Pixel Scroll 4/16/24 Click For The Scroll Necessities, The Simple Scroll Necessities

(1) DATLOW Q&A. The Horror Writers Association blog checks in with one the genre’s all-stars: “NUTS & BOLTS: Interview With Ellen Datlow, Editor and Shaper of Multiple Genres”.

Q: What qualities must a story have to qualify as good horror in particular?

A: The things that any good story has plus the building of a sense of unease in the reader, the feeling that something is seriously wrong — dark and creepy and horrific. Horrible things are going to happen or are happening. I don’t expect stories to scare me, but I surely appreciate them making me feel extremely uncomfortable.

Q: What are some of your most common reasons for rejecting stories?

A: Bad writing, boring, tired plots. The words lying there like a dead fish.

(2) 2024 NEBULA CONFERENCE PRELIMINARY PROGRAMMING SCHEDULE HAS BEEN RELEASED. SFWA’s preliminary programming schedule for the 2024 Nebula Conference can be viewed here. The full schedule of events, including office hours and author meet-and-greets is yet to come.

Programming will begin on the 6th of June at 1:30pm PDT and conclude on the 9th of June at 11:30am PDT.

This professional development conference is for all authors and industry professionals within the science fiction, fantasy, and related genres and includes content geared toward creators working in games, comics, prose, poetry, and other mediums of storytelling.

If you volunteered to speak on programming: Thank you! You may have received a programming assignment email–please review this email to accept your assignment. Some assignments, however, will arrive in later waves. If you have not received an assignment you are still being considered. Our programming team will send notifications to all speaking volunteers, including those who were not scheduled, when assignments are complete.

If you submitted a programming idea: We’re grateful for the hundreds of panel topics and suggestions submitted for the conference – if your submission was not scheduled for this conference weekend, we may still be in touch about using it for an online panel later this year or during another event.

New Registration Feature: If you’ve already registered for the conference, we’ve now implemented a checkbox on newer registrations to show that you’re going! This option wasn’t available early on in the registration process, but if you’d like to opt-in and show your name on our list of attendees, please email [email protected] and we’ll get you sorted!

Registration (whether online or in-person in Pasadena, CA,  includes access to the event, a year of access to recordings of many of the weekend’s panels, mentorship opportunities, the Nebula Awards ceremony, a conference Discord, and entry to our ongoing Nebula conference events–writing events, regular online panels, meetups, and more!

Register here.

Room Block: If you are thinking about attending in person, time is ticking to reserve your room for the conference. Our room block will be closing soon and SFWA will not be able to guarantee the price for your stay with us. Every room that is booked directly will help us with our room block obligations, so if you have already booked, please let us know so we can add you to our list! 

Hotel booking – Start your reservation.

(3) A THOUSAND SUNS. Inverse says don’t miss out: “The Best Sci-Fi Anthology Series of the Year Is Streaming For Free Right Now”.

…One indie sci-fi anthology series, just released on YouTube, proves that the short form is still alive and well. A Thousand Suns is a series created by filmmaker Macgregor, a cinematographer who has worked on everything from music videos for Dua Lipa to the Gerard Butler spy thriller Kandahar. Produced by Blackmilk Studios, with work from directors Ruairi Robinson, Tyson Wade Johnston, Tim Hyten, and Philip Gelatt, A Thousand Suns is basically a miniature, independent sci-fi film festival that you can watch right now….

…Because each of these shorts is about four minutes long, the Black Mirror-esque twists are sort of already happening as soon as you start watching….

…As of April [15], 2024, there are six episodes of A Thousand Suns up on YouTube and on the official site: 1Ksuns.com

This is the trailer:

Here’s Episode One:

(4) CINEMATIC LANGUAGE. “’Civil War’ Action Sequences Build on War Movies” at IndieWire.

… “Civil War” joins a robust tradition of war films stretching back as far as 1925’s “The Big Parade” and 1926’s “What Price Glory?” that try to convey the power of violence itself: its horror, its allure, its twisted humor, and most of all its undeniable pull towards more violence. Hardy told IndieWire that he was much more influenced by photographers William Eggleston and Saul Leiter than specific war films or war photographers — although he did look at the work of Jessie’s (Cailee Spaeny) hero Lee Miller and others….

… Here are five war films (and one video game) that all share something — be it a sensibility, specific techniques, or a philosophical approach — with how “Civil War” tackles its action and combat sequences. They show just how successful war films can be at evoking strong feelings about violence, suffering, power, and courage, and also just how hard it is to tell war stories in a way that helps us avert them….

Here’s what the writer says about one of them:

‘Zero Dark Thirty’ (2012)

The impact of “Zero Dark Thirty” seems to have lessened over time, but that might be because the Seal Team Six assault that takes up the final third of Kathryn Bigelow’s film is so tautly edited that it leaves no room for other combat sequences to top its realism. Its use of night vision cameras and its ability to make the camera feel like another soldier on the mission is painfully precise. But there’s also something of a military practitioner’s perspective on how the camera tracks movement and what it settles on as important — it assesses threats and moves on. That perspective is sometimes clinical, sometimes fearful and adrenaline-fueled, and doesn’t leave too much space for sadness or horror until it floods in. Whether that is good enough determines whether you think a movie with combat sequences like “Zero Dark Thirty” or “Civil War” is ultimately a success or a failure in what it has to say about war.

(5) BAKER STREET IRREGULARITIES. Here’s a literary curiosity: “Sherlock Holmes Original Manuscripts by Conan Doyle: A Census by Randall Stock & Peter E. Blau”. There is a list at the link.

…Conan Doyle wrote 60 Sherlock Holmes stories.  He sold or gave away many of these manuscripts during his lifetime.  He passed along others through his children.  They eventually sold most of them, but his last surviving child, Dame Jean Conan Doyle (1912-1997), bequeathed three Holmes manuscripts to British institutions.  Her gifts included The Retired ColourmanThe Illustrious Client, and The Creeping Man….

… Almost all of the Holmes manuscripts written after 1902 still exist, in part because Conan Doyle started submitting typed copies to his publishers and retaining the original for himself.  Only 4 of the 27 manuscripts written before 1902 are known to survive, although a few leaves remain from three other tales.  Private collectors hold about half of the known existing manuscripts….

(6) EXTREMIST PLAY. “IntelBrief: Incels and the Gaming-Radicalization Nexus” is an overview by The Soufan Center.

… Gaming is an inherently multisensory, immersive experience that, when riddled with violence or slanted by an extremist ideology, can be more impactful than a simple propaganda text or image in the radicalization process. According to a report by the UN Counter-Terrorism Centre (UNCCT) on the intersection between gaming and violent extremism, simulations created by extremists in otherwise neutral games like The Sims and Minecraft allow players to experience the Christchurch massacre from the shooter’s perspective. Meanwhile, in Roblox, a system that allows users to program and play games created by themselves or other users, extremists have created “white ethnostates”. Christian Picciolini, a former white supremacist, has explained how far-right extremists use popular games like Fortnite, Minecraft, and Call of Duty to recruit and radicalize marginalized youth experiencing social isolation….

(7) DRAGON ICON BURNS. “Fire destroys Copenhagen’s Old Stock Exchange, collapsing its spire”AP News says the 184-foot-tall dragon-tail spire was destroyed today.

A fire raged through one of Copenhagen’s oldest buildings Tuesday, destroying about half of the 17th-century Old Stock Exchange and collapsing its iconic dragon-tail spire, as passersby rushed to help emergency services save priceless paintings and other valuables.

The blaze broke out on the building’s roof during renovations, but police said it was too early to pinpoint the cause. The red-brick building, with its green copper roof and distinctive 56-meter (184-foot) spire in the shape of four intertwined dragon tails, is a major tourist attraction next to Denmark’s parliament, Christiansborg Palace, in the heart of the capital.

Bells tolled and sirens sounded as fire engulfed the spire and sent it crashing onto the building, which was shrouded by scaffolding. Huge billows of smoke rose over downtown Copenhagen and could be seen from southern Sweden, which is separated from the Danish capital by a narrow waterway.

(Click for larger images.)

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born April 16, 1921 Sir Peter Alexander Ustinov. (Died 2004.) Peter Ustinov showed up in Logan’s Run as the Old Man; he had the lead role in Blackbeard’s Ghost as Captain Blackbeard based the Robert Stevenson novel; he was Charlie Chan in Charlie Chan and the Curse of the Dragon Queen (it’s at least genre adjacent, isn’t it?); he’s The Caliph in stellar Thief of Baghdad; a truck driver in The Great Muppet Caper and finally he has the dual roles of Grandfather and Phoenix in The Phoenix and the Carpet.

Peter Ustinov in 1986. Portrait by Allan Warren.

He voiced myriad characters in animated films including that of Grendel in Grendel Grendel Grendel based off John Gardner’s novel Grendel, in Robin Hood, he voiced Prince John King Richard; and in The Mouse and His Child, he was the voice of Manny the Rat. 

Now I’m going to admit that my favorite role by Peter Ustinov was playing Poirot which he did in half a dozen films, which he first in Death on the Nile and then in Evil Under the SunThirteen at DinnerDead Man’s Folly, Murder in Three Acts and Appointment with Death. He wasn’t my favorite Point as that was David Suchet but it was obvious that he liked performing that role quite a bit. 

(9) COMICS SECTION.

  • The Far Side needles Superman.
  • Macanudo shows a problem you can never get away from, even on Arrakis.

(10) CHP PUTS THEIR FOOT DOWN. Luckily, they were wearing shoes.“California police arrest four in $300,000 stolen Lego brick bust” in The Verge.

Los Angeles citizens can rest easy knowing that a criminal theft ring is no longer stalking the city’s retail stores to feed a Lego black market. That’s because the California Highway Patrol (CHP) announced this week that it had arrested four people it accused of swiping what police estimated was “approximately $300,000” worth of Lego sets.

The four had allegedly burgled stores like Target, Home Depot, and Lowe’s of their Lego stock and sold them to black-market dealers who would then vend the stolen bricks at “seemingly legitimate businesses, swap meets, or online.” Police say they were booked on “charges related to Organized Retail Theft, Grand Theft, and Conspiracy to commit a crime.”…

(11) AS YOU WISH. Figure Fan Zero reviews “The Princess Bride Figures by McFarlane”. Lots of photos of the figures in different poses.

The Princess Bride is a movie that I absolutely love and for some reason never seem to re-watch a lot these days. I’m not sure why that is, but maybe it’s because I overdid it back when it first hit home video. I was surprised to see McFarlane turn up with the license, not only because it was a weird fit among their sea of DC Comics and Warhammer figures, but also because the film has received so little merchandising over the years. Either way, I wasn’t in on these figures when they were first released, but earlier this year they hit the bargain bins and I was able to snap up the regular figures for under ten bucks each and the Mega Figure, Fezzik, for $16. So, let’s just tackle the whole damn thing today! Inconceivable? Nah, we can do this!

(12) JOCULARITY. Entertainment Weekly is “On set for Ncuti Gatwa’s ‘Doctor Who’ debut”.

…To be fair, Gatwa has a lot to laugh about. After stealing scenes in Sex Education and Barbie, the 31-year-old actor is launching his next act, playing the titular Time Lord in the BBC’s legendary sci-fi series Doctor Who. After popping up in last year’s 60th anniversary special, “The Giggle,” and a solo Christmas episode, he’s now taking full control of the TARDIS, headlining his first full season as the Doctor — making him the first Black and first openly queer man to take on the role. It’s a new era for both Gatwa and the show itself: For the first time ever, the BBC is partnering with Disney+ to launch the show worldwide, and when the new season premieres May 10, it will air simultaneously around the globe….

(13) FORGET PLAN A, FIND PLAN $. NASA admits plan to bring Mars rocks to Earth won’t work — and seeks fresh ideas. Meaning: cheaper. “Nasa: ‘New plan needed to return rocks from Mars’” at the BBC.

The US space agency says the current mission design can’t return the samples before 2040 on the existing funds and the more realistic $11bn (£9bn) needed to make it happen is not sustainable.

Nasa is going to canvas for cheaper, faster “out of the box” ideas.

It hopes to have a solution on the drawing board later in the year.

Returning rock samples from Mars is regarded as the single most important priority in planetary exploration, and has been for decades.Just as the Moon rocks brought home by Apollo astronauts revolutionised our understanding of early Solar System history, so materials from the Red Planet are likely to recast our thinking on the possibilities for life beyond Earth….

(14) IT’S OFFICIAL. “NASA confirms mystery object that crashed through roof of Florida home came from space station”Yahoo! has the story.

NASA confirmed Monday that a mystery object that crashed through the roof of a Florida home last month was a chunk of space junk from equipment discarded at the International Space Station.

The cylindrical object that tore through the home in Naples on March 8 was subsequently taken to the Kennedy Space Center in Cape Canaveral for analysis.

The space agency said it was a metal support used to mount old batteries on a cargo pallet for disposal. The pallet was jettisoned from the space station in 2021, and the load was expected to eventually fully burn up on entry into Earth’s atmosphere, but one piece survived.

The chunk of metal weighed 1.6 pounds (0.7 kilograms) and was 4 inches (10 centimeters) tall and roughly 1 1/2 inches (4 centimeters) wide.

Homeowner Alejandro Otero told television station WINK at the time that he was on vacation when his son told him what had happened. Otero came home early to check on the house, finding the object had ripped through his ceiling and torn up the flooring….

(15) BUSINESS IS BOOMING. Unlike the last story, you won’t need NASA to make a home delivery in order to look at this: “NASA’s New Solar Sail Spacecraft Will Shine So Bright We’ll See It From Earth” reports Autoevolution.

… The most recent piece of news on this front comes from American space agency NASA, which announced last week that it is getting ready to launch a new kind of solar sail that may revolutionize such technologies.

You see, one of the trickiest parts of making a solar sail is not the sail surface itself but the booms that are used to deploy them. That’s because solar sails are meant to extend after the ship reaches space.

At the moment there are only so many materials booms can be made from, and so many structures that can be used, and that limits the capabilities of a functional sail. NASA says it kind of solved that problem and promises “to change the sailing game for the future.”

The hardware that will do that is officially called Advanced Composite Solar Sail System (ACS3), and it physically comprises twelve NanoAvionics CubeSats linked together. The boom that’s meant to unfurl the sail is made of flexible polymer and carbon fiber materials.

NASA says this way of making the booms ensures they are both stiffer and lighter than what came before, which were either heavy, metallic structures or light but bulky ones that didn’t necessarily fold as they should have.

The new NASA design comes as tubes that can be squashed flat and rolled like a tape measure – up to 23 feet (seven meters) of booms can be rolled into something that fits in a human hand, NASA says. The design also provides less bending and flexing during temperature changes, which is what the spacecraft is expected to experience in space….

(16) SCOOBY SPINOFF CONTINUES. Velma Season 2 premieres April 25 on Max.

More mystery. More murder. And lots, lots more meddling.

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, Francis Hamit, Kathy Sullivan, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 3/13/24 Pixel Would Like A Word With Engineering

(1) SFWA NEBULA FINALIST ANNOUNCMENT TOMORROW. The Science Fiction & Fantasy Writers Association (SFWA) will announce the 2023 Nebula Award finalists (to be presented this year in Pasadena) on the SFWA Youtube channel, tomorrow, March 14, starting at 5:00 p.m. Pacific. 

Once again, we’ll be calling upon a talented group of SAG-AFTRA narrators to take us through an evening filled with a variety of outstanding speculative fiction works. 

It’s sure to be a night to remember! We hope you’ll join us!

(2) NEBULA CONFERENCE SCHOLARSHIP DEADLINE. Also tomorrow — March 14, is the deadline to apply for the scholarships SFWA is offering for members of under-served communities to attend the Nebula conference! The 2024 Nebula Conference will take place June 6-9 in Pasadena, CA and online. If you or someone you know may benefit from these scholarships, please apply here or share this link: https://airtable.com/appqxO86fh6JpPBNR/shrjMcYbZyuTxhwVH

Scholarship applications must be completed on this form by March 14th, 2024. The scholarship recipients will be selected from the applicant pool by lottery. Applicants may be considered for more than one scholarship if they identify with more than one of the following groups.

Here are the categories of scholarships being offered and the number of online conference scholarships available for each:

  • Scholarship for Black and/or Indigenous Creators: This scholarship is open to Black and/or Indigenous creators in the United States and abroad. (quantity: 15 online scholarships)
  • Scholarship for AAPI Creators: This scholarship is available to Asian creators, Asian American creators, and creators from the Pacific Islands. (quantity: 15 online scholarships)
  • Scholarships for Hispanic/Latinx Creators: This scholarship is available to creators with backgrounds in Spanish-speaking and/or Latin American cultures. (quantity: 15 online scholarships)
  • Scholarship for Writers Based Outside of the U.S.: This scholarship is available to creators who live outside the United States. (quantity: 15 online scholarships)
  • Scholarship for members of the LGBTQIA+ Community: This scholarship is available to creators who identify as LGBTQIA+. (quantity: 15 online scholarships)
  • Scholarship for creators with disabilities: This scholarship is available to creators who identify as having a disability. (quantity: 15 online scholarships)
  • Scholarship for creators who face financial barriers: This scholarship is available to creators whose financial situations may otherwise prevent them from participating. (quantity: 15 online scholarships)
  • Scholarship for in-person registration are available in limited quantities for creators who identify with one of our online scholarship groups. This scholarship does not include funds for travel, lodging or other related expenses to attend the conference, only for registration.

SFWA says, “Our support of underserved communities isn’t possible without your help. If you are able, please consider making a donation at sfwa.org/donate to help us fund additional scholarships in the future.”

(3) COMPLETE TOLKIEN POEMS VOLUME PLANNED. “Collected poems of J R R Tolkien to be published for first time”The Bookseller has details.

HarperCollins will publish The Collected Poems of J R R Tolkien, edited by Christina Scull and Wayne G Hammond, in September 2024, the first time all the author’s poems will appear in one volume. 

HC, which holds world all-language rights to Tolkien’s works, said: “Poetry was the first way in which Tolkien expressed himself creatively and through it the seeds of his literary ambition would be sown.” One of Tolkien’s  poems “The Voyage of Éarendel the Evening Star”, begun in 1914, is where the “Silmarillion” first appears and both The Hobbit and The Lord of the Rings “are enriched with poems both humorous and haunting, magical and moving”. Tolkien scholars Scull and Hammond will provide analysis of each poem. 

Scull and Hammond were hired for the project by Christopher Tolkien’s, J R R Tolkien’s son and executor of his literary estate until Tolkien died in 2020. They said: “Charged at first to review only his early poems, we soon saw the benefits of examining the entire poetic opus across six decades, vast though it is with hundreds of printed and manuscript sources…Not long before his death, we were able to send Christopher a trial portion of the book, which he praised as ‘remarkable and immensely desirable’.”…

(4) SPEAKING OF. “The Oral History of ‘Repo Man,’ the Greatest Indie Sci-Fi Movie Ever Made” at Inverse.

Somewhere in the California desert, a police officer pulls over a 1964 Chevrolet Malibu as it lurches wildly across the highway. After interrogating the driver, he opens the trunk and is instantly vaporized by a blinding light that reduces him to a skeleton, leaving behind only a pair of smoldering leather boots.

Thus begins Repo Man, a sci-fi cult classic sci-fi with a nihilistic worldview and a punk rock soundtrack that by all accounts probably shouldn’t exist….

Dick Rude (plays Duke): I was a teenager going to the Lee Strasberg Theatre Institute in Los Angeles. I wrote a script called Leather Rubberneck with a friend of mine from school, about two kids who get drafted. Alex [Cox, writer and director] wanted to make the film, but it didn’t pan out. So he incorporated it into Repo Man. A lot of the characters, some of the dialogue, some of the ideas, there was quite a bit of it that was used in Repo Man….

Jonathan Wacks: We went through the Yellow Pages and looked up studios and producers and we sat and typed letters. We knew they wouldn’t pick up our phone. We sent hundreds of letters out and got zero responses. So we decided to raise $500,000 and shoot it at UCLA so we could use the equipment for free.

Peter McCarthy: The thing with UCLA is you never wanted to get your diploma. Once you did, you couldn’t go back and use anything….

Olivia Barash: I was talking to Alex, and I said, “Who are you going to have do the title track?” And he goes, “There’s one of two people. David Byrne, we have something out to his agent. But I really want Iggy Pop, we just don’t know where to find him.” And I said, “I know where to find him. He’s in my building. He’s my neighbor.” So Alex came over, and we rang the intercom outside, and Iggy answered. And that’s how we got Iggy….

(5) J-LO AND AI. “’Atlas’ trailer: Jennifer Lopez uses AI to save humanity in sci-fi thriller” – here’s Mashable’s introduction:

The first trailer for Netflix’s futuristic sci-fi thriller Atlas is here, featuring Jennifer Lopez having a very bad day.

Atlas follows the titular character Atlas Shepherd (Lopez), a government data analyst with a healthy distrust of artificial intelligence. However, after a mission to capture a rogue robot from her past goes wrong, she soon finds herself having to trust AI in order to save humanity. If AI wrote propaganda, this is probably what it would sound like….

(6) IT’S A TIE. “Reading with… Liz Lee Heinecke” at Shelf Awareness.

…Favorite book when you were a child:

It’s a three-way tie, with a few runners-up.

As a kid, I desperately wanted a horse but knew I would never have one, so I lived vicariously through Maureen and Paul Beebe’s adventures in Misty of Chincoteague by Marguerite Henry and illustrated by Wesley Dennis.

Dragonsong by Anne McCaffrey had it all as far as I was concerned: a gifted girl who isn’t allowed to be a musician because of her gender, tiny, colorful dragons called fire lizards, and a nearby planet that rained down flesh-eating parasites frequently enough to keep things exciting. I probably read it 20 times.

The Tombs of Atuan is the second book in Ursula K. Le Guin’s Earthsea series and features a female protagonist who struggles against the confines of a role that’s been chosen by others. Most of the story takes place in a nightmarish underground labyrinth, where Le Guin’s hero Ged (Harry Potter’s prototype) struggles to steal a talisman. I loved everything about it.  

I was always on the lookout for books about girls on adventures. When visiting the library, I often checked out Astrid Lindgren’s Pippi Longstocking books or the Danny Dunn series by Raymond Abrashkin and Jay Williams, which features a girl who loves physics.  

Your top five authors:

Ursula K. Le Guin: She caught my attention as a middle-grade reader with her Earthsea fantasy series and has kept me captivated as an adult.

She uses science fiction to escape the social confines of our planet and explores themes of colonization, race, environmental destruction, political systems, gender roles, and sexuality without ever losing sight of the story. The Word for World Is ForestThe Dispossessed, and The Left Hand of Darknessare three of my favorites.

Amy Tan: I can’t recall whether The Kitchen God’s Wife or The Joy Luck Clubwas my first Amy Tan book. I adore the funny, relatable stories she tells about women and family, and enjoy learning about Chinese culture and history. The Bonesetter’s Daughter, which weaves science and anthropology into the story, was fantastic too. I became an even bigger fan after hearing Tan sing with the Rock Bottom Remainders at First Avenue a few years ago.  

J.R.R. Tolkien: I can’t count how many times I’ve re-read The Lord of the Rings. I love losing myself in Middle-earth, with its mountains and languages and monsters and lore, and I’ve always been a sucker for a well-told hero’s journey.

Margaret Atwood: Sometimes I think she can see the future. The Handmaid’s Taleis a masterpiece in so many ways. I heard her speak once, and I recall her saying that she grew up reading science fiction stories with her brother. It’s amazing how the books we read as children shape us as adults.

Ann Patchett: She has been one of my favorite authors for years. As a reader interested in themes of music, science, and theater, she’s hit the mark over and over again with books like Bel CantoState of Wonder, and Tom Lake. I can’t wait to see what she writes next….

(7) THE WRITERS’ PRIZE. A non-genre work, Liz Berry’s The Home Child, was announced as the winner of the poetry category (£2000) and The Writers’ Prize Book of the Year (£30,000) at the London Book Fair on March 13.

Born in the Black Country and now living in Birmingham, The Home Child was inspired by the story of Berry’s great-aunt Eliza Showell, one of the many children forcibly emigrated to Canada as part of the British Child Migrant Schemes. This beautiful novel-in-verse about a child far from home was described as ‘absolutely magical’ by Fiona Benson.

The book achieved the highest number of votes from the 350+ celebrated writers in the Folio Academy, who exclusively nominated and voted for the winners of The Writers’ Prize 2024.

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 13, 1956 Dana Delany, 68. I remember Dana Delany best for her role as nurse  Colleen McMurphy on China Beach, set at a Vietnam War evacuation hospital.  It aired for four seasons starting in the late Eighties. Great role, fantastic series. I rewatched it a decade or so ago on DVD — it held up very well.

Dana Delany

So let me deal with her main genre role which was voicing Lois Lane. She first did this twenty years ago in Superman: The Animated Series for forty-four episodes, an amazing feat by any standard.  That role would come again in Superman: Brainiac AttacksJustice League: The Flashpoint Paradox (avoid if you’ve got even a shred of brain cells), in a recurring role on the Justice League and Justice League Unlimited series, The Batman and even in the Superman: Shadow of Apokolips game.

Her other voice role of note was for Wing Commander Academy as Gwen Archer Bowman. And she wasn’t Lois Lane but Vilsi Vaylar in Batman: The Brave and the Bold’s “The Super-Batman of Planet X!”. 

She’ll have a one-off on Battle Galactica as Sesha Abinell; more significantly she has a starring role as Grace Wyckoff in the Wild Palms series. 

Oh, she showed up on Castle as FBI Special Agent Jordan Shaw in a two-part story, the episodes being “Tick, Tick, Tick…” and “Boom!”. 

So I’m going to finish with her role in Tombstone, Emma Bull and Will Shetterley’s favorite Western film along with the Deadwood series. It’s an inspiration she says for her Territory novel. And I love it as well. Delany played magnificently Josephine Sarah “Sadie” Earp, the common-law wife of Wyatt Earp. The final scene of them dancing in the snow in San Francisco is truly sniffles inducing. 

(9) CREATOR CANNED. Variety reports “X-Men ’97 Creator Beau DeMayo Fired Ahead of Premiere on Disney+”. Article does not give a reason.

Beau DeMayo, the showrunner and executive producer behind Disney+’s upcoming animated series “X-Men ’97,” has been fired ahead of the March 20 premiere, Variety has confirmed.

DeMayo had completed work on Seasons 1 and 2 of “X-Men ’97” ahead of his exit. He will not attend the March 13 Hollywood premiere for the show. His Instagram account, on which he had been previewing artwork and answering fan questions about “X-Men ’97,” has also been deleted.

He wrote and produced “X-Men ’97,” which is a continuation of the popular “X-Men: The Animated Series” that aired on Fox Kids in the ’90s. It is unclear why DeMayo was fired from “X-Men ’97” so close to the premiere, but he will no longer promote the show or be involved with future seasons….

(10) NO MICHELIN STARS FOR MORDOR. CBR.com chronicles “Every Meal Hobbits Eat In Tolkien’s The Lord of the Rings”.

Peter Jackson and actor Billy Boyd found a memorable way to convey that love in The Lord of the Rings: The Fellowship of the Ring. As Aragorn leads the Hobbits toward Rivendell, Pippin asks about “second breakfast” and a litany of additional meals that will presumably be skipped as they continue. Tolkien specified six meals in the Prologue to The Fellowship of the Ring — which roughly match European traditions — but two of them are essentially the same meal. Here’s a rundown of each one to give a good idea of what Pippin is missing….

Here’s the one I’m always interested in:

Second Breakfast

Tolkien mentions second breakfast in The Hobbit, with Bilbo settling down to his just as Gandalf appears to tell him that the Dwarves have already left for The Lonely Mountain. It serves as a quiet joke — stressing that Hobbits in general and Bilbo in particular enjoy eating — as well as emphasizing the comfortable lifestyle he’s leaving behind to go on his adventure with the Dwarves. It also serves as the inspiration for Pippin’s line about second breakfast in The Fellowship of the Ring, which he doesn’t deliver in Tolkien’s text.

(11) PRAISE FOR STARMEN. [Item by Francis Hamit.] Demetria Head is a book blogger, one of that legion of reviewers who do it without pay and for the joy of it.  Ms. Head actually read the entire book and delivered an almost forensic analysis.  I think her work deserves wider exposure.

Demetria Head Review from BookBub and A Look Inside book blogs

“STARMEN” by Francis Hamit is a sprawling epic that seamlessly blends elements of magical realism, historical fiction, and sci-fi fantasy to create a mesmerizing tale that will captivate readers from start to finish. Set against the backdrop of the American Southwest in 1875, the novel introduces us to a cast of richly drawn characters whose lives become intertwined in a web of intrigue, adventure, and supernatural mystery.

At the heart of the story is George James Frazer, a budding anthropologist working for the Pinkerton National Detective Agency, whose quest to contact a local Apache tribe leads him on a journey beyond the realms of ordinary reality. When a mysterious hot air balloon appears over the town of El Paso, owned by the British Ethnographic Survey, Frazer finds himself drawn into a world of ancient magic and hidden truths.

The characters in “STARMEN” are truly the heart and soul of the novel, each one fleshed out with depth and nuance that makes them feel like living, breathing individuals. From the determined and resourceful Frazer to the enigmatic Apache witches and the ruthless Pinkerton agents, every character brings their own unique perspective to the narrative, driving the plot forward with their conflicting desires and motivations.

Plot development in “STARMEN” is masterfully executed, with Hamit weaving together multiple storylines that intertwine and intersect in surprising and unexpected ways. From the quest to find a missing heir to the discovery of a town inhabited by extraordinary gunfighters, each twist and turn of the plot unfolds with breathtaking intensity, keeping readers on the edge of their seats until the very last page.

What truly sets “STARMEN” apart is its seamless blend of genres, incorporating elements of historical fiction, magical realism, and hard sci-fi into a cohesive and compelling narrative. From the romantic entanglements to the political intrigue and the mind-bending concepts of quantum mechanics and string theory, the novel offers something for every reader, appealing to fans of both traditional historical fiction and speculative fiction alike.

Overall, “STARMEN” is a tour de force of storytelling that will transport readers to a world of adventure, mystery, and wonder. With its unforgettable characters, intricate plot, and bold exploration of complex themes, it is a must-read for anyone seeking an immersive and thought-provoking literary experience.

(13) SHAKEN TO THEIR CORE. [Item by SF Concatenation’s Jonathan Cowie.] I have not seen it yet (but have downloaded to mem stick for home viewing – it might be rubbish???) In the TV series Pending Train, “100 People Accidently Time-Travel By Train to a Destroyed Earth in 2063”. See video at the link.

In Tokyo, train passengers find themselves fighting for their very survival after their train car jumps into an apocalyptic future

(14) ON THE AIR. Breathe (2024) with Jennifer Hudson, Milla Jovovich, Sam Worthington, Common, and Quvenzhané Wallis. In Theaters, On Digital, and On Demand April 26.

(15) VIDEO OF THE DAY. How It Should Have Ended brings us up to date with “Previously On – DUNE”.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Francis Hamit, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

SFWA Will Hold 2024 Nebula Conference in Pasadena and Online

The Science Fiction and Fantasy Writers Association today announced the 2024 Nebula Conference will be held June 6-9 at the Westin in Pasadena, CA and online. Registration will soon begin at events.sfwa.org.

SFWA says the site was chosen “After an exhaustive, cross-country search that involved dozens of hotel proposals”, anticipating the pushback the announcement has already received from several writers who either hoped the site would move around to another part of the country, or feel Southern California sites are too expensive for them. The in-person component of last year’s hybrid event was held in Anaheim, CA, following three consecutive years of virtual Nebula Conferences (2020-2022).

The date chosen for the Nebula Conference also places it on the weekend following the Horror Writers Association’s StokerCon, another event being held in Southern California — in San Diego, from May 30-June 2.

The Future of the SFWA Nebula Conference & In-Person Scholarships Now Available

The Science Fiction and Fantasy Writers of America are questioning whether their in-person Nebula Conference can continue into the future. The organization discussed the problems facing them in a press release issued May 4.


With just over a week left until our 2023 Nebula Conference, the SFWA Events Team and our many incredible volunteers have been busy putting the final touches on our first hybrid event since 2019. 

With this pivot, the organization has faced many unique challenges including the much higher costs of holding the in-person component. In the planning stages for 2023, the SFWA Board and team did everything they could to minimize the financial impact and burden on both our attendees and the organization when researching venue and dates. Teams looked at many different hotels, considering accessibility, price, and location. Negotiations went on for weeks, with our team trying to bring down the costs as much as we could across the event. It was clear from the beginning that properties were only focused on recouping their own losses during lockdown which forced us to walk away from a few ongoing negotiations.

Like many conferences making their way back into in-person spaces, there are incredible challenges to face. From the current cost-of-living crisis, lower attendance numbers, difficult hotel negotiations and relationships, to the higher cost of travel and expenditures on everything from supplies to audio/visual requirements to every bite of food.

And it’s not happening to just us. We’ve received many reports from beloved genre conventions that we are not alone in all of these challenges.

With that said, SFWA is absorbing the majority of costs this year and only passed on what we absolutely could not carry in the form of registration fees. SFWA has never made a profit from our conference but has always used all income from ticket sales and sponsorships to fund future Nebula Conference events. As a non-profit, our goal is to make the Nebula Conference budget neutral each year. The organization has been successful in doing so right up until now. The SFWA Board understands the stark reality that despite the organization subsidizing a portion of the costs this year, the ticket price is still unreachable for many attendees wishing to attend in person.

SFWA is committed to making our professional development, career knowledge, networking conference and awards sustainable, attainable, and equitable and going forward, we will be discussing how we can serve all SFF genre writers in the future with our events and programs. Within that conversation, however, there is a very real danger that in its current form, this may be the last time we can do anything like this. 

Why? 

Because there is absolutely nothing left in our funds to pass on to future events.

SFWA is a 501c3 public benefit charity focused on genre writers across the globe. We depend on donations (both monetary and time) to fund our programs and services which help support worldwide communities. We’re not going to be able to do this again without your help and support.

A donation to SFWA goes a long way and you can donate here: sfwa.org/donate

Similarly, we’re always looking for more volunteers to help keep things running and your time and expertise is just as valuable as any money you can give. If you are interested in helping the organization continue to fulfill its mission, please email [email protected].

In-Person Scholarships Now Available

Addressing our current predicament on affordability, the SFWA Board has dedicated some in-person scholarships to those who would otherwise be unable to afford to attend the in-person conference this year. This scholarship is open now to SFF genre writers who wish to attend the SFWA Nebula Conference on May 12-14th. 

The scholarship will contain one complimentary conference registration and a three-night hotel stay at the Sheraton Anaheim beginning Friday May 12 and checking out on Monday, May 15. There are an extremely limited amount of these scholarships available, and the deadline to apply will be midnight on Tuesday May 9 PT. We will be choosing our scholarship winners via a lottery. 

Please help us spread the word. If you’re chosen, and if you can get here, we’ll give you a badge and a place to dream. 

Please visit here to apply: The Future of the SFWA Nebula Conference & In-Person Nebula Scholarships Now Available – SFWA

2023 Nebula Conference Scholarship and Sponsorship Opportunities

The Science Fiction and Fantasy Writers Association (SFWA) is once again offering more than 100 scholarships for members of underserved communities for online registrations for the hybrid 2023 Nebula Conference.

To support efforts such as funding conference scholarships and other programs that promote and advance SFF creators and the genres, SFWA is also offering several conference sponsorship tiers for interested parties.  

The 2023 Nebula Conference is rapidly approaching, taking place May 12–14, 2023. The conference is geared toward aspiring and professional storytellers in the speculative fiction genres and offers a professional development weekend full of panels, networking opportunities, and chances to learn from and interact with experts in related fields.

The 2023 Nebula Conference: May 12–14, 2023. Registration prices:

  • Anaheim, CA: $449.00 
  • Online only: $150.00

Both of these prices include one full year of amazing content. Register here: https://events.sfwa.org/

NEBULA SCHOLARSHIPS. Scholarship applications for the Nebula Conference must be completed on this form by April 21, 11:59pm Pacific Time.  

Here are the categories of scholarships we’re offering and the number available for each. 

  • Scholarship for Black and/or Indigenous Creators: This scholarship is open to Black and/or Indigenous creators in the United States and abroad. (quantity: 25) 
  • Scholarship for AAPI Creators: This scholarship is available to Asian creators, Asian American creators, and creators from the Pacific Islands. (quantity: 25)
  • Scholarships for Hispanic/Latinx Creators: This scholarship is available to creators with backgrounds in Spanish-speaking and/or Latin American cultures. (quantity: 25)  
  • Scholarship for Writers Based Outside of the U.S.: This scholarship is available to creators who live outside the United States. (quantity: 25)
  • Scholarship for Members of the LGBTQIA+ Community: This scholarship is available to creators who identify as LGBTQIA+. (quantity: 25)

From the applicant pool, the scholarship recipients will be selected by lottery. This scholarship will be available for our online conference only, which will give access to the streamed/online conference events over the conference weekend and all future online events for a full year. 

Support of underserved communities isn’t possible without help. Donations are welcome at sfwa.org/donate to help support this very worthy cause. Questions about scholarships can be sent to [email protected].

NEBULA SPONSORSHIPS. Conference sponsorships are an important way SFWA funds essential outreach, like the Nebula scholarships, to the diverse voices within the global science fiction and fantasy publishing community. The cost of funding a scholarship significantly rises for in-person conferences and SFWA needs help to make them possible for future years. 

Are you looking to increase the visibility of your latest book release? Interested in getting your brand in front of hundreds of conference attendees both in-person and around the world online? SFWA has a sponsorship option for you!

Here are this year’s options:

  • Gold Sponsor: Support our Suite Refreshments
    Two of the most popular hangouts during the conference are the hospitality suite and volunteer suite. As a Gold Sponsor, your logo will adorn the doors of each suite! Your logo will also be on all Nebula Award and conference email communication to SFWA members and conference attendees and will appear in the commemorative program book!  — $5,000
  • Silver Sponsor: Support Receptions
    Forever link your logo in the minds of reception attendees with their own celebration as a Silver Sponsor! Your logo will be proudly displayed at the in-person Nebula Finalist Reception, the Past Presidents Meetup, and the Mentor Meetup. It will also be included on all Nebula Award and conference email communication to SFWA members and conference attendees and appear in the commemorative program book! — $2,500
  • Bronze Sponsor:
    As one of our Bronze Sponsors, your logo will be on all Nebula Award and conference email communication to SFWA members and conference attendees and will also appear in the commemorative program book! — $750
  • Sponsor a Private Party:
    Be the envy of everyone at the Nebulas by hosting a private party. Your logo will be a highlight of the party listing announcement and be displayed in the private room where the party will take place. — $2,000 

*additional costs dependent on cocktail/menu selection. 

  • Sponsor a Panel for our Virtual Attendees:
    The Nebula Airship is primed for takeoff, and as a virtual panel sponsor your logo will grace the background of the onliner panel of your choice. — $350 
  • Congratulate a Nebula Finalist!
    Being a SFWA Nebula Finalist is a career milestone and the awards evening will be filled with excitement and nerves. Send your well wishes and congratulations to any finalist you wish by filling out a form, which will be available soon at store.sfwa.org! Your note will be delivered to the finalist’s chair before the ceremony begins, providing them with good vibes to last through the evening! —$50

If you’re interested in any of our sponsorship opportunities, email [email protected] for details. Sharing the opportunities for sponsorships and scholarships with publishers, agents, and other industry friends is highly encouraged.

[Based on a press release.]

Cheryl Platz to Host the 58th Nebula Awards

Science Fiction and Fantasy Writers Association (SFWA) announced today that acclaimed performer and designer Cheryl Platz will serve as toastmaster for the 58th Annual Nebula Awards® Ceremony. The ceremony will take place in Anaheim, CA, on Sunday, May 14, 2023. This year marks the return of the ceremony to an in-person event and continues SFWA’s tradition of inviting the global science fiction and fantasy community to take part by livestreaming the festivities.

Cheryl Platz. Photo Credit: Michael Doucett

Cheryl Platz is a world-renowned designer, author, game developer, speaker, and actress best known for her work on cutting-edge products from Alexa to Azure, from Disney Parks to The Sims, and her work on multiple Internet TV shows. Her first book, Design Beyond Devices: Creating Multimodal, Cross-Device Experiences, was published by Rosenfeld Media in 2020. For folks new to design, she describes her book as “the design manual for folks who aspire to design the starship bridge of their dreams.”

In her current role as Director of User Experience for the Player Platform at Riot Games, Platz leads a team working to build a coherent cross-device experience for millions of players. Her past game development experience includes production, game design, and game writing on a variety of titles, from The Sims Makin’ Magic, The Sims 2, and The Urbz to the Chronicles of Narnia and Disney Friends.

Platz’s acting career includes credits on Internet shows such as Shadowrun: Corporate SINs, voice-over credits for The Sims 2 (DS) and BATTLETECH (2018) among others, and over 15 years of professional improv comedy performances with Unexpected ProductionsSeattle Experimental Theater, and NERDprov. She also owns design education firm Ideaplatz, LLC and has delivered keynotes, workshops, and consulting services on 5 continents and in over a dozen countries.

SFWA President Jeffe Kennedy shared, “We are proud to welcome Cheryl Platz as our 2023 Toastmaster. Platz shares our love of game writing and exploring new worlds — from the page to the movie screen and onto our consoles. We can’t wait to see her on the stage of the Airship Nebula on the next stage of its journey.”

“Science fiction and fantasy have always been a huge part of my life,” remarked Platz, “from growing up with Star Trek to surviving college with Discworld and dreaming of alternative futures with today’s Lady Astronaut books. It is a tremendous honor to combine my own experience in writing, games, hosting, and improv to help bring this year’s triumphant re-launch of the live Nebulas experience to life not just for in-person audiences, but for live audiences around the world. I look forward to guiding you all on our away mission as the Airship Nebula docks for the first time in years this May for a memorable planetary visit.”

[Based on a press release.]

Registration Opens for 2023 SFWA Nebula Conference

The Science Fiction and Fantasy Writers Association (SFWA) has opened registration for the 2023 Nebula Conference, which will be taking place both online and in-person at the Sheraton Park Hotel at the Anaheim Resort, in Anaheim, CA from May 12-14, 2023.

Registrations may be purchased at this link. Registration for the online portion of the conference is $150.00 and includes access to broadcasts of many of the weekend’s panels and the subsequent archive, mentorship opportunities, the Nebula Awards ceremony, a conference Discord, and entry to SFWA’s ongoing Nebula Conference events beginning May 1, 2023.

In-person conference registration begins at $349.00, which includes access to the online conference. Due to limited space and seating, they anticipate the conference and banquet to sell out, so are encouraging people to buy their tickets early. Participants may attend panels and the awards ceremony in-person, take part in mentorships and receptions, and visit the SFWA hospitality suite.

For Anaheim attendees, banquet tickets for the Nebula Awards banquet can be purchased for an additional $125.00. This three-course celebration dinner held before the Nebula Awards ceremony on Saturday, May 13, 2023 is a fantastic opportunity to mingle with old friends and meet new peers. Conference attendees who wish to attend the ceremony without purchasing a ticket to the banquet may do so on a space-available basis. The ceremony will also stream live online for the public.

The Nebula Conference is the premier professional development conference for aspiring and established members of the science fiction and fantasy industries. It includes content geared toward creators working in games, comics, prose, poetry, and other mediums of storytelling, which reflects the diversifying and expanding membership in the organization.  

Purchase conference registrations at this link. Hotel reservations must be made separately, and information on how to reserve a room at conference rates is available at that webpage, along with SFWA policies for harassment, COVID-19, and code of conduct. For questions, please contact [email protected]

[Based on a press release.]

Mercedes Lackey Removed from the Nebula Conference

SFWA removed Mercedes Lackey from this weekend’s Nebula Conference less than 24 hours after celebrating her selection as a Grand Master during the Nebula Awards ceremony. The reason given is that she “used a racial slur” while on a panel.  

SFWA explained the action in a “Statement on Removal of Mercedes Lackey from the Nebula Conference”.

Dear Nebula Conference Participants and SFWA Members,

We learned yesterday that while participating in the “Romancing Sci-Fi & Fantasy” panel, Mercedes Lackey used a racial slur. First, we apologize to our attendees and the other panelists who were subjected to that slur. We’ve disabled access to the panel to avoid any additional harm being caused.

Second, we are immediately removing Mercedes Lackey from the conference and the additional panels she was scheduled for, in accordance with SFWA’s Moderation Policy. The use of a racial slur violates the instruction to “Respect all cultures and communities. Do not make derogatory or offensive statements even as a joke.” That applies to everyone in a SFWA space, at all levels of their career.

Third, we will be discussing with the other panelists for “Romancing Sci-Fi & Fantasy” how they would prefer we proceed when they are able and comfortable in doing so. We will be offering to edit out the offensive portion of the panel or hold the panel again at a later date, inviting back the other three panelists and moderator to again take part. We will respect their wishes on how to handle this issue while also sharing the invaluable expertise they offered during the discussion. 

Thank you to our conference attendees and panelists who reported the use of the slur. We appreciate being alerted to it right away, so we could investigate and come to this decision as swiftly as possible.

The SFWA Board of Directors

The circumstances and the specific slur are discussed by Jen Brown in a Twitter thread that starts here.

https://twitter.com/jeninthelib/status/1528168371379875840

What was said is stated in the Twitter thread.

This is the second time an issue has come up since Lackey was announced as a Grand Master last fall. Previously, SFWA asked Lackey to “clarify a past statement on writing trans characters”.

Where to View 57th Annual Nebula Awards® Ceremony & Conference Programming

The Science Fiction and Fantasy Writers of America, Inc. (SFWA) invites the speculative fiction community to view the 57th Annual Nebula Awards® Ceremony livestream on May 21 at 5pm Pacific Time (PT). Programming topics for the Nebula Conference, which runs May 20–22, are also now available.

A trailer for both the conference and ceremony has been released to the scheduled YouTube livestream event page for the ceremony. It features Neil Gaiman, who will co-host the ceremony with Connie Willis. During the ceremony, the winners of the 57th Annual Nebula Awards will be named (list of finalists). The previously announced SFWA Damon Knight Memorial Grand MasterKevin O’ Donnell, Jr. Service to SFWA, and Kate Wilhelm Solstice Awards will also be presented.

The 57th Annual Nebula Awards® Ceremony

May 21, 2022

8pm Eastern • 5pm Pacific

Facebook: http://facebook.com/sfwa.org/live

YouTube: https://www.youtube.com/watch?v=21VKlslZIRo  

Award presenters will join virtually from across the galaxy, including many past Nebula Award winners among them, and former and current SFWA Board members: Martha Wells, DaVaun Saunders, Greg Kasavin, John Scalzi, Amal El-Mohtar, Steven H Silver, Henry Lien, A. T. Greenblatt, C.L. Polk, and SFWA President Jeffe Kennedy and Vice President Tobias S. Buckell.

The 2022 Nebula Conference Online, also taking place this weekend, has now released its schedule of 50+ programming topics, which can be viewed here. This professional development conference for aspiring and established members of the science fiction and fantasy industries includes content geared toward creators working in games, comics, prose, poetry, and other mediums of storytelling. 

The 2022 Nebula Conference Online

May 20–22, 2022

Registration Price: $150.00

Register Here: https://events.sfwa.org/

Registrations will be available for purchase throughout the conference. They include a year of access to the panels that will take place live this weekend, a standing invitation to SFWA’s Weekly Writing Dates, and opportunities to network and socialize with other members of the community during the conference itself and at special events throughout the year.

2022 Nebula Awards Toastmasters Announced

Connie Willis and Neil Gaiman will be the toastmasters for the Science Fiction and Fantasy Writers of America’s  57th Annual Nebula Awards®. The Nebula Awards Ceremony will be livestreamed free to the public online on May 21, 2022, at 5:00 p.m. Pacific on SFWA’s social media platforms.

In addition to her long history as a celebrated toastmaster for award ceremonies in the science fiction and fantasy genres, Connie Willis was named the 2012 SFWA Damon Knight Memorial Grand Master and a recipient of the 2021 Kevin O’Donnell, Jr., Service to SFWA Award. Willis is the author of Doomsday Book, Crosstalk, and Passage, among many other fictional works, and the upcoming novel The Road to Roswell. She has won eleven Hugo Awards and seven Nebula Awards. In 2009, Willis was inducted into the Science Fiction Hall of Fame. Being a toastmaster is her favorite thing besides bulldogs, romantic comedies, Oxford, and Randy Rainbow videos.

Neil Gaiman is the New York Times bestselling author and creator of books, graphic novels, short stories, films, and television for all ages, including Norse Mythology, NeverwhereCoralineThe Graveyard BookThe Ocean at the End of the LaneThe View from the Cheap Seats, and The Sandman comic series. His fiction has received many awards and honours, including the Newbery and Carnegie medals, and the Hugo, Nebula, World Fantasy, and Will Eisner awards. Several of his novels have been adapted for film and television, winning an Oscar nomination for Coraline, an Emmy nomination for American Gods, and Good Omens won the Hugo and Ray Bradbury awards, for the adaptation of the novel he wrote with the late Sir Terry Pratchett. His books have been translated into forty languages world-wide. In 2017, Gaiman became a Goodwill Ambassador for UNHCR, the UN Refugee Agency. Originally from England, he now divides his time between Scotland, where Good Omens and Anansi Boys are filmed, and the United States, where he is Professor in the Arts at Bard College.

Sample Nebula Award trophy. Photo by Richard Man.

This year’s Nebula Awards winners will be announced during the ceremony, which will stream for free on SFWA’s social media platforms. (See the list of finalists here.) Celebrating the past year’s most outstanding fictional works, the Nebula Awards Ceremony will be a highlight of the 2022 Nebula Conference Online. Aspiring and professional storytellers in the speculative fiction genres may benefit from attending the entire professional development weekend full of panels, networking opportunities, and chances to learn from and interact with experts in related fields, including the 38th SFWA Damon Knight Memorial Grand Master, Mercedes Lackey.

The 2022 Nebula Conference Online takes place May 20–22. The cost of registration is $150. Register here: events.sfwa.org

President Jeffe Kennedy says, “I’m delighted that Connie and Neil have so graciously taken time from their busy schedules to lend their voices and dynamic presences to the Nebula Awards ceremony. I’ve caught a glimpse in my crystal ball of what they’re up to and I can’t wait for everyone to join in the fun!”

[Based on a press release.]