…Penned by Joshua Kaplan, a Hollywood writer whose credits include HBO’s Tokyo Vice, TERF imagines a confrontation between Rowling and the stars of Harry Potter over her views on transgender rights.
The production is topical given Rowling’s near-daily pronouncements and hardened rhetoric on how trans rights have come into conflict with women’s rights. Her posts on X (once Twitter) have put her further at odds with Daniel Radcliffe, Emma Watson, and Rupert Grint in recent months, and Kaplan sees TERF as a “family conversation” between loved ones with differing views.
Staged by veteran Edinburgh Festival Fringe producers at Civil Disobedience, TERF (an acronym for trans-exclusionary radical feminist usually deployed in a pejorative context) had to change venue from Saint Stephens Theatre to the Assembly Rooms amid concerns over the controversy the play was attracting.
Barry Church-Woods, the co-founder of Civil Disobedience, said that the team is now putting security and other measures in place for protests. He told Deadline that they anticipate audience members could attempt to disrupt the play as it is performed.
“We expect that most people, if they’re intending on disrupting what we’re doing, that will happen in the auditorium of the theatre. We have processes in place that are going to deal with that,” said the producer, who has previously worked on Edinburgh shows with the likes of RuPaul’s Drag Race star Courtney Act….
(2) GLASGOW 2024 PUBLISHES FINAL PROGRESS REPORT. This week the Worldcon published its sixth electronic Progress Report, which due to there having been a PR #0 is numbered Progress Report 5. Download the PDF here. Cover by Sara Felix.
PR5 includes news from all areas including:
A final update from Convention Chair Esther MacCallum-Stewart
A list of our 6,000+ registered members and ticket holders
Membership statistics and demographics, with 33 countries represented from around the globe
Practical information to help attendees arrive in and enjoy their time at the convention, from site maps to badge collection arrangements and discounted local travel passes
Full details and timings for our Special Events – including the Hugo Award Ceremony, Masquerade, Opera, Orchestra, theatrical performances, concerts, and dances
Updates on Volunteering, Accessibility and Childcare Services, as well as our approach to Sustainability
Our updated Code of Conduct, which all members and ticket holders are expected to abide by when attending the convention in person or online.
Those lucky enough to attend May’s Disney‘s upfronts at the North Javits Center were treated to clips, teases and appearances from some of the world’s biggest stars.
In the spotlight from the Bob Iger-led Mouse House were hits from the Disney stable including The Acolyte,Welcome to Wrexham, Abbott Elementary and a wealth of ESPN sports shows. The combined budget must have been astronomical.
But almost completely absent from the upfront festivities was Doctor Who, the iconic British sci-fi series that Disney+ now co-produces with the BBC following what was undoubtedly one of the biggest global TV show deals of the past decade. Doctor Who was handed a minor bit of real estate at the North Javits, but its lack of front-and-center placement may spin a yarn about the series’ position in the Disney priority log nearly three years on from the deal being struck.
… Following the conclusion of the the first Disney-BBC Doctor Who season several weeks ago, Deadline has taken the opportunity to analyze its performance both locally and across the pond, its critical reception and just what the future has in store for the deal. Noises that it may not last beyond its initial two seasons are already reverberating around international TV circles, and one source close to the production tells us that they feel its future hangs in the balance already. Disney, the BBC, and co-producers BBC Studios and Bad Wolf all declined Deadline’s interview requests for this article….
NASA’s Johnson Space Center in Houston will recognize legendary human computer Dorothy Vaughan and the women of Apollo with activities marking their achievements, including a renaming and ribbon-cutting ceremony at the center’s “Building 12,” on Friday, July 19, the eve of the 55th anniversary of the Apollo 11 Moon landing.
At 9 a.m. CDT, NASA Johnson Director Vanessa Wyche will begin with a discussion about the importance of Vaughan and the women of Apollo’s contributions to the agency’s lunar landing program and their significance to today’s Artemis campaign. Other highlights include a poetry reading, a recital by Texas Southern University’s Dr. Thomas F. Freeman Debate Team, and a “Women in Human Spaceflight” panel discussion….
…Following the program, the ribbon-cutting ceremony will begin at Building 12, which will thereafter be named the “Dorothy Vaughan Center in Honor of the Women of Apollo.” The dedication is a tribute to the people who made humanity’s first steps on the Moon possible.
Li Jun Li (Wu Assassins) is set as a series regular opposite Nicolas Cage in Spider-Noir, the upcoming MGM+ and Prime Video live-action series based on the Marvel comic Spider-Man Noir.
From executive producers/co-showrunners Oren Uziel and Steve Lightfoot and Sony Pictures Television, Spider-Noir tells the story of an aging and down-on-his-luck private investigator (Cage) in 1930s New York who is forced to grapple with his past life as the city’s one and only superhero.
Li will play a singer at the premier nightclub in New York. In addition to Cage, she joins previously cast Lamorne Morris as Robbie Robertson….
(6) TODAY’S BIRTHDAY.
[Written by Paul Weimer.]
July 19, 1969 – Kelly Link, 55.
By Paul Weimer: Genius Grant recipient. Small Press Owner, Small Beer Press. Anthologist.
Oh, and just perhaps the best short fiction fantasist of our age.
No biggie, right? I think of her work, be it ”Magic for Beginners”, “The Faery Handbag” or “The Hortlak” or any of the numerous other stories she’s written, as being in an overlapping series of subgenres that are centered in magic slipstream realism. To this core central subgenre, Link ably adds elements of urban fantasy, horror, mystery, into this basic dough and bakes rather tasty treats of stories that linger in the mind and in the soul.
Kelly Link
I think of Link as a magic realist counterpart to Ted Chiang: her actual output of stories is not actually all that massive. She is careful with word choice and writing, shaping words and sentences to sublime effect. Link’s stories are never to be skimmed over, ever. You will, in the end, regret it. Her work needs and demands attention, and sometimes, like the work of Liz Hand, I feel like as a reader I am “not in her league” and don’t always grok what she is doing in a story. (To be fair the kind of fantasy Link writes is stuff I do not commonly read besides her fabulous work.
But that’s really wrongheaded of me to make her seem inaccessible. In fact, like Chiang, I think of Link as an excellent ambassador for genre fiction in the worlds of literary fiction, luring readers from outside the genre into it, hopefully to stay. Certainly “Magic for Beginners” is probably the one story I would hand to someone who hasn’t read much or any contemporary fantasy and wanted to give it a try.
(7) COMICS SECTION.
Thatababy continues crossing over into neighboring strips.
(8) WHAT IF? Check out the next trio of covers in the monthly Disney What If? variant cover series, celebrating the 60th anniversary of the Avengers and X-Men.
The new covers see Goofy, Donald, and Daisy fill in for Wolverine, Captain America, and Black Widow for their iconic team-up in Uncanny X-Men #268; Mickey, Minnie and more enter the X-Men’s revolutionary Krakoan age that kicked off in House of X #1, and the gang assembling for one of the Avengers’ most pivotal moments, the “Disassembled” storyline, in Avengers #500. For more information, visit Marvel.com.
AMAZING SPIDER-MAN #59 DISNEY WHAT IF? VARIANT COVER BY GIADA PERISSINOTTO
AMAZING SPIDER-MAN #61 DISNEY WHAT IF? VARIANT COVER BY PAOLO MOTTURA
AMAZING SPIDER-MAN #63 DISNEY WHAT IF? VARIANT COVER BY FRANCESCO D’IPPOLITO
(9) REMEMBERING H.R. PUFNSTUF. The LA Breakfast Club will host “Sid Krofft: 55 Years of Weird” on September 4. Tickets at the link.
CELEBRATE ALL THINGS KROFFT, INCLUDING PUFNSTUF’S ANNIVERSARY! On September 6, 1969, the world was introduced to the series H.R. PufnStuf and with it, the zany genius of brothers Sid and Marty Krofft! In the decades that followed, Sid & Marty continued to innovate TV, films, live shows and even theme parks with their signature style of puppetry, visuals and storytelling.
Join us on September 4th to witness Sid Krofft’s honorary initiation into The LA Breakfast Club! We’ll then join Sid on a rollicking discussion about the beloved projects that define his groundbreaking career.
Sep 04, 2024, 7:00 AM – 9:00 AM
The Los Angeles Breakfast Club, 3201 Riverside Dr, Los Angeles, CA 90027, USA
…Now there is a new dinosaur species on the paleontology block, Fona herzogae.
HAVIV AVRAHAMI: Small plant-eating dinosaurs – they were bipedal. If you took, like, a Komodo dragon tail and attached it to the back of an ostrich, that’s kind of what Fona would have looked like.
ARI SHAPIRO, HOST:
That’s Haviv Avrahami. He’s a Ph.D. student at North Carolina State University and was part of the team that identified this new dino. They published their research in the scientific journal The Anatomical Record this month.
AVRAHAMI: It was a small dinosaur. It was about 7 feet long, so probably would have been as long as Shaq would have been if he was laying down….
Vincent Price and Peter Lorre were in 3 Roger Corman films together, and the two shone as a hilariously odd couple. I would gladly watch their chemistry in any film! So here’s a compilation of all my favorite bits of them.
[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
The original cover art for the first edition of “Harry Potter and the Philosopher’s Stone” sold for $1.92 million at auction on Wednesday, becoming the most expensive item related to the series, decades after its illustrator was paid a commission of just $650.
The watercolor painting, which depicts the young wizard Harry going to Hogwarts from Platform 9¾ at King’s Cross station, was part of the private library of an American book collector and surgeon, Dr. Rodney P. Swantko, whose other rare items were auctioned at Sotheby’s in New York this week.
The year before the novel came out in 1997, its publisher, Bloomsbury, hired a 23-year-old from England who had just graduated from art school to design the book jacket, the auction house said. The artist, Thomas Taylor, would go on to establish the world’s conception of Harry Potter, with his iconic round glasses and lightning bolt scar.
“It’s kind of staggering, really,” he said about the sale of his painting in an interview on Thursday. “It’s exciting to see it fought over.”…
The saga of Miriam Libicki and the Vancouver Comic Art Festival began on Friday, May 31, with a message posted to the comic festival’s social media accounts. Libicki is an American-based cartoonist whose best-known works include Jobnik!and Toward a Hot Jew, both of which explore her time as a volunteer soldier in the Israeli Defense Forces after moving to Israel and obtaining dual citizenship in her 20s.
Libicki had, from VanCAF’s inception in 2012 up through 2022, been a fixture at the festival’s tables. But on the 31st, VanCAF announced via an unsigned public message that an unnamed “exhibitor” matching the description of Libicki and her works had received a lifetime ban from exhibiting at the convention. The statement apologized for this individual’s past attendance, on the grounds of “this exhibitor’s prior role in the Israeli military and their subsequent collection of works which recounts their personal position in said military and the illegal occupation of Palestine.”
The post, since removed, was termed an “accountability statement”…
… Rabiroff: So that takes us into the 2024 festival. Tell me what happened with that.
Libicki: So in 2024, because they had said apply again next year, the same day that applications were open, I applied with my new book that came out with the Holocaust survivor, David Schafer. And when acceptances were going out, they emailed me and they said, “We cannot offer you a space. Please let us know if you have any questions.” And right away I was like, “Yes, I do have a question. My question is why?” And then they didn’t get back to me for like a week. And then they said, “Well, we made this decision as a board, because there has been an incident, and there’ve been complaints. And also we want people with new work and you don’t have new work.”
So I got very upset at that because those reasons did not seem valid to me. Because number one, I did have new work. And number two, as far as I know, there was just the one incident, and that was an incident of people who hadn’t read the book. There were no substantive complaints about me, the content of my work, or my conduct at the festival. So it took a long time to get them to really respond. They kind of started to ignore my emails until I said in an email that you need to address this. If I don’t get a response from you, I am going to take actions to hold VanCAF accountable….
One of the traditions of the SPSFC is for judging teams to pick their hidden gem, a book that deserved to go further in the contest than it did. For the third SPSFC, which just concluded, our team is choosing Nathan H. Green’s Woe to the Victor as our gem.
Woe to the Victor was one of the two semifinalists selected by our team, but it did not advance to the finals — to our surprise. When we sampled all of the books in our initial allocation, we were high on this novel from the opening chapters.
Green’s a corporate lawyer in Canada putting his aerospace engineering degree to use on hard SF.
His book finds humanity on the eve of total annihilation. An invading fleet of Maaravi has completely wiped out the outer colonies and come to Earth for the finishing strike. This is not a fair fight. There’s nothing cocky or confident left in our protagonists. The fighter pilot Lewis Black knows that at best all he can accomplish is to buy a few extra minutes so that the humans chosen for colony ships might escape through a Vortex Generator and start over on distant planets to prolong the species. But like everyone else, Black lacks belief his mission will succeed….
(4) CON OR BUST WORLDCON GRANTS OFFERED. The Dream Foundry’s Con or Bust is making available grants for Palestinians to attend the Worldcon. Use the application at the link.
Are you a Palestinian or member of the Palestinian diaspora planning to go to Worldcon 2025 in Seattle? Would you be planning to go if you had funding covered? If so, applications for funding are now open. The preferred application window for applications is 27 June 2024 – 21 October 2024. Applicants who apply within this window will be considered together, and hear about their funding amounts in early November. Applications received outside this window will be considered on a first-come-first served basis for as long as funding remains.
We are also still accepting applications for attending the 2024 Worldcon in Glasgow. To apply for either, use the regular Con or Bust Application form and check the box to indicate that you qualify for grants from the Goldman Fund.
In an enormous cultural loss reminiscent of the degaussed tapes incidents in the early days of television, Paramount Global has removed the online archives to ComedyCentral.com, TVLand.com, MTVNews.com, and CMT.com from public access.
The move takes away a quarter century or more of online content. It is unclear if the content has been saved for future use.
In a statement, a Paramount Global spokesperson said the takedowns came as part of a broader website strategy across Paramount. “We have introduced more streamlined versions of our sites, driving fans to Paramount+ to watch their favorite shows.”
The writers, editors and videographers on the sites were apparently given no warning of the changes, sparking outrage that their work has now vanished.
…The comedycentral.com website hosted clips from all episodes of The Daily Show since 1999, and bits of Stephen Colbert’s The Colbert Report, among other content.
A notice on Comedy Central’s website states, “While episodes of most Comedy Central series are no longer available on this website, you can watch Comedy Central through your TV provider. You can also sign up for Paramount+ to watch many seasons of Comedy Central shows.” A similar notice appears on TVLand.com….
…Reaction was swift and strong: “Infuriating is too small a word,” former MTV News Music Editor Patrick Hosken said on X. He lamented, “Eight years of my life are gone without a trace. All because it didn’t fit some executives’ bottom line.”
Although he noted the existence of the Internet Archive, which has been documenting now-dead sites for decades, he wrote, “This is a huge loss not for just me (obviously) but for the dozens & dozens of hardworking people who built MTV News, who made it THE music news voice through the years.”…
(6) TEDDY HARVIA. The importance of an action figure being accurate increases when the subject is a demon!
…For a certain kind of nerdy, pop culture-obsessed millennial, watching Jane Schoenbrun’s I Watched the TV Glow is an exercise in constant reference-spotting. The suburban setting, down whose late night, empty streets the emotionally-troubled Owen wanders, encountering strange figures and inexplicable occurrences, seems lifted straight out of Donnie Darko. The premise, in which teenagers in the 90s bond over their obsessive love for a quasi-fantastical, quasi-soapy television series that starts to make incursions into their reality, is familiar from Kelly Link’s novella “Magic for Beginners”. And, as any 90s nerd will sense the first time they see Isabel stride across the screen, ready for battle in a purple satin prom dress, the show-within-the-movie is a mirror of that pop culture stalwart, Buffy the Vampire Slayer. (Other references include The Adventures of Pete & Pete, and The Secret World of Alex Mack.)
The first hour of the movie sometimes feels like a game designed purely for people of my age and pop culture interests, constantly courting a feeling of recognition….
(8) MY LATE DUTCHESS. I recommend Karen Myers Mad Genius Club post “I don’t remember any of this…” about the challenge of reminding readers about series continuity.
One of the features of a long series in a created world is that you have room to build an elaborate and convincing place with a bunch of interesting characters.
One of the drawbacks is that the readers forget it all in each new entry, or are bored by having it explained to them all over again….
The multi-talented folk rocker Neil Young’s sci-fi novel has been in the works since around 2017, and his commentary on the ongoing project is just what you’d expect from a musician who has made a career out of being unapologetically original and to the point….
“It’s a f***in’ mess,” Young admitted to Rolling Stone in 2018. “I have an agent in New York working with me on it right now. We’re just finishing it. It’s kind of a sci-fi thing about a guy who gets busted for a crime. He works for a power company, and there’s corruption in the power company, and he wants to expose it. So, he figures out a way to expose it and shuts down the grid a couple of times. He gets busted for doing that, and the cops come and take him out of his office, put him in a van, drug him, and he goes to a hospital somewhere. Then, he wakes up, and he’s on a mission to pay his debt to society. That’s all he cares about.”
Young elaborates on the more dystopian aspects of Canary, including glasses that broadcast someone’s real-time perspective to an authoritative group miles away and a new energy system that involves developing new animal species. (In typical sci-fi fashion, the animals escape, of course.) “It’s a long story,” Young adds.
(10) MEMORY LANE.
[Written by Cat Eldridge.]
June 27, 1986 — Labyrinth film. Much to my surprise, I had not written up Labyrinth which premiered thirty-eight years ago in the States on this date.
Just consider to begin with that it was directed by Jim Henson with George Lucas as executive producer. Now consider also that the film was a collaboration between Henson and Brian Froud following a similar undertaking on The Dark Crystal.
This was in the period when Lucas was taking a hiatus from directing but was credited as executive producer and sometimes story writer for such undertakings as Ewoks: Caravan of Courage, Ewoks: Battle for Endor, Willow, The Land Before Time, the Young Indiana Jones television prequel series and Howard the Duck to name some genre projects of his.
This would be the last film that Jim Henson was involved in as he died less than four years later.
The final principal player here was Brian Froud who had worked with The Dark Crystal four years earlier. If you’ve not seen it, go see it now. Though it was supposed to a children’s film, it was dark enough that the British film ratings board, the British Board of Film Classification, got more than its fair share of complaints about it. Oh those gelfs!
(Remember we’d later have the four pieces of art by Froud that Charles de Lint, Midori Snyder, Patricia McKillip and Terri Windling were supposed to base entire novels on.)
So we have the principal players, now we need a writer, don’t? How about Terry Jones of Monty Pythons fame, will he do? So he wrote primarily the first draft of a script off Froud’s sketches rather than earlier material that he had.
Well that screenplay didn’t survive contact with the meat grinder of producing a film. We know from later stories written about the making of this film that, at a very minimum, Dennis Lee, George Lucas, Laura Phillips and Elaine May were responsible for the final script. None got credited as only Jones was listed in the end.
The puppetry for Labyrinth, as it was in Dark Crystal, is the work of Froud. It’s definitely lighter in tone I feel than Dark Crystal was and the puppets here reflect that. The gelfs in Dark Crystal were the stuff nightmares were woven out of. I don’t think there’s really any darkness here at all which is reflected in it being rated a children’s film. Yes, it was, and the British Board of Film Classification at the time received virtually no complaints.
Henson in news stories noted that Jim Henson’s Creature Shop had been building the puppets and characters required for around a year and a half, prior to shooting, but that it really only came together in the last few months. It was a tremendously complicated undertaking he said. Some of the puppets needed as much as five puppeteers, and the voice work was difficult as it didn’t come out of the mouth but elsewhere.
Now there was the cast. They needed a fourteen-year-old girl, a properly English lass. But instead they chose an American why so? Henson says why in the actual production dairy, so let’s have it explain the decision…
“Selecting the actress who could play the role of Sarah was one of Henson’s first major decisions. He auditioned hundreds of applicants before selecting JENNIFER CONNELLY. “I wanted a girl who looked and could act that kind of dawn-twilight time between childhood and womanhood,” Henson says. “And Jennifer was perfect. It was even more incredible that she was the same age as Sarah was intended in the script.”
So now let’s consider the Goblin King. There was no else consider for the as the film dairy says
From the very beginning, director Jim Henson envisioned Bowie as the lead of this major new fantasy film production. “Way back when we first started working on the story, we came up with this idea of a Goblin King,” Henson explains. “And then we thought; ‘Wouldn’t it be wonderful to have music and someone who can sing?’ David was our first choice from the very beginning. And he liked the idea. So the whole thing was really written with him in mind.”
And Bowie was equally enthusiastic
What attracted Bowie to the role? “Jim gave me the script, which I found very amusing,” he says. “It’s by Terry Jones, of Monty Python, and it has that kind of slightly inane insanity running through it. When I read the script and saw that Jim wanted to put music to it, it just felt as though it could be a really nice, funny thing to do.”
So we’ve got the King, we’ve the girl he’s enamored with, so who else do we need? Seriously that’s the film’s story. There are three other human characters — Toby Froud as Toby Williams, Sarah’s half-brother, Shelley Thompson who plays Irene Williams, Sarah’s stepmother and finally Christopher Malcolm as Robert Williams, Sarah’s father. But the story here is very much just between the Goblin King and Sarah. Or at least that’s my interpretation. )
I like it, I think it’s a lovely story. And no I’ve not watched the new series as I see absolutely no reason to do so. I like my memories unsullied by revisions, by expansions.
So how did it do? Not well here. Maybe it’s just too British. It did do exceptionally well on its home shores so it made thirty-nine against twenty-four million in production expenses, and has done extremely well in television rights, cassette and now DVD sales, and it’s streaming free right now on Peacock as is the Dark Crystal and The Storyteller. I really, really love that series. That dog seems real.
Now for those critics I’d say this review by Joss Winning of the Radio Times sums up the feeling of the vast majority of critics both in Britain and here: “More traditionally structured than Henson’s previous fantasy outing, The Dark Crystal, yet sharing its mysticism-meets-Muppets DNA, Labyrinth is a wholly unique dark fairy tale that enchants from start to finish.”
Audience reviewers at Rotten Tomatoes currently give it a seventy-seven percent rating, a most excellent one I’d say.
(11) COMICS SECTION.
Cornered knows these are the rules we must follow.
(12) SHE WAS ALSO A LASFSIAN. [Item by Steven French.] “Who Was ‘Lisa Ben,’ the Woman Behind the U.S.’s First Lesbian Magazine?” is an interesting article in The Smithsonian on Edyth D. Eyde who as “Lisa Ben” published the first lesbian magazine in the US but which makes no mention of the fact that as “Tigrina” she was active in SFF fandom, remaining friends with Forrest J Ackerman for many years (she is featured as The Lesbian Pioneer in Rob Hansen’s Beyond Fandom: Fans, Culture and Politics in the 20th Century, available here.
In the summer of 1947, Edythe Eyde, a secretarial assistant at RKO Pictures in Los Angeles, started covertly publishing a tiny journal she called Vice Versa, subtitled “America’s Gayest Magazine.”
Now recognized as the first lesbian magazine in the United States, Vice Versa appeared at a time when sodomy laws banning “unnatural sexual acts” criminalized same-sex activity across much of the country. To protect her safety and livelihood, Eyde—who later adopted the pen name Lisa Ben, which doubled as an anagram for “lesbian”—published her magazine anonymously….
…The free, rather plain publication featured no bylines, no photos, no ads and no masthead. It had a blue cover and consisted of typed pages stapled together. Eyde passed it around to friends, who then passed the copies on to other friends. She also mailed copies to a small number of people and gave out issues at gay bars. Overall, Vice Versa probably had no more than 100 readers, Faderman says…
…Deadline reports that CBS’s latest addition to its wild collection of procedural crime shows is Van Helsing. Yes, everyone’s favorite vampire hunter is coming to CBS. This version, however, will be “a contemporary take on the monster hunter Dr. Abraham Van Helsing, who uses his uniquely inquisitive mind working alongside his ex, relentless FBI special agent Mina Harker, to solve New York City’s most harrowing cases.”
Do those “harrowing cases” involve vampires and other monsters? They damn well better! Otherwise, why the heck make a Van Helsing show? Syfy had pretty solid success with the property from 2016 to 2021, after all. And who can forget the 2004 Hugh Jackman movie with Kate Beckinsale—besides everyone, forever and always?…
…Although the problem is undoubtedly real, the true impact of misinformation in elections is less clear. Some researchers say the claimed risks to democracy posed by misinformation are overblown. “I think there’s a lot of moral panic, if you will, about misinformation,” says Erik Nisbet, a communications and policy researcher at Northwestern University in Evanston, Illinois. A body of research suggests that it is notoriously difficult to persuade people to change their vote, for example. It’s also far from clear how any one message — true or false — can penetrate amid the media chaos.
Still, as others point out, misinformation does not have to change minds about politics to have an impact. It can, for example, mislead people about when and where to vote, or even whether they should do so at all. Furthermore, just knowing that misinformation is out there — and believing it is influential — is enough for many people to lose faith and trust in robust systems, from science and health care to fair elections.
And even if misinformation affects only small numbers of people, if it drives them to action, then that too can have an amplified impact. “We might not expect widespread effects across the whole population, but it might have some radicalizing effects on tiny groups of people who can do a lot of harm,” says Gregory Eady, a political scientist at the University of Copenhagen, who studies the effects of social media…
…In 2015 British biographer Andrew Roberts published an enormous and quite readable biography of Napoleon. In it he wonders if the Battle of Waterloo was really necessary. Roberts argues that after returning to France from temporary exile in Elba, Napoleon had changed.
He was now in his mid-forties and beginning to feel his age and the years of hard campaigning, and according to a letter sent to the Allied governments still meeting at the Congress of Vienna, had given up on reconstituting his empire and simply wanted to concentrate on continuing his reforms and modernizations within France. He set about instituting a new constitution which included something approximating a legislature, and started in on further building projects in Paris and reopening several cultural institutions that Louis XVIII had closed during his brief return to the throne….
(16) SF’S FUTURE OF PAST WARFARE. [Item by SF Concatenation’s Jonathan Cowie.] It is said that today’s science fiction is tomorrow’s science fact. Of course, SF is not in the prediction business: it has far more misses than hits. Yet, load a blunderbuss full of a hodgepodge of SFnal concepts and fire it at a barn, and a few will inevitably hit the door.
And so we come to a recent YouTube post by Grammaticus Books. His 8-minute video notes that despite some stonkingly brilliant novels (Heinlein, Haldeman and even a novel by an author whose name does not begin with an ‘H’) when it comes to warfare prediction many military SF books get it wrong.
However, Grammaticus has found one SF novel that seems to have hit the mark when it comes to the future of warfare: Fred Saberhagen’s series of Berserker Wars (from 1967). It is a bleak, dark vision with artificial intelligence, drones and even coordinated fleets of A.I. drones on the modern battlefield. Grammaticus says that you could see this in Syria in 2015/6 and now today in Ukraine with individual drones hunting down human soldiers. He envisions that soon we will be seeing autonomous A.I. controlled drones because they can react faster than a human.
However, he comes with a caveat in the form of a 1965 classic novel…
[Thanks to Teddy Harvia, Kathy Sullivan, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]
I used to think I hated infodumps. I’ve come to realize, with careful line-by-line analysis of works I love and works I find mediocre, that I hate poorly-done infodumps.
What is the difference?
Relevancy, and timeliness.
Here’s an excerpt from Grant’s advice about relevancy:
Relevancy: “Who is my audience and what specific question does it need answered?”
If my audience are current and prior military looking for a thriller, then that affects how I present the answer, as opposed to if my audience are civilian women over 40 looking for a light romance read that will not tax them by forcing them to think.
…But even in thrillers, where the audience enjoys the deep dive into the specs on the submarine, or the loadout someone’s carrying, they only enjoy it if it’s useful to the story.
From beloved blockbusters to side-splitting comedies, cult classics, and even thought-provoking art films, this auction is a treasure trove for movie enthusiasts. Brace yourself as The Big Lebowski, Star Wars, Raiders of the Lost Ark, and E.T. the Extra-Terrestrial take center stage, alongside the electrifying disco inferno of Saturday Night Fever. Marvel and DC fans, prepare to unleash your inner superhero as this auction proudly showcases astounding treasures from the beloved comic book universes.
Raiders of the Lost Ark — Production-Used Ark of the Covenant Prop; Estimate: $50,000 – $70,000
An original production-used Ark of the Covenant prop as used during the making of the action-adventure Indiana Jones film Raiders of the Lost Ark (Lucasfilm Ltd., 1981).
This ark prop is composed of wood, plastic trophy figures (missing arms), hot glue, and gold-tone paint. The back side of the ark is unfinished and is painted black. The Ark is uniquely constructed from layers of picture frames and hot glue, placed together to form an ornate design. The top of the Ark features a hinged lid and a “battleship gray” painted interior. A cut-out portion of the interior of the lid may have been used to mount the trophy figures and frames on the surface of the lid, or may have served a purpose during pyro experimentation.
An original hero large-scale filming miniature of the USOS Seaview submarine from the Irwin Allen science fiction film Voyage to the Bottom of the Sea (20th Century Fox, 1961) and the television series Voyage to the Bottom of the Sea (20th Century Fox Television, 1964 – 1968).
(3) FANZINE NEWS. Chinese fan RiverFlow discusses plans for an English language edition in time for the Worldcon.
Zero Gravity newspaper 10 issue English initial attempt. Our vision is to allow fans at the Glasgow WorldCon to hear the spontaneous voice of Chinese fans. Chinese fans also loves Star Trek, 2001: A Space Odyssey, Asimov, et cetera, et cetera, geek, a shy side, a rapturous side… pic.twitter.com/hP5mcXYQO0
(4) CORFLU FIFTY WINNERS FOR 2025. The Corflu Fifty guests at next year’s Corflu – Corflu 42 in Newbury, UK – will be Nic and Jennifer Farey.
The Corflu Fifty are a group of fans who jointly pay for some worthy person to attend the convention. Rich Coad is the US Administrator and Rob Jackson the UK Administrator.
Rob Jackson sent the news with this comment: “Donations over and above the standard contributions by the C50 members are always welcome, of course; but we are being ambitious in supporting a couple for a Transatlantic trip this year. Fandom – especially fanzine fandom – will be doing its best to support them, of course.”
Hollywood expected “Furiosa: A Mad Max Saga” to scorch the box office over the holiday weekend. Instead, the big-budget Warner Bros. prequel iced it over.
“Furiosa,” which cost $168 million to make, not including tens of millions of dollars in marketing costs, collected an estimated $25.6 million in the United States and Canada from Thursday night to Sunday. Box office analysts expected the film to take in about $5.4 million on Monday, for a holiday-weekend total of $31 million….
…Hollywood had high expectations for “Furiosa,” which Warner Bros. premiered at the Cannes Film Festival; the movie received exceptional reviews. On Sunday, however, it was unclear whether “Furiosa” would manage even first place at the box office. Analysts said the poorly reviewed “Garfield” (Sony), which cost $60 million to make, could inch ahead. It could also be a tie….
(7) ELUSIVE MEMORY. Phil Foglio sent a note about yesterday’s birthday celebrant, Ian McKellen:
Hardly anybody remembers this one, and it’s a damn shame: The best film version of the Scarlet Pimpernel. (1982) McKellen is the romantic villain, Paul Chauvelin. He is hilarious, heart-breaking, and ice-cold terrifying, and his is not even the best performance in the movie.
(8) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
May 26, 1923 — James Arness. (Died 2011.) We are here tonight to discuss Marshall Matt Dillion, errr, I mean James Arness. Though he’s certainly best remembered for playing that role on Gunsmoke. It premiered on September 10, 1955 and would run until March 31, 1975, on CBS, with six hundred and thirty-five episodes.
James Arness in 1970. Photo by Steve Mays.
The first two seasons were not called Gunsmoke, but rather were Marshall Dillon. I’m not much of a Western fan but what I saw of the few seasons I really liked.
After cancellation, there would be four Gunsmoke films about ten to twenty years later. Not going to comment on how old that made the actors who were still with us at that point…
So, his genre-related films.
Well, he did save Mike’s city from giant ants in Them where he played FBI agent Robert Graham. With others, he discovers that all the incidents plaguing Mike’s city are due to giant ants that have been mutated by atomic radiation.
In The Thing from Another World, mostly called The Thing, he played, errrr, The Thing. Cast in the role because of being six feet seven inches tall, he made a most splendid monster. Of course, you know that The Thing is based on the “Who Goes There?” which was written by John W. Campbell.
Arness as the Thing.
Lastly, he was Kirk Hamilton in Two Lost Worlds which was a really low budget Fifties film that had dinosaurs and pirates in it. How low budget? The dinosaurs appear 58 minutes into the film. They were taken from footage recycled from the One Million B.C. Film that had ended up in the bin. Yeah, they were considered that bad.
When it comes to the upcoming Harry Potter TV series, don’t expecto patronum Daniel Radcliffe to make an appearance.
The actor, who of course played the Boy Who Lived in all eight of the blockbuster Harry Potter movies, recently told E! News that he didn’t think a role or cameo in the upcoming entry into the Wizarding World was in the cards for him.
“I don’t think so,” he said. “I think they very wisely want to [have] a clean break. And I don’t know if it would work to have us do anything in it.”
And that’s perfectly all right with the 34-year-old actor, who added he is “very happy to just watch along with everyone else.”
Radcliffe remained coy when asked what his response would be should the Max production team actually conjure up an opportunity for him to return, though. “I’m gonna be a politician about this,” he said, “and not deal in hypotheticals.”…
…She smiles broadly. “Here at Sam’s, we have…” Pause. “A small plates concept. A bit like tapas.” You do? Oh, you marvellous, dear, young person. And if that sounds like I’m being patronising all I can say is, how clever of you to notice. In this job you see things. Granted, restaurant reviewing isn’t all attack ships on fire off the shoulder of Orion, and C-beams glittering in the dark near the Tannhäuser Gate, but it can be challenging. So when someone threatens profound difference, sweaty-palmed trepidation is reasonable. And when that difference turns out to be something achingly familiar, so is relief….
… SIMON: What are some of the hardest CAPTCHA tests out there that you’ve seen?
FENNELL: Well, I actually am one of those people who’s challenged by them. There’s a percentage of the human population, about 3%, actually, that have a literal issue whenever they see these kind of stimulant tests. And so, for me, personally, they’re horrible. And it doesn’t matter if I do the audio or the visual. I have a high probability of failing it.
SIMON: And you’re a cybersecurity expert.
FENNELL: I know. That’s what they say. Yeah. But there are some better alternatives to what they’ve been using for CAPTCHA, the version 1, 2, 3, ReCAPTCHA with Google. There are better ideas that are coming out in more recent years.
SIMON: And they are coming out, right? There are things on the horizon?
FENNELL: You may have seen some of them. My personal favorite is actually gamification. It’s, you know, some kind of an image that’ll say, can you plant a garden? And you have to move the images that make sense. Simple questions, you know, what’s one plus one? Things like that. Sliders, which all of us Apple users love to see when we see a slider across the screen. But a lot of things are actually happening behind the scenes. This is actually concerning. And I don’t want to get on a soapbox, but this…
(13) VIDEO OF THE DAY. Ryan George checks out “What Facebook Is Like Now” – and it’s worse than any horror movie you can see in a theater, that’s for damn sure.
[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Rob Jackson, SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, Kathy Sullivan, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Rev. Bob.]
(1) ENTER WORLDWIDE AWARD FOR SFF SERIES. The Sara Douglass Book Series Award is accepting entries through September 30, 2024. The Sara Douglass Book Series Award is administered through the Aurealis Awards but is a separate, special award conferred during the ceremony (like the Convenors’ Award for Excellence).
This year, the Sara covers series ending (in original publication anywhere in the world) between January 2021 and December 2023. Full details at the link.
GENERAL ELIGIBILITY
For the purpose of the Sara Douglass Book Series Award, a “series” is defined as a continuing ongoing story told through two or more books, which must be considered as ending in one of the years covered by the judging period.
This award is to recognise that there are book series that are greater as a whole than the sum of their parts – that is, the judges are looking for a series that tells a story across the series, not one that just uses the same characters/setting across loosely connected books. It is anticipated that shortlisted works will be best enjoyed read in succession, with an arc that begins in the first book and is completed in the last.
The series may be in any speculative genre within the extended bounds of science fiction, fantasy or horror (that is, if a book would be considered on an individual basis for one of the novel, or possibly novella, categories in the Aurealis Awards, the series may be considered here).…
…[Una] McCormack argues that McIntyre’s writings weren’t just about feminism. “She was extremely ahead of the curve in the representation of disability, or ‘other-bodied-ness,’” McCormack says. “In ‘The Exile Waiting’ [McIntyre’s first novel], we see a huge diversity of shape and form that humanity can take. So I think she’s ahead of the curve on a lot of things.”…
…“Little Sisters and Other Stories” by Vonda N. McIntyre is set for release on May 21. Clarion West is presenting “The Roots and Future of Feminist Science Fiction,” a free virtual panel discussion focusing on McIntyre’s work and other major influences on the genre, at 11 a.m. PT on Saturday, June 8. In addition to [Una] McCormack, the panelists include Nicola Griffith, SJ Groenewegen and Nisi Shawl. Advance registration is recommended.
…He had some valid reservations about the dragons’ portrayal in the original show, which he believed improved in the prequel series, House of the Dragon. According to Martin, Game of Thrones’ dragons lacked “personality” and were all too similar to one another.
… In House of the Dragon, viewers are introduced to a whole new array of dragons as companions to the Targaryen family, each with their own unique traits and quirks. Thus, this gave the creators of the Game of Thrones prequel a good opportunity to improve their creature effects this time….
(4) UNION EFFORTS SCORE VICTORY. “Disneyland Character Workers at California Park Vote to Unionize” reports the New York Times. “The vote determined whether 1,700 workers who play characters such as Mickey and Minnie Mouse and who dance at parades could join the union representing other workers at the park in Anaheim, Calif.” Most of the resort’s work force was already unionized.
… The Actors’ Equity Association, the national labor union that represents more than 51,000 professional actors and stage managers, said it had exceeded the threshold it needed in a vote overseen by the National Labor Relations Board, winning a 79 percent majority with 953 yes votes and 258 no votes, according to a statement.
Among the key issues that brought workers together to fight for representation in future negotiations with the company were securing improvements in safety and scheduling and demanding “a living wage,” as well as other workplace benefits, the union said….
(5) TORGERSEN CRITICIZES SANDERSON. [Item by Kevin Lang.] Brad Torgersen decided to publicly attack Brandon Sanderson on both Twitter and his Facebook page over perceived religious differences involving the Church of the Latter Day Saints (LDS). Both instances are still publicly viewable.
So, according to Brandon Sanderson’s own web site, he’s signed on with Wokeness, vs. the official gospel principles of the LDS church. As expressed in documents like the Proclamation on the Family. Even though Brandon professes to be an LDS member in good standing. This is something the church is really gonna have to decide what to do about: these multiplying numbers of LDS Utah artists especially, who’re publicly proclaiming their support for politics and social causes which are in direct conflict with church doctrine. Either the church just keeps ignoring it, or a whole bunch of people are going to wind up being excommunicated. I honestly have no idea which way the church will go. I know which way they should go. But will it happen? Lately, I have my doubts. Too many people far too in love with being “nice” than actually making members accountable for supporting, espousing, and promoting anti-gospel ideas, groups, and movements. If Brandon and Co. are truly the ascendant voices of a new church majority, a genuine schism is inevitable. They want to remake the LDS church into just another soft Christian denomination that embraces sexual deviancy and sin, while adorning itself in rainbow fruitcake paraphernalia.
(6) TOMLINSON GETS HIS CHAIRS BACK. Patrick S. Tomlinson’s online appeal succeeded in getting his lawn furniture returned after trolls hoaxed people into thinking it was being given away.
(7) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born May 20, 1928 — Shirley Rousseau Murphy. (Died 2022.) Now we come to a woman who wrote about cats who talked and understood human speech, Shirley Rousseau Murphy. How could I resist such a writer?
Shirley Rousseau Murphy
The series that I’m interested is the Joe Grey series which involves a number of felines in a small coastal California town with a thriving tourist trade who develop the rather unusual ability not only to understand human speech but to talk it as well. No, it’s not explained, nor should it be.
In first novel, Cat on the Edge, Joe Grey, our central feline and mostly the narrator here and in all of the novels, is the only witness to a murder. As the author says on her website, “Escaping the killer, he becomes the hunted, and he’s one scared tomcat–until he meets green-eyed Dulcie, a charmer with talents to match his own.” He also discovers shortly there’s the aforementioned talents. Weirded out at first, he’s delighted eventually.
The writing here is better than just decent with some quite unexpected plot developments that add considerable depth to the story. Joe Grey as a cat seems a feline in his behavior, the setting is charming and makes sense, and the mysteries are reasonably good though I wouldn’t call them particularly deep.
It obviously sold well as there were twenty-one novels before she stopped with the last, Cat Chase the Moon, published after her death. A novella, Cat Chase the Moon, which I think is a prequel also has been published only by the usual suspects.
So all of these novels in this series I suspect based on reading the first three are all like any series of this sort such that you could read any or all of them and be entertained by what you read. Is there an explicit order to them? No idea.
She has a number of other series, none of which I’ve read. The Fontana Duology is a paranormal series involving Satan Himself with cats again prominently involved based on the really cute orange tabbies on both covers, and also the titles are The Cat, the Devil, and Lee Fontana and The Cat, the Devil, the Last Escape.
Tired of cats yet? You’re out of luck if you are as she wrote went on to pen The Catswold Portal where a young girl could transform herself into, oh guess. She actually notes on her website that she describes each cat in detail so this is a small calico.
Ok, I promise no more cats, so finally I’ll stop with dragons that I consider to be akin to cats. I really do. They probably like having their bellies tickled.
The Dragonbards trilogy which has as its story a sleeping dragon who awakens only to find her beloved land ruled by an evil despot and the only one who can save is a bard who is not be found. It’s a YA series that got very, very good reviews.
Need I say that she did unicorn fiction as well? I think not.
Harry Lives With His Aunt And Uncle Over The Summers
One of the more unfortunate recurring aspects of the Harry Potter timeline is Harry’s time staying at the Dursleys. Harry’s aunt and uncle, Vernon and Petunia Dursley, raise Harry for the first eleven years of his life until he leaves to attend Hogwarts School of Witchcraft and Wizardry. Though Hogwarts quickly becomes the place Harry thinks of as his true home, he spends at least a couple of weeks at the Dursleys’ house in every single Harry Potter book.
The Dursleys never treat Harry particularly well, but unbeknownst to them, Harry’s ability to call the Dursleys’ residence home kept him protected from Voldemort until his 17th birthday, making his stays at the Dursleys’ crucial to his survival throughout the series. Harry might loathe every moment he’s forced to spend with his abusive relatives, but his time there in each Harry Potter book is quietly very important to the series.
… all graduating students, must step forward and be tapped on the head with an object he calls “the medieval space bonnet.”…
…The University of Edinburgh’s Sorting Hat-style graduation ceremony has been in place for at least 150 years, in which time the bonnet has tapped the heads of over 100,000 graduates. But the round silk and cloth bonnet is rumored to be much older than that. Legend has it that the bonnet was made from a pair of trousers that belonged to 16th-century Scottish Reformation leader John Knox….
… Beyond its ceremonial duties, the bonnet has also been to space—well, at least a part of it. In 2006, astronaut and Edinburgh alumnus Piers Sellers contacted then-principal Timothy O’Shea and asked for permission to take the Geneva Bonnet with him to the space station. While O’Shea was open to the idea, he says that university officials told him it would be “an act of extraordinary madness to take the sacred bonnet into space!” As a compromise, Sellers took a small patch of velvet embroidered with the university crest with him on his mission. This patch was later sewn into the ceremonial hat, leading to the nickname “the medieval space bonnet.”…
…Although J.K. Rowling has never acknowledged the similarities between this ancient tradition and her famous Sorting Hat, it’s clear that some graduates of the university like to think of this as their very own sorting ceremony.
Leave it to the French to find a way to pack the aroma of a freshly baked baguette into a postage stamp. La Poste, the French postal service, is out with scratch-and-sniff stamps of their best-known bread with art from Paris-based artist Stéphane Humbert-Basset. The stamps depict a baguette wrapped in a blue, white, and red ribbon and the text “La baguette, de pain française,” for “The baguette, the French bread.”
The “bakery” scent is made using microcapsules, according to the Le Carré d’encre, a Paris stationary shop. “The difficulty for us is to apply this ink without breaking the capsules, so that the smell can then be released by the customer rubbing on the stamp,” printer Damien Lavaud told the BBC.
(12) SATURDAY NIGHT LIVE SEASON FINALE. Here are a couple of genre adjacent sketches from Saturday Night Live’s season-ending show.
(And also, separately at the con, Spider Robinson — see the first item here, for my report notes along a video of one song from his set (posted with permission: “Dern: My Final Report From the Dublin 2019 Worldcon”.)
[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, Daniel Dern, Kevin Lang, Kathy Sullivan, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]
(1) TROUBLED DENVER EVENT WON’T REPEAT IN 2025. Anne Marble did a roundup about the complaints against Readers Take Denver in Pixel Scroll 4/22/24 item #5.
…All of the negative attention Readers Take Denver has received in the days, weeks following the event has prompted the cancellation of next year’s convention, which was previously scheduled for February 2025….
(2) TURNING THINGS TO GOLD. The original artwork for the cover of Harry Potter and The Philosopher’s Stone will be auctioned June 26 by Sotheby’s reports CNN. It’s expected to set a record.
…When the illustration was first up for auction at Sotheby’s in London in 2001, it sold for around four times its estimated sale price, for a record £85,750 (about $106,000), according to a Sotheby’s press release Thursday.
…The record for an item related to the book series is currently held by an unsigned first edition of “Harry Potter and the Philosopher’s Stone,” which sold for $421,000 at Heritage Auctions in Dallas, Texas, in 2021, according to Sotheby’s.
JK Rowling has shared the conversation she had with actor Alan Rickman, when she revealed to him the true complications of his character in the Harry Potter movies.
“He rang me up and said, ‘Look, I’m spinning plates here. I really need to understand what Snape’s up to? Am I a pure baddie?’ He was the only person I told: ‘You were in love with Harry’s mother.’
Copies of George Orwell’s dystopian masterpiece Nineteen Eighty-Four have been arriving at an artist’s studio in Edinburgh for months. Every shape and size, posted from Ukraine, Hong Kong, Peru, Germany, Cape Cod and Sarajevo.
Some are in mint condition, others are dog-eared, tea-stained, heavily annotated or turned into graffitied art works. One is a water-stained first edition; one is a secret love letter from a married woman to her first love; another, a graphic novel version, came from Orwell’s son Richard Blair.
Each has been donated to a unique installation in the community hall of Jura, the Hebridean island where Orwell, in dire poverty and desperately ill, wrote Nineteen Eighty-Four during the late 1940s, to mark its publication 75 years ago.
Hans K Clausen, a sculptor based in Edinburgh, is collecting 1,984 copies of the book to exhibit on Jura for three days in early June. It will be an interactive, “living” sculpture where visitors are invited to open and read every volume.
Many have arrived, often with overseas postmarks and customs stamps, addressed to “Winston Smith, care of Hans K Clausen”….
(5) JEOPARDY! [Item by David Goldfarb.] I got around to watching the first episode of the new Jeopardy! Masters tournament. Each episode has two games. I didn’t notice any SFF content in the first game, but there was in the second. Here are details:
In the first round:
Spell it!, $1000: How about this dwarves race of “Ring Cycle” fame whose name begins & ends with the same letter
Yogesh Raut got it: “What is N-I-B-E-L-U-N-G-E-N?”.
Meet the Smiths, $400: Matt Smith’s TV roles include the Doctor on “Doctor Who” & this member of the royal family on seasons 1 & 2 of “The Crown”
Yogesh again: “Who is Prince Philip?”
In the second round:
Authors’ Fictional Places, $2000. A Daily Double on which Yogesh bet 9400 points: The town of Eastwick, Rhode Island
Yogesh said, “Who is John Updike?” (The novel here being The Witches of Eastwick.)
Authors’ Fiction Places, $1600: A world of dragons & dragonriders, Pern
Amy Schneider rang in, then hesitated, but got to “Who is McCaffrey?”
Authors’ Fictional Places, $1200. They displayed a picture of a bespectacled, bald man holding a cloth, sitting next to a model of a fantasy setting that Filers would recognize. The clue: Resting on the backs of four elephants atop a giant turtle, Discworld.
Yogesh knew it: “Who is Pratchett?”
Author’s Fictional Places, $400: Castle Rock, Maine.
Yogesh again: “Who is King?”
(Fictional Places $800 was William Faulkner’s Yoknapatawpha County, in case you were wondering.)
China’s US$15 billion sci-fi industry, which has gained global attention after the success of the Netflix show 3 Body Problem, offers a potential boost to the economy while aligning with Beijing’s aspirations to become a tech powerhouse, analysts said, underscoring the need for stronger government backing to fortify the sector.
The industry achieved 113.29 billion yuan (US$15.6 billion) in total revenue last year, representing a 29 per cent year on year increase according to the 2024 China Science Fiction Industry Report, released last week during the eighth China Science Fiction Convention in Beijing.
Science fiction could also help companies conceptualise and produce new ideas, such as the establishment of a human settlement on Mars or brain-computer interfaces, according to Wu Yan, who co-authored the report….
Adam Driver is on the edge in the first official teaser for Francis Ford Coppola’s “Megalopolis.”
“Megalopolis,” which will premiere in competition at the Cannes Film Festival, has been a project years in the making for the director, who first began work on the screenplay in the 1980s. The legendary filmmaker behind “The Godfather” and “Apocalypse Now” has invested $120 million of his own money into the film….
…According to the official synopsis, “‘Megalopolis’ is a Roman Epic fable set in an imagined Modern America. The City of New Rome must change, causing conflict between Cesar Catilina (Adam Driver), a genius artist who seeks to leap into a utopian, idealistic future, and his opposition, Mayor Franklyn Cicero (Giancarlo Esposito), who remains committed to a regressive status quo, perpetuating greed, special interests, and partisan warfare. Torn between them is socialite Julia Cicero (Nathalie Emmanuel), the mayor’s daughter, whose love for Cesar has divided her loyalties, forcing her to discover what she truly believes humanity deserves.”…
(8) BERNARD HILL (1944-2024). Bernard Hill, who played Theoden in Peter Jackson’s Lord of the Rings films, died May 5 reports Deadline. His best known film role was as the captain of the Titanic in James Cameron’s film. He played a number of secondary roles in about 20 genre/related productions, including A Midsummer Night’s Dream (1999), The Scorpion King (2002) and Gothika (2003).
(9) TODAY’S BIRTHDAY.
[Written by Paul Weimer.]
Catherynne M. Valente in 2017.
Born May 5, 1979 – Catherynne Valente, 45. By Paul Weimer: My strong impression of Cat Valente’s work came from the beginning of my reviewing life. Way back in the halcyon days of 2009, when I was first putting reviews out there, and getting review copies, I was offered a review copy of an author I had never heard before, named Cat Valente. The novel was Palimpsest and well, the novel knocked me on my arse. Reader, I was not quite prepared for a novel that involved sex as a gateway to another realm of existence. It’s a sensuous, sensual and rich novel in immersive detail, and that immersion is something I would notice in future Cat Valente’s books. I’ve not tried Palimpsest again, but I eagerly have read a number of her novellas and short stories. I particularly like “Six Gun Snow White” among these.
But, really, Space Opera is the one book I think of when I think of Cat Valente’s work. Although I’ve never actually watched Eurovision, I know enough about it to understand the “Eurovision with Aliens in Space” high concept of Space Opera and I found the novel, like much of Valente’s work to be a sensory delight, queer, unapologetic, and with strongly defined and delineated characters. I think it is probably the one Valente book that if you are going to try Valente, that’s the one to try. I know there have been discussions and thoughts about a sequel to the book ever since it came out, but part of the joy of Space Opera for me is, like a lot of Valente’s other work, is that it is self-contained and complete within it’s pages. Sure, Valente has written other sequels and follow ups to other work, but this is a function I think of her exuberant and vivid writing, rather than any incompleteness in a work that needs sequels to resolve.
(10) COMICS SECTION.
Fur Babies has a variety of cartoonists’ styles of sound effects in honor of the day. Can you identify them before you get to the explanation in the comments?
It’s no secret Egon Spengler was a very hands-on, DIY kinda scientist, often cobbling together his hardware from common, everyday items, and the P.K.E. Meter is no different. Egon used an old electric shoe polisher for the bulk of this handheld piece of tech, which trades in footwear for phantasms, determining specter location and quantification. The P.K.E. Meter acts like a divining rod when near a spectral being, with a pair of motorized arms extending outward from the sides, embedded lights flashing in sync with detectable spectral frequencies.
Fans will be happy to know that not only have the HasLab Lab Lab Techs included classic P.K.E. Meter features, such as Ghost Detection Mode, but they’ve also included a very special upgrade. Yes, that’s right, the HasLab P.K.E. Meter 1:1-scale premium adult collectible features Egon Spengler’s personal upgrade from his time as the Dirt Farmer, in Summerville: Taser Mode! Taser Mode, if you’re unfamiliar, turns the P.K.E. Meter into a taser that forces an apparition to reveal itself… or explode in a burst of marshmallow goo, as we know from Podcast’s dealings with the mischievous Mini-Pufts in the Ecto-1.
GHOST TRAP
Needing something to contain and transport paranormal entities to a more permanent housing facility (namely the Ecto-Containment Unit), Ray Stantz and Egon Spengler designed the Ghost Trap. Consisting of a main chassis and a removable cartridge, the Ghost Trap has limited battery life and was never meant to accommodate ecto-plasmic beings for any extended period.
This 1:1-scale premium adult collectible features everything fans love about this vital piece of ghost-bustin’ gear, including the removable cartridge, high-powered LEDs, premium metal finishes, functioning diecast metal wheels for smooth deployment, and more! This thing is so gorgeous that ghosts will be throwing themselves at you just for a chance to get trapped within this highly detailed, premium collectible!
Physical media is very popular these days. Nostalgia, fandom, and streaming burnout have caused certain segments of American society to switch off their Amazon Prime accounts and fire up their Blu-ray players. One of the many advertised benefits of physical media is that it offers a more permanent, definitive form of media ownership than a streaming service. But just how permanent are your Blu-rays? And is physical media really built to last?…
… Unfortunately, there isn’t a lot of open-source information about the longevity of commercially mass-produced Blu-rays, technically known as read-only discs, or BD-ROMs. The Blu-ray Disc Association, which developed and owns the technology behind the discs, ignored multiple emails I sent them, and the people that I did speak to on the subject couldn’t give me a very specific answer….
A half-century ago when George Lucas decided to make “Star Wars,” a core visual effects team was handed a sizable challenge: Figure out a believable way to transport audiences to a galaxy far, far away. Essential to that goal was the development of a new type of motion control camera system: built in a Van Nuys warehouse where the production filmed space-set scenes such as the climatic trench run.
Now fans in Southern California can see the historic Dykstraflex camera system, newly restored and in working order, on display at the Academy Museum of Motion Pictures starting Saturday in recognition of May the 4th, aka Star Wars day. The system weighs 1,500 lbs. and will be demonstrated by VFX vets with a 14-foot track and studio scale replicas of the Millennium Falcon, which is five-feet long, and a 20-inch X-Wing fighter.
In Season Four, the world is on the brink. Victoria Neuman is closer than ever to the Oval Office and under the muscly thumb of Homelander, who is consolidating his power. Butcher, with only months to live, has lost Becca’s son and his job as The Boys’ leader. The rest of the team are fed up with his lies. With the stakes higher than ever, they have to find a way to work together and save the world before it’s too late.
[Thanks to Kathy Sullivan, Mike Kennedy, Andrew Porter, Paul Weimer, David Goldfarb, Martin Easterbrook, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Teddy Harvia for some of these stories. Title credit belongs to File 770 contributing editor of the day Jack Lint.]
(1) THE EDITOR’S LIFE. Penmen Review has a two-part transcript of a panel about “The Role of the Editor in Publishing” with editors Ellen Datlow and Joe Monti, and copyeditor Deanna Hoak.
Ellen Datlow: Well, I mean, short fiction is very different in getting into. It’s always been difficult, and I think it still is, but there are so many people starting new magazines. It’s hard to make a living out of writing short fiction and editing. There aren’t that many magazines that pay their editors or publishers, like F&SF, the four Dell Magazines: Ellery Queen, Alfred Hitchcock, Analog, and Asimov’s. Most of the others are started by people who are scrambling to make a living out of it, like Neil Clarke and the Thomases. It’s very hard. And the way to get into anything is to read slush, whether it’s novels or short stories, if you can get a job or an internship. You often don’t get paid to do that, but it’s experience, and you make connections and contact anyone you ever heard of.
One thing I learned very early is that if someone—a book editor or a major editor or publisher or anybody else—says “There’s no job, but I can talk if you’d like to come in,” always say yes. If anyone professional offers to have a drink with you, coffee with you, just talk with you in their office, say yes, because they may know some other job available, and they’ll give you insight into the whole publishing industry. It goes back to the connections and networking aspect of the whole thing. You have to put yourself out there.
W4W: We’re going to try to pull some questions out of the chat. How fast do you need to be able to edit? …
Deanna Hoak: I’m paid by the hour, but you’re expected to do more and more within that hour. When I first started out in copy editing, the standard was that you were expected to edit about 2,500 words per hour, say ten manuscript pages an hour. But now companies are expecting more and more. I know there is one publisher that wants 17 pages an hour done.
As a copy editor, I read every manuscript at least twice, and I read sections of it more than that, because if I don’t read it at least twice, I will miss some of the plot holes. Plus, you’re fact checking. You’re going back and forth. You’re doing a lot of stuff. Seventeen pages an hour – it just doesn’t work for me. I end up not taking very many projects for the companies that want me to do that.
Joe Monti: I keep it all in my head as I go along. It’s terrible. So I’m a slow reader, but it’s because I read and ingest it and keep it all going in my head at the same time. I may make little comments on the side throughout the manuscript. But yeah, I keep it all in my head, and then keep going. And then there’s a flow that happens. It’s very much a bell curve. Maybe 15, 20 pages the first hour. And then by like hour two or three, I’m going to 40, 60 pages an hour.
But it depends on the book. And sometimes I have little to no editing. I have done almost no editing on Ken Liu‘s quartet of fantasy novels. And if you’re not familiar, the last two were 367,000 words, so it was split in two. That one we cut the ends off and beginnings. But other than that, I didn’t edit almost anything in it. Yet it took me two months because I was reading it and making sure it all fit. And everything fit perfectly. But Ken’s a rare genius, and he’s worked meticulously on his craft. One of the reasons why we work well together is that I know he knows that I trust him, and I get him. This is a lot of the creative part of it–I get your voice.
… How many books are sold in the United States? The only tracker we have is BookScan, which logs point of sale—i.e., customer purchases at stores, websites, etc.—for most of the market. BookScan counted 767 million print sales in 2023. BookScan claims to cover 85% of print sales, although many in publishing think it’s much less. It does not capture all store sales, any library sales, most festival and reading sales, etc. (Almost every author will tell you their royalty reports show significantly more sales than BookScan captures. Sometimes by orders of magnitude.)
Still, I’ll be very conservative and assume 85% is correct. This means around 900 million print books sold to customers each year. Add in ebooks and the quickly growing audiobook market, and the total number of books sold over 1 billion. Again, this is the conservative estimate….
…I write Sherlock Holmes stories for the same reason I read them, to divert my attention from the terrifying issues that plague the rest of my waking hours—Ukraine, Gaza, drought, famine, wildfires, limits on voting rights, Fox News and anti-vaxxers.
But for a few hours, when I read or write Sherlock Holmes stories, I am transported to what appears to be a simpler world, where a creature of superhuman intelligence, nobility, compassion and yes, frailty, can make sense of it all. Was the Victorian world in fact simpler than this one? We’ve no way of knowing, but like an audience willing itself to believe that the magic trick is really magic, we are conniving accomplices to our own beguilement….
… Directed by Academy Award winner Ron Howard, Jim Henson Idea Man chronicles the story of extraordinary artist and visionary Jim Henson. In his 36-year career, Henson created some of the world’s most cherished characters, including classic Muppets like Kermit the Frog and Miss Piggy and all of Sesame Street’s iconic residents, including Big Bird, Grover, Cookie Monster and Bert and Ernie. Henson also directed beloved fantasy films like The DarkCrystal and Labyrinth….
…Fetter, the central character of The Saint of Bright Doors is more keenly aware of the dislocation of both time and geography than most. He has some of the qualities of a Peter Pan, unattached from his shadow and with a loose relationship with gravity. Raised in a remote rural village by his mother to be an assassin, he has turned his back on that destiny and instead lives in the modern world of email, crowd-funding, run-down apartments and light-rail transit.
Fetter lives in the present or rather he doesn’t live there at all. Science fiction and fantasy have their fair share of unreliable narrators but Fetter lives in a world of unreliable world-building….
(6) TEDDY HARVIA CARTOON.
(7) FATHOM LORD OF THE RINGS EVENT. Via Robin Anne Reid we learn that Fathom Events will reprise The Lord of the Rings Trilogy on June 8, 9 and 10 in certain U.S. theaters. Tickets available at the link.
Warner Bros. and Fathom Events are teaming up to release Jackson’s magnum opus in extended versions, including those Jackson remastered for the 4K Ultra HD rerelease that came out in 2020. This will be the first chance for fans to see the purest iteration of Jackson’s vision on the big screen, however.
(8) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born April 25, 1969 — Gina Torres, 55. Where shall I start with Gina Torres? What was her best role? I submit it was a non-genre role as Jessica Pearson in the legal drama Suits and Pearson, the sort of sequel series where she was a disbarred attorney. It was a truly meaningful role that she got to grow into over the time the two series ran.
Gina Torres in 2018.
Genre-wise her most interesting character was Zoë Alleyne Washburne in the Firefly series which I really would have loved to see developed into more a rounded character had the series lasted. I liked her background of having served in the Unification War under Reynolds for two-and-a-half years and being one of the few to survive the Battle of Serenity Valley.
Before that she was down in New Zealand, where she appeared in Xena: Warrior Princess as Cleopatra in “The King of Assassins” , and in Hercules: The Legendary Journeys, she had a recurring role as Nebula.
She was in the M.A.N.T.I.S. series as Dr. Amy. I liked that series.
She was the Big Bad in a season of Angel as Jasmine. It’s hard to explain what she did here without Major Spoilers being given away and there might be at least one least one reader here who hasn’t seen Angel yet. I actually think it’s a better series than Buffy was.
Right after the Firefly series, she has a role in the Matrix films, The Matrix Reloaded and The Matrix Revolutions as Cas.
After that came the Cleopatra series where she was Helen “Hel” Carter (and which last longer than I thought at twenty-six episodes) , a great piece of pulpy SF. She was obviously having a lot of fun there.
One of my favorite roles for her strictly using her voice came in the animated Justice League: Crisis on Two Earths where she was the Crime Syndicate Siberia Woman. Stellar role done with just her voice. She also voiced Vixen / McCabe on Justice League Unlimited. She was the girlfriend of John Stewart, the Green Lantern there.
She voiced Ketsu Onyo on two of the animated Star Wars series, Star Wars Rebels and Star Wars Forces of Destiny. She’s a Mandalorian bounty hunter who helps the Rebel Alliance.
She’s on Westworld in a storyline that that is so convoluted that I’m not sure that I could explain it. Suffice it to say that she was there. Or not.
Lest I forget I should note that she had a recurring role on Alias as Anna Espinosa, an assassin who was the utterly ruthless and ceaselessly persistent nemesis of Sydney Bristow, the character that Jennifer Garner played.
(10) OCTOTHORPE. In episode 108 of the Octothorpe podcast, “Ramp is Not Ramp”, John Coxon, Alison Scott and Liz Batty look back at Eastercon.
We bask in the post-Levitation haze, going into some detail on accessibility, venue, programme, virtual, social and other aspects of the most recent Eastercon. We also mix in a variety of witty and insightful commentary, probably.
Westworld ran for four seasons on HBO, but was canceled shortly after its last season wrapped and was later booted from the streaming platform. Season 4 ended on a more or less satisfactory note, but both Nolan and Joy have expressed interest in finishing the story they started.
According to the creators, Westworld still needs one more season to wrap up the battle of wills between humans and hosts. In an interview with The Hollywood Reporter, however, Nolan suggested the story could continue in a different medium, like a graphic novel or even a movie. Either way, television production seems to be moving on for good, as Westworld’s costumes, props, and set pieces are about to be scattered to the winds.
Heritage Auctions is hosting a massive Westworld auction. The event features more than 230 pieces from the series…
… Amazon’s Audible and Pottermore Publishing, the global digital publisher of Rowling’s Wizarding World, will co-produce a brand-new audiobook series for the original seven Harry Potter stories. The new audiobooks are scheduled to premiere in late 2025, with each of the seven English-language titles to be released sequentially for a global audience, exclusively on Audible.
The companies said the full-cast audio productions — with more than 100 actors — will “bring these iconic stories to life as never heard before.”…
… Oreo and Sour Patch Kids have teamed up to create the first-ever sour Oreo cookie. No, the Sour Patch Kids aren’t playing a trick on you—this collab is very real.
The limited-edition Sour Patch Kids Oreos look like your classic Golden Oreo, but look again; Those mischievous gummy candies are actually in the cookie and creme. The Oreo cookie itself is Sour Patch Kids-flavored and dotted with colorful mix-ins. The sandwich creme is the classic Oreo creme filled with sour sugar pieces. Looks like this Oreo will also be sour, sweet, then gone….
Drivers will buy 17 million electric vehicles this year, according to the International Energy Agency. That means one in five cars sold worldwide will be EVs.
That’s a lot of cars, and they need a lot of places to charge. Detroit is testing a new way to charge EVs that doesn’t require plugging cars in — just drive on the right strip of road and watch the battery fill up.
Here & Now’s Peter O’Dowd spoke with Bloomberg NEF analyst Ryan Fisher and Justine Johnson, chief mobility officer with the state of Michigan’s Office of Future Mobility and Electrification about the future of charging systems and EV sales….
“A vehicle will be connected to a smart road. Essentially the road has a wireless inductive charging coil inside of it and the vehicle is communicating with the actual coils underneath the road to receive their charge. So while a vehicle is driving, as long as it has the receiver underneath the vehicle, you charge and you drive at the same time maintaining your charge but also adding some charge range to that as well.”…
An observatory at the South Pole has made the first solid detection of a type of elementary particle called the tau neutrino that came from outer space.
Neutrinos of all three known ‘flavours’ are notoriously elusive, but among them, the tau neutrino is the most elusive yet: it was first directly detected in the laboratory only in 2000.
At the IceCube Neutrino Observatory, detectors embedded throughout a cubic kilometre of the Antarctic ice sheet pick up flashes of light that signal the possible presence of a neutrino. When a tau neutrino hits the ice, it produces a particle called a tau lepton, which travels only a short way before decaying. The resulting signal is similar to that produced by an electron neutrino, whereas muon neutrinos produce muons, which leave long traces in the ice.
The IceCube Collaboration looked at IceCube data from 2011 to 2020, and used machine learning to distinguish between the signals of tau, electron and muon neutrinos. The collaborators found seven interactions that had a high probability of being produced by high-energy tau neutrinos.
[Thanks to Teddy Harvia, Kathy Sullivan, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Patrick Morris Miller.]
— Glasgow 2024, A Worldcon For Our Futures (@Glasgowin2024) March 26, 2024
(2) BUTCHER WILL MISS NORWESCON 46. Writer guest of honor Jim Butcher has contracted COVID-19 and will be unable to travel to Norwescon this weekend. The committee adds, “While this is disappointing to all of us who wished to see him, we sincerely wish him the best for a speedy recovery, and hope to see him again in the future.”
Isekai, a Japanese genre of fantasy fiction involving a character being transported to or reincarnated in a different, strange, or unfamiliar world … A recent example of the genre is Hayao Miyazaki’s Studio Ghibli film The Boy and the Heron, in which 12-year-old Mahito discovers an abandoned tower, a gateway to a fantastical world.
(4) FANDOM BEFORE THE DATE WHICH SHALL LIVE IN INFAMY. First Fandom Experience will release the third book in the series on April 5 at the Windy City Pulp and Paper Convention in Chicago: “Introducing Volume Three of The Visual History”.
Science fiction fandom in 1941 played out in a panoply of wisdom, foolishness, belief and incredulity. Less mired than previous years in the economic shackles of the Great Depression, fans let loose in ways both expected and surprising.
The year began with a bang – the noisy implosion of the ascendant Queens Science Fiction League, torn apart by rancor among New York factions stewing since 1938. In early December, fans in America were forced to face the threat of imminent dystopia as insidious products of science and engineering rained down on sailors at Pearl Harbor.
Between these bookends, fans read and wrote and gathered and argued and published in profusion – mostly in good humor.
The perennial questions persisted. What’s the purpose of the fiction we inhale like oxygen? What role do fans play in the world? Are we somehow better than others? What’s the point of organizing? Perhaps these debates were reason enough to come together.
Fans flocked together. Small but vibrant clubs coalesced in Boston, Minneapolis, northern New Jersey and central Michigan. Regional gatherings established communities and annual conferences that still endure….
Late last year, Claire “Grimes” Boucher, acclaimed musician and mother of three of billionaire multi-hyphenate Elon Musk’s children, announced an OpenAI-powered line of toys called “Grok” — not to be confused with Musk’s AI chatbot of the same name, as the two are currently entangled in a nasty custody battle….
… At first, the AI companion appeared to have no issues following Murdock’s orders.
“Hey Grok, can you just chill for a second,” he asked it.
“Sure thing, I’ll just float here and enjoy the cosmic breeze,” Grok answered….
Made by Curio, the product website is here: “Grok AI Toy”.
…“Strange New Worlds” is the 12th “Star Trek” TV show since the original series debuted on NBC in 1966, introducing Gene Roddenberry’s vision of a hopeful future for humanity. In the 58 years since, the “Star Trek” galaxy has logged 900 television episodes and 13 feature films, amounting to 668 hours — nearly 28 days — of content to date. Even compared with “Star Wars” and the Marvel Cinematic Universe, “Star Trek” stands as the only storytelling venture to deliver a single narrative experience for this long across TV and film.
In other words, “Star Trek” is not just a franchise. As Alex Kurtzman, who oversees all “Star Trek” TV production, puts it, “‘Star Trek’ is an institution.”
Without a steady infusion of new blood, though, institutions have a way of fading into oblivion (see soap operas, MySpace, Blockbuster Video). To keep “Star Trek” thriving has meant charting a precarious course to satisfy the fans who have fueled it for decades while also discovering innovative ways to get new audiences on board.
“Doing ‘Star Trek’ means that you have to deliver something that’s entirely familiar and entirely fresh at the same time,” Kurtzman says….
In the Harry Potter franchise, one thing that is made abundantly clear about Headmaster Albus Dumbledore is that he is the greatest wizard who has ever lived. Brilliant, wise, compassionate, and with a charming personality to boot, if not a bit quirky. He represents the archetype of the wizened mage, who provides the protagonist with guidance throughout their journey. Even those who despise him respect his power and intelligence. Yet, he was not a flawless person, with many skeletons in his closet. One in particular affected a majority of his students for a time: the professors he hired for Defense Against the Dark Arts were not always the best….
(8) UNFORGETTABLE HOWARD. Arnie Fenner, who published some of his work in small press, adds his tribute to the late “Howard Waldrop” at Muddy Colors.
…No one wrote like Howard Waldrop: no one could. He saw stories in virtually everything and telling them just the way he thought they should be told was far more important to him than the time they took to write or the amount of money he was ultimately paid—or not paid—when they were eventually published. His knowledge was encyclopedic and while there are wags who might know a little bit about a fair number of subjects, Howard knew a lot about a lot of things; he may have written fiction but there was always something factual, some history, to be learned from each story. He was, very much, a writer’s writer and he never compromised in the creation of his work; plus he was also a visual writer—an extension of growing up a comic book fan—one who literally painted vivid pictures with his words and who always created memorable scenes that could be a treasure trove for illustrators….
(9) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born March 27, 1942 – Michael York, 82. What’s your favorite Michael York role? For me, it’s not any of his later roles but rather as D’Artagnan in The Three Musketeersback fifty years ago when he was thirty years old, and its sequels, The Four Musketeers(The Revenge of Milady) and The Return of the Musketeers. It was a role that he apparently played with great relish.
He was busy in this period as he also was in Cabaret as Brian Roberts, a bisexual Englishman, one of lead roles there. He has an affair with Sally, one of the other leads.
I’m not convinced he slept at all as I just found that also he was in a version of Lost Horizon, billed as “A musical fantasy adventure film”. Often cited as one of the worst genre films of all time, it currently holds a fourteen percent rating among audience reviewers at Rotten Tomatoes.
But as all the best actors seem to do, he would show up in a production of Murder on the Orient Express, as Count Rudolf Andrenyi.
Michael York in Logan’s Run.
Just three years after he played D’Artagnan he was cast as Logan 5, a Sandman, in Logan’s Run, a 1977 Hugo nominee at SunCon. I remember sort of liking it when I saw it back then but not enough to have watched it again since then. What’s your opinion of it? An of course his acting in it?
He’s got a lead role in The Island of Dr. Moreau as Andrew Braddock, his last genre role in film for twenty years until he played Merlin in A Young Connecticut Yankee in King Arthur’s Court, a role I dearly want to see. Though I’m not interested in seeing him in Austin Powers: International Man of Mystery as Basil Exposition, as those films to me are badly done.
He voices Bob Crachit in a late Nineties Christmas Carol that, shall we say, is way less that faithful to the source material and adds such things as Scrooge’s pet bulldog, Debit. Seriously it does. Tim Curry is Scrooge here. That’s it for film as far as I’m concerned.
Now for genre television. He was on The Wild Wild West as Gupta in “The Night of the Golden Cobra”; Batman: The Animated Series in the “Off Balance” episode as Count Vertigo; on seaQuest DSV in the recurring role of President Alexander Bourne; on Babylon 5, in the extraordinary role of David “King Arthur” McIntyre in the “A Late Delivery from Avalon” episode; multiple roles on the animated Superman series; in Sliders as Dr. Vargas in “This Slide of Paradise” (that series started fine but lasted way, way too long, yes I’m editorializing); King Arthur again in A Knight in Camelot; he voiced a truly awesome Ares in the Justice League Unlimited’s “Hawk and Dove” episode; and finally we have two voicings on Star Wars: The Clone Wars of the Dr. Nuvo Vindi character. He retired from acting a decade ago.
(10) COMICS SECTION.
Loose Parts has its own ideas about the way dinosaurs really looked.
…SF conventions in Glasgow started in 1978, and grew during the 1980s. They also featured a costume competition and, usually, a showing of The Rocky Horror Picture Show, with full audience interaction! (I even dabbled a little bit myself, including entering the contest once as ‘Riff Raff’ from Rocky Horror—fortunately in pre-internet times, so hopefully no photos exist!) Fans from Glasgow and the rest of the UK have continued to actively participate in costuming in the decades since….
The former chief executive officer of a unit of Yoozoo Interactive, which used to own the rights to ‘The Three-Body Problem,’ has been found guilty of poisoning the Chinese gaming firm’s chairman on the same week that the Netflix version of one of China’s most successful sci-fi novels began to broadcast.
Xu Yao, who joined Yoozoo Pictures in 2017, was sentenced to death for intentional homicide and handed an additional six-year sentence for administering dangerous substances, the Shanghai Municipal No. 1 Intermediate People’s Court said today in a first-instance verdict. Xu has also been deprived of his political rights for life.
The trouble started soon after Netflix linked arms with Yoozoo Interactive, whose other subsidiary Three-Body Universe had bought the rights to Chinese science fiction novelist Liu Cixin’s trilogy, to produce an English-language version of ‘The Three-Body Problem’ in September 2020.
Xu, who had resigned from the firm in January 2019, had a disagreement with Lin, a hugely successful and ambitious film and game producer, over company matters and deliberately poisoned his food around Dec. 14 or Dec. 15, 2020, the court said.
Xu also had a conflict with two other colleagues, both surnamed Zhao, and he poisoned them as well between September and December 2020, but not fatally.
Lin fell ill on Dec. 16, 2020 and was told by doctors that he had been poisoned, according to earlier statements from the Shanghai-based company. The next day Lin called the police who conducted an investigation and detained Xu. Lin passed away 10 days later.
Comments on Weibo indicate that Xu Yao was involved in the early deal-making stages of the Netflix adaptation of The Three-Body Problem,
(13) RANKING 100 RANDOM SF BOOKS. [Item by SF Concatenation’s Jonathan Cowie.] I do not know if you have come across the YouTube Channel Bookpilledbut it is the channel of a die-hard SF reader. I do know that many of you SF book readers will know of, if have not read, most of the 100 books that he has just randomly picked from his collection. Here he rates them.
Do you agree with him? Disagree with him? Agree with him in part?…
Do you, like him, have happy accidents?
I don’t know about you but there were three or four in here that he rates fairly well that I don’t have in my own collection. Check out his vid below.
Everyone remembers their first Wienermobile sighting. Maybe you were driving down the highway with friends and it suddenly appeared on the horizon: a gleaming hot dog that’s 11 feet tall, 27 feet long, and 8 feet wide. The unmistakable red and yellow of America’s favorite giant frank on wheels is always a thrill to encounter. Why travel to a roadside attraction when it can drive to you?
That image pops immediately to mind, no doubt. Here’s one that’s a little less familiar.
Nearly identical in size to the Wienermobile, the Planters NUTmobile debuted in 1935 and is manned by “Peanutters” who drive Mr. Peanut around the country. A Nutmobile was transformed into an INN a NUTshell retreat (help) in 2021, allowing people to book a night in the vehicle, which was outfitted as a sort of snack-themed fever dream camper.
(15) A DERN MINUTE’S WORTH OF “WHERE THIS CAME FROM”. [By Daniel Dern.] The reference behind today’s title, “The DiskWorld Turned Upside Down (Because ‘RingWorld’ Here Wouldn’t Make Sense, Would It?)”.
Via, for us folkies, Leon Rosselson’s song of that name (I’m pretty sure he wrote it — I know it’s on his albums, and I believe I’ve heard him sing it, live, way back when), although he got the notion/phrase from the the 1640s version, and LR’s song was subsequently-ish done by Billy Bragg and, most recently, the phrase became part of a song in Hamilton.
[OGH adds: That last is probably because “The World Turned Upside Down” was played during the surrender ceremony at Yorktown, the climactic moment of the American Revolution.]
(16) VIDEO OF THE DAY. How It Should Have Ended has remastered their 12-year-old Ghostbusters tribute.
[Thanks to Mike Kennedy, Andrew Porter, Daniel Dern, Frank Catalano, Olav Rokne, Ersatz Culture, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
(1) OTHERWISE AWARD UPDATE. Sumana Harihareswara, Motherboard chair, has shared news about the Otherwise Award in “Our pause and interim plans”.
As has been the case for many volunteer-run organizations, the Otherwise Award has struggled since the start of the pandemic in 2020. Our (volunteer) board and other volunteers have had to juggle many more issues than previously around health, paid work, and caretaking concerns than previously, which has resulted in our falling behind on the administration and maintenance of the Award. We’re sorry that we didn’t communicate about this earlier—that made it hard for readers, authors, and publishers to know what to expect.
Our Motherboard met recently to discuss how to move forward. We remain dedicated to our mission: to celebrate science fiction, fantasy, and other forms of speculative narrative that expand and explore our understanding of gender . But we’re discussing how, as an organization, to continue to pursue that mission in a sustainable way, given our limited resources.
Here are the decisions we’ve made so far.
Most of our programs are paused. This is us acknowledging what’s already been happening. We were later than usual at deliberating and announcing the Awards for work published in 2020 and in 2021, and did not run a Fellowships process in 2021 or 2023. We have not yet convened a jury to consider works published in 2022, 2023, or 2024.
We intend to run the Fellowships this year. We will open applications in several months—August at the earliest, October at the latest.
We may honor 2022 and 2023 work in a different way. We’re exploring various approaches to celebrating work from those years. That celebration may end up taking a very different form than usual.
We’re considering alternative approaches to the Award in the future. It could be that we’ll convene a jury soon to read 2024 work and deliberate towards an Award, but if we do, we may change our practices to reduce the workload on individual jury members and to make our procurement system for recommended works less laborious. Also, we currently rely on volunteer work for almost all of the organization’s labor (exceptions being technological work on our website, and art commissioned to give to Award winners); we may try to find ways to focus more on paid labor.
We’ll be at Readercon. We usually honor the most recent Award winner at WisCon , but this year we have no new award winner, and WisCon is taking a break . So we will instead hold some Otherwise-related events at Readercon (July 11-14, 2024, near Boston, Massachusetts). Specifics to be determined.
(2) GET READY FOR THE OSCARS. Animation World Network has been running a series about this year’s Academy Awards nominees in the animation and effects categories.
Take a deeper look at ‘The Boy and the Heron,’ ‘Elemental,’ ‘Nimona,’ ‘Robot Dreams,’ and ‘Spider-Man: Across the Spider-Verse,’ all vying for the Best Animated Feature Oscar at the 96th Academy Awards coming March 10, 2024.
Take a deeper look at ‘The Creator,’ ‘Godzilla Minus One,’ ‘Guardians of the Galaxy Vol. 3,’ ‘Mission: Impossible – Dead Reckoning Part One,’ and ‘Napoleon,’ all vying for the Best Visual Effects Oscar
Take a deeper look at ‘Letter to a Pig,’ ‘Ninety-Five Senses,’ ‘Our Uniform,’ ‘Pachyderme,’ and ‘War Is Over! Inspired by the Music of John and Yoko,’ all vying for the Best Animated Short Film Oscar
(3) MEETING BUTLER. Syrus Marcus Ware delves into memory to bring us “Octavia E. Butler, Remembered”, a 2022 article at Them.
When the novelist Octavia E. Butler entered a room, you felt it. Tall, commanding, yet soft-spoken, the author’s presence inspired as much comfort as attention; you couldn’t help but be enraptured by her. The first and only time I met her was on a rainy afternoon in 2005. She was in Toronto promoting Fledgling, a brilliant novel about a young racialized vampire who challenges the white supremacy of the wider vampire community. I had been granted an hour’s time to interview not only my favorite author, but the dreamer who inspired me to become a speculative fiction writer and artist. What was supposed to be an hour turned into an entire day in her bountiful presence….
(4) BARDS AND SAGES CLOSING. Walter J. Wiese writes, “I seem to have a track record of having publications close right before they’re about to print my work. I had a story due to appear in the April issue of B&SQ.”
Bards and Sages Publishing posted a “Closure Announcement” saying they were shutting down beginning this week.
Effective March 6, 2024, I will begin the process of winding down Bards and Sages Publishing. There is a lot that needs to be unraveled and sorted out before I can formally close everything down. The most immediate impact is the closure of the Bards and Sages Quarterly and ceasing publication of new issues.
If you are an author or artist who was previously published in an issue of the Bards and Sages Quarterly, those issues will remain on sale until the end of 2024. After that, all back issues will be removed from sale, and all rights will revert to their respective authors.
The same is true for back issues of The Society of Misfit Stories and all of our anthologies. These will remain on sale through the end of the year and then unpublished. At that time, all rights will revert back to their respective authors and artists.
I’ve already informed our authors that we have stand-alone publishing contracts with about the decision. I will work with those authors individually to make sure all of their rights revert to them in a timely manner, and provide them with any raw files we have of their books. They will be free to use those files to either self-publish or take to another publisher if they wish.
Regarding our RPG offerings: I own all rights to the RPG materials through work-for-hire agreements. If other publishers are interested in buying the rights to any of our RPG products or properties, I will entertain offers. Email [email protected] to discuss.
With that out of the way, I want to provide the reasons for this decision.
As I have noted previously, I have been struggling with mental health issues for some time now. I am being treated for generalized anxiety and depression, and though my condition has improved, I’m still not where I feel I need to be to properly commit the time and effort needed to being an effective publisher.
At the end of last year, I was diagnosed with additional physical health issues that will require surgery and treatment. While none of them are life-threatening, they are an additional weight that requires my attention.
As most people who have known me a while also realize, publishing has always been my love, but it has never been my primary income source. Like a lot of micro presses, I have a proverbial “day job,” and that day job has become increasingly more complex over the last few years….
All of these issues impacted my decision. However, I also have to confess to what may have been the final straws. AI…and authors behaving badly….
(5) CARR-LICHTMAN CATALOG. Mark Funke Books has posted an online SF Catalog of Terry/Carol Carr and Robert Lichtman Material – see it here: “Science Fiction Archives”. (Click for larger image.)
Universal/DreamWorks Animation’s Kung Fu Panda 4is coming in higher with a $19.4M Friday (including previews) and $55M, which is the same amount that How to Train Your Dragon: Hidden World opened to back in 2019. Brand animation always opens big. That’s still the second best stateside start for the Kung Fu Panda franchise. CinemaScore is A-, the same grade as the first movie, but a notch down from the As earned on two and three.
Legendary/Warner Bros’ Dune: Part Twoearned around $12.3M yesterday for what’s shaping up to be a $44M second weekend, -47%, for a running total of $154.7M. With those two movies leading the pack, it’s shaping up to be a $133.3M weekend, +13% over the same frame a year ago when Scream VI bowed. Wow. It’s been a while since we’ve seen an up weekend.
Lionsgate/Blumhouse’sImaginaryis third with $3.6M yesterday (including previews) at 3,118 theaters for what’s shaping up to be a $9.3M opening. Not shocking to see this movie below its $10M-$14M projection, nor saddled with a C+ CinemaScore and 57% on PostTrak. It is rather slow for a PG-13 horror film and there’s nothing really hip to hook the girls ala M3GAN. But it was cheap to make at $10M. Still more product means depth at the box office….
Harry Potter actress Miriam Margolyes has some thoughts about the people who are still superfans of the famous film franchise.
During an interview with New Zealand’s 1News network, Margolyes was asked how Harry Potter and Blackadder fans approach her differently when they see her in public. She explained that fans of the British sitcom that starred Rowan Atkinson usually ask her to say “Wicked child.” But instead of answering the question about Harry Potter, she decided to share how she feels about the fandom.
“I worry about Harry Potter fans because they should be over that by now,” Margolyes said. “It was 25 years ago, and it’s for children,” clarifying, “I think it’s for children.
The actress portrayed Professor Pomona Sprout in the film franchise. Her character taught herbology and was the head of the Hufflepuff House. While speaking with the host, Margolyes seemed confused about the fact that those who grew up with the books and movies are still so engrossed in the Wizarding World, despite being adults at this point.
“They get stuck in it,” she explained. “I do Cameos, and people say, ‘We’re having a Harry Potter-themed wedding, and I think, ‘Gosh, what’s their first night of fun going to be?’ I can’t even think about it. No.”
She did note, “Harry Potter is wonderful. I’m very grateful to it” but doubled down on her original thought, which is that “it’s over.”…
(8) IT’S IMPOSSIBLE. One of the audiobooks up for the British Book Awards is Impossible Creatures by Katherine Rundell, narrated by Samuel West (Bloomsbury Children’s Books). Publishing Perspectives reports: “British Book Awards: 2024 Books of the Year Shortlists”.
(9) FIVE TO DRAW TO. Lisa Tuttle’s “The best recent science fiction and fantasy – reviews roundup” for the Guardian covers The Mars House by Natasha Pulley; Annie Bot by Sierra Greer; The Warm Hands of Ghosts by Katherine Arden; Jumpnauts by Hao Jingfang; and Alien Clay by Adrian Tchaikovsky.
(10) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born March 9, 1955 — Pat Murphy, 69. What work do I like most that Pat Murphy’s done? Well that’d be There and Back Again, by Max Merriwell if only because it, a) was indeed a lovely and playful take off The Hobbit, and b) shows how bloody obstinate, well I had another phrase in mind, that the Tolkien Estate can be at times which is why it’s no longer in print though copies are available at I think are still reasonably priced rates.
Pat Murphy. Photo by Scott Edelman.
Of her first two novels, The Shadow Hunter had Neanderthals and time travelling, and oh my!, her second, The Falling Woman, was about an archaeologist who sees the spirits of ancient people while she walks at dusk and dawn. Fascinating. Thirty-six years on, it’s still perfectly readable. And it won a Nebula which it most definitely deserved.
Now I get to The City, Not Long After, the novel that I love nearly as much for its depiction of an empty magical San Francisco as I do for the characters and the story set there. Don’t get me wrong — both of those are stellar too. I get tingly thinking of this novel, something that I admit is rare.
Let’s me finish off the novels I like by her with Adventures in Time and Space with Max Merriwell about a cruise that gets, shall I say, delightfully improbable near or even within the Bermuda Triangle? Yes, it’s written by the same writer who penned by the story that the Tolkien Estate took umbrage to.
As for her short fiction, it is excellent. Both the “Rachel n Love” novelette and the “Bones” novella that first appeared in Asimov’s Science Fiction Magazine would win a Nebula, the former would also win a Sturgeon — the Award, not a fish. Sorry I couldn’t resist. Her 1990 Points of Departure anthology, which won a Philip K. Dick Award, is a generous sampling of her short work and has the “Rachel n Love” novelette and the “Bones” novella in it.
She’s hasn’t published anything in five years, so let’s hope something is forthcoming.
(12) SHE’S A ROCKETGIRL. [Item by Steven French.] Andrew Rovenko, a Ukrainian born photographer now living in Australia was named Australian Photography Magazine’s photographer of the year for this wonderful shot of his daughter in her home-made spacesuit. His photos have been collected in The Rocketgirl Chronicles – see a gallery at the link. Full story at the Guardian: “Rocketgirl on her sixth lockdown: Andrew Rovenko’s best photograph”.
During the pandemic, Melbourne held the world record for the highest number of days spent in lockdown. That’s not really a record you want to have. My family – me, my wife Mariya and our daughter Mia who was four at the time – had done all the standard things: puzzles, daily walks, baked sourdough. By lockdown number six, options for new activities were scarce. But Mia’s obsession with space gave us an idea – to make her a spacesuit. My wife had trained as a costume designer and she thought it might brighten Mia’s day to show her how something can be created from scratch. The best bit was making the papier-mache helmet: they blew up a little balloon and then stuck newspaper cuttings around it.
At the time, we were allowed outside for only two hours each day, and we had to keep within a 5km radius of our home. Having this suit as a prop had a transformative effect on our outings, turning them into space exploration missions. Even as adults, if you put a bold piece of clothing on, you start to play the role of the costume….
(13) JEOPARDY! [Item by David Goldfarb.] The second round of the Jeopardy! Tournament of Champions semifinals featured two questions involving SFF. The very first clue of the game was Literary Awards for $600:
Octavia Butler got the inaugural Infinity Award by the Science Fiction & Writers Association at these star-studded awards
Emily Sands knew this was the Nebula Awards.
Later we had Literary Awards for $1000:
The Hugo Award isn’t named after Victor Hugo, but this Hugo who founded the sci-fi magazine Amazing Stories
Yogesh Raut responded “Who is Luxembourg’s Hugo Gernsback?”
Did you know that Gernsback was from Luxembourg? I did, but only because I had previously learned it from listening to one of Yogesh’s podcasts.
In the 1960s, secret test flights of advanced government spy planes generated U.F.O. sightings. More recently, government and commercial drones, new kinds of satellites and errant weather balloons have led to a renaissance in unusual observations.
But, according to a new report, none of these sightings were of alien spacecraft.
The new congressionally mandated Pentagon report found no evidence that the government was covering up knowledge of extraterrestrial technology and said there was no evidence that any U.F.O. sightings represented alien visitation to Earth.
The 63-page document is the most sweeping rebuttal the Pentagon has issued in recent years to counter claims that it has information on extraterrestrial visits or technology. But amid widespread distrust of the government, the report is unlikely to calm a growing obsession with aliens.
Maj. Gen. Patrick Ryder, a Defense Department spokesman, said the Pentagon approached the report with an open mind and no preconceived notions, but simply found no evidence to back up claims of secret programs, hidden alien technology or anything else extraterrestrial.
“All investigative efforts, at all levels of classification, concluded that most sightings were ordinary objects and phenomena and the result of misidentification,” General Ryder said in a statement.
While many reports of what the government now calls Unidentified Anomalous Phenomena remain unsolved, the new document states plainly there is nothing to see. The Pentagon’s All-domain Anomaly Resolution Office concluded that if better quality data were available, “most of these cases also could be identified and resolved as ordinary objects or phenomena.”…
“I have to tell you something… something insane, but true, about all of us. It started a long time ago. Back in 1977 they detected a sequence…called it the wow signal.” Netflix has revealed their final official trailer for 3 Body Problem, an adaptation of the sci-fi books of same name from Liu Cixin, which many believe are near impossible to adapt. 3 Body Problem is a series inspired by the renowned story about discovering we are not alone in the universe. From the Game of Thrones creators David Benioff and D.B. Weiss. A young woman’s fateful decision in 1960s China reverberates across space and time to a group of brilliant scientists in the present day. As the laws of nature unravel before their eyes five former colleagues reunite to confront the greatest threat in humanity’s history.
[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Kathy Sullivan, Daniel Dern, Walter J. Wiese, David Goldfarb, Jeffrey Smith, Steven French, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
(1) UNCLE HUGO’S WILL CELEBRATE 50TH ANNIVERSARY. Don Blyly’s How’s Business newsletter invites everyone to mark your calendar — Uncle Hugo’s turns 50 this weekend.
Don Blyly readies the new Uncle Hugo’s for business. Photo (c) by Paul Weimer.
Uncle Hugo’s opened for business on March 2, 1974, which makes this coming Saturday our 50th anniversary. Uncle Hugo’s 50th Anniversary Sale is Friday, March 1, 2024 through Sunday, March 10, 2024, with an extra 10% off everything at Uncle Hugo’s/Uncle Edgar’s. If you have an Uncle Hugo’s discount card, you get 20% off everything. With a $200.00 purchase, we’ll throw in a free 50th anniversary mug (while supply lasts). The sale only applies to in-store purchases, not to mail orders.
But there continue to be a few bumps on the road to that celebration. Blyly says this happened to him recently:
A customer that I had never done business with before ordered a $30.00 book through AbeBooks, and I sent it off to him. About a week later he sent me an e-mail saying that the book had a small ding on the top edge of the page block that was not mentioned in the description, and he enclosed a photo of the ding. He wanted me to refund part of the price for the ding or else he would return the book for a refund. I checked on what other people were charging for the same book and saw that even with the ding he was getting a good price, but I agreed to refund him $5.00 for the ding. He wrote back that I would have to refund at least $15 or he would return the book. I told him to return the book. The next day he started the AbeBooks process for returning the book. But the day after that he told AbeBooks that he had never received the book and that they should refund his full purchase price without having to return the book he had never received–the book that he had already sent me a photo of to try to get me to cut the price in half.
The original Uncle Hugo’s and Uncle Edgar’s The new location – 2022.
(2) SPIRIT AWARDS. Two items of genre interest were winners of 2024 Independent Spirit Awards. (The complete list is at the link.)
BEST BREAKTHROUGH PERFORMANCE IN A NEW SCRIPTED SERIES
Keivonn Montreal Woodard, The Last of Us
BEST SUPPORTING PERFORMANCE IN A NEW SCRIPTED SERIES
At Sunday’s Independent Spirit Awards, actor Nick Offerman addressed “homophobic hate” aimed over the past year at “Long, Long Time,” the stand-alone episode of HBO‘s post-apocalyptic drama The Last of Us that he starred in with Murray Bartlett and that earned Offerman a win today for Best Supporting Performance in a New Scripted Series.
“Thank you so much, Film Independent. I’m astonished to be in this category, which is bananas,” Offerman began while onstage to accept the prize. “Thanks to HBO for having the guts to participate in this storytelling tradition that is truly independent. Stories with guts that when homophobic hate comes my way and says, ‘Why did you have to make it a gay story?’ We say, ‘Because you ask questions like that.’”
Added an impassioned Offerman: “It’s not a gay story, it’s a love story, you a**hole.”…
(3) BEST CANADIAN. R. Graeme Cameron reviews Year’s Best Canadian Fantasy and Science Fiction, Volume One at Amazing Stories. After discussing a great many of the works individually, he gives this overall endorsement:
… I must say editor Stephen Kotowych has excellent taste and judgement. What I reviewed is a real powerhouse of quality fiction sparkling with originality, brilliant perception and sophisticated subtlety; the kind of reading session which leaves me feeling inspired and excited.
I frankly assume the rest of the works in this anthology are just as good….
…In my opinion this volume of The Year’s Best Canadian Fantasy and Science fiction belongs on every Canadian reader’s bookshelf. The second volume is underway. I’d like to see it become an annual tradition. As many readers of my reviews are aware, there is a lot of excellent genre fiction being written in Canada. May this series become the definitive annual sample. If all are good as this one, I can see them becoming textbooks for high schools and universities. Makes sense to me. You owe it to yourself to purchase it for your bookshelf.
The president of Crunchyroll, Rahul Purini, announced that the company is working to compensate customers who will lose their digital libraries in the upcoming Funimation / Crunchyroll merger on April 2nd.
“[We] are working really hard directly with each [customer] to ensure that they have an appropriate value for what they got in the digital copy initially,” Purini tells Verge editor-in-chief Nilay Patel during this week’s Decoder podcast. “As people reach out to us through customer service, we are responding and handling each of those requests as they prefer.”
When asked what “appropriate value” meant, Purini said, “So it could be that they get access to a digital copy on any of the existing other services where they might be able to access it. It could be a discount access to our subscription service so they can get access to the same shows through our subscription service.”
These options haven’t been formally announced or detailed, and Purini went on to say that it was something Crunchyroll customers are currently taking advantage of. My attempts to secure the “appropriate value” for some digital copies have, so far, been unsuccessful….
The Star Wars franchise is coming to shoot a film entirely in California for the first time with The Mandalorian & Grogu movie, and the Golden State is paying out its weight in tax incentive gold to have the bounty hunter saga made within state lines.
To be specific, that is a total tonnage of $21,755,000 in conditional tax credits for the Jon Favreau directed film. With a new Fantastic Four, Gladiator 2 and a new season of The Last of Us on his dance card, it is unclear right now if SAG Award winner Pedro Pascal will be resuming his role of Din Djarin and teaming back up with the charming Baby Yoda for the Mandalorian movie.
What is known is that $21,755,000 in tax credits is one of the biggest allocations in the California Film Commission run program’s history.
Estimated to be hiring 500 crew members, 54 cast members, and 3500 background players for 92 filming days in California this year, The Mandalorian & Grogu is expected to generate a record-breaking $166,438,000 in qualified expenditures and below-the-line wages….
This class invites beginners and experienced writers alike to use concepts from fairy tales as a launch pad for new writing. Drawing from Max Lüthi’s The Fairy Tale as Art Form and Portrait of Man, we’ll play with archetypes and motifs (and explore how motifs play with us), consider how far a fairy tale can be stretched into something new while still retaining some glimmer of recognition, and contemplate how the trope of the tiny flaw can serve as a source of tension in a story. We’ll look at work by authors such as Margaret Atwood, Michael Cunningham, Sofia Satmar [sic, Samatar], and more. In our final class, students will exchange drafts for peer and instructor feedback in a supportive environment.
While this class is designed for folks of all experience levels who are interested in fairy tale writing, it can also serve as an appropriate complementary course for students who have previously taken courses with Anca.
(7) APEX ANNOUNCES LH MOORE COLLECTION. Apex Book Company has acquired first North America English rights to LH Moore’s short story collection Breath of Life.
Breath of Life is a collection of the works of author and poet LH Moore, whose history- and Afrofuturism-inspired speculative short fiction, poetry, and essays move between and blur the genres from horror to science fiction to fantasy. With themes of family and identity, rooted solidly in history and imagining the unknown—both here on Earth and beyond—Breath of Life is an exploration of the unexpected.
Writer, poet and historian LH Moore’s Afrofuturism- and history-inspired speculative fiction and poetry have been in numerous publications and anthologies, such as all three groundbreaking Dark Dreams anthologies of Black horror writers; Bram Stoker Award Finalist anthology Sycorax’s Daughters; Black Magic Women; Chiral Mad 4 and 5, SLAY, Conjuring Worlds, StokerCon 2019, Humans Are the Problem anthologies; and Fireside, Apex, and FIYAH magazines.
Handheld Press will be publishing their last books in July 2024, and cease trading in June 2025. Handheld Press was founded by Kate Macdonald in 2017, specifically with the aim of bringing brilliant but overlooked works by women writers back into print. With their striking cover art and gorgeous design, Handheld Press titles were immediately recognizable on sight. And the reader could rest assured that the contents would match the packaging – Handheld had a knack for choosing exciting and surprising novels and collections and matching them with introductory essays by experts and comprehensive notes on the text….
…One only had to look at the sections of descriptors on Handheld’s website to get a firm idea of their priorities – Women’s Lives, LGBT+ and Disability rub shoulders with Fantasy and Science Fiction, Crime/Thriller and Biography. Macdonald’s mission, which she has pursued with vigour and enthusiasm over the past eight years, has been to recover lost voices from the past, perspectives that are in danger of being forgotten by the largely white, straight and male traditional writers of literary history….
…It did not specify the language in question, but the Daily Mail newspaper reported that the warning refers to the movie’s use of the word Hottentots.
Now regarded as racially insensitive, the word was used by Europeans to refer to the Khoekhoe, a group of nomadic herders in South Africa.
Reginald Owen’s Admiral Boom utters the slur twice in Mary Poppins, including using it to describe chimney sweeps, whose faces are blackened with soot.
The BBFC has been contacted for comment. It told the Mail that a lack of condemnation for the admiral’s language was considered to be a reason for raising the age limit.
The organization said: “We understand from our racism and discrimination research… that a key concern for… parents is the potential to expose children to discriminatory language or behaviour which they may find distressing or repeat without realising the potential offence.”
(10) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born February 26, 1918 — Theodore Sturgeon. (Died 1985.) This is not a comprehensive look at Theodore Sturgeon. This is my look at what I truly like.
It is an understatement to say he was a prolific writer. There would be eleven novels, more than one hundred and twenty short stories, and those scripts for Star Trek. And he wrote some four hundred reviews. Keep in mind that he that he only lived to be sixty-seven years old.
Theodore Sturgeon. Photo by Carol DePriest.
I think I’ll start with his Trek scripts as even before I knew that he was the scriptwriter for them, I liked those episodes, “Amok Time” and “Shore Leave”, the latter which is easily in my top ten episodes of this series. I’m not sure how much of his script survived the rewriting first by Coon and then obsessively by Roddenberry. Is his original script published anywhere?
Theresa Peschel notes that he wrote that the screenplay for Studio One’s 1952 adaptation of They Came to Baghdad, a novel that Agatha Christie had written the previous year. She notes “Yet it’s not listed anywhere, including on the semi-comprehensive website devoted to him whose name I can’t remember.”
Now let’s consider his Ellery Queen mystery which was The Player on The Other Side. I’ve read it and it’s quite excellent. It was written from a forty-two page outline by Frederic Dannay, half along with Manfred Bennington of the original Ellery Queen writing alias. I didn’t know if this was the standard practice for these ghostwritten novels but it certainly would make sense if it was so.
It is said that his “Yesterday Was Monday” story was the inspiration for the rebooted Twilight Zone’s “A Matter of Minutes” episode but given that Harlan Ellison and Rockne O’Bannon wrote the script I doubt much of his original story made it to the screen. My opinion of course only.
A second, “A Saucer of Loneliness”, was broadcast in 1986 and was dedicated to his memory. This was directly off a story by him, which first appeared in Galaxy Science Fiction in the February 1953 issue.
The Dreaming Jewels which was nominated for a Retro Hugo at The Millennium Philcon for best novella is uneven but worth reading novel none-the-less. I think More Than Human is a much better with more interesting character and a story that actually makes sense all that way through. And other novels I like, well that it’s. I have read others but those are the only ones I liked.
I’ve read more than enough of his short fiction to say that he’s a wonderful writer at it. Noel Sturgeon and Paul Williams have published The Complete Stories of Theodore Sturgeon, all thirteen volumes.
Establish a new parking structure off the East Side Harbor Blvd entrance to the theme parks
Build a new entertainment/shopping facility on the current site of the Toy Story Parking Lot across the street from the Anaheim Convention Center a block down Harbor Blvd – the plans also list this as the potential for theme park use
Expand Downtown Disney, Disneyland, and Disney California Adventure into the current grounds of the Paradise Pier Hotel, Disneyland Hotel, and surrounding parking lots – this is the area that would be the most newsworthy and change the offerings of the resort!
On January 23, 2024 Disney announced a new set of details around the proposed investment that would be aligned with the DisneylandForward zoning approvals. While discussing the proposed investment Disney again teased the recently opened World of Frozen and Zootopia lands as potential inspirations for expansion at Disneyland. They also mentioned potential expansions based on Marvel’s Black Panther, Coco, Tangled, Peter Pan, Toy Story, and Tron according to the OC Register.
As part of the new investment proposal, Disney will invest a minimum of $1.9 billion in the resort over the next ten years. The amount could reach $2.5 billion and beyond. If the investment does not reach $2.5 billion within 10 years Disney pays an additional $5 million in street and transportation improvements.
IN DOWNTOWN PUEBLO, COLORADO, TWO futuristic hovertrains sit idly next the road, looking absurdly out of place next to any cars that happen to drive by, like a forgotten piece of rail travel’s ambitious past.
One is a Grumman Tracked Levitation Research Vehicle (TLRV), an air-cushion transportation prototype that was built to reach speeds of up to 300 miles per hour. The hovertrain was intended to glide along the track without wheels on what was essentially a cushion of compressed air, which was squeezed through tubes along the train’s body then pushed downward. It was meant to be a revolutionary form of rail travel….
A university in Canada is expected to remove a series of vending machines from campus after a student discovered an indication they used facial-recognition technology.
The smart vending machines at the University of Waterloo first gained attention this month when the Reddit user SquidKid47 shared a photo. The photo purportedly showed an M&M-brand vending machine with an error code reading, “Invenda.Vending. FacialRecognition.App.exe — Application error.”
The post drew speculation from some users and caught the attention of a University of Waterloo student whom the tech-news website Ars Technica identified as River Stanley, a writer for the local student publication MathNews. Stanley investigated the smart vending machines, discovering that they’re provided by Adaria Vending Services and manufactured by Invenda Group. The Canadian publication CTV News reported that Mars, the owner of M&M’s, owned the vending machines.
…I discovered beavers by accident. I was heading back from a walk through the woods with my dog, Coda, when I heard a loud bang. I literally jumped, thinking a gun had gone off, then I looked out and saw that the dry marshy area I was walking by was now brimming silver – curiously it was filled with water! Then came another bang and I saw a small brown head moving fast. A beaver had built a dam there and was swimming back and forth, slamming her tail to try to scare us away. I was transfixed. Over the next few weeks, I watched the shallow woodland valley become a pond. Soon I was seeing and hearing the rustling and movements of so many birds and animals. Mornings, the whole area rang with a complexity of bird song I’d never heard before. I knew something big was happening I just didn’t know yet what it was. Thinking back now I would describe my encounter with the beaver that day as a moment of awe, an experience when I was shifted out of my self and connected to something much larger that I hadn’t been in touch with just moments before. That was the book’s start….
(16) GOOD NEWS FROM THE MOON. [Item by Mike Kennedy.] The chances were slim and none. Slim was the winning bet! Is this the real SLIM Shady?
The Japanese Moon lander that fell over on touchdown last month (as opposed to the American Moon lander that fell over on touchdown this month) is back online. JAXA was very pessimistic about SLIM (Smart Lander for Investigating Moon) surviving the super cold Lunar night. However, it did, and the solar cells have provided enough juice to charge the battery and reestablish communication.
Which is not to say SLIM is 100% OK. In fact, the heat of the sun has so far made it inadvisable to restart any of the scientific instruments. Things are expected to cool off in a few days as the sun angle lowers, hopefully allowing more observations to be made before night once again falls. “Japan Moon lander survives lunar night” at the BBC.
Japan’s Moon lander has survived the harsh lunar night, the sunless and freezing equivalent to two Earth weeks.
“Last night, a command was sent to #SLIM and a response received,” national space agency Jaxa said on X.
The craft was put into sleep mode after an awkward landing in January left its solar panels facing the wrong way and unable to generate power.
A change in sunlight direction later allowed it to send pictures back but it shut down again as lunar night fell.
Jaxa said at the time that Slim (Smart Lander for Investigating Moon) was not designed for the harsh lunar nights.
(17) POTTERO SOUTHERNALIUS FIO. [Item by Mike Kennedy.] You might have to be Southern to get some of the references, or at least to know why they’re so funny. “If Harry Potter Was Southern” with Matt Mitchell.
[Thanks to Steven French, Mike Kennedy, Andrew Porter, Don Blyly, Kathy Sullivan, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]
(1) PRH PLANS EDITION OF A FAMOUS POTTER FANFIC. [Item by Anne Marble.] Penguin Random House (through Del Rey) is going to publish a revised version of “Manacled,” a very famous Harry Potter fanfic. This is a Hermione plus Draco (Dramione) fan fiction with a lot of trigger warnings. The author, SenLinYu, announcd this on Tumblr:
I’m excited to announce that I have signed a book deal with Del Rey at Penguin Random House in the US and Michael Joseph in the UK for my debut novel, Alchemised, a standalone dark fantasy set in a war-torn world of necromancy and alchemy, in which a healer with amnesia is taken as a prisoner of war and must fight to protect her lost memories and the secrets hidden among them. It will grapple with themes of trauma and survival, legacy, and the way that love can drive one to extreme darkness, and it is, as you may be able to tell, a reimagined version of Manacled.
I know I’ve been rather quiet about my publishing journey, and a lot of that has been because I didn’t want to spark any concerns or worry that I might be abruptly taking away a story that is such a deep part of myself and that I know has meant so much to so many people. This process has unfolded very slowly and quietly because I have tried to be mindful as I could be in every step of the way.
As most of you know, I have been a reader in fandom long before I ever began to write. Fanfiction is incredibly special to me, and I have tried to do my best not to undermine its legal protection or allow my works to do so either. During the last several years, there has been a growing issue with illegal sales of Manacled, putting both me and the incredible community that shares fanfiction freely in legal jeopardy.
After consulting with the OTW as well as other lawyers, it has grown clear that as a transformative writer I have limited options in protecting my stories from this kind of exploitation, but I wasn’t sure what to do; I didn’t want to just take the story down, in part because I worried that might only exacerbate the issue, but I didn’t know what other options I had. Then I suddenly had this idea of alchemy, which was peculiarly appropriate; an academic world filled with unique transmutational abilities, and a necromantic war against people who had discovered the secrets of immortality, and I could see a path to reimagining the story while still holding on to as much of the original spirit of Manacled as possible.
I began redrafting the concept privately around Christmas 2022, and then as if the universe had aligned, just as I was finishing, Caitlin Mahony and Rivka Bergman of WME reached out to me and were delightfully enthusiastic about concepts and ideas for my new alchemical world and the ways I had reimagined the story.
I’m thrilled to be working with Emily Archbold, my visionary editor at Del Rey, along with Rebecca Hilsdon at Michael Joseph in the UK, to polish this novel for publication in Fall 2025. I feel uniquely privileged that both my publishing teams are familiar with Manacled and understand how special it is to so many people, and how important it is that this reimagining captures the same spirit while also having its own wings.
Manacled is not going anywhere at present. It will remain online throughout 2024, at which point it will, if you’ll pardon the pun, alchemise for 2025 and be removed from AO3….
The revised version is described as “Alchemised, a standalone dark fantasy set in a war-torn world of necromancy and alchemy, in which a healer with amnesia is taken as a prisoner of war and must fight to protect her lost memories and the secrets hidden among them.” As far as I know, it will be published under the name SenLinYu — just like the original fan fic. A lot of people are happy for the author. They are happy she is finally going to get paid for her work. They also see it as Penguin Random House banking on the popularity of her fanfic.
senlinyu getting a publishing deal to make manacled a real book I’m so emotional rn she deserves this so much (and so do I for being victimized by her writing) pic.twitter.com/uKVAXIXGbk
One aspect that drove the author’s decision is that “Manacled” is so popular that some people have resold it online without the permission of the author. However, those sales are illegal, and they jeopardize both the original author and the fanfic community. The author mentioned that she consulted with the Organization for Transformative Works (OTW) as well as lawyers about how to protect herself. So she decided to revise the fanfic and turn it into a new work. It will be sold in 2025. Until then, the original fanfic will still be available on A03. This news is not without its critics. First, a number of posts have accused the author of ripping off The Handmaid’s Tale alongside the Harry Potter elements. I haven’t read the fanfic, so I’m not sure how close it gets. From what I understand, there is a “concubine” element. (It seems a lot of dystopias have borrowed heavily from A Handmaid’s Tale in recent years.)
Manacled being published as official work feels so tacky to me considering it copied world building of two popular fictional works like harry potter and handmaid’s tale. If I was an author I would sue that shit so fast
One poster got truly angry about this upcoming publication, calling the author a “freak” and a “horrible person” for romanticizing abuse. I’m sure this won’t be the only complaint along these lines. I’m torn with that sort of take. Yes, maybe some readers might get the wrong idea from reading a very dark story. But maybe we’re not giving readers (even young ones) enough credit.
(2) DON’T LET KIDS GET SMARTER. “LeVar Burton’s Banned Book Rainbow” is a show-within-the-show on Jimmy Kimmel Live, beginning at the 11:05 mark:
(3) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Isabel Yap and Randee Dawn in person at the KGB Bar on Wednesday, February 14 starting at 7:00 p.m. Eastern.
ISABEL YAP
Isabel Yap is the author of Never Have I Ever: Stories, which was published by Small Beer Press in 2021, and was named one of the 2021 Best Books for Adults by the New York Public Library. Her work has appeared in venues including Tor.com, Lithub, and Year’s Best Weird Fiction. Her collection won the British Fantasy Award, and was a finalist for the Ignyte, Locus, Crawford, and World Fantasy Awards. By day she works in the tech industry as a Product Manager. She likes visiting museums, playing the ukulele, and commiserating with others about how hard it is to write books.
RANDEE DAWN
Randee Dawn is the author of the bestselling novel Tune in Tomorrow, which was a finalist in the 2023 Next Generation Indie Awards. Her latest story, “The Fifth Horseman,” appears in the new anthology The Four ???? of the Apocalypse. Her stories have also appeared in Soul Scream, Horror for the Throne, and Even in the Grave, and she is the co-editor of Across the Universe: Tales of Alternative Beatles. An entertainment journalist who writes for the Los Angeles Times, Variety, and other publications, Randee lives in Brooklyn with her spouse and a fluffy, sleepy Westie.
Location: KGB Bar, 85 East 4th Street, New York, NY 10003 (Just off 2nd Ave, upstairs)
(4) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]
Observations from Hugo winner Ling Shizhen regarding the trophies
As yet, I’ve not noticed any Chinese coverage of the core part of Chris M. Barkley’s interview with Dave McCarty on Weibo, perhaps because of the initial lack of transcripts making that less accessible to non-native speakers, plus I’m uncertain how accessible SoundCloud, Google Drive, etc are to Chinese users. (Google Drive I’m fairly sure is inaccessible in China without workarounds)
However, the notes at the end of Chris’ piece, regarding damage to the trophies that were shipped to the US, have garnered some discussion.
One of my Chinese SF friends made me aware that Best Fanzine co-winner Ling Shizhen had spoken on WeChat about the subject. I don’t personally have access to that app, nor did I have alternative contact details for Ling, so I reached out to RiverFlow to see if I could get more information which I might be able to share more widely.
Here is the the subsequent response from Ling via RiverFlow, firstly in the original Chinese, and then a machine translation via DeepL, with minor manual edits for phrasing.
On 22nd October 2023, I arrived in Chongqing from Chengdu [a journey of approximately 300km per Google]. During the journey, my bag was stuffed to the brim, so I basically held the trophy in my hand to prevent it getting damaged, and although it felt heavy, the trophy was fine.
When I returned to Shanghai from Chongqing [a distance of just under 1,700km per Google], I couriered back a large number of items I received at the 2023 Chengdu World Science Fiction Convention, so I thought it would be better to put the trophy in my backpack. After the trophy was properly placed, I was careful all the way, and it endured nothing worse than the inevitable bumps of walking and trains.
After arriving home, I found that there was a problem: the connection between the “stargate” and the base of the trophy had loosened up in a way that I had not been seen before, and the “stargate” was a bit shaky. It was only then that I realised that the “stargate” was not completely welded to the base of the trophy. So I think it would have been better to go all the way back to Shanghai from Chongqing carrying it by hand. At least my personal experience shows that this trophy is not very contact-friendly.
Many thanks to Ling Shizhen and RiverFlow for getting back to me so promptly, and for providing the information I requested.
Ling Shizhen and RiverFlow receiving the 2023 Hugo Award for Best Fanzine. Image from the 2023 Hugo Ceremony video streamClose up of the 2023 Hugo base, taken from the 2023 Worldcon Opening Ceremony video stream, previously published in the 2023-10-18 Pixel Scroll.
The story of a half fairy, half human woman has gripped UK book buyers this week, as a novel about the hybrid heroine shot to the top of the bestseller chart.
House of Flame and Shadow by Sarah J Maas, the third book in the Crescent City series featuring Bryce Quinlan, has become the third fastest-selling science fiction and fantasy title since records began since its publication on 30 January.
Maas sold 44,761 copies of the new title in the week of its launch, coming in behind Terry Pratchett’s 2011 book Snuff with 54,687 launch week sales and Rebecca Yarros’s Iron Flame which saw a record-setting 57,055 sales last November, according to the Bookseller.
Maas and Yarros are driving a surge in popularity of the “romantasy” genre, which blends elements of romance and fantasy and has attracted huge numbers of readers through social media recommendations, particularly via TikTok. Videos with hashtags related to Maas have been viewed more than 14bn times, her publisher Bloomsbury said.”
(6) USED OR OVERUSED? At the Fantast Author’s Handbook, Philip Athans challenges the use of particular word: “Active Search: Because”.
…I want to talk about the word “because.” I think “because,” which like all words is perfectly fine and in no way “banned,” sometimes—actually, fairly often—sounds clunky….
(7) COLLINS FUNDRAISER. Horror author, comics creator, and File 770 news contributor Nancy Collins was hospitalized earlier this week with blood clots in one lung, and as she says in the title of her GoFundMe, “What Doesn’t Kill Me Leaves Me With Medical Bills”.
This past Saturday (February 3rd, 2024) I woke up to discomfort in my left chest every time I inhaled. As the day went on I experienced increasing pain that radiated into my armpit and through my left shoulder, accompanied by extreme exhaustion. That evening I drove myself to the E.R. at a hospital near my house here in Macon, GA. By that point I thought I was having some kind of cardiac episode, as my mother’s side of the family had a long history of heart issues.
Within 30 minutes of being taken into the exam area, I was screaming in agony and could no longer sit up. Being kept prone helped alleviate the intensity of the pain, but breathing was still an issue.
An EKG, a set of Xrays, and a MRI scan later, I was told I wasn’t having a heart attack. However, I did have a blood clot in my lower left lung–actually, several small ones, according to the doctor. He said that if I hadn’t come in when I did Saturday night, odds are I would not have woken up Sunday morning.
They admitted me into the hospital, where I was ordered bed rest, pumped full of blood thinners, and then underwent several ultrasounds. They kept me over the weekend, finally releasing me Monday evening with several prescriptions and an outpatient appointment with a hematologist. I suspect I will be on blood thinners for the rest of my life. (I know, ironic for someone best known for writing vampire stories. Even more ironic–the clots appear to be the result of me sitting too long in front of my laptop while writing. )
I’m setting up this campaign to help with the medical bills from this unexpected reminder that I am no longer a spring chicken. While I have medical insurance, it ain’t all that and a bag of chips. I’m still on the hook for 25% of my treatment–possibly more, if it turns out any of the physicians, technicians, or laboratories who handled my case happen to be out-of-network.
(8) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born February 7, 1960 — James Spader, 64. How can I not do the Birthday of James Spader, the performer who played Dr. Daniel Jackson, Egyptologist in Stargate? Yes, I’m really fond of that film. And yes, I am equally fond of the Stargate SG-1 franchise.
His first SF film actually came as a starring role as Joey Callaghan in Starcrossed where an alien woman is running from a deadly enemy and tries to hide here. She meets a young mechanic (Joey), who helps her to go home and to be a freedom fighter there.
James Spader in 2014. Photo by Gage Skidmore.
A decade later, his next role is in Stargate one. I thought it was a great performance by him. And yes, the character as performed by Michael Shanks in Stargate SG-1 continuity is just as interesting, just completely different. His role I thought was more true to that of being an Egyptologist but the Stargate SG-1 continuity isn’t really concerned with the original premise, is it?
If you saw Avengers: Age of Ultron, and I will readily admit that I have not, he not only voiced Ultron but did the motion capture for it.
But his greatest role, and I readily admit that is not genre was in The Blacklist as Raymond “Red” Reddington, a former US Naval Intelligence officer turned fugitive who’s forced to become an FBI crime consultant. And I was surprised to learn that he was an executive producer for that series.
(10) TRACING THE ROOTS OF COMICS. At Colleen Doran’s Funny Business the artist takes her work on a Neil Gaiman book as the jumping-off point for a discussion of comic art history: “CHIVALRY: From Illuminated Manuscripts to Comics”.
One of the many reasons I wanted to adapt Neil Gaiman’s Chivalry into graphic novel form was to create a comic as a bridge and commentary re: comics and illuminated manuscripts.
We’re often told that the first comic was Action Comics #1 featuring Superman, a collection of Superman comic strips that morphed into comic books as an art form.
Sequential art predates Action Comics #1.
Action Comics popularized sequential art book storytelling that had already appeared in other forms in fits and starts throughout history. Comic books didn’t take off as a popular medium for several reasons, not least of which was the necessary printing process hadn’t been invented yet and it’s hard to popularize – and commercialize – something most people can never see.
You find sequential art in cave paintings and in Egyptian hieroglyphics. I’ve read that comics (manga) were invented by the Japanese in 12th century scrolls.
And sequential art appears over and over again in Western art going back well over 1000 years, and in book form at least 1100 years ago.
On an overcast day, the delicate pointed crown of the Brooklyn Tower is invisible in the clouds, as if a vengeful enemy has shrouded its superlative vantage in smoke. Nonetheless, over the low-rise flatlands that comprise most of the borough, the jagged edges rising along the dark shaft are present and unmistakable.
The Batman building, the Tower of Sauron — the nicknames write themselves. And why not? Better this than another squared-off tower that simply fiddles with the ratio of white solid to blue glass. Maybe I should hate it for its bigness, its blackness, its thrust — but I don’t. Skylines need punctuation. The designers of the Brooklyn Tower, SHoP Architects, threw everything at this to make it an exclamation point…
….“The idea was Gotham, it was Deco,” says Gregg Pasquarelli, founding partner of SHoP Architects. “Batman should live here.”…
Brooklyn Tower is the borough’s first supertall skyscraper. Photo: Max Touhey, courtesy of SHoP Architects
(12) OMG! The H Book Club blog on X.com made this gobsmacking observation:
If you'd asked me who would play Gene Wolfe on screen, I would never in a million years have guessed Chris Pratt.
A Go Fund Me drive has already raised more than $115,000 for Juan Carlos Osorio, the crewmember on Marvel’s WonderMan series who died Tuesday after falling from a catwalk at Radford Studios.
“On February 6th, 2024, our friend Spike lost his life on the set of Marvels WonderMan shoot at CBS Radford studios due to a potential structural failure,” reads the fundraise, started by Bill Martel. “We are hoping the Production Company, The Facility, MBS, Marvel Studios handles things properly, but expect a long road fraught with attorney fees and expenses. In the mean time, bills will be mounting and the widow, Boom Operator Joanne W. will be left to deal with everything. Help if you’re able, it’s greatly appreciated.”…
Disney is investing $1.5 billion in “Fortnite” developer Epic Games in what will be the Mouse House’s “biggest foray into the game space ever,” Disney CEO Bob Iger announced Wednesday.
…Per further information provided by Disney, “in addition to being a world-class games experience and interoperating with ‘Fortnite,’ the new persistent universe will offer a multitude of opportunities for consumers to play, watch, shop and engage with content, characters and stories from Disney, Pixar, Marvel, ‘Star Wars,’ ‘Avatar’ and more. Players, gamers and fans will be able to create their own stories and experiences, express their fandom in a distinctly Disney way, and share content with each other in ways that they love.”…
(15) RARE UNFINISHED DOCUMENTARY FEATURE FILM TRAILER FOOTAGE FROM “THE MAN WHO ‘SAVED’ THE MOVIES”. [Item by Steve Vertlieb.] Here’s the original theatrical trailer for the never completed feature length motion picture documentary, The Man Who “Saved” The Movies, concerning over half a century of published writings…associations with actors, composers, writers, and directors…and some seventy-six years devoted to a passion for both films and film makers, while lovingly chronicling the life and career of film, and film music historian Steve Vertlieb.
Featuring appearances by Veronica Carlson, Philippe Mora, Paul Clemens, Juliet Rozsa, Lee Holdridge, Mark McKenzie, Patrick Russ, and Gregg Nestor, the film remains a work in progress. While financial difficulties have sadly plagued its production, it is my hope that it may one day reach completion.
… and, yes, that is me with Frank Sinatra, Johnny Mathis, Kirk Douglas, William Shatner, Jack Klugman, old friend and iconic American film director, Frank Capra, Oscar winning film composer, John Williams, Oscar winning film composer, Miklos Rozsa, famed science fiction author, Ray Bradbury, iconic special effects titan, Ray Harryhausen, “Psycho” author Robert Bloch, together with “The Time Machine” producer/director, George Pal, Hammer Films’ star, Peter Cushing, and screen hero/gold medal Olympian, Buster Crabbe.
www.youtube.com/watch?v=Ob6-t0MKXRY
(16) COLD WAR SURPLUS? “Remnants of a Nuclear Missile Are Found in a Garage” – in Bellevue, WA – reports the New York Times. “The police responded to a call from a U.S. Air Force museum that said a man had offered to donate a Cold War-era missile stored in his late neighbor’s garage.”
Members of the bomb squad in Bellevue, Wash., on Thursday were called to inspect parts of a military-grade missile in the garage of a resident.
Elements of the larger, intact missile, such as the warhead, were missing and the authorities deemed the piece to be inert and safe, the police said in a news release on Friday.
An Air Force museum in Dayton, Ohio, contacted the police in Bellevue on Jan. 31 to report that a resident had offered to donate the missile, which belonged to his late neighbor….
…The next day, the man was “surprised” to hear from the police because he had not called them but invited the bomb squad to inspect the missile remnant, Officer Tyler said.
Squad members identified the rocket as a Douglas AIR-2 Genie missile, designed to carry a 1.5-kiloton nuclear warhead….
…It was clear that the missile remnant did not pose a threat given that it was missing its warhead and did not contain rocket fuel, Officer Tyler said.
“It was essentially just a rusted piece of metal at that point,” he said. “An artifact, in other words.”…
The NYT news report reminds me that when I first got into fandom I heard tell about Russell Seitz, a fan who was famous for having acquired the components of an ICBM. The following is one version of that story:
In the late 70’s, when most of our nuclear arsenal was converted from liquid to solid fuel, the U.S. Government auctioned off a number of obsolete missile silos and their contents. Mostly the silos got bought by local farmers who converted them for grain storage. I only know what happened to one of the missiles. It was offered at sealed bid auction and a friend of mine, Russell Seitz, bought it. When you bid on something like this, you have to send in a check for 10% of your bid as a deposit. He looked at his bank account, and figured he could spare about $300 that month, so that’s what he sent. When he discovered that he’d won the bid, he had to scrounge up the rest. Now the buyer must pick up the goods himself, but he can request that his purchase be delivered, at government expense, to the nearest military base. Being an undergraduate at M.I.T. at the time, he had the missile shipped to Hanscom Airforce Base, about 12 miles away. He then arranged for a truck, and donated the missile to a local modern art museum (I forget which one). Tax laws were a little different in those days, and if you donated something to an art museum, you could deduct not the just the purchase price, but the original value of the object, which was considerable. Income averaging allowed him to spread the “loss” out over a number of years so that he didn’t have to pay taxes for a long time! He was legendary at M.I.T. for quite a while, and acquired the nickname “Missile” Seitz.
(17) EARLY RELEASE SUPER BOWL AD. Does having the Aquaman actor in it make this an item of genre interest? You decide! Zach Braff, Jason Momoa and Donald Faison appear in a Flashdance-themed Super Bowl commercial for T-Mobile.
(18) VIDEO OF THE DAY. The official trailer for Despicable Me 4 is out. The movie comes to theaters on July 3.
In the first Despicable Me movie in seven years, Gru, the world’s favorite supervillain-turned-Anti-Villain League-agent, returns for an exciting, bold new era of Minions mayhem in Illumination’s Despicable Me 4.
Following the 2022 summer blockbuster phenomenon of Illumination’s Minions: The Rise of Gru, which earned almost $1 billion worldwide, the biggest global animated franchise in history now begins a new chapter as Gru (Oscar® nominee Steve Carrell) and Lucy (Oscar® nominee Kristen Wiig) and their girls —Margo (Miranda Cosgrove), Edith (Dana Gaier) and Agnes (Madison Polan)—welcome a new member to the Gru family, Gru Jr., who is intent on tormenting his dad.
Gru faces a new nemesis in Maxime Le Mal (Emmy winner Will Ferrell) and his femme fatale girlfriend Valentina (Emmy nominee Sofia Vergara), and the family is forced to go on the run. The film features fresh new characters voiced by Joey King (Bullet Train), Emmy winner Stephen Colbert (The Late Show with Stephen Colbert) and Chloe Fineman (Saturday Night Live). Pierre Coffin returns as the iconic voice of the Minions and Oscar® nominee Steve Coogan returns as Silas Ramsbottom.
[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Anne Marble, Steve Vertlieb, Heath Row, Kathy Sullivan, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Thomas the Red.]
