The Science Fiction and Fantasy Writers Association (SFWA) today announced the outcome of the 2024 Board of Directors elections.
The results, as certified by the Elections Committee are as follows. (* = Incumbent.)
VICE PRESIDENT
Chelsea Mueller*
(No other declared candidates)
CFO
Jonathan Brazee*
(No other declared candidates)
DIRECTOR-AT-LARGE (2 open positions):
Anthony Eichenlaub*
Oghenechovwe Donald Ekpeki
The newly elected officers and directors-at-large will serve on the SFWA Board from July 2024 through June 2026.
Additional Changes to the 2024-2025 Board. Due to health reasons, SFWA Secretary, Jasmine Gower, will soon step down and current director, Anthony Eichenlaub, will take on that role.
This will vacate Eichenlaub’s position as a director-at-large. Noah Sturdevant has agreed to be appointed to the board as a director-at-large. Additionally, since Chelsea Mueller has won her seat at the new SFWA Vice President starting on July 1, Alton Kremer will be joining the board as a new director-at-large filling Chelsea’s former role.
The Science Fiction and Fantasy Writers Association (SFWA) announced the 59th Annual Nebula Awards® in Pasadena, CA on June 8.
NEBULA AWARD FOR NOVEL
The Saint of Bright Doors, Vajra Chandrasekera (Tordotcom)
NEBULA AWARD FOR NOVELLA
“Linghun”, Ai Jiang (Linghun)
NEBULA AWARD FOR NOVELETTE
“The Year Without Sunshine“, Naomi Kritzer (Uncanny 11-12/23)
NEBULA AWARD FOR SHORT STORY
“Tantie Merle and the Farmhand 4200“, R.S.A Garcia (Uncanny 7-8/23)
ANDRE NORTON NEBULA AWARD FOR MIDDLE GRADE AND YOUNG ADULT FICTION
To Shape a Dragon’s Breath, Moniquill Blackgoose (Del Rey)
NEBULA AWARD FOR GAME WRITING
Baldur’s Gate 3, Adam Smith, Adrienne Law, Baudelaire Welch, Chrystal Ding, Ella McConnell, Ine Van Hamme, Jan Van Dosselaer, John Corocran, Kevin VanOrd, Lawrence Schick, Martin Docherty, Rachel Quirke, Ruairí Moore, Sarah Baylus, Stephen Rooney, Swen Vincke (Larian Studios)
RAY BRADBURY NEBULA AWARD FOR OUTSTANDING DRAMATIC PRESENTATION
The Science Fiction and Fantasy Writers Association (SFWA) invites speculative fiction fans and creators to the 59th Annual Nebula Awards® Ceremony. The ceremony will stream live on Saturday, June 8, at 8:00 p.m. Pacific from Pasadena, CA. Sarah Gailey will serve as Toastmaster. The 59th Annual Nebula Awards Ceremony on YouTube.
The Science Fiction and Fantasy Writers Association will posthumously present the 2024 Kate Wilhelm Solstice Award to Jennell Jaquays (1956-2024) at the 59th Annual SFWA Nebula Awards® ceremony on June 8. Her wife, Rebecca Heineman, will accept the award on her behalf.
The Kate Wilhelm Solstice Award is given by SFWA for significant contributions to the science fiction, fantasy, and related genres community. The award was created in 2008, with Wilhelm named as one of the three original recipients, and was renamed in her honor in 2016. Ms. Jaquays joins the ranks of the latest Solstice Award winners, including Cerece Rennie Murphy, Greg Bear, Petra Mayer, Arley Sorg, Troy L. Wiggins, Ben Bova, and Rachel Caine.
Kate Wilhelm’s Solstice Award (2008).
A multi-award winning and honored artist, game designer, editor, and activist, Jennell Jaquays left an indelible mark on the gaming industry and SFF community for nearly fifty years. Ms. Jaquays’ career began in college, when she and her friends created The Dungeoneer, one of the first licensed Dungeons and Dragons fanzines.
Now, from magazines to books, Ms. Jaquays’ art can be seen on multiple covers and throughout the pages of the many different forms and iterations of Dungeons and Dragons’ media. Having designed two modules of her own, “Dark Tower” and “The Caverns of Thracia,” her writing was celebrated by players for eschewing traditional and linear game mechanics and are not only playable today–but continue to inspire game designers and GMs.
Also known for her game industry work at companies such as Coleco, TSR, and id Software, Ms. Jaquays designed and contributed to multiple projects such as Coleco Vision, certain levels on the Quake II and III video games, arcade conversions of Pac-Man and Donkey-Kong, Halo Wars, and created an expansion pack in Age of Empires III.
Ms. Jaquays was nominated for multiple H.G. Wells Awards for her work and creation of the “Dark Tower” D&D module and for her design and illustrations on“Griffin Mountain.” Her work with Coleco’s WarGames won her the 1984 Summer C.E.S. original software award. Additionally, Castle Greyhawk won an Origins Gamer’s Choice Award for Best Role-Playing Adventure, and in 2017, the Academy of Adventure Gaming Arts & Design inducted Ms. Jaquays into their Hall of Fame.
Inspired by her own journey, Ms. Jaquays also became a recognized transgender activist, spending time working as the creative director of the Transgender Human Rights Institute.
“A beacon of hope and inspiration, Jennell Jaquays worked tirelessly in the spirit of community while gifting us with her art, her games, and her stories for almost fifty years,” said SFWA Director-at-Large, Monica Valentinelli. “The Board is honored to commemorate Jennell Jaquays and her indelible legacy as an artist, writer, and game designer in the video game and tabletop roleplaying industries.”
(1) NEBULA AWARDS TOASTMASTER NAMED. Sarah Gailey, Nebula and Hugo finalist, will serve as toastmaster for SFWA’s 59th Annual Nebula Awards® Ceremony. The ceremony will take place in Pasadena, CA on June 8, 2024. The organization will be livestreaming the ceremony on YouTube.
Sarah Gailey
Sarah Gailey is a Hugo Award Winning and Bestselling author of speculative fiction, short stories, and essays. They have been a finalist for the Hugo, Nebula, and Locus awards for multiple years running. Their bestselling adult novel debut, Magic For Liars, was published by Tor Books in 2019. Their most recent novel, Just Like Home, and most recent original comic book series with BOOM! Studios, Know Your Station are available now. Their shorter works and essays have been published in Mashable, The Boston Globe, Vice, Tor.com, and The Atlantic. Their work has been translated into seven different languages and published around the world.
Honoring 2023’s outstanding SFF genre works, the Nebula Awards Ceremony will be a highlight of the hybrid 2024 SFWA Nebula Conference, taking place June 6-9, 2024, online and at the Westin Pasadena in Pasadena, CA. Aspiring and professional storytellers in the speculative fiction genres may benefit from attending the entire professional development weekend full of panels and networking opportunities.
Tickets for the Nebula Awards Ceremony banquet, which precedes the ceremony itself, are also available. Queries and banquet tickets may be purchased by emailing [email protected] or visiting events.sfwa.org.
(2) SAMUEL R. DELANY PRIDE MONTH Q&A SCHEDULED. Author Samuel R. Delany will be interviewed live in Philadelphia in June: “Pride Month: How Science Fiction Dances to the Music of Time”. Saturday, June 15, 2024. 3:30 p.m. Eastern. In the Music Department at Parkway Central Library (1901 Vine Street (between 19th and 20th Streets on the Parkway), Philadelphia, PA 19103).
Samuel R. Delany
“A visionary novelist & a revolutionary chronicler of gay life” (The New Yorker), Samuel R. Delany speaks with Music Department library trainee & Hollywood indie film composer Mark Inchoco on the intersections between science fiction & music. Hear how great musicians, librettists, & musical events such as Cab Calloway, Pete Seeger, the Newport Folk Festival, Igor Stravinsky, Bob Dylan, Samuel Barber, Leontyne Price, & Macy Gray came into Delany’s art & life.
In conversation with Mark Inchoco, library trainee, conductor, & Hollywood indie film composer
Samuel R. Delany is a novelist, literary critic, & emeritus professor. He is the winner of four Nebula Awards, two Hugo Awards, the William Whitehead Memorial Award for lifetime contribution to gay & lesbian literature, & the Anisfield-Wolf book award. He was inducted into the Science Fiction Hall of Fame in 2002. In 2013, he was named the 31st Damon Knight Memorial Foundation Grand Master by the Science Fiction & Fantasy Writers of America.
Delany’s novels include Babel-17, The Einstein Intersection, Nova, & Dhalgren. His collection, Tales of Nevèrÿon, contains the first novel-length story to address the AIDS crisis. His 2007 novel Dark Reflections won the Stonewall Book Award. He is the author of the widely taught Times Square Red / Times Square Blue, & his book-length autobiographical essay, The Motion of Light in Water, won a Hugo Award in 1989. His interview in The Paris Review’s “Art of Fiction” series appeared in spring 2012. In 2015 he was the recipient of the Nicolas Guillén Award for philosophical fiction. Delany retired from teaching literature & creative writing at Temple University at the end of 2015. He lives in Philadelphia with his partner, Dennis Rickett.
Mark Inchoco is a composer, conductor, & music librarian from Port Richmond. His film scores were screened at the Academy Award & BAFTA qualifying LA Shorts Festival & the Newport Beach Film Festival. His compositions were performed in the U.S. & Europe. In 2018, Inchoco was the first music historian laureate of the Cité Internationale des Arts by the French Republic. Currently, he is assistant conductor of the Lower Merion Symphony. Inchoco holds degrees in English & historical musicology from Temple & the University of California, Riverside.
The theme of “The Garden of Time” is drawn from J.G. Ballard’s 1962 short story of the same name. The garden party theme is already in full bloom as the Metropolitan Museum of Art’s stairway is adorned with hundreds of fake flowers. This gala complements the Met’s current exhibit, “Sleeping Beauties: Reawakening Fashion.”
The exhibit “which opened for press previews on Monday morning, features approximately 250 rare items drawn from the Institute’s permanent collection. Spanning over 400 years of fashion history, the pieces include designs by Schiaparelli, Dior, Givenchy, and more.”
We’ve just gone over 7,000,000 words, almost 10 times the length of the 1979 edition, more than 5 times longer than 1993. We’re still a dozen short of 20,000 entries but hey. Have also reached 34,000 scans in the Picture Gallery, most of them of first editions (but also retitlings and revisions). We are homing in on 250,000 internal hyperlinks, way better than double the 2011 figure, when we went online with Gollancz.
—We’ll never change our title, which has been in our bones early and late, but our entries today do reflect the fact that genre sf is now a large raft in a huger flood….
…The Enchanted Island of Yew (published in 1903, early in his Oz phase) stands out by any account. Yet this matter-of-fact tale of gender transformation has never received the buzz accorded to Baum’s more famous series. Perhaps what is most laudable about the book, in retrospect, is the unconcerned tone with which the narrative presents the subversive “gender trouble” at its heart.
The gender agnosticism of Baum’s work contrasts noticeably to the priorities of the world around him. In his 1906 children’s fantasy John Dough and the Cherub, Chick the Cherub, a young child, is never assigned a gender. When Baum’s publishers came after him about this, he allegedly replied, “I cannot remember that Chick the Cherub impressed me as other than a joyous, sweet, venturesome and loveable child. Who cares whether it is a boy or a girl?”1 Bad timing: in an era rife with threatening jeremiads about “the New Woman” and pressure on men to trade domesticity for adventure tales and sporting life,2 the publishers were dissatisfied with casual gender ambiguity. They launched a contest for child readers, offering prize money for the best answers as to whether Chick was a boy or a girl and why.3
Baum himself, though, did not succumb. While the world around him fixated on gender and instilled the ideas of conventional gender presentation in children from a young age—to the point of paying them to go along!—gender play is just one element among many that makes up his fantasy worlds….
…The dilemma regarding the ethical placement of a rare book isn’t convoluted for Tom Lecky, who was the head of the rare-books and manuscripts department at the auction firm Christie’s for 17 years and now runs Riverrun Books & Manuscripts. When I mentioned the Hemingway manuscript of “The Short Happy Life of Francis Macomber” that sold for $248,000 at Christie’s back in 2000, he pointed out that institutions had had “every bit the opportunity to buy it as a private individual.” Other singular works that have been up for auction are James Joyce’s “Circe” manuscript, Sylvia Plath’s personally annotated Bible, a serial printing of Uncle Tom’s Cabin in the National Era newspaper, and the proofs of that first Great Gatsby dust jacket. In each case, I was captivated by their fate. The National Library of Ireland bought Joyce’s manuscript for $1.5 million and digitized it; Plath’s Bible went to an undisclosed buyer for about $11,000; so did the newspapers, for $126,000. Nobody placed a winning bid for the Gatsby cover art.
For Lecky, the ethical question we should be asking isn’t whether institutions should acquire rare books instead of collectors, but what happens when “a private owner owns something that no one knows that they have.” Lecky, like many others in the trade, works to dispel myths about how private collections work. Private collections tend to be temporary and books often jump between hands, but for the time that a collector owns a book, in my view, they should make efforts to share it. “Most collectors don’t think of it as possession but caretaking,” Lecky said. “They’re a piece of the chain in the provenance, not the end of it.”…
(7) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born May 7, 1922 — Darren McGavin. (Died 2006.) How could I possibly resist doing the Birthday of Darren McGavin?
Before we get to very obvious reason why I’m doing him, let’s look at some of his other genre and perhaps not-so-genre work.
I’m fairly sure his earliest genre role was in the Tales of Tomorrow anthology series as Bruce Calvin in “The Duplicates” episode which was over seventy years ago. I’m reasonably sure that his next genre role is a decade later in Witchcraft in a major role as Fred.
He has a lot of genre appearances, some of which I’ll note here. He’s in A Man from U.N.C.L.E. as Victor Karmak in “The Deadly Quest Affair” and yes, I remember him in that episode; the same year he shows up in Mission: Impossible as J. Richard Taggart in “The Seal”; several years later, he’d be in the pilot of Six Million Dollar Man as Oliver Spencer. I never did really get into that series, or that spin-off one. And he’s even in The Martian Chronicles as Sam Parkhill.
He was also I think, and let me now go check, yes he was, in the first television series featuring Mike Hammer as that character in Mickey Spillane’s Mike Hammer serieswhich was the syndicated television series based on Spillane’s series. Though it only ran from January 7, 1958 through November 28, 1959, it had seventy-six half-hour episodes.
Darren McGavin as Kolchak.
Fifty-one years ago, ABC aired The Night Stalker, the first of two films that preceded Kolchak: The Night Stalker series, the other being The Night Strangler. I’m reasonably sure that I’m seen them though I can’t remember seeing them. This is a casting decision when Darren McGavin was the only performer considered for the role.
And oh did he ever settle into the role of Chicago reporter Carl Kolchak who investigates mysterious incidents. He encountered, to name some of his stories that his Editor didn’t believe, an alien stranded on Earth, a prehistoric ape-man created from cell samples, vampires (of course he had to given the original character in the novel did), mummies, and a zombie. Even an android. I thought they did the headless motorcycle rider rather well.
His character originated in an unpublished novel, The Kolchak Papers, written by Jeff Rice about a Vegas newspaper reporter named Carl Kolchak tracks down and defeats a serial killer who turns out to be a vampire. Yes, the novel is not available as an epub. And Rice wrote yet more novels based on this series.
What I hadn’t realized some fifty years on from first seeing it as a teenager and some thirty years since I last saw it was that of 26 episodes ordered, only 20 were produced. I could’ve sworn that I saw more episodes than that! There was a 2005 revival of 10 episodes, only 6 of which aired before ABC cancelled it due to abysmally bad ratings.
Carter wanted McGavin to appear as Kolchak in The X-Files, but McGavin was very adamant that he would not reprise the character for the series. However he would appear in several episodes as Arthur Dales, a retired FBI agent who was supposed to be the “father of the X-Files”.
In the third episode of the 2016 revival series, a character prominently featured in the “Mulder and Scully Meet the Were-Monster” episode is conspicuously attired in Kolchak’s trademark seersucker jacket, black knit tie, and straw hat. Why so, you ask? Well, you should ask.
The episode can trace its origin back to a script entitled “The M Word” episode of the the Night Stalker. X-File’s executive producer Frank Spotnitz’s was also the executive producer for that series. So that script was reworked by a different writer into this script with Kolchak being given a nod.
The series is airing Peacock for free or Amazon for $1.99 an episode. Peacock has a lot of SF like Farscape, Primeval, the original Quantum Leap and the now-cancelled reboot series, and Warehouse 13. Oh, and Columbo as well. I know it’s not genre, but I thought I’d mention it. Alas McGavin never appeared in a Columbo mystery. Too bad.
The “Blade Runner” series in the works at Amazon Prime Video has cast Michelle Yeoh in a lead role, Variety has learned.
The series, titled “Blade Runner 2099,” was ordered at Amazon in September 2022. It serves as a sequel to both the original “Blade Runner” film and the followup film, “Blade Runner 2049.” Exact plot details are being kept under wraps, but sources say Yeoh will play a character named Olwen, described as a replicant near the end of her life…
(10) IT’S A PREQUEL AND A SEQUEL. But not a breath mint. Walt Disney Studios dropped a teaser trailer for Mufasa: The Lion King, in theaters December 20.
A lion who would change our lives forever. #Mufasa: The Lion King. “Mufasa: The Lion King” enlists Rafiki to relay the legend of Mufasa to young lion cub Kiara, daughter of Simba and Nala, with Timon and Pumbaa lending their signature schtick. Told in flashbacks, the story introduces Mufasa as an orphaned cub, lost and alone until he meets a sympathetic lion named Taka—the heir to a royal bloodline. The chance meeting sets in motion an expansive journey of an extraordinary group of misfits searching for their destiny—their bonds will be tested as they work together to evade a threatening and deadly foe.
Space is great. It’s massive, it’s colorful, and you can have big fights with lasers there. It really does have everything you could want. But it also has problems—mainly, like we said, that it’s massive. In fact it’s so massive that if you want to go anywhere in it (apart from a few nearby planets with hardly anyone to shoot lasers at), by the time you get there, you’re dead. Now you might think that if you can just go fast enough, you’ll get there before you die, but there’s a problem.
That problem, as Albert Einstein tells us, is the speed of light….
Here’s one of the films that Den of Geek gives a passing grade:
Interstellar (2014)
Christopher Nolan’s space exploration flick is probably the most famous take on time dilation. It is, it has to be said, a film that has done its homework. Although it uses a wormhole to get our astronauts into outer space, a combination of speed and veering too close to serious gravity wells means that decades pass at home while only a short time passes on board the ship. As well as portraying some of the realities of time dilation, this movie also gave us our most scientifically accurate visualization yet of a black hole.
It also, admirably, does not insist on a magic backward-time-travel fudge to restore a familial status quo at the end. The film ends with Matthew McConaughey reunited with his daughter, who is now an old lady, and there is no question of magically reversing that to let him watch her grow up. But even here, the scientifically accurate black hole allows Matthew McConaughey to send a message backward in time to his daughter’s childhood because of the cosmic power of love, or something, making the entire plot into a bootstrap paradox.
…Alcubierre published his idea in Classical and Quantum Gravity. Now, a new paper in the same journal suggests that a warp drive may not require exotic negative energy after all.
“This study changes the conversation about warp drives,” lead author Jared Fuchs, of the University of Alabama, Huntsville and the research think tank Applied Physics, said in a statement. “By demonstrating a first-of-its-kind model, we’ve shown that warp drives might not be relegated to science fiction.”
The team’s model uses “a sophisticated blend of traditional and novel gravitational techniques to create a warp bubble that can transport objects at high speeds within the bounds of known physics,” according to the statement.
Understanding that model is probably beyond most of us; the paper’s abstract, for example, says that the solution “involves combining a stable matter shell with a shift vector distribution that closely matches well-known warp drive solutions such as the Alcubierre metric.”
The proposed engine could not achieve faster-than-light travel, though it could come close; the statement mentions “high but subluminal speeds.”
This is a single modeling study, so don’t get too excited….
(13) ONE FOOT AT A TIME. [Item by Mike Kennedy.] How is Superman like you? According to the first official photo from the upcoming reboot movie, when he’s getting dressed it’s how he, um, re-boots.
David Corenswet, 30, stars in the first official photo from the upcoming Superman reboot, directed by James Gunn.
[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Daniel Dern, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, Kathy Sullivan, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Jack Lint.]
Q: What qualities must a story have to qualify as good horror in particular?
A: The things that any good story has plus the building of a sense of unease in the reader, the feeling that something is seriously wrong — dark and creepy and horrific. Horrible things are going to happen or are happening. I don’t expect stories to scare me, but I surely appreciate them making me feel extremely uncomfortable.
Q: What are some of your most common reasons for rejecting stories?
A: Bad writing, boring, tired plots. The words lying there like a dead fish.
(2) 2024 NEBULA CONFERENCE PRELIMINARY PROGRAMMING SCHEDULE HAS BEEN RELEASED. SFWA’s preliminary programming schedule for the 2024 Nebula Conference can be viewed here. The full schedule of events, including office hours and author meet-and-greets is yet to come.
Programming will begin on the 6th of June at 1:30pm PDT and conclude on the 9th of June at 11:30am PDT.
This professional development conference is for all authors and industry professionals within the science fiction, fantasy, and related genres and includes content geared toward creators working in games, comics, prose, poetry, and other mediums of storytelling.
If you volunteered to speak on programming: Thank you! You may have received a programming assignment email–please review this email to accept your assignment. Some assignments, however, will arrive in later waves. If you have not received an assignment you are still being considered. Our programming team will send notifications to all speaking volunteers, including those who were not scheduled, when assignments are complete.
If you submitted a programming idea: We’re grateful for the hundreds of panel topics and suggestions submitted for the conference – if your submission was not scheduled for this conference weekend, we may still be in touch about using it for an online panel later this year or during another event.
New Registration Feature: If you’ve already registered for the conference, we’ve now implemented a checkbox on newer registrations to show that you’re going! This option wasn’t available early on in the registration process, but if you’d like to opt-in and show your name on our list of attendees, please email [email protected] and we’ll get you sorted!
Registration (whether online or in-person in Pasadena, CA, includes access to the event, a year of access to recordings of many of the weekend’s panels, mentorship opportunities, the Nebula Awards ceremony, a conference Discord, and entry to our ongoing Nebula conference events–writing events, regular online panels, meetups, and more!
Room Block: If you are thinking about attending in person, time is ticking to reserve your room for the conference. Our room block will be closing soon and SFWA will not be able to guarantee the price for your stay with us. Every room that is booked directly will help us with our room block obligations, so if you have already booked, please let us know so we can add you to our list!
…One indie sci-fi anthology series, just released on YouTube, proves that the short form is still alive and well. A Thousand Sunsis a series created by filmmaker Macgregor, a cinematographer who has worked on everything from music videos for Dua Lipa to the Gerard Butler spy thriller Kandahar. Produced by Blackmilk Studios, with work from directors Ruairi Robinson, Tyson Wade Johnston, Tim Hyten, and Philip Gelatt, A Thousand Suns is basically a miniature, independent sci-fi film festival that you can watch right now….
…Because each of these shorts is about four minutes long, the Black Mirror-esque twists are sort of already happening as soon as you start watching….
…As of April [15], 2024, there are six episodes of A Thousand Suns up on YouTube and on the official site: 1Ksuns.com.
… “Civil War” joins a robust tradition of war films stretching back as far as 1925’s “The Big Parade” and 1926’s “What Price Glory?” that try to convey the power of violence itself: its horror, its allure, its twisted humor, and most of all its undeniable pull towards more violence. Hardy told IndieWire that he was much more influenced by photographers William Eggleston and Saul Leiter than specific war films or war photographers — although he did look at the work of Jessie’s (Cailee Spaeny) hero Lee Miller and others….
… Here are five war films (and one video game) that all share something — be it a sensibility, specific techniques, or a philosophical approach — with how “Civil War” tackles its action and combat sequences. They show just how successful war films can be at evoking strong feelings about violence, suffering, power, and courage, and also just how hard it is to tell war stories in a way that helps us avert them….
Here’s what the writer says about one of them:
‘Zero Dark Thirty’ (2012)
The impact of “Zero Dark Thirty” seems to have lessened over time, but that might be because the Seal Team Six assault that takes up the final third of Kathryn Bigelow’s film is so tautly edited that it leaves no room for other combat sequences to top its realism. Its use of night vision cameras and its ability to make the camera feel like another soldier on the mission is painfully precise. But there’s also something of a military practitioner’s perspective on how the camera tracks movement and what it settles on as important — it assesses threats and moves on. That perspective is sometimes clinical, sometimes fearful and adrenaline-fueled, and doesn’t leave too much space for sadness or horror until it floods in. Whether that is good enough determines whether you think a movie with combat sequences like “Zero Dark Thirty” or “Civil War” is ultimately a success or a failure in what it has to say about war.
…Conan Doyle wrote 60 Sherlock Holmes stories. He sold or gave away many of these manuscripts during his lifetime. He passed along others through his children. They eventually sold most of them, but his last surviving child, Dame Jean Conan Doyle (1912-1997), bequeathed three Holmes manuscripts to British institutions. Her gifts included The Retired Colourman, The Illustrious Client, and The Creeping Man….
… Almost all of the Holmes manuscripts written after 1902 still exist, in part because Conan Doyle started submitting typed copies to his publishers and retaining the original for himself. Only 4 of the 27 manuscripts written before 1902 are known to survive, although a few leaves remain from three other tales. Private collectors hold about half of the known existing manuscripts….
… Gaming is an inherently multisensory, immersive experience that, when riddled with violence or slanted by an extremist ideology, can be more impactful than a simple propaganda text or image in the radicalization process. According to a report by the UN Counter-Terrorism Centre (UNCCT) on the intersection between gaming and violent extremism, simulations created by extremists in otherwise neutral games like The Sims and Minecraft allow players to experience the Christchurch massacre from the shooter’s perspective. Meanwhile, in Roblox, a system that allows users to program and play games created by themselves or other users, extremists have created “white ethnostates”. Christian Picciolini, a former white supremacist, has explained how far-right extremists use popular games like Fortnite, Minecraft, and Call of Duty to recruit and radicalize marginalized youth experiencing social isolation….
A fire raged through one of Copenhagen’s oldest buildings Tuesday, destroying about half of the 17th-century Old Stock Exchange and collapsing its iconic dragon-tail spire, as passersby rushed to help emergency services save priceless paintings and other valuables.
The blaze broke out on the building’s roof during renovations, but police said it was too early to pinpoint the cause. The red-brick building, with its green copper roof and distinctive 56-meter (184-foot) spire in the shape of four intertwined dragon tails, is a major tourist attraction next to Denmark’s parliament, Christiansborg Palace, in the heart of the capital.
Bells tolled and sirens sounded as fire engulfed the spire and sent it crashing onto the building, which was shrouded by scaffolding. Huge billows of smoke rose over downtown Copenhagen and could be seen from southern Sweden, which is separated from the Danish capital by a narrow waterway.
(Click for larger images.)
(8) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born April 16, 1921 — Sir Peter Alexander Ustinov. (Died 2004.) Peter Ustinov showed up in Logan’s Run as the Old Man; he had the lead role in Blackbeard’s Ghost as Captain Blackbeard based the Robert Stevenson novel; he was Charlie Chan in Charlie Chan and the Curse of the Dragon Queen (it’s at least genre adjacent, isn’t it?); he’s The Caliph in stellar Thief of Baghdad; a truck driver in The Great Muppet Caper and finally he has the dual roles of Grandfather and Phoenix in The Phoenix and the Carpet.
Peter Ustinov in 1986. Portrait by Allan Warren.
He voiced myriad characters in animated films including that of Grendel in Grendel Grendel Grendel based off John Gardner’s novel Grendel, in Robin Hood, he voiced Prince John King Richard; and in The Mouse and His Child, he was the voice of Manny the Rat.
Now I’m going to admit that my favorite role byPeter Ustinov was playing Poirot which he did in half a dozen films, which he first in Death on the Nile and then in Evil Under the Sun, Thirteen at Dinner, Dead Man’s Folly, Murder in Three Acts and Appointment with Death. He wasn’t my favorite Point as that was David Suchet but it was obvious that he liked performing that role quite a bit.
Los Angeles citizens can rest easy knowing that a criminal theft ring is no longer stalking the city’s retail stores to feed a Lego black market. That’s because the California Highway Patrol (CHP) announced this week that it had arrested four people it accused of swiping what police estimated was “approximately $300,000” worth of Lego sets.
The four had allegedly burgled stores like Target, Home Depot, and Lowe’s of their Lego stock and sold them to black-market dealers who would then vend the stolen bricks at “seemingly legitimate businesses, swap meets, or online.” Police say they were booked on “charges related to Organized Retail Theft, Grand Theft, and Conspiracy to commit a crime.”…
The Princess Bride is a movie that I absolutely love and for some reason never seem to re-watch a lot these days. I’m not sure why that is, but maybe it’s because I overdid it back when it first hit home video. I was surprised to see McFarlane turn up with the license, not only because it was a weird fit among their sea of DC Comics and Warhammer figures, but also because the film has received so little merchandising over the years. Either way, I wasn’t in on these figures when they were first released, but earlier this year they hit the bargain bins and I was able to snap up the regular figures for under ten bucks each and the Mega Figure, Fezzik, for $16. So, let’s just tackle the whole damn thing today! Inconceivable? Nah, we can do this!
…To be fair, Gatwa has a lot to laugh about. After stealing scenes in Sex Education and Barbie, the 31-year-old actor is launching his next act, playing the titular Time Lord in the BBC’s legendary sci-fi series Doctor Who. After popping up in last year’s 60th anniversary special, “The Giggle,” and a solo Christmas episode, he’s now taking full control of the TARDIS, headlining his first full season as the Doctor — making him the first Black and first openly queer man to take on the role. It’s a new era for both Gatwa and the show itself: For the first time ever, the BBC is partnering with Disney+ to launch the show worldwide, and when the new season premieres May 10, it will air simultaneously around the globe….
The US space agency says the current mission design can’t return the samples before 2040 on the existing funds and the more realistic $11bn (£9bn) needed to make it happen is not sustainable.
Nasa is going to canvas for cheaper, faster “out of the box” ideas.
It hopes to have a solution on the drawing board later in the year.
Returning rock samples from Mars is regarded as the single most important priority in planetary exploration, and has been for decades.Just as the Moon rocks brought home by Apollo astronauts revolutionised our understanding of early Solar System history, so materials from the Red Planet are likely to recast our thinking on the possibilities for life beyond Earth….
NASA confirmed Monday that a mystery object that crashed through the roof of a Florida home last month was a chunk of space junk from equipment discarded at the International Space Station.
The cylindrical object that tore through the home in Naples on March 8 was subsequently taken to the Kennedy Space Center in Cape Canaveral for analysis.
The space agency said it was a metal support used to mount old batteries on a cargo pallet for disposal. The pallet was jettisoned from the space station in 2021, and the load was expected to eventually fully burn up on entry into Earth’s atmosphere, but one piece survived.
The chunk of metal weighed 1.6 pounds (0.7 kilograms) and was 4 inches (10 centimeters) tall and roughly 1 1/2 inches (4 centimeters) wide.
Homeowner Alejandro Otero told television station WINK at the time that he was on vacation when his son told him what had happened. Otero came home early to check on the house, finding the object had ripped through his ceiling and torn up the flooring….
… The most recent piece of news on this front comes from American space agency NASA, which announced last week that it is getting ready to launch a new kind of solar sail that may revolutionize such technologies.
You see, one of the trickiest parts of making a solar sail is not the sail surface itself but the booms that are used to deploy them. That’s because solar sails are meant to extend after the ship reaches space.
At the moment there are only so many materials booms can be made from, and so many structures that can be used, and that limits the capabilities of a functional sail. NASA says it kind of solved that problem and promises “to change the sailing game for the future.”
The hardware that will do that is officially called Advanced Composite Solar Sail System (ACS3), and it physically comprises twelve NanoAvionics CubeSats linked together. The boom that’s meant to unfurl the sail is made of flexible polymer and carbon fiber materials.
NASA says this way of making the booms ensures they are both stiffer and lighter than what came before, which were either heavy, metallic structures or light but bulky ones that didn’t necessarily fold as they should have.
The new NASA design comes as tubes that can be squashed flat and rolled like a tape measure – up to 23 feet (seven meters) of booms can be rolled into something that fits in a human hand, NASA says. The design also provides less bending and flexing during temperature changes, which is what the spacecraft is expected to experience in space….
(16) SCOOBY SPINOFF CONTINUES.Velma Season 2 premieres April 25 on Max.
More mystery. More murder. And lots, lots more meddling.
[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, Francis Hamit, Kathy Sullivan, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
…Indeed, the deft brush of James Allen St. John graces the cover of the catalog for this event, which boasts two original oil paintings by St. John that were turned into iconic dust jackets for Swords of Mars, starring John Carter, and Tarzan’s Quest….
(2) KEEP THOSE DONJONS MOVIN’, RAWHIDE! [Item by SF Concatenation’s Jonathan Cowie.] BBC Radio 4 has broadcast a nifty version of Diana Wynne Jones Howl’s Moving Castle.
In the land of Ingary, Sophie Hatter is resigning herself to an uninteresting life working in a hat shop, when a castle appears above the town of Market Chipping and refuses to stay still.
Visiting the shop one day, the dreaded Witch of the Waste transforms Sophie into an old crone. Setting off into the countryside to seek her fortune, Sophie soon runs into the sinister moving castle. But the castle belongs to the dreaded Wizard Howl whose appetite, they say, is satisfied only by the souls of young girls.
First published in 1986, Howl’s Moving Castle’s reputation has grown over time to become recognised as a fantasy classic and, in 2004, it was adapted as an Oscar-nominated animated film by Studio Ghibli.
(3) PUBLISHING TAUGHT ME. SFWA has announced that their online anthology Publishing Taught Me now has a full roster of contributors. Two currently published essays by Oghenechovwe Donald Ekpeki and James Beamon are available at Publishing Taught Me: A SFWA Anthology Project.
Additional essays are upcoming from Diana Pho, Erika Hardison, Kanishk Tantia, Nelly Garcia-Rosas, Yoon Ha Lee, and Emily Jiang. These essays will be posted on the first Wednesday of each month through September.
The Publishing Taught Me anthology is part of the Publishing Taught Me program supported by a grant from the NEA. Monthly posts of essays addressing the presence of BIPOC in the publication of SFFH are being edited by multiple award-winning editor Nisi Shawl and two interns, Somto Ihezue and Zhui Ning Chang. The essays will be posted through September 4. An Editors’ Afterword is scheduled for October 2, and in November anthology authors will have a chance to participate in an online symposium on the topic of promoting diversity, equity, and inclusion in our genres.
On May 8th, 1902, the Mt. Pelee volcano erupted on the island of Martinique, killing an estimated 30,000-40,000 people in the town of Saint Pierre. Only a handful survived–a few lucky sailors in boats off the coast, and a local drunk who had been thrown in jail the night before: Ludger Sylbaris. His solitary confinement cell, a stone structure built partially into the ground, saved his life from scalding volcanic gasses and ash. Saint Pierre never recovered from the devastation, and today has a population of around 1000, but Sylbaris’ prison cell still stands. With a tiny window and one entrance, it could be a good place to hunker down during a zombie invasion.
Pros: This structure has a few things going for it in terms of zombie defenses: it’s located on an island, it’s made of stone with only one entrance to fortify, and, perhaps most importantly, it’s one of the few structures in the world that has already proven its effectiveness at withstanding truly apocalyptic conditions.
Cons: Mt. Pelee is still one of the world’s most active volcanos, so there is a chance that while waiting out the zombies, you would have to deal with an eruption.
(5) TOM DIGBY (1940-2024). Ansible® 441 reports “Tom Digby (1940-2024), US fan, filker and fanzine publisher who was a fan GoH at the 1993 Worldcon, died on 27 March aged 84”.
He was twice nominated for the Best Fan Writer Hugo – in 1971 and 1972 – at a time when his writing was mainly seen by those who read his zine Probably Something in LASFS’ weekly APA-L.
Around the same time he was referenced in Larry Niven’s story “What Can You Say About Chocolate-Covered Manhole Covers?” (1971), set in part at the Dian and Bruce Pelz divorce party which preceded my time in LASFS by a couple years. (There really was a cake topped by bride and groom figures facing in opposite directions.) Tom Digby was the inspiration for the alien.
Digby believed ideas are the real currency that distinguishes fandom. He coined the term “idea-tripping” for our kind of play.
And he was endlessly inventive. He made up “plergb”, a kind of Swiss-army-knife of words for use in all kinds of gags. Here is my own official certificate authorizing me to use the word. (Click for larger image.)
Ed Piskor, the artist of the Eisner Award-winning comic Hip Hop Family Tree, has reportedly passed away, per a Facebook post by his sister. Piskor, the co-host of popular podcast and YouTube channel Cartoonist Kayfabe, had recently become embroiled in controversy after two women accused Piskor of sexual misconduct, leading to the cancellation of a planned art exhibit in Pittsburgh showcasing his Hip Hop Family Tree art and Cartoonist Kayfabe co-host Jim Rugg announcing that he was ending his “working relationship” with Piskor. On Monday, Piskor posted a lengthy note where he indicated he had plans to take his own life after refuting some of the allegations against him….
I’m not going to run it all down here, but if you want more stomach-turning details including the roles of JDA and Comicsgate search his name on X.com.
(7) JOE FLAHERTY (1941-2024). [Item by Todd Mason.] Second City comedy troupe writer/performer/director Joe Flaherty has died. Along with the frequent Second City stage and SCTV material that dug deeply into fantastica in various manners (Canada’s Monty Python in many ways), he also had roles in and wrote and produced such work as Back To The Future Part Ii and Really Weird Tales, and the sitcom Maniac Mansion (and in other modes, the fine short-lived series Freaks And Geeks). One of his recurring characters was Monster Chiller Horror Theatre horror host Count Floyd, the other regular gig for his local newscaster character Floyd Robertson, on the various forms of the SCTV series. “Joe Flaherty, comedian known for work on SCTV and Freaks and Geeks, dead at 82” at CBC News.
(8) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born April 2, 1948 — Joan D. Vinge, 76. One of my favorite writers is Joan D. Vinge. What do I consider her best series? Without question that’d be the Snow Queen series of which the first novel, Snow Queen, won a Hugo at Denvention Two. I’ll admit that my favorite work in this series is Tangled Up In Blue where two police officers must fight corruption within the Tiamat force. It’s more personal I think than the rest of the series.
Joan D. Vinge
Next in line for her would be the Cat trilogy (well it did have a chapbook prequel, “Psiren” which I’ve not read) consisting of Psion, Catspaw and Dreamfall. Cat, the young telepath here, is fascinating as is his story which she tells over the three novels.
I’m going to give a shout-out to her first novel, The Outcasts of Heaven Belt which was serialized in February-April 1978 in Analog. An egalitarian matriarchal belt-based society is in a conflict against a patriarchal society in the same region of space. If Niven could write sympathetic female characters, this is what he might have written. Only she wrote it better. Really, it’s that good.
I general don’t read media novelizations so I can’t comment on all of her many such writings like Cowboys & Aliens, Lost in Space,Tarzan, King of the Apes and Willow.
I’ve not read her short fiction, so I’d like to know who here has. What’s the best collection?
Zits is sure there are better means of transportation
(10) GET YOUR MALZBERG FIX. Daniel Dern doesn’t want you to miss Collecting Myself: The Uncollected Stories of Barry N. Malzberg, released as an ebook last September and as a paperback on March 1 by Starkhouse Press. “Having just learned about it and purchase-requested my library get it,” he says.
The White House on Tuesday directed NASA to establish a unified standard of time for the moon and other celestial bodies, as the United States aims to set international norms in space amid a growing lunar race among nations and private companies.
The head of the White House Office of Science and Technology Policy (OSTP), according to a memo seen by Reuters, instructed the space agency to work with other parts of the U.S. government to devise a plan by the end of 2026 for setting what it called a Coordinated Lunar Time (LTC).
The differing gravitational force, and potentially other factors, on the moon and on other celestial bodies change how time unfolds relative to how it is perceived on Earth. Among other things, the LTC would provide a time-keeping benchmark for lunar spacecraft and satellites that require extreme precision for their missions.
“The same clock that we have on Earth would move at a different rate on the moon,” Kevin Coggins, NASA’s space communications and navigation chief, said in an interview.
OSTP chief Arati Prabhakar’s memo said that for a person on the moon, an Earth-based clock would appear to lose on average 58.7 microseconds per Earth-day and come with other periodic variations that would further drift moon time from Earth time….
(12) VIDEO OF THE DAY. Learn “How Madame Web Should Have Ended” from the crew at How It Should Have Ended. (With an assist from Pitch Meeting’s Ryan George.)
Madame Web needs more than just a new ending… It needs a complete overhaul.
[Thanks to Steven French, Mike Kennedy, Andrew Porter, Dave Butterfield, Daniel Dern, Kathy Sullivan, Hampus Eckerman, Todd Mason, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Steve Davidson.]
The Science Fiction and Fantasy Writers Association (SFWA) announced the finalists for the 59th Annual Nebula Awards® in a livestreamed presentation on March 14.
The awards will be presented in a ceremony on Saturday, June 8, that will be streamed live as it is held in-person in Pasadena, CA, as part of the 2024 Nebula Conference Online. Winners in each category will be determined by the vote of Full, Associate, and Senior members of SFWA.
Here is the complete list of finalists:
Nebula Award for Novel
The Saint of Bright Doors, Vajra Chandrasekera (Tordotcom)
The Water Outlaws, S.L. Huang (Tordotcom; Solaris UK)
Translation State, Ann Leckie (Orbit US; Orbit UK)
The Terraformers, Annalee Newitz (Tor; Orbit UK)
Shigidi and the Brass Head of Obalufon, Wole Talabi (DAW, Gollancz)
Witch King, Martha Wells (Tordotcom)
Nebula Award for Novella
The Crane Husband, Kelly Barnhill (Tordotcom)
“Linghun”, Ai Jiang (Linghun)
Thornhedge, T. Kingfisher (Tor; Titan UK)
Untethered Sky, Fonda Lee (Tordotcom)
The Mimicking of Known Successes, Malka Older (Tordotcom)
Mammoths at the Gates, Nghi Vo (Tordotcom)
Nebula Award for Novelette
“A Short Biography of a Conscious Chair“, Renan Bernardo (Samovar 2/23)
I Am AI, Ai Jiang (Shortwave)
“The Year Without Sunshine“, Naomi Kritzer (Uncanny 11-12/23)
“Imagine: Purple-Haired Girl Shooting Down The Moon“, Angela Liu (Clarkesworld 6/23)
“Saturday’s Song“, Wole Talabi (Lightspeed 5/23)
“Six Versions of My Brother Found Under the Bridge“, Eugenia Triantafyllou (Uncanny 9-10/23)
Nebula Award for Short Story
“Once Upon a Time at The Oakmont“, P.A. Cornell (Fantasy 10/23)
“Tantie Merle and the Farmhand 4200“, R.S.A Garcia (Uncanny 7-8/23)
“Window Boy“, Thomas Ha (Clarkesworld 8/23)
“The Sound of Children Screaming”, Rachael K. Jones (Nightmare 10/23)
“Better Living Through Algorithms”, Naomi Kritzer (Clarkesworld 5/23)
“Bad Doors”, John Wiswell (Uncanny 1-2/23)
Andre Norton Nebula Award for Middle Grade and Young Adult Fiction
To Shape a Dragon’s Breath, Moniquill Blackgoose (Del Rey)
The Inn at the Amethyst Lantern, J. Dianne Dotson (Android)
Liberty’s Daughter, Naomi Kritzer (Fairwood)
The Ghost Job, Greg van Eekhout (Harper)
Nebula Award for Game Writing
The Bread Must Rise, Stewart C Baker, James Beamon (Choice of Games)
Alan Wake II, Sam Lake, Clay Murphy, Tyler Burton Smith, Sinikka Annala (Remedy Entertainment, Epic Games Publishing)
Ninefox Gambit: Machineries of Empire Roleplaying Game, Yoon Ha Lee, Marie Brennan(Android)
Dredge, Joel Mason (Black Salt Games, Team 17)
Chants of Sennaar, Julien Moya, Thomas Panuel (Rundisc, Focus Entertainment)
Baldur’s Gate 3, Adam Smith, Adrienne Law, Baudelaire Welch, Chrystal Ding, Ella McConnell, Ine Van Hamme, Jan Van Dosselaer, John Corocran, Kevin VanOrd, Lawrence Schick, Martin Docherty, Rachel Quirke, Ruairí Moore, Sarah Baylus, Stephen Rooney, Swen Vincke (Larian Studios)
Ray Bradbury Nebula Award for Outstanding Dramatic Presentation
Nimona, Robert L. Baird, Lloyd Taylor, Pamela Ribon, Marc Haimes, Nick Bruno, Troy Quane, Keith Bunin, Nate Stevenson (Annapurna Animation, Annapurna Pictures)
The Last of Us: “Long, Long Time”, Neil Druckmann and Craig Mazin (HBOMax)
Dungeons & Dragons: Honor Among Thieves, Jonathan Goldstein, John Francis Daley, Michael Gilio, Chris McKay (Paramount Pictures, Entertainment One, Allspark Pictures)
Spider-Man: Across the Spider-Verse, Phil Lord, Christopher Miller, Dave Callaham (Columbia Pictures, Marvel Entertainment, Avi Arad Productions)
The Boy and the Heron, Hayao Miyazaki (Studio Ghibli, Toho Company)
Author Martha Wells graciously declined her nomination as a novel finalist this year for System Collapse published by Tordotcom. In 2022, Wells also declined a nomination for novella and felt that the Murderbot Diaries series has already received incredible praise from her industry peers and wanted to open the floor to highlight other works within the community.
(1) SFWA NEBULA FINALIST ANNOUNCMENT TOMORROW. The Science Fiction & Fantasy Writers Association (SFWA) will announce the 2023 Nebula Award finalists (to be presented this year in Pasadena) on the SFWA Youtube channel, tomorrow, March 14, starting at 5:00 p.m. Pacific.
Once again, we’ll be calling upon a talented group of SAG-AFTRA narrators to take us through an evening filled with a variety of outstanding speculative fiction works.
It’s sure to be a night to remember! We hope you’ll join us!
(2) NEBULA CONFERENCE SCHOLARSHIP DEADLINE. Also tomorrow — March 14, is the deadline to apply for the scholarships SFWA is offering for members of under-served communities to attend the Nebula conference! The 2024 Nebula Conference will take place June 6-9 in Pasadena, CA and online. If you or someone you know may benefit from these scholarships, please apply here or share this link: https://airtable.com/appqxO86fh6JpPBNR/shrjMcYbZyuTxhwVH
Scholarship applications must be completed on this form by March 14th, 2024. The scholarship recipients will be selected from the applicant pool by lottery. Applicants may be considered for more than one scholarship if they identify with more than one of the following groups.
Here are the categories of scholarships being offered and the number of online conference scholarships available for each:
Scholarship for Black and/or Indigenous Creators: This scholarship is open to Black and/or Indigenous creators in the United States and abroad. (quantity: 15 online scholarships)
Scholarship for AAPI Creators: This scholarship is available to Asian creators, Asian American creators, and creators from the Pacific Islands. (quantity: 15 online scholarships)
Scholarships for Hispanic/Latinx Creators: This scholarship is available to creators with backgrounds in Spanish-speaking and/or Latin American cultures. (quantity: 15 online scholarships)
Scholarship for Writers Based Outside of the U.S.: This scholarship is available to creators who live outside the United States. (quantity: 15 online scholarships)
Scholarship for members of the LGBTQIA+ Community: This scholarship is available to creators who identify as LGBTQIA+. (quantity: 15 online scholarships)
Scholarship for creators with disabilities: This scholarship is available to creators who identify as having a disability. (quantity: 15 online scholarships)
Scholarship for creators who face financial barriers: This scholarship is available to creators whose financial situations may otherwise prevent them from participating. (quantity: 15 online scholarships)
Scholarship for in-person registration are available in limited quantities for creators who identify with one of our online scholarship groups. This scholarship does not include funds for travel, lodging or other related expenses to attend the conference, only for registration.
SFWA says, “Our support of underserved communities isn’t possible without your help. If you are able, please consider making a donation at sfwa.org/donate to help us fund additional scholarships in the future.”
HarperCollins will publish The Collected Poems of J R R Tolkien, edited by Christina Scull and Wayne G Hammond, in September 2024, the first time all the author’s poems will appear in one volume.
HC, which holds world all-language rights to Tolkien’s works, said: “Poetry was the first way in which Tolkien expressed himself creatively and through it the seeds of his literary ambition would be sown.” One of Tolkien’s poems “The Voyage of Éarendel the Evening Star”, begun in 1914, is where the “Silmarillion” first appears and both The Hobbit and The Lord of the Rings “are enriched with poems both humorous and haunting, magical and moving”. Tolkien scholars Scull and Hammond will provide analysis of each poem.
Scull and Hammond were hired for the project by Christopher Tolkien’s, J R R Tolkien’s son and executor of his literary estate until Tolkien died in 2020. They said: “Charged at first to review only his early poems, we soon saw the benefits of examining the entire poetic opus across six decades, vast though it is with hundreds of printed and manuscript sources…Not long before his death, we were able to send Christopher a trial portion of the book, which he praised as ‘remarkable and immensely desirable’.”…
Somewhere in the California desert, a police officer pulls over a 1964 Chevrolet Malibu as it lurches wildly across the highway. After interrogating the driver, he opens the trunk and is instantly vaporized by a blinding light that reduces him to a skeleton, leaving behind only a pair of smoldering leather boots.
Thus begins Repo Man, a sci-fi cult classic sci-fi with a nihilistic worldview and a punk rock soundtrack that by all accounts probably shouldn’t exist….
…Dick Rude (plays Duke): I was a teenager going to the Lee Strasberg Theatre Institute in Los Angeles. I wrote a script called Leather Rubberneck with a friend of mine from school, about two kids who get drafted. Alex [Cox, writer and director] wanted to make the film, but it didn’t pan out. So he incorporated it into Repo Man. A lot of the characters, some of the dialogue, some of the ideas, there was quite a bit of it that was used in Repo Man….
Jonathan Wacks: We went through the Yellow Pages and looked up studios and producers and we sat and typed letters. We knew they wouldn’t pick up our phone. We sent hundreds of letters out and got zero responses. So we decided to raise $500,000 and shoot it at UCLA so we could use the equipment for free.
Peter McCarthy: The thing with UCLA is you never wanted to get your diploma. Once you did, you couldn’t go back and use anything….
Olivia Barash: I was talking to Alex, and I said, “Who are you going to have do the title track?” And he goes, “There’s one of two people. David Byrne, we have something out to his agent. But I really want Iggy Pop, we just don’t know where to find him.” And I said, “I know where to find him. He’s in my building. He’s my neighbor.” So Alex came over, and we rang the intercom outside, and Iggy answered. And that’s how we got Iggy….
The first trailer for Netflix’s futuristic sci-fi thriller Atlas is here, featuring Jennifer Lopez having a very bad day.
Atlas follows the titular character Atlas Shepherd (Lopez), a government data analyst with a healthy distrust of artificial intelligence. However, after a mission to capture a rogue robot from her past goes wrong, she soon finds herself having to trust AI in order to save humanity. If AI wrote propaganda, this is probably what it would sound like….
As a kid, I desperately wanted a horse but knew I would never have one, so I lived vicariously through Maureen and Paul Beebe’s adventures in Misty of Chincoteague by Marguerite Henry and illustrated by Wesley Dennis.
Dragonsong by Anne McCaffrey had it all as far as I was concerned: a gifted girl who isn’t allowed to be a musician because of her gender, tiny, colorful dragons called fire lizards, and a nearby planet that rained down flesh-eating parasites frequently enough to keep things exciting. I probably read it 20 times.
The Tombs of Atuan is the second book in Ursula K. Le Guin’s Earthsea series and features a female protagonist who struggles against the confines of a role that’s been chosen by others. Most of the story takes place in a nightmarish underground labyrinth, where Le Guin’s hero Ged (Harry Potter’s prototype) struggles to steal a talisman. I loved everything about it.
I was always on the lookout for books about girls on adventures. When visiting the library, I often checked out Astrid Lindgren’s Pippi Longstocking books or the Danny Dunn series by Raymond Abrashkin and Jay Williams, which features a girl who loves physics.
Your top five authors:
Ursula K. Le Guin: She caught my attention as a middle-grade reader with her Earthsea fantasy series and has kept me captivated as an adult.
She uses science fiction to escape the social confines of our planet and explores themes of colonization, race, environmental destruction, political systems, gender roles, and sexuality without ever losing sight of the story. The Word for World Is Forest, The Dispossessed, andThe Left Hand of Darknessare three of my favorites.
Amy Tan: I can’t recall whether The Kitchen God’s Wife or The Joy Luck Clubwas my first Amy Tan book. I adore the funny, relatable stories she tells about women and family, and enjoy learning about Chinese culture and history. The Bonesetter’s Daughter, which weaves science and anthropology into the story, was fantastic too. I became an even bigger fan after hearing Tan sing with the Rock Bottom Remainders at First Avenue a few years ago.
J.R.R. Tolkien: I can’t count how many times I’ve re-read TheLord of the Rings. I love losing myself in Middle-earth, with its mountains and languages and monsters and lore, and I’ve always been a sucker for a well-told hero’s journey.
Margaret Atwood: Sometimes I think she can see the future. The Handmaid’s Taleis a masterpiece in so many ways. I heard her speak once, and I recall her saying that she grew up reading science fiction stories with her brother. It’s amazing how the books we read as children shape us as adults.
Ann Patchett: She has been one of my favorite authors for years. As a reader interested in themes of music, science, and theater, she’s hit the mark over and over again with books like Bel Canto, State of Wonder, and Tom Lake. I can’t wait to see what she writes next….
(7) THE WRITERS’ PRIZE. A non-genre work, Liz Berry’s The Home Child, was announced as the winner of the poetry category (£2000) and The Writers’ Prize Book of the Year (£30,000) at the London Book Fair on March 13.
Born in the Black Country and now living in Birmingham, The Home Child was inspired by the story of Berry’s great-aunt Eliza Showell, one of the many children forcibly emigrated to Canada as part of the British Child Migrant Schemes. This beautiful novel-in-verse about a child far from home was described as ‘absolutely magical’ by Fiona Benson.
The book achieved the highest number of votes from the 350+ celebrated writers in the Folio Academy, who exclusively nominated and voted for the winners of The Writers’ Prize 2024.
(8) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born March 13, 1956 — Dana Delany, 68. I remember Dana Delany best for her role as nurse Colleen McMurphy on China Beach, set at a Vietnam War evacuation hospital. It aired for four seasons starting in the late Eighties. Great role, fantastic series. I rewatched it a decade or so ago on DVD — it held up very well.
Dana Delany
So let me deal with her main genre role which was voicing Lois Lane. She first did this twenty years ago in Superman: The Animated Series for forty-four episodes, an amazing feat by any standard. That role would come again in Superman: Brainiac Attacks, Justice League: The Flashpoint Paradox (avoid if you’ve got even a shred of brain cells), in a recurring role on the Justice League and Justice League Unlimited series, The Batman and even in the Superman: Shadow of Apokolips game.
Her other voice role of note was for Wing Commander Academy as Gwen Archer Bowman. And she wasn’t Lois Lane but Vilsi Vaylar in Batman: The Brave and the Bold’s “The Super-Batman of Planet X!”.
She’ll have a one-off on Battle Galactica as Sesha Abinell; more significantly she has a starring role as Grace Wyckoff in the Wild Palms series.
Oh, she showed up on Castle as FBI Special Agent Jordan Shaw in a two-part story, the episodes being “Tick, Tick, Tick…” and “Boom!”.
So I’m going to finish with her role in Tombstone, Emma Bull and Will Shetterley’s favorite Western film along with the Deadwood series. It’s an inspiration she says for her Territory novel. And I love it as well. Delany played magnificently Josephine Sarah “Sadie” Earp, the common-law wife of Wyatt Earp. The final scene of them dancing in the snow in San Francisco is truly sniffles inducing.
Beau DeMayo, the showrunner and executive producer behind Disney+’s upcoming animated series “X-Men ’97,” has been fired ahead of the March 20 premiere, Variety has confirmed.
DeMayo had completed work on Seasons 1 and 2 of “X-Men ’97” ahead of his exit. He will not attend the March 13 Hollywood premiere for the show. His Instagram account, on which he had been previewing artwork and answering fan questions about “X-Men ’97,” has also been deleted.
He wrote and produced “X-Men ’97,” which is a continuation of the popular “X-Men: The Animated Series” that aired on Fox Kids in the ’90s. It is unclear why DeMayo was fired from “X-Men ’97” so close to the premiere, but he will no longer promote the show or be involved with future seasons….
Peter Jackson and actor Billy Boyd found a memorable way to convey that love in The Lord of the Rings: The Fellowship of the Ring. As Aragorn leads the Hobbits toward Rivendell, Pippin asks about “second breakfast” and a litany of additional meals that will presumably be skipped as they continue. Tolkien specified six meals in the Prologue to The Fellowship of the Ring — which roughly match European traditions — but two of them are essentially the same meal. Here’s a rundown of each one to give a good idea of what Pippin is missing….
Here’s the one I’m always interested in:
Second Breakfast
Tolkien mentions second breakfast in The Hobbit, with Bilbo settling down to his just as Gandalf appears to tell him that the Dwarves have already left for The Lonely Mountain. It serves as a quiet joke — stressing that Hobbits in general and Bilbo in particular enjoy eating — as well as emphasizing the comfortable lifestyle he’s leaving behind to go on his adventure with the Dwarves. It also serves as the inspiration for Pippin’s line about second breakfast in The Fellowship of the Ring, which he doesn’t deliver in Tolkien’s text.
(11) PRAISE FOR STARMEN. [Item by Francis Hamit.] Demetria Head is a book blogger, one of that legion of reviewers who do it without pay and for the joy of it. Ms. Head actually read the entire book and delivered an almost forensic analysis. I think her work deserves wider exposure.
Demetria Head Review from BookBub and A Look Inside book blogs
“STARMEN” by Francis Hamit is a sprawling epic that seamlessly blends elements of magical realism, historical fiction, and sci-fi fantasy to create a mesmerizing tale that will captivate readers from start to finish. Set against the backdrop of the American Southwest in 1875, the novel introduces us to a cast of richly drawn characters whose lives become intertwined in a web of intrigue, adventure, and supernatural mystery.
At the heart of the story is George James Frazer, a budding anthropologist working for the Pinkerton National Detective Agency, whose quest to contact a local Apache tribe leads him on a journey beyond the realms of ordinary reality. When a mysterious hot air balloon appears over the town of El Paso, owned by the British Ethnographic Survey, Frazer finds himself drawn into a world of ancient magic and hidden truths.
The characters in “STARMEN” are truly the heart and soul of the novel, each one fleshed out with depth and nuance that makes them feel like living, breathing individuals. From the determined and resourceful Frazer to the enigmatic Apache witches and the ruthless Pinkerton agents, every character brings their own unique perspective to the narrative, driving the plot forward with their conflicting desires and motivations.
Plot development in “STARMEN” is masterfully executed, with Hamit weaving together multiple storylines that intertwine and intersect in surprising and unexpected ways. From the quest to find a missing heir to the discovery of a town inhabited by extraordinary gunfighters, each twist and turn of the plot unfolds with breathtaking intensity, keeping readers on the edge of their seats until the very last page.
What truly sets “STARMEN” apart is its seamless blend of genres, incorporating elements of historical fiction, magical realism, and hard sci-fi into a cohesive and compelling narrative. From the romantic entanglements to the political intrigue and the mind-bending concepts of quantum mechanics and string theory, the novel offers something for every reader, appealing to fans of both traditional historical fiction and speculative fiction alike.
Overall, “STARMEN” is a tour de force of storytelling that will transport readers to a world of adventure, mystery, and wonder. With its unforgettable characters, intricate plot, and bold exploration of complex themes, it is a must-read for anyone seeking an immersive and thought-provoking literary experience.
(13) SHAKEN TO THEIR CORE. [Item by SF Concatenation’s Jonathan Cowie.] I have not seen it yet (but have downloaded to mem stick for home viewing – it might be rubbish???) In the TV series Pending Train, “100 People Accidently Time-Travel By Train to a Destroyed Earth in 2063”. See video at the link.
In Tokyo, train passengers find themselves fighting for their very survival after their train car jumps into an apocalyptic future
(14) ON THE AIR. Breathe (2024) with Jennifer Hudson, Milla Jovovich, Sam Worthington, Common, and Quvenzhané Wallis. In Theaters, On Digital, and On Demand April 26.
(15) VIDEO OF THE DAY. How It Should Have Ended brings us up to date with “Previously On – DUNE”.
[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Francis Hamit, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]
The Science Fiction and Fantasy Writers Association (SFWA) will recognize the works and career of Tanith Lee (1947–2015) with the 2024 SFWA Infinity Award on June 8 at the 59th Annual Nebula Awards® Ceremony.
This will be the second presentation of the Infinity Award, created by the SFWA Board to posthumously honor acclaimed creators who passed away before they could be considered for a Damon Knight Memorial Grand Master Award. This new award aims to recognize that even though those celebrated worldbuilders, storytellers, and weavers of words are no longer with us, their legacies will continue to inspire.
SFWA President Jeffe Kennedy remarked, “Tanith Lee was writing combinations of science fiction, fantasy, romance, horror, queerness, and sex long before the current trends. She was a true trailblazer in multiple cross-genres and influenced so many of today’s authors. It’s a sorrow to me that she passed before we could celebrate her as she should have been, but a bittersweet joy to at least be able to give her this honor today.”
An aspiring writer from the age of nine, Lee’s first professional sale was “Eustace,” a ninety-word vignette which appeared in The Ninth Pan Book Of Horror Stories (1968), edited by Herbert van Thal.
While working as an assistant librarian, Lee wrote a children’s story which was accepted for publication. A number of additional stories were also purchased, but none of them were ever published, due to a slump in the publishing firm’s sales. In 1971, Macmillan published The Dragon Hoard, a children’s novel, followed by Animal Castle, a children’s picture book, and Princess Hynchatti & Some Other Surprises, a short story collection (both 1972).
DAW published The Birthgrave in 1975, beginning a relationship that lasted until 1989 and saw the publication of 28 books altogether. Following the publication of her second and third books from DAW, Don’t Bite The Sun and The Storm Lord (both 1976), Lee quit her day job to become a full-time freelance writer.
Tanith Lee has won or been nominated for a variety of awards, including the World Fantasy Award, the August Derleth Award and the Nebula. She has appeared as Guest of Honour at a number of science fiction conventions, including Boskone XVIII in Boston in 1981, and the 1984 World Fantasy Convention in Ottawa.
Rather than a physical award, SFWA will make a donation to a cause that an Infinity Award honoree supported or that their loved ones request. This year, it has been requested by the family that the donation be split between two charitable causes, Pasadena Humane and the Susan G. Komen Breast Cancer Foundation.
