Pixel Scroll 7/1/22 Who Will Buy This Wonderful Pixel?

(1) NETFLIX GOES UPSIDE DOWN. [Item by Mike Kennedy.] Apparently, fans of Stranger Things are night owls. When the final two episodes of ST Season 4 were released—at about 03:00 Eastern today—the Netflix streaming site was hammered hard enough to experience scattered but significant outages. “Netflix Down: Streaming Service Outage After Stranger Things 4 Release” reports Variety.

Netflix’s streaming service was unavailable for a brief period early Friday after the highly anticipated release of the final two episodes of “Stranger Things 4.”

According to global uptime-monitoring site Downdetector.com, user reports of problems with Netflix spiked around 3 a.m. ET — when “Stranger Things 4” Volume 2 went live. Complaints about errors with Netflix peaked at nearly 13,000 at the top of the hour, before the situation seemed to be resolved within a half hour.

“Stranger Things 4” already has set the record as the No. 1 English-language series on the service in its first four weeks of release, as reported by Netflix based on total hours watched. The two episodes in Season 4 Volume 2 clock in at nearly four hours of runtime total: Episode 8 is 85 minutes and Episode 9 is 150 minutes.

(2) BOB MADLE DOING FINE AT 102. [Item by Curt Phillips.] I just got off the phone with Bob Madle and thought I’d give you an update. He sounds great, and his daughter Jane told me that Bob’s health is excellent. Neither of them ever caught Covid, and Bob spends a lot of time enjoying beer and baseball. He is, as you might guess, an Oakland A’s fan. He’s been following that team since the 1930’s when they were the Philadelphia Athletics. We spent 45 min or so discussing sf magazines, and Bob’s memory is as solid as a rock. He recalled pulp trivia from 90 years ago as if it happened yesterday. So, 102 years old and going strong. A fannish immortal in every way!

(3) STEPHENSON PROFILE.  In the Washington Post, Theo Zenou interviews Neal Stephenson on the 30th anniversary of Snow Crash.  The interview focuses on Stephenson’s role in tech projects, including founding (with Bitcoin Foundation co-chair Peter Vessenes), Lamina1, “a start-up that will use blockchain technology to build an ‘open metaverse.’” Zenou explains that Stephenson has been involved part-time with tech his entire life, and became employee #1 of Blue Origin after he and Jeff Bezos went to a screening of October Sky in 1999. “Neal Stephenson’s ‘Snow Crash’ predicted metaverse and hyperinflation”.

…Stephenson’s vision for Lamina1 (meaning “layer one” in Latin) is to empower the creators of these experiences. He explained, “We want to create a structure of smart contracts and other utilities that will make it easier for people who want to build Metaverse applications to do that in the first place, and then to get compensated if it turns out that people like and want to pay for the experiences they’re creating.”…

(4) FIGURING OUT THE ENDING. If you didn’t see Cora Buhlert’s story when we linked to the tweets in May, you can now read “Masters-of-the-Universe-Piece Theatre: ‘The Rescue’” as a post on her blog.

“You had one job, Corporal, one job. Protect Prince Adam, with your life, if necessary. And you failed. I swear, if something happens to Adam, you will be scrubbing toilets for the rest of your life.”

“Yes, Captain.”

“Don’t be so hard on the Corporal, Teela. It wasn’t his fault.”

“I know. I should have gone with Adam. Oh Father, what if something happens to him?”

“We’ll find Adam and save him. I promise.”

Meanwhile, in the dungeons of Snake Mountain…

(5) HAVE AN IDEA FOR A SPACE FORCE STORY? C. Stuart Hardwick is editing an anthology for Baen, Real Stories of the US Space Force, and has put out a Call For Submissions. See full details at the link.

The US Space Force has a PR problem. Several, in fact. It was not Donald Trump’s idea. It did not steal its iconography from Star Trek. It is not just a lunatic scheme to expand the military-industrial complex by sending battleships into space. Yet judging from social media, many think all these things and more.

Space has become critical not only to the military but to the economy and all aspects of daily life, and as we stand at the dawn of a new age of space commerce, that’s only going to intensify, and several nations have already developed capabilities  to deny, degrade, and disrupt access to and utilization of space–based assets, whether to degrade US Military capability or as a direct economic attack.

Like it or not, the militarization of space started long ago, threats are already up there, and wherever people and their interests go next, so too will go conflict, intrigue, heroes and villains, everything that comprises good stories….

WHAT WE WANT

Stories that grab us from the start and stay with us for days. Scientifically plausible drama about people facing interesting challenges related to the US Space Force or more generally, the policing and defense of near-Earth space and related issues, now or in the foreseeable future (the next century or so).

Stories don’t have to take place in space, involve the actual US Space Force, or be hard sci-fi, but they should help illustrate in some way how space technology shapes modern civilization in critical, often overlooked ways, how it is now or soon may come under threat, and how it might be defended now and into the future. See this page for ideas and background.

(6) A SEVENTIES LOOK AT FANHISTORY. Fanac.org has added “Minicon 10 (1975)-History of the MFS-Poul Anderson, Gordon Dickson, Clifford Simak, Bob Tucker” to its YouTube channel.

Minicon 10 (1975) – History of the MFS – Poul Anderson, Gordon Dickson, Clifford Simak, Bob Tucker & more: 

Minicon 10 was held April 18-20, 1975 in Minneapolis. This panel discussion, orchestrated by Gordy Dickson, majors in history and anecdotes of the 1940s Minneapolis Fantasy Society (MFS).  Particpants: Kenny Gray, Poul Anderson, Oliver Saari, Gordon Dickson, Grace Riger, Bob Tucker, and Clifford Simak. A high percentage of the MFS members went on to sell professionally to the magazines.

The panel begins with the flowering of MFS after Clifford Simak moved to town, to anecdotes about late night hero-saving plot sessions to the true identity of Squanchfoot (hint: Simak’s City was dedicated to him). 

You’ll hear about the softball games in which many Saaris participated, the origin of Twonk’s disease, how Poul became an MFS member and more. 

There’s silly story writing, an imitation Red Boggs, and a mass induction into the MFS.  For those that live(d) in Minneapolis, and for those that didn’t, this recording provides an affectionate look at the early MFS…Many thanks to Geri Sullivan and the Video Archeology project for providing the recording. 

(7) WHERE DID THE TIME GO. Lincoln Michel tackles the question “Why Does It Take So Long to Publish a Book?” in his Counter Craft newsletter.

… For this post, I’m just talking about the last part: how long it takes to publish a book once you sell it to a traditional publisher. Often, unpublished and self-published authors are baffled at turn around time for books. This discourse was most recently kicked off by a tweet asking authors how they would feel if a publisher offered to publish their book yet it would take 2 years and they’d have to cut 10,000 words. The replies were filled with a lot of unpublished authors saying “that’s way too long!” and/or “that’s way too many words to cut!” and then a lot of published authors saying “uh, this is completely standard in publishing?”

…To be very clear, getting published by a good publisher in no way guarantees you’ll get much attention or sell many copies. Yet if you want any chance of getting those things, your publisher needs a lot of time to pitch your book to distributors and bookstores and to do all of the publicity and marketing.

This—the general publicity, marketing, and distribution—is where much of the publishing time disappears. And it’s the kind of stuff you might not realize if you aren’t a traditionally published author. Things like major bookstore orders (including Amazon) are set long before a book is published. Anticipated book lists and “buzz” begins well in advance, sometimes before books are even finished being written. Review copies get sent to reviewers months before books are published, so that reviews can appear when the book does. And so on and so forth.

In addition to the distribution, marketing, and publicity there are other important steps if you want a professional book, especially editing (big scale stuff), copyediting (line level stuff), proofreading (typos). There are many other steps here too such as getting blurbs and getting cover art but thankfully many of these can be done concurrently with the other steps timewise….

(8) SWIFT DEPARTURE. Deadline reports “‘Tom Swift’ Canceled By CW After One Season”.

Tom Swift has swiftly gotten the boot at CW.

The low-rated, Nancy Drew spinoff only launched on May 31 and has aired six episodes to date. The series, which features a predominantly Black cast, started off as an unconventional backdoor pilot, with only Tian Richards (as Tom) getting an introduction on Nancy Drew last season. The rest of the characters were cast after the project was picked up to series in August.

We hear CBS Studios, which is behind Tom Swift, is trying to extend the options on the cast, which expire today, and plans to shop the series elsewhere.

The CW brass have said that they like the show creatively. The cancellation is said to be performance-based as Tom Swift is among the CW’s least watched series on linear, with 535K viewers in Live+7, as well as on streaming….

(9) THERE IS CRYING IN TV. A show you may not have even known was in the works has also stumbled before making it out of the cornfield:  “‘Field of Dreams’ TV Series Dropped at Peacock”.

A series adaptation of Field of Dreams has struck out at PeacockThe Hollywood Reporter has learned.

The Mike Schur-created drama based on the 1989 Kevin Costner-starring baseball-focused film was picked up straight to series in August 2021 but will not stream on the platform, according to a source with knowledge.

Universal Television, where Schur’s Fremulon shingle holds an overall deal, is in the process of talking to interested buyers.

Schur is the creator of NBC’s The Good Place, along with serving as the co-creator of Parks and RecreationBrooklyn Nine-Nine and Rutherford Falls. Among other credits, he is an executive producer on HBO Max’s Emmy-winning Hacks and Freevee’s upcoming Primo….

 (10) 124C41+. Holden Karnosky’s article “The Track Record of Futurists Seems … Fine” at Cold Takes tries to find another way of testing whether it would be a waste of time to put artificial intelligence to work as futurists. One idea was to look at the futures posited by some famous sf writers.

…The idea is something like: “Even if we can’t identify a particular weakness in arguments about key future events, perhaps we should be skeptical of our own ability to say anything meaningful at all about the long-run future. Hence, perhaps we should forget about theories of the future and focus on reducing suffering today, generally increasing humanity’s capabilities, etc.”

But are people generally bad at predicting future events? Including thoughtful people who are trying reasonably hard to be right? If we look back at prominent futurists’ predictions, what’s the actual track record? How bad is the situation?

…Recently, I worked with Gavin Leech and Misha Yagudin at Arb Research to take another crack at this. I tried to keep things simpler than with past attempts – to look at a few past futurists who (a) had predicted things “kind of like” advances in AI (rather than e.g. predicting trends in world population); (b) probably were reasonably thoughtful about it; but (c) are very clearly not “just selected on those who are famous because they got things right.” So, I asked Arb to look at predictions made by the “Big Three” science fiction writers of the mid-20th century: Isaac Asimov, Arthur C. Clarke, and Robert Heinlein.

These are people who thought a lot about science and the future, and made lots of predictions about future technologies – but they’re famous for how entertaining their fiction was at the time, not how good their nonfiction predictions look in hindsight. I selected them by vaguely remembering that “the Big Three of science fiction” is a thing people say sometimes, googling it, and going with who came up – no hunting around for lots of sci-fi authors and picking the best or worst.2

Alan Baumler kept score while reading the article:

  • One (Asimov) who looks quite impressive – plenty of misses, but a 50% hit rate on such nonobvious predictions seems pretty great.
  • One (Heinlein) who looks pretty unserious and inaccurate.
  • One (Clarke) who’s a bit hard to judge but seems pretty solid overall (around half of his predictions look to be right, and they tend to be pretty nonobvious).

(11) MEMORY LANE

1972 [By Cat Eldridge.] Yes, I know I wrote up Bewitched earlier this year. Or at least I think II did. I do lose track after a while. At any rate, tonight we’ve come to eulogize its ending fifty years ago on this evening. The show aired from September 17, 1964 to July 1, 1972 on ABC for two hundred and fifty-four episodes — seventy-four in black-and-white for the first two years, 1964 to 1966) and one hundred eighty in color for the final three years, 1966 to 1972.

I cannot say that I’ve watched all of the series, but I’ve watched a fair amount of it and it will unashamedly admit that I really do like it. It’s not a complicated series, nor a particularly deep series, but it’s both fun and charming, and it is inoffensive. 

So why did Bewitched come to an end? Was it the ratings? That certainly was part of that problem as by by the end of the next-to-last season the ratings for it had noticeably dropped and the show did not even rank in the list of the top thirty programs. But that wasn’t the actual reason it got cancelled.

That was down to Elizabeth Montgomery who had grown tired of the series and wanted to move on to new roles. Well, they didn’t happen. The only thing she was on Password, a game show where she was a celebrity contestant for nearly ninety episodes. 

She died at aged sixty-two of an untimely diagnosed cancer. 

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 1, 1934 — Jean Marsh, 88. She was married to Jon Pertwee but it was before either were involved in Whovian affairs. She first appeared alongside The First Doctor in “The Crusade” as Lady Joanna, the sister of Richard I (The Lionheart). She returned later that year as companion Sara Kingdom in “The Daleks’ Master Plan”. And she’d return yet again during the time of the Seventh Doctor in “Battlefield” as Morgana Le Fay. She’s also in Unearthly StrangerDark PlacesReturn to OzWillow as Queen Bavmorda and The Changeling
  • Born July 1, 1935 — David Prowse. The physical embodiment of Darth Vader in the original Star Wars trilogy. Ok, it’s been  a very long time since I saw Casino Royale but what was Frankenstein’s Creation doing there, the character he played in his first ever role? That he then played the role in The Horror of Frankenstein and Frankenstein and the Monster from Hell, Hammer Films a few years later surprises me not. He shows up in Gilliam’s Jabberwocky according to IMDB as Red Herring and Black Knights (and no I’ve no idea what that means). Finally he’s the executioner in The People That Time Forgot, a film that’s very loosely based off of several Burroughs novels. (Died 2020.)
  • Born July 1, 1942 — Genevieve Bujold, 80. We would have had a rather different look on Voyager if things had played out as the producers wished, for Bujold was their first choice to play Janeway. She quit after a day and a half of shooting, with the public reason being she was unaccustomed to the hectic pace of television filming. What the real reason was we will never know.
  • Born July 1, 1952 — Dan Aykroyd, 70. Though best known as Dr. Raymond Stantz in the original Ghostbusters films (which he wrote with Harold Raimis though he himself came up with the Ghostbusters concept), Ackroyd actually showed up in his first genre role a year earlier in Twilight Zone: The Movie as Passenger / Ambulance Driver. He’s reprised his role in Ghostbusters: Afterlife. And he was the narrator of the Hotel Paranormal series that just ended.
  • Born July 1, 1955 — Robby the Robot, aged, well, 67. Yes, this is this official birthday of the robot in Forbidden Planet, which debuted a year later. Over the years he would also be seen is such films and series as The Invisible Boy,Invasion of the Neptune MenThe Twilight ZoneLost In SpaceThe Addams Family, Wonder Woman and Gremlins.  He was in a 2006 commercial for AT&T. Well very, very briefly. 
  • Born July 1, 1964 — Charles Coleman Finlay, 58. The Traitor to the Crown series is his best known work. His first story, “Footnotes”, was published in The Magazine of Fantasy and Science Fiction where many of his stories have since been published.  Editor for six years of The Magazine of Fantasy and Science Fiction until February of last year. At the World Fantasy Awards in 2021 he received the Special Award – Professional for editing The Magazine of Fantasy & Science Fiction.
  • Born July 1, 1981 — Genevieve Valentine, 41. Author of the superb Persona novel and also she scripted a Catwoman series, working with artists Garry Brown and David Messina. Her first novel, Mechanique: A tale of the Circus Tresaulti, won the Crawford Award for a first fantasy novel. She scripted a run of Xena: Warrior Princess, and scripted Batman & Robin Eternal as well. 

(13) COMICS SECTION.

  • Non Sequitur shows what would happen if Hollywood added “improvements” to Noah’s Ark. (Which, of course, they’ve already done, but play along with the joke.)

(14) AMAZON PRIME TEASER TRAILER FOR PAPER GIRLS. [Item by Daniel Dern.] The comic book Paper Girls — which involves time travel among other tropes, so it’s inarguably science fiction — which I may have stumbled on either browsing my library’s “new graphic novels” or during the year-ish I subscribed to ComiXology’s monthly streaming digital comics service, or a mix, is about to be an Amazon Prime series, per this trailer I just saw:

It looks promising, to say the least.

Want to read ’em first? If your public library (or interlibrary loan) doesn’t have them, you can e-borrow/read issues 1-30 free through HooplaDigital.com — either as Volumes 1-6, or in 3 borrows (remember, Hoopla allows a set # borrows/month) by going for the Deluxe Edition Books (10 issues each), as this search shows.

(I’ve read ’em; recommended!)

(15) USHERING IN THE ATOMIC AGE. Now on the block at Heritage Auctions is Capt. Robert Lewis’ ‘Enola Gay’ logbook documenting the atomic bombing of Hiroshima. Bidding was up to $400,000 when last checked.

Captain Robert A. Lewis, the co-pilot of the B-29 Superfortress called the Enola Gay, wrote those immortal words shortly after 8:16 a.m. on Aug. 6, 1945, moments after he and his crewmates dropped the atomic bomb on the citizens of Hiroshima. The course of history changed at that precise moment: A beautiful day exploded into a blinding bright light, a nuclear fireball leveled a city, at least 100,000 died, and a world war neared its end.

And there, high above it all yet so much a part of the devastation below, was Robert Lewis to chronicle every spectacular and awful moment. He was among the dozen Enola Gay crewmen who delivered the 15-kiloton bomb codenamed “Little Boy” to Japan and the only person aboard who kept a detailed account of the top-secret mission that changed the world.

Lewis’ 11-page chronicle of those few minutes is among the most important documents of the 20th century, a harrowing and oft-heartbreaking account of those very moments between the pre-atomic and post-atomic world – before Hiroshima was struck by the noiseless flash, consumed by fire and swallowed by a mushroom cloud. The public has not seen it since it sold in 2002 during a famous auction of publisher Malcolm Forbes’ American historical documents.

(16) COULD WE DECODE ALIEN PHYSICS? [Item by SF Concatenation’s Jonathan Cowie.] Matt O’Dowd at PBS Space Time asks “Could We Decode Alien Physics?”

How hard can it really be to decode alien physics and engineering? It’s gotta map to our own physics – I mean, we live in the same universe. We start by noticing that the alien technology seems to use good ol’ fashioned electronics, even if it is insanely complex. We know this because the particle carried by the alien circuitry looks like the electron. We decide this through a process of elimination.

(17) FOR YOUR VIEWING PLEASURE. JustWatch tracked themoviedb.org data to measure “Top 10 Sci-Fi Movies and TV Shows in the US in June.”

Rank*MoviesTV shows
1Everything Everywhere All at OnceObi-Wan Kenobi
2Jurassic World: Fallen KingdomFor All Mankind
3Jurassic WorldSeverance
4Spider-Man: No Way HomeTeenage Mutant Ninja Turtles
5Doctor Strange in the Multiverse of MadnessWestworld
6MorbiusStar Trek: Strange New Worlds
7Jurassic ParkDoctor Who
8Ghostbusters: AfterlifeNight Sky
9Crimes of the FutureThe Man Who Fell to Earth
10MoonfallThe Twilight Zone

*Based on JustWatch popularity score. Genre data is sourced from themoviedb.org

(18) THE BRAVE LITTLE TOASTED. Gizmodo takes stock of its accomplishments as “LightSail 2 Mission Poised to Burn Up in Earth’s Atmosphere”.

For the past three years, a tiny loaf-of-bread-sized spacecraft with gigantic wings has been sailing on sunbeams in low Earth orbit. LightSail 2 has far exceeded its life expectancy and proven that solar sails can indeed be used to fly spacecraft. But its journey around our planet is sadly coming to an end, as Earth’s atmosphere drags the spacecraft downward where it will eventually burn up in atmospheric flames.

The Planetary Society’s LightSail 2 launched in June 2019 and unfurled its 344-square-foot (32-square-meter) solar sail a month later. Just two weeks after spreading its wings, LightSail 2 gained 2 miles (3.2 kilometers) of altitude, making this experiment a success….

(19) NIMOY THEATER UPDATE. A new era for the Center for the Art of Performance UCLA is underway as they continue to develop the UCLA Nimoy Theater. “The Nimoy sets new horizon for the arts community”. You can see an overview of the project here.

Located near the UCLA campus on Westwood Boulevard, The Nimoy is a reimagining of the historic Crest Theater as a flexible, state-of-the-art performance space.

Opening in late March 2023, the intimately-scaled venue is named for artist, actor, director and philanthropist Leonard Nimoy. Shawmut Construction has been working steadily to renovate the venue, which will be equipped with new and green technologies to support the creation and presentation of innovative work. 

The Nimoy will be a home for artists representing a broad diversity of voices, viewpoints, ideas and creative expressions in music, dance, theater, literary arts, digital media arts and collaborative disciplines. The inaugural season will feature a large slate of amazing shows, including new work by the legendary Kronos Quartet, “live documentarian” filmmaker Sam Green, and a collaboration between two essential musical voices of Los Angeles, Quetzal and Perla Batalla. 

(20) VIDEO OF THE DAY. [By Martin Morse Wooster.] Alasdair Beckett-King asks, “What if Sherlock Holmes and Dr. Watson got email from spammers claiming to be “sexy women from Moldova?” “Hot Detectives in Your Area”.

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Curt Phillips, Daniel Dern, Alan Baumler, SF Concatenation’s Jonathan Cowie. Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 6/23/22 Last And First Scrolls

(1) CHARLIE JANE ANDERS KEYNOTE OPENS EVERY DOOR. In “Children’s Institute 10: Charlie Jane Anders Says ‘Magical Portals Exist, and Adults Aren’t Real’”, Publishers Weekly has extensive details of the author’s talk.

Science fiction author Charlie Jane Anders (Victories Greater Than Death) brought abundant charisma to the stage for her Ci10 keynote. Her hot-pink bob, matching Doc Martens, and neon-confetti-dotted black dress reinforced her energy. She delivered her talk, “Magical Portals Are Real, and I Can Prove It!,” in a conversational and confiding tone, to booksellers who know and recommend her LGBTQ+ fiction.

Alluding to Frank Herbert’s Dune dictum that “the universe is full of doors,” Anders said that we encounter portals in our lives. “I’ve jumped universes three or four times,” she said, acknowledging how she came to recognize her authorial persona and trans identity. “This is definitely not the universe I was born in.”…

(2) FINAL SCORE? Indiana Jones 5 might be it: “John Williams, 90, steps away from film, but not music” – reports the Associated Press.

After more than six decades of making bicycles soar, sending panicked swimmers to the shore and other spellbinding close encounters, John Williams is putting the final notes on what may be his last film score.

“At the moment I’m working on ‘Indiana Jones 5,’ which Harrison Ford — who’s quite a bit younger than I am — I think has announced will be his last film,” Williams says. “So, I thought: If Harrison can do it, then perhaps I can, also.”

Ford, for the record, hasn’t said that publicly. And Williams, who turned 90 in February, isn’t absolutely certain he’s ready to, either.

“I don’t want to be seen as categorically eliminating any activity,” Williams says with a chuckle, speaking by phone from his home in Los Angeles. “I can’t play tennis, but I like to be able to believe that maybe one day I will.”

Right now, though, there are other ways Williams wants to be spending his time. A “Star Wars” film demands six months of work, which he notes, “at this point in life is a long commitment to me.” Instead, Williams is devoting himself to composing concert music, including a piano concerto he’s writing for Emanuel Ax….

(3) THE DNA OF SFF. Camestros Felapton works out the difference between bounty hunters and Our Heroes in “Friday’s Rag Tag Crew versus bounty hunters”.

…But why, in reality, are bounty hunters so distinctly American? Like many things, once you dig beyond the fiction you run straight into the depressing inevitabilities of US history. There is a complex history behind bounty hunters in the US but looming large in that history are slave catchers. People employed to catch fugitive slaves were not a US invention but the size of the US slave economy (until the Civil War and emancipation) meant that “slave catcher” was both casual work and a profession for some. The powers of slave catchers was further enhanced prior to the Civil War with the Fugitive Slave Act of 1850 (https://en.wikipedia.org/wiki/Fugitive_Slave_Act_of_1850) which codified the ability of slave catchers to act beyond the borders of slave states. Slavery is not the only defining element in the US bounty hunting history but it is such a substantial example in the formative years of the nation that it is hard to imagine that it isn’t key to the lasting influence of the idea in the US.

The attraction of the bounty hunter concept to quasi-libertarian SFF is apparent. The bounty hunter as a character can be simultaneously running a private business and be an arm of law enforcement. As a legitimised vigilante, the bounty hunter as a character can sit in a kind of Lagrange point between the pull of the heroic individualist and the pull of authoritarian imposition of order…. 

(4) SPACEHOUNDS OF THE WSFS, And when Camestros Felapton is finished with the topic above, he chronicles the work of another set of adventurers who are hard at work to disarm “The Hugo Kill Switch”.

The people at The Hugo Book Club Blog (Olav Rokne & Amanda Wakaruk) are on a high-stakes mission to defuse a time bomb. Deep within the WSFS constitution is a hidden switch that is creeping ever closer to hitting some beloved Hugo Award categories. Can a rag-tag team save the Fan categories before the timer reaches zero?!

(5) TO THE EGRESS, AND BEYOND. Arturo Serrano analyzes the special challenges inherent in the audience’s complicated history with the Toy Story franchise and the Buzz Lightyear character and tells why Lightyear doesn’t fly, but it falls with style” at Nerds of a Feather.

…The quest for continued relevance is a preoccupation that the movie assigns to both Buzz and itself. It tries to evoke the feel of the Flash Gordon serials and, of course, both of the big Star franchises. But instead of the now-common practice of attempting to recapture an old moment of wonder via repetition and allusion, this movie gave itself the harder task of pretending to be that first experience. Although the villain’s big plan involves the return to an idealized past, Lightyear is not a case of nostalgia (because anything it could try to revisit is supposed to be provided by this story for the first time), but of pastiche. It may be unfair to cast Pixar as a victim of its own spectacular successes, but Lightyear is certainly not the best that the studio is capable of, and at times it’s a stretch to imagine small Andy being blown away by it….

(6) YES, THE END IS NEAR! The inaugural winner of the first Self-Published Science Fiction Competition will be announced in three weeks.

(7) WHO IN THE MOVIES. Radio Times covers the revelation that a “Doctor Who unmade film script featured two Doctors”.

…However, Subotsky revealed that a second deal was negotiated following production of 1965’s Dr. Who and the Daleks which would indeed have allowed for a third film. “There was a further agreement that was entered into, to give the rights to make a third movie, which of course was never done,” he explained. “It was on the same terms as the original films, so my feeling is… the option lapsed.”

Though a third movie never materialised, Subotsky further revealed that his father did in fact produce a screenplay for the proposed sequel that remains in his family’s possession and was also displayed at the BFI event – this script, however, was not an adaptation of any existing Doctor Who television serial.

“Many years later, maybe 15 years later, it was clearly still on his mind, because he had prepared a script called ‘Doctor Who’s Greatest Adventure’ which actually was a repurposed script of a horror film entitled ‘King Crab’… the original title was even worse, it was ‘Night of the Crabs’!

“It was with two Doctors – a young Doctor and an old Doctor – which is an idea that has been returned to.”…

(8) PEOPLE WHO NEED PEOPLE. Polygon’s Joshua Rivera drops a few SPOILERS along the way: “Obi-Wan Kenobi finale review: a Star Wars show as broken as its hero”.

… Across its brief six-episode run, Obi-Wan stopped the spectacle to focus on people — and it mostly resonates as a contrast to how much I’ve missed them in other Star Wars stories.

At the heart of this are Obi-Wan’s two central performances. As Obi-Wan, Ewan McGregor plays a broken man in exile, a soldier who knows he lost the war but is still being asked to fight it, keeping constant vigil from afar over the young Luke Skywalker. As befits the character that shares the series’ name, every note of Obi-Wan’s journey rings true, largely thanks to McGregor’s performance….

(9) PHYSICS AIN’T MISBEHAVING. Matt O’Dowd of PBS Space Time whittles away at the question, “Is Interstellar Travel Impossible?”.

Space is pretty deadly. But is it so deadly that we’re effectively imprisoned in our solar system forever? Many have said so, but a few have actually figured it out.

(10) MEMORY LANE

1983 [By Cat Eldridge.] Thirty-nine years ago, the follow-up film to the Twilight Zone series premiered this week. Produced by Steven Spielberg and John Landis, Twilight Zone: The Movie certainly carried high expectations. This film features four stories directed by Landis, Spielberg, Joe Dante, and George Miller. 

Landis’ segment is the only original story created for the film, while the segments by Spielberg, Dante, and Miller are remakes or more precisely reworkings of episodes from the original series.

The screenplay is not surprisingly jointly done by a committee of John Landis, George Clayton, Johnson Richard Matheson and Melissa Mathison as is the story which is by Landis, Matheson, Johnson and Jerome Bixby. 

The principal cast was surprisingly small given that there were four stories, just Dan Aykroyd, Albert Brooks, Scatman Crothers, John Lithgow, Vic Morrow and Kathleen Quinlan. 

It did quite well at the box office, making over forty million against a budget of under ten million. Some critics like Roger Ebert at the Chicago Sun-Tribune like some of it though he noted that, “the surprising thing is, the two superstar directors are thoroughly routed by two less-known directors” while others such as Vincent Canby at the New York Times hated all of it calling the movie a “flabby, mini-minded behemoth”. 

It was enough of a financial success that the suits at CBS gave the approval to the Twilight Zone series.

Audience reviewers at Rotten Tomatoes give it a not great fifty-five percent rating. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 23, 1908 — Sloan Nibley. Writer who worked on a number of genre series including Science Fiction TheaterAddams FamilyThe Famous Adventures of Mr. MagooShazan, and the New Addams Family. (Died 1990.)
  • Born June 23, 1945 — Eileen Gunn, 77. Her story “Coming to Terms” based on her friendship with Avram Davidson won the Nebula Award for Best Short Story. Her stories are in Stable Strategies and OthersSteampunk Quartet and Questionable Practices. With L. Timmel Duchamp, she penned The WisCon Chronicles, Vol. 2: Provocative Essays on Feminism, Race, Revolution, and the Future. Her ”Stable Strategies for Middle Management” story picked up a nomination at Noreascon 3 (1989), and “Computer Friendly” garnered a nomination the next year in the same category at ConFiction (1990). She’s well stocked at the usual digital suspects. 
  • Born June 23, 1957 — Frances McDormand, 65. She’s God. Well at least The Voice of God in Good Omens. Which is on Amazon Prime y’all. Her first genre role was in the “Need to Know” episode of Twilight Zone followed shortly thereafter by being Julie Hastings in Sam Raimi’s excellent Dark Man. She’s The Handler in Æon Flux and that’s pretty much everything worth noting. 
  • Born June 23, 1963 – Liu Cixin, 59. He won the Best Novel Hugo at Saquan (2015) for his Three Body Problem novel, translated into English by Ken Liu. It was nominated for the Campbell Memorial, Nebula, Canopus and Prometheus Awards as well. He picked up a Hugo novel nomination at Worldcon 75 (2017) for Death’s End also translated by Liu. 
  • Born June 23, 1972 — Selma Blair, 50. Liz Sherman in Hellboy and  Hellboy II: The Golden Army. She also  voiced the character in the animated Hellboy: Sword of Storms and Hellboy: Blood and Iron as well which are quite excellent. She’s Stevie Wayne in The Fog, a slasher film a few years later and was Cyane on the “Lifeblood” episode of Xena: Warrior Princess. Later on, she’d be Jessica Harris in the “Infestation” episode of Lost in Space. 
  • Born June 23, 1980 — Melissa Rauch, 42. Bernadette Rostenkowski-Wolowitz on The Big Bang Theory which is at least genre adjacent if not genre. She gets to be really genre in voicing Harley Quinn in Batman and Harley Quinn which Bruce Timm considers “a spiritual successor to Batman: The Animated Series”. Having watched a few episodes on HBO when I was subscribed to that streaming service, I vehemently disagree. 
  • Born June 23, 2000 — Caitlin Blackwood, 22. She was the young Amelia Pond in these Doctor Who episodes; “The Eleventh Hour”, “The Big Bang”, “Let’s Kill Hitler” and “The God Complex”. She had a cameo in “The Angels Take Manhattan”.  She’s the cousin of Karen Gillan who plays the adult Pond.  I can’t find anything online that talks about how she was cast in the role but it was brilliantly inspired casting!

(12) COMICS SECTION.

(13) DEADLY DESIGNS. Paul Weimer will make you want to read the second City Siege novel of KJ Parker: “Book Review: How to Rule an Empire and Get Away with it” at Nerds of a Feather.

…While the first volume had Orban explicitly say that he was not telling the whole truth in the end, here from the beginning we have a professional telling us right from the get go about the power of stories, lies, shading the truth and more in order to tell his story. The first novel was Parker geeking out about engineering and siegecraft and how a determined engineer could frustrate the greatest army the world has assembled. By contrast, this second novel does have concerns regarding the siege and defending it, because Parker does really like to go down his rabbit holes and show it off. (In some ways, I think of him very much like Herman Melville, just enjoying sharing what he has learned and shown off about all sorts of abstruse subjects, interwoven masterfully into the story)….

(14) OCTOTHORPE. With a cover courtesy of DALL-E, Octothorpe 60 is now up! Listen here: “Different Types of Tedium”.

John Coxon is going to brunch, Alison Scott watched a film, and Liz Batty is critical. We discuss what we’d do if we were king of The Hugo Awards for the day, and then we talk about ABBA and other science fiction. And Monster Munch – you love to hear it.

Cover by DALL-E

(15) LIGHT FINGERS. Yahoo! listens as “Taika Waititi admits to stealing equipment from ‘The Hobbit’ set”.

New Zealand filmmaker and actor Taika Waititi appeared Wednesday on The Late Show With Stephen Colbert, where he shared a Hobbit-sized secret regarding the second film in the popular franchise directed by fellow Kiwi Oscar winner Peter Jackson.

Waititi shared, “When I did What We Do in the Shadows, when Jemaine [Clement, the film’s co-writer and star] and I were shooting that, we didn’t have much money to do that film, and The Hobbit had just wrapped. And, so, our production designer — man, I don’t know if I should tell this. OK, but I will. Our production designer, in the dead of night, took his crew to The Hobbit studios and stole all of the dismantled, broken-down green screens and took all of the timber, and we built a house.”…

(16) THEY CROSSED THE STREAMS. “The Mandalorian gets mashed up with The Stay Puft Marshmallow Man in Star Wars/Ghostbusters crossover cosplay” at Ghostbusters News. They draw our attention not only to the clever cosplay, but “the adorable replacement for Grogu, consisting of a miniature version of Stay Puft being seen nestled inside his pram pod.”

(17) IT IS HIS FETA. Gizmodo takes a pretty funny look at “The Weirdest, Goat-iest Thor: Love and Thunder Merchandise”.

Marvel’s latest movie is bringing with it an Asgard Tours boat-load of weird and wonderful merchandise.

(18) REVISITING FILMATION. [Item by Bill.] The 1973-1974 Star Trek: The Animated Series was produced by Filmation.  Recently, Gazelle Animations has done some clips from Star Trek: The Next Generation and Star Trek: Voyager in the Filmation style:

The animator gives background. And note the Most Important Device in the Universe!

(19) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Lightyear Pitch Meeting,” Ryan George, in a spoiler-packed episode, the producer learns that the premise of Lightyear–that it’s an action movie Andy saw in 1995 that made him want to buy a Buzz Lightyear toy–he gets excited because that means a producer in the Toy Story universe made money on the film.  But even though it’s supposed to be “a 1990s movie,” fans of 1990s movies that featured “a lot of over the top action and cheese” will be cruelly disappointed.  Toy Story fans who remember that the villain Zurg is Buzz Lightyear’s father will also be very disappointed.

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, N., Bill, SF Concatenation’s Jonathan Cowie, Daniel Dern, Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Steve Davidson.]

Pixel Scroll 6/4/22 Pixel Of Illusions

(1) ANOTHER BURKE CO-PANELIST MAKES A STATEMENT. Shahid Mahmud, Arc Manor Books publisher, who was one of the panelists on “Diversity Readers and Why You Need Them” at Balticon 56, today told Facebook readers that he and Stephanie Burke “got into a heated discussion” but that Burke did “nothing that warranted her treatment” or expulsion from program afterwards.

…One of the panels that keeps getting referred to is a panel I was on with Stephanie, the one on Sensitivity Readers. Not only that, but I was also the one who got into a heated discussion with her on the panel.

As a fellow panelist (particularly one who got into that that discussion with her) I would like to, in no uncertain terms, make it clear that Stephanie NEVER crossed the ‘line.’ I found her charming, informative, and forceful (in a good way).

At one point I did turn to the audience and apologized for us having hijacked the discussion for the last few minutes and several of them pointed out how refreshing it was to hear different sides of the issue (a couple of them reiterating it after the panel as well).

After the panel ended, Stephanie and I did chat briefly and both of us indicated to the other how much we had enjoyed the discussion even though we disagreed with each other.

So, imagine my shock when I found out that she had been kicked off panels. Even more so, since no from Balticon bothered to contact me about the panel (and no one still has).

Anyway, as a fellow panelist on the panel that is being cited as the reason for her expulsion, I want to make it absolutely clear that Stephanie did nothing that warranted her treatment.

What I find incredulous is that someone at Balticon took it upon themselves to treat another person like that without even bothering to find out what happened or having any investigation of a any kind. Escorting someone out of a panel is pretty extreme. I do think Yakira (the Balticon Chair) is trying to set it right to the extent she can (she has publicly apologized and is now leading an investigation into the incident). I hope the investigation also focuses on Lisa Adler-Golden (the program chair, and I believe the person behind the expulsion) and her actions, motivations and suitability for participation in future Balticons.

David Weber responded at length in comments (here and here), saying in part:

…I’m waiting to see how this all works out, and I hope the con chair is able (and willing) to tell the world what really happened and issue a very sincere and public apology (if appropriate) based on the results of her investigation.

If, as I suspect from all I have heard so far, an apology IS appropriate, I think it should be accompanied with an invitation to return as a special guest and, particularly, for a panel on just how destructive this sort of thing is for the fan community as a whole, and not just for the pros/guests immediately affected by it. It’s an issue that needs to be dragged out into the daylight and confronted, without accepting it as long as it only happens to people WE don’t like, and without degenerating into fruitless rounds of whataboutism. This is goring ALL our oxen. It needs to stop, and I hope one response to this fiasco is that Balticon will tell us how IT intends to prevent it going forward….

Also in comments, Gregory Benford reminded readers why he was removed from the 2019 Loscon.  

(2) THE MESSAGE RECEIVED VARIES WITH THE READER. Jeff VanderMeer addresses the question if “Le Guin’s ‘The Left Hand of Darkness’ is a classic for its portrayal of gender, but is it also sometimes, for the modern reader, a climate change parable?” in  “Landscape, Change, and the Long Road Ahead” at Orion Magazine.

…Le Guin, in creating both this world and this situation, meant to interrogate the politics and logic of countries, and how societies deal with the outsider. Even the long, harrowing journey by Genly and his erstwhile friend from Winter, Estraven, across barren ice can be interpreted as a traditional Jack Londonesque extreme wilderness survival tale, rather than anything more modern.

Yet, the reader changes a book because the world changes, and so when I read of the “facts” of Genly being disputed in Orgoreyn, I could not help but think about the “disputed” facts and proofs of the climate crisis.  

Climate crisis is about extremes, and in The Left Hand of Darkness cultures are shaped by an immeasurably hostile physical environment. The coldness of the place, which forces adaptation to its conditions and discourages certain kinds of risk. The fact the nations of Winter do not engage in war constitutes one unique manifestation of this adaptation to an extreme environment. Full-scale conflict, as opposed to minor sorties, skirmishes, individual feuds, simply seems alien to the nations of Winter…. 

Genly describes war as “the opposite of civilization,” and this is literally true on Winter—if not on our Earth. The planet’s inhabitants cannot afford the destructiveness of war or risk Death by Planet, by diverting or destroying resources needed for survival. They do not have the luxury of surviving both the climate and war….

(3) ALMOST BREAKING EVEN. Despite having cancelled Arisia 2022 due to Covid and the small number planning to attend or be on the program, Arisia, Inc. reports they have made up their annual expenses from grants and donations.

…We have heard back from the grants from this cycle, and we’ve gotten quite a few of them.  A few were contingent on holding a convention and I’ll get into the disposition of each of those.

The big news is that we got $15,000 from the City of Boston!  This is $10,000 for COVID relief and $5,000 in general operating support.  We can use this money to pay organizational expenses such as rent, which comes to $15.600 per year.

We got a grant for $2,275 from SFWA for convention expenses and we can use this for expenses the convention had even though it didn’t actually happen.  We have easily enough eligible expenses to get the access grant and $2500 for organizations that did.  This appears to be what happened, as we were approved for $2500 for training.  We have heard back from the grants from this cycle, and we’ve gotten quite a few of them.  A few were contingent on holding a convention and I’ll get into the disposition of each of those.

…We proposed to use this general staff anti-racism training, and I also requested in the application to be able to use the money for board training, in case we get other funding for anti-racism trainings.  I believe the Anti-Racism Committee is working on specifics for this training.

We got $3000 for CART from the Universal Participation Fund and the expenses didn’t happen.  This is the grant that we qualify for because of Card to Culture.  I don’t know if the money can be repurposed, or if so how.

Speaking of Card to Culture, we had 12 people registered for A22 via Card to Culture, vs. 3 in 2021.  I am hopeful that we get even more in 2023.

Finally, we have gotten about $4,000 in donations, with one large donation pending in an unknown amount.

This is a total of almost $24,000 not including the access grant.  Our annual expenses are a little over $19,000 and the convention had $6,000 in expenses that can’t be passed on to Arisia 2023, plus one of the grants obliges us to spend money on training that we might not have spent otherwise.  So we aren’t quite square, but we’re pretty close….

(4) LAWSUIT GOING FORWARD. “Freedom to Read Advocates Sound Alarm as Obscenity Lawsuit Advances in Virginia” reports Publishers Weekly.

Library groups this week joined with booksellers, publishers, and public advocacy groups in sounding the alarm over a lawsuit in Virginia in which two popular authors and their publishers have been ordered to defend their works against obscenity charges.

The legal action was filed last month by Virginia Beach lawyer and delegate in the Virginia Assembly Tim Anderson (on behalf of local plaintiff and congressional candidate Tommy Altman), citing an obscure state obscenity law. It alleges that two books for sale in a Virginia Beach Barnes & Noble—Maia Kobabe’s popular graphic memoir Gender Queer (Oni Press) and A Court of Mist and Fury (Bloomsbury) by bestselling author Sarah J. Maas—are “obscene for unrestricted viewing by minors.”

According to the Virginia Mercury, “the little-utilized state law allows ‘any citizen’ to ask a court to weigh in on books alleged to be obscene.” And in a development that has shocked observers, a local judge on May 18 found there was probable cause the books could be deemed obscene and ordered the authors and publishers to defend the books later this month.

According to the Mercury, the judge who issued the order, Pamela Baskervill, is “a retired Petersburg-area judge,” who is handling the case because “all other judges in Virginia Beach recused themselves.”

The court’s order raises the possibility that the court could issue a restraining order barring the books from public display and restraining booksellers and libraries from selling or loaning the books to minors without parental consent. In a Facebook post, Anderson hailed the judge’s order as “a major legal victory” and laid out the playbook for those seeking to restrict access to materials they find objectionable: “Suits like this can be filed all over Virginia,” Anderson wrote. “There are dozens of books. Hundreds of schools.”…

(5) HEAR FROM EUGEN BACON. Space Cowboy Books will host a free “Online Reading & Interview with Eugen Bacon” on Thursday, July 7 at 6:00 p.m. Pacific. Get tickets at the link.

(6) INSPIRATIONAL WOMEN. “Can a book change a young woman’s life?” Hear The Conversation with Nnedi Okorafor and Mel Mazman on BBC Sounds.

Can a book change a young woman’s life? Kim Chakanetsa talks to two women in the publishing world about the importance of writing stories that inspire and empower girls. 

Nnedi Okorafor is an award-winning Nigerian-American writer of fantasy and science fiction for both children and adults. Her books have strong female leads and draw inspiration from her Nigerian roots. Nnedi has also written comics for Marvel: she was the first woman to write the character of T’challa, the Black Panther, and she wrote a series about his tech loving sister, Shuri. She is a recipient of the World Fantasy, Hugo and Nebula Awards. 

Mel Mazman is the chief product officer at Rebel Girls, a franchise publishing books and digital content aimed at empowering young women. The company started in 2016, with a crowdfunding campaign for Good Night Stories for Rebel Girls, a book featuring the stories of 100 inspirational women. Since then, they sold 7.5 million books in over 100 countries. Mel shares her insights on how the publishing industry is changing to cater for the needs and interests of younger generations of readers. 

(7) BREAKFAST WITH TIFFANYS. [Item by Martin Morse Wooster.] Jo Walton talks to Helen Zaltzman about what she calls “The Tiffany Problem, or how do you tell readers that the “anachronisms” they find in novels aren’t actually anachronistic.  “Tiffany” is an authentic 12th century name (ultmately derived from “Epiphany”) but use it in a historical novel and readers complain,  Walton discusses how she handles this problem in her novels. “The Tiffany Problem” at The Allusionist podcast.

(8) KEN KELLY (1946-2022). Prolific genre and album artist Ken Kelly died June 3 at the age of 76. He was particularly known for his sword & sorcery cover art. He depicted Conan the Barbarian, Tarzan and the rock acts KISS, Manowar, Sleepy Hollow, Rainbow, and Ace Frehley.

(8) MEDIA BIRTHDAY.

1982 [By Cat Eldridge.] On this day forty years ago, my favorite Trek film by far, Star Trek II: The Wrath of Khan, premiered. As I noted yesterday in my essay on the ending of the original series, there have been thirteen films so far — the good, the bad and the just plan forgettable. Star Trek II: The Wrath of Khan is in my opinion stellar.

Now I’ll admit that the episode that spawned it, “Space Seed”, isn’t one of my favorite episodes, but the screenwriter for this film, Jack B. Sowards, who based it off a story by him and Harve Bennett, created a story here that is fantastic. Neither had any genre background so Bennett watched all of the original series after being hired by Paramount and decided to do a film off the “Space Seed” story.

Damn, they did a great job. From the Kobayashi Maru simulation (named after Soward’s neighbor) to the over-the-top villain that Ricardo Montalbán is here (far more than he was in “Space Seed”), there is nothing that is not completely entertaining here. Most of these Trek films have a spot or two where I want to say to the editor why is that scene in here, but not in this film. I loved it from beginning to end unreservedly.

(Roger Ebert in his review had an interesting point about Khan: “Khan is played as a cauldron of resentment by Ricardo Montalban, and his performance is so strong that he helps illustrate a general principle involving not only Star Trek but ‘Star Wars’ (1977) and all the epic serials, especially the ‘James Bond’ movies: Each film is only as good as its villain.”) 

(Some of them are entirely like that.) 

They were given a lousy budget, just twelve million, as Paramount really didn’t believe the film was going to do crap. It did as it made ninety million. 

What did the critics think? If they were Trekkies, they liked it. If they weren’t, they didn’t.

Kevin Thomas of the L.A. Times definitely liked it: “In this new film there’s no feeling that its makers are straining to compete with ‘Star Wars’ and other special-effects spectaculars, instead, they’re attempting to recapture the spirit of the beloved TV series. (It is, in fact, probably a plus that the film actually began production intended for TV.) The result is a brisk, handsomely designed film in which its hardware, sturdy as it is, never overwhelms its humanity.” 

Whereas David Khmer of the Chicago Reader wasn’t impressed: “In this second Star Trek feature (1982), the crew of the Enterprise confronts middle age in a plot that makes very little literal sense but is packed with pertinent life-out-of-death, Waste Land imagery: a 200-year-old heavy (Ricardo Montalban) living on a barren planet, a secret project code-named ‘Genesis’ that can turn deserts into tropical jungles, Captain Kirk wearing specs and rediscovering his long-lost family. If only director Nicholas Meyer had grasped the implications of his tale more fully and enthusiastically, this might have become a classic piece of cornball SF poetry, but as it stands the tepid acting and one-set claustrophobia take a heavy toll.” 

It was nominated for a Hugo at ConStellation losing out to Blade Runner. Rotten Tomatoes reviewers really like giving a ninety percent rating. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 4, 1951 Wendy Pini, 71. With husband Richard, responsible for Elfquest which won them a Balrog. Over the years Elfquest has been self-published by the Pinis through their own company Warp Graphics, then Marvel Comics, then the Pinis again, more recently DC Comics and then Dark Horse Comics. Everything prior to 2013 is free online at the Elfquest Comic Viewer. Be prepared to spend hours lost in great reading! 
  • Born June 4, 1960 Kristine Kathryn Rusch, 62. If you’ve not discovered the delights of her Diving Universe series, you’re in for a treat — it’s that good. Her Retrieval Artist series is one that can be read in no particular order so is great deal of fun no matter where you start. And her Spade / Paladin series of which the first novel just came out, Ten Little Fen, is absolutely delightful.  Oh, and she won the Astounding Award for Best New Writer. Her website is here; don’t miss her appreciation of A.J. Budrys. 
  • Born June 4, 1960 Bradley Walsh, 62. His first genre was on The Sarah Jane Adventures as Odd Bob Elijah Spellman aka The Pied Piper in “The Day of the Clown” story. His major genre role video wise however is Graham O’Brien, companion to the Thirteenth Doctor. Now it’s worth noting that he has a lot of theatre experience that is genre having appeared in multiple versions of AladdinCinderellaJack & the Bean StalkPeter Pan and Snow White.
  • Born June 4, 1964 Sean Pertwee, 58. Let’s see, where did I see him first? Oh, of course, playing Sheriff Hugh Beringar on Cadfael but that’s not genre, is it? Captain Heinz in “Trenches of Hell, Part 2 “,  on The Young Indiana Jones Chronicles which was his first genre role followed being Pilot Smith on Event Horizon and Macbeth in a UK film of that name the same year. He did a bit of low-budget horror playing Bradley Cortese in Tale of the Mummy and likewise in being Sergeant Harry G. Wells in Dog Soldiers. There were some fairly low budget SF as well, say Father in Equilibrium. Not to mention Brother Proteus in Ultramarines: A Warhammer 40,000 Movie which I dearly want to see! All of which gets redeemed by his Inspector Lestrade in Elementary, a stunning take on that character. And then there’s his Alfred in Gotham.
  • Born June 4, 1969 Julie Gardner, 53. She was executive producer on the revival of Doctor Who and the spin-offs of Torchwood and Sarah Jane Adventures. She co-founded with Julie Tranter Bad Wolf, best known for the BBC TV series His Dark Materials and A Discovery of Witches on which she serves as an executive producer.
  • Born June 4, 1972 Joe Hill, 50. I’ve met him once or twice down the years as he shows up here in Portland for signings at both book shops and comic shops pre-Pandemic. Really nice guy like his father. Actually the whole family is amazingly nice. Locke & Key is a superb graphic novel series and I’m fond of all of his short stories, particularly those collected in 20th Century Ghosts, and his collection Full Throttle. I notice that though he’s not yet won a Hugo, he’s won a fistful of Stokers, many BFAs, a World Fantasy Award and even an International Horror Guild Award.
  • Born June 4, 1975 Angelina Jolie, 47. I really liked her two Tomb Raider films and thought Sky Captain and the World of Tomorrow was a really cool film with her role being quite magnificent. I never saw her early Cyborg 2 undertaking but think Hackers and her role as Kate “Acid Burn” Libby was rather good. I’ve not seen her Maleficent films. 
  • Born June 4, 1991 Jordan Danger, 31. She is best known for her role as Zoe Carter on Eureka. (Now inexplicably renamed A Town Called Eureka in syndication but not on Peacock which is streaming it now along with Warehouse 13.) She also showed up in Ragin Cajun Redneck Gators which as horror is genre of sorts, plus the SF films, Higher Power and Beyond the Sky. And even a vampire film, Living Among Us. All low budget, all straight to DVD productions.

(10) COMICS SECTION.

(11) COWL SCOWL. In “What Is Batman” the Pretty Much Pop podcast shares its taxonomical theories.

In light of the recent release of Matt Reeves’ film The Batman, we consider the strange alternation of darkness and camp that is Batman. Is he even a super hero? What’s with his rogues’ gallery? What’s with DC’s anti-world-building?

Your Pretty Much Pop host Mark Linsenmayer is joined by philosophy prof/NY Times entertainment writer Lawrence Ware, improv comedian/educator Anthony LeBlanc, and Marketing Over Coffee host John J. Wall, all of whom are deeply immersed in the comics, and we touch on other recent shows in the Batman universe.

(12) HUMOR IN THE DARKNESS. Death’s Intern by D.C. Gomez is the debut novel in the Intern Diaries series launched in 2017.

A talking cat, a boy genius, missing people, and an untrained Intern for Death. What could possibly go wrong?

Did that really happen?

There’s no way Death offered me a job. I’m a musician that makes her living as a waitress, with absolutely no training in the supernatural world. This is all a very bad dream.

But Bob has been kidnapped, and I can’t possibly lose the only friend I have.

Bob, you’d better be alive. Because if I just gave my soul to Death for nothing, I will personally kill you. Not to mention, it seems Death’s Interns have fairly short life expectancies.

God, don’t let me die.

D. C. Gomez was born in the Dominican Republic, and grew up in Salem, Massachusetts. She study film and television at New York University. After college she joined the US Army, and proudly served for four years. Those experiences shaped her quirky sense of humor. D.C. has a love for those who served and the families that support them. She currently lives in the quaint city of Wake Village, Texas, with her furry roommate, Chincha.

One of D. C.’s passions is helping those around her overcome their self-limiting beliefs.  She writes both non-fiction and fiction books, ranging from Urban Fantasy to Children’s Books. To learn more about her books and her passion, you can find her at www.dcgomez-author.com.

Available at Amazon.com and Amazon.ca.

(13) SCIENCE TAKES A HOLIDAY. [Item by SF Concatenation’s Jonathan Cowie.] You don’t know what it has been like the past few days as you are a citizen living in a flawed democracy, conversely, I am a subject living in a full democracy kingdom. Anyway, our Queen has ruled that we must have four days celebrating 70 years of her reign. So it has been street parties, barbecue, coronation chicken and a right old national knees-up this side of the Pond. It is a tough life, but we Brits are used to it.

It has also meant that, with the exception of this morning, the library cybercafés have been closed, hence no science news until now.

“NASA’s Perseverance rover begins key search for life on Mars” in Nature.

More than fifteen months after landing in Jezero Crater on Mars, NASA’s Perseverance rover has finally begun its hunt for ancient life in earnest.

On 28 May, Perseverance ground a 5-centimetre-wide circular patch into a rock at the base of what was once a river delta in the crater. This delta formed billions of years ago, when a long-vanished river deposited layers of sediment into Jezero, and it is the main reason that NASA sent the rover here. On Earth, river sediment is usually teeming with life.

Images of the freshly ground spot show small sediment grains, which scientists are hoping will contain chemical or other traces of life. Poet William Blake’s “‘To see a world in a grain of sand’ comes to mind,” wrote Sanjeev Gupta, a planetary geologist at Imperial College London, on Twitter….

Meanwhile, the journal Science has been looking at Mayan astronomy and this features on their cover: “The Stargazers”.

The historic Maya oriented their lives by the heavens. Today, their descendants and Western scholars team up to understand their sophisticated astronomy

In the past few years, slowly converging lines of evidence have been restoring the clearest picture yet of the stargazing knowledge European colonizers fought so hard to scrub away…

(14) SHADOWPAW PRESS MAKES DUOTERO AVAILABLE AGAIN. Duatero by Vancouver author Brad C. Anderson, a searing far-future science fiction novel about the struggles of an abandoned human colony to survive on a hostile alien world, is back in print in a new edition from Shadowpaw Press after being orphaned by the closing of its original publisher, Bundoran Press.

Majstro Falchilo Kredo has devoted his life to protecting the abandoned Earth colony of Duatero from Malamiko, the indigenous ecosystem that makes their crops fail and whose contamination turns humans into mindless monsters.

But Malimiko is changing, becoming more dangerous, more aware, even as the ancient technology the humans use to combat it fails piece by precious piece. Kredo and his fellow soldiers must risk everything or see all they hold precious wiped away and forgotten.

Kredo is prepared to sacrifice himself—and anyone around him—to do his duty. But what if the price demanded is even higher?

Duatero is a powerful work of science fiction that confronts issues of morality and survival head-on in a carefully thought-out and terrifying alien world,” said Edward Willett, editor and publisher of Shadowpaw Press. “It deserves to find many new readers, and I’m thrilled to be able to give it that opportunity.”

Duatero can be bought directly from the publisher or from most online bookstores in both ebook and print and can also be ordered through any brick-and-mortar bookstore. This handy URL provides links to multiple online sources:  https://books2read.com/duatero/

(15) SPELL TREK. “Harini Logan is the 2022 Scripps National Spelling Bee champion after a historic spell-off” reports CNN.

…This year’s host was LeVar Burton. The Emmy and Grammy-award winner hosted the semifinal and the final round of the event.

In a statement in December, Burton called the position “an honor.”

“Like a lot of folks, I look forward to the competition every year and am excited to be a part of this wonderful tradition that celebrates excellence,” he said….

(16) IT’S ALMOST TIME. Suspension by Andrea Faye Christians – “a time travel tale of epic proportions” — is Book One of the Time Binder Series.

When Carla Thompson falls asleep and doesn’t wake up, she is shocked to discover what destiny has in store for her. Suspended between two worlds, she meets Isambard Brunel, the legendary eighteenth-century civil engineer, who built the Clifton Suspension Bridge in Bristol, England, and who now serves as guardian of its secrets. Historical events intertwine with Carla’s current reality and along the way she discovers a murder, encounters a host of characters including Jamaican psychic, Matilda, and engages in verbal banter with literary legend, Ernest Hemingway. Her adventures lead her to a startling revelation about why she was chosen for her strange new role. In death Carla realises she has never felt more alive.

Andrea Faye Christians was born and raised in Swansea, South Wales. Following a successful career in British radio including the BBC, she moved to the southern Mediterranean island of Malta to pursue her dream of becoming a freelance writer. A decade later she bought a farm in the Madonie Mountains of Sicily where a menagerie of rescue animals found their way to her. With a son in Malta and a daughter in Sicily, Andrea has a home and her heart in both places, and she now divides her time between the neighboring islands.

The book will be released June 30 and is available for pre-order from Bookshop, Amazon.com, Amazon.ca, Amazon.co.uk, Book Depository, and Barnes & Noble.

(17) PHILIP K. DICK WILL BE SORRY HE MISSED THIS SHOW. Matt O’Dowd on PBS Space Time dares to ask,“What If Physics IS NOT Describing Reality?”

Neils Bohr said, “It is wrong to think that the task of physics is to find out how Nature is. Physics concerns what we can say about Nature.” Well it turns out that if we pay attention to this subtle difference, some of the most mysterious aspects of nature make a lot more sense.

[Thanks to JJ, John King Tarpinian, Chris Barkley, Andrew Porter, SF Concatenation’s Jonathan Cowie, Michael Toman, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Tom Becker.]