People writing about the issues they care about is what keeps this community going. It’s a gift and privilege for me to be continually allowed to publish so many entertaining posts rich in creativity, humor, and shared adventures. Thanks to all of you who contributed to File 770 in 2022!
…Thinking about Jules Verne, with the new TV version of Around the World in Eighty Days about to start, I just bought the Wesleyan edition of Five Weeks in a Balloon, translated by Frederick Paul Walter – after researching what the good modern translations of Verne are. Verne has been abysmally translated into English over the years, but there’s been a push to correct that….
… It was on FaceBook where I first saw friends’ posting about Opening Ceremonies. According to what was posted, some of the musical selections performed by students from the Duke Ellington School spotlighted the religious aspects of the Christmas holiday.
My immediate reaction was that this was not an appropriate part of Opening Ceremonies, especially since, as far as I know, the religious aspect of the performance was not contained in the descriptions in any convention publication. The online description of Opening Ceremonies says, in its entirety: “Welcome to the convention. We will present the First Fandom and Big Heart awards, as well as remarks from the Chair.” The December 9, 2021, news release about the choir’s participation did not mention that there would be a religious component to the performance….
Whew! We made it. We made it to Issue 100 of the Grantville Gazette. This is an incredible feat by a large group of stakeholders. Thank you, everyone.
I don’t think Eric Flint had any idea what he’d created when he sent Jim Baen the manuscript for 1632. In the intervening two-plus decades, the book he intended to be a one-shot novel has grown like the marshmallow man in Ghostbusters to encompass books from two publishing houses, a magazine (this one, that you are holding in your metaphorical hands) and allowed over 165 new authors to see their first published story in print. The Ring of Fire Universe, or the 1632 Universe, has more than twelve million words published….
This message was written by a fan in Moscow 48 hours ago. It is unsigned but was relayed by a trustworthy source who confirms the writer is happy for it to be published by File 770. It’s a fan’s perspective, a voice we may not hear much….
Right now, when I’m sitting at my desktop and writing this text, a cannonade nearby doesn’t stop. The previous night was scary in Kyiv. Evidently, Russians are going to start demolishing Ukrainian capital like they are doing with Kharkiv, Sumy, Chernihiv, Mariupol.
The Ukrainian SFF Community joined the efforts to isolate Russia, the nazi-country of the 21st century, to force them to stop the war. The boycott by American authors we asked for is also doing the job. Many leading writers and artists of the great United States already joined the campaign.
We appealed to SFWA to also join the campaign, and here is what they replied…
Fortunately, comic-carrying newspapers are, of course, all (also or only) online these days, but even then, some require subscriptions (fair enough), and to get all the ones you want. For example, online, the Washington Post, has about 90, while the Boston Globe is just shy of a paltry one-score-and-ten. And (at least in Firefox), they don’t seem to be visible in all-on-one-page mode, much less customize-a-page-of.
So, for several years now, I’ve been going to the source — two “syndicates” that sell/redistribute many popular strips to newspapers….
There’s been a lot of excitement about Squid Game. Everybody’s talking about how clever, original, and utterly skiffy it is. I watched it, too, eagerly and faithfully. But I wasn’t as surprised by it as some. I expected it to be good. I’ve been watching Korean video for ten years, and have only grown more addicted every year. And yet I just can’t convince many people to watch it with me….
Let me tell you about my favorite building in Washington, D.C. It’s the staid old Arts and Industries Building, the second-oldest of all the Smithsonian Institution buildings, which dates back to the very early 1880s and owes its existence to the Smithsonian’s then urgent need for a place where parts of its collection could go on public display….
When we last left the Heinleins (“What the Heinleins Told the 1940 Census”), a woman answering the door at 8777 Lookout Mountain – Leslyn Heinlein, presumably — had just finished telling the 1940 census taker a breathtaking raft of misinformation. Including that her name was Sigred, her husband’s was Richard, that the couple had been born in Germany, and they had a young son named Rolf.
Ten years have passed since then, and the archives of the 1950 U.S. Census were opened to the public on April 1. There’s a new Mrs. Heinlein – Virginia. The 8777 Lookout Mountain house in L.A. has been sold. They’re living in Colorado Springs. What did the Heinleins tell the census taker this time?…
“In the future, there was a nuclear war. And because of all the radiation, cats developed the ability to shoot lasers out of their mouths.”
On this dubious premise, Laser Cats was founded. By its seventh and final episode, the great action stars and directors of the day had contributed their considerable talents to this highly entertaining, yet frankly ridiculous enterprise. From James Cameron to Lindsey Lohan, Josh Brolin to Steve Martin, Laser Cats attracted the best in the business.
Being part of Saturday Night Live undoubtedly helped….
The Emeka Walter Dinjos Memorial Award For Disability In Speculative Fiction aims to award disability in speculative fiction in two ways. One, by awarding a writer of speculative fiction for their representation or portrayal of disability in a world of speculative fiction, whatever their health status; and two, by awarding a disabled writer for a work of speculative fiction in general, whatever the focus of the work may be….
Robert Osband, Florida fan, really loves space. All his life he has been learning about spaceflight. And reading stories about spaceflight, in science fiction.
So after NASA’s Apollo program was over, the company that made Apollo space suits held a garage sale, and Ozzie showed up. He bought a “training liner” from ILC Dover, a coverall-like portion of a pressure suit, with rings at the wrists and neck to attach gloves and helmet.
And another time, in 1976, when one of his favorite authors, Robert A. Heinlein, was going to be Guest of Honor at a World Science Fiction Convention, Mr. Osband journeyed to Kansas City.
In his suitcase was his copy of Heinlein’s Have Space Suit, Will Travel—a novel about a teenager who wins a secondhand space suit in a contest—and his ILC Dover suit.
Because if you wanted to get your copy of Have Space Suit, Will Travel autographed, and you happened to own a secondhand space suit, it would be a shame NOT to wear it, right?…
… I’m sure that our first face-to-face meeting was in 1979, when my job in industry took me from Chattanooga all the way out to Los Angeles for some much-needed training in electrochemistry. I didn’t really know anybody in L.A. fandom back then but I did know the address of the LASFS clubhouse, so on my next-to-last evening in town I dropped in on a meeting. And it was there that I found Bruce mostly surrounded by other fans while they all expounded on fandom as it existed back then and what it might be like a few years down the road. It was like a jazz jam session, but all words and no music. I settled back into the periphery, enjoying all the back-and-forth, and when there eventually came a lull in the conversations I took the opportunity to introduce myself. And then Bruce said something to me that I found very surprising: “Dick Lynch! I’ve heard of you!”…
It was back in 2014 that a student filmmaker at Stephen F. Austin State University, Ricky Kennedy, created an extraordinary short movie titled The History of Time Travel. Exploration of “what ifs” is central to good storytelling in the science fiction genre and this little production is one of the better examples of how to do it the right way.
… It is through Joy and Cassimer’s eyes we experience S.A. Tholin’s Iron Truth, a finalist of the Self-Published Science Fiction Competition. If there was ever a case of the cream rising to the top this book is one….
In T. A. Bruno’s In the Orbit of Sirens, a Self-Published Science Fiction Competition finalist, the remnants of the human race have fled the solar system ahead of an alien culture that is assimilating everyone in reach. Loaded aboard a vast colony ship they’re headed for a distant refuge, prepared to pioneer a new world, but unprepared to meet new threats there to human survival that are as great as the ones they left behind.
On the morning of Carmen Grey’s sixth birthday an armed team arrives to take her from her parents and remove her to the underground facility where Clairvoyants — like her — are held captive and trained for years to access their abilities. So begins Monster of the Dark by K. T. Belt, a finalist in the Self-Published Science Fiction Competition….
G.M. Nair begins Duckett and Dyer: Dicks for Hire by making a surprising choice. His introductory scene explicitly reveals to readers the true nature of the mysterious events that the protagonists themselves uncover only very slowly throughout the first half of the book. The introduction might even be the penultimate scene in the book — which would make sense in a story that is partly about time travel loops. Good idea or bad idea?…
… What sounds like Firefly also describes the SPSFC finalist novel Captain Wu: Starship Nameless #1, a space opera by authors Patrice Fitzgerald and Jack Lyster. I love Firefly so it wasn’t a big leap to climb aboard this vessel….
…. It would be exceptionally embarrassing for a Worldcon to have to explain why a finalist would have won the Hugo except for — oops! — this bit of outdated fine print. The best course of action is to eliminate that fine print before such a circumstance arises….
The social media of the 30th century doesn’t seem so different: teenagers anonymously perform acts of civil disobedience and vandalism to score points and raise their ranking in an internet app. That’s where Aster Vale leads a secret life as the Wildflower, a street artist and tagger, in A Star Named Vega by Benjamin J. Roberts, a Self-Published Science Fiction competition finalist…..
R F Kuang’s Babel is an audacious and unrelenting look at colonialism, seen through the lens of an alternate 19th century Britain where translation is the key to magic. Kuang’s novel is as sharp and perceptive as it is well written, deep, and bears reflection upon, after reading, for today’s world….
Paul Weimer went to donate some books at Don Blyly’s new location for Uncle Hugo’s and Uncle Edgar’s bookstores. While he was inside Paul shot these photographs of the bookshelves being stocked and other work in progress.
… Another contributor to the Afrofuturist tradition is Nicole Mitchell, a noted avant-jazz composer and flutist. She chose to take on Octavia Butler’s most challenging works, the Xenogenesis Trilogy, and create the Xenogenesis Suite, a collection of dark and disturbing compositions that reflect the trilogy’s turbulent and complicated spirit….
Anna carefully arranged the necessary objects around her desktop computer into a pentagon: sharpened pencils, a legal pad, a half-empty coffee cup, and a copy of Science Without Sorcery, with the chair at the fifth point. This done, she intoned the spell that would open the channel to her muse for long enough to write the final pages of her work-in-progress. Then she could get ready for the convention….
… In the last five years, the [Hugo Awards Study Committee] [HASC] has changed precisely two words of the Constitution. (Since you asked: adding the words “or Comic” to the title of the “Best Graphic Story” category.) The HASC’s defenders will complain that we had two years of pandemic, and that the committee switched to Discord rather than email only this year, and that there are lots of proposals this year. But the fact remains that so far the practical impact has been slower than I imagined when I first proposed the Committee…..
In Michaele Jordan’s overview, she comments on the novellas by Aliette de Bodard, Becky Chambers, Alix E. Harrow, Seanan McGuire, Adrian Tchaikovsky, and Catherynne M. Valente that are up for the 2022 Hugo.
… Once we had a lot of science fiction, little fantasy; lately we’ve had a lot of fantasy; so Powers’ writing fantasy does not seem particularly defiant.
His fantasy has generally been — to use a word which may provoke defiance — rigorous. Supernatural phenomena occur, may be predicted, aroused, avoided, as meticulously — a word whose root means fear — as we in our world start an automobile engine or put up an umbrella. Some say this has made his writing distinctive….
The day of reckoning is here for E Pluribus Hugo. The change in the way Hugo Awards nominations are counted was passed in 2015 and ratified in 2016 to counter how Sad and Rabid Puppies’ slates dictated most of finalists on the Hugo ballots in those years. It came with a 2022 sunset clause attached, and E Pluribus Hugo must be re-ratified this year in order to remain part of the WSFS Constitution….
… His name is Joel Nydahl, and back about the time of that Chicon he was a 14-year-old neofan who lived with his parents on a farm near Marquette, Michigan. He was an avid science fiction reader and at some point in 1952 decided to publish a fanzine. It was a good one….
… Abigail Kamara, younger cousin of police constable and apprentice wizard Peter Grant, has been left largely unsupervised while he’s off in the sticks on a case. This leaves Abigail making her own decisions when she notices that kids roughly her age are disappearing–but not staying missing long enough for the police to care….
Friends, let me tell you about one of my favorite TV shows. But I must admit to you up front that it’s not SF/F. Extraordinary Attorney Woo is, as I assume you’ve deduced from the title, a lawyer show. But it’s a KOREAN lawyer show, which should indicate that is NOT run of the mill….
… The Phantom Empire, a twelve-chapter Mascot serial, was originally released in February, 1935. A strange concoction for a serial, it is at once science fiction film, a Western, and strangely enough, a musical. It was the first real science fiction sound serial and its popularity soon inspired other serials about fantastic worlds….
… I find myself explaining the changes to membership in the World Science Fiction Society (WSFS) and the conditions for attending the World Science Fiction Convention that were ratified this year in Chicago (and thus are now in effect, because this was the second vote on the changes)…
Chicon 8’s Chicago Worldcon Community Fund (CWCF) program offered both memberships and financial stipends. It was established with the goal of helping defray the expenses of attending Chicon 8 for the following groups of people:
Non-white fans or program participants • LGBTQIA+ fans or program participants • Local Chicago area fans of limited means…
As environmental problems caused by industrialisation and post-industrialisation continue to increase, the public is looking for ecological solutions. As pandemics, economic crises, and wars plague our society in different ways, thoughts turn to the good old times. But were they really all that good? People are escaping increasingly into fantastical stories in order to find a quantum of solace. But at what point was there a utopia in our society. If so, at what or whose cost did it exist? Whether or not we ever experience living in a utopia, the idea of finally finding one drives us to continue seeking ideal living conditions….
… Capclave appeared to be equally star-crossed in its next iteration. It was held over the weekend of October 18-20, 2002, and once again the attendees were brought closer together by an event taking place in the outside world. The word had spread quickly through all the Saturday night room parties: “There’s been another shooting.” Another victim of the D.C. Sniper….
… In Fairy Tale, his newest novel, Stephen King delivers a, cough, grimm contemporary story, explicitly incorporating horror in the, cough, spirit of Lovecraft (King also explicitly namedrops, in the text, August Derleth, and Henry Kuttner), in which high-schooler Charlie Reade becomes involved in things — and challenges — that, as the book and plot progress, stray beyond the mundane….
The idea of an anthology of science fiction and fantasy stories about the Beatles seems like a natural. I’ve been told the two editors, each unbeknownst to the other, both presented the idea to the publisher around the same time…
The Science Museum (that’s the world famous one in Kensington, London) has just launched a new exhibit on what Carl Sagan once mused (though not mentioned in the exhibit itself) science fiction and science’s ‘dance’. SF2 Concatenation reprographic supremo Tony Bailey and I were invited by the Museum to have a look on the exhibition’s first day. (The exhibition runs to Star Wars day 2023, May the Fourth.) Having braved Dalek extermination at the Museum’s entrance, we made our way to the exhibition’s foyer – decorated with adverts to travel to Gallifrey – to board our shuttle….
I was at the 2022 F. Scott Fitzgerald Literary Festival in Rockville, MD today. If you’re wondering why the festival is there, that’s where Fitzgerald and his wife are buried. Now, I’d never read any of Fitzgerald`s writing, so I spent the evening before reading the first three chapters of The Great Gatsby (copyright having expired last year, it’s online). So far, I’ve yet to find anyone in it that I want to spend any time with, including the narrator.
However, the reason I attended was to see Kim Stanley Robinson, who was the special guest at the Festival. The end of the morning’s big event was a conversation between Stan and Richard Powers. Then there was lunch, and a keynote speaker, then Stan introducing Powers to receive an award from the society that throws the annual Festival….
…As a child, I kept a notebook filled with my favorite quotes. (How did I not know I was going to be an author?) The first quote? “Not all who wander are lost.” There was everything from 90s rom com lines to Wordsworth poems in that notebook, but Tolkien filled the most pages….
There is a fundamental implausibility to easy manned interstellar (or even interplanetary) space travel that nonetheless remains a seductive idea even in our wiser and more cynical and weary 21st century. …
Alif is a young man, a “gray hat” hacker, selling his skills to provide cybersecurity to anyone who needs that protection from the government. He lives in an unnamed city-state in the Middle East, referred to throughout simply as the City. He’s nonideological; he’ll sell his services to Islamists, communists, anyone….
Journalist, author, genre historian (and fan, certainly, from the 1940s and on!) Bertil Falk is acclaimed for performing the “impossible” task of translating Finnegans Wake to Swedish, the modernist classic by James Joyce, under the title Finnegans likvaka….
The protagonist of the first short novel in this omnibus — which is in fact Eye of Cat — is William Blackhorse Singer, a Navajo born in the 20th century, and still alive, and fit and healthy, almost two centuries later….
One fine Monday morning, Peter Grant is summoned to Baker Street Station on the London Underground, to assess whether there was anything “odd,” i.e., involving magic, about the death of a young man on the tracks….
…If you’re not a fan, then there’s a real chance you have no idea how much range animé encompasses. And I’m not even talking about the entire range of kid shows, sit-coms and drama. (I’m aware there may be limits to your tolerance. I’m talking about the range within SF/F. Let’s consider just three examples….
While I subscribe to the practice that, as a rule, reviews and review-like write-ups, if not intended as a piece of critical/criticism, should stick to books the reviewer feels are worth the readers reading, sometimes (I) want to, like Jerry Pournelle’s “We makes these mistakes and do this stuff so you dont have to” techno-wrangling Chaos Manor columns, give a maybe-not-your-cup-of-paint-remover head’s-up. This is one of those….
It’s been 30 years since the passing of my friend Roger Weddall. I doubt very many of you reading this had ever met him and I wouldn’t be surprised, actually, if most of you haven’t even heard of him. Thirty years is a long time and the demographics of fandom has changed a lot. So let me tell you a little bit about him….
I expect a lot of File 770’s readers watched, as we did, as the Orion capsule returned to Terra. I’m older than some of you, and it’s been decades since I watched a capsule re-entry and landing in the ocean. What had me in tears is that finally, after fifty years, we’re planning to go back… and stay….
Poul Anderson began writing his own “future history” in the 1950s, with its starting point being that there would be a limited nuclear war at some point in the 1950s. From that point would develop a secret effort to build a new social structure that could permanently prevent war….
…As with Avatar, Avatar: The Way of Water is a visual feast. Unlike the first film, there aren’t long sweeping pans lingering over beautiful, otherworldly vistas. The “beautiful” and the “otherworldly” are still there, but we’re seeing them incorporated into the action and storytelling….
… When I was growing up, children like myself were taught, no, more like indoctrinated, to think the United States was the BEST place to grow up, that our country was ALWAYS in the right and that our institutions were, for the most part, unassailable and impervious to criticism from anyone, especially foreigners.
I grew up in Ohio in the 1960’s and despite what I was being taught in a parochial Catholic grade school (at great expense, I might add, by my hard-working parents), certain things I was experiencing did not add up. News of the violence and casualties during the Vietnam War was inescapable. I remember watching the evening network news broadcasts and being horrified by the number of people (on all sides of the conflict) being wounded or killed on a daily basis.
As the years went on, it became harder to reconcile all of the violence, terrorism, public assassinations and the racism I was experiencing with the education I was receiving. The Pentagon Papers and the Watergate break-ins coincided with my high school years and the beginnings of my political awakening.
When I look back on those formative days of my life, I see myself as a small child, set out upon a sea of prejudice and whiteness, in a boat of hetero-normaltity, destination unknown….
… After I introduced myself to Mr. Weir and Mr. Bell, I said, “You and I have something in common.”
“Oh really? What’s that?”
“You and I are the only 2022 Hugo Award nominees within a hundred-mile radius of this bookstore.” (I stated that because I know that our fellow nominee, Jason Sanford, lives in Columbus, Ohio, hence the reference to the mileage.)…
Despite some very harsh comments from Dmitry Rogozin, the director general of Roscosmos, threatening that “If you block cooperation with us, who will save the ISS from an uncontrolled deorbit and fall into the United States or Europe?” spacefarers seem to have a different perspective and understanding of the importance of international cooperation, respect and solidarity. This appears to have been demonstrated today when three cosmonauts arrived at the International Space Station….
Forty-five years ago or thereabouts, on February 26, 1977, the first ‘prog’ of 2000AD was released by IPC magazines. The second issue dated March 5 a week later saw the debut of Judge Dredd. Since then, Rogue Trooper, Nemesis the Warlock, Halo Jones, Sláine, Judge Anderson, Strontium Dog, Roxy and Skizz, The ABC Warriors, Bad Company and Proteus Vex are just some of the characters and stories that have emanated from the comic that was started by Pat Mills and John Wagner. Some have gone on to be in computer games, especially as the comic was purchased by Rebellion developments in 2000, and Judge Dredd has been brought to the silver screen twice.
Addictive and enjoyable stories of the fantastic, written and drawn by some of the greatest comic creators of the latter part of the 20th century, they often related to the current, utilizing Science Fiction to obscure issues about violence or subversiveness, but reflecting metaphorically about the now of the time….
Traditionally, the start of a new year is a time when film critics begin assembling their lists of the best films, actors, writers, composers, and directors of the past year. What follows, then, while honoring that long-held tradition, is a comprehensive compilation and deeply personal look at the finest film scores of the past nearly one hundred years….
The frenzy of joyous controversy swirling over director Adam McKay’s new film Don’t Look Up has stirred a healthy, if frenetic debate over the meaning and symbology of this bonkers dramedy. On its surface a cautionary satire about the impending destruction of the planet, Don’t Look Up is a deceptively simplistic tale of moronic leadership refusing to accept a grim, unpleasant reality smacking it in its face.
What follows is truly one of the most personally heartfelt, poignant, and heartbreaking remembrances that I’ve ever felt compelled to write.
Veronica Carlson was a dear, close, cherished friend for over thirty years. I learned just now that this dear sweet soul passed away today. I am shocked and saddened beyond words. May God rest her beautiful soul.
After interviewing William Shatner for the British magazine L’Incroyable Cinema during the torrid Summer of 1969 at “The Playhouse In The Park,” just outside of Philadelphia, while Star Trek was still in the final days of its original network run on NBC, my old friend Allan Asherman, who joined my brother Erwin and I for this once-in-a-lifetime meeting with Captain James Tiberius Kirk, astutely commented that I had now met and befriended all three of our legendary boyhood “Captains,” which included Jim Kirk (William Shatner), Flash Gordon/Buck Rogers (Larry “Buster” Crabbe), and Buzz Corry (Edward Kemmer), Commander of the Space Patrol….
… The first of the most important music modernists, however, in the post war era and “Silver Age” of film composers was Elmer Bernstein who would, had he lived, be turning one hundred years old on April 4th, 2022. Although he would subsequently prove himself as able as classic “Golden Age” composers of writing traditional big screen symphonic scores, with his gloriously triumphant music for Cecil B De Mille’s 1956 extravaganza, The Ten Commandments….
… She was just four days into her maiden voyage from Southhampton to New York City when this “Unsinkable” vessel met disaster and finality, sailing into history, unspeakable tragedy, and maritime immortality. May God Rest Her Eternal Soul … the souls of the men, women, and children who sailed and perished during those nightmarish hours, and to all those who go courageously “Down to The Sea in Ships.” This horrifying remembrance remains among the most profoundly significant of my own seventy-six years….
… It is true that Seth MacFarlane, the veteran satirist who both created and stars in the science fiction series, originally envisioned [The Orville] as a semi-comedic tribute to Gene Roddenberry’s venerable Star Trek. However, the show grew more dramatic in its second season on Fox, while it became obvious that MacFarlane wished to grow outside the satirical box and expand his dimensional horizons and ambitions….
… I was born in the closing weeks of 1945, and grasped at my tentative surroundings with uncertain hands. It wasn’t until 1950 when I was four years old that my father purchased a strange magical box that would transform and define my life. The box sat in our living room and waited to come alive. Three letters seemed to identify its persona and bring definition to its existence. Its name appeared to be RCA, and its identity was known as television….
He was a kindly, gentle soul who lived among us for a seeming eternity. But even eternity is finite. He was justifiably numbered among the most influential writers of the twentieth century. Among the limitless vistas of science fiction and fantasy he was, perhaps, second only in literary significance to H.G. Wells who briefly shared the last century with him. Ray Bradbury was, above all else, the poet laureate of speculative fiction….
On June 11, 1982, America and the world received the joyous gift of one of the screen’s most beloved fantasy film classics and, during that memorable Summer, a young aspiring television film critic reviewed a new film from director Steven Spielberg called E.T….
…Before I realized it, tables and chairs were being moved and I felt the hands of paramedics lifting me to the floor of the restaurant. Les was attempting to perform CPR on me, and I was drifting off into unconciousness. I awoke to find myself in an ambulance with assorted paramedics pounding my chest, while attempting to verbally communicate with me. I was aware of their presence, but found myself unable to speak….
After nearly dying a little more than a decade ago during and just after major open heart surgery, I fulfilled one of the major dreams of my life…meeting the man who would become my last living life long hero. I’d adored him as far back as 1959 when first hearing the dramatic strains of the theme from Checkmate on CBS Television. That feeling solidified a year later in 1960 with the rich, sweet strains of ABC Television’s Alcoa Premiere, hosted by Fred Astaire, followed by Wide Country on NBC….
…When Jack Warner was casting the film version of the smash hit, he considered performers such as Cary Grant, James Cagney, or Frank Sinatra for the lead. Meredith Willson, the show’s composer, however, demanded that Robert Preston star in the movie version of his play, or he’d withdraw the contracts and licensing. The film version of The Music Man, produced for Warner Brothers, and starring Robert Preston and Shirley Jones, opened to rave reviews on movie screens across the country in 1962. Robert Preston, like Rex Harrison in Lerner and Lowe’s My Fair Lady, had proven that older, seasoned film stars could propel both Broadway and big screen musicals to enormous artistic success….
On the evening of May 14, 1998, following the airing over NBC Television of the series finale of Seinfeld, the world and I received the terrible news of the passing of the most beloved entertainer of the twentieth century. It has been twenty-four years since he left this mortal realm, but the joy, the music, and the memories are as fresh and as vital today as when they were born….
Very exciting news. The long awaited CD soundtrack release of 12 O’Clock High is now available for purchase through La-La Land Records and is a major restoration of precious original tracks from Quinn Martin’s beloved television series….
That terrible day in Dallas, Texas on November 22, 1963 remains one of the most significantly traumatic days of my life. I was just seventeen years old. I was nearing the end of my high school classes at Northeast High School in Philadelphia when word started spreading through the hallways and corridors that JFK had been shot. I listened in disbelief, praying that it wasn’t true … but it was….
I recently watched a somber new three part documentary by film maker Ken Burns that is among the most sobering, heartbreaking, and horrifying indictments of humanity that I have ever encountered. It was extremely difficult to watch but, as an American Jew, I remain struck by the similarities between the rise in Fascism in the early nineteen thirties, leading to the beginnings of Nazism in Germany, and the attempted decimation of the Jewish people in Europe and throughout the world, with the repellant echoes of both racial and religious intolerance, and the mounting hatred and suspicion of the Jewish communities and population residing presently in my own country of birth, these United States….
I’ve read with interest some of the recent discussions concerning the measure of Hugo Friedhofer’s importance as a composer, and it set my memory sailing back to another time in a musical galaxy long ago and far away. I have always considered Maestro Friedhofer among the most important, if underrated, composers of Hollywood’s golden era….
…Steven Spielberg’s reverent semi-autobiographical story of youthful dreams and aspirations is, for me, the finest, most emotionally enriching film of the year, filled with photographic memories, and indelible recollections shared both by myself and by the film maker….
My friend Adam Spector tells me that when Ernest Lehman was asked to write the script for North by Northwest, he tried to turn out the most “Hotchcocky” script he could, with all of Hitchcock’s obsessions in one great motion picture.
Moonfall is the most “Emmerichian” film Roland Emmerich is made. Like his earlier films, it has flatulent melodrama interlaced with completely daft science. But everything here is much more intense than his earlier work. But the only sense of wonder you’ll get from this film is wondering why the script got greenlit….
… Having a long career in Hollywood is a lot harder than in other forms of publishing; you’ve got to have the relentless drive to pursue your vision and keep making sales. To an outsider, what is astonishing about J. Michael Straczynski’s career is that it has had a third act and may well be in the middle of a fourth. His career could have faded after Babylon 5. The roars that greeted him at the 1996 Los Angeles Worldcon (where, it seemed, every conversation had to include the words, “Where’s JMS?”) would have faded and he could have scratched out a living signing autographs at media conventions….
When I read in the Financial Times about how Britain’s National Theatre was adapting Sir Philip Pullman’s La Belle Sauvage, the first volume of his Book of Dust trilogy, I told myself, “That’s a play for me! I’ll just fly over to London and see it! OGH is made of money, and he’ll happily pay my expenses!”
Fortunately, I didn’t have to go to London, because the theatre came to me, with a screening of the National Theatre Live production playing at the American Film Institute. So, I spent a pleasant Saturday afternoon seeing it….
… Stories matter more in the theatre than in film because far more of a play is in our imagination than in a film. Stripped of CGI and rewrites by multiple people, what plays offer at their best is one person’s offering us something where, if it works, we tell ourselves, “Yes, that was a good evening in the theatre,” and if it doesn’t, we gnash our teeth and feel miserable until we get home…
As Anton Ego told us in Ratatouille, the goal of a critic today is to be the first person to offer praise to a rising artist. It’s not the tenth novel that deserves our attention but the first or second. In the theatre, the people who need the most attention are the ones who are being established, not the ones that build on earlier successes.
So I’m happy to report that Matthew Aldwin McGee, author, star, and chief puppeteer of Under the Sea with Dredgie McGee is a talented guy who has a great deal of potential. You should be watching him….
I once read an article about a guy who was determined to live life in 1912. He lived in a shack in the woods, bought a lot of old clothes, a Victrola, and a slew of old books and magazines. I don’t remember how he made a living, but the article made clear that he was happy….
Regina Kanya Wang, Yen Ooi and Arthur Liu join Chris Garcia and James Bacon to co-edit an issue dedicated to Chinese science, science fiction, space and fandom, with over 20 articles and interviews, all both in Chinese and English in parallel text.
Featuring a stunning cover From Ocean in the Sky by Sharksden, there is a wide variety of articles, interviews and art.
This issue has exceeded expectations in regard to volume of content, and the editors decided that they would split the issue into two parts, with Part 2 planned for publication in the Chinese New Year.
Contents in this issue include:
If I Have a Dyson Sphere, I Can _______ – The Independent Science Fiction Game Dyson Sphere Program and Its Player Ecology by Bill Black. Translated by Scarlet Zhang
An Encounter with Mars at Lenghu by Arthur Liu. Translated by Shaoyan Hu
Twelve Space-Themed Chinese SF Novels In the 2020s by Arthur Liu
The Female Body and the Future of Humanity by Mia Chen Ma. Translated by Wang Jin and Lily Rathbone
“The Wandering Earth”: Should I Leave Behind the Heavy Shell? by Lyu Guangzhao
The Wandering Fan – A Diaspora View of Chinese Science Fiction by Kin-Ming Looi. Translated by Jiang Qingying
Hunt for the Hidden Treasures of Republican-Era Science Fiction by Ren Dongmei, edited by RiverFlow. Translated by Jack Hargreaves
Dugu Yue Refuses to Be Alone by Zhong Tianyi. Translated by Qing Zhao
Imagining Outer Space in Chinese Science by Huang Mingfen. Translated by Zhou Danxue
Original Art: Lunar Photosynthesis by Angela YT Chan
Narrating Fantastic Stories with Visual Arts – Interview with Feifei RuanInterviewer: Regina Kanyu Wang. Translated by RiverFlow
My Best Art is Always the Next Piece – Interview with Sharksden Interviewer: Regina Kanyu Wang, Translated by Scarlet Zhang
By Steven H Silver: Robin Hood, whether you picture Errol Flynn, a fox, or the cover of a book by Howard Pyle, at Journey Planet Steven H Silver joins Christopher J. Garcia and James Bacon for this issue which looks at the legend of Robin Hood, historically, cinematically, and affectionately.
Lawrence Ellsworth, Jeff Berkwits, and Anthony Roche look at the various cinematic versions of the Robin Hood legend, each bringing their own take to what the outlaw from Sherwood Forest means.
Robin Hood’s adventures on the small screen are covered by James Bacon, Bonnie K. Jones, Michael A. Burstein, and Alissa Wales.
Tina L. Jens describes a vast array of cartoon depictions of Robin, not just by Disney, but featuring Tom & Jerry, Bugs Bunny, Daffy Duck, Popeye, and less famous characters.
Laura Frankos shares her love of musicals with an article about a popular operetta based on Robin Hood that debuted in 1891 and helped chart the path for the American musical theatre.
Yilin Wang, David Stein, and Chris Garcia explore historical outlaws who share traits with the Robin Hood of legend.
James returns for a look at the comic The Real Robin Hood and Steven discusses Parke Godwin’s decision to set his novel Sherwood during the immediate aftermath of the Norman Conquest.
And finally, Graeme Davis interviews Robin Hood, or at least Tim Pollard, who has been the official Robin Hood of Nottingham and is a co-founder of the International League of Legends.
All this can be found in the latest issue of Journey Planet, available for download.
By James Bacon: Octocon 2022, the Irish National SF convention, emerged from the pandemic to successfully present a hybrid event in a new venue and it went very well.
It was so nice to be home amongst fans in Dublin enjoying catching up, hearing about new projects, new works, new ideas all the time within easy reach of chairs and tables, relaxing with a pint and looking over the green of the pitch of the legendary Croke Park.
I had my nieces for some of the time on Saturday, kids could go free, so that was kind, and they got into the swing of things coming in cosplay and immediately joining the Lego session and making some fascinating space ships to a story. Octocon feels young, be it attendees or organisers. I am on the team but am possibly the oldest, and the energy and enthusiasm of the fans present while shared is great to see.
Younger engagement was a key aspect of the programme, kids and teens programme was highlighted, the youngest attendee was 15 months old, she was issued her own badge which was given to her parents for safekeeping while the youngest panelist was 12 years old, and was delighted to proudly wear her panelist ribbon.
Raissa Perez the Octocon chair who has successfully steered the team through three conventions, was visibly ecstatic to be in Croke Park, a venue she was familiar with. Raissa’s ability to pivot to virtual with a fabulous team saw Octocon grow its virtual presence with 600 online members last year and now to dynamically go hybrid demonstrated a skilful approach by all involved., requiring commitment and determination from all the volunteers as this further change brought fresh challenges.
Running a hybrid convention, in the sense that there was an online programme, streaming of programme in person and social space online, is without doubt very tasking on convention running teams. Here success was achieved well, the volunteers all working very hard, in person and online. The strengths of the online aspect was utilised bringing new guests to members while allowing those unable to travel to enjoy the range of discussions and a lively, amusing and educational watch party of Nosferatu also took place.
The venue was ample in size, the conference facilities seemed to work well for attendees and the Croke Park staff were welcoming, a workshop room, main programme, dealers, secondary programme, fan chats and ample socialising space with a bar ran on the same floor. As experience grows with the venue, I expect some aspects will be refined and adjusted to suit the convention, but there is ample space for expansion and growth.
As well as bringing us safely to Croke Park, Raissa helped bring back aspects of Octocon that had slipped away. Costuming had been a strong aspect of Octocons early years and it returned in strength this year with a dedicated Cosplay team and competition a surprisingly large amount of entries. Kids and juniors also got involved and it was impressive to see so many people looking fabulous.
This year’s guests of honour were Michael Carroll, Philippa and Helen Ryder. All three are fans, while Michael and Philippa have received much fame and respect for their professional writing. The three of them have been an integral part of Irish Fandom, conventions, publications, meetings, all fan activities that they have spent vast amounts of time and energy bringing to fruition. All three have worked and chaired Octocons.
This meant the History of Irish Fandom panel was definitely a history! Pippa could speak to the Irish contingent that went to the Brighton Worldccon in 1979 and the nature of the 1970’s Irish Science Fiction Association and the first SF conventions, ISFAcon in the Eighties. Legendary and Brian Nisbet were able to speak to gaming conventions, which mostly emanated from universities. Social Media is such that as this conversation was ongoing, a pal of mine, now lost to us, Mick O’Connor popped up as a memory at an Octocon ten years previous, such synchronicity.
The ISFA was a nexus for Irish fandom. The association itself had newsletters, fiction magazines, workshops, special events, art shows, and monthly meetings. I recall fondly Clive Barker doing a special interview meeting, and of course the Pub Quiz nights. The three guests on the panel were heavily involved in the association. Out of the ISFA Octocon was born, but so many fans who were members, or attended the monthly pub gatherings went on to do more, there was Timewarp a Star Trek Convention than ran twice in the nineties, Sproutlore, which went on to spawn five conventions of its own, Starbase ireland a Star Trek fanclub, Visicon, Nine P-Con’s, two Eurocons and a Worldcon. In actual fact one can trace a vast amount of Fan Activity back to the ISFA. .
Mention of course was made of Harry Harrison’s World SF writers conference in 1976 as well as a story about Harry Harrison at Trincon 1, the first of two SF cons at Trinity University. The 1992 Octocon with its 600 attendees was mentioned – boosted past the expected 200 members by the national broadcaster RTE giving coverage in its guide mentioning Star Trek offhandedly and encouraging fans along. Concept a more relaxed convention which was planned to be held at Celtworld in Wexford in 1993 and didn’t come to pass was explored.
History is very subjective, and fans will associate their own entry point strongly, and while the ISFA is without doubt a crucial point in history, it has been extant now for nearly twenty years, and in that time Anime Conventions and Comic Conventions have stormed forth with great success, gaming cons have been consistent while other more specialised events have been very successful as festivals have grown. Fanac.org got a mention as there is now quite a bit of Irish material there, and I think it was Helen Ryder suggested the ISFA makes a return. Brian Nisbet was an encyclopaedia of Irish gaming cons, there really wasn’t enough time, and in retrospect Raissa should have been on this panel to talk about the anime conventions, Eirtikon and Jcon which were impressive, though really a sequence of panels looking at each decade is probably very feasible.
Michael Carroll made mention of something though that is so vital, connecting with fans, and this is more important than ever, while the internet is amazing, one has to find conventions to get to them, he noted that he found the ISFA from a flyer in a shop, and I noted that Mick worked in Phantasia when I met him and others, Padraig in Dandelion books was another source of fans and this year Octocon had a wonderful window display in Hodges Figgis the week of the convention. We still need to reach out, to go to where fans will be, shops and libraries, and Comic Cons, where also this year a team from Octocon had a table.
I was sitting down the back, as one does with fellow previous Octocon Chair Maura McHugh and I said how interesting it is to see the little different recollections of the same thing with a bit at variance with my own memories.
Philippa and Helen Ryder had produced a fanzine Through Space and Time a personal journey in Irish Science Fiction, Part 1, 1970 – 90 and this was picked up eagerly by fans, and I understand soon to be available on efanzines.com and Fanac.
Maura McHugh had been on a panel about Irish Horror Films with Jon O Sullivan, amongst others from which I took some excellent recommendations. Dead Meat by Dubliner Eddie King seems to be the starting point of a new epoch of Irish Horror Films in 2006. Based on my notes, here were a list of films recommended, Dark Song, Grabbers, The Lodgers, Hole in the ground, Byzantium, Boys from County Hell, Mad God, Hellbender, You are not my mother and Sea Fever. Ygraine Hackett-Cantabranna who was also on the panel had written a Fangoria article earlier in the year which was the source of inspiration for the panel and I was pleased at how knowledgeable some of the panelists were.
I picked up The Elementals and Spyfunk, different anthologies as they had stories by Russell A. Smith stories which I was interested in reading, and Russell is a supporter and participant of Octocon and it was nice to be able to pick up his stories in these books. Spyfunk is an anthology of Spy Stories with characters who are from Africa or of African heritage and it’s a cracking selection edited by Milton J Davis. As well as Russell’s story, which I read first and was well impressed with, I thought Eugene Bacon’s story was quite wonderful with a fantastical element to it, but they were all quite quick reads which really delivered, entertaining while being fresh and fun. Russell’s story in The Elementals was a different prospect, set in London, it felt very real and very current, albeit with a magically abled protagonist, a young witch who is able to manipulate water and air and whose plans for a nice weekend gets complex both with real life problems, her cousin gets arrested and then the fantastical. A nice read, it feels very honest and genuine in its London setting, giving a strong sense of place and another quick read.
Overall, it was a smashing weekend. It was interesting to see how people adjusted to the return, with a total of 409 members, 283 people attended the convention in person, 49 of whom joined on the door, 185 members attended virtually and the programme was excellent, both online and in person. The con worked well. They sought support from Dublin and Fingal Libraries, Unesco City of Literature, Glasgow 2024 and Dublin 2019, and it was nice to see Libraries present where readers could actually borrow books.
Too soon it was over. Next year’s Octocon awaits a date confirmation, but fans are already signing up here.
Celebrating Rogue One, the stunning cover of the current issue of Journey Planet, is by Iain Clarke, one of two pieces that he has contributed to this issue.
Alissa Wales joins Christopher J. Garcia and James Bacon on this issue which looks at Rogue One with thoughtfulness and affection.
What is it about Jyn Erso that fans find so compelling?
A series of fans spend time thinking about Jyn and Rogue One. James Mason, Ann Gry, Ken Marsden and Noelle Ameijenda share their thoughts.
Art is provided by Micheal Carroll, Sara Felix, Colin Arthurs, while professional comic artists, Will Sliney, Ruarí Coleman and Keith Burns contribute thoughts on the film.
Amongst the many contributors, we hear from Victor D’Agostino II, Keith Perrin and David Ferguson.
This issue includes a data visualization by Phoenix, prints of which are being sold to raise money for the Royal British Legion Red Poppy Appeal — providing lifelong support to serving and ex-serving personnel and their families. https://www.phoenixdataart.com/rogue-one
Peppard Saltine takes an informed and reflective set of considerations into account regarding the filming, and asks some hard questions about what happened pre and post production. Their experience and insight in the film industry offer an interesting view.
(1) CHICON 8 MEMBERSHIP NUMBERS. Chicon 8 drew 3,574 warm bodies (494 at door). Another 947 watched at least one hour of virtual programming. There were ~6,500 total members of all types. (Numbers via KevinStandlee.)
(2) WORLDCON MASQUERADE PHOTOS. Chicon 8 posted a rich gallery of photos: “Masquerade! Astounding Faces on Parade!” Includes notes on the award winners, including Best in Show, Arwen’s Lament presented by Rae Lundquist and company. (Which also won “Excellence in Workmanship for Hobbit Feet”.)
(3) CLOSING CEREMONIES. Thanks to Kevin Standlee who encouraged me to run any of his posts and photos.
The 2023 Chengdu Worldcon leadership:
The Chengdu Worldcon committee singing to the Closing Ceremonies audience.
(4) HE WAS A WALKING WORLDCON HIGHLIGHT. Oghenechovwe Donald Ekpeki shared some general comments about being able to achieve his trip to Chicon 8, and the Hugo acceptance speech he didn’t get to give. Lots of photos, too! Thread starts here. (Full text of the speech is on Facebook.)
And there’s a photo of another heartwarming moment on Lezli Robyn’s Facebook page here of Ekpeki being “gifted an iPad and keyboard, for all the future masterpieces he will write.” Robyn added in comments, “It was not from us! But I was the messenger/organizer.” So I don’t know who gave it to him.
(5) CONGRATULATIONS, HUGO WINNER. When Cora Buhlert sent these photos of her Hugo outfit last night she was about to practice her speech again. Now we know – the extra rehearsal was worth it!
…In terms of the dozen copies statistic, I can’t evaluate it because it is unclear what it’s referring to. Fifty-eight thousand books is more books than PRH publishes in a given year, but far less than their entire backlist. Is 58k all new books published with an ISBN, including self-published books? Is it something else? I really don’t know and none of the publishing professionals I follow seem to know either. (Editing to add: Jane Friedman, who posted this number originally on Instagram, noted there was no source given in testimony. Friedman gives her own guess in the comments.)
In my experience, and with the data I’ve seen, most traditionally published novels that you see on bookstore shelves or reviewed in newspapers sell several hundred to a few thousand copies across formats. Many sell much more of course. I’ve seen some flops that sold only a couple hundred. And of course not all traditionally published novels appear in bookstores or reviewed in newspapers. Is it possible someone has published a Big 5 novel that sold only 12 copies over its lifetime? I suppose. But I don’t think it’s 5% much less 50%!…
Creative writing can be a lonely business. As writers, we inhabit whole worlds and characters that live only in our heads for days or years, as we deposit them on the page. This is particularly true for speculative fiction – an umbrella genre of stories that involve supernatural or futuristic elements, or settings that are not the real world.
Because writers use the same settings, characters and concepts of the shared world in a connected way, they are in conversation with each other, as a community in the act of creation.
As a speculative fiction author from Africa, where recognition for the genre is growing and community is an important part of the culture, I’ve long wanted to be able to do this with my contemporaries – create together. Not only with other African authors but with the greater African diaspora.
That’s why, working with Fabrice Guerrier, a Haitian-American author and founder of Syllble, a production house based in Los Angeles, and the Nigeria-based magazine Brittle Paper, I sought out a group of like-minded volunteer authors from five African countries to form the Sauúti Collective.
Together we have created Sauúti – a unique shared world for and by Africans and the African diaspora….
(8) MEMORY LANE.
1967 – [By Cat Eldridge.] Alan Garner’s The Owl Service (1967)
It all begins with the scratching in the ceiling. From the moment Alison discovers the dinner service in the attic, with its curious pattern of floral owls, a chain of events is set in progress that is to affect everybody’s lives. — Alan Garner’s The Own Service
Yes, I do have favorite novels as you already know and Alan Garner’s The Owl Service which came out fifty-five years ago is one of them. I think of it as an Autumnal work so it being September, I decided to take a look at it. So here we are.
The Owl Service is supposedly a young adult novel, however, it is much, much more than that. Set in modern Wales, it is an adaptation of the story of the Welsh myth concerning the woman Blodeuwed who becomes an owl — equally made of feathers and claws. It was, as Garner has said, an “expression of that myth”.
In his version, three teenagers visiting a Welsh estate find themselves re-enacting the story by the two boys both being bitter rivals for the girl who came with them to the estate. They awaken the legend by finding a dinner service with an owl pattern, hence the title of the novel.
It is a novel filled with myth come to life with characters, both the children and the adults, being fully realized. It wasn’t his first novel as he’d written three novels previously (The Weirdstone of Brisingamen, The Moon of Gomrath and Elidor) but of all works he’s done, it’s my favorite still. It’s not his most complex, that honor goes to Boneland which is a sequel to The Weirdstone of Brisingamen and The Moon of Gomrath.
The Owl Service was made into a Granada Television series in 1969. If you live in the U.K., it’s available on DVD. It was BBC Radio 4 series in 2000.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 5, 1914 — Stuart Freeborn. If you’ve seen Yoda, and of course you have, this is the man who designed it, partly based on his own face. Besides being the makeup supervisor and creature design on the original Star Wars trilogy, he did makeup on The Omen, Dr. Strangelove, 2001: A Space Odyssey and all four of the Christopher Reeve-fronted Superman films. (Died 2013.)
Born September 5, 1936 — Rhae Andrece and Alyce Andrece. They played twin androids in I, Mudd, a classic Trek episode. (And really their only significant role.) Both appeared as policewomen in “Nora Clavicle and the Ladies’ Crime Club” on Batman. That’s their only genre other appearance. They appeared together in the same seven shows. (Died 2009 and 2005, respectively.)
Born September 5, 1939 — George Lazenby, 83. He is best remembered for being James Bond in On Her Majesty’s Secret Service. Genre wise, he also played Jor-El on Superboy and was a Bond like character named JB in the Return of the Man from U.N.C.L.E. film.
Born September 5, 1940 — Raquel Welch, 82. Fantastic Voyage was her first genre film, and her second was One Million Years B.C. (well, it wasn’t exactly a documentary) where she starred in a leather bikini, both released in 1966. She was charming in The Three Musketeers and The Four Musketeers. She has one-offs in Bewitched, Sabrina the Teenage Witch, The Muppet Show, Lois & Clark: The New Adventures of Superman, Happily Ever After: Fairy Tales for Every Child and Mork & Mindy.
Born September 5, 1946 — Freddie Mercury. Now you know who he was and you’re saying that you don’t remember any genre roles by him. Well there weren’t alas. Oh, Queen had one magnificent role in the 1980 Flash Gordon film starring Sam J. Jones, a film that has a seventy percent rating among audience reviewers at Rotten Tomatoes. But I digress as only cats can do. (Prrrr.) Queen provided the musical score featuring orchestral sections by Howard Blake. Most of Blake’s score was not used. Freddie also composed the music for the first Highlander film. And Freddie was a very serious SJW. He cared for at least ten cats throughout his life, including Delilah, Dorothy, Goliath, Jerry, Lily, Miko, Oscar, Romeo, Tiffany and Tom. He was adamantly against the inbreeding of cats and all of them except for Lily and Tiffany, both given to him as gifts, were adopted from the Blue Cross. (Died 1991.)
Born September 5, 1964 — Stephen Greenhorn, 58. Scriptwriter who has written two episodes for Doctor Who: “The Lazarus Experiment” and “The Doctor’s Daughter”, both Tenth Doctor stories. He wrote one episode of Around the World in 80 Days, reuniting him with David Tennant. He also wrote Marchlands, a supernatural series with Doctor Who’s Alex Kingston
Born September 5, 1973 — Rose McGowan, 49. Best known as Paige Matthews on Charmed. She played two different roles in the Grindhouse franchise, Cherry Darling in Planet Terror and Pam in Death Proof. She was Miss Kitty in Monkeybone, a very weird film indeed.
It’s hard to know exactly what to make of The Lord of the Rings: The Rings of Power so far, for several reasons. The series has veered wildly in quality, with its second episode a vast improvement on its stunning but directionless pilot. It’s hard, too, to crosscheck with the source material, given that the entire shebang is cobbled together from a bunch of Tolkien’s appendices.
But the main reason why it’s difficult to form a consensus is the internet. Even more so than usual, it is being especially internetty about The Rings of Power, churning up no end of controversies about it in service to the discourse. Here’s a quick compendium of what we’ve all endured so far….
(13) HUGO LOSERS TROPHY. Camestros Felapton had an artificial intelligence art program help him gin up a trophy for those who didn’t win last night. Image at the link. “For those who need it today”.
(14) PHOTOS FROM JAMES BACON’S PRESENTATION AT CHICON 8. Including the badge ribbons distributed to support Ukraine fandom.
[Thanks to Andrew Porter, Chris Barkley, Michael Toman, Rob Thornton, Nancy Sauer, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
(3) PAWS FOR GENRE. [Item by Daniel Dern.] Over on a mailing list, a (so far) brief discussion of “grinning like a Cheshire cat” came up.
In the 150th anniversary version of The Annotated Alice, a page-and-a-half comment discussion on this starts on page 73. (Other CC-related annotations show up a few pages later.) (If you’ve got the original hardcover Annotated Alice, from 1960, like the one I won at summer camp either in 1962 or 1963, there’s a much shorter annotation comment on page 83.)
“The term grin like a Cheshire cat predates the publication of Alice’s Adventures in Wonderland by at least seventy-five years, if not longer”
along with this suggestion/explanation for the idiom:
“Cheshire is a county in England that is known for its milk and cheese products, surely a reason for Cheshire cats to smile….The most intriguing story may be that at one time a cheese was manufactured in Cheshire county that was shaped like a cat. The cheese was eaten from tail to head, leaving the cat’s smile as the last part of the cheese to be consumed”
“the phrase crops up in English literature as early as 1788, where it appears an entry in a sort of slang dictionary of the time, Francis Grose’s A Classical Dictionary of the Vulgar Tongue.”
Playlist/Lagniappe: And here’s Sammy Davis Jr, who voiced The Cheshire Cat in the 1966 Hanna Barbara ABC-TV animated movie, singing “What’s A Nice Kid Like You Doing In A Place Like This?”
(4) PUBLISHER REBRANDS. Tom Doherty Associates has rebranded itself Tor Publishing Group, effective immediately. Tor president and publisher Devi Pillai said in the announcement, “Although the Tor name has always been associated with science fiction and fantasy, our list has included titles beyond that genre since our inception. With this name change and continued growth, the Tor name will now stand for quality in various types of genre publishing, with each imprint representing a distinct voice.” “Tom Doherty Associates Is Now Tor Publishing Group” at Tor.com.
(5) ALAMAT. [Item by Chris Garcia.] We here at Journey Planet have been working hard as we barrel towards Worldcon where many of us will be seeing one another for the first time since 2019-ish. Chris and James are joined by 2022 Hugo nominees Jean Martin and Chuck Serface for an issue looking at Filipino myth, legend, and folklore, alamat in Tagalog.
Jean provides an excellent introduction to the zine and her journey into myth and legend, and writers Pat M. Yulo, Karl Gaverza, Claire Mercado-Obias, Gerard Galo, Jimuel Villarosa Miraber, and James Bacon provide fine words on the subject.
Art from Franz Lim, Diana Padullo, Leandro Geniston, Clair Mercado-Obias, Alfred Ismael Galaroza, and Jimuel Villarosa Mirabar is also joined by a couple of pieces from the AI art-generator DALL*E 2, and graphic design elements from Chris’ 1960s airline menu collection!
(6) ATOMIC PILES. First Fandom Experience’s latest post in support of the “1946 Project” at Chicon 8 is “The Fan Cave, c1940s”. They’ve reproduced “narrative tours” of the dedicated fan spaces created by Bob Tucker, Harry Warner Jr., and Ron Holmes.
The “experience” component of “First Fandom Experience” conveys our desire to capture what it was like to be an early fan. To date we’ve dedicated the most space to fannish interactions — clubs, correspondence, conventions, conflicts. But fans spent most of their time at home. Those fortunate enough to have even a semi-permanent residence literally papered their walls with the accumulated evidence of their devotion to science fiction….
Welcome to the first, free-to-read Sunday Morning Transport story for August: science fiction from Michael Swanwick. Concise and epic, “The Warm Equations,” explores a different side of the choices we may make in space. ~ Fran Wilde, August 7, 2022.
(8) PRINCE AND REPRINTS. Jason Sanford has written a follow-up Twitter thread about the SF Insiders post commenting on Best Editor Short Form finalist Oghenechovwe Donald Ekpeki (who they ranked last) and the merits of reprint anthology work. The thread starts here.
Jeff VanderMeer also drew on his experience in a comment to Sanford:
“The Orville” honored Norm Macdonald in a tribute video posted Friday showcasing the late comedian and actor’s moments on the show as lovable Gelatin Lieutenant Yaphit….
(10) OLIVIA NEWTON-JOHN (1948-2022). Actress and singer Olivia Newton-John died August 8 at the age of 73. Her husband made the announcement on Facebook. Her genre credits include the movies Xanadu and Sharknado 5: Global Swarming.
(11) MEMORY LANE.
2009 – [By Cat Eldridge.]Ravens in the Library: Magic in the Bard’s Name (2009)
I get a lot of personally signed books and Ravens in The Library showed up in the post some thirteen years ago with a note asking if Green Man would review it. I already knew of SJ Tucker, a singer-songwriter who does a lot of filk, sort of filk and of course straight singer-songwriter material. You can hear her doing Catherynne Valente’s “A Girl in The Garden” here, riffing The Orphan’s Garden as she gave it to Green Man.
She also writes children’s books and we reviewed one here, Rabbit’s Song, she wrote with Trudy Herring.
Sadly she got a severe illness starting in 2008 caused her to have a very long hospital stay and related surgery, and left her to recover under the weight of massive medical bills. As you well know, independent musicians don’t have deep pockets, so her friends launched a number of projects to generate the needed monies.
So what did they do? Well the most successful project is sitting on my desk, The Ravens in the Library anthology. Three hundred and seventy pages of ballads, poems, songs and stories amply illustrated by far too many stellar artists too note here. The great cover which you can see below is James A. Owen
The writers here are, well, let’s just say I was gobsmacked. Charles de Lint, and Terri Winding, and Neil Gaiman. Ari Berk usually known for his illustrations does a story too, as does Catherynne Valente, Holly Black, and, of course, S.J. Tucker contribute excellent work too. It would be wrong to overlook the work by writers that I’ve never heard of, most likely from the fan community, who are just as great.
So how successful was it? This anthology in less than a week paid off all of her considerable medical bills. Very impressive!
I’d be remiss not to mention the excellent editing work of Phil Brucato and Sandra Buskirk.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 8, 1905 — Reginald Lal Singh. Indian-born actor. He portrayed Captain Chandra in Star Trek’s “Court Martial”. He can also be seen by use of archival footage from The Day the Earth Stood Still in the Star Trek: Strange New Worlds’ “Strange New Worlds” episode. He was a military officer in the fifties War of the Worlds. (Died 1970.)
Born August 8, 1919 — Dino De Laurentiis. Responsible for the first Dune obviously (it’s odd to have to state that it’s the first Dune, for decades there was only one) but less obviously also a lot of other genre including two Conan films, Flash Gordon, King Kong, Halloween II and Halloween III, Dead Zone and The Last Legion. His company even made Army of Darkness! (Died 2010.)
Born August 8, 1920 — Jack Speer. He is without doubt one of the founders of fandom and perhaps the first true fan historian having written Up to Now: A History of Science Fiction Fandom covering up to 1939 as well as the first Fancyclopedia in 1944. Filking and costume parties are also widely credited to him as well. Mike has a proper remembrance here. (Died 2008.)
Born August 8, 1930 — Terry Nation. Best known as scriptwriter for Doctor Who and creator of the Daleks. He later created Blake’s 7. He would also write scripts for Department S, The Avengers,The Champions and MacGyver. He both Davros and the Daleks on Who. He died from emphysema in Los Angeles aged 66, as he working with actor Paul Darrow who played Kerr Avon on Blake’s 7 in an attempt to revive that series. (Died 1997.)
Born August 8, 1935 — Donald P. Bellisario, 87. His genre shows include Tales of the Gold Monkey, Airwolf, Magnum P.I. (according to some of you) and of course that truly amazing show Quantum Leap. He was a writer and producer on the original Battlestar Galactica.
Born August 8, 1937 — Dustin Hoffman, 85. Ahhh Captian Hook, the man who got figuratively swallowed by the vast crocodile in Hook. Yeah I like that film a lot. But then I like the novel very much, too. By no means his only genre appearance as he was Mumbles, Caprice’s fast-talking henchman in Dick Tracy (a film I actually find rather odd), Mr. Edward Magorium in Mr. Magorium’s Wonder Emporium and the voice of Master Shifu in Kung Fu Panda.
Born August 8, 1961 — Timothy P. Szczesuil, 61. Boston-based con-running fan who chaired Boskone 33 and Boskone 53. He’s also edited or co-edited several books for NESFA, Strange Days: Fabulous Journeys with Gardner Dozois and His Share of Glory: The Complete Short Science Fiction of C. M. Kornbluth.
Born August 8, 1987 — Katie Leung, 35. She played Cho Chang, the first love interest for Harry in the Potter film series. Her only other genre appearance to date is as Dou Ti in Snow in Midsummer at the Swan Theatre, Stratford-upon-Avon. Dou E Yuan, often also translated as The Injustice to Dou E, is a Chinese play written by Guan Hanqing (c. 1241–1320) during the Yuan dynasty with serious bloody magic realism in it. End of your history lesson.
(13) COMICS SECTION.
Breaking Cat Newsran a series where the cats play an RPG. The first post is on June 20 and it runs through July 9.
…Now, Rolling Stone Australia reports that another DC superhero movie is dead, this time, it is Supergirl who will fly no more.
…insiders at Warner Bros. have also said the currently in-development Supergirl film is next to be canceled. The film was planned as a spin-off from the upcoming The Flash, starring Ezra Miller. Supergirl is set to be introduced in The Flash when it is released in 2023, with actress Sasha Calle portraying the blue-suited heroine.
It should come as no surprise that Supergirl is the next DC superhero project to be retired by the newly cutthroat Warner Bros. Discovery regime and it is likely that it has nothing to do with Batgirl. So far, The Flash has constantly been suffering bad press thanks to its lead actor Ezra Miller. Miller has been embroiled in several criminal charges and allegations over the past year and Warner Bros. has already stated the actor no longer has a future in the DC franchise beyond The Flash. With Miller out of the picture, it is safe to assume any spin-offs related to their lead role will follow suit. It’s worth mentioning that Michael Keaton’s return as Batman in The Flash was also set to be complemented by his appearance as the iconic character in Batgirl….
First, to the many nervous fans of The Sandman among you:
Relax. They nailed it.
Yeah, it took forever, and a slew of assorted aborted attempts, but the Netflix adaptation of the landmark comic book series just … works.
It succeeds as a faithful presentation of the look, feel and story of the Lord of Dreams as presented in the comics, which was written by Neil Gaiman, with art by Sam Kieth, Mike Dringenberg and many other pencilers and inkers over the years.
Far more importantly, however, it succeeds as a work of adaptation.
Where recent audiobook versions strictly adhered to every infinitesimal detail of the 1989-1995 comic run (and as a result ended up feeling both dated and overwritten), the Netflix series’ grip on the source text is gratifyingly looser. It breathes.
Changes, big and small, have been made to characters and storylines that streamline, update and focus the narrative, now honed to fit the specific propulsive demands of serialized television….
…Those elements started with the Bridge, which already made its debut during the second season of “Star Trek: Discovery.” But now that Pike’s Enterprise was getting its own show — one that will hopefully (and boldly) go the distance with a five-year mission — that called for significant revisions to the nerve center of the Enterprise.
“We’ve taken the set that we’ve inherited, but we did a great deal of work,” Lee said. “[Executive Producer] Akiva Goldsman briefed me to bring it back to ‘The Original Series.’ We had to move things around a little bit. We moved the captain’s chair around so that Captain Pike could throw a look to helm and navigations really easily, and that would work with the camera.” And since the viewscreen that was seen in “Discovery” was depicted using visual effects, a physical representation of the viewscreen was designed and added to the Bridge set for “Strange New Worlds.”
Lee also changed the color language from the “Discovery” version of the Enterprise. “It was quite cool with blues and greens and cool yellows. I said, the Bridge must feel warmer, particularly the motion graphics on all the monitors. When you see the before and after, it’s pretty dramatically different, but it’s much more intimate, and it feels more like our show.”
Growing up in Fairhope, Alabama, in the mid-20th century, Gregory Benford engaged in more than his share of character-building employment. In sun-parched farm fields, he chopped sugar cane and bagged potatoes. On shrimping and fishing boats operating out of Mobile Bay, he hauled in nets laden with the ocean’s produce.
Those years of toil on the land and water planted a seed in Benford’s young brain that would, decades later, sprout into CROPS, a nascent commercial enterprise he co-founded that may prove to be one of the most practicable and effective approaches to solving climate change ever devised.
Crops Residue Oceanic Permanent Sequestration is a method of atmospheric carbon dioxide removal that’s simple, straightforward and globally scalable. It relies on the seasonally regulated natural processes of our planet combined with readily available farm labor and unremarkable, centuries-old equipment such as baling wire, trucks and barges. Essentially, CROPS involves bundling agricultural waste into half-ton cubes and transporting them out to the deep sea, where gravity will take them to the ocean floor. Here, the carbon that was once in the air will sit unperturbed for millennia…
…Jane Rigby patiently walked me through what the Webb can and can’t do. One thing I learned: Even a million miles from Earth, with that sun shield providing the equivalent of SPF 1 million, the Webb isn’t in total darkness. The heavens glow in the infrared part of the spectrum because of sunlight bouncing off dust.
“It’s our stupid solar system,” Rigby said. “It’s the zodiacal cloud. It’s the light from our own solar system. We’re stuck in our solar system, and we can’t get out of it.”
The Webb probably won’t be able to see the very first stars, she said, “unless they’re kind enough to blow up for us.” But already, the Webb has detected a galaxy that emitted its light just 300 million years after the big bang — easily a record. The instruments on the telescope can do spectroscopy on that light to see what elements are present….
(19) STATE OF THE ART! ATARI 800. Paul Daniels discuses how he programmed an Atari 800 to create a computer game in this 1983 clip from the BBC that dropped today.
“The massive problem with all of this is that it’s not written for ordinary people, and it’s a shame. The magazines and the manuals are completely non-understandable, it’s gobbledygook.” – Paul Daniels Micro Live takes a trip to Blackpool, where magician, presenter and self-taught computer programmer Paul Daniels is hard at work coding his first computer game – Paul Daniels’ Magic Adventure – on the Atari 800. Will you like it? Daniels feels that the unnatural language surrounding computers and their associated literature is a huge barrier to entry for many potential users.
(20) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] Emory Allen asks, “What if you could change your head as easily as you change your clothes? “Detached”.
[Thanks to JJ, John King Tarpinian, Andrew Porter, Chris Barkley, Soon Lee, Cath Jackel, Arnie Fenner, Daniel Dern, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Camestros Felapton.]
By James Bacon: Join the Journey Planet team as they look at the art of Erró, Iceland’s most famous Avant Garde artist, but are challenged by re-use, copying and the ongoing conflict created by pop-artists and their supporters as they paint over comic artist signatures. A behaviour as old as the movement itself.
Does Erró’s art really speak when he fights against war? Was the experience of living through Britain invading Iceland and a military occupation by the allies of his peaceful non belligerent home, during the Second World War an enduring and formative one?
Are we as ignorant of Erró and Iceland’s occupation as curators are of the original ‘source’ of the art he utilizes, or do we prefer to ignore it all.
Are original artists now being recognized?
Is this now changing thanks to Brian Bolland, whose open letter the team reprints, or is it worse than ever as they consider the appalling response of Glenn Brown who copied Chris Foss in the name of fine art.
In this intense consideration of the work of an artist, copyright and appropriation of comic art is discussed. The team ask of themselves and the reader, what’s going on with our love of the image and try to figure out the conflict, the joy of comic imagery writ large crashing into the reflected reality of a failure to be original or worse steal from another.
Is that the western capitalist way, written to suit themselves into law that legitimizes and profits from it, regardless of the original artist?
Meanwhile we look ownership of a work, copyright per se, but a much older starting point than one night expect.
By James Bacon: “Fight With Art” is an exhibition of Ukrainian Contemporary Art created under exceptional circumstances taking place now in Kraków at the Manggha Museum until April 30.
We reached out to curator Artur Wabik to learn more of this topical exhibition:
“The War in Ukraine affects the entirety of Europe and European people, including artists, curators, and other workers in the cultural sector. While providing shelter to refugees, and sending food and supplies to the fighters, we must not forget that our first language of expression is culture and art. With this strong foundation, we can fight today for truth and peace. Culture is the arbiter of civil society, it prevents us from sliding into the arms of brash propaganda and naked aggression.
“This is perfectly understood by the artists from Ukraine, who have been involved in building a civil society since 2014, creating works that comment on the current political and social situation. Many of them arise in opposition to Russian disinformation. Perhaps that is why they eagerly use popular, concise art forms, such as murals, stencils, posters, or comics.
“This War that now engulfs Ukraine meant that many of these artists had to put away their pencils and paintbrushes and reach for real weapons. One of them is street art artist, Dima Fatum, whose illustration, which is the leitmotif of the exhibition, was created a few days ago in the bombed Kharkiv. Others emigrated to Poland, where they started cooperation with the local artistic community and formed new friendships.
“It is our duty to give a voice to artists from Ukraine and to create a platform for the presentation of their works. Both those created at the front and those created in exile, Ukrainian contemporary art, and its creators need our support more than ever. We give selflessly, remembering that once Polish artists also received shelter and support from greater Europe. Today, we honor an old debt and we will pay and pay it forward, and persevere.
“Fight With Art is a living, experimental exhibition that will change. As life has now unexpectedly changed because of the war in Ukraine.”
The exhibition was opened on Monday, April 4, and there are some meetings planned with the Ukrainian artists and art critics who are already in Kraków. There is also a desire to launch an online auction of selected works.
The exhibition is presented as part of FestivALT in cooperation with the Muzeum Komiksu and the Muzeum Sztuki i Techniki Japo?skiej Manggha at the Manggha Museum – Marri Konopnickiej 26, Krakow, Poland.
Artur Wabik adds, “Some artists hid their works to protect their art from the war and they agreed to transport their works to Lviv and from there to Krakow in order to make them available to a wider audience, others sent us the materials in electronic form to be printed in Krakow. Others are Ukrainian artists currently living in Poland. We want help Ukrainian artists fight with their art!”