Tag Archives: Glasgow 2024

Pixel Scroll 8/31/23 Scroll, Scroll, Scroll That Novelette

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(1) CLARION WEST WORKSHOP FACULTY. Earlier this month Clarion West announced their 2024 Six-Week Summer Workshop Instructors:

The Clarion West 2024 Six-Week Summer Workshop will take place from June 16 – July 27, 2024. Applications for the 2024 Six-Week Workshop are planned to open in early December 2023. As of right now, Clarion West has tentatively booked a new location, fully ADA accessible, in Seattle to host the workshop in person.

(2) KEEP WATCHING THE SKIES. From September 2-6 we’ll jump in the Worldcon Wayback Machine and celebrate the 30th anniversary of the ConFrancisco Worldcon of 1993. There will be a series of posts drawing on my conreport for File 770, Evelyn C. Leeper’s report for MT Void, and the reports of party mavens Scott Bobo and Kurt Baty.

(3) GLASGOW 2024 BURSARY FUND. Next year’s Worldcon just put out Progress Report #2 which includes news about their fund to assist people in attending and an appeal for donations.  

(4) EDELMAN COLLECTIBLES ON BLOCK TO FUND PODCAST TECH PURCHASES. Scott Edelman needs to fund the purchase of new podcasting equipment for Eating the Fantastic, so he’s putting up for auction some of the memorabilia he’s collected over the years. Edelman has listed three items on eBay so far — autographed Babylon 5 trading cards, a Russian edition of A Game of Thrones signed by George R. R. Martin, and a promotional replica of Rick Grimes’ gun from The Walking Dead. More items will be added soon.

(5) TIMOTHY’S APPENDIX N. “How to play Dungeons and Dragons” at Camestros Felapton.

Our resident game expert Timothy the Talking Cat will take you through the basics of some of the world’s most popular games.

…One of my favourite games is Dungeons and Dragons. You can spend a lot of money on books about Dungeons and Dragons but the basic game is very simple. …

Timothy knows all the inside info, like what “DM” stands for.

… The DM can send you messages on your phone (aka “direct messages”, hence the name) for extra clues….

(6) HORROR AROUND THE GLOBE. Here are two more links to the Horror Writers Association’s month-long World of Horror series.

Is there a horror tradition in your country, in your culture? A taste for horror, a market? Not necessarily literature; perhaps oral tradition too.

In Italian culture there are many horror traditions, different for each region. They all came to life from superstitions and syncretism between Christianity and paganism, handed down for generations, especially in small towns. Many of them have oral and rural origins, in the form of stories told by the elderly, with a metaphorical meaning, or as warnings. Italian folklore is rich in this sense, having been a crossroads of peoples and traditions, including ghosts, demons, creatures, witches (many of them linked to the processes of the Inquisition), incarnations of nightmares and revenge, or demiurges of events such as earthquakes, famines, epidemics. Italian horror writers have a lot of material of this kind for their stories, to make known the peculiarities of our territories, with myths and legends capable of telling the dark imaginary of our country.

Do you make a conscious effort to include characters and settings from your country in your writing and if so, what do you want to portray?

All my writing is based in India, and I always ensure that characters and settings that portray my culture and socioeconomic situation form the baseline of my stories. My intention is to expose the audience to the horror while ensuring that they can actually imagine the setting and characters from their day-to-day lives.

(7) STAND BY FOR ISSUE 100 OF THE DARK. Sean Wallace, editor / publishers of The Dark, shared a peek at the cover of its hundredth issue, arriving soon.

(8) SOME TRILOGIES NEED A FOURTH BOOK.  “’It’s equal parts exciting and terrifying’: how authors are being influenced by their fans” in the Guardian. SF author Marie Lu responds to fans’ dismay over ending her Legends trilogy by making it a quartet:

…“Six years after Champion, I wrote a fourth book, Rebel, a real conclusion to the story that I had once thought finished. I realised that I wasn’t ready to let it go yet, and that I needed to know that my characters were going to be all right. I don’t think I would have known that had it not been for my readers. There is something special, even sacred, about the link between the writer and the reader, and about how we learn from each other, collaborators in our own way on a shared story.”…

(9) TERROR INITIATIVE AIMED AT LIBRARIES. Book Riot reports “There Have Been Several Public Library Bomb Threats This Week”.

Stochastic terrorism continues this week, following the numerous bomb threats made in Chicago-area libraries over the past month. Last week’s book censorship news roundup included a look at six different libraries in the Chicago suburbs which received bomb threats, followed by two more bomb threats at an Oklahoma school district and a Davis, California, public library. Several of those libraries received not just one bomb threat, but several over the course of the week.

What used to make headline news, though, now hardly gets a blip on the radar.

This week, there have been numerous bomb threats called into public libraries across the country. These threats are, no doubt, connected to the right-wing rhetoric around libraries and librarians. The rise of stochastic terrorism is what emerges when a political movement chooses to label a group “groomers” or “indoctrinators,” and through these bomb threats, they create terror for library workers and users alike….

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 31, 1914 — Richard Basehart. He’s best remembered as Admiral Harriman Nelson in Voyage to the Bottom of the Sea. He also portrayed Wilton Knight in the later Knight Rider series. And he appeared in “Probe 7, Over and Out”, an episode of The Twilight Zone. (Died 1984.)
  • Born August 31, 1932 — Robert Adams. He’s best remembered for the Horseclans series which became his overall best-known works though he wrote other works such as the Castaways in Time series.  While he never completed the series, he wrote 18 novels in the Horseclans series before his death. (Died 1990.)
  • Born August 31, 1949 — Richard Gere, 74. Lancelot in First Knight starring Sean Connery as King Arthur. And was Joe Klein in The Mothman Prophecies. That’s it. First Knight for me is more than enough to get Birthday Honours!  And there’s Chicago which though not genre is absolutely stellar. 
  • Born August 31, 1958 — Julie Brown, 65. Starred with Geena Davis in the cult SF comedy, Earth Girls Are Easy. She’s also been in genre films such as The Incredible Shrinking Woman, Bloody Birthday (a slasher film), Timebomb and Wakko’s Wish. She’s had one-offs in TV’s Quantum Leap and The Addams Family. She’s voiced a lot of animated characters included a memorable run doing the ever so sexy Minerva Mink on The Animaniacs. She reprised that role on Pinky and The Brain under the odd character name of Danette Spoonabello Minerva Mink. 
  • Born August 31, 1969 — Jonathan LaPaglia, 54. The lead in Seven Days which I’ve noted before is one of my favorite SF series. Other than playing Prince Seth of Delphi in a really bad film called Gryphon which aired on the Sci-fi channel, that’s his entire genre history as far as I can tell unless you count the Bones series as SF in which he’s in “The Skull in the Sculpture” episode as Anton Deluca. 
  • Born August 31, 1982 — G. Willow Wilson, 41. A true genius. There’s her amazing work on the WorldCon 75 Hugo Award winning Ms. Marvel series starring Kamala Khan which I recommend strongly, and that’s not to say that her superb Air series shouldn’t be on your reading list as should Alif the Unseen which remarkably some call cyberpunk. Oh, and the Cairo graphic novel with its duplicitous djinn is quite excellent as well. I’ve not yet read her Wonder Women story but will soon. She also got a nomination at Discon III for Invisible Kingdom, vol 2: Edge of Everything. Am I missing anything I should be reading? 
  • Born August 31, 1992 — Holly Earl, 31. English actress who was Kela in Beowulf: Return to the Shieldlands, and Agnes in Humans. She also played the young Kristine Kochanski in Red Dwarf in the “Pete, Part One” as well as Lily Arwell in the most excellent Eleventh Doctor story, “The Doctor, the Widow and the Wardrobe.“ She was Céline in the “Musketeers Don’t Die Easily” episode of Musketeers, and played Hermia in the ‘18 A Midsummer Night’s Dream film.

(11) COMICS SECTION.

  • The Far Side.  No, this is not that guy from The Hitchhiker’s Guide to the Galaxy. For all we know, this guy only did it once.

(12) TANA Q&A. “Sci-Fi Noir Detective Saga ‘eJunky’ Explores the Risks and Consequences of Relying on Technology – An Interview with Nicholas Tana” at the Los Angeles Science Fantasy Society website.

Where did you get the idea for eJunky?

Like many good stories, it started with a nightmare. I woke up sweating after dreaming that I had been abducted by aliens. They appeared like thin humans with extra large heads and big eyes, shadowy figures, in the distance—like moving trees creeping toward me from the dark corners of my bedroom.
As they came within a few feet, I could see that they were dressed in spandex one-piece outfits, midnight black, which later glowed various neon colors, a rainbow array.

There was a sense that I bore witness to their emotions changing, almost like those 1980s mood rings. It was not unlike seeing auras, I would imagine. Their visors and clothes kept changing colors according to their mood.

Soon I was forced to wear one of their visors, too. Immediately, I got the sense that this served a serious purpose of survival, a way of protecting us from each other, as if we needed to know how we were feeling in order to keep from killing each other. My fear quickly changed to calmness for a moment. Until I started to watch as they dissected my body. There was a flicker of fear, but it was swept away with complacency, too.

Then, I woke up.

(13) OCTOTHORPE. Episode 91 of the Octothorpe podcast is now up. Listen here! “O— O— O—“

John Coxon, Alison Scott and Liz Batty discuss the Clarke Award winner, the Hugo Voter Packet, and site selection at Chengdu, before getting really quite digressive about GUFF and some fairly outlandish fundraising ideas… Finally, we do picks, as Alison is building LEGO, John has played the Spiel des Jahres shortlist, and Liz has read arguably TOO MANY books.

(14) BALMS AWAY. ‘Scent of eternity’: scientists recreate balms used on ancient Egyptian mummy” and the Guardian takes a sniff.

…“Senetnay’s mummification balm stands out as one of the most intricate and complex balms from that era,” said Barbara Huber, the first author of the research from the Max Planck Institute of Geoanthropology.

Writing in the journal Scientific Reports, the team say Senetnay lived around 1450BC and was a wet nurse to Pharaoh Amenhotep II.

Senetnay’s canopic jars – vessels in which the deceased’s mummified organs were stored – were discovered in a tomb in the Valley of the Kings in 1900 by Howard Carter, the British archeologist who would later become famous for his role in discovering the tomb of Tutankhamun.

Huber and colleagues analysed six samples of residues of the mummification balms from inside two jars that that had once contained Senetnay’s lungs and liver, as indicated by hieroglyphic inscriptions.

The team found the balms contained a complex mix of ingredients, including fats and oils, beeswax, bitumen, resins from trees of the pine family, a substance called coumarin that has a vanilla-like scent, and benzoic acid, which can be found in many plant sources including cinnamon and cloves….

(15) IT’S A THEORY. “Our Human Ancestors Very Nearly Went Extinct 900,000 Years Ago, Genetics Suggest” – Smithsonian Magazine has the story.

… The study, published Thursday in Science, analyzed the genetic lineages of 3,154 modern humans to trace their characteristics backward in time and model the population patterns likeliest to have produced their existing genomes. Wangjie Hu, of the Chinese Academy of Sciences, and colleagues suggest that between 813,000 and 930,000 years ago the population of ancient humans that would eventually give rise to our own species, Homo sapiens, experienced what geneticists call a “bottleneck.” For unknown reasons, perhaps difficult environmental conditions, their numbers plunged dramatically to a point where our lineage was within a whisper of total extinction. Based on the study’s estimates, some 98.7 percent of our human ancestors were wiped out.,,,

… Population fluctuations, even those hundreds of thousands of years ago, leave signatures that can be identified in modern humans’ genomic sequences. To analyze them, a team of researchers led by Chinese geneticists developed a new tool called FitCoal. The researchers used the tool on more than 3,000 living individuals from 10 African populations and 40 non-African populations. FitCoal computations traced the populations’ many genetic mutations and their probabilities of occurring backward in time to arrive at estimates of population sizes that existed at various moments in evolutionary history.,,,

…Amazingly, the study suggests that our ancestors managed to survive in precariously small numbers for an extremely long time—an estimated 120,000 years. But when conditions again became conducive to human habitation, whether through beneficial climate shifts or, as the authors theorize, technological advances like human control of fire, our ancestors bounced back swiftly. By around 813,000 years ago, all ten African populations in the study appear to have increased by a factor of 20 times.

The Natural History Museum’s Stringer notes that, like other methods of reconstructing past populations, FitCoal relies on some assumptions and simplifications of factors like mutation rates. Since the authors have made FitCoal available to scholars, he adds, its accuracy will be further tested, and researchers may use it to investigate populations through other genomes like those of Neanderthals and Denisovans….

(16) DEMAND IN UK FOR AI LEGISLATION. BBC News reports “Pass AI law soon or risk falling behind, MPs warn”.

…The report also highlights twelve “challenges” that the UK government must address, including:

  • Bias: For example AI employment tools might associate women’s names with traditionally female roles
  • Privacy: AI tools can be used to identify people in ways that are controversial. For example, police use of live facial recognition systems that scan faces and compare them to watchlists of suspects
  • Employment: AI systems will replace some jobs and the economic impact of this will need to be addressed

The use of copyrighted material to train AI systems is also one of the challenges.

So-called generative AI systems can now create new works in the style of famous artists, actors and musicians.

But to pull off this feat AI is trained on huge amounts of copyrighted material. Many authors, actors, artists and musicians argue that AI should not be trained on their works without permission and compensation.

There are already steps to develop a voluntary agreement that would allow AI firms access to copyrighted works, while at the same time supporting artists, the report notes.

A planned exemption to copyright for AI firms was abandoned by the government in February….

(17) VIDEO OF THE DAY. While covering all the other “Barbenheimer” inspired creativity this summer I may have overlooked Ryan George’s “Barbenheimer Pitch Meeting”. But it’s not too late!

Once in a while, the internet goes absolutely nuts for something seemingly random. Recently, the concept of a Barbenheimer double feature emerge, and what seemed like just an internet meme translated into actual, real-world, box office dollars. Take that, Morbius! Barbenheimer definitely raises some questions. Like how did this insane pairing of films come to be? What do these movies have in common? Why is every single word in Oppenheimer underscored with epic music? Why did Barbie keep driving its message home long after it was clear what it was trying to say? To answer all these questions, check out the pitch meeting that led to Barbenheimer!

[Thanks to SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, Steven French, John Coxon, Jeffrey Smith, Lise Andreasen, John King Tarpinian, Chris Barkley, Michael Toman, and Cat Eldridge, for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern, who knows a smokin’ idea when he has one.]

Pixel Scroll 8/14/23 Nine Hundred Granfalloons

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(1) LUKYANENKO’S LATEST OPINIONS ABOUT UKRAINE. Chengdu Worldcon GoH Sergey Lukyanenko’s interview on Radio Komsomolskaya Pravda was transcribed for his website. Here are some computer-translated excerpts; “’By the end of 2023, the situation for Russia will be clearer’ – S. Lukyanenko”.

… M. Bachenina:

Well, then, who would you like to see at the head of Ukraine?

S. Lukyanenko:

This is a very difficult question, because, firstly, I would not want to see anyone there. As well as Ukraine itself. Because Ukraine, it was originally formed and is being formed as anti-Russia. That is, as long as Ukraine exists, it will act, unfortunately, as anti-Russia. It needs to be completely reformatted, it needs to completely change itself, including both the name and the territories, in order to create some kind of state that they want to create not as such an antagonist of Russia, an adversary and hater, but as a state that wants to represent something and live its own life. This will be a completely different state.

…M. Bachenina:

Many now say that Russia cannot lose, we have the gene of winners. Do you agree with that? And if so, what is the manifestation of this gene?

S. Lukyanenko:

I don’t know if we have a special gene for winners, but I know that we didn’t worry about that, and we will naturally win, it’s indisputable. I would just like this to happen without any unnecessary victims, not only ours, but also those deceived Russian people who now live on the territory of Ukraine. As a matter of fact, we are, of course, one people, just part of the people has been reformatted. It’s, you know, like Tolkien, at one time he described that orcs are the same elves, only who have been poisoned, changed and distorted.

I understand that here we probably have a conviction on both sides that the beautiful elves are us, and there, on the other side, the nefarious orcs. But we know that we are not orcs….

(2) WRONG. THANKS FOR PLAYING. Robin A. Reid devotes her latest Writing From Ithilien newsletter to those “Misquoting Tolkien”.

At some point before Covid (2019 maybe?), I attended a Tolkien Society event and heard a great presentation by Marcel Aubron-Bülles based on a project that he calls “Things J.R.R. Tolkien has never said, done, written or had anything to do with (TThnsdwohatdw)” where he debunks, through research, internet quotes that are not by Tolkien, or are corrupted versions of what Tolkien wrote (I might charitably call some of those paraphrases but they are attributed as direct quotes to Tolkien), or are quotes from Jackson’s films (though they also might be incorrectly quoted). It was fascinating and turns out to that wrong/fake quotes on the internet are legion.

I’m quite sure there will eventually be quotes from Rings of Power attributed to Tolkien!

I am happy in this post to be able to add another example to Marcel’s list (I have skimmed the fifteen blog entries and do not see it!)….

Read the post to find out which one she has in mind.

(3) HUGO RECEPTION MUSICAL CHAIRS. The Hugo Book Club Blog takes its turn at explaining the “The Numbers Game” – the fluctuating ceiling on how many team members get listed as Hugo finalists.

…Over the past decade, there has been a regularly recurring argument about the maximum number of individual contributors that can be listed for each group finalist on the Hugo ballot. This is more common with fan categories like fanzine, fancast, and semiprozine — in recent years some of the contributors lists for an individual publication have extended to several dozen names.

On one side of the argument are those who express logistical concerns about the size of the ballot. On the other side are those who want to ensure that everyone who contributed to the success of a work or publication are given nomination-level credit for their work….

Is this issue something that should be addressed in a new Worldcon rule?

…Those advocating for a more restrictive set of rules point out that the pre-Hugo reception already has capacity issues and logistical constraints. They also suggest that if everyone gets called a “Hugo finalist,” then the status becomes devalued. In addition, the distribution of perks to Hugo finalists, such as the rocketship pins, etc., increase costs on Worldcons.

Both of these positions have merit, and neither should be dismissed out of hand. But the debate should take place in the appropriate forum. The WSFS membership on whose behalf these awards are presented deserve a say in this matter, and the way to do this is to allow both sides to make their case at a business meeting….

(4) INTERNET ARCHIVE SUIT PROPOSED AGREEMENT. Publishers Weekly has more details: “Judgment Entered in Publishers, Internet Archive Copyright Case”.

…The jointly proposed agreement includes a declaration that cements the key finding from Judge John G. Koeltl’s March 24 summary judgment decision: that the IA’s unauthorized scanning and lending of the 127 in-suit copyrighted books under a novel protocol known as “controlled digital lending” constitutes copyright infringement, including in the IA’s controversial “National Emergency Library” (under which the IA temporarily allowed for simultaneous access to its collections of scans in the the early days of the pandemic, when schools and libraries were shuttered).

Most importantly, the proposed agreement includes a permanent injunction that would, among its provisions, bar the IA’s lending of unauthorized scans of in-copyright, commercially available books, as well as bar the IA from “profiting from” or “inducing” any other party’s “infringing reproduction, public distribution, public display and/or public performance” of books “in any digital or electronic form” once notified by the copyright holder. Under the agreement, the injunction will not be stayed while the case is on appeal—essentially meaning that once Koeltl signs off, the IA will have to take stop making unauthorized scans of copyrighted works available to be borrowed within two weeks of notification.

The parties left one final dispute for Koeltl to clean up, however: what books will be “covered” by the proposed injunction?

In a letter to the court, IA attorneys argue that “Covered Books” should be limited to books that are both “commercially available” and available in digital format. “This case involved only works that the Publishers make available as e-books and so the scope of any injunction should be limited accordingly,” IA attorneys argue. “Because the parties did not have the opportunity in this case to litigate the degree to which the unavailability of digital library licensing would affect the fair use analysis, it is inappropriate for an injunction in this case, by its breadth, to effectively prejudge the outcome of that question.”

Lawyers for the plaintiff publishers counter that the injunction should cover all unauthorized scans of commercially available books, whether the copyright holder has licensed a digital edition or not. “The law is clear that the right to decide whether or not to publish a book in electronic format belongs to its authors and publishers, not IA,” the publishers’ letter argues….

(5) MAGICAL HISTORICAL FICTION. [Item by SF Concatenation’s Jonathan Cowie.] This week’s B Beeb Ceeb Radio 4 programme Open Book takes a deep dive into magical historical fiction and includes an interview with Ann Patchett.

Available on BBC Sounds  here. 28 minutes.

Anne Patchett

Octavia Bright talks to Ann Patchett about her captivating new novel. Tom Lake is the story of a young actor Lara under the spell of a future Hollywood star, but it is also about how she retells that story in later life to her adult daughters, and the power of storytelling itself.

Two masters of historical fiction, Laura Shepherd-Robinson and S. J. Parris (aka Stephanie Merritt) discuss the allure of magic and mysticism in their latest books set either side of the Enlightenment.

Plus Nana Kwame Adjei-Brenyah recalls the enchanting tale behind the book he’d never lend.

(6) IT ALL TIES TOGETHER. You may know about Philip José Farmer’s creation, but for the benefit of those born in the past few decades Keith Roysdon explains “The Wold Newton Universe: How a Fictional History Connects Literary Legends” at CrimeReads.

…Even a casual student of science fiction and comic-book history knows all about meteorites. They’re either the source of superheroic powers – or agents of destruction to people with fantastic abilities. (See: Kryptonite.) 

Farmer chose the former concept and, in an unmatched bit of revisionist literary history, decided to use the Wold Newton meteorite to form an interconnected world for some of imaginative literature’s most fantastic characters. Not Superman, of course, because his off-planet origin is well known. But very nearly everyone else was included, as Farmer and his successors in tending the Wold Newton Universe would have it….

(7) OLD SFF LOOKS AT EVOLUTION. The Public Domain Review revisits “H. G. Wells and the Uncertainties of Progress” in this 2019 article.

For Wells the most basic level of uncertainty arose from the fear that the human race might not sustain its current rate of development. In his 1895 story “The Time Machine” he imagined his time traveler projected through eras of future progress: “I saw great and splendid architecture rising about me, more massive than any buildings of our time, and yet, as it seemed, built of glimmer and mist.”2 But the time traveler ends up in a world brought down by social division and degeneration. The brutal Morlocks are the descendants of the industrial workers, while the childlike Eloi are the remnants of the leisured upper classes. This prediction was based on his zoologist friend E. Ray Lankester’s extension of the Darwinian theory. Lankester argued that because evolution works by adapting populations to their environment, progress is not inevitable and any species that adapts itself to a less active and hence less challenging way of life will degenerate.3 Here was the model for a more complex vision of progress in which any advance would depend on the circumstances of the time and could not be predicted on the basis of previous trends….

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 14, 1929 — Richard Carpenter. Responsible for the simply superb Robin of Sherwood series. He also created Catweazle, the children’s series about an unfortunate wizard from the 11th century who is accidentally transported to the present day. And he was an actor who appeared in such shows as the Sixties Sherlock Holmes series, The Terrornauts film and the Out of the Unknown series as well. (Died 2012.)
  • Born August 14, 1932 — Lee Hoffman. In the early Fifties, she edited and published the Quandry fanzine. At the same time, she began publication of Science-Fiction Five-Yearly which appeared regularly until ‘til 2006. The latter won the fanzine Hugo at Nippon 2007 (with Geri Sullivan and Randy Byers) after her death. She wrote four novels and a handful of short fiction, none of which are in-print. (Died 2007.)
  • Born August 14, 1940 — Alexei Panshin. He has written multiple critical works along with several novels, including the Nebula Award-winning Rite of Passage and the Hugo Award-winning study of SF, The World Beyond the Hill which he co-wrote with his wife, Cory Panshin. He also wrote the first serious study of Heinlein, Heinlein in Dimension: A Critical Analysis. Let’s not overlook that he was the Hugo Award winning Best Fan Writer at NYCon 3. (Died 2022.)
  • Born August 14, 1950 — Gary Larson, 73. Setting aside a long and delightful career in creating the weird for us, ISFDB lists a SF link that deserve noting. In the March 1991 Warp as published by the Montreal Science Fiction and Fantasy Association, he had a cartoon “The crew of the Starship Enterprise encounters the floating head of Zsa Zsa Gabor”.
  • Born August 14, 1956 — Joan Slonczewski, 67. Their novel A Door into Ocean won the John W. Campbell Memorial Award. They won a second John W. Campbell Memorial Award for their Highest Frontier novel. They were nominated for an Otherwise Award for The Children Star novel.
  • Born August 14, 1965 — Brannon Braga, 58. Writer, producer and creator for the Next Gen, Voyager, Enterprise, as well as on the Star Trek Generations and Star Trek: First Contact films. He has written more episodes of the Trek various series than anyone else has with one hundred and nine to date. He was responsible for the Next Generation series finale “All Good Things…” which won him a Hugo Award at Intersection for excellence in SF writing, along with Ronald D. Moore. He’s one of the producers of The Orville. 

(9) WORLDCON THEMED FABRIC. Glasgow 2024, A Worldcon For Our Futures introduces Sara Felix-designed fabrics.

Sara Felix, Hugo award-winning artist and Glasgow 2024 designer, has launched six brand-new fabric designs on Spoonflower, now available for purchase.

Whether it’s a yard of fabric or a throw pillow, tea towels or a blanket, you can celebrate Glasgow 2024 with your choice of festive wares!

A word from Sara: “I created these fabrics because while I love the tartan, I wanted a few more options to play with. So I took the Armadillo we use on the bottom of some of our webpages and publication pages and made these. Of course, we had to have the logo on there as well!”

Browse the designs on Sara Felix’s website.

(10) PASSENGERS. “You’ll travel nearly a trillion miles in your lifetime. Here’s how” explains Space.com. This reminds me of a paragraph in a Vonnegut book that ends, “Who says there’s no such thing as progress?”

….In addition to rotating, Earth orbits the sun. That orbit is an ellipse, which causes our planet to occasionally move more quickly or slowly depending on its distance from the sun. But on average, Earth’s orbital speed is about 19 miles per second (30 km per second).

That’s about 600 million miles (1 billion km) every year. So over a lifetime, each of us travels roughly 50 billion miles (80 billion km) — which, again, dwarfs the distance we travel due solely to the rotation of our planet….

(11) MULTITALENTED JOYNER’S NEW BOOK. Jackiem Joyner, author of Zarya Episode II Sochi Unleashed, also is a contemporary saxophonist and music producer with a pair of number one hit songs and five top 10 Billboard under his belt.

In the second novel of his Zarya series, the fate of Cydnus, a highly advanced desert world, hangs in the balance. With oxygen levels beginning to deplete, this politically divided planet stands on the brink of an existential crisis.

In the heart of the advanced city of New Cebrenia City, Zarya, along with her father, Aaron, and friends Kizzy and Marco, must navigate a complex web of political strife. With Vice Chairman Eros’s dark plots threatening their progress, the security of their only political ally, the chairman, is under threat.
Their most powerful asset is Sochi, Zarya’s advanced AI Airboard. Yet, Sochi’s newfound ability to control other machines presents both significant opportunities and risks.

Meanwhile, Aaron embarks on a perilous journey into the cosmos, driven by desperation to resurrect a long-abandoned project that might be Cydnus’s last hope. His mission, shadowed by his past, is a race against time, with the future of Cydnus at stake.

Zarya Episode II: Sochi Unleashed delves into the intricate relationship between sentient beings and technology, bravery amidst uncertainty, and the struggle for survival. As Zarya, her allies, and Sochi traverse this journey, the tale evolves into a saga filled with challenges and triumphs. Welcome to Cydnus, a world teetering on the brink of an uncertain future, in this captivating narrative.

Available at Amazon.com and Amazon.ca.

(12) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Media Death Cult’s latest from Moid is a very brief (Hondo Cit) look at Japanese SF shot on location in a Japanese garden in Poole (Dorset, England, Brit Cit): “The History Of Japanese Science Fiction”.

[Thanks to Chris Barkley, Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Anne Marble, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 8/8/2023 I Have Eaten The Notifications For The Scrolls You Posted

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(1) PROSECRAFT NUKED FROM SPACE. A site called Prosecraft stirred tremendous controversy yesterday once authors realized thousands of their books were used by the site without their permission. Also, people believe their texts are being used to train AI.

Benji Smith’s initial attempt to skate around the controversy was to tell writers he would remove their book if they emailed him a link.

Smith took the site down today and left a sort of apology in its place, but they still have the texts — and the software. “Taking Down Prosecraft.io” on The Shaxpir Blog.

…Today the community of authors has spoken out, and I’m listening. I care about you, and I hear your objections.

Your feelings are legitimate, and I hope you’ll accept my sincerest apologies. I care about stories. I care about publishing. I care about authors. I never meant to hurt anyone. I only hoped to make something that would be fun and useful and beautiful, for people like me out there struggling to tell their own stories.

For what it’s worth, the prosecraft website has never generated any income. The Shaxpir desktop app is a labor of love, and during most of its lifetime, I’ve worked other jobs to pay the bills while trying to get the company off the ground and solve the technical challenges of scaling a startup with limited resources. We’ve never taken any VC money, and the whole company is a two-person operation just working our hardest to serve our small community of authors….

Lincoln Michel said the effort to decry a profit motive is deceptive.

Gizmodo’s report “Fiction Analytics Site Prosecraft Shut Down After Backlash” includes an extensive roundup of yesterday’s social media comments about the site.

Prosecraft.io, a site that used novels to help power a data-driven project to display word count, passive voice, and other much more subjective, writing-style markers such as vividness, shut down today after authors protested the project. Prosecraft used the full text of over 25,000 books—which is entirely copyrighted material—in order to develop a library of data. Authors, once they caught wind of what was happening, immediately hated this….

Ellen Datlow’s response to today’s shutdown was:

Susan Bridges pointed out why this is still dodgy:

And what’s more, Ursula Vernon found Prosecraft itself not very useful, as she illustrated in a long thread that starts here.

(2) ZOOM. Writers also discovered a much more important tool – Zoom – is grabbing their intellectual property with both robotic arms in its updated TOS.

Alex Ivanovs’ analysis at Stackdiary finds “Zoom’s Updated Terms of Service Permit Training AI on User Content Without Opt-Out”.

…What raises alarm is the explicit mention of the company’s right to use this data for machine learning and artificial intelligence, including training and tuning of algorithms and models. This effectively allows Zoom to train its AI on customer content without providing an opt-out option, a decision that is likely to spark significant debate about user privacy and consent.

Additionally, under section 10.4 of the updated terms, Zoom has secured a “perpetual, worldwide, non-exclusive, royalty-free, sublicensable, and transferable license” to redistribute, publish, access, use, store, transmit, review, disclose, preserve, extract, modify, reproduce, share, use, display, copy, distribute, translate, transcribe, create derivative works, and process Customer Content….

Under Section 10 of the new Zoom TOS:

“10.4 Customer License Grant. You agree to grant and hereby grant Zoom a perpetual, worldwide, non-exclusive, royalty-free, sublicensable, and transferable license and all other rights required or necessary to redistribute, publish, import, access, use, store, transmit, review, disclose, preserve, extract, modify, reproduce, share, use, display, copy, distribute, translate, transcribe, create derivative works, and process Customer Content and to perform all acts with respect to the Customer Content: (i) as may be necessary for Zoom to provide the Services to you, including to support the Services; (ii) for the purpose of product and service development, marketing, analytics, quality assurance, machine learning, artificial intelligence, training, testing, improvement of the Services, Software, or Zoom’s other products, services, and software, or any combination thereof; and (iii) for any other purpose relating to any use or other act permitted in accordance with Section 10.3. If you have any Proprietary Rights in or to Service Generated Data or Aggregated Anonymous Data, you hereby grant Zoom a perpetual, irrevocable, worldwide, non-exclusive, royalty-free, sublicensable, and transferable license and all other rights required or necessary to enable Zoom to exercise its rights pertaining to Service Generated Data and Aggregated Anonymous Data, as the case may be, in accordance with this Agreement.”

Eddie Louise, like many professionals, is out of there.

Michael Damian Thomas concluded:

(3) LET’S MAKE A DEAL. Simon & Shuster has been sold to private equity firm KKR for $1.62 billion reports Publishers Weekly.

In a move that some in the industry will welcome as putting at least a temporary stop to industry consolidation, the private investment firm KKR has reached an agreement with Paramount Global to acquire Simon & Schuster for $1.62 billion in an all cash transaction.

Though below the $2.175 billion that Penguin Random House had previously agreed to pay for the country’s third largest trade publisher, $1.62 billion is a healthy price since most trade publishers sell for not much better than 1.5 times sales, and S&S’s 2022 revenue was $1.18 billion….

… Overall, Bakish said the $1.62 billion sale price plus the $200 million termination fee paid by Penguin Random House after last year’s deal was blocked by regulators, plus the cash flow gained from strong sales from S&S over the last year, means the company will “realize approximately $2.2 billion of gross proceeds” from the S&S sale….

NPR’s story reminds readers:

…Last year, the Department of Justice blocked Penguin Random House from acquiring Simon & Schuster for $2.2 billion.

“The proposed merger would have reduced competition, decreased author compensation, diminished the breadth, depth, and diversity of our stories and ideas, and ultimately impoverished our democracy,” Assistant Attorney General Jonathan Kanter of the Justice Department’s Antitrust Division said in a statement at the time….

(4) MEET THE HANTU. BookBrunch titles its interview with Zen Cho without good reason “No tongue sandwiches in these adventure stories”. Don’t let that keep you from enjoying her comments about writing the stories now collected in Spirits Abroad.

…But it felt important to me to write about a mundanity reflecting my day-to-day life, featuring people who looked and spoke like my friends and family. 

The stories that resulted were about Asian girls and women navigating multiple worlds, challenging and being challenged by the strange beings they found there – whether those were white people, or magical creatures. The characters are witches, shapeshifters, vampires and hantu – a Malay term for a diverse and terrifying group of local spirits. 

They encounter lovesick dragons, argue with their bossy undead grandmas, and battle fairy armies. They eat sambal (a pungent condiment characteristic of Malaysian and Indonesian cuisine, made from a mixture of chillies and shrimp paste) and curry chicken bread. They address each other using Hokkien kinship terms and speak a variety of languages, not least Malaysian English – what we call ‘Manglish’, a creolised form of English that borrows grammar and vocabulary from Malay, Chinese dialects and Indian languages.

I called the collection of these stories Spirits Abroad. Despite its flights of whimsy, it’s a book rooted in my reality, in a way none of the books I read growing up were. It features magic and the supernatural, but it’s also about characters who are far away from home and trying to figure out who they are in the new places where they find themselves. It’s the book I wish I could have given my younger self….

(5) HOPE FOR EARLY DOCTOR WHO COMPLETISTS. A better explanation of an item here the other day: “Doctor Who: Head of TV Archive Gives Promising Update on Missing Episodes” at CBR.com.

…However, Perry has given Doctor Who fans a peculiar update on the issue. RadioTimes reported that the CEO of Kaleidoscope assured audiences that the lost episodes are “very likely” to be recovered somewhere along the line. At the moment, 97 episodes (out of 253), all from the show’s first six years, are still missing, meaning that quite a few stories featuring the First Doctor and the Second Doctor and their companions are either partially or completely lost.

Perry claimed that he and his team were aware of the location of the missing episodes, yet they had no means of getting their hands on them due to lacking the owners’ permission. “We know where there is missing Doctor Who out there but the owners won’t return it at the moment,” he explained.

…. The recovery work for Doctor Who‘s missing episodes has been going on for years. In fact, all of the Third Doctor’s adventures — as well as six complete serials and quite a few episodes from the lost stories with the First and the Second Doctors — have been tracked down since the 1970s. Most recently, for instance, four episodes of Troughton’s Season 5 Serial 5, called “The Web of Fear,” were miraculously found in Nigeria back in 2013…

(6) GLASGOW 2024 TO OPEN ONE YEAR FROM TODAY. [From a press release.] The 82nd World Science Fiction Convention will open its doors to the public exactly one year from today. Glasgow 2024, a Worldcon for Our Futures will host over 5,000 fans of science fiction books, films, TV shows, games and other media and is expected to inject over £5m into the local economy. The one year milestone was marked by a live-streamed announcement from convention chair Esther MacCallum-Stewart.

This is the third time that Worldcon has been held in Glasgow, following successful conventions in 1995 and 2005, and in a notable coincidence Glasgow 2024 will open 19 years to the day after the gavel was brought down on the 2005 event. Next year’s celebration of science fiction is already proving very popular with SF fans and professionals around the world, with over 3,000 members from 30 countries registered to date.

Glasgow 2024 will be held at the Scottish Events Campus (SEC), widely recognised as a leading international convention and events venue. The SEC has been significantly upgraded since 2005, with additional conference spaces and a greatly expanded range of on-site hotels. The Glasgow 2024 team has had fantastic support from Glasgow Life throughout the bidding process and in preparing for the convention.

Glasgow 2024’s Guests of Honour include writers, editors, artists and fans – Chris Baker (Fangorn), Claire Brialey and Mark Plummer, Ken MacLeod, Nnedi Okorafor, and Terri Windling. These Guests will be joined by a range of Special Guests, professionals and fans from across the field and the world, with over 600 hours of programming and over 500 speakers planned for the five days of the convention.

Worldcon is, however, not just an extraordinarily engaging and diverse conference, but a celebration of all aspects of the SF genre, and the team will be making regular announcements over the coming months as plans are finalised.  This will start this week with a look at the major events, ranging from the traditional Hugo Award Ceremony and costume Masquerade to an orchestral concert, the world premiere of an original opera, theatrical performances, dances, and live action video games. Subsequent announcements will cover Special Guests, spectacular themed exhibits, a substantial Art Show and Dealers’ Room, and arrangements for virtual participation and attendance for those who cannot come to Glasgow in person.

Glasgow 2024 Chair, Esther MacCallum-Stewart said, “I’m hugely proud of the whole team for the dedication and hard work that have brought us to this point, and excited to start sharing our plans with both members and the wider community.  It’s a rare privilege to host the Worldcon and we are committed to our vision of being imaginative, caring and inclusive.”

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 8, 1920 — Jack Speer. He is without doubt one of the founders of fandom, and perhaps the first true fan historian, having written Up to Now: A History of Science Fiction Fandom covering up to 1939 as well as the first Fancyclopedia in 1944. Filking and costume parties are also widely credited to him as well.  Mike has a proper remembrance here. (Died 2008.)
  • Born August 8, 1930 — Terry Nation. Best known as scriptwriter for Doctor Who and creator of the Daleks. He later created Blake’s 7. He would also write scripts for Department S, The Avengers, The Champions and MacGyver. He both Davros and the Daleks on Who. He died from emphysema in Los Angeles aged 66, as he working with actor Paul Darrow who played Kerr Avon on Blake’s 7 in an attempt to revive that series. (Died 1997.)
  • Born August 8, 1935 — Donald P. Bellisario, 88. Genre shows include Tales of the Gold Monkey, Airwolf and of course that truly amazing show Quantum Leap. OK, is Tales of the Gold Monkey genre? Well if not SF or fantasy, it’s certainly pulp in the best sense of that term. 
  • Born August 8, 1937 — Dustin Hoffman, 86. Ahhh Captian Hook, the man who got figuratively swallowed by the vast crocodile in Hook. Yeah I like that film a lot. But then I like the novel very much, too. By no means his only genre appearance as he was Mumbles, Caprice’s fast-talking henchman in Dick Tracy (a film I actually find rather odd), Mr. Edward Magorium in Mr. Magorium’s Wonder Emporium and the voice of Master Shifu in Kung Fu Panda.
  • Born August 8, 1950 — John D. Berry, 73. Editor of myriad fanzines, notable as one featured a column in the Eighties written by his longtime friend, William Gibson. “The Clubhouse” which he wrote from July 1969 to September 1972 for Amazing Stories reviewed fanzines. His last published piece was “Susan Wood: About and By”, an appreciation of the late author. Partner of Eileen Gunn.
  • Born August 8, 1961 — Timothy P. Szczesuil, 62. Boston-based con-running fan who chaired Boskone 33 and Boskone 53. He’s also edited or co-edited several books for NESFA, Strange Days: Fabulous Journeys with Gardner Dozois and His Share of Glory: The Complete Short Science Fiction of C. M. Kornbluth. 
  • Born August 8, 1974 — Dominic Harman, 49. Wandering through the Birthday sources, I found this UK illustrator active for some twenty years. He’s won three BSFA Awards, two for Interzone covers and one for the cover for 2011 Solaris edition of Ian Whates’ The Noise Revealed. My favorite cover by him? Naomi Novik’s His Majesty’s Dragon cover, the 2006 Del Rey / Ballantine edition, is an outstanding look at his work.
  • Born August 8, 1993 — Kawennáhere Devery Jacobs, 30. She’s a Kahnawake Mohawk. Why I mention that will be apparent in a moment. Her most recent role was recurring one as Sam Black Crow on now-cancelled American Gods but she has a very long genre history starting with being Monique on the Stephen King’s Dead Zone series. From there, she was Claudia Auditore in Assassin’s Creed: Lineage, a series of three short films based on the Assassin’s Creed II video game before showing up as Ali’s in Rhymes for Young Ghouls which is notable for its handling of First Nations issues. She’s Daisy in Another WolfCop (oh guess which monster), an unnamed bar waitress in Being Human, Nourhan in Exploding Sun and Sam in the The Walking Dead: Michonne video game. Her latest genre role is Blood Quantum about a zombie uprising on a First Nations homeland.

(8) COMICS SECTION.

(9) FIGHTING COPYRIGHT ABUSE. Fifteen-time Hugo winning artist Michael Whelan tweeted about a new battle to stop a site that computer-generates art in imitation of his style. Thread starts here.

(10) YOUR NAME HERE – EH, NO THANKS! Meanwhile, author Jane Friedman spent yesterday battling with book sites over junk books they are attributing to her name: “I Would Rather See My Books Get Pirated Than This (Or: Why Goodreads and Amazon Are Becoming Dumpster Fires)”

There’s not much that makes me angry these days about writing and publishing. I’ve seen it all. I know what to expect from Amazon and Goodreads. Meaning: I don’t expect much, and I assume I will be continually disappointed. Nor do I have the power to change how they operate. My energy-saving strategy: move on and focus on what you can control.

That’s going to become much harder to do if Amazon and Goodreads don’t start defending against the absolute garbage now being spread across their sites.

I know my work gets pirated and frankly I don’t care. (I’m not saying other authors shouldn’t care, but that’s not a battle worth my time today.)

But here’s what does rankle me: garbage books getting uploaded to Amazon where my name is credited as the author. (Here’s but one example.) Whoever’s doing this is obviously preying on writers who trust my name and think I’ve actually written these books. I have not. Most likely they’ve been generated by AI.

It might be possible to ignore this nonsense on some level since these books aren’t receiving customer reviews (so far), and mostly they sink to the bottom of search results (although not always). At the very least, if you look at my author profile on Amazon, these junk books don’t appear. A reader who applies some critical thinking might think twice before accepting these books as mine.

Still, it’s not great. And it falls on me, the author—the one with a reputation at stake—to get these misleading books removed from Amazon. I’m not even sure it’s possible. I don’t own the copyright to these junk books. I don’t exactly “own” my name either—lots of other people who are also legit authors share my name, after all. So on what grounds can I successfully demand this stop, at least in Amazon’s eyes? I’m not sure.

To add insult to injury, these sham books are getting added to my official Goodreads profile. A reasonable person might think I control what books are shown on my Goodreads profile, or that I approve them, or at the very least I could have them easily removed. Not so.

If you need to have your Goodreads profile corrected—as far as the books credited to you—you have to reach out to volunteer “librarians” on Goodreads, which requires joining a group, then posting in a comment thread that you want illegitimate books removed from your profile….

Update (afternoon of Aug. 7): Hours after this post was published, my official Goodreads profile was cleaned of the offending titles. I did file a report with Amazon, complaining that these books were using my name and reputation without my consent. Amazon’s response: “Please provide us with any trademark registration numbers that relate to your claim.” When I replied that I did not have a trademark for my name, they closed the case and said the books would not be removed from sale.

Update (morning of Aug. 8): The fraudulent titles appear to be entirely removed from Amazon and Goodreads alike. I’m sure that’s in no small part due to my visibility and reputation in the writing and publishing community. What will authors with smaller profiles do when this happens to them? If you ever find yourself in a similar situation, I’d start by reaching out to an advocacy organization like The Authors Guild (I’m a member).

(11) UNION GROWTH. “Marvel VFX artists take first step toward unionisation amid Hollywood strikes” notes the Guardian.

Visual effects artists working for Marvel have taken the first step towards unionisation in a notoriously poorly represented area of the film industry. According to a statement from the International Alliance of Theatrical Stage Employees (IATSE) a group of on-set VFX artists employed by the studio have filed a petition with the US’s National Labor Relations Board.

Hailing the move as “a major shift in an industry that has largely remained non-union since VFX was pioneered during production of the first Star Wars films in the 1970s”, the IATSE said a supermajority of Marvel’s 50-plus VFX crew had signed authorisation cards indicating they wished to be represented by the union, which already represents around 168,000 technicians and craftspeople in live theatre, film and TV and associated areas in the US and Canada….

(12) PITTSBURGH DOES SPACE. [Item by Daniel Dern.] “One small step for man, one giant leap for Pittsburgh” says Route Fifty.

Think of the space industry in the U.S., and places like Houston, Cape Canaveral, Florida, or Huntsville, Alabama, likely spring to mind. But how about Pittsburgh?

No? Well, a collection of state and local officials and business leaders from the Keystone State are looking to change that.

…The Keystone Space Collaborative, a regional organization that works to promote space industry businesses and talent in Ohio, Pennsylvania and West Virginia, announced in June that it would form a space and innovation district in Pittsburgh….

And yet they mention neither James Blish’s Cities In Flight tetrology (Pittsburgh, like many other cities, spindizzies through space) nor Wen Spencer’s (highly entertaining) Elfhome series (Pittsburgh gets dimension-swapped to a magic/elf/etc world).

(13) A FACE IN AN ANCIENT CROWD. Live Science offers readers the opportunity to “See stunning likeness of Zlatý kůň, the oldest modern human to be genetically sequenced”.

In 1950, archaeologists discovered a severed skull buried deep inside a cave system in Czechia (the Czech Republic). Because the skull was split in half, researchers concluded that the skeletal remains were of two separate individuals. However, through genome sequencing done decades later, scientists concluded that the skull actually belonged to a single person: a woman who lived 45,000 years ago.

Researchers named her the Zlatý kůň woman, or “golden horse” in Czech, in a nod to a hill above the cave system. Further analysis of her DNA revealed that her genome carried roughly 3% Neanderthal ancestry, that she was part of a population of early modern humans who likely mated with Neanderthals and that her genome was the oldest modern human genome ever to be sequenced.

Although much has been learned about the woman’s genetics, little is known about what she may have looked like. But now, a new online paper published July 18 offers new insight into her possible appearance in the form of a facial approximation….

(14) THE SUSPENSE IS NOT KILLING ME. [Item by SF Concatenation’s Jonathan Cowie.] The record for suspended animation has been smashed by a worm revived after some 46,000 years! Suspended animation is a common trope in science fiction that is usually applied to astronauts in SF stories so that they can travel interstellar distances. However in reality finding organisms that can do this over potentially geological timescales has been elusive.

Now, past work has shown that bacterial spores can survive tens of millions of years, but bacteria are very simple life forms being single celled prokaryotes. What would be really neat would be something multi-cellular surviving very many years. Well, we have managed to revive 30,000 year old fruit tissue that had been frozen in permafrost from which whole plants were grown.  But what we really want to see is a multicellular animal survive thousands of years in suspended animation or, to be technical, cryptobiosis. Here too there has been some success with the resurrection of a rotifer from 24,000 year old permafrost. But rotifers are still simple animals that do not even have a through-gut and only have two, not three, layers of cells.

The latest development also involves reviving from suspended animation a species that had been buried in permafrost. Here, the species involved was a nematode worm, and a new species at that which the researchers call Panagrolaimus kolymaensis. (Panagrolaimus species have been known before, but P. kolymaensis is new.)

The dormant P. kolymaensis was found in permafrost near a riverbank at a depth of 40 metres and some 11 metres above the river level, the river being the Kolyma River, a few miles from Cherskyn north-eastern Siberia, Russia.

The worms were actually found in the remains of what was once a burrow of Arctic gophers (Citellus). The burrow also contained other organic material which the researchers used to radiocarbon date the burrow. They found it to be 44,315 years old (give or take nearly half a century of experimental error). The previous record for reviving a nematode worm in the wild was after about 25 years of being frozen in Antarctic moss. The record in the lab was 39 years of a dried worm in a herbarium. So this 46,000 year old discovery smashes both those records!

The researchers did some further work that suggests that the mechanisms Panagrolaimus kolymaensis uses to survive suspended animation are similar to that by another nematode worm, Caenorhabditis elegans. C. elegans is a workhorse species for biologists working with nematodes. (It has even been used to elucidate why we mammals get the cannabis munchies.)

This work is also remarkable in another way. During Russia’s illegal invasion of Ukraine, this research was conducted by Russians together with western Europeans from Germany, Britain, Switzerland and Ireland. Two Russians and a German conceived the work. (See Shatilovich, A. et al (2023) A novel nematode species from the Siberian permafrost shares adaptive mechanisms for cryptobiotic survival with C. elegans dauer larva. PLOS Genetics, vol. 19 (7), e1010798.)

[Thanks to Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Anne Marble, Kathy Sullivan, Steven French, Daniel Dern, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Tom Becker.]

Glasgow 2024 Worldcon One Year Launch Event

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Glasgow 2024, a Worldcon for Our Futures begins a year from today, and to mark the occasion Chair Esther MacCallum-Stewart announced that one of the convention’s key events will be an opera written by Ken MacLeod and composed by Gary Lloyd.

Statement from Chair – Esther MacCallum-Stewart

“One year out is a big moment for us, as you might expect! I’m absolutely delighted to announce the opera, written by Guest of Honour Ken Macleod and Composer Gary Lloyd. This is an exciting new piece of work and something really rather special. I can’t wait.” See the Chair’s 7-minute video here on Facebook.

Interview with Guest of Honour Ken MacLeod Introducing the Glasgow 2024 Opera

Glasgow 2024 Guest of Honour Ken MacLeod was interviewed recently by Meg MacDonald, in which they discussed the bespoke Opera that Ken and Gary Lloyd have created for Glasgow 2024, A Worldcon For Our Futures. Check out the link below to watch the full interview:

Gary Lloyd Introduces the Glasgow 2024 Opera

Glasgow 2024 is delighted to have composer Gary Lloyd and Guest of Honour Ken MacLeod combining their talents to compose and write an Opera that will be opened for the first time at our Worldcon one year from now! 

In this video, Gary chats about how he started writing science fiction themed operas, why Opera inspires him, along with his hopes for this particular Glasgow 2024 Opera.

Glasgow 2024 Opera Teaser

In this video we get a taste of past Operatic works by Gary Lloyd at Loncon 3 and Dublin 2019, An Irish Worldcon. Now we wait in anticipation for the Glasgow 2024 Opera which will debut one year from today at Glasgow 2024, A Worldcon For Our Futures!

[Based on a press release.]

Glasgow 2024 Worldcon Releases
AI Art Policy

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The Glasgow 2024 Worldcon committee has been studying the AI art issue and today published a statement saying all art presented at their planned Art Show “must have been created by the artist, and not generated.” How that policy will be carried out is detailed in the statement.

AI Art Statement.
Glasgow 2024, A Worldcon for Our Futures.

The use of AI in Art is an issue which has become of key importance to the Fan Community. This statement is a result of consultation with the ASFA (Association of Science Fiction and Fantasy Artists), with artists at Eastercon 2023, Boskone 2023, with Anime Los Angeles and with other organisations within our community who have kindly allowed us to look at their own policies.

Glasgow 2024, A Worldcon for Our Futures will not accept artwork into the Art Show that comprises anything that was created using text to image AI generators, or was created using any compiler or generator that relies on the use of other artists’ images without the express permission of that artist.

All art presented in the Glasgow 2024 Art Show must have been created by the artist, and not generated. We will enforce this to the strictest extent. If any art in the Art Show is found to have been generated rather than created, we will ask the artist to take it down. If the artist refuses to take it down, we will take it down for them, and if there is doubt regarding the origin of a piece of art, we will ask to see the proof of the original.

We have a shared vision of Glasgow 2024, A Worldcon for Our Futures that is caring, inclusive and imaginative, and we want to showcase that in everything that you see in our Art Show.

We welcome you as Artists from any medium, using any media, but when you bring us your work, we do ask that it is your work.

FAQ

1. Does this mean that I can present my work in the Art Show if it digitally enhances another artist’s work at their request?

Yes, but we would need to see the permissions as granted by the original artist.

2. Does this affect art elsewhere in the Convention, for example book jackets or images used in presentations?

Whilst we would prefer that you not include images like this in your work, we understand that this can happen, and that AI work has sometimes been used unintentionally on items like book jackets and merchandise. We would ask that where possible, you do not include these items, but appreciate that this may occur in spite of good intentions.

3. Can I sell AI generated work elsewhere in the Dealer’s Room?

We would strongly prefer that you not do so. Please mark any work that is AI generated as being so. If you are a dealer who is exclusively presenting AI work, we will take this into consideration in the initial allocation of tables and may refuse to give you space.

[Thanks to Esther MacCallum-Stewart, Chair, Glasgow 2024 for the story.]

Pixel Scroll 4/9/23 Mind The Pixels, And The Scrolls Will File Themselves

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(1) HAPPY MOOMIN EASTER!

(2) AI AND RELIGION. The Guardian poses a question to a rabbi, a Muslim scholar, and a digital religions professor: “Are chatbots changing the face of religion? Three faith leaders on grappling with AI”.

….HadithGPT, for instance, uses hadiths or the narrations of the sayings and life of the Prophet Muhammad to answer questions about Islam. Its responses come with a disclaimer: the answers are AI-generated and may not be accurate, it says. “Islam is passed down from heart to heart and it is important to learn and consult real Islamic scholars for more accurate information.”

Even with this disclaimer, an average person may not have access to an actual scholar they can consult, making it easier to rely exclusively on Sheikh Google or services like HadithGPT, Turk says. The source material is also missing a lot of context typically considered when answering Islamic questions, he added. That includes the human layer of analysis of the hadiths and consideration of other texts such as the Qur’an, as well as scholarly opinions and Islamic jurisprudence. Different schools of thought also give weight to different customs and traditions, he said.

“The hadith are silent on a lot of questions that are more contemporary in nature, Turk said. “It’s much more complicated than just what do the hadiths say in a black and white fashion.”

In other faiths like Buddhism, many practitioners are less text and more practice-centric, making the religion “uniquely situated to shrug” the proliferation of chatbots off, according to the Rev Angel Kyodo Williams, Roshi a Zen Buddhist priest in California.

“There’s a practice centricity that takes all of the text and sets them aside and says, it doesn’t matter how much you read, doesn’t matter what you get out of a chatbot,” Williams said. “That’s not the answer. The answer is in your life: do you feel the truth of those words that you speak? And if you don’t, that’s really the only measure.”…

(3) WORLD VOICES FESTIVAL. Some well-known genre figures will be part of The PEN America World Voices Festival, to be held May 10-13. The event will be led by festival chair Ayad Akhtar and guest chairs Marlon James and Ottessa Moshfegh. Ta-Nehisi Coates will deliver the Arthur Miller lecture which will be livestreamed. Speakers include John Irving, Roxane Gay, Reza Aslan, Min Jin Lee, Sarah Polley, Amor Towles, Padma Lakshmi, Masha Gessen, Jelani Cobb, Ben Okri, Han Kang, Imani Perry and so many more. The festival takes place on May 10-13 both in Manhattan’s Greenwich Village and Los Angeles with selected events available online.

(4) A MODEST PROPOSAL. SF2 Concatenation tweeted a link to an advance post of its forthcoming seasonal edition’s news page editorial, and they’d love for you to click through and read the whole thing. Here’s the teaser:

With the Worldcon coming to Britain for the first time in roughly a decade, the mainly British-based SF2 Concatenation has a possible suggestion for the committee’s choice of special Hugo Award category.

What special Hugo Award category for the 2024 Glasgow Worldcon? In addition to the set Hugo Award categories, such as Best Dramatic Presentation Long Form, Best Short Story, Best Novel etc., each year that year’s committee organising the Worldcon gets the right to choose a category of their own.  Past such Hugo categories have included things like Best Game or Best Art Book.  Not all committee-proposed special categories in the past garnered sufficient nomination interest for them to appear on the Hugo Short-List ballot.  So really the trick is to come up with a special category that will engage with Hugo Award voters (Worldcon Attending registrants).
Here we have an idea…

(5) IT CAUGHT ON IN A FLASH. Space Cowboy Books will host a “Flash Science Fiction Night Online Event” on Tuesday April 25 at 6:00 p.m. Pacific. Register for free here.

Online Flash Science Fiction Reading. Join us online for an evening of short science fiction readings (1000 words or less) with authors Susan Rukeyser, Todd Sullivan, and Tara Campbell. Flash Science Fiction Night’s run 30 minutes or less, and are a fun and great way to learn about new authors from around the world.

(6) WHERE’S MY FAINTING CLOTH? Literary Hub names “13 Adaptations Better Than the Books They’re Based On”. Station Eleven and American Gods are on the list! Is this blasphemy? (Are they right?)

Most of the time, when a beloved book is adapted into a film, or even into a television show, a form with a little more elbow room, shall we say, the magic doesn’t quite translate. Which isn’t to say the adaptations aren’t themselves good—it’s just that the books are usually better. Even very very good adaptations, like The Talented Mr. Ripley, can often only manage to be second fiddle to their source material.

But not always. Sometimes the movie really is better than the book. Below, the Lit Hub staff will argue the case for 13 adaptations which (in our humble/expert/individual opinions) manage to eclipse the books they’re based on. Add your own—or tell us why we’re wrong—in the comments….

(7) SPOIL SPORTS. Meanwhile, CBR.com harps on these “Facts Sci-Fi Movies Always Get Wrong”.

Sci-fi movies take scientific ideas and theories and make them fun, and in some cases even drive innovation. However, many sci-fi concepts are also flawed from the start. Indeed, many of the genre’s favorite tropes simply don’t comport with what scientists know about the universe….

5. Explosions in Space

Many science fiction movies feature battles between ultra-fast starfighters and enormous starships, with the requisite explosions fans have come to expect. Star Wars was the first franchise to prominently feature deep-space explosions, introducing the trope to its millions of fans.

However, this kind of fiery explosion is impossible outside of an oxygen-rich atmosphere (via Science ABC). It’s satisfying when an evil space station explodes, signaling a dramatic victory for the heroes, and spaceships should carry a substantial amount of oxygen for their air-breathing crew. However, most of the exploding starships fans have learned to accept over the years look nothing like actual explosions in a vacuum. If an exploding ship was moving at high speed, the explosion itself would continue to move at the same speed, and without gravity or friction, it would be much larger than the contained blasts viewers associate with violent deep space justice.

(8) MEMORY LANE.

2006 – [Compiled by Cat Eldridge.]

Now let’s talk about two volumes of stories that are among the best ones ever done. Catherynne Valente’s The Orphan’s Tales: In the Night Garden, and that is where this Beginning is from, and The Orphan’s Tales: In the Cities of Coin and Spice are some of most delightfully female centered tales that pass the Bechdel test continuously. 

Bantam Spectra published The Orphan’s Tales: In the Night Garden seventeen years ago as lavishly illustrated by Michael Kaluta who of course would illustrate In the Cities of Coin and Spice too.  It would win both an Otherwise Award and the Mythopoeic Award as well as being nominated for a World Fantasy Award. 

Observing Valente riffing off the much older A Thousand and One Nights with Scheherazade is a sheer delight. Not saying anything explicit about them, they are connected but they are such that they stand on their own rather well too. 

Though they are available as digital publications, I recommend purchasing the two trade paper editions.  They make most excellent reading. Really they do. 

Oh and you can hear SJ Tucker’s take on the girl in the garden in this song which is up on Green Man.

And now we meet the girl in the garden. 

PRELUDE

ONCE THERE WAS A CHILD WHOSE FACE WAS LIKE THE NEW MOON SHINING on cypress trees and the feathers of waterbirds. She was a strange child, full of secrets. She would sit alone in the great Palace Garden on winter nights, pressing her hands into the snow and watching it melt under her heat. She wore a crown of garlic greens and wisteria; she drank from the silver fountains studded with lapis; she ate cold pears under a canopy of pines on rainy afternoons.

Now this child had a strange and wonderful birthmark, in that her eyelids and the flesh around her eyes were stained a deep indigo-black, like ink pooled in china pots. It gave her the mysterious, taciturn look of an owl on ivory rafters, or a raccoon drinking from the swift-flowing river. It colored her eyes such that when she was grown she would never have to smoke her eyelashes with kohl. 

For this mark she was feared, and from her earliest days, the girl was abandoned to wander the Garden around the many-towered Palace. Her parents regarded her with trepidation and terror, wondering if her deformity reflected poorly on their virtue. The other nobles firmly believed she was a demon, sent to destroy the glittering court. Their children, who often roamed the Garden like a flock of wild geese, kept away from her, lest she curse them with her terrible powers. The Sultan could not decide—after all, if she were a demon, it would not do to offend her infernal kin by doing away with her like so much cut grass. In the end, all preferred that she simply remain silent and far away, so that none would have to confront the dilemma.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 9, 1911 — George O. Smith. His early prolific writings on Astounding Science Fiction in the 1940s which ended when Campbell’s wife left him for Smith whom she married. Later stories were on Thrilling Wonder Stories, Galaxy, Super Science Stories and Fantastic to name but four such outlets. He was given First Fandom Hall of Fame Award just before he passed on. Interestingly his novels are available from the usual digital sources but his short stories are not. (Died 1981.)
  • Born April 9, 1913 — George F. Lowther. He was writer, producer, director in the earliest days of radio and television. He wrote scripts for both Captain Video and His Video Rangers and Tom Corbett, Space Cadet. (Died 1975.)
  • Born April 9, 1937 — Marty Krofft, 86. Along with with Sid, a Canadian sibling team of television creators and puppeteers. Through Sid & Marty Krofft Pictures, they have made numerous series including the superb H.R. Pufnstuf which I still remember fondly all these years later not to forget Sigmund and the Sea Monsters, Land of the Lost and Electra Woman and Dyna Girl.
  • Born April 9, 1949 — Stephen Hickman, born 1949, aged seventy four years. Illustrator who has done over three hundred and fifty genre covers such as Manly Wade Wellman’s John the Balladeer and Nancy Springer’s Rowan Hood, Outlaw Girl of Sherwood Forest. His most widely known effort is his space fantasy postage stamps done for the U.S. Postal Service which won a Hugo for Best Original Artwork at ConAndian in 1994. (Died 2021.)
  • Born April 9, 1954 — Dennis Quaid, 68. I’m reasonably sure that his first genre role (but as always I stand by to be cheerfully corrected if I’m wrong) was in Dreamscape as Alex Gardner followed immediately by the superb role of Willis Davidge in Enemy Mine followed by completing a trifecta with Innerspace and the character of Lt. Tuck Pendleton. And then there’s the sweet film of Dragonheart and him as Bowen. Anyone hear of The Day After Tomorrow in which he was Jack Hall? I hadn’t a clue about it.
  • Born April 9, 1972 — Neve McIntosh, 51. During time of the Eleventh Doctor, she played Alaya and Restac, two Silurian reptilian sisters who have been disturbed under the earth, one captured by humans and the other demanding vengeance. Her second appearance on Doctor Who is Madame Vastra in “A Good Man Goes to War”. Also a Silurian, she’s a Victorian crime fighter.  She’s back in the 2012 Christmas special, and in the episodes “The Crimson Horror” and “The Name of the Doctor”. She’s Madame Vastra, who along with her wife, Jenny Flint, and Strax, a former Sontaran warrior, who together form an private investigator team. Big Finish gave them their own line of audio adventures which I really should listen to soon. 
  • Born April 9, 1990 — Kristen Stewart, 33. She first shows up in our area of interest in The Flintstones in Viva Rock Vegas as a Ring Toss Girl (ok, it wasn’t that bad a film). Zathura: A Space Adventure based off the Chris Van Allsburg book has her playing Lisa Budwing. Jumper based off the Stephen Gould novel of the same name had her in a minor role as Sophie. If you’ve not seen it, I recommend Snow White and the Huntsman which has her in the title role of Snow White. It’s a really great popcorn film. Finally she’s got a gig in The Twilight Saga franchise as Bella Cullen. 

(10) FRANK ARNOLD REMEMBERED. Rob Hansen made a discovery that prompted him to remind readers that the first free ebook he put together for the TAFF site was The Frank Arnold Papers in 2017.

I edited this together from Frank’s papers, which had been passed to me after being saved from consignment to a dumpster 30 years earlier and had been gathering dust in my cellar ever since. Though Frank was a minor writer this was reasonably well received and I even had several requests from chums for the apocrypha, the material I hadn’t included in that volume. Needless to say, THE FRANK ARNOLD PAPERS is as close to an autobiography as we’re ever going to see. 

Hansen says he’s now discovered there’s also a biography, a long article by Dave Rowe in Outworlds #65 beginning on page 13. It includes details of Frank’s life that you’re unlikely to find elsewhere.

He was the last regular link with the original London Circle. He was the keeper of the visitors’ book. He was a methuselahic Peter Pan, a pint-sized Mister Micawber. Practically everyone who had passed through The Globe’s and The One Tun’s portals on each months first Thursday night had known him and his radiantly pert smile, yet to quote Arthur 0. Clarke he was also “the most invisible person I ever met!” and Ted (E.C.) Tubb recalled “he was a very lonely person who was unable to allow people into his private world. In other words a typical fan of his time—as are many of his generation.” The number who knew him ‘at home’ could be counted on the fingers of two hands. To visit him there was like stepping into a living time-capsule. Time had ended in the fifties…

(11) BACK ON THE SHELF. “Obi-Wan Kenobi Season 2 Is Officially… Probably Not Happening” reports Yahoo!

… Lucasfilm president Kathleen Kennedy shared some disappointing news regarding the future of Obi-Wan Kenobi at Saturday’s Star Wars Celebration in London.

Season 2 of the Disney+ series starring Ewan McGregor “is not an active development,” Kennedy told our sister site Variety, before adding, “But I never say never, because there’s always the possibility. That show was so well-received and [director] Deborah Chow did such a spectacular job. Ewan McGregor really wants to do another….

(12) STORMY WEATHER. “NASA Reveals What Made an Entire Starlink Satellite Fleet Go Down” at Inverse.

On March 23, sky observers marveled at a gorgeous display of northern and southern lights. It was a reminder that when our Sun gets active, it can spark a phenomenon called “space weather.” Aurorae are among the most benign effects of this phenomenon.

At the other end of the space weather spectrum are solar storms that can knock out satellites. The folks at Starlink found that out the hard way in February 2022. On January 29 that year, the Sun belched out a class M 1.1 flare and related coronal mass ejection. Material from the Sun traveled out on the solar wind and arrived at Earth a few days later. On February 3, Starlink launched a group of 49 satellites to an altitude only 130 miles above Earth’s surface. They didn’t last long, and now solar physicists know why….

(13) OOPS. “Magnets wipe memories from meteorites” in Science. “Researchers sound alarm over damage caused by popular meteorite-hunting technique.”

In 2011, nomads roaming the western Sahara encountered precious time capsules from Mars: coal-black chunks of a meteorite, strewn across the dunes. “Black Beauty,” as the parent body came to be known, captivated scientists and collectors because it contained crystals that formed on Mars more than 4.4 billion years ago, making it older than any native rock on Earth. Jérôme Gattacceca, a paleo-magnetist at the European Centre for Research and Teaching in Environmental Geo-sciences, hoped it might harbor a secret message, imprinted by the now-defunct martian magnetic field—which is thought to have helped the planet sustain an atmosphere, water, and possibly even life. But when Gattacceca obtained a piece of Black Beauty and tried to decode its magnetic inscription, he found its memory had been wiped—Men in Black style—and replaced by a stronger signal. He instantly knew the culprit. Somewhere along its journey from Moroccan desert to street dealers to laboratory, the rock had been touched by strong hand magnets, a widely used technique for identifying meteorites.

[Thanks to Cat Eldridge, Mike Kennedy, Andrew Porter, Cliff, Hampus Eckerman, SF Concatenation’s Jonathan Cowie, John King Tarpinian, Chris Barkley, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Kip Williams.]

Glasgow 2024 PR1 Now Online 

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Glasgow 2024, A Worldcon for Our Futures, has posted Progress Report #1 online as a downloadable PDF publication here.

On the front of PR#1 is Guest of Honor Chris “Fangorn” Baker’s cover art titled “Wuthering.” Other guests of honor have contributed two articles, Ken MacLeod about “Finding Fandom”, and Claire Brialey and Mark Plummer’s look at the British Worldcons held in London in 1957 and 1965. 

Chair Esther MacCallum-Stewart’s introduction tells what the con aspires to deliver, and says in part:  

…The standards a Worldcon is held to are exceptionally high. As we start to make large decisions, our budget becomes clearer and aspects such as our infrastructure start to be locked in, so too must we try our hardest to hold as many of these up as we can. Whilst we can be a forerunner for positive change within the Science Fiction and Fantasy community, our reach is not infinite. I readily accept at this stage that there will be missteps and things that we cannot do. However, it is how we respond to these, as a community as well as a convention, that will provide our legacy for the future….

The “Worldcon 101” article includes a quote, “That’s why buying a Worldcon ‘attending membership’ is not the same as buying a ‘ticket’ – membership offers more than just attendance” – an unintentional bit of nostalgia about the way things used to be – say, in 2022.

“Funds for Fans” includes an early window on Glasgow’s plans to offer help in attending:

Glasgow 2024, a Worldcon for our Futures, intends to have resources available to those who need assistance attending. We will be setting up a way to apply for those resources – donated memberships and other funds – in the coming months. While donated memberships are the most straightforward offering we will have, we also expect to be able to offer limited funding to help those who particularly need it with other costs, such as accommodation and childcare. If you wish to help support other fans in attending Glasgow 2024, you will be able to donate unwanted memberships or money directly to the fund. We are still working out the details, but it is already possible to donate memberships via the Registration Team

The “Chair’s Vision” article lists many lessons that Glasgow 2024 will be implementing. For example:

Volunteer Training

Learning from Chicon, we are investigating local groups to adopt a local equivalent of mandatory Bystander Intervention training for all volunteers. We intend that this will take place via online sessions before the convention and briefing at-con. Bystander Intervention helps people recognise when harassment is taking place, and how to effectively respond to it. We are also investigating sensitivity training to accompany this. Specialised teams like our listeners, accessibility, and Code of Conduct teams will also receive team-specific training where possible. Thank you Chicon, for your lessons here!

For those who want to host parties at the convention there’s advice about how to get started:

Parties will be in function rooms of the Crowne Plaza Hotel, which is attached to the SEC by a corridor. The rooms will be used for programme during the day and change each night to become the party rooms. We plan to announce more information about how to book a party room later this year; watch our website and social media for an announcement. If you want to register an interest, please email [email protected] now and we will send an email when the information is published

The WSFS administrators are introduced:

The 2024 Hugo Awards Subcommittee has been appointed, consisting of Kat Jones (Hugo Administrator and WSFS Deputy Division Head), Cassidy (Deputy Hugo Administrator), Nicholas Whyte (WSFS Division Head), and Kathryn Duval (WSFS Deputy Division Head). All authority over the administration of the Hugo Awards has been irrevocably delegated to the Subcommittee by the Glasgow 2024 Committee. WSFS Division is also responsible for the Business Meeting and for 2026 Worldcon Site Selection as well as the 2024 Hugos, and we are exploring how to make all three of our areas of responsibility caring, inclusive, and imaginative, in line with the core values of Glasgow 2024.

People with questions are invited to email the committee at [email protected]

Pixel Scroll 12/1/22 We Reserved A Table For Nine In The Pipeweed Smoking Section… The Name Is Gandalf. Gee Ay Enn Dee Ay Ell Eff

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(1) NUMBER, PLEASE. Indiana Jones and the Dial of Destiny comes to theaters June 30, 2023. It’s the first fifth in the series!

Harrison Ford returns as the legendary hero archaeologist in the highly anticipated fifth installment of the iconic “Indiana Jones” franchise, which is directed by James Mangold (“Ford v Ferrari,” “Logan”). Starring along with Ford are Phoebe Waller-Bridge (“Fleabag”), Antonio Banderas (“Pain and Glory”), John Rhys-Davies (“Raiders of the Lost Ark”), Shaunette Renee Wilson (“Black Panther”), Thomas Kretschmann (“Das Boot”), Toby Jones (“Jurassic World: Fallen Kingdom”), Boyd Holbrook (“Logan”), Oliver Richters (“Black Widow”), Ethann Isidore (“Mortel”) and Mads Mikkelsen (“Fantastic Beasts: The Secrets of Dumbledore”).

(2) BUT FIRST! Marvel Studios’ Guardians of the Galaxy Volume 3 will get a head start, arriving in theaters on May 5, 2023. Screen Crush took notes on the new trailer: “’Guardians of the Galaxy Vol. 3’ Trailer Teases the Team’s End”. 

…Right off the bat, you’ll see the Guardians wearing matching team uniforms for the first time — uniforms that come right out of the Guardians comic books that first inspired this movie franchise.

But just because they’re dressing as a unit doesn’t mean things are going well on the team. This Vol. 3 trailer strongly implies the film will mark the end of the team — and that some of the characters may die along the way. Several of the characters, including Chris Pratt’s Star-Lord and Dave Bautista’s Drax, are shown badly wounded, and there is a lot of ominous talk from Bradley Cooper’s Rocket about them all flying away together “one last time.”

(3) NELSON AT PKD CEREMONY. Here are two photos of Ray Nelson, who died yesterday, taken by Andrew Porter when Nelson received his Philip K. Dick Award citation in 1983.

Ray Nelson. Photo by and copyright © Andrew Porter
Ray Nelson with Tom Disch. Photo by and copyright © Andrew Porter

(4) MISSING ARMAGEDDON. James Davis Nicoll recommends “Five SF Works About Sitting Out World War III” at Tor.com. Three of them were published in 1984 – feel free to propound your own theory about that!

Although recent history suggests that humans as a whole (or at least their leaders) are perfectly comfortable with the ever-present risk of a global nuclear exchange, individual authors appear to be more ambivalent. Perhaps it’s some unnatural “life wish.” One coping mechanism that appeared over and over in SF written during the Cold War was to suppose that nations allied with one superpower or another could arrange to sit out World War III, thus suffering only indirect effects….

(5) ARABIC LITERATURE PRIZE. The three-book shortlist for the 2022 Banipal Prize of Arabic Literature in Translation includes one work of genre interest, Slipping by Mohamed Kheir, translated by Robin Moger. The winner will be announced in February.

Here is the description of Slipping:

A struggling journalist named Seif is introduced to a former exile with an encyclopedic knowledge of Egypt’s obscure, magical places. Together, as explorer and guide, they step into the fragmented, elusive world the Arab Spring left behind. They trek to an affluent neighborhood where giant corpse flowers rain from the sky. They join an anonymous crowd in the dark, hallucinating together before a bare cave wall. They descend a set of stairs to the spot along the Nile River where, it’s been said, you can walk on water. But what begins as a fantastical excursion through a splintered nation quickly winds its way inward as Seif begins to piece together the trauma of his own past, including what happened to Alya, his lover with the remarkable ability to sing any sound: crashing waves, fluttering wings, a roaring inferno.

(6) THE WELL DRESSED FAN. This is a public service announcement for the Glasgow2024 Shop at Redbubble where you can buy your 2024 Worldcon gear.

(7) THE VALUE OF FICTION. Jason Sanford has a good essay in Apex Magazine about why reading and writing fiction is important: “How Can You Be?”

… It’s interesting how our world’s “serious” people always find a way to dismiss things. How there are always people finding ways to insist other people’s activities and loves are not up to the task of dealing with life. How, to them, the time is never right to create art and fiction and anything else they deem frivolous.

I suspect such attitudes have always existed. In the 18th and 19th centuries, the emerging genre of novels such as those of Jane Austen were looked down upon by serious people. Similar attitudes were directed toward the science fiction, fantasy, and horror genres for a large part of the 20th century. Most other creative and artistic pursuits have experienced similar tut-tuttings, with the short list of creative fields being dismissed over the decades including movies, TV shows, jazz, comic books, hip hop, video games, rap, manga, anime, and cosplay.

Hell, it’s a safe bet that every type of art and storytelling has been dismissed at one time or another by the world’s serious people….

(8) WOJTOWICZ MOURNED. Hania Wojtowicz of Toronto, who’s been active in Midwestern fandom for decades, died December 1 of cancer. Her brother Steve Klimczuk announced her passing on Facebook.

(9) ALINE KOMINSKY-CRUMB (1948-2022). Underground comix artist Aline Kominsky-Crumb died November 29 reports Forbes.

…Kominsky-Crumb was a founding member of the influential all-female collective that produced the anthology Wimmin’s Comix, a long-running feminist comic published by Last Gasp from 1972-1985. Kominsky-Crumb, along with artist Diane Noomin, broke with the group in the mid-1970s to do their own publication, Twisted Sisters. Both comics were some of the first to deal squarely with the political issues around female empowerment, criticism of the patriarchy, sexual politics, lesbianism and other topics central to feminist ideology….

She is surivived by her husband, comix creator Robert Crumb.  

(10) MEMORY LANE.

1914 — [By Cat Eldridge.] Winnie the Pooh Birthplace statue

The only reason for being a bee is to make honey. And the only reason for making honey is so I can eat it. — Pooh

Continuing our look at the statues of great genre characters, we come to the one of commemorating the birthplace as it is of Winnie the Pooh and no, it’s not somewhere in in a quaint corner of Britain. 

On Aug. 24, 1914, Lt. Harry Colebourn, a Canadian veterinarian and soldier with the Royal Canadian Army Veterinary Corps, came across an orphaned female bear cub while on a train stop in White River, Ontario. So he bought her for twenty dollars.

He then named her Winnipeg, shorten than to Winnie, after his hometown, and she travelled with him to Britain, where he became the very unofficial regimental mascot for five years before she was donated to the London zoo where she resided the rest of her life — that’s where she caught the attention of a boy named Christopher Robin and his father, A.A. Milne — which is how Milne came to use her as the basis of Winnie the Pooh. 

The town apparently did not know that Milne had named Winnie the Pooh after her until the Eighties. They now have an annual celebration of All Things Pooh, Winnie’s Hometown Festival, thirty-four years old this year and held every year save the Pandemic years, including a street parade in honor of the “tubby little cubby all stuffed with fluff.” 

Of course, the Mouse decided to be an absolute idiot as they always do without fail. Their lawyers in the Nineties sent a letter to them refusing the town’s request to build a Winnie the Pooh statue. They suggested that the town build a statue of the original black bear instead. They backed down when the publicity got really, really hostile towards them in the States.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born December 1, 1886 — Rex Stout. He did several genre or at least genre adjacent novels, to wit How Like A God, The President Vanishes and his lost world tale, Under the Incas. Though I’ve read lots of Stout, I’ve not read these. ISFDB also lists Rue Morgue No. 1 as genre but this appears to be mysteries or possibly straightforward pulp tales that he co-edited with Louis Greenfield. Anyone here who read it? (Died 1975.)
  • Born December 1, 1905 — Charles G. Finney. Writer and Editor. It’s rare that I pick writers whose main accomplishment is one work which has defined them, but his one such work is, well, phenomenal. His first novel and most famous work, The Circus of Dr. Lao, won one of the inaugural National Book Awards for the Most Original Book of 1935; it is most decidedly fantasy. A film adaptation, 7 Faces of Dr. Lao, was a 1965 Hugo nominee. Ray Bradbury liked the novel so much that he included a magazine-published excerpt as the headline story in his anthology The Circus of Dr. Lao and Other Improbable Stories; it is said that the carnival in his Something Wicked This Way Comes is modeled upon The Circus of Dr. Lao. (Died 1984.)
  • Born December 1, 1942 — John Crowley, 80. I’m tempted to say he’s a frelling literary genius and stop there but I won’t. Mythopoeic Fantasy Award and World Fantasy Award winning Little, Big is brilliant but if anything his crow-centric novel of Ka: Dar Oakley in the Ruin of Ymr which received the Mythopoeic Fantasy Award makes that novel look like child’s play in comparison. (Yes Little, Big did a Hugo nomination at Chicon IV.) Did you know he wrote a novella called The Girlhood of Shakespeare’s Heroines? Or Lord Byron’s Novel: The Evening Land, which contains an entire imaginary novel by the poet? 
  • Born December 1, 1956 — Bill Willingham, 66. Writer and Artist who is best known, I’d say for his long-running, four-time Hugo finalist Fables comic series – though personally I think his best work was Proposition Player, in which the souls of those lost in a card game become entangled in the politics of Heaven and Hell. He got his start in the late 1970s to early 1980s as a staff artist for TSR Games, where he was the cover artist for the AD&D Player Character Record Sheets and a lot of other games. I must mention his superb 1980s comic book series Elementals, and he later wrote the equally excellent Shadowpact for DC. I was always ambivalent about the Jack of Fables series which he spun off of Fables, but his House of Mystery was rather good as well. His work has been recognized with several Eisner Awards, and he was honored as a Special Guest at Renovation.
  • Born December 1, 1962 — Gail Z. Martin, 60. Best known for known for The Chronicles of The Necromancer fantasy adventure series. Her single award to date, and it is impressive, is the Manly Wade Wellman Award for North Carolina Science Fiction and Fantasy for her Scourge novel. It was the seventh time that she had been a finalist for it. 
  • Born December 1, 1964 — Jo Walton, 58.  She won the John W. Campbell Award for Best New Writer in 2002 and the World Fantasy award for her novel Tooth and Claw in which dragons got positively and delightfully Victorian. Even if they eat each other. Really they do. Her Small Change trilogy may be the finest WW II novels I’ve read bar none, and her Sulien series is an excellent retelling of the Arthurian myth. Among Others she says is about the “coming-of-age experience of having books instead of people for friends and solace”. I can relate to that as I imagine many here can too. And let’s not overlook so stellar An Informal History of the Hugos: A Personal Look Back at the Hugo Awards, 1953-2000 nominated at Dublin 2019.
  • Born December 1, 1970 — Greg Ruth, 52. Artist and Illustrator who has provided covers and interior art for dozens of genre fiction works and comics, including the Lodestar Award-winning Akata Warrior, and the new hardcover and German editions of Nnedi Okorafor’s Hugo-winning Binti series. His art has earned four Chesley nominations, winning once, and has been selected for numerous editions of the industry year’s best art book, Spectrum; he was one of five artists selected for the Spectrum jury in 2015. His covers for the German editions of Okorafor’s Lagoon and Book of the Phoenix were nominated for the Kurd-Laßwitz-Preis, and Lagoon took home the trophy. Interestingly, he has created two music videos – for Prince and Rob Thomas (of Matchbox Twenty). (JJ)
  • Born December 1, 1985 — Janelle Monáe, 37. Writer, Actor, Composer, Singer and Producer who is known for her science-fictional song lyrics and videos. Her debut EP, Metropolis: Suite I (The Chase), is the first in a 7-part conceptual series inspired by Fritz Lang’s classic SF film; the single “Many Moons”, and her subsequent album, The ArchAndroid, garnered Grammy nominations, and her next album, The Electric Lady, was also acclaimed. She released the album Dirty Computer, with a companion 48-minute mini-movie which is very much a science fiction film. She played a lead role in the Hugo- and Oscar-nominated film Hidden Figures, and has also had guest appearances on Stargate Universe and Philip K. Dick’s Electric Dreams. (JJ)

(12) COMICS SECTION.

(13) TAFF LIBRARY GROWS. The Lindsay Report by Scots fan Ethel Lindsay reprints the Trans-Atlantic Fan Fund delegate’s trip report in ebook form. You can download it at the link, and if you enjoy any of the free ebooks on the site, a donation to TAFF is a fine way to express your appreciation.

Ethel Lindsay (1921-1996), a prolific Scots fan active from the early 1950s as fanzine editor, writer, publisher, reviewer and social organizer, was the first female winner of the TransAtlantic Fan Fund. She travelled under the auspices of TAFF to the USA for the 1962 World SF Convention: Chicon III in Chicago. Before and after Chicon she visited fans in New York, Los Angeles, San Francisco and elsewhere, and lost little time in describing her adventures in The Lindsay Report (1963), now digitized for this ebook.

1962 was unusual in that were three UK fan fund delegates at that year’s Worldcon, whose paths also crossed elsewhere in the USA. The other two were Walt and Madeleine Willis, brought from Northern Ireland by the Tenth Anniversary Willis Fund (TAWF). Thus there are three complementary trip reports: Ethel’s The Lindsay Report, Walt’s Twice Upon a Time and Madeleine’s The DisTAWF Side. Both Willis reports have been combined as another TAFF Free Library ebook, TAWF Times Two (2022). Besides her interactions with the Willises (providing a different perspective on shared events), Ethel also references her friend Ella Parker’s The Harpy Stateside (1962; expanded TAFF ebook), reporting on Ella’s 1961 Worldcon visit and US tour.

Released as an Ansible Editions ebook for the TAFF site on 1 December 2022. The cover artwork by Atom (Arthur Thomson) was the frontispiece of the original The Lindsay Report. 37,000 words.

(14) BUTLER’S GROWING AUDIENCE. [Item by Olav Rokne.] Happened to pick up the print edition of the New York Times yesterday, and read a really thoughtful piece about why Octavia Butler’s work continues to resonate. Then noticed the byline; the piece is written by Hugo finalist Lynell George. “The Visions of Octavia Butler”.

As a science fiction writer, Butler forged a new path and envisioned bold possibilities. On the eve of a major revival of her work, this is the story of how she came to see a future that is now our present….

(15) VIDEO OF THE DAY. Honest Trailers treatment of “Hancock” comes with the warning, “…Prepare for a third act twist that turns an otherwise okay comedy into a complete train wreck…”

[Thanks to John King Tarpinian, Chris Barkley, Daniel Dern, SF Concatenation’s Jonathan Cowie, David Langford, John A Arkansawyer, Olav Rokne, Lloyd Penney, Cora Buhlert, Andrew Porter, Michael Toman, Cat Eldridge, Mike Kennedy, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Socialinjusticeworrier.]

Glasgow 2024 Calling Artists

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Are you an artist? Would you like to have your art featured in the Glasgow 2024 Worldcon publications?

Between now and the convention, and for special events at the convention itself, they will be creating a mix of digital and physical publications for Glasgow 2024.

They need pieces for the Progress Reports, which will be produced every few months, and the Souvenir Book which will be available at the convention. Doodles, spaceships, cartoons, armadillos, anything fan-related… they want them! Submissions should be —

  • Small single-column line art (approximately 3 1/2″ wide)
  • Submitted at 300dpi in CMYK

Submit your art to the Publications team at [email protected]. Once they are submitted, they will be checked by the designer and will need approval for publication. All entries must be received by 31 March 2024.

Pixel Scroll 9/8/22 Bright Scrolls, Big Pixels

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(1) CHICON 8 COVID UPDATE. The Chicon 8 committee has notified attending members that another 19 people present at the 2022 Worldcon last weekend have tested positive for Covid. (The first email listed 8 cases.)

Where known, it includes information about the locations and times that the people were before they tested positive. Some have allowed Chicon 8 to release their names.

(2) 1946: ONCE MORE, WITH FEELING! First Fandom Experience is taking a victory lap today: “1946 Project Wrap-Up: We Had Fun!”

During Chicon 8, First Fandom Experience had the privilege of organizing the 1946 Project. The program track encompassed sixteen panels and presentations….

…To inform our program, we published a series of blog posts with historical context on SFF and fandom in 1940:

The last one, about Ray Bradbury, also posted today.

In 1946, Ray Bradbury — then age 26 — saw seventeen of his stories in print. His tales appeared in ten different professional magazines. Six were genre pulps. Four were mainstream “slicks.”…

(3) TROUBLE WITH REDBUBBLE. The Glasgow 2024 Worldcon announced yesterday their Redbubble merchandisde account has been suspended.

We’ve just been made aware that our Redbubble account has been suspended.

We are investigating this at the moment and thank you in advance for your patience.

It’s important to us that our art and artists are recognised and we would ask that you only buy Glasgow 2024 merchandise from our official accounts.

The same thing happened to Chicon 8, and their account is still down.

Ron Oakes wrote a good commentary about this problem on Facebook. 

…I am not up on the exact reason that Redbubble has given for the suspension, but comments surrounding the announcements have indicated that both of these cases have involved having the artwork that the conventions had licensed from the artists and then to Redbubble being stolen and used to produce knock-off convention merchandise….

…As fans, please ensure that you get your convention merchandise from a genuine source. This may not always be the convention, as some conventions allow other vendors to utilize their name on some merchandise – usually only at the event. And generally, make sure that any artwork you buy online comes from the actual artist or license holder.

Herman Ellingsen commented there:

…Redbubble do absolutely nothing to stop people from stealing art on their page.

If they would reduce the quality of the artwork on their web page, and/or add watermarks, and/or use web codes that makes it difficult to download the artwork, stealing artwork on redbubble would be more difficult….

(4) THE MAN FROM UNCLE’S. Minneapolis CBS affiliate WCCO reports that Uncle Hugo’s is back: “Beloved sci-fi bookstore, established in ’70s, reopens after burning down during unrest”. There’s a 2-minute clip of the aired news report at the link.

…Blyly almost called it quits, but it was the regulars who convinced him to start over.

Insurance money from the fire, as well as selling books online during the pandemic, went a long way toward allowing Blyly to reopen.

It took him 18 months to find his new location, a building one block from what was the Minneapolis Police Department’s 3rd Precinct headquarters, and across the street from Moon Palace Books.

“Probably 95% of the used books here on the shelves are from my own personal collection,” Blyly said…

(5) ANOTHER SIDE OF DAW. Reviews of the documentary Casa Susanna intersect with the life of science fiction figure Donald A. Wollheim: ” … Betsy Wollheim, the daughter of science-fiction writer Donald, who recounts her discovery after his death of his life as a cross-dresser. (Donald’s experience is also recounted via excerpts from a book he wrote under a pseudonym, A Year Among The Girls.)”

Yahoo! — “’Casa Susanna’ Review: A Lost Chapter of Queer History Comes to Life”.

In the tireless drive toward progress, it’s easy to forget the past. When it comes to queer history, discrimination and fear of persecution discouraged, if not actively erased, the documenting of queer life. Queer historians have had to fight tooth and nail to reclaim countless writers, artists, and musicians, even if they lived quite openly during their lifetimes. After all, if Emily Dickinson could write her “hot and feverish” letters to Susan without academia recognizing her queerness until recently, what chance was there for everyday queer people of yore?

Brilliantly, a nearly lost chapter of queer history has been delicately excavated in “Casa Susanna,” a sumptuous documentary about an oasis where trans women and crossdressing men found community throughout the 1950s and ’60s…. 

…The film gently navigates the shifting mores and language around gender expansive identities, allowing the older trans women to self-identify and using their language as a guidepost. It’s not too often you hear the words crossdresser, transvestite, and transsexual these days, but it only adds to the film’s appeal as a rare time capsule. Fascinatingly, Casa Susanna was strictly for “straight men,” and their wives often accompanied them on their weekends upstate. The fear of being outed as gay followed them, creating strict divides….

Screen Daily: “’Casa Susanna’: Venice Review”.

…Memories are placed front and centre as the director approaches the story of Casa Susanna — an unassuming house in New York’s Catskills where men could freely adopt a female identity — from the perspective of some of those who found refuge there or whose lives were touched by extension. The power of recollection is evident from the start as octogenarian Katherine Cummings makes a pilgrimage back to the Catskills and begins to tell her story with the warmth of memory infusing every word. Her journey not only includes a ship voyage from Australia to North America but a decades-long interrogation of her own identity that was helped by the friendships she found at Casa Susanna.

Joining her is Diana Merry-Shapiro, who crossed paths with Katherine at Casa Susanna while on her own journey from a Lutheran upbringing to gender-affirmation surgery, and Betsy Wollheim, the daughter of science-fiction writer Donald, who recounts her discovery after his death of his life as a cross-dresser. (Donald’s experience is also recounted via excerpts from a book he wrote under a pseudonym, A Year Among The Girls.)…. 

… There’s a fair bit of myth-busting here, as while some might expect flamboyant drag, home video from the Casa shows how those who visited wanted to emulate upper-middle-class feminine elegance. There’s also a real sense of the fear people like Betsy’s father had about their ”secret” getting out. Lifshitz takes time to explore these stories, letting conversations or remembrances flow freely. They run from joy at acceptance so profound it is likely to move you to tears, to sadness at the impact on Donald’s daughter of what seems to have been unresolved unhappiness, as the story of what happened to the Casa and its owners is also gradually revealed….

(6) NERFS IN SPACE. Gizmodo makes sure we know “Hasbro’s Next Wild Nerf Gun Is a Star Trek Phaser”.

Hasbro’s Nerf “LMTD” crossover has given us foam dart versions of everything from the Aliens pulse rifle to The Mandalorian’s rifle—and now it’s boldly going into a very peculiar collaboration with Star Trek.

Hasbro has revealed that its next project in the crossover lineup is a Star Trek mashup to give us not one, but two of the franchise’s most iconic hand-held weapons—the Starfleet Type 3 (that’s the phaser rifle) and Type 2 (the standard phaser seen in TNG, DS9, and Voyager) phasers….

(7) MEMORY LANE.  

1973 – [By Cat Eldridge.] All of you I suspect remember the Ray Walston fronted My Favorite Martian series that lasted three seasons on CBS for one hundred and seven episodes. But likely, you may have forgotten that forty-nine years ago that there was an animated series called My Favorite Martians (noted the “s”) that lasted a wee bit shorter, well a lot shorter as CBS pulled it after just sixteen episodes.

That might have had something to do with the fact that Ray Walston refused to participate in it as the money offered him was quite appalling. So they got Jonathan Harris of Lost in Space fame to do his role. And no, Bill Bixby wasn’t around either for similar reasons.

Howard Morris voiced Tim O’Hara, Detective Brennan and Andromeda. Jane Webb did Katy O’Hara and Lorelei Brown.

It did poorly in ratings and was quickly cancelled. The series used a number of scripts from what would have been season four of the live series. Jack Chertok Television co-owned it, with the Chertok company retaining all merchandising rights to the show. Jack Chertok Television had developed My Favorite Martian.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 8, 1911 – Byron Morrow. He’s the first original Trek Admiral appearing as an Admiral in two episodes, Admiral Komack, in “Amok Time” and as Admiral Westervliet “For the World is Hollow and I Have Touched the Sky”.  Other genre appearances include Cyborg 2087, Mission Impossible, Colossus: The Forbin Project, Panic in Year Zero!, The Resurrection of Zachary Wheeler, Rollerball and Fantasy Island. (Died 2006.)
  • Born September 8, 1925 — Peter Sellers. Chief Inspector Clouseau in the Pink Panther films which are genre. Of course, he had the tour de force acting experience of being Group Captain Lionel Mandrake, President Merkin Muffley and Dr. Strangelove in Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. He also took multiple roles (even the Queen) in The Mouse That Roared. Amusingly he was involved many folk tale productions in various mediums (film, radio, stage) including Cinderella, Tom Thumb, Mother Goose and Jack and The Beanstalk. (Died 1980.)
  • Born September 8, 1945 — Willard Huyck, 77. He’s got a long relationship with Lucas first writing American Graffiti and being the script doctor on Star Wars before writing Indiana Jones and the Temple of Doom. And he was the writer and director on Howard the Duck which, yes, is a Lucasfilm. It’s the lowest ever production scored on Rotten Tomatoes by Lucasfilm production ever did at 15% followed by Radioland Murders, the last script he’d write for Lucasfilm which would be a not quite so dismal twenty four percent.
  • Born September 8, 1937 — Archie Goodwin. Comics writer and editor with a very long career. He was the writer and editor of the horror Creepy and Eerie anthologies, the first writer on the Iron Man series, wrote comic book adaptations for Marvel of the two Star Wars sequels and edited the Star Wars line for them. For DC, he edited Starman which Robinson said he was inspiration for. (Died 1998.)
  • Born September 8, 1948 — Michael Hague, 74. I’m very fond of East of the Sun and West of the Moon retold by him and his wife Kathleen. Not to be missed are his Wind in The Willows and The Hobbit which are both lovely takes on those tales. 
  • Born September 8, 1952 — Linda D. Addison, 70. First Black winner of the Stoker Award which she has won five times. Amazingly, the first two awards were for her poetry collections Consumed, Reduced to Beautiful Grey Ashes and Being Full of Light, Insubstantial. Indeed all five of her Awards were to be for poetry collections. She also is the author of the story “Shadow Dreams”, published in the Black Panther: Tales of Wakanda anthology.
  • Born September 8, 1954 — Mark Lindsay Chapman, 68. Sorry DCU but the best Swamp Thing series was done nearly thirty years ago and starred the late Dick Durock as Swamp Thing and this actor as his chief antagonist, Dr. Anton Arcane. Short on CGI which wasn’t really needed when the scripts were brilliant. Chapman has also shown up in Poltergeist: The Legacy, The New Adventures of Superman, The Langoliers and Max Headroom to name a few of his genre appearances.
  • Born September 8, 1966 — Gordon Van Gelder, 56. From 1997 until 2014, he was editor and later publisher (which he still is) of The Magazine of Fantasy & Science Fiction, for which he was awarded twice, and quite well deserved they were, the Hugo for Best Editor Short Form. He was also a managing editor of The New York Review of Science Fiction from 1988 to 1993, for which he was nominated for the Hugo a number of times. 
  • Born September 8, 1975 — C. Robert Cargill, 47. He, along with Scott Derrickson and Jon Spaihts, worked on the script for Doctor Strange. More intriguingly they’re writing the script for The Outer Limits, a movie based on the television show. The film, produced by MGM, will be adapted from just the “Demon with a Glass Hand” episode begging the question of what they’re writing for a script given that Ellison did write the Writers Guild of America Awards Outstanding Script for a Television Anthology script. 

(9) COMICS SECTION.

  • Frank and Ernest say Robin Hood is getting some questionable applicants to work with him.

(10) MAGICALLY DELICIOUS? [Item by Martin Morse Wooster.] I saw this in the supermarket.  But I didn’t buy it! “Kellogg’s Introduces New Disney Hocus Pocus 2 Cereal” at Chew Boom.

(11) THE PLANE OF JARS. [Item by Martin Morse Wooster.] In the Washington Post, John Kelly discusses a contest Burma-Shave ran in 1958 where they offered a free trip to Mars for anyone who turned in 900 bottles of the stuff and what they did when Arliss French actually did it. “Remembering the grocer who convinced Burma-Shave to send him to ‘Mars’”. Registration is required to read the full article there, however, Neatorama covered it about a decade ago:

…The company also posted two promotional offers on their signs; the first one (“Free offer! Free offer! / Rip a fender off your car / mail it in / for a half-pound jar / Burma-Shave”) resulted in some actual fenders being mailed to the company, which made good on its promise.  The second promotion (in the title of this post) stimulated the imagination of Arliss French in Appleton, Wisconsin.

French managed the town’s Red Owl supermarket and offered to pay customers 15 cents for every empty Burma Shave jar they brought in. He ran a full-page ad in the paper reading, “Send Frenchie to Mars.” As the empties accumulated in his store, he telegraphed the company, “Please advise where to ship the jars.”

The folks at Burma Shave scrambled to avoid embarrassment. Thinking he would decline, they offered to send him to the village of Moers, Germany (which they insisted was pronounced, “Mars”) if he would wear a space suit for the trip. He agreed.

French and his wife departed New York at the company’s expense on Dec. 2, 1958. He wore a football helmet and a silver costume emblazoned with the Red Owl logo. When he arrived in Moers two days later, all 78 residents turned out to greet him….

(12) SECOND SLICE. [Item by Martin Morse Wooster.] I regard Knives Out as fandom-adjacent so here is the sequel. “Glass Onion: A Knives Out Mystery”.

(13) SLITHER IN. [Item by Michael Toman.] Does the world (or your automobile?) need another new bumper sticker? “I BRAKE FOR VENOMOUS SNAKES”.  From MSN.com: “Officials Close Illinois Road for Mass Migration of Venomous Snakes”.

The U.S. Forest Service (USFS) is closing three miles of a road in southern Illinois this September and October due to heavy traffic…of snakes. The closure is meant to protect snakes undertaking a biannual migration in the Shawnee National Forest, 90 miles southeast of St. Louis.

…Meanwhile, tourists travel from around the country to observe and photograph the phenomenon. “You’ll see a surprising number of out-of-state license plates,” Vucovich said. He advises that visitors drive carefully. But if they venture to where the snake traffic is thickest—typically along a 2.7-mile stretch of Great River Road—they’ll have to walk carefully because that section of the road will be closed to motorized vehicles. “Forest Road 345 is the number,” said Vukovich. “Everybody knows it as Snake Road. It’s just a great place to come watch snakes.”…

[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, Olav Rokne, John King Tarpinian, Andrew Porter, Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Chris S.]