By Daniel Dern: I’m not immediately moved to order any for myself — I’ve already got enough interesting (non-magical) card decks (robots, 3D dinosaurs, Alice, etc), but surely some Filers will be bemused, perhaps even moved to acquire. These are the ones that seemed most sfnal, but there’s lots more.
BTW, it looks like you can find many of these decks at significantly better prices (e.g. give or take shipping costs) at MJMagic.com. (Note, I have not yet ordered from this store/shop)
The Lost Aztec Temple of Mars has stood atop the hills of Sherman Oaks for decades, with a façade lovingly fashioned like the ruins of an ancient alien civilization. Carved into its faded orange exterior is an imagined history of flying ships and extraterrestrials, of tangled tendrils and tentacles, of creatures serpentlike and humanoid. This was the home of author Harlan Ellison, a sanctuary he also called Ellison Wonderland, where he wrote his popular scripts and short stories and kept its rooms filled with a museum-grade collection of science fiction and pop culture.
The house is largely as he left it in 2018, when he died there at age 84. For much of his life, Ellison was a leading writer of science fiction (he preferred the less restrictive label “speculative fiction”), a close friend to colleagues including Isaac Asimov and Neil Gaiman, but also notorious among his many enemies and comrades in Hollywood and the once-insular science fiction world.
Upstairs at the house, where Ellison’s manual typewriters, tobacco pipes and a row of rocket-shaped Hugo Awards remain, it is familiar and sacred ground to his old friend, the writer and producer J. Michael Straczynski….
…For Straczynski, 69, Ellison was not just a friend but a father figure of lasting impact. His real father, he says, “was complete shit.” Another executor would have simply liquidated Ellison’s assets, donated them to a favorite charity and moved on. But Straczynski has taken on a bigger mission — to return Ellison’s name to prominence.
“I would not be where I am right now if not for Harlan,” explains Straczynski, who was a 12-year-old in Newark, New Jersey, when he discovered the writer, and sought out his books for years. As his own career evolved from journalism to writing for animated TV, then a latter-day version of The Twilight Zone, show-running Babylon 5 and writing screenplays for Clint Eastwood (2008’s Changeling) and others, Ellison’s feisty example remained central. “His words kept me going. He was the only writer that I came across who made the notion of courage essential to the writing process, and being willing to fight for it.”…
The Museum of Neon Art (MONA) is pleased to present Larry Albright: A Great Magic Truth, an exhibition celebrating the legacy of artist, inventor, and pop-culture force, Larry Albright. The exhibition contains plasma sculptures, consumer electronics, miniature neon set pieces, and film clips from Albright’s work in movies such as Close Encounters of the Third Kind, Star Wars, Star Trek, Blade Runner, The Goonies and more. Albright’s distinctive artistic style bridged the gap between the Light and Space Movement, assemblage, and pop culture in the 1970’s through 2000’s. A Great Magic Truth exemplifies the interconnectedness of art and science, and celebrates how humans can manipulate matter in a way that transcends time and space to create new realities. The exhibition will be on display March 29, 2024 through September 8, 2024.
…Last year’s Godzilla Minus One took the character back to his roots with a human-driven story with the monster standing in for trauma and pain. Far from a heroic savior, the Godzilla of Godzilla Minus One was a return for the horrifying entity that our heroes would risk everything to defeat. It’s a great movie, but that’s not all Godzilla can be. Even if you want to argue it’s an American/Japanese divide (as this Polygon article does, although I think it kind of breezes past large chunks of Godzilla’s history), the fact remains that Godzilla is not just one kind of character, and hasn’t been for some time. That’s why I have no problem riding with his heroic iteration in Godzilla x Kong: The New Empire.
If you’re familiar with the Showa Era Godzilla, you’ll see that’s where director Adam Wingard puts his allegiance—big, monster wrestling fights with lots of destruction and little concern towards plot details or character development. It’s been a strange journey for this “MonsterVerse” that Legendary (the series’ production company) put together where Gareth Edwards’ 2014 Godzilla feints at trying to the bridge the gap between a serious Godzilla and a monster-fighting Godzilla, but by the time you’ve reached this sequel, they’re fully in their monsters-rasslin’ mode. It’s nice to feature acclaimed actors like Rebecca Hall, Dan Stevens, and Oscar-nominee Brian Tyree Henry, but they’re simply here to class up the joint (and doing a solid job of it). The characters with the two clearest arcs are Kong and Jia (Kaylee Hottle), the deaf girl from Godzilla vs. Kong who can communicate with Kong via sign language. They’re both looking for a place to belong, and wouldn’t you know it, it’s even deeper in The Hollow Earth (Hollower Earth?)….
(5) SMILE, YOU’RE ON ROBOT CAMERA. Science reports on research where a “Robot face mirrors human expressions.”
Humanoid robots are capable of mimicking human expressions by perceiving human emotions and responding after the human has finished their expression. However, a delayed smile can feel artificial and disingenuous compared with a smile occur-ring simultaneously with that of a companion. Hu et al. trained an anthropomorphic facial robot named Emo to display an anticipatory expression to match its human companion. Emo is equipped with 26 motors and a flexible silicone skin to provide precise control over its facial expressions. The robot was trained with a video dataset of humans making expressions. By observing subtle changes in a human face, the robot could predict an approaching smile 839 milliseconds before the human smiled and adjust its face to smile simultaneously.
(6) ALICE IN MOVIELAND. [Item by Daniel Dern.] “Alice through the projector lens” at Den of Geek. For serious Alice/Carroll video (movie, TV, etc) fans, this list (the article’s nearly 15 years old, but I’m seeing many I was unaware of and want to find, e.g. “A Song Of Alice,” along with some I might have seen but would cheerfully rewatch). And others I’m familiar with, happily.
There’s some well-known/fabulous actors among the casts, including WC Fields, Clark Gable, Ringo Starr, Zsa Zsa Gabor, Phyllis Diller, Jonathan Winters, and Gene Wilder. I’m curious to see Mr. T as the Jabberwock!
(Did Robin Williams ever do any Alice? Can somebody do one starring Kate McKinnon?)
This isn’t a complete list; e.g. it appears to omit the phenomenal 1988 (but not for young kids) Czech stop-motion animation (plus one live actor, playing Alice), Alice (Original title: Neco z Alenky).
(7) RING TOUR. Tech Wizards is selling a line of ten Lord of the Rings Posters done travel ad-style. Two examples below. (Click for larger images.)
Experience the beauty and adventure of Middle-earth through a beautifully illustrated scene that captures the essence of Tolkien’s legendary universe.
(8) CHANCE PERDOMO (1996-2024). Actor Chance Perdomo, the Chilling Adventures of Sabrina and Gen V star, died following a motorcycle accident says The Hollywood Reporter obituary notice. Perdomo was relatively young, his career was just beginning to take off, and he had already done quite a bit of genre work.
Perdomo played Ambrose Spellman and appeared in all episodes of The Chilling Adventures of Sabrina (2018-2020) based on the Archie comics about Sabrina, the teenage witch.
Gen V (2023- ) is a spin-off of The Boys. He appeared in all 10 episodes of season 1. It has been renewed for a season 2, tentatively expected next calendar year. His character Andre Anderson was part of the cliffhanger at the end of S1, so his disappearance may take some explaining in S2, unless they recast the part.
Moominvalley (2019- ) is an English/Finnish production appearing originally on TV in the UK and Finland. Dubs for several other languages followed. It’s based on the Moomin series of books and comics. Perdomo‘s character Snork appeared in 4 episodes of the 3rd and currently final season. A 4th season is expected.
(9) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born March 29, 1930 — John Astin. Now let’s talk about one of my favorite performers, John Astin. I know him best as Gomez Addams in The Addams Family series which was on the air shorter than I thought, lasting just two seasons and a little over sixty episodes. He played him again in Halloween with theNew Addams Family (which I’ve not seen) and voiced him thirty years later in The Addams Family, a two-season animated series. I’ll admit I’m not interested in animated series based off live series. Any live series.
John Astin and Carolyn Jones in The Addams Family (1964).
Oh did you know he was in West Side Story? He played Glad Hand, well-meaning but ineffective social worker. No, you won’t find him in the credits as he wasn’t credited then but retroactively he got credited for it which was good as he was a lead dancer. Brilliant film and I’ve no intention of watching the new version, ever.
(Yes I’ve long since abandoned the idea that these Birthdays are solely about genre.)
I’d talk about him being in Teen Wolf Too but let’s take the advice of Rotten Tomatoes reviewers and steer way clear of it. Like in a different universe. Same for the two Killer Tomatoes films. I see he’s in Gremlins 2: The New Batchas janitor but I can’t say I remember him.
So series work… I was going to list all of his work but there’s way too much to do that so I’ll be very selective. So he’s The Riddler in two episodes of Batman and a most excellent Riddler he was.
But that was nothing when compared to his role on The Adventures of Brisco County, Jr. as Prof. Albert Wickwire. He’s a charming, if somewhat absent minded inventor who assists Brisco with diving suits, motorcycles, and even grander creations such as rockets and airships. Dare I say that this was an element of steampunk in the series? It was a great role for him.
Finally he has a recurring role as Mr. Radford (the real one) as opposed to Mr. Radford (the imposter) on Eerie, Indiana. A decidedly weird series that was cancelled before it completed.
(10) COMICS SECTION.
Candorville tries to find a bright side to look on.
…Goggins is almost unrecognisable as the Ghoul, in part due to the full-face prosthetic work that essentially turns him into a bright red, noseless skull. Which, as you may imagine, was not a lot of fun to wear.
“I didn’t know how I would hold up, to be quite honest with you,” he says. “The very first day we were working, it was 106F [41C]. And all of a sudden, the sweat started building up. I couldn’t stop it. Jonathan Nolan asked me: ‘Are you crying?’ I said: ‘No, I don’t know what you’re talking about.’ And he touched my eye and water came pouring out of the piece, because there was a buildup of sweat inside. I’m not one to complain, but I sat down on a log and literally said to myself: ‘Man, you’re getting too old for this shit. I don’t know how I’m going to do nine months of this.’ I was freaking out.’…
(12) VERONICA CARLSON INTERVIEW. Steve Vertlieb invites you to look back at this 2013 YouTube video celebrating the life and career of beloved Hammer Films actress Veronica Carlson.
In an exclusive one-on-one sit-down recorded for the documentary, THE MAN WHO “SAVED” THE MOVIES, iconic Hammer Studios actress (and 60s era Mod “It Girl”) Veronica Carlson candidly discusses her days with Hammer, her near familial relationships with the legendary Peter Cushing & Christopher Lee, her close friendship with cinema journalist / archivist Steve Vertlieb, and what caused her to leave the film industry just as her star was rising.
[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Ersatz Culture, Steve Vertlieb, Kathy Sullivan, Lise Andreasen, Daniel Dern, Steven French, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
(1) EYE ON THE PRIZE. Iron Truth author Sofie Tholin, winner of the first Self-Published Science Fiction Competition, has received her trophy from Hugh Howey.
(3) PAWS FOR GENRE. [Item by Daniel Dern.] Over on a mailing list, a (so far) brief discussion of “grinning like a Cheshire cat” came up.
In the 150th anniversary version of The Annotated Alice, a page-and-a-half comment discussion on this starts on page 73. (Other CC-related annotations show up a few pages later.) (If you’ve got the original hardcover Annotated Alice, from 1960, like the one I won at summer camp either in 1962 or 1963, there’s a much shorter annotation comment on page 83.)
“The term grin like a Cheshire cat predates the publication of Alice’s Adventures in Wonderland by at least seventy-five years, if not longer”
along with this suggestion/explanation for the idiom:
“Cheshire is a county in England that is known for its milk and cheese products, surely a reason for Cheshire cats to smile….The most intriguing story may be that at one time a cheese was manufactured in Cheshire county that was shaped like a cat. The cheese was eaten from tail to head, leaving the cat’s smile as the last part of the cheese to be consumed”
“the phrase crops up in English literature as early as 1788, where it appears an entry in a sort of slang dictionary of the time, Francis Grose’s A Classical Dictionary of the Vulgar Tongue.”
Playlist/Lagniappe: And here’s Sammy Davis Jr, who voiced The Cheshire Cat in the 1966 Hanna Barbara ABC-TV animated movie, singing “What’s A Nice Kid Like You Doing In A Place Like This?”
(4) PUBLISHER REBRANDS. Tom Doherty Associates has rebranded itself Tor Publishing Group, effective immediately. Tor president and publisher Devi Pillai said in the announcement, “Although the Tor name has always been associated with science fiction and fantasy, our list has included titles beyond that genre since our inception. With this name change and continued growth, the Tor name will now stand for quality in various types of genre publishing, with each imprint representing a distinct voice.” “Tom Doherty Associates Is Now Tor Publishing Group” at Tor.com.
(5) ALAMAT. [Item by Chris Garcia.] We here at Journey Planet have been working hard as we barrel towards Worldcon where many of us will be seeing one another for the first time since 2019-ish. Chris and James are joined by 2022 Hugo nominees Jean Martin and Chuck Serface for an issue looking at Filipino myth, legend, and folklore, alamat in Tagalog.
Jean provides an excellent introduction to the zine and her journey into myth and legend, and writers Pat M. Yulo, Karl Gaverza, Claire Mercado-Obias, Gerard Galo, Jimuel Villarosa Miraber, and James Bacon provide fine words on the subject.
Art from Franz Lim, Diana Padullo, Leandro Geniston, Clair Mercado-Obias, Alfred Ismael Galaroza, and Jimuel Villarosa Mirabar is also joined by a couple of pieces from the AI art-generator DALL*E 2, and graphic design elements from Chris’ 1960s airline menu collection!
(6) ATOMIC PILES. First Fandom Experience’s latest post in support of the “1946 Project” at Chicon 8 is “The Fan Cave, c1940s”. They’ve reproduced “narrative tours” of the dedicated fan spaces created by Bob Tucker, Harry Warner Jr., and Ron Holmes.
The “experience” component of “First Fandom Experience” conveys our desire to capture what it was like to be an early fan. To date we’ve dedicated the most space to fannish interactions — clubs, correspondence, conventions, conflicts. But fans spent most of their time at home. Those fortunate enough to have even a semi-permanent residence literally papered their walls with the accumulated evidence of their devotion to science fiction….
(7) FREE READ. The Sunday Morning Transport offers Michael Swanwick’s “The Warm Equations”.
Welcome to the first, free-to-read Sunday Morning Transport story for August: science fiction from Michael Swanwick. Concise and epic, “The Warm Equations,” explores a different side of the choices we may make in space. ~ Fran Wilde, August 7, 2022.
(8) PRINCE AND REPRINTS. Jason Sanford has written a follow-up Twitter thread about the SF Insiders post commenting on Best Editor Short Form finalist Oghenechovwe Donald Ekpeki (who they ranked last) and the merits of reprint anthology work. The thread starts here.
These types of Year's Best anthologies are very important guideposts for the SF/F genre, and can also help authors attain attention and respect for their work. The importance of these types of anthologies to the genre should not be dismissed or underplayed. 4/
Jeff VanderMeer also drew on his experience in a comment to Sanford:
Yes, from my perspective editing both original and reprint anthos, objectively more important than most original anthos–incl for, ex, the original pirate stories antho we edited back in the day. ???? Also, tho varies, I'd say our reprint anthos took more work than our originals
“The Orville” honored Norm Macdonald in a tribute video posted Friday showcasing the late comedian and actor’s moments on the show as lovable Gelatin Lieutenant Yaphit….
In loving memory of Norm Macdonald. Thanks for your continuous laughs and allowing us to be part of your fleet. – The Orville Crew pic.twitter.com/tz4GODfaUk
(10) OLIVIA NEWTON-JOHN (1948-2022). Actress and singer Olivia Newton-John died August 8 at the age of 73. Her husband made the announcement on Facebook. Her genre credits include the movies Xanadu and Sharknado 5: Global Swarming.
(11) MEMORY LANE.
2009 – [By Cat Eldridge.]Ravens in the Library: Magic in the Bard’s Name (2009)
I get a lot of personally signed books and Ravens in The Library showed up in the post some thirteen years ago with a note asking if Green Man would review it. I already knew of SJ Tucker, a singer-songwriter who does a lot of filk, sort of filk and of course straight singer-songwriter material. You can hear her doing Catherynne Valente’s “A Girl in The Garden” here, riffing The Orphan’s Garden as she gave it to Green Man.
She also writes children’s books and we reviewed one here, Rabbit’s Song, she wrote with Trudy Herring.
Sadly she got a severe illness starting in 2008 caused her to have a very long hospital stay and related surgery, and left her to recover under the weight of massive medical bills. As you well know, independent musicians don’t have deep pockets, so her friends launched a number of projects to generate the needed monies.
So what did they do? Well the most successful project is sitting on my desk, The Ravens in the Library anthology. Three hundred and seventy pages of ballads, poems, songs and stories amply illustrated by far too many stellar artists too note here. The great cover which you can see below is James A. Owen
The writers here are, well, let’s just say I was gobsmacked. Charles de Lint, and Terri Winding, and Neil Gaiman. Ari Berk usually known for his illustrations does a story too, as does Catherynne Valente, Holly Black, and, of course, S.J. Tucker contribute excellent work too. It would be wrong to overlook the work by writers that I’ve never heard of, most likely from the fan community, who are just as great.
So how successful was it? This anthology in less than a week paid off all of her considerable medical bills. Very impressive!
I’d be remiss not to mention the excellent editing work of Phil Brucato and Sandra Buskirk.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 8, 1905 — Reginald Lal Singh. Indian-born actor. He portrayed Captain Chandra in Star Trek’s “Court Martial”. He can also be seen by use of archival footage from The Day the Earth Stood Still in the Star Trek: Strange New Worlds’ “Strange New Worlds” episode. He was a military officer in the fifties War of the Worlds. (Died 1970.)
Born August 8, 1919 — Dino De Laurentiis. Responsible for the first Dune obviously (it’s odd to have to state that it’s the first Dune, for decades there was only one) but less obviously also a lot of other genre including two Conan films, Flash Gordon, King Kong, Halloween II and Halloween III, Dead Zone and The Last Legion. His company even made Army of Darkness! (Died 2010.)
Born August 8, 1920 — Jack Speer. He is without doubt one of the founders of fandom and perhaps the first true fan historian having written Up to Now: A History of Science Fiction Fandom covering up to 1939 as well as the first Fancyclopedia in 1944. Filking and costume parties are also widely credited to him as well. Mike has a proper remembrance here. (Died 2008.)
Born August 8, 1930 — Terry Nation. Best known as scriptwriter for Doctor Who and creator of the Daleks. He later created Blake’s 7. He would also write scripts for Department S, The Avengers,The Champions and MacGyver. He both Davros and the Daleks on Who. He died from emphysema in Los Angeles aged 66, as he working with actor Paul Darrow who played Kerr Avon on Blake’s 7 in an attempt to revive that series. (Died 1997.)
Born August 8, 1935 — Donald P. Bellisario, 87. His genre shows include Tales of the Gold Monkey, Airwolf, Magnum P.I. (according to some of you) and of course that truly amazing show Quantum Leap. He was a writer and producer on the original Battlestar Galactica.
Born August 8, 1937 — Dustin Hoffman, 85. Ahhh Captian Hook, the man who got figuratively swallowed by the vast crocodile in Hook. Yeah I like that film a lot. But then I like the novel very much, too. By no means his only genre appearance as he was Mumbles, Caprice’s fast-talking henchman in Dick Tracy (a film I actually find rather odd), Mr. Edward Magorium in Mr. Magorium’s Wonder Emporium and the voice of Master Shifu in Kung Fu Panda.
Born August 8, 1961 — Timothy P. Szczesuil, 61. Boston-based con-running fan who chaired Boskone 33 and Boskone 53. He’s also edited or co-edited several books for NESFA, Strange Days: Fabulous Journeys with Gardner Dozois and His Share of Glory: The Complete Short Science Fiction of C. M. Kornbluth.
Born August 8, 1987 — Katie Leung, 35. She played Cho Chang, the first love interest for Harry in the Potter film series. Her only other genre appearance to date is as Dou Ti in Snow in Midsummer at the Swan Theatre, Stratford-upon-Avon. Dou E Yuan, often also translated as The Injustice to Dou E, is a Chinese play written by Guan Hanqing (c. 1241–1320) during the Yuan dynasty with serious bloody magic realism in it. End of your history lesson.
(13) COMICS SECTION.
Breaking Cat Newsran a series where the cats play an RPG. The first post is on June 20 and it runs through July 9.
…Now, Rolling Stone Australia reports that another DC superhero movie is dead, this time, it is Supergirl who will fly no more.
…insiders at Warner Bros. have also said the currently in-development Supergirl film is next to be canceled. The film was planned as a spin-off from the upcoming The Flash, starring Ezra Miller. Supergirl is set to be introduced in The Flash when it is released in 2023, with actress Sasha Calle portraying the blue-suited heroine.
It should come as no surprise that Supergirl is the next DC superhero project to be retired by the newly cutthroat Warner Bros. Discovery regime and it is likely that it has nothing to do with Batgirl. So far, The Flash has constantly been suffering bad press thanks to its lead actor Ezra Miller. Miller has been embroiled in several criminal charges and allegations over the past year and Warner Bros. has already stated the actor no longer has a future in the DC franchise beyond The Flash. With Miller out of the picture, it is safe to assume any spin-offs related to their lead role will follow suit. It’s worth mentioning that Michael Keaton’s return as Batman in The Flash was also set to be complemented by his appearance as the iconic character in Batgirl….
First, to the many nervous fans of The Sandman among you:
Relax. They nailed it.
Yeah, it took forever, and a slew of assorted aborted attempts, but the Netflix adaptation of the landmark comic book series just … works.
It succeeds as a faithful presentation of the look, feel and story of the Lord of Dreams as presented in the comics, which was written by Neil Gaiman, with art by Sam Kieth, Mike Dringenberg and many other pencilers and inkers over the years.
Far more importantly, however, it succeeds as a work of adaptation.
Where recent audiobook versions strictly adhered to every infinitesimal detail of the 1989-1995 comic run (and as a result ended up feeling both dated and overwritten), the Netflix series’ grip on the source text is gratifyingly looser. It breathes.
Changes, big and small, have been made to characters and storylines that streamline, update and focus the narrative, now honed to fit the specific propulsive demands of serialized television….
…Those elements started with the Bridge, which already made its debut during the second season of “Star Trek: Discovery.” But now that Pike’s Enterprise was getting its own show — one that will hopefully (and boldly) go the distance with a five-year mission — that called for significant revisions to the nerve center of the Enterprise.
“We’ve taken the set that we’ve inherited, but we did a great deal of work,” Lee said. “[Executive Producer] Akiva Goldsman briefed me to bring it back to ‘The Original Series.’ We had to move things around a little bit. We moved the captain’s chair around so that Captain Pike could throw a look to helm and navigations really easily, and that would work with the camera.” And since the viewscreen that was seen in “Discovery” was depicted using visual effects, a physical representation of the viewscreen was designed and added to the Bridge set for “Strange New Worlds.”
Lee also changed the color language from the “Discovery” version of the Enterprise. “It was quite cool with blues and greens and cool yellows. I said, the Bridge must feel warmer, particularly the motion graphics on all the monitors. When you see the before and after, it’s pretty dramatically different, but it’s much more intimate, and it feels more like our show.”
Growing up in Fairhope, Alabama, in the mid-20th century, Gregory Benford engaged in more than his share of character-building employment. In sun-parched farm fields, he chopped sugar cane and bagged potatoes. On shrimping and fishing boats operating out of Mobile Bay, he hauled in nets laden with the ocean’s produce.
Those years of toil on the land and water planted a seed in Benford’s young brain that would, decades later, sprout into CROPS, a nascent commercial enterprise he co-founded that may prove to be one of the most practicable and effective approaches to solving climate change ever devised.
Crops Residue Oceanic Permanent Sequestration is a method of atmospheric carbon dioxide removal that’s simple, straightforward and globally scalable. It relies on the seasonally regulated natural processes of our planet combined with readily available farm labor and unremarkable, centuries-old equipment such as baling wire, trucks and barges. Essentially, CROPS involves bundling agricultural waste into half-ton cubes and transporting them out to the deep sea, where gravity will take them to the ocean floor. Here, the carbon that was once in the air will sit unperturbed for millennia…
…Jane Rigby patiently walked me through what the Webb can and can’t do. One thing I learned: Even a million miles from Earth, with that sun shield providing the equivalent of SPF 1 million, the Webb isn’t in total darkness. The heavens glow in the infrared part of the spectrum because of sunlight bouncing off dust.
“It’s our stupid solar system,” Rigby said. “It’s the zodiacal cloud. It’s the light from our own solar system. We’re stuck in our solar system, and we can’t get out of it.”
The Webb probably won’t be able to see the very first stars, she said, “unless they’re kind enough to blow up for us.” But already, the Webb has detected a galaxy that emitted its light just 300 million years after the big bang — easily a record. The instruments on the telescope can do spectroscopy on that light to see what elements are present….
(19) STATE OF THE ART! ATARI 800. Paul Daniels discuses how he programmed an Atari 800 to create a computer game in this 1983 clip from the BBC that dropped today.
“The massive problem with all of this is that it’s not written for ordinary people, and it’s a shame. The magazines and the manuals are completely non-understandable, it’s gobbledygook.” – Paul Daniels Micro Live takes a trip to Blackpool, where magician, presenter and self-taught computer programmer Paul Daniels is hard at work coding his first computer game – Paul Daniels’ Magic Adventure – on the Atari 800. Will you like it? Daniels feels that the unnatural language surrounding computers and their associated literature is a huge barrier to entry for many potential users.
(20) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] Emory Allen asks, “What if you could change your head as easily as you change your clothes? “Detached”.
[Thanks to JJ, John King Tarpinian, Andrew Porter, Chris Barkley, Soon Lee, Cath Jackel, Arnie Fenner, Daniel Dern, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Camestros Felapton.]
(1) COLUMBIA COLLEGE REACTS TO ALLEGATIONS AGAINST WELLER. Columbia College Chicago has announced that faculty member and Bradbury biographer Sam Weller, accused by a former colleague of sexual assault, will ‘step away’ from teaching during Columbia investigation.
A Columbia faculty member publicly accused of sexual assault by a former colleague at the college has agreed to “step away” from the classroom while the college investigates the claims.
In an article published on Medium Feb. 12, Cara Dehnert, a former associate professor of instruction in the Business and Entrepreneurship Department, accused Sam Weller, associate professor in the English and Creative Writing Department, of sexually assaulting her in his office on March 25, 2018.
…Dehnert said she received no communication from Human Resources after her meeting with them in 2020, and as of Feb. 18 has not heard from the college following the publication of her article.
In a Feb. 15 statement, Lambrini Lukidis, associate vice president of Strategic Communications and External Relations, said the college was investigating the allegations against Weller.
“Columbia College Chicago is aware of recent new allegations of potential criminal behavior and misconduct, which the College is investigating,” the statement said. “All reports of crimes and misconduct are taken seriously, investigated by the College and forwarded to local law enforcement if necessary.”
Over the course of the past week, Dehnert’s post was shared on various social media platforms, via email and in the Columbia Engage app. As word of the accusation spread, calls for accountability and for Weller’s removal from the classroom grew. A petition titled “Hold Sam Weller accountable” was posted Wednesday on Change.org, and as of Friday evening had garnered more than 2,600 signatures.
In a Feb. 16 interview, Madhurima Chakraborty, president of the Faculty Senate and associate chair of the English and Creative Writing Department, said she wanted more transparency from the college.
“I want there to be clarity around accountability,” Chakraborty said. “I want there to be a clear understanding of what it is that we should be able to expect from our workplaces and the place where we study.”
A statement from Lukidis to the Chronicle on Feb. 18 said Weller and the college “have agreed he will step away from his classes pending the outcome of the investigation.”
Students enrolled in Weller’s classes received an email Friday afternoon from Pegeen Reichert Powell, chair of the English and Creative Writing Department, informing them that Weller’s classes would be taught by a substitute “for the time being.”…
… Since then, I’ve been contacted by five other women and counting who shared similar experience. Except all of them were students at the time.
I don’t know why Columbia College Chicago didn’t act when Sam’s behavior was reported by someone else in 2017. I don’t know why (it appears) that CCC did not act when I reported in 2020.
I’ve said all along that my only goal is to help people moving forward. But as I read and listen to heart wrenching tale after tale, all of which are too similar to mine and all of which done by the hands of Sam, I’ve reconsidered my position.
The pattern is clear. Sam’s abuse and manipulation go back as early as 2008. 2008!!!! …
(2) SOMETHING PROS WONDER ABOUT. Lincoln Michel asks, “Do blurbs work?” and answers: Maybe, but yes if Stephen King blurbs your first novel: “Do Blurbs Actually Work?”
… Yes, sometimes. I myself have bought books thanks to blurbs now and then. Recently, I was browsing a translated literature table and saw The Houseguest by Amparo Dávila. I’d never heard of the author, but the book had blurbs from Carmen Maria Machado and Julio Cortázar so I thought, hell, let’s give this author a try! I’m glad I did.
Whenever blurb discourse heats up, plenty of readers say blurbs are a factor. So yes, they can sell books.
At the same time, yes, it is perhaps true that blurbs are rarely the deciding factor….
…It will feature 18 non-fiction pieces by 19 creatives You can check out the TOC here.
Our amazing cover was done by Dare Segun Falowo. The book itself will be free to download in all formats, following and due to the events inspired by Amazon KDP’s bad behaviour….
… 2020 was a landmark year in the lives of speculative fiction writers trying to both survive and create in the pandemic-lockdown breakout year. It was especially difficult for Black people, and Africans on the continent and in the diaspora.
The Bridging Worlds anthology examines those difficulties and how Black people and African writers navigated them. Even though we had myriad experiences in the different worlds we inhabit, we were nonetheless plagued by well, the same plague, no pun intended.
Bridging Worlds seeks to explore the threads and lines that connect us as we navigated this singular yet multifaceted experience, and show that connection in the various non-fiction pieces written in the diverse styles and forms the authors chose….
(4) WRAPPED. George R.R. Martin gave Not a Blog readers a progress report on House of the Dragon.
Exciting news out of London — I am informed that shooting has WRAPPEDfor the first season of HOUSE OF THE DRAGON.
Yes, all ten episodes. I have seen rough cuts of a few of them, and I’m loving them. Of course, a lot more work needs to be done. Special effects, color timing, score, all the post production work.
But the writing, the directing, the acting all look terrific. I hope you will like them as much as I do….
HBO/HBO Max chief content officer Casey Bloys was asked by Variety when the show will air.
…While Bloys could not tell Variety when “House of the Dragon” might premiere, he did confirm that it’s likely the show sticks around for more than just one season.
“If you’re betting on whether we’re going to do a second season, I think it’s probably a pretty good bet,” Bloys said. “Generally speaking, we usually let something air and see how it does, but obviously, we’ll make preparations ahead of time to make sure we’re ahead of the game.”…
(5) SFF MAGAZINE TRENDS AND INSIGHTS. Jason Sanford has published the “Genre Grapevine SF/F Magazines Survey Results” in a free Patreon post. He notes, “It turns out the results before the pandemic match up pretty close to the results in 2022. I also included a ton of the comments people shared as they completed the survey. Some fascinating stuff in those comments.”
At the end of 2019 I released the special report #SFF2020: The State of Genre Magazines, which examined the history of genre magazines along with the issues facing today’s magazines and podcasts. The report also included interviews with the editors, publishers, and staff of a number of leading SF/F magazines and podcasts.
I intended to follow that report with an examination of the attitudes of people in the science fiction and fantasy community towards their genre’s magazines and podcasts. I completed a survey on this topic in December 2019 and intended to combine the survey results with more interviews and research.
If all went well, the report would have been released in February 2020.
Of course, all did not go well. The global COVID pandemic shut the world down and swept my own personal life. I didn’t have the time to complete the report.
A few weeks ago I looked over the 2019 survey results and realized they presented an opportunity to see if the pandemic had changed attitudes among people in the SF/F community toward genre magazines and podcasts. I re-ran the same survey and compared the results….
(6) MYSTERIES REVEALED. Editor Laura Stadler tweeted a thread inviting readers to better understand what editors do. However, it’s in German, and if Twitter’s translations are not up to your standards, by all means, don’t click! Personally, I found it helpful. Thread starts here. The translation of the first tweet says —
Twitter, let’s talk about what editors do? And why am I, as an editor, not an absolute enemy of authors and why do you really not have to be afraid of me and my work on your texts?
… Every time I read the books, I am struck by something that hadn’t captured my attention the same way in previous readings. On this most recent re-reading, I noticed anew how often Alice interferes with pencils belonging to other characters, and I was particularly caught by the question of what does the flame of a candle look like after the candle is blown out? There are treasures to be found in these pages, glimmering, whether it is your first time reading, or fifth, or fiftieth.
No matter how familiar these stories may be, that white rabbit might lead you somewhere unexpected, if only you will follow….
(8) MEDIA BIRTHDAY.
1960 — [Item by Cat Eldridge]
The time is the day after tomorrow. The place: a far corner of the universe. A cast of characters: three men lost amongst the stars. Three men sharing the common urgency of all men lost. They’re looking for home. And in a moment, they’ll find home; not a home that is a place to be seen, but a strange unexplainable experience to be felt. — opening narration
On this date sixty two years ago, The Twilight Zone’s “Elegy” aired for this first time. It was the twentieth episode of the first season and was written by Charles Beaumont who you might recognize as the screenwriter of 7 Faces of Dr. Lao. Beaumont would die at just thirty-eight of unknown causes that were assumed to be neurological in nature.
The cast for this SF Twilight Zone episode was Cecil Kellaway as Jeremy Wickwire, Jeff Morrow as Kurt Meyers, Kevin Hagen as Captain James Webber and Don Dubbins as Peter Kirby.
This episode was based on his short story “Elegy” published in Imagination, February 1953. It was included in Mass for Mixed Voices: The Selected Short Fiction of Charles Beaumont.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 19, 1912 — Walter Gillings. UK fan of some note. He edited Scientifiction, a short lived but historic fanzine. Shortly thereafter he edited Tales of Wonder, regarded as the first UK SF zine. Clarke made his pro debut here. He’d edit a number of other genre zines later on, and ISFDB lists him as having two genre stories to his credit whereas Wiki claims he has three. (Died 1979.)
Born February 19, 1915 — Fred Freiberger. He’s best remembered as the producer of the third and final season of Star Trek. He was also involved in the Wild Wild West, the second season of Space: 1999 which he’s wholly responsible for and the short-lived Beyond Westworld. He was brought unto Trek after Roddenberry resigned as Showrunner. (Died 2003.)
Born February 19, 1937 — Terry Carr. Well known and loved fan, author, editor, and writing instructor. I usually don’t list Awards both won and nominated for but his are damned impressed so I will. He was nominated five times for Hugos for Best Fanzine (1959–1961, 1967–1968), winning in 1959, was nominated three times for Best Fan Writer (1971–1973), winning in 1973, and he was Fan Guest of Honor at ConFederation in 1986. Wow. He worked at Ace Books before going freelance where he edited an original story anthology series called Universe, and The Best Science Fiction of the Year anthologies that ran from 1972 until his early death in 1987. Back to Awards again. He was nominated for the Hugo for Best Editor thirteen times (1973–1975, 1977–1979, 1981–1987), winning twice (1985 and 1987). His win in 1985 was the first time a freelance editor had won. Wow indeed. Novelist as well. Just three novels but all are still in print today though I don’t think his collections are and none of his anthologies seem to be currently either. A final note. An original anthology of science fiction, Terry’s Universe, was published the year after his death with all proceeds went to his widow. (Died 1987.)
Born February 19, 1937 — Lee Harding, 83. He was among the founding members of the Melbourne Science Fiction Club along with Bertram Chandler. He won Ditmar Awards for Dancing Gerontius and Fallen Spaceman. In the Oughts, the Australian Science Fiction Foundation would give him the Chandler Award in gratitude for his life’s work. It does not appear that any of his work is available from the usual digital sources.
Born February 19, 1964 — Jonathan Lethem, 58. His first novel, Gun, with Occasional Music, a weird mix of SF and detective fiction, is fantastic in more ways that I can detail here. I confess that I lost track of him after that novel so I’d be interested in hearing what y’all think of his later genre work particularly his latest, The Arrest. His only major Award win was a World Fantasy Award for The Wall of the Sky, the Wall of the Eyecollection.
Born February 19, 1966 — Claude Lalumière, 56. I met him once here in Portland. Author, book reviewer and has edited numerous anthologies. Amazing writer of short dark fantasy stories collected in three volumes so far, Objects of Worship, The Door to Lost Pages and Nocturnes and Other Nocturnes. Tachyon published his latest anthology, Super Stories of Heroes & Villains.
Born February 19, 1968 — Benicio del Toro, 54. Originally cast as Khan in that Trek film but unable to perform the role as he was committed to another film. (And yes, I think he would’ve made a better Khan.) He’s been The Collector in the Marvel film franchise, Lawrence Talbot in the 2010 remake of The Wolfman, and codebreaker DJ in Star Wars: The Last Jedi. Let’s not forget that he was in Big Top Pee-wee as Duke, the Dog-Faced Boy followed by being in Terry Gilliam’s Fear and Loathing in Las Vegas as Dr. Gonzo which damn well should count as genre even if it isn’t.
When last we left Askia, things had gone so very wrong for her. Her efforts to protect her people, her lost kingdom had been completely dashed, and she has been captured. Now, at the heart of the power of her enemy, and nearly completely denuded of her powers, Askia has to find new ways and techniques to resist and oppose Radovan, and not incidentally, save her own life. For it is certain that, like his previous captives and victims, Radovan will, within a month, kill her, and take and distribute her power as he did his previous Empresses.
The Seventh Queen continues the story from Kelly’s debut novel The Frozen Queen.…
(12) EATING THE FANTASTIC. Scott Edelman invites listeners to brunch with Natalie Luhrs in episode 165 of the Eating the Fantastic podcast.
My guest for brunch at the Unconventional Diner — about which Washington Post food critic Tom Sietsema wrote — when he placed the restaurant at #4 on his Fall dining guide last year — “No restaurant fed me more often, or better, throughout the pandemic than French chef David Deshaies’s whimsical tribute to American comfort food.” — was two-time Hugo Award finalist Natalie Luhrs.
She’s the former science fiction and fantasy reviewer for Romantic Times Book Reviews and was briefly an acquisitions editor for Masque Books, the digital imprint of Prime. Though she dabbles in writing speculative fiction and poetry, she is mostly known for her non-fiction — which earned her those nominations — and can be found at her personal blog, Pretty Terrible, the intersectional geek blog, The Bias, which she co-founded with previous guest of this podcast Annalee Flower Horne, and of course, on Twitter, as @eilatanReads.
We discussed why I had a more optimistic outlook on her chances of winning last year than she did, the emotions which inspired her most recently nominated work and the doxxing that resulted from her offering up that opinion, her love for Dune even as she recognizes the classic novel’s problematic parts, what she once said about the Lord Peter Wimsey continuations which caused a backlash, the ways romance and science fiction conventions differ, where she chooses to expend her spoons when controversies arise, the importance of making our shared fannish community a welcoming space for all, recent science fiction novels which blew her mind, and much more.
Natalie Luhrs
(13) A YEAR OF ROVING. NASA interviewed Mars 2020 team members on the occasion of Perseverance’s Landiversary.
It’s been one busy year for NASA’s Perseverance Mars rover! Join us in the Mars Yard at the Jet Propulsion Laboratory as we celebrate the one-year anniversary of the robotic explorer’s historic Mars landing. We’ll be chatting with members of the Mars 2020 team who helped make the moment happen, and they’ll tell us what’s next for the rover.
(14) NUMBER NINE, NUMBER NINE. BBC Culture’s Nicholas Barber is not ready to concede to Plan 9 From Outer Space: “Is this the worst film ever made?”
…Among cinephiles who enjoyed bad films as much as good ones, Plan 9 from Outer Space became known as the one movie you had to watch, and watch again, and tell your friends (or enemies) to watch, too. Xavier Mendik, co-editor of The Cult Film Reader, says that it “remains a key template for judging cult film status”. Its fans wrote unofficial sequels and mounted stage adaptations. Jerry and his buddies aim to watch it in an episode of Seinfeld from 1991. And in 1994, Tim Burton’s biopic of Ed Wood climaxes with the making of the film. “This is the one,” beams Wood (Johnny Depp) at its premiere. “This is the one they’ll remember me for”.
… And here’s the third key to its strange charm: it isn’t actually a failure in every respect. Don’t get me wrong. Plan 9 from Outer Space is a terrible film. A dreadful film. An atrocious film. But it does have some elements that are halfway decent, and it’s unlikely that it would have a cult following without them…
(15) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] A family of excited Star Wars fans have turned up at a new exhibition on the construction of the Millennium Falcon months before it opens.
A life-size prop of the spaceship was built in Pembroke Dock, Pembrokeshire, in 1979 for the Empire Strikes Back, which was filmed in Elstree.
And news of a permanent exhibition there, due to open in April, pushed some fans to make the jump to hyperspace prematurely.
Mark Williams, who works for the Pembroke Dock Heritage Trust, said one family had “jumped the gun a little bit” amid a flurry of calls, emails and social media posts from fans.
[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, Jason Sanford, Chris Barkley, Scott Edelman, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Paul Weimer.]
(1) TIME IS OF THE ESSENCE.The Salam Award, which promotes imaginative fiction in and about Pakistan, released this video by Mushba Said to remind Pakistani writers they have until midnight July 31 to submit entries for the award. See full guidelines at the link. Participants must either be currently residing in Pakistan, or be of Pakistani birth/descent.
Did you know you can credit a djinn as a co-author for your submission? We just can't get them the award money…yet. Learn more about us and the award through this promo by the brilliant @HeyMushba, and let us know if you spot some easter eggs! DEADLINE TO SUBMIT: JULY 31ST! pic.twitter.com/5ZFGeT5w8O
The origins of Alice’s tumble into Wonderland and its long cultural afterlife—everything from Carroll’s tentative first sketches to cheery, Alice-themed advertisements for Guinness and tomato juice produced a hundred years later (“Welcome to a Wonderland of good drinking!”)—are the subject of a beguiling new exhibition, “Alice: Curiouser and Curiouser,” at the Victoria and Albert Museum, in London.
Exploring its origins, adaptations and reinventions over 157 years, this immersive and theatrical show charts the evolution of Alice’s Adventures in Wonderland from manuscript to a global phenomenon beloved by all ages.
From rabbit holes to psychedelic mushrooms, flamingos to hedgehogs, Wonderland is the perfect world to explore in virtual reality. Curious Alice encourages audiences to reward their curiosity by navigating a fantastical landscape, interacting with the book’s famous characters and completing a series of curious challenges. Race against the clock to capture the White Rabbit’s missing glove; solve the Caterpillar’s mind-bending riddles; defeat the Queen of Hearts in a curious game of croquet.
(3) WENDIG AND KHAW. Powell’s Books presents “Chuck Wendig in Conversation With Cassandra Khaw,” promoting Wendig’s new book, on July 29 at 5:00 p.m. Pacific. Register for the virtual event here.
A family returns to their hometown — and to the dark past that haunts them still — in The Book of Accidents (Del Rey), a new masterpiece of literary horror by Chuck Wendig, bestselling author of Wanderers…. Wendig will be joined in conversation by Cassandra Khaw, game writer and author of Nothing but Blackened Teeth.
(4) POWER OF SFF POETRY. Sandra J. Lindow reviews Greg Beatty’s poetry collection Cosmic Songs for Human Ears at SPECPO, which includes his 2005 Rhysling winner “No Ruined Lunar City.”
An introductory essay published in 2005, “Driving the Machine Backward Through the Graveyard of Dead Narrative,” explains the evolution of genre poetry through reference to Johanna Russ’s 1971 critical essay, “The Wearing Out of Genre Materials.” Which argues that genre tropes progress through three distinct stages: “Innocence” which seems to be characterized by novelty and sense of wonder, “Plausibility,” which describes how authors use the rules of verisimilitude to support readers suspension of disbelief, and finally “Decadence” where a petrification of genre rules, “stylized, like ballet,” tempts writers to break long established conventions, for instance, combining magic with aliens and dinosaurs. Although Russ writes that it is not possible for a genre to return to Innocence, Beatty argues that it is possible for genre poetry to create a “liminal space” where tropes from fantasy and science become metaphor for human experience, thereby avoiding Decadence and possibly returning to the novelty and energy of Innocence.
With a pirate’s eyepatch and a scowl that seems as fixed and enigmatic as Mona Lisa’s smile, Snake Plissken, the hero of John Carpenter’s Escape from New York, drifts through a cataclysmic future like a man condemned, forced into a mission that, at best, might save a world he doesn’t care about anyway. The allegiances he forges along the way are hard-earned but only temporary, swiftly discarded as he survives one assignment and looks ahead to another one. He is deeply suspicious of authority, too, from the two-faced benefactor who’s forcing him through an impossible gauntlet to an aloof president who’s openly contemptuous of him and others like him.
In other words, Snake Plissken is John Carpenter, and Escape from New York was the first of three films in the 1980s in which Kurt Russell would serve as his charismatic stand-in – an iconoclast who had no home in the new Hollywood, but would take up residence on its fringes. As Plissken runs and guns his way through a Manhattan that’s been turned into maximum security prison, it’s easy to imagine it as an allegory for a film production, where Carpenter weaves his way through an impossible job with the help of fellow ne’er-do-wells that he’ll have to leave behind at the end. If he survives, it’s onto the next gauntlet….
(6) THE SHARP END. Netflix dropped a trailer for season 2 of The Witcher. Premieres December 17.
(7) MEDIA BIRTHDAY.
July 11, 2011 — A decade ago, Alphas premiered on Syfy. It was created by Zak Penn and Michael Karnow. It is in the same universe as Warehouse 13 and Eureka, a fact confirmed when Vanessa Calder who is a recurring character on Warehouse 13 appeared in one episode of the series. (Thanks Andrew (not Werdna) for confirming that in a recent Scroll.) It had far too many Executive Producers and Producers to list here, a puzzle for a series that would last but two seasons and twenty four episodes. It starred David Strathairn, Ryan Cartwright, Warren Christie, Azita Ghanizada, Laura Mennell, Malik Yoba and Erin Way. Critics in general loved it and the audience reviewers at Rotten Tomatoes currently give a most excellent seventy seven rating. Syfy cancelled it on an unresolved cliffhanger.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 11, 1899 — E. B. White. Author of Charlotte’s Web and Stuart Little, both of which are surely genre. Along with William Strunk Jr., he is the co-author of the The Elements of Style English language style guide. (Died 1985.)
Born July 11, 1913 — Cordwainer Smith. Pen name of Paul Myron Anthony Linebarger. Most of his fiction was set in The Instrumentality of Mankind series which I know I read once upon a time in fragments. The usual suspects are well stocked with his novels and short stories including Scanners Live in Vain, a most excellent novella. (Died 1966.)
Born July 11, 1920 — Yul Brynner. The Gunslinger in Westworld and its sequel Futureword. He would also play Carson, a human warrior in the post-apocalyptic The Ultimate Warrior. Are we considering The King and I genre or even genre adjacent? If we are, he played King Mongkut in the short-lived Anna and the King TV series as well. (Died 1985.)
Born July 11, 1925 — David Graham, 96. The voice of Daleks in the early years of Doctor Who including two non-canon films, Dr. Who and the Daleks and Daleks’ Invasion Earth 2150 A.D.; his voice work made him a sought after worker and he’d be used on Thunderbirds, Asterix & Obelix Take On Caesar, Timeslip, Moomin, Stingray and even the recent Thunderbirds Are Go. And yes, he’s still doing voice work as his last genre work was for the Nebula-75 series just last year.
Born July 11, 1950 — Bruce McGill, 71. His first role was as Director Eugene Matuzak in Time Cop. He later got one-offs in Quantum Leap (twice), Babylon 5, Voyager and Tales from the Crypt. He’s in the television remake of The Man Who Fell to Earth as Vernon Gage. If MacGyver counts as genre, he has the recurring role of Jack Dalton.
Born July 11, 1956 — Amitav Ghosh, 65. Author of the absolutely brilliant The Calcutta Chromosome: A Novel of Fevers, Delirium and Discovery which won the Arthur C. Clarke Award. Really just go read it and we’ll discuss it over a cup of chai masala. His newest work is about the medieval Bengali tale about the forest (Sundarbans) goddess, Bon Bibi.
Born July 11, 1958 — Alan Gutierrez, 63. An artist and illustrator, specializing in SF and fantasy cover art. His first professional sale was to the now defunct semi-professional Fantasy Book in 1983. He then began producing work for Baen Books, Tor Books,Pequod Press and other publishers. He has also painted covers for Analog magazine, Aboriginal Science Fiction, Asimov’s Science Fiction, and other SF magazines. He’s been nominated for five Asimov’s Readers Awards and two Analog Awards as well.
Born July 11, 1984 — Serinda Swan, 37. She first graces our corner of the multiverse in Percy Jackson & the Olympians: The Lightning Thief as Aphrodite. Later on she’s in Tron: Legacy as Siren #2. Currently she’s Medusa in The Inhumans. She’s got one-offs in Supernatural, Smallville and The Tomorrow People.
(9) PUT TO THE TEST. DUST’s new sci-fi short film release is “Intelligentia”.
Lisa receives a butler A.I. to Turing test, and over the course of the procedure, she discovers the A.I. is not what it seems and her entire world disrupted.
(10) FLIGHT TO THE EDGE OF SPACE. The 70-year-old British billionaire and crew members of Virgin Galactic launched the commercial space plane Unity from New Mexico, reached the edge of space and landed safely back at the spaceport on Sunday. The New York Times posted “Highlights From Richard Branson’s Virgin Galactic Flight”.
…The rocket plane, a type called SpaceShipTwo, is about the size of an executive jet. In addition to the two pilots, there can be up to four people in the cabin. The particular SpaceShipTwo that flew on Sunday is named V.S.S. Unity.
To get off the ground, Unity was carried by a larger plane to an altitude of about 50,000 feet. There, Unity was released, and the rocket plane’s motor ignited. The acceleration made people on board feel a force up to 3.5 times their normal weight on the way to an altitude of more than 50 miles.
At the top of the arc, those on board were able to see the blackness of space as well as the curve of Earth from the plane’s windows. They also got out of their seats and experienced about four minutes of apparent weightlessness. Fifty miles up, Earth’s downward gravitational pull is essentially just as strong as it is on the ground; rather, the passengers were falling at the same pace as the plane around them.
The two tail booms at the back of the space plane then rotated up to a “feathered” configuration that created more drag and stability, allowing the plane to re-enter Earth’s atmosphere more gently. This configuration SpaceShipTwo like a badminton shuttlecock, which always falls with the pointy side oriented down, than a plane.
Still, the forces felt by the passengers on the way down were greater than on the way up, reaching six times the force of gravity.
Branson gets all the attention – but who piloted the mission and were the other crew members?
The pilots are David Mackay and Michael Masucci….
In addition to Mr. Branson, three Virgin Galactic employees joined the flight to evaluate how the experience will be for future paying customers. They were Beth Moses, the chief astronaut instructor; Colin Bennett, lead operations engineer; and Sirisha Bandla, vice president of government affairs and research operations.
In 2018 The New Yorker profiled a predecessor in “Virgin Galactic’s Rocket Man”, “The ace pilot risking his life to fulfill Richard Branson’s billion-dollar quest to make commercial space travel a reality.”
At 5 a.m. on April 5th, Mark Stucky drove to an airstrip in Mojave, California, and gazed at SpaceShipTwo, a sixty-foot-long craft that is owned by Virgin Galactic, a part of the Virgin Group. Painted white and bathed in floodlight, it resembled a sleek fighter plane, but its mission was to ferry thousands of tourists to and from space.
Stucky had piloted SpaceShipTwo on two dozen previous test flights, including three of the four times that it had fired its rocket booster, which was necessary to propel it into space. On October 31, 2014, he watched the fourth such flight from mission control; it crashed in the desert, killing his best friend. On this morning, Stucky would be piloting the fifth rocket-powered flight, on a new iteration of the spaceship. A successful test would restore the program’s lustre.
Stucky walked into Virgin Galactic’s large beige hangar. He is fifty-nine and has a loose-legged stroll, tousled salt-and-pepper hair, and sunken, suntanned cheeks. In other settings, he could pass for a retired beachcomber. He wears the smirk of someone who feels certain that he’s having more fun than you are…
(11) SKYSCRAPER CAT. CBS This Morning devoted a short segment to the 3-D cat billboard in Tokyo that was recently covered by the Scroll. Their report includes video callbacks to several previous 3-D billboards.
It was about 2 a.m. on a Sunday when the gross-out horror-comedy “Class of Nuke ’Em High” started playing at the Mahoning Drive-In. This was the last screening at TromaDance, an annual showcase of low-budget horror and sex comedies produced by the Queens-based Troma movie studio. Earlier that evening, about 600 cars had piled into the drive-in in Lehighton, Pa., but by 2 a.m., only the die-hards remained. Kevin Schmidt, an extra in the film, was among them.
He had driven to the Mahoning from Summit, N.J., and hadn’t seen the movie projected on screen since it was first shown in Jersey City in December 1986. “This is the only time I can justify driving 100 miles to see a movie,” Mr. Schmidt said much earlier in the evening.
By the time the evening was over, it had been another success for the Mahoning, a 72-year-old drive-in theater that was left for dead just seven years ago….
…Movie screenings at the Mahoning Drive-In often feel like events. Films are shown in double and triple features, sandwiched between older (and often bizarre) movie trailers. You might take in “Escape From New York” and “Invasion U.S.A.,” which play after vintage church advertisements (“Worship at the church of your choice”) or an anti-cable-TV screed (“Don’t let pay TV be the monster in your living room”). It is, in the words of Mr. Schmidt, “a special place.”…
(13) VIDEO OF THE DAY. Director Mel Stuart reminiscences about Willy Wonka and the Chocolate Factory in this short from 2011 that Warner Bros. released two weeks ago.
[Thanks to JJ, Michael Toman, John King Tarpinian, Daniel Dern, Cat Eldridge, Mike Kennedy, Andrew Porter, and Martin Morse Wooster for some of these stories. Title credit belongs to contributing editor of the day Dann.]
Daniel Hahn and Ann Goldstein are translators, inhabiting a strange world between creation and publication, but with their own literary and linguistic creativity shaping the final form. Goldstein has been translating for decades, turning the words of Elena Ferrante, Primo Levi and Jhumpa Lahiri, amongst others, into English. She works prolifically, and in this episode Daniel, himself a prize-winning author and literary judge, spends time with her over the course of three days in 2018 as she translates an award-winning Italian book.
Daniel Hahn discusses with her how to know where to translate exactly and where to get the sense, how to translate phrases which have no translation, and shares experiences about the politics of translation. He finds out how this literary great came to translating, how she chooses the books she wishes to translate and to what extent she acts – as so many translators do – as an advocate for foreign-language books to English-language publishers. And implicit in all this is what is core to the translator’s art – intercession between cultures, sharing ideas and stories which would otherwise go unshared.
(2) WOLLSTONECRAFT STATUE. [Item by Dann.] Today they unveiled a statue in honor of Mary Wollstonecraft for her work as an early feminist. As I understand it, the statue is not of her but is instead a statue representing all women. The woman depicted in the statue is nude. Some folks don’t like that. Image in this tweet.
… This event will be hosted online via ZOOM, with link being provided to the Orycon mailing list.
TO REGISTER AND RECEIVE THE ACCESS LINK: We will be giving access links for the Zoom rooms to the OR e-Con mailing list. To sign up for our mailing list, please email: [email protected]
While this will be a free event, we will be requesting donations both to cover the costs of the virtual event and for use elsewhere in the organization. Volunteers are also needed for this event, and you can request more information by contacting [email protected].
AUTHOR GUEST OF HONOR: A. Lee Martinez
ARTIST GUESTS OF HONOR: Phil and Kaja Foglio
The programming schedule outlined below are for the 3 main Zoom rooms that will be available, along with the Creation Station events (to be announced).
(4) CROWDFUNDING FOR TWO HUMANS. Mary Anne Mohanraj and Benjamin Rosenbaum have opened a Kickstarter — “SLF Podcast: Mohanraj and Rosenbaum Are Humans” – to raise $1500 to fund the editing costs of the first season of their forthcoming podcast.
Join two old friends as they talk about science fiction, community, the writing life, teaching, parenting, and a whole lot more. Does Ben really think you should let your kids touch the stove, and did he really burn his son’s homework? Why did he write a novel with no men or women in it? What exactly did a young Mary Anne do to appall her aunts in college, and how did it lead circuitously to her founding science fiction’s longest-running webzine? Mohanraj and Rosenbaum… Are Humans? Yes, yes they are.
They’re working on the first season of 12 weekly episodes, to launch January 2021. There’s a trailer video at the link.
(5) MEMORY OF EARLY SFWA OFFICER. The Lansing Community College Lookout tells how Joan Hunter Holly is being remembered in “Late LCC professor’s legacy lives on”.
…She was a member of Science Fiction Writers of America, serving as treasurer from 1976 to 1979, and a member of the Academy of Science Fiction and Fantasy Films.
Her career was put on pause due to a brain tumor. She had it removed in 1970 and resumed writing….
Hunter said his ultimate goal is to work with Holly’s family to release some of her unpublished works.
“I have several short stories that a fan of Joan’s has compiled into a trilogy that we’d like to publish,” Hunter said. “In general, I just want to raise awareness of her work. I may create a website devoted to her work in the future, too.”
Vincent Tomanica worked at TheLookout from 1976-1978. He took Holly’s LCC Short Story Writing class in 1977. He is a retired teacher and writer.
The pair formed a friendship and Holly confided in Tomanica about her cancer. She told Tomanica he would be a successful author and encouraged him to get published.
“I was encouraged by her confidence in me,” Tomanica said. “She was very kind … soft spoken and very thoughtful … she was very contained and self-possessed.
Holly urged Tomanica to get back in touch with her after he got published.
“I got busy … but I still found time to submit manuscripts to publishers anyway,” Tomanica said. “A couple years after taking her class I did get published in a national magazine and I eagerly contacted LCC’s Communications Department to pass my good news along to Joan. You can imagine how devastated I was to hear that she had passed away because of cancer.”
A show on leadership, discussed by geeks. On the show will be Steve Kelner, Vincent Docherty, and Imri Goldberg, and of course Karen and Gadi.
On the show, each of the participants will share their own experience with leadership, their exposure to the field, as well as game a rapid-fire exercise with various HBR-like questions on leadership scenarios and challenges.
Because of the COVID-19 (Coronavirus) emergency, the planned Eurocon 2021 had to be reconsidered. In our commitment to ensure the highest level od safety for participants, we have decided to postpone Eurocon 2021, that was scheduled for March 15-18 2021. The new dates are July 15-18 2021.
There used to be parties in the apartments on the top floors of New York City’s branch libraries. On other nights, when the libraries were closed, the kids who lived there might sit reading alone among the books or roll around on the wooden library carts—if they weren’t dusting the shelves or shoveling coal. Their hopscotch courts were on the roof. A cat might sneak down the stairs to investigate the library patrons.
When these libraries were built, about a century ago, they needed people to take care of them. Andrew Carnegie had given New York $5.2 million, worth well over $100 million today, to create a city-wide system of library branches, and these buildings, the Carnegie libraries, were heated by coal. Each had a custodian, who was tasked with keeping those fires burning and who lived in the library, often with his family. “The family mantra was: Don’t let that furnace go out,” one woman who grew up in a library told the New York Times.
But since the ’70s and ’80s, when the coal furnaces started being upgraded and library custodians began retiring, those apartments have been emptying out, and the idyll of living in a library has disappeared. Many of the apartments have vanished, too, absorbed back into the buildings through renovations for more modern uses. Today there are just 13 library apartments left in the New York Public Library system.
(9) MEDIA ANIVERSARY.
November 1990 — Thirty years ago, Geoff Ryman’s The Child Garden which bears the variant title of The Child Garden or A Low Comedy would win the Arthur C. Clarke Award for Best SF Novel. It would also win the John W. Campbell Memorial Award for Best SF Novel, and it would be nominated for both a BSFA Best SF Novel award and Locus Award for Best SF Novel as well. Unwin Hyman had published it the previous year though it was originally published in the Summer-Autumn 1987 issue of Interzone as “Love Sickness” before it would be very much expanded as this novel. Cover art is by Dave McKean.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born November 10, 1899 – Kate Seredy. Author and illustrator of children’s books, some fantastic. Wrote and illustrated The White Stag (legends of Huns settling Hungary), winning the Newbery Medal and Lewis Carroll Shelf Award. Here is an interior for Andre Norton’s first novel The Prince Commands. Two Newbery Honors, Caldecott Honor. “For yesterday and for all tomorrows, we dance the best we know.” (Died 1975) [JH]
Born November 10, 1927 – Don C. Thompson. FAAn (Fan Activity Achievement) Award for Best Fanwriter. Best known fanzine, Don-O-Saur. Co-chaired Denvention Two the 39th Worldcon. Fan Guest of Honor at Westercon 31 (co-chaired by Our Gracious Host), MileHiCon 20 & 22. (Died 1990) [JH]
November 10, 1935 – Marilyn Duckworth, 85. Novelist, poet, radio & television writer. Her first novel A Gap in the Spectrum is ours, published when MD was 23; a dozen others; memoir Camping on the Faultline. New Zealand Prime Minister’s Award for Literary Achievement. [JH]
Born November 10, 1950 – Dean Wesley Smith, 70. Two hundred novels, hundreds of shorter stories. With wife Kristine Kathryn Rusch, best known for Pulphouse. World Fantasy Award to both of them for it. [JH]
Born November 10, 1955 — Roland Emmerich, 65. He’s very strong campaigner for the LGBT community, and is openly gay so bravo for him! The Noah’s Ark Principle was in ‘84 by him written and directed by him as his thesis after seeing Star Wars at the Hochschule für Fernsehen und Film München. Moon 44 followed which likely most of you haven’t seen but now we get to his Hollywood films, to wit Universal Soldier, The High Crusade (yes, the Poul Anderson novel), Stargate, Independence Day…no, I’m going to stop there. Suffice it to say he’s created a lot of genre film. And oh, he directed Stonewall, the 2015 look at that historic event which I know isn’t genre or genre adjacent but is worth noting. (CE)
Born November 10, 1955 — Clare Higgins, 65. Her genre film appearances include Hellraiser, Hellbound: Hellraiser II and The Golden Compass. She was Miss Cackle on the Worst Witch series, and had a memorable role on Doctor Who as Ohila, the High Priestess of the Sisterhood of Karn, that started off with the War Doctor story, “The Night of The Doctor” which included the Eighth Doctor and continued through several appearances with the Twelfth Doctor. (CE)
Born November 10, 1960 — Neil Gaiman, 60. Summarizing him is nigh unto impossible so I won’t beyond saying that his works that I’ve immensely enjoyed include Neverwhere, Anansi Boys, the Sandman series, Stardust, American Gods and Coraline. As for film, I think the finest script he did is his “Day of The Dead” one for Babylon 5, not his Doctor Who scripts. The animated Coraline is I think the most faithful work of one of his novels, Neverwhere needs to be remade with decent CGI and the less said about Stardust the better. My first encounter with him was reading the BBC trade paper edition of Neverwhere followed by pretty much everything else he did until the last decade or so. (CE)
Born November 10, 1963 — Hugh Bonneville, 57. He’s here because he was Captain Avery in two Eleventh Doctor stories, “The Curse of the Black Spot” and “A Good Man Goes to War”. Which is not to say that he hasn’t done other genre work as he has as he’s got appearances on Da Vinci’s Demons, Bonekickers, Bugs and The Memoirs of Sherlock Holmes. And he had a bit part in a Bond film, Tomorrow Never Dies.(CE)
Born November 10, 1969 – Sarah Porter, 51. Half a dozen novels, one shorter story “Ratspeak”. “When not writing my own weird stuff…. I might be drawing, or gardening, or wandering wraithlike through the streets. I live in Brooklyn, land of mystery.” Gallery here. Note the hands and the womb. [JH]
Born November 10, 1971 — Holly Black, 49. Best known for her Spiderwick Chronicles, which were created with fellow writer & illustrator Tony DiTerlizzi, and for the Modern Faerie Tales YA trilogy. Her first novel was Tithe: A Modern Faerie Tale. (It’s very good.) There have been two sequels set in the same universe. The first, Valiant, won the first Andre Norton Award for Young Adult Science Fiction and Fantasy. Doll Bones which is really, really creepy was awarded a Newbery Honor and a Mythopoeic Fantasy Award for Children’s Literature. Suffice it to say if you like horror, you’ll love her. (CE)
Born November 10, 1982 — Aliette de Bodard, 38. The latest work in her oh so excellent Xuya Universe series, the “Seven of Infinities” novella, was released today. Her Xuya Universe novella “The Tea Master and the Detective” won a Nebula Award for Best Novella and a World Fantasy Award for Best Novella, and was nominated for a Hugo Award for Best Novella as well. “The Shipmaker”, also set herein, won a BSFA for Best Short Fiction. Her other major series is The Dominion of the Fallen which is equally lauded. All of her fiction is available from the usual digital suspects. (CE)
Born November 10, 1984 – Yû Kamiya, 36. (Name written Japanese style, personal name last.) Wrote and illustrated light novel series No Game No Life, adapted into animé, and one of ten to receive a Yomiuri Shimbun Sugoi Japan Award. Also Clockwork Planet light novels & manga with Himana Tsubaki. [JH]
This edition of Outlook is devoted to the impact of comic books and three remarkable journeys taken by artists and publishers who fell in love with comics as children.
Indian comic enthusiast Vijayan Soundrapandian has been working to bring his favourite characters to audiences in Tamil Nadu. His company Lion-Muthu Comics translates some of the world’s most famous comics into Tamil.
In 2017 Outlook reporter Daniel Gross went to South Africa to meet cartoonist Mogorosi Motshumi. Mogorosi witnessed the worst of apartheid, and in the 1970s and 80s, was one of the only black artists using comics to document township life.
And we stay in the Outlook archive by revisiting an interview Emily did with Chinese-American comic creator Gene Luen Yang, he’s the author behind the first Chinese Superman.
We’ve teamed up with the American Library Association for this spectacular, one-of-a-kind book bundle! Get ebooks and audiobooks that feature and highlight PoC authors, creators, and characters like Falling in Love With Hominids, Neveryona, and This Book is Anti-Racist. Plus, your purchase will support the American Library Association and the Freedom to Read Foundation!
(13) FASTER THAN CRUISING SPEED. Tony Quine says that Russia is going to film a movie at the International Space Station a few weeks before Tom Cruise shows up. “Russia looks for actress to steal Tom Cruise space movie thunder” in The Space Review. Tom Cruise’s flight to the ISS is arranged through Axiom Space and SpaceX for October 2021.
Russia’s not-too-subtle effort to upstage Tom Cruise’s plans to film the first ever feature film in Earth orbit have taken a major step forward, with more details announced jointly by the Russian space agency Roscosmos and Channel One TV, from Moscow.
Vague details released in September have now been fleshed out, with the headline grabbing news being the decision to base the Russian movie plot around a woman, meaning that the filmmakers will need to find an actress willing to fly on a Soyuz rocket in October next year.
The project, which is tentatively called Vyzov, or The Challenge, has the tag line, “Become a star, by flying to the stars!”
… Although it has not been explicitly stated, the woman selected will need to fly on the Soyuz MS-19 mission, replacing one of the three professional cosmonauts currently pencilled in to fly that mission. This in turn, will mean that one of the crew on the preceding mission Soyuz MS-18 will need to remain on the ISS until the spring of 2022. This is because Russia has only six seats to the ISS available in 2021 (Soyuz MS-18 and MS-19) and needs to find a way to accommodate this previously unplanned “project” within those available resources.
The only other crewed Russian flight planned for 2021 is the first wholly commercial Soyuz mission, arranged in conjunction with experienced spaceflight provider Space Adventures. This will be Soyuz MS-20 and will fly in December 2021. Space Adventures is not involved in the “movie” project, and the actress will not occupy one of their seats. While they have not made any official comment about their future clients, the latest unofficial information emanating from Roscosmos and Space Adventures indicates that Soyuz MS-20 will be flown by veteran cosmonaut Alexander Misurkin, and two female spaceflight participants: Austrian aviator Johanna Maislinger and a Japanese showbiz celebrity whose name has yet to be revealed (see “Orbital space tourism set for rebirth in 2021”, The Space Review, August 10, 2020).
However, the Russian movie proposal has not met with universal approval, with some Russian spaceflight commentators taking to social media to suggest that utilizing ISS resources for a purpose not obviously connected to scientific research, or Russian national interests, may actually be illegal, and have called for transparency with regard to the underlying financial arrangements….
(14) JEOPARDY! Andrew Porter was dialed into tonight’s Jeopardy! and saw this answer elude contestants:
Category: Books by Subtitle.
Answer: 1995: “The Life and Times of” a certain “Wizard of Oz” Character.
Wrong questions: “Who is Dorothy?” “Who is The Wicked Witch?”
Correct question: “What is ‘Wicked?'”
Two contestants didn’t get this one either –
Final Jeopardy: History in the Movies
Answer: Vehicles in “2001: A Space Odyssey” featured this airline’s logo, but the company went bankrupt in 1991.
Wrong Questions: “What is Eastern Airlines?” and “What is Martin?”
This scent contains the lives of countless heroes and heroines. Apply to the pulse points when seeking sensory succor or a brush with immortality.
According to KOIN, the company noticed that customers missed the smell when they were closed during the pandemic lockdown in the spring.
Powell’s Books is releasing a limited edition unisex fragrance that captures what they said is what customers missed most about Powell’s — the aroma.
Store officials said they surveyed customers about what they missed while the store was temporarily closed by the pandemic. It’s not the books. It’s the smell.
The perfume comes packaged in something that looks like a book, like a hidden bottle of hooch or a gun.
(16) SO ARE THE DAYS OF OUR LIVES. Randall Munroe contemplates “What Makes Sand Soft?” in the New York Times. Tagline: “Understanding how grains flow is vital for everything from landslide prediction to agricultural processing, and scientists aren’t very good at it.”
… Karen Daniels, a physicist at North Carolina State University who studies sand and other granular materials — a field actually called “soft matter”— told me that sand is challenging in part because the grains have so many different properties, like size, shape, roughness and more: “One reason we don’t have a general theory is that all of these properties matter.”…
(17) BOOK TRAILER OF THE DAY. Lovely artwork in this new edition of two Lewis Carroll classics.
Alice’s adventures in the dreamlike worlds of Wonderland and the Looking Glass Kingdom are some of the most original and best-loved children’s stories ever written. These joyous, thrilling and utterly nonsensical tales are filled with vivid, unforgettable images and characters. This new edition contains the texts of both Alice’s Adventures in Wonderland and its sequel Through the Looking Glass in a beautiful, clothbound flipped book – illustrated throughout in glorious colour. Floor Rieder’s gorgeous drawings are an original and fresh imagining of Alice’s topsy-turvy world. Out now from Pushkin Children’s, this clothbound edition is a must for any Alice fans, and the perfect Christmas gift for all.
[Thanks to John Hertz, Cat Eldridge, JJ, Mike Kennedy, Bill, Michael Toman, Dann, Martin Morse Wooster, John King Tarpinian, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jon Meltzer.]
(1) POWERFUL CANON. Amy Tenebrink shares the impact that stories by a leading sff author had on her: “Personal Canons: Nnedi Okorafor”.
…Onyesonwu is one of those angry, defiant, adventurous heroines of my heart. But Who Fears Death isn’t just a story of a warrior girl; it’s the story of all warrior girls. Who Fears Death is, itself, angry, defiant, and adventurous. It rips apart the fabric of our quotidian world and shows us, more clearly for all its speculation, what is wrong with us but what could be right with us. This is speculative fiction at its best: incisive, unflinching, uncompromising. Untethered from what’s “real” in a way that can show us what is, in fact, actually real—and what could be real if only we reached for the stars.
In Who Fears Death, Nnedi put a heroine of my heart into a book of my heart. Who Fears Death showed me, in a moment, what speculative literature can be: not just a series of quest-wanderings, of dragon-slayings, of evil mage-vanquishings, but an inspirational, aspirational blueprint for me and my place in the world. Who Fears Death is itself a sword, a magic wand, a spell that can change everything.
(2) ALPHA OF THE OMEGA. The award administrators — Sci-Fest L.A. and Light Bringer Project — have announced that the Tomorrow Prize and The Roswell Award will now reside under an umbrella competition name, the Omega Sci-Fi Awards. Here’s the new logo.
(3) MEMBERS OF THE JURY. James Davis Nicoll introduces the Young People Read Old SFF panel to “The Pleiades” by Otis Kidwell Burger.
The Pleiades is impressive enough readers would no doubt run out to acquire her other works. Unfortunately, Rediscovery’s biographical entry on her reveals that her SF career was quite short1. At least, I assume younger readers would react as positively as I did. How did my Young People actually feel?
(4) QUESTIONS ABOUT THE POLICY. [Item by Cora Buhlert.] Non-binary writer Akwaeke Emezi, whose works are at least borderline SFF, has declared that they will no longer submit their novels to Women’s Prize for Fiction (where they were a finalist last year), after being asked to provide proof of their legal gender: “Akwaeke Emezi shuns Women’s prize over request for details of sex as defined ‘by law'” in The Guardian.
… Emezi said that when Faber got in touch with the Women’s prize about submitting The Death of Vivek Oji, they were informed: “The information we would require from you regards Akwaeke Emezi’s sex as defined by law.”
“Forget about me – I don’t want this prize – but anyone who uses this kind of language does not fuck with trans women either, so when they say it’s for women, they mean cis women,” wrote Emezi. “And yes, this does mean that them longlisting [Freshwater] was transphobic. It’s fine for me not to be eligible because I’m not a woman! But you not about to be out here on some ‘sex as defined by law’ like that’s not a weapon used against trans women.”
The Women’s prize was established in response to the Booker failing to shortlist a single female writer in 1991. Following Emezi’s nomination in 2019, the organisers of the £30,000 award said it was working on a policy “around gender fluid, transgender and transgender non-binary writers”.
Responding to Emezi’s comments, the prize organisers said that their terms and conditions for entry equated the word “woman” with “a cis woman, a transgender woman or anyone who is legally defined as a woman or of the female sex”.
(5) O’DELL KICKSTARTER.[Item by Cora Buhlert.] Here is a Kickstarter of interest: Claire O’Dell is looking for funding to republish her River of Souls trilogy, which came out in 2010 from Tor, when she was still writing as Beth Bernobich: “The River of Souls Trilogy, Second Edition” With 26 days left, $566 of the $2,500 goal has been raised.
Back in 2007, writing as Beth Bernobich, I landed my very first book deal—a three-book contract with Tor Books for my novel Passion Play and two sequels, aka, the River of Souls trilogy. Passion Play came out in October 2010, and to my absolute delight it won the RT Reviewers’ Choice Award for Best Epic Fantasy. Queen’s Hunt and Allegiance followed in 2012 and 2013, with great reviews, and a prequel novel, A Jewel Bright Sea, appeared last year from Kensington Books.
Now that I have the rights back to the trilogy, I’d like to re-release them with new covers that better match the story and the characters. (Not to mention fixing a few continuity errors that crept in along the way.) Pledges from this campaign will pay for custom cover art and rewards.
“I studied physics as an undergrad, and basically what [Asimov] is doing is taking classical thermodynamics and applying it to human behavior. In thermodynamics, you can’t predict what one atom is going to do, but if you have several billion atoms in a contained box, you can predict—very precisely—if you raise the temperature, exactly what the effect on pressure is going to be, things like that. He’s basically saying if you have enough human beings—you have 100 million worlds, all inhabited by human beings—that psychohistory can predict the mass behavior of human beings, without being able to predict any individual human being’s behavior. That’s a cool idea.”
(7) WHITE SCREEN OF DEATH? [Item by Cora Buhlert.] The Guardian has run several articles and opinion pieces about how the postponement of Dune and that James Bond movie will affect British cinemas — and may kill them off altogether. A lot of anger, which is partly understandable, because movie theatres are open again at reduced capacity in the UK and much of the rest of Europe, but have nothing to show, because all of the big Hollywood movies are being held back. Here are four views of the situation.
He’s best known for sweeping in at the last minute to save the day – but James Bond’s latest act could be the death knell for many British cinemas.
The announcement that the release of No Time to Die, the 25th film featuring the secret agent, would be delayed again has left cinemas facing financial obliteration because of the absence of other forthcoming blockbuster films.
Our movie industry was just about keeping its morale steady. It was enforcing perfectly workable rules on sanitising and physical distancing and not subject to those closures taking theatre and live entertainment to the cliff edge. The pilot light of big-screen cinema culture was flickering. But it was still alight.
But this is a serious blow. If it is really true that Cineworld will close 128 cinemas, putting 5,500 jobs at risk (and it is not simply a scare-story negotiating ploy leaked to the press alongside the company’s official letter to the culture secretary Oliver Dowden demanding action) then this is potentially devastating.
…For an understanding of how we got here, look at the fates of two films that did get released during the pandemic. Following a tense summer in which Christopher Nolan’s Tenet and Disney’s live-action Mulan remake competed against the coronavirus in a game of grandmother’s footsteps, both films were finally released using opposing strategies.
“Warner Bros did a brave thing bringing out Tenet [in cinemas] at that very fraught time,” says Naman Ramachandran, international correspondent at Variety magazine. “It sent a positive message to the exhibition sector as a whole.” Disney, on the other hand, launched Mulan on its streaming service Disney+, where it came with a premium price tag (£19.99/$29.99) in addition to subscription fees. Cinemas screened it only in territories where Disney+ is not available. “My opinion is that Disney should’ve released Mulan in cinemas also,” says Ramachandran. “There was a demand for it and it would’ve kept the theatrical chains happy.” As it stands, no one is: not the exhibitors who lost out on an event movie, nor Disney, who won’t be thrilled if the mediocre streaming audience estimates are correct.
Mulan’s defection and Tenet’s under-performance in the US (it still hasn’t opened in the lucrative New York and Los Angeles markets, where cinemas remain closed) have had a devastating effect on other big releases.
…After six weeks of global release, Tenet has grossed more than £235m worldwide – a number that means different things to different analysts. For a latter-day Nolan film, it’s borderline disastrous: far short of the £405m grossed by his last film, Dunkirk, which itself was a modest performer compared to the £830m racked up by The Dark Knight Rises. With a production budget around £154m, it’s fair to say these are not the receipts of Nolan’s or Warner Bros executives’ dreams. Others would argue that they’re not half bad for a film released in the midst of a global pandemic in which the filmgoing public has been actively discouraged from communal indoor activity – a metric for which there is no precedent to set the bar. Globally, it’s the third-highest grosser of the year, behind Chinese epic The Eight Hundred and January’s Bad Boys for Life, which already feels like a relic from another era.
All in all, things could be worse for Tenet – except for the fact that, by just about anyone’s yardstick, things haven’t been nearly good enough….
(8) MEDIA ANNIVERSARY.
Twenty five years ago this year at Intersection, the Hugo Award for Best Dramatic Presentation, Long Form went to Star Trek: The Next Generation’s two-part series finale, “All Good Things…“. (It beat out The Mask, Interview with the Vampire, Stargate and Star Trek: Generations.) It was directed by Winrich Kolbe from a script written by Ronald D. Moore and Brannon Braga. The title is derived from the expression “All good things must come to an end”, a phrase used by Q during the story itself. It generally considered one of the series’ best episodes with the card scene singled out as one of the series’s best.
(9) TODAY’S DAY.
10/6 — Mad Hatter Day. The original picture of the Mad Hatter by John Tenniel in Alice’s Adventures In Wonderland by Lewis Carroll depicts him wearing a hat, bearing the note “In This Style 10/6”. Although we know this is really an order from the time the picture was drawn to mean a hat in that style cost 10 shillings and sixpence, we take this as inspiration to act in the style of the Mad Hatter on 10/6 (In the UK this would point to the tenth of June, but as the day was founded in America it is the 6th of October).
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born October 6, 1895 – Caroline Gordon. Guggenheim Fellowship. O. Henry Award. Honorary D.Litt. degrees from Bethany College (West Virginia), St. Mary’s College (Indiana). The Glory of Hera for us, her last novel; ten others; short-story collections; non-fiction. (Died 1981) [JH]
Born October 6, 1928 – Frank Dietz. Co-founder of the Lunarians; chaired the first 15 Lunacons; Fan Guest of Honor at Lunacon 50. Fanzine Luna (and Luna’). Recorded many SF cons on wire and tape, unfortunately most now seems lost. File 770 appreciation by Andrew Porter here. (Died 2013) [JH]
Born October 6, 1942 – Arthur Hlavaty, 78. A dozen times Best Fanwriter Hugo finalist. No doubt inspired by the C.M. Kornbluth story “MS. Found in a Chinese Fortune Cookie” – maybe the only circumstance in which no doubt could be applied to him – he called a fanzine The Diagonal Relationship, later The Dillinger Relic, then Derogatory Reference; not seen since 2002, but in Fanzineland that’s neither complete nor conclusive: No. 33 of his Nice Distinctions just appeared after three years. Fan Guest of Honor at Empricon 3, MidSouthCon 2, Westercon 42, Minicon 37; Detcon the 11th NASFiC (North America SF Con, since 1975 held when the Worldcon is overseas). If Sarcasm is in anger, satire is with love, he is as so often with him both. [JH]
Born October 6, 1942 — Britt Ekland, 78. She starred in The Wicker Man* as Willow MacGregor, and appeared as a Bond girl, Goodnight in The Man with the Golden Gun. She was also Queen Nyleptha in King Solomon’s Treasure based off the H. Rider Haggard novels. *There is only one Wicker Man film as far as I’m concerned. (CE)
Born October 6, 1946 — John C. Tibbetts, 74. Film critic, historian, author. He’s written such articles as “The Illustrating Man: The Screenplays of Ray Bradbury” and “Time on His Hands: The Fantasy Fiction of Jack Finney”. One of his two books is The Gothic Imagination: Conversations on Fantasy, Horror, and Science Fiction in the Media, the other being The Gothic Worlds of Peter Straub. (CE)
Born October 6, 1950 — David Brin, 70. Author of several series including Existence (which I do not recognize), the Postman novel and the Uplift series of which The Uplift War won the Best Novel Hugo at Nolacon II and is most excellent. I’ll admit that the book he could-wrote with Leah Wilson, King Kong Is Back! An Unauthorized Look at One Humongous Ape, tickles me for its title. So who’s read his newest novel, The Ancient Ones? (CE)
Born October 6, 1953 – Roseanne Hawke, Ph.D., 67. Wolfchild, 11th Century story set in the lost land of Lyonesse (RD was awarded Bard of Cornwall in 2006). Daughter of Nomads, Mughal empire. Chandani and the Ghost of the Forest, Himalayan mountains. Memoir, Riding the Wind. “I started a romantic novel when I was 17 but I burnt it…. working for ten years in the Middle East and Pakistan … I started writing seriously.” Website here. [JH]
Born October 6, 1955 — Donna White, 65. Academic who has written several works worth your knowing about — Dancing with Dragons: Ursula K. LeGuin and the Critics and Diana Wynne Jones: An Exciting and Exacting Wisdom. She’s also the author of the dense but worth reading A Century of Welsh Myth in Children’s Literature. (CE)
Born October 6, 1955 — Ellen Kushner, 65. If you’ve not read it, do so now as her sprawling Riverside seriesis amazing. I’m reasonably sure that I’ve read all of it. And during the the High Holy Days, do be sure to read The Golden Dreydl as it’s quite wonderful. As it’s Autumn and this being when I read it, I’d be remiss not to recommend her Thomas the Rhymer novel which won both the World Fantasy Award and the Mythopoeic Award. (CE)
Born October 6, 1962 – John Knoll, 58. Chief Creative Officer at Industrial Light & Magic. Creating the Worlds of “Star Wars”; covers for The Art of “Star Trek” (with M. Uesugi), Inside “Star Trek”. Scientific & Engineering Award given him and his brother Thomas for creating Adobe Photoshop. Cameo appearance as a pilot in The Phantom Menace. More in his Wikipedia entry. [JH]
Born October 6, 1978 – Anna Elliott, 42. Three Tristan & Isolde books; four about Jane Austen characters, two about Sherlock Holmes, a few more. Among her favorites by other authors, Life With Father, Wodehouse’s books about Bertie Wooster, Sayers’ books about Lord Peter Wimsey. “What do you like to do when you’re not writing?” “Mostly think about writing.” [JH]
Born October 6, 1986 — Olivia Jo Thirlby, 34. She is best known for her roles as Natalie in Russian SF film The Darkest Hour and as Judge Cassandra Anderson in the excellent Dredd. And she was Holly in the supernatural thriller Above the Shadows. (CE)
(11) COMICS SECTION.
Frank and Ernest have a convincing applicant for the mission to Mars.
A great actor whose name I am not supposed to mention here narrates much of the new Netflix series The Haunting of Bly Manor (out October 9). In 2007, her character tells a wedding party a chilling, sad story of 1987 (and years previous) England, when a spooky estate’s resident ghosts tangled fitfully with living people, all caught in the grip of personal loss. This American actor tries her noble best to maneuver a Northern English accent, though it gets a bit wobbly as her narration scrapes the ceiling of profundity but never quite breaks through.
The voiceover, with its heavy writing and uneven if committed delivery, is pretty neatly representative of the whole of Bly Manor, which aims for something scary and sweeping but is too often hampered by messy adornment. Bly Manor is the second series in the Haunting franchise that began with 2018’s Hill House, an adaptation of Shirley Jackson’s novel led by horror auteur Mike Flanagan.
After more than a month of scrubs and delays, SpaceX broke the Space Coast’s launch drought early Tuesday when a Falcon 9 rocket boosted 60 Starlink internet satellites from Kennedy Space Center.
The 7:29 a.m. liftoff from pad 39A signaled the end of what was commonly referred to as “Scrubtober,” a long series of mission delays that actually began in September due to hardware issues and inclement weather. Tuesday’s Starlink mission, for example, had been scrubbed four times…
(14) FINDING THE GEMS. The Virtual Memories Show devotes Episode 399 to editor “Sheila Williams”.
With her new fantastic short story anthology, Entanglements: Tomorrow’s Lovers, Families, and Friends (MIT Press), editor Sheila Williams brings together a panoply of voices to explore how technology and scientific advances have on the deepest human relationships. We talk about Sheila’s nearly 40 years editing science fiction stories at Asimov’s Science Fiction Magazine, how she manages to balance new and diverse voices with a foundation of SF’s history, how she copes with receiving ~800 stories a month (while only being able to buy 5-6), and technology’s greater role in day-to-day life and what that means for writers’ and readers’ imagination and expectations. We also get into her author freakouts (like going blank when she met Samuel R. Delany many years ago), how her philosophy background helps her as an editor, missing cons and festivals, the challenge of editing an author in translation (in this case Xia Jia), and more. Give it a listen! And go read Entanglements!
[Thanks to Cora Buhlert, JJ, Mike Kennedy, Andrew Porter, Michael Toman, John King Tarpinian, Martin Morse Wooster, John Hertz, James Davis Nicoll, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Bill.]
(1) ON YOUR MARX. If this Scroll is posted in time, you can make it to Mark Evanier’s livestream Newsfromme.tv Conversations with Steve Stoliar, starting tonight at 7 p.m. Pacific:
In addition to being a comedy writer and voice actor, Steve Stoliar had the unique experience of being Groucho Marx’s personal assistant/secretary during the last years of that great comedian’s life. Mark Evanier talks with him about Groucho, the controversial Erin Fleming and all things Marxian except Karl.
(2) ROWLING’S NEXT. Mackenzie Nichols, in the Variety story, “J.K. Rowling Announces New Children’s Book ‘The Ickabog’” says that Rowling has announced the publication of The Ickabog, which is not part of the Harry Potter universe but is meant for 7-9 olds. She intends to post a chapter every day at theickabog.com until July 10 and promises that profits from the book will aid COVID-19 relief.
Unlike her spinoff stories “Fantastic Beasts and Where To Find Them” or “Quidditch Through the Ages,” “The Ickabog” has no relation to the “Harry Potter” series. And while plot details about “The Ickabog” were scarce, the author said its thematic elements are timeless.
“‘The Ickabog’ is a story about truth and the abuse of power,” Rowling said. “To forestall one obvious question: the idea came to me well over a decade ago, so it isn’t intended to be read as a response to anything that’s happening in the world right now. The themes are timeless and could apply to any era or any country.”
I had the idea for TheIckabog a long time ago and read it to my two younger children chapter by chapter each night while I was working on it. However, when the time came to publish it, I decided to put out a book for adults instead, which is how The Ickabog ended up in the attic. I became busy with other things, and even though I loved the story, over the years I came to think of it as something that was just for my own children.
Then this lockdown happened. It’s been very hard on children, in particular, so I brought The Ickabog down from the attic, read it for the first time in years, rewrote bits of it and then read it to my children again. They told me to put back in some bits they’d liked when they were little, and here we are!
The most exciting part, for me, at least, is that I’d like you to illustrate The Ickabog for me. Every day, I’ll be making suggestions for what you might like to draw. You can enter the official competition being run by my publishers, for the chance to have your artwork included in a printed version of the book due out later this year. I’ll be giving suggestions as to what to draw as we go along, but you should let your imagination run wild.
Naomi Kritzer was 4 when she discovered science fiction through the first “Star Wars” film.
“I was grabbed by John Williams’ music, the lightsabers, the magic of The Force. It all appealed to me and sold me on science fiction,” Kritzer recalls.
Now, 43 years later, The Force is with this St. Paul author. Her genre-jumping young adult novel “Catfishing on CatNet, ” about teenagers who befriend a sentient artificial intelligence who lives in the internet, is scooping up major honors. It’s based on her award-winning, 2015 short story “Cat Pictures Please.”
Last month Kritzer collected two prestigious awards in three days. She won a Minnesota Book Award on April 28, and on April 30 she won a Mystery Writers of America Edgar Award. In early May her book was a Silver Winner in the Nautilus Book Awards, which focus on books striving to make a better world….
(4) IRRESISTIBLE ALICE BOOK. [Item by Daniel Dern.] While I’m not a compleatist Carroll/Alice collector, seeing this in the Bud’s Art Books mailer I got today caught my eye.
(Yes, I know there’s a Carroll society. I’m about to join. And I’ll write an item RSN/PDQ, including a nod to an SFnal connection. But this is semi-news.)
I noticed in the new Bud’s Art Books (although I still think of them as Bud Plant) mini-catalog that came in today’s (snail) mail that there’s a new (not yet out) book — here’s info.
“Lewis Carroll’s Alice was first published in 1865 and has never been out of print, translated into 170 languages. But why does it have such enduring and universal appeal, for both adults and children? This book explores the global impact of Alice in art, design, and performance from the 19th century to today. Starting with the Victorian literary and social context in which this story was created, it shows the ways it’s been reimagined and reinterpreted by each new generation, from the original illustrations by John Tenniel to artwork by Peter Blake and Salvador Dali, and from the 1951 Disney movie to Tim Burton’s 2010 interpretation.”
Bud’s listing says $50 (plus shipping), “Due July” but when I placed my order (after hesitating a modest 20 seconds), it said “This product is not available in the requested quantity. 1 of the items will be backordered.”
I included a note in my order asking whether that reflected it being not out yet, or whether they already had more orders than they anticipated copies to fulfill existing orders.
“Explore the phenomenon of Alice in Wonderland, which has captivated readers from Walt Disney to Annie Leibovitz for over 150 years.
Lewis Carroll’s Alice in Wonderland is a cultural phenomenon. First published in 1865, it has never been out of print and has been translated into 170 languages. But why does it have such enduring and universal appeal for both adults and children?
This book explores the global impact of Alice in Wonderland across art, design and performance from the nineteenth century to today. It shows how Alice has been re-imagined and reinterpreted by each new generation: from the original illustrations by John Tenniel to artwork by Peter Blake and Salvador Dali, and from the 1951 Disney movie to Tim Burton’s latest interpretation.
This beautiful, playful publication also includes specially commissioned interactive illustrations by award-winning artist Kristjana S. Williams, as well as quotes from an array of cultural creators from Stephen Fry to Tim Walker, Ralph Steadman to Little Simz about the profound influence of Alice on their work.”
Whether this book is basically redundant to my modest collection of Aliceiana, I’ll find out.
(5) ALASKAN CONFIDENTIAL. In “Noir Fiction: When The Real Is Too Raw” on CrimeReads, Laird Barron, who writes horror and crime fiction, discusses the colorful people who visited his parents when he lived in Alaska and how he used these people as materials for his crime novels.
…A colorful ex-con named Tommy operated within those precincts. Tommy did time at the Goose Creek Penitentiary; warrants dogged him. He allegedly peddled coke for some bigger fish in Anchorage. Tommy drove a wired-together Datsun, or a motorcycle for the three months a man could do so without freezing his family jewels off. His favorite pastime included getting drunk at the lodge and harassing townies who alighted for weekend flings. He hated “the man.” To demonstrate his disdain, he’d snip pocket change in half with pliers….
Did you find taking that break from Frontlines beneficial? What did you take from that break that you were able to apply to the series?
It was immensely beneficial, even if I did get some flak from a few readers for daring to start another series when they were waiting for more Frontlines. But I really needed a bit of mental distance from that universe to come up with more stories worth telling. As long as it takes a few days to read what takes a few months to write, readers will want more books as quickly as possible.
(7) ART CRITICS STAND BY. Mark Lawrence (per his tradition) has followed the Self-Published Fantasy Blog-Off book competition by announckng the “SPFBO 6 Cover Contest”. The finalists have been picked by the bloggers. Not all the entries are in yet. When they are, the public will be invited to vote on the winner. Says Lawrence:
The public vote is of course a bit of fun and subject to all the issues of brigading and cheating that online polls often are – though our anti-cheat software is more effective than the raw poll results might lead you to believe.
(8) GOLDEN AGE SF ARTIST. Doug Ellis offers a catalog of art from the estate of artist Hubert Rogers, items now available for sale.
When John W. Campbell, the legendary editor of Astounding Science Fiction, looked for an artist to give expression to the groundbreaking fiction he was running during what is now known as science fiction’s Golden Age, he selected veteran pulp illustrator Hubert Rogers. For nearly 15 years (with a break during the war years, when he returned to his native Canada and contributed art for the war effort), Rogers was Astounding’s primary cover artist and a prolific interior artist, contributing distinctive art imbued with a touch of class, distinguishing Astounding from its fellow pulp competitors.
Unlike many science fiction artists, Rogers received much of his original art back from the publisher. This has been held by the Rogers family for the past 80 years, with only occasional pieces being offered in the market. Rogers’ daughter, Liz, has now decided to make available to collectors nearly all of the remaining art in their collection, which is listed in this catalog. This is truly a unique opportunity to acquire vintage science fiction art from the estate of the artist.
But Rogers didn’t only create classic science fiction art. His pulp art also included covers for the hero pulps, and two of his covers for Street & Smith’s The Wizard (a companion title to Astounding) can be found here for sale as well.
And you can download high res images of all the art in a zip file here.
This example of Rogers’ art is a scan from the magazine cover — the original for sale is much more brightly colored.
(9) TODAY IN HISTORY.
May 26, 1995 — Johnny Mnemonic premiered. Based on the William Gibson short story of the same name, it was directed by Robert Longo in his directorial debut. It starred Keanu Reeves, Takeshi Kitan, Henry Rollins, Ice-T, Dina Meyer and Dolph Lundgren. Despite the story itself being well received and even being nominated for a Nebula Award, the response among critics to the film was overwhelmingly negative. It currently holds a 31% rating on Rotten Tomatoes among audience reviewers. It is available to watch here.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born May 26, 1840 – Frederick Walker. Painter, pen & ink illustrator, wood engraver, watercolors. Renowned in his day. Social Realist; see here, here. Incorporated fantasy, see here (Spirit Painting), here. (Died 1875) [JH]
Born May 26, 1865 — Robert Chambers. His most-remembered work was The King in Yellow short stories. Though he would turn away from these supernatural tellings, Lovecraft’s included some of them in his Supernatural Horror in Literature critical study. Critics thought his work wasn’t as great as could have been. That said, Stross, Wagner, Carter and even Blish are said to have been influenced by him. (Died 1933.) (CE)
Born May 26, 1867 – André Devambez. Painter, illustrator, engraver, printmaker. Contributed to Le Figaro Illustré, Le Rire, L’Illustration. Look at The Only Bird that Flies Above the Clouds, here, factual but fantastic; imagine seeing it in 1910. Here is an illustration for Noëlle Roger’s cataclysmic The New Deluge (1922). Here is an oil Leprechauns in an Undergrowth. (Died 1944) [JH]
Born May 26, 1903 — Harry Steeger. He co-founded Popular Publications in 1930, one of the major publishers of pulp magazines, with former classmate Harold S. Goldsmith. They published The Spider which he created, and with Horror Stories and Terror Tales, he started the “Shudder Pulp” genre. So lacking in taste were these pulps, even a jaded public eventually rejected them. (Died 1990.) (CE)
Born May 26, 1913 — Peter Cushing. Best-known for his roles in the Hammer Productions horror films of the Fifties to the Seventies, as well as his performance as Grand Moff Tarkin in Star Wars. He also played Holmes many times, and though not considered canon, he was the Doctor in Daleks’ Invasion Earth 2150 A.D. and Dr. Who and the Daleks. He even made appearances in both The Avengers and The New Avengers as well as Space: 1999. There’s a CGI recreation of Grand Moff Tarkin used for his likeness in Rogue One. (Died 1994.) (CE)
Born May 26, 1913 – Joan Jefferson Farjeon. Scenic designer, illustrated published versions of plays she’d done, also fairy tales. See here (a frog footman), here (a tiger lily), here. From a 1951 stage production, here is a moment in Beauty and the Beast. (Died 2006) [JH]
Born May 26, 1921 — Mordecai Roshwald. He’s best-known for Level 7. (Read the expanded 2004 edition as it has his SF framing narrative.) He is also the author of A Small Armageddon, and a nonfiction work, Dreams and Nightmares: Science and Technology in Myth and Fiction. (Died 2015.) (CE)
Born May 26, 1923 — Roy Dotrice. I’ll always think of him first and foremost as Jacob “Father” Wells on Beauty and the Beast. He was Commissioner Simmonds in two episodes of Space: 1999. He also appeared in a recurring role on Hercules: The Legendary Journeys as Zeus. He’s on A Game of Thrones in the second season playing “Wisdom Hallyne the Pyromancer” in “The Ghost of Harrenhal” and “Blackwater” episodes. He narrates at least some of the GoT audiobooks. (Died 2017.) (CE)
Born May 26, 1925 – Howard DeVore. Began collecting, 1936. Michigan Science Fantasy Society, 1948 (Hal Shapiro said it was the Michigan Instigators of Science Fantasy for Intellectual Thinkers Society, i.e. MISFITS). Leading dealer in SF books, paraphernalia; known as Big-Hearted Howard, a compliment-complaint-compliment; called himself “a huckster, 1st class”. Active in Nat’l Fantasy Fan Fed’n; Neffy Award. Also Fantasy Amateur Press Ass’n (FAPA), Spectator Am. Pr. Soc. (SAPS). Said a Worldcon would be in Detroit over his dead body; was dragged across the stage; became Publicity head for Detention the 17th Worldcon. With Donald Franson The Hugo, Nebula, and World Fantasy Awards (through 3rd ed’n 1998). Named Fan Guest of Honor for 64th Worldcon, but died before the con. His beanie had a full-size airplane propeller. (Died 2005) [JH]
Born May 26, 1933 – Yôji Kondô. Ph.D. in astrophysics. Aikido (7th degree black belt) and judo (6th degree). Senior positions at NASA, Medal for Exceptional Scientific Achievement; two hundred scientific papers; for more on that work, see here. SF as Eric Kotani; six novels, most with J.M. Roberts; two shorter stories; edited Requiem tribute to Heinlein; non-fiction Interstellar Travel & Multi-Generation Space Ships with F. Bruhweiler, J. Moore, C. Sheffield; essays, mostly co-authored, in SF Age and Analog. Heinlein Award. Writers of the Future judge. Obituary by OGH here. (Died 2017) [JH]
Born May 26, 1938 – Lyudmila Petrushevskaya. Author (including plays and screenwriting), singer, painter, animator. Russian Booker Prize, Pushkin Prize, World Fantasy Award. Twenty short stories in our field, most recently in The Paris Review. [JH]
Born May 26, 1954 – Lisbeth Zwerger. Children’s book illustrator. Hans Christian Andersen and Silver Brush awards; Grand Prize from German Academy for Children’s & Youth Literature. Thirty books, most of them fantasy; see here (Swan Lake), here (the Mad Tea Party), here. [JH]
(12) FROM THE CIRCULAR FILE. Paul Levitz recalls the days when comics scripts were tossed in the trash after the project was over in “Artifacts”.
…Notwithstanding this, I saved a bunch of scripts from the trash for my own eduction. I’d pick out one each from the writers whose work I respected, or maybe a particularly interesting tale to study. I was limited to the scripts that passed through Joe Orlando’s editorial office–as his assistant I could take what I wanted of those, but it would have been de trop to raid Julie Schwartz’s garbage down the hall (assuming he hadn’t poured his yankee bean soup remains from lunch all over it, anyway). I learned what I could from them, then filed them away somewhere at home….
ON MARCH 15, THE DAY before South Africans were plunged into a lockdown which prohibited sales of alcohol, cigarettes, and takeout food, lines outside liquor stores spilled into the streets. One bottle store owner told me he did a month’s trade in a day.
Three weeks later, when President Cyril Ramaphosa made it clear the booze ban wouldn’t be lifted anytime soon, South Africans started to get desperate. Bottle store break-ins and drone-assisted drink deliveries made the news across the country. Then came the tenfold leap in pineapple sales: from 10,000 a day to nearly 100,000.
Thirsty South Africans have turned to making their own beer out of pineapples. In normal times, you can get sloshed on pineapple beer at the Big Pineapple, a 56-foot fiberglass construction in subtropical Bathurst. But these are not normal times. Luckily, pineapple beer—which is technically more of a wine or cider, as there’s no boiling involved—is easy to make, and can even be quite pleasant to drink.
(14) HELLO? ANYONE OUT THERE?[Item by Mike Kennedy.] Popular Mechanics takes a popsci look at a new analysis of the development intelligent life. “This Math Formula Has Determined the Odds of Aliens Existing” In a recent paper (Proceedings of the National Academy of Sciences, 18 May 2020), astronomer David Kipping uses Bayesian analysis to ponder the probabilities of intelligent life developing here or elsewhere. The paper’s statement of significance reads:
Does life’s early emergence mean that it would reappear quickly if we were to rerun Earth’s clock? If the timescale for intelligence evolution is very slow, then a quick start to life is actually necessary for our existence—and thus does not necessarily mean it is a generally quick process. Employing objective Bayesianism and a uniform-rate process assumption, we use just the chronology of life’s appearance in the fossil record, that of ourselves, and Earth’s habitability window to infer the true underlying rates accounting for this subtle selection effect. Our results find betting odds of >3:1 that abiogenesis is indeed a rapid process versus a slow and rare scenario, but 3:2 odds that intelligence may be rare.
Popular Mechanics sums up the paper with a single quote:
“Overall, our work supports an optimistic outlook for future searches for biosignatures,” the paper explains.
Properly disinfecting public spaces can help stop the spread of coronavirus, but cleaning crews are often not properly trained how to do so. Also, if the workers don’t wear personal protective equipment, they are at risk for infection.
David Tennant and Tom Baker are uniting to battle the Daleks in an upcoming Doctor Who audio-drama. The longest-running sci-fi TV series in the world, Doctor Who has become a cult classic. Regeneration is the secret to the show’s success. Doctor Who can reinvent itself periodically, recasting its star and allowing a new showrunner to take it in entirely new directions.
Every now and again, though, two or more incarnations of the Doctor come together in a fan-pleasing adventure in which they battle against iconic foes….
The plot is –
The Cathedral of Contemplation is an enigma, existing outside time. It turns through history, opening its doors across the universe to offer solace to those in need.
Occasionally, the Doctor drops in – when he’s avoiding his destiny, it’s an ideal place to get some perspective. Only, he’s already there several lives earlier, so when dimension barriers break down, his past and present collide.
And when the Daleks invade and commandeer the Cathedral, two Doctors must unite to stop them – or face extermination twice over!
(17) OTHER PEOPLE STARED, AS IF WE WERE BOTH QUITE INSANE. This is wild! The “augmented reality” bus stop window.
[Thanks to Mlex, Michael Toman, N., Andrew Porter, JJ, Mike Kennedy, Martin Morse Wooster, John Hertz, Nina Shepardson, Chip Hitchcock, Cat Eldridge, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day, the man who does for Scroll titles what Escher did for architecture, Daniel Dern.]
Mathematically speaking, “one man, one vote” sounds about as exciting as “1 = 1.” Yet it turns out that something so simple can produce a Nobel Prize in economics, not to mention a slew of graduate school statistics homework.
“Our class spent three weeks just on Arrow’s Theorem, looking at it from different angles,” said Jameson Quinn, a Ph.D. candidate in statistics from Harvard who showed up in Concord last week to testify before the House Elections Committee in favor of a bill allowing something called approval voting.
Arrow’s Theorem, key to the aforementioned Nobel prize, is to social choice theory what E=MC2 is to physics. It is usually described as saying that all voting systems are imperfect, a synopsis which misses lots of nuance and isn’t all that helpful to laymen, because most of us don’t even known that other systems exist.
(2) EDELMAN’S NEW PODCAST. Scott Edelman has started an SF-related podcast, Eating the Fantastic.
Are you ready to have lunch with me and writer/musician Sarah Pinsker? Because the first episode of Eating the Fantastic is now live!
Scott Edelman and Sarah Pinsker
Food, friends, and clanking dishes in the background reproduce the atmosphere where so many great fan conversations take place. Edelman writes:
I’ve found that while the con which takes place within the walls of a hotel or convention center is always fun, the con away from the con—which takes place when I wander off-site with friends for a meal—can often be more fun. In fact, my love of tracking down good food while traveling the world attending conventions has apparently become so well known that Jamie Todd Rubin once dubbed me “science fiction’s Anthony Bourdain.”
…During each semi-regular episode (I’ve yet to determine a frequency), I’ll share a meal with someone whose opinions I think you’ll want to hear, and we’ll talk about science fiction, fantasy, horror, writing, comics, movies, fandom … whatever happens to come to mind. (There’ll also be food talk, of course.)
One thing to note—this will not be a pristine studio-recorded podcast, but one which will always occur in a restaurant setting, meaning that mixed in with our conversation will be the sounds of eating and drinking and reviewing of menus and slurping and background chatter … in other words … life.
(3) PKD AWARD. The five Philip K. Dick Award judges for distinguished science fiction published in paperback original format in the United States in the 2016 award year are Michael Armstrong, Brenda Clough, Meg Elison, Lee Konstantinou, and Ben Winters.
Sherrilyn Kenyon says she started the “Dark-Hunter” series in 1998. The story “follows an immortal cadre of warriors who fight to protect mankind from creatures and demons who prey on humans,” according to court records.
On Friday, Kenyon sued Cassandra Clare aka Judith Rumelt aka Judith Lewis, claiming her “Shadowhunter” series initially used Kenyon’s trademark “darkhunter.”
After Kenyon demanded that Clare remove the word “darkhunter” from her work, Clare used the term “shadowhunter” for her protagonists instead, according to the lawsuit. The word “hunter” was also removed from the book title.
Clare’s book, “The Mortal Instruments: City of Bones,” was published in 2007. Since then, Clare has expanded her use of the term “shadowhunter” despite assurances that she would not, according to Kenyon.
Clare’s 2007 book was made into a movie and released in 2013, the lawsuit states. In 2014, it was reportedly announced that “Mortal Instruments: City of Bones” would be adapted into a television series called “Shadowhunters: The Mortal Instruments.”
Kenyon says ABC Family picked up Clare’s TV pilot in March 2015. The first episode of the “Shadowhunters” TV show premiered on Jan. 12 of this year, according to IMDB.
The “Dark-Hunter” author also claims Clare has used symbols and merchandise that are confusingly similar to Kenyon’s.
“Comparing the Dark-Hunter series to Clare’s work or works, the literary components are fictional and, in many respects, the elements are virtually identical,” Kenyon’s Feb. 5 lawsuit states. “These substantially similar elements, coupled with defendant’s access to the Dark-Hunter series, which were widely disseminated, leave little doubt that numerous substantive original elements of the Dark-Hunter series have been copied by defendant.”
(5) AB INITIO. Sarah A. Hoyt begins a column for Mad Genius Club about the preceding news story, “There Is Nothing New Under The Sun”, with these words —
So, this morning (yes, I crashed early yesterday) I was sent this article NEWS: Sherrilyn Kenyon sues Cassandra Clare over infringement claims by Amanda S. Green. It’s amazing. And by that I mean, I was amazed anyone is giving this so called “plagearism” any credence.
Now, I haven’t read the complaint, so perhaps there is more to it, and the complaint is more substantial. …
We’ll stop here and wait til she reads the complaint…
(6) GRRM’S EDITOR RATIONALE. George R.R. Martin had some feedback for File 770 commenters about the Best Editor (Long Form) category, but he also queried some of the editors he recommended about “What They Edited” in 2015.
My observations about the Best Editor (Long Form) Hugo, which you can read in full several posts down, have drawn some comments here and on FILE 770 from fans who object to my suggestion that this category has become a de facto lifetime achievement award, at least since David G. Hartwell set an example by withdrawing from future consideration after his third win.
The objections seem to take the form of stating emphatically that Best Editor (Long Form) is NOT a lifetime achievement award, it’s not, it’s not, it’s just NOT.
And quite right they are. According to the rules, that is. According to the rules, the award is only supposed to be for the previous year’s editing.
Which is great in theory, and completely wrong in fact. Maybe those who are objecting vote on that basis, but if so, they are a very tiny minority….
(7) TODAY IN HISTORY
February 10, 1957 – Roger Corman’s Not Of This Earth premiered.
Up there with being an astronaut, comic book artist, or the President, there’s one job that your average kid would probably love to snag: Working at Pixar. Animation and Pixar enthusiasts of all ages, take note! Pixar in A Box (or PIAB) is a collaboration between Khan Academy and Pixar Animation Studios that focuses on real-Pixar-world applications of concepts you might usually encounter in the classroom. The latest batch of Pixar in a Box, released today, gives Makers a rare peek under the hood so that you can get a whiff of the warm engine that keeps those Pixar pistons pumping. There’s no need to register for the course, nor a requirement to watch the lessons in order — just head to their site and start exploring!
In The Martian, you’ll experience the plight of astronaut Mark Watney, only in this strategy game you’re his only hope for survival. You play one of a NASA communications specialist that is communicating with Mark in real time via text-based messages. You’re his only contact on Earth, and all that stands between him and a return to our world, or certain death.
He has particular praise for Connie Willis’s first published story, “Daisy in the Sun,” originally published in issue #15 of Galileo (see right):
My own favorite among the also-rans is Connie Willis’s first published story, “Daisy in the Sun” (in the Wollheim/Saha annual). With lyric ellipses Willis describes a world in the grip of epidemic schizophrenia precipitated by news that the sun is going nova. The heroine is a sexually disturbed adolescent girl in a condition of fugal amnesia. All the way through I thought, “This won’t work,” but it did. What a great way to begin a career.
Of course, you could dismiss all this as sour grapes, as Disch’s own Hugo-nominee, the novel On Wings of Song, came in last in the voting that year.
(14) RULES OF THE ROAD. After reading a few thousand selected words in the Amazon Web Service’s Service Terms, the account holder arrives here —
57.10 Acceptable Use; Safety-Critical Systems. Your use of the Lumberyard Materials must comply with the AWS Acceptable Use Policy. The Lumberyard Materials are not intended for use with life-critical or safety-critical systems, such as use in operation of medical equipment, automated transportation systems, autonomous vehicles, aircraft or air traffic control, nuclear facilities, manned spacecraft, or military use in connection with live combat. However, this restriction will not apply in the event of the occurrence (certified by the United States Centers for Disease Control or successor body) of a widespread viral infection transmitted via bites or contact with bodily fluids that causes human corpses to reanimate and seek to consume living human flesh, blood, brain or nerve tissue and is likely to result in the fall of organized civilization.
[Thanks to John King Tarpinian, Will R., and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day J-Grizz.]
By John Hertz: (reprinted from Vanamonde 1154) In fact I’ve met Grace Slick, alive as you or me. She was born in the Year of the Rabbit, she’s been painting, and her birth surname was Wing.
I’ve met Joan Baez, who sang “Joe Hill” at Woodstock and whose Antioch degree is different from mine. But I don’t want to get too far from the Lewis Carroll masterpiece Alice’sAdventures in Wonderland, establishing him as a master, published to the wonder of us all, the enrichment of the Imagi-Nation, and the benefit of humankind 150 years ago this month.
Through the Looking-Glass (1871) came later, although I’ve seen one of Ms. Slick’s paintings with both, likewise “White Rabbit” and Walt Disney’s “Alice in Wonderland”, and although my mother says I learned to read at about age 3 (you also may’ve been reading then) by making her read Looking-Glass aloud until I was reading it with her. And, she sometimes says, correcting her. Humph (not to be confused with Humpty-Dumpty). I don’t remember that part. But it’s a poor sort of memory that only works backwards.
This month’s Alice has never been out of print. It’s in almost two hundred languages, e.g. Basque, Chinese, Esperanto, Finnish (4 translations), Hebrew, Hungarian (3 translations), Japanese, Latin, Polish (8 translations), Russian (7 translations, one by Vladimir Nabokov), Serbian, and Swedish (11 translations) which holds the Celerity Honor (wups! there goes half my readership – hey, you! wake up! get a dictionary! don’t be a vegetable!) having started in 1870; there’s a Shaw Alphabet text too.
It’s full of reference jokes, most following the best practice, fun if recognized but undaunting if not; e.g. Ambition, Distraction, Uglification, and Derision in Chapter 9, or digging for apples in Chapter 4 (“apple” in French is pomme, and pommes de terre are potatoes). Some things well-known in its day may call for help now – e.g. bathing machines in Chapter 2, which aren’t like Chapter 4 of Between Planets.
Hosts have illustrated one or both of the Alice books. I remain partial to Sir John Tenniel.
What besides wit and satire (sarcasm is in anger, satire is with love)? The story line is punctilious, from tears to a thimble, from a caterpillar to a cat, from a duchess to a dormouse to a dance to a decision; the verisimilitude is careful, from the best butter to the head-downwards lizard; the characters – don’t say they’re cardboard – look at the rabbit with his servants and his King, look at Alice as she grows – never mind her body size, or compare Chapters 2 and 12. There’s beauty and vanity. The pack-of-cards moment is worthy of Bleak House or The City and the Stars. Both those protagonists, it must be said, were rebuilders. But that is not the canvas on which our author chose to paint Alice.
Might Wonderland in the strict sense – if those words apply – be no fantasy, since it’s only a dream? Might it be science fiction? Here again is Sturgeon’s Apothegm (hey, you!) Science fiction is knowledge fiction. Or perhaps the science is mathematics – especially if that includes logic – or is it the other way round?
Alias Charles Lutwidge Dodgson (in Latin, Carolus Ludovicus; reversed, Lewis Carroll) – born at Daresbury – which is in Cheshire – the author was indeed a mathematician. He denied the story of Queen Victoria’s so enjoying Wonderland she suggested his next book be dedicated to her, thereupon receiving An Elementary Treatise on Determinants (1867). Although his Alice was far more famous than his algebra, he always answered comminglers “Mr. Dodgson neither claims nor acknowledges any connection with books not published under his name.”
Alice earns and has a place with us. Not so long ago a Boston committee bidding for the 47th Worldcon realized it if they won would be Noreascon III and a Mad Three Party, produced a suitable (I keep warning you about these puns) Masquerade entry at the 42nd Worldcon, and over 4½ years published 26 issues of The Mad 3 Party fanzine
– more than half being edited by Leslie Turek, who chaired Noreascon II and any minute now will be Fan Guest of Honor at Sasquan – to which we gave a Hugo.
Is this a book for children? The author himself said it was. Unlike the Hatter, although I may be mercurial, I don’t deny it. But we don’t relegate to children the sense of wonder. On the contrary, we pursue it. There’s glory for you.
