(1) WHAT I’VE BEEN DOING ON MY SUMMER VACATION. I don’t know how much material will make it into today’s Scroll because I have been very busy creating a series of posts about rules change proposals being submitted to the WSFS Business Meeting in Glasgow.
Over two years ago, we published a version of this list featuring 50 books. But why stop at 50? Now, as part of our latest Summer Fiction Week, we’ve cast a wider net and expanded the list to 75 titles. Choosing the 75 best science fiction books of all time wasn’t easy, so to get the job done, we had to establish some guardrails. Though we assessed single installments as representatives of their series, we limited the list to one book per author. We also emphasized books that brought something new and innovative to the genre—to borrow a great sci-fi turn of phrase, books that “boldly go where no one has gone before.”
Now, in ranked order, here are the best science fiction books of all time….
(4) LATEST TUTTLE COLUMN. Lisa Tuttle’s “The best recent science fiction and fantasy – reviews roundup” in the Guardian covers Curandera by Irenosen Okojie; The Bright Sword by Lev Grossman; The Lost Story by Meg Shaffer; an Toward Eternity by Anton Hur.
(5) BIG RIVER, MANY TRIBUTARIES. Cedar Sanderson offers helpful tools for strategizing what Amazon book categories to choose when marketing a self-published book on that platform: “Categories on Amazon” at Mad Genius Club.
…This post will be Amazon-centric, as I haven’t published a book wide in years. Still, much of the information will be useful elsewhere as well, just not in the same way as it is for the biggest bookseller in the world.
It used to be that you could put your book in up to ten categories. This was changed in the latter part of 2023, and you can now select three categories. Categories are the broad buckets Amazon uses to help readers find books they like, so as you can imagine, it’s important to put your book in the best categories. Which also means not putting them into the broadest categories – a book placed into ‘fantasy’ is a tiny minnow swimming in a whole ocean, while a book placed into something like ‘dark fantasy horror’ is a trout in a fishing hole, and much more likely to find a reader who really wants it.
BookLink also has a ton of free tools for researching, and while you can use it to find the best categories for an already-published book, you could also enter the ASIN of a book that is very similar to a planned publication, to give you some guidance while you are setting your new book up. Their website isn’t the easiest to use, so read carefully….
The prop weapon and a communicator used by William Shatner on the original series will go on display at the Comic-Con Museum before heading to auction in November.
Fans of Star Trek, get set to be stunned.
A original phaser and communicator used by William Shatner’s James T. Kirk on the 1960s NBC series will be on display starting Monday at the Comic-Con Museum in San Diego. The iconic props, created in 1966, have not been seen in more than 50 years, organizers say, and will be available to purchase through auction.
Don Hillenbrand, a veteran Star Trek prop collector and researcher, has authenticated the phaser and communicator using a “screen-matching” method that identifies unique details and flaws on the props to verify they indeed were the ones seen in the series.
The original owner of both pieces, a late relative of the current owners, was a Hollywood prop veteran who is believed to have acquired them from a former employee at Paramount Pictures, home of Star Trek.
The pistol-like phaser and communicator, which features a spinning dial, will be at the museum through July 28, then will go on the block at a Julien’s Auctions/TCM Hollywood event Nov. 9 in Los Angeles. Each piece is conservatively estimated to sell for $100,000 to $200,000….
(7) WHAT CRESSIDA COWELL LIKES. “On my radar: Cressida Cowell’s cultural highlights” – a Guardian profile. Including an item about David Tennant’s next series, which isn’t sff but don’t you want to know anyway?
Children’s author Cressida Cowell was born in London in 1966. In 2003 she published the first of 12 books in the How to Train Your Dragon series; since then, they have been adapted into several feature films, including the Academy Award-nominated 2010 animation. Her other book series include the Treetop Twins and The Wizards of Once. Between 2019 and 2022, Cowell was the Waterstones children’s laureate. She lives in London with her husband; they have three children. Here Be Dragons, an exhibition co-curated by Cressida Cowell and one of her dragon creations, Toothless, is at the Story Museum in Oxford until July 2025….
6. Television
Rivals
The first trailer for Disney+’s forthcoming TV adaptation of Jilly Cooper’s Rivals has dropped, starring the always magnificent David Tennant. I bet he will have an absolute whale of a time playing Lord Tony Baddingham. Rivals was one of my go-to comfort reads when I was in my 20s, so very nostalgic for me and so many others. Everything David touches seems to turn to gold, from Hamlet to Broadchurch to Staged to Good Omens, and the lead director of Rivals is Ted Lasso’s Elliot Hegarty, so I have high expectations for this.
(8) WESTERCON MINUTES HOT OFF THE PRESS. [Item by Kevin Standlee.] Linda Deneroff turned around the minutes and new bylaws for Westercon very quickly, even with five ratified bylaw amendments and two new ones for consideration next year. Here’s the announcement post: “Westercon Official Papers Updated for 2025”.
The Westercon Bylaws & Business page has been updated with the minutes of the 2024 Westercon Business Meeting held at Westercon 76 in Salt Lake City, links to the video of the Business Meeting, and the updated Bylaws for use at the 2025 Westercon (Westercon 77).
The Business Meeting ratified five amendments to the Bylaws, including removing the “traditional” date of Westercon (which was never a requirement). The meeting then gave first passage to two amendments: one would clarify the official name of Westercon and the other would suggest (but not required) that Westercons be held sometime between May and August each year. The full text of the amendments, which must be ratified at Westercon 77 in Santa Clara, California, is in the updated Bylaws document.
(9) TODAY’S BIRTHDAY.
[Written by Paul Weimer.]
July 13, 1940 – Sir Patrick Stewart, 84.
By Paul Weimer: Where does one begin, or end, with Stewart’s oeuvre? I first came across him as Leodegrance in the movie Excalibur, which is perhaps the most fever-dream of all the adaptations of King Arthur and the Round Table that I’ve ever seen. Then, some years later, he was of course Gurney Halleck in the David Lynch Dune movie, and that itself was a fever dream of an adaptation of an unfilmable novel.
So it was with excitement when I found out that he would be Captain Jean-Luc Picard in the reboot of Star Trek as a TV Series, Star Trek: The Next Generation. Sure, the series took a few years to find its feet and even Picard took some time to establish his character (I remember him being weirdly francophilic to the point of excess in the early seasons) but once Picard had the character, he gave us a character arc and journey that went through Locutus, through the movies, and all the way to his titular series. Picard’s growth and development has been a part of my adult life.
Sir Patrick Stewart, from The Smithsonian Magazine.
And then there is of course, Professor X. Yes, McAvoy has mostly taken up that mantle, since. And there are the animated adaptations. But when I saw Stewart as Professor X in Multiverse of Madness in that alternate world Strange and Chavez wound up in, I cheered in delight. Patrick Stewart was and does remain my Professor Charles Xavier, and how I envision him in my mind to this day. (And he makes a wonderful double act with Ian McKellen’s Magneto, a chemistry between the two that no other actors or adaptations have managed to really match.
Stewart has done a slew of other stuff, too, and I’ve consumed a lot of it. One fun bit I will mention is a videogame: Lands of Lore. It was one of the early videogames in the early 1990’s that featured extensive voiceovers, done by Stewart himself (in his role as a dying king). It felt like a return to his fantasy King Arthur days. And of course, since I am a Roman Empire enthusiast, although it is not genre, how can I miss his portrayal of Sejanus in I, Claudius?
A Journey into Imagimation celebrates the ongoing history of animation production since the creation of this magical art form. The exhibition presents 140 rare and recognizable objects, including original cels, drawings, and models that feature a full range of animation techniques from the groundbreaking traditional animation of Gertie the Dinosaur, created by Winsor McCay in 1914, to many of today’s digitally supported animations, including The Simpsons and Toy Story.
The exhibition includes well-recognized animations from such movies and cartoons as Snow White and the Seven Dwarfs, Fantasia, Mighty Mouse, Tom & Jerry, Woody Woodpecker, Rocky and Bullwinkle, Alvin and the Chipmunks, The Jetsons, Mary Poppins, How the Grinch Stole Christmas, Who Framed Roger Rabbit, The Little Mermaid, The Simpsons, The Ren and Stimpy Show, The Lion King, The Nightmare Before Christmas, and Toy Story, as well as popular commercials for Raid, Pillsbury, Clearasil, and Lipton Brisk Ice Tea and the music video for Paula Abdul’s Opposites Attract.
The enduring friendship between the actors Ryan Reynolds and Hugh Jackman was unpacked in irreverent detail in London on Friday, as the pair premiered their new movie, Deadpool & Wolverine.
The stars, who frequently tease one another both in the press and on X, take the leads in Marvel’s latest blockbuster, which sees foul-mouthed superhero Deadpool (Reynolds) exhume and then team-up with the beleaguered Wolverine (Jackman), seven years after his apparent death in 2017’s Logan.
Speaking at a press conference, Reynolds and director Shaun Levy said they had been scrambling for ideas to continue the franchise until Jackman agreed to return. Rejected pitches included a film in which it is revealed Deadpool was the hunter who shot Bambi’s mother.
There is sigma rizz in this view of life, with its skibidi grindset, having been originally yapped into a few gyatts or into one; and that, whilst this ohio has gone mewwing on according to the quirked up law of gravity, from so sussy a beginning alpha forms most skibidi and most…
[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, Marc A. Criley, Jeffrey Smith, Kathy Sullivan, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]
(1) ANTHRO NEW ENGLAND LEADERSHIP TURNOVER. Anthro New England, a furry convention held in Boston, issued statements yesterday and today about the removal of two top officers, Remy and Scales. The specific reasons are not given. Comments in social media are speculative.
The stars of Star Trek are about to get a taste of real-life space exploration when they beam into the 2024 International Space Development Conference in Los Angeles this weekend, and you have a chance join them to get your space fix.
On Friday (May 24), actor William Shatner, who originated the role of Captain James T. Kirk and launched into space on a Blue Origin rocket in 2021, will receive the Robert Heinlein Memorial Award “for his deep impact on public perception of the human expansion into space, which boldly highlighted diversity and inclusion previously unseen on television,” conference officials said in a statement. The award, which is given annually by the nonprofit National Space Society at ISDC, is just one event featuring Star Trek actors. If you’re in the Los Angeles area, you can learn how to attend the ISDC conference at the at isdc.nss.org.
“Star Trek: Strange New Worlds” actor Melissa Navia, who portrays helm pilot Lt. Erica Ortegas, will host the 2024 ISDC conference. NSS officials have also recruited her fellow Trek alums in a May 26 panel “Science Fiction to Science Fact” featuring Nana Visitor (Major Kira Nerys on “Star Trek: Deep Space Nine”), John Billingsley (Doctor Flox on “Star Trek: Enterprise”) and other Trek and sci-fi veterans to discuss “how science fiction has, and will continue to, transition into our everyday lives, and ultimately, the exploration of space.”
But real science fact is the main draw for ISDC, which is expected to draw over 1,000 attendees to its talks at the Sheraton Gateway Hotel near Los Angeles International Airport.
“ISDC 2024 talks will cover the exploration, development, and settlement of the Moon, Mars, and cislunar space; deep space exploration; innovative spaceflight technology; the commercialization of space and space infrastructure; life support systems; collaboration in space; living in space; space solar power; space debris mediation solutions; planetary defense; space law; and both national and international space policy, among others,” organizers wrote in an overview.
This year, the conference’s theme of “No Limits” has drawn in retired astronauts Susan Kilrain and Jose Hernandez, as well as Alan Stern (who leads the New Horizon mission to Pluto and beyond, as well as Vast Space CEO Max Haot, Mars Society founder Robert Zubrin and YouTube creators Isaac Arthur and Brian McManus….
…Published in 1937, The Hobbit transformed fantasy literature like no other book before or since. Presented as an intricate middle-grade children’s chapter book, The Hobbit tells the tale of Bilbo Baggins, the titular Hobbit, as he is pulled into a great journey beyond his cozy home in the Shire. Along with a company of Dwarves, and Gandalf the Wizard, this proto-fellowship encounters various threats, which all get scarier and scarier as the book progresses. The world-building of The Hobbit is shockingly vivid, and, nearly thirty years later, in 1954, when Tolkien decided to expand his world of Middle-earth into a larger epic with his trilogy of novels — The Fellowship of the Ring, The Two Towers, and The Return of the King — very little adjustment to his landscape was needed. Only two elements had to be heavily revised to make the setting of The Hobbit click: The Ring of Power itself, and its bedraggled former owner, Gollum. And so, in 1951, three years before The Lord of the Rings was published, Tolkien published a new version of The Hobbit.
As extensively revealed by Bonniejean Christensen in the 1975 nonfiction book A Tolkien Compass, “Gollum’s function differs in the two works. In The Hobbit, he is one in a series of fallen creatures on a rising scale of terror. In The Lord of the Rings, he is an example of the damned individual who loses his own soul because of devotion to evil…”
Gollum is not the big bad of The Hobbit and is left behind by Bilbo roughly midway through the book. Crucially, in the original 1937 and 1938 editions of The Hobbit, Gollum is not a depraved maniac addicted to the Ring’s power. Nor is the Ring suggested to be sentient in the original Hobbit. All of those details were altered by Tolkien by 1951 when he changed the text and meaning of Chapter 5: “Riddles in the Dark.”
There are several examples of these changes, but the most relevant alteration is the later suggestion to the reader that Gollum is a crazed murderer and can’t be trusted to be bound by the rules of the riddle game. In the 1937 version, Gollum is just a weird creature.
From the original Hobbit (1937):
“But funnily enough he [Bilbo] need not have been alarmed. For one thing Gollum had learned long ago was to never cheat at the riddle-game, which is a sacred one and of immense antiquity.”
From the revised Hobbit (1951, 1965, et al.):
“He knew of course, the riddle-game was sacred and of immense antiquity and even wicked creatures were afraid to cheat when they played it. But he [Bilbo] felt he could not trust this slimy thing [Gollum] to keep any promise at a pinch. Any excuse would do for him to slide out of it. And after all that last question had not been a genuine riddle according to the ancient laws.”
Tolkien tinkered with “Riddles in the Dark” up until 1966, making him something of a George Lucas; continually modifying his story to fit with his other books. This retcon of Gollum’s character was so entirely successful that if you read The Hobbit now, you will only find the latter text. The 75th anniversary of The Hobbit, published in 2012, acknowledges the changes to “Riddles in the Dark,” briefly, in a section toward the front of the book, but the only way to get your hands on the first version of “Riddles in the Dark” — short of buying an extremely expensive 1937 or 1938 Hobbit — is to read Douglas A. Anderson’s The Annotated Hobbit, where he elucidates some these changes.
(4) DEEP DICTIONARY DIVE. Greg Cwik reviews a new Ellison compilation edited by J. Michael Straczynski: “Beamed from Within: On Harlan Ellison’s ‘Greatest Hits’” in the LA Review of Books. Harlan’s polysyllabic vocabulary is contagious but not fatal.
…In 1996, the year he won a Lifetime Achievement Award from the Horror Writers Association, Ellison defined his writing for us: “What I write is hyperactive magic realism. I take the received world and I reflect it back through the lens of fantasy, turned slightly so you get a different portrait.” Ellison wrote like a man suffering from perpetual fever hallucinations, his stories governed by an inimitable eerie logic….
… Ellison’s writing has the electric shock of a malfunctioning machine, words like sparks spraying out. Yet there is humanity—bitter, yes, and often mean, with lust for life unrequited by the vicissitudes of fate, but Ellison’s best work is endowed with the spirit of man with a big, bruised, beating heart. He was a man fascinated by and disappointed with the society roiling around him, and thus his characters are also often denied penance and peace. Ellison is that rare beast, a writer who suffuses his work with smart-man musings without the boring, masturbatory listing of dead philosophers to boost intellectual credit. Except when he did do that (I’m not judging—I’m doing the same thing). In his nonfiction, he bemoans, with avidity, elitists’ tendency to intellectualize everything, while doing so himself, which he undoubtedly knows, just another layer of irony in the madman’s spiritual coils. He was a complicated, even hypocritical man of singular style and insoluble beliefs. (He also dressed real snazzy.)…
…Sherman, together with his late brother Robert, won two Academy Awards for Walt Disney’s 1964 smash “Mary Poppins” — best score and best song, “Chim Chim Cher-ee.” They also picked up a Grammy for best movie or TV score. Robert Sherman died in London at age 86 in 2012….
…Their hundreds of credits as joint lyricist and composer also include the films “Winnie the Pooh,” “The Slipper and the Rose,” “Snoopy Come Home,” “Charlotte’s Web” and “The Magic of Lassie.” Their Broadway musicals included 1974’s “Over Here!” and stagings of “Mary Poppins” and “Chitty Chitty Bang Bang” in the mid-2000s.
…They wrote over 150 songs at Disney, including the soundtracks for such films as “The Sword and the Stone,” “The Parent Trap,” “Bedknobs and Broomsticks,” “The Jungle Book,” “The Aristocrats” and “The Tigger Movie.”
“It’s a Small World” — which accompanies visitors to Disney theme parks’ boat ride sung by animatronic dolls representing world cultures — is believed to be the most performed composition in the world. It was first debuted at the 1964-65 New York World’s Fair pavilion ride….
(6) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
May 25, 1939 – Ian McKellen, 85. Now remember that the following are roles are the ones that I like, not all the roles that he’s done.
For me, that’d be him playing a nearly ninety-year-old retired detective who’s a beekeeper in Mr. Holmes who given the title of the film is obviously intended to that Holmes. He’s played as an individual who is struggling to recall the details of his final case because his mind is slowly deteriorating. He plays this with considerable dignity.
Ian McKellen at San Diego Comic-Con 2013. Photo by Gage Skidmore.
Yes, I think he made a magnificent Gandalf the White in Jackson’s telling of Tolkien’s story. Note I didn’t say Tolkien’s story as it’s Jackson’s story. Now McKellen pulled off that role as he did not wear a wig or any prosthetics at all. His website detailing the shooting The Fellowship of The Ring says he had very little make-up time either.
A film that I think that doesn’t get as much love as it should get is The Shadow which I’m very, very fond of. He played Dr. Reinhardt Lane there and did a very nice job of doing it.
Now he was the narrator of Stardust based somewhat loosely off Gaiman’s novel. And he made a truly magnificent narrator here. Now him narrating an audiobook of that novel would be as delightful as the one Gaiman did which yes I wholeheartedly recommend.
I’ve not seen it, though I very much want to, but forty-five years ago, the Royal Shakespeare Company production of MacBeth was filmed by Thames Television, and it featured Ian McKellen as Macbeth and Judi Dench as Lady Macbeth. That sounds awesome. It’s available on DVD.
Well those are my favorite roles by him. What are yours?
Last week, Google unveiled its biggest change to search in years, showcasing new artificial intelligence capabilities that answer people’s questions in the company’s attempt to catch up to rivals Microsoft and OpenAI….
…The incorrect answers in the feature, called AI Overview, have undermined trust in a search engine that more than two billion people turn to for authoritative information. And while other A.I. chatbots tell lies and act weird, the backlash demonstrated that Google is under more pressure to safely incorporate A.I. into its search engine….
… [T]hings quickly went awry, and users posted screenshots of problematic examples to social media platforms like X.
AI Overview instructed some users to mix nontoxic glue into their pizza sauce to prevent the cheese from sliding off, a fake recipe it seemed to borrow from an 11-year-old Reddit post meant to be a joke. The A.I. told other users to ingest at least one rock a day for vitamins and minerals — advice that originated in a satirical post from The Onion….
… Ernest felt onion sandwiches were the perfect meal to enjoy while fishing. Exactly when he began adding peanut butter to the mix is uncertain, but the writer memorialized the PB&O in his novel “Islands in the Stream,” which came out after his death….
…During the Great Depression of the 1930s, an onion stuffed with peanut butter was just one of many fascinating foods, along with dandelion salad and water pie, that was commonly eaten. So a variation on these food combinations isn’t all that out of the ordinary. And, as it turns out, science is on the side of this sandwich. As Marie Wright, chief global flavorist for American food processing giant ADM, told The Takeout, peanut butter and onion complement each other because they both have sulfur-containing compounds…
The Munsters might be moving back to 1313 Mockingbird Lane. Variety reports that Universal Studio Group is developing a reboot of the iconic monstrous (but friendly!) family from the 1960s sitcom.
The Munsters, which premiered in 1964 and ran for two seasons, followed the titular family. There was Herman Munster (a Frankenstein’s Monster-type), his wife Lily (a vampire), Grandpa (elderly Count Dracula), daughter Merilyn (a normal-looking young woman), and little Eddie (a werewolf). Despite their monstrous appearances, the Munsters were just as normal as any other red-blooded American family… well, almost as normal.
The new series — which is still in the works with no details announced yet — is being developed by James Wan of Saw, The Conjuring, Aquaman, Furious 7, and M3GAN fame. Lindsey Anderson Beer and Ingrid Bisu are also listed as developers, per Variety, and Beer will serve as the showrunner and executive producer along with Wan.
According to the official logline, the upcoming take is described as a horror series that “lives and breathes within the Universal Monsterverse” — suggesting that these new Munsters might not be as cuddly as the original ‘60s incarnation.
The tentative name for the reboot is 1313, after the family’s address at 1313 Mockingbird Lane. …
For the 12th year in a row, the Partnership for Public Service named NASA the best place to work among large agencies in the federal government. “Once again, NASA has shown that with the world’s finest workforce, we can reach the stars,” said NASA Administrator Bill Nelson. “Through space exploration, advances in aviation, groundbreaking science, new technologies, and more, the team of wizards at NASA do what is hard to achieve what is great. That’s the pioneer spirit that makes NASA the best place to work in the federal government. With this ingenuity and passion, we will continue to innovate for the benefit of all and inspire the world.” The Partnership for Public Service began to compile the Best Places to Work rankings in 2003 to analyze federal employees’ viewpoints on leadership, work-life balance, and other factors of their job.
(13) VIDEO OF THE DAY. This week How It Should Have Ended reposted “MAD MAX Fury Road”. It may be news to you!
[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, Kathy Sullivan, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]
(1) COUNTERFEIT CHARACTERS. [Item by SF Concatenation’s Jonathan Cowie.] We all now know that A.I. threatens creativity… something we seemed to have missed in SF where A/I. was oft portrayed more as a physical threat. BBC Radio 4 (the BBC’s national news and magazine station that replaced the Home Service) is airing a half-hour programme on A.I. replacing actors…. “Counterfeit Characters”.
What do Artificial Intelligence and digital technology mean for actors and their relationship with audiences?
Leading acting coach Geoffrey Colman, who has spent his working life on the sets of Hollywood movies, in theatrical rehearsal spaces, and teaching in the UK’s most prestigious classrooms, wants to find out.
AI, he says, may represent the most profound change to the acting business since the move from silent films to talkies. But does it, and if so how are actors dealing with it? What does that mean for the connection between actors and audiences?
Geoffrey’s concern is rooted in acting process: the idea that the construction of a complex inner thinking architecture resonates with audiences in an authentic almost magical way. But if performance capture and AI just creates the outer facial or physical expression, what happens to the inner joy or pain of a character’s thinking? The implications for the actor’s technique are profound.
To get to the bottom of these questions Geoffrey visits some of those at the cutting edge of developing this new technology. On the storied Pinewood lot he visits Imaginarium Studios, and is shown around their ‘volume’, where actors’ every movement is captured. In East London he talks to the head of another studio about his new AI actor – made up from different actors’ body parts. And at a leading acting school he speaks to students and teachers about what this new digital era means for them. He discusses concerns about ethical questions, hears from an actor fresh from the set of a major new movie, quizzes a tech expert already using AI to create avatars of herself, and speaks to Star Wars fans about how this technology has allowed beloved characters to be rejuvenated, and even resuscitated.
Days before OpenAI demonstrated its new, flirty voice assistant last week, the actress Scarlett Johansson said, Sam Altman, the company’s chief executive, called her agent and asked that she consider licensing her voice for a virtual assistant.
It was his second request to the actress in the past year, Ms. Johannson said in a statement on Monday, adding that the reply both times was no.
Despite those refusals, Ms. Johansson said, OpenAI used a voice that sounded “eerily similar to mine.” She has hired a lawyer and asked OpenAI to stop using a voice it called “Sky.”
OpenAI suspended its release of “Sky” over the weekend. The company said in a blog post on Sunday that “AI voices should not deliberately mimic a celebrity’s distinctive voice — Sky’s voice is not an imitation of Scarlett Johansson but belongs to a different professional actress using her own natural speaking voice.”
For Ms. Johansson, the episode has been a surreal case of life-imitating art. In 2013, she provided the voice for an A.I. system in the Spike Jonze movie “Her.” The film told the story of a lonely introvert seduced by a virtual assistant named Samantha, a tragic commentary on the potential pitfalls of technology as it becomes more realistic.
Last week, Mr. Altman appeared to nod to the similarity between OpenAI’s virtual assistant and the film in a post on X with the single word “her.”…
(3) WHISKY TASTING EVENT CONCURRENT WITH WORLDCON. [Item by Sandra Childress.] This is an invitation to those attending Worldcon this summer to venture outside of the convention space for a couple of hours and taste some local history and whisky at the Clydeside Distillery Tour & Tasting. This event is a venue takeover being hosted by Joel Phillips’ Friday Night Weekly Whisky Zoom that has been running nearly non-stop since April 2020. This group has hosted parties at Discon 3 and Chicon 8 — all in the name of friendship and whisky.
The Clydeside Distillery
This time around, the group is doing something different. The Clydeside Distillery is across the parking lot from the convention center. Joel and the Zoom members knew this was not to be passed up. So, on August 9 (Friday) starting at 7:00 p.m. there will be a tour and tastings for up to 150 pre-paid attendees. The cost of $103USD includes the following:
2 tickets for welcome drinks (1 of which can be used at the blind Scotch tasting station if you choose)
Welcome drinks are Prosecco, Beer or mixed whisky drink
6 canapes per person
4 wee drams of single malts (your choice) from Clydeside Distillery including a bourbon cask finish and sherry cask finish only available at the distillery and a third single malt yet to be determined.
Additionally, a cash bar will also be available and a station where you may buy a bottle for £68 and create your own personalized label.
Deadline to register and pay is Thursday July 25th or when the count hits 150. There will be no onsite registrations available. Please register via the Google Form (https://forms.gle/QnGmmhTN58Xe76un6) and follow the instructions there for payment. As of May 20, there are 62 registered…so there is still room for you and your friends to join the tour and tasting.
(4) INTERNATIONAL BOOKER PRIZE 2024. The non-genre novel Kairos by Jenny Erpenbeck, translated by Michael Hofmann, has been named the winner of the International Booker Prize 2024. The winner was announced by Eleanor Wachtel, Chair of the 2024 judges, at a ceremony sponsored by Maison Valentino and held at London’s Tate Modern today.
The £50,000 prize is split equally between author Jenny Erpenbeck and translator Michael Hofmann, giving each equal recognition.
Erpenbeck’s novel, which was originally written in German, follows a destructive affair between a young woman and an older man in 1980s East Berlin, with the two lovers seemingly embodying East Germany’s crushed idealism. A meditation on hope and disappointment, Kairos poses complex questions about freedom, loyalty, love and power.
The “Star Trek: Starfleet Academy” series at Paramount+ has cast Holly Hunter in a lead role, Variety has learned.
Hunter’s character will serve as the captain and chancellor of the Academy, presiding over both the faculty and a new class of Starfleet cadets as they learn to navigate the galaxy in the 32nd century….
One of the biggest 3 Body Problem mysteries since the show ended has been: What did Netflix‘s renewal announcement mean, exactly?
During the streamer’s upfront presentation last week, Netflix promised “additional episodes” of the acclaimed sci-fi drama to “finish the story.”
Of course, “additional episodes” could mean anything from two episodes to five seasons and, naturally, many fans worried that the ultimate answer would be too close to the former for comfort.
But showrunners David Benioff, Dan Weiss and Alexander Woo assure things are going to be just fine (for the show, at least, if not for their ensemble drama’s characters facing an alien invasion). While the trio didn’t reveal the exact number of episodes in their new deal, they emphasized it was for “seasons” — plural — and that the number of hours aligns with their original plan to adapt author Liu Cixin’s two remaining novels in his Hugo-winning trilogy.
“We knew going into this how many hours we need to tell the rest of the story because we’ve got a roadmap through to the end,” Weiss told The Hollywood Reporter. “And we have what we need to get to the end as intended from when we started.”
“By the time we finish with the show, it will be seven years we’ve devoted to it,” Benioff added. “We’re now at a place where we get to tell the rest of the story, and, yes, we have enough time to tell the rest of the story the way we want to and that’s immensely gratifying.”…
(7) LECKIE Q&A. The Mountain View (CA) Public Library hosted an online event with author Ann Leckie as part of Sci-Fi September last year.
Critically acclaimed science fiction author Ann Leckie joined us for an exclusive conversation about her new novel Translation State and answered questions from the audience.
(8) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born May 21, 1917 — Raymond Burr. (Died 1993.) Surely you know Raymond Burr, the man whose Birthday it is today. So let’s get started.
I must of course start with his long running role as Perry Mason which is decidedly not genre. CBS paid Gardener for the rights to two hundred and seventy-two of his stories, a good idea given that Perry Mason would run nine seasons. Many early episodes were based off his stories and novels.
The role of Perry Mason proved the hardest to cast. Richard Carlson, Mike Connors, Richard Egan, and William Holden were considered. None at all suited the casting team. Burr initially read for the role of district attorney Hamilton Burger, but he told them that he was more interested in the Perry Mason role. They had seen him being a lawyer, and said he could play the role provided he lose at least sixty pounds. He did and got the role.
Raymond Burr, right, Frank Iwanaga, left, in Godzilla, King of the Monsters
What a magnificent Perry Mason he made. Burr’s coolness, control and reserved sense of humor were such that he became so identified with the character that, for the television audience, that meant there was no other Mason but Burr. He was not the Mason that had existed, there were four before him, all on film, and the producers tried reviving the series after CBS cancelled it, but it utterly failed. And HBO has a new series that looks at early years of his life.
In the late Eighties he reprised his Mason role in twenty-six tv movies. The first has the title of Perry Mason Returns.
Now for his genre work. Mike joked with me when I said when I was doing him that he was the lawyer for Godzilla. Well, he was Steven Martin in Godzilla, King of the Monsters! It is a re-edited for American audiences of the 1954 Japanese film Godzilla which in its original wasn’t available outside Japan for fifty years. He would reprise this role in Godzilla 1985.
He was the Grand Vizier Boreg al Buzzar in The Magic Carpet. Evil viziers! Dungeons! Magic carpets! Princesses!
He’s Cy Mill, hulking villainin Gorilla at Large. Remember what was said about his weight in his Burr casting. Well, this film was done just previous to this series and he was quoted as saying there, “I was just a fat heavy.” Burr told journalist James Bawden, “I split the heavy parts with Bill Conrad. We were both in our twenties playing much older men. I never got the girl but I once got the gorilla in a 3-D picture called Gorilla at Large.”
He was Vargo in Tarzan and the She-Devil , the seventeenth film of the Tarzan film series that began with 1932’s Tarzan the Ape Man, twenty years earlier.
Television wise, he appeared on Tales on Tomorrow in “The Masks of Medusa” and in the horror film Curse of King Tut’s Tomb, he’s Jonash Sebastian. I thought there’d be more but there aren’t.
Star WarsPrototype Rocket-Firing Boba Fett L-Slot / Hand-Painted AFA 60 (Kenner, 1979).The Rocket Firing Boba Fett has been called the “Crown Jewel of Unproduced Toys” It’s become legendary as an iconic Star Wars “Mandela Effect,” (far better termed “Rocket Fett Syndrome.”) The figure everyone thought they had, but didn’t. Offered as a mail-away premium, the Rocket Firing Boba Fett was highly promoted by Kenner, lodging it in everyone’s imaginations. For four proof-of-purchase seals cut from any Star Wars 3 ¾” action figure card back it could be yours. It seemed a cruel trick, when the Boba Fett figures that shipped, arrived with their plastic missiles sonically welded in place. It was a clear letdown. Helping along this disappointment was a small polite letter explaining Kenner’s safety concerns over the toy necessitating the change. It offered in substitution any Star Wars 3 ¾” action figure of choice if the consumer wasn’t satisfied with the redesign. Looking back, the removal of the rocket launching mechanism should have been no surprise. Almost immediately anything to do with it was being mysteriously obscured by stickers ignoring the feature. Kenner’s legal department already had concerns over the toy’s safety, but the company’s outgoing President Bernie Loomis was highly in favor of the project. As Kenner engineer’s struggled to make the toy safe, another ominous event was happening in the toy world. Rival toy company Mattel was experiencing their own problems with their popular Battlestar Galactica toy spaceships, which fired a similar sized projectile. If accidentally shot into the mouth, the choking potential for children was becoming clear. Already, there were several aspiration induced injuries, and one child’s death. The culmination of these two events ultimately doomed the Rocket Firing Boba Fett. Painfully most would agree Kenner made the right decision, erroring on the side of safety. It’s uncertain exactly how many Rocket Firing Boba Fetts were created before Kenner abandoned the concept for a safer non-firing figure. What survives today in the hobby generally comes from ex-Kenner employees who took examples home. All others are believed destroyed with none (despite urban legends) ever getting distributed to the public. Surviving populations featuring the original reverse “L-slot” latch configuration number about seventy. Mostly injection molded in blue-gray, these “first-shot” figures are generally unpainted and were created to test the mold cavity functions before general production. As such these unpainted “first-shots” lack all copyright and point of origin stamps to the back of the legs. Of the seventy examples believed in collector’s hands today, only five have been found hand painted – two in production paint scheme as this example, and three in unique alternate paint schemes. One of only two examples known to exist…
As Vermont State University Castleton graduates receive their degrees this weekend, so too will a tabby cat. The cat, named Max, is getting an honorary degree as a “Doctor in Litter-ature.”
Once a feral kitten in the town of Fair Haven, Max has lived with his human mom, Ashley Dow, on Seminary Street in Castleton for the past five years. And for most of those years, he’s been venturing up to the university campus….
William Shatner beamed up into the Liberty Science Center (LSC) last night to accept the 2024 Icon Award at the sold-out 12th Annual Liberty Science Center Genius Gala.
“On October 13, 2021, William Shatner, age 90, boldly went where no one else had gone before: into space,” said LSC President and CEO Paul Hoffman. “At 93, Will remains incredibly active.”
Shatner was filming in Los Angeles, so Hoffman interviewed him in his Studio City office.
“I saw a great deal that made me cry, and I didn’t know why I was crying, literally crying. I was weeping uncontrollably when I landed,” said Shatner. “I realized, oh my God, I’m in grief! For what I’ve seen of the world, you look at your telescopes, it’s fantastic, it’s magical. Space is magical. I’m looking at space from the spaceship and all it is is palpable blackness, it’s black death. I look back and I see blue, beige, and white. The planet is calling to us. You can’t believe how small this rock we’re living on is. You can’t believe how thin the fertile earth is. … That’s how precious our topsoil is. And then there’s the air. I’m a pilot. I know you can’t go above 3,500 feet for oxygen. Two miles of oxygen, a handful of dirt that we’re going to live on, and live on with increasing numbers. We now know everything is connected, interconnected. Everything is part of each other. All of nature is alive and vibrant with intelligence and life.”…
The world’s first winged commercial spaceplane has arrived at NASA’s Kennedy Space Center in Florida, its final destination before its first mission to the International Space Station (ISS) later this year.
Following rigorous testing at Ohio’s Neil Armstrong Test Facility, the Dream Chaser DC-100 spaceplane named Tenacity got the green light to commence final pre-launch preparations, such as finishing its thermal protection system and payload integration, before it hitches a ride on a United Launch Alliance (ULA) Vulcan rocket to deliver 7,800 pounds (3,540 kg) of food, water and science experiments to the ISS….
Photographer Mihail Minkov: ‘The concept behind this shot is to highlight the stark contrast between the vastness of the cosmos and the minuscule nature of humanity. The composition intentionally draws the viewer’s focus to a small figure, underscoring our insignificance in the grand scheme of the universe, while the majestic Milky Way core dominates the background’
Photograph: Mihail Minkov/2024 Milky Way photographer of the year
(14) VIDEO OF THE DAY. Heritage Auctions has an interview with Former Kenner Engineer Jacob Miles about the Boba Fett – Star Wars action figure pulled from production.
[Thanks to Steven French, Teddy Harvia, Kathy Sullivan, Sandra Childress, Daniel Dern, Heath Row, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]
(1) THREAT ASSESSMENT. The U.S. State Department issued a “Worldwide Caution” for Americans overseas today, warning about potential threats to LGBTQ+ travelers and other violence.
Location: Worldwide
Event: Due to the potential for terrorist attacks, demonstrations, or violent actions against U.S. citizens and interests, the Department of State advises U.S. citizens overseas to exercise increased caution. The Department of State is aware of the increased potential for foreign terrorist organization-inspired violence against LGBTQI+ persons and events and advises U.S. citizens overseas to exercise increased caution. U.S. citizens should:
Stay alert in locations frequented by tourists, including Pride celebrations and venues frequented by LGBTQI+ persons.
(2) HELP RETURN AN ITEM. Is this yours? Marcia Kelly Illingworth would like to return an item that was given to her at the 1996 Worldcon.
Sorry to call on you for something so insignificant, but it’s important to me, and to at least one other fan out there. In order to be sure this gets in the right hands, there will be some detail left out.
My first Worldcon dealing experience was in 1996 in Anaheim/Los Angeles. I was beginning to make my own jewelry at that time, and felt very flattered when a woman came to me with a treasured memento of a beloved pet, and asked me to make it into a piece of jewelry for her. I agreed, and dutifully took her details and the item.
This was all during the time that I was burning up the airways, back and forth between Tennessee and London, which eventually turned into a happily ever after, and a long term move. During all of this, the details became separated from the item, and I didn’t know how to contact the owner. I hoped every year that she would return to a table where I was dealing. That hasn’t happened.
Some of you may be aware that after the 2016 MidAmericon, I had a catastrophic illness, which landed me in emergency surgery to remove my colon, during which I arrested and had to be resuscitated, and in critical condition on a ventilator. I’m apparently too stubborn to even stay dead, but I digress. I went on to survive breast cancer and a bilateral mastectomy four years later.
What I haven’t been as open about is the toll it has taken on my life. My lungs were damaged, leaving me with ongoing breathing issues. My brain was affected, more than I was willing to admit, leaving me with memory deficits and personality changes. These appear to be progressing, unfortunately, so I’m trying to tie up as many loose ends as possible.
I have intentionally not said what the sentimental item is, so that the right person is the one who contacts me for its return. You can reach me through Facebook Messenger. I’m still, as far as I can ascertain, the only Marcia Kelly Illingworth there is. Please help me finish this task.
Longtime listeners will have heard Lesley’s voice way back in 2017 on Episode 53 when she took part in a Horror 101 roundtable. Back then, she shared the microphone with five other creators, but a lot has changed for her over the past seven years, and now that she’s the Chief Editor at Apex magazine, I thought she deserved a spotlight of her own.
Lesley Connor and Scott Edelman.
You’ll understand why Lesley was the right dining companion for such a place just from the titles of the anthologies in which her fiction has appeared — all horror-focussed such as Mountain Dead, Dark Tales of Terror, Big Book of New Short Horror, Ruthless, and A Hacked-Up Holiday Massacre. Her horror novel The Weight of Chains was released in 2015. In addition to being the Chief Editor over at Apex magazine, she’s also co-editor of the anthologies Do Not Go Quietly and Robotic Ambitions, as well as of the upcoming The Map of Lost Places.
We discussed why horror is where she feels the most comfortable as a writer, how her role at Apex magazine grew from Social Media Manager to Chief Editor, her “Price is Right” method of filling out an issue’s word count, why she hardly ever reads cover letters, the trends she’s seen in the slush pile and what they mean, the key difference between editing magazines vs. anthologies, her longtime obsession with serial killers, how to go on writing after one’s writing mentor passes away, and much more.
Join us online for an evening of short science fiction readings (1000 words or less) with authors KC Grifant, Laura Blackwell, and Denise Dumars. Flash Science Fiction Nights run 30 minutes or less, and are a fun and great way to learn about new authors from around the world.
(5) GETTING AHEAD. Kathryn Adams is working through this year’s finalists a piece at a time. Here’s an excerpt from the first of her very good reviews of “Three More Novelettes” at Pixelated Geek.
The last three of the 2024 Hugo-nominated novelettes go from dystopian to near-utopian (with a lot of work from devoted neighbors), to a fantasy set in the outskirts of the jazz area.
I AM AI – Ai Jiang
…AI has found a surprising niche in order to make a living as a writer and pay off her parents’ and aunt’s debt: pretending to be an AI herself. Working anonymously in an internet cafe on the outskirts of the city, she scrapes together paying jobs by undercutting the fees that actual AI’s charge and churning out content that has the “surprisingly human for an AI” feel that AI subscribers are looking for.
Ai has to keep up a relentless pace, and she’s been gradually replacing parts of herself with tech so she can work a little faster, keep writing for a little longer into the night….
The Librarians are ready to make some noise again, by way of a spinoff coming to The CW — and TVLine has your exclusive first look at the brand-new team, above.
A spinoff of TNT’s three movies-and-four seasons franchise, The CW’s The Librarians: The Next Chapter centers on Vikram Chamberlin (played by Jamestown‘s Callum McGowan), a protean genius, swashbuckler and Librarian from the year 1847 who accidentally time-travels to present-day Central Europe and now finds himself stuck here. When Vikram returns to his castle, which is now a museum, he inadvertently releases magic across the continent. He in turn is given a team of talented young people to help him clean up the mess he made by reclaiming magical artifacts from those who would abuse them.
The Librarians are ready to make some noise again, by way of a spinoff coming to The CW — and TVLine has your exclusive first look at the brand-new team, above.
A spinoff of TNT’s three movies-and-four seasons franchise, The CW’s The Librarians: The Next Chapter centers on Vikram Chamberlin (played by Jamestown‘s Callum McGowan), a protean genius, swashbuckler and Librarian from the year 1847 who accidentally time-travels to present-day Central Europe and now finds himself stuck here. When Vikram returns to his castle, which is now a museum, he inadvertently releases magic across the continent. He in turn is given a team of talented young people to help him clean up the mess he made by reclaiming magical artifacts from those who would abuse them.
The question is: Will Vikram keep his oath to the Library (and his new team), or will he attempt to travel back to his own time where unfinished business — and his heart — remain?…
(7) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born May 17, 1955 — Bill Paxton. (Died 2017.) Let’s talk about Bill Paxton. He worked with Arnold Schwarzenegger in Commando, The Terminator and True Lies. I know only The Terminator is genre but I actually like the other films as well. He’s also in Predator 2 but Schwarzenegger went walkabout by then on hunting those aliens.
Bill Paxton at Wondercon in 2014. Photo by Gage Skidmore.
None of those roles were as major as the next role I’m going to mention which is his Alien one as Hudson, a boastful but ever so panicky Colonial Marine private. He’s known for this choice piece of dialogue, after the team’s dropship is destroyed, he exclaims, “That’s it, man! Game over, man! Game over! What the fuck are we gonna do now? What are we gonna do?”
He’s Chet Donnelly in John Hughes’ wonderfully offbeat Weird Science. Of course everything John Hughes does is either offbeat or just plain weird. This film I think stayed on this side of the former.
Slipstream has him co-starring with Mark Hamill in post-global apocalypse bounty hunter thriller. It gets a decent rating at Rotten Tomatoes at forty-three percent audience approval rating.
Yes, he had a lead role in Ron Howard’s Apollo 13 as Lunar Module Pilot Fred Haise. It’s a really stellar film.
Finally he had a recurring role in Agents of S.H.I.E.L.D. as John Garret. He was a S.H.I.E.L.D. agent who was left for dead, only to survive as he became the first Deathlok. Let’s just say his story becomes even more complicated from there.
No, I forgot one role, though it’s definitely not genre. He was in my beloved Tombstone as Morgan Earp, the Tombstone Special Policeman present at that gunfight where he helped his brothers Virgil and Wyatt, as well as Doc Holliday, confront the outlaw Cochise County Cowboys.
(8) BONUS BIRTHDAY. [Item by Lis Carey.]
Born May 17 — Mark Leeper.
Avid and active sf fan Mark Leeper became enraptured by TV’s Commando Cody at the age of six, and never looked back. He’s been publishing movie reviews online since 1984, and began attending conventions with Boskone VI in 1969. In the years since, he has been on panels and conducted popular origami workshops at many conventions. Mark and his wife Evelyn founded a science fiction club at Bell Labs in New Jersey in 1978, and maintained it until their retirement in 2001. Their fanzine, the MT VOID, also began in 1978, and is still being published—pretty impressive for a zine published weekly. Along with Mark’s editorials and reviews, it also features reviews and comments by others.
Mark has been an active fan for decades, and is still contributing to our community. Wish him a happy birthday!
I only got around to watching the X-Men97 finale yesterday. It was tremendous and ridiculous fun. Lots of angst, weird morality and piles of people fighting each other with mutant and techno-virus super-powers. As a series, it just got better and better but so much of it was weaponising nostalgia as its mutant superpower. The story morphed from nostalgia about the original cartoon to nostalgia for how the comics at the time felt but using the same chopping up of comic plot lines into its own story….
(11) ORDER IN THE FOOD COURT. [Item by Mike Kennedy.] Sfnal it aint…but it does address certain aspects of one of the major burning issues of our time. Just what is a sandwich? “Are tacos and burritos sandwiches? A judge in Indiana ruled yes.” reports the Washington Post.
… Are tacos considered sandwiches?
According to one judge in Fort Wayne, Ind., the answer is yes. And he says burritos are sandwiches, too.
Allen County Superior Court Judge Craig J. Bobay wrote in a ruling Monday that tacos and burritos are “Mexican-style sandwiches.” Bobay made the decision in a case reviewing whether a restaurant, “Famous Taco,” could open a new location at a Fort Wayne shopping center.
The zoning policy for the property prohibits fast food, but allows exceptions for restaurants whose primary business is to sell “made-to-order” or Subway-style sandwiches. A city commission denied the request.
But Famous Taco, Bobay ruled, is allowed at the shopping center because it would serve “Mexican-style sandwiches,” and the zoning policy “does not restrict potential restaurants to only American cuisine-style sandwiches.” Hypothetically, other restaurants that serve made-to-order items, including “Greek gyros, Indian naan wraps or Vietnamese banh mi,” would also be allowed, Bobay wrote in his decision….
…With that, at least for now, the judge seems to have wrapped up the sandwich beef in Fort Wayne.
(12) JEOPARDY! [Item by David Goldfarb.]. Another day, another round of reporting on SFF on Jeopardy! and Jeopardy! Masters. I’m covering the regular game on Thursday, May 16, and Masters for Wednesday the 15th, and there was a fair amount.
Jeopardy! 5/16/2024
Single Jeopardy round:
Here Be Monsters, $1000: 1939’s “Son of Frankenstein” was the third in the series to feature the monster, and the last with this actor playing the role
Returning champion Grant DeYoung asked: “What’s Karloff?” (Like Matt Amodio, he seemed to just use “What’s” for all responses.)
Here Be Monsters, $200: In one of his many big-screen battles for Earth’s survival, he fought against Hedorah, the smog monster
Grant got it again: “What’s Godzilla?”
Anagrammed Authors, $400: Author born Eric Blair: gore lower leg
Grant was in again with “What’s George Orwell?”
Double Jeopardy round:
TV “Q”, $1200: On “Star Trek: Deep Space Nine”, this Ferengi bar owner was up, then down as his flavorful crew unionized
Still Grant! “What’s Quark?”
TV “Q”, $800: This NBC reboot tapped Raymond Lee to play time-traveling physicist Ben Song
Other contestants did buzz in sometimes, but you wouldn’t know it from reading this: Grant responded, “What’s ‘Quantum Leap’?”
Jeopardy! Masters 5/15/2024
In Game 1, the Double Jeopardy round:
Music in Books, $2000: The sinfonietta by Czech composer Leos Janaček features prominently in this Murakami book partly set in a world with 2 moons
Yogesh Raut came up with, “What is ‘1Q84’?”
Movie Memes: Who Said It, $2000: 2001: “One does not simply walk into Mordor”
Matt Amodio got it right: “What’s Boromir?” Ken noted, “Lord of the Rings!”
In Conceivable (i.e., words you can make using the letters in the word “conceivable”), $1200: In “Foundation” Isaac Asimov pithily wrote that this “is the last refuge of the incompetent”
This was a triple stumper! I’d expect most Filers to know this, but just in case I’ll say that the “this” is violence.
Movie Memes: Who Said It, $1200: 2002: “I don’t like sand”
Yogesh knew that it was gritty and gets everywhere: “Who is Anakin?”
Ken Jennings expanded on this: “Yes, in Star Wars!”
Movie Memes: Who Said It, $400: 1993: “Life finds a way”
Yogesh: “Who is Dr. Ian Malcolm?” Ken Jennings: “In ‘Jurassic Park’. You got it.”
Game 2:
The Single Jeopardy round had a whole “Science Fiction” category. I’ll present the clues in the order they were encountered.
Science Fiction, $600: Takeshi Kovacs has his consciousness downloaded into a new body in this “organic” Richard K. Morgan book from 2002
Victoria Groce successfully responded, “What is ‘Altered Carbon’?”
Science Fiction, $800. The Daily Double in the round, which went to Victoria, who bet all of the $1400 she had amassed. In novels by Dan Simmons, the planet Hyperion has a capital named for this poet who wrote an epic about the sun god Hyperion.
Victoria got it right: John Keats.
Science Fiction, $1000: The title virus in this Neal Stephenson cyberpunk classic affects users offline & online, but Hiro Protagonist is on the case
Amy Schneider got in ahead of Victoria with, “What is ‘Snow Crash’?”
There was one bit of SF-adjacent content in another category:
Floating on a Stream of TV, $600: We’d watch this Netflix title character deal with life and death(s) at Nevermore Academy any day of the week
Victoria asked, “Who is Wednesday?”
Science Fiction, $400: The title hero of this 1985 novel is a boy genius (last name Wiggin) on his way to Battle School & who might just be Earth’s savior
Amy got this one: “What is ‘Ender’s Game’?” (Which technically is not the response to the clue, but was accepted.)
Science Fiction, $200: In an 1897 H.G. Wells tale, these invaders were killed by “disease bacteria against which their systems were unprepared”
Mattea Roach got in on this one. I wondered whether “What is ‘The War of the Worlds?” would be accepted, but in the event she responded to the clue as given with “Who are the Martians?”
(13) LEFT ON THE DRAWING BOARD. “A mega egg in Paris, a hovering hotel in Machu Picchu, an hourglass tower in New York, a pleasure island in Baghdad … we reveal the architectural visions that were just too costly – or too weird.” “How the world could have looked: the most spectacular buildings that were never made” – an architecture commentary in the Guardian.
…Did you know that, if things had gone differently, the Pompidou Centre could have been an egg? In the 1969 competition for the Paris art centre – ultimately won by Richard Rogers and Renzo Piano, with their inside-out symphony of pipework – a radical French architect called André Bruyère submitted a proposal for a gigantic ovoid tower. His bulbous building would have risen 100 metres above the city’s streets, clad in shimmering scales of alabaster, glass and concrete, its walls swelling out in a curvaceous riposte to the tyranny of the straight line.
“Time,” Bruyère declared, “instead of being linear, like the straight streets and vertical skyscrapers, will become oval, in tune with the egg.” His hallowed Oeuf would be held aloft on three chunky legs, while a monorail would pierce the facade and circle through the structure along a sinuous floating ribbon. The atrium was to take the form of an enclosed globe, like a yolk.
“Between the hard geometries,” Bruyère added, “comes the sweetness of a volume [with] curves in all directions, in contrast to these facades where the angle always falls right from the sky, always similar. So, the egg.” Sadly, it wasn’t to be. His ovular poetry didn’t impress the judges and Paris got its high-tech hymn to plumbing instead.
L’Oeuf de Pompidou is one of many astonishing schemes to feature in Atlas of Never Built Architecture, a bulging compendium of dashed hopes and broken dreams that charts a fascinating alternative universe of “what ifs”. It is a world of runners-up and second bests, an encyclopaedia of hubristic plans that were too big, expensive or weird to make it off the drawing board….
A Canadian city’s attempt to break the Guinness World Record for the largest gathering of people dressed as dinosaurs was disqualified due to the unexpectedly high turnout.
Travel Drumheller, the tourism organization for the Town of Drumheller, Alberta, said in a Facebook post that the April 27 record attempt in the city’s downtown attracted more than 3,000 people in dino-dress, but officials “could not obtain an exact measurement” of participants.
Keri Looijen, marketing manager for Travel Drumheller, said a Guinness World Records adjudicator was present during the attempt.
“He recorded 3,000 people through numbered bracelets or wristbands, which far exceeded what we had originally thought,” Looijen told CBC News.
She said photos and videos from the attempt indicate there may have been “close to double” that number of people, but an accurate count could not be obtained due to officials being unprepared for such a massive turnout.
“We weren’t entirely prepared for that many people to come,” Looijen said. “Guinness said that there were people that they had witnessed leaving the area after they had been wrist-banded, so they weren’t following what the volunteers had told them by staying in the space. They had to be all together in the area for one solid minute.”
The attempt was disqualified, despite very handily beating the current record of 252 people, which was set in Los Angeles in 2019.
Looijen said the city is hoping to make the “Jurassic Jamboree” an annual event, and it will be better prepared for the next official world record attempt.
(15) CONTINUED PROGRESS IN LONG MARCH TO FUSION POWER. [Item by SF Concatenation’s Jonathan Cowie.]Abundant, clean energy is something of an SF trope powering civilizations of the future and a post-scarcity society….
This week’s Nature sees a rather dry paper but one that is still of importance as progress continues to be made in the long march to develop fusion power.
A group of largely US-based researchers have theoretically created tokamak plasmas with a line-averaged density approximately 20% above the Greenwald density and an energy confinement quality of approximately 50% better than the standard high-confinement mode.
Human made fusion power works by confining a plasma, creating such high plasma densities that atoms fuse to release energy with the creation of helium.
The confinement is done through a magnetic bottle. The very simplest confinement would be a tube with electric coils creating a magnetic field. However, such a simple arrangement would see the plasma leak out of each of the tube’s ends.
To get around this you can turn the linear tube into a circular tube joining the former tube’s ends together, which gets rid of end-of-tube leakage as there are now no ends from which leakage can take place.
Such a circular ring, or donut-shaped ring, is the basis of the Tokamak design, which is what the researchers used.
Fusion power is oft ridiculed because it has long been predicted to be available to us in a few decades time but never seems to happen: tomorrow never comes. This is a little unfair as in the last decades of the 20th century a road map to commercial fusion was created and funding pledges made by various nations. However, successive governments from various nations were repeatedly slow to provide this funding. Further, there were bureaucratic, administrative hurdles. I recall around the turn of the millennium, that while the land in France for the US$22-billion ITER (International Thermonuclear Experimental Reactor) – scheduled to be operational next year – had been slated, the current landowners refused surveyor access!). This reactor will be the world’s largest Tokamak: it will weigh 23,000 tonnes and is designed to generate 10 times the power that it consumes.
We are getting there, albeit slower than we all had hoped. Meanwhile, this is another milestone.
ITER experimental fusion reactor.
OK, so we are not there yet. The researchers themselves point out that their experimental theory does not take into account the metal walls to carry away the heat used for electricity generation. Nor can it deal with the helium waste. But it is still a significant progress that should help ITER operation.
The researchers themselves say: “The operating regime we report supports some critical requirements in many fusion reactor designs all over the world and opens a potential avenue to an operating point for producing economically attractive fusion energy.”
Their paper itself concludes with: “The experimental achievement and the increased understanding reported in this paper may open a potential avenue to an operating point for producing economically attractive fusion energy.”
You can see the primary research paper here. Though no-one seems to have picked up on this paper, Nature has made it open access (most research papers in Nature are not open access.)
What is the value of curiosity? Neil deGrasse Tyson sits down with William Shatner to explore the nature of spacetime, Star Trek, human curiosity, loneliness, and more. How would warp drive work? What is William Shanter’s favorite Star Trek episode? Learn about the question Stephen Hawking had for Bill and the secret power of science fiction. Bill talks about what it was like to watch Neil Armstrong walk on the moon after Star Trek was originally canceled. We discuss Artemis, our return to the moon, and how we can create a base there. Will there be enough water on the moon for people to use? Neil breaks down how water can be used for fuel and how humans have harnessed the power of physics. We discuss Bill’s new documentary You Can Call Me Bill and some philosophical points about science. Are electrons lonely? We explore the difference between being lonely and being alone and the nature of curiosity. Is human curiosity a double-edged sword? Is there anything left on Bill’s bucket list? Plus, Bill asks if living beings like mycelia could be analogs for the universe’s structure. Why is it spacetime and not space and time separately? What is the vacuum of space made of? Discover virtual particles and how the fabric of spacetime may be a web made of wormholes. We break down dark energy and dark matter, and why their names may be misleading. To end, we discuss old age and wisdom: do they go together?
[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, David Goldfarb, Lis Carey, Marcia Kelly Illingworth, SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, Kathy Sullivan, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]
…Linebarger, who died of a heart attack in 1966 at age 53, could not have predicted that tropes from his sci-fi stories about mind control and techno-authoritarianism would shape 21st-century American political rhetoric. But the persistence of his ideas is far from accidental, because Linebarger wasn’t just a writer and soldier. He was an anti-communist intelligence operative who helped define U.S. psychological operations, or psyops, during World War II and the Cold War. His essential insight was that the most effective psychological warfare is storytelling. Linebarger saw psyops as an emotionally intense, persuasive form of fiction—and, to him, no genre engaged people’s imagination better than science fiction.
I pored over Linebarger’s personal papers at the Hoover Institutionpropaganda collection while researching my forthcoming book, Stories Are Weapons: Psychological Warfare and the American Mind. Boxes of his studies on the politics of China and Southeast Asia are filed alongside his fiction manuscripts and unpublished musings on psychology. Here, I realized, was an origin story for modern conspiracy politics, which blur the line between sci-fi plots and American patriotism—they came from a psywar operative. Put another way, an agent of what some would now call the “deep state” had devised the far-out stories that politicians like Greene use to condemn it. Perhaps, if she and others knew this, they might not be so eager to blame space lasers and vaccine microchips for what ails our nation….
(2) WESTERCON 76 UTAH HOTEL RESERVATIONS OPEN. [Item by Kevin Standlee.] Westercon 76 has updated their hotel/venue web page with their hotel booking information. I published a post on the Westercon.org site about it{ “Westercon 76 Utah Opens Hotel Reservations”.
The short version is “use the link on the convention hotel/venue page” or “use group code WET when booking through Hilton.com.
Police have arrested nine Georgians suspected of running a sophisticated criminal operation stealing valuable antique books – including an original Alexander Pushkin manuscript – from national libraries across Europe.
Shelves of 19th-century Russian-language literature had been ransacked over two years across several countries and replaced with fakes, Europol, the EU police agency, revealed on Thursday.
The University of Warsaw, which was among the targets, last year reported the theft of first editions of works by the influential authors Pushkin and Nikolai Gogol.
Europol said the suspects allegedly sometimes posed as academics to gain access to the books in order to make counterfeits of “outstanding quality”.
While in the reading rooms “they would meticulously measure the books and take photographs before handing them back” – only to return days, weeks or months later to swap them with near perfect copies.
In other cases they “relied on a more crude approach” and simply staked out the collection in national libraries, decided what was of interest and later broke in and stole the books, police said….
(4) MARK D. BRIGHT (1955-2024). Black comics creator Mark D. Bright died March 27. The Comics Journal’s in-depth tribute begins:
Issue #257 of DC’s House of Mystery wasn’t short on talent when it hit the stands in late 1977. Like all issues of that horror anthology, it had its fair share of clunkers, but you couldn’t fault the art team. Joe Orlando (on the cover), Ernie Chan, Michael Golden, Arthur Suydam… and in between these heavy hitters was a three-pager by a newcomer named Mark D. Bright, raised in Montclair, NJ, and not yet a graduate of the Pratt Institute in Brooklyn. He would have other names in credit boxes throughout the years: M.D. Bright, “Doc” Bright, but a rose by any other name would smell as sweet. Bright would go on to a long and storied career, doing well-regarded work for both Marvel and DC throughout the 1980s and 1990s. He was also the co-creator of Icon with Dwayne McDuffie, one of the cornerstones of Milestone Comics, and co-creator of the oddball superhero comedy series Quantum and Woody with frequent collaborator Christopher Priest. Bright passed away on March 27, 2024, leaving the world of comics a much poorer place….
(5) TODAY’S BIRTHDAY.
[Written by Paul Weimer.]
Born April 28, 1948 — Terry Pratchett. (Died 2015.)
By Paul Weimer: It took a second bite at the apple for me to fall for the works of Terry Pratchett. My first attempt was in the 90’s, when I had vaguely heard about his work, and picked up The Color/Colour of Magic. I thought it was fine and I also tried the Light Fantastic and Sourcery. But it really didn’t gel for me. I thought at the time Pratchett was an okay writer, and maybe the humor wasn’t quite what I was looking for in fantasy at the time. (To be fair, the humor in those early Discworld novels is a lot broader than the later more refined ones).
Terry Pratchett in 2011.
It took over a decade and my late friend Scott to get me to try Pratchett again. Scott was passionate about a number of writers. Zelazny, which we had in common. Lois M. Bujold, which we also had in common. Michael Scott Rohan. And Terry Pratchett. Scott encouraged me and “talked me through” finding where I would best enjoy Pratchett’s oeuvre. I found an affinity for Pyramids (and the best Mathematician on all of Discworld), but when it came to The Night Watch, I really started understanding the Discworld Project and what it was doing. From then on, Pratchett was on auto-buy. Vimes and company remained my favorite, although The Librarian is probably my single favorite minor character, if only for the fantastic idea of L-Space.
Beyond Discworld, there is also Good Omens of course, and also the Long Earth series. The latter feels a lot more the work of his co-author Stephen Baxter than Pratchett but there are moments, scenes, images where the utter magic of Terry Pratchett’s work and writing and humanism comes through.
One of my not-in-a-Pratchett bits that involves Pratchett is a bit in the late Vernor Vinge’s Rainbows End. In that novel, in its (now a) alternate history, Pratchett went on to write many many more Discworld novels, and became so popular that people would use VR to cosplay as being from the new area of the Discworld these imaginary novels were set (basically an entrepot more along the lines of Alexandria, Egypt). I could wish, Zelazny style, to walk into that world and bring home copies of those “lost” Pratchett novels. I would love to read them.
And, sadly I never got to meet him in person. My loss.
Happy birthday.
(6) COMICS SECTION.
Off the Mark agrees that there’s always leftovers.
(7) DOUBLE FEATURE. The Flights of Fantasy Film Festival will show The War of The Worlds (1953 — 4K Restoration) and ten of the Best George Pal Oscar-Winning Puppetoons (restored in Technicolor®) at the Historic 1931 Regency Westwood Theater in LA on Wednesday, May 22 at 7:00 p.m. Tickets at the link.
Scheduled to appear are special guests director Joe Dante (Gremlins), Ann Robinson (star of War of the Worlds), and director-producer Arnold Leibovit (The Puppetoon Movie, The Time Machine 2002). These distinguished guests will offer their unique perspectives and insights, sharing behind-the-scenes stories and discussing the lasting impact of George Pal’s work on the world of cinema. Maxwell DeMille (master of ceremonies) is a prominent figure in reviving old Hollywood glamour through vintage-themed events. His commitment to authenticity has made him a leading figure in the vintage entertainment scene, and he also hosts film screenings and lectures on classic Hollywood culture.
…This morning Lego revealed two more entries in its 2024 campaign to bring the ethos of its classic space sets across its various lines: for Lego Art, there’s a beautiful, buildable recreation of the Milky Way, containing 3,091 pieces for you to build into a technicolor spiral galaxy and hang on your wall. For those looking for something a little less macro-scaled, but still high on detail, the new 3,601-piece Artemis Launch System, part of the Lego Icons series, includes a mobile launch tower, a rocket support and crew bridge, and then of course a multistage rocket, complete with 2 solid-fuel boosters. The model also even includes a small brick-built recreation of the ESA Orion spacecraft, which can be put into the rocket or as part of a separate display stand, highlighting Artemis’ mission to further explore the Moon….
A spacecraft has carefully approached and imaged a large hunk of metal orbiting Earth — a step in tackling humanity’s mounting space junk woes.
The delicate space mission, undertaken by the Japanese satellite technology company Astroscale, used its ADRAS-J satellite to travel within several hundred meters of an abandoned section of a noncommunicative, derelict rocket, proving it could safely observe in such close proximity…
[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Jeffrey Smith, Kevin Standlee, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, Kathy Sullivan, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]
A recent Washington Post article indicated that only 12% of the reading public were interested in reading science fiction. A perusal of bestseller lists for science fiction shows an even more alarming truth: the science fiction books that do sell are a shrinkingly small number of reprints, classics and novels that had been adapted into movies.
The December 2023 bestseller list on Publisher’s Weekly contained only two novels published originally in 2023: Pestilence by Laura Thalassa (an odd addition to the Science Fiction list as it is marketed as fantasy / romance) and Starter Villain by John Scalzi. The bestselling SF novel in that time period, Project Hail Mary by Andy Weir, sold almost 17,000 copies. This puts it far below the bottom of the top 10 overall fiction bestseller list where Sarah J. Maas’ romantasy novel A Court of Mist and Fury sits at 19,097 copies sold.
Science fiction is not selling…
… But there’s something else at play here that has reduced the public’s general taste for science fiction.
We got to one of the futures Science Fiction proposed, and it sucked.
An oft-cited Tweet from The Onion’s Alex Blechman summarizes it perfectly:
“Sci-Fi Author: In my book I invented the Torment Nexus as a cautionary tale. “Tech Company: At long last, we created the Torment Nexus from the classic sci-fi novel Don’t Create The Torment Nexus.”
We are living in the world John Brunner predicted in Stand on Zanzibar and The Sheep Look Up—one of corporate dominance, political instability and environmental collapse. We are, all of us, in the Torment Nexus. So why would we want to read what future horrors Silicon Valley merchants of human misery are trying to produce next….
The network has canceled the reboot of the 1989 series after a two-season run, sources tell The Hollywood Reporter.
The series starring Raymond Lee wrapped its sophomore season in February and ranked as one of the broadcast network’s lowest-rated scripted originals.
Quantum Leap, which was produced in-house at Universal Television, earned a speedy season two renewal as NBC kept production going in a bid to have scripted originals during the writers and actors strikes….
Everyone knows you shouldn’t stare at the sun during an eclipse. However, as it turns out, your phone’s “eyes” aren’t a suitable substitute. NASA has posted that, if you intend to look at the eclipse, pointing your phone at it in hopes to capture it on camera will likely fry its internal circuits, but don’t fret; there is a solution if you want to snap a photo to remember the occasion by…
…If you want to take a snap of the eclipse, there’s still a solution. NASA recommends using the same trick that protects your own eyeballs from the solar rays; with a pair of eclipse glasses. And the same rules apply for your phone as they do for your eyes; use the glasses to protect the device when it’s looking at the sun, and don’t keep pointing at it for too long. If you abide by the rules, you’ll be able to remember the eclipse with a nice photo instead of a hefty phone repair bill.
Sometimes, dreams do come true. That’s as true for Paul Atreides as it is for Denis Villeneuve, who now gets to make his third Dune movie. Legendary confirmed on Thursday that they are currently developing a third movie in the sci-fi franchise based on Frank Herbert’s original novels and are also in talks with Villeneuve to adapt Annie Jacobsen’s nonfiction book Nuclear War: A Scenario after that.
Villeneuve first told EW in 2021 that his goal all along was to make three Dune movies. Dune: Part Two completed the adaptation of Frank Herbert’s original 1965 sci-fi novel, but Herbert wrote five sequels before his death in 1986 (his son Brian Herbert and Kevin J. Anderson have since added to the franchise with many additional books). The first of Herbert’s sequels, 1969’s Dune Messiah, is what Villeneuve wants to adapt for his third movie in this series.
“I always envisioned three movies,” Villeneuve told EW then. “It’s not that I want to do a franchise, but this is Dune, and Dune is a huge story. In order to honor it, I think you would need at least three movies. That would be the dream. To follow Paul Atreides and his full arc would be nice.”…
(5) FAMILIARIZE YOURSELF WITH GLASGOW. [Item by SF Concatenation’s Jonathan Cowie.] SF2 Concatenation has advance posted ahead of its next seasonal edition an article on Glasgow: “Glasgow as a venue for the Worldcon”.
Welcome to Glasgow the largest city in Scotland, a place often referred to as “the second city of the Empire”, meaning the second city of the British Empire because of its shipbuilding prowess on the banks of the River Clyde, and its industrial base. But other cities in the United Kingdom also lay claim to the title, so better not say “I’ve just been to the Worldcon in the second city of the Empire” if heading down south.
(6) GLANCING TOWARD THE FUTURE. If you want to be in, respond to the Glasgow 2024 Academic Programme Call For Papers by April 30.
Glasgow 2024’s Academic Programme will bring together a diverse set of scholars from the humanities, social sciences, and adjacent disciplines to launch an exploration of SF/F/H’s concern for our futures. Through a combination of panels of three (3) 15-minute presentations each and hour-long roundtable discussions with scholars, we’ll discuss themes of futurity as they manifest in genre fiction and media past and present, as well as speculate on the genre’s own potential futures and capacity for shaping the future, encompassing film, literature, comics, games, new media, and art and/or the fan communities that celebrate them.
(7) DETECTING FAKE LITERARY AGENCIES. Patrick Carter enhances your scam detection skills in a thread that starts here. Here are some examples:
#amquerying humans, in light of the zenith literary drama, let's talk about how to figure out an agency might be sus (nonexistent, a scam, etc.). in no particular order:
— patrick ?????????? supports labor and striking workers (@pcarterwriter) April 5, 2024
2) no authors listed
for an agency to omit some names isn't necessarily bad—people might want privacy—but language like "Gideon collaborates with numerous New York Times bestselling authors" is hiding, potentially to convey legitimacy without providing verifiable names.
— patrick ?????????? supports labor and striking workers (@pcarterwriter) April 5, 2024
(8) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born April 6, 1937 — Billy Dee Williams, 87. Rather obviously, Billy Dee Williams’ best-known role is as — and no I did know this was his full name — Landonis Balthazar “Lando” Calrissian III. He was introduced in The Empire Strikes Back as a longtime friend of Han Solo and the administrator of the floating Cloud City on the gas planet Bespin.
Billy Dee Williams
(So have I mentioned, I’ve only watched the original trilogy, and this is my favorite film of that trilogy? If anyone cares to convince me I’ve missed something by not watching the later films, go ahead.)
He is Lando in the original trilogy, as well in as the sequel, The Rise of Skywalker, thirty-six years later. The Star Wars thinks this might be the longest interval between first playing a character and later playing the same character, being a thirty-six year gap.
He returned to the role within the continuity in the animated Star Wars Rebels series, voicing the role in “Idiot’s Array” and “The Siege of Lothal” episodes.
Now this is where it gets silly, really silly. The most times he’s been involved with the character is in the Lego ‘verse. Between 2024 with The Lego Movie to Billy Dee Williams returned to the role in the Star Wars: Summer Vacation in 2022, he has voiced Lando in eight Lego films, mostly made as television specials.
Going from hero to villain, he was Harvey Dent in Batman, and yes in The Lego Batman Movie. Really they made it. I’d like to say I remember him here but than they would admitting this film made an impression on me which it decidedly didn’t. None of the Batman Films did in the Eightes.
He’s in Mission Impossible as Hank Benton, an enforcer for a monster, in “The Miracle” episode; he’s Ferguson in Epoch: Evolution, the sequel to Epoch, a what looks like quite silly, and I’m using this term deliberately, sci-film, and finally he voiced himself on Scooby-Doo and Guess Who?, the thirteenth television series in the Scooby-Doo franchise.
(10) TAXONOMY SEASON. Richard Ngo has put together a grid about types of conflict in a certain species of sff story. It’s followed by several posts with commentary. Thread starts here. (Ngo credits Grant Snider’s 2014 Incidental Comics “Conflict in Literature” as the inspiration.)
I’ve been writing a lot of sci-fi set in posthuman worlds lately, and thinking about new types of conflict that might open up. Some ideas in comic form (with explanations and examples below): pic.twitter.com/PqUnlSJm67
(11) JEOPARDY! [Item by David Goldfarb.] The April 5 episode of Jeopardy! was the first game of the tournament finals. In the Jeopardy round:
Alliterative Lit, $200: Chapters in this book include “The Departure of Boromir” & “Shelob’s Lair” Andrew He buzzed in but dried up. Victoria Groce responded with, “What is The Two Towers?”
The Double Jeopardy round had a category “Horror Music”. The contestants started at the bottom and worked their way up:
$2000 “Putting Out the Fire with Gasoline” is from the theme song to this beastly film starring Nastassja Kinski Victoria tried, “What is Species?” but this was wrong. Amy Schneider tried “La Femme Nikita” but seemed to know that wasn’t right. Andrew didn’t try it. The answer was Cat People.
$1600 In a song by the goth rock band Bauhaus, this horror movie legend is “dead, undead, undead, undead” Victoria got this: “Who is Bela Lugosi?”
$1200 A man sees a ghostly version of himself in Schubert’s Lied (song) with this German title Amy seemed uncertain with “What is Doppelgänger?” but it was correct.
$800 “What ever happened to my Transylvania Twist?” is a lyric from this novelty horror song Amy was more sure of this one: “What’s the Monster Mash?”
$400 Ray Parker Jr. wrote & performed the theme song to “Ghostbusters” that went to no. 1 on the charts & asked this musical question Amy said, “What is ‘Who they gonna call?’” but this was not accepted. Andrew He got the right phrasing: “What is ‘Who you gonna call?’”
(13) WHEN MAY THE FOURTH IS WITH YOU. We reported Disney+’s upcoming Star Wars: Tales of the Empire series yesterday. Here’s the trailer. Arrives May 4.
This week’s castaway is an author. In his book The Wasp Factory, the teenage protagonist tortures insects, experiments with bombs and kills a brother and a cousin. But, says Iain Banks, that was “just a phase he was going through”. He tells Sue Lawley how, as a writer, he has not developed the filters that most adults do and so views the world with childlike eyes, describing what he sees. And this world, he feels, is very often a violent and terrifying one.
[Taken from the original programme material for this archive edition of Desert Island Discs]
Favourite track: Mohammed’s Radio by Warren Zevon Book: The Complete Monty Python Television Scripts by Monty Python Luxury: Front Seat Of A Porsche
(15) FIRST QUARTER. JustWatch has released their latest data report on market shares in the US for the first quarter of 2024. The report is based on the JustWatch users in the US selecting their streaming services, clicking out to streaming offers and marking titles as seen.
SVOD market shares in Q1 2024: Global streaming giant: Prime Video took the lead in the US streaming market with shares more than the combined size of Disney-owned companies: Hulu and Disney+. Meanwhile, Netflix maintains its stronghold with more than 2x the shares than that of Apple TV+.
Market share development in 2024: Leading streaming growth into 2024 are Apple TV+, Netflix, and Paramount+, each adding +1% to their shares. On the other hand, Hulu, Disney+, and Max struggled to keep up, individually suffering through a -1% decline since January.
…In March, NASA engineers sent a command prompt, or “poke,” to the craft to get a readout from its flight data subsystem (FDS) — which packages Voyager 1’s science and engineering data before beaming it back to Earth.
After decoding the spacecraft’s response, the engineers have found the source of the problem: The FDS’s memory has been corrupted.
“The team suspects that a single chip responsible for storing part of the affected portion of the FDS memory isn’t working,” NASA said in a blog post Wednesday (March 13). “Engineers can’t determine with certainty what caused the issue. Two possibilities are that the chip could have been hit by an energetic particle from space or that it simply may have worn out after 46 years.”…
[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Lise Andreasen, David Goldfarb, Steven French, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
A Netflix adaptation of wildly popular Chinese sci-fi novel “The Three-Body Problem” has split opinions in China and sparked online nationalist anger over scenes depicting a violent and tumultuous period in the country’s modern history. …
Author Liu said in an interview with the New York Times in 2019 that he had originally wanted to open the book with scenes from Mao’s Cultural Revolution, but his Chinese publisher worried they would never make it past government censors and buried them in the middle of the narrative.
The English version of the book, translated by Ken Liu, put the scenes at the novel’s beginning, with the author’s blessing.
Ye Wenjie’s disillusionment with the Cultural Revolution later proves pivotal in the sci-fi thriller’s plot, which jumps between the past and present day.
All of this rancorous dissension surrounding the Netflix version of “The Three Body Problem” reminds me of what transpired after the airing of “River Elegy” (Héshāng 河殇), which was written during the latter part of the 80s. This was a six-part documentary aired by China Central Television on June 16, 1988 that employed the Yellow River as a metaphor for the decline of Chinese civilization. … I strongly believe that it was this artistic production created by Premier Zhao Ziyang’s (1919-2005) zhìnáng tuán 智囊团 (“think tank”) in an inclusive sense that precipitated the Tiananmen protests and massacre one year later …”
“The difference is that “River Elegy” was a documentary created in China by critical, progressive intellectuals, whereas the Netflix version of “Three Body” is a film adaptation of a Chinese sci-fi novel infused with Western ideas and standards by its American producers, making it a much more complicated proposition.
Let’s see if the chemistry is there in Netflix’s “Three Body” to cause the sort of ramifications that ensued from CNN’s “River elegy”.
(Dr. Mair’s history of the think tank, “River Elegy”, and the Tiananmen protests is here: “Thought Panzers”).
… As soon as I read the expression “sīxiǎng tǎnkè 思想坦克”, I had the exact same impression as Mark. It sounded bièniu 彆扭 (“awkward”), weird, unnatural. But I don’t think the person who translated the English term “think tank” into “sīxiǎng tǎnkè 思想坦克” was clever enough to add the extra military dimension consciously, though they may have done so sub/unconsciously ….
The BBC has “no plans” to use AI again to promote Doctor Whoafter receiving complaints from viewers.
The BBC’s marketing teams used the tech “as part of a small trial” to help draft some text for two promotional emails and mobile notifications, according to its complaints website, which was intended to highlight Doctor Who programming on the BBC.
But the corporation received complaints over the reports that it was using generative AI, it added.
“We followed all BBC editorial compliance processes and the final text was verified and signed-off by a member of the marketing team before it was sent,” the BBC said. “We have no plans to do this again to promote Doctor Who.”
…We later found out that the attack had actually peaked at 65 million requests per second. For context, the largest publicly announced HTTP DDoS attack by Cloudflare at the time was a 71 million request per second attack. Additionally, we received information that the attack originated from the Mirai botnet. However, Cloudflare did its job well and we saw very little, if any, impact….
(4) WOMEN ARTISTS HARD HIT AS NEWSPAPER CHAINS SHED PRINT COMICS. [Item by Kristine Kathryn Rusch.] Cartoonist Georgia Dunn discovered that Gannett has gotten rid of most of its diverse and female cartoonists, even if they’re making money for the syndicate.
The latest warning signs for some female artists began last fall. Suddenly, their work began disappearing from many American comics pages.
An announcement started hitting the pages of newspapers dotted around the country: the USA Today Network, owned by Gannett, was “standardizing” its comics across more than 200 publications. One of those newspapers, the Coloradoan, published a list of comics, batched in groups, that it said made up Gannett’s new lineup of options.
What began to concern some cartoonists and industry observers: None of the dozens of comics listed as print offerings for Gannett papers was actively being created by a woman artist.
Just three strips in Gannett’s list of print comics have a credited woman: “For Better or For Worse,” which creator Lynn Johnston says is in reruns; “Luann,” by writer-artist Greg Evans and his daughter, co-author Karen Evans; and “Shoe,” by artist Gary Brookins and Susie MacNelly.
As the changes rolled out at many Gannett papers between October and early this year, Hilary Price, creator of the long-running syndicated strip “Rhymes With Orange,” said she began to see a significant dip in her sales income.
Price said she is accustomed to encountering misogynistic reader responses to her work as an artist. What is becoming professionally demoralizing to her lately, though, is the sense that female artists are being removed from America’s comics pages as several newspaper chains have consolidated or contracted their print funnies in recent years.
Some female cartoonists say that as they endure double-digit percentage losses in their income from client papers, their representation in print, already historically unbalanced, is growing alarmingly, and disproportionately, small.
…Georgia Dunn, creator of the syndicated “Breaking Cat News,” said her income dropped substantially in recent months as a result.
“I don’t think it’s a Machiavellian plot — I don’t think it’s intentional,” Dunn said of the optics that female artists are being disproportionately affected by the industry’s changes. “But they overlook us a lot.”
…The “Breaking Cat News” creator shared with her readers the bad news that she might have to make some hard financial decisions as her client income dropped sharply. But “when I shared with them how this restructuring hit me, they made up my lost income overnight,” she said.
“I woke up and opened Patreon and started crying,” she continued. “I felt like George Bailey at the end of ‘It’s a Wonderful Life.’”…
And here’s Dunn’s follow-up post on GoComics. (Scroll beneath the cartoon itself) — Breaking Cat News – March 23.
(5) SAM I AM. John O’Neill’s “The Horrors of Sam Moskowitz” at Black Gate begins its discussion of a series of horror anthologies with this discussion of their fanhistoric editor:
…Moskowitz was an interesting character. A professional magazine editor, he edited the trade journals Quick Frozen Foods and Quick Frozen Foods International for many years, and he gradually put his professional skills to use in the genre, starting in 1953 with Science-Fiction Plus, Hugo Gernsback’s last science fiction magazine. He began editing anthologies with Editor’s Choice in Science Fiction, published by McBride in 1954, and produced two dozen more over the next 20 years.
Moskowitz (who sometimes published under the name “Sam Moscowitz,” maybe because the ‘k’ on his typewriter was worn out?), was just as well known as a critic and genre historian. While still a teenager, he was one of the key organizers of the first Worldcon, held in New York City in 1939 (where he famously barred several Futurians, including Donald A. Wollheim, Fred Pohl, Robert A. W. Lowndes, Cyril Kornbluth, and others).
His genre histories and biographies, including Explorers of the Infinite and Seekers of Tomorrow, are still well worth reading today — as is his legendary history of fannish feuds, The Immortal Storm, which fan historian Harry Warner Jr. summed up with,
“If read directly after a history of World War II, it does not seem like an anticlimax.”
First Fandom still presents an annual award in Moskowitz’s memory each year at Worldcon….
A federal judge tossed out a lawsuit brought by X/Twitter against a watching group that produced a study that examined the proliferation of hate speech on the platform.
U.S. District Judge Charles Breyer concluded that the platform, owned by Elon Musk, was attempting to chill the speech rights of the Center for Countering Digital Hate and other groups.
The judge wrote that X’s “motivation in bringing this case is evident. X Corp. has brought this case in order to punish [Center for Countering Digital Hate] for CCDH publications that criticized X Corp.—and perhaps in order to dissuade others who might wish to engage in such criticism.”
X/Twitter had sued the group, claiming that in doing their study, they unlawfully “scraped” the platform for its data that led to an exodus of advertisers.
“X disagrees with the court’s decision and plans to appeal,” the company said.
(7) CHECKING IN ON THE COPYRIGHT CLAIMS BOARD. At Writer Beware, Michael Capobianco suspends judgment about the effectiveness of the relatively new Copyright Claims Board: “To CCB or Not to CCB: The Question is Still Out”.
It’s been more than a year since my last post about the now not-so-new Copyright Claims Board (CCB).
Victoria covered the CCB when it first started hearing claims in June 2022, and her post gives a good summary of how it operates and what it is supposed to accomplish. The short version: The CCB was created as a judicial body under the US Copyright Office to administer small copyright claims that would be too expensive and/or time-consuming in federal court.
At the time I confess I was worried about an eventuality that fortunately hasn’t come true. There are vanishingly few copyright trolls trying to use the CCB to collect money from innocent or ignorant individuals by scaring them into paying settlements. On the other hand, it has worked for some business to business claims: Joe Hand Promotions, Inc., a company that “serves as the exclusive distributor of all Ultimate Fighting Championship (UFC) and select boxing pay-per-view programming” is by far the most frequent CCB claimant, with forty-five claims and counting, mainly against bars and restaurants, and many of those are withdrawn from consideration by the CCB and apparently settled privately.
What has happened in the intervening 20 months has been a disappointment for anyone hoping that the CCB would become a useful tool for writers seeking to get redress for infringement of their work. First of all, the number of “literary” claims is still very small, around 10% of total claims, and many of those, as we previously pointed out, are dismissed by the CCB because they weren’t filed correctly or have other flaws. Some are outright bizarre, and I may do a post about them in the future. With others the claimant doesn’t understand that a vendor selling used copies of their books is not a violation of their copyright….
…In short, even as its second birthday is only a few months away, it’s still too early to draw conclusions about the efficacy of the CCB when it comes to literary works, especially books. The majority of the claims that it has decided so far involve photographs and, in those cases, it generally is finding in favor of the photographer and awarding reasonable to low damages. But there are still only a handful of contested decisions and none of them involve the kinds of published material that Writer Beware usually deals with….
(8) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born March 25, 1920 – Patrick Troughton. (Died 1987.) So let’s talk about Patrick Troughton, the Second Doctor.
(Digression: All of the classic Doctors are available on the BritBox streaming service. It’s $8.99 a month for a lot of British content including all of the Poirot mysteries. End of digression.)
The first time that I watched his run I wasn’t at all fond of him as I thought his characterization wasn’t that serious. Rewatching them a few years ago on BritBox, I realized that he was a much better actor than I thought he was and that his Doctor was a much better, more nuanced persona that I realized. No, he’s still not anywhere near my favorite Doctor but now I can watch him without cringing.
Patrick Troughton as the Second Doctor Who.
Ok I’m getting distracted…
Part of his problem, and yes of the first Doctor, and yes this is just my opinion, is that the scripts weren’t that good. It wasn’t until the Third Doctor that they started actually thinking about having decent scripts.
So what did he do? Well he had the distinct honor of being in The Gorgon, an early Sixties horror film with Christopher Lee and Peter Cushing.
Horror films involving Dracula, Frankenstein, feathered serpents and demons would all see him make his appearance. He showed in a lot of mysteries including the Danger Man and The Saint series. And several Sherlock Holmes series as well.
I think Space: 1999 is the only other genre series he appeared in besides a lot of Robin Hood work in the Fifties, mostly on The Adventures of Robin Hood.
Non Sequitur doesn’t call it science fiction – you might.
(10) A CHANCE TO START AT THE BEGINNING. [Item by SF Concatenation’s Jonathan Cowie.] The weekly 2000AD British anthology SF/F comic has its landmark 2,375 issue coming out next week. “New readers start here: jump on board with 2000 AD #2375”.
First up, it’s a little longer at 48 pages. Second, all the current stories ended this week, so the next, 2,375 prog will see the start of all new stories: so, no jumping into the middle of something. In short this is an ideal place for newcomers to give it a try. 2000AD is perhaps most noted for its Judge Dredd strip. But there is a Rogue Trooper film in the works….
The new issue of 2000 AD has been precision-tooled for those hungry to discover why it’s called the Galaxy’s Greatest Comic – with bitingly good stories from top comics talent!
2000 AD Prog 2375 is a 48-page special on sale from 27 March, with a bold new cover by Hitman artist John McCrea and colourist Jack Davies.
This latest issue is designed to make it easy for new readers to pick up 2000 AD, with a mix of brand new stories and ongoing series that showcase the best the GGC has to offer!
…Rincewind isn’t Conan, or Elric, or Gandalf (I’ve met Gandalf, and you sir, are no Gandalf). But while we love reading about the great heroes (or villains), we ‘get’ Rincewind….
(13) FUNNY VIDEO. [Item by Jennifer Hawthorne.] This clip showed up on Reddit. It’s apparently from the shooting set of Ford’s TV show, Shrinking. “Harrison Ford is too old for this shit”.
A NASA astronaut who had the honor of naming her spacecraft will fly items inspired by that name when she launches to the International Space Station next month.
Sunita “Suni” Williams, who is set to fly with fellow NASA astronaut Barry “Butch” Wilmore on Boeing’s first Crew Flight Test (CFT) of its CST-100 Starliner capsule, will reveal the “Calypso”-related items once she is in orbit.
“A little homage to other explorers and the ships they rode on, I think we are going to call her ‘Calypso,'” said Williams in 2019, when she announced the ship’s name just after it returned to Earth from flying its first uncrewed mission.
Boeing announced Williams’ intentions as it completed packing Calypso for the CFT launch, which is currently targeted for April 22. All that remains to be added to the vehicle are some late stow items and the astronauts, themselves.
The CFT Starliner will carry 759 pounds (344 kilograms) of cargo, including 452 pounds (205 kilograms) from Boeing and 307 pounds (139 kilograms) from NASA. Boeing will have 25 bags and NASA will have 11 bags stored in the cabin where Wilmore and Williams will be seated….
(15) MARK WATNEY’S HOME AWAY FROM HOME. View NASA’s Astronomy Picture of the Day at the link – a photo of a place you’ve probably read about already.
Ares 3 Landing Site: The Martian Revisited. Explanation: This close-up from the Mars Reconnaissance Orbiter’s HiRISE camera shows weathered craters and windblown deposits in southern Acidalia Planitia. A striking shade of blue in standard HiRISE image colors, to the human eye the area would probably look grey or a little reddish. But human eyes have not gazed across this terrain, unless you count the eyes of NASA astronauts in the scifi novel The Martian by Andy Weir. The novel chronicles the adventures of Mark Watney, an astronaut stranded at the fictional Mars mission Ares 3 landing site corresponding to the coordinates of this cropped HiRISE frame. For scale Watney’s 6-meter-diameter habitat at the site would be about 1/10th the diameter of the large crater. Of course, the Ares 3 landing coordinates are only about 800 kilometers north of the (real life) Carl Sagan Memorial Station, the 1997 Pathfinder landing site.
Studio Ghibli Fest is back in theaters in its biggest year yet! Now, coming off the triumphant Oscar® win for Hayao Miyazaki’s latest feature The Boy and the Heron, celebrate this iconic studio with an all-new selection of fan favorites and iconic titles alike.
This year’s lineup highlights the works of studio co-founders Hayao Miyazaki and Isao Takahata, as well as directors Yoshifumi Kondo, Hiroyuki Morita, and Hiromasa Yonebayashi. In celebration of Hayao Miyazaki’s recent Oscar win, Studio Ghibli Fest 2024 kicks off with the acclaimed director’s previous Academy Award-winning feature, Spirited Away, which took home the Oscar in 2001.
[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, Kristine Kathryn Rusch, Kathy Sullivan, Jennifer Hawthorne, JJ, Doctor Science, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Mark.]
(1) NORTHUMBERLAND HEATH SF HAD ITS MONTHLY MEET. [Item by SF Concatenation’s Jonathan Cowie.] No big deal in itself but the meet saw Nicki receive a copy of her father’s collected fan writings: A Vince Clarke Treasury.
Vince, of course, being a long-standing BritCit fan from the days of Ken Bulmer, Tedd Tubb and — no relation – Arthur C. Clarke. Vince was GoH at the 1995 Glasgow Worldcon, Intersection. Here’s Vince’s conreport. (Click for larger image.)
Nicki is, roughly third from left next to husband in blue shirt.
…In the case of his time on Star Trek, for instance, an inevitable subject of discussion with the former Captain Kirk: “It was three years of my life, you know?” It gladdens him to see how much joy the series has brought its many fans, but the richest rewards came in his introduction to science fiction, which activated and nurtured a lifelong curiosity about our species. He reminisces about meeting the great writers of the genre fondly yet frankly, honest enough to sort Ray Bradbury into “the category right below friend, I think”. He devoured their novels and developed a fascination with the principle of defamiliarization, that concepts taken for granted can be understood anew when viewed through the vantage of a stranger in a strange land. “Good science fiction is humanity, moved into a different milieu,” he says. “Great stories are great stories. You put human beings on a spaceship or a deserted planet, and we’ve got another way to see ourselves.”…
… the Music Box Theatre in Chicago is hosting a 24-hour Godzilla marathon in June as a part of an almost week-long event.
From June 7 to June 13, 2024, the Music Box Theatre has partnered with the Japanese Art Foundation to host a slew of events in honor of Godzilla’s historic reign. Opening night (June 7) will be a double feature of the last two Toho Godzilla films,Shin Godzillaand Godzilla Minus One. This is followed by a panel discussion entitled “Godzilla: The Atomic Age Anti-Hero” led by Saira Chambers of the Japanese Culture Center/Japanese Arts Foundation and Dr.Yuki Miyamoto of DePaul Humanities Center. June 8 is when the 24-hour Godzilla marathon will be taking place. This will feature 15 films from the character’s Showa-era. Then, June 9, a rare I.B. Technicolor 35mm print screening of the underrated Godzilla (1998)starring Matthew Broderick will be shown. Other screenings that will be shown throughout this monstrous event will include the original Godzilla from 1954, The Return of Godzilla, and Godzilla vs Biollante.
Kew Gardens features a hidden magical door in the winning book for this year’s £5,000 Waterstoneschildren’s book prize.
Greenwild: The World Behind the Door by Pari Thomson was voted the winner by Waterstones booksellers. The book “is a spellbinding triumph that will make children fall in love with the world they are reading about, and with reading itself,” said Bea Carvalho, head of books at Waterstones.
The book follows Daisy as she searches for her missing mother and discovers another world behind a hidden doorway in Kew Gardens. She soon learns that the new realm, filled with plants and magic, is under threat, and she bands together with a botanical expert, a boy who can talk to animals and a cat to save the green paradise.
Thomson lives near Kew Gardens – a place “full of sparkling glasshouses and carnivorous plants and lily pads big enough to take a nap on”, she said. “I have always felt that nature was a little bit magic – and Kew made me ask, what if it was true? What if the natural world all around us was brimming with magic? Greenwild is the answer to that question.”…
(5) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born March 24, 1930 – Steve McQueen. (Died 1980.) I know that Steve McQueen had but one SF role as Steve Andrews in The Blob. He received three thousand dollars in the late Fifties for that his first starring role, now thirty thousand if it was adjusted for inflation.
He had turned down a first offer for a much smaller up-front fee in return for a ten percent share of profits, thinking the film would never make money, a reasonable assumption on his part.
As later biographies noted, he needed this money immediately to pay for food and rent. However, this film ended up being a major hit, grossing four million at the box office after costing just one hundred and ten thousand to make, ten thousand under budget.
I’ve seen it and he was quite excellent in it. Certainly I think he did better than the reviews of the time indicated such as the New York Times which said “the acting is pretty terrible” and or the Variety that proclaimed, “Neither the acting nor direction is particularly creditable.” Humph.
Steve McQueen in The BlobMcQueen in The Great Escape
So one genre film, right? Now let’s look at what else that I like that he was in.
Two years later, he’d be in The Magnificent Seven. Yes, it’s a remake of a Japanese film but it feels all American. And the cast, oh my — other performers included Yul Brynner, Charles Bronson, Robert Vaughn and James Coburn. It’s considered one of the greatest films of the Western genre and deservedly so.
The Thomas Crown Affair, released a decade later, was a most extraordinary heist film that he headed with Faye Dunaway. The perfect crime takes place. And then again and possibly deadly consequences. Oh it’s wonderful. He’s definitely a much better performer here, not surprising really.
Now let’s see… Anything else? Yes, one last film worth, in my opinion to note.
He’s the lead in The Great Escape as Captain Virgil Hilts which tells the story of the escape by British prisoners of war from German POW camp Stalag Luft III. Well, a highly fictional version of course.
(6) COMICS SECTION.
Candorville explains once again that sf jokes are hard.
More than a decade has gone by since three Star Trek: The Next Generation fans first decided to restore the bridge from the Enterprise-D. Plans for the restored bridge morphed from opening it up to non-commercial uses like weddings or educational events into a fully fledged museum, and now that museum is almost ready to open. Backers of the project on Kickstarter have been notified that Sci-Fi World Museum will open to them in Santa Monica, California, on May 27, with general admission beginning in June.
It’s not actually the original set from TNG, as that was destroyed while filming Star Trek: Generations, when the saucer section crash-lands on Veridian III. But three replicas were made, overseen by Michael Okuda and Herman Zimmerman, the show’s set designers. Two of those welcomed Trekkies at Star Trek: The Experience, an attraction in Las Vegas until it closed in 2008.
The third spent time in Hollywood, then traveled to Europe and Asia for Star Trek: World Tour before it ended up languishing in a warehouse in Long Beach. It’s this third globe-trotting Enterprise-D bridge that—like the grit that gets an oyster to create a pearl—now finds a science-fiction museum accreted around it. Well, mostly—the chairs used by Riker, Troi, Data, and some other bits were salvaged from the Las Vegas exhibit….
…[John] Simon’s opinion is highly unusual, as most critics who have reviewed the original Star Wars films are generally complimentary of the visual effects, which are often praised as being extremely convincing and for blending practical techniques with computer-generated work. For example, in his original review of Return of the Jedi for The Chicago Tribune, Siskel remarked that, “for the professional moviegoers, it is particularly enjoyable to watch every facet of filmmaking at its best.” In their response to Simon, Ebert disagreed with the idea of the prominence of the special effects being indicative of poor quality, saying, “I think all movies are special effects. Movies are not real. They are two-dimensional. It’s a dream. It’s an imagination,” alluding to the idea that since all films are brought to life with a combination of effects, what matters is whether said effects work in convincing ways and immerse viewers in a given story….
(9) BANG THE GAVEL SLOWLY. Then in the present, Judge John Hodgman has been called on to remedy a genre-related dispute: “My 60-Year-Old Brother has Never Seen ‘Star Wars.’ Help!” in the New York Times. Here’s the problem – see the answer at the link.
Erin writes:My brother Joel is 60, and I’m 52. But despite growing up in the ’70s, Joel never saw the original “Star Wars.” Now he refuses to, because “sci-fi is dumb.” Please order that he watch it with me on his next visit. I will even provide the gummies if needed!…
(10) BURRRP! [Item by SF Concatenation’s Jonathan Cowie.] Nature has a cover with a decidedly SFnal theme about stars that destroy worlds. ‘Death Stars’ if you will….
The cover shows an artist’s impression of a planet being captured and ingested by one of the stars in co-moving pairs of stars. In this week’s issue, Fan Liu and colleagues present evidence suggesting about 1 in 12 stars might have ingested a planet. The chemical composition of a star can change when it engulfs a planet, so the researchers looked at binary star systems in which the two stars were born at the same time. By comparing the spectral signatures of the stellar twins, they were able to identify instances in which one of the stars had ingested a planet. They identified 91 pairs of close ‘co-natal’ stars and found evidence of planetary ingestion in about 8% of them.
In 1715, Edmond Halley published a map predicting the time and path of a coming solar eclipse. Today the astronomer is most famous for understanding the behavior of the comet now named for him, but in his lifetime he was a hotshot academic, elected to the Royal Society at age 22 and appointed the second Astronomer Royal in 1720. He was fascinated with the movements of celestial bodies, and he wanted to show the public that the coming event was not a portent of doom, but a natural wonder….
… With each eclipse to pass over the British Isles, publishers became more savvy about promoting the event to the public. In 1737, mathematician and astronomer George Smith published a predictive eclipse map in The Gentleman’s Magazine, which is thought to be the first eclipse map published in a popular publication (as opposed to as a stand-alone broadside). By 1764, wrote historian Alice N. Walters in a 1999 paper published in History of Science, “so many eclipse maps were on the market—each with a different prediction—that one commentator likened the competition between them and their producers to an event quite familiar to the English public: a horse race.”…
…It’s not exactly new but there will be an extra star in the sky that will be visible to the naked eye in the coming months in Northern California. T Coronae Borealis is a binary star system comprised of a cool red giant and a hot white dwarf star 3,000 light years away. The smaller white dwarf has been stealing matter from the red giant and appears to be getting ready to emit a burst of energy which will make it visible for at least a few days. It is known as a recurring nova where matter, mostly hydrogen, is collected by the white dwarf until enough mass is reached, creating a fusion reaction. That will then emits a burst of energy, which includes visible light. This process has been going on for a long time and occurs about every 80 years in this system….
A glowing worm moon will light up the sky on Monday with a celestial performance in store for people venturing out in the early morning hours — a penumbral lunar eclipse.
March’s full moon, referred to as the worm moon by the Farmers’ Almanac due to its proximity to the spring equinox, will be at its fullest at 3 a.m. ET.
A few hours earlier, starting at 12:53 a.m. ET, according to EarthSky, the moon will be almost perfectly aligned with the sun and Earth, causing the outer edge of Earth’s shadow, known as the penumbra, to be cast onto the glowing orb.
The greatest eclipse will be at 3:12 a.m. ET, when the moon will appear to be slightly darker than usual, said Dr. Shannon Schmoll, director of the Abrams Planetarium at Michigan State University….
[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]
By Steve Vertlieb: After interviewing William Shatner for the British magazine L’Incroyable Cinema during the torrid Summer of 1969 at “The Playhouse In The Park,” just outside of Philadelphia, while Star Trek was still in the final days of its original network run on NBC, my old friend Allan Asherman, who joined my brother Erwin and I for this once-in-a-lifetime meeting with Captain James Tiberius Kirk, astutely commented that I had now met and befriended all three of our legendary boyhood “Captains,” which included Jim Kirk (William Shatner), Flash Gordon/Buck Rogers (Larry “Buster” Crabbe), and Buzz Corry (Edward Kemmer), Commander of the Space Patrol. It’s marvelous how an ordinary life can include real life friendships with childhood heroes.
Steve Vertlieb, William Shatner, and Erwin Vertlieb.
Our interview with the beloved William Shatner for this Star Trek-themed issue is perhaps the first fan interview with Shatner ever published. My printed conversation with the iconic actor was conducted in July, 1969, while Star Trek was still airing Thursday nights in re-runs over the NBC television network. I gave Erwin and Allan a credit in the original piece. However, I wrote most of the questions for the actor, and conducted ninety percent of the in person interview.
The interview would be re-published three years later by America’s first and only bi-weekly “Monster Movie” tabloid, The Monster Times for their second issue in 1972, and inserted into Allan Asherman’s landmark book The Star Trek Compendium shortly after that. To reflect the transitory name value of a more established writer in those later publications, my original byline was altered in order to more prominently favor Allan’s deservedly popular reputation. He maintained that perception when he re-published the interview yet again in his own book, The Star Trek Compendium a few years later.
Pictured here is that iconic third issue of England’s legendary Sci-Fi/Fantasy/Horror fanzine, L’Incroyable Cinema Magazine, from 1969, published and edited by the late Harry Nadler and featuring a special Star Trek cover by iconic artist Eddie Jones.
Also pictured is the cover for The Monster Times 1972 Star Trek issue featuring my published 1969 interview with the actor.
I arranged for the interview when Shatner appeared at “The Playhouse in the Park” in a production of “There’s A Girl In My Soup,” co- starring Jill Hayworth. We spent an hour with Captain Kirk in his dressing room.
You Can Call Me Bill, a wonderful new feature length documentary about the astronomical career of actor, writer, director, and social activist, William Shatner, premiering March 22nd, 2024, tells the inspirational story of this gifted Canadian actor for whom boundaries knew no limitations, and dreams no Earthly boundaries. His wondrous achievements, and aspirational achievements have taken him from theater, to television, to films, and quite literally into the heavens when he journeyed beyond terrestrial gravity, defying both age and physical longevity. His yearning, eternal optimism, boundless energy, and joyous enthusiasm for life have made him a cultural, intellectual, international treasure, transporting this truly humble soul ‘Where No One Has Gone Before.” As we parted company in July, 1969. he extended his hand in friendship, and said “You can call me Bill.”
When the interview ended, Bill invited the three of us to come and see the show. When the performance ended and Bill was preparing to leave the stage, he turned once more to his youthful interviewers, seated in the crowded audience, and waved a very personal goodbye. I was deeply touched by his most gracious gesture.
Born March 22, 1931, William Shatner continues to remain eternally young. Wishing the most beloved star ship captain in the universe a joyous Happy Birthday of interplanetary proportions.
Howard Waldrop is gone, but his work will live on.
…And here’s the latest one, an adaptation of Howard’s most famous story, THE UGLY CHICKENS. Winner of the Nebula. Winner of the World Fantasy Award. Nominee for the Hugo, but, alas, not a winner. A pity, that. Howard never won a Hugo, but in some more Waldropian world he has ten of them lined up on his mantle.
Felicia Day (SUPERNATURAL, THE GUILD, DR. HORRIBLE’S SING ALONG BLOG) stars in our film of “that dodo story.” Mark Raso (COPENHAGEN, KODACHRONE) directed. Michael Cassutt (TWILIGHT ZONE, MAX HEADROOM, TV101, EERIE INDIANA, and many more) did the screenplay.
Howard saw a rough cut of the film before he died. He liked it, which pleases me no end. I only wish we had been able to screen the final cut for him.
(2) HIGH CALIBER CANON. The Atlantic’s list of“The Great American Novels” includes Fahrenheit 451 by Ray Bradbury, The Haunting of Hill House by Shirley Jackson, A Wrinkle in Time by Madeleine L’Engle, Do Androids Dream of Electric Sheep by Philip K. Dick and a number of other works of genre interest.
(3) INTERNATIONAL BOOKER PRIZE LONGLIST. Based on the descriptions of the works at the website, there are no books of genre interest among the 13 that made the International Booker Prize 2024 longlist.
To say that Dr. Robert Zubrin, the esteemed Colorado-based aerospace engineer, author, lecturer and founding president of the Mars Society, has the Red Planet on his mind is a colossal understatement.
This pioneering educational voice and influential space authority has written many books on the timely topic of Mars and Mars settlement over the years as interest in humankind’s role in its ultimate development has risen exponentially. Now Zubrin adds to his impressive catalog of visionary volumes about our mysterious planetary neighbor with the recent release of “The New World on Mars” (Diversion Books, 2024), a fascinating and infinitely readable peek into Mars’ inestimably rosy future….
Space.com: One of the most interesting chapters deals with the psychological aspects of leaving Earth and establishing an identifiable Martian culture with its own customs, rites and rituals and the importance of that process. Can you elaborate on that subject more?
Zubrin: The Mars Society over the past couple years held two contests asking people to design a 1,000-person Mars colony and a one-million-person Mars city-state. And by design we meant not just the technology or the economy, but the social system, political system, what kind of sports are likely to be played, as well as the aesthetics.
Between the two contests, there were something like 300 entries. The ideas proposed spanned a huge range of political systems from socialist, to democratic and libertarian. Rather than attempt to choose my favorite system for a Martian utopia, I took the point of view that there will be many Martian cities founded by different people with very different ideas on what the ideal state should be, and it’s going to be sorted out by natural selection.
Some of the answers I came up with I like a lot, like human liberty. But this is in contradiction to many visions of science fiction colonies that are totally controlled because no one would immigrate to one. The ones that will outgrow the others will clearly be the ones that are most attractive to immigrants. Freedom is a great attractor. North Korea does not have an illegal immigrant problem. Martian colonies will have to be highly inventive and invention only thrives under freedom. I believe a Mars colony will also require a great deal of social solidarity, so it will not be multi-cultural and will need to have a strong sense of community and common identity….
…The new season of “Doctor Who,” starring “Sex Education” breakout Ncuti Gatwa as the Fifteenth Doctor, will premiere on May 10.
The new installment will be the first-ever to launch on Disney+ and release simultaneously worldwide. The premiere will start on May 10 at 7 p.m. ET in the U.S. and internationally (excluding the U.K.) with Christmas special “The Church on Ruby Road” airing before two brand-new episodes. In the U.K., the season will premiere at midnight GMT on May 11 on BBC iPlayer.
…A new trailer for the season will debut on March 22.
A documentary on his life, “You Can Call Me Bill,” directed by Alexandre O. Philippe (“Lynch/Oz”), is scheduled to roll out in theaters March 22 to coincide with his 93rd birthday. He continues to host and narrate the puzzling-phenomena History series “The UnXplained With William Shatner.” A 2022 performance at the Kennedy Center, backed by Ben Folds and the National Symphony Orchestra, is about to be released both as an album, “So Fragile, So Blue,” and a concert film. The title song, says Shatner, “encompasses a lot of my thinking about how we’re savaging the world, and [I’d hope] it’d be a song that people would listen to and perhaps be inspired to do something about global warming.”
And on April 8, for 15 minutes before the shadow of an eclipse falls over Bloomington, Ind., Shatner will address “55, 60,000 people” in the Indiana University football stadium. “So what do you say, what do you write, what do you do? I’m going to have to solve those problems.”…
(7) SIMULTANEOUS TIMES CELEBRATES ANNIVERSARY. Space Cowboy Books presents a special six-year anniversary episode of Simultaneous Times in collaboration with Worlds of IF Magazine bringing you works from the pages of Worlds of If Magazine #177. Listen to the podcast at the link. Story and poetry featured in this episode:
“Contact” by Akua Lezli Hope; with music by Fall Precauxions. Read by the author
“The Pain Peddlers” by Robert Silverberg; with music by Phog Masheeen. Read by Jean-Paul Garnier
“Time Junkies” by Pedro Iniguez; with music by Fall Precauxions. Read by the author
Fabric backdrops from the “immersive experience”, which was cancelled midway, were found in a bin outside the warehouse where it took place.
Monorail Music, a record shop in the city, auctioned the remains on eBay after they were passed on by the finder. The listing said: “Don’t miss out on this rare opportunity to own a piece of history.”
The Wonka event gained online notoriety after images of the sparsely decorated warehouse in Glasgow, staffed by actors dressed as Oompa Loompas and other characters, spread worldwide. On Thursday, the listing had a total of 57 bids and the items were sold for £2,250. Michael Kasparis, online manager of Monorail, described the outcome as “amazing”….
(9) RED FLAGS RAISED ABOUT TCG-CON. Outside the Asylum urges “Don’t Go to TCG-Con”. Here’s the synopsis of a long post with many receipts:
Summary: TCG-con frequently does not pay out its advertised prizes and staff compensation. They currently owe upwards of $50,000 to players, cosplayers, judges, and other staff members for previous conventions, and appear to be in the process of collapsing entirely. I would strongly recommend not purchasing a ticket to their future events, trying to get a refund if you already have, and warning anyone you know away from them as well. If you’re owed money yourself, see the end of this page for information on next steps.
Grant Page, the Australian stunt icon who performed in and coordinating stunts for the original Mad Max,sequel Beyond Thunderdome,the upcoming prequel Furiosa: A Mad Max Sagaand more than 100 other films and TV series, died Thursday in a car crash. He was 85.
A legend of Aussie cinema, Page worked … on the 1979 action classic Mad Max,which introduced the world to Mel Gibson. He performed and served as stunt coordinator on … its 1985 second sequel Mad Max Beyond Thunderdome… He also worked on … prequel, Furiosa: A Mad Max Saga, which is on the radar to premiere at Cannes in May, and on his 2022 pic Three Thousand Years of Longing.
(11) COMICS SECTION.
The New Yorker cartoon for the Ides of March gives us Dr. Seuss’ interpretation instead of Shakespeare’s.
Filmmaker Zack Snyder recently stirred up some controversy when he defended his aggressive version of Batman from Batman v Superman: Dawn of Justice who killed, a choice that for many comic book fans runs counter to basic tenets of the character. Now, comic book writer Grant Morrison is weighing in and they don’t agree with Snyder. According to Morrison, “if Batman killed his enemies, he’d be the Joker.”
In their newsletter Xanaduum (via ScreenRant), Morrison — whose own work has been among some of the more definitive takes on Batman — dug into not only the practical aspect of why Batman doesn’t kill (because he’d end up arrested by Commissioner Gordon, in theory) but also the psychological aspect of the character and how Batman’s “no-kill” rule is something locked into him from the time he was a small child and is a part of his mental state having never fully developed, in some respect, out of the child who saw his parents murdered in Crime Alley.
“That Batman puts himself in danger every night but steadfastly refuses to murder is an essential element of the character’s magnificent, horrendous, childlike psychosis,” Morrison wrote.
There’s also the matter of the line between what Batman does and what the villains do. Villains kill; Batman does not. It makes all the difference, at least to Bruce Wayne who, should he ever cross the line, would then become no better than those who killed his parents….
The final season of Snowpiercer has finally found a home.
The fourth season of the sci-fi drama will air on AMC after the company acquired the rights to the Tomorrow Studios-produced series. It comes after TNT scrapped the show last year as part of a wider Warner Bros. Discovery content write-down strategy.
Deadline revealed in January 2023 that the fourth season wouldn’t air on its original home, as part of a slew of content cuts that also included the axing of Batgirl, Abrams’ HBO drama Demimonde, and TBS series such as The Big D, Chad and Kill The Orange Bear….
…The central mysteries of Outer Range surround that giant hole, which materializes on property owned by Brolin’s Wyoming rancher character and is eventually established to be a time portal. Along the way, various characters go missing, are revealed to have been born in different centuries, notice odd happenings that seem anachronistic, or are unmasked as characters we’ve already met who happen to be several years older than they should be. In season two, we’ll all take a time leap; the action begins in 1984 with a younger version of Brolin’s character, and Vanity Fair describes the narrative structure as “gamely hopping between different decades (and centuries) with newfound propulsion.”
An astrophysicist called in to help the time-travel stuff make sense—but according to new showrunner Murray, “The biggest part of what time travel meant to me and the writers was: How can this help us expose something that a character’s going through?” We’re very intrigued to see where this wild trail heads next….
When Melissa Heikkilä looks back on her past four years writing about artificial intelligence (AI), two key things jump out to her, one good, one bad.
“It’s the best beat… AI is a story about power, and there are so many ways to cover it,” says the senior reporter for magazine MIT Technology Review. “And there are so many interesting, and eccentric people to write about.”
That’s the positive. The negative, she says, is that much of the wider media’s coverage of AI can leave a lot to be desired.
“There is more hype and obfuscation about what the technology can and cannot actually do,” says Ms Heikkilä. “This can lead to embarrassing mistakes, and for journalists to feed into the hype machine, by, for example, anthropomorphizing AI technologies, and mythologizing tech companies.”…
In January 2014 a meteor streaked across the sky above the Western Pacific Ocean. The event was initially linked to a seismic signal that was detected on Papua New Guinea’s Manus Island. This information was used by Harvard University’s Amir Siraj and Avi Loeb to determine where the object likely fell into the ocean. Loeb then led an expedition that recovered spherical objects called spherules from the ocean bottom, which the team claimed to be from the meteor.
Because of the spherule’s unusual elemental composition, the team has suggested that the objects may have come from outside the solar system. What is more, they hinted that the spherules may have an “extraterrestrial technological origin” – that they may have been created by an alien civilization.
Now, however, a study led by scientists at Johns Hopkins University has cast doubt on the connection between the spherules and the 2014 meteor event. They have proposed a very different source for the seismic signal that led Loeb and colleagues to the spherules.
“The signal changed directions over time, exactly matching a road that runs past the seismometer,” says Benjamin Fernando, a planetary seismologist at Johns Hopkins who led this latest research.
“It’s really difficult to take a signal and confirm it is not from something,” explains Fernando. “But what we can do is show that there are lots of signals like this, and show they have all the characteristics we’d expect from a truck and none of the characteristics we’d expect from a meteor.”
That’s right, it was a truck driving past the seismometer, not a meteor….
Britain this week showed off a new laser weapon that its military says could deliver lethal missile or aircraft defense at around $13 a shot, potentially saving tens of millions of dollars over the cost of missile interceptors that do the job now.
Newly released video of a test of what the United Kingdom’s Defense Ministry calls the DragonFire, a laser directed energy weapon (LDEW) system, captured what the ministry says was the successful use of the laser against an aerial target during a January demonstration in Scotland.
“It’s a potential game changer for air defense,” the video says as a bright laser beam pierces the night sky over a firing range in the remote Hebrides archipelago, creating a ball of light as it hits its target.
The Defense Ministry says the DragonFire can precisely hit a target as small as a coin “over long ranges,” but it did not offer specifics. The exact range of the weapon is classified, it said.
The laser beam can cut through metal “leading to structural failure or more impactful results if the warhead is targeted,” a UK Defense Ministry statement said….
[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Sandra Miesel, SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
