…Penned by Joshua Kaplan, a Hollywood writer whose credits include HBO’s Tokyo Vice, TERF imagines a confrontation between Rowling and the stars of Harry Potter over her views on transgender rights.
The production is topical given Rowling’s near-daily pronouncements and hardened rhetoric on how trans rights have come into conflict with women’s rights. Her posts on X (once Twitter) have put her further at odds with Daniel Radcliffe, Emma Watson, and Rupert Grint in recent months, and Kaplan sees TERF as a “family conversation” between loved ones with differing views.
Staged by veteran Edinburgh Festival Fringe producers at Civil Disobedience, TERF (an acronym for trans-exclusionary radical feminist usually deployed in a pejorative context) had to change venue from Saint Stephens Theatre to the Assembly Rooms amid concerns over the controversy the play was attracting.
Barry Church-Woods, the co-founder of Civil Disobedience, said that the team is now putting security and other measures in place for protests. He told Deadline that they anticipate audience members could attempt to disrupt the play as it is performed.
“We expect that most people, if they’re intending on disrupting what we’re doing, that will happen in the auditorium of the theatre. We have processes in place that are going to deal with that,” said the producer, who has previously worked on Edinburgh shows with the likes of RuPaul’s Drag Race star Courtney Act….
(2) GLASGOW 2024 PUBLISHES FINAL PROGRESS REPORT. This week the Worldcon published its sixth electronic Progress Report, which due to there having been a PR #0 is numbered Progress Report 5. Download the PDF here. Cover by Sara Felix.
PR5 includes news from all areas including:
A final update from Convention Chair Esther MacCallum-Stewart
A list of our 6,000+ registered members and ticket holders
Membership statistics and demographics, with 33 countries represented from around the globe
Practical information to help attendees arrive in and enjoy their time at the convention, from site maps to badge collection arrangements and discounted local travel passes
Full details and timings for our Special Events – including the Hugo Award Ceremony, Masquerade, Opera, Orchestra, theatrical performances, concerts, and dances
Updates on Volunteering, Accessibility and Childcare Services, as well as our approach to Sustainability
Our updated Code of Conduct, which all members and ticket holders are expected to abide by when attending the convention in person or online.
Those lucky enough to attend May’s Disney‘s upfronts at the North Javits Center were treated to clips, teases and appearances from some of the world’s biggest stars.
In the spotlight from the Bob Iger-led Mouse House were hits from the Disney stable including The Acolyte,Welcome to Wrexham, Abbott Elementary and a wealth of ESPN sports shows. The combined budget must have been astronomical.
But almost completely absent from the upfront festivities was Doctor Who, the iconic British sci-fi series that Disney+ now co-produces with the BBC following what was undoubtedly one of the biggest global TV show deals of the past decade. Doctor Who was handed a minor bit of real estate at the North Javits, but its lack of front-and-center placement may spin a yarn about the series’ position in the Disney priority log nearly three years on from the deal being struck.
… Following the conclusion of the the first Disney-BBC Doctor Who season several weeks ago, Deadline has taken the opportunity to analyze its performance both locally and across the pond, its critical reception and just what the future has in store for the deal. Noises that it may not last beyond its initial two seasons are already reverberating around international TV circles, and one source close to the production tells us that they feel its future hangs in the balance already. Disney, the BBC, and co-producers BBC Studios and Bad Wolf all declined Deadline’s interview requests for this article….
NASA’s Johnson Space Center in Houston will recognize legendary human computer Dorothy Vaughan and the women of Apollo with activities marking their achievements, including a renaming and ribbon-cutting ceremony at the center’s “Building 12,” on Friday, July 19, the eve of the 55th anniversary of the Apollo 11 Moon landing.
At 9 a.m. CDT, NASA Johnson Director Vanessa Wyche will begin with a discussion about the importance of Vaughan and the women of Apollo’s contributions to the agency’s lunar landing program and their significance to today’s Artemis campaign. Other highlights include a poetry reading, a recital by Texas Southern University’s Dr. Thomas F. Freeman Debate Team, and a “Women in Human Spaceflight” panel discussion….
…Following the program, the ribbon-cutting ceremony will begin at Building 12, which will thereafter be named the “Dorothy Vaughan Center in Honor of the Women of Apollo.” The dedication is a tribute to the people who made humanity’s first steps on the Moon possible.
Li Jun Li (Wu Assassins) is set as a series regular opposite Nicolas Cage in Spider-Noir, the upcoming MGM+ and Prime Video live-action series based on the Marvel comic Spider-Man Noir.
From executive producers/co-showrunners Oren Uziel and Steve Lightfoot and Sony Pictures Television, Spider-Noir tells the story of an aging and down-on-his-luck private investigator (Cage) in 1930s New York who is forced to grapple with his past life as the city’s one and only superhero.
Li will play a singer at the premier nightclub in New York. In addition to Cage, she joins previously cast Lamorne Morris as Robbie Robertson….
(6) TODAY’S BIRTHDAY.
[Written by Paul Weimer.]
July 19, 1969 – Kelly Link, 55.
By Paul Weimer: Genius Grant recipient. Small Press Owner, Small Beer Press. Anthologist.
Oh, and just perhaps the best short fiction fantasist of our age.
No biggie, right? I think of her work, be it ”Magic for Beginners”, “The Faery Handbag” or “The Hortlak” or any of the numerous other stories she’s written, as being in an overlapping series of subgenres that are centered in magic slipstream realism. To this core central subgenre, Link ably adds elements of urban fantasy, horror, mystery, into this basic dough and bakes rather tasty treats of stories that linger in the mind and in the soul.
Kelly Link
I think of Link as a magic realist counterpart to Ted Chiang: her actual output of stories is not actually all that massive. She is careful with word choice and writing, shaping words and sentences to sublime effect. Link’s stories are never to be skimmed over, ever. You will, in the end, regret it. Her work needs and demands attention, and sometimes, like the work of Liz Hand, I feel like as a reader I am “not in her league” and don’t always grok what she is doing in a story. (To be fair the kind of fantasy Link writes is stuff I do not commonly read besides her fabulous work.
But that’s really wrongheaded of me to make her seem inaccessible. In fact, like Chiang, I think of Link as an excellent ambassador for genre fiction in the worlds of literary fiction, luring readers from outside the genre into it, hopefully to stay. Certainly “Magic for Beginners” is probably the one story I would hand to someone who hasn’t read much or any contemporary fantasy and wanted to give it a try.
(7) COMICS SECTION.
Thatababy continues crossing over into neighboring strips.
(8) WHAT IF? Check out the next trio of covers in the monthly Disney What If? variant cover series, celebrating the 60th anniversary of the Avengers and X-Men.
The new covers see Goofy, Donald, and Daisy fill in for Wolverine, Captain America, and Black Widow for their iconic team-up in Uncanny X-Men #268; Mickey, Minnie and more enter the X-Men’s revolutionary Krakoan age that kicked off in House of X #1, and the gang assembling for one of the Avengers’ most pivotal moments, the “Disassembled” storyline, in Avengers #500. For more information, visit Marvel.com.
AMAZING SPIDER-MAN #59 DISNEY WHAT IF? VARIANT COVER BY GIADA PERISSINOTTO
AMAZING SPIDER-MAN #61 DISNEY WHAT IF? VARIANT COVER BY PAOLO MOTTURA
AMAZING SPIDER-MAN #63 DISNEY WHAT IF? VARIANT COVER BY FRANCESCO D’IPPOLITO
(9) REMEMBERING H.R. PUFNSTUF. The LA Breakfast Club will host “Sid Krofft: 55 Years of Weird” on September 4. Tickets at the link.
CELEBRATE ALL THINGS KROFFT, INCLUDING PUFNSTUF’S ANNIVERSARY! On September 6, 1969, the world was introduced to the series H.R. PufnStuf and with it, the zany genius of brothers Sid and Marty Krofft! In the decades that followed, Sid & Marty continued to innovate TV, films, live shows and even theme parks with their signature style of puppetry, visuals and storytelling.
Join us on September 4th to witness Sid Krofft’s honorary initiation into The LA Breakfast Club! We’ll then join Sid on a rollicking discussion about the beloved projects that define his groundbreaking career.
Sep 04, 2024, 7:00 AM – 9:00 AM
The Los Angeles Breakfast Club, 3201 Riverside Dr, Los Angeles, CA 90027, USA
…Now there is a new dinosaur species on the paleontology block, Fona herzogae.
HAVIV AVRAHAMI: Small plant-eating dinosaurs – they were bipedal. If you took, like, a Komodo dragon tail and attached it to the back of an ostrich, that’s kind of what Fona would have looked like.
ARI SHAPIRO, HOST:
That’s Haviv Avrahami. He’s a Ph.D. student at North Carolina State University and was part of the team that identified this new dino. They published their research in the scientific journal The Anatomical Record this month.
AVRAHAMI: It was a small dinosaur. It was about 7 feet long, so probably would have been as long as Shaq would have been if he was laying down….
Vincent Price and Peter Lorre were in 3 Roger Corman films together, and the two shone as a hilariously odd couple. I would gladly watch their chemistry in any film! So here’s a compilation of all my favorite bits of them.
[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
…All eyes now on the upcoming season, which is in the can and due to launch next year, along with a long-rumored set of spin-offs that comprise the new ‘Whoniverse’ including The War Between the Land and the Sea. Fans were delighted when this spin-off was alluded to in the ’73 Yards’ episode of the latest season and Deadline is told that shooting will commence in September.
One of our sources close to the production believes Disney will “need to make a decision” on its future relationship with the show soon after The War Between the Land and the Sea wraps, and this could have a bearing on how long the in-demand Gatwa — who will lead a West End production of The Importance of Being Earnest at the end of this year — remains Doctor. Although the next season has wrapped, this source predicts the final episode has been left open-ended, with the possibility remaining that Gatwa could regenerate into his successor if he chooses to exit. Gatwa’s agents hadn’t responded to Deadline’s request for comment by press time.
… A fundamental principle of the many-worlds interpretation is that any contact between the different worlds is impossible. But a fundamental principle of popular culture is that it’s not, physics be damned. The beauty of using parallel worlds in fiction is that it can neatly exploit our human anxiety over the consequences of taking and having taken actions. In a sense, it reveals the God-like, world-shaping power of the human ability to choose and the depth of our innate desire to live our lives again.
As Brit Marling, co-author and star of Another Earth, told an interviewer: “Sometimes in science fiction you can get closer to the truth than if you had followed all the rules.”…
…Quantum-inspired fictional worlds are back in the spotlight after featuring in two Apple TV+ dramas this year – Constellation and Dark Matter. Both use superposition as a device for allowing characters to take forking paths. The former was cancelled after one season, while the latter finished its season in June. The two shows illustrate what’s problematic about the genre….
(3) JMS DEFENDS THE DISCLAIMER. J. Michael Straczynski says he’s gotten sharp criticism for beginning the new edition of Harlan Ellison’s Greatest Hits with this disclaimer.
“Harlan Ellison’s work epitomized and reshaped the speculative, science fiction, and horror genres across decades. Ellison’s stories and novellas have been an inspiration to subsequent writers, and his impact can still be seen in contemporary television, culture, and literature.
“However, while these stories are outstanding works across multiple genres, they may contain outdated cultural representations and language. We present the works as originally published. We hope that you enjoy discovering, or rediscovering these stories.”
Several folks here have used terms like “disgraceful” and “shameful” to discuss the disclaimer at the front of Harlan Ellison’s Greatest Hits, and the decision not to use the original computer tape images in I Have No Mouth. Let me address these frankly, and in that order.
When the disclaimer was first brought up by the publisher, I bristled at it. (And that part is literally just one sentence inside of one paragraph.) But it was explained to me that having that one sentence in that one paragraph meant that nothing in the stories themselves would have to be changed or edited. The book could go out without so much as a misplaced comma. Just as importantly, it meant the book could be sold into high school and college bookstores, school and public libraries, and curricula without impediment.
The fellow who did the YouTube video posted twice here made the observation, on this topic, that he basically didn’t give a shit if the book was available to high schools and universities, even though most everyone reading this discovered Harlan’s work at around that age. All he cared about was having the book of stories he’d already read and owned be readily available in a bookstore so he could buy one more edition of it, new readers be damned. (And it’s nearly impossible to get enough copies into print to be in stores without being able to sell the book into schools, libraries and the like.) So yes, I pulled the trigger on that, and I’d do it all over again given how this has worked out.
Jumping to the computer tape issue…what folks need to understand is that while Greatest Hits is certainly a wonderful opportunity for fans to collect some of Harlan’s best work in one place, that’s not the primary target of this book. Everybody reading this already has all or most of those stories, in the original books and in some cases even the original magazines. It’s not one more fan service compilation.
Greatest Hits is a primer of Harlan’s work for newcomers. As such, the whole point is to make the book as accessible as possible to new readers, many of whom had never previously even heard of Harlan Ellison. It’s not so much that I wanted folks to want to buy the book, I wanted to make sure there was nothing that could prompt them to *not* buy the book.
The disclaimer was part of that decision. So was removing the computer tape image and substituting the actual words themselves, especially given the current technological state of things. Corollary: You’re watching the latest Dune movie, and one of the main characters goes to a highly sophisticated computer system to give it instructions on the next issue by loading in a mountain of 3 inch floppy disks. It would get a laugh.
Computer tapes, *outside of their original historical context* (about which more in a second), would have the same effect on a modern reader. It’s being offered as a story right now to a modern readership, at a time when such tapes aren’t used anymore, and folks either wouldn’t know what it was (and some say “well, let them do their homework” but that’s a self-defeating line of reasoning when the whole point is to get the work out to that new readership) or they would know and it would break the illusion and be considered laughable.
So yes, I pulled the trigger on that as well. Because again: this is a primer, by definition an accessible introduction to a writer’s work.
As a result of all this, at a time when so many writers are having their words altered, softened or otherwise bastardized in order to be allowed into the marketplace, Harlan’s stories went out intact.
…The first print run of the regular edition Greatest Hits sold out before it was even formally published. There was another print run of that edition, and two print runs of the exclusive edition.
As I write these words, there are now roughly *sixty thousand copies of Harlan Ellison’s Greatest Hits in print*….
…The surrealist artist Salvador Dali was known for art featuring melting clocks, bizarre landscapes and dreamlike imagery. He died in 1989, but visitors at the Dali Museum in St. Petersburg, Fla., can ask him questions about his art or anything else. NPR’s Chloe Veltman reports that Ask Dali uses generative AI to bring the artist back to life.
CHLOE VELTMAN, BYLINE: The question – why are the clocks in your paintings melting? – provokes a long, poetical response from Ask Dali. Here’s a snippet.
(SOUNDBITE OF ARCHIVED RECORDING)
AI-GENERATED VOICE: (As Salvador Dali) My dear questioner, think not of the clocks as merely melting. Picture them as a vast dream caressing consciousness.
VELTMAN: Museum visitors just pick up the lobster-shaped receiver on a replica of Dali’s famous telephone sculpture to speak with him. The museum says the artificial intelligence Dali has responded to well over 30,000 questions since the installation launched in mid-April. People ask about things like the artist’s famous curling moustache…
A drunk animatronic bear who was a Disney World fixture for over 50 years has reportedly been cancelled over concerns he could offend alcoholics.
Liver Lips McGrowl did not make an appearance when the “Country Bear Jamboree” – one of the final attractions designed by Walt Disney before his death – returned on Wednesday following a seven-month refurbishment.
The attraction, which features 18 animatronic bears performing country-style Disney songs, first opened its doors in 1971 and has been a mainstay of the theme park for decades.
Disney decided to cancel the character because the phrase “liver lips” could be offensive to alcoholics, according to the Disney Inside the Magic blog.
“The decision to remove Liver Lips McGrowl was driven by concerns over the character’s name. The term “liver lips” is considered derogatory and offensive,” it reported….
… The bear has been replaced by Romeo McGrowl, who looks identical to his predecessor – including his protruding lips – but sports a sky-blue jumpsuit and blonde quiff….
(6) BOB NEWHART (1929-2024). [Item by Mike Kennedy.] The one and only Bob Newhart is gone. A quick glance at his credits on IMDb might give the impression that his contributions to entertainment were modest. That would be utterly false.
If you’re young enough to be unfamiliar with his work, I urge you to investigate not only his genre appearances, but his entire body of work. So much of it has what might be called sfnal sensibilities. For instance, the entire run of Newhart (his 1982–90 TV show) was just skew enough to our mundane world that you could be convinced it was deliberately set in an alternate reality. So, too, were many of the standup comedy routines he was beloved for before he ever set foot on a soundstage.
His contributions to specifically genre media were also significant. They include: On a Clear Day You Can See Forever, The Rescuers and The Rescuers Down Under, The Simpsons (as himself), Rudolph the Red Nose Reindeer: The Movie, Elf, The Librarian(s) series (3 TV movies & a TV series), and two appearances on Svengoolie (one as himself).
…Understated in his delivery and physically small of stature — he looked like the former accountant that he was — Newhart nonetheless left a sizable footprint on comedy. His first album, 1960’s The Button-Down Mind of Bob Newhart, was a blockbuster; featuring his trademark one-sided conversations, the album won multiple Grammys including Album of the Year and achieved the commercial success of a huge pop album….
…Some of his most popular bits — marketing executives advising Abraham Lincoln, the Wright Brothers and a harried driving instructor — were included on The Button-Down Mind. (“What’s the problem?” Lincoln’s publicist is overheard saying to him before the Gettysburg Address. ” … You’re thinking of shaving it off? … Um, Abe, don’t you see that’s part of the image?”)…
…He gained a new legion of fans after appearing as Will Ferrell’s tiny North Pole dad in Elf and he guest-starred in several episodes of The Big Bang Theory as Professor Proton, the host of Leonard and Sheldon’s childhood-favorite TV science show. Those appearances led to Newhart finally winning an Emmy in 2013 (for “Outstanding Guest Actor”) after seven previous nominations….
(7) TODAY’S BIRTHDAY.
[Written by Paul Weimer.]
July 17, 1967 – Paul Cornell, 57.
By Paul Weimer: I came to Cornell different. Not thanks to all of his excellent and groundbreaking work with Doctor Who (his DW novels were and are groundbreaking, and elements of those novels have made their way into multiple episodes of the rebooted shot. Nor was it for all of his work in television, from Coronation Street to Robin Hood, and much more. I didn’t even come to Cornell thanks to his extensive work in comics, from Captain Britain to Wolverine to Demon Knight. I was not aware of any of that vast oeuvre…at first.
Paul Cornell
I came to Cornell’s work first thanks to the SF Squeecast. SF Squeecast was one of the high-water marks of professionals being fans and doing fannish things that was a major source of controversy back in the early 2010’s. I remember the discussions at Loncon in 2014, whether such productions such as Squeecast should really be “eligible” for fan awards, since they were “Stacked with pros”. But I knew, and personally knew, some of the people on the SF Squeecast, so I began listening to it, and discovering the work of people I didn’t know.
Just like Paul Cornell.
So I got in on the ground floor when Cornell announced his Shadow Police novel, London Falling, and I gave it a try (and even managed to get an ARC). I enjoyed it highly. It was part of a trend of Magical London novels out at that time — Ben Aaronovich, and others explored this as well. I highly enjoyed London Falling, and its two sequels, and so my reading of Cornell began in earnest. I started reading his Doctor Who work (The Discontinuity Guide in particular, was a revelation) and have continued to read him ever since.
Cornell’s wide oeuvre and styles continue to amaze. I also particularly like his switch from urban London to the more pastoral rural fantasy of the Witches of Lychford novellas. And again here, like the London novels, he has counterparts in work such as that of Juliet McKenna. I like to think of Cornell’s work as an amplifier and booster of themes and subgenres and ideas, adding his voices to a chorus and making his work, and the subgenre he works in, stronger and better.
Oh, and one last bit. For a number of years, Cornell came to Convergence, a local big con here in Minneapolis. Every year, Cornell had a special panel, where he would go out to a parking lot and teach us poor Americans how cricket works. These demonstrations were fun, entertaining, and I always came away feeling that I better understood the game. His absolute fun and joy in showing us the game is the takeaway and mental image I have of Paul.
(9) WHAT HAPPENED TO THE BATTLE OF ENDOR’S MOST COURAGEOUS WARRIORS? This October, Steve Orlando, Álvaro López, and Laura Braga’s Star Wars: Ewoks tell a new saga set directly after the events of Return of the Jedi. For more information, visit Marvel.com.
This year marks the 40th anniversary of the Ewoks’ continued adventures beyond the Star Wars films. The Ewok Adventure, also known as Caravan of Courage, followed up on the popularity of the adorable—but formidable—creatures who secured the Rebellion’s victory during the Battle of Endor in Return of the Jedi. To celebrate the anniversary and the Ewok’s mighty legacy, they’ll star in a new 4-issue limited comic series this October—STAR WARS: EWOKS!
A team of Imperial-led bounty hunters and scavengers arrive on the Forest Moon of Endor searching for a secret cache of Imperial weaponry! Are they prepared to face off against the battle-ready Ewoks who took down so many of their ranks? Who is the mysterious new warrior Ewok returning to Bright Tree village, and what is their connection to Wicket W. Warrick?
STAR WARS: EWOKS #1 (OF 4): Written by STEVE ORLANDO; Art by ÁLVARO LÓPEZ & LAURA BRAGA
COVER BY PETE WOODS
VARIANT COVER BY DAVID LOPEZ
ACTION FIGURE VARIANT COVER BY JOHN TYLER CHRISTOPHER
The news comes a few months after Season 2 of the live-action video game adaptation premiered on the streamer in February. Amblin Television, Xbox and 343 Industries are currently shopping Halo in hopes of finding it a new home, Deadline understands….
NASA has cancelled its VIPER moon rover program due to rising costs.
VIPER, short for Volatiles Investigating Polar Exploration Rover, was a robotic mission intended to land near the moon’s south pole and spend 100 days scouting for lunar ice deposits. The rover was slated to launch in 2025 to the moon aboard an Astrobotic Griffin lander as part of NASA’s Commercial Lunar Payload Services initiative (CLPS). Now, it appears VIPER will be scrapped for parts or potentially sold to industry. The decision to axe the VIPER mission was announced today (July 17) in a teleconference; cancelling the program is expected to save the agency an additional $84 million in development costs. NASA has spent about $450 million on the program so far, not including launch costs.
…At the time of its cancellation, the car-sized VIPER was completely assembled and undergoing environmental testing to ensure the rover could handle the physical stresses of launch and the harsh environment of space.
NASA is now looking to “potentially de-integrate and reuse VIPER scientific instruments and components for future moon missions” Kearns said today, but will first ask both U.S. and international industry partners for any interest in using the rover as-is….
Hot enough to melt metal and blanketed by a toxic, crushing atmosphere, Venus ranks among the most hostile locations in the solar system. But astronomers have reported the detection of two gases that could point to the presence of life forms lurking in the Venusian clouds.
Findings presented at the national astronomy meeting in Hull on Wednesday bolster evidence for a pungent gas, phosphine, whose presence on Venus has been fiercely disputed.
A separate team revealed the tentative detection of ammonia, which on Earth is primarily produced by biological activity and industrial processes, and whose presence on Venus scientists said could not readily be explained by known atmospheric or geological phenomena.
The so-called biosignature gases are not a smoking gun for extraterrestrial life. But the observation will intensify interest in Venus and raise the possibility of life having emerged and even flourished in the planet’s more temperate past and lingered on to today in pockets of the atmosphere….
A nearly complete stegosaurus skeleton sold at a Sotheby’s auction in New York on Wednesday for a record $44.6 million — the most ever paid for a fossil.
The dinosaur, nicknamed “Apex” — which lived between 146 and 161 million years ago in the Late Jurassic Period — was originally expected to sell for between $4 million and $6 million, according to the auction house.
Sotheby’s has said Apex is the “most complete and best-preserved Stegosaurus specimen of its size ever discovered.”
A meteor crashed into Earth’s atmosphere over New York City yesterday (July 16), putting on quite the show for spectators throughout the region.
The meteor created a rare daytime fireball that traveled west into New Jersey at speeds of up to 38,000 mph (61,000 km/h) according to NASA Meteor Watch.The American Meteor Society received several reports of a daytime fireball on July 16, 2024 over New York, New Jersey, Connecticut, Delaware, Maryland, Rhode Island and Pennsylvania. Dramatic fireball footage was captured over Wayne, New Jersey and Northford, Connecticut….
(16) VIDEO OF THE DAY. Ryan George lets us eavesdrop on the “Independence Day: Resurgence”. As a commenter says, “Forgetting this movie existed was super easy, barely an inconvenience.”
[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel “he’s a marvel” Dern.]
By Tim Marion: This one has left me so unsatisfied that I feel obligated to spoil it. Oh yes, there will be spoilers!
The X-Men cartoon in the early 90s was incredibly beautiful, and a bit complicated in the storylines when they would time travel and change events in the past. This Fox cartoon was so successful that it lasted for several seasons and every season I collected faithfully onto VHS tapes, the outside shell of which I decorated with graphics from TV Guide and elsewhere. I still have all of those tapes and those (and ones of other Marvel Comics characters) are definitely ones I intend to keep. I was delighted when they all became available on DVD. Rewatching them was a lot of fun.
The new cartoon from Disney+, X-Men ’97, was a delight visually, seeing the Disney animation applied onto what was already a beautiful, realistic art style. However, it feels like the creators of this cartoon were totally out-of-touch with the characters.
(X) Magneto looked completely bizarre. The artist(s) put extraneous lines all over his face, apparently in an effort to make him look older or evil or whatever, even though he wasn’t presented as being an all-evil character when the original series ended.
(X) Magneto’s outfit was also bizarre. When he takes over leadership of the X-Men (in the absence of Charles Xavier, who everyone says is dead, but really he’s the Royal Consort on the homeworld of the Sh’iar), he suddenly has a new outfit which looks insufferably feminine. This outfit includes a bright, red-purple tanktop with matching tight gauntlets (really, evening gloves) going all the way up his arms, baring his shoulders. What’s he going to do? Be a mutant mastermind or break a flashdance?? Bleah. Seldom ever seen a worse superhero or villain outfit.
(X) Then, Magneto and Rogue’s ability to have a relationship, despite the fact that Rogue’s touch depletes one of one’s powers and even personality, is explained away as if it was magic, and as if it had never been explained before. Indeed, the writer and creator of this new series, who has since been fired (wonder why?), even claimed that was never explained, but it was in the very comics story arc which is being referenced! In the comics, Magneto was almost as much a genius at mutant science as was Charles Xavier. Magneto had an entire laboratory hidden in the Savage Land (Marvel’s version of Pellucidar) where he experimented on creatures and turned them into mutates. This story occurred during the last few issues of the original run of The X-Men and was gorgeously illustrated by the late (sob) Neal Adams (arguably the best penciller in comics at the time) and Tom Palmer (unarguably the best inker ever), and even if the writer had not been born at the time, these are important, popular, seminal stories which have been reprinted almost 10 times! Magneto was, of course, defeated by the X-Men and friends, but later makes a more innocuous home for himself there when Rogue visits him (seeking help because she’s overwhelmed by her powers). It was obvious (from the dialog and before all the smooching) that he used his lab and his smarts to scientifically modify their powers so that Rogue’s touch was not lethal to him. Are these new writers just somehow not able to understand or remember details from stories which they claim they are referencing? Maybe that writer only remembers Magneto smooching a grateful, rag-clad Rogue (dressed appropriately for the barbaric Savage Land, I guess, while Magneto, of course, kept on his usual red togs) and, like this fanboy in his 30s at the time, fantasized himself as Magneto and forgot everything else?
(X) Rogue is actually one of the toughest, strongest X-Men, due to her once siphoning the powers of a female Captain Marvel. But towards to end of this 10-episode series, the technology-controlling mutant Bastion is choking her to death (before he is stopped by someone else). Why couldn’t she siphon off his powers when he was doing that? Not explained. On with the drama…
Rogue, Cyclops, Jubilee, Bishop.
(X) Then, when all else fails, and Magneto is out of control and destroying the world, Wolverine pops his claws right thru Magneto’s chest. Does Magneto die? No. Does he even look wounded? No. Instead, they reprise a scene from the comicbooks and have Magneto very dramatically withdraw all of the adamantium (indestructible steel coating) out of Wolverine’s skeleton. Magneto doesn’t even have a cough from having his chest punctured in 3 places. None of that is explained. On message boards, no one seems to notice it. For me, it was just the last claw. I mean, straw.
(X) And there are tons of other things which don’t make sense. Morph was a character created just for the cartoon in the early 90s; he was never a comicbook character. This was so they could have a character die early in the series who would not be a fan-favorite. But somehow, here he is back, and if that was explained in the old series, I forget. Not only is he back, but somehow, when he changes his appearance to that of other super-powered characters, such as Quicksilver or even The Hulk, he also acquires their powers! For how long, I don’t know; this isn’t explained. But that seems so unrealistic even within their own fantasy milieu, which is supposed to have a scientific basis. This would actually make him one of the most powerful Marvel characters, right in the range of the Mimic (whom the writer probably never heard of) or Apocalypse. Yet all of this is trotted out very casually and without explanation.
Part of the problem here is that the live action movies, as well as this cartoon, are the brain children of young men in their 30s who were probably in their early teens when they first encountered the comics or the previous cartoons, and thus they have different sensibilities and feelings about these characters than I do. Even if they invest a lot of thought into those characters, those thoughts frequently seem wacky, illogical, and inappropriate.
In short (I know: it’s too late already), this wasn’t really a continuation of the previous cartoon, except maybe in appearance. It was more the vision of an individual fanboy who couldn’t correctly remember the stories he was claiming to reference and adapt and is too young to have read other seminal stories. Altho the previous series was complicated, if episodes were watched again and paid attention to carefully, they made sense. This series makes no sense. It is just confusion, chaos, and sensationalism; a proverbial “tale of sound and fury.”
Well, whatever, I’m glad I watched X-Men ’97 just because I would have felt like I was Really Missing Out if I hadn’t. But, despite how beautiful this cartoon was, I doubt that I will feel inspired to watch any future ones, or any possible cartoons of heroes whose cameos they featured.
Then, I attempted to watch a new, touted animé on Disney. Commercial before it started. 3-5 minutes into it, a set of commercials. I stopped it and cancelled the service. “Too many commercials!” I told them. “For this amount of commercials, I should see the programming for free!”
(1) GLASGOW 2024 TOWN HALL ABOUT BUSINESS MEETING ON 6/15. Glasgow 2024 will host a virtual Town Hall Event about the WSFS Business Meeting on Saturday, June 15, at 7:00 p.m. BST (which is 11:00 a.m. Pacific). Sign up for a free ticket at this Eventbrite link.
Key members of the Business Meeting and The World Science Fiction Society (WSFS) team from Glasgow 2024 will discuss the Business Meeting that will occur at Glasgow 2024.
The event will be moderated, taking questions in advance. If you wish to submit a question for consideration, please do so below. There may not be enough time to cover all questions, but we will do our best to get to as many as we can. https://forms.gle/goRw9ZGspQ4YE3mA9
(3) CREDIT FOR HELPING SAVE TREK. Bjo Trimble’s daughter Lora reports on Facebook she “again went to the Peabody awards last night to watch Star Trek be honored with the Peabody Institutional Award. What Bjo didn’t know was Alex Kurtzman paid tribute to her and My father John Trimble and all the work they did to save Star Trek and keep it going! It was a lovely evening.” More photos at the link.
Bjo Trimble attends the 2024 Peabody Awards at Beverly Wilshire on June 9. Photo by Jon Kopaloff.
Below you can see J. J. Abrams and Alex Kurtzman accepting Star Trek’s Peabody Award, including Kurtzman’s mention of Bjo.
Set phasers to stunned. In another casting coup, the upcoming Paramount+ series “Star Trek: Starfleet Academy” has cast Emmy winner and multiple Oscar nominee Paul Giamatti in a recurring guest role as the first season’s main villain, who has a sinister connection to the past of one of the (yet to be cast) cadets.
“Sometimes you’re lucky enough to discover that one of the greatest actors alive is also a huge ‘Star Trek’ fan, and meeting Paul was one of those miraculous moments for us,” said co-showrunners Alex Kurtzman and Noga Landau in a statement. “The sheer delight with which he dove in on ‘Starfleet Academy’ is only surpassed by the gratitude we feel about him joining our incredible cast.”…
According to Russell T Davies, the ratings for Doctor Who are “far above expectations.”
While he admits that the figures “aren’t where we want them. We always want higher”, an independent BBC review has revealed that it is the most watched show for under 30s in the world.
The series has “reached and exceeded every target, so we are showing no signs of slowing down.”
…One of the most captivating pieces of entertainment I’ve seen so far this year is a four-hour-long YouTube video in which one woman describes her stay at a Disney World hotel. I’m as shocked by this as anyone.
To be clear: I was initially resistant when my partner encouraged me to watch Jenny Nicholson’s epic “The Spectacular Failure of the Star Wars Hotel,” which breaks down in microscopic detail her visit to Disney’s Star Wars: Galactic Starcruiser. During the experience, now closed, guests on vacation were encouraged to live out their George Lucas dreams by participating in a role-playing game while staying in a structure on the outskirts of the park near Orlando, Fla.
Nicholson’s monologue, which runs longer than “Lawrence of Arabia,” has been viewed more than seven million times since it was uploaded last month and has been the talk of social media, yet I was still unprepared for how absolutely riveting it was. While it highlights a litany of problems with the hotel itself, the video can also be viewed as a diagnosis of the entertainment industry’s current ills writ large. In her frustration, Nicholson becomes a valiant truth teller, clearly articulating how corporate greed betrays loyal fans to sell a cheaper and less emotionally enriching product. And she does this against a backdrop of stuffed animals and while wearing various costumes, including, at one point, a giant suit resembling a Porg, the puffin-like creature in “The Last Jedi.”…
…The great irony is that Nicholson herself produced what Disney couldn’t: a comprehensive, entrancing experience that held my attention.
(7) PLEASE DON’T FEED THE BOTS. Clarkesworld’s Neil Clarke has updated his blog post “Block the Bots that Feed ‘AI’ Models by Scraping Your Website” to warn about another offender: “If you haven’t updated your robots.txt to protect your work from scraping for ‘AI’ training recently, there’s probably a few bots you aren’t blocking. Added Applebot-Extended this morning.”
Applebot-Extended does not directly crawl webpages. It is used to determine whether or not pages crawled by the Applebot user agent will be used to train Apple’s models powering generative AI features across Apple products, including Apple Intelligence, Services, and Developer Tools….
(8) ANOTHER SCURRILOUS TACTIC. [Item by Jennifer Hawthorne.] I was listening to a favorite law podcast of mine, Law and Chaos, (“PA Dad Takes On Moms For Liberty”) and they were interviewing a Pennsylvania father who discovered books were quietly going missing from his kid’s local school library and decided to figure out why. Turns out it was a “shadowban” campaign against books that Moms for Liberty hates and included such lovely behavior as the school creating fake student library accounts, checking out the books to those accounts for an entire year, and then adding the books to the list of items to be removed from the library on the grounds that they weren’t being checked out (!). It’s a fascinating story about just how far Culture Warriors will go to ban books! The titles secretly removed included the entire “A Court of Thorns and Roses” (ACOTAR) fantasy series, which, while not my cup of tea where fantasy is concerned, are very popular with teenage girls who deserve to have the right to check out the books if they want.
…Frustrated by the lack of answers, I submitted a Right-To-Know request seeking a report that listed the books checked out of the high school library by non-students. To my surprise, the report furnished by the district was discernibly inaccurate. It did not contain any of the targeted titles that had recently gone missing.
I hired an open records attorney, Joy Ramsingh, to negotiate with the district’s law firm, Eckert Seamans. I was simply requesting the production of a good faith public record. My goal was to learn which books were being censored.
I wanted to give the community a fair opportunity to read, defend, and debate the merit of literature before it was permanently removed from the library. My lawyer sought to reach a quick and amicable resolution, but the negotiations were unsuccessful. We appealed to the Court of Common Pleas.
After a year of litigation, my attorney was able to prove that the RTK report furnished by the district was illegally manipulated. Faced with overwhelming evidence, the district eventually conceded that an employee had deleted records from the report. It was a clear attempt to hide the removal of books from public scrutiny….
(9) MEDICAL UPDATE. Adam-Troy Castro, in a public Facebook post, has announced he is battling cancer again – but it should be survivable. Full details at the link.
…They remove this and give me another round of chemo and it is pretty survivable. Which is a lot different than this would be if the Colon Cancer had metastasized in any other organ. Anywhere else would have been a case of, “okay, we’re bailing water to keep the boat afloat until it sinks.”
On the scale of having Stage 4 any kind of Cancer, this kind of cancer is not as bad as most. Okay? It’s survivable.
Does this suck?
Yes.
Does it suck a lot less than it could suck if it has to suck?
Yes….
(10) WHAT THE SCROLL SHOULD HAVE ADDED ABOUT H. BRUCE FRANKLIN. [Item by Daniel Dern.] Pixel Scroll 5-23-24 item #9’s mini-obit of H. Bruce Franklin, while acknowledging him as “author of numerous books, essays, and exhibitions related to science fiction.” fails to cite what (to me at least) are the obvious suspects (titles) Future Perfect (an antho that I read decades ago; my memory burped the title up instantly when I saw the NYTimes obit a few weeks ago) and it looks like he also wrote a book about Heinlein, Robert A. Heinlein: America as Science Fiction, and, along with political/historical non-fiction, this one of interest no doubt to SJW credentials: The Most Important Fish in the Sea: Menhaden and America.
(11) WORKING THROUGH LOSS. Sharon Lee writes about her experiences while grieving the death of her husband, Steve Miller, in “While one lives, both stand”. Here are the opening paragraphs.
Grief puts funny ideas into your head.
For instance, for awhile back in March, I was convinced that Steve had left me — walked out of our partnership and left no forwarding address. I couldn’t imagine why, and spent way too much time minutely reviewing our past, looking for my error.
Then I became convinced that we had gotten done at this house, and were moving on. As has been the case in previous moves, Steve had gone on ahead, leaving me to clean up these last few things before I joined him. This delusion is particularly pernicious because for those of us who speak Metaphor, it’s true. Only it’s not.
Anyhow, it’s been my goal for some while now to find or create for myself a place of gratitude for having been privileged to share so much time, love, and magic; for having had Steve in my life. While it’s certainly a very lonely, hard, and scary thing to no longer have him for back-up, for taking the lead, for producing surprising — and occasionally infuriating — insights — surely unrelenting misery was not the best lesson I could take from our life together.
So, I started looking for ways to achieve, at first, equilibrium. I didn’t expect to leap from misery to gratitude. I expected there to be a process, and backsliding, and all the things that attend the pursuit of any mighty goal.
Steve and I not only shared our mundane lives, but we shared an active and beguiling fantasy life. The worlds we built, the people who live there, the lessons, the philosophies — those also fed the richness of our partnership and informed our mundane lives…
(12) DOUG LEWIS (1955-2024). Thomas Kellogg, in a Centipede Press newsletter, paid tribute to bookseller and publisher Doug Lews, who died May 20.
Doug Lewis who with his wife Tomi, owned and operated the Little Bookshop of Horror/Roadkill Press in Arvada, Colorado and won a World Fantasy Award in the Nonprofessional category in the 1990s, died on May 20, 2024 of complications of diabetes.
Doug started their bookstore when he was unable to find a copy of Joe Lansdale’s The Night Runners to purchase locally. The Lewis’ store primarily featured horror, fantasy, science fiction and crime fiction. Soon they were sponsoring readings by Joe R. Lansdale, along with Edward Bryant, Harlan Ellison, Dan Simmons, Connie Willis, Nancy Collins, Norm Partridge, Steve Rasnic Tem, Melanie Tem and many others.
The Night Voices series of readings spawned a long friendship between Doug, Tomi and Ed Bryant. Ed was in many ways their mentor. Ed was the MC for the readings and his introductions were memorable by themselves. The readings spawned a publishing venture Roadkill Press. The initial idea was to publish chapbooks of the writers featured in readings. At that time chapbooks were a rarity. The concept was a quality item using high quality paper, with illustrations, signed by the writers that were incredibly affordable. The line of chapbooks was a big success. A collectible that was affordable was unusual in a time dominated by costly limited editions.
…It all came to a crashing end when Tomi became ill and was diagnosed with cancer. Although she fought bravely, she was gone in less than eight months. A farewell auto tour across the county to see all their friends was thwarted by the ravages of the chemotherapy. Doug was crushed by Tomi’s passing. Nothing mattered anymore. Tomi was the extrovert of the pair. With her gone, Doug fell into an abyss of despair that would last the rest of his life.
Adrift in that despair, his physical health deteriorated. He became a type 1 diabetic almost overnight. I remember at the time he told me that he wasn’t going to let diabetes run his life. Caring about nothing, he failed to take care of himself. The disease ultimately destroyed life.
My 30 year plus friendship with Doug spanned both his highs and his lows of his life. It as a tragedy that he couldn’t overcome the loss of Tomi. As with us all, he had his demons. Many friends reached out multiple times in the years after Tomi’s passing, only to be rebuffed or ignored. I like to think he avoid responding because it only deepened his sense of loss….
(13) TODAY’S BIRTHDAY.
[Compiled by Paul Weimer.]
Born June 11, 1971 — P. Djeli Clark, 53.
By Paul Weimer. By day, he is a historian of slavery in history and popular culture. By night. P. Djèlí Clark is a ferocious new talent in science fiction and fantasy. It took me a bit to come across his work, a friend of mine practically pushed his novella, The Haunting of Tram Car 015 into my hands, telling me that this was going to be my jam. And an alternate historical late 19th century Egypt with magic, becoming a world power? Djinn, magic, spirits and a strong sense of place in this alternate Cairo? It most certainly was, and is.
P. Djèlí Clark
His A Master of Djinn continues in that same world as the novella, and builds and extends and grows that world in a very satisfactory manner. Like the first novella, it builds and works with themes of colonialism, race and gender relations, and magical worldbuilding in exploring the consequences of “The magic returns” and making Egypt a powerhouse. I would so love to physically visit this alternate Cairo and photograph its wonders, but for the moment, can only hope for more books set in this world.
I have not yet read the copy of Ring Shout on my Kindle although, given his day job, it is probably the work of his thus far that is closest to his day job and his academic research interests. I am confident that it will be excellent, but it remains buried in Mount TBR. For now.
However, as part of my Hugo Reading for 2024, I read and enjoyed “How to Raise a Kraken in Your Bathtub”. It’s a clever little story that takes its worldbuilding as a matter of fact sort of approach to add Krakens, and merpeople, to a 19th century Britain not really equipped or ready to deal with the consequences of racism and colonialism and sexism.
As of the writing of this, I have started reading an ARC of his forthcoming work, The Dead Cat Tail Assassins. This story, unlike his others, is firmly set in a secondary world, and reminds me, as of this moment, of the secondary world fantasy of N K Jemisin, in particular the Dreamblood novels. The setting is an entrepot city, and indeed, the main character is one of the titular Dead Cat Tail Assassins. Shenanigans have already ensued. It’s a new and different mode for Clark, and I look forward to seeing how he continues with it.
…But for the most ideal Indy results, perhaps it’s still best if the entire adventure happens in the 1930s or 1940s, with Dr. Jones looking and sounding like he’s in between the events of the first three movies. And with the release of a new trailer for the upcoming Bethesda game Indiana Jones and the Great Circle, it seems the franchise is getting back to its roots in an unexpected medium.
Set in 1937, The Great Circle takes place right in between Raiders of the Lost Ark and The Last Crusade and pairs Indy with a new character named Gina Lombardi. As revealed in the new trailer, the primary mystery in this story is centered on various spiritual sites of great importance — from the Vatican to the Great Pyramids — that form a kind of invisible circle. A madman named Voss is after this power, and it’s up to Gina and Indy to stop him while they race to unlock the secrets of the circle.
Indy is voiced by Troy Baker, but you can barely tell this isn’t Harrison Ford uttering the lines. The mystical and religious overtones of the story also feel very aligned with the tone of The Last Crusade. In other words, this feels authentically Indy in a way that aspects of Dial of Destiny and Kingdom of the Crystal Skull didn’t.
Director Kenji Kamiyana said he was inspired by not just J.R.R. Tolkien’s “The Hobbit” and “The Lord of the Rings” books, but by the films of Peter Jackson and Fran Walsh, who were confirmed as exec producers of the movie during the session.
The new story is set nearly 200 years before Bilbo Baggins comes into contact with the ring of power, and centers on the House of Helm Hammerhand, the King of Rohan (voiced by Brian Cox), with a focus on his daughter, the strong willed Princess Héra (voiced by Gaia Wise). In the clip, a dispute erupts during a council meeting, leaving Wulf, a ruthless Dunlending lord, seeking vengeance. Miranda Otto reprises her “Lord of the Rings” role as Éowyn, this time as the movie’s narrator….
The Boys will have their final fight in the near future.
Eric Kripke, the showrunner of Prime Video‘s super(anti)hero series, said on social media Tuesday that the show’s fifth season — which the streamer ordered in May — will be its last.
“Season 4 premiere week is a good time to announce: Season 5 will be the final season!” Kripke wrote on X. “Always my plan, I just had to be cagey till I got the final OK from Vought. Thrilled to bring the story to a gory, epic, moist climax.”…
Apple and OpenAI’s partnership is only a few hours old, and Elon Musk is already going to war over it. The owner of Tesla, X, SpaceX, and xAI said he would ban Apple devices at his companies if Apple integrated ChatGPT at the operating system level, which the companies are very much planning to do. Musk, a founder of OpenAI who is now suing the present owners, said ChatGPT integrated iPhones present an “unacceptable security violation.”
“If Apple integrates OpenAI at the OS level, then Apple devices will be banned at my companies,” said Musk in a tweet on Monday. “And visitors will have to check their Apple devices at the door, where they will be stored in a Faraday cage,” said Musk in a follow-up tweet…
‘Politics is too serious a matter to be left to the politicians’, so the saying goes.
This may be why a businessman in the south of England is proposing a novel solution: putting himself forward as a candidate in the UK general election as the first “AI MP”.
AI Steve is a nominee on the list of candidates for the 4 July general election in Brighton Pavilion, last held by the Green party’s Caroline Lucas, who is stepping down.
The man behind AI Steve is Steve Endacott, a self-described entrepreneur who lives in Rochdale, but “maintains a house in Brighton”.
Endacott, who is the chair of an artificial intelligence company called Neural Voice but “made his fortune” in the travel sector, claims he will attend parliament to vote on policies as guided by AI Steve’s feedback from his constituents.
He claims the AI representative would answer constituents’ concerns and questions using a rendition of Endacott’s voice and an avatar.’…
Astronomers have captured what appears to be a snapshot of a massive collision of giant asteroids in Beta Pictoris, a neighboring star system known for its early age and tumultuous planet-forming activity.
The observations spotlight the volatile processes that shape star systems like our own, offering a unique glimpse into the primordial stages of planetary formation.
“Beta Pictoris is at an age when planet formation in the terrestrial planet zone is still ongoing through giant asteroid collisions, so what we could be seeing here is basically how rocky planets and other bodies are forming in real time,” said Christine Chen, a Johns Hopkins University astronomer who led the research.
The insights will be presented today at the 244th Meeting of the American Astronomical Society in Madison, Wisconsin.
Chen’s team spotted significant changes in the energy signatures emitted by dust grains around Beta Pictoris by comparing new data from the James Webb Space Telescope with observations by the Spitzer Space Telescope from 2004 and 2005. With Webb’s detailed measurements, the team tracked the dust particles’ composition and size in the exact area previously analyzed by Spitzer.
Focusing on heat emitted by crystalline silicates—minerals commonly found around young stars as well as on Earth and other celestial bodies—the scientists found no traces of the particles previously seen in 2004–05. This suggests a cataclysmic collision occurred among asteroids and other objects about 20 years ago, pulverizing the bodies into fine dust particles smaller than pollen or powdered sugar, Chen said.
The Hong Kong Ballet is celebrating its 45th anniversary with a groundbreaking campaign in collaboration with Design Army and Dean Alexander Productions. The production brings the ethereal beauty of ballet to the masses, transforming it from a symbol of privilege to a universal cultural experience. This inventive campaign, inspired by Degas’ ballerina portraits, the Renaissance, and artistic hip-hop, redefines ballet in a uniquely Hong Kong context. From the witty “Tutu Academy” to sci-fi extraterrestrial scenes, the film captures the essence of dance as a universal language, connecting everyone, even aliens, to its unearthly magic. With vibrant settings ranging from university halls to iconic plazas, the campaign showcases the troupe’s artistry against the backdrop of Hong Kong’s cultural landmarks, making ballet accessible, relatable, and joyfully unconventional….
[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]
Acclaimed director Greta Gerwig has been tapped to helm a new reboot of The Chronicles of Narnia, and the upcoming film series is already beginning to take shape. Based on the beloved series of young adult novels by English writer C.S. Lewis, The Chronicles of Narnia is set within the fantastical realm of fantasy and magic and tells an epic tale of war and peace within the kingdom. The novels first began publishing in the 1950s, but it wasn’t until 2005’s The Lion, the Witch and the Wardrobe that Lewis’ vision arrived on the big screen for the first time….
… Even though little news has come regarding casting or a potential release date, Netflix’s Chronicles of Narnia is officially confirmed. Gerwig was attached in mid-2023, but the Netflix and Narnia timeline stretches back to 2018 when the streamer acquired the rights (via Rolling Stone). In the intervening years, Netflix made little mention of their Narnia aspirations until they landed Barbie director Greta Gerwig. The streamer’s long-term goals are also not known, as Gerwig has only signed on to direct the first two movies, which leaves five potential films on the table, assuming Netflix tackles all seven novels….
(2) BBC RADIO 4’S “UNCANNY”. [Item by SF Concatenation’s Jonathan Cowie.] We over here in Brit Cit do wonder about goings-on the other side of the Black Atlantic in the land of the Mega-Cities and the Cursed Earth. So it has been good that BBC Radio 4 has stepped up with a new series… The truth is out there, or some such…
From ghostly phantoms to UFOs, Danny Robins investigates real-life stories of paranormal encounters. So, are you Team Believer or Team Sceptic?
Mickey’s Fire BrigadeMickey Mouse, Long-Billed Donald Duck, Goofy, and Clarabelle Cow Animation Drawing (Walt Disney, 1935). Mickey and his fire brigade rush to save an oblivious Clarabelle Cow from a burning building in this 12 field 2-peghole animation drawing from the Ben Sharpsteen-directed short Mickey’s Fire Brigade. The animation premiered on 8/3/1935 and was the first short to feature this iconic trio in color. The three can be found later in the short at around the 6:31 mark as Mickey and Donald use Goofy as a battering ram to charge into Clarabelle’s bathroom. Things don’t go well for them, but they are able to finish their mission and rescue the distressed cow from the surrounding inferno.
Knot tying (“nodology” in Latin, “kompology” in Greek) is a time-honored skill honed in seafaring for millennia. Its history intertwines with maritime exploration, naval warfare, and the development of trade routes all over the world. Even as synthetic ropes replaced natural fibers, knots used by sailors centuries ago remain in wide use today. Considering the popularity of “faring” in speculative fiction, whether by sea, sky, or space, featuring knot-tying in your writing is a must for authenticity. Not only are you required to know your knots and how to tie them, but you also need to understand the lingo….
In this episode, we discuss themes and dynamics of colonialism in video games, focusing on Mass Effect: Andromeda, a space opera roleplaying game from 2017.
Our guests are Bodhisattva Chattopadhyay, principal investigator and lead for CoFUTURES, an international research group on global futures at the University of Oslo, and coeditor of the book Indian Genre Fiction: Pasts and Future Histories, and Souvik Mukherjee, assistant professor in Cultural Studies at the Centre for Studies in Social Sciences, Calcutta, and author of Videogames and Postcolonialism: Empire Plays Back and Videogames in the Indian Subcontinent: Development, Culture(s) and Representations.
Here’s a YouTube playlist with all 15 Skill Tree episodes thus far.
…Retired software engineer and well-recognized published author, noted for his insightful scholarship, brilliant storytelling, and encyclopedic knowledge in pulp and adventure fiction. While he enjoyed film, reading, and writing, his greatest love was his family. He cherished any time spent with friends and family and was a compassionate and doting father and grandfather….
…Rick Lai: I became interested in Doc Savage due to the Bantam paperbacks with their stunning artwork by James Bama. I bought my first Doc Savage novel — The Thousand-Headed Man — in October 1967. I was twelve years old. By the time I was fifteen, I was reading paperback editions of the works of such pulp authors as Burroughs, Howard, Lovecraft, Mundy, E. E. “Doc” Smith, and Clark Ashton Smith. I didn’t get interested in The Shadow until I read Philip Joê Farmer’s The Adventure of the Peerless Peer in 1977. The pulp crimefighter meets Sherlock Holmes in that book…
(8) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born May 2, 1925 — John Neville. (Died 2022.) Anybody here who hasn’t seen John Neville in Terry Gilliam’s The Adventures of Baron Munchausen where he played the title role? Well the ConFiction nominees certainly saw it as it was indeed nominated for a Hugo that year. That was the year that Indiana Jones and the Last Crusade won the Hugo.
John Neville as Baron Munchausen
And what a character he played. The film starts off with the Turkish army laying siege to a European city where a theater production about the extraordinary heroics of famed German aristocrat Baron Münchhausen is underway. A man steps forward to object that the performance is a lie, not what really happened, and that he is the real Baron. So the Baron as portrayed as Neville begins to tell a series of tales, each equally improbable. Really improbable.
He was a marvelous storyteller telling his tale with a deft hand. But then I expected no less as he’d already been in A Study in Terror back in the Sixties where he made a most excellent Sherlock Holmes. For my viewpoint, this role as The Baron was definitely the best by far of his career.
Later genre roles were including the recurring role in the X-Files as The Well- Manicured Man. He was there for a total of eight episodes but I must confess that I’ve not seen all of the series, and yes it’s on my to be watched in its entirety list, so I’ve not seen this role. Or at least I don’t remember him.
He had an appearance in the Trek universe on Next Generation as Isaac Newton in “Descent”. Likewise if you saw The Fifth Element, and I’ve seen it at least four times, he’s General Staedert there.
That’s I wanted to note although there’s a lot more that he did, so feel free to tell me what I should have noted. I know you want to.
Earlier this year comic creator of Bad Machinery and Giant Days, John Allison,posted to his website about a new webcomic strip. “A new story starts next week, in three parts – CONAN: THE BLOOD EGG. Welcome to my new Hyborian Age, an epoch that lasts 21 weeks, or 22 if I have to have a week off between chapters at some point. While this move into the thrilling, tempestuous, and most importantly, public domain world of Conan may seem jarring, perhaps there is something about this cover image that will hint at a certain familiarity to the cast.”
The cast of Bad Machinery there. But a little while afterwards, it was not to be. The strips were removed and Allison posted, “Following a cease and desist notice filed on behalf of Conan Properties International (CPI) LLC I have taken down my Conan & The Blood Egg comic. While to the best of my understanding, Conan The Barbarian is in the public domain in the UK (where I live and work), I do not have the time or the energy to contest this. I made this story for my own and your amusement and it has – I think understandably – ceased to be amusing. I apologise for the break in updates, and that you won’t get to see the remaining half of the story. I was ten pages (of 66) off finishing drawing it. In retrospect, my mistake was starting to draw it in the first place.”
Conan is in the public domain in the UK. However, posting it online means that it is also considered to be published wherever it is read, including the USA, where it is not public domain until 2028….
(11) USE THE FROSTING, LUKE. [Item by Scott Edelman.] Astro Donuts & Fried Chicken is will be selling Star Wars-themed donuts on May 4th.
On Tuesday, the US General Services Administration began an auction for the decommissioned Cheyenne supercomputer, located in Cheyenne, Wyoming. The 5.34-petaflop supercomputer ranked as the 20th most powerful in the world at the time of its installation in 2016. Bidding started at $2,500, but it’s price is currently $27,643 with the reserve not yet met.
The supercomputer, which officially operated between January 12, 2017, and December 31, 2023, at the NCAR-Wyoming Supercomputing Center, was a powerful (and once considered energy-efficient) system that significantly advanced atmospheric and Earth system sciences research….
The heat shield of the Orion spacecraft intended one day to carry astronauts to the moon under NASA’s Artemis program suffered unexpected damage in more than 100 places as the spacecraft returned to Earth during an uncrewed test flight in 2022, according to a watchdog report released late Wednesday.
While the capsule withstood the fiery tumult of reentry, when temperatures reached 5,000 degrees Fahrenheit as it plunged through the atmosphere at nearly 25,000 mph, the damage the heat shield suffered was far greater than NASA engineers had expected and more severe than NASA had revealed previously. Photos of the heat shield in the report showed gouges that look like small potholes.
“Should the same issue occur on future Artemis missions, it could lead to the loss of the vehicle or crew,” the report, by NASA’s inspector general, concluded.
Earlier this year, NASA announced that the next flight in its Artemis moon program, which would send a crew of four around the moon in the Artemis II mission, would be delayed to no earlier than September 2025, largely because officials wanted to study the heat shield issue further and understand why it eroded as it did.
The IG report provides the most detailed description of the issue to date. It also highlighted other problems with the spacecraft that could create significant challenges for the space agency as it seeks to return humans to the lunar surface for the first time in more than 50 years.
Portions of the heat shield “wore away differently than NASA engineers predicted, cracking and breaking off the spacecraft in fragments that created a trail of debris rather than melting away as designed,” according to the report. That, in turn, “could have caused enough structural damage to cause one of Orion’s parachutes to fail.”…
(14) WALLY MCWALLFACE. [Item by Mike Kennedy.] If you were an astronaut on the Moon, would you want to run around something called the “wall of death“ in order to keep fit for your return to Earth? I’m betting even seasoned professionals would prefer it have a different name. And I bet we all know what it would be called if NASA left it open to a public vote. “Astronauts could run round ‘Wall of Death’ to keep fit on moon, say scientists” in the Guardian.
As humans prepare to return to the moon after an absence of more than half a century, researchers have hit on a radical approach to keeping astronauts fit as they potter around the ball of rock.
To prevent lunar explorers from becoming weak and feeble in the low gravity environment, scientists suggest astronauts go for a run. But, this being space, it’s not just any kind of run – researchers have advised astronauts run several times a day around a “lunar Wall of Death”.
Using a rented Wall of Death – a giant wooden cylinder used by motorcycle stunt performers in their gravity-defying fairground act – a 36m-high telescopic crane, and some bungee cords, researchers showed it was possible for a human to run fast enough in lunar gravity not only to remain on the wall, but to generate sufficient lateral force to combat bone and muscle wasting….
(15) SCREENTIME. JustWatch ranks the most-viewed streaming movies and TV in April 2024.
[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, Anne Marble, Daniel Dern, Joey Eschrich, Kathy Sullivan, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]
(1) IT PAYS TO BE A GENIUS OF COURSE. The Steampunk Explorer updates fans about the Girl Genius Kickstarter:
Call it mad science or just good storytelling, but Phil and Kaja Foglio are blazing through Kickstarter with their latest Girl Genius graphic novel. The campaign for An Entertainment In Londinium reached its US$50,000 funding goal within 24 hours and is now in six-figure territory. It launched on April 3.
Stretch goal rewards include the “Envelope of Madness” with bookplates, bookmarks, and other printed items. Backers will also get PDF downloads of Volumes 12 through 14. All Girl Genius titles are now available for 50 percent off from DriveThru Comics through May 5.
The campaign itself runs through May 1. See the Kickstarter page for more info.
At Eastercon we welcomed Stunt Liz, Nicholas Whyte, to the podcast for the first time, and he brought an excellent tartan rocket! We discuss Glasgow 2024’s April Fool’s Day joke, before moving onto the Hugo Award finalists, what we think of Telford, and chatting about a lot of British TV.
The trailer launch for “Joker: Folie à Deux” was no laughing matter for Warner Bros. The marketing for the studio’s upcoming DC sequel, headlined by Joaquin Phoenix and Lady Gaga, got off to a stellar start with 167 million viewers in its first 24 hours. The teaser trailer went online right after it debuted at Warner Bros.’s CinemaCon presentation in Las Vegas.
Sources tell Variety that the “Joker” sequel’s trailer numbers and social engagement surpassed that of the first “Barbie” trailer to become Warner Bros.’ biggest launch in recent years. The release was no doubt bolstered by Lady Gaga’s massive 150 million follower social media footprint. The trailer instantly became the #1 trending video on YouTube on premiere night and currently boasts 15.6 million views and counting on that platform alone, where it remains the #4 trending video nearly two days after its launch…
(4) ANOTHER DISNEY CASTING KERFUFFLE. [Item by Mike Kennedy.] OK, this has gotten out of hand. It seems like every time there’s a movie remake (especially a Disney remake) somebody has to find way to get all bent out of shape about casting. Much of the time, a racist way.
But this time they jumped the gun extra early. There’s a rumored casting of a live action remake for Disney’s Tangled. But, let’s be clear, there’s no further rumor of the remake itself, just the casting.
So now some people online are jumping all over the actress (Avantika Vandanapu) who happens to be Indian-American. Because reasons. Stupid, racist, reasons.
…Although Avantika’s rumored casting received criticism from some on social media, fans also showed support for the “Senior Year” actress.
“These comments are so awful. I’m so sorry girl you are perfect,” one Instagram user wrote, while another added, “She is my Rapunzel ❤”
“Never Have I Ever” star Maitreyi Ramakrishnan also appeared to weigh in on the online controversy, writing on X Tuesday, “And they finally woke up to realize it was all just rumors and the sources never existed. … And to the racists, y’all still need a hobby (for real)”…
(5) ELUSIVE BRADBURY COLLECTION. Episode 2 of Phil Nichols’ Bradbury 101, first aired in 2021, is devoted to a rare OP anthology.
DARK CARNIVAL is Ray Bradbury’s great “lost” book, one of his finest short story collections. But it’s out of print, and has been for decades! Find out why in this episode..
(6) TRINA ROBBINS (1938-2024). Trina Robbins, artist, writer and editor of comics, died April 10. The New York Times has a biographical tribute.
…In 1970, Ms. Robbins was one of the creators of It Ain’t Me Babe, the first comic book made exclusively by women. In 1985, she was the first woman to draw a full issue of Wonder Woman, and a full run on a Wonder Woman series, after four decades of male hegemony. And in 1994, she was a founder of Friends of Lulu, an advocacy group for female comic-book creators and readers….
…Ms. Robbins was responsible for the first publication of some notable cartoonists in The East Village Other, including Vaughn Bode and Justin Green, but she took particular pride in the women’s anthologies she edited and co-edited, and in their explicitly feminist content: It Ain’t Me Babe Comix, Wimmen’s Comix and the erotic Wet Satin.
She also designed the famously skimpy outfit for Vampirella, a female vampire who appeared in black-and-white comics beginning in 1969 — although her design was not as skimpy as the costume later became. “The costume I originally designed for Vampi was sexy, but not bordering on obscene,” Ms. Robbins told the Fanbase Press website in 2015. “I will not sign a contemporary Vampirella comic. I explain, that is not the costume I designed.”…
Prior to her career in comics, Robbins was a clothing designer and seller, and for awhile a pinup model. She was in contact with fandom in the Fifties and Sixties, and posed for the cover of an issue of Fanac, the fannish newzine, wearing a propellor beanie and with her feminine attributes strategically covered by a copy of Fancyclopedia.
Harlan Ellison and Trina Robbins at the 1955 Midwestcon.
(7) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born April 11, 1920 — Peter O’Donnell. (Died 2010.) London-born Peter O’Donnell was the creator of the Modesty Blaise comic stripalong with illustrator Jim Holdaway sixty-one years ago. She has no past as she doesn’t remember anything about her life before escaping from a displaced persons camp in Greece after WW II at the age of fifteen. She runs a criminal gang called The Network, and takes her last name from Merlin’s tutor. Her sidekick, of course she has one, is Willie Garvin, to give a bit of friendship in her life.
Peter O’Donnell from the rear dustjacket flap of the Archival Press edition of The Silver Mistress. Photo by Robert K. Wiener.
O’Donnell and Holdaway met when they worked together on a strip about Romeo Brown, a dashing private detective and reluctant ladies’ man, that ran in the tabloid Evening Standard for most of the Fifties. Blaise, too, would run here. It was quickly picked up globally running in the US, Australian, Indian, South African, Malaysian and other papers as she had a great appeal.
After Holdaway’s death in 1970, the art was by Spanish artist Enrique Romero. He would leave eight years later with three artists replacing him until he came back until the end of the strip with it still running in the Evening Standard thirty-eight years after it debuted.
Yes, it became a film which came just three years into the running of the strip. My did it piss O’Donnell off. Why so? Because he was hired to write the script which they then shitcanned and wrote a new one that had almost nothing to do with characters, the storyline or, well, anything else with the strip. Remember that friendship between her and Willie? Here it becomes full blown romance. And that’s just one of many, many changes.
A later film, Modesty Blaise, would be done as a pilot for a series that never happened and yet another film, My Name isModesty Blaise, would be done for yet another series that never happened. The one had O’Donnell as a consultant and he liked it.
My Name isModesty Blaise would be the only one with a British actress as the first had an Italian actress. Now Modesty wasn’t necessarily British as O’Donnell repeatedly said her nationality was deliberately not revealed.
I’ve not touched upon the plethora of books, short stories, graphic novels and original audiobooks that came of these characters in the part sixty years, and I’ll skip detailing them here.
So there you are. I did enjoy the strip when Titan, one of many who did, collected them in trade editions. I think there’s at least fifty trade paper editions available right now on Amazon.
(9) BE KIND TO YOUR WEB-FOOTED FRIENDS. This July, Marvel and Disney honor the 90th anniversary of Donald Duck and the 50th anniversary of Wolverine with an unexpected mashup adventure—Marvel & Disney: What If…? Donald Duck Became Wolverine #1.
Crafted by two acclaimed Disney comic creators, writer Luca Barbieri and artist Giada Perissinotto, MARVEL & DISNEY: WHAT IF…? DONALD BECAME WOLVERINE #1 is the latest comic book collaboration between Marvel and Disney following the What If…? Disney Variant Covers of the last few years and the highly anticipated Uncle Scrooge and the Infinity Dime #1 one-shot comic out this June. Fans can look forward to even more exciting crossovers between Marvel heroes and Disney icons throughout this year and next!
The comic will introduce Donald-Wolverine along with all sorts of reimagined Disney and Marvel mashups in a wild adventure inspired by one of Wolverine’s most memorable story arcs, Old Man Logan. In addition, the saga will revisit some of the greatest moments in Donald-Wolverine’s history including his time spent with Weapon X and the Uncanny X-Men!
Travel to the near future where chaos rules as Pete-Skull transforms Duckburg into a super-hero-less wasteland. Only Old Donald Duck can turn the tide, but he’s given up his battling days and prefers naps and his grandma’s apple pie over fighting villains. But when Mickey-Hawkeye comes knocking at the door with Goofy-Hulk at his side, Wolverine-Donald has to make a choice! Will a trip down memory lane change his mind to save the world? Or will the lure of the backyard hammock and a long nap keep him from popping his claws one last time?
In addition, Apple has struck a deal with Legendary Entertainment to develop multiple spinoff series set in the so-called Monsterverse….
…The official description for Season 1 states: “Following the thunderous battle between Godzilla and the Titans that leveled San Francisco and the shocking revelation that monsters are real, ‘Monarch: Legacy of Monsters’ tracks two siblings (Sawai, Watabe) following in their father’s footsteps to uncover their family’s connection to the secretive organization known as Monarch. Clues lead them into the world of monsters and ultimately down the rabbit hole to Army officer Lee Shaw (Kurt Russell, Wyatt Russell), taking place in the 1950s and half a century later where Monarch is threatened by what Shaw knows.”…
…An earthquake and an eclipse weren’t the only natural rarities that happened in New York City this past week. Did you hear about the sasquatch in Central Park? The makers of “Sasquatch Sunset” sure hope you did.
That’s because the sasquatch was a costume and his stroll through the park was a publicity push for the new film from the brothers David and Nathan Zellner. Opening in New York on Friday, the movie spends a year in the wild with a sasquatch pack — a male and female (Nathan Zellner and Riley Keough) and two younger sasquatches (Jesse Eisenberg and Christophe Zajac-Denek) — as they eat, have sex, fight predators and reckon with death.
Droll but big-hearted, the movie sits at the intersection of the ad campaign for Jack Link’s beef jerky, the 1987 comedy “Harry and the Hendersons” and a 1970s nature documentary, down to the hippie-vibe soundtrack.
…Is it a family-friendly movie?
KEOUGH It depends on the family. [Laughs] I think the audience is everybody. It might be scary for small children.
DAVID ZELLNER It’s rated R for nudity, which is the funniest thing.
(12) CATS AND DOGS LIVING TOGETHER. Meanwhile, Camestros Felapton has fled the country, leaving behind to distract pursuers “McEdifice in: MYCOPHAGE! Part 1”.
Cliff “Edge” McEdifice is MYCOPHAGE the intoxicating new thriller from Timothy the Talking Cat, Straw Puppy and the ghost of Michael Crichton.
It is the Year 1995 and Cliff “Edge” McEdifice (ancestor of future soldier Chiselled McEdifice) is entangled in a web of conspiracy, tendrils and webs.
Paramount Pictures officially announces the next Star Trek movie, which is scheduled to arrive in theaters in 2025. As reported in January, the next Star Trek movie isn’t the long-delayed, Chris Pine-led Star Trek 4 produced by J.J. Abrams, which remains in development at Paramount. Rather, the next Star Trek movie is an origin story directed by Toby Haynes (Star Wars: Andor) and written by Seth Grahame-Smith (Abraham Lincoln: Vampire Hunter).
[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Arnie Fenner, Kathy Sullivan, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]
I’ve been thinking about this topic idly in my skull for quite some time, and since there are no real good places to put it—less than an essay, more than a tweet—I figured a good test of my discipline would be drafting it for a newsletter. So here’s me rambling about one of my favourite idle obsessions: the 2010s CBS procedural Elementary, in particular why its portrayal of the relationship between Holmes & Watson is one of my favourites. BIG SPOILERS, of course that goes without saying, but you’re already here, so…
… “You don’t hear this so much anymore, but back in the day, conservatives had this sort of slippery slope dang baloney argument about ‘if we let gay people get married then what’s next? You gotta marry a tree? Are you going to marry a dang dinosaur?’ And I think that I always heard those arguments and I always thought why not? What would be wrong with someone marrying whoever, whatever, how many different people, different combinations. There’s nothing wrong with that. In fact, as long as you’re talking about consenting adults, the world would be a much better place if you took this conservative nightmare to the extreme, it would actually probably be more of a utopia.
“And so the Tingleverse in general, is kind of that conservative nightmare realized in that actually, it would be a really beautiful place full of love, and acceptance. And so, from the very first story, it is an unusual combination of lovers. But you realize if you read the book, ‘Oh, actually, that’s a really wholesome, beautiful, wonderful place that conservatives seem to just be terrified of.’”…
(3) “TRAD PUBLISHING IS LITERALLY FAILING AT DOING ITS JOB”. Lili Saintcrow cuts loose about the current WTF state of traditional publishing — “We Gotta Talk About (Trad) Publishing”. (Saintcrow’s fireworks are inspired by Lorraine Wilson’s analysis, “Is there a book submission arms race”, an article that Saintcrow praises as “perfectly lovely and … a hundred percent accurate”.)
…Publishing has always been an awfully exploitative business. For a long while the level of fuckery in trad pub was low enough for plenty of writers to make a reasonable gamble by submitting by the rules and building a career, but this is no longer the case. Which is not solely or even mostly a function of the pandemic, mind you–the problems were already there well before 2020 rolled around, but conditions since ~2016 have absolutely poured jet fuel on the fire and now we’ve got a multiple-alarm blaze. (You could even trace the problems to Amazon’s strong-arming, or further back to Reagonomics, but that’s a whole ‘nother blog post.)
The Big Five/Four have already offloaded the brute work of marketing onto individual authors, hollowing out their own marketing departments in order to line C-suite pockets. Now the crunch has reached editorial departments, where even salaried folk traditionally protected from a lot of industry bullshit are being ruthlessly overworked, underpaid, and just generally mistreated. (No, this is not a “pity the poor editors” screed, just a fact.) Consequently a lot of folk are leaving, and those who remain–or the shiny new ones coming in, thinking they’re going to score a good job–find it impossible to pick up the slack. The article linked above is absolutely correct that editors at the big houses are now being used as draft-horse project managers, which does not work with novels or nonfiction books. It just…doesn’t….
And there’s a lot more at the link.
(4) IN THE YEAR 2025. The 2025 UK Eastercon – named Reconnect — will be held April 18-21, 2025 in Belfast, co-chaired by James Bacon and Tommy Ferguson, with Deputy Chair Jo Zebedee. Get more information at the Eastercon Belfast website.
(5) GLASGOW 2024 PUBLISHES NEW PROGRESS REPORT. Glasgow 2024 today published Progress Report 4 (their fifth; the first was numbered as Progress Report 0). Anyone can download the PDF file from the Glasgow 2024 website.
The cover for Progress Report 4 (PR4), ‘Badger Finds A Charmawow’ is by Chris Baker (a.k.a. Fangorn), one of the Guests of Honour.
PR4 includes news from all areas including:
An update from Convention Chair Esther MacCallum-Stewart
Our updated membership rates including rates for day tickets
Further news and updates from all Divisions as the convention comes ever closer.
PR4 also features a look back at the London Worldcon of 2014, the final entry in their history of British Worldcons.
(6) WILL GLASGOW CAP ATTENDING MEMBERSHIPS? Progress Report #4 includes this information:
… Our current projections are for between 6,500 and 8,000 purchased in-person registrant types (including 1- and 2-day tickets). This upper number, if everyone turns up, is probably above the maximum holding capacity for the site. So, there is a chance we may need to cap in-person attending registrant purchases, if we are not to get overcrowded. So, we are advising folk to join as early as possible to avoid this possibility effecting your enjoyment of the convention….
(7) TEXAS-SIZED COLLECTION. Morgan Dawn recommended Bluesky readers watch a 2022 video about the “Huge Science Fiction and Fantasy Collection”, which explores the sff collection at the Texas A&M Library, and takes viewers back to the early days of the university’s Cepheid Variable club and their annual AggieCon.
Michael Magee, 33, won this year’s Nero debut fiction award for Close to Home, now out in paperback, as well as last year’s Rooney prize for Irish literature (previously awarded to Anne Enright and Claire Keegan). Set in west Belfast, where Magee grew up, the book follows Sean, a working-class graduate who falls foul of the law as he struggles to make a life in the shadow of violence both political and domestic….
What did you read growing up? In my later teens I had a very good English teacher who gave me Barry Hines’s A Kestrel for a Knave, which was the first instance where I’d read something that reflected my own reality. I didn’t grow up in a bookish house and didn’t start reading in my spare time outside education till I was about 12 or 13. Lord of the Rings was my gateway drug. As a teenager I wrote a ripoff of it, drawing maps that I dabbed with wet teabags and burned at the edges to age them. But I did all this on the shy! You couldn’t be seen reading books in the company I was keeping. As a young man I felt impelled towards toughness, inexpressiveness, which was at odds with who I was, and who I am. It took me a very long time to disentangle myself from that.
You must run into people who knew you back then. Of course, all the time. There’s a disbelief at how I’ve ended up – I ask myself the same question – and also a kind of piss-taking, which is completely deserved: “Still writing your wee books, Mick, are ye?”…
… For a number of months in 2020, Disney was almost entirely reliant on Disney+ and it came into its own. As people were stuck indoors during lockdown, the popularity of the platform surged and was hailed as Disney’s white knight. It was almost unthinkable that it could actually end up bringing the company to its knees but that is exactly what happened over the following years.
As subscriber numbers soared far beyond Disney’s forecasts, the Mouse got drunk on its own success and ploughed billions of Dollars into exclusive Disney+ content. By the time it was released, there was a vaccine for covid and the pandemic had receded. Consumers were left picking up the tab for blockbuster furlough payments creating a global cost of living crisis that endures to this day. It led to people cutting their streaming subscriptions and left Disney with a loss-making platform….
(10) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born April 7, 1934 — Ian Richardson. (Died 2007.) I do these Birthdays by seeing who I recognize and then doing a deep dive to see how interesting a given individual is. It’s not just what they did in our community that interests me but what they’ve done else as well. And Ian Richardson had an interesting career both here and elsewhere.
Ian Richardson
Where to start? He was at the right age, just about fifty, when he played Holmes in The Sign of Four and The Hound of the Baskervilles, a pair of made for television films. He also starred in BBC’s Murder Rooms: The Dark Beginnings of Sherlock Holmes playing Arthur Conan Doyle’s mentor, Dr. Joseph Bell.
What next? How about him being in Brazil? (I had to watch it three times before I liked it.) He plays Mr. Warren, works in a rabbit-warren style place, a maze of Endless Corridors. A perfect bureaucrat he was.
He’s the Narrator of Dark City which was nominated for the Hugo Award at Aussiecon Three the year The Truman Show won.
In Rosencrantz & Guildenstern Are Dead, he’s Polonius. In the play by Shakespeare, Polonius is a verbose, faltering and pathetic old man whose servile devotion to Claudius renders him untrustworthy in the eyes of Hamlet. Here he portrays that character perfectly. Yes, I do love the film.
He’s The Wasp in Alice Through The Looking Glass. You really, really need to see the yellow wig that they gave to represent him being a wasp.
Ian Richardson as the Wasp in a Wig and Kate Beckinsale in Alice Through the Looking Glass (1998).
He’s in From Hell as Sir Charles Warren, an actual historical figure, an Officer in the British Royal Engineers who was one of the first archaeologists.
Finally he’s in thatMidsummer’s Night Dream. You know the one that Ian Holm, Helen Mirren, Diana Rigg, David Warner and Judi Dench in it? He plays Oberon here.
Wait, though, as I do feel obligated to note his two extraordinary performances outside the genre. He played Tory politician Francis Urquhart in the House of Cards series — oh so magnificently — and he was British spy Bill Haydon in the Tinker Tailor Soldier Spy series.
(13) THEY MADE THE SHIP THAT MADE THE KESSEL RUN. [Item by Steven French.] Atlas Obscura tells us the genre connection of Wales’ “Pembroke Dock Heritage Centre”.
THERE WAS SOMETHING DIFFERENT ABOUT the last ship to leave Pembrokeshire’s massive dock complex.
Following the success of the original Star Wars film in 1977, director George Lucas wanted a full-scale model of Han Solo’s fabled spaceship, the Millennium Falcon, for the filming of the next installment in the series, The Empire Strikes Back.
The job of constructing the 88-foot vessel fell to a team working out of the historic maritime dock complex at Pembroke Dock, Pembrokeshire…
From the late 1980s through the 1990s, Klingon Lt. Cmdr. Worf was one of the most visible characters on the popular TV shows Star Trek: The Next Generation and Star Trek: Deep Space Nine. Actor and pilot Michael Dorn, who was cast as Worf, made the character his own and ended up appearing in 276 episodes, the most of any other cast member in the Star Trek franchise’s history.
To Dorn, morphing into Worf each day was a lengthy process because of the amount of makeup and prosthetics required to bring the character to life. But when the cameras stopped rolling, it wasn’t the starship Enterprise that drew Dorn’s attention, it was a Cessna 172 Skyhawk. But there was a problem.
You see, Michael Dorn likes airplanes that go fast. Really fast. After moving through a few general aviation airplanes, he began buying and flying a long list of former U.S. military fighter jets. This desire to go fast also explains why he drives a Tesla Model X P100D today. “It has ‘Ludicrous’ mode,” Dorn says. “I live for on-ramps!”…
The list of aircraft Michael has owned includes:
Civilian aircraft
Cessna 172
Cessna 310
Cessna 340A
Citation 501SP
SOCATA Trinidad TB-20
Beechcraft Baron 55
Military (or military-grade) aircraft
HA200 Saeta (Spanish and Egyptian Air Forces)
Lockheed T-33 (USAF, USN, Japanese Air Self-Defense Force, German Air Force)
North American F-86C (USAF, Japan Air Self-Defense Force, Spanish Air Force, Republic of Korea Air Force)
North American Sabreliner 40A (USAF, USN, & USMC operated military configurations)
Lockheed F-104 Starfighter (USAF, German Air Force, Turkish Air Force, Italian Air Force)
…Moondust is a huge problem. Apollo astronauts were vexed by the sharp-edged powder, which got under their fingernails and into their noses, lungs, mouths, and eyes. Apollo 12’s Alan Bean said residual dust in the LM cabin “made breathing without the helmet difficult, and enough particles were present… to affect our vision.” The stuff is like “silty sand… [but] sharp and glassy,” according to the Lunar Sourcebook. Coughing and itching are nuisances, but simulated long-term exposure, in one study’s words, revealed “significant cell toxicity in neuronal and lung cell lines in culture, as well as DNA damage.” Mitigating the dust is a significant challenge, but astronauts and their equipment could be protected with invisible electrodes that activate what researcher Carlos Calle calls an “Electrodynamic Dust Shield”—shifting electric fields that keep the dust from sticking to a surface…
(16) NASFiC ECLIPSE. Joseph T. Major reminds us about a previous celestial experience:
In 2017, too late to do anything about it, Mike Glyer had an interesting thought. Why not have NASFiC in Nashville, during the August 21 eclipse? But Ken Moore, the man who could have organized it, had died in 2009.
Nevertheless, there was a possibility. Bob Embler annually held Outsidecon, where fans got in tent and socialized. What was so important about that?
Every year, in Kelly, Kentucky, there is Little Green Men Festival, commemorating the close encounter there in 1955. In 2017, the Festival ran a day over, so the flying saucer people could see the eclipse. And they stayed in tents, too, because hotel bills were $300 a day and a minimum of three days’ stay.
If Mike and Bob had got together, they could have organized a Kelly Outdoor NASFiC bid for the 18th through the 21st. Now that would have been better than the San Juan NASFiC.
[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Dann, Bruce D. Arthurs, Kathy Sullivan, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]
[He offered] 125 prized pieces from his collection — everything from original comic artwork to signed books, a Coraline puppet used in the film to limited-edition sculptures, handmade Christmas stories given as gifts, to the awards he received. It was a day well spent: The completely sold-out Neil Gaiman Collection Comics & Comic Art Signature ® Auction, which drew more than 1,200 bidders worldwide, realized $1,029,392.
A portion of the auction’s proceeds will benefit The Hero Initiative, which provides medical and monetary assistance to veteran comics creators, writers and artists needing a helping hand. Some proceeds will also go to the Authors League Fund, which assists professional authors, journalists, critics, poets and dramatists in financial need because of medical or health-related problems, temporary loss of income or other misfortunes.
Gaiman will also share some of the proceeds with the artists who made his imagination tangible enough to put on Bristol board.
“I love the idea of benefitting charities that look after authors who’ve fallen on hard times, that look after the artists and writers and creators of comics who’ve had hard times,” Gaiman told the packed auction gallery Thursday morning. “And I like the idea of normalizing the idea that we who do have art we bought for $50 a page or $100 a page that now sells for tens of thousands of dollars a page get into the idea of giving something back to the artists who originally drew it. That seems to me an important thing to do.”
… Not far behind was the only piece of Sandman-related artwork Gaiman had ever purchased: Jean Giraud’s 1994 painting of Death of the Endless, sister of the titular Sandman whose epic tale spans the universe’s origin through the present day. This painting by the man called Moebius sparked a bidding war that drove its final price to $96,000. That was also the amount realized for John Totleben’s cover of Miracleman No. 16, the last issue written by Moore before Gaiman took the reins.
Candlewick Press, Charlesbridge Press, Hachette Book Group, Macmillan Publishers, Penguin Random House, Simon & Schuster, Sourcebooks, and the organization Authors Against Book Bans have issued a letter to the New York City Department of Education over reports that hundreds of books were discarded by a Staten Island elementary school on ideological grounds.
On March 11, Gothamist reported that hundreds of new books featuring characters of color and LGBTQ themes were found near the garbage at PS 55. Some of the books, pictured in the report, were marked by sticky notes that marked certain titles “not approved,” with reasons such as “Boy questions gender,” “teenage girls having a crush on another girl in class,” and “Witchcraft? Human skulls.”
The discarded books included copies of My Two Border Towns by David Bowle, illustrated by Erika Meza; Kenzy Kickstarts a Team (The Derby Daredevils #1) by Kit Rosewater, illustrated by Sophie Escabasse; Black Panther: The Young Prince by Ronald Smith; We Are Still Here: Native American Truths Everyone Should Know by Traci Sorell, illustrated by Frané Lessac; and Nina: A Story of Nina Simone by Traci N. Todd, illustrated by Christian Robinson.
Gothamist reporter Jessica Gold found that no formal challenge to the books had been raised through official channels and that “the removal of the books resulted from an objection raised by staff or parents.” The NYC DOE has reportedly announced it is conducting an investigation into the incident.
In response, a coalition of publishers whose books were discarded teamed with Authors Against Book Bans to pen a letter to New York City’s DOE over the report about the book removal, stating, “If true, such action amounts to unlawful censorship and violates authors’ and students’ First Amendment rights.”…
The Maurice Sendak Foundation has announced this year’s Sendak Fellows: Charlotte Ager, Rocío Araya, and Cozbi A. Cabrera.
The four-week fellowship will take place May 13 through June 9 at Milkwood Farm in South Kortright, N.Y., and comes with a prize of $5,000. During the residency, artists will focus on a project of their choosing, meet with visiting artists and professionals in the field, and explore Sendak’s house and archives in Ridgefield, Conn.
Originally from the Isle of Wight, Ager is a freelance illustrator based in London. Her clients have included the New York Times, Google Design, Penguin Random House, and Flying Eye Books. Araya is an illustrator from Bilbao, Spain, currently living in France. Rocío’s first English-language translation of her book Head in the Clouds will be published by Elsewhere Editions in 2024. And Cabrera is the author-illustrator of Me & Mama, which received a Coretta Scott King Honor and Caldecott Honor, and My Hair Is a Garden.
Back when it was all fields around here, TV show titles were in abundance. In the days when television used to be hand-stretched and sun-dried and made at a gentlemanly pace by artisanal methods, there were titles galore. Worzel Gummidge. Starsky and Hutch. Last of the Summer Wine. Distinct and descriptive titles milled around drinking holes, and all writers had to do was toss in a lasso and drag out a Sapphire & Steel or a Knight Rider.
But thanks to streaming, nowadays TV is made in windowless factories and injected with antibiotics and e-numbers. There can never be enough. Every streamer requires a chunky flow of television shows they can release all on the same day, not tell anybody about, and quickly delete for tax purposes before anybody watches them. And the first casualty (aside from the livelihoods of the writers, directors, crew, cast and the collective human spirit)? The titles.
The problem is, the glut has dried up the supply. Abstract nouns. Character names. Place names. Common phrases. “Fun” puns. Creepy lines from nursery rhymes for psychological thrillers. Every combination of words in the English language has already been used to name a TV show. ITV got lucky with Mr Bates Vs the Post Office, but it’s hardly a long-term solution.
Neither is it a uniquely new problem, but it is getting worse. Time was that two competing TV shows with the same title would be released a good many years apart, by which point, who could really remember the first one? When HBO brought out android interplanetary sci-fi Raised by Wolves in 2020, it was several years after the Channel 4 comedy Raised by Wolves set on a Wolverhampton council estate, and fairly difficult to confuse the two….
… The Star Wars and Indiana Jones filmmaker is weighing in on The Walt Disney Company’s ongoing proxy fight with activist investors, and he is throwing his support firmly behind CEO Bob Iger and Disney’s board.
“Creating magic is not for amateurs. When I sold Lucasfilm just over a decade ago, I was delighted to become a Disney shareholder because of my long-time admiration for its iconic brand and Bob Iger’s leadership,” Lucas said in a statement Tuesday. “When Bob recently returned to the company during a difficult time, I was relieved. No one knows Disney better. I remain a significant shareholder because I have full faith and confidence in the power of Disney and Bob’s track record of driving long-term value. I have voted all of my shares for Disney’s 12 directors and urge other shareholders to do the same.”…
… Disney is facing a proxy fight against two activists: The corporate raider Nelson Peltz, and Blackwells Capital. Notably, Peltz has billions of dollars in shares pledged by Ike Perlmutter, who, like Lucas, sold his company (Marvel) to Disney and became a major shareholder. Perlmutter remained with Disney until being laid off last year….
…Disney has released the trailer for its newest “Star Wars” series “The Acolyte,” which is set to stream on Disney+ June 4.
The series takes place 100 years before the franchise’s prequel trilogy during the High Republic era of the “Star Wars” universe, which is the furthest back in the timeline “Star Wars” has gone in a live-action production. An official logline for the series reveals, “An investigation into a shocking crime spree pits a respected Jedi Master (Lee Jung-jae) against a dangerous warrior from his past (Amandla Stenberg). As more clues emerge, they travel down a dark path where sinister forces reveal all is not what it seems.”…
(8) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born March 19, 1928 — Patrick McGoohan. (Died 2009.) I don’t how times I’ve seen the opening of The Prisoner series as it’s been separately shown from the episodes online pretty much since The Prisoner series first aired. Not sure in what context I watching it but that it was. It was, without doubt, one of the the best openings I’ve seen.
Then there was the series. Weird, thrilling, mysterious. Eminently watchable over and over and over again. Was it SF? Or was it a spy series set in the very near future? Who knew? And then there was Number Six, the never named intelligence agent played by Patrick McGoohan. He seemed destined to play this role.
He was an American-born Irish actor, director, screenwriter, and producer. Now it turns out that The Prisoner was his creation. He was also one of the writers – there were five in fact — and he was one of four directors. In other words, he had his hand in every facet of the series and its sixteen episodes.
Before he was that unnamed intelligence agent he was, and I’m not at all convinced that McGoohan meant this to be a coincidence, secret agent John Drake in the Danger Man espionage series. I’ve seen a few episodes, it’s well crafted.
Danger Man (retitled Secret Agent in the United States for the revived series) was a British television series broadcast between 1960 and 1962, and again between 1964 and 1968. (A neat bit of history here: Ian Fleming was brought in to work on series development, but left before that was complete. Apparently he didn’t like the way the secret service was to be portrayed.)
After The Prisoner, McGoohan’s next genre endeavor was as the narrator of Journey into Darkness is a British television horror film stitching together two episodes derived from late sixties anthology television series Journey to the Unknown.
We are now leaving genre and headed for, well the Colombo series. Why so? Because he was good friends with Peter Falk and directed five episodes of the series, four of which he appeared in, winning two Emmys in the process. McGoohan was involved with the series in some way from 1974 to 2000.
He was said that his first appearance on Columbo was probably his favorite American role. He had top billing as Col. Lyle C. Rum, fired from a military academy, in “By Dawn’s Early Light”, one of the Colombo films that preceded the series.
His daughter Catherine McGoohan appeared with him in the episode “Ashes To Ashes” The other two Columbo episodes in which he appeared are “Identity Crisis” and “Agenda For Murder”.
Yes, he reprised his role as Number Six for The Simpsons in “The Computer Wore Menace Shoes”. Homer Simpson fakes a news story to make his website more popular, and he wakes up in a prison that is a holiday resort. As Number Five, he meets Number Six.
McGoohan’s last movie role was as the voice of Billy Bones in the animated Treasure Planet.
He received the Prometheus Hall of Fame Award for The Prisoner.
Researchers have named a newly discovered species of giant prehistoric turtle after a universe-creating character that features in Stephen King’s novel It, alongside the Dark Tower series of books.
The monstrous armoured reptile was thought to have lived between 40,000 to 9,000 years ago, during the Pleistocene period, during which time it may have lived alongside and potentially been hunted as a source of food by early humans in the Amazon….
As noted in the paper published in the scientific journal Biology Letters – and by the author himself on X after reading the news – King’s character was itself named in reference to the fictional doctor Stephen Maturin, who, in the course of Patrick O’Brian’s seagoing novel H.M.S. Surprise, names a giant tortoise….
(12) LIFE IS SHORT, ART IS LONG. ShortCon2024, “the Premiere Conference for Short Crime Fiction Writers”, takes place Saturday, June 22, and Michael Bracken and Brendan DuBois – familiar around here – are among the presenters.
In June, I will join NYT bestseller Brendan DuBois, AHMM & EQMM Senior Managing Editor Jackie Sherbow, and Stacy Woodson as a presenter at ShortCon, the Premier Conference for Short Crime Fiction Writers. Learn more and register at https://t.co/OZ8BgEuenopic.twitter.com/KsDhwNBuUH
Join acclaimed crime fiction professionals for an immersive, one-day event and learn how to write short crime fiction, get your stories published, and develop and sustain a long-term career writing short.
… The show starts off with the hapless cast rehearsing their production of “It’s a Musical! (The Musical!)” with requisite sailors singing about the wonders of New York. In reality, the cast is a mix of a not-so-bright leading man whose acting career is magically failing upwards, a leading woman sick of playing two-dimensional characters, an ageing actress whose career is effectively over and a perpetual understudy with genuine talent but no chance of ever becoming a professional. Outside it is Sydney 1999 and people are worried about Y2K and excited about the Olympics coming in 2000. The tone is set with broad parodies about musicals and the sexism of the theatre industry (especially circa the 1990s).
The world of musicals begins breaking down when the leading man quits and the news on the radio warns of a rapidly spreading infection. Will there even be an audience for their opening night?…
Here’s a “sneak preview” from last fall.
[Thanks to Steven French, Mike Kennedy, Andrew Porter, Kathy Sullivan, David Goldfarb, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
(1) HUGO, GIRL! REVERSES PERMANENT RECUSAL DECISION. The Hugo, Girl! the Podcast team tells why they have changed their minds about permanently recusing themselves from the Best Fancast category in “Statement on the 2023 Hugo Awards”. The complete explanation is at the link.
Following the Chengdu Hugo Awards, we believed in good faith that we were the legitimate winners of the 2023 Hugo Award for Best Fancast. We subsequently announced Hugo, Girl’s permanent recusal from the Best Fancast category. We were honored and delighted by the win, and we wanted to make room for others to experience the same.
However, with each recent revelation about the administration of the Hugo Awards, we have become increasingly uncomfortable thinking of ourselves as legitimate winners. Viewing the nomination and voting data that others have meticulously combed through, analyzed, and presented in a thorough and digestible way, it initially seemed that Fancast was one of the less obviously suspicious categories. It did not appear that any of our Fancast co-finalists or entries on the long list had been mysteriously disqualified, as was the case in several other categories. That being said, Fancast is not free from strange numbers.
We became even more dubious once we learned that the Hugo Administrators had investigated and disqualified potential finalists* on the basis of assumed politics, queer and trans identity, and an imaginary trip to Tibet. We ourselves likely should have been disqualified under the same criteria. It does not escape our notice that as four white people, we may have been scrutinized less closely….
… For the foregoing reasons, we have decided to withdraw our recusal from Hugo eligibility, effective in 2025. We hope to have a future opportunity to participate in a fair, transparent Hugo Awards process, if voters decide to honor us again with a place on the ballot.
(2) FALSE GRIT. Heard too much about Dune lately? Then your brain will probably explode in the middle of reading “Charles Bukowski’s Dune” at McSweeney’s Internet Tendency.
It had been a long day. The hot-shit new supervisor, who looked about sixteen and probably hadn’t even started shaving yet, had written me up twice. I’d crumpled both slips in front of him, thrown them in the trash.
On the way home, the 48-Arrakeen worm died at the base of the hill, and we all had to hop off into the sand. The thing was already starting to stink as I began the trudge uphill, bone-tired and thirsty….
Issues around the use of AI in the production process is the big sticking point in SAG-AFTRA’s negotiations with the largest video game companies, SAG-AFTRA chief Duncan Crabtree-Ireland said Saturday during a wide-ranging Q&A at SXSW in Austin, Texas.
Crabtree-Ireland, who is national executive director and chief negotiator of the performers union, said he put the chances of union members striking against key game companies is “50-50, or more likely than that we will go on strike in the next four to six weeks because of our inability to get past these issues,” Crabtree-Ireland told Brendan Vaughan, editor-in-chief of Fast Company, during a conversation focused on AI….
… Some pushed the union to demand an outright ban on the use of AI in union-covered productions. Crabtree-Ireland said he know that was a nonstarter.
“We would not have succeeded, any more than any union ever in history has been able to stop technology,” he said. “Unions that try that approach, they fail and they give up the chance to influence how those technologies are implemented. “The fact of matter is, we’re going to have AI.”
Crabtree-Ireland emphasized repeatedly that the union’s position on AI revolves around “consent and compensation” for its members when AI engines use their work. “We want to make sure the implementation is human-centered and focused on augmentation [of production], not replacement of people,” he said….
(4) SFF WINS CANADIAN COMPETITION. The Québecois author Catherine Leroux’s The Future, in a translation by Susan Ouriou, has won the 2024 Canada Reads national competition. (Canada Reads is a television show. ) “’Canada Reads’ 2024 Winner: Catherine Leroux’s ‘The Future’” at Publishing Perspectives.
…The Future by Catherine Leroux, published by Biblioasis in Windsor, was named the winner of the weeklong series of elimination programs from the Canadian Broadcasting Corporation’s CBCbooks. The book is translated from French by Susan Ouriou and is a dystopian history of Detroit, a book the program refers to as, “a plea for persistence in the face of our uncertain future.”
The writer who changed my mind I thought I didn’t like sci-fi until I discovered Octavia Butler. Kindred defies genre, but it taught me that I’ll go anywhere in a story if I trust the writer….
My comfort read Whenever I want to read a book I know will be good, I go to Silvia Moreno-Garcia. Her genres are ever changing, her ability to take on a wild story each time is incredible. You never know what she’s going to do, but you know it will be a page-turner. I cannot wait for her next book, The Seventh Veil of Salome. Fifties Hollywood, two starlets, the role of a lifetime … what more could you want?
Disney and Pixar today unveiled the official trailer plus new images and poster for Inside Out 2, which welcomes new Emotions to now-teenager Riley’s mind. Joining Joy (voice of Amy Poehler), Anger (Lewis Black), Sadness (Phyllis Smith), Fear (Tony Hale) and Disgust (Liza Lapira) is a group of Emotions perfectly suited for the teenage years:
Maya Hawke voices Anxiety, the previously announced new arrival bound to shake up everything in headquarters and beyond. A bundle of frazzled energy, Anxiety enthusiastically ensures Riley’s prepared for every possible negative outcome.
Envy, voice of Ayo Edebiri, may be small but she sure knows what she wants. She’s perpetually jealous of everything everyone else has, and she’s not afraid to pine over it.
Ennui, who’s voiced by Adèle Exarchopoulos, couldn’t care less. Bored and lethargic with a well-practiced eye-roll, Ennui adds the perfect amount of teenage apathy to Riley’s personality, when she feels like it.
Embarrassment, voiced by Paul Walter Hauser, likes to lay low, which isn’t easy for this burly guy with a bright blush-pink complexion….
(8) BILL WAHL TRIBUTE. Brian Keene is overwhelmed by the loss of another friend – Bill Wahl died March 6 — as he told readers of “Letters From the Labyrinth 371”.
…Bill, like me, was always blunt and spoke his mind. And he did indeed give Mary and I a TON of pointers and help in the setting up of Vortex Books & Comics. It is Saturday as I write this, in the bookstore, and it is not lost on me that he had planned on coming in here today, right about the time I’m typing this (2:31pm).
I guess maybe I wrote a eulogy after all. Maybe half-assed, but that’s still pretty good considering that I’m typing it amidst a car crash of mental, physical, and emotional exhaustion from which I may not be able to beat this time.
After 56 years on this planet, I finally know what it means to be tired…
(9) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born March 10, 1918 — Theodore Rose Cogswell. (Died 1987.) Let’s consider Theodore Rose Cogswell. He was a member of the Minneapolis Fantasy Society and later noted that fellow members Poul Anderson and Gordon Dickson said that he should he should be a writer.
He was in his thirties before his first work, “The Spectre General” novella was published in the June 1952 issue of Astounding. SWFA considers it one of our best novellas.
Theodore Cogswell in 1955.
He would co-write with Charles A. Spano, Jr., Spock, Messiah. Prior to this novel, only one Star Trek tie-in novel intended for adult readers instead of YA readers had been published, Spock Must Die!, written by James Blish. Blish was supposed to do a Mudd novel but his death obviously prevented that. A real pity that. Though Mudd’s Angels would be written by J.A. Lawrence, Blish’s wife.
Back to Cogswell.
He wrote a fair amount of short fiction, some forty works, collected in The Wall Around the World, the title novelette here was nominated for a Retro Hugo, and The Third Eye.
Perhaps, his most interesting work was as editor of Proceedings of the Institute for Twenty-First Century Studies where such individuals as Poul Anderson, Isaac Asimov, James Blish, Algis Budrys, Arthur C. Clarke, Avram Davidson, Gordon Dickson, Fritz Leiber engaged in what is best described as a very long running written bull session. A copious amount of these writings was published as PITFCS:Proceedings of the Institute for Twenty-First Century Studies. Though NESFA distributed it, it was published by Advent Publishing. It was nominated for a Hugo at ConAdian for Best Related Non-Fiction Book.
It’s time to Start Scrolling! Today, comic fans will have even more access to their favorite stories spanning the Marvel Universe with the all-new Marvel’s Infinity Comics: Start Scrolling digital program. The new program, exclusively from Marvel Unlimited, allows readers to access select Infinity Comics for free.
Marvel’s Infinity Comics: Start Scrollingwill provide instant access to select free comics, with no login required. Readers can experience over 100 issues of bingeable Marvel stories starring fan-favorites including the X-Men, Spider-Man, Jeff the Land Shark, and many more, by visiting Marvel’s Infinity Comics: Start Scrolling. With an extensive library of over 30,000 comics on Marvel Unlimited, fans can expect other free Infinity Comics to be rotated in throughout the year.
Marvel’s Infinity Comics are a vertical format designed for phones and tablets exclusive to Marvel Unlimited. Since launching in September 2021, Marvel Unlimited has published over 1,000 Infinity Comics to date from over 300 top Marvel creators.
(12) FOLLOW THE MONEY. Or the spice. The economic engine that drives Dune’s universe isn’t explained in the movie, but GameRant has volunteered for the job: “Dune: CHOAM, Explained”.
…The Combine Honnete Ober Advancer Mercantiles is a monopolistic conglomerate that controls all commerce throughout the Dune universe. All material goods flow through CHOAM. All substantial wealth comes through interests in CHOAM. The CHOAM network runs through every other seat of power. CHOAM is under the Corrino Empire, the highest station in the universe, which oversees CHOAM’s board of directors. CHOAM was a publicly traded company. Shareholder profits could make any participant fabulously wealthy. Only the noble patriarchs of the Great Houses could become shareholders in CHOAM. The Houses fought for directorship positions, seeking to earn dividends and skim profit from their impossibly vast businesses. The Emperor reserved the right to revoke or hand out director positions, giving him the final say in any profit-seeking venture….
There’s a bit of tension right now in the U.S. astronomy community and, perhaps unsurprisingly, it has to do with telescopes — extremely large telescopes, in fact. Here’s what’s going on.
The National Science Foundation (NSF), a source of public funding that two powerful next-gen observatories have been banking on for financial support, is facing pressure to go forward with only one telescope. This is because last month, the National Science Board — which is basically an advisory committee for the NSF — recommended that it cap its giant telescope budget at $1.6 billion. This is a lot of money, but it’s just not enough for both. The board even says the NSF will have until only May of this year to decide which telescope gets the go-ahead.Yet, both telescopes are already in the middle of construction, both are equally important and both are actually supposed to work together to fulfill a wide-eyed dream for astronomers. Because of how utterly huge they’re meant to be, they’re expected to one-up even the $10 billion James Webb Space Telescope (JWST) in many ways. That’s the gold-mirrored, silvery-shielded trailblazer sitting a million miles from Earth right now, finding deep space gems so quickly it’s normalizing us to seeing things humanity once couldn’t fathom seeing. Imagine something better….
… One of the big scopes is the Giant Magellan Telescope (GMT). It’s taking shape as you read this in the clear-skied deserts of Chile, and it’s projected to cost something like $2.54 billion as a whole. The other is called The Thirty Meter Telescope (TMT). That one’s location is a bit more controversial. It’s planned to decorate a mountain in Hawaii called Mauna Kea, but locals have protested the decision because this stunning volcanic peak that boasts low humidity and gentle winds (perfect conditions for astronomy) is extremely meaningful in native Hawaiian culture. It’s a fraught situation, as 13 other telescopes already live in the area and some local people say the facilities are impacting the natural environment. In terms of cost, however, the projected amount is just about symmetrical to the GMT’s….
…There are multiple lines of evidence for dark matter, but its nature has remained mysterious and searches by the Large Hadron Collider have come up empty-handed. Last year, the European Space Agency launched a mission, Euclid, aiming to produce a cosmic map of dark matter.
The latest paper, published on the Arxiv website and yet to be peer-reviewed, raises the question of whether it even exists, drawing parallels between dark matter and flawed concepts of the past, such as “the ether”, an invisible substance that was thought to permeate all of space.
“In the absence of any direct evidence for dark energy or dark matter it is natural to wonder whether they may be unnecessary scientific constructs like celestial spheres, ether, or the planet Vulcan, all of which were superseded by simpler explanations,” it states. “Gravity has a long history of being a trickster.”
In this case, the simpler explanation being proposed is Oppenheim’s “postquantum theory of classical gravity”. The UCL professor has spent the past five years developing the approach, which aims to unite the two pillars of modern physics: quantum theory and Einstein’s general relativity, which are fundamentally incompatible.
Oppenheim’s theory envisages the fabric of space-time as smooth and continuous (classical), but inherently wobbly. The rate at which time flows would randomly fluctuate, like a burbling stream, space would be haphazardly warped and time would diverge in different patches of the universe. The theory also envisions an intrinsic breakdown in predictability….
(15) GIANT SQUID. [Item by Lise Andreasen.] This is the last place I would look for characters from 20000 Leagues Under The Sea.
(17) WITH AND WITHOUT STRINGS ATTACHED. [Item by Carl.] “Here Come The Puppets” was a PBS special produced by KQED at the International Puppet Festival in Washington DC. It was hosted by Jim Henson and the Muppets, and features internationally known puppeteers. It’s NEVER been offered in DVD form. It can now be seen on YouTube.
In 1975, Paramount produced a special movie presentation for syndication of the two-part Star Trek episode “The Menagerie,” hosted by TOS star Leonard Nimoy. The original Spock recorded introductions for each part of the episode as well as closing remarks for the special presentation. In the special, Nimoy explains how “The Menagerie” uses footage from the original Star Trek pilot “The Cage” and more….
There’s a nod to its Hugo win at the 4:51 mark.
…This morning, WJAR Channel 10 in Rhode Island posted a clip from their morning show with guest Leonard Nimoy from what appears to be around the end of the first season of the series. The actor talks about concerns the show will be canceled and the fan campaign to keep it on the air along with the origins of his signature Vulcan ears….
[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Kathy Sullivan, JJ, Lori, Carl, Ersatz Culture, Lise Andreasen, Mark Roth-Whitworth, Steven French, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Joseph Hurtgen.]
(1) HUGO NOMINATIONS CLOSE IN ONE WEEK. Nicholas Whyte, Glasgow 2024 Hugo Administrator and WSFS Division Head reminds members that they have until March 9 to submit nominations for this year’s Hugo Awards. Full information at “Hugo Awards – Nomination Ballot”.
They also are offering Chinese translation for the 2024 Hugo Award nomination process as a courtesy to the Chinese-speaking 2023 Chengdu WSFS members who have nomination rights for the 2024 Hugo Awards.
Do you make a conscious effort to include female characters and themes in your writing and if so, what do you want to portray?
I write all characters, but I am always trying to get inside women characters in a complex way that blows out the walls of archetypes. The old woman who is complex and funny and real (and swears! All the older women I admire swear), the ingenue aged woman who is brilliant, unpredictable, problem solving, and forward moving, the mother whose entire existence is not mothering, but is a whole person who happens to have kids, the little girl who is smart and weird and does not give a crap about boys.
What has writing horror taught you about the world and yourself?
We all have darkness in us, and if we can get inside it and open up our fears and where they come from, it can help people manage their very real lives.
(3) CHUCK TINGLE ON CAMP DAMASCUS CATEGORY. The Horror Writers Association moved Chuck Tingle’s novel Camp Damascus out of the YA category into the main Novel category. One of the responses earned this callout. (Whoever’s blog this is, I see there also were other comments supportive of Tingle’s book.)
(4) IWÁJÚ. Eddie Louise calls Iwájúon Disney+ — “Amazing science fiction for kids with deep cultural and societal commentary.” See trailer at the link.
“Iwájú” is an original animated series set in a futuristic Lagos, Nigeria. The exciting coming-of-age story follows Tola, a young girl from the wealthy island, and her best friend, Kole, a self-taught tech expert, as they discover the secrets and dangers hidden in their different worlds. Kugali filmmakers—including director Olufikayo Ziki Adeola, production designer Hamid Ibrahim and cultural consultant Toluwalakin Olowofoyeku—take viewers on a unique journey into the world of “Iwájú,” bursting with unique visual elements and technological advancements inspired by the spirit of Lagos. The series is produced by Disney Animation’s Christina Chen with a screenplay by Adeola and Halima Hudson. “Iwájú” features the voices of Simisola Gbadamosi, Dayo Okeniyi, Femi Branch, Siji Soetan and Weruche Opia.
(5) LIKE SAND THROUGH AN HOURGLASS. Maya St. Clair finds what time has done to the first Dune movie – not that a lot of time needed to have passed before the results were known: “Make Sci-Fi Cringe Again (Duneposting 1)”.
The other night, a friend and I went to an anniversary screening of David Lynch’s 1984 Dune. Its manmade horrors were consumed in the way God intended: on a towering screen, with a printout of the infamous Dune Terminology sheet balanced in my lap, as I inhaled a bucket of curly fries agleam with twice their weight in grease. Visually, Dune is an orgy of delights: a dense mannerist universe filled with gilt and wires and inbred animals/people. The voiceovers are camp, the editing ridiculous, the hairdos lofty and aggressive (Aquanet — like spice — must flow). Around the midpoint of the movie — when Sting steps out of a sauna in a codpiece —most people had come to the unspoken understanding that it was okay to laugh instead of sitting in respectful, cinephilic silence. The Harkonnen milking machine (i.e. a rat just duct-taped to a cat) brought down the house….
(6) DUNE PT. 2. [Item by SF Concatenation’s Jonathan Cowie.] Front Row on B Beeb Ceeb’s Radio 4 (a.k.a. the Home Service) first third sees a review of Dune Part II.
Now, while I concur (others may disagree) that for all its spectacle Part I was a little ponderous (go in with a medium or large real coffee Americana) it was faithful to the novel and the SFX far better than the Lynch offering… This last is, of course unfair, the Lynch offering came out four decades ago… Yes, just a decade short of half a century and so you’d expect as big an improvement in cinematography as there was between 1984 and films made towards the end of the war (that’s WWII in case you were wondering how old I was).
So, how did the Front Row review go? Well, the first thing that surprised me was that one of the reviewers hates epic ‘sci-fi’. Yes, for some in the arts, SF remains a ghetto genre. (Or perhaps we at SF² Concatenation should swop our book review panel of ardent SF readers to those that loathe genre literature. Perhaps File 770 should be edited by someone outside of fandom? Perhaps Boris Johnson should become Prime Minister…)
Be thrilled. Be amazed. The truth is out there….
You can listen to the first third of the programme here: “Front Row, Dune 2”.
(7) ABOUT THOSE LENSMEN. Steve J. Wright may not be treading new ground in “How the Other Half Lives”, but fascism, John W. Campbell Jr., and the Golden Age have been thoroughly plowed under by the time he’s done.
This is spilling out of a discussion over on File 770 (item 4 on the scroll), which in turn derived partly from Charles Stross’s “We’re Sorry we Created the Torment Nexus”. It also ties in, of course, to the ongoing “was John W. Campbell a fascist?” non-debate (because people who say no are not changing their minds, ever.)
“Fascist”, of course, is one of those terms linguisticians call “snarl words”, where the negative connotations have pretty much obscured the original usage…
…But were Golden Age SF writers in general, and John W. Campbell Jr. in particular, happy with elitism? Oh, you bet they were. The Gernsbackian ideal, as exemplified in Gernsback’s own ridiculous novel Ralph 124C41+, was a homogeneous, rationally-planned society in which government, if it existed at all, was strictly subordinated to the scientific elite – in the eponymous Ralph’s case, the “plus men”, entitled to that + sign on their names, whose unfettered experimentation led to an endless round of fresh discoveries and scientific benefits for the general populace. And you can’t throw a brick in Campbell-era SF without hitting an omni-competent super-science hero with world-transforming insights and the steely determination to push aside bureaucratic meddling and Get Things Done. Campbell himself regarded Astounding as not just a science fiction magazine, but a proving ground for the ideas that would shape the world of tomorrow. And he had plenty of sympathy from SF fans, who were happy to believe that their time would come, and they would be in the vanguard of the new elite. Granted, not many fans took it as far as the rather alarming Claude Degler, but if you said “fans are slans” at any fannish gathering of the times, you would see more than one head nodding in approval….
…Navalny got in one last laugh at his funeral on Friday. As his coffin was lowered into the ground, the tune playing in the background wasn’t some funeral dirge, but the theme from his favorite movie, Terminator 2: Judgment Day. It was the refrain that plays during the movie’s famous final scene, as Arnold Schwarzenegger’s soulful killer cyborg gives a thumbs-up while he is lowered into a vat of molten steel, sacrificing himself to save the future….
(9) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born March 2, 1966 — Ann Leckie, 58. So let’s start with Lis Carey talking about her favorite work by our writer this Scroll, Ann Leckie:
Ann Leckie wins Hugo in 2014. Photo by Henry Harel.
Ann Leckie’s Imperial Radch trilogy, starting with Ancillary Justice in 2013, gives us a culture where biological sex is ignored, and only female pronouns are used. Breq, our protagonist throughout the trilogy, is the only survivor of a ship destroyed by treachery, and she’s the ship’s artificial intelligence, occupying an ancillary body, i.e., a body whose own personality has been erased and replaced with one more useful to the empire, and presenting herself as an officer.
In her quest for revenge, she becomes more and more fully human, and more and more aware of what’s wrong with the empire she serves. We see glimpses of a galaxy beyond the Radch Empire, some of them fascinating.
We’re certainly not given the impression that the Radch are the good guys. In subsequent books and stories, we get looks at the Radch from the outside, and at the other human cultures trying to survive in a galaxy where the Radch are the major human power. It’s a wonderfully complex and layered universe, and it’s well worth exploring.
Ancillary Justice swept the awards field in 2014: a Hugo at Loncon 3, a British Fantasy Award, the Clarke a Kitschie, and a Nebula. The sequel, Ancillary Sword was nominated at Sasquan and won a BSFA Award; the final book in the trilogy, Ancillary Mercy, was a Hugo finalist at MidAmeriCon II. Her next book set in that universe, Provenance, novel garnered a Hugo nomination at Worldcon 76.
Translation State, though also part of the Imperial Radch, is a pretty a stand-alone story. Yes, I liked it a lot. So let’s have Lis set the scene for you again…
It’s set in that universe, on the edge of human space, in a space station where the human polities including the Radch, and several alien polities, attempt to maintain calm and peaceful relations with the Presger, whom no one has ever seen, but who could destroy everyone if they got annoyed.
This is the book where we really get acquainted with the Presger translators, who appear to have been created from humans, but really aren’t, anymore.
It is, I would say, primarily a missing person case more than a murder mystery but it is both. It is a fascinating story.
She’s also written an excellent fantasy novel, The Raven Tower, which I’ve been listening to of late. Adjoa Andoh narrates the audio version. She’s been on Doctor Who numerous times, mostly playing the mother of Martha Jones. She does a stellar performance here.
Leckie has published a baker’s dozen short stories, two set in the Imperial Radch universe. I’ve not read any of them. Who has?
I look forward to seeing what she writes next.
(10) COMICS SECTION.
Reality Check shows a fan pedant in (unwelcome!) action.
Close to Home has the most grotesque Pinocchio joke I’ve ever seen.
(11) GOOD OMENS VISUALS. Colleen Doran’s Funny Business is back with “Good Omens Peeks” – artwork at the link.
… I don’t know if, you know, getting cancer, going blind, smashing my face in, and generally having a really awful 2023 hasn’t been some weird sort of super-motivation, but I’m working very steady, and I actually think the art has gotten more solid as I go along.
I’m also very far behind schedule, but since the book was so far ahead to start, even though it’s going to be late, it won’t be horribly late. I set some pages aside and was unable to work on them for months, and that distance helped me work through some problems, too.
Anyhow, here’s some of my art in progress. And thanks for all the votes in the ComicScene awards for Good Omens as #1 crowdfund campaign of 2023….
(12) AFTER MIDNIGHT. Bitter Karella is back with the members of The Midnight Society, who are being a trial to Ursula K. Le Guin. Thread starts here.
Le Guin: ok fine Le Guin: what's your solution King: ok so omelas doesn't control the sky King: What if the kid lived in a balloon? Le Guin: oh christ that's the worst one yet
— The Midnight Society (@midnight_pals) March 2, 2024
…About 45 minutes into the movie, I thought for sure I was toast. Those gorgeous desert sand dunes reminded me of pillows, and I questioned what life choices I made that led me here, to seat H35. But then I saw a guy nod off two rows ahead of me, and I thought about how annoying it would be to have to see this movie again just to catch the parts I missed. I’m not weak like him, I thought, inhaling my Diet Coke. And, to even my own surprise, I powered through, savoring Paul Atreides’ larger-than-life odyssey all the way until the credits rolled at 6:18 a.m.
On the escalator down, I caught up with the three friends from New Jersey. “What are your plans this morning?” I asked, and they told me they were going to walk west to watch the sunrise over the Hudson. I didn’t have the heart (read: brain cells) to tell them the sun rises in the east.
(14) JUSTWATCH. Here are JustWatch’s charts of the most-viewed streaming movies and TV series of February 2024.
Scientists and researchers are celebrating what they call a “dream” discovery after an exploratory drill confirmed a high concentration of helium buried deep in Minnesota’s Iron Range.
Thomas Abraham-James, CEO of Pulsar Helium, said the confirmed presence of helium could be one of the most significant such finds in the world.
“There was a lot of screaming, a lot of hugging and high fives. It’s nice to know the efforts all worked out and we pulled it off,” Abraham-James said….
…According to Abraham-James, the helium concentration was measured at 12.4%, which is higher than forecasted and roughly 30 times the industry standard for commercial helium.
(16) 2021 FLASHBACK: STRICTER RATINGS FOR THESE SFF MOVIES. The British Board of Film Classification ratings change to Mary Poppins (see Pixel Scroll 2/26/24 item #9) was just the latest to affect sff films as shown in this 2021 BBC News article: “Rocky and Flash Gordon given tighter age rating”. In 2021 the extended edition of The Lord Of The Rings: The Fellowship Of The Ring has also been moved up to a 12A for its “moderate fantasy violence and threat.”Star Wars: The Empire Strikes Back was moved from Universal to PG.
…Of the 93 complaints the board received last year, 27 were about 1980 space opera film Flash Gordon.
The movie’s 40th anniversary re-release was reclassified up to 12A partly due to the inclusion of “discriminatory stereotypes”.
The BBFC did not say what the stereotypes were. However Flash Gordon’s main villain, Ming the Merciless, was of East Asian appearance but played by Swedish-French actor Max von Sydow….
(17) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Back in the day at school — seems like half a century ago (hang on, it was) — there were a bunch of us whose aim in chemistry was to get the contents of one’s boiling tube to mark the ceiling… We were the back bench bucket chemists! Those were the days. Very much in that spirit, physics Matt O’Dowd asks “What Happens If We Nuke Space?” Come on, Bruce Willis has done it?
EMPs aren’t science fiction. Real militaries are experimenting on real EMP generators, and as Starfish Prime showed us, space nukes can send powerful EMPs to the surface. So what exactly is an EMP, and how dangerous are they?
[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Kathy Sullivan, Daniel Dern, Lis Carey, Eddie Louise, JJ, Bill Higgins, Steven French, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Peace Is My Middle Name.]
