When I found out you can be Mayor of Hell, Michigan, for the day, my reaction was obviously: Hell yes. So consider this a celebration of the Match Made in Hell books being out in the world — with the @lexwritersroom fire happening the week before The Date from Hell released, I feel like I didn’t do enough to get the word out about it. So consider this ridiculous fun your excuse to go buy either or both the books and/or leave reviews somewhere if you enjoy them. Meanwhile, the Mayor must do some writing!
…Her novel, Stranger Things: Suspicious Minds, evolved to tell the story of Terry Ives, the mother of Eleven, a protagonist in the Netflix series. Suspicious Minds focuses on the backstory behind why Terry became involved in the experiment with Dr. Brenner, the show’s main antagonist….
Returning to Hell, Michigan for a moment – the questionnaire on their reservation page shows how open-minded those folks truly are. They ask —
Is our upcoming Mayor:
An Animal (dog, cat, lizard, etc.)
A Nonhuman (sock, stuffie, door knob, etc.)
(2) FACE-TO-FACE AT LAST. Asimov’s editor Sheila Williams’ editorial in the current Issue provides much more detail – and photos – about the 2020, 2021, and 2022 Dell Magazines Award winners. (See File 770’s report of the 2022 winner here.)
…After two years of Zoom ceremonies, It was a delight and a relief that the Dell Magazines Award for Undergraduate Excellence in Science Fiction and Fantasy Writing could once again be presented in sunny Orlando, Florida, at the annual International Conference for the Fantastic in the Arts (ICFA). The award, which is co-sponsored by Dell Magazines and the International Association for Fantastic in the Arts, and supported by Western Colorado University’s Graduate Program in Creative Writing…
The finalists [who were able to attend IAFA] dined with returning Dell Award finalists Rich Larson, Kay Chronister, and Eleanor Griggs, as well as Joe and Gay Haldeman, Nick Wolven, Alan and Karen Smale, Gregory Norman Bossert, Stephen R. Donaldson, James Patrick Kelly, Suzanne Palmer, Walter Jon Williams, and editor/publisher Jacob Weisman.
(3) TOLKIEN’S ORIGIN STORY. John Garth told Facebook readers he’d received his contributor copy of The Great Tales Never End: Essays in Memory of Christopher Tolkien, edited by Richard Ovenden and Catherine McIlwaine for Bodleian Publishing. To be released June 24, the book’s other contributors include the late Priscilla Tolkien, Vincent Ferré, Verlyn Flieger, Wayne G. Hammond and Christina Scull, Carl F. Hostetter, Stuart Lee, Tom Shippey and Brian Sibley.
Garth also shared a page from his own contribution, “The Chronology of Creation: How J.R.R. Tolkien misremembered the beginnings of his mythology”, which “establishes that he wrote his creation myth, The Music of the Ainur, in 1917 during recovery from the Battle of the Somme – two years before we thought.”
(4) PEEVED. Amanda S. Green tells Mad Genius Club readers “Rules are made to be broken” – or at least, not all advice about how to “win” at NaNoWriMo deserves to be followed.
… So, what had me reacting so strongly? It was one of those articles where “real writers” are asked for advice for those of us who struggle to finish writing projects. At least that’s the way the promo for the article is framed. But it really comes down to asking why less than 17% of writers who sign up for NaNoWriMo actually finish the challenge and what those 83% who fail to finish should do.
The first piece of “advice” give is to create “a comprehensive outline before you start writing.”
Look at that again. Not only are you supposed to outline your book but you are supposed to write a “comprehensive outline”. Forget the fact you might be a pantser. Forget the fact that you might do a one-five chapter general outline, staying ahead of where you currently are on the project. Oh no, you MUST write a comprehensive outline before you even start writing the book….
(5) TO INFINITY. Chris Evans, who voices the lead role in Lightyear, an animated Pixar movie that features a female space ranger who marries another woman, does his best to tell homophobic critics of the movie to kiss off in this Reuters interview.
“The real truth is those people are idiots,” Evans said in an interview with Reuters Television ahead of the debut of “Lightyear”…
“Every time there’s been social advancement as we wake up, the American story, the human story is one of constant social awakening and growth and that’s what makes us good,” he added.
…”There’s always going to be people who are afraid and unaware and trying to hold on to what was before. But those people die off like dinosaurs,” Evans said. “I think the goal is to pay them no mind, march forward and embrace the growth that makes us human.”
…”Lightyear” was banned in the United Arab Emirates because it depicts homosexuality, and Disney has been unable to secure permission to show the movie in 13 other Middle Eastern and Asian countries.
How accurate is Hollywood when it comes to depicting dinosaurs on the big screen? Paleontologist Mark Loewen reviews dinosaur scenes from films including Jurassic Park, The Lost World: Jurassic Park, Jurassic World, Jurassic World: Fallen Kingdom, Land Of The Lost, King Kong, Night at the Museum, and more.
(7) SASA NEUMAN (1952-2022). LASFS member Sasa Neuman died Monday, June 13 of a heart attack. Craig Miller who knew him since high school, wrote a tribute on Facebook.
Neuman joined LASFS in 1982 but I know he was networked with fans earlier than that because the 30 gallons of ice cream we served at the 1978 Westercone Ice Cream Social came from his Baskin Robbins franchise.
1955 – [By Cat Eldridge.] Sixty-seven years ago this day, This Island Earth went into general circulation in the United States, five days after it premiered in New York.
It was produced by William Alland, and directed by Joseph M. Newman and Jack Arnold. It was written by Franklin Coen and Edward G. O’Callaghan as based on the novel by Raymond F. Jones, first published in Thrilling Wonder Stories as three separate novelettes, “The Alien Machine” in the June 1949 issue, “The Shroud of Secrecy” in the December 1949 issue, and “The Greater Conflict” in the February 1950 issue.
The primary cast was Jeff Morrow as Exeter Faith, Domergue as Ruth Adams, Rex Reason as Cal Meacham, Lance Fuller as Brack and Russell Johnson as Steve Carlson. The last of course will be will known later as the Professor on Gilligan’s Island.
It was made at a cost of around eight hundred thousand and made at least one point eight million in its first run.
Critics in general loved it, it did very well at the box office but currently the audience reviewers at Rotten Tomatoes give it a not so great forty-four percent rating.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born June 15, 1910 — Harold Lawlor. April 1942 saw “The Eternal Priestess” published in Fantastic Adventures, his first sale. His first story for Weird Tales was “Specter in the Steel”, May 1943. Over the next decade, twenty-nine stories by him would appear in Weird Tales. Alas I don’t believe his stories were ever collected and published. If I’m wrong, please do tell me. (Died 1992.)
Born June 15, 1939 — Brian Jacques. British author who surprisingly is not on the ISFDB list today. Writer of the exceedingly popular Redwall series of novels (I read a few of them, they’re excellent) and also of the Castaways of the Flying Dutchman series. He also wrote two collections of Alan Garner style fiction, Seven Strange and Ghostly Tales and The Ribbajack & Other Curious Yarns. (Died 2011.)
Born June 15, 1941 — Neal Adams. Comic book artist who worked for both DC and Marvel. Among his achievements was the creation with writer Dennis O’Neil of Ra’s al Ghul. I’m a DC fan so I can’t speak for his work on Marvel but he did amazing work on Deadman, Batman, Green Lantern and Green Arrow. All of this work is now available on the DC Universe app. It should be noted he was instrumental in the efforts that resulted in Superman creators Jerry Siegel and Joe Shuster receiving long overdue credit and financial remuneration from DC. (Died 2022.)
Born June 15, 1942 — Sondra Marshak, 80. Author of multiple Trek novels including The Price of the Phoenix and The Fate of the Phoenix, both co-written with Myrna Culbreath. She also wrote, again with Myrna Culbreath, Shatner: Where No Man…: The Authorized Biography of William Shatner which of course naturally lists Shatner as the third co-author. She also co-wrote the fandom reference book Star Trek Lives! with Jacqueline Lichtenberg and television producer Joan Winston. She was an important early promoter of Star Trek fan culture, and a publisher of fan fiction.
Born June 15, 1951 — Kirstie Alley, 71. She’s here for being Saavik on Star Trek II: The Wrath of Khan, her very first film. It was, errr, interesting reading the various rumors why this was her only Trek film. Her SFF experience otherwise was brief limited to being an uncredited handmaiden on Quark, and being in the Village of the Damned as Dr. Susan Verner.
Born June 15, 1960 — Sabrina Vourvoulias, 62. Thai-born author, an American citizen from birth brought up in Guatemala, but here since her teens. Her novel, Ink, deals with immigrants who are tattooed with biometric implants that are used to keep track of them no matter where they are. The Readercon 25 panel she was on, “East, West and Everything Between: A Roundtable on [email protected] Speculative Fiction” is available from the usual suspects as is all of her fiction.
Born June 15, 1960 — William Snow, 62. He is best remembered as Lord John Roxton on Sir Arthur Conan Doyle’s The Lost World. (Yes, that’s it’s official title.) He also had the lead as David Grief on the Australian series Tales of the South Seas which had Rachel Blakey from Sir Arthur Conan Doyle’s The Lost World as Isabelle Reed. It was definitely genre.
(11) COMICS SECTION.
Funky Winkerbean hasn’t suddenly gone genre, however, I can imagine fans having this conversation.
(12) NEW SERIES. [Item by N.] Scavengers Reign is on its way from HBO Max.
Looks like this short was the original pilot, or proof-of-concept.
…Matilda is the story of a clever little girl surrounded by idiot adults. School is no better than home; at school, she has to contend with Trunchbull, a nightmare headmistress who basically tortures students. Smart, bookish Matilda has only her teacher, Miss Honey, for support—until she discovers she has a way to fight back.
In 1996, the novel was adapted into a film starring Mara Wilson as an iconic Matilda and Danny DeVito as Mr. Wormwood. The musical debuted in 2010, and arrived on Broadway in 2013. The trailer for this new version is full of tiny children singing about being revolting, which makes me love them all; I wish to watch this film immediately….
It’s officially James Beard Award season: Today, the Foundation announced the first winners of 2022. As in years past, six long-tenured restaurants have been named “America’s Classics.” Per the Foundation, the award “is given to locally owned restaurants that have timeless appeal and are beloved regionally for quality food that reflects the character of its community.” Over 100 restaurants have won the award…and winners tend not to receive other nominations for Beard Awards.…
Award-winning illustrator Dave McKean provides the collection’s 142 original hand-drawn illustrations, as well as startling cover designs for each book and an exclusive art print of iconic villain Steerpike. Eschewing the traditionally gloomy and gothic, McKean’s concept has been inspired by the Gormenghast trilogy’s often overlooked sense of passion and colour. His renditions of Peake’s cast – from the enigmatic Countess Groan to the spidery manservant Flay – seethe with life and feeling, capturing the often stark surrealism of each book. Dave McKean has also created the hypnotic maze design that envelops the hinged collection case, bound in stone-grey Dubletta cloth and blocked in crimson metallic foil with the title screen-printed in black ink. Opening the case itself releases a burst of corvids silhouetted against the sky in silver ink.
[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, N., Jan Vaněk jr, Steven H Silver, Daniel Dern, Aaron Pound, Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Steve “Clueful” Davidson.]
(1) SPEAK FRIEND. Guy Gavriel Kay will deliver the 2021 J.R.R. Tolkien Lecture on Fantasy Literature, an annual lecture on fantasy literature held at Pembroke College, Oxford. The digital lecture will take place on Tuesday, May 11th, 6 PM BST (1 PM ET).
Kay has published fourteen novels which have been translated into 30 languages and have appeared on bestseller lists around the world. He is also the author of the poetry collection, Beyond This Dark House. His most recent work is A Brightness Long Ago.
Before beginning his career as a novelist, Kay was retained by the Estate of J.R.R. Tolkien to assist in the editorial construction of The Silmarillion, the first and best-known of the posthumously published Tolkien works. Called to the Bar of Ontario in 1980, he has also been principal writer and associate producer for the CBC’s award-winning crime-drama series, The Scales of Justice.
The pair, who played hobbits Merry and Pippin inThe Lord of the Rings, are launching a podcast about the hit film franchise.
The duo are launching The Friendship Onion with podcast producer Kast Media and the series will premiere on May 18. They will bring banter, stories and comedy to the podcasting space, each week digging into the latest in pop culture, put fans’ Lord of the Rings knowledge to the test, reveal exclusive stories from filming and maybe even welcome surprise drop-ins from famous faces.
Monaghan, who is also known for his role on Lost, played Meriadoc ‘Merry’ Brandybuck in the films, close friend to Frodo Baggins, and along with Peregrin ‘Pippin’ Took, played by Boyd members of the Fellowship of the Ring.
The Friendship Onion will be available weekly on Spotify and across all podcast platforms, including video simulcast episodes on YouTube….
Following is a quiz I wrote for an online trivia league I am in. The subject matter is aliens in SF books, movies, TV, or comic books. Each question is accompanied by an image of the alien. The quiz ran over the weekend. Some of you may know the winner, David Goldfarb, who was prominent on the great Usenet newsgroup rec.arts.sf.written back in its glory days. Tom Galloway, another prominent fan known for his trivia knowledge, also did very well.
I need to thank Steven Silver and John O’Neill (as well as several members of the trivia league) for helping me improve the question set, including some excellent proposed questions.
I will post the answers in a day or two. If you want, you can post your guesses in the comments.
1. There are many aliens depicted in the Marvel Cinematic Universe. This alien race may be hard to depict definitively, as they are shapeshifters, but they do have a typical form. They appeared in Captain Marvel in the MCU, and in the comics as early as an issue of Fantastic Four in 1962. What is the name of this alien race? Click here
2. What’s the common name for this cowardly species featured in many of Larry Niven’s Known Space stories? The name is perhaps ironic as this species doesn’t seem to have the appendages normally used by the human performers known by that name. Click here …
(4) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Rebecca Roanhorse and Angela Slatter in a YouTube livestream on May 19 at 7:00 p.m. Eastern. Link to come – check back at the KGB site.
Rebecca Roanhorse is NYTimes bestseller and an award-winning speculative fiction writer. Her latest novel, Black Sun, was recently nominated for the Nebula award for Best Novel of 2020. She has short fiction published in Apex Magazine, Uncanny, and multiple anthologies. She has also written for Star Wars, Marvel , and for TV. She lives in Northern New Mexico.
Angela Slatter in a multi-award-winning Australian writer of dark fantasy and horror. Her latest publications are the gothic fairytale novel All the Murmuring Bones from Titan, and the mosaic collection The Tallow-Wife and Other Tales from Tartarus Press. She has a PhD, teaches for the Australian Writers’ Centre, and is trying to finish a new gothic novel, Morwood.
if you haven’t watched Solo in a while, away from all the drama and (maybe for you) bad lighting, give it another shot. It might just be the most pure fun Star Wars movie we’ve gotten from this era so far.
NOAF: Secret sisters, a geneticist studying illegal technology, and a deadly virus. What inspired this story, and how did all those elements get into the story?
SB: The initial central question of the story is identity. What makes us the same and different? Some of it is genetics, and some of it is life experiences. What makes those differences stand out? People show their true nature in a disaster. Because the story is about genetics, I brought more genetics and more disaster into it. The elements posed a lot of questions, and the story resulted from one set of answers.
Award-winning editor Sheila Williams was a guest lecturer at the 2020 Odyssey Writing Workshop. In this excerpt from a question and answer session, she answers questions about her editorial process, story endings, and what differentiates a good story from a story that she buys.
Sheila is the multiple Hugo Award-winning editor of Asimov’s Science Fiction magazine. She is also the winner of the 2017 Kate Wilhelm Solstice Award for distinguished contributions to the science fiction and fantasy community.
(8) COSINE COMING BACK.COSine, the Colorado Springs, CO convention, will be held in person once more next January 14-16.
Last June we had to make the difficult decision to postpone COSine 2021. After that we put ourselves into suspended animation until such time as a vaccine for COVID was available and an appropriate supply of lemon-soaked paper doilies could be acquired.
Well, the doilies arrived, and most of us have aching arms, so it looks like we are on track for COSine 2022:
Guest of Honor: C.J. Cherryh Artist Guest of Honor: Jane Fancher Special Guests: Connie Willis & Courtney Willis
Our lowest rates for registration are available through the end of October, but if you want to sign up now, you can beat the Halloween rush! At the very least, please make sure that we are on your calendar.
(9) HORROR UNIVERSITY. It’s time to enroll for the virtual Horror University, part of the Horror Writers Association’s StokerCon coming May 20-23. See the session schedule at the link. One session, $55/members, $65/nonmembers; multiple-session discounts available.
Horror University is one of the most successful and popular aspects of StokerCon™. We are proud to present another great series of workshops for StokerCon™ 2021. Horror University furthers the Horror Writers Association’s focus on education with a curriculum run by some of the best and brightest in the horror field.
HORROR UNIVERSITY offers a series of 90 minute to two-hour workshops. They are not your typical workshop experiences—they are hands-on, intensive classes that include interactive activities and exercises. Workshop registration will open April 12. Workshops for this year’s Horror University will be virtual, part of Horror University Online. All HU courses will be run through the Horror University School on Teachable.com and require separate registration and additional payment as has been the practice at all past StokerCons.
All workshops are in Eastern Standard Time. Click the workshop titles in the table below for more detailed information about each workshop and instructor. Pricing is provided below.
(10) THEY DIDN’T ABANDON HOPE. Sarah Gailey’s new “Building Beyond” writing prompt is “See You In Hell”. Amanda Hamilton and Brendan Williams-Childs play along.
Hell is an urban metropolis in the middle of a sprawling agrarian underworld. You’ve just moved to a farm about six hours upstate from Hell.
Amanda Hamilton (she/her) is a chaos scheduler for her spouse, daughter and myriad pets. She’s also a fundraising professional, primarily focused on corporations and foundations these days. When not managing various and sundry to-do lists, she likes to read and nap and read some more.
Gailey: What is it about Hell that made you decide to move?
They always said that if you could make it in Hell, you could make it anywhere. Well, after a decade of (barely) making it, I was done….
…At its core, science fiction as a genre reflects the fears, anxieties, politics, events, and mood of the present. Thus, the immediate question: What type of science fiction (and speculative fiction more broadly) will the Age of Trump and its aftermath produce?
In an effort to answer that question I recently spoke with author Andy Weir whose first best-sellling novel “The Martian” was adapted by Ridley Scott into a 2015 blockbuster feature film of the same title starring Matt Damon. Weir’s other work includes the novel “Artemis” and the beloved short story “The Egg.”…
What type of science fiction writing and other works – and creative arts more generally – do you think are going to come out of this moment?
My book “Project Hail Mary” was finished before the pandemic. The story involves an alien microbe. It may seem that “Project Hail Mary” is somehow-pandemic related, but that is just pure coincidence. Moreover, this microbe does not infect humans; it infects stars in outer space.
I honestly do not know what is going to come out of this.
I do not think that there is going to be quite as much disease-related science fiction, as one might suspect. We are all going through this pandemic, and when it’s over, it will be a common experience. It is not really something we are going to enjoy reminiscing about. We will never forget the experience with the pandemic, but it is not something we are going to want to mentally relive.
My instinct is that the pandemic experience is not going to impact science fiction very much because science fiction and fantasy are on a basic level about escapism. Spend some time in the world of this book so that you can enjoy yourself away from the world that you live in. The last thing anybody wants is for a book to drag them back to the world that they live in.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born May 5, 1856 – W.W. Denslow. First illustrator of Baum’s Wizard of Oz; also illustrated Baum’s Father Goose and Dot and Tot of Merryland. Designed the sets and costumes for the 1902 stage version of Wizard. Illustrated Denslow’s Mother Goose, Denslow’s “Night Before Christmas”, 18-vol. Denslow’s Picture Books. Comic strip Denslow’s Scarecrow and Tin Man. Newspaper reporter, editorial cartoonist, poster artist. Designed books and bookplates. (Died 1915) [JH]
Born May 5, 1907 – Pat Frank. Wrote what I’ve long thought the best-made atomic-bomb-and-after novel Alas, Babylon; two more novels, one shorter story for us; two other novels; memoir; journalism. Office of War Information overseas correspondent during World War II. American Heritage Foundation Award. (Died 1964) [JH]
Born May 5, 1942 — Lee Killough, 79. Author of two series, the Brill and Maxwell series which I read a very long time ago and remember enjoying, and the Bloodwalk series which doesn’t ring even a faint bell. I see she’s written a number of stand-alone novels as well – who’s read deeply of her? (CE)
Born May 5, 1943 — Michael Palin, 78. Monty Python of course. I’ll single him out for writing the BFA winning Monty Python’s The Meaning of Life and co-writing the BSFA winning Time Bandits with Terry Gilliam. And it might be at least genre adjacent, so I’m going to single him out for being in A Fish Called Wanda for which he won the BAFTA Award for Best Actor in a Supporting Role. (CE)
Born May 5, 1944 – Dave Locke. Active fanziner, e.g. Awry; electronic zine Time and Again. Loved by some, annoyed others (can this surprise you?), or both. Among his best, What do birds of a feather do? Dave Locke. More here. (Died 2012) [JH]
Born May 5, 1944 — John Rhys-Davies, 77. He’s known for his portrayal of Gimli and the voice of Treebeard in the Lord of the Rings trilogy, General Leonid Pushkin in The Living Daylights, King Richard I in Robin of Sherwood, Professor Maximillian Arturo in Sliders, a most excellent Hades in the animated Justice League Unlimted series, Hades in Justice League and Sallah in the Indiana Jones films. Oh, and voicing Macbeth in the exemplary Gargoyles animated series too.(CE)
Born May 5, 1957 — Richard E. Grant, 64. He first shows up in our world as Giles Redferne in Warlock, before going on to be Jack Seward in Bram Stoker’s Dracula. On a lighter note, he’s Frederick Sackville-Bagg in The Little Vampire, and the voice of Lord Barkis Bittern in Corpse Bride. He breaks into the MCU as Xander Rice in Logan, and the Star Wars universe by being Allegiant General Enric Pryde in Star Wars: The Rise of Skywalker. (CE)
Born May 5, 1958 – Ingrid Nielson, age 63. Drawings pp. 15, 21, Program Book for ConFederation the 44th Worldcon; see here (PDF). Photo of her & Andre Norton here. Moderated panel “ASFA [Ass’n of Science Fiction & Fantasy Artists of America] and the Chesleys” at Chicon VI the 58th Worldcon. 2010 Chesley “for work on the Chesley Awards for 20+ years”. [JH]
Born May 5, 1961 — Janet Brennan Croft, 60. She’s published any number of works on library science, but she is concentrated her research on Tolkien, winning the Mythopoeic Scholarship Award for Inkling Studies for War and the Works of J.R.R. Tolkien, Tolkien on Film: Essays on Peter Jackson’s The Lord of the Rings, Tolkien and Shakespeare: Essays on Shared Themes and Language, and Perilous and Fair: Women in the Works and Life of J. R. R. Tolkien. I’d also like to single her work, Baptism of Fire: The Birth of the Modern British Fantastic in World War I. (CE)
Born May 5, 1963 – Michelle West, age 58. Twoscore novels, fifty shorter stories (some as M. Sagara); book reviews for The Magazine of Fantasy & Science Fiction; interviewed in Challenging Destiny, Lightspeed, Northern Dreamers. Within a 4-page single-space rejection letter from Lester Del Rey was a curmudgeonly line of encouragement, and off she went. [JH]
Born May 5, 1975 – Tanya Tagaq, age 46. Canadian Inuk throat singer. Six albums; also collaborator with Kronos Quartet, Buffy Sainte-Marie (here is TT’s cover). Polaris Prize, Canadian Folk Music Award, two Junos, Western Canadian Music Award. Novel for us Split Tooth won Indigenous Voices Award. [JH]
Born May 5, 1979 — Catherynne M. Valente, 42. My favorite work by her? Oh, by far that’d be the two volumes of The Orphan’s Tales which I go back to fairly often — stunning writing. If you’ve not read them yet, here’s her telling “The Tea Maid And The Tailor” as excerpted from In the Night Garden which is from Green Man. (CE)
(13) COMICS SECTION.
Non Sequiturlives up to its name while depicting the first land-walking creatures.
(14) GETTING THE WORD OUT WITH PICTURES. [Item by Rose Embolism.] Jem Yoshioka, creator of the science fiction romance webcomic Circuits and Veins was tapped for the New Zealand Covid information campaign! The poster is seriously lovely!
(15) IF IT DIDN’T HAPPEN, IT’S NOT A SPOILER, RIGHT? In Brian Hiatt’s article for Rolling Stone,“Benedict Cumberbatch’s Dr. Strange Almost Appeared in ‘WandaVision’”, Kevin Feige explains that Dr. Strange was going to appear in the last episode of WandaVision but he thought having Dr. Strange show up “would take it away from Wanda” so Benedict Cumberbatch was written out of the script. This is a preview of a big oral history of WandaVision in Rolling Stone that has yet to appear.
The story of WandaVision‘s main character, Wanda Maximoff, a.k.a. the Scarlet Witch (played by Elizabeth Olsen), is set to continue in 2022’s Dr. Strange and the Multiverse of Madness, but the two projects were almost linked much more directly. As Marvel Studios president Kevin Feige reveals in Rolling Stone‘s upcoming, extensive oral history of WandaVision, Marvel struck a deal with Benedict Cumberbatch to appear in the final episode of the show as Dr. Strange. But late in the process, they wrote him out.
“Some people might say, ‘Oh, it would’ve been so cool to see Dr. Strange,’” says Feige. “But it would have taken away from Wanda, which is what we didn’t want to do. We didn’t want the end of the show to be commoditized to go to the next movie — here’s the white guy, ‘Let me show you how power works.’” That meant the Dr. Strange movie, too, had to be rewritten. In the end, Feige says, Marvel’s process is “a wonderful combination of very dedicated coordination, and chaos. Chaos magic.”…
After his mother’s untimely death, Rhett inherits a cookie jar which proves to have some very unusual properties…
‘I had sort of a peculiar childhood, because my mother was peculiar. Not outright crazy, but very, very peculiar. Stories were her way of staying sane… A way to cover that hole in reality the way you might cover a well with boards so no one would fall in. But her stories stopped working for her. Because the thing she was afraid of was in the house with her all along.’
From ‘The Bazaar of Bad Dreams’, Stephen King’s story adapted in three parts. Read by Colin Stinton.
On Tuesday, May 4 at 3:01 p.m. EDT, SpaceX launched 60 Starlink satellites from Launch Complex 39A (LC-39A) at Kennedy Space Center in Florida. This was the ninth launch and landing of this Falcon 9 first stage booster, which previously launched Telstar 18 VANTAGE, Iridium-8, and six Starlink missions.
The British military been exploring the possibility of boarding ships at sea with futuristic jet packs that let wearers fly over the water like Iron Man.
The “Jet Suit” was made by Gravity Industries. The company released a video Sunday that showed its operators wearing jet packs and working with the Royal Marines to launch from rigid inflatable boats and land aboard the Royal Navy Batch 2 River-class offshore patrol ship HMS Tamar.
…But one former top Pentagon intelligence official who has lobbied Congress to take more action on such sightings said on Tuesday that the IG’s involvement is a positive step to compel the military to take the issue more seriously.
“You are looking at how is it possible that restricted military airspace is being routinely violated for months and years and nobody is informed in the Defense Department or the Congress and there is a complete system breakdown,” said Christopher Mellon, former deputy assistant secretary of defense for intelligence. “That’s a valid thing for them to investigate.”
Our bodies can often seem possessed. To most people, that possession occurs in a metaphorical sense. Dogma possesses us, as it’s hammered down from society until it sticks, nailed down to our core whether we like it or not. And that dogma can deviate from what we want deep down, like how family values dictate who we can and can’t love. Black Water Sister explores that possession, and with clever skill, it combines it with literal possession. A family spirit inhabits the protagonist, while they’re dealing with family interference from all sides. It’s a compelling story that’s quality is heightened by witty dialogue, a pacey second half, and vibrant characters….
As Canada’s statistical portrait, the census is a reflection of who we are and what makes us Canadian. Listen to our Spotify and YouTube playlists while you complete your 2021 Census questionnaire to experience the different facets of Canadian culture through the sounds of our celebrated musical talent. If these songs aren’t already among your favourite tracks, we hope that you have the opportunity to discover something new as you fill out your questionnaire online in May.
Get comfortable, press play, and let’s experience Canada’s musical talent together.
R2-D2 and C-3PO from “Star Wars” in a 1980 anti-smoking public service announcement. Aired in 1984 on Milwaukee’s WVTV.
[Thanks to Michael Toman, Andrew Porter, John King Tarpinian, John Hertz, Mike Kennedy, SF Concatenation’s Jonathan Cowie, James Davis Nicoll, JJ, Cat Eldridge, Martin Morse Wooster, and Rose Embolism for some of these stories. Title credit goes to File 770 contributing editor of the day Peer.]
…Onyesonwu is one of those angry, defiant, adventurous heroines of my heart. But Who Fears Death isn’t just a story of a warrior girl; it’s the story of all warrior girls. Who Fears Death is, itself, angry, defiant, and adventurous. It rips apart the fabric of our quotidian world and shows us, more clearly for all its speculation, what is wrong with us but what could be right with us. This is speculative fiction at its best: incisive, unflinching, uncompromising. Untethered from what’s “real” in a way that can show us what is, in fact, actually real—and what could be real if only we reached for the stars.
In Who Fears Death, Nnedi put a heroine of my heart into a book of my heart. Who Fears Death showed me, in a moment, what speculative literature can be: not just a series of quest-wanderings, of dragon-slayings, of evil mage-vanquishings, but an inspirational, aspirational blueprint for me and my place in the world. Who Fears Death is itself a sword, a magic wand, a spell that can change everything.
(2) ALPHA OF THE OMEGA. The award administrators — Sci-Fest L.A. and Light Bringer Project — have announced that the Tomorrow Prize and The Roswell Award will now reside under an umbrella competition name, the Omega Sci-Fi Awards. Here’s the new logo.
(3) MEMBERS OF THE JURY. James Davis Nicoll introduces the Young People Read Old SFF panel to “The Pleiades” by Otis Kidwell Burger.
The Pleiades is impressive enough readers would no doubt run out to acquire her other works. Unfortunately, Rediscovery’s biographical entry on her reveals that her SF career was quite short1. At least, I assume younger readers would react as positively as I did. How did my Young People actually feel?
… Emezi said that when Faber got in touch with the Women’s prize about submitting The Death of Vivek Oji, they were informed: “The information we would require from you regards Akwaeke Emezi’s sex as defined by law.”
“Forget about me – I don’t want this prize – but anyone who uses this kind of language does not fuck with trans women either, so when they say it’s for women, they mean cis women,” wrote Emezi. “And yes, this does mean that them longlisting [Freshwater] was transphobic. It’s fine for me not to be eligible because I’m not a woman! But you not about to be out here on some ‘sex as defined by law’ like that’s not a weapon used against trans women.”
The Women’s prize was established in response to the Booker failing to shortlist a single female writer in 1991. Following Emezi’s nomination in 2019, the organisers of the £30,000 award said it was working on a policy “around gender fluid, transgender and transgender non-binary writers”.
Responding to Emezi’s comments, the prize organisers said that their terms and conditions for entry equated the word “woman” with “a cis woman, a transgender woman or anyone who is legally defined as a woman or of the female sex”.
(5) O’DELL KICKSTARTER.[Item by Cora Buhlert.] Here is a Kickstarter of interest: Claire O’Dell is looking for funding to republish her River of Souls trilogy, which came out in 2010 from Tor, when she was still writing as Beth Bernobich: “The River of Souls Trilogy, Second Edition” With 26 days left, $566 of the $2,500 goal has been raised.
Back in 2007, writing as Beth Bernobich, I landed my very first book deal—a three-book contract with Tor Books for my novel Passion Play and two sequels, aka, the River of Souls trilogy. Passion Play came out in October 2010, and to my absolute delight it won the RT Reviewers’ Choice Award for Best Epic Fantasy. Queen’s Hunt and Allegiance followed in 2012 and 2013, with great reviews, and a prequel novel, A Jewel Bright Sea, appeared last year from Kensington Books.
Now that I have the rights back to the trilogy, I’d like to re-release them with new covers that better match the story and the characters. (Not to mention fixing a few continuity errors that crept in along the way.) Pledges from this campaign will pay for custom cover art and rewards.
“I studied physics as an undergrad, and basically what [Asimov] is doing is taking classical thermodynamics and applying it to human behavior. In thermodynamics, you can’t predict what one atom is going to do, but if you have several billion atoms in a contained box, you can predict—very precisely—if you raise the temperature, exactly what the effect on pressure is going to be, things like that. He’s basically saying if you have enough human beings—you have 100 million worlds, all inhabited by human beings—that psychohistory can predict the mass behavior of human beings, without being able to predict any individual human being’s behavior. That’s a cool idea.”
(7) WHITE SCREEN OF DEATH? [Item by Cora Buhlert.] The Guardian has run several articles and opinion pieces about how the postponement of Dune and that James Bond movie will affect British cinemas — and may kill them off altogether. A lot of anger, which is partly understandable, because movie theatres are open again at reduced capacity in the UK and much of the rest of Europe, but have nothing to show, because all of the big Hollywood movies are being held back. Here are four views of the situation.
He’s best known for sweeping in at the last minute to save the day – but James Bond’s latest act could be the death knell for many British cinemas.
The announcement that the release of No Time to Die, the 25th film featuring the secret agent, would be delayed again has left cinemas facing financial obliteration because of the absence of other forthcoming blockbuster films.
Our movie industry was just about keeping its morale steady. It was enforcing perfectly workable rules on sanitising and physical distancing and not subject to those closures taking theatre and live entertainment to the cliff edge. The pilot light of big-screen cinema culture was flickering. But it was still alight.
But this is a serious blow. If it is really true that Cineworld will close 128 cinemas, putting 5,500 jobs at risk (and it is not simply a scare-story negotiating ploy leaked to the press alongside the company’s official letter to the culture secretary Oliver Dowden demanding action) then this is potentially devastating.
…For an understanding of how we got here, look at the fates of two films that did get released during the pandemic. Following a tense summer in which Christopher Nolan’s Tenet and Disney’s live-action Mulan remake competed against the coronavirus in a game of grandmother’s footsteps, both films were finally released using opposing strategies.
“Warner Bros did a brave thing bringing out Tenet [in cinemas] at that very fraught time,” says Naman Ramachandran, international correspondent at Variety magazine. “It sent a positive message to the exhibition sector as a whole.” Disney, on the other hand, launched Mulan on its streaming service Disney+, where it came with a premium price tag (£19.99/$29.99) in addition to subscription fees. Cinemas screened it only in territories where Disney+ is not available. “My opinion is that Disney should’ve released Mulan in cinemas also,” says Ramachandran. “There was a demand for it and it would’ve kept the theatrical chains happy.” As it stands, no one is: not the exhibitors who lost out on an event movie, nor Disney, who won’t be thrilled if the mediocre streaming audience estimates are correct.
Mulan’s defection and Tenet’s under-performance in the US (it still hasn’t opened in the lucrative New York and Los Angeles markets, where cinemas remain closed) have had a devastating effect on other big releases.
…After six weeks of global release, Tenet has grossed more than £235m worldwide – a number that means different things to different analysts. For a latter-day Nolan film, it’s borderline disastrous: far short of the £405m grossed by his last film, Dunkirk, which itself was a modest performer compared to the £830m racked up by The Dark Knight Rises. With a production budget around £154m, it’s fair to say these are not the receipts of Nolan’s or Warner Bros executives’ dreams. Others would argue that they’re not half bad for a film released in the midst of a global pandemic in which the filmgoing public has been actively discouraged from communal indoor activity – a metric for which there is no precedent to set the bar. Globally, it’s the third-highest grosser of the year, behind Chinese epic The Eight Hundred and January’s Bad Boys for Life, which already feels like a relic from another era.
All in all, things could be worse for Tenet – except for the fact that, by just about anyone’s yardstick, things haven’t been nearly good enough….
(8) MEDIA ANNIVERSARY.
Twenty five years ago this year at Intersection, the Hugo Award for Best Dramatic Presentation, Long Form went to Star Trek: The Next Generation’s two-part series finale, “All Good Things…“. (It beat out The Mask, Interview with the Vampire, Stargate and Star Trek: Generations.) It was directed by Winrich Kolbe from a script written by Ronald D. Moore and Brannon Braga. The title is derived from the expression “All good things must come to an end”, a phrase used by Q during the story itself. It generally considered one of the series’ best episodes with the card scene singled out as one of the series’s best.
(9) TODAY’S DAY.
10/6 — Mad Hatter Day. The original picture of the Mad Hatter by John Tenniel in Alice’s Adventures In Wonderland by Lewis Carroll depicts him wearing a hat, bearing the note “In This Style 10/6”. Although we know this is really an order from the time the picture was drawn to mean a hat in that style cost 10 shillings and sixpence, we take this as inspiration to act in the style of the Mad Hatter on 10/6 (In the UK this would point to the tenth of June, but as the day was founded in America it is the 6th of October).
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born October 6, 1895 – Caroline Gordon. Guggenheim Fellowship. O. Henry Award. Honorary D.Litt. degrees from Bethany College (West Virginia), St. Mary’s College (Indiana). The Glory of Hera for us, her last novel; ten others; short-story collections; non-fiction. (Died 1981) [JH]
Born October 6, 1928 – Frank Dietz. Co-founder of the Lunarians; chaired the first 15 Lunacons; Fan Guest of Honor at Lunacon 50. Fanzine Luna (and Luna’). Recorded many SF cons on wire and tape, unfortunately most now seems lost. File 770 appreciation by Andrew Porter here. (Died 2013) [JH]
Born October 6, 1942 – Arthur Hlavaty, 78. A dozen times Best Fanwriter Hugo finalist. No doubt inspired by the C.M. Kornbluth story “MS. Found in a Chinese Fortune Cookie” – maybe the only circumstance in which no doubt could be applied to him – he called a fanzine The Diagonal Relationship, later The Dillinger Relic, then Derogatory Reference; not seen since 2002, but in Fanzineland that’s neither complete nor conclusive: No. 33 of his Nice Distinctions just appeared after three years. Fan Guest of Honor at Empricon 3, MidSouthCon 2, Westercon 42, Minicon 37; Detcon the 11th NASFiC (North America SF Con, since 1975 held when the Worldcon is overseas). If Sarcasm is in anger, satire is with love, he is as so often with him both. [JH]
Born October 6, 1942 — Britt Ekland, 78. She starred in The Wicker Man* as Willow MacGregor, and appeared as a Bond girl, Goodnight in The Man with the Golden Gun. She was also Queen Nyleptha in King Solomon’s Treasure based off the H. Rider Haggard novels. *There is only one Wicker Man film as far as I’m concerned. (CE)
Born October 6, 1946 — John C. Tibbetts, 74. Film critic, historian, author. He’s written such articles as “The Illustrating Man: The Screenplays of Ray Bradbury” and “Time on His Hands: The Fantasy Fiction of Jack Finney”. One of his two books is The Gothic Imagination: Conversations on Fantasy, Horror, and Science Fiction in the Media, the other being The Gothic Worlds of Peter Straub. (CE)
Born October 6, 1950 — David Brin, 70. Author of several series including Existence (which I do not recognize), the Postman novel and the Uplift series of which The Uplift War won the Best Novel Hugo at Nolacon II and is most excellent. I’ll admit that the book he could-wrote with Leah Wilson, King Kong Is Back! An Unauthorized Look at One Humongous Ape, tickles me for its title. So who’s read his newest novel, The Ancient Ones? (CE)
Born October 6, 1953 – Roseanne Hawke, Ph.D., 67. Wolfchild, 11th Century story set in the lost land of Lyonesse (RD was awarded Bard of Cornwall in 2006). Daughter of Nomads, Mughal empire. Chandani and the Ghost of the Forest, Himalayan mountains. Memoir, Riding the Wind. “I started a romantic novel when I was 17 but I burnt it…. working for ten years in the Middle East and Pakistan … I started writing seriously.” Website here. [JH]
Born October 6, 1955 — Donna White, 65. Academic who has written several works worth your knowing about — Dancing with Dragons: Ursula K. LeGuin and the Critics and Diana Wynne Jones: An Exciting and Exacting Wisdom. She’s also the author of the dense but worth reading A Century of Welsh Myth in Children’s Literature. (CE)
Born October 6, 1955 — Ellen Kushner, 65. If you’ve not read it, do so now as her sprawling Riverside seriesis amazing. I’m reasonably sure that I’ve read all of it. And during the the High Holy Days, do be sure to read The Golden Dreydl as it’s quite wonderful. As it’s Autumn and this being when I read it, I’d be remiss not to recommend her Thomas the Rhymer novel which won both the World Fantasy Award and the Mythopoeic Award. (CE)
Born October 6, 1962 – John Knoll, 58. Chief Creative Officer at Industrial Light & Magic. Creating the Worlds of “Star Wars”; covers for The Art of “Star Trek” (with M. Uesugi), Inside “Star Trek”. Scientific & Engineering Award given him and his brother Thomas for creating Adobe Photoshop. Cameo appearance as a pilot in The Phantom Menace. More in his Wikipedia entry. [JH]
Born October 6, 1978 – Anna Elliott, 42. Three Tristan & Isolde books; four about Jane Austen characters, two about Sherlock Holmes, a few more. Among her favorites by other authors, Life With Father, Wodehouse’s books about Bertie Wooster, Sayers’ books about Lord Peter Wimsey. “What do you like to do when you’re not writing?” “Mostly think about writing.” [JH]
Born October 6, 1986 — Olivia Jo Thirlby, 34. She is best known for her roles as Natalie in Russian SF film The Darkest Hour and as Judge Cassandra Anderson in the excellent Dredd. And she was Holly in the supernatural thriller Above the Shadows. (CE)
A great actor whose name I am not supposed to mention here narrates much of the new Netflix series The Haunting of Bly Manor (out October 9). In 2007, her character tells a wedding party a chilling, sad story of 1987 (and years previous) England, when a spooky estate’s resident ghosts tangled fitfully with living people, all caught in the grip of personal loss. This American actor tries her noble best to maneuver a Northern English accent, though it gets a bit wobbly as her narration scrapes the ceiling of profundity but never quite breaks through.
The voiceover, with its heavy writing and uneven if committed delivery, is pretty neatly representative of the whole of Bly Manor, which aims for something scary and sweeping but is too often hampered by messy adornment. Bly Manor is the second series in the Haunting franchise that began with 2018’s Hill House, an adaptation of Shirley Jackson’s novel led by horror auteur Mike Flanagan.
After more than a month of scrubs and delays, SpaceX broke the Space Coast’s launch drought early Tuesday when a Falcon 9 rocket boosted 60 Starlink internet satellites from Kennedy Space Center.
The 7:29 a.m. liftoff from pad 39A signaled the end of what was commonly referred to as “Scrubtober,” a long series of mission delays that actually began in September due to hardware issues and inclement weather. Tuesday’s Starlink mission, for example, had been scrubbed four times…
(14) FINDING THE GEMS. The Virtual Memories Show devotes Episode 399 to editor “Sheila Williams”.
With her new fantastic short story anthology, Entanglements: Tomorrow’s Lovers, Families, and Friends (MIT Press), editor Sheila Williams brings together a panoply of voices to explore how technology and scientific advances have on the deepest human relationships. We talk about Sheila’s nearly 40 years editing science fiction stories at Asimov’s Science Fiction Magazine, how she manages to balance new and diverse voices with a foundation of SF’s history, how she copes with receiving ~800 stories a month (while only being able to buy 5-6), and technology’s greater role in day-to-day life and what that means for writers’ and readers’ imagination and expectations. We also get into her author freakouts (like going blank when she met Samuel R. Delany many years ago), how her philosophy background helps her as an editor, missing cons and festivals, the challenge of editing an author in translation (in this case Xia Jia), and more. Give it a listen! And go read Entanglements!
[Thanks to Cora Buhlert, JJ, Mike Kennedy, Andrew Porter, Michael Toman, John King Tarpinian, Martin Morse Wooster, John Hertz, James Davis Nicoll, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Bill.]
(1) PRESSING IN. Cat Rambo’s video “Why Small Press Books Don’t Almost Always Suck” challenges negativity about small presses with examples from her own career.
Cat talks about some of the small press books she’s appeared in or worked with, and what she likes about them
So far as I can tell she doesn’t identify any particular person as holding this opinion. But it might be more than a coincidence that a few weeks back Nick Mamatas wrote a column for LitReactor titled “Why Are Small Presses Almost Always So Awful?”
(2) IN CASE OF EMERGENCY. [Item by Dann.] Regarding Archive.org, Brian Keene has gone through the process of figuring out how to get his works removed from the National Emergency Library. To make it easier for other authors, he supplied the process in The Horror Show with Brian Keene – episode 259.
The subject line should read “National Emergency Library Removal Request”
Authors need to include the URL(s) from within the National Emergency Library so they will know which work(s) they need to remove.
It’s kind of crappy to force authors to jump through hoops to prevent copyright infringement, but I guess it’s better to have hoops available than to just ignore the infringement and drive on as if nothing is wrong.
…You’ve read quite a number of short stories over the years as an editor. For writers looking to improve their understanding of how short stories work, how would you suggest critically reading stories with an eye to improvement and understanding? Are there particular elements critical readers should look for?
This is a great question. Years ago I heard of an author who retyped a famous story to figure out what the author was doing. I don’t think the writer has to go that far, but critical reading is essential. Pick a favorite story that wowed you and read it a few times. Take notes. Look for the foreshadowing. Look for the metaphors and the similes. Pay attention to the arc. Pay attention to every clue. A professional author rarely wastes a word in a work of short fiction. It takes practice to pick up on most of the details the first time through a tale, but it’s a lot easier to see these details once you know what’s coming.
(4) NOT A DESIRABLE CHAPTER. Publishers Weekly reports on the troubles of a major book printer: “LSC Files Chapter 11”
LSC Communications announced this morning that it has filed for Chapter 11 bankruptcy in the U.S. Bankruptcy Court for the Southern District of New York. The filing has been expected for several months as the country’s largest book printer—and one of its largest printers overall—has struggled under the weight of its failed merger with Quad Graphics and the outbreak of the new coronavirus. LSC’s subsidiaries in Mexico and Canada are not included in the filing, and will continue to operate normally.
LSC said it has received commitments for $100 million in debtor-in-possession financing from certain of its revolving lenders, subject to the satisfaction of certain closing conditions. If approved by the bankruptcy court, LSC said, the new financing, combined with cash on hand and generated through its ongoing operations, “is expected to be sufficient to support the company’s operational and restructuring needs.”
Since LSC’s deal with Quad was called off last summer following objections from the Justice Department, the company has worked to streamline its business, a process that has included closing eight facilities and signing new contracts, noted Thomas Quinlan III, LSC chairman, president, and CEO. Quinlan added that a review of its operations determined that the best way forward was to pursue a restructuring of its financial structure.
Publishers were dealt an unhappy surprise last week when Quad unexpectedly closed its book printing facilities, sending publishers scrambling to find a replacement. Quad did not respond to requests for comment from PW on whether it had plans to re-open the book plants.
The closure comes at a time when the loss of printing capacity is one of the many concerns publishers are facing because of the new coronavirus outbreak. Overall, most printers are printing, although on different schedules as they adjust to state policies, staffing, and types of books.
Quad put its book printing business up for sale last fall following the collapse of its proposed merger with the country’s largest book printer, LSC Communications, after the U.S. Department of Justice filed an antitrust suit. Quad has yet to respond to requests for comment from PW on whether it has found a buyer, but to date, none has been announced.
LSC, meanwhile, is continuing to operate, though it is dealing with its own financial challenges.
(5) WORLD FANTASY AWARD NOMINATIONS OPEN. The World Fantasy Convention chairs still plan to hold their con in Salt Lake City from October 29-November 1.
WFC 2020 is still six months away. Every day brings new developments and, we sincerely hope, progress toward controlling and conquering the virus. We have every hope that the current crisis will be over long before 29 October. Besides our own continuing discussions and plans, we’re monitoring the efforts of other conferences and similar gatherings, and will adapt all measures that make sense to keep our membership safe. We know this is a difficult time, and everyone’s plans are in a state of flux. Be assured we have no plans to raise membership rates during this worldwide emergency.
Members of the 2018, 2019, or 2020 World Fantasy Conventions may nominate books, stories, and individuals for the 2020 World Fantasy Award between how and May 31. Voting instructions here.
(6) THE LOOK OF DUNE. Vanity Fair posted on Instagram the first photos of Timothee Chalamet as Paul Atreides in Denis Villeneuve’s production of Dune.
(7) FERRELL OBIT. Former OMNI editor Henry Keith Ferrell (1953-2020) died of an apparent heart attack while fixing his roof, before the storm currently sweeping up the East Coast. He is survived by his wife, Martha, and son, Alec, who made the announcement on Ferrell’s website.
…Graduating from Raleigh’s Sanderson High in 1971, he attended the Residential College of the University of North Carolina at Greensboro, where he met Martha Sparrow — a woman of equal beauty and intellect — at a Halloween party in the basement of Guilford dormitory. His face covered in wax, she overheard him mentioning the name “Lawrence Talbot” and she got the reference, having no idea what Keith looked like. On their first date, they ditched a French play to go see King Kong instead. They fell in love, moved off campus, and started their lives together. They were married on July 20, 1974, and would remain together for almost 47 years.
…Now a family man, Keith set out on his career in publishing, first at Walnut Circle Press as a print salesman, then as editor of trade magazine The Professional Upholsterer, onward to feature writer of COMPUTE! Magazine, where he was at the forefront of reporting on the burgeoning home computing industry throughout its emergence as a household staple. All the while, he raised his son and loved his wife, planted many gardens, and wrote and wrote and wrote.
From 1983 through 1987, Keith published four critically-acclaimed biographies of legendary writers for young adults through M. Evans and Company: H.G. Wells: First Citizen of the Future; Ernest Hemingway: The Search for Courage; George Orwell: The Political Pen; and John Steinbeck: The Voice of the Land. These were the first of many printed works to bear his name in the byline.
In 1990, COMPUTE! was acquired by General Media out of New York City, and Keith was recruited and ultimately served as Editor-in-Chief of OMNI Magazine, the preeminent science and technology publication of the day — a career-defining accomplishment. During his tenure at OMNI, Keith worked with (and edited) many of the heroes of his youth and forged friendships across the fields of anthropology, gaming, evolutionary studies, telecommunications, and writers of all stripes. Keith stewarded OMNI as a vehicle for the vanguard of cutting-edge technology and futurism until its final issue…
He wrote until his dying day, which turned out to be April 11, 2020, at 2:32pm. His heart gave out after fixing a hole in his roof, but finished the job before doing so….
(8) TODAY IN HISTORY.
April 13, 2012 — Lockout premiered. Also known as MS One: Maximum Security, It directed by James Mather and Stephen Saint Leger, and written by Mather, Saint Leger, and Luc Besson. It was both Mather’s and Saint Leger’s feature directorial debuts. The film stars Guy Pearce, Maggie Grace, Vincent Regan, Joseph Gilgun, Lennie James, and Peter Stormare. It did poorly at the box and critics were not fond of it either; it holds a 46% rating among audience reviewers at Rotten Tomatoes. So why write up here? Because John Carpenter successfully sued the film’s makers in the French courts for the film having plagiarized both Escape from New York and Escape from L.A.., a verdict held upon appeal.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born April 13, 1923 — Mari Blanchard. Remembered best as B-movie femme fatale, she did a number of genre films including Abbott and Costello Go to Mars where she was Queen Allura, She Devil where she had the lead role of Kyra Zelas and Twice-Told Tales, a Vincent Price horror film where she had a not major role as Sylvia Ward. (Died 1970.)
Born April 13, 1931 — Beverley Cross. English screenwriter responsible for an amazing trio of films, to wit namely Jason And The Argonauts, Sinbad And The Eye Of The Tiger and Clash Of The Titans. He also wrote the screenplay for The Long Ships which is at genre adjacent. (Died 1998.)
Born April 13, 1949 — Teddy Harvia, 71. Winner of the Hugo for Fan Artist an amazing four times starting in 1991 at Chicon IV, then in 1995 at Intersection, next in 2001 at the Millennium Philcon and last at in 2002 at ConJosé. He was honored with the Rebel Award by the Southern Fandom Confederation in 1997 at that year’s DeepSouthCon
Born April 13, 1951 — Peter Davison, 69. The Fifth Doctor and one that I came to be very fond of unlike the one that followed him. And he put a lot of gravitas into the voice of Mole he did for The Wind in the Willows animated special Mole’s Christmas. For twenty years now, he has reprised his role as the Fifth Doctor in myriad Doctor Who audio dramas for Big Finish.
Born April 13, 1954 — Michael Cassutt, 66. Producer, screenwriter, and author. His TV resume includes notable work for the animated Dungeons & Dragons, Max Headroom, The Outer Limits, Beauty and The Beast, SeaQuest, Farscape and The Twilight Zone. He’s also written a number of genre works including the Heaven’s Shadow series that was co-written with David S. Goyer.
Born April 13, 1959 — Brian Thomsen. He was an American science fiction editor, author and anthologist. Founding editor of the Questar Science Fiction line for which he was a Nolacon II Hugo finalist in the Best Professional Editor category. I’ve read and will recommend The American Fantasy Tradition which he did, and likewise Masters of Fantasy which was co-edited with Bill Fawcett. I see he helped Julius Schwartz put together his autobiography, Man of Two Worlds. (Died 2008.)
Born April 13, 1950 — Ron Perlman, 70. Hellboy in a total of five films including three animated films (Hellboy: Sword of Storms, Hellboy: Blood and Iron and the Redcap short). Still by far the best Hellboy. He’s got a long association with the genre as his very first film was Quest for Fire in which he was Amoukar. The Ice Pirates as Zeno was followed quickly by the role of Captain Soames in Sleepwalkers and Angel De La Guardia in the Mexican horror film Cronos. Several years later, I see he’s Boltar in Prince Valiant, Johnher in Alien Resurrection and Reman Viceroy in Star Trek: Nemesis. And I should note he was in Fantastic Beasts and Where to Find Them as Gnarlack, a goblin gangster if I read the Cliff notes to that correctly. No, I’m not forgetting about his most amazing role of all, Vincent in Beauty and The Beast. (Having not rewatched for fear of the Suck Fairy having come down hard on it.) At the time, I thought it was the the most awesome practical makeup I’d ever seen. And the costume just made look him even still more amazing.
Born April 13, 1960 — Michel Faber, 60. Dutch born author of three genre novels, Under the Skin, The Book of Strange New Things and D: A Tale of Two Worlds. He was a finalist for the 2015 Arthur C. Clarke Award for The Book of Strange New Things.
(11) THERE’S NOTHING HALFWAY ABOUT THE IOWA WAY. Shaenon K. Garrity tweeted, “The Iowa Digital Library has a collection of sci-fi fanzines from the 1930s and 1940s, and my entertainment needs through the rest of the pandemic are taken care of.” Thread starts here.
…This year, however, I’m largely happy with the Best Related Work finalists. Joanna Russ by Gwyneth Jones, The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick by Mallory O’Meara and The Pleasant Profession of Robert A. Heinlein, by Farah Mendlesohn are exactly the sort of finalists I want to see in this category. All three were also on my longlist, two of them were on my ballot.
Becoming Superman: My Journey from Poverty to Hollywood by J. Michael Straczynski was not on my ballot, but is a highly deserving finalist, since autobiographies of people of genre relevance have always been a part of Best Related Work – see also the recent nominations for Carrie Fisher’s and Zoe Quinn’s respective autobiographies….
(13) LOOKING FOR A JOB IN WASHINGTON. If Lou Antonelli doesn’t get voted in as SFWA director-at-large, he’s got a fallback position. Lou has declared himself a Libertarian candidate for Congress in Texas’ 4th District. Ballotpedia shows he’s up against a Republican incumbent.
Brianna Wu is running for Congress as a Democrat in a Boston-area district once again. It would be an interesting coincidence if they were both on the floor of the House to start the 2021 term.
A village in Indonesia has reportedly taken to using volunteers dressed as ghosts to try to scare people into social distancing over the coronavirus.
Kepuh village, on Java Island, started deploying the patrols at night last month.
In Indonesian folklore, ghostly figures known as “pocong” are said to represent the trapped souls of the dead.
Indonesia so far has about 4,500 cases and 400 confirmed virus deaths, according to Johns Hopkins University.
But there are fears, according to experts, that the true scale of the infection across the country is much worse.
According to Reuters news agency staff who travelled to see the pocong in action, the unusual tactic initially had the opposite effect to that intended – with people coming out to try to spot the volunteers.
But locals say matters have improved since the team began deploying unexpectedly.
“Since the pocong appeared, parents and children have not left their homes,” resident Karno Supadmo told Reuters. “And people will not gather or stay on the streets after evening prayers.”
Pubs, like other public venues, look set to stay shut for the foreseeable future. But what’s going to happen to the contents of their cellars?
Fifty million pints – give or take.
That’s the amount of beer expected to go unused in barrels if pubs remain closed into the summer because of coronavirus. Publicans are currently unable to sell their lagers, ales and ciders – save for takeaways and home deliveries.
“It’s a very sad waste of all the work and talent that goes into producing great beer,” says Tom Stainer, chief executive of the Campaign for Real Ale (Camra). “People won’t get to drink it and all those resources have been used up for nothing.”
Mr Stainer estimates the UK’s 39,000 pubs have, on average, 15 barrels in their cellar at any given time. Most are kegs containing 11 gallons (88 pints) each – although many real ales come in nine-gallon (72-pint) casks. The best-before dates on pasteurised beer – including most lagers – are usually three to four months after delivery.
Those for real ales and other unpasteurised beer are usually set at six to nine weeks.
So most stock could go to waste if social distancing measures remain in place for several months.
Eighty years ago, moviegoers discovered exactly what happens when you wish upon a star when Walt Disney’s second animated feature, Pinocchio, premiered in theaters on Feb. 23, 1940. Flush with cash from the enormous success of Snow White and the Seven Dwarfs, Disney gambled his studio’s future on an adaptation of Italian author Corlo Collodi’s 19th century story of a walking, talking marionette who longs to be a real boy. At the time, the gamble didn’t entirely succeed: While Pinocchio received instant critical acclaim, it didn’t attract the same crowds that turned out in droves to see Snow White….
(20) VIDEO OF THE DAY. “Wong Ping’s Fables 2” on Vimeo tells the story of the cow who became rich and the rabbit who wanted to be a judge.
[Thanks to JJ, Chip Hitchcock, Mike Kennedy, Martin Morse Wooster, John King Tarpinian, Cat Eldridge, Michael Toman, Dann, Samuel Montgomery-Blinn, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Xtifr.]
Jeanne Gomoll, whose art, design, and organizing energy has propelled and sustained the Award for the last 25 years, is retiring from the Otherwise Motherboard at the end of 2019. The remaining members of the Motherboard are incredibly grateful for Jeanne’s tireless, brilliant work and look forward to celebrating her contributions at WisCon in 2020.
Up until 1991 it felt to me as though the efforts of the Madison SF Group, Janus and Aurora fanzines, and WisCon, to encourage and celebrate feminist science fiction were largely restricted to a single place and to those who came to this place and attended WisCon. Indeed, by the late 1980s, it felt to me as if our efforts to foster feminist SF were increasingly being met with opposition and might possibly have been in danger of flickering out, as the backlash to feminism in general and feminist SF in specific gained strength. Pat Murphy’s 1991 announcement of the Tiptree Award thrilled me and gave me renewed strength. It was as if a small group of us, following a narrow, twisty path had merged with a much wider, well-traveled path. After the Tiptree Award began handing out annual awards and raising funds, and had sparked a massive juggernaut of community activism, I stopped worrying about the viability of the movement.
I will be forever grateful to the Tiptree Award and proud of my work on it. I chaired two Tiptree juries—one in 1993, which chose Nicola Griffith’s Ammonite as the winner; and the other in 2016, which presented the award to When the Moon Was Ours, by Anna-Marie McLemore. I served on the Motherboard for 25 years, 1994-2019, and worked behind-the-scenes on most of the auctions during those years, and as an artist creating logos, publications, and Tiptree merchandise. I will be forever grateful to the Motherboard for the work we did together and the friendships we created along the way. I am awed by and very proud of the community of writers and readers who supported and were nurtured by the award, even as they guided the award further along the path toward greater diversity and scope.
The Tiptree Award, and now the Otherwise Award will always have my heartfelt support. But it is time for me to step back and make space for a new generation of activists. I want to thank my fellow motherboard founding mothers and members, past and present—Karen Joy Fowler, Pat Murphy, Jeff Smith, Alexis Lothian, Sumana Harihareswara, Gretchen Treu, Debbie Notkin, Ellen Klages, Delia Sherman—for all they have done and for their friendship, which I will value forever.
(2) THIS IS HORROR. Public nominations are being accepted
through January 8 for the This
Is Horror Awards.
The public nominations are now open for the ninth annual This Is Horror Awards. This year we’ve retained all the categories from last year and added one more, ‘Cover Art of the year’. Here are the categories: Novel of the Year, Novella of the Year, Short Story Collection of the Year, Anthology of the Year, Fiction Magazine of the Year, Publisher of the Year, Fiction Podcast of the Year, Nonfiction Podcast of the Year, and Cover Art of the Year.
Readers can e-mail in their nominations for each category. Taking into consideration the nominations for each category This Is Horror will then draw up a shortlist.
We invite you to include one sentence as to why each nomination is award-worthy.
Jason: How much of an increase in your budget would be required to pay all editorial and publishing staff a living wage?
Scott: Estimating using a salary of $15/hour for the work our staff does, we would need a $45,000 increase in our annual budget to pay all staff a living wage. That’s double what our annual budget is to pay for the stories we publish. To cover that, our monthly donations through Patreon would have to increase by 7000%….
Jason: Neil Clarke of Clarkesworld has said some of the problems experienced by genre magazines come about because “we’ve devalued short fiction” through reader expectations that they shouldn’t have to pay for short stories. Do you agree with this? Any thoughts on how to change this situation?
LDL: …I think the issue is one of exhaustion on the part of volunteer staff and a strained supporter base. In my observation, the people who contribute to zine crowdfunds also contribute to crowdfunds for individuals in emergency situations. There are a lot of emergencies or people in general need, just within the SFF community and funds are finite. If you’re supporting your four favorite zines every year, donating to three medical funds, two Kickstarters, a moving fund, and also taking on costs associated with at least one fandom-related convention every year, it’s not sustainable for a lot of readers, especially the marginalized ones….
Jason: In addition to paying your writers, Asimov’s also pays all of your staff, something which is not common among many of today’s newer genre magazines. Is it possible to publish a magazine like Asimov’s without the support of a larger company, in this case Penny Publications?
Sheila: An anecdotal review of the American market doesn’t really bear that out. F&SF is published by a small company. Analog and Asimov’s are published by a larger (though not huge) publishing company. Being published by a larger company does have its advantages, though. While only one and a half people are dedicated to each of the genre magazines, we do benefit from a support staff of art, production, tech, contracts, web, advertising, circulation, and subsidiary rights departments. I’m probably leaving some people out of this list. While the support of this infrastructure cannot be underestimated, Asimov’s revenue covers our editorial salaries, and our production and editorial costs. We contribute to the company’s general overhead as well.
Jason: Strange Horizons also helped pioneer the idea that a genre magazine could be run as a nonprofit with assistance from a staff of volunteers. What are the pros and cons of this publishing model?
Vanessa: With volunteer staff, the con is simple: no pay. Generally, working for no pay privileges people who can afford to volunteer time, and devalues the work we do as editors. I’d like to think that at SH, we have partially balanced the former by making our staff so large and so international that no one need put in many hours, and folks can cover for you regardless of time zone. Despite having 50+ folks, we’re a close group. Our Slack is a social space, and we bring our worst and best days there for each other. Several members (including me) have volunteered right through periods of un- and underemployment because of the love of the zine and our community….
(4) NEBULA CONFERENCE EARLYBIRD RATE. The rate has been extended
another week —
HelenKay Dimon, a past RWA president, previously told The Guardian that she regularly received letters from white RWA members expressing concern that “now nobody wants books by white Christian women”.
There is “a group of people who are white and who are privileged, who have always had 90% of everything available, and now all of a sudden, they have 80%. Instead of saying: ‘Ooh, look, I have 80%,’ they say: ‘Oh, I lost 10! Who do I blame for losing 10?’” Dimon said.
The tweets that sparked the ethics complaints against Milan, which were posted this August, were part of a broader conversation on romance Twitter about how individual racist beliefs held by gatekeepers within the publishing world have shaped the opportunities available to authors of color.
The…next installment of Frank Herbert’s Dune World saga has been staring me in the face for weeks, ever since I bought the January 1965 issue of Analog. I found I really didn’t want to read more of it, having found the first installment dreary, though who am I to argue with all the Hugo voters?
And yet, as the days rolled on, I came up with every excuse not to read the magazine. I cleaned the house, stem to stern. I lost myself in this year’s Galactic Stars article. I did some deep research on 1964’s space probes.
But the bleak desert sands of Arrakis were unavoidable. So this week, I plunged headfirst into Campbell’s slick, hoping to make the trek to the end in fewer than two score years. Or at least before 1965. Join me; let’s see if we can make it.
In September 1963, Tolkien drafted yet another of a number of letters responding to questions about Frodo’s “failure” at the Cracks of Doom. It’s easy to imagine that he was rather exasperated. Few, it seemed, had really understood the impossibility of Frodo’s situation in those last, crucial moments: “the pressure of the Ring would reach its maximum,” Tolkien explained; it was “impossible, I should have said, for any one to resist, certainly after long possession, months of increasing torment, and when starved and exhausted” (Letters 326). Even had someone of unmatched power, like Gandalf, claimed the Ring, there would have been no real victory, for “the Ring and all its works would have endured. It would have been the master in the end” (332).
It would have been the master.
From humble beginnings as a mere trinket bartered in a game of riddles (see the original Hobbit), the Ring grew in power and influence until it did indeed include all of Middle-earth in its simple band of gold. “One Ring to rule them all” wasn’t just meant to sound intimidating—it was hard truth. Even Sauron couldn’t escape the confines of its powers. It was his greatest weakness.
But how did the Ring become the thing around which the entirety of the Third Age revolved (Letters 157)?…
(8) JANUARY 2. Get ready – tomorrow is “National
Science Fiction Day”. It must be legit – “National Science Fiction Day
is recognized by the Hallmark Channel and the Scholastic Corporation.”
National Science Fiction Day promotes the celebration of science fiction as a genre, its creators, history, and various media, too. Recognized on January 2nd annually, millions of science fiction fans across the United States read and watch their favorites in science fiction.
The date of the celebration commemorates the birth of famed science fiction writer Isaac Asimov. An American author and Boston University professor of biochemistry, Isaac Asimov was born Isaak Yudovich Ozimov on January 2, 1920. He was best known for his works of science fiction and his popular science books.
(9) TODAY IN HISTORY
January 1, 2007 — The Sarah Jane Adventures premiered starring Elizabeth Sladen who had been in the pilot for K-9 and Company which the Beeb didn’t take to series. The program, which as you well know was a spin-off of Doctor Who, lasted five series and fifty-four episodes. It did not make the final Hugo ballot for Best Dramatic Presentation, Short Form in either 2007 or 2008.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born January 1, 1854 — James George Frazer. Author of The Golden Bough, the pioneering if deeply flawed look at similarities among magical and religious beliefs globally. He’s genre adjacent at a minimum, and his ideas have certainly been used by SFF writers a lot both affirming and (mostly) critiquing his ideas. (Died 1952.)
Born January 1, 1889 — Seabury Quinn. Pulp writer now mostly remembered for his tales of Jules de Grandin, the occult detective, which were published in Weird Tales from the Thirties through the Fifties. (Died 1969.)
Born January 1, 1926 — Zena Marshall. She’s Miss Taro in Dr. No, the very first Bond film. The Terrornauts in which she’s Sandy Lund would be her last film. (The Terrornauts is based off Murray Leinster‘s The Wailing Asteroid screenplay apparently by John Brunner.) She had one-offs in Danger Man, The Invisible Man and Ghost Squad. She played Giselle in Helter Skelter, a 1949 film where the Third Doctor, Jon Pertwee, played Charles the Second. (Died 2009.)
Born January 1, 1933 — Joe Orton. In his very brief writing career, there is but one SFF work, Head to Toe which the current publisher says “is a dream-vision allegory of a journey on the body of a great giant or ‘afreet’ (a figure from Arabic mythology) from head to toe and back, both on the body and in the body.” Like his other novels, it’s not available digitally. (Died 1967.)
Born January 1, 1954 — Midori Snyder, 66. I was most impressed with The Flight of Michael McBride, the Old West meets Irish myth novel of hers and hannah’s garden, a creepy tale of the fey and folk music. She won the Mythopoeic Award for The Innamorati which I’ve not read. With Yolen, Snyder co-authored the novel Except the Queen which I do recommend. (Yolen is one of my dark chocolate recipients.) She’s seems to have been inactive for a decade now. Anyone know why?
Born January 1, 1957 — Christopher Moore, 63. One early novel by him, Coyote Blue, is my favorite, but anything by him is always a weirdly entertaining read. I’m hearing good things about Noir, his newest work which I’m planning on listening to soon. Has anyone read it?
Born January 1, 1971 — Navin Chowdhry, 49. He’s Indra Ganesh in a Ninth Doctor story, “Aliens of London.“ I also found him playing Mr. Watson in Skellig, a film that sounds really interesting. Oh, and I almost forgot to mention that he was Nodin Chavdri in Star Wars: The Last Jedi.
Born January 1, 1976 — Sean Wallace, 44. Anthologist, editor, and publisher known for his work on Prime Books and for co-editing three magazines, Clarkesworld Magazine which I love, The Dark which I’ve never encountered, and Fantasy Magazine which is another fav read of mine. He has won a very, very impressive three Hugo Awards and two World Fantasy Awards. His People of the Book: A Decade of Jewish Science Fiction and Fantasy co-edited with Rachel Swirsky is highly recommended by me. He’s not well represented digitally speaking which surprised me.
Born January 1, 1984 — Amara Karan, 36. Though she’s Tita in an Eleventh Doctor story, “The God Complex”, she’s really here for being involved in a Stan Lee project. She was DS Suri Chohan in Stan Lee’s Lucky Man, a British crime drama series which is definitely SFF. Oh, and she shows up as Princess Shaista in “Cat Among Pigeons” episode of Agatha Christie’s Poirot but even I would be hard put to call that even close to genre adjacent.
Before Dean Parisot signed on to direct Galaxy Quest, Harold Ramis was supposed to helm the movie, which was initially titled Captain Starshine. However, according to Tim Allen, if Ramis directed the film, it wouldn’t have just been titled differently — it would have looked quite different as well.
[…] “Katzenberg pitched me the idea of the commander character and then they started talking and it became clear that Ramis didn’t see me for the part,” Allen said. “It was pretty uncomfortable.”
[…] Interestingly, Sigourney Weaver also wouldn’t have gotten her role as Gwen DeMarco in Galaxy Quest if Ramis had directed the film, despite their relationship from Ghostbusters. “I had heard that Harold was directing a sci-fi movie but he didn’t want anyone who had done sci-fi in the film,” she said. “Frankly, it’s those of us who have done science fiction movies that know what is funny about the genre.”
…I’ll start with this reddit AMA from a few years back, and an interview with Tingle on Nothing in the Rulebook. His answers reveal a consistent approach to the writing life that mirrored the habits of authors who are, possibly, even more well-known than our favorite erotica author.
Asked about a typical writing day, Tingle replies:
yes average day is getting up and having two BIG PLATES of spaghetti then washing them down with some chocolate milk then i get out of bed and meditate to be a healthy man. so when i am meditating i think ‘what kind of tingler would prove love today?’. if nothing comes then i will maybe trot around the house or go to the park or maybe walk to the coffee shop with my son jon before he goes to work. if i have a good idea i will just write and write until it is all done and then I will have son jon edit it and then post it online.
OK, so to translate this a bit out of Tingle-speak, we have a recommendation that you fuel your writing with carbs (and also an unlikely alliance with Haruki Murakami’s spaghetti-loving ways) with a bit of a boost of sugar….
(14) GREASED LIGHTNING. [Item by Daniel Dern.] From one of the CES 2020 press
releases I got today…
Subject: [CES NEWS] Experience a Roomba-Like Device that Navigates the Home Charging ALL Devices
…I want to put an innovative device on your radar: RAGU, a Roomba-like robot that navigates the home charging ALL of your devices.
GuRu is the first company to crack the code on totally untethered, over-the-air charging.
discounting remote mal-hackers, this sounds like a recipe for either a droll TV
episode, or Things Going Horribly Wrong. (Fires, fried gear, tased/defibrilated
pets and sleeping people, etc.)
Spare a thought for the poor fat rat of Bensheim, which became stuck in a German manhole in February. She was eventually freed, but not before passers-by took embarrassing photos of her plight. “She had a lot of winter flab,” one rescuer said, compounding the humiliation.
In this case, the animals were the rescuers rather than the rescued (sort of).
Anticipating the threat of wildfires later in the year, staff at the Ronald Reagan Presidential Library in California hired a hungry herd of 500 goats to eat flammable scrub around the building in May.
And so, when fires did strike in October, the library was saved because of the fire break the goats had created by eating the flammable scrub. Nice one, goats.
As always, the existential wisdom of Werner Herzog prevails. “You are cowards,” the director castigated on set of The Mandalorian, upon realizing the producers intended to shoot some scenes without the Baby Yoda puppet in case they decided to go full CGI with the character. “Leave it.”
Herzog, who guest-starred on a few episodes of the Disney+ Star Wars spinoff series, was one of Baby Yoda’s earliest champions. And indeed, Baby Yoda — a colloquial epithet referring to the mysterious alien toddler merely known as “The Child” in the script — was designed for maximum neoteny. The gigantic saucer-like dilated eyes; the tiny button nose; a head that takes up nearly half his body mass; the hilariously oversized brown coat; the peach fuzzy hairs tufted around his head; and the pièce de résistance of his custardy little green face: that minuscule line of a mouth that could curve or stiffen in an instant and erupt a thousand ancient nurturing instincts in any viewer. (He’s the only thing my normally stoic husband has ever sincerely described as “cute.”) Heck, there may very well be a micro generation of Baby Yoda babies about eight months from now, thanks to this frog-nomming, lever-pulling, bone-broth-sipping little scamp.
And all because Jon Favreau and company finally recognized that rubber-and-fabric practical effects will almost always have a greater emotional impact than plasticky digital ones.
The recent success of The Mandalorian, thanks to the adorable face that launched a thousand memes, and Netflix’s fantasy-adventure epic The Dark Crystal: Age of Resistance, recently nominated for a WGA Award and a Critic’s Choice Award, prove that we still need puppetry and mechanical effects in the age of CGI….
(18) PERRY MASON. My fellow geezers may enjoy this quick
[Thanks to Jo Van Ekeren, Cat Eldridge, Mike Kennedy, JJ, Chip
Hitchcock, John King Tarpinian, Martin Morse Wooster, Daniel Dern, Contrarius, Darrah
Chavey, and Andrew Porter for some of these stories. Title credit goes to File
770 contributing editor of the day Kip W.]
Asimov’s has put Norman Spinrad’s “On Books” column
It’s now preceded by this statement from editor Sheila Williams:
We took the Norman Spinrad column down from our website because we heard many concerns from readers. I’m putting it back up now with some thoughts from me. Norman Spinrad has been a provocative voice in Asimov’s for thirty years, but his opinions do not represent the magazine anymore than James Patrick Kelly’s opinions in his On the Net column represent us. However, Norman does appear to speak for us when he writes:
“Compare this with what has been awarded Nebulas by the Science Fiction and Fantasy Writers of America, and what Nebula Awards Showcase 2018 reveals all too clearly as the current state of its membership and the state of their art. The literary inheritors of John W. Campbell, Robert Heinlein, Isaac Asimov, what this very magazine is trying to maintain in his name, and novels like Red Moon.
Which side are you on?”
This is in no way the editorial position at Asimov’s. I am much more in agreement with the writer, Karen Osborne, who says: “Modern genre writers write everything— SF *and* fantasy. We play with literary forms. We push boundaries, because where we’re going, we don’t need old, restrictive rules of who can & who can’t. I’m going to quote James Joyce when I say that modern SF is HERE COMES EVERYBODY.”
Asimov’s is a magazine that welcomes literary speculative diversity. We are delighted to publish new authors and the innovative and imaginative work that they are producing. We whole-heartedly support SFWA and the provocative new writers who are celebrated by recent Nebula Awards.
Karen Osborn’s Twitter thread was linked by File 770 yesterday. In the meantime, more writers have reacted to the column or the initial decision to remove it.
Adam-Troy Castro launched a discussion on Facebook that has almost 200 comments. John Scalzi, Roby James, Nick Mamatas, Erika Satifka, Alma Alexander, Michael Burstein, Rev. Bob, Jason Sanford, and Beth Meacham are in the mix.
(1) CHANGES TO NY TIMES BESTSELLER LISTS. Publishers
Weekly reports “‘NYT’
Shifts Its Lists Again”. Mass market paperbacks and graphic books will
be tracked again, and middle grade paperback and YA paperback lists will debut.
After cutting the mass market paperback and graphic novel/manga lists in 2017, the Times‘ Best Sellers team will again track mass market paperback sales, as well as debut a combined list for graphic books, which will include fiction, nonfiction, children’s, adults, and manga. Two new monthly children’s lists, middle grade paperback and young adult paperback, will debut as well. (The Times retired its middle grade e-book and young adult e-book lists in 2017.) In addition, the Times will cut its science and sports lists, explaining that “the titles on those lists are frequently represented on current nonfiction lists.” The changes are effective October 2 online and October 20 in print.
The Times has already cut back its print lists on the combined print/e-book and print hardcover lists to 10 titles, from 15, although the online lists will continue to show 15 titles. A representative of the paper said that the change “was made for design reasons, specifically to improve the readability of the lists in print.”
Barbara Krasnoff is the author of over 35 short stories, including “Sabbath Wine,” which was a finalist for the Nebula Award, and recently published a mosaic novel titled The History of Soul 2065. She’s also responsible for a series of captioned photos that can be found under the hashtag #TheirBackstories.
Nicole Kornher-Stace is the author of the Norton Award finalist Archivist Wasp and its sequel, Latchkey. Her next novel, Firebreak, is due out from Saga in 2020. She can be found online at nicolekornherstace.com or on Twitter @wirewalking.
The event begins 7 p.m. at the KGB Bar, 85 East 4th Street (just
off 2nd Ave, upstairs.)
New York, NY.
(3) SUNDAY IN THE PARK. Last Sunday at the Brooklyn Book Festival, Andrew Porter took this photo of the Dell Magazines booth which was hosted by Asimov’s editor Sheila Williams and her daughter.
(4) NEW AWARD PROMOTES DIVERSE SFF. Gollancz
and author Ben Aaronovitch are launching a writing prize championing under-represented voices in science fiction,
fantasy and horror after stats showed less than 1% of the genres’ books
come from British BAME authors. (BAME is used in the UK to refer to black, Asian and minority ethnic
Submissions for the
Gollancz and Rivers of London BAME SFF Award will
be taken from October 1, 2019 until January 31, 2020 — 5,000
to 10,000 words consisting of either a self-contained short story or the
opening of a novel that fits into the scifi, fantasy or horror genres
The prizes include:
£4,000 for the overall winner alongside a critique and year-long mentoring programme with Gollancz commissioning editor Rachel Winterbottom.
Second place: £2,000 and a critique of their work
Five runners-up will receive £800 and a Gollancz goodie bag.
Gollancz publisher Anne Clarke said:
The current lack of representation in science fiction and fantasy is no secret and it has to change. As modern speculative fiction publishers, we at Gollancz have a responsibility not just to say our doors are open, but to actively seek out and support writers whose backgrounds and experience have historically been – and still are – under-represented in our genre. I hope this award will encourage writers who have perhaps not always felt welcome in the world of science fiction and fantasy publishing and I’m looking forward to discovering exciting new writing talent within the submissions.
It’s Hollywood logic to try bleed more money from a stone. Whenever there’s a successful franchise, it’s natural for studios to stay safe and invest in more of the same product and produce as many sequels, prequels, TV shows, and reboots of the property. However, every so often, Tinseltown fails to catch lighting in a bottle a second time. Not every movie deserves 815 more iterations of the same story.
the middle of the list is —
Long before DCEU fans bemoaned the current DC movies, they were (rightfully) bailing on another one. Somehow, DC was able to zap all of the fun and sultriness out of Selina Kyle for the long-gestating Catwoman movie, which starred Oscar winner Halle Berry, Sharon Stone, and Benjamin Bratt. All in all, not a bad trio. So what went wrong?
First, the entire origins of a cat burglar/vixen are heaved out the window and replaced with an Egyptian Cat Mythology. That mythology would have worked if it was a little more thought out and the movie itself wasn’t just an excuse to feature the gorgeous Berry in as little clothing as possible.
…Steampunk is not exactly something you would associate with Papenburg, even though the steamship MV Liemba a.k.a. Graf Goetzen, which starred in The African Queen as the German gunboat Königin Luise, was built here in 1913. Therefore, I was very surprised to learn that Papenburg not only has an active Steampunk community, but also hosts Steamfest, a Steampunk festival which took place for the second time in 2019. And since Papenburg is only about 114 kilometres away, I of course decided to pay Steamfest a visit.
Magic as revenge, retaliation, or retribution is the theme of many of September’s best short speculative fiction stories. There are some new authors on this list alongside some very well-known names, yet no matter where they are career-wise, the stories they’ve written have left a mark on this world. Here are some of the ten best science fiction, fantasy, and horror short stories I read in September.
The contributing authors include Kameron Hurley, Mur
Lafferty Patrice Sarath, Wendy Wagner, Julie C Day, Paul Jessup, Jamie Mason,
Bonnie Jo Stufflebeam, Ross Lockhart, Karen Bovenmyer, with open submissions to
It used to be if someone wanted to mug you, they had to look you in the face and make a threat. Not anymore. Hackers can wipe a bank account without ever having to risk drawing blood. Bad people use technology for personal gain. Nothing’s new about that. What is new is the ways technology opens up opportunities for exploitation.
New technology is coming on-line all the time, creating new opportunities for creative criminals and dissidents. Stolen elections, companies held hostage by hackers, and acts of terror have all been committed with technology that didn’t exist a few short years ago.
Join leading edge speculative fiction authors on an exciting walk into darkness where people and machines plunder, cheat, kill, and steal in ways we can’t even imagine with tools that may not even exist, yet. But, they’re coming.
(9) SATIRE ON TWO WHEELS. Remember Knight
Rider? Well, here’s David Hasselhoff in Moped Rider…
(10) TODAY IN HISTORY.
September 27, 1958 — In Italy, The Day the Sky Exploded (Italian: La morte viene dallo spazio, “Death Comes From Space”. It is known as the first Italian SF film, predating even the SF films of Antonio Margheriti.
September 27, 1979 — Buck Rogers in the 25th Century began its regular first season (after the airing of the film) with an episode called “Planet of the Slave Girls”.
September 27, 2002 — Joss Whedon’s Fireflypremiered on Fox TV. It was cancelled after eleven of the fourteen produced episodes were aired. Eventually it concluded in a film called Serenity which Will Shetterly reviewed here.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 27, 1902 — Henry Farrell. Novelist and screenwriter, best known as the author of the “What Ever Happened to Baby Jane?” story which was made into a film of the same name starring Bette Davis and Joan Crawford. (Died 2006.)
Born September 27, 1932 — Roger Charles Carmel. The original Harcourt Fenton “Harry” Mudd as he appeared in two episodes of the original Star Trek, “Mudd’s Women” and “I, Mudd”” and one episode of the animated series as well, “Mudd’s Passion”. I say original because Discovery has decided that they have a Harry Mudd. He also had one-offs on I-Spy, Munsters, The Man from U.N.C.L.E., Voyage to the Bottom of the Sea and Batman. It is rumored but not confirmed he was going to reprise his role as Harry Mudd in a first-season episode of Next Gen but died before filming could start. (Died 1986.)
Born September 27, 1934 — Wilford Brimley, 85. His first genre role is as Dr. Blair in John Carpenter’s The Thing. He’s Benjamin ‘Ben’ Luckett in the Cacoon films, and Agency Director Harold Smith in Remo Williams: The Adventure Begins. He made a rather splendid President Grover Cleveland in The Wild Wild West Revisted. And finally I note that he was Noa in Ewoks: The Battle for Endor.
Born September 27, 1947 — Meat Loaf, 72. He has a tasty role as Eddie in The Rocky Horror Picture Show. And I’d argue some of his music videos are genre stories in their own right. He also has film roles in Wishcraft (horror), Stage Fright (horror) and Urban Decay (yes, more horror). He’s also in BloodRayne which is yes, horror. He’s had one-offs on Tales from the Crypt, The Outer Limits, Monsters, Masters of Horror and was Doug Rennie, a main cast member of Ghost Wars.
Born September 27, 1950 — Cary-Hiroyuki Tagawa, 69. He’d be on the Birthday Honors list if he’d only been Zylyn in Space Rangers which lasted only six episodes. Damn. But he’s also shown up on Babylon 5, the premier of Star Trek: The Next Generation, Superboy, Alien Nation, the Australian version of Mission: Impossible, Sabrina the Teenage Witch, Stargate SG-1, Poltergeist: The Legacy, The Librarians, voicing characters on Teenage Mutant Ninja Turtles and Star Wars Rebels. He’s currently got two main roles going, the first being Nobusuke Tagomi in The Man in The High Castle, the other being Hiroki Watanabe in Lost in Space.
Born September 27, 1956 — Sheila Williams, 63. Editor, Asimov’s Science Fiction last fifteen years. She won the Hugo Award for Best Short Form Editor in 2011 and 2012. With the late Gardner Dozois, she co-edited a bonnie bunch of anthologies such as Isaac Asimov’s Robots, Isaac Asimov’s Christmas and Isaac Asimov’s Cyberdreams. She was also responsible for the Isaac Asimov Award for Undergraduate Excellence in Science Fiction and Fantasy writing being renamed the Dell Magazines Award for Undergraduate Excellence in Science Fiction and Fantasy Writing.
Born September 27, 1972 — Gwyneth Paltrow, 47. Yes, she is Pepper Potts in the Marvel Universe film franchise but her first genre role was as a young Wendy Darling in Hook. And she shows up in Sky Captain and the World of Tomorrow asPolly Perkins, a reporter for The Chronicle.
(12) ROCKET ROYALTY. In Olav Rokne’s post “Many
Princes; One Crown” at the Hugo Book Club Blog, readers are
reminded of the challenges in voting on works translated to English, beginning
with a recent Retro-Hugo winner.
…But the case of The Little Prince is more comparable to that of the first translated work to appear on a Hugo Ballot: the 1963 novel Sylva, which was written by French war hero Vercors (A.K.A. Jean Bruller). No translator is mentioned on the dust jacket of the book. And until this summer, when the record was updated at our request, the official Hugo Awards site did not list the name of the translator, Rita Barisse. The Wikipedia entry for the Hugo Awards, and several other publications continue to neglect Barisse’s contribution to the work….
(13) LAFFERTY AWARENESS. Shelf Awareness checks in
with the author of Lies My
Teacher Told Me in
with… James W. Loewen”. R.A. Lafferty gets a big shout-out:
Book you’re an evangelist for:
The only historical novel I recommend without reservation: Okla Hannali by R.A. Lafferty. Even though by a white author, I credit it as a Choctaw history of the 19th century, in the form of a biography of a fictional Choctaw leader who was born in Mississippi around 1801 and died in Oklahoma in 1900. I realize such a statement creates all sorts of problems for me–expropriation of Native knowledge, white arrogance, etc. My only defense is the work itself. I have no idea how Lafferty, otherwise known for science fiction, learned so much about Choctaws (and white folks), but every time I have checked out any fact in Okla Hannali, no matter how small, Lafferty got it right. And what a read! Only a little over 200 pages long, but an epic, nevertheless.
(14) ANOTHER WAY OF LOOKING AT THINGS. David Gerrold contends
art and the artist should be regarded separately in his public
So let’s say that I point out that the owners of a specific fast-food chain have donated a lot of money to anti-LGBTQ+ causes.
This is not an invitation to say:
“The food is terrible.”
Let’s say that I point out that a particular actor has said some unsavory things about politics. This is not an invitation to say,
“She can’t act anyway.”
Or maybe a well-known author has said something egregiously stupid. That’s not an invitation to say,
You are on a runaway trolley. On one track are five people who have not yet seen The Good Place and don’t intend to, and who will die if you don’t move the lever. On the other track is one person who, like you, is caught up and can discuss the show with you. What do you do?
(16) PENN AND POURNELLE. There’s a pair of names you wouldn’t
put in the same sentence – unless you’re Tedium’s Ernie Smith. In “All
Penn, No Teller” he recalls when Penn Jillette was “a sometimes-rebellious big-name computer magazine
columnist in the ’90s.”
…Now, tech writing of this era doesn’t have the pedigree of, say, good music journalism in the 1970s. Certainly, there were good tech writers during this time, particularly free-wheeling voices like fellow moonlighter Jerry Pournelle of Byte, hard-nosed insiders like journeyman scribe John C. Dvorak and the long-anonymous Robert X. Cringely, and well-considered newspaper voices of reason like syndicated columnist Kim Komando and the Wall Street Journal’s Walt Mossberg.
But Jillette was something different. He was already famous—certainly more famous than Pournelle, an established science-fiction author, thanks to being a regular fixture on television during much of his career and starring in a legendary Run-DMC music video—and he likely did not need a nationally distributed computer magazine column to make a living. Jillette simply liked computers and knew a lot about them, which meant that he could rant about the details of an Autoexec.bat file just as easily as he can about politics. He gave the tech writing form something of an edge, while maintaining the freewheeling nature established by fellow pre-blogging voices like Pournelle….
“Caltech scientists have discovered a new species of worm thriving in the extreme environment of Mono Lake. This new species, temporarily dubbed Auanema sp., has three different sexes, can survive 500 times the lethal human dose of arsenic, and carries its young inside its body like a kangaroo.”
Terry Hunt sent the link in with a note: “I was
irresistibly reminded of Vonda N. McIntyre’s story ‘Of Mist, and Grass, and Sand’ and its novel expansion Dreamsnake.”
(18) LOOKING FOR ET IN YOUR OWN BACKYARD. The Beyond Center
presented the 2019 Eugene Shoemaker Memorial Lecture with James Benford on
Abstract: A recently discovered group of nearby co-orbital objects is an attractive location for extraterrestrial intelligence (ETI) to locate for observing Earth. Near-Earth objects provide an ideal way to watching our world from a secure natural object that provides resources an ETI might need: materials, a firm anchor, concealment. These co-orbital objects have been little studied by astronomy and not at all by SETI or planetary radar observations. I describe the objects found thus far and propose both passive and active observations of them by optical and radio listening, radar imaging and launching probes. We might also broadcast to them.
The future: The fully realized version of Shapeshifter would be a “mothercraft” lander that carries a collection of 12 mini robots (“cobots”) to the surface, acts as the main power source, and uses a suite of scientific instruments that can directly analyze samples. The cobots could work together to carry and move the mothercraft to different areas. They would be able to operate individually or as one cohesive unit, in order to adapt to a variety of terrains and environments.
For example, the cobots would be able to separate and fly out in different directions or together as a flock, link up together like a barrel of monkeys in order to explore narrow caves and caverns, or even float on or swim in liquid.
(22) SURVIVE BY A WHISKER. Gato Roboto
a video game designed to let you channel your inner feline.
Pounce inside of your cozy armored mech and set off on a dangerous trek through an alien underworld full of irritable creatures and treacherous obstacles in a valiant effort to save your stranded captain and his crashed spaceship. Tiptoe outside the friendly confines of your technological marvel and follow your feline instincts through tight tunnels and mysterious waterways to scavenge for new weapons and gear. Adventure awaits the most curious of cats in Gato Roboto!
[Thanks to John King Tarpinian, JJ, Chip Hitchcock, Mike Kennedy,
Martin Morse Wooster, Cat Eldridge, Terry Hunt, Nina Shepardson,Cliff, Rob Thornton,
Michael J. Walsh, and Andrew Porter for some of these stories.
Title credit belongs to File 770 contributing editor of the day Anna NImmhaus.]
I’ve enjoyed every story that ran in Asimov’s is this past year. What makes a story special is often obvious, but sometimes the gems are hidden. That’s why I’m once again reflecting on the 33 short stories, 22 novelettes, and 11 novellas that appeared in our pages (or on our electronic devices) in 2018. It’s a coincidence that each of those categories contains repeating integers, but the high-entertainment value of each tale is not coincidental. Since we’re doing at least one podcast per issue, you’ll find links to these recordings as well. A word of warning: this is a highly opinionated and spoiler-filled essay. e0a1b
In the first clip released for the upcoming season, we see that, thanks to the memory-affecting nature of the regeneration, Jodie Whittaker’s Doctor will discover the gender right along with the rest of us. She can’t even remember who she is, just that she’s “looking for a doctor,”…
“Apply logic in places where it wasn’t intended to exist. If assured that the Queen of the Fairies has a necklace made of broken promises, ask yourself what it looks like. If there is magic, where does it come from? Why isn’t everyone using it? What rules will you have to give it to allow some tension in your story? How does society operate? Where does the food come from? You need to know how your world works.”
Worldcon 76 in San Jose, California this past August was a busy time. Thousands of science fiction and fantasy writers, readers, artists, publishers, and fans of every stripe travelled across the country and, in some cases, around the world to celebrate the best in SF.
We (Gary and Jonathan) had a wonderful time while we were there and managed to record four special episodes. Our final conversation is one of our favourites. Alec Nevala-Lee‘s Astounding: John W. Campbell, Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction is a fascinating and probably definitive examination of Astounding, John W. Campbell and the writers who made up that time. Andy Duncan, a long-time friend of the podcast, also just published “New Frontiers of the Mind”, his first story for Analog (successor to Astounding) which examines the connection between Campbell and Rhine. Both Alec and Andy sat down with us in San Jose to discuss Campbell, Astounding, and their own work.
In a ranging conversation, associate director Brian Keating interviews the preeminent scientist and thinker Freeman Dyson, discussing his career in science and letters, the role of creativity and subversiveness, the perils of prizes, and how nature always shows more imagination than we do.
(6) AMERICA ON POTTER. [Item by Mike Kennedy.] In a morning TV appearance to promote her new book American Like Me: Reflections on Life Between Cultures, America Ferrera also talked about other books that she finds important (Today Show: “America Ferrera says these are the books that inspire her”). She particularly enthused about the Harry Potter series, saying of her young son Sebastian (who goes by Baz), “Baz is only four months old. I cannot wait to read Harry Potter to him so I can read it again. I can’t wait to see him discover that whole world. Every night we read Goodnight Moon. I could recite it right now. That’s his nightly book. A good children’s book is genius. I love reading to him.” She also mentioned that her husband reads to the boy, saying, “My husband reads to him in the mornings. He wants to expose him to all kinds of reading. He’s read him A Brief History of Time out loud. If Baz grows up and becomes a physicist, it’s because he read that book out loud.”
The First – Hulu’s series about the first manned mission to Mars looks and sounds like many millions of bucks. It’s full of moments of breathtaking cinematography backed by a sweeping orchestral score. But all that grandeur often seems to be in service of obscuring the fact that The First has so little to say about its putative topic. Despite what promotional materials may have promised, the season takes place on Earth, after an accident during the launch of the first stage of a semi-private venture to the red planet leaves the rest of the project in jeopardy. Tech visionary Laz Ingram (Natasha McElhone) brings in former astronaut Tom Hagerty (Sean Penn), with whom she had previously feuded, to lead the next mission and help convince the public and politicians not to pull funding. But even this logistical, political, and technical challenge isn’t where the show’s heart really lies. Instead, The First turns out to be much more of a character drama, about the kind of people who choose to risk their lives on a long, arduous, dangerous journey into the unknown, and the people they leave behind….
We are profoundly sad to confirm that the legendary artist Carlos Ezquerra has passed away. It is difficult for us to put this into words, but we have lost someone who was the heart and soul of 2000 AD… https://t.co/FJI1K97SPhpic.twitter.com/fDKy47lTEr
2000 AD is profoundly saddened to confirm that artist Carlos Ezquerra has passed away at the age of 70.
One of the all-time greatest comic book artists, the Spanish illustrator was one of the titans of 2000 AD.
Originally from Zaragoza, Carlos began his career in Barcelona, drawing westerns and war stories for Spanish publishers. Breaking into the UK market on romance titles like Valentine and Mirabelle, he was head-hunted for the new IPC title Battle Picture Weekly where he drew Rat Pack, Major Eazy and El Mestizo.
In 1976, he was asked to create a new character, the future lawman Judge Dredd, for a new weekly science fiction comic called 2000 AD. Thanks to his enduring partnership with John Wagner, Dredd was to become one of the world’s most recognisable comic book characters, with Carlos there to apply his inimitable style to some of the biggest stories in the strip’s history, such as The Apocalypse War, Necropolis and Origins.
(9) TODAY IN HISTORY
October 1, 1957 — The Brain From Planet Arous premiered on this day
October 1, 1958 — National Aeronautics and Space Administration (NASA) founded
October 1, 1968 — Night of the Living Dead premiered
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and JJ.]
Born October 1, 1872 – James Allen St. John, Artist who is particularly remembered for his illustrations for the novels of Edgar Rice Burroughs, although he illustrated works of many authors. There are two recent collections of his work, J. David Spurlock’s Grand Master of Adventure: The Drawings of J. Allen St. John and The Paintings of J. Allen St. John: Grand Master of Fantasy by J. David Spurlock and Stephen D. Korshak. It is said that Frank Frazetta was a student of his, but I was unable to confirm that.
Born October 1, 1914 – Donald A. Wollheim, Editor, Publisher, Writer, Fan. Encyclopedia of Science Fiction calls Wollheim “one of the first and most vociferous SF fans.” He was a founding member of The Futurians and a member of First Fandom; The Immortal Storm by Sam Moskowitz and The Futurians by Damon Knight are both essential reads on his contributions to early fandom. His first story, “The Man from Ariel”, was published in the January 1934 issue of Wonder Stories. His David Grinnell-penned novels are quite good, as are the ones under his own name. He co-edited the World’s Best SF anthologies for 26 years, and his editorship of imprints such as Avon and his founding of DAW Books were key to the development of the genre as we now know it.
Born October 1, 1922 – Terry Jeeves, Member of First Fandom, Fan Artist, Editor, Writer, and Organizer. He helped found the British Science Fiction Association in 1958, later serving as chair and as editor of its zine, Vector, for two years, and was one of the first fans recognized with the Doc Weir Award for service to British Fandom. He published a fanzine of his own, Erg, for over 40 years. His A Checklist of Astounding in three parts covers the years 1930 to 1959, and he was credited for assisting with Michael Ashley’s complete index of the prozine in 1981. He was contributing letters and fan art to fanzines right up until his death in 2011 at the age of 88.
Born October 1, 1928 – Laurence Harvey, Actor best known as The Manchurian Candidate, who had appearances on genre shows including Alfred Hitchcock Presents and Night Gallery, and roles in other genre movies including The Wonderful World of the Brothers Grimm and The Winter’s Tale.
Born October 1, 1935 – Dame Julie Andrews Edwards, 83, Actor, Writer, and Producer from England known for lead genre roles in Mary Poppins and the Rodgers and Hammerstein version of Cinderella, playing the Queen in the Ruritanian films The Princess Diaries, and lending her voice to various animated feature characters, including the Queen in the Shrek movies. In 1974 she published a children’s novel, The Last of the Really Great Whangdoodles.
Born October 1, 1943 – Sharon Jarvis, 75, Writer, Editor, and Fan. Co-wrote 3 different SFF novel series under the pen names of H. M. Major, Johanna Hailey, and Jarrod Comstock. Author of 3 volumes of True Tales of the Unknown for Bantam Books and fannish essays such as “To Con or Not” Parts Two and Three (though curiously the first part is not to be found) as published in the Cranky Bitches series in Fantasy Newsletter in 1983, and editor of the 1985 non-fiction anthology Inside Outer Space: Science Fiction Professionals Look at Their Craft, which contains contributions from some of the big names in genre writing.
Born October 1, 1944 – Rick Katze, 74, Attorney and Fan. I’ll just quote Fancyclopedia 3, which does him justice:
A Boston-area con-running fan. He is a member of NESFA and MCFIand was a member of SCIFI. He has been an officer of both NESFA and MCFI. He has worked on many Boskones as well as a number of Worldcons. A lawyer, professionally, he was counsel to the Connie Bailout Committee and negotiated the purchase of the unpaid non-fannish debt [of ConStellation, the 1983 Worldcon in Baltimore which went into the red for more than $150,000 – that’s $380,000 in today’s dollars] at about sixty cents on the dollar.
He chaired Boskone 21, Boskone 28, Boskone 41, and Lexicon 8, and edited many books for NESFA Press, including the six-volume Best of Poul Anderson series. He was made a Fellow of NESFA in 1980. He appeared in the fannish musical Back to Rivets.
Born October 1, 1948 – Mike Ashley, 70, Editor and Anthologist, and that is somewhat of an understatement, as the Mammoth Book series by itself has thus far run to thirty volumes including such titles as The Mammoth Book of Awesome Comic Fantasy and The Mammoth Book of New Jules Verne Adventures. He also did The History of the Science Fiction Magazine, which features commentary by him. He’s done a number of genre related studies including The History of the Science Fiction Magazine with Robert A. W. Lowndes, and Out of This World: Science Fiction But Not As You Know It.
Born October 1, 1950 – Natalija Nogulich, 68, Actor best known to genre fans as Admiral Necheyev in Star Trek: The Next Generation and Deep Space Nine, who has also had guest roles in numerous genre series including Dark Skies, The Pretender, Charmed, and Sabrina the Teenage Witch.
Born October 1, 1954 – Paul Park, 64, Writer and Teacher whose Ruritanian novels were nominated for World Fantasy, Tiptree, and Sidewise Awards, and whose SFF novels and stories have been finalists for Nebula, Clarke, Tiptree, BSFA, World Fantasy, Sturgeon, Shirley Jackson, and Kurd Laßwitz Awards.
Born October 1, 1960 – Elizabeth Dennehy, 58, Actor who played Lt. Commander Shelby in the Emmy-nominated Star Trek: The Next Generation two-part episode “The Best of Both Worlds”, guest roles on Quantum Leap, Charmed, and Medium, and parts in Gattaca, The Last Man on Planet Earth, Red Dragon, and Hancock.
Born October 1, 1962 – Hakeem Kae-Kazim, 56, Actor from Nigeria with the Royal Shakespeare Company who has appeared in Pirates of the Caribbean: At World’s End, The Librarian: Return to King Solomon’s Mines, The Jinn, X-Men Origins: Wolverine, Slipstream, Global Effect, the TV miniseries King Solomon’s Mines and The Triangle, has had guest roles on Gotham, Scorpion, The Adventures of Sinbad, and The Avengers: Earth’s Mightiest Heroes, and has provided voices for numerous videogames including editions of World of Warcraft, Lego Star Wars, Halo, Final Fantasy, and The Golden Compass.
Born October 1, 1969 – Zach Galifianakis, 49, Actor, Writer, and Producer who had a main role in the series Tru Calling, appeared in the films A Wrinkle in Time, The Muppets and The Muppets: Most Wanted, and has done voices in animated features including The Lego Batman Movie.
Born October 1, 1973 – Rachel Manija Brown (an Eldridge favorite, as she has reviewed for Green Man Review), 45, Writer of the Change series with Sherwood Smith, and Laura’s Wolf, first volume of the Werewolf Marines series. Author of SFF stories, poems, and essays including “The Golden Age of Fantasy Is Twelve: SF and the Young Adult Novel” published in Strange Horizons.
Born October 1, 1989 – Brie Larson, 29, Actor, Writer, Director and Producer. Her earliest genre appearance was a guest role on Touched by an Angel at the age of 9. In addition to a guest spot on Ghost Whisperer, she appeared in the movies 13 Going on 30, Scott Pilgrim vs. the World, and Kong: Skull Island. She directed and starred in the indie film Unicorn Store, is the star of the upcoming Captain Marvel movie, and will appear in the next Avengers film.
(11) BELATED BIRTHDAY
Born September 30, 1949 – D Potter, Editor, Photographer, and Fan, was a New York and then Bay Area fanzine fan. She participated in numerous Amateur Press Associations (APAs), pre-internet fanzine-sharing and discussion groups – often focused on a specific subject of interest – which distributed copies and letters via group meetings and snail mail, including Apa-nu, A Women’s APA, APA-Q, Myriad, Mixed Company, Spinoff, MISHAP, FAPA, and Intercourse. She was founder and Original (or Collating) Editor of the music discussion ALPS, and Fan Guest of Honor at Balticon 16 in 1982. Although she passed away last October, her website can still be seen at http://onyxlynx.blogspot.com.
(12) A BIRTHDAY LETTER OF COMMENT. Sheila Williams sent a correction to our birthday listings —
My thanks to whoever included me in the list of September 27, 2018 birthdays. Just wanted to mention an error, that I’ve only seen once before. The first sentence reads “Sheila Williams, 62, Editor of Asimov’s Science Fiction magazine for the past thirteen years, following twelve years before that working under Isaac Asimov and Gardner Dozois at the magazine, which is a remarkable achievement.”
Actually, I worked at the magazine for 22 years before becoming editor. I joined Asimov’s in June 1982 (hired by Cathleen Moloney) and just celebrated my 36th year on the staff. In addition to Cathleen, Gardner, and Isaac, I also worked with Shawna McCarthy during her entire tenure as editor of the magazine.
If anything, Jon Snow’s direwolf lived up to his name in Season 7 of “Game of Thrones.”
Throughout the course of seven episodes, the King in the North’s constant companion didn’t show up once. Ghost was an actual ghost.
This despite the fact that the wolf would probably come in handy in confrontation with zombie hordes, undead polar bears and the Night King, who’s taking down dragons with pinpoint accuracy like he’s plaid-wearing, retired sniper Mark Wahlberg in any Mark Wahlberg movie….
Because of his son’s name [Kal-El], I tell him, there’s an online campaign to make him the next Superman. “Oh, I think my Superman days are long gone,” he laughs with a little pat of his belly. He would be an amazing villain in it, I reply. His eyes light up. “Oh, that would be GREAT! I’d make a great Lex Luthor!”
“Our first deduction from examining these petroglyphs is that they were created around 10,000BC,” the director of the Maharashtra state archaeology department, Tejas Garge, told the BBC.
The credit for their discovery goes to a group of explorers led by Sudhir Risbood and Manoj Marathe, who began searching for the images in earnest after observing a few in the area. Many were found in village temples and played a part in local folklore.
“We walked thousands of kilometres. People started sending photographs to us and we even enlisted schools in our efforts to find them. We made students ask their grandparents and other village elders if they knew about any other engravings. This provided us with a lot of valuable information,” Mr Risbood told the BBC.
(17) THE LONG WAY HOME. James Davis Nicoll’s youth have returned! And the Young People Read Old SFF panel has been assigned Walter M. Miller Jr.’s “The Will.”
SF 68 was a South African radio show that ran in, well, 1968. Producer Michael McCabe went on to produce the more successful Beyond Midnight. SF 68 adapted a number of American SF stories to radio play form, many by authors I would not have expected to sell rights to an Apartheid era South African program. If there is a story behind that, I have not heard it.
Walter M. Miller is best known for his Canticle For Leibowitz (of which there is a top notch adaptation far too long for this project). Indeed, the rest of his body of work has been essentially eclipsed by Canticle. Still, there are pieces while not as iconic as Canticle are worth consideration. “The Will” for example demonstrates a laudable understanding of the true utility of time machines other, Hugo-winning, works manifestly do not. But perhaps my volunteers will not agree with me.
In a copy of [Dr. Alessandro] Strumia’s presentation seen by Motherboard, Strumia frames his presentation as an effort to get to the bottom of the “mainstream” and “conservative” positions about gender equality in physics and science more generally. Strumia framed his presentation as an attempt to “use data to see what is right.”
A number of slides show what Strumia described as data about the percentage of women in different fields, sexism in citations, sexism at conferences, and gender asymmetry in hirings. These data items conflict with a number of other studies that point to rampant discrimination in STEM, however. For example, a study published earlier this year by Pew Research found that nearly half of women in STEM say sexual harassment is a problem and that they have experienced some form of discrimination.
Strumia’s presentation also claimed sexism against men, on the grounds that scientists were killed in wars and that universities have made hiring decisions based on equal gender representation “irrespective of merit.”
According to [Dr. Jessica] Wade, who wrote an op-ed for New Scientist about Strumia’s talk, his presentation “claimed that women weren’t as good at physics, were promoted too early, and received disproportionate funding given their ability.”
(19) POWERS AND PRATCHETT. FTL Publications has posted video of some classic author interviews:
This is a 2-part interview with Tim Powers at the Arcana convention in St. Paul on October 1, 2004. Tim talks about his novels, including The Drawing of the Dark, The Annubis Gates, Dinner at Deviant’s Palace, The Stress of Her Regard, and Declare. He also discusses the writing process.
Sir Terry Pratchett (d. 2015) is interviewed at Minicon by Jim Young (d. 2012) on March 26, 2005 in Bloomington, Minnesota, USA. The author talks about his writing, meeting J. K. Rowling, and how he received the OBE.
[Thanks to Chip Hitchcock, James Davis Nicoll, Andrew Porter, Carl Slaughter, JJ, John King Tarpinian, Cat Eldridge, Martin Morse Wooster, Joel Zakem, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]