(1) HUGO AWARDS ACCEPTANCE SPEECHES. There’s been a demand for copies of some of the speeches by Hugo winners at the DisCon III ceremony. Here are links to three now online:
Martha Wells, who won twice, posted the text of her Best Series acceptance speech at “Hugo Awards”. (Only one speech — as she says, “I didn’t expect to win twice.”)
… I’ve been in this field since my first novel was published in 1993, and it has not always been good to me. At first I was too young and later I was too old. I was from the wrong place, I had the wrong accent, I wasn’t friends with the right people. And I know the amount of shit I’ve experienced is a small fraction compared to what writers of color, and other marginalized writers, have experienced and continue to experience in this field.
There are people who don’t want you to write. They especially don’t want you to write and be published. They want all stories to be told by people who are just like them. They have many different ways of letting you know that, and they all add up, and sometimes the weight of it is crushing….
Diana M. Pho, who won Best Editor: Long Form, has both text and video here: “My 2021 Hugo Award Speech”.
It was so unspeakably painful to live the last 18 months knowing — sharply — your breath, the very words out of your mouth, can kill.
Strangers. Loved ones. The vulnerable.
It makes you so afraid to speak. It makes you second-guess your choices. It makes even now being vaxxed, tested, boostered, all that, is not enough. Perhaps I am not enough. But I have done… I have now nothing except my words by which to make this known. It is so hard to feel the pressure and the honor to have the Hugo Award tonight….
Joe Sherry, part of the team that creates Best Fanzine winner Nerds of a Feather, has posted his speech here, with added remarks by the other editors Adri, The G and Vance.
… I’d like to thank and acknowledge the various writers at Nerds of a Feather, both past and present. Our names are on the trophy, but it is your writing day in and day out that makes this possible. You’ve been the best team of writers we could have ever asked to have and you’ve carried us along. You earned this. Thank you…
(2) WELLS-KNOWN. The Guardian’s David Barnett reports on the streak: “Martha Wells continues run of female Hugo award winners”.
… This is the sixth year that a woman has taken the best novel award, with Wells following Arkady Martine last year, Mary Robinette Kowal in 2019, and – for the previous three years – NK Jemisin….
(3) REFLECTIONS. L.D. Lewis, art director for Best Semiprozine Hugo finalist FIYAH Literary Magazine, described incidents of racism she experienced at DisCon III, her first Worldcon. Thread includes five tweets with examples. Starts here.
Lewis is also publisher at Fireside Fiction, founding Director of FIYAHCON, chair of the 2021 Nebula Conference, and Awards Manager for the Lambda Literary Foundation.
(4) MORE REFLECTIONS. It was also the first Worldcon for Clint Schnekloth, pastor of a Lutheran church in Arkansas, and founder of a refugee resettlement agency, who wrote up his experiences at DisCon III in “Pastoral Reflections On The World Science Fiction Convention (#WorldCon2021)” at Patheos, a wide-spectrum site about religions.
…One of the more remarkable aspects of the Con is the way the attendees steward the story of the conventions as a form of in-group identity. Quite often they say, “I found my people.” Or, “Let me tell you the history of what the many Cons were like and where they took place.” This typically comes up in any conversation long before any personal introductions like “where are you from” or “what do you do.”
As we talked, Wesley Chu walked up and joined our conversation. He was both interested in lunch tips, and because I had just attended his kaffeeklatsch he now quasi-knew me (Chu is a New York Times bestselling author with multiple books now optioned for television). This is another part of these Cons. Authors are still also just fans and people. There’s no special treatment.
Chu was heading off soon to go see the new Spiderman film, but in the meantime Juliette Wade walked up and introduced herself. This was a novelist new to me who now intrigues me, as I think she writes at the intersection of disability justice and sci-fi. Joining her was Kate JohnsTon, who among other things is a sensitivity editor. Turns out Kate is also new friends with a neighbor of GSLC here in Fayetteville, who just set up a coffee with me next week. So that’s weird small world.
This morning I got up and the first thing I did was playtest a new RPG with a novelist who is turning his stories into a game. We took about 30 minutes to create characters, then immediately set our characters out on a rescue/capture adventure on another planet. Leaning in to a bit of gaming with the hum of the convention in the background was just about perfect.
Now this afternoon I went to a session on Queering Necromancy. This panel discussion was packed to the gills. It’s hard to summarize everything said by the panel, but one thing stood out. A panelist said, “In a way, coming out is necromancy.” It’s both a kind of coming back to life after death, a raising of oneself, but it also means in some instances dying to others in order to live….
(5) LAKE WOE-IS-ME. The series’ holiday entry is coming this week. Meanwhile, use this newly-created page to catch up with all the installments of Melanie Stormm’s humorous series about the misdirected emails she gets from Writer X: “Emails From Lake Woe-Is-Me: Links To Every Installment”.
(6) MEDIA BIRTHDAY.
1970 — [Item by Cat Eldridge.] Fifty-one years ago on this evening, “The Great Santa Claus Switch” aired on CBS as part of The Ed Sullivan Show. It was directed by John Moffitt (who has one genre cred, directing The Werewolf of Woodstock film) as written by Jerry Juhl. The puppets here were designed by Don Sahlin who done some of the puppets on Kukla, Fran and Ollie. (Yes, I remember that show fondly.) The human here was Art Carney with the Muppet players this time being Jim Henson, Fran Brill, Richard Hunt, John Lovelady, Jerry Nelson, Frank Oz and Danny Seagren.
The special, narrated by Ed Sullivan narrated in a chair surrounded by children on the floor by a fireplace, begins at the North Pole with Santa Claus and his Christmas Elves getting ready for another Christmas. However, Cosmo Scam played by Art Carney has hatched a plan to kidnap Santa and take his place. As part of the plan, Cosmo plans to abduct Santa’s Christmas Elves one by one and replace them with his evil henchmen. It’s the Muppets first television special being done after four years of guest spots on the show.
It hasn’t been released on DVD as the rights are held by the assignees of the Ed Sullivan Show, but you can watch it here.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
- Born December 20, 1838 — Edwin Abbott Abbott. Author of the Flatland: A Romance of Many Dimensions, an 1884 novella that has come to be adopted as SF even though it’s really mathematical fiction. Go ahead, argue with me. (Died 1926.)
- Born December 20, 1943 — Jacqueline Pearce. She’s best known as the villain Servalan on Blake’s 7. She appeared in “The Two Doctors”, a Second and Sixth Doctor story as Chessene, and she’d voice Admiral Mettna in “Death Comes to Time”, a Seventh Doctor story. I’d be remiss not to note her one-offs in Danger Man, The Avengers, The Chronicles of Young Indiana Jones and The Rivals of Sherlock Holmes. (Died 2018.)
- Born December 20, 1952 — Jenny Agutter, 69. Her first SF role was Jessica 6, the female lead in Logan’s Run. Later genre roles include Nurse Alex Price In An American Werewolf in London (fantastic film), Carolyn Page in Dark Tower which is not a Stephen King based film, an uncredited cameo as a burn doctor in one of my all time fave films which is Darkman and finally she was Councilwoman Hawley in The Avengers and The Winter Soldier.
- Born December 20, 1952 — Kate Atkinson, 69. A strong case can be made that her Jackson Brodie detective novels are at least genre adjacent with their level of Universe assisting metanarrative. (Her Jason Isaacs fronted series is also superb.) The Life After Life douology is definitely SF and pretty good reading too. She’s well stocked on all of the usual suspects.
- Born December 20, 1960 — Nalo Hopkinson, 61. First novel I ever read by her was Brown Girl in The Ring, a truly amazing novel. Like most of her work, it draws on Afro-Caribbean history and language, and its intertwined traditions of oral and written storytelling. I’d also single out Mojo: Conjure Stories and Falling in Love With Hominids collections as they are both wonderful and challenging reading. Worth seeking out is her edited Whispers from the Cotton Tree Root: Caribbean Fabulist Fiction. Midnight Robber earned her only Hugo nomination at The Millennium Philcon.
- Born December 20,1970 — Nicole de Boer, 51. Best remembered for playing the trill Ezri Dax on the final season of Deep Space Nine, and as Sarah Bannerman on The Dead Zone. She’s done a number of genre films including Deepwater Black, Cube, Iron Invader, and Metal Tornado, and has one-offs in Beyond Reality, Forever Knight, TekWar, Outer Limits, Poltergeist: The Legacy, Psi Factor and Stargate Atlantis. Did I mention she’s Canadian?
- Born December 20, 1984 — Ilean Almaguer, 37. Here for her role as Illa on the most excellent Counterpart series. If you’ve not seen it, I highly recommend it.
The thing is, I’m afraid of the ocean.
…I can’t quite pinpoint exactly when my feelings about the ocean and mermaids shifted. What I do know for a fact is that back in December 2019, amid a bleak world (with no idea how much bleaker it was going to get in just a couple of months), I backed a Kickstarter that promised mermaid fiction, poems, art, and comics, once a month. I didn’t especially care for mermaids then, but I really admired the work that Julia Rios and Meg Frank had done elsewhere, and I like to support independent publishing.
Every month, the issues landed in my inbox. They were, first of all, incredibly beautiful to look at, from their stunning covers to the layouts, the font choices, the interior art. And the stories! They featured a wildly diverse range of mer-creatures from righteously vengeful sea witches to joyful selkies to sirenas to human girls longing to become mermaids to climate activist rebels. Mischievous rusalki and wild trapped mermaids. Stories that engaged with disability and toxic relationships and the meaning of home.
I began to realize that, actually, mermaids did mean a lot to me. And so did oceans….
(9) IT HAPPENED ONE VERY STARRY NIGHT. Polygon’s headline “George Lucas threatened Spaceballs’ Mel Brooks over Star Wars parody merch” doesn’t seem a fair representation of what’s said in the body of the article. However, there’s much more about Spaceballs than the issue with Lucas.
…Why? As Brooks explains in All About Me!, even a parody of sci-fi starts with finding the right story. Rather than looking to Star Wars, Alien, 2001 or any of the other famous science fiction plot, Brooks writes that Spaceballs was “inspired by Frank Capra’s 1934 classic It Happened One Night.”
“It is the story of a runaway heiress (Claudette Colbert) who escapes her marriage by fleeing on her wedding day from a very, very rich but very, very dull groom and then she subsequently falls in love with an attractive wise-guy commoner (Clark Gable). We took that same basic plot and shoved it into space!”…
(10) NO KIDDING? Atlas Obscura assures us “In Sweden, There Is No Christmas Without Donald Duck”. “In Sweden, the Christmas star has a yellow bill, a furious temper, and no pants.”
EVERY COUNTRY HAS ITS OWN festive holiday traditions. Austrian children fear Krampus, the half-goat, half-demon who beats naughty children with sticks. Catalonian nativity scenes feature a small defecating man. And in Sweden, about 40 percent of the country gathers round the squawk box on Christmas Eve—to watch Donald Duck.
Every year since 1959, at 3 p.m. on Christmas Eve, the 1958 special Kalle Anka och hans vänner önskar God Jul (Donald Duck and His Friends Wish You a Merry Christmas, in English) is screened on Sweden’s main public television channel, TV1. Known in English as From All of Us to All of You, this hour of Disney mayhem is hosted by Jiminy Cricket, who leads viewers through about a dozen “Christmas cards” that open to reveal shorts, film clips and other cartoons dating from the 1930s through the 1960s. For decades Sweden only had two channels, and this was the only time of year when people could watch Disney animation or American cartoons on television. And the tradition stuck. Swedes are so compelled by the cartoon that last year during the program, cell data usage fell 28 percent and calls to emergency services dropped 16 percent, reports the Local.
(11) ROAD HOG. “Sonic the Hedgehog will become playable via Tesla” reports Eurogamer. Legislators are already dealing with the first question that came to my mind.
Sega’s original Sonic the Hedgehog game will soon become playable via Tesla in-car screens.
Its the latest game to join the Tesla in-car games service, which is compatible with USB controllers. The move comes after a new partnership between the Elon Musk car company and Sega.
Of course, the comparisons between Tesla and Sonic make for an easy brand hookup. One can be wild, out of control, and controlled via computer – and the other… well, you get my drift.
Over the years, numerous games have become available to play via Tesla – including Cuphead, and The Witcher 3. With Cuphead, at least, you could only play while parked or charging – which is common sense.
Last month, the UK government finally announced plans to make playing games while driving illegal – at least while using a mobile phone.
(12) PLAY AGAIN? IGN points to the Homeworld 3 official trailer.
The legendary real-time strategy series is finally getting a new sequel. Check out the trailer for Homeworld 3, revealed at The Game Awards 2021
[Thanks to John King Tarpinian, Andrew Porter, Michael Toman, Steven French, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]