24 Fast Pixels At Ridgemont Scroll

Posted on March 11, 2024 by Mike Glyer

(1) GLASGOW 2024 COMMUNITY FUND NEWS. The first deadline for Glasgow 2024 Community Fund applications is March 15. Details at the link.

In order to make Glasgow 2024 more affordable for those who need it most, we are running a community fund to help with the costs of attending. With the first deadline for applications coming up on the 15th of March, we encourage you to apply for funds if you need them in order to attend; or else to donate funds to help others attend, if you are able to do so. We are so grateful to all of you who have already done so!

(2) VILLAINOUS OSCAR PRESENTERS. Variety took notes on these Batman jokes at Oscars 2024.

"Twins" co-stars and former Batman villains Arnold Schwarzenegger and Danny DeVito jokingly berate Michael Keaton from the #Oscars stage. https://t.co/UNgGySGz3r pic.twitter.com/bPLTrLlcNk
— Variety (@Variety) March 11, 2024

Arnold Schwarzenegger and Danny DeVito had a “Twins” reunion at the Oscars as they joined forces to present best visual effects to “Godzilla Minus One” and best film editing to “Oppenheimer.” But it was their jokes about Batman that stole the show and had the Oscars audience uproariously laughing.

“Arnold and I are presenting tonight together for a very obvious reason,” DeVito said.

“We’ve both tried to kill Batman!” Schwarzenegger revealed to applause….

…“Oh. He threw me out a window!” DeVito said about his Penguin death. “There he is. He’s right here. He’s right there. Look!”

The camera then cut to Micheal Keaton in the audience. Keaton was a presenter at the Oscars earlier in the night, taking the stage alongside his “Beetlejuice” co-star Catherine O’Hara.

“You have a lot of nerve to show your face around here,” Schwarzenegger quipped to Keaton.

DeVito then yelled: “We’ll see you after the Governor’s Ball, pal!”

(3) TRACKING THE ELUSIVE KAIJU. Variety analyzes “How ‘Godzilla Minus One’ Surprised With the VFX Oscar”.

…In late 2023, many still didn’t have the Kaiju movie, released by Japan’s Toho Studios, on their awards radar. But it was incredibly well received when it opened Dec. 1 in the United States, and in the weeks that followed, a VFX branch committee included the movie in the category shortlist.

Then came the Jan. 13 VFX category “bake off,” an event held at the Academy Museum during which the potential nominees representing the 10 shortlisted movies presented clips and spoke about their work before branch members entered their ballots for the final five. The “Godzilla Minus One” team made a charming presentation, talking about their creative problem solving and challenges. The movie was made for under $15 million and the VFX were pulled off by a team of just 35 people.

The well-received presentation seemed to have secured the team a trip to the Dolby Theatre and when the nominations were officially announced on Jan. 23, a video of the thrilled team in Tokyo went viral. From there, they spoke at screenings and appeared at events including the nominees luncheon, building momentum along the way. In early February, as part of Variety’s Screening Series, the team also participated in a Q&A following a screening at Harmony Gold in Hollywood. The film played to a packed room, with guild members and Academy voters staying long after credits had rolled to meet the filmmakers….

(4) FEBRUARY THE FIRST IS TOO LATE. Peculiarly, if you want to see this Oscar-winner, you’re out of luck. “’Godzilla Minus One’ Isn’t Streaming or in Theaters: Here’s Why”. IndieWire knows the answer.

If you want to catch up with Oscar Visual Effects nominee “Godzilla Minus One” before the awards Sunday night, you’ve got exactly one option: Find an Academy member who will invite you to view it on the voters’ portal. For everyone else in the world, you’re out of luck.

Why? Although never confirmed by Toho, it relates to an apparent contractual agreement between Toho, the Japanese studio that created (and still owns rights to) “Godzilla,” and Legendary Entertainment, which licensed the monster character for a series of films released by Warner Bros. Legendary’s latest with Warners, “Godzilla x Kong: The New Empire,” fifth in the MonsterVerse franchise, opens wide in the U.S./Canada March 29.

Toho retains the ability to make its own “Godzilla” movies, but with the reported limitation of not releasing them in the same year as a Legendary production. Under that arrangement, “Godzilla Minus One” opened in Japan last November, and then domestically (as well as multiple European countries) in December.

“Godzilla Minus One” turned out to be a sleeper success in the U.S, grossing $56 million stateside. That’s stunning for a subtitled film and even more so for one that was anticipated as pre-holiday filler. A black-and-white version was added in January.

However, Toho notified theaters that all dates for “Godzilla Minus One” had to end by February 1 — even though “Godzilla Minus One” still ranked #8 in the final weekend of its run, after January 26, with a $2.7 million gross. It’s highly unusual to force a film to leave theaters while it’s still making money, but that’s consistent with reports of limits imposed on its looming competition with “Godzilla x Kong.”…

(5) SHARON LEE UPDATE. In “And when the stars threw down their spears”, author Sharon Lee tells how she’s been keeping up with life since the loss of her husband and collaborator Steve Miller.

It’s a funny thing, how life goes on. Until it doesn’t, of course, but we’re very good as a species about ignoring that.

So — life. Much changed, but still moving, still demanding attention, response, thought, and action.

My short-term goal is to find all of Steve’s papers — which is not as easy as you might think — and get them into boxes to send to the archive at Northern Illinois University. My brother-in-law and nephew are coming up from mid-Coast in a few days to help me, literally, with the heavy lifting, and a Dumpster has been engaged to receive such things as no longer have utility.

My longer-term goals are to finish the sequel to Ribbon Dance — the deadline having been moved from September to November — and start work on the book after that…

(6) KAPLAN ONLINE READING. Space Cowboys Books will host an “Online Reading and Interview with Carter Kaplan” on Tuesday, March 26 at 6:00 p.m. Pacific. Register for free tickets at the link.

Carter Kaplan is the author of The Invisible Tower Trilogy: Echoes, We Reign Secure, and The Sky-Shaped Sarcophagus. His first novel is Tally-Ho, Cornelius! Diogenes is an Aristophanic comedy. Editor of Emanations; IA edition of The Scarlet Letter with Afterword, “A” is for Antinomian: Theology and Politics in The Scarlet Letter; the anthology Fantasy Worlds. Co-translator and editor of Creation of the World by Torquato Tasso. Book on Wittgenstein and literary theory: Critical Synoptics. Articles on “Karel Čapek,” “Menippean Satire” and “Dystopian Literature” in The Encyclopedia of Literature and Politics. Articles on “Herman Melville” and “Michael Butterworth” in A Dictionary of the Avant-Gardes (which has an article about him). A chapter on William Blake and Michael Moorcock appears in New Boundaries in Political Science Fiction. Teaching includes Literature, Philosophy, and post-graduate Medical Research Writing in universities ranging across Montana, North Dakota, Ohio, West Virginia, Pennsylvania, New Jersey, New York City, and Scotland.

(7) FANAC FAN HISTORY ZOOM. This is the last FANAC Fan History Zoom for this season and it will stream on March 16. To attend, send a note to [email protected]

We have less than a week until the next FANAC Fan History Zoom program. We have some very knowledgeable fans on this program and it promises to be an enlightening subject in an often overlooked area of our field. Join us!

Please get the word out to all your friends.

The Women Fen Don’t See

Claire Brialey, Kate Heffner, and Leah Zeldes Smith

Saturday, March 16, 2024

Time: 3PM EDT, 2PM CDT, Noon PDT, 7PM London (GMT), and Mar 17 at 6AM AEDT in Melbourne

(8) SECRET NO MORE. In “Move Over, Alan Turing; Meet the Teenage Girls Who Rocked Bletchley Park”, New York Times reviewer Sarah Lyall discusses THE ENIGMA GIRLS: How Ten Teenagers Broke Ciphers, Kept Secrets and Helped Win World War II, by Candace Fleming.

As war raged in Europe in 1941, Sarah Norton, the 18-year-old daughter of an English lord, received a letter in a plain brown envelope with no return address. “You are to report to Station X at Bletchley Park, Buckinghamshire in four days’ time,” said the letter, signed by a mysterious “Commander Travis.” “That is all you need to know.”

Little did Sarah realize she was being recruited for Britain’s top-secret wartime code-breaking operation. Arriving at Bletchley Park with a suitcase full of “what she considered the bare essentials — five daytime outfits, an evening gown with matching shoes, lipstick and, most importantly, her teddy bear” — she would work alongside hundreds of similar recruits to help intercept and decipher the Nazis’ secret communications.

“This is the story of a handful of young women — teenagers really — who left their childhoods behind and walked into the unknown,” Candace Fleming writes in “The Enigma Girls,” her beguiling new account of their contributions. “For most of their lives, they never breathed a word about their war experiences.”

We learn about 10 of these real-life conscripts. In addition to Sarah, there was Mavis Lever, also 18, who was assigned to work with Dilly Knox, a Greek scholar who had “spent years successfully deciphering ancient papyri fragments at the British Museum.” There was Patricia Owtram, another 18-year-old, whose job was to monitor radio frequencies for enemy communications while simultaneously converting the Morse code messages into plain text. And there was Diana Payne, just 17, who helped operate the massive “Bombe” machines, which sped up the process of breaking the enemy’s ever-shifting codes….

(9) LISA MORTON Q&A. Alpha’s Court scored an interview with “Lisa Morton: Author, Editor, and Screenwriter”. Her new release, Placerita, comes out in June.

Q: Where do you draw inspiration from in your work?

A: Everywhere! One of my favorite places is my own backyard, which is both full of amazing plants and which draws all kinds of wildlife at night. As a horror writer, there’s certainly no shortage of fodder in the daily news and, of course, reading other writers’ work is always inspiring.

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 11, 1952 — Douglas Adams. (Died 2001.) Was there ever a better work of epic humorous, and yes I deliberately used the British spelling there, SF in The Hitchhiker’s Guide to the Galaxy that Douglas Adams delightfully created?

I first encountered it as the BBC television adaptation on public television in the Eighties. It was quite good. Really it was very, very silly.

I next listened to the most excellent radio series which originally broadcast in by BBC Radio 4, and then on the National Public Radio where I heard it. I think it one of the best full cast SF dramas I’ve heard and I’ve listened to it at least three or four times that I can remember.

Now the books. Oh they’re most excellent as well. All five of them that he wrote before his very untimely death as there were more later, one of which I’ve read. The US edition of the fifth book was originally released with the note of “The fifth book in the increasingly inaccurately named Hitchhiker’s Trilogy” on the cover.

I’m trying to remember at what point the novels finally weren’t based on off the radio series but I know that it finally happened.

I have not read Dirk Gently’s Holistic Detective Agency novels which were described by him as “a kind of ghost-horror-detective-time-travel-romantic-comedy-epic, mainly concerned with mud, music and quantum mechanics”. I did see some of the BBC series, oddly enough filmed in Vancouver, and it’s silly and fun.

Adams was the script editor for the seventeenth season of Doctor Who, and he wrote three scripts starring Tom Baker as the Fourth Doctor — “The Pirate Planet” City of Death” and “Shada”.

The latter was only partially filmed but never not televised due to industry disputes which even unclear to this day. It was later completed using animation for the unfinished scenes and broadcast as Doctor Who: The Lost Episode on BBC America seven years ago.

The last thing I want you to mention is Last Chance to See, BBC radio documentary series and a book, written and presented by Douglas Adams and Mark Carwardine. Adams and Carwardine travel to various locations in the hope of encountering species on the brink of extinction. It’s quite extraordinary.

(11) WRITER BEWARE. Victoria Strauss gives Writer Beware readers a detailed rundown about “Author Complaints at City Owl Press”. This is just a taste.

…Several authors announced their split from COP on social media, without providing details as to why, causing questions and concerns from observers. This is also the point at which COP authors started contacting Writer Beware. Then, in late January, Erin Fulmer published her detailed series of blog posts about her departure from COP. Authors are often very, very reluctant to go public with publisher complaints, whether because they don’t want to single themselves out, fear retaliation and blowback from the publisher and/or fellow authors, or are simply too exhausted and demoralized–but a flood of other accounts followed Erin’s: Megan Van Dyke, SL Choi, Elisse Hay, Jen Karner, Lisa Edmonds, Lily Riley, and more have all chosen to speak out about their experiences.

This unusually public discussion has had an impact. On February 22, COP posted a public apology to authors and readers, with a pledge to implement “systematic and operational changes”. (This is the overshare mentioned in the first paragraph; it was later reformulated in response to criticism)….

(12) VOYAGE TO THE BOTTOM OF THE WORLD. [Item by Steven French.] Early Antarctic explorers would while away the weeks of darkness by writing stories, some silly, some fantastical – the first book printed on the frozen continent included a science-fiction story (complete with drawings) about exploring an undiscovered tropical region of Antarctica: “Antarctica Publications Tried to Hide Danger in Fiction and Strange Stories” at Atlas Obscura.

…It imagines the Nimrod’s party making their way into the strange land of Bathybia, 22,000 feet below sea level. They used rafts made of giant, man-sized mushrooms to travel down rivers into a red jungle, encountering giant ticks, alcoholic algae, and huge carnivorous versions of microscopic Antarctic rotifers….

(13) IT’S NOT KANSAS CABERNET SAUVIGNON, TOTO. But drink enough and you will see flying monkeys. “The Wizard of Oz Tornado Etched Wine” from Mano’s Wine.

Embark on a mesmerizing journey with our Wizard of Oz wine bottles. Expertly deep-etched and lovingly hand-painted, these enchanting collectibles capture the essence of the beloved film. Sip from the elixir of nostalgia and let the magic unfold with every pour. Raise your glass to the Emerald City and indulge in a taste of cinematic splendor.

(14) WORM HYPE. [Item by Steven French.] Nature invites you to “Meet the real-life versions of Dune’s epic sandworms”. “‘Dune’s sandworms can grow to at least 450 metres long, about 15 times the size of the longest blue whale. How big do real-life worms get?”

…There are annelid worms that get up to several metres in length called eunicid worms, a type of bristle worm. They’re pretty gnarly — they have big jaws, they look a bit like Graboids from the 1990 film Tremors. Some of them are ambush predators. They eat octopuses, squid, vertebrates….

There are some earthworms that get really big, as well. Megascolides reaches up to 2 metres. The biggest ones are from Australia.

(Of course they are!)

(15) VIDEO OF THE DAY. Dan Monroe wants to find out “Whatever Happened to LOGAN’S RUN?” (See, I didn’t know anything had happened to Logan’s Run!)

[Thanks to SF Concatenation’s Jonathan Cowie, Kathy Sullivan, Steven French, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Joseph Hurtgen.]

Pixel Scroll 2/22/24 Home Is The Pixel, Home From The Scroll

Posted on February 22, 2024 by Mike Glyer

(1) WE’RE BACK. “Odysseus becomes first US spacecraft to land on moon in over 50 years” – CNN not only has the story, they enlisted Captain Kirk – William Shatner – to help tell it on the air.

The US-made Odysseus lunar lander has made a touchdown on the moon, surpassing its final key milestones — and the odds — to become the first commercial spacecraft to accomplish such a feat, but the condition of the lander remains in question.

Intuitive Machines, however, says the mission has been successful.

“I know this was a nail-biter, but we are on the surface, and we are transmitting,” Intuitive Machines CEO Steve Altemus just announced on the webcast. “Welcome to the moon.”

Odysseus is the first vehicle launched from the United States to land on the moon’s surface since the Apollo 17 mission in 1972.

Mission controllers from Intuitive Machines, the Houston-based company that developed the robotic explorer, confirmed the lander reached the lunar surface Thursday evening….

…After some intense waiting, Intuitive Machines, the company behind the Odysseus lunar landing mission, has confirmed the spacecraft is “upright and starting to send data.”

That’s a major milestone…

(2) 2023 BUSINESS MEETING MINUTES POSTED. [Item by Kevin Standlee.] The 2023 WSFS Business Meeting minutes are now available at the WSFS rules page.

All documents are updated except the Resolutions of Rulings of Continuing Effect, which are still being reviewed by the Nitpicking & Flyspecking Committee.

(3) HELP PAY TRIBUTE TO STEVE MILLER. Sharon Lee is asking people to send Locus their recollections about her husband, Steve Miller, who died on February 20. This link should work: [email protected].

(4) THE YEAR’S BEST AFRICAN SPECULATIVE FICTION VOLUME THREE: CALL FOR SUBMISSIONS. The Year’s Best African Speculative Fiction Volume Three anthology is now open to submissions through March 31, 2024. See full guidelines at the link.

This next volume of the series covers works originally published in 2023. It will be published with a release date of late 2024 under the Caezik SF & Fantasy imprint (Arc Manor).

Editors for this volume are Oghenechovwe Donald Ekpeki and Chinaza Eziaghighala.

(5) LINK Q&A. “Interview: Kelly Link on Writing Her First Novel” at New York Magazine.

How did you intellectually and practically and physically and spiritually transition from writing short stories to writing a rather long novel?

Even if one is a short-story writer at heart, this is a world of novels. This is a world where readers love novels, which I get. I love them too. But if you’re a short-story writer, any time that you are talking with somebody, they will say, “Well, have you ever thought about writing a novel?”

My husband and I ran a small press for a couple of decades. I had the enormous privilege of working with a bunch of writers on novels. I also, in my writing life, have a group of friends that I meet with, sometimes on a daily basis, and they are all novelists. We spend a lot of our time talking about the possibilities that novels present to a writer. And I love their books. I get to read them when they’re working on them. And eventually, if you’re me, at least, you start to think, Well, what could I do at this length? My very good friend, one of the writers that I work with, Holly Black, said to me about nine years ago, “If you don’t intentionally write a novel, you will write one by accident. And so you might as well plan out how to do it intentionally.”

(6) MYMAN ON THE 2023 HUGOS. Francesca Myman, who attended the Chengdu Worldcon, has written several illuminating posts about the current Hugo Award crisis.

Here’s the first post from February 16:

…The thing that gets me is, if they truly believed they were taking care of people’s safety, and they couldn’t possibly think about it creatively and find other solutions because {reasons}, they were remarkably blasé about a lack of reasonable guidance.

And it does seem that the internal justification was safety. On June 7 Kat Jones says “I’m pointing out examples of both that I find for these fan writers out of an abundance of caution, because I’m assuming we’re talking about the safety of our Chinese con-running friends when we’re making these evaluations. Maybe any fan writer concerns can be mitigated by asking them to curate their voter packet materials with our Chinese friends’ safety in mind?” Of course, “I’m assuming” isn’t the same thing as “I’m asking” and no answers are given.

Then in the February 3 interview, when Chris Barkley asked if people were likely to be endangered on some sort of social or physical level, Dave’s response was some aggrandizing bluster about “the friends I would make and how much I love them and how much I would set myself on fire for them if I needed to,” which inappropriately puts the blame for everything underhanded and weaselly and inexcusable that he did into the laps of the very people he’s claiming to protect.

I’m not here to say Chinese censorship doesn’t exist, we ourselves had to comply with regulations and couldn’t sell magazines and books at Worldcon and it did cause me a considerable amount of stress (and to be fair it was incredibly difficult to obtain any information about exactly what we needed to do to be in compliance, things like whether or not we were allowed to sell digital subscriptions and the actual problem was physical materials sold on site, or whether no sales at all were permitted), but the active participation of Westerners in hand-selecting targets for censorship is stomach-churning….

The second post appeared on February 17:

Soooo while I do think you should read my last long-but-important post about the Hugos, literally the MOST important news about what happened to the Hugos is this: Vajra Chandrasekera on Bluesky linked to a Chinese language post by “zionius” explaining that the supposed “slate” of Chinese voters that was removed from the voting was actually the result of a recommended list from Chinese publication Science Fiction World, their most respected and popular magazine. To be clear, a close analogy is if people removed a batch of Hugo votes from the voting process because they were listed in the Locus Recommended Reading List and voters had too-similar patterns because of that. A recommended reading list is NOT a slate.

Apparently there were one to nine recommendations per SF World category including both Chinese and non-Chinese creators. I suppose the “one recommendation” category, whatever that was, could be tough — but nine recommendations? That’s quite normal for a recommended reading list. The readership of SF World is vast, way higher than Locus, let me tell you that (Chandrasekera claims it’s bigger than that of every western SF magazine put together which seems plausible to me), so they have a ton of influence, but that doesn’t make it illegal….

The third post came out on February 19:

…If McCarty DID receive an earlier heads-up — I’m envisioning something like “you must remove these things because their inclusion will harm us” — we have no way to be sure. And it’s possible I’m wrong here. We lack a WHOLE lot of papertrail, and it’s probably not the worst thing we don’t have it, in terms of all the aforementioned safety concerns.

About which I would like to add: I imagined that if I had been in the committee’s position I would have been most worried about someone saying something about “Hong Kong, Taiwan, Tibet, negatives of China” onstage. But I don’t really have a basis to determine the impact of speeches, so. . .

. . .I asked an expat friend yesterday what the consequences would be if someone, for example, used the Worldcon stage to opine on the political situation in Taiwan, and got an “eek” face emoji.

Eek face emoji situation, I guess. Here’s what he said, which I found particularly illuminating:

“The entire community would face repercussions. Outright censoring, problems for the organizers, attracting Beijing’s ire. The government liaison who helped bring this thing to Chengdu would have severe career blowback and would either lose position or have to pivot and punish to save themselves. It would be a very selfish thing to do and would hurt the Chinese sci fi community significantly. Think of what happened when Bjork called out ‘Free Tibet!’ She said that one phrase on a stage in Beijing and for a decade + afterwards there was a massive crackdown on all artist performances and a massive impoverishment of live music in general. All the festivals struggled. Probably the most damaging thing done to China’s live music scene in the modern era. And Bjork did it because she didn’t know or care about consequences, she just wanted to say her piece. Because the West teaches Westerners that we are morally superior to everyone else and have a right or obligation to ‘speak truth to power’ especially in non white non European places.”

So based on this and other research I absolutely believe safety concerns were real. Which is why I keep coming back around to the point that the best way of handling that was just letting the rules play out and letting Chinese voters take the lead as they were meant to.

(7) ANOTHER ONE ON THE SHELF. “Stephen King Is Baffled by Decision To Keep New Salem’s Lot Movie on the Shelf” reports Comingsoon.net.

Salem’s Lot Still in Limbo

Back in November of 2023, King championed the adaptation of his celebrated vampire novel, saying it had a feeling of ”Old Hollywood” to it. The movie was originally due to be released in 2022, and then in the Spring of 2023, where it lost its spot on the calendar to Warner horror stablemate Evil Dead Rise.

Then came the SAG-AFTRA strike, which reportedly caused Warner Bros. to reconsider a theatrical release altogether, subsequently being eyed for a streaming debut on Max. However, a Warner spokesperson told Variety that ”No decision has been made about the film’s future distribution plans.”

Yet nothing else has been said about the film’s status since.

King isn’t feeling all that patient with Warner Bros. and has once again reiterated his praise for the film while failing to hide his bafflement at its continued release limbo.

”Between you and me, Twitter, I’ve seen the new SALEM’S LOT, and it’s quite good. Old-school horror filmmaking: slow build, big payoff. Not sure why WB is holding it back; not like it’s embarrassing, or anything. Who knows. I just write the fucking things.”…

(8) PRODUCTION ALMOST SHUTTERED, NOW OSCAR CONTENDER. The Hollywood Reporter found out “Why Megan Ellison Saved the Animated Film ‘Nimona’”.

In January of 2021, Megan Ellison got a call from Erik Lomis, the former head of distribution at her company, Annapurna Pictures, asking if she’d like to take a look at a movie whose filmmakers needed a lifeline. Disney was days away from announcing that it planned to shutter Blue Sky Studios, the 500-person, Greenwich, Connecticut-based animation studio it had inherited in the 2019 Fox acquisition, and with that closure, the Burbank media giant would be dropping Blue Sky’s most promising movie, Nimona.

“I wasn’t really engaging in new film projects at the time, but being curious, I said yes,” Ellison said, in an email.

Ellison watched the hand-drawn storyboard reels, which directors Nick Bruno and Troy Quane had adapted from ND Stevenson’s 2015 graphic novel, and instantly connected with the title character, a shape-shifter voiced by Chloë Grace Moretz who appears most often as a young woman, but can change into animals or other people. “I had never seen a character like Nimona in a film, let alone an animated family movie,” Ellison said. “I needed this movie when I was a kid, and quite frankly, I needed it right then and there. It was the perfect story to come into my life at that moment.”

Nimona — which has LGBTQ themes that Disney executives wanted to downplay — seemed destined to become a tax write-off before Ellison scooped it up. Now the movie, which Netflix released last June, is nominated for an Oscar for animated feature….

(9) ANALOG SCORES GERROLD INTERVIEW. There’s a “Q&A With David Gerrold” at The Astounding Analog Companion.

Analog Editor: What is your history with Analog?
David Gerrold: I have a long personal history with Analog. My first year of high school was at Van Nuys High. The library was a good place to hang out at lunch time and they had a subscription to Astounding. I started working my way through every issue they had. Astounding represented (to me) the high point of science fiction magazines. It introduced me to so many great stories and writers, that it became a goal. It was decades before I sold a story to the magazine, but that was one of the high points of my career.
This story was a sequel to an earlier piece where Ganny knit a spaceship out of cables and plastic sheeting. I suspect that construction of habitats in space would probably use a lot more fabricated materials than metal. So that was the spark. But once I’d written about how to build the ship, I began to wonder about the interplanetary politics, the economics, and how it all might work where everything is light minutes away from everything else. I think that’s part of the effect that reading Astounding/Analog had on me—I want to know how things work, especially in science fiction.

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born February 22, 1959 — Kyle Maclachlan, 65. I of course came to know Kyle Maclachlan first for playing Paul Atreides in David Lynch’s Dune. Like Timothée Chalamet, who was twenty-six when he played Paul Atreides, Maclachlan also was too old at twenty-five for the teen aged character. Just noting that.

(Remember that I’m not going to not noting everything that he’s done, just what I find interesting,)

It was his first film role which I didn’t know until now, so he was old for an actor getting his film career going.

Next up was Blue Velvet in which he was Jeffrey Beaumont. Definitely genre, as it is a thriller mystery blended with psychological horror. Also directed by David Lynch. Weird film, and even weirder role for film.

He did an excellent job as Lloyd Gallagher in The Hidden, a great SF film. He was not in The Hidden II which was not a great film.

Yes, the Twin Peaks franchise is genre given some of the things that happened here. His Dale Cooper character is played to perfection over to the thirty episodes of the original series and the eighteen episodes of Twin Peaks known as Twin Peaks: The Return and Twin Peaks: A Limited Event Series. He was also in Twin Peaks: Fire Walk with Me.

Did you know that he voiced Superman? Well he did. In one of the better animated films, Justice League: The New Frontier, he was as Kal-El / Clark Kent / Superman. He voiced him very well.

He showed up as Edward Wilde, a librarian in The Librarian: Quest for the Spear, one of the films in The Librarian franchise. Just on the off chance that you’ve not seen it, I’ll say no more as it, but it like all The Librarian franchise, is great popcorn viewing.

He was Cliff Vandercave in The Flintstones, the only Flintstones film worth watching.

Lastly he was in the Agents of S.H.I.E.L.D. in the dual role of Calvin Johnson / The Doctor.

(11) COMICS SECTION.

Pearls Before Swine is there when a comic trope collides with an environmental regulation.
Candorville’s topic of conversation is predictable.

(12) MASTODON UNDER ATTACK. TechCrunch says “Discord took no action against server that coordinated costly Mastodon spam attacks”.

Over the weekend, hackers targeted federated social networks like Mastodon to carry out ongoing spam attacks that were organized on Discord, and conducted using Discord applications. But Discord has yet to remove the server where the attacks are facilitated, and Mastodon community leaders have been unable to reach anyone at the company.

“The attacks were coordinated through Discord, and the software was distributed through Discord,” said Emelia Smith, a software engineer who regularly works on trust and safety issues in the fediverse, a network of decentralized social platforms built on the ActivityPub protocol. “They were using bots that integrated directly with Discord, such that a user didn’t even need to set up any servers or anything like that, because they could just run this bot directly from Discord in order to carry out the attack.”

Smith attempted to contact Discord through official channels on February 17, but still has only received form responses. She told TechCrunch that while Discord has mechanisms for reporting individual users or messages, it lacks a clear way to report whole servers.

“We’ve seen this costing server admins of Mastodon, Misskey, and others hundreds or thousands of dollars in infrastructure costs, and overall denial of service,” Smith wrote to Discord Trust & Safety in an email viewed by TechCrunch. “The only common link seems to be this discord server.”…

(13) A TUNE, NOT TUNA. “Whale song mystery solved by scientists” reports BBC.

… Baleen whales are a group of 14 species, including the blue, humpback, right, minke and gray whale. Instead of teeth, the animals have plates of what is called baleen, through which they sieve huge mouthfuls of tiny creatures from the water.

Exactly how they produce complex, often haunting songs has been a mystery until now. Prof Elemans said it was “super-exciting” to have figured it out.

He and his colleagues carried out experiments using larynxes, or “voice boxes”, that had been carefully removed from three carcasses of stranded whales – a minke, a humpback and a sei whale. They then blew air through the massive structures to produce the sound.

In humans, our voices come from vibrations when air passes over structures called vocal folds in our throat. Baleen whales, instead, have a large U-shaped structure with a cushion of fat at the top of the larynx.

This vocal anatomy allows the animals to sing by recycling air, and it prevents water from being inhaled….

(14) DEAR SCHADENFREUDE. Between bites of popcorn Shepherd exacted a little payback.

(15) [DELETED]. I apologize for drawing a comparison between Shepherd and Vox Day in the item that formerly appeared in this space. I was wrong to give into the impulse, which vented at Shepherd my emotional reaction to all the Hugo stuff I’ve had to write news about for the last month, something he has nothing to do with. (And if you want to ask why, then, is item #14 still here — Shepherd intended the needle, and I felt it. Ouch.)

(16) MIDNIGHT PALS. But do you know who’s really spinning in his grave? Read this and Bitter Karella will tell you.

Stephen King: they're named after you? i thought they were named after victor hugo
Gernsback: ha ha a common mistake
Gernsback: but that's fine
Gernsback: i'm not mad at all that victor hugo keeps getting the credit
Gernsback: i think its funny
Gernsback: in fact i'm laughing
— The Midnight Society (@midnight_pals) February 22, 2024

Gernsback: The Hugo — an award whose very name rings with integrity & honor!
Gernsback: it is no mere nebula! no paltry clarke!
Gernback: the stoker, the howard, the lambda – none can compare!
Gernsback: the L Ron hubbard writers of the future award? pah! dust before the hugo!
— The Midnight Society (@midnight_pals) February 22, 2024

Gernsback: what the–?!
Gernsback: my beautiful hugos!!! tainted by the foul stench of corruption!!!
Clive Barker: yeah boy i bet victor hugo's just sick about it
Gernsback:
Barker: just sick about what they did to his award
Gernsback:
Barker: ha ha
Poe: clive leave him alone
— The Midnight Society (@midnight_pals) February 22, 2024

Chris M Barkeley: [thrusting microphone] Mr gernsback! mr gernsback! a statement for the press?
Jason Sanford: [thrusting microphone] how do you respond to the allegations about your award mr gernsback?
Gernsback: confound these intrepid newshounds of the 4th estate!
— The Midnight Society (@midnight_pals) February 22, 2024

Gernsback: what a debacle! i cannot believe my good name will now forever be associated with such shady practices!
HP Lovecraft: hey when are you gonna pay me for my story you ran?
Gernsback: new phone, who dis?
— The Midnight Society (@midnight_pals) February 22, 2024

Gernsback: the person that this hurts most of all
Gernsback: is clearly bitter karella
Gernsback: for reasons i can't articulate
Gernsback: everyone should immediately go and heap conciliatory praise on bitter karella
Gernsback: truly the most wronged person of all
— The Midnight Society (@midnight_pals) February 22, 2024

Gernsback: look how bitter karella keeps a brave face… for our sake!
King: god bitter karella is so brave… and so modest!
Poe: truly a great goblin
Poe: possibly the greatest
Koontz: why? what did they do?
Poe: dean! show some respect!
— The Midnight Society (@midnight_pals) February 22, 2024

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Laura, Joyce Scrivner, Oghenechovwe Donald Ekpeki, Kevin Standlee, SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day OGH.]

Pixel Scroll 2/21/24 Born Of Scroll And Pixel?

Posted on February 21, 2024 by Mike Glyer

(1) NOT A NEW PHENOMENON. [Item by Anne Marble.] If the article quoted in Seanan McGuire’s thread is any indication, the people marketing “romantasy” seem to think they’re the first to publish fantasy novels for women. Or maybe they know better — but they don’t care because they’re trying to market romantasy/romantic fantasy. Bluesky thread starts here.

(2) WELCOME TO DYSTOPIA. Like Abigail Nussbaum says in her headline: “The 2023 Hugo Awards: Somehow, It Got Worse” at Asking the Wrong Questions.

… I’m going to say this again, because it is so shocking that it seems to have taken a lot of people some time to grasp the enormity of it: hundreds, perhaps even thousands of valid, legal nominating ballots were dropped from the final nominating stats, apparently under the pretext of having represented a slate, even though slates are perfectly legal under the Hugo rules. This was done on the orders of the Hugo administrator, with apparently no outside input or discussion, and appears to have elicited so little response from the Hugo team that they are casually mentioning it as if it’s nothing. If these numbers are correct, it’s entirely possible that the whole Hugo ballot should have looked completely different, and that none of the eventual winners in the fiction categories should have even been nominated.

What this means is that the entire 2023 Hugo scandal is something completely different from what we’ve understood it as during the last month. Appalling as it is, the choice to screen English-language nominees for ideological compatibility may, in fact, be a sideshow to the real scandal, which is that hundreds of Chinese voters have been disenfranchised. And—barring even more revelations—this disenfranchisement cannot be blamed on PRC sensibilities and censorship. I truly doubt that it was in the interest of China, or the Chinese business interests who took over Worldcon, to remove Chinese-language nominees from last year’s Hugo ballot. This decision came from the American and Canadian staffers who made up the English-language Hugo team, many of them Worldcon volunteers of long standing.

In this context, it is infuriating to recall just how quickly the response to our original sense of what this scandal was turned to anti-democratic measures and calls to limit the power of rank-and-file Worldcon members. “Elections have consequences!” crowed the people who are still pissed they weren’t allowed to steal the site selection vote in 2021, while others called to limit site selection to those with “skin in the game”—read, those with the wherewithal to travel to US-based conventions. But as it turns out, the call was coming from inside the house. This was never a China problem. It’s an us problem. If the allegations that are now emerging claiming that McCarty has behaved this way in the past, and also harassed other Worldcon staffers, are to be believed (and there is certainly more than enough reason to believe them at this point), it’s a profound failure on the part of Worldcon and its membership to police toxic members, which has now blown up in all our faces….

(3) TCHAIKOVSKY’S STATEMENT ABOUT 2023 HUGO. His Children of Time was announced as winner of the 2023 Best Series Hugo, however, after all the revelations “Adrian Tchaikovsky Will No Longer Cite His 2023 Hugo”.

There are many reasonable points of view about how to deal with the awards. File 770’s goal is to support and respect the recipients’ decisions.

Another author, Samantha Mills, recently made a decision comparable to Tchaikovsky’s, in a blog post titled “’Rabbit Test’ unwins the Hugo”.

(4) THE WHOLE WORLD IS WATCHING. The Hugo Awards scandal has even made it into Sweden’s Dagens Nyheter – “Litteraturpris valde bort kinesiska författare”. The article is behind a paywall, though that’s honestly only a problem if you read Swedish.

(5) RAH VS. PKD. Giant Freakin Robot, in “The Sci-Fi Master Whose Work Has Been Ignored By Hollywood, And That Needs To Change”, feels Robert A. Heinlein deserves the kind of cinematic attention given to Philip K. Dick. (Survey says – *bzzzt*! “Wrong!”)

…Hollywood has had an ongoing love affair with the works of Phillip K. Dick for decades now. Sometimes it’s a healthy relationship, giving us masterworks such as Blade Runner. Sometimes it’s downright abusive when it produces flicks like Screamers or Paycheck. And sometimes it splits the difference and serves up enjoyable silliness such as Total Recall.

Still, as many times as the movies have returned to Dick’s catalog, you’d think he was the only SF writer out there. We all know better, of course, and pretty much any SF fan has their dream list of books they’d love to see brought to the silver screen.

If Hollywood really wants to freshen things up, they should take a closer look at the work of Robert A. Heinlein….

(6) BANNED FROM THE HIGHWAY. [Item by Dann.] Remember when non-genre magazines used to publish SFF stories?

Every automobile begins as the sparkle in someone’s eye. In 1981, Neil Peart and his Rush bandmates introduced the world to a Red Barchetta. Saved in an old white-haired uncle’s barn. A relic from before the Motor Law being chased down by gleaming alloy air cars before being saved by a one-lane bridge

But before that, it was an old MGB roadster. Rendered obsolete by wave after wave of modern automobile safety standards had made surviving car crashes not only likely but predictable. The drivers of the newly designed cars expected to walk away from accidents unscathed. As a result, drivers of these Modern Safety Vehicles began targeting older vehicles leaving them in mangled heaps. Those driving older cars were likely to be left in a similarly mangled condition. The price for driving a classic. And so the driver of the old MGB engages in a race for his life pursued by a pair of MSVs.

The story was “A Nice Morning Drive“. It was written by Richard S. Foster and first published in the November 1973 issue of Road & Track magazine. Neil Peart had encountered the story and was inspired to re-tell it in a more distant future where automobiles were banned. It appeared in 1981 on the quintessential RUSH album, Moving Pictures as the second track, “Red Barchetta“.

The band had tried to contact Richard, but R&T no longer had his current address. They did add a credit note referencing the original story in the liner notes.

It was many years later before a friend pointed out that Neil had been inspired by Richard’s story. And it was a few years after that when Richard began corresponding with Neil. The two eventually planned a motorcycle ride along the East Coast. It turns out that they both owned the same model motorcycle, the BMW R1200GS.

As a footnote, Moving Pictures came out in my junior year of high school when I took an advanced composition class. At some point, a red car entered into the zeitgeist of my classmates. The model would shift to suit the moods and tastes of various authors. Sometimes it was only glimpsed under a protective tarp. Other times it would it would fly along country roads kicking up a stream of fall leaves. Our automobile appreciations lasted about a month before our teacher put a firm but kindly end to our vehicular ruminations.

(7) BACK IN ACTION. Nancy Collins’ February 19 update to her GoFundMe backers is good news indeed: “Fundraiser by Nancy Collins : What Doesn’t Kill Me Leaves Me With Medical Bills”.

I want to take a moment to thank all of you once again for the great kindness and generosity you have shown me in the recent weeks and also update you on my current status and plans.

This coming weekend (February 23rd-25th) I will be a guest at Pensacon 2024 in Pensacola, FL. My doctor says I’m in good enough health to travel as long as I continue to pace myself and take my meds and supplements. And, to be blunt, I can’t afford to pass up what is likely my only comic con appearance for the foreseeable future. So if any of you who have donated are at the convention this coming weekend, please stop by so I can thank you in person. My good friend, Adam–who is the one who talked me into going to the ER instead of gutting it out another 24 hours–will be driving me there and back, as well as helping set-up and run my merchandise table for the weekend, so I have reliable support with me.

I have 3 more weeks, more or less, of blood thinners twice a day ahead of me before I get an idea of whether or not the blood clots were a one-off event or a symptom of something more serious. Until I know one way or another, I will be staying close to home. However, I still plan to be at the Outer Dark Writer’s Symposium in Atlanta next month, health permitting.

(8) LEE AND MILLER PHOTO. Following yesterday’s announcement of Steve Miller’s death, Andrew Porter sent File 770 his photo of the Steve and Sharon at Book Expo.

(9) MARK MERLINO DIES. Mark Merlino, one of the early founders of organized Anime and Furry fandoms in North America, died February 20 at age 71. He suffered a stroke in December, then was diagnosed with stage 4 liver cancer about two weeks ago.

Merlino was known for organizing ConFurence, the very first furry convention, which laid the groundwork for the community’s expansion and visibility. His influential role was also recognized in the documentary feature The Fandom, showcasing his significant contributions.

(10) RICHARD MATHEWS (1944-2024). Scholar Douglas Anderson pays tribute to a colleague in “R.I.P. Richard Mathews (1944-2024)” at Tolkien and Fantasy.

I just googled to see if my old friend Richard Mathews was still the Director of the University of Tampa Press, only to find out that he died last month.

I met him at the 1987 Mythcon in Milwaukee, where we both appeared on a panel on David Lindsay. We found we had many common interests. Richard had published, with Borgo Press, a short book on Tolkien, Lightning from a Clear Sky (1978), and other short books on William Morris and Brian Aldiss. His most notable work was the Twayne volume Fantasy: The Liberation of Imagination (1997; reissued in 2012), which was filled with insights despite the somewhat odd structure of the book (presumably imposed upon him as part of the series it was in). Richard also contributed introductions to some of the William Morris reprints for the Newcastle fantasy series in the 1970s….

(11) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born February 21, 1946 — Alan Rickman. (Died 2016.) The first time I saw Alan Rickman was in the decidedly not-genre role of German terrorist leader Hans Gruber in Die Hard, a film that’s still high on my list of great thriller films. Great role for him, too. It was amazingly his first film role.

He would won a BAFTA Award for Best Actor in a Supporting Role for playing the Sheriff of Nottingham in Robin Hood: Prince of Thieves. I actually did see that film. No, I’ll never watch again. Simon R. Green’s publicist tells me he made a lot of money for writing the novelization.

Rickman went on to play the wizard Severus Snape in the Harry Potter series. I can’t say I cared for the character but I don’t think we were supposed to. I never got beyond a hundred pages in the first novel before I gave up reading it, but loved the films.

While in the film The Hitchhiker’s Guide to the GalaxyWarwick Davis played Marvin, the android who was clinically depressed and in the novels I thought a royal pain in the ass, it was Alan Rickman who actually voiced the character.

He also voiced Absolem, the Caterpillar in an odd version of Alice in Wonderland. Look it up. Trust me, it’s weird.

And yes, I saved the best first last for last which as you already know is his role in the Hugo Award winning Galaxy Quest which is by far his best genre role. Alexander Dane is a Shakesperean actor who resents his character Dr. Lazarus, the ship’s science officer. His catch phrase? Oh, you know that by heart.

(12) COMICS SECTION.

Macanudo shows who really was entitled to say, “How wude!!”

(13) ALL IN THE FOUND FAMILY. [Item by Steven French.] How the story of the ‘Hopkinsville goblins’ led to ET, Gremlins and a bunch of other movies! “The Long, Surprising Legacy of the Hopkinsville Goblins” at Atlas Obscura.

…THE STORY COMES TO US from the local newspaper Kentucky New Era, which, on August 22, 1955, reported strange goings-on the previous night, eight miles north of Hopkinsville, Kentucky. At about 11:00 pm, two cars arrived at the local police station, blasting out of the night filled with at least five adults and several children, all of whom were highly agitated. “We need help,” they told the police. “We’ve been fighting them for nearly four hours.”

Once they’d calmed down enough to talk, they unfurled a strange story. One of the men, Billy Ray Taylor, had been visiting from Pennsylvania. At one point, he went outside to fetch water from the farm’s well. As he walked through the failing light, he saw a circular-shaped object hover through the air before coming to rest in a nearby gully…

… Concerned, Taylor retreated inside and returned with a shotgun to investigate. As he walked into the gloom, a strange, goblin-like thing with glowing eyes appeared and moved toward him. It had “huge eyes,” and hands out of proportion with its body, and looked to be wearing some kind of “metal plate.” Taylor retreated to the house yet again and grabbed a .22 caliber pistol, while Lucky Sutton grabbed a shotgun and joined him.

A creature—whether it was the same one, they didn’t know—appeared in the window, and Sutton unloaded his shotgun at it, blowing out the window screen. When they went outside to see if they’d hit anything, Taylor felt a “huge hand” reach down from the low roof above and grab his hair….

(14) CARVING OUT A PLACE IN SPACE. “Japan to launch world’s first wooden satellite to combat space pollution” – the Guardian has the story.

The LignoSat probe has been built of magnolia wood, which, in experiments carried out on the International Space Station (ISS), was found to be particularly stable and resistant to cracking. Now plans are being finalised for it to be launched on a US rocket this summer.

The timber satellite has been built by researchers at Kyoto University and the logging company Sumitomo Forestry in order to test the idea of using biodegradable materials such as wood to see if they can act as environmentally friendly alternatives to the metals from which all satellites are currently constructed.

“All the satellites which re-enter the Earth’s atmosphere burn and create tiny alumina particles, which will float in the upper atmosphere for many years,” Takao Doi, a Japanese astronaut and aerospace engineer with Kyoto University, warned recently. “Eventually, it will affect the environment of the Earth.”…

(15) IT’S SUN-GRY. The Guardian reports — “Astronomers discover universe’s brightest object – a quasar powered by a black hole that eats a sun a day”. (“Feed me!”)

The brightest known object in the universe, a quasar 500tn times brighter than our sun, was “hiding in plain sight”, researchers say.

Australian scientists spotted a quasar powered by the fastest growing black hole ever discovered. Its mass is about 17bn times that of our solar system’s sun, and it devours the equivalent of a sun a day.

The light from the celestial object travelled for more than 12bn years to reach Earth….

(16) VIDEO OF THE DAY. Animation Magazine encourages readers: “Watch: Prime Video Sneak Peeks ‘The Second Best Hospital in the Galaxy’ in New Clip”. The series debuts February 23.

…In a new exclusive clip shared with Animation Magazine, we get an advance look at the premiere episode. The excerpt features Dr. Klak (Keke Palmer), Dr. Sleech (Stephanie Hsu), Dr. Vlam (Maya Rudolph) and Dr. Plowp (Kieran Culkin). In Season 1, doctors Sleech and Klak take on a highly dangerous and potentially groundbreaking case and, in doing so, put existence itself in jeopardy. (Although considering their dismal personal lives, oblivion might be an improvement.)…

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Taral Wayne, Rich Lynch, Anne Marble, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Jeff Jones.]

Pixel Scroll 2/20/24 The Scroll Of Theseus

Posted on February 20, 2024 by Mike Glyer

(1) IN THE BEGINNING. Philip Athans asks everyone, “Don’t Be Hatin’ On Prologues (Again)” at Fantasy Author’s Handbook.

… Anyway, once again we’re being told that all prologues are bad, no books should ever have a prologue, and all authors who write prologues are bad, and anyway, it’s best to just skip over them if one should have the nerve to appear….

…Let’s take this monumental misconception in two parts. First, the notion that prologues are optional and no one reads them.

As both an editor and a reader I have never in my life skipped a prologue or in any way went in thinking it was not necessary to the story. Not one time, not ever. This notion is so alien to me I can’t even begin to understand the origin of it.

Richard Lee Byers, author of Called to Darkness and The Reaver (neither of which happen to have prologues) tried to help: “…the assumption is that the prologue is an info dump. Beyond that, even if it’s exciting in its own right, there’s a feeling that if Chapter 1 switches to different characters or is Ten Years Later, you’ve thrown away whatever narrative momentum you might have built up.”

There should never be an assumption that a prologue is an info dump, because prologues should never be info dumps—not ever, not under any circumstances. And yes, even if your world is really complex and you’ve spent years worldbuilding and you’re sure no one will understand your story unless you “set the scene” or teach them all about your amazing world, and all that nonsense. If this is what your prologue is doing, that’s why your book is being rejected, not because it has a prologue, but because it has a crappy prologue….

(3) HISTORY AND MORAL PHILOSOPHY. Canadian sff author D.G. Valdron writes about “Moral Compromise and the Lesson of the Hugos” on Medium.

… Well, the Hugos Scandal isn’t the battle for Civil Rights. But the sort of moral compromise and coercion that King criticized is on display here, and it’s frightening how unnecessary it was, how shallow virtue turned out to be.

How do we really act, how do we really think or behave, how virtuous are we if we are genuinely tested, if there’s a real push. How often have you bowed your head and simply gone along to get along.

And how brave will you be when there are real consequences? When taking a stand actually can get you arrested, or get you fired from your job, or get you beaten up? How principled are you, when there’s money involved, either to lose or to gain? When principles mean some form of inconvenience? When principles mean going against the crowd?

Sadly, I think that most of us won’t be. We’ll be just like the Hugo folk….

(4) THE FIRST. “’No one had done it before him’: the groundbreaking stories of Black astronauts” – the Guardian discusses the documentary film The Space Race.

…Glover describes the tension of code switching between his professional and personal lives. He is a military officer and Nasa astronaut – he will pilot the upcoming Artemis II mission that will orbit the moon – but also a Black man in America. “Is it really possible to have a double consciousness? No, but you almost have to think of it that way: there’s a bit of me that I am at home and then there’s a bit of me that I am at work, and the overlap is kind of small.”…

(5) STEVE MILLER (1950-2024). Sff author Steve Miller died this afternoon. His wife and co-author Sharon Lee told Facebook readers:

He went downstairs to take a walk at about 4:30. At about 5:30, I thought he’d been awhile and went downstairs to see what was going on.

He was on the floor, unconscious, and not breathing. I called 911, and did CPR until the ambulance and EMTs arrived. They did everything they could, but his heart just wouldn’t beat on its own.

Miller’s health had been failing; he recently wrote his own obituary, which Sharon Lee has allowed File 770 to post (see “Steven Richard Miller (July 31, 1950 – February 20, 2024)”.)

Steve and Sharon Lee declared themselves partners in life and in writing in 1978. They married in November 1980, and moved from Maryland to Skowhegan, Maine, in October 1988 after the publication of their first joint novel, Agent of Change, the first in what was to become a long series of space opera novels and stories set in their original Liaden Universe®. A book in that series, Scout’s Progress, won the 2002 Romantic Times Book Club Reviewers Choice Award for Best Science Fiction Novel.

Steve was an active member of fandom in earlier years, as Director of Information of the Baltimore Science Fiction Society for some time, and as vice-chair of the bid committee to hold the 1980 Worldcon in Baltimore (they lost to Boston).

The SF Encyclopedia says Steve began publishing work of genre interest with “Shalgiel” for Flux Magazine in 1976, one of his few solo works. He began collaborating with Sharon with “The Naming of Kinzel: The Foolish” (June 1984 Fantasy Book); and all his novels have been with Lee, primarily the Liaden Universe® sequence.

Steve ran his own small press from 1995 through 2012, specializing in chapbooks containing 2-3 short stories set in the Liaden Universe® and other settings from books by him, Sharon Lee and other authors.

For awhile Steve and Sharon ran Bookcastle & Dreamsgarth, Inc., a genre bookstore with a traveling convention SF art agency component.

Steve and Sharon were honored together in 2012 with NESFA’s Skylark Award, given for contributions to SF in the spirit of E.E. “Doc” Smith.

(6) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born February 20, 1926 — Richard Matheson. (Died 2013.) Now we come to Richard Matheson. So where shall I start? From a genre viewpoint, we should start with the Hugo he would share at Solacon for The Incredible Shrinking Man, directed by Jack Arnold from Matheson’s screenplay based off his novel.

What next? Well The Twilight Zone, of course. He scripted thirteen episodes of which “Nightmare at 20,000 Feet” with William Shatner is certainly the best-known. I’d also single out “Little Girl Lost” for just being out really, really scary, again it’s based off a story of his. Also, “Nightmare at 20,000 Feet” became part of the Twilight Zone film.

Oh, sweet mother, he was prolific! I mean really, really prolific. Just cinema films alone totaled up to at least twenty-eight: television work adds another thirty-four. So no, I’m not covering these in detail, am I?

Matheson’s famous novel I Am Legend was made into three movies – but he wondered in an interview why it kept being optioned when no one ever made a movie that actually followed the book. He hated The Last Man on Earth, so he’s credited as Logan Swanson instead. It got made twice more, as The Omega Man, and much later as I Am Legend with Will Smith.

Now where was I? (The phone rang from a medical office. Lots of those these days.) Ahhh, series work.

The Night Stalker was his greatest success. The Night Stalker first aired in January 1972, and garnered the highest ratings of any television movie at that time. Matheson would receive an Edgar Award from the Mystery Writers of America for Best TV Feature or Miniseries Teleplay.

He scripted but a single episode of The Girl from U.N.C.L.E., “The Atlantis Affair” and none of the other U.N.C.L.E. series.

He did “The Enemy Within” episode of the Trek series, not one that I consider to be all that great.

Remember in the Jack Palance Birthday I mentioned Dracula, also known as Bram Stoker’s Dracula and Dan Curtis’ Dracula? Well guess who the scriptwriter was for it?

He’s the scriptwriter of The Martian Chronicles, the good, the bad whatever of that series. Seen it at least three times, still love the original version much more.

He was involved in Twilight Zone: Rod Serling’s Lost Classics. The first and much shorter segment, The Theatre, was expanded and scripted by him from a Serling outline.

Now his fiction.

Thirty novels which with the exception of the ones of the ones I’ve already noted and The Shrinking Man and The Night Stalker novels, I recognized absolutely nothing. What I found fascinating is that half of the nearly thirty novels had become films. Nearly all with him writing the scripts for them.

Short stories. Oh yes. And as I’ve mentioned previously, many of them were adapted by him into scripts for such series as The Twilight Zone. He’s got literally dozens of collections but not being one who’s read him deeply, I cannot recommend what ones are the best to acquire.

(7) COMICS SECTION.

Mannequin on the Moon makes a grotesque joke about early book bans.
Nancy has a new take on a classic.
Saturday Morning Breakfast Cereal adds to the Three Laws – Lise Andreasen says, “I think you’ll find no. 4 is Wil Wheaton’s law.”
Frank and Ernest make a dumb pun, but not too dumb to link to.

(8) HOW EDUCATIONAL! The New York Times declares, “It’s Alive! EC Comics Returns”.

EC Comics, which specialized in tales of horror, crime and suspense, and was shut down in the “moral panic” of the 1950s, is making a comeback.

Oni Press will publish two new anthology series under the EC Comics banner. The first, Epitaphs From the Abyss, coming in July, will be horror focused; Cruel Universe, the second, arrives in August and will tell science fiction stories.

Hunter Gorinson, the president and publisher of Oni Press, said the new stories will interpret the world of today, much as EC Comics explored the American psyche of the 1950s. The cover designs will feel familiar to EC Comics fans: Running down the top left is a label declaring the type of story — “Terror” or “Horror” or “Science-Fiction” — and the logo evokes the bold colors and fonts of past series like “Tales From the Crypt” and “The Vault of Horror.”

The series are a partnership between Oni and the family of William M. Gaines, the original publisher of EC Comics, who died in 1992. Gary Groth, the editor of The Comics Journal, told The New York Times in 2013 that EC Comics was “arguably the best commercial comics company in the history of the medium.”….

(9) IT’S A JUNGLE OUT THERE. “I Went to Hogwarts for Seven Years and Did Not Learn Math or Spelling, and Now I Can’t Get a Job” is a 2020 humor piece from The New Yorker.

Dear Headmaster McGonagall:

I am a recent Hogwarts graduate, and, although my time with you was a literal fantasy, I unfortunately did not learn a lot of basic skills, like math or spelling, at your skool.

You may say, “Why do you need arithmetic? You’re a wizard. You can do magic!” To which I reply, sure, for some wizard careers that’s great, but other wizards work in middle management and just want a normal nine-to-five gig. When I graduated, I thought that all I would need was my wand and a couple of choice incantations, but these days, without at least a little algebra, you’re not even qualified to work in Bertie Bott’s retail department…

(10) ARTIFICIAL SURE, INTELLIGENT? MAYBE. Not including any copies of the images was an easy choice: “The rat with the big balls and the enormous penis – how Frontiers published a paper with botched AI-generated images” at Science Integrity Digest.

… The authors disclose that the figures were generated by Midjourney, but the images are – ahem – anatomically and scientifically incorrect.

Figure 1 features an illustration of a rat, sitting up like a squirrel, with four enormous testicles and a giant … penis? The figure includes indecipherable labels like ‘testtomcels‘, ‘senctolic‘, ‘dissilced‘, ‘iollotte sserotgomar‘ and ‘diƨlocttal stem ells’. At least the word ‘rat‘ is correct.

One of the insets shows a ‘retat‘, with some ‘sterrn cells‘ in a Petri dish with a serving spoon. Enjoy!…

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Kathy Sullivan, Daniel Dern, Lis Carey, Lise Andreasen, Michael J. “Orange Mike” Lowrey, John A Arkansawyer, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Steven Richard Miller (July 31, 1950 – February 20, 2024)

Posted on February 20, 2024 by Mike Glyer

[Introduction: Sharon Lee just announced, “Steve died very suddenly today. We knew his health was failing, and he told me a few months ago that he had written an obit. I found it on his computer.” File 770 is honored to publish it.]

Steven Richard Miller was born in Baltimore MD July 31, 1950, son of Donald George Miller and Helen Lorraine Miller (Myers). He attended and graduated from Franklin Senior High School, Class of 1968, where he was on the chess team and also the editor of the literary magazine. He attended University of Maryland Baltimore County (UMBC), where besides joining the chess team he became News Editor and later Managing Editor of the school newspaper, originating and teaching several courses on Science Fiction as an undergrad.

Pursuing his life-long interest in writing and science fiction he attended the Clarion West writing workshop in 1973 where he studied with genre greats Peter Beagle, James Sallis, Harlan Ellison, Terry Carr, Vonda McIntyre, Ursula LeGuin, and Joanna Russ, shortly after which he joined UMBC’s Albin O. Kuhn Library staff as the founding Curator of Science Fiction.

Following his stint as a library curator, Steve pursued writing including freelancing features, photos, and community news for many Baltimore region weekly and monthly newspapers; along the way he was also editor of Prime Time News, The Valley Voice, and an owner of New County Express, while contributing articles to the Baltimore Sun, The Washington Post, Locus, Bangor Daily News, Chess Life, Practical Survival magazine, Morning Sentinel, and others.

In April 1978, Steve and Sharon Lee declared themselves partners in life and in writing. In the next while they opened Dreams Garth and Book Castle, a science fiction themed used bookstore and art gallery business. They married in November 1980, and moved from Maryland to Skowhegan, Maine, in October 1988 after the publication of their first joint novel, Agent of Change, the first in what was to become a long series of space opera novels and stories set in their original Liaden Universe®. In 1992, they moved to Winslow; and to Waterville in 2018.

After the move to Maine, Steve continued to pursue his writing career and also became increasingly involved in computers, starting Circular Logic BBS, which became one of the state’s largest independent BBS systems, about the same time he joined the Oakland Public Library (Maine) as children’s librarian and IT specialist, a part-time position. Next, Steve was manager for Maine Computer Connection, which led to a job as lead sysop and trainer for the statewide Maine Meeting Place BBS, serving the disability community’s communication needs before the internet had become commonplace in Maine. As the internet took hold, he became Internet Librarian for Unimation, a startup in Unity, Maine. When Unimation folded during the dotcom winnowing in 1995, Steve transitioned to publisher and writer, a career he continued until his death.

Steve’s interest in chess spanned most of his life. In addition to participating in the Maryland Scholastic Chess League in high school, he was a member of UMBC’s first intercollegiate chess team and later became a US Chess Federation Tournament Director, President of the Owings Mills Chess Club in Maryland, and a voting member of the USCF representing Maryland while directing a regular series of open tournaments at the Owings Mills Chess Club, publishing Skittles – a monthly chess newsletter – and enjoying occasional success over the board.

After moving to Maine he joined and later became President of the Waterville Chess Club, where he reformed the club’s rating system, and instituted a series of regular open tournaments as well as running several Maine State Championships in a row, both of which were the largest to date in the state. He was recognized as Maine Chess Organizer of the Year in 1995. In addition to winning several club championships, Steve was part of Waterville’s Maine Chess League State championship team in 1998. He remained active in the local chess scene for many years including frequent participation in the Waterville club’s virtual meetings during Covid.

Steve was predeceased by his father, Donald Miller of Madeira Beach FL, his stepfather, Ronald L. Moore Sr., and his mother, Helen Moore. Survived by his wife, Sharon Lee, and siblings Donald George Miller (Kim), Craig Edward Miller (Brenda), Cindy Rex (Ron Prietz Sr.), Roland L. Moore, Jr. (Kay) numerous nieces and nephews.

[Thanks to Sharon Miller for the post.]

Pixel Scroll 8/20/23 But Can He Put A Brick To Sleep Through Hypnosis?

Posted on August 20, 2023 by Mike Glyer

(1) MAINE PAPER INTERVIEWS LIADEN CREATORS. “Waterville authors’ marriage has stood the test of time – and deadlines”, in the Portland, ME Press-Herald.

In the days when they were trying to build their careers as science fiction writers, Sharon Lee and Steve Miller had multiple jobs to pay the bills, and a shared typewriter.

Lee remembers going off to work at the paper mill in Skowhegan during the day and leaving whatever she had written in the typewriter for Miller, so he could pick up where she left off when he came home from his overnight shift at a Cumberland Farms.

“We just left the paper in the typewriter for whoever was home to work on the book,” said Lee, 70. “We had a deadline to meet, it was a necessity.”

Some 35 years later, Lee and Miller still write science fiction novels together, but with the luxury of time and space. Both write full-time and each have their own writing office, at opposite ends of their ranch house in Waterville. Nowadays, they sometimes leave finished pages on the dining room table for the other to read over. They’ve collaborated on some 100 stories and books over the years, including 25 novels in the popular Liaden Universe series.

The most recent book in the series, “Salvage Right,” went on sale in July and debuted at No. 2 on book publishing industry data provider BookScan’s science fiction list. It was published by Baen Books and distributed by Simon & Schuster. Their first book came out in 1988, the year they moved to Maine from Baltimore. The couple has been married since 1980.

“They are two very intelligent, creative people playing off each other, and there’s a huge element of trust in the way they work. You can’t tell which ones Sharon took the lead on or which ones Steve did,” said Toni Weisskopf, the publisher at Baen Books. “There have been some husband-and-wife collaborations in science fiction, but for a couple to work together this long and for their marriage to remain successful is probably unique.”…

(2) CHENGDU WORLDCON TAKING APPLICATIONS FOR FAN TABLES. The Chengdu Worldcon (October 18-22) is now accepting requests from those who want to run Fan Tables. The deadline to apply is August 31 at 5:00 p.m. (Beijing Time). Detailed information is in the 2023 Chengdu Worldcon Exhibition Brochure. The contact email is [email protected].

…As one of the most important parts of a Worldcon, the exhibition is an excellent platform for global fannish groups to experience science fiction culture from various community and communicate and exchange science fiction ideas and perspectives. This year, we have set up an area of over 5,000 sqm exhibition space which composed with industries and fannish groups related to science fiction genre. You can find exhibitors featuring the content of science fiction lifestyle, arts, films, publishing, games, popular science and culture and tourism along with Fan Table, Dealer’s Room and the Future Worldcons. Now we are pleased to announce the open of application for the exhibition, however, due to the limited space and table, we have to approve the application in a manner of first come first get.

(3) ALL BRADBURY, ALL THE TIME. The Library of America interviewed Jonathan Eller, editor of The Illustrated Man, The October Country, Other Stories, which gathers two of Ray Bradbury’s celebrated collections and twenty-seven other stories. Eller is the author of the definitive, three-volume Ray Bradbury biography (Becoming Ray Bradbury, Ray Bradbury Unbound, Bradbury Beyond Apollo) and the general editor of the Collected Stories of Ray Bradbury and The New Bradbury Review. “Jonathan R. Eller on Ray Bradbury’s journey from the pulps to the slicks”.

Jonathan R. Eller: Throughout World War II, Ray Bradbury published in the genre pulps by way of his first New York agent, Julius Schwartz. His success with off-trail stories in the pages of Weird Tales came first, as he slowly developed a style to match his tales of strange children and eccentric supernatural creatures that bore little resemblance to the conventional vampires, ghosts, and werewolves usually featured in the supernatural pulps.

By 1945 he had found another reading audience through the crime fiction pulps, again creating unconventional characters who blurred the boundaries between rational, neurotic, and psychotic behavior. All along he had also been publishing in the science fiction magazines with limited success, hampered to some degree by an anxiety of influence and the virtual lack of any background in the sciences or technologies that stimulated many other writers in the field.

Nevertheless, Bradbury was already developing his own distinctive, metaphor-rich style, and genre mentors such as Leigh Brackett, Edmond Hamilton, and Henry Kuttner helped him discover his true strengths as a writer. Bradbury always believed that his subconscious was the key to original ideas, and by the mid-1940s he realized, on some level, that his strengths were not in imagining the experiences of others, but in telling stories that came from the emotional responses to life found in the mind of a child, and the mind of the adult that the child would become. These subjects he knew well….

(4) I’VE HEARD THAT SONG BEFORE. “Rod Serling Committed Plagiarism In The Twilight Zone – By Accident” – Slashfilm explains what they mean by that.

The pilot episode for Rod Serling’s seminal sci-fi TV series “The Twilight Zone” was called “Where Is Everybody?,” and it aired on October 2, 1959. It was directed by Robert Stevens and, like most episodes of “The Twilight Zone,” was written by Serling himself…

Bradbury was unambiguous when addressing Serling’s “inspiration.” He explained:

“The first program of ‘The Twilight Zone’ is based on a story from ‘The Martian Chronicles.’ He invited me to a screening with my friend Bill Nolan and the other boys in the gang, you know, and when we came out we all looked at each other and said, ‘God, that looks a little bit like a story from “The Martian Chronicles.”‘ I didn’t say anything because I was embarrassed. And a month or so later, Rod called me on the phone and said, ‘Why didn’t you tell me?’ I said, ‘Tell you what?’ He said, ‘Well, my pilot script is based partially on a story of yours from “The Martian Chronicles?”‘”

It seemed that Serling didn’t know that Ray Bradbury had beaten him to a “lone soul wanders a human-free landscape” story by about nine years. Serling then told Bradbury that it took his wife, Carol, to point out the similarities to him. Luckily, she happened to be readying Bradbury’s book at the time. The author recalled:

“[Serling] said ‘I was in bed reading with my wife and Carol turned over, she was reading “The Martian Chronicles” and she said, “Rod, read this, it’s like your pilot.”‘ And he said, ‘My God, I realized that inadvertently I’d stolen part of your idea.'”

Luckily, Serling wanted to do the honorable thing, and give credit where credit was due; it seems that Rod didn’t want to rip off any ideas or claim credit for himself. He offered to pay Bradbury to appropriate amount to purchase the rights to his story. Bradbury refused, saying that the acknowledgment was enough, offering him vindication….

(5) SCOREBOARD, BABY! “Another judge agrees: AI-Created art isn’t copyrightable” reports Mashable.

…There has been a debate raging over whether or not work created by generative artificial intelligence can be copyrighted. Some judges have ruled no, of course not, that would be absurd; others have argued the opposite. On Friday, the computers took another L.

A federal judge ruled to uphold a finding from the U.S. Copyright Office that states that pieces of art that are created by AI are not protected by copyright law. As the Hollywood Reporter found, U.S. District Judge Beryl Howell, who delivered the ruling, said copyright law hasn’t ever protected “works generated by new forms of technology operating absent any guiding human hand.”

Stephen Thaler, the chief executive of the neural network firm Imagination Engines, has been leading the charge in hopes of copywriting AI works, according to the Hollywood Reporter. In his lawsuit, he argued that AI should be acknowledged “as an author where it otherwise meets authorship criteria” and that works generated completely and solely by artificial intelligence should be protected by copyright law.

“In the absence of any human involvement in the creation of the work, the clear and straightforward answer is the one given by the Register: No,” Howell wrote, adding that copyright law “protects only works of human creation.”…

(6) GRABBING WITH BOTH ROBOTIC HANDS. [Item by Bill.] Meanwhile, Google wants Australian copyright (and presumably other countries as well) to explicitly allow AI/LLM systems to scrape copyrighted material as “fair use”. “Google Wants AI Scraping to Be ‘Fair Use.’ Will Courts Agree?” at Tom’s Hardware.

What do you think would happen if I tried this? I stroll into a bank and see a wad of cash within arm’s reach behind an unoccupied teller window. I grab the dough and start walking out the door with it when a police officer, very rudely, stops me. “I’m entitled to take this money,” I say. “Because nobody at the bank told me not to.”

If you think my defense is implausible, then you don’t work for Google. This week, the search giant said that it wants to change copyright laws so that it can grab any content it wants from the Internet, use it as training data for its AI products, and argue “fair use” if anyone objects to the plagiarism stew Google’s cooking up. Google’s figleaf to copyright holders: they’ll find a way to let you opt-out.

In a recent statement to the Australian government, which is considering new AI laws, Google wrote that it wants “copyright systems that enable appropriate and fair use of copyrighted content to enable the training of AI models in Australia on a broad and diverse range of data while supporting workable opt-outs for entities that prefer their data not to be trained in using AI systems.”…

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born August 20, 1883 — Austin Tappan Wright. Did you know that Islandia wasn’t published when he was alive? His widow edited his fifteen hundred page manuscript for publication, and following her own death in 1937 their daughter Sylvia further edited and cut the text; the resulting novel, shorn of Wright’s appendices, was published in 1942, along with a pamphlet by Basil Davenport, An introduction to Islandia; its history, customs, laws, language, and geography, based on the original supplementary material. (Died 1931.)
Born August 20, 1890 — Howard P. Lovecraft. Virtually unknown during his lifetime, he was published only in pulp magazines before he died in poverty. He’s regarded now as one of our most important authors of horror and weird fiction. He is not the originator of the term Cthulhu mythos, that honor goes to August Derleth. (Died 1937.)
Born August 20, 1932 — Anthony Ainley. He was the fourth actor to play the role of the Master, and the first actor to portray the Master as a recurring role since the death of Roger Delgado in 1973. He appeared in eleven stories with the Fourth through Seventh Doctors. It is noted that he enjoyed the role so much that sources note he even stayed in character when not portraying The Master by using both the voice and laugh in social situations. (Died 2004.)
Born August 20, 1943 — Sylvester McCoy, 80. The Seventh Doctor (my second favorite of the classic Who Doctors after Baker) and the last canon Doctor until the modern era of the official BBC Doctors when they revised canon. He also played Radagast in Peter Jackson’s Hobbit films, he’s The Old Man of Hoy in Sense8 and he voices Aezethril the Wizard in the “Endgame” episode of Thunderbirds Are Go.
Born August 20, 1951 — Greg Bear. Blood Music which won both a Nebula and a Hugo for Best Novelette is an amazing read. I’m also very fond of the Songs of Earth and Power duology, The Infinity Concerto and The Serpent Mage, and found his Queen of Angels a fascinating mystery. (Died 2022.)
Born August 20, 1961 — Greg Egan, 62. Australian writer who exists though he does his damnedest to avoid a digital footprint. His excellent Permutation City won the John W. Campbell Memorial Award and “Oceanic” garnered a Best Novella Hugo at Ausiecon Three. I assume he wasn’t there given his stance against attending Worldcons?
Born August 20, 1962 — Sophie Aldred, 61. She’s Ace, the Seventh Doctor’s Companion. (By the way Doctor Who Magazine: Costume Design: Dressing the Doctor from William Hartnell to Jodie Whittaker is a brilliant read and has a nice look at her costuming.) She’s reprised the role in the Big Finish audio adventures, and she’s recently written Doctor Who: At Childhood’s End where Ace meets the Thirteenth Doctor.

(8) COMICS SECTION.

Shoe shows an alternative “next generation” idea.
Tom Gauld finds a case of scholarly overkill.

My cartoon for this weekend’s @GdnSaturday / @GuardianBooks pic.twitter.com/u6YK3vbkFR
— Tom Gauld (@tomgauld) August 20, 2023

(9) RUSSIAN MOON LANDER FAILS. [Item by Mike Kennedy.] Well, it looks like the anomaly in Luna 25’s orbit was of the “we attempted a negative altitude maneuver” type. “Luna-25 crashes into moon after orbit maneuver” at Space.com.

Russia’s Luna-25 mission ended in failure after crashing into the moon, space agency Roscosmos has announced.

A statement posted to the agency’s Telegram social media channel early Aug. 20 confirmed that an anomaly during an Aug. 19 maneuver to lower Luna-25’s orbit resulted in the spacecraft impacting the lunar surface.

The spacecraft was scheduled to attempt a soft lunar landing Aug. 21, near Boguslawsky crater, located approximately 70 degrees south latitude in the vicinity of the south polar region of the moon.

Roscosmos announced Aug. 19 that at 7:10 a.m. Eastern that day Luna-25 was instructed to fire its engines to send the spacecraft into a “pre-landing” orbit around the moon. The planned maneuver was anomalous, however.

“An emergency situation occurred on board the automatic station, which did not allow the maneuver to be performed with the specified parameters,” according to a translation of the Roscosmos statement.

The agency clarified Sunday that contact was lost with the spacecraft around 7:57 a.m. Eastern. Measures taken Aug. 19 and 20 to reestablish contact with Luna-25 were not successful, according to the Aug. 20 statement.

A preliminary analysis revealed that a deviation of the actual parameters of the impulse from those calculated resulted in the spacecraft colliding with the lunar surface, according to a machine translation of the statement….

(10) ICONIC ARCHITECTURE NO MORE. The Guardian listens to the “Outcry over loss of features on Bangkok’s landmark ‘robot building’”.

A Bangkok landmark known as the “robot building” has been stripped of its identity, heritage campaigners have said, as they called for the city’s distinctive architecture to preserved.

The building – in the form of a giant robot made up of stacks of cubes and inspired by the architect watching his son play with a toy – has loomed over one of Bangkok’s busiest commercial districts for decades. Its design included oversized bolts and antenna, and windows shaped like cartoonish eyes.

The building’s owner, the Thai arm of the Singaporean multinational United Overseas Bank (UOB), is renovating the structure, however, and its distinctive features have been altered or removed.

The building, which is mentioned in many guides of the city, was completed in 1986 and was previously the headquarters of Bank of Asia. The architect, Dr Sumet Jumsai na Ayudhya, who sought to reflect the computerisation of banking, wanted to create a building that was futuristic….

(11) WWII FLIGHT PHOTOS. The Guardian reports that the Historic England website has made available for the first time large numbers of photos indexed under “Baseball and Bombers: USAAF Reconnaissance Photography During the Second World War”.

The United States Army Air Forces (USAAF) reconnaissance aircraft flew hundreds of sorties over England during the Second World War. The Historic England Archive holds a USAAF collection of over 20,000 photographs that records airfields, military bases, towns, and countryside in England between 1943 and 1944.

… The photographs also show incidental details, including Second World War anti-invasion defences. Traces of earlier times can also be seen, from prehistoric archaeological features to the remains of First World War camps. Others record busy townscapes or the relative tranquillity of the natural landscape and cloud formations….

(12) VIDEO OF THE DAY. Ryan George convinces himself to make a sequel in “Meg 2: The Trench Pitch Meeting”.

Jason Statham fighting giant prehistoric sharks. That’s maybe the easiest pitch that’s ever been made, and first Meg movie made over half a billion dollars thanks to that awesome sounding premise. And when something makes half a billion dollars, you can bet we’re going to see some more of it. Meg 2: The Trench definitely raises some questions. Like why is this shark movie mostly about humans running around doing sketchy stuff? How did Jason Statham free dive at 25,000 feet? Wait, these movies are based on books? Where did that Kraken come from and why isn’t anyone talking about it? To answer all these questions, check out the pitch meeting that led to Meg 2: The Trench!

[Thanks to John King Tarpinian, Chris Barkley, Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]

Pixel Scroll 7/20/23 Crouching Pixel, Hidden Jetpack

Posted on July 20, 2023 by Mike Glyer

(1) THOUSANDS SIGN AUTHORS GUILD LETTER CALLING ON AI INDUSTRY TO PROTECT WRITERS. Over 9000 authors, including genre-recognizable names like Margaret Atwood, Michael Chabon, Carmen Machado, Joe Hill, Edward M. Lerner, Brendan DuBois, Terri Windling, Matthew Kressel, Sean Wallace, and Cecilia Tan, have signed an open letter from the Authors Guild to the CEOs of companies developing AI generative software to not use their members’ work without consent, credit, and compensation when developing their systems.

Authors Guild press release: “More than 9,000 Authors Sign Authors Guild Letter Calling on AI Industry Leaders to Protect Writers”.

The Authors Guild, the leading professional organization for writers in the United States, has submitted an open letter to the CEOs of prominent AI companies, including OpenAI, Alphabet, Meta, Stability AI, IBM, and Microsoft. The letter calls attention to the inherent injustice of building lucrative generative AI technologies using copyrighted works and asks AI developers to obtain consent from, credit, and fairly compensate authors.

More than 9,000 writers and their supporters have signed the letter including luminaries such as Dan Brown, James Patterson, Jennifer Egan, David Baldacci, Michael Chabon, Nora Roberts, Jesmyn Ward, Jodi Picoult, Ron Chernow, Michael Pollan, Suzanne Collins, Margaret Atwood, Jonathan Franzen, Roxane Gay, Celeste Ng, Louise Erdrich, Viet Thanh Nguyen, George Saunders, Min Jin Lee, Andrew Solomon, Rebecca Makkai, Tobias Wolff, and many others.

The open letter emphasizes that generative AI technologies heavily rely on authors’ language, stories, style, and ideas. Millions of copyrighted books, articles, essays, and poetry serve as the foundation for AI systems, yet authors have not received any compensation for their contributions. These works are part of the fabric of the language models that power ChatGPT, Bard, and other generative AI systems. Where AI companies like to say that their machines simply “read” the texts that they are trained on, this is inaccurate anthropomorphizing. Rather, they copy the texts into the software itself, and then they reproduce them again and again.

Maya Shanbhag Lang, president of the Authors Guild, said, “The output of AI will always be derivative in nature. AI regurgitates what it takes in, which is the work of human writers. It’s only fair that authors be compensated for having ‘fed’ AI and continuing to inform its evolution. Our work cannot be used without consent, credit, and compensation. All three are a must.”…

The text of the open letter is here. It begins:

We, the undersigned, call your attention to the inherent injustice in exploiting our works as part of your AI systems without our consent, credit, or compensation.

Generative AI technologies built on large language models owe their existence to our writings. These technologies mimic and regurgitate our language, stories, style, and ideas. Millions of copyrighted books, articles, essays, and poetry provide the “food” for AI systems, endless meals for which there has been no bill. You’re spending billions of dollars to develop AI technology. It is only fair that you compensate us for using our writings, without which AI would be banal and extremely limited.

We understand that many of the books used to develop AI systems originated from notorious piracy websites. Not only does the recent Supreme Court decision in Warhol v. Goldsmith make clear that the high commerciality of your use argues against fair use, but no court would excuse copying illegally sourced works as fair use….

(2) SFWA JOINS GLOBAL EFFORT. SFWA sent members a message encouraging them to read the AG’s open letter and consider signing it. And as an organization that have signed onto another initiative: “NWU Joint Action on AI Copyright Exceptions and Authors Guild AI/ML Open Letter”.

Last week, SFWA signed the “Creators Call for Action on Artificial Intelligence (AI) Copyright Exceptions,” a joint action from 24 creator-led organizations delivered to the European Union and United States governing bodies. This letter addresses the harm already caused to creators by AI companies’ manipulations of exceptions to copyright enacted by the 2019 European Union Directive on Copyright in the Digital Single Market. The details of this issue are well explained on the National Writers Union (NWU) website.

We felt it was important to sign onto this particular joint call for a number of reasons:

Working with other organizations to monitor and respond to developments both in generative AI and in the legal environment around it is essential to advocating for concrete protections and restitution for writers.
Responding to the unique issues that AI presents to creative copyrights is a global effort, not one limited to Silicon Valley. It’s important to ensure that writers’ rights are respected around the world, so corporations who may try to relocate their operations rather than compensate creators fairly will have no place to go.
This letter, written by the NWU, is one such global effort, and we encourage everyone to read the letter in full to better understand some of the important copyright issues regarding the use of AI/ML applications. You are welcome to distribute the joint call and spread the word. Access the PDF of the complete joint call for action here.

(3) TA-NEHSISI COATES ON THE SCENE. The author went to South Carolina to show his support. “Ta-Nehisi Coates Shows Up to SC School Meeting Over Removing His Book From Class” reports Daily Beast.

Ta-Nehisi Coates — screencap from news video.

A South Carolina school board meeting, in which community members railed against an African American culture writer’s award-winning memoir about racial injustice, featured a special guest appearance: Ta-Nehisi Coates, the famed author in question.

On Monday evening, the Lexington-Richland District 5 School Board met to discuss the outrage concerning Coates’ 2015 nonfiction bestseller, Between the World and Me, which has repeatedly caused political literary mayhem among reactionary right-wing communities and been placed on book ban lists.

In February, after getting approval from higher-ups, an AP Language teacher at Chapin High School conducted a lesson involving Between the World and Me. The book, written as an essay to Coates’ son to prepare him for the life he will live as a Black man, details personal accounts of Coates’ life and his first-hand experiences with racism. However, the lesson was shut down and the book was removed from the course after students filed a complaint claiming the book made them feel “guilty for being white,” local news outlet CBS 19 Columbia reported.

According to footage obtained by CBS 19, a slew of people wearing blue rallied in support for the book and for academic freedom during the board hearing. And Coates sat in the back of the room next to the teacher who assigned the book as a sign of solidarity….

… The board did not conduct a vote after public discussion.

In a statement to The Daily Beast, Lexington-Richmond District 5 wrote that it is “important to understand” that Between the World and Me “is not banned in our school district.”…

(4) INNOCENCE ASSERTED. Michele Lundgren, wife of sff artist Carl Lundgren, charged by Michigan authorities this week with numerous felonies as a fake Trump elector, gave an interview to a reporter in which she says she was duped. “I was an innocent little bystander in the whole thing thinking I was doing my civic duty.”

However, if you watch this Detroit Free Press video from December 15, 2020 — https://www.youtube.com/watch?v=P_NgLQxMV9c&t=206s — it shows her just after the Michigan fake electors were turned away from the State House, standing next to Ian Northon, an attorney, nodding vigorously as he explains his theory of why the GOP fake electors should have been let in. (Thanks to Kathryn Cramer for the link.)

Michele Lundgren, left, in news video covering 2020 attempt to deliver fake Trump electors.

(5) LIADEN UNIVERSE® CREATORS. Paul Semel interviews “’Salvage Right’ Co-Authors Sharon Lee & Steve Miller”.

… As with all of the stories in the Liaden Universe® series, Salvage Right is a sci-fi space opera story. But are there any other genres at work in this story as well?

Sharon: Salvage Right is as pure a space opera as we’ve written in a while. It was fun to let all the stops out.

Steve: We also draw from regency romance and comedy of manners fiction; almost every time a character bows that’s tip of the hat to Georgette Heyer!

Are there any writers, or stories, who had a big influence on Salvage Right but not on anything else you’ve written?

Steve: I don’t think so; nothing recent, certainly, and with Salvage Right being a merge of story lines, it would be hard to filter one new factor in, I think.

Sharon: Harlan Ellison’s short story “I Have No Mouth And I Must Scream”; The Prestige, the novel by Christopher Priest….

(6) O CAPTAIN, MY CAPTAIN. Kimberly Unger is at San Diego Comic-Con. From her hotel room window she was able to take a great photo of this bit of Star Trek publicity.

(7) TRACING OPPENHEIMER’S FOOTSTEPS IN SOUTHERN CALIFORNIA. William Deverell takes readers on a historic tour of a Caltech neighborhood significant to the history of J. Robert Oppenheimer in “The Pasadena Project” at Alta Online.

It’s only a couple of hundred yards from our house to the heart of the Caltech campus, less than a 10-minute walk, an environment our dogs never tire of exploring. Devoted mostly to classrooms, dorms (“houses,” in Caltech parlance), and research labs, the campus is almost always quiet, and if you know where to look, there are places on campus that are little changed from when Oppenheimer and members of his eventual Los Alamos team worked there.

Hiding in plain sight, innocuous and out of place, is a small Spanish revival home, smack-dab in the middle of everything else. This is the Tolman-Bacher House. Built around the same time as our home, which it resembles, the Tolman-Bacher House was the residence of Richard Tolman and his wife, Ruth (Louise Lombard plays her in the film). Richard Tolman had come to Caltech in 1922 as a professor of physics. He was a giant at Caltech and, later, in the Manhattan Project. Oppenheimer (played in the film by Irish actor Cillian Murphy) often stayed with the Tolmans when he’d come to Caltech from Berkeley during many a spring term in the 1930s. His brother, Frank, was a graduate student at Caltech then….

(8) EARLY VERDICT. According to critic Leonard Maltin, “’Oppenheimer’ Is A Traditional Biopic”.

… Being a Nolan screenplay, the story is told in nonlinear fashion. Cillian Murphy, with his open, seemingly guileless expression, is completely convincing as the scientist known as the father of the atomic bomb who, after building it, counseled against its use and made many enemies in the process. But no one can get inside the head of a genius—be it a painter or a composer or a brilliant scientist, so we don’t leave the theater with a feeling of knowing what Oppy was all about, except on the surface. (There is even a glimpse of Albert Einstein, played by that wonderful actor Tom Conti.)…

(9) FRANK WALLER (1957-2023.) Longtime LASFS member Frank Waller died July 18 at the age of 66. He had quadruple bypass surgery on his heart in May, but had gone through rehab and was out of the hospital. Frank joined the club in 1988. He is survived by his sister, Beth and his brother, Joe.

(10) MEMORY LANE.

2005 – [Written by Cat Eldridge from a choice by Mike Glyer.]

Graham Joyce wrote our Beginning this time. Selecting his best novel is a futile exercise as everything is fantastically good but I’ll single out Some Kind of Fairy Tale and The Tooth Fairy as the ones I found the most interesting reads.

No Hugos, not even a nomination, but he’s won a few BFAs and even one WFA for The Facts of Life novel.

Mike picked The Limits of Enchantment which was published eighteen years ago by Artia Books in the States with the cover illustration by David Sacks. It was nominated for a World Fantasy Award.

And now for our Beginning…

Prologue

If I could tell you this in a single sitting then you might believe all of it, even the strangest part. Even the part about what I found in the hedgerow. If I could unwind this story in a single spool, or peel it like an apple the way Mammy would with her penknife in one unbroken coil, juice a-glistening on the blade, then you might bite in without objection.

But Mammy always said we have lost the art of Listening. She said we live in an age when everyone chatters and no one takes heed, and that, she said, is not a good time in which to live.

And while I offer you my story unbroken, like the apple peel, it hangs by a fibre at every turn of the knife. When you come to know the nature of the teller of this tale you may have good reason to doubt both. You may suspect the balance of my mind and you may condemn my position. You may start to disbelieve.

Perhaps I once was mad. Briefly. Perhaps that much is true. And this, in an age where we no longer have the patience to listen, may cause you to break off, to give up on me, to turn away. A young woman has so little of interest to offer, after all. A young woman of unsteady temper, even less.

What they did to Mammy they tried to do to me. They released the dogs. And when it comes to telling how it was done, I only ask this: when doubt wrinkles your brow; when incomprehension clouds your eyes; when distaste rests like a rank fog on your lips, then think how we few have held our tongues for so long. How we have choked back the truth. How we have burned in our hearts rather than risk the telling. And when you feel most far from me, then at that moment listen hard. Not to your thoughts, which will mislead you, nor to your heart, which will lie, but to the voice behind the voice, and trust the tale and not the teller.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born July 20, 1924 — Lola Albright. Though she’s best remembered best known for playing the sultry singer Edie Hart, the girlfriend of private eye Peter Gunn, she did do some genre performances. She’s Cathy Barrett, one of the leads in the Fifties film The Monolith Monsters. Television was really her home in the Fifties and Sixties. She was on Tales of Tomorrow as Carol Williams in the “The Miraculous Serum” episode, Nancy Metcalfe on Rocket Squad in “The System” episode, repeated appearances on the various Alfred Hitchcock series, and even on The Man from U.N.C.L.E. in the episodes released as the feature length film The Helicopter Spies. She was Azalea. (Died 2017.)
Born July 20, 1930 — Sally Ann Howes. She is best known for the role of Truly Scrumptious in Chitty Chitty Bang Bang. She was in Brigadoon as Fiona McLaren at New York City Center Light Opera Company, and in Camelot as Guenevere at St. Louis Municipal Opera. She was even in The Hound of the Baskervilles as Laura Frankland which has a certain Starship Captain as George Stapleton. (Died 2021.)
Born July 20, 1931 — Donald Moffitt. Author of the Baroness thriller series, somewhat akin to Bond and Blaise, but not quite. Great popcorn literature. Some SF, two in his Mechanical Sky series, Crescent in the Sky and A Gathering of Stars, another two in his Genesis Quest series, Genesis Quest and Second Genesis, plus several one-offs. (Died 2014.)
Born July 20, 1938 — Diana Rigg, née Dame Enid Diana Elizabeth Rigg. Emma Peel of course in The Avengers beside Patrick Macnee as a John Steed. Best pairing ever. Played Sonya Winter in The Assassination Bureau followed by being Contessa Teresa “Tracy” Draco di Vicenzo Bond on On Her Majesty’s Secret Service. By the Eighties, she’s doing lighter fare such as being Lady Holiday in The Great Muppet Caper and Miss Hardbroom in The Worst Witch, not to mention The Evil Queen, Snow White’s evil stepmother in Snow White. Now she would get a meaty role in Game of Thrones when she was Olenna Tyrell. Oh and she showed up in Dr. Who during the Era of the Eleventh Doctor as Mrs. Winifred Gillyflower in the “The Crimson Horror” episode. (Died 2020.)
Born July 20, 1947 — Michael “Mike” Gilbert. A fan artist in the late ’60s in Locus and other fanzines as well as an author, and publishing professional who won a Hugo Award for Best Fan Artist at the first Noreascon. His wife Sheila was the co-publisher of DAW Books, and Mike worked in both editorial and art capacities at DAW, and was one of their primary first readers. He died of complications following open-heart surgery. (Died 2000.)
Born July 20, 1949 — Guy H. Lillian III, 74. Letterhack and fanzine publisher notable for having been twice nominated for a Hugo Award as best fan writer and rather amazingly having been nominated twelve straight times for the Hugo for best fanzine for his Challenger zine, unfortunately never winning. As a well-fan of Green Lantern, Lillian’s name was tuckerized for the title’s 1968 debut character Guy Gardner.
Born July 20, 1959 — Martha Soukup, 64. The 1994 short film Override, directed by Danny Glover, was based on her short story “Over the Long Haul”. It was his directorial debut. She has two collections, Collections Rosemary’s Brain: And Other Tales of Wonder and The Arbitrary Placement of Walls, both published in the Nineties. She won a Nebula Award for Best Short Story for “A Defense of the Social Contracts”. “The Story So Far” by her is available as the download sample at the usual suspects in Schimel’s Things Invisible to See anthology if you’d liked to see how she is as a writer.

(12) COMICS SECTION.

Blondie celebrates Moon Pie Day.

(13) OCTOTHORPE. In episode 88 of the Octothorpe podcast, “Someone Somewhere Must Know What’s Going On”, John Coxon is on brand, Alison Scott wants to do Mark, and Liz Batty had a few twinges.

We re-introduce ourselves for anyone who hasn’t listened before, and then we dive into in-jokes, regular segments, waffling, and all the other things that have firmly cemented us as “a podcast that people can listen to”. (COVID, Eastercon, Hugo Awards, Chengdu, Clarke Awards, Arkham Horror, and—checks notes—cycling.)

(14) VOYAGE TO ARCTURUS REFERENCED ON BANDCAMP. [Item by Steve French.] Back in 1974, British experimental folk musician Mike Cooper released his ‘landmark’ album, Life and Death in Paradise. The opening track was apparently influenced by David Lindsay’s classic 1920 SF novel A Voyage to Arcturus, which influenced Lewis, Tolkien and more recently, Pullman. “A Reissue of ‘Life and Death in Paradise’ Brings Mike Cooper’s Music to a New Generation” at Bandcamp Daily.

The opener, “Rocket Summer,” like the songs on Trout Steel (inspired by Richard Brautigan’s Trout Fishing in America) was born of Cooper’s “esoteric” choice in literature—in this case, a sci-fi book called A Voyage to Arcturus. Aside from its narrative of interstellar travel, it’s filled with “lots of references to sound and color” which were attractive to Cooper.

The album has just been re-issued, prompting Bandcamp to give Cooper the full-on ‘feature’ treatment.

(15) DEATH VALLEY DARTH. Space isn’t the only place no one can hear you scream: “In 128-degree Death Valley, a man dressed as Darth Vader ran a mile”.

…Around 2010, Rice wanted to make the runs harder, and he thought wearing a mask and black clothing would do the trick. When he remembered that parts of the Star Wars franchise were filmed in Death Valley, he got the idea to dress up as the villain of the series.

Rice, who edits a cryptocurrency trade publication, has done the Darth Valley run most years since then, with breaks during the coronavirus pandemic and a cross-country move. Sometimes other runners join him – occasionally in a Chewbacca costume….

In a Halloween-store Darth Vader costume, complete with a helmet, Jon Rice tries to make his near-annual “Darth Valley” run as difficult as possible.

On Sunday, the New Mexico resident completed his run as temperatures neared 130 degrees Fahrenheit. https://t.co/bdNlQz8CNE
— The Washington Post (@washingtonpost) July 18, 2023

(16) THE PRIMAL SCREAM. Speaking of screaming, film historians will want to know “The Original ‘Wilhelm Scream’ Was Found, And It’s A Call For Better Sound Effect Preservation” at LAist.

The “Wilhelm scream” is arguably the most recognizable stock sound effect in the history of film and television, having been used in everything from mega-franchises like “Star Wars,” “Indiana Jones” and “Die Hard,’ to beloved TV shows from “X-Files” to “SpongeBob SquarePants” to “Game of Thrones” and beyond.

If the mere mention of its name doesn’t immediately make the sound play in your head, you may recognize it from this scene in the movie that made it popular, 1977’s “Star Wars: Episode IV — A New Hope,” when the effect is used for a stormtrooper that falls off a ledge after Luke Skywalker shoots him with a blaster round.

The scream that’s been used in more than 400 films is finding new life this year after California Institute of the Arts (CalArts) Professor Craig Smith discovered the Wilhelm’s original recording session while preserving a collection of 35-millimeter sound films he got from USC’s Cinematic Arts Library.

(17) SONIC SCREWDRIVER. There will be a new sonic screwdriver in the hands of the new Doctor Who. And it’s ready for its close-up.

A new sonic has arrived ????????

Introducing the Fourteenth Doctor's sonic screwdriver #DoctorWho pic.twitter.com/HFi0heaV8p
— Doctor Who (@bbcdoctorwho) July 19, 2023

(18) FREQUENCY. “Unregulated radio waves emanating from satellites in the Starlink constellation could cause problems as more are launched,” reports Nature: “SpaceX satellites are leaking radio waves — a potential headache for science”,

Some of SpaceX’s Starlink satellites are leaking radio waves that could interfere with astronomy.

In the last few years, astronomers have warned about light pollution and other unintended consequences of the growing number of satellites. Since 2019, the company SpaceX in Hawthorne, California, has launched more than 4,300 Starlink broadband satellites into orbit, where they make up around half of all active satellites.

Federico Di Vruno at the Square Kilometre Array Observatory in Cheshire, UK, and his colleagues used the LOFAR radio telescope in the Netherlands to observe 68 Starlink satellites. They found that 47 of the satellites were emitting radio waves at frequencies very different from those used, and approved, for satellite communications with control stations on Earth.

The satellites’ emissions are not harming current radio astronomy observations, but such emissions might cause problems in future, as more and more satellites are launched. And although the emissions don’t violate any regulations, satellite operators and government authorities might consider regulating them, the authors say…

(19) FROM THE MAKERS OF MINIONS. The trailer for Migration, coming to theaters December 22.

The Mallard family is in a bit of rut. While dad Mack is content to keep his family safe paddling around their New England pond forever, mom Pam is eager to shake things up and show their kids—teen son Dax and duckling daughter Gwen—the whole wide world. After a migrating duck family alights on their pond with thrilling tales of far-flung places, Pam persuades Mack to embark on a family trip, via New York City, to tropical Jamaica. As the Mallards make their way South for the winter, their well-laid plans quickly go awry. The experience will inspire them to expand their horizons, open themselves up to new friends and accomplish more than they ever thought possible, while teaching them more about each other—and themselves—than they ever imagined.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Bill, Darrah Chavey, Steve French, Daniel Dern,Kimberly Unger, Chris Barkley, Michael Toman, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]

Pixel Scroll 6/29/23 Every Pixel In The Room Was Scrolling At Me

Posted on June 29, 2023 by Mike Glyer

(1) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Michael Cisco and Farah Rose Smith on Wednesday, July 12, beginning at 7 Eastern.

MICHAEL CISCO

Michael Cisco is the author of several novels, including The Divinity Student, The Great Lover, The Narrator, and Pest, as well as the Stoker-nominated nonfiction book Weird Fiction: A Genre Study. His short fiction has appeared in numerous anthologies, and his most recent collection is Antisoc. He is the author of two novellas: ETHICS, and Do You Mind If We Dance With Your Legs? He lives in New York City.

FARAH ROSE SMITH

Farah Rose Smith is the author of the horror and dark fantasy novellas Eviscerator, The Almanac of Dust, Anonyma, and Lavinia Rising. She has also written two collections of short supernatural fiction, Of One Pure Will and The Witch is the Body. Smith recently completed a master’s degree in English Literature, Language, and Theory and is writing her third collection. Born and raised in Rhode Island, Smith currently lives in New York City with her husband, weird fiction author Michael Cisco, and their three cats.

Location: The KGB Bar, 85 East 4th Street, New York, NY 10003 (Just off 2nd Ave, upstairs).

(2) BANKS ACCOUNT. On the 10th anniversary of the author’s death, the Guardian’s Steven Poole helps readers decide “Where to start with: Iain Banks”. The second book he considers is Consider Phlebas:

The billionaires’ favourite

Banks originally wanted to be a science-fiction author, but after several unsuccessful drafts in the 1970s decided to write something “normal” instead, thus rocket-boosting his literary career with The Wasp Factory. He then started publishing science fiction as Iain M Banks, beginning with Consider Phlebas, a phrase taken from Eliot’s The Waste Land. It’s a cosmos-spanning romp that introduces the Culture, a post-human galactic civilisation in which AI does all the work and no one wants for food or other resources. (Fully automated luxury communism – in space.)

In this first story, the smug liberal Culture is at war with the Idirans – AI refuseniks who are waging a jihad against them. Through this backdrop wanders sympathetic mercenary Bora Horza Gobuchul, a Mandalorian-style drifter with a very particular set of skills. Banks’s vision of a starfaring, post-scarcity civilisation run by AIs, in which people can change their DNA at will and live for 400 years, is publicly admired by tech giants such as Jeff Bezos and Elon Musk – even as they toil along with us in the capitalist present. Unfortunately for Bezos, a planned Amazon TV series based on the novel was cancelled in 2020 after Banks’s estate withdrew permission.

(3) APOCALYPSE, THE NEXT GENERATION. The New York Times magazine looks at media to probe the question “Will Children Save Us at the End of the World?”

…There’s “Station Eleven,” the 2014 novel by Emily St. John Mandel about the aftermath of a swine flu, which was turned into a much-discussed 2021 HBO Max series, in which an 8-year-old girl manages to survive with the help of a stranger turned surrogate parent. “The Last of Us,” HBO’s video game adaptation, which debuted in January, features a zombie-fungus pandemic; a seemingly immune teenage girl is humanity’s one hope. “Leave the World Behind,” Rumaan Alam’s 2020 novel — soon to be a movie — about a bourgeois family vacation gone very bad, features a vague but menacing threat of apocalypse. Also loosely belonging to this category are the shows “Yellowjackets” (2021-present) — a girls’ soccer team turns to cannibalism after a plane crash — and “Class of ’07” (2023) — a school reunion coincides with a climate apocalypse — and the new-to-Netflix 2019 Icelandic movie “Woman at War” (a renegade activist tries to stop the destruction of the environment and adopt a child).

These stories are, in various ways, about how and whether our children can survive the mess that we’ve left them — and what it will cost them to do so. In “Station Eleven,” post-pans (children who were born after the pandemic) are both beacons of optimism and conscripted killers deployed by a self-styled prophet who hopes to erase anyone who holds on to the trauma of the past. And in “The Last of Us,” Ellie, the young girl with possible immunity (played by the actor Bella Ramsey), is forced to kill to survive, and to grapple with whether it’s worth sacrificing her own life in the search for a cure….

The anxieties that these works explore — about planetary destruction and what we did to enable it — are, evidence suggests, affecting the desire of some to have children at all, either because of fear for their future or a belief that not procreating will help stave off the worst. But following the children in these fictions, who didn’t create the conditions of their suffering, isn’t just a devastating guilt trip. Almost all these stories also frame children as our best hope, as we so often do in real life. Children, we need to believe, are resilient and ingenious in ways that adults aren’t. In these stories, when the phones stop working and Amazon stops delivering, it’s children, less set in their ways, who can rebuild and imagine something different. They’re our victims but also our saviors….

(4) SALVAGE RIGHT NEWS. Salvage Right by Sharon Lee and Steve Miller, the 25th Liaden Universe® novel (and their 100th collaborative work), will be officially released in paper and ebook editions July 4, 2023. Some stores already have the hardback on the shelves; signed copies are available from Uncle Hugo’s bookstore in Minneapolis.

Sample chapters from Salvage Right are available online at Baen Books

In honor of Salvage Right Lee and Miller are taking part in a number of podcasts and special events:

Annies Bookstore: Selina Lovett at Annie’s Bookstore did a Zoom interview with the authors, which can be found here
Watch for Griffin Barber’s interview with them at the Baen Free Radio Hour
Upcoming: An interview with fyyd: CultureScape with Peter PischkeCultureScape with Peter Pischke with release date TBA
Another interview with Under The Radar SFF Books is due later in July
The authors will be doing a virtual book signing at Pandemonium Books, Wednesday July 26, details TBA

(5) MANNERS, PLEASE. Oghenechovwe Donald Ekpeki thought a timely reminder was in order about the awards etiquette published by the Unofficial Hugo Book Club Blog a couple of months ago, so he retweeted it today. Thread begins here. Here’s an excerpt:

4) Especially avoid being dismissive of first-time awards finalists. This is their moment. Let them bask in the glory, even if you didn't like their work.
— H Book Club blog (@Hugo_Book_Club) April 21, 2023

(6) AMY WISNIEWSKI (1947-2023). Mythopoeic Society member Amy Wisniewski died June 20 at the age of 76. She is survived by her wife, Edith Crowe. David Bratman has written a tribute on Kalimac’s corner, “Amy Wisniewski”, which says in part:

…Amy was already in the Society when I arrived. The first meeting I attended was at the small house that she and her partner (and later wife) Edith Crowe were living at in the flatlands of Redwood City. 48 years later, in a larger house further up in the hills, they were still hosting meetings. Almost every year, except during pandemics, they hosted the annual Reading and Eating Meeting. We would gather for a potluck meal and then take turns reading short selections around the (once real, later theoretical) fire.

For a few years, Amy was our discussion group’s moderator, and she actually directed meetings with a skill and knowledge surpassing that of anyone else who had that title. Amy wasn’t a Tolkien scholar; she didn’t give papers at Mythcon; but she had read and absorbed his books and did the same for the books we were discussing, and consequently always had intelligent things to say….

(7) MEMORY LANE.

2002 – [Written by Cat Eldridge from a choice by Mike Glyer.]

Tonight we have a Beginning by Carol Emshwiller. She was prolific as a short fiction writer with more stories than I can comfortably count. The two volume collection of The Collected Stories of Carol Emshwiller that Nonstop Press did a decade back collects nearly twelve hundred pages of her stories.

She did just six novels of which four were genre and two were in the cowboy genre, Ledoyt and Leaping Man Hill. No, I didn’t know she’d written the latter. All four of her genre novels are quite excellent. The Mount which is where our Beginning comes from garnered a Philip K. Dick Award.

And now from stage left comes our Beginning…

We’re not against you, we’re for. In fact we’re built for you and you for us – we, so our weak little legs will dangle on your chest and our tail down the back. Exactly as you so often transport your own young when they are weak and small. It’s a joy. Just like mother-walk.

You’ll be free. You’ll have a pillow. You’ll have a water faucet and a bookcase. We’ll pat you if you do things fast enough and don’t play hard to catch. We’ll rub your legs and soak your feet. Sams and Sues, and you Sams had better behave yourselves.

You still call us aliens in spite of the fact that we’ve been on your world for generations. And why call aliens exactly those who have brought health and happiness to you? And look how well we fit, you and us. As if born for each other even though we come from different worlds.

We mate the stock with the stocky, the thin with the thin, the pygmy with the pygmy. You’ve done a fairly good job of that yourselves before we came. As to skin, we like a color a little on the reddish side. Freckles are third best.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born June 29, 1919 — Slim Pickens. Surely you remember his memorable scene as Major T. J. “King” Kong in Dr. Strangelove? I certainly do. Simply astounding. And, of course, he shows up in Blazing Saddles as Taggart. He’s the uncredited voice of B.O.B in The Black Hole and he’s Sam Newfield in The Howling. He’s got some series genre work including several appearances on Alfred Hitchcock Presents, plus work on The Man from U.N.C.L.E. and Night Gallery. (Died 1983.)
Born June 29, 1920 — Ray Harryhausen. All-around film genius who created stop-motion model Dynamation animation. His work can be seen in The 7th Voyage of Sinbad (his first color film) which was nominated for a Hugo at Detention, Jason and the Argonauts, Mighty Joe Young and Clash of the Titans. (Died 2013.)
Born June 29, 1943 — Maureen O’Brien, 80. Vicki, companion of the First Doctor. Some 40 years later, she reprised the role for several Big Finish Productions Doctor Who audio works. She had a recurring role as Morgan in The Legend of King Arthur, a late Seventies BBC series. Her Detective Inspector John Bright series has been well received.
Born June 29, 1947 — Michael Carter, 76. Best remembered for being Gerald Bringsley in An American Werewolf in London, Von Thurnburg in The Illusionist and Bib Fortuna in the Return of the Jedi. He plays two roles as a prisoner and as UNIT soldier in the Third Doctor story, “The Mind of Evil”.
Born June 29, 1950 — Michael Whelan, 73. I’m reasonably sure that most of the Del Rey editions of McCaffrey’s Dragonriders of Pern series was where I first noticed his artwork but I’ve certainly seen it elsewhere since. He did Heinlein’s The Cat Who Walks Through Walls cover which I love and many more I can’t recall right now. And there’s a wonderful collection of work available, Beyond Science Fiction: The Alternative Realism of Michael Whelan.
Born June 29, 1956 — David Burroughs Mattingly, 67. He’s an American illustrator and painter, best known for his numerous book covers of genre literature. Earlier in his career, he worked at Disney Studio on the production of The Black Hole, Tron, Dick Tracy and Stephen King’s The Stand. His main cover work was at Ballantine Books where he did such work as the 1982 cover of Herbert’s Under Pressure (superb novel), 2006 Anderson’s Time Patrol and the 1986 Berkley Books publication of E. E. ‘Doc’ Smith Triplanetary.
Born June 29, 1957 — Fred Duarte, Jr. His Birthday is today and this long-time Texas fan is eulogized by Mike here upon his passing almost a decade back. (Died 2015.)

(9) COMICS SECTION.

Catching up with Tom Gauld —

A recent cartoon for @newscientist pic.twitter.com/gchovhXhY9
— Tom Gauld (@tomgauld) June 26, 2023

#summer #books (my cartoon for this weekend’s @GuardianBooks / @GdnSaturday) pic.twitter.com/9T2a9OrHFh
— Tom Gauld (@tomgauld) June 25, 2023

My cartoon for this weekend’s @GuardianBooks / @GdnSaturday
p.s. my book ‘Revenge of the Librarians’ is out now: https://t.co/IJW2wqyVfg pic.twitter.com/W8acFz8qRF
— Tom Gauld (@tomgauld) June 17, 2023

(10) JEOPARDY! [Item by David Goldfarb.] From the June 28 episode, three clues in the single Jeopardy round.

Open Door, $1000: Gandalf initially struggles to open the door to this place, but after speaking the Elvish word for “friend” he gets it right

This was a triple stumper.

Google Easter eggs, $400: A Google search for what’s the answer to life, the universe, & everything gives you this number

Bryan White (whose score was $4200!): “What is 37?”

Neither of the other two could respond correctly. Douglas Adams is spinning in his grave.

$800: Google this HBO show with Pedro Pascal & keep clicking the mushroom icon for your screen to be enveloped by some humongous fungus

Bryan knew “The Last of Us”.

(11) ALL KAIJU ALL THE TIME. “24-Hour Godzilla Channel Coming to Pluto TV With Exclusive Films” promises Comicbook.com.

Godzilla is coming to Pluto TV with a huge new channel dedicated to showing off tons of Godzilla movies and shows 24 hours a day with some exclusive films to boot! TOHO’s famous Kaiju has been stomping through many eras since the giant monster was first introduced back in the 1950s, and has since amassed a massive library of TV shows and movies that fans still enjoy to this day. Now Pluto TV has made checking out your favorite Godzilla projects easier than ever before with a new streaming channel with the platform highlighting all of the biggest and best Godzilla outings over the years!

Pluto TV has announced a new Godzilla channel filled with not only classics such as the original 1954 Godzilla debut film, Godzilla vs. Megalon, and more but even left-field additions such as the animated Godzilla: The Series from the late ’90s and early ’00s. But the biggest surprise is that this new Godzilla channel will also offer up seven Godzilla films that are exclusive to Pluto TV as fans won’t be able to find them streaming anywhere else. Read on to see the massive list of movies and TV shows coming to Pluto TV’s new Godzilla channel launching on July 1st….

(12) HERE’S MY NUMBER AND A DIME, DIAL ANYTIME. “The Real History Behind the Archimedes Dial in ‘Indiana Jones and the Dial of Destiny’” in Smithsonian Magazine.

Off the coast of the Greek island of Antikythera in 1900, sponge divers came across a shipwreck filled with ancient treasures. Hidden among flashier finds like marble statues and jewelry was a mysterious device known today as the Antikythera mechanism.

Dated to more than 2,000 years ago, the device “is probably the most exciting artifact that we have from the ancient world,” says Jo Marchant, author of the 2008 book Decoding the Heavens: Solving the Mystery of the World’s First Computer. More than a millennium before 13th-century Europeans invented the first mechanical clocks, the Antikythera mechanism employed similarly complex technology—including gear wheels, dials and pointers—to chart the cosmos. The ancients used it to predict eclipses, track the movement of the sun and the moon, and even see when sporting events like the Olympics were scheduled to take place.

Contrary to what Indiana Jones and the Dial of Destiny, the latest installment in the epic franchise, suggests, the Antikythera mechanism won’t transport you back in time—not literally, at least. Every Indiana Jones adventure needs an exotic MacGuffin; in the new outing, which arrives in theaters this week, the hero chases after the Archimedes Dial, a fictionalized version of the Antikythera mechanism that predicts the location of naturally occurring fissures in time.

…In the film’s 1944-set prologue, Indy (Harrison Ford) captures a train loaded with Nazi plunder, including the titular Dial of Destiny. The movie then jumps ahead to 1969. Indy is set to retire from teaching archaeology, and the world is celebrating the safe return of the Apollo 11 crew. One of the men most responsible for the United States’ victory in the space race is Jürgen Voller (Mads Mikkelsen), a former Nazi who was given sanctuary by the Allies in exchange for his expertise, much like the real-life NASA engineer Wernher von Braun. When Indy learns that Voller wants to use the Archimedes Dial to travel for nefarious purposes, he reluctantly dusts off his old hat and bullwhip to (again) keep a potentially devastating weapon out of Nazi hands….

(13) NATURE EDITORIAL WARNS ABOUT AI. [Item by SF Concatenation’s Jonathan Cowie.] You know, I simply love the end of the world. You can’t beat it. Of course, as long as it is firmly in SF. (Wouldn’t like it in reality: it’d get in the way of afternoon tea and evening real ale down the pub…)

Today’s Nature editorial once more tackles doomsday. Beware of tech companies achieving their goals through obsfucation… “Stop talking about tomorrow’s AI doomsday when AI poses risks today”.

Talk of artificial intelligence destroying humanity plays into the tech companies’ agenda, and hinders effective regulation of the societal harms AI is causing right now.

The idea that AI could lead to human extinction has been discussed on the fringes of the technology community for years. The excitement about the tool ChatGPT and generative AI has now propelled it into the mainstream. But, like a magician’s sleight of hand, it draws attention away from the real issue: the societal harms that AI systems and tools are causing now, or risk causing in future. Governments and regulators in particular should not be distracted by this narrative and must act decisively to curb potential harms. And although their work should be informed by the tech industry, it should not be beholden to the tech agenda.

Many AI researchers and ethicists to whom Nature has spoken are frustrated by the doomsday talk dominating debates about AI. It is problematic in at least two ways. First, the spectre of AI as an all-powerful machine fuels competition between nations to develop AI so that they can benefit from and control it. This works to the advantage of tech firms: it encourages investment and weakens arguments for regulating the industry. An actual arms race to produce next-generation AI-powered military technology is already under way, increasing the risk of catastrophic conflict — doomsday, perhaps, but not of the sort much discussed in the dominant ‘AI threatens human extinction’ narrative.

Second, it allows a homogeneous group of company executives and technologists to dominate the conversation about AI risks and regulation, while other communities are left out. Letters written by tech-industry leaders are “essentially drawing boundaries around who counts as an expert in this conversation”, says Amba Kak, director of the AI Now Institute in New York City, which focuses on the social consequences of AI.

To all of which the SF fan might ask how the genre might contribute…?

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Steven French, Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day –dsr-.]

Pixel Scroll 5/29/23 I Do Not File With My Scroll. The Man Who Files With His Scroll Has Forgotten The Face Of His Father. I File With My Pixel.

Posted on May 29, 2023 by Mike Glyer

(1) GROOT, STAR-LORD, ROCKET, OR WHO? Guardians of the Galaxy stars Karen Gillan and Pom Klementieff test their knowledge of Volumes I and II by seeing if they remember who said what lines.

With such a stacked cast, the challenge should be difficult, but having such iconic characters like Groot played by Vin Diesel, Starlord by Chris Pratt, and Bradley Cooper as Rocket, Mantis and Nebula’s knowledge proves to be superior. Get ready for Vol III of ‘Guardians of The Galaxy’ by time-traveling through lines of volumes past.

(2) WISCON SPEECHES. The WisCon 46 GOH speeches and Otherwise Award presentation can be viewed on YouTube.

So lucky to have these stunning, genre-shaping authors at WisCon this year. @OtherwiseAward winner Ryka Aoki @ryka_aoki, Guest of Honor Martha Wells @marthawells1, and Guest of Honor AND @OtherwiseAward winner Rivers Solomon @cyborgyndroid. pic.twitter.com/JanYFUZycI
— WisCon (@WisConSF3) May 29, 2023

(3) NEXT YEAR IN NEW MEXICO. And WisCon GoH Martha Wells has been announced as Guest of Honor of the 47th Jack Williamson Lectureship which will take place April 11-13, 2024.

Best known for her Murderbot Diaries, Martha Wells has been an actively publishing author in scifi and fantasy since 1993 and in that time she has won four Hugo Awards, two Nebula Awards and three Locus Awards. The Murderbot Diaries is also currently being adapted for a TV series, and this series has been growing increasingly popular in the past few years.

(4) GOOD OMENS GRAPHIC NOVEL. The second season of the TV series arrives July 28, and now a Good Omens graphic novel has been announced – Comics Worth Reading has the story. Neil Gaiman, the Terry Pratchett Estate, and Colleen Doran are creating a graphic novel version of Good Omens that will be funded via Kickstarter. The Kickstarter has not yet launched, but you can sign up at the link to be notified when it does.

(5) SIGNED, SEALED, AND SOON TO BE DELIVERED. Guess where fans will be able to find the new Sharon Lee and Steve Miller book?

SALVAGE RIGHT! Books signed, reboxed, and ready to make the pilgrimage to Uncle Hugo's in Minneapolis!
@baen @File_770 https://t.co/R4YBbUV2cu
— Sharon Lee ???????? ???? (@ClanKorval) May 29, 2023

(6) NOT JUST A GOOD IDEA, IT’S THE LAW. James Davis Nicoll brings us “Five Ways SF Writers Sidestep the Problem of Relativity” at Tor.com.

Relativity! Extremely well supported by the evidence, and extremely inconvenient for SF authors who want jaunts to the galactic core to be as easy as popping down the road. Given a universe so large that light takes as long as anatomically modern humans have existed to meander across a single galaxy, combined with a very strict speed limit of C, and you face a cosmic reality that makes many stories authors might want to write quite simply physically impossible. So… what are hardworking science fiction authors to do?

The first solution, courtesy of E. E. “Doc” Smith is —

Disregard the Issue

By far, the most popular option is to ignore the issue or actively deny that it is an issue. Maybe Einstein divided when he should have multiplied (he didn’t). Perhaps light speed can be surpassed given sufficient will (it can’t). What if some miracle material for which absolutely no evidence exists could facilitate superluminal travel? (More likely, such materials are simply non-existent.)

(7) THOUGHT EXPERIMENT. SYFY Wire reveals “The Real Reason Kong Is Alone: The Science Behind King Kong”. For some values of science…

…The particulars of Kong, including his size and origin, vary from movie to movie, but in every single telling he is alone. The reasons for his solitude haven’t been widely explored, but the 2005 movie shows the decaying skeletons of other giant apes, long since dead. While their cause of death isn’t entirely clear, it’s implied that the rest of Kong’s family were killed off by the other large predators on the island, particularly the T. rex-like theropod dinosaurs.

The dinosaurs probably contributed to the demise of Kong’s species, but the true culprit may have been the island itself. In the continuity of Jackson’s 2005 film, Skull Island was slowly sinking into the ocean by the time Denhem and crew landed on its shores. By 1948, a 9.2 magnitude earthquakes broke it loose and the island vanished into the sea….

(8) AD ASTRA. Chris McKitterick recently announced that Ad Astra (originally established as a University of Kansas Center in AAI) has now grown into the not-for-profit Ad Astra Institute for Science Fiction & the Speculative Imagination.

Led by yours truly and Kij Johnson, Ad Astra is an umbrella organization that brings together creators, readers, educators, and fans to learn about and create speculative fiction through writing workshops, expert talks, seminars, and more. The people we work with create and teach art that opens minds and imaginations, reaching for the stars and “Saving the world through science fiction!”

Their residential Science Fiction Summer program takes off in mid-June, in-person again for the first time since before Covid. Kij Johnson and Barbara Webb’s Novel Architects Workshop is now full, but there’s still room in McKitterick’s Speculative Fiction Writing Workshop (and both of his and Johnson’s “Repeat Offenders” workshops).

Also, a talk-and-weekend-workshop “Science into Fiction” Spec-Fic Writing Workshop series resumes in late August.

(9) HOWARD DAYS. Brian Murphy reports on the annual Robert E. Howard gathering to readers of The Silver Key: “There and back again from Massachusetts to Cross Plains: A recap of 2023 Robert E. Howard Days”.

…I live in Massachusetts, some 1600 miles from the small town in West Texas that Howard called home. With a wife and family, domestic obligations, and a busy professional career to manage, there is never a good time to do something like this, even though Howard Days had been on my bucket list for years….

The annual con is also part pilgrimage:

…Nothing can quite prepare you for the first view of Robert E. Howard’s home and ultimately the humble bedroom where did the majority of his writing. Others have made the same observation many times, but its stunning that Howard was able to birth and deliver such vivid creations to the world from such small, prosaic quarters. It’s a testament to his unique genius. The volunteer docents who serve as tour guides, women from the Cross Plains community, were patient and wonderful. I learned that Howard’s father, Isaac, treated bloodied oil field workers right in the Howard home. One docent noted poetically that blood has seeped its way into the roots of the home….

Murphy is also one of the guests on the Rogues in the House podcast episode “Howard Days Wrap Up”.

(10) ATOMIC SHAKESPEARE. Eighties cult TV favorite Moonlighting reportedly is slouching its way towards availability on a streaming service. Meantime, Heritage Auctions will put on the block some of the costumes from its most iconic episode, as explained in “Maddie, David and Bill Shakespeare”.

…That episode essentially paid tribute to [showrunner Glen] Caron’s inspiration for the entire series: The Taming of the Shrew. Willis, of course, would play the fortune-seeking Petruchio; Shepherd, the titular “shrew,” Katherina. The rest of the regulars rounded out the cast, among them Allyce Beasley and Revenge of the Nerds’ Curtis Armstrong, which was transported from the Blue Moon Detective Agency in Los Angeles to Padua, Italy, in 1593 (“or just an incredible facsimile,” per the title card, which was the Universal backlot).

The episode starts as a Moonlighting episode about a kid wanting to watch a Moonlighting episode; no series winked at itself in the funhouse mirror more. But the boy’s mother banishes him to his room to do his homework – in this case, read Shakespeare. He cracks open the play, and the episode quickly morphs into a rather sincere retelling of The Taming of the Shrew, down to the iambic pentameter and its occasional use of actual dialogue, combined with some anachronistic winks (Willis’ Ray-Bans, his saddle bearing the BMW insignia, the performance of The Rascals’ “Good Lovin’”)….

(11) GEORGE MAHARIS (1928-2023). Actor George Maharis, best known for his work on TV’s Route 66, died May 24. Though it was not a genre program, Steve Vertlieb recalled in his File 770 post about Route 66 there was one episode with a strong genre appeal to horror fans:

…“Lizard’s Leg and Owlet’s Wing” premiered over the CBS television Network on Friday evening, October 26th, 1962. Featuring guest stars Boris Karloff, Peter Lorre, and Lon Chaney, Jr., this beloved episode of the classic television series “Route 66” starring George Maharis and Martin Milner would be the last time that Boris Karloff and Lon Chaney, Jr. would ever reprise their signature performances as Frankenstein’s Monster and The Wolf Man….

Deadline’s summary of his career includes these appearances on genre shows:

In the 1970’s, Maharis returned to television and starred in shows like Night Gallery, The Mostly Deadly Game, … Mission: Impossible, … The Bionic Woman, Fantasy Island, and many more.

Maharis’ final credit was in the film Doppelganger directed by Avi Neshar in 1993 which starred Drew Barrymore and George Newbern.

(12) MEMORY LANE.

2011 – [Written by Cat Eldridge from a choice by Mike Glyer.]

Sheri Holman’s Witches on the Road Tonight is the source of our Beginning this Scroll.

It was published twelve years ago by Atlantic Monthly Press. It would win a Shirley Jackson Award for Best Novel, and it also won the Independent Publisher Book Award, Gold Medal, Literary Fiction. It was named a Book of the Year by the Boston Globe, the Toronto Globe and Mail, and PopMatters. Very impressive I’d say.

It is her only genre novel to date. She has written several other novels including a mystery set in a medieval monastery. Oh, and she was a principal writer on the Longmire series for much of its run.

(I finished watching the Longmire series recently. They did a stellar job of tying everything up there.)

And now the Beginning…

Eddie

New York City

Midnight

Of all the props I saved, only the coffin remains. Packed in boxes or tossed in the closet were the skulls and rubber rats, the cape folded with the care of a fallen American flag, my black spandex unitard, white at the seams where I’d stretched out the armpits, sweat-stained and pilled. I saved the squeezed-out tubes of greasepaint, the black shadow for under the eyes, the porcelain fangs. Of the gifts fans sent, I kept that bleached arc of a cat’s skeleton, the one you used to call Fluffy and hang your necklaces from, and a dead bird preserved with antifreeze. I kept maybe a hundred of the many thousands of drawings and letters from preteen boys and girls. There were some from adults, too, confessions of the sort they should be writing their shrinks or the police, and not a man who plays a vampire on TV. “Dear Captain Casket, Fangs for the memories.”

But in the move up to Manhattan, in the successive apartments Charles and I shared, everything has been lost or thrown away. Coming to me late in life, Charles has been pitiless in tossing my prehistory, usually while I am off at one of the twice-yearly conventions I attend as if having an affair we both tacitly refuse to discuss. Now everything has been scrapped but the coffin, too big not to be missed, too great a conversation piece even for Charles, a bit of memorabilia that you might send off to a regional horror movie museum or sell to some theme restaurant as the base of a fixin’s bar to defray a small portion of the funeral cost. We’ve been using it as a coffee table, pushed in front of the big picture window that overlooks the Chrysler Building, a view that accounts for three-quarters of the ridiculous price we paid for this apartment. It has held up well over the years, made of wormy chestnut, hand-planed and smooth as a wooden Indian. I used to keep it in the carport between Saturday shows, and you played in it as a girl. Sometimes when we couldn’t find you, your mother and I would look outside and you’d be curled up inside it, asleep, your hand bookmarking the eternally youthful and nosy Nancy Drew, your mouth brushed with cookie crumbs.

I have made it as comfortable as possible. It is lined with an old down comforter tucked inside one of Charles’s more elegant duvet covers, a dusky rose shot with gold thread. I have a pillow for my head and a scarlet throw to keep me warm. You might think I’d like to go out in full costume, but camp comes too easily these days. I’m wearing, instead, my most comfortable pajamas, the ones with the pug dogs you bought me for my birthday last year. They are about the only ones my chemo-blistered skin can bear. Before I put them on, I took a shower and washed what’s left of my hair. Maybe it was cowardly to wait to do this until Charles was out of town. His mother, who is only a few years older than I, is ill, too, and poor Charles hasn’t known whom to nurse more dutifully. He refuses to discuss my death, pulling, instead, all sorts of prophylactic voodoo like purchasing cruise tickets for next spring, or placing a down payment on a purebred mastiff puppy, if you can imagine, as if he can mortgage me back to life, keeping me on the ventilator of increasingly onerous financial obligation. I know he will be furious when he gets back from Philadelphia, but maybe he’ll take his mother with him on that cruise through the Cyclades.

My only real regret is not seeing you one last time. I left you a message before you went on the air, something light and innocuous, and I hope you’re not too shocked to hear it after you get the news. I want this good-bye to set the tone for all the memories that follow it. When people approach me about my show, they never want to talk about the cut-rate monster movies. Most can barely remember the titles. No, it is the irreverence of the interruption they cherish, the silliness and explosions. I made it my career for decades, but only now do I begin to understand the need to terrify, followed by the even greater need to puncture the fear we’ve called into being. It is a surrender and recovery that feels suspiciously like love.

(13) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born May 29, 1906 — T. H. White. Best known obviously for the wonderful The Once and Future King which I read a long, long time ago. Back in the Thirties, he wrote Earth Stopped and its sequel Gone to Ground, sf novels. Gone to Ground contains several fantasy stories which were later reprinted in The Maharajah and Other Stories. ISFDB also lists Mistress Masham’s Repose, The Elephant and the Kangaroo and The Master as the other novels by him, plus the aforementioned story collection. (Died 1964.)
Born May 29, 1909 — Neil R. Jones. It is thought that “The Death’s Head Meteor,” his first story, which was published in Air Wonder Stories in 1930, could be the first use of “astronaut” in fiction. He also created the use of a future history before either Robert A. Heinlein or Cordwainer Smith were to do so. They’re collected in The Planet of the Double Sun, The Sunless World and a number of other overlapping collections. He’s a member of the First Fandom Hall of Fame. (Died 1988.)
Born May 29, 1923 — Genevieve Linebarger. Widow of Cordwainer Smith. She had a hand in The Instrumentality of Mankind series, co-authoring “The Lady Who Sailed the Soul” (1960), and “Golden the Ship Was — Oh! Oh! Oh!” (1959) and, after her husband’s death, was the sole author of “Down to a Sunless Sea” (1975) published under his name, and completed “Himself in Anachron” (published 1993). (Credits per NESFA Press’ Rediscovery of Man collection.) (Died 1981.)
Born May 29, 1930 — Richard Clifton-Dey. An Illustrator of many SF book covers including The Wizard of Venus by Edgar Rice Burroughs. He did not sign many of his originals so his widow has the final say what is an original and what is not. (Died 1997.)
Born May 29, 1939 — Alice K. Turner. Playboy fiction editor from 1980 to 2000. Silverberg praised her highly and she did much to make sure SF had an important place in the fiction offered up there. The Playboy Book of Science Fiction collects a good tasting of the SF published during her tenure. (Died 2015.)
Born May 29, 1952 — Louise Cooper. She wrote more than eight works of fantasy and was best known for her Time Master trilogy. Most of her writing was in the YA market including the Sea Horses quartet and the Mirror, Mirror trilogy. (Died 2009.)
Born May 29, 1996 — R. F. Kuang, 27. She’s an award-winning Chinese-American fantasy writer. The Poppy War series, so-called grimdark fantasy, consists of The Poppy War which won the Compton Crook Award for Best First Novel, The Dragon Republic and The Burning God. She’s been a finalist for the Astounding Award for Best New Writer.

(14) COMICS SECTION.

Candorville shows a new tech that combines streaming with nagging.
Non Sequitur looks for a definition of intelligent life.
Macanudo has a strange mashup of Darth Vader and Casablanca.

(15) ALL IT’S CRACKED UP TO BE. This is impressive – watch Boston Dynamics’ “Spot” deftly remove a pistachio from its shell.

(16) FACTORY SECONDS. Discover Magazine chronicles “Why 1 Second Is 1 Second”.

…Today, however, when computers perform operations at the rate of 4 billion cycles per second, we need a better measure. The rotation of Earth, and its orbit, change slightly over time. Earth’s rotation, for example, is slowing slightly. So measuring a second based on rotation would mean that a second would get slowly longer over time. Ultimately, we couldn’t compare the second of today to the second of yesterday.

So, to pin down a truly timeless measure of a second, scientists in the 1950s devised a better clock, one based not on astronomical processes but on the movement of fundamental bits of matter — atoms — whose subtle vibrations are, for all intents and purposes, locked in for eternity. Today, one second is defined as “9,192,631,770 periods of the radiation corresponding to the transition between the two hyperfine levels of the ground state of the cesium 133 atom”.

That’s a mouthful.

…When hit with a laser, the single electron in a cesium atom’s outermost shell will cycle back and forth between two states — known as a hyperfine transition. It can be magnetically aligned either in the same direction as the atom’s nucleus, or the opposite direction, and under a laser’s beam, it will flip back and forth between these two states rapidly at a rate that never changes. Cesium isn’t the only element for the job, but it has only one stable isotope, so it’s easier to purify, and the hyperfine transition is both large enough and fast enough to be accurate, unlike some other atoms….

(17) NEANDERTHAL CHESS ODDS? According to Discover Magazine, “Neanderthal Brains: Bigger, Not Necessarily Better”. But once you’ve clicked they admit they don’t really know.

Neanderthals had bigger brains than people today.

In any textbook on human evolution, you’ll find that fact, often accompanied by measurements of endocranial volume, the space inside a skull. On average, this value is about 1410 cm3 (~6 cups) for Neanderthals and 1350 cm3 (5.7 cups) for recent humans.

So does that quarter-cup of brain matter, matter? Were Neanderthals smarter than our kind?

While brain size is important, cognitive abilities are influenced by numerous factors including body size, neuron density and how particular brain regions are enlarged and connected. Some of these variables are unknowable for Neanderthals, as we only have their cranial bones and not their brains. But anthropologists have made the most of these hollow skulls, to learn what they can about the Neanderthal mind….

(18) NEXT GEN NAVIGATION. [Item by Mike Kennedy.] A quantum inertial navigation system has the potential to improve INS accuracy to the point that it could replace satellite systems like GPS for some applications. “Imperial College working with Royal Navy on groundbreaking system to replace GPS on ships” explains the Telegraph.

A new quantum compass that could replace GPS on ships has been tested on water for the first time, The Telegraph can reveal.

Inside an old shipping container onboard XV Patrick Blackett, the Royal Navy’s experimental ship, could be the future of navigation.

Military chiefs have been warning for years of the dangers of relying on GPS, due to the potential for adversaries to jam and manipulate trackers.

In an interview with The Telegraph last year, Admiral Sir Tony Radakin, the head of the Armed Forces, warned Russia could wage war in space against the West.

He said: “Russia could also attack the GPS systems which play a key role, both military and civilian, throughout the world,” he said. He added that attacking a nation’s GPS was attractive to an adversary because it involves “neither direct casualties nor an attack on another country’s territory,” and is therefore less likely to provoke a direct Western military response….

(19) VIDEO OF THE DAY. How It Should Have Ended knows “How The Little Mermaid Should Have Ended” and asks for three minutes to tell you.

[Thanks to SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, Dariensync, Cora Buhlert, John King Tarpinian, Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Nina.]

Pixel Scroll 5/4/23 Rough Scrolls Do Shake The Sweet Pixels Of May

Posted on May 4, 2023 by Mike Glyer

(1) BIGGEST STAR WARS DAY EVENT. The Hollywood Reporter covers the ceremony: “Billie Lourd Gets Teary Honoring Late Mother Carrie Fisher at Walk of Fame: ‘Mama, You’ve Made It’”

… Lourd accompanied her mother to Comic-Con. There she learned that Fisher was also beloved.

“People of all ages from all over the world were dressed up like my mom, the lady who sang me to sleep at night and held me when I was scared. Watching the amount of joy it brought to people when she hugged them or threw glitter at them — sorry about that — was incredible to witness. People waited in line for hours just to meet her. People had tattoos of her, people named their children after her. People had stories of how she saved their lives. It was a side of my mom I had never seen before, and it was magical,” recalled Lourd. “I realized then that Leia is more than just a character. She is a feeling. She is strength. She is grace. She is wit. She is femininity at its finest. She knows what she wants and she gets it. She doesn’t need anyone to rescue her because she rescues herself and even rescues the rescuers. And no one could have played her like my mother.”

The ceremony, which kicked off shortly after 11:30 a.m. near the El Capitan Theatre on the corner of Hollywood and Highland, saw Lourd accept Fisher’s honor as she received the 2,754th star on the famed Walk of Fame….

(2) THE STAR WARS PARKING LOT. If you’re going to be in LA on May 6, this is an option available to you: “Movies on Location – ‘Star Wars: A New Hope’”.

In celebration of Star Wars Day, My Valley Pass is thrilled to present Star Wars: A New Hope as part of our ongoing film series Movies On Location. Throughout this exciting series, we screen films at their actual filming locations, or at settings that go hand-in-hand with these specially curated movies. The series features state of the art projection and sound.

This May the 6th, join us in Van Nuys as we screen Star Wars: A New Hope in the parking lot of Neiman & Company, formerly the original location of Industrial Light & Magic where all of the visual effects for Star Wars: A New Hope (1977) were produced.

(3) STAR WARS UNDERGROUND. SF Concatenation’s Jonathan Cowie forwarded this photo taken by a member of his local UK sf group today.

(4) HIGH TEA. Sharon Lee and Steve Miller are home from a convention visit. Sharon shares all the interesting details in “To HELIOsphere and beyond!”

…Immediately following our conversation, was the highlight of the convention — the Teddy Bear Tea.

The Teddy Bear Tea is something Steve and I try to schedule, whenever we are Guests of Honor. It turns out that many fans travel with their stuffed friends, who usually stay in the room, ready for comfort and conversation, when their companions come back from panelling and partying. We thought it was a shame that the plushies never got a chance to socialize, and that was the inception of the Teddy Bear Tea.

The Teddy Bear Tea is Vastly Flexible, depending on the understanding of the programming folks about what, exactly, we were doing here.

HELIOsphere did us more than proud. A full British High Tea awaited the plushies and their human friends — cucumber sandwiches (finally! I have had a cucumber sandwich), chicken salad, and egg salad, all cut into triangles and the crust trimmed off. Cookies! Biscotti! It was just marvelous. All of the plushies and people I talked to were impressed. Just a very good time, indeed….

(5) DS9’S UNION ORGANIZING EPISODE. “This ‘Star Trek: Deep Space Nine’ Episode is Suddenly Very Relevant” says Bell of Lost Souls.

There’s a WGA strike happening. Now is the perfect time to watch the Deep Space Nine‘s episode about union organizing “Bar Association”….

Deep Space Nine, Ferengi, and “Bar Association”

It’s the Bajoran Time of Cleansing. We don’t know what this holy time is about exactly but cleansing means no drinking or gambling. There’s nary a holosuite rental in sight. It’s Lent on steroids. And since much of the station consists of Bajorans that means wildly depleted profit margins for Quark’s Bar!

In “Bar Association“, Quark’s brother Rom nearly dies on the floor of the bar from a nuclear-grade ear infection because Quark won’t give him time off for a doctor’s visit. Worse, Quark decides that, in order to deal with the lack of incoming profit, he’s reducing salary by a third effective immediately.

Finally, in sickbay, Rom complains to Doctor Bashir about the lack of paid time off. Bashir offhandedly suggests that Rom should start a union in order to fight for an improved contract for all the workers. Rom takes the idea to heart and before you know it Quark’s entire staff is on strike.

“Bar Association” is very funny. But it’s also one of the most serious episodes in Star Trek history precisely because it deals with the mistreatment of workers. Obviously, right at the top, the episode deals with the dangers of working while sick. Rom nearly dies of that ear infection. But “Bar Association” says a lot more about the importance of unions than just paid sick leave….

(6) WHO HYPE. “Doctor Who airs new footage of 60th anniversary in cryptic teaser” and Radio Times has the morning-after report.

The ten-second clip aired during the channel’s Saturday (29th April 2023) evening schedule, with a message flashing up onscreen that read Network Error before making way for a number of distorted images and seemingly indecipherable sounds.

But it didn’t take sleuthing Whovians too long to work out some meaning behind the teaser, with fans noting that when the audio is played backwards Donna can be heard saying: “Why did this face come back?”

????BREAKING – NEW #DoctorWho Teaser is appearing!!

pic.twitter.com/5oNXOaVZax
— Tardis Central (@Tardis_Central) April 29, 2023

(7) DEAR DIARY. Radio Times will be running excerpts: “The 1963 Doctor Who diaries of Waris Hussein – part one”.

Much has been written about Doctor Who across the past six decades, but surely little could be more striking and fascinating than the diary kept by Waris Hussein way back in 1963 – his contemporaneous account of those crucial months 60 years ago when the sci-fi series was slowly, sometimes painfully, coming into being.

As Doctor Who’s very first director, he was heavily involved in the programme’s inception and can be counted among its talented band of founding parents…

…What follows is not a day-by-day diary. In 1963 Waris was far too busy for that. Instead, whenever time allowed, he kept a journal in a notebook, sometimes recording his thoughts on one particular day or else summarising recent events. That year he was also directing the BBC soap Compact, a Sunday Play called The Shadow of Mart and wartime espionage series Moonstrike. His diaries cover those in depth, as well as many private matters. For this series of articles exclusive to Radio Times, he has kindly allowed us to edit his accounts, extracting aspects pertinent to Doctor Who.

… Thursday 30th May 1963

The more I think of “Dr Who”, the more it depresses me and I can’t bear the thought of it. I hope it never happens.

[Waris in 2023: “You see, nobody knew exactly what the format was. The scripts were non-existent apart from the first one by Anthony Coburn. There was nothing more to go on. The sci-fi element didn’t bother me particularly; it was more that we’d be dealing with Stone Age characters. I mean, the discovery of fire was not my idea of directing something after my Cambridge days where I studied Shakespeare. And I didn’t want to be laughed at – directing actors in skins.”]….

(8) MEMORY LANE.

1984 – [Compiled by Cat Eldridge.]

Barry Hughart’s career, I was surprised to learn, consisted of just one exemplary series, the Master Li novels which in turn were but a trilogy — Bridge of Birds, The Story of The Stone and Eight Skilled Gentlemen.

Why this was according to Hughart wasn’t due to his publishers screwing him over though they, according to him, did just that doing everything from labeling his fiction as exclusively being genre to releasing the paperback edition of Eight Skilled Gentlemen the same time as the hardback edition resulting in very few sales of the latter.

None of which he says actually had to do with him ending his writing career. In the Subterranean Press printing of The Chronicles of Master Li and Number Ten Ox series as it is called, he stated:

“Will there be more? I doubt it, and it’s not because of bad sales and worse publishers. It’s simply that I’d taken it as far as I could. … [N]o matter how well I wrote I’d just be repeating myself.”

So that was it for his writing career. Mind you, according to him in another interview, there were supposed to be seven novels in the series had it run its full course.

But oh what extraordinary fiction it was. Blending an ancient China that never was, Chinese mythology with detective genre influences, Bridge of Birds won the World Fantasy Award and the Mythopoeic Fantasy Award. It’s an amazing series and go read it if you’ve not.

The series is available at the usual suspects.

Our Beginning naturally is from Bridge of Birds…

I shall clasp my hands together and bow to the corners of the world.

My surname is Lu and my personal name is Yu, but I am not to be confused with the eminent author of The Classic of Tea. My family is quite undistinguished, and since I am the tenth of my father’s sons and rather strong I am usually referred to as Number Ten Ox. My father died when I was eight. A year later my mother followed him to the Yellow Springs Beneath the Earth, and since then I have lived with Uncle Nung and Auntie Hua in the village of Ku-fu in the valley of Cho. We take great pride in our landmarks. Until recently we also took great pride in two gentlemen who were such perfect specimens that people used to come from miles around just to stare at them, so perhaps I should begin a description of my village with a couple of classics.

When Pawnbroker Fang approached Ma the Grub with the idea of joining forces he opened negotiations by presenting Ma’s wife with the picture of a small fish drawn on a piece of cheap paper. Ma’s wife accepted the magnificent gift, and in return she extended her right hand and made a circle with the thumb and forefinger. At that point, the door crashed open and Ma the Grub charged inside and screamed: “Woman, would you ruin me? Half of a pie would have been enough!

That may not be literally true, but the abbot of our monastery always said that fable has strong shoulders that carry far more truth than fact can.

Pawnbroker Fang’s ability to guess the lowest possible amount that person would accept for a pawned item was so unerring that I had concluded it was supernatural, but then the abbot took me aside and explained that Fang wasn’t guessing at all. There was always some smooth shiny object lying on top of his desk in the front room of Ma the Grub’s warehouse, and it was used as a mirror that would reflect the eyes of the victim.

“Cheap, very cheap,” Fang would sneer, turning the object in his hands. “No more than two hundred cash.”

His eyes would drop to the shiny object and if the pupils of the reflected eyes constricted too sharply he would try again.

“Well, the workmanship isn’t too bad, in a crude peasant fashion. Make it two-fifty.” The reflected pupils would dilate, but perhaps not quite far enough.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born May 4, 1852 — Alice Pleasance Liddell (rhymes with “fiddle”). One of the sisters to whom “Lewis Carroll” (Charles Dodgson) told the story that he later developed into Alice’s Adventures in Wonderland (1865) and a second book about the character Alice, Through the Looking-Glass and What Alice Found There (1871). She eventually auctioned the manuscript copy of the first book Carroll had given her (under the original title Alice’s Adventures under Ground). That is how it came to be displayed at Columbia University on the centennial of Carroll’s birth, with Alice present, aged 80. In a nice coincidence, during this visit to the United States she met Peter Llewelyn Davies, one of the brothers who inspired J. M. Barrie’s Peter Pan. (Died 1934.) (OGH/JH)

Alice Liddell dedication copy of Through The Looking Glass

Born May 4, 1909 — Ray Quigley. Here solely for the three covers that he did for Weird Tales in the Forties. He didn’t do a lot of pulp work that I can find but these three are amazing. He did the December 1938 cover with the Dracula-like figure, the September 1940 cover with the nightmarish skull faced Bombers and fInally the May 1942 cover with the really scary living ship. The latter issue had Henry Kuttner, Robert Bloch and Dorothy Quick listed on the cover! (Died 1998.)
Born May 4, 1913 — John Broome. DC writer during the Golden Age. He’s responsible for the creation of an amazing number of characters including The Phantom Stranger, Per Degaton (with artist Irwin Hansen), Captain Comet and Elongated Man (with Carmine Infantino), Atomic Knight and one of my favorite characters, Detective Chimp. DCUniverse streaming app has his work on The Flash starting on issue #133 and the entire early Fifities run of Mystery in Space that he wrote as well. (Died 1999.)
Born May 4, 1920 — Phyllis Miller. She co-wrote several children’s books with Andre Norton, House of Shadows and Seven Spells to Sunday. Ride the Green Dragon, a mystery, is at best genre adjacent but it too was done with Norton. (Died 2001.)
Born May 4, 1942 — CN Manlove. His major work is Modern Fantasy: Five Studies which compares the work of Kingsley, MacDonald, Lewis, Tolkien and Peake. Other works include Science Fiction: Ten Explorations, The Impulse of Fantasy Literature and From Alice to Harry Potter: Children’s Fantasy in England. (Died 2020.)
Born May 4, 1943 — Erwin Strauss, 80. I’m not sure I can do him justice. Uberfan, noted member of the MITSFS, and filk musician. He frequently is known by the nickname “Filthy Pierre” which I’m sure is a story in itself. Created the Voodoo message board system used at a number of early cons and published an APA, The Connection, that ran for at least thirty years. Tell me about him.
Born May 4, 1966 — Murray McArthur, 57. He first shows up on Doctor Who in “The Girl Who Died”, a Twelfth Doctor story before being The Broken Man on The Game of Thrones. He also shows up as a stagehand in the historical drama Finding Neverland before playing Snug in A Midsummer Night’s Dream.
Born May 4, 1976 — Gail Carriger, 47. Ahhhh such lovely mannerpunk she writes! I think I first noticed her with the start of the Finishing School series which she started off with Etiquette & Espionage some six years ago. Moira Quirk does a delightful job of the audiobooks so I recommend that you check them out. I also love the two novellas in her Supernatural Society series as well.

(10) COMICS SECTION.

Saturday Morning Breakfast Cereal calls this argument about consciousness “Robot John Searle”.
The Argyle Sweater delivers a Cinco de Mayo/May the Fourth crossover. “Surely Han is giggling and saying ‘Come on Luke, use the Force!’” says Rich Horton.

(11) COME AS YOUR FAVORITE KAIJU. Tomorrow’s First Fridays 2023 event at the LA County Museum of Natural History has a “Giant Monsters/Giant Robot” theme. Cosplay encouraged. See full details at the link.

The Natural World vs. Fantasy Worlds: This season we focus on how nature and science influence the creation of our favorite imagined worlds. From dragons and witchcraft to superheroes and giant monsters, First Fridays 2023 is where the fans come out to celebrate the intersection of pop-culture fandom and the work and collections of NHM.

(12) WESTERCON 2025 WIDE OPEN. “No Bids Filed for 2025 Westercon” writes Kevin Standlee. “No bids have been filed to host Westercon 77 (2025), meaning that once again (as in 2021 and 2022), there will only be write-in spaces on the ballot, and if no valid bid wins (technically, that’s what happened last year, even though nearly every vote was for Utah, because the Utah bid was technically deficient), the Business Meeting will again have to make a decision, or if they can’t decide, throw it to LASFS. The last choice is thought to be the least-wanted one, at least by those LASFS directors who have expressed an opinion about it to me.”

(13) NNEDI OKORAFOR BOOK ANNOUNCED. DAW Books, an imprint of Astra Publishing House, has added another Nnedi Okorafor novel to the DAW publication schedule for this December.

Four months after the release of SHADOW SPEAKER (on sale September 26, 2023; ISBN 9780756418762) by critically acclaimed author Nnedi Okorafor will come the never-before-published sequel, LIKE THUNDER (on sale December 5, 2023; ISBN 9780756418793), completing the Desert Magician’s Duology.

LIKE THUNDER is the story of the powerful young man whom the magical protagonist of SHADOW SPEAKER befriends, and continues the precedent of powerful prose and compelling story-telling that has made Nnedi Okorafor a star of the literary science fiction, fantasy, and Africanfuturist spaces.

“This duology is really one long story,” says Betsy Wollheim, publisher of DAW Books, “and we felt it would be exciting for readers to have the finale to this story publish just four months from the first half, rather than waiting nearly a year to read the conclusion.”

The Desert Magician’s Duology tells the story of Ejii, as she embarks on a mystical journey to track down her father’s killer, in an era of mind-blowing technology and seductive magic, set in Niger, West Africa at the end of the 21st century, on an Earth changed by a momentous apocalyptic event that altered the laws of physics and created “The Changed,” children born with rare and odd abilities: shadow speakers, shapeshifters, windseekers, firemolders, faders, and rainmakers.

Nnedi Okorafor was born in the United States to two Igbo (Nigerian) immigrant parents. She holds a PhD in English and was a professor of creative writing at Chicago State University. She has been the winner of many awards for her short stories and young adult books, and won a World Fantasy Award for Who Fears Death. Nnedi’s books are inspired by her Nigerian heritage and her many trips to Africa.

(14) BIG GULP REDUX. Here’s more about Nature’s cover article “Exoplanet destruction”

As stars evolve, they expand and so will engulf planets in close orbit around them. This planetary catastrophe is expected to generate powerful luminous ejections of mass from the star, although this has not been observed directly. In this week’s issue, Kishalay De and his colleagues present observations of a short-lived optical outburst in the Galactic disk accompanied by bright, long-lived infrared emission. The combination of low optical luminosity and radiated energy suggests that the source of the outburst was the engulfment of a planet by its Sun-like star — an event that awaits Earth and the other planets of the inner Solar System in about 5 billion years, and that is captured in the artist’s impression on the cover.

Also there’s a review article here.

[Thanks to Cat Eldridge, Mike Kennedy, Andrew Porter, Rich Horton, Lise Andreasen, Olav Rokne, Kevin Standlee, SF Concatenation’s Jonathan Cowie, John King Tarpinian, Chris Barkley, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]

File 770

Mike Glyer's news of science fiction fandom

Tag Archives: Steve Miller

Pixel Scroll 3/11/24 Fast Pixels At Ridgemont Scroll

Pixel Scroll 2/22/24 Home Is The Pixel, Home From The Scroll

Pixel Scroll 2/21/24 Born Of Scroll And Pixel?

Pixel Scroll 2/20/24 The Scroll Of Theseus

Steven Richard Miller (July 31, 1950 – February 20, 2024)

Pixel Scroll 8/20/23 But Can He Put A Brick To Sleep Through Hypnosis?

Pixel Scroll 7/20/23 Crouching Pixel, Hidden Jetpack

Pixel Scroll 6/29/23 Every Pixel In The Room Was Scrolling At Me

Pixel Scroll 5/29/23 I Do Not File With My Scroll. The Man Who Files With His Scroll Has Forgotten The Face Of His Father. I File With My Pixel.

Pixel Scroll 5/4/23 Rough Scrolls Do Shake The Sweet Pixels Of May