother Guy is on the NPR’s “Weekend Edition”: “The Vatican’s Space Observatory Wants To See Stars And Faith Align”.

At a time of growing diffidence toward some new scientific discoveries, the one and only Vatican institution that does scientific research recently launched a campaign to promote dialogue between faith and science.

It’s the Vatican Observatory, located on the grounds of the papal summer residence in Castel Gandolfo, a medieval town in Alban Hills 15 miles southeast of Rome.

The director, Brother Guy Consolmagno, is giving this reporter a guided tour of the grounds…. 

…A native of Detroit, Consolmagno studied physics at the Massachusetts Institute of Technology, volunteered with the Peace Corps in Africa and taught physics before becoming a Jesuit brother in his 40s. He has been at the Observatory for three decades. His passion for astronomy started with a childhood love of science fiction.\

“I love the kind of science fiction that gives you that sense of wonder, that reminds you at the end of the day why we dream of being able to go into space,” Consolmagno says.

A passionate Star Wars fan, he tells this reporter proudly, “even Obi-Wan Kenobi came to visit” the Observatory, pointing to the signature of actor Alec Guinness, who played the role in the original movie trilogy, in a visitor’s book from 1958….

(4) THANKS FOR THE MEMORIES. From writer/director/producer Lisa Joy (Westworld) comes Warner Bros. action picture Reminiscence, starring Hugh Jackman, Rebecca Ferguson and Thandiwe Newton. Scheduled for release on August 20.

Nick Bannister (Jackman), a private investigator of the mind, navigates the darkly alluring world of the past by helping his clients access lost memories. Living on the fringes of the sunken Miami coast, his life is forever changed when he takes on a new client, Mae (Ferguson). A simple matter of lost and found becomes a dangerous obsession. As Bannister fights to find the truth about Mae’s disappearance, he uncovers a violent conspiracy, and must ultimately answer the question: how far would you go to hold on to the ones you love?

(5) FOREIGN MARKETS. Fonda Lee comments on trad publishers’ varied handling of translated editions of books. Thread starts here.

(6) DEEPER DIVE INTO POE. In the Washington Post, Michael Dirda reviews The Reason for the Darkness of the Night by John Tresch, a book that shows that Edgar Allan Poe was well-informed about the science of his day and a look at how science played a role in Poe’s thought, including his fiction. “Is Poe the most influential American writer? A new book offers evidence”.

…That morose view of Poe, still widespread, isn’t precisely accurate. As Tresch reminds us, Edgar grew up coddled by the wealth and status of his Richmond stepparents, excelled in many of his courses at the University of Virginia and, during his time at West Point, was well liked by his fellow cadets (over half of whom helped underwrite a volume of his poems). While it’s hard to imagine him in any uniform but a severe black suit, Poe actually served in the Army for four years, rising to the rank of sergeant major.

…As a lifelong “Magazinist,” Poe could write anything: humorous squibs, book reviews, parodies, articles about the latest scientific discoveries, exposés of quackery (most notably of Maelzel’s chess-playing automaton), critical essays on “the philosophy of composition,” an almost unreadable cosmological prose-poem called “Eureka” and, of course, those unforgettable stories of self-justifying murderers and shrill psychopaths: “The thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult I vowed revenge.” . . . “True — nervous — very, very dreadfully nervous I had been and am; but why will you say that I am mad?”

In “The Reason for the Darkness of the Night” (available June 15), Tresch emphasizes how much Poe infuses scientific discourse into his most fantastical imaginings. For example, in “A Descent Into the Maelstrom,” a sailor, whose boat has been sucked into a gigantic whirlpool, rather improbably saves himself by thinking like a physicist: He observes that cylindrical objects fell more slowly into the whirling vortex than other objects of the same size, so he quickly lashes himself to a barrel to escape from a watery grave. In another story, “The Man That Was Used Up,” Poe describes a highly decorated army officer who, because his body parts have been replaced by various prostheses, is actually a steampunk cyborg….

(7) KRAMER PAROLE VIOLATION ALLEGED. Seems like it’s barely news anymore when Ed Kramer gets arrested. Just found out this happened in January: “Ed Kramer — who was tied to Gwinnett courthouse computer trespassing drama — was arrested this week” – the Gwinnett (GA) Daily Post has the story.

Gwinnett County jail records show Ed Kramer was arrested by sheriff’s deputies on Wednesday and released the following day. The only charge was the probation violation, for which a judge set a $22,200 bond.

“There was an alleged probation violation where it was alleged that Mr. Kramer texted an alleged image of an unclothed adolescent,” District Attorney Patsy Austin-Gatson said. “He has been released and the matter is pending investigation.”…

(8) GRAND OPENING. Deadline says the “2021-22 NBC Schedule” features a show that’ll go even deeper underground than LA’s Red Line.

TUESDAY

9-10 PM – LA BREA

LA BREA – An epic adventure begins when a massive sinkhole opens in the middle of Los Angeles, pulling hundreds of people and buildings into its depths. Those who fell in find themselves in a mysterious and dangerous primeval land, where they have no choice but to band together to survive. Meanwhile, the rest of the world desperately seeks to understand what happened. In the search for answers, one family torn apart by this disaster will have to unlock the secrets of this inexplicable event to find a way back to each other.

The cast includes Natalie Zea, Eoin Macken, Jon Seda, Nicholas Gonzalez, Chiké Okonkwo, Karina Logue, Zyra Gorecki, Jack Martin, Veronica St. Clair, Rohan Mirchandaney, Lily Santiago, Josh McKenzie and Chloe De Los Santos. Writer David Appelbaum executive produces with Avi Nir, Alon Shtruzman, Peter Traugott, Rachel Kaplan, Steven Lilien, Bryan Wynbrandt, Ken Woodruff, Arika Lisanne Mittman and Adam Davidson. “La Brea” is produced by Universal Television, a division of Universal Studio Group, in association with Keshet Studios.

(9) WILLIAMS III OBIT. Actor Clarence Williams III died June 4 of colon cancer at the age of 81. Best known for his work on Sixties police series The Mod Squad, his genre roles included three episodes of Twin Peaks (1990) as FBI Agent Roger Hardy, who informed Dale Cooper of his suspension from the FBI. He also was in TV episodes of Tales from the Crypt (1992), Star Trek: Deep Space 9 (1996), and Millennium (1997).

(10) MEDIA BIRTHDAY.

June 6, 1998 – On this date in 1998, The Truman Show premiered. It was directed by Peter Weir, and produced by Scott Rudin, Andrew Niccol, Edward S. Feldman, and Adam Schroeder. It was written by Andrew Niccol off the 198 The Twilight Zone episode “Special Service” (as written by J. Michael Straczynski). It starred Jim Carrey, Laura Linney, Noah Emmerich, Natascha McElhone, Holland Taylor and Ed Harris.  Critics loved it, it did great at the box office and the audience reviewers at Rotten Tomatoes currently give it an eighty-nine percent rating. Did I mention it won the Hugo for Best Dramatic Presentation at Aussiecon Three? 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born June 6, 1799 – Alexander Pushkin.  Sometimes after a surprise you re-examine and think “Oh.  Of course.”  When Ravi Shankar first visited Russia, people cried “Pushkin!  Pushkin!”  They loved Pushkin and there is a resemblance.  I’d like to call Mozart and Salieri a fantasy but, as my father used to say, not within the normal meaning of that term.  Anyway, we get Ruslan and Lyudmila and “The Queen of Spades” and The Bronze Horseman and “The Golden Cockerel” and The Stone Guest and “The Shot”.  Speaking of which –  (Died 1837) [JH]
  • Born June 6, 1918 — Richard Crane. In the Fifties, he would be cast in two of the series that largely defined the look and feel of televised SF for a decade. First, he was the dashing lead in Rocky Jones, Space Ranger which lasted for thirty-nine thrilling episodes; second, he’s Dick Preston in nine of the twelve episodes of the wonderfully-titled Commando Cody: Sky Marshal of the Universe. He was also the lead in the fifteen-chapter serial Mysterious Island which was a very loose adaption of the Jules Verne novel. (Died 1969.) (CE)
  • Born June 6, 1921 – Milton Charles.  Artist and art director in and out of our field; Art Director for Jaguar (New York), later for Pocket Books; five hundred awards from Amer. Inst. Graphic Arts (AIGA), Society of Illustrators, Amer. Book Publishers, and like that.  Here is his cover for Tucker’s Wild Talenthere is Vonnegut’s Mother Nighthere is a study of his V.C. Andrews covers.  (Died 2002) [JH]
  • Born June 6, 1924 — Robert Abernathy. Writer during the 1940s and 1950s. He’s remembered mostly for his short stories which were published in many of the pulp magazines that existed during the Golden Age of Science Fiction such as Planet StoriesGalaxyF&SFAstounding and Fantastic Universe. He did around forty stories in total, and apparently wrote no novels that I can locate. There’s no collection of his works currently available in digital form but many of his stories are up at the usual digital suspects. (Died 1990.) (CE)
  • Born June 6, 1945 – Vivian French, age 76.  Libraries in the United Kingdom say she is borrowed – that’s a metaphor, folks – shall we call it a Thing Contained for the Container? – half a million times a year; the Tiara Club books have sold three million copies.  Three dozen novels for us, some shorter stories, not least “I Wish I Were an Alien” in which the extraterrestrial boy, for his part, wishes –  [JH]
  • Born June 6, 1947 — Robert Englund, 74. I think his best performance was as Blackie on the very short-lived Nightmare Cafe. Short-lived as in just six episodes. Of course most will remember him playing Freddy Krueger in the Nightmare on Elm Street franchise. He actually appeared in a couple of now forgotten horror films, Dead & Buried  and Galaxy of Terror, before landing that role. And he’s continued to do myriad horror films down to the years ranging from CHUD  to Strippers vs Werewolves. (Really. Truly.)  Versatile man, our Robert.  (CE) 
  • Born June 6, 1951 – Geraldine McCaughrean, age 70.  (Pronounced “muh-cork-run”.)  For us, a dozen novels, including the authorized sequel Peter Pan in Scarlet, retellings of The Odyssey and 1,001 Nights; as many shorter stories; recent collection, Sky Ship; a hundred seventy books all told; five dozen plays; two Carnegie Medals; Printz Award.  “Do not write about what you know, write about what you want to know.”  [JH]
  • Born June 6, 1957 – Max Bertolini, age 64.  Thirty covers, a few interiors; artbooks The Art of Max Bertolini and Revelations; comics.  Here is the Jun 04 Magazine of Fantasy & Science Fiction.  Here is the Oct-Nov 08.  Here is the Apr 11 Fantasy.  Here is his Silver Surfer.  [JH]
  • Born June 6, 1964 — Jay Lake. Another one who died far too young. If you read nothing else by him, read his brilliant Mainspring Universe series. Though his Green Universe is also entertaining and I see Wiki, not necessarily known for its accuracy, claims an entire Sunspin Universe series is still forthcoming from him. Anyone know about these novels? (Died 2014.) (CE) 
  • Born June 6, 1973 — Guy Haley, 48. British author of the Richards & Klein Investigations series, a cyberpunk noir series where the partners are an android and an AI. His regular pay check comes from his Warhammer 40,000 work where he’s written a baker’s dozen novels so far. Not surprisingly, he’s got a novel coming out in the their just announced Warhammer Crime imprint which, though I’ve read no other Warhammer 40.000 fiction, I’m interested in seeing how they do it. (CE)
  • Born June 6, 1973 — Patrick Rothfuss, 48. He is best known for the Kingkiller Chronicle series, which won him several awards, including the 2007 Quill Award for his first novel, The Name of the Wind. He also won the Gemmell Award for The Wise Man’s Fear. Before The Name of the Wind was released, an excerpt from the novel was released as a short story titled “The Road to Levinshir” and it won the Writers of the Future contest in 2002. (CE)
  • Born June 6, 1973 – Anne Ursu, age 48.  Teaches at Hamline, first university in Minnesota.  She’s given us eight novels, for children, adults, both.  The Lost Girl is told from the viewpoint of a crow.  In The Cronus Chronicles – three so far – two cousins find they’re in Greek myths; the first cousin we meet is Charlotte Mielswetzki, and if I say so myself it’s about time we did.  Breadcrumbs retells The Snow Queen; creatures from Hans Andersen’s tales keep showing up; and Jack, Hazel’s only friend in 5th Grade, may not want to be saved.   [JH]

(12) COMICS SECTION.

  • Non Sequitur comments on that advanced alien technology we’re always on the lookout for.
  • Heathcliff leaves something to the imagination – barely.
  • Comics Kingdom draws an unexpected parallel between Robin and the Seven Hoods and Star Wars.

(13) VOICE OF EXPERIENCE. Kameron Hurley says her career arc taught her to put things in perspective. Thread starts here.

(14) LISTEN TO MY STORY. [Item by Martin Morse Wooster.] Shipworm calls itself “the first feature-length audio movie” which means it s a 115-minute drama that has a script that reads more like a screenplay and less like a radio drama.  A doctor and Iraq War veteran wakes up and finds a voice in his head who calls herself “The Conductor” and tells him he has to do bad things or his wife and children will die.  I’m not going to explain what The Conductor is and what the shipworms are, but this story is borderline sf and slightly on the sf side of the border but only slightly..  It’s a professional production (SAG-AFTRA is acknowledged in the credits) and I listened to it and it’s OK, but the writers studied their screenwriting books too closely because the characters seem like plot cliches and not human beings.  I think this is Two Up Productions’s first entry into this sort of production, and I’d like to hear their fifth.  Shipworm is promising, but there’s room for improvement. Shipworm: Podcast”.

(15) STRANGE NEW EGGS. “Star Trek: Strange New Worlds Star Teases Original Series Easter Eggs” at Comicbook.com.

,,, Rebecca Romijn plays Number One, the Enterprise‘s first officer, in Star Trek: Strange New Worlds, alongside Anson Mount as Captain Christopher Pike and Ethan Peck as Mr. Spock. She tells Looper that production is now deep into the show’s first season.

“We are currently in production on the first season of Star Trek: Strange New Worlds,” Romijn said. “My lips are sealed, but I am in Toronto and we are on episode seven of 10 — and we are not allowed to say anything about what we’re doing. This is the story of the 10 years on the Enterprise — this is the 10 years leading up to Captain Kirk on the Enterprise. So, this is Captain Pike and Number One, and Spock is a science officer. We outrank him, which is really fun, because when does anybody ever outrank Spock?'”

While Romijn might not be spilling plot details, she did indicate that there will be references to Captain Kirk’s adventures charting the final frontier. “I can’t say anything else because there are so many Easter eggs on this show, but we are very, very, very excited to introduce this show,” she said. “It’s in keeping with the original series — they’re standalone episodes. It’s a little bit lighter. We are visiting planets. We are visiting colonies, and we are so proud of our work so far.”

(16) AND EGGS AGAIN. SYFY Wire took the tour: “The MCU Easter Eggs You Need to Look for at Avengers Campus”, a new attraction at Disney California Adventure. Here are the first two of 15 identified in the article.

Here are some of our favorites you can see in our exclusive slideshow below:

1) The Pym Menus boards are actually Scott and Hope’s phones, and if you watch the screens, you’ll see them get texts and messages from some of their famous friends like Tony Stark.

2) Near the front of the Stark Industries building (now WEB Workshop), there’s a special parking spot for a close friend of both Howard Stark and Peggy Carter.

(17) DOUBLE DRAGONS. There are now two Dragons at the ISS: “SpaceX Dragon docks at space station to deliver new solar arrays and tons of supplies”Space.com has the story.

SpaceX Dragon cargo ship arrived at the International Space Station today (June 5) to deliver new solar arrays along with tons of fresh research experiments and NASA supplies as part of the company’s 22nd cargo resupply mission.

The uncrewed Dragon autonomously linked up with the orbiting laboratory at 5:09 a.m. EDT (0909 GMT), parking at the zenith, or space-facing, side of the station’s Harmony module. Docking occurred approximately 40 hours after the Dragon’s launch on a Falcon 9 rocket Thursday (June 3) from NASA’s Kennedy Space Center in Florida. At the time of docking, both spacecraft were sailing about 258 miles (415  kilometers) over the South Pacific Ocean.  …

(18) STAND ON MANHATTAN. Jason Sacks reviews one of the famous Malthusian sf novels for Galactic Journey: “[June 6, 1966] The World is Ending (Make Room! Make Room! by Harry Harrison)”.

In this world we follow police officer Andrew Rusch as he tries to track down the murderer of a rich man who lives in one of those spacious apartments. We watch Rusch fight through his wretched world to find the killer, find a new love, lose an old companion, and fight like hell to acquire even the most basic things he needs to survive. Even the source of food remains a mystery in this book. We never find out what the mysterious and prized substance soylent is made of, and that enigma is typical of the way Harrison creates his world. Harrison puts us in the well-worn shoes of his characters, forcing us to understand their privations and pain on a personal level….

“We never find out”? Of course we do in the movie, but what about in the book, which I read when it first came out? Unfortunately, I don’t remember for myself how Harrison left things – I’ll have to trust Jason on that.

(19) BUGS, MR. RICO! The “Cicadas Have Arrived” in Mister Scalzi’s neighborhood. Listen to them on his video at the link.

(20) IT’S A BIRD. [Item by Martin Morse Wooster.] This video from Accented Cinema’s Yang Zhang has as its premise that South Korea, with Parasite and Minari, is now a global power in films.  But to get there South Korean filmmakers turned out a lot of sci-fi and fantasy cheese.  Zhang shows us the cheese, including knockoff anime, knockoff Godzilla, knockoff Batman and Wonder Woman, and lots of other bits of cheesy goodness, including a knockoff King Kong (released in the U.S. as A*P*E that does something that Kong has thankfully never done.

(21) WISHES. Once again, a chance to watch The Genie (A Unicorn Production) made by LA fans in the 1950s. With Forry Ackerman, Fritz Leiber., Jr, and Bjo Trimble.

(22) VIDEO OF THE DAY. A sff short film “It’s Okay” presented by DUST.

In this Black Mirror-esque tale, a couple revisit key moments of their past, only for their memories to take an unexpected turn. … Cam and Alex are a simple couple living an un-extraordinary life, when strange things suddenly start happening to them. Will they uncover the truth before they lose one other?

[Thanks to Michael Toman, John King Tarpinian, Cat Eldridge, John Hertz, Paul Weimer, Nancy Collins, Lise Andreasen, Daniel Dern, Mike Kennedy, Andrew Porter, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to contributing editor of the day Daniel Dern.]

Pixel Scroll 11/17/20 When You Get Caught Between The Moon And New Scroll City, The Best That You Can Do Is File In Love

(1) VIRTUAL PHILCON. Philcon 2020 will be taking place online the weekend of Friday November 20 through Sunday, November 22, 2020. It’s free. Information about how people can participate and navigate in Philcon using Zoom and Discord can be found at www.philcon.org and at https://konopas.philcon.org/#info

There will be no charge for joining Philcon 2020. It will be necessary to sign up for each program item, which may be done even while the program item is underway  The program schedule is set, subject to changes, and can be reviewed at https://konopas.philcon.org/

There will be five program tracks, a reading track, a filk and music track and social gatherings in Zoom and Discord.

The massive Filk program begins at 11 a.m. Friday. Concerts, open filk and a songwriting contest will run day and night until Sunday night.

The panels, readings and workshops start at 5:30 p.m. Literary panels cover topics for fans and writers. Science and technology, fandom, media, anime, gaming all have substantial coverage.

There are currently plans for 157 program items.

For those of you who knew and loved Hugh Casey, we will be holding a memorial get-together on Saturday at 5:30.

We hope to have an in person Philcon back at the Cherry Hill Crowne Plaza Hotel in Cherry Hill, New Jersey in 2021. The dates will be November 19 to 21, 2021.

(2) VIRTUAL CONTRAFLOW/DEEPSOUTHCON. Also this coming weekend, on November 21 there will be a free one-day virtual 2020 DSC/SFC CONference put on by the CONtraflow committee.

As most of you already know, we had to postpone our 2020 convention due to the Covid-19 pandemic. While we were able to work out most of those details for a Convention next year, we are not able to postpone an actual Deep South Con. In lieu of what would have been our event this year, we would like to offer to the Fen at the Southern Fandom Confederation a virtual day of the community, creativity, and fun the Fans of the Southern Louisiana region can offer with a small taste of a virtual CONtraflow’s 2020 Deep South Con. We are calling it The 2020 DSC/SFC CONference. 

This one-day event will be completely virtual and totally free and begins at 10 am Saturday November 21.  It is an invitation for you to join us on ZOOM for panels on some of your favorite topics: Science Fiction, Fantasy, Horror, Film, TV, SMOF subculture, and much more. 

…We will also be hosting a virtual Southern Fandom Confederation meeting, gaming on the Discord Platform (including the annual DSC Hearts event) and evening programming.  Again, all the events are free- but since it is free, the space/seats are limited.  Interested Fans should be sure to drop us an email at http://www.contraflowscifi.org or find/message us on Facebook to make sure there are seats still available before November 20.  Also, while the event will be free, CONtraflow will be selling 2021 memberships during the day for the absolute lowest price that weekend on Eventbrite.com

We will also have a donation page available for those who’d just like to help out since we have expenses accrued for 2020, even without holding a convention, and the costs of this weekend’s CONference….

(3) CARNEGIE MEDALS SHORTLIST. The six shortlist titles for the 2021 Andrew Carnegie Medals for Excellence — three each for the fiction and nonfiction medals — were announced on November 17. The winners will be named online on Thursday, February 4, 2021.  

I believe none of these are genre, but you may still be interested.

FICTION FINALISTS

  • A BurningMegha Majumdar (Alfred A. Knopf, a division of Penguin Random House LLC)
  • Deacon King KongJames McBride (Riverhead Books, an imprint of Penguin Random House LLC)
  • Homeland Elegies — Ayad Akhtar (Little, Brown and Company, a division of Hachette Book Group, Inc.)

NONFICTION FINALISTS

(4) THE BIG PICTURE. Kaaron Warren told Facebook followers her novel The Grief Hole has scored a development grant to be made into a movie. “Imagine Sol Evictus in real life…and all those ghosts.”

It’s one of seven projects to be supported by Screen Canberra.

THE GRIEF HOLE– Fiction Feature Film – Development loan Writers: Joshua Koske, Kaaron Warren When an embattled social worker with the ability to see how people die discovers her cousin’s suicide was influenced by a seductive and powerful celebrity, she must overcome her own personal tragedies and work with other gifted individuals to put a stop to his reign of terror before they become the next in a long line of willing victims.

Two of the other announced projects are also of genre interest:

PARANORMAL BLACKTIVITY Writers: Benny Eggmolesse, Jacob Keed, Nakyua Gorrie, Romina Accurso Producers: Benny Eggmolesse, Joe Weatherstone, Catherine Nabauer and Scott Wilson Development Loan, TV Series (horror) Rival siblings must team up to investigate bloody murders, strange disappearances and super weird stuff they suspect are caused by ancient Aboriginal monsters, woken by an imbalance in the natural world.

GIRL ON THE MOON – Television Series Fiction – Development loan Writers: Georgina Jenkins, Sue McPherson In 2069, Aboriginal Australian girl Luna (17), the only child ever born on the Moon, dreams of travelling to Earth to connect with her unknown father and her culture. But she knows her weak Moonling body would never survive. Luna is about to discover she is more powerful than any Earthling.

(5) CAREER WISDOM. “Questions for: David Burnett” – the former Gollancz publisher — at BookBrunch [PDF file.]

Who has been the most influential person in your career?

There have been a few, including Paul Elek [of Paul Elek Publishers]. He taught me to go out there and find authors and projects and pictures when you have small resources (in his case, it was a crushing bank overdraft). Liz Calder was the greatest. Victor Gollancz was a publishing genius and one man tornado. He could dine on sardines if the going got difficult, otherwise it was the Savoy Grill.

(6) PANIC IN THE YEAR TWO-OH-TWO-ZERO. I usually don’t get my cancel culture news from Mad Genius Club, but here is Amanda S. Green with two scoops concerning The Mandalorian: “A Swab, A Huh? And A You’ve Got To Be Kidding Me”.

…But I do think we will see more pressure from the Left to try to delist our work if it doesn’t meet the cause du jour. We’ve already seen how Target overreacted to a single tweet about a book and removed it from its shelves last week. It’s apologized and, iirc, returned the book. But this knee-jerk reaction to the woke crowd is more than a little disturbing.

The idiocy seems to grow with each week that passes. Just this month, Baby Yoda was “cancelled” by the woke crowd because he dared eat the eggs of a sentient being. How dare this “Child” do that! Bad Baby Yoda.

But that’s not the only scene from The Mandalorian to catch the eye of the woke crowd this month. In a more recent episode, cries of outrage were heard through the interwebz because of a character’s armor. 

Boobz armor is bad according to Anita Sarkeesian.

Why do I think she’d have been outraged if the lady Mando armor was exactly the same as Mando’s was? After all, then they could be accused of trying to erase the female form. 

But, but, but it’s not “real”, as one commenter points out. No shit, Sherlock. It’s a fucking show. It’s fiction. Not that the Sarkeesians of the world care as long as they can show their woke card.

And, yes, they will come for those writers they feel aren’t giving out the right message–especially those more successful than they are. And that presents a danger to all of us. Will the venues we’ve been using to sell our books remain open to us in their current forms or will we have to start tailoring our books to their demands?

(7) VICTORY AT SEA. Harry Turtledove, dubbed “The Master of Alternate History”by Publishers Weekly, has written a number of classics in the subgenre, including How Few Remain, The Guns of the South and The Man with the Iron Heart. His new novel Salamis was released November 11.

Salamis is the fifth (standalone) novel in Harry Turtledove’s critically acclaimed Hellenic Traders universe, detailing the adventures of two cousins, Menedemos and Sostratos, who work as seaborne traders following the death of Alexander the Great. This time the stage is one of the greatest sea battles ever fought in ancient times; the Battle of Salamis of 306 BC.

The small, free, and independent polis of Rhodes is trying to stay neutral between the local great powers, each ruled by one of Alexander the Great’s marshals: Asia Minor, controlled by one-eyed Antigonos, and Egypt, under the rule of Ptolemaios.

As tensions between the great powers escalate, Menedemos and Sostratos are trying to resolve their own problems, oblivious to the fact that one of the greatest navel fleets in ancient history is about to set sail. Ptolemaios, needing shipping to carry weapons for the army he intends to land, coerces Menedemos into bringing their ship, the Aphrodite, along as part of his expeditionary force. And so, very much against their will, Menedemos and Sostratos become small parts of one of the ancient world’s most significant naval battles.

Turtledove uses his study of history (with a Ph.D in Byzantine history) to create alternate worlds in intricate detail, crafting enthralling adventures that have garnered him high critical praise as well as making him one of the most successful bestselling authors in alternate history.

(8) YOUNG AUTHORS’ CLUB. SFFAudio tweeted a graphic of this story by 13-year-old Philip K. Dick published in a Berkeley paper in 1942.

(9) ZACK’S CUT. HBO Max dropped a trailer for what is now called Zack Snyder’s Justice League.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born November 17, 1915 – Raymond F. Jones.  Sixteen novels, six dozen shorter stories.  Son of the Stars was I think the first science fiction I read, at about age 8.  Also I like “The Person from Porlock” – which Groff Conklin, one of our finest anthologists, put in his Treasury, one of our finest anthologies.  RFJ entitled a story “I Tell You Three Times” a year before Heinlein put that Hunting of the Snark allusion in The Rolling Stones.  When I agree with Clute and Nicholls it’s a frabjous day – oops, wrong Carroll poem: RFJ wrote “solid, well-crafted … adventures … in a … transparent style…. one of the carriers of the voice of SF.”  (Died 1994) [JH]
  • Born November 17, 1925 Rock Hudson. Best known genre role was as Col. John Wilder in The Martian Chronicles series off the Ray Bradbury work. He also played President Thomas McKenna in the World War III miniseries which you may or may not consider SF. That’s it. He was by the way yet another of the uncredited guest performers on Rowan & Martin’s Laugh-In. (Died 1985.)  (CE) 
  • Born November 17, 1936 – John Trimble, 84.  He and wife Bjo (the software won’t show the caret over her j, an Esperantism indicating the pronunciation “bee-joe”), two of our great fans, are also omnifans: fanwriting, fanart, clubs, costuming, conventions, Star Trek, our neighbor the Society for Creative Anachronism.  I’ve been Master of Ceremonies for our onstage costume competition the Masquerade, a wondrous and sometimes terrifying task; JT was MC for possibly the greatest, certainly the longest, at L.A.con II the 42nd Worldcon: over a hundred entries: you couldn’t leave, the next one would be even better: two-thirds through, when a voice cried “How many more, John??” he answered I won’t tell you.  I can’t quite remember this panel, but it was fun.  JT chaired Westercon 23 and an Equicon; he & Bjo were Guests of Honor at Westercons 66 & 70, at the 13th NASFiC (North America SF Con, since 1975 held when the Worldcon is overseas; in the photo, JT & BT with daughter Kat), at ConJosé the 60th Worldcon.  More here.  [JH]
  • Born November 17, 1952 Robin McKinley, 68. Beauty: A Retelling of the Story of Beauty and the Beast was her first book. It was considered a superb work and was named an American Library Association Notable Children’s Book and an ALA Best Book for Young Adults. Rose Daughter is another version  of that folktale, whereas Spindle’s End is the story of Sleeping Beauty, and Deerskin and two of the stories that you can find in The Door in the Hedge are based on other folktales. She does a superb telling of the Robin Hood legend in The Outlaws of Sherwood. Among her novels that are not based on folktales are SunshineChalice and Dragonhaven.  Her 1984 The Hero and the Crown won the Newbery Medal as that year’s best new American children’s book. She was married to Peter Dickinson from 1991 to his death in 2015, they lived together in Hampshire, England where she still lives. They co-wrote two splendid collections, Water: Tales of Elemental Spirits and Fire: Tales of Elemental Spirits. I’d be very remiss not to note her Awards, to wit a Newbery Honor for The Blue Sword, then a Newbery Medal for The Hero and the Crown, a World Fantasy Award for Anthology/Collection for Imaginary Lands, as editor, a Phoenix Award Honor Book for Beauty and a Mythopoeic Fantasy Award for Adult Literature for Sunshine. Impressive indeed! (CE) 
  • Born November 17, 1954 –Kevin E. Johnson, 66.  A hundred forty covers, a few interiors; one short story.  Here is Gods of Riverworld.  Here is Firebird.  Here is The Toynbee Convector.  Here is Throne of Fools.  Here is Ciara’s Song.  Artist Guest of Honor at RustyCon 2, Valleycon 11.  [JH]
  • Born November 17, 1956 – Rebecca Moesta, 64.  Half a dozen novels, three shorter stories; thirty more novels, half a dozen more shorter stories, two pop-up books, with husband Kevin Anderson.  Interviewed together in SF Chronicle 224, Shimmer 4.  The only continent they have not visited together – yet – is Antarctica.  Devout gadgetologist.  [JH]
  • Born November 17, 1965 Sophie Marceau, 54. Elektra King, the villain opposing our hero In The World Is Not Enough, the 19th Bond Film. Also Eloïse d’Artagnan in Revenge of the Musketeers, Hippolyta in that version of A Midsummer Night’s DreamandLisa / Belphegor in Belphegor, Phantom of the Louvre. She’s also one of the voice actors in Nature is Speaking, a Gaian series. (CE) 
  • Born November 17, 1966 Ed Brubaker, 54. Comic book writer and artist. Sandman Presents: Dead Boy Detectives I’d consider his first genre work. Later work for DC and Marvel included The AuthorityBatmanCaptain AmericaDaredevil, Catwoman and the Uncanny X-Men. If I may single out but one series, it’d be the one he did with writer Greg Rucka which was the Gotham Central series which has been rumored to in developed as a tv series. It’s Gotham largely without Batman but with the villains so GPD has to deal with them by themselves. Grim and well done. He’s a member of the writing staff for the Westworld series where he co-wrote the episode “Dissonance Theory” with Jonathan Nolan. (CE)
  • Born November 17, 1976 – Shawna Yang Ryan, 44.  Four novels for us, one other.  Fulbright scholar.  Ass’n for Asian American Studies Best Book Award in Creative Writing, Elliot Cades Emerging Writer Award, American Book Award.  [JH]
  • Born November 17, 1978 Tom Ellis, 42. Currently playing Lucifer Morningstar in the rather excellent Lucifer series created by Neil Gaiman, Sam Kieth, and Mike Dringenberg from The Sandman series. It’s quite good. Also had roles in Doctor Who as Tom Milligan in the Ten Doctor story, “Last of the Time Lords”, Once Upon a TimeMessiahThe Strain and Merlin. (CE) 
  • Born November 17, 1983 Christopher Paolini, 37. He is the author of the most excellent Inheritance Cycle, which consists of the books EragonEldestBrisingr, and Inheritance. Several years ago, The Fork, the Witch, and the Worm, the first book in a series called Tales of Alagaësia, was published. A film version of the first novel came out sometime ago but I’ve not seen it. And his first SF novel, To Sleep in a Sea of Stars, was just published. (CE)
  • Born November 17, 1993 – Andrew Melvin, 27.  Sixteen short stories so far; they are all horrid – I mean, literally – and so collected in Horror Tales; see this cover.  [JH]

(11) COMICS SECTION.

  • Bizarro is there to witness Dracula’s day in court.

(12) URBAN SPACEMAN. Sprudge invites you to “Meet Covidisor, A Practical COVID Helmet That Lets You Drink Coffee”.

…But what the Covidisor has that puts it head and shoulders above the Air is a special swivel-mounted port on the front of the face shield that allows the wearer to consume any beverages via a straw. No longer will you have to make your face available to the outside world in order to enjoy that extra hot no foam latte. At last we can be safe, and caffeinated.

Available in eight different color options for the hard hat, the Covidisor retails for $275. And if you’re not sold on it yet, this snazzy music video by Vedra might change your mind. They’re walking all over a plague-ridden NYC, singing and wearing the Covidisor and just having the time of their life as though everything is fine. Everything is going to be fine…with Covidisor.

(13) SUPERMAN DOCUMENTARY MINI-REVIEW. [Item by Martin Morse Wooster.] The Amazing Story of Superman on YouTube is a 2006 documentary, directed by Kevin Burns and narrated by Kevin Spacey, about Superman from Siegel and Shuster’s creation through Superman Returns.  It wouldn’t surprise me if this was originally a bonus feature for the Superman Returns DVD, because there’s too much of a hard sell for both that movie and “Smallville” which makes both productions out to be imaginative masterpieces, even though Superman Returns is average and “Smallville” got pretty soapy pretty quickly.  But there’s lots of interesting Superman stuff in it, such as the photos of Superman from the 1939 World’s Fair, ads for Superman Bread from the 1940s, and commercials from around 2004 with Jerry Seinfeld and an animated Superman.  The most interesting discovery is that after George Reeves killed himself in 1959, the people behind the Superman TV show did a pilot for The Adventures of Super Pup with characters in animal suits.  This of course went nowhere.  I still think it’s worth watching provided you know you’re getting a hard sell for about a third of the film.

Forrest J. Ackerman is in it briefly explaining what fanzines are and how Siegel and Shuster got their start in sf fandom.

(14) SPACEX ISS MISSION SUCCESSFUL. “SpaceX capsule with 4 astronauts reaches space station”WDRB has the story.

SpaceX’s newly launched capsule with four astronauts arrived Monday at the International Space Station, their new home until spring.

The Dragon capsule pulled up and docked late Monday night, following a 27-hour, completely automated flight from NASA’s Kennedy Space Center. The linkup occurred 262 miles (422 kilometers) above Idaho.

“Oh, what a good voice to hear,” space station astronaut Kate Rubins called out when the Dragon’s commander, Mike Hopkins, first made radio contact….

(15) WHERE NO GREEN TOY HAS GONE BEFORE. “‘Star Wars’ Fans Notice An Adorable Addition To The New Space Station Crew”Yahoo! News has details.

…Eagle-eyed “Star Wars” fans spotted an adorable addition to the crew that launched into space on Sunday: The Child, better known as Baby Yoda.

The four astronauts onboard used a plush toy of the beloved character from the Disney+ series “The Mandalorian” to determine whether they had reached zero gravity:

(16) PREDICTING THE PRESENT. [Item by Martin Morse Wooster.] Songbird takes place in week 215 of the national lockdown, where people quarantined under Covid-23 have to be placed in camps.  Good times!  Produced by Michael Bay.

(17) ACQUISITION. Publishers Lunch reports:

Richard Kadrey and Cassandra Khaw’s THE DEAD TAKE THE A TRAIN, about a freelance psychic operative tracking an ever-morphing supernatural serial killer in New York City, to Diana Gill at Nightfire, with Kelly Lonesome editing, in a two-book deal, for publication in summer 2022, by Ginger Clark at Curtis Brown for Kadrey, and by Michael Curry at Donald Maass Literary Agency for Khaw.

(18) ITTY BITTY TEENY WEENY BACTERIAL SPACE MINERS. [Item by Daniel Dern.] The New York Times reports “These Microbes May Help Future Martians and Moon People Mine Metals”. (May be paywalled.)

An experiment aboard the space station showed that bacteria were effective at extracting rare earth elements from rocks.

(19) VIDEO OF THE DAY. In “Honest Trailers: Toy Story 4” on YouTube, the Screen Junkies say the fourth Toy Story movie has Keanu Reeves in it because we all love Keanu Reeves and has “many beloved character actors getting paid only to say ‘Woody’ or ‘Buzz.'”

[Thanks to Martin Morse Wooster, Michael Toman, John Hertz, JJ, Cat Eldridge, Mike Kennedy, John King Tarpinian, Daniel Dern, Gary Feldbaum, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Soon Lee.]

1944 Retro-Hugo Winners

Dublin 2019 announced the winners of the 1944 Retrospective Hugo Awards on August 15 as part of Opening Ceremonies.

There were 834 total votes cast (826 online, 8 paper ballots).

Best Novel

  • Conjure Wife, by Fritz Leiber, Jr. (Unknown Worlds, April 1943)

Best Novella

  • The Little Prince, by Antoine de Saint-Exupéry (Reynal & Hitchcock)

Best Novelette

  • “Mimsy Were the Borogoves,” by Lewis Padgett (C.L. Moore & Henry Kuttner) (Astounding Science-Fiction, February 1943)

Best Short Story

  • “King of the Gray Spaces” (“R is for Rocket”), by Ray Bradbury (Famous Fantastic Mysteries, December 1943)

Best Graphic Story

  • Wonder Woman #5: Battle for Womanhood, written by William Moulton Marsden, art by Harry G. Peter (DC Comics)

Best Dramatic Presentation, Long Form

  • Heaven Can Wait, written by Samson Raphaelson, directed by Ernst Lubitsch (20th Century Fox)

Best Dramatic Presentation, Short Form

  • Frankenstein Meets the Wolfman, written by Curt Siodmak, directed by Roy William Neill (Universal Pictures)

Best Professional Editor, Short Form

  • John W. Campbell

Best Professional Artist

  • Virgil Finlay

Best Fanzine

  • Le Zombie, editor Wilson “Bob” Tucker

Best Fan Writer

  • Forrest J Ackerman

Pixel Scroll 6/29/19 I Scroll Less Than Half Of You Half As Well As You Pixel

(1) SPEAKING WITH PRIDE. Sina Grace tells about Marvel’s lack of support for LGBTQ+ superheroes and comic books: “As Pride Month comes to a close, it’s time I spoke candidly about my experience at Marvel Comics”. Warning: Grace quotes some of the abuse.

…It’s no surprise that I got the attention of trolls and irate fans for taking on this job. There was already backlash around the manner in which Bobby Drake aka Iceman came out, and Marvel needed to smooth that landing and put a “so what” to the decision. After a point, I could almost laugh off people making light of my death, saying they have “cancerous AIDS” from my book, or insinuating I’m capable of sexual assaultalmost. Between Iceman’s cancellation and its subsequent revival, Marvel reached out and said they noticed threatening behavior on my Twitter account (only after asking me to send proof of all the nasty shit popping up online). An editor called, these conversations always happen over the phone, offering to provide “tips and tricks” to deal with the cyber bullying. I cut him off. All he was going to do was tell me how to fend for myself. I needed Marvel to stand by me with more work opportunities to show the trolls that I was more than a diversity hire. “We’ll keep you in mind.” I got so tired of that sentence. 

Even after a year of the new editor-in-chief saying I was talented and needed to be on a book that wasn’t “the gay character,” the only assignment I got outside of Iceman was six pages along, about a version of Wolverine where he had diamond claws. Fabulous, yes. Heterosexual, yes. Still kind of the gay character, though.

We as creators are strongly encouraged to build a platform on social media and use it to promote work-for-hire projects owned by massive corporations… but when the going gets tough, these dudes get going real quick…. 

(2) SFWA SUPPORTS BEAGLE. Here’s one more instance where they lent a helping hand:

(3) TALE WAGGERS. How can you not want to read a post with a title like this? “Where Dogs Play a Part: Dogtime on the 5 Best Fantasy And Science Fiction Books With Dogs” at Black Gate.

Everybody loves recommending science fiction books. It’s not just our friends at Tor.com, Kirkus Reviews, and The Barnes & Noble Sci-Fi & Fantasy Blog anymore. Last week at Dogtime (Dogtime?!) Jean Andrei recommended the 5 Best Fantasy And Science Fiction Books “where dogs play a part in the story.” Starting, of course, with one of the great classics of the genre, the 1944 fix-up novel City.

(4) BARBARIANS AT THE GATES. Did you get into fandom Before Mainstream Acceptance (BMA) or After Mainstream Acceptance? Amazing Stories’ Steve Davidson has a theory he’d like to try out on you: “BMA Fans and AMA Fans. Will the Real Fan Please Stand Up”.

BMA fans are frequently taken to task for so-called “gatekeeping”.  I think that some of that, perhaps even a large part of it, is not gatekeeping in the minds of those fans so much as it is an expression of fierce loyalty and protectiveness over something that they paid hard currency to help create.  They value certain things because they’ve learned that those things are important to the maintenance of fandom (as they know it) and are suspicious and critical when AMA fans don’t exhibit the same respect, knowledge of or, worst-case-scenario, take it upon themselves to redefine things that are already settled law and enshrined in the fannish encyclopedia.

(5) SOLEIN IS NEITHER GREEN NOR PEOPLE. It’s marketed as electric food, but it’s not what The Guardian’s headline implies: “Plan to sell 50m meals made from electricity, water and air”.

The powder known as Solein can be given texture through 3D printing, or added to dishes and food products as an ingredient.

It is produced through a process similar to brewing beer. Living microbes are put in liquid and fed with carbon dioxide and hydrogen bubbles, which have been released from water through the application of electricity. The microbes create protein, which is then dried to make the powder.

(6) LOCUS AWARDS. Here’s two photos from today’s fun:

  • The cast of Primeval came to the banquet looking for something good to eat.
  • And the traditional Hawaii shirt fun and games:

(7) WWII FANACK. Rob Hansen, curator of fanhistory site THEN, tells about his latest additions:

In what I think concludes my recent deep dive into 1940s LASFS. I’ve just added a page on Ackerman’s War which is accompanied by a couple of photos you may not have seen before. I’ve also moved most of the clubroom stuff onto its own page ‘cos it makes more sense that way. The text includes the usual cornucopia of links, of course.

It’s mostly lighthearted, but not this part —

On New Year’s Day 1945 Alden Ackerman, a Pfc with the 42nd Tank Battalion 11th Armored Division and Forry’s kid brother, was killed in action in Belgium during the Battle of the Bulge. The news took several weeks to reach Forry, who reported the death in ‘The Alert’ and in VOM #39, which featured him on its cover. Ackerman later announced he would also be starting ALDEN PRESS, whose first offering in March was a memorial to Alden.

(8) BERGLUND OBIT. In another major loss for Lovecraftians, friends of Edward P. Berglund (1942-2019) reported on Facebook he died this week. In the words of Luis G. Abbadie:

Edward P. Berglund was a great editor, a great contributor to our beloved shared world of the Cthulhu Mythos, a great man, period. His anthology The Disciples of Cthulhu was the first original Mythos collection to follow August Derleth’s classic Tales of the Cthulhu Mythos and a classic in its own right. And his monumental website A Guide to the Cthulhu Mythos is a fondly remembered Ancient Pharos for so many of us.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 29, 1919 Slim Pickens. Surely you remember his memorable scene as Major T. J. “King” Kong in Dr. Strangelove? I certainly do. And, of course, he shows up in Blazing Saddles as Taggart. He’s the uncredited voice of B.O.B in The Black Hole and he’s Sam Newfield in The Howling. He’s got some series genre work including several appearances on Alfred Hitchcock Presents, plus work on The Man from U.N.C.L.E. and Night Gallery. (Died 1983.)
  • Born June 29, 1920 Ray Harryhausen. All-around film genius who created stop-motion model Dynamation animation. His work can be seen in The 7th Voyage of Sinbad (his first color film), Jason and the Argonauts,  Mighty Joe Young and Clash of the Titans. (Died 2013.)
  • Born June 29, 1943 Maureen O’Brien, 76. Vicki, companion of the First Doctor. Some 40 years later, she reprised the role for several Big Finish Productions Doctor Who audio works. She had a recurring role as Morgan in The Legend of King Arthur, a late Seventies BBC series. Her Detective Inspector John Bright series has been well received.
  • Born June 29, 1947 Brian Herbert, 72. Son of Frank Herbert.
  • Born June 29, 1950 Michael Whelan, 69. I’m reasonably sure that most of the Del Rey editions of McCaffrey’s Dragonriders of Pern series was where I first noticed his artwork but I’ve certainly seen it elsewhere since. He did Heinlein’s The Cat Who Walks Through Walls cover which I love and many more I can’t recall right now. 
  • Born June 29, 1956 David Burroughs Mattingly, 63. He’s an American illustrator and painter, best known for his numerous book covers of genre literature. Earlier in his career, he worked at Disney Studio on the production of The Black Hole, Tron, Dick Tracy and Stephen King’s The Stand. His main cover work was at Ballantine Books where he did such work as the 1982 cover of Herbert’s Under Pressure (superb novel), 2006 Anderson’s Time Patrol and the 1983 Berkley Books publication of E. E. ‘Doc’ Smith Triplanetary
  • Born June 29, 1957 Fred Duarte, Jr. His Birthday is today and this long-time Texas fan is eulogized by Mike here upon his passing several years back. (Died 2015.)

(10) 101. Anna-Louise Fortune is starting a short series about the Worldcon. After hearing her voice JJ says “I keep expecting her to pull out a ruler and whap me on the knuckles.”

(11) HUGO TAXONOMY. The fabulously inventive Camestros Felapton commences to drilling through the award’s historic layers in “The Hugosauriad: Introduction to a Dinography”.

…Two points form a line and following that line backward I could cut a rock sample through the Hugo Awards and expose the geologic layers. From there I could construct not a biography of the Hugo Awards but a dinography* — an account of a thing using the medium of dinosaurs.

A dinography requires some rules, specifically a rule as to what counts as a dinosaur. For my purpose the dinosaur eligibility includes

  • Actual dinosaurs as recognised by the paleontology of the time a work was written.
  • Prehistoric reptilian creatures from the Mesozoic era that in popular culture count as dinosaurs such as large marine reptiles and pterosaurs.
  • Fantastical creatures derived from dinosaurs such as creatures in Edgar Rice Burroughs Pellucidar series.
  • Aliens (intelligent or not) of a reptilian nature that humans would see as dinosaur like.
  • Dinosaurs as a metaphor for something either out of time or hanging on beyond their time.

(12) DEADLY BED. The Guardian delves into a California seashore calamity: “Temperatures lead to what appears to be largest local die-off in 15 years, raising fears for broader ecosystem”

In all her years working at Bodega Bay, the marine reserve research coordinator Jackie Sones had never seen anything like it: scores of dead mussels on the rocks, their shells gaping and scorched, their meats thoroughly cooked.

A record-breaking June heatwave apparently caused the largest die-off of mussels in at least 15 years at Bodega Head, a small headland on the northern California bay. And Sones received reports from other researchers of similar mass mussel deaths at various beaches across roughly 140 miles of coastline.

While the people who flocked to the Pacific to enjoy a rare 80F beach day soaked up the sun, so did the mussel beds – where the rock-bound mollusks could have been experiencing temperatures above 100F at low tide, literally roasting in their shells.

Sones expects the die-off to affect the rest of the seashore ecosystem. “Mussels are known as a foundation species. The equivalent are the trees in a forest – they provide shelter and habitat for a lot of animals, so when you impact that core habitat it ripples throughout the rest of the system,” said Sones.

(13) LAST CHANCE. James Reid’s assessment: “Hugo Awards Extravaganza 2019 – John W. Campbell Award for Best New Writer”.

The Campbell award is open to the best new writer, and is judged over their output regardless of length or quantity.  Usually, the main thing to comment on is that it is not really a Hugo,1 but the interesting wrinkle of the Campbell award this year is that you can be eligible for it twice.  The Campbell competition is often my favourite, because it usually the most diverse and novel category.   This year however, five of the six nominees are in the second year of eligiblity, and four of those were on last years slate.2

(14) UNDER THE LID. Alasdair Stuart introduces “The Full Lid 28th June 2019”:

This week’s Full Lid is here for all your bio-mechanical, classics of English literature and scrappy can-do cinema needs. I take a listen to the Dirk Maggs’ produced adaptation of William Gibson’s Alien III script, am impressed by the first episode of Catch-22 and ridiculously charmed by the minimal budget enthusiasm of Audax. Also this week, the DJBBQ5000, Journeyquest take us Cooking WIth Carrow and I look back on a demanding week.

The subject isn’t sff (is it?) but I’m going to excerpt Stuart’s sharply-written Catch-22 review.

…Luke Davies and David Michôd’s adaptation of Joseph Heller’s classic novel does everything right. It doesn’t have hundreds of pages so instead of the slow burn agonizing unreleased terror of the novel’s absurd waits between missions, it focuses all the way in on Yossarian. Abbott is perfect for the role, simultaneously swaggering and cowed and his jokes are always a quarter second away from a scream. He’s not okay. No one cares. He gets worse. No one cares. That’s the marching tempo of the story, always accelerating, never quite breaking out into a run….

(15) WHAT A CROC! But NPR says it’s true: “Veggie Surprise: Teeth Of Ancient Crocs Reveal That Some Very Likely Ate Plants”.

Modern crocodiles can trace their lineage back to when dinosaurs roamed the earth. If you picture that crocodile ancestor, way back in the Cretaceous period, what do you imagine it snacking on? Maybe a fish or a bird?

Think again. Scientists say it’s more likely it was chomping on prehistoric flowers or other plants. A new study in Current Biology has found these ancient crocodile cousins actually evolved into plant eaters at least three times, and probably more.

It started with a paleontology graduate student at the University of Utah puzzling over some strange-looking teeth of the crocodile cousins (known as crocodyliforms, or crocs for short).

“The fact that so many croc teeth look nothing like anything around today just absolutely fascinated me,” Keegan Melstrom tells NPR.

(16) OUT OF THE ZONE. Galactic Journey is there when The Twilight Zone leaves the air (in 1964): “[June 26, 1964] Curtain Call (Twilight Zone, Season 5, Episodes 33-36)”.

Back in January, it was announced that this season would be The Twilight Zone’s last. In the show’s five year run, Rod Serling’s brainchild has produced more than 150 episodes and brought a new level of sophistication to science fiction and fantasy entertainment on television. Even with some decline in the program’s quality, The Twilight Zone still remains incredibly impressive as a whole — as the series comes an end, the show still manages to deliver some strong performances…

[Thanks to Camestros Felapton, Andrew Porter, Chip Hitchcock, Cat Eldridge, JJ, John King Tarpinian, Hampus Eckerman, Martin Morse Wooster, Mike Kennedy, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 1/15/19 Mars Ain’t The Kind Of Place To Scroll Your Pixels

(1) SPIDER-MAN. The Spider-Man: Far From Home Teaser Trailer is out. Movie hits theaters July 5.

(2) ELGIN’S CONLANG. Rebecca Romney tells LitHub readers about Suzette Haden Elgin — “This Science Fiction Novelist Created a Feminist Language from Scratch”.

Láadan, the conlang in Native Tongue, is distinctive for its feminist philosophy: according to Elgin, it focuses on words that efficiently describe “concepts important to women” and “emotional information.” Importantly, Láadan isn’t meant exclusively for women: rather, it is a language constructed with feminist principles in its marrow. For example, the Láadan word “radíidin” is immediately recognizable as a form of emotional labor, the often invisible work that falls primarily to women…

(3) HEAR FROM AUTHOR OF ASTOUNDING. Illinois Public Media’s program The 21st headlined a historian of sf’s Golden Age: “Chicago Writer Alec Nevala-Lee; Holiday Movies 2018; Producers as Experts”

Science fiction is everywhere in 2018. Not just in the form of our favorite movies, books, or TV shows — but even in the actual technology we use in our daily lives.

But the story of sci-fi goes back decades — long before films like Star Wars or 2001: A Space Odyssey. The 1930s and 40s are known as the Golden Age of science fiction. This era, and the people in it, are the subject of Chicago writer Alec Nevala Lee’s latest book.

It’s called “Astounding: John W. Campbell, Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction.”

And what tied all of these men together is the sci-fi magazine called Astounding, which in many ways helped create the genre.

Alec Nevala-Lee joined us from our studios at Northwestern University’s Medill School of Journalism.

Hear the program at Soundcloud.

(4) BROADWAYCON REDUX. The New York Times ran a heavily photo illustrated report about last weekend’s event devoted to stage musicals: “At BroadwayCon, Fans Get a Curtain Call”.

There were singalongs, fan meetups and workshops, booths jamming two “marketplace” floors, as well as an avalanche of panels dedicated to such topics as portraying Evan Hansen, 25 years of Disney on Broadway, auditioning, the lives of stage managers, “Harry Potter and the Cursed Child” and “Mean Girls.”

(5) KENYON’S POISONING ALLEGATIONS. The Tennessean covers Sherrilyn Kenyon’s lawsuit against her husband and accomplices: “Author Sherrilyn Kenyon files lawsuit accusing husband of poisoning her”

…It wasn’t until after her husband filed for divorce that Sherrilyn Kenyon had her blood, nails and hair tested for toxins. The tests found her body contained high levels of lithium, tin, barium, platinum and thorium, the lawsuit said.

After her husband moved out, Sherrilyn Kenyon’s health began to improve.

The lawsuit said Lawrence Kenyon and Plump, who had taken on a more involved role helping coordinate Sherrilyn Kenyon’s book-related events and appearances, worked together to sabotage her career by disparaging fans and industry professionals. Their actions, she claimed, led to the loss of hundreds of thousands of dollars and several canceled contracts with her publisher. 

… Kenyon is suing for several causes of action, including assault by poisoning, concerted action aiding and abetting, intentional interference with business relationships and invasion of privacy. 

(6) CLICHÉPUNK. According to Lee Konstantinou, “Something Is Broken in Our Science Fiction”. As he argues at Slate —

When it first emerged more than 30 years ago, cyberpunk was hailed as the most exciting science fiction of the ’80s. The subgenre, developed by a handful of younger writers, told stories of the near future, focusing on the collision of youth subcultures, new computer technologies, and global corporate dominance. It was only ever a small part of the total SF field, but cyberpunk received an outsize amount of attention. Since then, its characteristic tropes have become clichés. By 1992, they could be hilariously parodied by Neal Stephenson in Snow Crash (a novel often mistaken as an example of the subgenre it meant to mock). In 1999, the Wachowskis brought cyberpunk to a mass audience with The Matrix.

Meanwhile, myriad new SF subgenres and microgenres have been discovered or invented, each trying to recapture the excitement cyberpunk once generated. The list is long to the point of parody. There’s steampunk, biopunk, nanopunk, stonepunk, clockpunk, rococopunk, raypunk, nowpunk, atompunk, mannerpunk, salvagepunk, Trumppunk, solarpunk, and sharkpunk (no joke!), among others. Most recently, my Twitter feed has been choked with discussions (and mockery) of hopepunk, after Vox published an article in December announcing its arrival. The term, coined by Alexandra Rowland, was meant to describe fiction that resists dystopian pessimism in favor of “DEMANDING a better, kinder world, and truly believing that we can get there if we care about each other as hard as we possibly can, with every drop of power in our little hearts.”

(7) REORIENTATION. In December, Sarah Gailey livetweeted watching Top Gun for the first time. The thread starts here.

And that has resulted in Gailey’s post for Tor.com, “Highway to the Danger Zone: The Heterosexual Tragedy of Top Gun – deemed by Soon Lee as possibly the best review of Top Gun ever…

Top Gun is a heartfelt, moving film about one man’s risky dalliance with heterosexuality. Lieutenant Tom “Maverick” Cruise is introduced to the audience as a glistening, patriotic risk-taker. He just wants to be the best Plane Guy he can be. His ambitious Airplane Moves get him all the way to the TOPGUN program, a school for only the coolest plane guys. Everything is going great for Maverick… until the night before classes begin. He arrives at Miramar, where the TOPGUN program is located, as ominous music plays in the background—Maverick, the score informs us, is on the highway to the danger zone.

That very evening, Maverick’s sassy straight friend, Lieutenant j.g. Goose “Goose” Goose, brings him to a straight bar for an evening of exploration. Goose exhorts the tentative Maverick to “have carnal knowledge—of a lady this time—on the premises.”

(8) CANNIZZO OBIT. Dr. John K Cannizzo, husband of author Catherine Asaro, died December 30, 2018 at the age of 61. The family obituary is here.

From Catherine Asaro: I was blessed to have John as my husband for thirty-two years. He truly was a gentle giant with an immense heart and inner strength, the love of my life, the finest human I’ve ever known. I thank all of you who have posted your thoughts here; it helps to ease the great loss of his passing….

From the colleagues of Dr. Cannizzo: …John was a member of the Physics Department at the University of Maryland, Baltimore and the Astroparticle Physics Laboratory in the Astrophysics Science Division at NASA Goddard Space Flight Center, having been at Goddard for 25 years. He was a longtime member of the Laser Interferometer Gravitational-Wave Observatory (LIGO) science team and of the Swift gamma-ray burst telescope….

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 15, 1913Lloyd Bridges. Though I’m reasonably sure Secret Agent X-9, a 1945 serial, isn’t genre, but  I’m listing it anyways because I’m impressed it because it was based on a comic strip by Dashiell Hammett, Leslie Charteris and others. His first SF role as Lost Horizon though uncredited so I don’t trust Wiki on that. He’s the  Pilot Col. Floyd Graham in Rocketship X-M,  Dr. Doug Standish In Around the World Under the Sea, Aramis in The Fifth Musketeer, Clifford Sterling in Honey, I Blew Up the Kid and Grandfather in Peter and the Wolf. His television appearances are too many to list here. (Died 1998.)
  • Born January 15, 1924 Dennis Lynds. He only wrote two sf novels, probably pulp ones at that, Lukan War and The Planets of Death, but I’m intrigued that he also penned eight titles of The Shadow from 1964 to 1967 under the Shadow’s author by-line of Maxwell Grant. He also, and I count this as genre, under the name of Robert Hart Davis penned a number of Man from U.N.C.L.E. Novella that all ran in The Man from U.N.C.L.E. Magazine. (Died 2005.)
  • Born January 15, 1935 Robert Silverberg, 84. I know the first thing I read by him was The Stochastic Man some forty five years ago. After that I’ve read all of the Majipoor series which is quite enjoyable, and I know I’ve read a lot of his short fiction down the years.  So what should I have read by him that I haven’t? 
  • Born January 15, 1944 Christopher Stasheff. A unique blending I’d say of fantasy and SF with a large if excessive dollop of humor. His best known novels are his Warlock in Spite of Himself series. I wrote one that by its title intrigues me — The Feline Wizard! (Died 2018.)
  • Born January 15, 1965 James Nesbitt, 54. Best genre role was as Tom Jackman and Hyde in Jekyll which was written by Steven Moffat. He’s also appeared in Fairy TalesThe Young Indiana Jones ChroniclesStan Lee’s Lucky Man and Outcast. Yes, I know he played Bofur in the Hobbit films. I still consider Jekyll his better by far genre role.

(10) WHAT SFWA’S PRESIDENT DOES. SFWA President Cat Rambo leaves office on June 30, 2019. Before she goes, she’d like to answer the question: “What Does the SFWA President Actually Do?” Here’s an excerpt:

…The President is one of the major faces of the organization, and should be willing to attend events such as the Nebulas and conventions as well as representing SFWA at the other events they’re present at. (When signing up for conventions, I usually pitch a SFWA meeting and/or “What Can SFWA Do For You?” panel, for example.) As such, they do need to bear in mind that anything they say on social media or in interviews may be taken as having “of SFWA” appended to it, whether or not they want it to. The President carries this more than board members, and needs to remember that the membership may interpret something they say jokingly on Twitter as indicating the overall board’s opinion. Having a disclaimer that your opinions are personal and do not represent the organization on places like social media profiles is vital.

A good President will be familiar with the bylaws and OPPM and work to bulletproof the organization against anyone wishing to do it harm. They must work side-by-side with the board, the Executive Director, the Deputy Executive Director, the financial team, and a slew of volunteers and contractors to make sure that SFWA remains true to its mission while growing and adapting to the evolving and ever-changing publishing landscape.

In order to do that, the President needs to keep an eye on what’s going on–which can be difficult at times, given the volunteer nature of the position and the stressors of life. They need to be available to people who need them or arrange someone to cover them when on vacation. But it’s also usually easy to keep up with things and often just a matter of checking in on the discussion boards and e-mail once or twice a day. I do want to note (from experience) that many e-mails are time sensitive and not paying attention can result in holding things up in a frustrating way for other people….

Rambo also sent a link to a “Twitter thread that does a good job of finding SFWA ex-presidents” — https://twitter.com/Catrambo/status/1085209616038821888 

(11) ON THE RECORD. Rob Latham explores the rock and sff connection in “Magic Carpet Rides: Rock Music and the Fantastic”, a review of Jason Heller’s new work for the LA Review of Books.

DURING THE POSTWAR PERIOD, the genres of the fantastic — especially science fiction — have been deeply intertwined with the genres of popular music, especially rock ’n’ roll. Both appeal to youthful audiences, and both make the familiar strange, seeking escape in enchantment and metamorphosis. As Steppenwolf sang in 1968: “Fantasy will set you free […] to the stars away from here.” Two recent books — one a nonfiction survey of 1970s pop music, the other a horror novel about heavy metal — explore this heady intermingling of rock and the fantastic.

As Jason Heller details in his new book Strange Stars: David Bowie, Pop Music, and the Decade Sci-Fi Exploded, the magic carpet rides of the youth counterculture encompassed both the amorphous yearnings of acid rock and the hard-edged visions of science fiction. In Heller’s account, virtually all the major rock icons — from Jimi Hendrix to David Crosby, from Pete Townshend to Ian Curtis — were avid SF fans; not only was their music strongly influenced by Heinlein, Clarke, Ballard, and other authors, but it also amounted to a significant body of popular SF in its own right. As Heller shows, many rock stars were aspiring SF writers, while established authors in the field sometimes wrote lyrics for popular bands, and a few became rockers themselves. British fantasist Michael Moorcock, for example, fronted an outfit called The Deep Fix while also penning songs for — and performing with — the space-rock group Hawkwind (once memorably described, by Motörhead’s Lemmy Kilmister, as “Star Trek with long hair and drugs”).

(12) THOSE DAYS AT CLIFTON’S CAFETERIA. At the link is a 3-minute preview of “The Dream Pioneers: Visionaries of Science Fiction”, a 2000 documentary. The clip includes LASFSians Forry Ackerman, Ray Bradbury, and Walt Daugherty.

This program looks at the careers and manifold influence of The Los Angeles Science-Fiction League’s most famous members: Forrest J. Ackerman, the mainspring of the group, who coined the term “Sci-Fi”; Ray Bradbury, renowned author of The Martian Chronicles and Fahrenheit 451; and Ray Harryhausen, master of stop-motion animation. Extended interviews with all three men and the numerous filmmakers, special effects artists, and NASA researchers they have inspired illuminate how so many of their dreams have become reality.

(13) BUBBLE AND SQUEAK. David Gerrold announced on Facebook he has made his collaboration with Ctein available as a free read on Dropbox.

The deadline for Nebula nominations is only one month away. For some shameful reason, “Bubble and Squeak” by Ctein and myself is not on the SFWA recommended reading list.

To make up for that serious lack of attention, once again, I am making the story available for all readers, but especially members of SFWA who might think the story is worth reading and possibly even worthy of award consideration.

(14) A LITTLE LUNAR AGRICULTURE. “China’s Moon mission sees first seeds sprout” – BBC has the story.

Seeds taken up to the Moon by China’s Chang’e-4 mission have sprouted, says China National Space Administration.

It marks the first time any biological matter has grown on the Moon, and is being seen as a significant step towards long-term space exploration.

…Plants have been grown on the International Space Station before but never on the Moon.

(15) SPOTS GET IN YOUR EYES. “Driverless car laser ruined camera”.

A man who took a photograph of a driverless car on display at the CES tech fair says his camera was damaged as a result.

Jit Ray Chowdhury noticed purple spots on all his photographs after taking a photo of a lidar laser scanning system displayed by San Francisco firm AEye.

He says the $1,198 (£930) Sony camera was one month old and the firm has offered to buy him a replacement.

AEye said its system is not harmful to human eyes.

(16) BIGGER BOSONS. BBC reports “Cern plans even larger hadron collider for physics search”.

Cern has published its ideas for a £20bn successor to the Large Hadron Collider, given the working name of Future Circular Collider (FCC).

The Geneva based particle physics research centre is proposing an accelerator that is almost four times longer and ten times more powerful.

The aim is to have the FCC hunting for new sub-atomic particles by 2050.

Critics say that the money could be better spent on other research areas such as combating climate change.

But Cern’s Director-General, Prof Fabiola Gianotti described the proposal as “a remarkable accomplishment”.

“It shows the tremendous potential of the FCC to improve our knowledge of fundamental physics and to advance many technologies with a broad impact on society,” she said.

(17) VIDEO OF THE DAY. Keiichi Matsuda’s Merger on Vimeo:

With automation disrupting centuries-old industries, the professional must reshape and expand their service to add value. Failure is a mindset. It is those who empower themselves with technology who will thrive.

Merger is a new film about the future of work, from cult director/designer Keiichi Matsuda (HYPER-REALITY). Set against the backdrop of AI-run corporations, a tele-operator finds herself caught between virtual and physical reality, human and machine. As she fights for her economic survival, she finds herself immersed in the cult of productivity, in search of the ultimate interface. This short film documents her last 4 minutes on earth.

[Thanks to Susan de Guardiola, Colleen McMahon, Michael J. Walsh, Jim Meadows, Andrew Porter, Chip Hitchcock, Paul DiFilippo, Cat Rambo, John King Tarpinian, BravoLimaPoppa3, Rich Horton, JJ, Cat Eldridge, Steve Davidson, Carl Slaughter, Danny Sichel, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day StephenfromOttawa.]

Pixel Scroll 6/30/18 Pixels Like Us, Baby We Were Born To Scroll

(1) KICK ASTEROID! Bill Nye and the Planetary Society want funds to educate people about the threat of asteroid impacts. Their Kickstarter, “Kick Asteroid!”, has raised $27,884 of its $50,000 target, with 25 days left to go.

The Planetary Society is excited to partner with space artist and designer, Thomas Romer, and backers around the world to create Kick Asteroid—a colorful graphic poster that will illustrate the effect of past catastrophic impacts, and methods to deflect future asteroid threats. Compelling and scientifically accurate art will be created for posters and other “merch” that backers can use in their everyday lives to spread the word about planetary defense.

… Thomas is collaborating directly with the Society’s Chief Scientist, Dr. Bruce Betts, to depict the asteroid threat in a compelling and scientifically accurate way. Bruce has briefed Thomas on the current state of the science related to Near Earth Objects (NEOs), as well as on the most promising asteroid deflection techniques.

(2) WRITER’S BLOCK. “How do you handle writer’s block?” Rachel Swirsky shares her advice about blocks from two sources. The first kind is medical:

…I think one of the best solutions is to be gentle with yourself about it. Hammering yourself and making yourself feel guilty because of your health is in the way is only likely to make you miserable and increase your stress–which can make the health problem worse. It can be hard to be generous with yourself, especially when the illness is lasting a long time and you have deadlines. …

(3) TWELVE RULES. The Chicago Tribune’s Stephen L. Carter lists his “12 science fiction rules for life”.

Like so many other scribes, I have been inspired by psychologist Jordan Peterson’s fascinating book to sketch my 12 rules of life. But mine are different, because each is drawn from canonical science fiction. Why? Maybe because this is the literature on which I grew up, or maybe because I have never lost the taste for it. Or maybe because the sci-fi canon really does have a lot to teach about the well-lived life. Here, then, are my 12 rules. I cannot pretend that I always follow them, but I certainly always try.

  1. “An atom-blaster is a good weapon, but it can point both ways.” — Isaac Asimov, “Foundation.”

This is one of the clearest expressions of the basis of the liberalism of process. It matters not only whether one accomplishes an end but also how. Any tool available to the “good guys” today might be wielded by the “bad guys” tomorrow. One should always take this proposition into account when choosing a toolkit.

  1. “Happiness consists in getting enough sleep. Just that, nothing more.” — Robert Heinlein, “Starship Troopers.”

OK, happiness does consist of more than this — but getting enough sleep is indeed one of its key components. The larger point is that taking physical, emotional and spiritual care of the self is crucial to being truly happy….

(4) LANDING IN THE LAP OF LUXURY. Sarah Gailey ended up cruising through the skies with the 1%. See all the details in a Twitter thread that starts here.

(5) WRITERS OF THE FUTURE. If you’re curious what the experience is like for finalists brought to LA for the workshops and ceremony, Eneasz Brodski covers it all: “Writers of the Future vol 34 – The Award Ceremony & The People”.

Let’s start with the ceremony!

This was a delight. It was fun to be treated special and given an award and just the belle of the ball for a day! Of course, it was apparently pretty quickly that this award ceremony wasn’t really for us. It was for the Scientologists. This was their party, for them to say to each other “Look at us! We’re helping these people at the start of their career, and supporting the arts! We are doing good in the world.” And good on them for it! They are helping new artists, and contributing to the SFF world in a meaningful way. They can have as big a party they want to celebrate that, it’s their money. I didn’t mind at all being the excuse for that. It kinda felt what I imagine being a unicorn for a couple would feel like? The experience is primarily about them, but they couldn’t have it without me facilitating, and I’m happy to serve that role to bring them that. Of course that’s probably my super-idealized fantasy of unicorning. But /shrug. I got the literary-award equivalent of that fantasy, so I’m happy. 🙂

(6) I HAVE NO CATEGORY AND I MUST SCREAM. Doctor Strangemind’s Kim Huett would like to tell you a Harlan Ellison story about the 1964 Hugos and the plan to omit the Dramatic Presentation category: “London Calling”. It includes this passage by Ron Ellik from the fanzine Vair-Iner.

…When I had lost perhaps half a dollar, Harlan phoned again. He read me a letter. He had talked to two dozen people since his trans-Atlantic call – other Study Committeemen, convention committeemen from past years, etc – and this letter, signed by Harlan, cited these several people as being, each, in at least passive agreement that London should not do this thing. In conclusion, Mr. Ben Jason and the group producing the physical Hugo trophies had agreed with him to withhold the trophies from the London convention.

We eagerly await news of London’s answer.

And there you have it folks, if you want to be a successful squeaky wheel then you need to really apply some of that old-fashioned elbow grease. Ah, I hear you ask, and was Harlan, that tiger of the telephone, a truly successful squeaky wheel? Well, yes….

(7) A PRIVATE MOMENT. And Bill provided a clipping from Ellison’s army days.

(8) WOULD YOU BELIEVE? What record has sold the most copies in 2018? “The Year’s Top-Selling Singer Isn’t Kanye — It’s Hugh Jackman”.

Halfway through a year filled with new work from some of the most popular artists alive, the best-selling album is the soundtrack to a movie musical with Hugh Jackman that never led the box office.

“The Greatest Showman’’ has sold almost 4 million copies for Atlantic Records, outpacing works from Kanye West, Taylor Swift and Justin Timberlake. Music from the film based on the life of circus promoter P.T. Barnum has outsold the next most popular album of the year, Post Malone’s “Beerbongs & Bentleys,’’ by about 2-to-1.

(9) HUMP MONTH: At Featured Futures, the middle of the year doesn’t mean middling stories, as Jason has compiled another list of standout fiction gleaned from the SF magazines, plus links to reviews and other postings in Summation: June 2018.

This month produced nine noted stories (four recommended) from a total of forty-five (215 Kwds). Compelling made a strong and welcome return on its new semi-annual schedule. “Nightspeed” also contributed a couple of powerful tales.

(10) HUNTER OF THE SKY CAVE. Need a good laugh? Read Laura “Tegan” Gjovaag’s wonderful post “Inkwell and the Sky Raisin”.

…As anyone who has bothered to read this blog for any length of time knows, my husband and I are owned by a black cat named Inkwell. These are some of his recent adventures, mostly from Facebook and a few of his “Inkwell Sings the Blues” from his Twitter Feed.

This morning I woke up late, and my husband was already off running errands. I looked around the house for Inkwell, fearing he might have somehow gotten outside (he’s very much an indoor cat). I went from room to room looking for him, and when I opened the door to the garage, a fly (aka Sky Raisin) flew into the house. Eventually I found Inkwell by shaking his treats. He casually wandered out from wherever he was hiding to get his reward for being a cat from his mommy.

A half an hour later, he noticed the fly….

(11) TUNE IN. BBC Radio 4’s A Good Read this week included Gibson’s Neuromancer, plus had some other SF discussion. (Thanks for the share to Jonathan Cowie of Science Fact & Science Fiction Concatenation.)

Writers Juno Dawson and Pandora Sykes discuss favourite books Bonjour Tristesse by Francoise Sagan, Neuromancer by William Gibson, and The Versions of Us by Laura Barnett, with Harriett Gilbert. How will Juno and Pandora enjoy Harriett’s foray into science fiction? And how did Sagan’s novel, written at the tender age of 17, influence Juno’s writing for young adults?

(12) COLLINS OBIT. Four-time F&SF contributor Reid Collins died on April 19. See his Washington Post death notice at Legacy.com.

…In 1982 he succeeded Dallas Townsend to become anchor of “The CBS World News Roundup”- the longest running news broadcast in history. His passion, however, was space. He anchored live coverage of all the nation’s manned space flights for CBS News from Gemini up to the Space Shuttle, including all the Apollo flights to the moon. In 1985, Mr. Collins took “one giant leap” from radio to television and became an anchor for CNN, where he remained until his retirement in 1996. During retirement, he enjoyed golf, cigars on his front porch in Kensington, his 1977 Saab convertible and spending time fishing and relaxing on the East Rosebud River at his vacation home outside Roscoe MT. Arrangements will be private. If so moved, donations in his name may be made to the Montana Historical Society, P.O. Box 201201, Helena, MT 59620-1201.

Collins had four short stories in F&SF between 1978 and 1984.

(13) TODAY IN HISTORY

  • June 30, 1971 Willy Wonka and the Chocolate Factory opened.

(14) TODAY’S BIRTHDAYS

  • Born June 30 — Vincent D’Onofrio, 59. Men in Black and the animated Men in Black series as well, genre series work including Emerald City, Daredevil and Ghost Wars.
  • Born June 30 – Molly Parker, 46. Currently on The Lost in Space series as Maureen, but genre roles on The Nightmare Cafe, The Outer Limits, HighlanderThe Sentinel, and Deadwood. Cat Eldridge says, “Ok the last may not be genre but it is a great love of Emma Bull and Will Shetterly. Emma’s novel Territory reflects her passion for the Old West.”

(15) COMICS SECTION.

  • John King Tarpinian relays a warning from a well-known comic book hero delivered in Bliss.
  • Mike Kennedy shares how in Monty, robot sidekick EB3’s left arm had achieved a sentience of its own, was rebelling, and had to be replaced.  Doc and Monty found a use for the old arm…

(16) A FLUCTUATION IN THE FORCE. JDA’s Twitter followers had a market crash:

(17) HERETICAL PRONOUNCEMENT. Camestros Felapton dares to ask, “Is HAL 9000 a robot?”. Worse than that, he dares to answer!

So what about HAL? HAL presents as an AI. He’s talked about as a brain. He is shown as a computer. But what is he the brain of? Simple, HAL is the brain of the Discovery One and has control over the ship. Discovery One is HAL’s body. HAL is a robot.

Your Good Host has a meltdown in his comments section.

(18) VIDEO OF THE DAY. In Synthetic Biology on Vimeo, Vasil Hnatiuk posits a future where giant bees race and living organisms became starships.

(19) RETRO FANDOM. Simpler times! A clipping courtesy of David Doering:

ACKERMAN  BEATS   BRADBURY   TO   A   PULP!

April 1, 1941 — Eyewitness account:

A low-flying, longstanding feud between the two would-be fun-rulers of Shangri-LA, Ray Bradbury and Forrest J Ackerman, broke into the open here late on the night of March 27 with serious injuries sustained by Bradbury — tangle occurred after a Club meeting — when Bradbury and FJA were leaving Cliftons and walked around the corner toward the newsstand. Each was playing the perennial game of trying to out-pun the other, when the now Stirring Science Stories was simultaneously spotted, Both fans leaped forward to secure the issue, Ackerman getting there first. So it was that Ackerman beat Bradbury to a pulp.

(20) BRADBURY AGAIN. Susan Sackett’s Inside Trek book promo site includes a small gallery of photos from a 1976 recording session.

In 1976, I suggested to my friend Ed Naha, A&R person for Columbia Records, that he should sign Gene to do a “spoken word” record. Gene loved the idea and wrote some great copy, inviting many science fiction luminaries to join him. “Inside Star Trek” was recorded at United Western Studios in LA, with Gene, Bill Shatner, and Ray Bradbury all present at this first session. (Isaac Asimov recorded his contribution in New York; DeForest Kelley and Mark Lenard’s sessions came later.) I was there too, of course, snapping pictures for posterity. As you can see from this shot, Gene, Bill and Ray were discussing something important. I call this Gene’s “shaggy dog” period.

(21) HOT OFF THE DIGITAL PRESS. The 20th issue of Rich Lynch’s personal fanthology My Back Pages is now online at the eFanzines website. [PDF file]

Issue #20 is a “getting closer to retirement” issue and has essays involving close-up magic and far-off business destinations, oppressive desert heat and refreshing evaporative cooling, fast cars and slow bicycles, large buildings and small details, Madisonian libertarianism and Rooseveltian progressivism, 1950s space ships and current-day space stations, famous cowboys and famous Missourians, posh hotels and run-down motels, first fans and First Fans, State Capitols and County Courthouses, steamy blues and cool jazz, hot barbecue and the Cold War, bronze statues and scrap metal constructs, large conventions and larger conventions, fan libraries and fanfiction, no reservations and “No Award”.  And colophons… Why did it have to be colophons?

(22) IN A CAST. “Jared Leto ‘joins Spider-Man movie universe’ as vampire Morbius” reports the BBC.

The 30 Seconds To Mars frontman would hop from DC to Marvel, having previously played The Joker in Suicide Squad.

Morbius is the third movie currently in production based on characters in the Spider-Man comic books.

After reports of the casting spread online, Jared shared some artwork of the character on Instagram.

(23) OVERRUNS. China Film Insider says it’s “This Year’s Most Expensive Summer Film”

When it comes to this year’s summer films in China, although Chinese audiences have been abuzz with Jiang Wen’s Hidden Man, Guo Jingming’s L.O.R.D: Legend of Ravaging Dynasties, and Xu Ke’s action movie Detective Dee: The Four Heavenly Kings, the most expensive summer film is another one: Yang Zhenjian’s Asura. This film reportedly costs 750 million yuan ($115.5 million). Based on the current revenue-sharing model in China, it has to make at least 2.3 billion yuan ($350 million) in order to breakeven. In a recent interview with WeChat media outlet D-entertainment, the film’s director Yang Zhenjian explained that a big portion of the budget was allocated to hiring international technicians and visual effect teams. In addition, the film was made by a huge crew within a long period of time.

(24) DOCTOR WHO COMIC. Titan Comics and BBC Studios have announced Doctor Who: The Thirteenth Doctor Vol. 0 – The Many Lives Of Doctor Who – a special primer edition, which celebrates the Doctor’s many lives, and leads directly into Titan’s brand-new Thirteenth Doctor comic series – launching this fall in the U.S. and UK.

It’s said that your life flashes before your eyes when you die, and the Doctor’s had many of them! As the Doctor regenerates from his twelfth incarnation to her thirteenth (as played by Jodie Whittaker), she relives unseen adventures from all her past selves from Classic through to New Who.

(25) THE JOHNNY RICO DIET. It’s not Heinlein’s Mobile Infantry powered armor, though it may be a step toward it. It’s not even in deployed use. But the US military does seem to be getting serious about testing powered exoskeleton for both upper and lower body uses. In Popular Science: “Power-multiplying exoskeletons are slimming down for use on the battlefield”.

…newly developed exoskeletons is starting to meet […] slimmed-down, stealth requirements  […] Among the most promising, and weird-looking, is the “third arm” that the U.S. Army Research Laboratory developed to help soldiers carry and support their weapons on the battlefield. The lightweight device, which weighs less than four pounds and hangs at a soldier’s side, stabilizes rifles and machine guns, which can weigh up to 27 pounds. This improves shooting accuracy and also minimizes fatigue. It can even be used while scrambling into position on the ground.

…In May, Lockheed Martin unveiled its lightest weight powered exo for lower body support. Dubbed ONYX, the form-fitting suit, which resembles an unobtrusive web of athletic braces, reduce the effort soldier’s need for walking, running, and climbing over varied terrain while carrying a heavy loads of up to 100 pounds.

The suit uses tracking sensors, mechanical knee actuators, and artificial intelligence-based software that predicts joint movement, all of which reduce stress on the lower back and the legs.…

(26) ALWAYS TO CALL IT RESEARCH. Sixth Tone is hot pursuit of the story: “Chinese Fantasy Show Accused of Stealing Harry Potter’s Magic”.

Harry Potter fans threaten to Avada Kedavra drama accused of plot-copying.

After “Legend of Fu Yao” premiered in China on Monday, some viewers pointed out that the television series appeared to have plagiarized “Harry Potter and The Goblet of Fire,” the fourth installment in British novelist J.K. Rowling’s seven-part series. Twelve episodes have aired so far — and online clips from or related to the show had gained over 350 million views within a day of the season premier.

In the series, the heroine Fu Yao is a disciple at Xuanyuan, a Taoist school that teaches swordsmanship and sorcery. The story focuses on the Tiandou Competition, an event held every eight years. To join in the contest, hopefuls must throw a piece of paper dipped in their own blood into a bronze cauldron. Once they’re signed up, there’s no getting out of the three-round competition, which sees challengers fight against a buffalo-shaped mythical creature, among other tasks.

Loyal Potterheads were quick to notice the similarities with the fourth installment’s Triwizard Tournament, a competition held every five years between three wizarding schools….

(27) HUMANITY NEEDS SAVING AGAIN. The Predator opens in theaters September 14:

From the outer reaches of space to the small-town streets of suburbia, the hunt comes home in Shane Black’s explosive reinvention of the Predator series. Now, the universe’s most lethal hunters are stronger, smarter and deadlier than ever before, having genetically upgraded themselves with DNA from other species. When a young boy accidentally triggers their return to Earth, only a ragtag crew of ex-soldiers and a disgruntled science teacher can prevent the end of the human race.

 

[Thanks to JJ, John King Tarpinian, Mike Kennedy, Chip Hitchcock, Cat Eldridge, Martin Morse Wooster, Carl Slaughter, Jason, Bill, Rich Lynch, David Doering, Jonathan Cowie, Todd Mason, Brian Z., and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Camestros Felapton.]

Pixel Scroll 2/9/18 Pixel, Pixel, Scrolling Bright, On The Servers Through The Night

(1) THE COURSE OF TRUE LOVE. Evil Mad Scientist has released downloadable “Evil Mad Scientist Valentines: 2018”.

This year’s set features parallel lines, friction, and activation energy:

What could be more romantic than telling someone that the second derivative of your potential energy is at its minimum when you’re around them?

Evil Mad Scientist has been doing this for awhile:

You can download the full set here, which includes all 36 designs from all six years (a 1.6 MB PDF document).

(2) WHERE APES HAVE GONE BEFORE. There will be a “50 Years of Planet of the Apes Exhibit and Film Retrospective” at the University of Southern California in LA through May 13.

The USC School of Cinematic Arts has partnered with 20th Century Fox Film to host an exclusive exhibit and retrospective celebrating the 50th anniversary of the Planet of the Apes franchise titled 50 Years of Planet of the Apes.

A vast collection of props, costumes, photos, posters and artwork from across all iterations of the longstanding franchise will be on display in the Hugh Hefner Exhibition Hall at USC this spring. The exhibit will be available to visit as a work-in-progress from January 26th – February 8th and all final displays will be open from February 9th through May 13th, 2018. A series of panels and screenings will complement the exhibit, including all feature films from the Planet of the Apes universe.

The exhibit is in conjunction with the 50th anniversary of the 1968 release of the first Planet of the Apes film, the original installment of the still expanding franchise that now includes four sequels, a TV series, an animated series, comic books, merchandise, and 20th Century Fox Film’s highly successful prequel film series Rise of the Planet of the Apes, Dawn of the Planet of the Apes, and War for the Planet of the Apes.

There is a schedule of associated film screenings at the link.

(3) ROOSTING. Watch the two Falcon Heavy boosters come booming back to Earth in this video at digg: “Seriously Cool Amateur Footage Of The Simultaneous Falcon Heavy Booster Landing”.

(4) ROASTING. Falcon Heavy’s third booster didn’t make it home intact: “SpaceX confirms it lost the center core of the Falcon Heavy”.

What’s more, it landed the two flanking boosters in perfect synchronized formation. But the fate of the core booster was unclear; now it appears that the center booster, which was supposed to land on a drone ship, was lost.

Elon Musk said on a conference call with reporters that the launch “seems to have gone as well as one could have hoped with the exception of center core. The center core obviously didn’t land on the drone ship” and he said that “we’re looking at the issue.” Musk says that the core ran out of propellant, which kept the core from being able to slow down as much as it needed for landing. Because of that, the core apparently hit the water at 300MPH, and it was about 100 meters from the ship. “It was enough to take out two thrusters and shower the deck with shrapnel,” Musk said. That should be worth seeing on video: “We have the video,” Musk confirmed, “it sounds like some pretty fun footage… if the cameras didn’t get blown up as well.”

(5) SFWA AUCTION. Steven H Silver tells about a SFWA fundraiser:

Did you miss our charity auctions in December? Good news! SFWA will be auctioning off five new items every month on Ebay. Available items in February include an autographed uncorrected proof copy of Fevre Dream by George RR Martin, uncorrected proof  13th Annual Year’s Best Fantasy and Horror (signed by Ellen Datlow), and a rare signed copy of This Island Earth by Raymond F. Jones.

The bidding began on February 5th and will run through February 12: Ebay.com/usr/sfwa65

All auction proceeds will be earmarked for the SFWA Givers Fund which is used to disperse grants to deserving applicants, along with bolstering the existing Emergency Medical (EMF) and Legal Funds.

For more information about our funds and what they support, please visit sfwa.org/donate. If you have items you would like to donate for future SFWA Charity Auction fundraisers, please contact Steven H Silver at [email protected] for more information.

Use this search to find items.

(6) BOSKONE PROGRAM. Look forward to the panels and participants discussing “Black Science Fiction at Boskone”, February 16-18 in Boston.

This year Boskone features a program with a strong selection of panels and discussions dedicated to black science fiction authors, publishers, and fans. Our program includes everything from black publishers and Afrofuturism to works by authors such as Octavia Butler, science panels that include the future of medicine, writing discussions that tackle young adult fiction, and much, much more!

Here’s a quick list of some of our program items with an emphasis on black science fiction and the authors who will be joining us from across the country. For the full set of program items, view the Boskone 55 program….

(7) VOLCANO IN TOWSON. Scott Edelman’s Eating the Fantastic podcast visits with Norman Prentiss to sample the volcano shrimp at a Chinese restaurant in Towson, MD.

And who is this episode’s guest? Why, it’s Norman Prentiss, who won the 2010 Bram Stoker Award for Superior Achievement in Long Fiction for Invisible Fences, and the 2009 Stoker for Superior Achievement in Short Fiction for “In the Porches of My Ears.” His powerful, personal fiction has been reprinted in both Best Horror of the Year and The Year’s Best Dark Fantasy and Horror, and his poetry has appeared in Writer Online, Southern Poetry Review, and A Sea of Alone: Poems for Alfred Hitchcock.

 

Norman Prentiss

We discussed the day he wowed the other kids on his school playground by reading them Edgar Allan Poe’s “The Tell-Tale Heart,” the movies a Catholic Church newsletter’s warnings made him want to see even more, the supernatural superhero comic that led to a lawsuit against Harlan Ellison, the upside and (surprising) downside of having won a $35,000 college writing prize, how the freebies he got at a Horrorfind convention goosed him to start writing fiction again, why he wrote the last part of his novel Odd Adventures with Your Other Father first, how he’s been able to collaborate with other authors without killing them, what can be taught about writing and what can only be learned, why he ended up writing horror instead of science fiction, and much, much more.

(8) WONDER ANNUAL POWERS, ACTIVATE! Rich Horton announced the contents of
The Year’s Best Science Fiction and Fantasy, 2018 Edition so Jason went to work at Featured Futures and finished his “Collated Contents of the Big Year’s Bests (2017 Stories, with Links!)”

Last year, I collated and linked to the webzine stories picked by Clarke, Dozois, Horton, and Strahan for their annuals. This year, I’ve collated all the selections. (I’ve also noted whether I’ve read them and, if so, whether they got an honorable mention, a recommendation, or were recommendations which made my Web’s Best Science Fiction or Web’s Best Fantasy.)

(9) TODAY’S BIRTHDAYS

  • Born February 9, 1960 – Laura Frankos

(10) FRANKOS. Steven H Silver celebrated Frankos at Black Gate with “Birthday Reviews: Laura Frankos’s ‘A Late Symmer Night’s Battle’”.

… When a follow-up attack of reremice occur, the fairies must question what they are fighting for and what makes a race worthwhile. While Frankos could have told the story with tremendous amounts of gravitas, the venue for its publication was looking for more lighthearted fare and she managed to deliver, sprinkling her tale with wonderful puns….

(11) TODAY’S BIRTHDAY UNIVERSE. The BBC has the snapshot: “Marvel Cinematic Universe celebrates its 10th birthday with an epic cast photo”.

Over the past decade Marvel has brought us 18 films, starting with Iron Man in 2008 and including Thor, The Avengers and Captain America.

The class photo of 76 actors appeared on Twitter on Thursday.

It includes major players in the films like Robert Downey Jr, Vin Diesel, Scarlett Johansson and Letitia Wright.

The picture was shortly followed by a behind the scenes video.

It begins with Thor’s Chris Hemsworth saying: “It was sort of like being at the Academy Awards or something, every person had been in one or all of my favourite films.”

 

(12) COMICS SECTION.

  • Mike Kennedy asks, “Is Gumby genre? Perhaps so…” — The Flying McCoys.
  • And Mike learned from  Basic Instructions, “If you wish to be an evil Emperor, do not waste time taunting your nemesis. Especially in falsetto.”
  • Cath found another cat/book/humor connection in today’s Breaking Cat News.
  • Cath also knows I need proofreading advice —

(13) YOUTH WANTS TO KNOW. Is the work of comic book colorists inherently apolitical?

(14) MORE ON ACKERMAN. Adam-Troy Castro heard about Forrest J Ackerman’s behavior in 1997:

Yes, I knew about Forry Ackerman twenty years ago.

I was part of the committee that gave him the Bram Stoker Lifetime Achievement Award. I need you to know that I was outvoted. We were giving two awards that year and the Ackerman partisans were given what they wanted in order for those who were against the citation to be given what they wanted. Even so, the hell that went on behind the scenes was intense and lasted for months after the official announcement was made. But yes, one of the things that came up during the hellish brouhaha that followed was that he had, quote, “a house full of child pornography.”

The months of invective that went on, back and forth, behind the scenes, amounted to the worst period of my writing career….

(15) WET WORK. Beneath the waters of the Gulf: “Long-Buried Ice Age Forest Offers Climate Change Clues”.

Scientists say it’s a remarkable discovery.

“The underwater forest is like the Garden of Eden underwater,” says Christine DeLong, a paleo-climatologist at Louisiana State University. She says tests date the forest to be between 50,000 and 70,000 years old.

“It’s a huge deal,” DeLong says. “Because here we have this like perfectly preserved time capsule of an ice age forest.”

(16) LIGHTEN UP. Thanks to French scientists and a NASA probe, “Secrets of solar flares are unlocked”.

Flares can occur on their own, or be accompanied by powerful eruptions of plasma (charged gas) from the Sun.

If charged particles from these eruptions reach Earth, they can create havoc with infrastructure, such as satellite systems and power grids.

Now, researchers in France say the interaction of distinct magnetic structures controls these outbursts from our star.

Generally speaking, solar eruptions are caused by a sudden, violent rearrangement of the Sun’s magnetic field.

At a deeper level, the process is controlled by two types of structures that form in the magnetic field of the Sun: ropes and cages.

The rope is confined within the magnetic cage. If the cage is strong, it can contain the rope’s contortions, but when the cage is weak, an eruption can take place.

(17) WATER SIGN. Sydney has a unique solution to trucks trying to get into tunnels they’re too tall for: a water wall as a screen for a giant projected STOP sign. (Video at the link.) “That will stop them in their tracks! Virtual barrier made from curtain of water halts lorries from driving through too small tunnels”.

They had tried flashing signs, neon signs and staggered signs.

But when lorry drivers continued to keep on driving their over-sized trucks though low tunnels, Australian authorities took the extreme measure of warning drivers with water signs.

Drivers are greeted with a curtain of water falling from the entrance of tunnels with a huge ‘stop’ sign projected on to them….

Laservision said that the Sydney Harbour Tunnel has experienced more than 10,000 incidents of vehicles hitting the structure since it opened.

The damage caused by too large vehicles crashing into the overhead of the tunnel affected up to 12,000 motorists at peak time, the company said.

There’s also this TV clip of the sign in action –

And the manufacturer’s writeup: “Activated 8 times in 8 weeks, with 100% success!”

(18) BUGEYED. “What Scientists Learned From Putting 3-D Glasses on Praying Mantises”: The Atlantic has the story.

One might assume that any animal with two forward-facing eyes would automatically have stereopsis, but that’s not true. It’s a sophisticated skill that requires a lot of processing power and a complex network of neurons—one that not every animal can afford to build. Indeed, after stereopsis was first confirmed in humans in 1838, it took 132 years for scientists to show that other species had the same ability. Macaque monkeys were the first confirmed member of the stereopsis club, but they were soon joined by cats, horses, sheep, owls, falcons, toads—and praying mantises. In the 1980s, Samuel Rossel placed prisms in front of these insects to show that they do triangulate the images from both eyes to catch their prey.

When Jenny Read, from Newcastle University, first read about this, she was amazed. How could an insect pull off such a complicated trick with a brain that contains just 1 million neurons? (For comparison, our brains have 100,000 times that number.) To find out, she and Nityananda set up their mantis 3-D cinemas….

They presented the insects with screens full of black and white dots, with a slightly different pattern projected to each eye. Against these backgrounds, a small circle of dots—a target—would slowly spiral inward from the outside. “It’s meant to be like a little beetle moving against a background,” says Read.

By tweaking the dots, the team could change how far away this target would appear to the watching mantises. And they found that the insects would start to attack the target when it seemed to get within striking distance. Clearly, the insects have stereopsis.

But their stereopsis is not our stereopsis. We use brightness as a cue to align and compare the images that are perceived by our two eyes. Scientists can confirm this by presenting one eye with an image that’s a negative of the other—that has black dots where the other has white ones, and vice versa. “For us, that’s incredibly disruptive. We really can’t match up the images anymore, so our stereopsis falls apart,” says Read. “But the mantises are completely unfazed.” Brightness clearly doesn’t matter to them.

(19) THUMBRUNNERS. I’m not sure “parts is parts” when they’re human — “Special Report: U.S. body brokers supply world with torsos, limbs and heads”.

Demand for body parts from America — torsos, knees and heads — is high in countries where religious traditions or laws prohibit the dissection of the dead. Unlike many developed nations, the United States largely does not regulate the sale of donated body parts, allowing entrepreneurs such as MedCure to expand exports rapidly during the last decade.

No other nation has an industry that can provide as convenient and reliable a supply of body parts.

(Larry Niven once said he preferred Alexei Panshin’s “thumbrunners,” but having been beaten to the term, he’d come up with his alternative, “organleggers.”)

(20) SPACE MOUNTAIN. You get a glimpse inside the illusion created by a popular Disneyland attraction in this Orange County Register piece: “Space Mountain fan gets the roller coaster’s 87-year-old designer to ride it one last time at Disneyland”

How fast do you think you’re traveling when you’re in the rockets on Space Mountain?

Think of the speed of a car on the freeway. Is Space Mountain faster than that? Slower? Is it 100 miles per hour, like Bill Watkins has heard people telling each other?

Watkins contemplated the speed question for years in the early- to mid-1970s. He built his first Space Mountain at Walt Disney World in Florida. But it was bigger – a 300-ft. circle on two tracks. When the Disneyland Space Mountain opened in 1977, Watkins had completed what he always saw as a giant math problem.

Space Mountain is a gravity coaster. Unlike the Matterhorn, which relies on thrusters to help move its vehicles forward, Space Mountain simply starts up and goes down. Technically, it’s 75 seconds of free fall.

At its maximum speed (which can vary slightly depending on the combined weight of the riders) the car you’re riding in Space Mountain is traveling about 40 feet per second.

That’s 27.27 miles per hour.

That seems really slow.

But Watkins somehow made it just right. More than 250 million people have ridden Space Mountain since it opened. And while it’s unclear if it’s the best – Disneyland’s public relations department would only say that Space Mountain is, according to guests, “a top 10 attraction” – how many are better?

It is certainly arguable that Bill Watkins created the most popular roller coaster of all time.

“I seldom meet anyone who hasn’t ridden it,” he said.

(21) BEST PRO ARTIST RESOURCE. Rocket Stack Rank’s  “2018 Professional Artists” page is designed —

To help people make nominations for the 2018 Hugo Award for Best Professional Artist, we have set up a “lightbox” system to let fans quickly flip through the works of over 113 artists listed below and to set aside the ones they particularly liked.

Greg Hullender says —

This is aimed at helping people pick artists to nominate, based on covers for magazines and for books containing original novels or anthologies. We don’t have pictures for reprints.

Where possible, we have links to the artists’ portfolios, so readers can get a broader idea of any particular artist’s work. To simplify that a bit, for eligible artists who had just a few works published in 2017 we’ve padded their list of pictures with their art from earlier years. (They’re marked by date for the benefit of those who only want to see works published in 2017.)

(22) ROBOTECH RETURNS. Titan Comics will publish a new graphic novel based on the classic Robotech saga.

A mysterious ship crashes on a remote island… 10 years later, the ship’s ‘Robotechnology’ has helped humanity advance its own tech. But danger looms from the skies and an epic adventure is set to begin…

The world-famous, fan-favorite animated epic returns to comics with a classic transforming-jetfighters-versus-giant-aliens adventure! Written by Brian Wood (Star Wars, Briggs Land, X-Men), with art from Marco Turini (Assassin’s Creed) and colorist Marco Lesko! Return to the fan-favorite Macross Saga that began the classic Robotech franchise, as hotshot Veritech pilot Roy Fokker and skilled rookie Rick Hunter are pulled into an intergalactic war when the Earth is invaded by the insidious Zentraedi! Whether you’ve seen the classic cartoon to the point you can quote every episode, or whether you’ve never experienced Robotech before, this graphic novel collection is for you!

 

[Thanks to JJ, Martin Morse Wooster, Cat Eldridge, John King Tarpinian, Scott Edelman, Mike Kennedy, Chip Hitchcock, Cath, Andrew Porter, Will R., David K.M. Klaus, and Carl Slaughter for some of these stories. Title credit belongs to File 770 contributing editor of the day evilrooster.]