Janet Kilkelly, the president of the Waukegan Park District’s Board of Commissioners and the city clerk, remembers spending time in her youth at the Carnegie Library, built in 1903 at the northeast corner of Washington Street and Sheridan Road.
“The children’s room was there,” Kilkelly said, pointing to the room to the left as people walk in the door thinking about how it will soon be the home of the Waukegan History Museum. “It was a magical place. I like books. This was nirvana.”
Kilkelly led a group of federal, state and local officials at the groundbreaking ceremony Tuesday in front of the Carnegie as a prelude to the start of construction for the renovation of the former library into the permanent home of the museum.
…“It will be a chance for them to learn about the history of Waukegan,” Kilkelly said. “Perhaps one of them will be inspired like the young Ray Bradbury when he spent his days here,” she added, referring to the Waukegan native and world-renowned author.
Ty Rohrer, the Park District’s manager of cultural affairs, the chair of the city’s Historic Preservation Commission and a historian by profession, said the onetime children’s reading room will be redone to look as it did in Bradbury’s youth.
When complete, Rohrer said the room will contain the collection of papers, books and other memorabilia Bradbury willed to the Waukegan Public Library. The collection will be there on a long-term loan from the library to the museum….
(3) CORFLU AWARDS. Corflu today adopted Tom Becker’s proposal that fwa, the “fan writers of America”, be changed to mean “fan writers association”, with the proviso that “writer” stands in for any creative fannish endeavor. Subsequently, Claire Brialey was elected “past president of fwa” for 2021.
Also, Geri Sullivan was presented with the Lifetime Achievement Award.
(4) IRISH NATIONAL SF CON COVID REPORT. [Item by Edmund Schluessel.] Octocon 2022 returned to in-person in its new venue of Croke Park, Dublin and, with 283 warm bodies present, reports NO cases of COVID-19 one week after the convention wrapped.
Octocon had a policy of mandatory masks (exemptions were available) and requested all in-person members take self-tests before attending.
From the post-Octocon edition of the members’ newsletter: “Thank you to everyone for complying with our mask requirements. We would like to remind people to let us know if they have tested positive following Octocon, either by using our #covid-safety channel on Discord, which has a ticketing bot to create a private message thread visible only to the committee, or by contacting [email protected]. We’re happy to report that we’ve had no reports of positive tests so far.”
(5) FINLAY ART OFFERED. Doug Ellis has been asked to raise some money quickly for Virgil Finlay’s granddaughter, Brien, and so rather than putting together his usual type of catalog, Ellis has taken pictures of 42 pieces of Finlay art that have not appeared in any of his catalogs and posted the images here on Dropbox.
All of this art is on consignment from Brien. All of the files have an identifying number in the image together with the price, and that info also is included in the file name (except for the one Word file, which contains info on the size of each piece). The prices do NOT include shipping.
You’ve crunched the numbers. Readers who get through the second book in your series tend to read every book after that. You expect a dropoff from the first to the second, but the numbers are terrible, and you know why:
The first book isn’t good.
You’ve grown as a writer, and now that book’s flaws are painfully obvious. The later books in your series are fantastic. Reviews are great. People who get that far are turning into your best fans. The problem is that most of them just aren’t getting that far.
A traditionally published author would likely be stuck. They could either work on a new series or, if their publisher allowed it, continue to crank out books hoping to overcome the weak start with rave reviews for later entries.
An indie author has the power to fix a bad Book 1. You can go in and tweak a few things, send it through another round of edits, or even in extreme circumstances, give it a complete rewrite. You can make the imperfect first book a prequel or even remove it entirely, promoting Book 2 to the first spot….
(7) JUSTIN E.A. BUSCH DIES. [Item by George Phillies.] Justin Edwin Anton Busch, editor of the N3F zine Films Fantastic and monthly fanzine review column “Fanfaronade”, died peacefully in his sleep in the early evening of Friday, October 21, 2022. His death, while untimely, was not unexpected.
Justin E. A. Busch, a long-time fan from St. Paul, Minnesota authored the nonfiction work The Utopian Vision of H.G. Wells, published by McFarland Company in 2009.
(8) MEMORY LANE.
1962 — [By Cat Eldridge.] Bradbury wrote one of the shortest opening narrations that Serling gave in the series:
They make a fairly convincing pitch here. It doesn’t seem possible, though, to find a woman who must be ten times better than mother in order to seem half as good, except, of course, in the Twilight Zone. — “I Sing the Body Electric”
Though I didn’t know that Bradbury had a script produced for the one and true Twilight Zone, it doesn’t at all surprise me that he did. I had assumed Serling wrote all of the episodes. Not true as it turns out, to my delight, as we get the “I Sing the Body Electric”. It is said that he contributed several scripts to The Twilight Zone, but this was the only one produced. He certainly was no stranger to tv script writing with five scripts for the Alfred Hitchcock Presents series alone.
This would air as the thirtieth-fifth episode of the third season on May 18, 1962. This was one of six Twilight Zones episodes directed by James Sheldon and his co-director William Clazton who did four.
LOOK, GO EAT A CANDY APPLE FOR A MINUTE PLEASE.
Just three words this time— sweet robotic grandmothers. Ok, a few more. My god, this episode drips with cloyness, it does. A recent widower, needing care for his three young children, orders a robotic “grandmother”. Two of the children accept her, but one of his daughters adamantly rejects her, with what might be near fatal consequences.
DID YOU ENJOY THAT CANDY APPLE?
You can see it on Paramount +
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 23, 1880 — Una O’Connor. Actress who appeared in the 1930s The Invisible Man as Jenny Hall. She had a bit part in Bride of Frankenstein, and a supporting role in the genre-adjacent The Adventures of Robin Hood. Though not even genre adjacent, she was Mrs. Peters in the film adaptation of Graham Greene’s Stamboul. Great novel, I’ll need to see if I can find this film. She’s in The Canterville Ghost, and shows up twice in TV’s Tales of Tomorrow anthology series. And that’s it. (Died 1959.)
Born October 23, 1918 — James Daly. He was Mr. Flint in Trek‘s “Requiem for Methuselah” episode. He also showed up on The Twilight Zone, Mission:Impossible and The Invaders. He was Honorious in The Planet of The Apes, and Dr. Redding in The Resurrection of Zachary Wheeler. (Died 1978.)
Born October 23, 1935 — Bruce Mars, 87. Here for his most excellent role on Star Trek in the “Shore Leave” episode as Finnegan. Earlier he had been brought in to audition for the role of Junior Navigations Officer Dave Bailey in episode “The Corbomite Maneuver” but someone else got that part, but he did come back for a part in “Assignment Earth” where he was listed as First Policeman. He had one-offs in Time Tunnel, Voyage to the Bottom of the Sea and Mission: Impossible. He is now Brother Paramananda with the Self-Realization Fellowship in Los Angeles which he joined shortly after ending his acting career in 1969.
Born October 23, 1948 — Brian Catling. Author of The Vorrh trilogy whose first novel, The Vorrh, has an introduction by Alan Moore. Writing was just one facet of his work life as he was a sculptor, poet, novelist, film maker and performance. And artist. Impressively he held Professor of Fine Art at the [John] Ruskin School of Drawing and Fine Art in Oxford and was a fellow of Linacre College. Yeah that John Ruskin. (Died 2022.)
Born October 23, 1953 — Ira Steven Behr, 69. Best remembered for his work on the Trek franchise, particularly Star Trek: Deep Space Nine, on which he served as showrunner and executive producer. As writer and or producer, he has been in involved in Beyond Reality, Dark Angel, The Twilight Zone, The 4400, Alphas, and Outlander.
Born October 23, 1959 — Sam Raimi, 63. Responsible for, and this is not a complete listing, the Darkman franchise, M.A.N.T.I.S., the Jack of All Trades series that Kage loved, the Cleopatra 2525 series, Hercules: The Legendary Journeys and Xena: Warrior Princess series and the Spider-Man trilogy.
Born October 23, 1969 — Trudi Canavan, 53. Australian writer who’s won two Ditmars for her Thief’s Magic and A Room for Improvement novels and two Aurealis Awards as well, one for her “Whispers of the Mist Children” short story, and one for The Magician’s Apprentice novel. It’s worth noting that she’s picked up two Ditmar nominations for her artwork as well.
Born October 23, 1974 — Naomi Alderman, 48. English novelist and game writer. The Power with its premise being the women suddenly the ability to release electrical waves from their hands, thus leading them to become the dominant sex. The novel is set to be turned an Amazon Prime Video television series, but what isn’t? She’s also written two Doctor Who novels set in the new series, Borrowed Time and Time Lapse, and some short fiction there as well.
A few weeks ago, I did something bizarre. I was sitting in the dining hall, reading a book when my friend approached me from behind and, peering over my shoulder, asked me what I was reading. Almost immediately, I slammed the book shut and spluttered, “Oh, nothing.”.
As the conversation moved on, my eyes turned to the cover of my Colleen Hoover novel, which I had so shamefully hidden. The truth is, I was embarrassed. I had bought the book solely because of a TikTok video, with thousands of likes and comments raving about Hoover’s “It Ends With Us.” Having been up all night ripping through its pages, I had come to several conclusions: It was a terribly written book; it was repulsively predictable ]; and most importantly, I loved it.
My shame of being found reading Colleen Hoover stemmed from a culture of intellectual snobbery — feeling superior and prideful about the type of culture you consume. It’s the person who prides themselves on their knowledge of “classical” literature, listing off the last names of authors such as John Milton, Charles Dickens, and Jane Austen as if they are family friends….
…David M. Levine, a Theater, Dance, and Media professor, described intellectual snobbery as “automatically excluding materials from intellectual consideration because they give immediate pleasure.” Being an intellectual snob means feeling superior to e mass culture, due to the status and inaccessibility of the type of culture you consume, literary and beyond.
Intellectual snobbery can feel especially pervasive at Harvard, where books like Hoover’s are rarely on reading lists. But her work was clearly popular amongst the masses – number one in the New York Times Best Sellers List as of January 2022. It was an easy read with a simple plot….
(13) TITANS MOVE TO THE CITY. That’s The City. HBO Max dropped this trailer for the new season of Titans last week.
Having saved Gotham, the Titans hit the road to head back to San Francisco. But after a stop in Metropolis, they find themselves in the crosshairs of a supernatural cult with powers unlike anything they’ve faced before.
(14) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] Andy Martin asks if people can stand the titanic genius of Mr. Director.
[Thanks to John King Tarpinian, Andrew Porter, Chris Barkley, Lis Carey, Doug Ellis, Jeffrey Smith, Lise Andreasen, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Dan’l Danehy-Oakes.]
(1) CLARION WEST AUCTION AND GALA. The Clarion West After Dark 2022 Auction is open until October 21 at 9:00 PM Pacific Time. You must register for the event to begin bidding on auction items. Clarion West After Dark is a fundraising event and auction created to help support Clarion West’s year-round speculative program.
Clarion West board member Yang-Yang Wang (Dungeon Scrawlers) will serve as DM for a One Shot Dungeons & Dragons adventure (a single self-contained adventure) with author Seanan McGuire (Middlegame, Every Heart A Doorway, X-Men) and up to 3 of your friends.
Nisi Shawl is an award-winning author of science fiction, fantasy, and horror. They also make delectable, unique, and magical teas. Spend time with Nisi learning how they buy, dry, cut, stir, and steep the best cup of tea. Join Nisi at the home of board member Susan Gossman in Queen Ann.
Includes a signed copy of Nisi’s book Everfair.
There will also be a livestreamed Clarion West After Dark 2022 event on YouTube on October 21 at 7:00 p.m. Pacific with Special Guest Author Daniel J. Abraham. Register at the link.
Join us as we journey across the dark expanse of space for a night of celebration, imagination, and inspiration. Clarion West is all about stories, and our story is like a generation ship: students become instructors and scholarship recipients become donors, powering this journey across time and space as we go boldly into the creation of wild and amazing worlds.
(2) SFBC’S PROMO ART RARITIES. The fourth installment of Doug Ellis’ look at the art from the Science Fiction Book Club’s Things to Come bulletin is now available; this one covers 1964-1966 and includes seldom seen work by Virgil Finlay. “The Art Of Things To Come, Part 4: 1964-1966” at Black Gate.
…As I’ve noted in prior installments, the artists who contributed to these early bulletins are often unidentified. That’s usually the case during this period as well.
The notable exception to that rule is the great Virgil Finlay, who kicks off our tour with his illustration for Fifth Planet by Fred Hoyle and his son, Geoffrey Hoyle (misspelled as Goeffrey) from the Winter and March 1964 issue of the bulletin. The original of this lovely piece still exists in a private collection….
(3) PARAMOUNT PLUS HALF PRICE DEAL. [Item by Daniel Dern.] Paramount Plus, where the new Star Trek shows (and some of the older ones) are available, is having a “temporary promotion” (not clear how that differs functionally from “a sale.” (Note: “Offer ends 11/3/22.”)
In particular (as in, the one I just went for), Paramount Plus’ with-ads version has a half-off year offer ($24.99 instead of $49.99). (And other offers which I ignored, because of lack of interest or frugality. We enjoyed no-ads on a previous promotion, which, when it expired, I cancelled our subscription.)
(1) As HowToGeek cautions, “The only catch is that the subscription auto-renews, and the low price is only for the first year”.
If you don’t want to lose track and accidentally get auto-renewed, at full price, in a year, consider cancellation after, say, a month. (If you were able to get the free trial period, make sure you’re a few days past that.)
Paramount says: “If you cancel your subscription, the cancellation will go into effect at the end of your current subscription period, as applicable. You will have continued access to the Paramount+ Service for the remainder of your paid subscription period.”
However, I didn’t see this offered in the actual subscribing process or the near-immediate confirmations from Paramount. I just did a Chat with Paramount customer service; they said I should have received an email with a PIN (didn’t comment whether that related to the promised Fire Stick), and will cause a new message-with-PIN to get sent to me.)
Even if you don’t need one for everyday use, if you’re actually travelling (within the US), it might be a convenient take-along.
(4) SCHULZ CENTENNIAL. Just to remind you, the new issue of Charles M. Schulz / Peanuts stamps is now available from the USPS.
New stamps salute the centennial of cartoonist Charles M. Schulz (1922–2000) whose “Peanuts” characters are some of the best known and most beloved in all of American culture. For five decades, Schulz alone wrote and drew nearly 18,000 strips, the last one published the day after he died. Each character reflects Schulz’s rich imagination and great humanity. His resonant stories found humor in life’s painful realities including rejection, insecurity and unrequited love.
In a celebratory mode, characters from “Peanuts” adorn 10 designs on this pane of 20 stamps and form a frame around a 1987 photograph of Schulz.
Art director Greg Breeding designed the stamps from Schulz’s artwork and an existing photograph by Douglas Kirkland.
(5) DOCTOR WHICH. [Item by Martin Morse Wooster.] Leslie S. Klinger provides background on Robert Louis Stevenson for a new edition of Dr Jekyll And Mr. Hyde.
… While RLS’s fiction never flagged in popularity, he was shunned by the critics for a long period. His work was excluded from major anthologies for much of the twentieth century. Today, however, he is highly regarded by academia as an original voice, an artist with a wide range of interests and insights, no longer to be relegated to the shelves of children’s literature or horror fiction. In 2004, the Journal of Stevenson Studies began publication, with an impressive editorial board and a mission: “The Journal of Stevenson Studies (JSS) is committed to the study and wider consideration of the work of Robert Louis Stevenson as a popular writer with an original and unique insight into the moral, psychological and cultural ambiguities of the modern world. This is the Stevenson admired by authors like Henry James, Graham Greene and Jorge Luis Borges….
N.K. Jemisin is a fantasy and science-fiction writer who won three consecutive Hugo Awards — considered the highest honor in science-fiction writing — for her “Broken Earth” trilogy; she has since won two more Hugos, as well as other awards. But in imagining wild fictional narratives, the beloved sci-fi and fantasy writer has also cultivated a remarkable view of our all-too-real world. In her fiction, Jemisin crafts worlds that resemble ours but get disrupted by major shocks: ecological disasters, invasions by strange, tentacled creatures and more — all of which operate as thought experiments that can help us think through how human beings could and should respond to similar calamities.
Jemisin’s latest series, which includes “The City We Became” and “The World We Make,” takes place in a recognizable version of New York City — the texture of its streets, the distinct character of its five boroughs — that’s also gripped by strange, magical forces. The series, in addition to being a rollicking read, is essentially a meditation on cities: how they come into being, how their very souls get threatened by forces like systemic racism and astronomical inequality and how their energies and cultures have the power to rescue and save those souls.
I invited Jemisin on the show to help me take stock of the political and cultural ferment behind these distressing conditions — and also to remember the magical qualities of cities, systems and human nature. We discuss why multiverse fictions like “Everything Everywhere All at Once” are so popular now, how the culture and politics of New York and San Francisco have homogenized drastically in recent decades, Jemisin’s views on why a coalition of Black and Latinx voters elected a former cop as New York’s mayor, how gentrification causes change that we may not at first recognize, where to draw the line between imposing order and celebrating the disorder of cities, how Donald Trump kept stealing Jemisin’s ideas but is at the root a “badly written character,” whether we should hold people accountable for their choices or acknowledge the way the status quo shapes our decision-making, what excites Jemisin about recent discoveries about outer space, why she thinks we are all “made of exploding stars” and more.
… Compared to the many horrors of the real world, watching a spooky movie in the theatre feels almost cathartic. And so I decided to get away from the real world by watching the new West German horror movie Die Schlangengrube und das Pendel (The Snake Pit and the Pendulum) at my local cinema….
Few people have influenced American comics as much as Alex Raymond. While “Jungle Jim” and “Rip Carson” [sic – Rip Kirby] may not be household names, Raymond’s most famous creation, Flash Gordon, is so ingrained into American pop culture that simply his name can be used as shorthand for a specific type of heroic, romantic science fiction. Alex Raymond’s career was short, and his death came far too soon, but his art and influence are immortal….
…The sixth and final book in the Noughts & Crosses series, Endgame, came out last year. How do you feel now that’s over? Mainly: Thank God I lived long enough to finish it! And: Thank God that’s done! OK, to be serious about it, it’s been a hell of a journey, which I’m really grateful for because it’s been 20-odd years. But I really do feel with the end of Endgame that really is it. And anyone who’s read it will know why. If there are more books written in that series, they won’t be by me….
…Welcome to the age of immersion. Dinosaurs and DC barely scratch the surface – this summer also saw the launch of Stranger Things and Tomb Raider “experiences” in London, an I’m A Celebrity Jungle Challenge in Manchester, and an Alice in Wonderland “immersive cocktail experience” in Sheffield.
By September, fans were able to re-enact Netflix’s Squid Game at Immersive Gamebox venues in London, Essex and Manchester. In the coming weeks, London will also host an experience based on the horror franchise Saw, while Cheshire will see thousands visit Harry Potter: A Forbidden Forest Experience. And that’s without mentioning the boom in immersive art experiences, the most recent of which – Frameless – has just opened in central London….
…For our first episode, we focus most of our discussion on the class Twilight Zone episode “A Stop at Willoughby” where our protagonist “Mr. Gart Williams, an ad agency exec, who in just a moment, will move into the Twilight Zone—in a desperate search for survival.”
(12) JIM MCDIVITT (1929-2022) Former astronaut Jim McDivitt, who played key roles in making America’s first spacewalk and moon landing possible, died October 17 at the age of 93. NPR paid tribute:
…In 1962, McDivitt was selected by NASA to become an astronaut. He was chosen to pilot Gemini 4 — becoming the first-ever NASA rookie to command a mission.
Considered NASA’s most ambitious flight at the time in 1965, the Gemini 4 mission was the first time the U.S. performed a spacewalk and the longest that a U.S. spaceflight had remained in Earth’s orbit: 4 days.
Four years later, McDivitt commanded Apollo 9 — a 10-day shakeout mission orbiting the Earth in March 1969 that involved testing the lunar landing spacecraft. It paved the way for NASA to successfully land humans on the moon four months later in July 1969.
Apollo 9 was his last trip to space. Despite his instrumental role in propelling NASA’s moon landing, McDivitt himself never reached the moon. Francis French, a spaceflight historian, said McDivitt chose not to command a moon landing mission and decided to take on a management role….
… McDivitt became manager of Lunar Landing Operations in May 1969, and in August of that year became manager of the Apollo Spacecraft Program. He was the program manager for Apollo missions 12-16….
(13) MEMORY LANE.
2005 — [By Cat Eldridge.]Farscape: The Peacekeeper Wars (2005)
Once upon a time, a beloved SF series got cancelled, and yes there is absolutely nothing unusual in that happening, it happens more often than it should. What is extremely unusual is that it got a second chance to have a proper ending in the Farscape: The Peacekeeper Wars seventeen years ago.
So let’s tell the tale of how that happened. Farscape arrived here twenty-three ago when Deep Space Nine was just wrapping up and Voyager was well into its seven year run. It started fine and ratings were strong until the fourth season and that, combined with regime change here in the States on who was picking up the tab for the two million dollars per episode led it to end abruptly.
Fans being fans weren’t going to let things end that way, nor should we. (Yes I loved the show. Deeply, unreservedly. I think it was one of the best series ever made, if not the best.) A massive campaign was undertaken with of course emails, letters, phone calls, and phone calls pleading with the network to reverse the cancellation.
Even Bill Amend who created the Fox Trot series had his Jason Fox character direct his ire at SciFi and demand that they change their mind.
Well they did, sort of. A fifth season didn’t happen after all. What did happen in some ways I think was even better though I know that isn’t a popular opinion among those who wanted a full season.
What we got was the two episode, one hundred and eighty minute Farscape: The Peacekeeper Wars which I thought splendidly wrapped things up. Every single storyline that wasn’t dealt with during the series was during this film.
SPOLER ALERT HERE.
We got a baby too. Yes, our Peacekeeper gives birth in a fountain in the middle of a firefight, insists she’s married while in labor, carries her baby unscathed through a battle. I assume that the baby was a puppet from the Henson labs. It was terribly cute.
END OF SPOILERS
I’ve watched it at least a half dozen times, probably more, in the last fifteen years. The Suck Fairy in her steel toed boots is obviously scared of those Aussie actors (and the non Aussie one as well) as she slinks away to harass someone else.
Just looked at Rotten Tomatoes — not at all surprisingly, it carries a ninety-two percent rating among audience reviewers there. It’s streaming at Amazon Prime.
(14) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 18, 1934 — Inger Stevens. She’s here for two appearances on TheTwilight Zone. She had the lead as Nan Adams “The Hitch-Hiker” and she was again the lead, Jana, as the sensitive daughter of a creative genius in “The Late of The Hour”. Her only other genre credit was as Sarah Crandall in the post nuclear Holocaust film The World, the Flesh and the Devil. The coroner ruled her 1970 death a suicide. (Died 1970.)
Born October 18, 1938 — Barbara Baldavin. She was a recurring performer on Trek first as Angela Martine in “Balance of Terror” and “Shore Leave”. She would also appear in the final season’s “Turnabout Intruder” as communications officer Lisa. After that, she had one-offs on Fantasy Island and The Bionic Woman. She retired from the business in 1993.
Born October 18, 1948 — Dawn Wells. Mary Ann Summers on Gilligan’s Island which y’all decided was genre.. She had genre one-offs on The Invaders, Wild Wild West and Alf. (Died 2020.)
Born October 18, 1944 — Katherine Kurtz, 76. Known for the Deryni series which started with Deryni Rising in 1970, and the most recent, The King’s Deryni, was published in 2014. As medieval historical fantasy goes, they’re damn great.
Born October 18, 1951 — Jeff Schalles, 71. Minnesota area fan who’s making the Birthday Honors because he was the camera man for Cats Laughing’s A Long Time Gone: Reunion at Minicon 50 concert DVD. Cats Laughing is a band deep in genre as you can read in the Green Man review here.
Born October 18, 1952 — Pam Dawber, 71. Mindy McConnell in Mork & Mindy. She did very little other genre work, such as Faerie Tale Theatre and the Twilight Zone. She was however in The Girl, the Gold Watch & Everything as Bonny Lee Beaumont which is based off the John D. MacDonald novel of the same name. Go watch it — it’s brilliant!
Born October 18, 1964 — Charles Stross, 58 . I’ve read a lot of him down the years with I think his best being the rejiggered Merchant Princes series. Other favorite works include the early Laundry Files novels and both of the Halting State novels.
(15) FIGURES DON’T LIE. Cora Buhlert posted another “Masters-of-the-Universe-Piece Theatre” photo story. This one is called “Fake Out”.
…In 2018, the year they opened the family bakery, they made Game of Scones, featuring a White Walker made of bread, next to an iron throne of baguettes.
Encouraged by the positive response from the public, in 2020 they made the “Pain-dough-lorian,” clad in armor made of bread, “Baby Dough-Da” clothed in bread and “floating” in mixing bowls, and “the Pandroid,” made of pans and kitchen tools, all inspired by the television series “The Mandalorian.”
Last year, they created “Dough-ki,” a menacing alligator made of bread, with sharp teeth and curved horns, modeled after “Alligator Loki,” a creature on the Marvel television series “Loki,” starring Tom Hiddleston…..
…Laflin squirmed and flailed around on the floor for 45 minutes that first time. When he could finally sit up, he looked down his torso to inspect himself. Half fish, half man, it was a transformation that turned out to be life-altering.
Ten years after he first tried on the set piece in his apartment, Laflin, 40, is a full-time merman, part of a hub of mermaid enthusiasts in Southern California who inhabit personas that express everything from a yearning for childhood play and entertainment to environmental advocacy and gender identity. Going by the stage name “Merman Jax,” he runs a business that he christened Dark Tide Productions, which employs a team of about 10 men and women who perform at events such as birthday parties, corporate galas, and Renaissance fairs, sometimes in water, sometimes posing by a pool or the entrance of an event.
Mermaids tend to be more in demand, Laflin says, because most clients prefer to go with a performer who is female-presenting. But he loves the moments when he is swimming in a tank or lounging poolsidebecause of the sense of wonder it can inspire….
“I knew it was going to be hard to live down such a strong identification,” West told a TV columnist syndicated in The Newspaper Enterprise Association that year. “But it’s been even harder than I anticipated. And today the series is being widely rerun, so I’m still identified with Batman.”
This was three years past the series end, but the action series maintained a wide fan base, and that year, an idea was floated to use the popular characters of Batgirl, Batman, and Robin to run a public service announcement raising awareness for a movement to secure equal pay for women.
In the PSA, Batman and Robin are tied up, and Batgirl appears.
“Untie us before it’s too late,” Batman commands Batgirl.
“It’s already too late,” Batgirl retorts, refusing to set them free until Batman agrees to give her a raise. “I’ve worked for you a long time, and I’m paid less than Robin!”
The PSA was promoting awareness of the federal equal pay law, and it ends with a cliffhanger to tune in tomorrow to find out if Batman does his duty and gives Batgirl what she’s owed.
West refused to do this PSA, not because of politics, but because he just didn’t want to be Batman anymore….
The possessive claim in the title “Guillermo del Toro’s Pinocchio” is a gutsy one. There’s confidence — some would even say arrogance — in filming an oft-told story at least as old as the hills, and suddenly branding it as your own: Even two auteurs as ballsy as Francis Ford Coppola and Baz Luhrmann didn’t slap their own names on “Bram Stoker’s Dracula” and “William Shakespeare’s Romeo + Juliet,” respectively. Still, you can hardly blame del Toro’s stop-motion spin on Carlo Collodi’s 19th-century chestnut “The Adventures of Pinocchio” for wanting to advertise its distinguishing vision up top: After umpteen tellings of the wooden-boy tale, and coming on the heels of Robert Zemeckis’ wretched Disney remake, Netflix’s rival adaptation has to announce itself as something different. That it is; it’s often delightful too….
…TheStar Trek Cookbook is lightly bound by the conceit that Monroe-Cassel is a “gastrodiplomat” lecturing Starfleet cadets about how to further the Federation’s exploratory and expansionist goals through sharing a meal with representatives of other planets. The dishes themselves are all references I could ID from a lifetime of consuming Star Trek, but each dish’s franchise origin is noted. The book is organized by dish type, and not Star Trekseries, era, or culture. In theory this makes it more usable for its intended purpose, that is, making and eating the food. This is (ugh) logical for a cookbook, and some of the recipes in here are good. Cardassian Regova eggs, for example: I boiled them, cracked the shells, and submerged them in dye diluted in water until they emerged a pretty, webby green. Spiked with some frilly bits of lettuce they looked striking; maybe I’d serve them at a Halloween party. They were also okay devilled eggs, and I learned a new trick:that you can slice off the tops and prepare them vertically.
But they’re also just devilled hen eggs, and nothing in the filling (yogurt, red pepper, garlic) makes them anything other than superficially a little weird. Everything about how the food looks — the plating, the reliance on dyes, the lightly modernist approach — broadcasts alienness, in a sci-fi aesthetic way. But making a traditionally structured cookbook with solid recipes for kinda odd-seeming food falls short of this project’s full potential, since nobody is going to a Star Trek cookbook first and foremost because it’s a cookbook…
…If the name sounds familiar, Jack Wylder does a lot of work with Larry Correia including producing Correia’s podcast. He’s recently produced a book which, unsurprisingly was promoted in former Puppy circles. That’s where I saw it but my interest wasn’t the connection to that particular circle of authors. Rather, I’ve been interested to see how independently published authors would start engaging with machine-learning art generation systems such as Midjourney and Dall-e for producing book covers.
…An Illustrated Guide to AI Prompt Mastery attempts a system-agnostic approach to prompts. It doesn’t suggest a given system or discuss the syntax differences between systems. That is a sensible choice given that new systems are appearing regularly and the details of the syntax are better covered in their own documentation. The downside is that if you are expecting a kind of plug-and-play manual to AI-art syntax you’ll be disappointed….
(22) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: Overwatch 2,” Fandom Games says this comes from Blizzard, which “delivers controversies faster than new titles,” as development of the game led to a lot of the staff quitting and the company releasing a bug-ridden game that included times where 40,000 people were in front of you to play. Overwatch 2 is for “people who fear change so much that you want sequels that are five percent different than the last title,” and that Blizzard should have fixed the bugs in Overwatch rather than come out with a “new” line extension.
[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Daniel Dern, Cora Buhlert, Doug Ellis, Martin Morse Wooster, JJ, John King Tarpinian, Andrew Porter, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]
Three First Fandom awards were announced during Chicon 8’s opening ceremonies on September 1. The Big Heart Award for service to fandom also was presented.
First Fandom was created in 1958. The modern organization defines as “dinosaurs” those active in science fiction or fannish activities by the time of the first Worldcon in 1939. Also, anyone who has engaged in correspondence, collecting, conventions, fanzine publishing or reading, writing or participated in a science fiction club for at least 30 years may be eligible for Associate Membership. These three awards were voted by the members:
FIRST FANDOM HALL OF FAME AWARD
The First Fandom Hall of Fame, created in 1963, is a prestigious achievement award given to a living recipient who has made significant contributions to Science Fiction throughout their lifetime.
George W. Price was introduced to science fiction in 1947. He became active in fandom in the early-1950s and was a member of the Philadelphia Science Fiction Society. His first convention was TASFiC. In 1953, he joined the University of Chicago Science Fiction Club, and was later elected president. Beginning in 1965, he began hosting monthly science fiction parties at his home which continued for 20 years. He became an early partner in Advent: Publishers. A technical writer, Army veteran, college graduate and chemical engineer with a life-long interest in limericks and puns, he has been an active science fiction fan for more than 70 years.
POSTHUMOUS HALL OF FAME AWARD
The Posthumous Hall of Fame was created in 1994 to acknowledge people in Science Fiction who should have, but did not, receive that type of recognition during their lifetimes.
August Derleth was an internationally respected fan, author, editor, correspondent, poet, lecturer and publisher of science fiction as well as a writer of mystery, horror fiction, regional fiction and natural history. In addition, he was a 1938 Guggenheim Fellow and a co-founder in 1939 of Arkham House. In 1948, he was elected president of the Associated Fantasy Publishers at Torcon (the 6th Worldcon). Derleth wrote more than 150 short stories and more than 100 books during his lifetime. It is for these historic accomplishments that August Derleth is being inducted this year into the First Fandom Posthumous Hall of Fame.
SAM MOSKOWITZ ARCHIVE AWARD
Sam Moskowitz Archive Award was created in 1998 to recognize not only someone who has assembled a world-class collection but also what has actually been done with it.For example: previous award recipients have published articles and books, made collections available for public viewing, loaned items for other projects and donated material to be preserved for future generations.
Doug Ellis and Deb Fulton.
Doug Ellis and Deb Fulton run one of the most important pulp conventions that focuses on original artwork, pulps and films covering the past history of the field: the annual Windy City Pulp and Paper Convention.
Doug and Deb are major collectors of artwork and pulp magazines who generously share their holdings with other fans. They have conducted significant research and written important books that help perpetuate the memory of past genré artists. Doug is the author of dozens of essays and, with Deb, has edited and published Pulp Vault for more than 20 years.
It is for the unique collection that they have assembled and for the service that they have given to the field for decades that the members of First Fandom selected Doug Ellis and Deb Fulton to receive the Sam Moskowitz Archive Award for 2022.
BIG HEART AWARD
Mark Linneman was presented the Big Heart Award, fandom’s highest service award.
SPECIAL COMMITTEE AWARD
The Internet Speculative Fiction Database was honored with a special committee award by Chicon 8.
I’ve been reflecting a lot lately on my ‘career’ (so to speak) as a trans writer for teens, which (oddly enough) now includes being one of the enemies du jour for a substantial part of the country!
Personally, it doesn’t bother me that much. I don’t lose sleep over it. If I got harassment or felt unsafe, I’m sure that would change. All the consequences are professional. There’s a huge appetite for trans narratives now, but I think they’re also risky, and that more marginal or nuanced perspectives like mine are just not what the country feels like it needs. That’s even aside from the risks of a book being banned by the right or cancelled by the left (or, as in a few cases, cancelled by right-wing trolls who pick out seemingly-offensive passages and use them to get the left riled up)
I see being trans the same way I see being a woman or being brown: it’s a definite professional liability, and it probably makes publication and acclaim harder to come by, but it also makes the work more meaningful. In a way, it’s kind of a privilege to be able to write about things that people care about, to say stuff that they might not’ve heard before, and to have a perspective that’s valuable. Which is to say, if it wasn’t harder for me to succeed, the would be less worth doing. I do think that if you want to produce something valuable, it’s always going to be more difficult, precisely because what is valuable is rarer, less-understood, and doesn’t have the same immediately-intuitive appeal….
(3) VERTLIEB MEDICAL UPDATE. Steve Vertlieb had a setback after returning home from heart surgery. But now he’s back home from a second hospital stay and has copied File 770 on his account for Facebook readers.
A Pseudoaneurysm And Blood Clot Bring Me To My Knees Once More, Requiring Renewed Forced Hospitalization
… Just returned a little while ago from Abington Hospital in Jenkintown, Pennsylvania where I spent the last ten days unexpectedly confined to the dreaded hospital once again. I was only home for five days when agonizing pain in my lower groin forced me to to go back to the emergency room for a re-evaluation of my already precarious medical condition. I was diagnosed rather quickly, I fear, with a Pseudoaneurysm in my left lower groin area, as well as a blood clot in my left leg. I had a two and a half hour blood transfusion a few days ago in order to correct a low Hemoglobin level which had only added to my recent medical woes. I’m home again, however … I hope this time permanently.
To quote Dr. Henry Frankenstein … “HE’S ALIVE … ALIVE.” I’ve returned bloodied and scarred, but alive and on the mend, from the proverbial gates of hell. I shall live, God willing, to tell the story of my remarkable journey through fear, panic, and nearly terminal illness to the sweet gates of successful surgery, completion, and somewhat “limitless” vistas.
My time on Facebook will, for the present, be limited, I fear, in the days ahead, but I just wanted to let everyone know that I’ve survived. I came home from the hospital yesterday (Thursday) after a ten day stay following major open-heart surgery. The procedure lasted approximately six hours, during which my surgeons replaced one heart valve, repaired another, stitched back together the hole in my heart, and stopped my internal bleeding.
This procedure was far more involved and life threatening than I ever imagined or was advised. The second time, it seems, is not the charm, but the entire bracelet. They had to cut through an already existing incision, breaking once healed bones protecting my heart cavity yet again, in order to reach and operate upon the newly troubled areas. My recovery, consequently, will also be far more difficult than my original transition back to health, healing, and wholeness twelve years ago.
The good news, however, is that when I asked my surgeon the chances for a complete recovery, he responded “ONE HUNDRED PERCENT.” Doing anything beyond menial movement and chores over the next several months will be severely limited. My brother Erwin is here with me for the next month or so, and he’ll be taking care of me. However, my reason for posting this morning, is to let you all know that I have survived a difficult surgery, and that I’m looking forward, with faith and dreams, to a Summer, a year, and a life of happiness, love, laughter, and blessed renewal.
Thank you all from the bottom of my sometimes troubled heart for the most gracious gift of your prayers, and friendship. In Love, Peace, and Gratitude Steve
(4) VIRGIL FINLAY ART. Doug Ellis has announced a sale:
For fans of the great Virgil Finlay, my latest art sale catalog is now available. This one is devoted entirely to the art of Finlay. Note that none of these are published pieces, but instead are personal pieces (including abstracts). This material all comes from Finlay’s estate, and I’m selling it on behalf of his granddaughter.
You can download the catalog (about 30 MB) through Dropbox here.
…Mist gave way to soft rain, then faded back to damp cold. Stored sunlight made octagonal tiles on the path under my feet glow. I followed its light to the middle of Central Park, where dusk barely illuminated the blue and red mosaics of the town well. Volunteers had moved every piece of the well they could salvage from drowning historic Olympia to the replica in New Olympia. By car, the journey was over 65 miles. The new city perched on the lower slopes of Mount Rainier, and the water tasted as clean, although more like mountain than river. This well, like the old one, operated as a free community asset. The glowing streets, the well, and, a few blocks away, the new State Capitol all looked even more beautiful than the artist’s renderings. The city ran on sunlight. Edible plants bordered parks, fed by recycled wastewater as clean as the well water. New Olympia gave as much back to the ecosystem as it took….
…Sinаtrа wаs so pаrticulаr аbout his аppeаrаnce thаt he becаme enrаged when people didn’t dress the wаy he did. When he wаs in а bаr, he hаppened to notice Ellison.
“[Ellison] wore а pаir of brown corduroy slаcks, а green shаggy-dog Shetlаnd sweаter, а tаn suede jаcket, аnd $60 Gаme Wаrden boots,” Gаy Tаlese wrote in the Creаtive Nonfiction аrticle “Frаnk Sinаtrа Hаs а Cold.”
Sinаtrа wаs irritаted enough by Ellison’s аttire thаt he аpproаched him while plаying pool.
“Look, do you hаve аny reаson to tаlk to me?” Ellison inquired.
Sinаtrа responded, “I don’t like how you’re dressed.”…
(7) MEDIA BIRTHDAY.
2011 – [By Cat Eldridge.] Eleven years ago on this evening, the BBC aired the first episode of the Outcasts series. You’ve probably never heard of it as it only lasted eight episodes. It was created by Ben Richards who had absolutely no SFF background being a writer of such series as the British intelligence series Spooks (which is streaming on Britbox).
It was written by him along with Jack Lothian and David Farr with the story being it is set on the colony planet Carpathia and it revolves around the ongoing lives of the existing settlers, and the introduction of the last evacuees from Earth. No spoilers there I think.
When critics saw the pilot episode, they were downright hostile. Let’s start with Kevin O’Sullivan of The Mirror who exclaimed “While the barmy BBC squanders a billion quid on getting the hell out of London… it must have saved a fortune on Outcasts. A huge horrible heap of cheapo trash, this excruciating sci-fi rubbish tip looked like it was made on a budget of about 50p. Who directed it? Ed Wood? And what a script! So jaw-droppingly dreadful it hurt.”
David Chater at the Times wrote, “Not since Bonekickers has the BBC broadcast such an irredeemably awful series. Sometimes catastrophes on this scale can be enjoyed precisely because they are so dismal, but this one has a kind of grinding badness that defies enjoyment of any kind.”
Mike Hale of the New York Times gets the last word: “With none of the flair or self-deprecating wit that has defined other British sci-fi imports (‘Torchwood,’ ‘Primeval’), ‘Outcasts’ strands a number of talented performers, including Mr. Bamber, Eric Mabius and Liam Cunningham, on a world of wooden dialogue and interplanetary clichés. There’s nothing a rescue ship from earth can do for this crew.”
Audience figures for the series were extremely poor: as they started with an initial low figure of four point five million viewers for the pilot, and the show lost nearly two-thirds over its run, to finish with one point five million UK viewers.
Richards remain defiant after it was moved to a new time stating “I have every confidence we will rule our new slot. Clear eyes, full hearts, can’t lose!” and “Cultdom beckons. And keep watching hardcore because remaining eps great.” Well BBC didn’t pay attention as they then cancelled the series despite actually having shot some of the first episode of the second series.
It gets a fifty percent rating among audience reviewers at Rotten Tomatoes.
It appears to streaming for free on Vudu. And it was released as a UK DVD.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born May 28, 1908 — Ian Fleming. Author of the James Bond series which is at least genre adjacent if not actually genre in some cases such as Moonraker. The film series was much more genre than the source material. And then there’s the delightful Chitty-Chitty-Bang-Bang: The Magical Car. The film version was produced by Albert R. “Cubby” Broccoli, who had already made five James Bond films. Fleming, a heavy smoker and drinker his entire adult life, died of a heart attack, his second in three years. (Died 1964.)
Born May 28, 1923 — Natalie Norwick. She had a number of genre roles in the Sixties including being Martha Leighton in “The Conscience of the King”, a Trek episode, and appearing as Josette duPres Collins on Dark Shadows. (Died 2007.)
Born May 28, 1951 — Sherwood Smith, 71. YA writer best known for her Wren series. She co-authored The Change Series with Rachel Manija Brown. She also co-authored two novels with Andre Norton, Derelict for Trade and A Mind for Trade.
Born May 28, 1954 — Betsy Mitchell, 68. Editorial freelancer specializing in genre works. She was the editor-in-chief of Del Rey Books. Previously, she was the Associate Publisher of Bantam Spectra when they held the license to publish Star Wars novels in the Nineties. She edited the Full Spectrum 4 anthology which won a World Fantasy Award.
Born May 28, 1981 — Laura Bailey, 41. I find voice performers fascinating. And we have one of the most prolific ones here in Laura Bailey. She’s got hundreds of credits currently, so can hardly list all of them here, so l’ll just choose a few that I really like. She voiced Ghost-Spider / Gwen Stacy in the recent Spider-man series and the Black Widow in Avengers Assemble and other Marvel series. And she appeared in Constantine: City of Demons as Asa the Healer.
Born May 28, 1984 — Max Gladstone, 38. His debut novel, Three Parts Dead, is part of the Craft Sequence series, and his shared Bookburners serial is most excellent. This Is How You Lose the Time War (co-written with Amal El-Mohtar) won a Hugo Award for Best Novella at CoNZealand. It also won an Aurora, BSFA, Ignyte, Locus and a Nebula.
Born May 28, 1985 — Carey Mulligan, 37. She’s here because she shows up in a very scary Tenth Doctor story, “Blink”, in which she plays Sally Sparrow. Genre adjacent, she was in Agatha Christie’s Marple: The Sittaford Mystery as Violet Willett. (Christie gets a shout-out in another Tenth Doctor story, “The Unicorn and the Wasp”.)
(9) CON OR BUST. Dream Foundry’s Con or Bust program is gearing up again. The program helps creatives of color attend conventions and other professional development opportunities they otherwise might not be able to by financing their trip, stay, and/or tickets.
(10) SERVICE INTERRUPTUS. Cat Eldridge circled back to right-wing blog Upstream Reviews to read any new comments on its recent gloating posts about the Mercedes Lackey controversy and SFWA’s announcement that its membership directory data had been compromised. Surprisingly, he found that the blog is offline – all you get is an “Internal Server Error.” There’s still a Google cache file – the blog’s last entry was Declan Finn kissing Larry Correia’s butt. Maybe the internet threw up? Cat says, “Quite likely as the parent domain is for it is mysfbooks.com which as been blacklisted by the internet as being dangerous to visit (may have worms, may harvest your passwords, may steal your immortal soul).”
(11) IF I COULD TALK TO THE ANIMALS. They left this part out of Doctor Doolittle, I guess.
Young dolphins, within the first few months of life, display their creativity by creating a unique sound. These bleats, chirps and squeaks amount to a novel possession in the animal kingdom — a label that conveys an identity, comparable to a human name.
These labels are called signature whistles, and they play an essential role in creating and keeping relationships among dolphins. While the development of a signature whistle is influenced by learning from other dolphins, each whistle still varies in volume, frequency, pitch and length….
… Fellow researcher Jason Bruck, a marine biologist at Stephen F. Austin State University in Texas, told National Geographic the original goal was to test whether dolphins use their signature whistles in the same way people rely on names.
Bruck couldn’t do that unless he found a second way dolphins could identify each other. Luckily, he remembered that a fellow scientist had previously observed wild dolphins swimming through what the website called “plumes of urine” and he figured the creatures might be using it as an ID technique….
Duel of the Fates “We’ll handle this.” (Episode 1: The Phantom Menace)
Duel of the Fates, the epic lightsaber battle featuring Obi-Wan, Qui-Gon and Darth Maul, borders on Star Wars perfection. Its success comes from the combination of John Williams’s score, Ray Park’s physicality as Darth Maul and modern CGI technology finally catching up to the imagination of George Lucas. And it is a moment that shows the ascension of Obi-Wan from Padawan to Jedi Knight when he ends up victorious.
(14) OBOE WAN. Legendary film composer John Williams hit the stage to surprise fans at Anaheim Star Wars Celebration and play the theme for the new Obi Wan Kenobi series.
[Thanks to John King Tarpinian, Chris Barkley, Andrew Porter, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]
“The most depressingly realistic writer’s life simulation I ever experienced” Lavie Tidhar, author of Maror, Hood, By Force Alone, Osama, Central Station, and others.
You play Emily, a struggling writer, trying to make it in the big bad world of short story publishing. You walk around your house, getting ideas, and writing stories. Try not to get too distracted, or you will get sad that you hadn’t written during the day. Get too sad, and it’s game over. She gives up and gets a new job doing something far less fun and stressful.
The game was created by author Paul Jessup, creator of haunted fantasies and weird futures. Only $2.99! Many find they prefer playing it to writing. Oops!
We’re thrilled to confirm that Sheree Renée Thomas will be attending WisCon 2022 in person and will also be available to participate in virtual programming.
Unfortunately, due to family commitments and the ongoing pandemic, neither Zen Cho nor Yoon Ha Lee will be able to participate either physically or virtually in WisCon 2022.
We have yet to receive confirmation whether Rebecca Roanhorse will be able to participate virtually (for the second time) or physically.
The post also discusses major changes they’ve had to make in response to Covid or in response to the limited time and energy volunteers have to run events.
(3) LEGOLAND ADDS STADIUM. The LEGO® SoFi Stadium is now open at Legoland California Resort.
SoFi Stadium has “touched down” in Miniland USA! An architectural marvel that took a team of 25 dedicated Master Model Builders more than 6,000 hours and more than 500,000 LEGO® bricks to build, the final SoFi Stadium model stands at more than 30 feet long, 15 feet wide and over 4 feet tall. It’s currently considered the largest LEGO® stadium in the world. The massive LEGO structure joins other top Southern California attractions featured in LEGO form, including Griffith Park Observatory, Hollywood Bowl and Grauman’s Chinese Theatre.
Are kaiju something that you’re into, did you grow up watching Godzilla?
Some of my earliest memories of television are the Japanese kaiju movies. When I grew up in Los Angeles, I’d watch channel nine and channel eleven. They were independent stations at the time, and they would fill up their Saturday and Sunday afternoons with Japanese movies where these big monsters would stomp on things. When you’re seven or eight years old, and before the Star Wars era, all of it looked startlingly realistic. It was like, “This could be happening! What the hell’s going on in Japan, how do they live?” I think anybody who was my age growing up watching these things, it just sort of seeped into your bones.
(5) VIRGIL FINLAY ART SALE CATALOG. Doug Ellis shares his Finlay auction catalog – get an eyeful, then buy a wall-full!
For fans of the great Virgil Finlay, here’s my latest art sale catalog. This one is devoted entirely to the art of Finlay, with over 50 originals. Note that none of these are published pieces, but instead are personal pieces (including abstracts) and a few prelims. None of this material has been at any convention, nor has it been in any prior catalog. This material all comes from Finlay’s estate, and I’m selling it on behalf of his granddaughter.
And if you like Finlay art, I’ll have a few hundred other, similar pieces for sale at this year’s Windy City Pulp and Paper Convention (May 6-8, 2022 at the Westin Lombard Yorktown center) that has not been shown in any catalog either.
(6) A WINK IS AS GOOD AS A NOD. In the Washington Post Magazine, Jason Vest profiles Rob Poor, whose eyeball was used for a retina scan Captain Kirk had to undergo in Star Trek Ii: The Wrath Of Khan. The scan seems routine today but Vest says this was “one of the earliest digitized photo images of living matter used in a major film” and Vest described how it happened. “William Shatner’s eyeball double in ‘Star Trek II’ tells how it happened”.
…Poor’s story illuminates not just how far our technology has come in the past 40 years, but also how the effects wizards working on “Star Trek II,” in swinging for the fences, helped lay the foundation for something we take for granted today: the digital cameras of our communicators (er, cellphones). As such, I asked Poor if he would be willing to revisit the tale of his role in a pioneering filmmaking moment and technological advance — and one that has seen him achieve on-screen immortality, if uncredited, as … William Shatner’s stunt eyeball….
…The look of A Scanner Darkly is the first noticeable difference that sets it apart from other adaptations and is a crucial decision to pull off PKD’s vision. PKD’s themes of warping identities, hallucinations and false realities are often difficult to capture on film, and Linklater’s return to rotoscoping — an animation technique that traces over live-action cels which he also used in Waking Life — is a spot on visualization of these themes.
This is evidenced in the very first scene, which shows a frantic Charles Freck (Rory Cochrane) dealing with an infestation of imagined insects. The fact that the bug hallucinations look identical to the real world drags viewers into the uncanny valley, creating a simultaneously lifelike and artificial setting where it is difficult to know what is actually taking place.
In addition to the look of A Scanner Darkly, the film also avoids the most common missteps that other films have made when adapting PKD’s work. Featuring heroics without heroes, action without resolution and romance without lovers, PKD worlds are perhaps too incongruous for film, especially the bombastic style found in this era of the Hollywood blockbuster.
(8) MEMORY LANE.
1992 — [Item by Cat Eldridge.] Thirty years ago, Salman Rushdie’s Haroun and the Sea of Stories wins the Mythopoeic Fantasy Award for Children’s Literature. The novel was published two years earlier and was his first novel since The Satanic Verses which as we all know resulted in that book being condemned by many Islamic clerics and Rushdie being condemned to death. Much of this novel can be considered a commentary upon what happened to him then.
Haroun itself is “a sad city, the saddest of cities, a city so ruinously sad it had forgotten its name”. It will by the end of the stories have its name restored. A joyous event indeed.
The New York Times review compared it to the work of Barrie, Beatrix, Potter and E. B. White: “Salman Rushdie’s remarkable new children’s book belongs in this company. The only difference is that the experiences that lie behind ‘Haroun and the Sea of Stories’ are nearly as fantastic as anything in the tale. Before the fact, who could have believed that a world-famous spiritual leader would publicly exhort his millions of followers to murder a novelist in another country, and promise them eternal salvation should they succeed?”
The Kirkus review aimed at librarians was more literary in nature: “Memorable bedtime story targeted for an audience as large as a bull’s-eye on the side of a barn. The book is catalogued for January but will be shipped to bookstores in early November for Thanksgiving sales. Few readers will not find some tie between this story of a silenced father-storyteller and Rushdie’s death sentence from the Ayatollah Khomeini—but it’s a tie not stressed by the author. Perhaps the brightest aspect of the book is its bubbling good humor and witty dialogue, and then its often superb writing: ‘There was once, in the country of Alifbay, a sad city, the saddest of cities, a city so ruinously sad that it had forgotten its name. It stood by a mournful sea full of glumfish, which were so miserable to eat that they made people belch with melancholy even though the skies were blue.’”
Befitting the literary nature of the book and its use of multiple languages, it was made into an audiobook which is read by Rushdie himself. I’ve heard it — it’s an extraordinary work indeed.
Haroun and the Sea of Stories was adapted for the stage by Tim Supple and David Tushingham. It had its stage premiere in 1998 at the Royal National Theatre in London. It was also an opera, Haroun and the Sea of Stories, written by Charles Wuorinen in 2001 with libretto by James Fenton, which premiered at the New York City Opera in Fall 2004.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born March 27, 1892 — Thorne Smith. A writer of humorous supernatural fantasy. He is best remembered for the two Topper novels — a comic fantasy fiction mix of plentiful drink, many ghosts, and sex. Not necessarily in that order. The original editions of the Topper novels complete with their erotic illustrations are available from the usual digital sources. (Died 1934.)
Born March 27, 1942 — Michael York, 80. I remember him in Babylon 5’s “A Late Delivery from Avalon” episode as a man who believed himself to be King Arthur returned. Very chilling. I also enjoyed him as D’Artagnan in the Musketeers films and remember him as Logan 5 in Logan’s Run. So what on his genre list really impresses you?
Born March 27, 1949 — John Hertz, 73. He’s an active fanzine fan who publishes Vanamonde. He’s also an experienced masquerade judge, convention art show tour docent, and teacher of Regency dancing. Winner of the Big Heart Award at the 2003 Torcon. With the help of the HANA (Hertz Across to Nippon Alliance) fan fund he attended Nippon 2007. He‘s a three-time Hugo finalist for Best Fan Writer. Four collections of his fanwriting have been published, West of the Moon, Dancing and Joking,On My Sleeve, and Neither Complete nor Conclusive. (OGH)
Born March 27, 1950 — John Edward Allen. One of the forgotten dwarfs of Hollywood, he stood but three feet and ten inches tall. English by birth and English in death as he was back there after an impressive career in Hollywood to die on his native soil. How impressive? Well given how hard it was for dwarfs to find work, pretty good as he appeared in Snow White Live, Buck Rogers in the 25th Century, Side Show (circus horror film), Under the Rainbow (see IMDB link here), Tales from the Darkside (as a goblin), Swamp Thing series (love that series), Superboy (as a carnival dwarf) and Snow White: A Tale of Terror. (Died 1999.)
Born March 27, 1952 — Dana Stabenow, 70. Though better known for her superb Kate Shugak detective series of which the first, the Edgar Award-winning A Cold Day for Murder is a Meredith moment right now, she does have genre work to her credit in the excellent Star Svensdotter space series, and the latter is available at the usual digital suspects.
Born March 27, 1953 — Patricia Wrede, 69. She is a founding member of The Scribblies, along with Pamela Dean, Emma Bull, Will Shetterly, Steven Brust and Nate Bucklin. Not to be confused with the Pre-Joycean Fellowship which overlaps in membership. Outside of her work for the the Liavek shared-world anthology created and edited by Emma Bull and Will Shetterly, there are several series she has running including Lyra (Shadow Magic), Enchanted Forest Chronicles and Cecelia and Kate (co-written with Caroline Stevermer). She’s also written the novelizations of several Star Wars films including Star Wars, Episode I – The Phantom Menace and Star Wars, Episode II – Attack of the Clones in what are listed as ‘Jr. Novelizations’.
Born March 27, 1969 — Pauley Perrette, 53. Though she’s best known for playing Abby Sciuto on NCIS, a role she walked away from under odd circumstances, she does have some genre roles. She was Ramona in The Singularity Is Near, a film based off Ray Kurzweil’s The Singularity Is Near: When Humans Transcend Biology. Next up is the most excellent Superman vs. The Elite in which she voices Lois Lane. Let’s see… she had a recurring role on Special Unit 2 as Alice Cramer but I never watched that series beyond the pilot so I’ve no idea what that role was.
Born March 27, 1971 — Nathan Fillion, 51. Certainly best known here for being Captain Malcolm “Mal” Reynolds in Firefly ‘verse, though the large viewing audience now know him as Richard Castle on Castle. An interesting case of just how much of a character comes from the actor I think. In both roles. In his case, I’d say most of it. He voiced Green Lantern/Hal Jordan in Justice League: Doom, Justice League: The Flashpoint Paradox and Justice League: Throne of Atlantis, The Death of Superman and Reign of the Supermen. Oh, and he appeared in a recurring role in Buffy the Vampire Slayer as Caleb.
In a move that has been widely criticized, NASA leaders recently terminated a test project that allowed employees at the agency’s Goddard Space Flight Center (GSFC) to display pronouns in their official agency identifiers. The decision affected more than 100 employees who saw their stated pronouns vanish from communication platforms.
…Organized by a handful of management officials within GSFC, the pronoun-inclusive effort was “a tech demo”—a prepilot program, a Goddard employee says, that was a first step toward addressing concerns that included issues with removing deadnames from the agency’s IT system. (A deadname is the name a transgender or nonbinary person had before transitioning.) In searching for solutions, the GSFC team spoke with NASA Headquarters, as well as legal departments and employee resource groups at the agency. In other words, “this wasn’t a bunch of people going rogue,” says a scientist at GSFC.
During that process, the GSFC team identified an option that would let employees add their pronouns to their display names, which are used in electronic communications, including e-mail, contact lists, instant messaging platforms and Microsoft Teams environments. Usually, those identifiers include “[Last name],” “[First name]” and “[NASA Center-XXX],” where the “XXX” would be replaced by a three-digit organizational code.But by filling in an optional field that is typically used for nicknames, employees could add pronouns after their names. It was an efficient and inexpensive way to make a necessary change, employees say, and did not require any additional coding or IT investments….
If you’re on the political left, what is the most right-wing artistic work that you enjoy and appreciate (in whatever way you understand that concept)? And if you’re on the right, the reverse?
And my mind immediately went to David Weber and his Honor Harrington series. Doing Horatio Hornblower in Space! series is already a pretty conservative concept, but Weber took it up to eleven, especially at the start….
Italo Calvino once referred to the novelist and memoirist Primo Levi as “one of the most important and gifted writers of our time.” An Italian chemist and Holocaust survivor, Levi was the author of fourteen books, including “The Periodic Table” and “Survival in Auschwitz.” Since Levi’s death, in 1987, The New Yorker has published eight of his works of fiction and poetry. In 2007, the magazine excerpted the title story from Levi’s posthumous collection “A Tranquil Star.” The tale describes, in vivid, granular detail, the life and death of a star called al-Ludra, as observed through the eyes of various astronomers. But it’s also a story about the fine boundaries of the spoken word. … To compose a narrative about a star—and to make it as relevant as any depiction of a notable figure or close acquaintance—is no small feat. Levi balances the astonishing with the wonted, tracing the minute details of matter that appears immutable, and yet, like our own history, is ever changing….
(14) A CUT ABOVE. Star Trek: The Motion Picture– The Director’s Edition is streaming April 5 on Paramount+.
(15) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] Max Headroom chats with BBC presented Terry Wogan in this clip from 1985 that dropped this week.
[Thanks to JJ, John King Tarpinian, Andrew Porter, Michael Toman, Nancy Sauer, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
(1) SFF A “FORM OF SUBVERSIVE ACTIVISM”. Eugen Bacon’s thoughtful review appears in the latest issue of Fafnir – Nordic Journal of Science Fiction and Fantasy Research, Volume 8, Issue 2 (Feb 2022): “Trends in Black Speculative Fiction”.
… More than two decades after the publication of Dark Matter: ACentury of Speculative Fiction from the African Diaspora (Thomas), black speculative fiction continues to rise as a powerful conversation in genre fiction, and increasingly tackles precolonial, colonial, and postcolonial themes pertaining to identity and culture, as well as feminist and queer themes pertaining to engaging with difference. Anthologies have become instrumental in the proliferating Afrofuturistic writing that heroes black people in stories from Africa and the diaspora, stories whose visibility is increasingly evident in award nominations and recommendations – for example 2021 Hugo nominee Ekpeki Donald Oghenechovwe, whose novella Ife-Iyoku won the 2020 Otherwise Award.
New Suns: Original Speculative Fiction by People of Color (Shawl) – in its showcasing of interracial and cross-cultural stories – may have stunned its publisher, editor, contributors, and readers by winning the 2020 Locus, World Fantasy, British Fantasy, Ignyte, and Brave New Words Awards. Casting a diverse range of new and established writers, including (among others) Tobias S. Bucklell, Minsoo Kang, Kathleen Alcalá, Alberto Yáñez, and Chinelo Onwual, and featuring a foreword by LeVar Burton, New Suns explored intergalactic stories, dream stories, song stories, coming-home stories, futuristic stories, and even self-aware stories that encapsulate person-of-colour chants full of longing and conviction of belonging and place. With the success of New Suns, it’s no wonder that Solaris announced its acquisition of New Suns 2 for release in 2023 (“Solaris to Publish New Suns 2”)….
… It is clear from just these select exemplars that publishers, authors, and readers alike have a steeping interest in black people’s stories. Thanks to the internet, audio books, and ebooks, the world is in the heart of an ongoing digital revolution that continues to stagger traditional publishing and make best sellers as well as anthologies and collections from smaller presses cheaper and accessible to ravenous readers. As e-publishers and self-publishers create opportunities for writers and readers alike, and more awards recognise calibre and uniqueness, rather than the author’s or publisher’s muscle, black speculative fiction will continue to rise in global distribution, and be increasingly accessible. A reader has only to look for it in anthologies, collections, even award nominations….
(2) CRITTERS ANNUAL READERS POLL. The Critters Workshop, “for serious writers of Science Fiction, Fantasy, and Horror” is hosting its Annual Readers Poll, which honors print and electronic publications published during the past year. (Click here for the official rules.) There are 41 categories. Voting is open through January 14. View the Current standings at the link.
(3) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Tochi Onyebuchi and Sarah Pinsker in a virtual event on Wednesday, January 19 starting at 7:00 p.m. Eastern. The readings will be live on YouTube, link to come.
Tochi Onyebuchi is a novelist and essayist, who won the World Fantasy Award, the Ignyte Award, and the New England Book Award for Fiction for his novella Riot Baby, a Nebula, Locus, and Hugo Award finalist. His works include the Beasts Made of Night and War Girls series, and the non-fiction book (S)kinfolk. His most recent novel is Goliath from Tordotcom Publishing. He lives in Connecticut.
Sarah Pinsker is a writer of novels and short stories and everything in between. She has won three Nebulas, including best novel for A Song For A New Day in 2020 and best novelette for “Two Truths And A Lie,” in 2021. Her most recent novel is We Are Satellites. She’s also a musician with four albums to her name, including 2021’s Something to Hold. She lives in Baltimore with her wife and two terriers.
(4) WINDY CITY. Doug Ellis notes the 21st Windy City Pulp and Paper Convention is just four months away. The event will be held May 6-8 at the usual venue, the Westin Lombard Yorktown Center, Lombard, Illinois.
We’ve sold out all 180 of our dealer tables, to dealers spanning the U.S., from Canada and the U.K. We’ll be celebrating the 100th anniversary of pulp and comic publisher Fiction House.
At this point, we don’t know what COVID requirements may be in place when the show takes place. Currently, masking would be required, but protocols may change during the next four months. We’ll update those as we learn them.
As has been the case in years past, this year’s convention will feature some incredible material in our estate auctions. Friday night (May 6), our auction will focus on material from the estate of legendary collector Robert Weinberg (including many more issues of Weird Tales and a complete run of Planet Stories), while on Saturday night, (May 7) material from the estate of Glenn Lord, literary agent for the estate of Robert E. Howard, takes center stage. In addition, we also will have a number of interesting items from other consignors.
The deadline to book your hotel room and receive the convention rate is 5:00 central on April 12, 2022. The link for con hotel reservations is here.
We hope to see you there!
(5) SECOND FÜNF. [Item by Martin Morse Wooster.] In the Washington Post, Elliot Ackerman reviews The Writer’s Crusade: Kurt Vonnegut And The Many Lives Of Slaughterhouse-Five by Tom Roston. Roston argues that Vonnegut may have had undiagnosed PTSD from his experiences in World War II (including being a prisoner of war) and that Slaughterhouse-Five is an expression of his PTSD. Ackerman finds Roston’s diagnosis unpersuasive and thinks Vonnegut’s own descriptions of how war affected him are a better guide than Roston’s posthumous diagnosis. “Book review of The Writer’s Crusade: Kurt Vonnegut and the Many Lives of Slaughterhouse-Five by Tom Roston”.
… This defiance of categorization is probably why I found myself bristling early on when Roston asserts that his book will seek to answer “whether or not ‘Slaughterhouse-Five’ can be used as evidence of its author’s undiagnosed PTSD.” This investigation, which animates much of Roston’s book, seems misguided. Roston himself acknowledges the reductivism he’s engaged in when he writes, “I imagine reducing his book to a clinical diagnosis or, perhaps worse, putting it in the self-help category, would make Vonnegut shudder.” Indeed, I think it would. Nevertheless, Roston soldiers on, casting himself as part literary scholar and part psychoanalytic sleuth. He deconstructs “Slaughterhouse-Five” and the history around the book in search of incontrovertible proof that Vonnegut had what we would today call post-traumatic stress disorder, even though Roston acknowledges Vonnegut’s consistent denials throughout his life that his wartime experiences left him traumatized….
…On top of that, San Francisco is a beautiful city with a major recognizable landmark, great for letting TV viewers know when an episode takes us from the far-flung reaches of the cosmos back to Earth.
But there are other naval cities and major Earth landmarks that could suit this purpose. What really made San Francisco special, Bernardi says, was its progressivism and diversity. Roddenberry was a liberal humanist, and San Francisco, out of all American cities in the 1960s, best captured the issues Roddenberry wanted to delve into in the show. It was a hub for the civil rights and anti-war movements, says Bernardi, who has studied Roddenberry’s papers, which are collected at UCLA….
(7) DEL TORO INTERVIEW. [Item by Martin Morse Wooster.] I listened to this podcast Leonard and Jessie Maltin did with Guillermo Del Toro — Maltin on Movies: Guillermo del Toro. Del Toro is promoting Nightmare Alley (an excellent film I regard as horror-adjacent), but fantasy is never far from Del Toro’s mind; two minutes into the podcast there’s a discussion about whether Berni Wrightson or Richard Corben did better scary clown illustrations. Del Toro also says Forrest J Ackerman was his “godfather” because Famous Monsters of Filmland was a source of inspiration and education when he was a kid. Also credited is the great makeup artist Dick Smith, who was very generous with his time and met Del Toro at the train station when he took the train from Guadalajara to meet with the makeup master. Del Toro tries to follow Smith’s example and give education and encouragement to young people getting started in the movie industry. Finally, he thinks that Doug Jones, who has a small role in Nightmare Alley and a major one in The Shape Of Water, is a protean talent who is our generation’s Lon Chaney.
Del Toro’s next project is an animated Pinocchio, developed as a collaboration with The Jim Henson Company.
Del Toro shares a lot of wisdom about movie production and life, in what I think is one of the Maltins’ better episodes.
(8) DWAYNE HICKMAN (1934-2022). Actor Dwayne Hickman, best known as TV’s Dobie Gillis, and for appearing in the Western comedy Cat Ballou, died January 9 reports the New York Times: “Dwayne Hickman, T.V.’s Lovelorn Dobie Gillis, Is Dead at 87”. He had a couple of genre roles – if Dr. Goldfoot and the Bikini Machine (1965) counts, or else there’s his appearance on an episode of Kolchak: The Night Stalker (1975).
(9) BOB SAGET (1956-2022). Actor Bob Saget, best known for his comedy sitcom work, died January 9. He worked on episodes of The Greatest American Hero (1983), Quantum Leap (1992), and Robot Chicken (2016), and voiced roles in the animated movies Madagascar (2005), and Casper’s Scare School (2006).
(10) MEDIA BIRTHDAY.
1980 — [Item by Cat Eldridge.] Forty-two years ago, New York City public television station WNET’s Experimental TV Lab project premiered their adaptation of The Lathe of Heaven. Based off the Ursula Le Guin novel of the same name, it was directed by David Loxton and Fred Barzyk. It should be noted Le Guin, by her own writings later, was involved in the casting, script planning, script editing, and filming of the production. Thus, we’ll give scripting credits to Diane English, Ursula K. Le Guin and Roger Swaybill. Primary cast was Bruce Davison, Kevin Conway (earlier in Slaughterhouse-Five as Roland Weary) and Margaret Avery. It was budgeted at a quarter of a million dollars.
The Lathe of Heaven became one of the two highest-rated shows that season on PBS that year. Michael Moore writing for Ares magazine liked it saying that “The best science fiction, such as Lathe, examines humankind’s place in the universe and the products and problems created by intelligence.” It was nominated for a Hugo at Denvention Two which had Ed Bryant as Toastmaster, the year The Empire Strikes Back won. Audience reviewers at Rotten Tomatoes currently give a seventy-two percent rating.
The Lathe of Heaven is the most-requested program in PBS history. It took twelve years to clear up rights to rebroadcast it and that involved replacing the Beatles music with a cover band version. In 2000, The Lathe of Heaven was finally rebroadcast and released to video and DVD.
I’ve seen this version several times and remember as being rather well crafted but I’ve not the second version made twenty-two years later. Who here has seen that version?
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born January 9, 1890 — Karel Capek. [Spelled with Latin “c” because WordPress doesn’t support the correct special character.] Author of the his 1936 novel War with the Newts and 1920 play R.U.R. (Rossum’s Universal Robots), which introduced the word robot. R.U.R.was a dystopian work about a really bad day at a factory populated with sentient androids. ISFDB shows two additional works by him, Krakatit: An Atomic Fantasy and The Absolute at Large which I’ve not heard of. (Died 1938.)
Born January 9, 1908 — Simone de Beauvoir. You know who she is but likely don’t know she wrote All Men Are Mortal (Les Hommes Sont Mortels in its original French)in 1946 which tells the story of Raimon Fosca, a man cursed to live forever. It’d be published in English in the States a decade later, and was adapted into a 1995 film of the same name. (Died 1986.)
Born January 9, 1925 — Lee Van Cleef. The Warden of the Prison in Escape from New York but he was best known for acting in Spaghetti Westerns. Genre wise, he was also Col. Stone in The Beast from 20,000 Fathoms, and Dr. Tom Anderson in Corman’s It Conquered the World. (Died 1989.)
Born January 9, 1932 — Algis Budrys. I am trying to remember what I read by him and I think it was Some Will Not Die which I remember because of the 1979 Starblaze edition cover. I’ve also read and really enjoyed his Rogue Moon. Setting aside his work as a writer which was exemplary, he was considered one of our best genre reviewers ever reviewing for Galaxy, Magazine of Fantasy and Science Fiction, and wrote genre reviews even in the more mainstream Playboy. He edited a number of the L. Ron Hubbard Presents Writers of the Future anthologies which I’ll admit I’ve not read any of. I should note his Tomorrow Speculative Fiction prozine was quite excellent. (Died 2008.)
Born January 9, 1950 — David Johansen, 72. He’s the wisecracking Ghost of Christmas Past in the oh-so-perfect Scrooged, he played Halston in Tales from the Darkside: The Movie in “The Cat from Hell” episode, and he appeared as a character named Brad in Freejack. I think the brief Ghost of Christmas Past riff in the aforementioned Scrooged is enough to earn him as Birthday Honors here.
Born January 9, 1955 — J.K Simmons, 67. You may know him as J. Jonah Jameson in the various Spider-Man films but I find his more interesting genre role to be as Howard Silk in the Counterpart series where he plays two versions of himself in two versions of parallel Berlins in a spy service that may or may not exist. He also portrayed Commissioner James Gordon in Justice League.
Born January 9, 1956 — Imelda Staunton, 66. Voice of the Snow Queen in The Snow Queen’s Revenge, A Nurse in Shakespeare in Love, Polly in A Midsummer Night’s Dream, Dolores Jane Umbridge In Harry Potter and the Order of the Phoenix and in Harry Potter and the Deathly Hallows as well and Knotgrass in Maleficent and the sequel.
Born January 9, 1957 — Greg Ketter, 65. A Minneapolis SF Bookstore owner, DreamHaven to be precise, and con-running fan as well. He is a member of MN-Stf. He’s been involved in myriad regionals and Worldcons. He‘s chaired Minicons and World Fantasy Conventions alike.
(13) SEÑORITA RIO CREATOR. The work of Lily Renée was part of the “Three with a Pen” exhibit at the Austrian Cultural Forum New York that ended in September. Although the exhibit is over, much material remains online, including a trailer.
The only child of a well-to-do family, Lily Renée Willheim discovered drawing early, creating opulent fantasy worlds with mythical creatures. As a result of the so-called “Anschluss”, her father lost his job, her school friends were no longer allowed to play with her, and, like many, the family endured a variety of hardships. In 1939, at age seventeen, her parents put her on a children’s transport bound for England where she briefly stayed with a British family.
She reunited with her parents in New York City in 1940, where she lives today. After studying at the Art Students League and School of the Visual Arts, she was hired by comic book publishers. An exception in the male-dominated field, she created illustrations for several comic books including Señorita Rio, a glamorous Brazilian secret agent fighting the Nazis, the comedy duo Abbott and Costello, and others. Her later works include children’s books, decorative motifs, and textile designs. In 2007, Lily Renée attended Comic-Con in San Diego to receive their Inkpot Award and was inducted into the Hall of Fame of Friends of Lulu, an organization promoting women in comics. She celebrates her 100th birthday this year.
Like the comic superheroes they invented, the Jewish creators of the characters often had secret identities – at least different names. Superman creators Joe Shuster and Jerome Siegel used the pseudonyms Joe Carter and Jerry Ess. Bob Kane, born Robert Kahn, created Batman. Jack Kirby, the pen name of Jacob Kurtzenberg, concocted Captain America.
Although lesser known, the comic book heroine Señorita Rio was Hollywood starlet Rita Farrar by day and Nazi-fighting secret agent by night. The artist who drew Rio’s action-packed panels in the 1940s, and signed as L. Renee, lived a sort of double life, too.
“Everybody assumed I was a man,” artist Lily Renee Phillips has said of the fan mail she received at the time, which was always addressed to “Mr. Renee.” Fans knew neither Renee’s gender nor her incredible origin story, which rivaled the plotline of Señorita Rio….
I have watched more Disney princess films in the past few weeks than in the entirety of my first five decades on the planet. As a citizen of American popular culture, I enjoy their grace and charm. But as a citizen of this thing called the American republic, with its roots in revolution and its rhetoric of equality, I find them often surreal. Isn’t it odd — and perhaps even wrong, in some deeper ethical sense — that Americans are addicted to these gilded fantasies of privilege?A fascinating exhibition at the Metropolitan Museum of Art explores something that is hiding in plain sight if you watch Disney cartoons closely: the curious affinity for all things French, especially the trappings of French aristocracy.
The curators of “Inspiring Walt Disney: The Animation of French Decorative Arts” are upfront about one basic fact: Walt Disney made his movies for a very different audience than that for which the artisans of the French rococo produced their dazzling luxury objects….
…Beijing wants its cyberspace to become a tool of governance and national rejuvenation. And it will penalize anyone who fails to serve the goal.
In mid-December, the country’s internet regulator said it had ordered platforms to shut down more than 20,000 accounts of top influencers in 2021, including people who spoke ill of the country’s martyrs, entertainers involved in scandals and major livestreaming stars.
Alibaba was slapped with a record $2.8 billion antitrust fine in September. That was followed by a $530 million fine of Meituan, the food-delivery giant, a month later.
Weibo, China’s Twitter-like platform, was fined 44 times between January and November. Douban, the popular film- and book-reviewing site, was fined 20 times.
Li Chengdong, an e-commerce consultant who invests in start-ups, said some consumer internet companies he owned were struggling with higher compliance costs. “To stay on the safe side, they have to be stricter in compliance than what the government requires,” he said….
(16) ONLY HOW MANY SHOPPING DAYS LEFT? Sold by The Bodleian Library in Oxford, England, these Christmas Cards that look like book covers. Click through the slideshow to see all four examples.
[Thanks to JJ, John King Tarpinian, Andrew Porter, Doug Ellis, Chris Barkley, John A Arkansawyer, Mlex, Michael Toman, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]
… Who’ll lead the effort to address climate change? “In my book, it’s a billionaire, because it makes for a good story. I don’t know how realistic that is. It’s more likely to be governments that are less democratic, frankly. If you look at the way the United States and the U.K. both responded to coronavirus, we weren’t even able to get a large part of the population to agree that it was a real thing, even though people were dying by the hundreds of thousands. … I’m pessimistic about our ability to get people to agree that human-caused climate change is a real thing, much less to agree on taking expensive and difficult steps to deal with that problem.”
On the future of democracy: “To be clear, I’m not a big fan of non-democratic countries. I’m a democracy guy all the way. But if the question we’re talking about is, ‘Can the big democracies like the U.S. and the U.K. get behind expensive and difficult action to address climate change?’ … Right now I have to be realistic and say that doesn’t look that likely.”…
…In it, Eleven (Millie Bobby Brown) and Will are living new lives in California, where Eleven seems to be having a hard time adjusting, although she doesn’t admit that when writing to Mike (Finn Wolfhard). Her letter serves as narration for the teaser, which you can watch below.
“I even like school now. I have made lots of friends,” she says, as she’s ignored by peers in the school hallway. “Even so, I am ready for spring break, mostly because I get to see you. We will have the best spring break ever.”
The teaser ends in a montage of classic “Stranger Things” chaos: explosions, car chases, a creepy doll, a military arrest and more. The song “A Place In California” by Jeremiah Burnham plays in the background as the teaser comes to a close….
(3) CORFLU 38. At Corflu Concorde in Bristol, England this weekend, Sandra Bond was named Past President of the Fan Writers of America for 2020. Bond also was Corflu’s GoH – always determined by drawing an attendee’s name from a hat.
(4) RETURN OF MASSIVE. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Tom Faber discusses “massively multiplayer online role-playing games” or MMORPGs.
In recent years there has been a marked absence of exciting new projects. While other games have evolved, MMORPGs have stagnated. They got bigger, but not better. One of the more popular recent releases is World of Warcraft Classic, which restores the game back to its unadorned first iteration: many players would rather go backwards than forwards. Sometimes I wonder: did the games change? Or did we?
Just because there hasn’t been another blockbuster doesn’t mean the genre is dead. If one game can claim to have assumed World of Warcraft‘s mantle, it is 2013’s Final Fantasy XIV: A Realm Reborn, a game that was rebuilt after a failed 2010 relaunch and has since cultivated a dedicated community of 24m players. Meanwhile New World, with its 17th century setting and focus on crafting, drummed up healthy viewing numbers on Twitch — though it has recently been shedding players. We are also beginning to address the first MMORPGs born through crowdfunding, including the new release Crowfall and the upcoming Pantheon and Ashes of Creation.
(5) DOWNLOAD ELLIS’ ART SALE CATALOG. Doug Ellis has issued his new art sale catalog, devoted entirely to the art of Virgil Finlay, with over 300 originals, as well as ephemera such as cover proofs.
Please note that only one of the pieces is a published illustration; the others are a mixture of science fiction/fantasy and astrology preliminaries, sketches, personal pieces, abstract art and paintings. If you saw the Finlay material I had at the Windy City Pulp and Paper Convention two months ago, you’ll still want to take a look, as over half the art in this catalog wasn’t at the show. This material all comes from Finlay’s estate, and I’m selling it on behalf of his granddaughter.
For a few years in the early 2000s, there was an edgy little speculative fiction magazine called Penumbric Speculative Fiction Magazine. It published fiction, art, poetry, graphic narratives … and online, yet! But then it got a little too hubristic, and it tried to be a print magazine, too (I mean, you couldn’t just be online, could you?) … and the magazine sank.
It’s time to rise again. Reincarnate.
When submissions open, this is what they’ll be looking for:
I would love to see submissions representing not only multiple cultures but subcultures, exploring issues of race, ethnicity, gender, orientation, and many things I haven’t thought of. Does this mean you have to represent everybody and everything in 1000 words? Of course not. But be aware that we are creating a magazine that overall reaches and represents the true diversity of the world we live in.
In terms of genre, I am looking for work that constitutes the ever-moving edge of its kind, as a place between light and dark, consciousness and un, today and tomorrow; work exhibiting the strange, the bizarre, that which is not of the world we know, but more of a twilight realm or even altogether alien place. Not necessarily science fiction, not necessarily fantasy, not necessarily horror, and not necessarily not these things. In short, ideally edgy. Maybe even idealistically edgy. I am NOT looking for porn.
Oh, we live in troubled times, don’t we? I could list all the things wrong with the world, but why bother? All you have to do is turn on the TV, or scroll through social media, or simply walk down the street and you’ll likely be inundated with the many terrible crises we’re all facing. Who needs more of that? No, instead of reminding you of what’s wrong with the world, I’d like to offer you an escape. An escape to a world that seems much like our own but with a few key differences. It’s a world where you can expect to be handled gently. Where you can snap your fingers or wiggle your nose and life becomes miraculously easier. Here you can rest safely in the knowledge that there are forces of good working behind the scenes, and, if you’re lucky, you might just catch a peek through the veil to other side. It’s not only a world where comfort is savored and valued; it’s one where justice always prevails, killers are always caught, and the murders are at least a little bit cozy….
(8) TEXAS-SIZED SFF COLLECTION. A video introduction to the Cushing Memorial Library and Archives at Texas A&M University, housing one of the largest science fiction and fantasy collections in the country. Featuring a sneak peek at Kristen Britain’s archive.
(9) MEMORY LANE.
1997 — Twenty-four years ago, Paul Verhoeven’s Starship Troopers premiered. It’s based rather loosely off Robert Heinlein’s Hugo Award winning novel. It had a cast of Casper Van Dien, Dina Meyer, Denise Richards Jake Busey, Neil Patrick Harris, Patrick Muldoon and Michael Ironside, and it received a mixed reception by critics ranging from utterly loathing it to really, really loving it and a generally negative one by most SF fans; it currently garners a rather excellent seventy percent rating at Rotten Tomatoes among the quarter million audience reviewers who’ve given an opinion, and never earned backed its hundred million budget taking in just a hundred and twenty million. It would spawn a number of sequels, universally bad, and one superb animated series that was unfortunately not completed.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born November 7, 1910 — Pearl Argyle. Catherine CabalI in the 1936 Things to Come as written by H.G. Wells based off his “The Shape of Things to Come” story. Being a dancer, she also appeared in 1926 The Fairy Queen opera by Henry Purcell, with dances by Marie Rambert and Frederick Ashton. Her roles were Dance of the Followers of Night, an attendant on Summer, and Chaconne. (Died 1947.)
Born November 7, 1914 — R. A. Lafferty. Writer known for somewhat eccentric usage of language. His first novel Past Master would set a lifelong pattern of seeing his works nominated for Hugo and Nebula Awards but not winning either though he won a Hugo short story at Torcon II for “Eurema’s Dam”. He did receive a World Fantasy Lifetime Achievement Award, and he also received the Cordwainer Smith Foundation’s Rediscovery award. (Died 2002.)
Born November 7, 1934 — Wendy Williams. You know I’ll work in a Doctor Who reference if I can. She was in a Fourth Doctor story, “The Ark in Space” as Vira. Other genre appearances include Danger Man, Leap in the Dark, Jack the Ripper and The Further Adventures of the Musketeers. (Died 2019.)
Born November 7, 1950 — Lindsay Duncan, 71. Adelaide Brooke in the Tenth Doctor‘s “The Waters of Mars” story and the recurring role Lady Smallwood on Sherlock in “His Last Vow,” “The Six Thatchers,” and “The Lying Detective”. She’s also been in Black Mirror, A Discovery of Witches, Frankenstein, The Storyteller: Greek Myths, Mission: 2110 and one of my favorite series, The New Avengers.
Born November 7, 1960 – Linda Nagata, 61. Her novella “Goddesses” was the first online publication to win the Nebula Award. She writes largely in the Nanopunk genre which is not be confused with the Biopunk genre. To date, she has three series out, to wit The Nanotech Succession, Stories of the Puzzle Lands (as Trey Shiels) and The Red. She has won a Locus Award for Best First Novel for The Bohr Maker which the first novel in The Nanotech Succession. Her 2013 story “Nahiku West” was runner-up for the Theodore Sturgeon Memorial Award, and The Red: First Light was nominated for both the Nebula Award and the John W. Campbell Memorial Award. Her site is here.
Born November 7, 1954 — Guy Gavriel Kay, 67. The story goes that when Christopher Tolkien needed an assistant to edit his father J. R. R. Tolkien’s unpublished work, he chose Kay who was being a student of philosophy at the University of Manitoba. And Kay moved to Oxford in 1974 to assist Tolkien in editing The Silmarillion. Cool, eh? The Finovar trilogy which I love is the retelling of the legends of King Arthur, Lancelot and Guinevere which is why much of his fiction is considered historical fantasy. Tigana likewise which is wonderful somewhat resembles renaissance Italy. My favorite work by him is Ysabel which strangely enough is called an urban fantasy when it isn’t. It won a World Fantasy Award. Let’s not forget that he was the Toastmaster at ConFrancisco.
Born November 7, 1974 — Carl Steven. He appeared in Star Trek III: The Search for Spock as a young Spock, thereby becoming the first actor other than Leonard Nimoy to play the role in a live action setting. Genre one-offs included Weird Science, Teen Wolf and Superman. He provided the voice of a young Fred Jones for four seasons worth of A Pup Named Scooby-Doo which can be construed as genre. His life didn’t end well. (Died 2011.)
She appears in some of Jeffrey Catherine Jones’ most famous paintings, notably The Wall (1977), Seated (1983), and the covers for fantasy books such as The Undying Wizard (1975). She was also the most prominent model for the idiosyncratic strip Idyl published by National Lampoon during the years 1972-1976.
Yet, outside the artists’ circle of friends, almost no one knows anything about Jones’ most referenced, most enigmatic model: Sandi Zinaman (1952-2015), a librarian, artist and caterer who lived most of her life in New York state’s Hudson Valley….
Any Doctor Who fan will instantly recognize the distinctive wheezing sound the TARDIS makes whenever it materializes or dematerializes. Variously dubbed the “vworp-vworp,” “vwoorp” or “vwoorpy” by fans of the franchise as well as several characters in-universe, the noise is as iconic as the time machine’s blue police box exterior.
For most of the show’s long run, fans and creators alike assumed the noise was simply part of the TARDIS, as intrinsic as its bigger-than-the-outside interior and temperamental, semi-sentient nature. It wasn’t until New Who and the Eleventh Doctor’s run that showrunner Steven Moffat invented an explanation for the sound effect — though some feel it is a rather dicey one. As with many factoids in the long-running, ever-changing universe of Doctor Who, there are plenty of canon occurrences that directly contradict this explanation, as well. So what is the truth behind the vwoorpy?…
When Facebook changed its name to Meta, after the Metaverse, many were quick to identify the term’s origin: Neal Stephenson’s 1992 cyberpunk classic Snow Crash. But the novel hardly paints an optimistic future—runway inflation, collapsed governments, and a maniacal media magnate who uses the Metaverse to, get this, destroy people’s minds. It begs the question: did Zuckerberg misread it?
This week, Brooke speaks with Jill Lepore, Harvard historian and New Yorker staff writer, Annalee Newitz, former Editor-in-Chief of Gizmodo and science fiction author, and Gene Seymour, longtime cultural critic, to unpack the literary world behind the social media giant’s new name. They discuss why the tech moguls love science fiction so much, the perils of reading these “world-building” novels too literally, and how new forms of the genre today are already making the Metaverse look obsolete.
(15) PLOT HATCHED. My Retro Computeris in the business of selling PC’s in shells that look like early days home computers.
Do you remember your first home computer?
Was it a Commodore 64, Vic 20 or an Amiga? Wouldn’t it be fantastic to have a modern day PC in a retro computer shell?
Here at My Retro Computer we aim to do just that. We believe the PC market is boring and stagnated, it needs a new fresh approach – retro is the new modern.
Starting with the famous C-64 we aim to expand the range to include the Vic20, A-500 and possibly the spectrum ranges.
[Thanks to Andrew Porter, Michael Toman, John A Arkansawyer, Chris Barkley, Daniel Dern, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
By Doug Ellis: The 20th annual Windy City Pulp and Paper Convention is now just over a month away. The convention will take place on September 10-12, 2021 at the Westin Lombard Yorktown Center in Lombard, Illinois. As usual, we will have auctions on both Friday (September 10) and Saturday (September 11) nights, and this year’s auctions will truly be fantastic.
The Friday night auction features 200 lots of material from the estate of famed collector Robert Weinberg, while the Saturday night auction begins with 96 lots from the estate of Glenn Lord, literary executor for the Robert E. Howard estate, followed by 5 lots from the estate of author and Arkham House co-founder August Derleth, finishing up with several lots from other consignors. And additional lots will be added to the Saturday night auction at the convention, to include material consigned there by convention attendees.
Among the highlights in this year’s auctions are:
A fine copy of the October 1933 issue of Weird Tales, featuring the Margaret Brundage’s famous Batgirl cover
A beautiful copy of the August 1929 issue of Weird Tales, featuring Robert E. Howard’s “The Shadow Kingdom” – the first sword and sorcery story!
A lovely copy of the February 1928 issue of Weird Tales, featuring “The Call of Cthulhu” by H.P. Lovecraft
Numerous other issues of Weird Tales, including several Conan issues, many in gorgeous condition (likely publisher file copies)
Robert E. Howard’s incredibly scarce first book, “A Gent from Bear Creek”; fewer than 20 copies are known to exist
Several letters to Robert E. Howard
August Derleth’s rarest book, “Love Letters to Caitlin”, of which fewer than 20 copies exist
Clark Ashton Smith’s “Ebony and Crystal” – inscribed and signed by this legendary fantasist to his friend, Robert E. Howard
A rare signed letter from Weird Tales editor Farnsworth Wright to one of Weird Tales’ few female authors, Greye La Spina, from 1925
The manuscript for “Divide and Rule” by L. Sprague de Camp, which ran in Unknown
A signed copy of “The Horror on the Asteroid” by Edmond Hamilton, the author’s first book
Other signed items by H.P. Lovecraft, Clark Ashton Smith, August Derleth, Otis Adelbert Kline, Dean Koontz, Max Brand, Fritz Leiber, Zorro author Johnston McCulley, Spider author Norvell Page and many others
The first year of the pulp Astounding Stories of Super-Science
The only issue of the Amazing Stories Annual from 1927, featuring “The Master Mind of Mars” by Edgar Rice Burroughs
Complete runs of the pulps Unknown, Strange Stories and Tales of Magic and Mystery
Many rare U.K. and Australian science fiction pulps and books
Numerous Robert E. Howard and H.P. Lovecraft items
Rare items by Clark Ashton Smith, including “The Star Treader and Other Poems,” “Nero and Other Poems” and the manuscript for “The Dragon-Fly”
Many early Arkham House books, including Robert E. Howard’s “Skull-Face and Others”, H.P. Lovecraft’s “The Outsider and Others” and “August Derleth: Twenty-Five Years of Writing, 1926-1951”
Frank Belknap Long’s rare “A Man from Genoa and Other Poems”, published in 1926 in an edition of less than 300 copies
A complete bound set of the legendary fanzine, “The Acolyte”
And much more!
The complete auction catalog, along with images, is now available on our website.
The website will also soon have details on absentee bidding, for those who can’t make it to the convention.
But the auctions aren’t our only highlight! Friday through Sunday, our massive dealer room will be buzzing, bursting with 180 six foot long tables, with roughly 100 dealers from the U.S., Canada and the U.K. displaying pulps, vintage paperbacks, science fiction, fantasy & mystery hardcovers, golden and silver age comics, original illustration art, movie memorabilia and more. There will be loads of SF books, pulps and art available from many dealers familiar to attendees of SF/fantasy cons, such as Greg Ketter/Dream Haven, John Knott, David Aronovitz, Jane Frank/Worlds of Wonder and many others.
Our art show will feature a great display of art from the pulps Astounding and Black Mask. As usual, our film programming, curated by Ed Hulse, will run Friday and Saturday, showing movies and serials based on pulp stories. Our evening programming will include presentations on Edgar Rice Burroughs and Black Mask. And Sunday morning will see New Pulp Sunday, programming devoted to the vibrant and colorful world of New Pulp organized by Ron Fortier of Airship 27 Productions. And all attendees will get a copy of our fabulous convention book, put out by Tom Roberts of Black Dog Books.
We hope you’ll join us for the fun and excitement at this year’s Windy City Pulp and Paper Convention! For more info, contact Doug Ellis at [email protected].
(1) HANSEN BOOK FREE FROM TAFF. Another ebook is available from the Trans-Atlantic Fan Fund’s website, #60 in the free library, Rob Hansen’s Faan Fiction 1930-2020: an exploration. Cover artwork adapted from Rob Hansen’s cover for his fanzine Epsilon #7, July 1981. Approximately 61,000 words. (TAFF hopes you’ll make a little donation to the fund if you please.)
In this combined critique and anthology, Rob Hansen discusses the phenomenon of fan fiction (in the fannish fanzine sense) with a particular focus on the UK. His commentary is interspersed with many examples from such diverse fan writers as John Berry, C.S. Youd (John Christopher), Leroy Kettle, David Langford, Mark Plummer, Bob Shaw, Ian Sorensen, James White, Walt Willis – and Rob Hansen himself, including previously unpublished work. There are several surprises.
From Rob Hansen’s Foreword:
One aspect of fandom only lightly touched on by me in Then was fan fiction. By which, of course, I mean fiction about fans and/or fandom. This is a thread that has been woven through SF fandom since it began, enduring almost to the present day, and so is worthy of consideration in that light. I’ll be looking at the people who wrote it and all its various forms and the purposes to which they were put. Inevitably, the quality of the writing varies wildly, with that of those who later went on to write professionally usually being a cut above the rest.
…Where possible the pieces of fan fiction reprinted herein to illustrate various types and forms – all by UK fans – were specifically chosen from those not already available. As a result, most will be things the majority of readers won’t have encountered before.
(2) SF ART COLLECTORS WILL SPEAK. Tomorrow on Comic Art Spotlight Doug Ellis joins a panel with three friends — Glynn Crain, John Davis & Victor Dricks — discussing SF/fantasy art. All four have large collections of vintage SF art. They’ll be highlighting and discussing various artists and pieces in those collections, including creators like Virgil Finlay, Frank Kelly Freas, Ed Emshwiller, Wally Wood, Ed Valigursky, George Barr and many more. The panel kicks off June 1 at 8:00 p.m. Eastern:
John, whose last name is never revealed, is a wandering singer who carries a guitar strung with strings of pure silver. He is a veteran of the Korean War and served in the U.S. Army as a sharpshooter (in the novel After Dark, he mentions that his highest rank was PFC). In his travels, he frequently encounters creatures and superstitions from the folk tales and superstitions of the mountain people. Though John has no formal education, he is self-taught, highly intelligent and widely read; it is implied that his knowledge of occult and folk legendarium is of Ph.D level. This knowledge has granted him competent use of white magic, which he has used on occasion to overcome enemies or obstacles, but it is primarily his courage, wit and essential goodness that always enables him to triumph over supernatural evils (although the silver strings of his guitar and his possession of a copy of The Long Lost Friend are also powerful tools in fighting evil magic), while basic Army training allows him to physically deal with human foes.
Haffner recently posted this photo of artist Tim Kirk’s dropcaps for the book.
Back in March I ended my post on the psychedelia-derived art style that I think of as “the groovy look” with the words “there’s a lot more to be found.” There is indeed, and I’d neglected to include anything in the post by Mike Hinge, a New Zealand-born illustrator whose covers for American SF magazines in the 1970s brought a splash of vivid colour to the groove-deprived world of science fiction. This was a rather belated development for staid titles like Amazing and Analog whose covers in the previous decade wouldn’t have looked out of place in the Gernsback era. Opening the door to someone like Mike Hinge, a graphic designer as well as a general illustrator, was probably a result of both magazines having undergone recent changes of editorship.
(5) HEVELIN COLLECTION UPDATE.[Item by Bruce D. Arthurs.]Just found out the University of Iowa’s “Hevelin Collection” Tumblr account, which posted pics of items from Rusty Hevelin’s collection of fanzine and other SFnal material (but has been inactive for the last several years), announced about ten days ago they’re officially suspending the Tumblr. (But past posts will remain online for the foreseeable future.)
And rather than single pictures like the Tumbler account did, the IDL archive leads to scans of the full contents, so far as I’ve tested it. Probably a fair amount of overlap with Fanac.org and eFanzines.com, but always good to have fannish history backed up in multiple places.
(The IDL archive may, it occurs to me, be old news to those who keep up with fanzines past and and present more than I do. “Slight” is a polite way to describe my level of involvement these days. Still, news to me.)
(6) MEDIA BIRTHDAY.
May 31, 1990 — On this day in 1990, Paul Verhoeven’s Total Recall premiered. It starred Arnold Schwarzenegger, Rachel Ticotin, Sharon Stone, Ronny Cox, and Michael Ironside. It’s rather loosely based on Philip K. Dick‘s “We Can Remember It for You Wholesale” story. Ronald Shusett, Dan O’Bannon and Gary Goldman wrote the screenplay. It finished second at Chicon V for Best Dramatic Presentation to Edward Scissorhands. Most critics liked it well-enough though a number of feminist critics thought it excessively violent towards women. It currently holds a seventy-eight percent rating among audience reviewers at Rotten Tomatoes.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born May 31, 1893 – Elizabeth Coatsworth. Newbery Medal for The Cat Who Went to Heaven (1930). Four “incredible tales” for adults; four books of poetry; ninety in all; memoir Personal Geography. (Died 1986) [JH]
Born May 31, 1895 — George R. Stewart. As recently noted in the Scroll, his 1949 novel Earth Abides won the first International Fantasy Award in 1951. They were a British award and the first one, this very one, was given at Festivention. Other genre works would include Man, An Autobiography and Storm which is at least genre adjacent. (Died 1980.) (CE)
Born May 31, 1910 – Aubrey MacDermott. Possibly the first fan. He always said he was. Unfortunately, the supporting evidence is thin. He may well have founded the Eastbay Club in the San Francisco Bay area around 1928. Anyway, he was Fan Guest of Honor at Westercon XXXX (Oakland, 1987). Here is his Origin Story as of 1990. (Died 1996) [JH]
Born May 31, 1921 – Arthur Sellings. Six novels, fifty shorter stories, in Fantastic, Galaxy, Imagination, The Magazine of Fantasy & Science Fiction, Nebula, New Worlds, New Writing, Worlds of Tomorrow. Antiquarian, book & art dealer. (Died 1968) [JH]
Born May 31, 1930 — Gary Brandner. Best remembered for his werewolf trilogy of novels, The Howling, of which the first was very loosely made into a film. He wrote the script for Howling II: Your Sister Is a Werewolf. The fourth film of the series, Howling IV: The Original Nightmare, is actually almost an accurate adaptation of the first novel. He wrote a lot of other horror and penned the novelization of Cat People. (Died 2013.) (CE)
Born May 31, 1942 – Brian Burley. Active fan in Ohio and New York. Co-founded Marcon. In 1979 he was in FISTFA (Fannish Insurgent Scientifictional Ass’n); here he is (with S.H. Craig and Pat O’Neill) on “Fandom in New York” for the Lunacon XXII Program Book. Co-founded the Beaker People Libation Front, which Fancyclopedia III mildly calls “not entirely serious”; see here. (Died 2006) [JH]
Born May 31, 1948 — Lynda Bellingham. She was The Inquisitor in the Sixth Doctor Story, “The Trial of The Time Lord”. Other genre appearances include the Landlady in Hans Christian Andersen: My Life as a Fairy Tale, and one-offs in Blake’s 7, Robin Hood and Julia Jekyll and Harriet Hyde. (Died 2014.) (CE)
Born May 31, 1950 — Gregory Harrison, 71. I’m always surprised to discover a series didn’t last as long as I thought it has. He was Logan 5 in the Logan’s Run TV series which only lasted fourteen episodes. He was also in Dark Skies, twenty episodes before cancellation, as the voice of Old John Loengard, and had one-offs in Dead Man’s Gun (cursed object and that series actually lasted awhile), Touched by an Angel, Outer Limits and Miracles. (CE)
Born May 31, 1961 — Lea Thompson, 60. She’s obviously best known for her role as Lorraine Baines in the Back to the Future trilogy though I remember her first as Beverly Switzler in Howard the Duck as I saw Back to the Future after I saw Howard the Duck. Not sure why that was. Her first genre role was actually as Kelly Ann Bukowski in Jaws 3-D, a film I most decidedly did not see. If you accept the Scorpion series as genre, she’s got a recurring role as Veronica Dineen on it. (CE)
Born May 31, 1977 – Cat Hellisen, age 44. Fantasy for adults and children; free-lance editing; also archery, aikidô, figure skating. Six novels, a score of shorter stories. “The Worme Bridge” won the Short Story Day Africa award. More recently in Fife she likes the forests and the fields and the Forth. Has read Giovanni’s Room, Flatland, Herland, five plays by Aeschylus, Peter Pan, both Alice books, Les liasons dangereuses, The Wonderful Wizard of Oz. [JH]
Born May 31, 1979 — Sophia McDougall, 42. She has a very well crafted alternative history series, the Romanitas series, In which Rome did not fall and rules the world today. She has two SF novels —Mars Evacuees is sort of YA alien invasion novel; Space Hostages reminds of a Heinlein YA novel. (CE)
Born May 31, 1995 – Jeremy Szal, age 26. One novel, thirty shorter stories. Fiction editor at StarShipSofa 2014-2020 (Episodes 360-600). Collects boutique gins. See his review of Predestination at Strange Horizons here. [JH]
(8) COMICS SECTION.
Half Fullcould be making a combined Alice in Wonderland and Simon & Garfunkel joke. Or not.
(10) SHAVER MYSTERY MAGAZINE ADDED BY FANAC. “If you’ve been hearing the words ‘Shaver Mysteries’ bruited about, now’s your chance to see what all the fuss is over,” says Fanac.org’s Joe Siclari. Check here: Shaver Mystery Magazine, by Richard S. Shaver. There are 7 issues of this semi-pro, related zine.
Siclari further says, “Some might not consider this a fanzine because rumor has it that it was paid for by Ray Palmer and Ziff-Davis. However the Shaver Mystery stories were a subject of great controversy in fanzines. So it is of related interest. It definitely was not a money-maker. It seems to fit into the category we later called a semi-prozine. And the art! McCauley, Finlay…”
To Furie, the NFT realm is about more than coin. During the era of Donald Trump, extremist social media users adapted Pepe so often that the Anti-Defamation League deemed it a hate symbol. But the exploding world of crypto-art is allowing the cartoonist to reclaim a character who was never meant to stand for much beyond love, peace, hedonism and altered-state chillaxin’.
“The NFT world is new, and there are a lot of optimistic people creating cool things,” Furie says of his interest in exploring non-fungible tokens — unique digital files whose origins and ownership can be verified.“Pepe does not have the baggage here that he does in the ‘real world,’ and I like working with utopians and optimistic freethinkers. There are so many possibilities.”
These rare curiosities intrigue and baffle even the experts. “They’re a puzzle to me,” says Jean Schulz, wife of the late cartoonist Charles M. Schulz, who drew them.
They are the seven black-and-white works of comic art from the mid-’50s collectively called the “Hagemeyer” strips. Four of them have appeared in books. The three other “lost” strips were found and purchased at auction in May 2020— but have never been widely published, according to the Charles M. Schulz Museum and Research Center.
SF is full of exotic substances from Cavorite to Corbomite. Now it has been discovered that the world’s first nuclear bomb test created ‘impossible’ quasicrystals.
The previously unknown structure, made of iron, silicon, copper and calcium, probably formed from the fusion of vaporised desert sand and copper cables. Quasicrystals contain building blocks made up of arrangements of atoms that — unlike those in ordinary crystals — do not repeat in a regular, brickwork-like pattern. They have symmetries that were once considered impossible.
Materials scientist Daniel Shechtman first discovered such an impossible symmetry in a synthetic alloy in 1982. He won the 2011 Nobel Prize in Chemistry for the discovery. In subsequent years, materials scientists synthesised many types of quasicrystal, expanding the range of possible symmetries. In the aftermath of the Trinity test — the first detonation of a nuclear bomb in 1945 researchers found a field of greenish glassy material that had formed from the liquefaction of desert sand. They dubbed this trinitite. The bomb had been detonated on top of a 30-metre-high tower laden with sensors and their cables. As a result, some of the trinitite had reddish inclusions: it was a fusion of natural material with copper from the transmission lines. The quasicrystal recently found from this trinitite has the same kind of icosahedral symmetry as the one in Shechtman’s original discovery.
A survey of the southern sky has reconstructed how mass is spread across space and time, in the biggest study of its kind. The data provide striking evidence that dark energy, the force that appears to be pushing the Universe to accelerate its expansion, has been constant throughout cosmic history.
…The researchers grouped the galaxies by colour, to get a rough indication of each galaxy’s distance from our own: as the Universe expands, galaxies that are further away appear redder because their light waves have stretched out to longer wavelengths. That way, the team was able to add a third dimension to its map.
Looking further away also corresponds to looking to the past, so a 3D cosmic map provides a record of the Universe’s history. By tracking how galaxies spread out over time, cosmologists can then indirectly measure the forces at play. These include the gravitational pull of dark matter, the invisible stuff that constitutes some 80% of the Universe’s mass and dominates the formation of galaxies and clusters of galaxies.
…“The lethal autonomous weapons systems were programmed to attack targets without requiring data connectivity between the operator and the munition: in effect, a true ‘fire, forget and find’ capability,” the UN Security Council’s Panel of Experts on Libya wrote in the report.
It remains unconfirmed whether any soldiers were killed in the attack, although the UN experts imply as much. The drone, which can be directed to self-destruct on impact, was “highly effective” during the conflict in question when used in combination with unmanned combat aerial vehicles, according to the panel. The battle resulted in “significant casualties,” it continued, noting that Haftar’s forces had virtually no defense against remote aerial attacks.
The Kargu-2 is a so-called loitering drone that uses machine learning algorithms and real-time image processing to autonomously track and engage targets. According to Turkish weapons manufacturer STM, it’s specifically designed for asymmetric warfare and anti-terrorist operations and has two operating modes, autonomous and manual. Several can also be linked together to create a swarm of kamikaze drones.
Breaking the bonds of time has been a timeless pursuit in science fiction stories and movies. Will it ever become science fact? Correspondent Faith Salie explores the possibilities of taking a journey to the future, or the past, even without a souped-up DeLorean.
(17) VIDEO OF THE DAY. In “Cruella Pitch Meeting” on Screen Rant, Ryan George, in a spolier-filled episode, says that the only way to get viewers interested in Cruelle DeVil’s backstory–“How does she become the person who wants to skin puppies?”–is to have her work for a boss even more evil than her. Also the screenwriter warns the producer that if he wants all those groovy hits of the 1970s in the movie, he’d better have plenty of money for the rights.
[Thanks to Cat Eldridge, John Hertz, David Langford, Jennifer Hawthorne, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, Martin Morse Wooster, JJ, Michael Toman, and John King Tarpinian for some of these stories. Title credit belongs to contributing editor of the day Nicole J. LeBoeuf-Little.]
(1) FALLING FORWARD. In the Washington Post, Annalee Newitz published an excerpt from their book Four Lost Cities: A Secret History Of The Urban Age, where they argue that civilizations don’t “collapse,” but slowly evolve into something else. “Civilizations don’t really die. They just take new forms”.
… But the historical record shows that reports of the end times always turned out to be wrong. “Barbarians” didn’t extinguish Rome: It still stands today, a vital and beloved city, and the cultures of its ancient empire influence populations across Europe and the Americas. Children still study Latin in school, and Silicon Valley executives quote Stoic philosophy. Elsewhere in the world, European colonialism and the slave trade left behind cultural ruins that can’t be explained away as “collapses.” They are open wounds, still smarting in the present. Over time, civilizations eventually morph into something else entirely, but they infuse future societies with their lingering traumas — as well as their hopeful ideals.
In truth, our apocalyptic stories are far too simplistic to capture what actually happens when a society melts down. As I argue in my book “Four Lost Cities: A Secret History of the Urban Age,” a civilization is not a single, monolithic entity, nor does it disintegrate during a momentary crisis. Instead, as we’re witnessing in the United States today, it changes without ever breaking completely from the past. It is far from obvious that a society ever really dies….
As I related in the first two installments of this series (Part One: 1953-1957, and Part Two: 1958-1960), like tens of thousands of science fiction fans before and after me, I was at one time a member of the Science Fiction Book Club (or SFBC for short). I joined just as I entered my teen years, in the fall of 1976, shortly after I’d discovered their ads in the SF digests.
The bulletin of the SFBC, Things to Come – which announced the featured selections available and alternates – sometimes just reproduced the dust jacket art for the books in question. During the first couple of decades of Things to Come, however, those occasions were rare. In most cases during that period, the art was created solely for the bulletin, and was not used in the book or anywhere else.
Since nearly all of the art for the first 20 years of Things to Come is exclusive to that bulletin, it hasn’t been seen by many SF fans. In this series, I’ll reproduce some of that art, chosen by virtue of the art, the story that it illustrates or the author of the story. The first installment featured art from 1957 and earlier, while the second installment covered 1958-1960. In this third installment I’ll look at the years 1961-1963, presented chronologically…
… Some of the earliest Gaiman adaptations—like 2007’s Stardust, starring Claire Danes, and 2009’s charmingly stop-motion animated Coraline, from Laika studios—were warmly received. They may have been modest hits, but they’ve only grown in audience’s estimation over time. Perhaps most importantly, they’re well liked by Gaiman fans. Stardust, the story of a young, adventurous man and the grumpy fallen star who loves him, is such a loose adaptation of Gaiman’s book that it borders on a reimagining. The intent from screenwriter Jane Goldman and director Matthew Vaughn was clearly to try to fashion a Princess Bride–esque classic for a new generation. They fell somewhat short, but the result is still quite fun. It’s worth noting that while Gaiman describes visiting with Goldman and Vaughn as they worked on the script and giving his input on adaptive changes, he did not, ultimately have a screenplay credit, so it is unclear whether he had final say.
Gaiman similarly did not have a screenplay credit when it came to Coraline. Based off one of Gaiman’s shortest and most overtly kid-friendly books, the story of a girl trapped in a creepy alternate reality proved a calling card for Laika and earned an Oscar nomination.
After that, though—and following the mainstream geek-TV success he enjoyed writing episodes of Doctor Who in 2011 and 2013—Gaiman started getting more involved in adapting his own stories for film and television. The author had actually tried much earlier in his career to make it in Hollywood; he chronicled the frustrating experience he and Pratchett had trying to sell Good Omens in a piece of short fiction called “The Goldfish Pool and Other Stories.” Speaking with me about season one of American Gods—which was messy from the start, losing its first showrunner, Bryan Fuller, after its first year
(4) ZOOM FORERUNNER. [Item by Martin Morse Wooster.] Isaac Asimov explains in his autobiography In Joy Still Felt that in April 1962, the University of Omaha asked Asimov to give “a lecture by phone” to students.
The phone company would set up a loudspeaker arrangement; I was to keep my phone open at a particular time; I was to be there waiting, they would call; I would be able to give my lecture, hear audience response, and so on.
It was an intriguing notion and it occurred to me that I might make my influence felt anywhere in the nation without having to travel a step, or, for that matter, without having to do more than sit in my easy chair in my underwear.
On April 7, therefore, I did it–and found that I hated it. There was simply no use in giving a lecture that wasn’t live. I had to see the audience, sense it surrounding me, get the response in full. Talking a lecture into a phone, I decided, was like typing while wearing boxing gloves, or making love while wearing a tuxedo.
I rejected all further such invitations when I possibly could.
Ursula K. Le Guin’s 1974 novel The Dispossessed depicts a society with no laws or government, an experiment in “nonviolent anarchism.” Science fiction author Matthew Kressel was impressed by the book’s thoughtful exploration of politics and economics.
“After reading The Dispossessed, I was just blown away,” Kressel says in Episode 460 of the Geek’s Guide to the Galaxy podcast. “It was just such an intellectual book. It’s so philosophical, and it was so different from a lot of the science fiction I had read before that. It made me want to read more of Le Guin’s work.”
Science fiction author Anthony Ha counts The Dispossessed as one of his all-time favorite books. “I would be hard pressed to think of another novel that made as strong an impression on me,” he says. “I was insufferable about it. I put quotes in my email signatures, and I identified as an anarchist for several years after that.”…
(6) DRAWN THAT WAY. HBO Max dropped a trailer for Space Jam: A New Legacy.
(7) MEDIA BIRTHDAY.
April 4, 1968 –On this day in 1968, 2001: A Space Odyssey enjoyed its premiere in Los Angeles, California. It was one of a number of premieres for the film that week in New York City, Washington D.C., Sydney, Tokyo and Johannesburg. It would win the Hugo for Best Dramatic Presentation at St. Louiscon. Other nominated works were Yellow Submarine, Charly, Rosemary’s Baby and the “Fallout” episode of the Prisoner series.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born April 4, 1902 – Stanley Weinbaum. Had he only written “A Martian Odyssey”, it would have been enough for us: possibly first (1934) to present a character who thinks like a human being, or better than a human being, but is not a human being – as John Campbell later called for. Three novels, two dozen shorter stories, a dozen poems for us; did not live three dozen years. Cordwainer Smith Rediscovery Award. (Died 1935) [JH]
Born April 4, 1943 – Ted Atwood, F.N., age 78. Co-chaired Boskone 35 (with wife Bonnie). Fan Guest of Honor (with BA), Albacon 2001. Treasurer, Noreascon 4 the 62nd Worldcon. Art Show, Albacon 2014.5 (w/BA) and elsewhere. Audio recording of SF events. Fellow of NESFA (New England SF Ass’n; service award). [JH]
Born April 4, 1943 – Paulette Jiles, age 78. Two novels for us; a dozen other books, poems, travel among the Cree and Ojibwe, memoir. Governor General’s Award for English Poetry (PJ then living in Canada), Lowther and Lampert Awards, Rogers Writers’ Trust Fiction Prize. Sings alto. “I came upon the master, Jack Vance. Next to Bradbury, of course.” [JH]
Born April 4, 1945 – Katherine Neville, age 76. Three novels, one shorter story for us. Various best-seller lists e.g. NY Times, USA Today, Publishers Weekly, Wall Street Journal. Nautilus Silver Award. Turkish Cultural Ministry Medallion of Merit. Has been a fashion model, photographer, portraitist, Bank of America vice-president. Was given a porcelain rat angel when pet rat Rosie died, looks like the work of California artist Yanna but I haven’t asked. [JH]
Born April 4, 1948 – Dan Simmons, 73. He’s the author of the Hyperion Cantos and the Ilium/Olympos cycles. I’m reasonably sure that I’ve read some of the Hyperion Cantos of The Fall of Hyperion won a Hugo Award but I’ll be damned if I remember it clearly now. If you like horror, Song of Kali which won a World Fantasy Award is highly recommended. (CE)
Born April 4, 1952 – Cherie Lunghi, 69. Her fame arises from her role as Guinevere in Excalibur. (I saw Excalibur in a 1920s-built theater on a warm summer night with hardly anyone there.) She was also Baroness Frankenstien (Victor’s Mother) in Kenneth Branagh’s Mary Shelley’s Frankenstein. She was also in The Lady’s Not for Burning as Jennet Jourdemayne. (CE)
Born April 4, 1952 – Tim White. Two hundred fifty covers, ninety interiors for us; record covers, magazine illustrations, jewelry. Five artbooks e.g. TW.Here is The Other Side of the Sky. Here is Between Planets. Here is Wizard. Here is Nine Princes in Amber. Here is the Sep 94 Interzone. (Died 2020)
Born April 4, 1959 – Phil Morris, 62. His first acting role was on the “Miri” episode of Trek as simply Boy. He was the Sam the Kid on several episodes of Mr. Merlin before returning to Trek fold as Trainee Foster in Star Trek III: The Search for Spock. Next interesting role is voicing Vandal Savage on a three part Justice League Unlimited story called “The Savage Time”, a role he reprised for Justice League: Doom. No, I’ve not forgotten that he was on Mission: Impossible as Grant Collier. He also played the Martian Manhunter (J’onn J’onzz) on Smallvillie. Currently He’s Silas Stone on Doom Patrol and no, I didn’t spot that was him in that role. (CE)
Born April 4, 1959 – Ahmed Khan, age 62. Two collections; here is Another Mosque Among the Stars (cover by L. Kiruganti). Thirty short stories. Interviewed Tanya Huff in Strange Horizons. Four anthologies. Links to some of his work, fiction and non, in and out of our field, here. [JH]
Born April 4, 1965 – Robert Downey Jr., 56, Iron Man in the Marvel Universe film franchise. Also a rather brilliant Holmes in Sherlock Holmes and Sherlock Holmes: A Game of Shadows. Also voicing James Barris in an animated adaption of Philip K. Dick’s A Scanner Darkly. Yes, he’s plays the title role in Dolittle which despite having scathing critical reviews has a rather superb seventy-six rating among audience reviewers at Rotten Tomatoes. (CE)
Born April 4, 1967 – Xenia Seeberg, 54. She is perhaps best known for her role as Xev Bellringer in Lexx, a show’s that’s fantastic provided you can see in its uncensored form. I’ve also see she played Muireann In Annihilation Earth, Noel in So, You’ve Downloaded a Demon, uncredited role in Lord of The Undead, and Sela In the “Assessment” episode of Total Recall 2070. (CE)
Born April 4, 1968 – Gemma Files, 53. She’s a Canadian horror writer, journalist, and film critic. Her Hexslinger series now at three novels and a handful of stories is quite fun. It’s worth noting that she’s a prolific short story writer and four of them have been adapted as scripts for The Hunger horror series. She won a Sunburst Award for Excellence in Canadian Literature of the Fantastic for Experimental Film. (CE)
(9) COMICS SECTION.
Off the Mark has a holiday-themed joke that’s a perfect match for my copyediting skills.
(10) TALK OF THE TOWN. Fanac.org has added an audio recording of the 1969 GoH speech given by artist Jack Gaughan at Boskone – two years after he won both the Best Pro and Best Fan Artist Hugos.
The talk is entertaining, and it is so very clear that Jack is among his friends in his chosen place. From the YouTube writeup: “…is both entertaining and thoughtful, interspersed with sharply witty comments.
He quotes from Leonardo Da Vinci, and teases his friends, some in the room, including Isaac Asimov, Ed Emsh and Donald Wollheim. He starts with a recounting of the problems faced by female artists like his wife, Phoebe. He tells anecdotes about his experiences as an illustrator, teases Lester del Rey, and compares the lives of artists today to the lives of artists 500 years ago. Jack is frank about his own feelings on science fiction and science fiction illustration. It’s chatty, low key, entertaining and comfortable and a marvelous window into an important figure in the field, lost far too soon…Thanks to the New England Science Fiction Society (NESFA) and Rick Kovalcik for providing the recording. Thanks to Andrew Porter for providing photos and to Dr. Gandalf for digitization.
…Just as you can’t exactly take their temperature, you can’t point a radar gun at antihydrogen atoms, either. Antihydrogen generally flits around at about 100 meters per second, says Fujiwara, and the ultracool atoms move at just about 10 meters per second. “If you’re fast enough, you could almost catch the atom as it passed by,” he says. (It would annihilate one of your atoms, but you’re tough.)
At this point, it’s reasonable to ask whether this is all worth the trouble. Who needs very slow, very cold antimatter? The answer is, physicists. “Unless something is really screwy, this technique is going to be important, and maybe crucial,” says Clifford Surko, a physicist at UC San Diego who isn’t on the Alpha team. “The way I look at it as an experimentalist is, now you’ve got a whole ’nother bag of tricks, another handle on the antihydrogen atom. That’s really important. It opens up new possibilities.”
Those possibilities involve figuring out whether antimatter really does echo the physics of matter. Take gravity: The equivalence principle in the theory of general relativity says that gravitational interaction should be independent of whether your matter is anti or not. But nobody knows for sure. “We want to know what happens if you have some antihydrogen and you drop it,” Hangst says.
Wouldn’t you? Sure. But this experiment is hard to do, because gravity is actually a wuss. Hot, gassy things don’t fall so much as just bounce around. Antimatter would hit the walls of the machine and annihilate. “Gravity is so bloody weak you may not see anything at all,” Hangst says.
Slow that antihydrogen down to near absolute zero, though, and it starts to act more like a liquid than a gas. Down it blorps, instead of spraying all over. “The first thing you want to know is, does antihydrogen go down? Because there’s a lunatic fringe out there that thinks it goes up—theorists who say there is repulsive gravity between matter and antimatter,” Hangst says. “That would be pretty cool.”…
(12) VIDEO OF THE DAY. A young couple discover a strange phenomenon in their backyard that duplicates organic life in Burnt Grass, a short film about cloning.
[Thanks to Cat Eldridge, JJ, John Hertz, Andrew Porter, N., Michael Toman, Mike Kennedy, Martin Morse Wooster, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Andreaw (not Werdna).]