Iain J. ClarkSara Felix wearing one of her tiara designs.
Glasgow 2024 today announced that the 2024 Hugo Award Base will be designed by Iain J. Clark. The trophy for the 2024 Lodestar Award for Best YA Book will be designed by Sara Felix.
These two phenomenal mixed media artists have tirelessly supported Glasgow 2024 through their creativity and generosity, and the committee says they could not imagine a better tribute to the convention, and their own strengths as artists, than having the two design these iconic works.
The final base designs will be revealed as part of the convention’s Opening Ceremony in Glasgow on 8th August.
THE 2024 HUGO AWARD BASE. Every year the iconic Hugo rocket is given a unique base design to reflect the personality of the hosting Worldcon. This year’s designer, Iain J. Clark, has been working with Glasgow 2024 since 2019.
Iain says “I’ve known about the Hugo Awards for most of my adult life (I vividly remember Babylon 5 winning Best Dramatic Presentation in 1996) but the idea that I could design a base for the iconic trophy never entered my head. You might as well have told me I’d design an Oscar. And then Glasgow asked me, and I was stunned – so naturally I panicked and said yes. It’s a huge honor, a huge responsibility, and I take it very seriously. I can’t wait for everyone to see it.”
Iain works in a variety of materials, primarily acrylics. He has twice won the BSFA Best Artwork Award (for “Shipbuilding Over The Clyde” in 2020, and for “Glasgow Green Woman” in 2021); both pieces were created for the Glasgow 2024 Worldcon. He has been a finalist for the Best Fan Artist Hugo Award in 2020, 2021, 2022 and 2023.
For the Dublin 2019 Worldcon he created artworks including the cover of the Souvenir Book, and for Glasgow 2024 his art is appearing on banners, adverts, postcards, campaigns and t-shirts.
THE 2024 LODESTAR AWARD. The Lodestar Award was first given in 2018, and since its inception has been celebrating the beauty of YA fiction. The first Lodestar award was designed by Sara Felix beginning a trend of trophies that honour the very best in YA Science Fiction and Fantasy.
According to Sara: “I was happy to be asked to design the Lodestar Award as it is one of my favourite awards at the Hugos. In all my projects with Glasgow I hope the award is as fantastic as the finalists and the winners in this category!”
Sara Felix is a mixed media artist who has previously designed the Hugo Award bases in 2016 and 2018 (the latter co-designed with Vincent Villafranca). She has designed multiple Lodestar awards and other special awards for Worldcons in the past. She is the designer of the Glasgow 2024 logo and much of the art used by the convention. Her space art and tiaras can be seen at multiple conventions around the US and UK throughout each year.
(1) GLASGOW 2024 COMMUNITY FUND NEWS. The first deadline for Glasgow 2024 Community Fund applications is March 15. Details at the link.
In order to make Glasgow 2024 more affordable for those who need it most, we are running a community fund to help with the costs of attending. With the first deadline for applications coming up on the 15th of March, we encourage you to apply for funds if you need them in order to attend; or else to donate funds to help others attend, if you are able to do so. We are so grateful to all of you who have already done so!
Arnold Schwarzenegger and Danny DeVito had a “Twins” reunion at the Oscars as they joined forces to present best visual effects to “Godzilla Minus One” and best film editing to “Oppenheimer.” But it was their jokes about Batman that stole the show and had the Oscars audience uproariously laughing.
“Arnold and I are presenting tonight together for a very obvious reason,” DeVito said.
“We’ve both tried to kill Batman!” Schwarzenegger revealed to applause….
…“Oh. He threw me out a window!” DeVito said about his Penguin death. “There he is. He’s right here. He’s right there. Look!”
The camera then cut to Micheal Keaton in the audience. Keaton was a presenter at the Oscars earlier in the night, taking the stage alongside his “Beetlejuice” co-star Catherine O’Hara.
“You have a lot of nerve to show your face around here,” Schwarzenegger quipped to Keaton.
DeVito then yelled: “We’ll see you after the Governor’s Ball, pal!”
…In late 2023, many still didn’t have the Kaiju movie, released by Japan’s Toho Studios, on their awards radar. But it was incredibly well received when it opened Dec. 1 in the United States, and in the weeks that followed, a VFX branch committee included the movie in the category shortlist.
Then came the Jan. 13 VFX category “bake off,” an event held at the Academy Museum during which the potential nominees representing the 10 shortlisted movies presented clips and spoke about their work before branch members entered their ballots for the final five. The “Godzilla Minus One” team made a charming presentation, talking about their creative problem solving and challenges. The movie was made for under $15 million and the VFX were pulled off by a team of just 35 people.
The well-received presentation seemed to have secured the team a trip to the Dolby Theatre and when the nominations were officially announced on Jan. 23, a video of the thrilled team in Tokyo went viral. From there, they spoke at screenings and appeared at events including the nominees luncheon, building momentum along the way. In early February, as part of Variety’s Screening Series, the team also participated in a Q&A following a screening at Harmony Gold in Hollywood. The film played to a packed room, with guild members and Academy voters staying long after credits had rolled to meet the filmmakers….
If you want to catch up with Oscar Visual Effects nominee “Godzilla Minus One” before the awards Sunday night, you’ve got exactly one option: Find an Academy member who will invite you to view it on the voters’ portal. For everyone else in the world, you’re out of luck.
Why? Although never confirmed by Toho, it relates to an apparent contractual agreement between Toho, the Japanese studio that created (and still owns rights to) “Godzilla,” and Legendary Entertainment, which licensed the monster character for a series of films released by Warner Bros. Legendary’s latest with Warners, “Godzilla x Kong: The New Empire,” fifth in the MonsterVerse franchise, opens wide in the U.S./Canada March 29.
Toho retains the ability to make its own “Godzilla” movies, but with the reported limitation of not releasing them in the same year as a Legendary production. Under that arrangement, “Godzilla Minus One” opened in Japan last November, and then domestically (as well as multiple European countries) in December.
“Godzilla Minus One” turned out to be a sleeper success in the U.S, grossing $56 million stateside. That’s stunning for a subtitled film and even more so for one that was anticipated as pre-holiday filler. A black-and-white version was added in January.
However, Toho notified theaters that all dates for “Godzilla Minus One” had to end by February 1 — even though “Godzilla Minus One” still ranked #8 in the final weekend of its run, after January 26, with a $2.7 million gross. It’s highly unusual to force a film to leave theaters while it’s still making money, but that’s consistent with reports of limits imposed on its looming competition with “Godzilla x Kong.”…
(5) SHARON LEE UPDATE. In “And when the stars threw down their spears”, author Sharon Lee tells how she’s been keeping up with life since the loss of her husband and collaborator Steve Miller.
It’s a funny thing, how life goes on. Until it doesn’t, of course, but we’re very good as a species about ignoring that.
So — life. Much changed, but still moving, still demanding attention, response, thought, and action.
My short-term goal is to find all of Steve’s papers — which is not as easy as you might think — and get them into boxes to send to the archive at Northern Illinois University. My brother-in-law and nephew are coming up from mid-Coast in a few days to help me, literally, with the heavy lifting, and a Dumpster has been engaged to receive such things as no longer have utility.
My longer-term goals are to finish the sequel to Ribbon Dance — the deadline having been moved from September to November — and start work on the book after that…
Carter Kaplan is the author of The Invisible Tower Trilogy: Echoes, We Reign Secure, and The Sky-Shaped Sarcophagus. His first novel is Tally-Ho, Cornelius!Diogenes is an Aristophanic comedy. Editor of Emanations; IA edition of The Scarlet Letter with Afterword, “A” is for Antinomian: Theology and Politics in The Scarlet Letter; the anthology Fantasy Worlds. Co-translator and editor of Creation of the World by Torquato Tasso. Book on Wittgenstein and literary theory: Critical Synoptics. Articles on “Karel Čapek,” “Menippean Satire” and “Dystopian Literature” in The Encyclopedia of Literature and Politics. Articles on “Herman Melville” and “Michael Butterworth” in A Dictionary of the Avant-Gardes (which has an article about him). A chapter on William Blake and Michael Moorcock appears in New Boundaries in Political Science Fiction. Teaching includes Literature, Philosophy, and post-graduate Medical Research Writing in universities ranging across Montana, North Dakota, Ohio, West Virginia, Pennsylvania, New Jersey, New York City, and Scotland.
(7) FANAC FAN HISTORY ZOOM. This is the last FANAC Fan History Zoom for this season and it will stream on March 16. To attend, send a note to [email protected]
We have less than a week until the next FANAC Fan History Zoom program. We have some very knowledgeable fans on this program and it promises to be an enlightening subject in an often overlooked area of our field. Join us!
Please get the word out to all your friends.
The Women Fen Don’t See
Claire Brialey, Kate Heffner, and Leah Zeldes Smith
Saturday, March 16, 2024
Time: 3PM EDT, 2PM CDT, Noon PDT, 7PM London (GMT), and Mar 17 at 6AM AEDT in Melbourne
As war raged in Europe in 1941, Sarah Norton, the 18-year-old daughter of an English lord, received a letter in a plain brown envelope with no return address. “You are to report to Station X at Bletchley Park, Buckinghamshire in four days’ time,” said the letter, signed by a mysterious “Commander Travis.” “That is all you need to know.”
Little did Sarah realize she was being recruited for Britain’s top-secret wartime code-breaking operation. Arriving at Bletchley Park with a suitcase full of “what she considered the bare essentials — five daytime outfits, an evening gown with matching shoes, lipstick and, most importantly, her teddy bear” — she would work alongside hundreds of similar recruits to help intercept and decipher the Nazis’ secret communications.
“This is the story of a handful of young women — teenagers really — who left their childhoods behind and walked into the unknown,” Candace Fleming writes in “The Enigma Girls,” her beguiling new account of their contributions. “For most of their lives, they never breathed a word about their war experiences.”
We learn about 10 of these real-life conscripts. In addition to Sarah, there was Mavis Lever, also 18, who was assigned to work with Dilly Knox, a Greek scholar who had “spent years successfully deciphering ancient papyri fragments at the British Museum.” There was Patricia Owtram, another 18-year-old, whose job was to monitor radio frequencies for enemy communications while simultaneously converting the Morse code messages into plain text. And there was Diana Payne, just 17, who helped operate the massive “Bombe” machines, which sped up the process of breaking the enemy’s ever-shifting codes….
Q: Where do you draw inspiration from in your work?
A: Everywhere! One of my favorite places is my own backyard, which is both full of amazing plants and which draws all kinds of wildlife at night. As a horror writer, there’s certainly no shortage of fodder in the daily news and, of course, reading other writers’ work is always inspiring.
(10) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born March 11, 1952 — Douglas Adams. (Died 2001.) Was there ever a better work of epic humorous, and yes I deliberately used the British spelling there, SF in The Hitchhiker’s Guide to the Galaxy that Douglas Adams delightfully created?
I first encountered it as the BBC television adaptation on public television in the Eighties. It was quite good. Really it was very, very silly.
Douglas Adams in 2000.
I next listened to the most excellent radio series which originally broadcast in by BBC Radio 4, and then on the National Public Radio where I heard it. I think it one of the best full cast SF dramas I’ve heard and I’ve listened to it at least three or four times that I can remember.
Now the books. Oh they’re most excellent as well. All five of them that he wrote before his very untimely death as there were more later, one of which I’ve read. The US edition of the fifth book was originally released with the note of “The fifth book in the increasingly inaccurately named Hitchhiker’s Trilogy” on the cover.
I’m trying to remember at what point the novels finally weren’t based on off the radio series but I know that it finally happened.
I have not read Dirk Gently’s Holistic Detective Agency novels which were described by him as “a kind of ghost-horror-detective-time-travel-romantic-comedy-epic, mainly concerned with mud, music and quantum mechanics”. I did see some of the BBC series, oddly enough filmed in Vancouver, and it’s silly and fun.
Adams was the script editor for the seventeenth season of Doctor Who, and he wrote three scripts starring Tom Baker as the Fourth Doctor — “The Pirate Planet” City of Death” and “Shada”.
The latter was only partially filmed but never not televised due to industry disputes which even unclear to this day. It was later completed using animation for the unfinished scenes and broadcast as Doctor Who: The Lost Episode on BBC America seven years ago.
The last thing I want you to mention is Last Chance to See, BBC radio documentary series and a book, written and presented by Douglas Adams and Mark Carwardine. Adams and Carwardine travel to various locations in the hope of encountering species on the brink of extinction. It’s quite extraordinary.
(11) WRITER BEWARE. Victoria Strauss gives Writer Beware readers a detailed rundown about “Author Complaints at City Owl Press”. This is just a taste.
…Several authors announced their split from COP on social media, without providing details as to why, causing questions and concerns from observers. This is also the point at which COP authors started contacting Writer Beware. Then, in late January, Erin Fulmer published her detailed series of blog posts about her departure from COP. Authors are often very, very reluctant to go public with publisher complaints, whether because they don’t want to single themselves out, fear retaliation and blowback from the publisher and/or fellow authors, or are simply too exhausted and demoralized–but a flood of other accounts followed Erin’s: Megan Van Dyke, SL Choi, Elisse Hay, Jen Karner, Lisa Edmonds, Lily Riley, and more have all chosen to speak out about their experiences.
This unusually public discussion has had an impact. On February 22, COP posted a public apology to authors and readers, with a pledge to implement “systematic and operational changes”. (This is the overshare mentioned in the first paragraph; it was later reformulated in response to criticism)….
(12) VOYAGE TO THE BOTTOM OF THE WORLD. [Item by Steven French.] Early Antarctic explorers would while away the weeks of darkness by writing stories, some silly, some fantastical – the first book printed on the frozen continent included a science-fiction story (complete with drawings) about exploring an undiscovered tropical region of Antarctica: “Antarctica Publications Tried to Hide Danger in Fiction and Strange Stories” at Atlas Obscura.
…It imagines the Nimrod’s party making their way into the strange land of Bathybia, 22,000 feet below sea level. They used rafts made of giant, man-sized mushrooms to travel down rivers into a red jungle, encountering giant ticks, alcoholic algae, and huge carnivorous versions of microscopic Antarctic rotifers….
(13) IT’S NOT KANSAS CABERNET SAUVIGNON, TOTO. But drink enough and you will see flying monkeys. “The Wizard of Oz Tornado Etched Wine” from Mano’s Wine.
Embark on a mesmerizing journey with our Wizard of Oz wine bottles. Expertly deep-etched and lovingly hand-painted, these enchanting collectibles capture the essence of the beloved film. Sip from the elixir of nostalgia and let the magic unfold with every pour. Raise your glass to the Emerald City and indulge in a taste of cinematic splendor.
(14) WORM HYPE. [Item by Steven French.] Nature invites you to “Meet the real-life versions of Dune’s epic sandworms”. “‘Dune’s sandworms can grow to at least 450 metres long, about 15 times the size of the longest blue whale. How big do real-life worms get?”
…There are annelid worms that get up to several metres in length called eunicid worms, a type of bristle worm. They’re pretty gnarly — they have big jaws, they look a bit like Graboids from the 1990 film Tremors. Some of them are ambush predators. They eat octopuses, squid, vertebrates….
There are some earthworms that get really big, as well. Megascolides reaches up to 2 metres. The biggest ones are from Australia.
(Of course they are!)
(15) VIDEO OF THE DAY. Dan Monroe wants to find out “Whatever Happened to LOGAN’S RUN?” (See, I didn’t know anything had happened to Logan’s Run!)
[Thanks to SF Concatenation’s Jonathan Cowie, Kathy Sullivan, Steven French, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Joseph Hurtgen.]
(1) HUGO NOMINATIONS CLOSE IN ONE WEEK. Nicholas Whyte, Glasgow 2024 Hugo Administrator and WSFS Division Head reminds members that they have until March 9 to submit nominations for this year’s Hugo Awards. Full information at “Hugo Awards – Nomination Ballot”.
They also are offering Chinese translation for the 2024 Hugo Award nomination process as a courtesy to the Chinese-speaking 2023 Chengdu WSFS members who have nomination rights for the 2024 Hugo Awards.
Do you make a conscious effort to include female characters and themes in your writing and if so, what do you want to portray?
I write all characters, but I am always trying to get inside women characters in a complex way that blows out the walls of archetypes. The old woman who is complex and funny and real (and swears! All the older women I admire swear), the ingenue aged woman who is brilliant, unpredictable, problem solving, and forward moving, the mother whose entire existence is not mothering, but is a whole person who happens to have kids, the little girl who is smart and weird and does not give a crap about boys.
What has writing horror taught you about the world and yourself?
We all have darkness in us, and if we can get inside it and open up our fears and where they come from, it can help people manage their very real lives.
(3) CHUCK TINGLE ON CAMP DAMASCUS CATEGORY. The Horror Writers Association moved Chuck Tingle’s novel Camp Damascus out of the YA category into the main Novel category. One of the responses earned this callout. (Whoever’s blog this is, I see there also were other comments supportive of Tingle’s book.)
(4) IWÁJÚ. Eddie Louise calls Iwájúon Disney+ — “Amazing science fiction for kids with deep cultural and societal commentary.” See trailer at the link.
“Iwájú” is an original animated series set in a futuristic Lagos, Nigeria. The exciting coming-of-age story follows Tola, a young girl from the wealthy island, and her best friend, Kole, a self-taught tech expert, as they discover the secrets and dangers hidden in their different worlds. Kugali filmmakers—including director Olufikayo Ziki Adeola, production designer Hamid Ibrahim and cultural consultant Toluwalakin Olowofoyeku—take viewers on a unique journey into the world of “Iwájú,” bursting with unique visual elements and technological advancements inspired by the spirit of Lagos. The series is produced by Disney Animation’s Christina Chen with a screenplay by Adeola and Halima Hudson. “Iwájú” features the voices of Simisola Gbadamosi, Dayo Okeniyi, Femi Branch, Siji Soetan and Weruche Opia.
(5) LIKE SAND THROUGH AN HOURGLASS. Maya St. Clair finds what time has done to the first Dune movie – not that a lot of time needed to have passed before the results were known: “Make Sci-Fi Cringe Again (Duneposting 1)”.
The other night, a friend and I went to an anniversary screening of David Lynch’s 1984 Dune. Its manmade horrors were consumed in the way God intended: on a towering screen, with a printout of the infamous Dune Terminology sheet balanced in my lap, as I inhaled a bucket of curly fries agleam with twice their weight in grease. Visually, Dune is an orgy of delights: a dense mannerist universe filled with gilt and wires and inbred animals/people. The voiceovers are camp, the editing ridiculous, the hairdos lofty and aggressive (Aquanet — like spice — must flow). Around the midpoint of the movie — when Sting steps out of a sauna in a codpiece —most people had come to the unspoken understanding that it was okay to laugh instead of sitting in respectful, cinephilic silence. The Harkonnen milking machine (i.e. a rat just duct-taped to a cat) brought down the house….
(6) DUNE PT. 2. [Item by SF Concatenation’s Jonathan Cowie.] Front Row on B Beeb Ceeb’s Radio 4 (a.k.a. the Home Service) first third sees a review of Dune Part II.
Now, while I concur (others may disagree) that for all its spectacle Part I was a little ponderous (go in with a medium or large real coffee Americana) it was faithful to the novel and the SFX far better than the Lynch offering… This last is, of course unfair, the Lynch offering came out four decades ago… Yes, just a decade short of half a century and so you’d expect as big an improvement in cinematography as there was between 1984 and films made towards the end of the war (that’s WWII in case you were wondering how old I was).
So, how did the Front Row review go? Well, the first thing that surprised me was that one of the reviewers hates epic ‘sci-fi’. Yes, for some in the arts, SF remains a ghetto genre. (Or perhaps we at SF² Concatenation should swop our book review panel of ardent SF readers to those that loathe genre literature. Perhaps File 770 should be edited by someone outside of fandom? Perhaps Boris Johnson should become Prime Minister…)
Be thrilled. Be amazed. The truth is out there….
You can listen to the first third of the programme here: “Front Row, Dune 2”.
(7) ABOUT THOSE LENSMEN. Steve J. Wright may not be treading new ground in “How the Other Half Lives”, but fascism, John W. Campbell Jr., and the Golden Age have been thoroughly plowed under by the time he’s done.
This is spilling out of a discussion over on File 770 (item 4 on the scroll), which in turn derived partly from Charles Stross’s “We’re Sorry we Created the Torment Nexus”. It also ties in, of course, to the ongoing “was John W. Campbell a fascist?” non-debate (because people who say no are not changing their minds, ever.)
“Fascist”, of course, is one of those terms linguisticians call “snarl words”, where the negative connotations have pretty much obscured the original usage…
…But were Golden Age SF writers in general, and John W. Campbell Jr. in particular, happy with elitism? Oh, you bet they were. The Gernsbackian ideal, as exemplified in Gernsback’s own ridiculous novel Ralph 124C41+, was a homogeneous, rationally-planned society in which government, if it existed at all, was strictly subordinated to the scientific elite – in the eponymous Ralph’s case, the “plus men”, entitled to that + sign on their names, whose unfettered experimentation led to an endless round of fresh discoveries and scientific benefits for the general populace. And you can’t throw a brick in Campbell-era SF without hitting an omni-competent super-science hero with world-transforming insights and the steely determination to push aside bureaucratic meddling and Get Things Done. Campbell himself regarded Astounding as not just a science fiction magazine, but a proving ground for the ideas that would shape the world of tomorrow. And he had plenty of sympathy from SF fans, who were happy to believe that their time would come, and they would be in the vanguard of the new elite. Granted, not many fans took it as far as the rather alarming Claude Degler, but if you said “fans are slans” at any fannish gathering of the times, you would see more than one head nodding in approval….
…Navalny got in one last laugh at his funeral on Friday. As his coffin was lowered into the ground, the tune playing in the background wasn’t some funeral dirge, but the theme from his favorite movie, Terminator 2: Judgment Day. It was the refrain that plays during the movie’s famous final scene, as Arnold Schwarzenegger’s soulful killer cyborg gives a thumbs-up while he is lowered into a vat of molten steel, sacrificing himself to save the future….
(9) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born March 2, 1966 — Ann Leckie, 58. So let’s start with Lis Carey talking about her favorite work by our writer this Scroll, Ann Leckie:
Ann Leckie wins Hugo in 2014. Photo by Henry Harel.
Ann Leckie’s Imperial Radch trilogy, starting with Ancillary Justice in 2013, gives us a culture where biological sex is ignored, and only female pronouns are used. Breq, our protagonist throughout the trilogy, is the only survivor of a ship destroyed by treachery, and she’s the ship’s artificial intelligence, occupying an ancillary body, i.e., a body whose own personality has been erased and replaced with one more useful to the empire, and presenting herself as an officer.
In her quest for revenge, she becomes more and more fully human, and more and more aware of what’s wrong with the empire she serves. We see glimpses of a galaxy beyond the Radch Empire, some of them fascinating.
We’re certainly not given the impression that the Radch are the good guys. In subsequent books and stories, we get looks at the Radch from the outside, and at the other human cultures trying to survive in a galaxy where the Radch are the major human power. It’s a wonderfully complex and layered universe, and it’s well worth exploring.
Ancillary Justice swept the awards field in 2014: a Hugo at Loncon 3, a British Fantasy Award, the Clarke a Kitschie, and a Nebula. The sequel, Ancillary Sword was nominated at Sasquan and won a BSFA Award; the final book in the trilogy, Ancillary Mercy, was a Hugo finalist at MidAmeriCon II. Her next book set in that universe, Provenance, novel garnered a Hugo nomination at Worldcon 76.
Translation State, though also part of the Imperial Radch, is a pretty a stand-alone story. Yes, I liked it a lot. So let’s have Lis set the scene for you again…
It’s set in that universe, on the edge of human space, in a space station where the human polities including the Radch, and several alien polities, attempt to maintain calm and peaceful relations with the Presger, whom no one has ever seen, but who could destroy everyone if they got annoyed.
This is the book where we really get acquainted with the Presger translators, who appear to have been created from humans, but really aren’t, anymore.
It is, I would say, primarily a missing person case more than a murder mystery but it is both. It is a fascinating story.
She’s also written an excellent fantasy novel, The Raven Tower, which I’ve been listening to of late. Adjoa Andoh narrates the audio version. She’s been on Doctor Who numerous times, mostly playing the mother of Martha Jones. She does a stellar performance here.
Leckie has published a baker’s dozen short stories, two set in the Imperial Radch universe. I’ve not read any of them. Who has?
I look forward to seeing what she writes next.
(10) COMICS SECTION.
Reality Check shows a fan pedant in (unwelcome!) action.
Close to Home has the most grotesque Pinocchio joke I’ve ever seen.
(11) GOOD OMENS VISUALS. Colleen Doran’s Funny Business is back with “Good Omens Peeks” – artwork at the link.
… I don’t know if, you know, getting cancer, going blind, smashing my face in, and generally having a really awful 2023 hasn’t been some weird sort of super-motivation, but I’m working very steady, and I actually think the art has gotten more solid as I go along.
I’m also very far behind schedule, but since the book was so far ahead to start, even though it’s going to be late, it won’t be horribly late. I set some pages aside and was unable to work on them for months, and that distance helped me work through some problems, too.
Anyhow, here’s some of my art in progress. And thanks for all the votes in the ComicScene awards for Good Omens as #1 crowdfund campaign of 2023….
(12) AFTER MIDNIGHT. Bitter Karella is back with the members of The Midnight Society, who are being a trial to Ursula K. Le Guin. Thread starts here.
Le Guin: ok fine Le Guin: what's your solution King: ok so omelas doesn't control the sky King: What if the kid lived in a balloon? Le Guin: oh christ that's the worst one yet
— The Midnight Society (@midnight_pals) March 2, 2024
…About 45 minutes into the movie, I thought for sure I was toast. Those gorgeous desert sand dunes reminded me of pillows, and I questioned what life choices I made that led me here, to seat H35. But then I saw a guy nod off two rows ahead of me, and I thought about how annoying it would be to have to see this movie again just to catch the parts I missed. I’m not weak like him, I thought, inhaling my Diet Coke. And, to even my own surprise, I powered through, savoring Paul Atreides’ larger-than-life odyssey all the way until the credits rolled at 6:18 a.m.
On the escalator down, I caught up with the three friends from New Jersey. “What are your plans this morning?” I asked, and they told me they were going to walk west to watch the sunrise over the Hudson. I didn’t have the heart (read: brain cells) to tell them the sun rises in the east.
(14) JUSTWATCH. Here are JustWatch’s charts of the most-viewed streaming movies and TV series of February 2024.
Scientists and researchers are celebrating what they call a “dream” discovery after an exploratory drill confirmed a high concentration of helium buried deep in Minnesota’s Iron Range.
Thomas Abraham-James, CEO of Pulsar Helium, said the confirmed presence of helium could be one of the most significant such finds in the world.
“There was a lot of screaming, a lot of hugging and high fives. It’s nice to know the efforts all worked out and we pulled it off,” Abraham-James said….
…According to Abraham-James, the helium concentration was measured at 12.4%, which is higher than forecasted and roughly 30 times the industry standard for commercial helium.
(16) 2021 FLASHBACK: STRICTER RATINGS FOR THESE SFF MOVIES. The British Board of Film Classification ratings change to Mary Poppins (see Pixel Scroll 2/26/24 item #9) was just the latest to affect sff films as shown in this 2021 BBC News article: “Rocky and Flash Gordon given tighter age rating”. In 2021 the extended edition of The Lord Of The Rings: The Fellowship Of The Ring has also been moved up to a 12A for its “moderate fantasy violence and threat.”Star Wars: The Empire Strikes Back was moved from Universal to PG.
…Of the 93 complaints the board received last year, 27 were about 1980 space opera film Flash Gordon.
The movie’s 40th anniversary re-release was reclassified up to 12A partly due to the inclusion of “discriminatory stereotypes”.
The BBFC did not say what the stereotypes were. However Flash Gordon’s main villain, Ming the Merciless, was of East Asian appearance but played by Swedish-French actor Max von Sydow….
(17) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Back in the day at school — seems like half a century ago (hang on, it was) — there were a bunch of us whose aim in chemistry was to get the contents of one’s boiling tube to mark the ceiling… We were the back bench bucket chemists! Those were the days. Very much in that spirit, physics Matt O’Dowd asks “What Happens If We Nuke Space?” Come on, Bruce Willis has done it?
EMPs aren’t science fiction. Real militaries are experimenting on real EMP generators, and as Starfish Prime showed us, space nukes can send powerful EMPs to the surface. So what exactly is an EMP, and how dangerous are they?
[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Kathy Sullivan, Daniel Dern, Lis Carey, Eddie Louise, JJ, Bill Higgins, Steven French, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Peace Is My Middle Name.]
By Ersatz Culture: [Via SF Light Year’s Weibo post, which is where the images accompanying this item are sourced from, although some in turn seem to have originated at the dyy822izv0vq Douyin account]
A machine translation, via Google Translate with minor manual cleanups of the text, follows; thanks to yjtc for help with understanding some of the more official/legalese language:
Chengdu Science Fiction Museum
Formal Official Statement
Recently, rumors have appeared on the Internet about Chengdu Science Fiction Museum cooperating with a travel agency to organize overseas science fiction study activities, arousing public attention. Chengdu Science Fiction Museum attaches great importance to this, and makes the following official statement:
Chengdu Science Fiction Museum has never authorized or entrusted any organization to carry out overseas science fiction study activities, nor has it participated in related activities in any form. We would like to appeal to the public not to believe false rumors appearing on the Internet. The museum firmly opposes any untrue remarks that damage the reputation of Chengdu Science Fiction Museum, and reserves the right to pursue legal liability from the relevant persons.
Thank you for your attention and support. Please work together to maintain the health of the online environment, and to promote the exchange and development of science fiction culture.
Hereby stated [for clarification].
Chengdu Science Fiction Museum
March 1, 2024
This is the first time I’ve seen any online posts directly from the museum; it doesn’t seem to have a website or Weibo account. (I don’t have access to the core WeChat/Weixin functionality; quite possibly they have been active on there before now.)
Glasgow 2024 has announced that Los Angeles (LA) in 2026 is the only bid to have been formally submitted by the filing deadline of February 18, 2024 as required by the WSFS Constitution in order to appear on the printed ballot. The required documentation was submitted to Glasgow’s Site Selection Administrator on February 2, 2024 by the LA in 2026 Bid Committee. Their website link is LA in 2026.
To be on the ballot, the WSFS Constitution requires a bidding committee to file the specified documents no later than 180 days prior to the official opening of the administering convention. Write-ins are still eligible provided the bidding committee files the required documents by the close of the voting.
The election to select the site of the 2026 WorldCon will be administered by Glasgow 2024, the 2024 WorldCon. The documents filed by LA in 2026 can be found on the Glasgow 2024 website here. The proposed dates are August 27 to August 31, at the Anaheim Convention Centre and Anaheim Hilton. The Bid Chair and proposed Convention Chair is Joyce Lloyd.
About Site Selection: Worldcon sites are selected two years in advance, by a secret ballot of WSFS members. For this year this includes all full Adult and Young Adult Attending members, Online Members with bundled WSFS Memberships, and WSFS Members of Glasgow 2024.
Any group that meets the technical requirements in the WSFS Constitution and files the necessary documents with the administering Worldcon may bid for the right to host a Worldcon.
Glasgow 2024 WSFS Members who wish to vote in Site Selection will need to buy an Advance WSFS Membership in the 2026 Worldcon, at a cost of £45.00. All members who pay this fee will automatically become WSFS Members of the 2026 Worldcon, regardless of who they vote for (or indeed if they vote at all).
Details on how to vote in site selection will be announced early in April 2024. All Advance WSFS Membership fees received by Glasgow for the 2026 Worldcon will be passed on to the successful candidate.
(1) NICHOLAS WHYTE TAKES UP 2024 HUGO ADMINISTRATOR DUTIES. Following the resignation of Kat Jones, Glasgow 2024 WSFS Division Head Nicholas Whyte announced this news in “The Hugos and me” at From the Heart of Europe:
I have now been appointed Hugo Administrator for Glasgow 2024: A Worldcon for our Futures, double-hatted with the role of Division Head for WSFS. (If the website hasn’t already been updated, it will be soon.) This is my comment on recent events, and my own commitment to future action.
I was not involved with organising the Chengdu Worldcon in any way, though it was a close call. Shortly before the Chengdu bid won the Site Selection vote in 2021, I was invited to become one of the Co-chairs of the convention if the bid won. (I have no idea if Ben Yalow was already on board at that stage.) I declined on the grounds that I really did not have time, but agreed to become a senior adviser, and was listed as such on their org chart presented in DC.
However, I was dismayed by Chengdu Worldcon’s choice of fascist writer Sergei Lukanyenko as a guest of honour, and by a general lack of communication. By summer 2022 I had heard very little from Chengdu Worldcon and it had become clear that they were not very interested in my advice, so I resigned as an advisor and heard no more from them for several months….
More follows about his trip to the Chengdu Worldcon. And about his past experience administering the 2017 and 2019 Hugos, and as part of the 2020, 2021, and 2022 Hugo teams.
(2) GLYER’S APOLOGY TO SHEPHERD. I apologize to Shepherd for comparing him to Vox Day in item #15 of the February 22 Scroll. It was unwarranted and wrong for me to do. I have now deleted the Vox Day quotes and replaced them with this:
“I apologize for drawing a comparison between Shepherd and Vox Day in the item that formerly appeared in this space. I was wrong to give into the impulse, which vented at Shepherd my emotional reaction to all the Hugo stuff I’ve had to write news about for the last month, something he has nothing to do with. (But if you want to ask why, then, is item #14 still here — Shepherd intended the needle, and I felt it. Ouch.)”
I also have corrected Shepherd’s name in item #14. The apology is repeated here in today’s Scroll because not many people are going to see the changes made in a three-day-old post.
(3) SHARON LEE UPDATE. Author Sharon Lee, who lost her husband Steve Miller earlier this week, answers four questions on her readers’ and friends’ minds in “Sunday in the new world”. Here’s an excerpt (questions 3 and 4 at the link).
So! The first question — Will I be continuing the Liaden series? Yes, it is my intention to continue writing in the Liaden Universe®, at least to the point of finishing out the remaining three books contracted with Baen. There will be some changes in how things go forward, which are inevitable, given Circumstances. Trade Lanes is off the table, at least for now. It is possible that it will never be written, but — I’m new at this, so let’s just not say “never” and instead say “we’ll see.”
I’m about 1/3 of the way through the book following Ribbon Dance, and have Extensive Notes for the book after that. The sequel is due at Baen in September. The deadline may have to be renegotiated; I don’t know that yet — see “new at this,” above — and I’ll have to talk with Madames the Agent and the Publisher.
Question the Second: How am I doing? I have no idea. I have moments of relative peace — work is going to be a refuge, I can already see that — moments of immobilizing terror, and breathtaking pain. I’m assuming these things are standard, but I’ve never lost my best friend, spouse, and creative partner before.
The cats have been a comfort, piling on whenever I land in a place and stay still long enough.
Local friends have also been keeping an eye on me, to the extent that I allow it; it’s hard to ask for help, and I’m not Steve, who loved people and made connections the way the rest of us breathe. I’m a more … private person, a fact that it will do us all good to remember, going forward. If I’m testy, sarcastic, or clueless — recall that I’ve always been that way, and that Steve always did the heavy interpersonal lifting.
(4) GWENDA BOND & JOHN SCALZI AT JOSEPH BETH BOOKSELLERS. [Item by Chris Barkley.] On Saturday evening, Ohio-based New York Times bestselling sf author John Scalzi interviewed Kentucky-based New York Times bestselling author Gwenda Bond at Joseph-Beth Booksellers in Cincinnati, Ohio.
For more than an hour, Mr. Scalzi quizzed Ms. Bond on what inspired her to write her latest novel, The Frame Up.
This new novel chronicles the adventures of Dani Poissant, an especially talented art thief who been approached for a special job. The problem? The crew hates her for turning in their former leader, her mother…
Be assured, it will be a magical journey for all involved and in more ways than one.
…My standard advice for how to cope with the prevalence of scams is to educate yourself: learn as much as possible about publishing and self-publishing–and do it before you start trying to snag an agent, or querying publishers, or assessing self-publishing platforms and service providers. The more you know about how things should work, the easier it will be to recognize bad practice when you encounter it. (The Writer Beware website is a good place to start.)
But it’s not just about being prepared with adequate knowledge. Mindset is also important: your default assumptions about, and responses to, the people and situations you encounter along your publication journey. Such expectations can help you, or they can hinder you–like my writer friend, whose bad experiences caused them to conclude, falsely, that no one can be trusted….
(6) MINORITY REPORT THE STAGE PLAY. [Item by SF Concatenation’s Jonathan Cowie.]BBC’s Radio 4 Front Row the other day devoted over a third of the programme to a new stage play adaptation of Philip K. Dick’s short story Minority Report.
The new adaptation shifts the action to Brit Cit London and the play features special effects and illusions to convey the future tech and mind games. The show’s director said that when the Tom Cruise film (2002, Hugo short-listed in case you forgot) came out it was all pretty much science fiction. However, he opines, with recent advances in artificial intelligence and neurobiology it seems more plausible.
Minority report, the Sci-Fi classic by Philip K Dick, has already been adapted for film and television and now it’s a stage play that employs an innovative mix of technology, stagecraft and live performance. As it opens at the Nottingham Playhouse, Mark Burman talks to some of the creatives involved.
See also the Nottingham Playhouse website, “Minority Report”, the source of these photos.
Canadian actor Kenneth Mitchell, known for roles in Star Trek: Discovery and the Marvel film Captain Marvel, has died following complications from amyotrophic lateral sclerosis, or ALS.
Mitchell, who was 49-years-old, died on Saturday, according to a statement released by his verified Instagram account.
“With heavy hearts we announce the passing of Kenneth Alexander Mitchell, beloved father, husband, brother, uncle, son and dear friend to many,” the statement said.
“For five and a half years Ken faced a series of awful challenges from ALS. And in truest Ken fashion, he managed to rise above each one with grace and commitment to living a full and joyous life in each moment,” it added….
The Hollywood Reporter adds these details:
…Mitchell played four characters across three seasons of Paramount’s Star Trek: Discovery: Kol, Kol-Sha, Tenavik and Aurellio. He also portrayed a young Captain Marvel’s father in a flashback in Marvel’s Captain Marvel and World War II flyer Deke Slayton in ABC’s The Astronaut Wives Club….
(8) BRIAN STABLEFORD (1948-2024). British academic and critic Brian Stableford, author of over 70 novels, died February 24 at the age of 75. His Wikipedia article includes a long list of work by this prolific writer and editor.
He graduated with a degree in biology from the University of York in 1969 before going on to do postgraduate research in biology and later in sociology. In 1979 he received a PhD with a doctoral thesis on The Sociology of Science Fiction.
Brian Stableford
The Science Fiction Encyclopedia says he began his writing career in his teens, collaborating with a schoolfriend, Craig A Mackintosh (writing together as Brian Craig), on his first published story, “Beyond Time’s Aegis” for Science Fantasy #78 in 1965; much expanded, it was eventually published in book form as Firefly: A Novel of the Far Future (1994).
He won the IAFA Distinguished Scholarship Award in 1987, the Science Fiction Research Association Pilgrim Award for lifetime contributions to sff scholarship in 1999, and a SF&F Translations special award in 2011. He won a 1985 Eaton Award for best critical book with Scientific Romance in Britain: 1890-1950. His article “How Should a Science Fiction Story End?” (The New York Review of Science Fiction #78 Feb 1995) received SFRA’s Pioneer Award in 1996.
His book The Empire of Fear won a 1989 Lord Ruthven award for fiction about vampires. His short fiction “The Hunger and Ecstasy of Vampires” won a BSFA Award in 1996.
(9) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born February 25, 1971 — Sean Astin, 53. Let’s talk about Sean Astin who played Samwise Gamgee in The Lord of The Rings films. I’ll admit that he was one of my favorite hobbits in the trilogy and Sean did a sterling job of bringing his character to life here, didn’t he? I’ll also admit that I’d completely forgotten that he wasn’t in The Hobbit as in I tend to think that the hobbits that were there are all in the trilogy.
Before The Lord of The Rings, he showed in his first film playing Mikey Walsh in The Goonies. No, not genre (remember My Birthday Write-up, my rules what gets included here) but a really fine YA treasure hunt adventure in which everyone has fun. Well not everyone.
He has a lead role in Toy Soldiers, a film I still have an odd fond spot for, as William “Billy” Tepper. Damn I liked those toy soldiers. I even had some of the action figures a long time ago.
Ray Bradbury and Sean Astin in 2009
He was Stuart Conway in a film named after a time travel device called Slipstream that was stolen by a group of bank robbers. Might be interesting to see.
He voiced Shazam in a pair of animated DC films, Justice League: War and Justice League: Atlantis, almost proving there are too many DC animated films. Oops, they did prove that amply as there’s another one, a Lego one he did.
In the Department of Films That I Never Knew Existed Off Novels I Never Knew Were Written is Terry Pratchett’s The Colour of Magic, which proves how prolific he was or how bad my memory is, at any rate Sean is Twoflower here.
Dorothy and the Witches of Oz is a 2012 series of a decade ago apparently covered The Wonderful Wizard of Oz, Ozma of Oz, The Road to Oz and The Magic of Oz. Somewhere in there, he was Frack Muckadoo, a servant of Princess Langwidere.
I think the last thing I’ll mention is that he showed up in a brief recurring role on The Big Bang Theory as Dr. Greg Pemberton, one of a team of Fermi-Lab physicists who accidentally confirmed the Super-Asymmetry paper published by Sheldon and Amy. Wasn’t that an amazingly fantastic series?
Yes, there’s other kibbles and bits which I’m sure you’ll point out, but I need tea now.
(10) COMICS SECTION.
Bizarro brings the litigious spirit to fairy tale land.
…As for “the computer age,” asks Jim Lehrer; “have we crested on that one as well”? Asimov knew full well that the computer would be “at the center of everything.” Just as had happened with television over the previous generation, “computers are going to be necessary in the house to do a great many things, some in the way of entertainment, some in the way of making life a little easier, and everyone will want it.” There were many, even then, who could feel real excitement at the prospect of such a future. But what of robots, which, as even Asimov knew, would come to “replace human beings?”
“It’s not that they kill them, but they kill their jobs,” he explains, and those who lose the old jobs may not be equipped to take on any of the new ones. “We are going to have to accept an important role — society as a whole — in making sure that the transition period from the pre-robotic technology to the post-robotic technology is as painless as possible. We have to make sure that people aren’t treated as though they’re used up dishrags, that they have to be allowed to live and retain their self-respect.” Today, the technology of the moment is artificial intelligence, which the news media haven’t hesitated to pay near-obsessive attention to. (I’m traveling in Japan at the moment, and saw just such a broadcast on my hotel TV this morning.) Would that they still had an Asimov to discuss it with a level-headed, far-sighted perspective….
Bidding on a rare 14-karat gold LEGO piece has come to a close and the item sold for much more than expected.
The piece called the Bionicle Golden Kanohi Hau Mask, which sold for $18,101, was found by workers at a warehouse in DuBois, Pennsylvania, and is believed to be only one of 30 that exist. In 2001, some were gifted to LEGO employees, while the rest were awarded through a contest.
When the rare LEGO was found no one really knew what it was, the item was posted on shopgoodwill.com for just $14.95. Little did they know what someone would pay for it.
“The final bid was $18,101. The second-highest bid was $18,100,” said Chad Smith, Vice President of E-commerce and Technology for Goodwill Industries of North Central PA….
…[The] Borderlands movie follows Lilith (Blanchett), an infamous outlaw with a mysterious past, who reluctantly returns to her home planet of Pandora to find the missing daughter of the universe’s most powerful S.O.B., Atlas (Edgar Ramirez).
Lilith forms an alliance with an unexpected team – Roland (Kevin Hart), a former elite mercenary, now desperate for redemption; Tiny Tina (Ariana Greenblatt), a feral pre-teen demolitionist; Tina’s musclebound, rhetorically challenged protector, Krieg; Tannis (Jamie Lee Curtis), the scientist with a tenuous grip on sanity; and Claptrap (Jack Black), a persistently wiseass robot. These unlikely heroes must then battle alien monsters and dangerous bandits to find and protect the missing girl, who may hold the key to unimaginable power….
[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Lis Carey.]
Glasgow 2024 has announced changes to its membership rates to take effect from March 1, 2024. These changes include increases in all Attending rates, closure of the Membership Installment plan to new participants, and the release for sale of Day and Weekend tickets.
ATTENDING MEMBERSHIP RATES. The in-person Attending Membership rates from March 1, 2024 will be as follows. All these memberships include the right to attend the convention, WSFS rights to participate in the Hugo Awards and Site Selection, and for those over 15 years old, full access to the Online Convention, both during and after the convention.
Full Adult (26 and over) – £230 (previously £210) First Worldcon Adult – £165 (previously £150) Historically Under-represented Adult – £165 (previously £150) Scottish / Local Adult – £150 (previously £140) Full Young Adult (16-25) – £135 (previously £125) Scottish / Local Young Adult – £95 (previously £90) Teenage (11-15) – £90 (previously £85)
Infant tickets will remain at £5 (excluding child care) and WSFS Only (Supporting) Memberships will remain at £45.
MEMBERSHIP INSTALLMENT PLAN: They will be closing the Membership Installment Plan to new applications as of March 1, 2024. The Installment Plan enables you to pay for an Attending Membership Supplement in a series of convenient monthly installments. Contact them at [email protected] if you wish to sign up for the plan before it closes.
DAY AND WEEKEND TICKETS: Glasgow’s Day and Weekend Tickets will go on sale from March 1 at a significantly discounted price to those that will be charged on the day. These tickets are available in two forms: one for those aged 16 and over including access to our online convention, and one for younger fans covering physical attendance only.
Day and Weekend Tickets do not include WSFS rights; a separate WSFS Only Membership will be required for individuals who wish to participate in the Hugo Awards, Site Selection and Business Meeting.
Our advance Day / Weekend ticket rates will be as follows:
Day
Adult (over 16)
Under 16
Thursday 8 Aug
£50
£20
Friday 9 Aug
£75
£25
Saturday 10 Aug
£75
£25
Sunday 11 Aug
£75
£25
Monday 12 Aug
£45
£15
Weekend 10 and 11 Aug
£140
£45
People planning to attend on two or more days should check these rates against the Full Attending In-Person rates, particularly if they are eligible for a concessionary rate (First Worldcon, Scottish / Local etc) or also plan to buy a WSFS Membership, as the Full Attending Rate may offer a cheaper option.
Update 02/20/2024: Joe Yao of the Chengdu Worldcon committee has provided new information: “The Panda Study Trip has NOTHING to do with Chengdu Business Daily, it is a local travel agency who generated this product. There is NO leader from CBD who posted this information on their social media platforms.”
Zimozi Natsuco reports they received an ad about a commercial study trip from China to the Glasgow 2024 Worldcon, which features these graphics:
(The H Book Club blog has pointed out on X.com that the cityscape in the second panel is of London.)
Natsuco sent an inquiry to Glasgow 2024 chair Esther MacCallum-Stewart asking whether the company organizing the trip has contacted the convention.
Honorable chairman,
Today, I received an advertisement for a commercial study trip. The trip will be organized by Panda Study Trip, a related company of Chengdu Business Daily (CBD). The leader of CBD posted the advertisement in his WeChat Moments.
In this advertisement, the company claims that it will bring children to join the Glasgow Worldcon. Children will work as volunteers during the conference. They will join several panels held by the company and hold personal sci-fi art exhibitions during the Worldcon. They will also join the Hugo Award ceremony. Before the trip to Glasgow, the children will receive professional training in science fiction under the guidance of a Cambridge Ph.D. The cost for the whole summer camp is over 68888CNY, about 7500 pounds, which is much higher than a regular trip from China to Glasgow.
I wonder if the company has set up connections with the Glasgow committee and if there is any fund support. Also, I wonder if it is possible under the law of WSFS to organize this kind of business trip. Also, I’m looking forward to an official announcement from Glasgow.
Glasgow 2024 chair Esther MacCallum-Stewart replied in File 770 comments:
This is not affiliated with us in any way. We have had no correspondence on this matter with anyone from Chengdu. Children are not permitted to volunteer at our convention for multiple reasons including health and safety and child protection. There are no panels of this nature being organised by Glasgow 2024 and there is no other way to host panels at Glasgow 2024 other than through our own programme team.
Natsuco followed up:
Though the advertisement came from WeChat Moments of a leader of Chengdu Business Daily, I believe this plan will be officially announced. And I am willing to share the details in my email, which has been sent to your committee.
Also, maybe this is an experiment to test the reaction from the fandom. But I think as a huge commercial plan, it is difficult to be cancelled. It showed the ignorance and disregard of the WSFS constitution in CBD.
This plan is set up for those parents who do not have enough knowledge of science fiction and Worldcon. It describes Worldcon as a chance to fulfill the children’s experience and education. It takes advantage of poor information and the lack of promotion of Worldcon in China.
Arthur Liu / Heaven Duke offered this comparison point about the price of the trip.
(1) CANCELLING HERSELF. Samantha Mills mournfully headlined her latest blog post “’Rabbit Test’ unwins the Hugo”. After reading the Barkley/Sanford report and some others’ analysis of the voting reports, Mills says:
…Looking at the information we currently have, it’s hard for me to conclude anything other than: I shouldn’t have been on that ballot. On the one hand, it seems as though the final vote hasn’t been tampered with, and the voters engaged in good faith with the works they were told were the finalists, for which I still say thank you! But it’s really, really hard for me to see past the initial fact, which is that I shouldn’t have been on that ballot.
This entire experience has been very stressful and fraught. Initially I assumed I wasn’t going to be a finalist, because even though the story had taken off like mad in the U.S., the bulk of the membership was not going to be American. I assumed we would see a lot of Chinese nominees — which would have been cool! We’d get a slice of international scifi that I rarely ever see! And then I was really pleasantly surprised to be informed I was a finalist after all. When the full ballot was posted, I was also surprised at how few Chinese nominees were in the fiction categories. There were four in the short story category, though, so I thought it was legit, and that wow, John Wiswell and I somehow made the cutoff anyway, isn’t that amazing!
I accepted the nomination because, you know, it is supposed to be an honor. But then due to concerns about the Worldcon event itself, I elected not to participate in programming or accept a free trip to Chengdu. This was also fraught. I’ve never been to a Worldcon, and I’d never been nominated before. And as I said in my previous long-winded post on the subject, I have nothing against the fandoms at play. But I wasn’t comfortable being one of the faces of local PR under political circumstances that felt entirely above my pay grade, so I bowed out…
There are two sets of problems here: (a) the proximate issue of what was done in 2023 and (b) what this reveals or illuminates about the the cartel of self-proclaimed “SMOFs” (secret masters of fandom) who treat the Hugos – and Worldcon more broadly – as their birthright, playground and personal fiefdom. The Hugo Awards are supposed to be democratic in nature and process; the behavior of the self-proclaimed “SMOFs” is fundamentally anti-democratic – and this is by no means confined to Chengdu Worldcon.
Now here are my suggestions for how to rebuild trust in the Hugo Awards:
No one involved in the administration of the 2023 Hugo Awards, or who assisted in the collection of political evidence, can ever be allowed to have any role in administering the awards ever again.
Vote tabulation must be performed in a transparent manner using software that multiple people have access to for purposes of validation.
All tabulations must be independently audited for purposes of verification.
Individual Cons should no longer administer the Hugo Awards – this should be done by an independent, rotating committee.
All decisions by said committee must be audited; all disqualified nominees must be notified and given time to appeal.
Here’s more information about Chengdu’s passalong offer of $40,000 to Glasgow:
“… My colleague, and I think it’s fair to say, con-running coach, Alexia Hebel, is not only the treasurer for Capricon, she was the treasurer for the Western component of the Worldcon in Chengdu. And as such, one of her duties was to administer the pass-along funds from Chengdu over to Glasgow. What are pass-along funds? Well, if there’s any money left over after running a Worldcon, they have the option and traditionally always do of passing that surplus along to the next Worldcon as a donation towards its effort. It’s a bit more complicated than that, but that’s the basic idea. While in between duties at Capricon and after speaking with Ben Yalow about it, she offered $40,000 in pass-along funds to the Glasgow Worldcon. And again, that’s de rigueur. You know, every Worldcon does this if they can. Glasgow turned the money down. They’re so anxious to avoid any associations with the Chengdu Worldcon that they’re unwilling to even touch the money, to the tune of 40 grand.
(4) SEEN AROUND FANDOM. These convention badge ribbons will be in great demand once somebody starts handing them out.
Something dramatic happens on a social media platform every day. On Goodreads, the anachronistically designed website for logging, rating (out of five) and reviewing books, the dramas are more amusing, and they occasionally even draw attention from areas beyond the site’s supposedly book-loving users. The most recent featured Cait Corrain, the fantasy author who set up an elaborate network of fake accounts to post positive reviews of her own forthcoming book as well as negative reviews of authors she felt were her competitors. When citizen journalists uncovered her plot in December 2023, her book was cancelled, and she lost her agent and a future book deal.
A juicy, postmodern story of self-sabotage, or a sad one about the intersection of the internet and mental health. Regardless, its stakes are relatively low: publicly harassing one’s colleagues is a sackable offence anyway, and it’s hard to find someone who really cares about the vicissitudes of the young adult literature world who isn’t part of the subculture. I’m not; I’m a professional critic, and an author of a literary novel. I’m a snob. I care about my book, and the authors I feel are my competitors. And while Goodreads has been around since 2007, its significance to the broader literary world remains steadfastly confusing. Does it sell books? Does it make and break careers? The flashy, funny stories that have emerged about the site over the last several years have done exactly what its proprietors surely want: make it seem like Goodreads is important. But is it?…
Whether you’ve been thinking about starting to read “A Court of Thorns and Roses,” or you’re a long-time fan of “Throne of Glass,” it’s likely that you’ve heard of Sarah J. Maas. The author is making headlines the world over thanks to her fantasy series. Whether you’re invested in them for the well-written smut or the beautiful way she weaves her stories, fans can’t put down her novels. But what some readers might not know about the rather private author is that she was raised by a Catholic mother and a Jewish father and attended Hebrew school in her youth. She went on to attend Hamilton College for religious studies and met her future husband at her college’s Hillel, where he served as president. Her connection to her Jewish faith isn’t just apparent when looking at her personal history, though. It just takes a keen eye and a flip through any of her series’ to recognize that she has woven her culture through every story….
… The way that Maas deftly and lovingly weaves her Jewish culture and faith into her writing opens up the world of our stories and tradition to a wider audience. Jewish faith hasn’t had a very loud voice in fantasy — but thanks to Maas, that might be about to change.
(8) ROLE MODEL. [Item by Danny Sichel.] “Peter Talks To a Spider”, a ten-page comic, by Donny Cates and Chip Zdarsky, published on Marvel’s official Threads account: “What happens when Spider-Man chats with an actual Spider”. Images at the link.
(9) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born February 18, 1919 — Jack Palance. (Died 2006.) Tonight I’ve come to talk of Jack Palance who was born of Ukrainian immigrant parents with name of Volodymyr Palahniuk. His last name was actually a derivative of his original name. While guesting on What’s My Line?, he noted that no one could pronounce his last name, and how it was suggested that he be called Palanski but instead that he decided just to use Palance instead. He didn’t say where his first name came from.
(OK nitpickers, I do not want to hear from you. Seriously, I don’t. His career makes a gaggle of overly catnapped kittens playing with skeins of yarn with lots of lanolin still on it look simple by comparison so I may or may not have knitted it properly here, so bear with my version of it.)
Jack Palance in 1954.
Surprisingly it looks like that he got his start in our end of things in television performances and relatively late as they started in the Sixties with the first one being Jabberwock on a musical version of Alice Through the Looking Glass. I’m sure I want to see that as it had Jimmy Durante as Humpty Dumpty, and the Smothers Brothers as Tweedledee and Tweedledum.
Next up was a Canadian production with him in the title role of The Strange Case of Dr. Jekyll and Mr. Hyde, and that in turn saw him being the lead in Dracula, also known as Bram Stoker’s Dracula and Dan Curtis’ Dracula, the last when the ego of the Director got way, way too big.
Jack Palance as Dracula (1973)
I’m going to digress here because it’s so fascinating. In 1963, The Greatest Show on Earth first aired. This Circus drama had Johnny Slate as the big boss who keeps the circus running as it moves from town to town. It was produced by Desilu, the production company founded by Lucille Ball and Desi Arnaz, Sr. It lasted but one season as it was up against shows by Jack Benny and Richard Boone.
A bit of hard SF was next, Cyborg 2, released in other countries as Glass Shadow, creative but terribly uninformative, where he’s Mercy, an old renegade cyborg.
Remember my Birthday recently on the wonderful Carol Serling? Well he was in The Twilight Zone: Rod Serling’s Lost Classics film that she made possible as Dr. Jeremy Wheaton in “Where the Dead Are”.
If Treasure Island counts as genre and yes I do count it in my personal canon, then his role as Long John Silver is definitely canon.
He got to play Ebenezer Scrooge in Ebenezer. Now the fun part is that it’s set in the Old West, where he is the most greedy, corrupt and mean-spirited crook in the old West obviously, he sees no value in “Holiday Humbug” by several reviewers. This film I went to look up on Rotten Tomatoes, but no rating there.
Not at all shockingly to me, he shows up on The Man from U.N.C.L.E. where he plays a character of Louis Strago in a two-parter “The Concrete Overcoat Affair” which got reedited as “The Spy in the Green Hat”.
A bit of horror was next in Tales of the Haunted as Stokes in “Evil Stalks This House” was up late in career.
Finally for roles that I’m reasonably sure were of genre interest, he was on Buck Rogers in the 25th Century as Kaleel in the “Planet of the Slave Girls” episode.
One more gig for him related to genre or at least genre adjacent, though not as a performer, but as the host of Ripley’s Believe It or Not! for four years. He had three different co-hosts from season to season, including his daughter, Holly Palance, actress Catherine Shirriff, and finally singer Marie Osmond.
“Am I as geeky as the Doctor who fans? Yes. As a Doctor Who fan myself of old, I can very much can plug into that. I don’t think I ever got in trouble at school. That is one of those stories that’s ended up on Wikipedia. I wrote an essay on Doctor Who, which some unpleasant newspaper found and printed. But I didn’t get in trouble for it. I think I got quite a good mark for it.”
Less than 2 percent of console video games include L.G.B.T.Q. characters or story lines even though 17 percent of gamers are queer, according to GLAAD’s first survey on the industry.
The survey, whose results were released on Tuesday, said a majority of respondents had experienced some form of harassment when playing online. But it also found that many queer gamers saw virtual worlds as an escape in states where recent legislation has targeted L.G.B.T.Q. people. Seventy-five percent of queer respondents from those states said they could express themselves in games in a way they did not feel comfortable doing in reality.
“That is a statistic that should pull on everyone’s heartstrings,” said Blair Durkee, who led the advocacy group’s survey alongside partners from Nielsen, the data and marketing firm. “The statistic is driven largely by young gamers. Gaming is a lifeline for them.”
GLAAD has produced a similar breakdown of queer representation in television since 1996. Its latest report found that 10.6 percent of series regulars in prime-time scripted shows identified as L.G.B.T.Q., which researchers said helped put their video game study in perspective….
(13) CREATING VIDEO FROM TEXT. That’s the latest step forward in artificial intelligence says OpenAI in “Sora”.
We’re teaching AI to understand and simulate the physical world in motion, with the goal of training models that help people solve problems that require real-world interaction.
Introducing Sora, our text-to-video model. Sora can generate videos up to a minute long while maintaining visual quality and adherence to the user’s prompt.
Today, Sora is becoming available to red teamers to assess critical areas for harms or risks. We are also granting access to a number of visual artists, designers, and filmmakers to gain feedback on how to advance the model to be most helpful for creative professionals.
We’re sharing our research progress early to start working with and getting feedback from people outside of OpenAI and to give the public a sense of what AI capabilities are on the horizon….
… The current model has weaknesses. It may struggle with accurately simulating the physics of a complex scene, and may not understand specific instances of cause and effect. For example, a person might take a bite out of a cookie, but afterward, the cookie may not have a bite mark….
The guardians of nature. The protectors of humanity. The rise of a new empire.
The epic battle continues! Legendary Pictures’ cinematic Monsterverse follows up the explosive showdown of “Godzilla vs. Kong” with an all-new adventure that pits the almighty Kong and the fearsome Godzilla against a colossal undiscovered threat hidden within our world, challenging their very existence—and our own. “Godzilla x Kong: The New Empire” delves further into the histories of these Titans and their origins, as well as the mysteries of Skull Island and beyond, while uncovering the mythic battle that helped forge these extraordinary beings and tied them to humankind forever.
[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, Paul Weimer, Eric Hildeman, Joshua K., Cliff Ramshaw, Kathy Sullivan, Jean-Paul Garnier, Dan Bloch, Rich Lynch, Danny Sichel, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]
