Tag Archives: StokerCon

Pixel Scroll 7/9/24 We Also Walk Cats (But Not Through Walls)

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(1) FIRST LAWS OF ROBOTICS. South China Morning Post has a few details —  “China’s Laws of Robotics: Shanghai publishes first humanoid robot guidelines”.

Shanghai has published China’s first governance guidelines for humanoid robots, calling for risk controls and international collaboration, as tech giants like Tesla showed off their own automatons at the country’s largest artificial intelligence (AI) conference.

Makers of humanoid robots should guarantee that their products “do not threaten human security” and “effectively safeguard human dignity”, according to a new set of guidelines published in Shanghai during the World Artificial Intelligence Conference (WAIC) on Saturday.

They should also take measures that include setting up risk warning procedures and emergency response systems, as well as give users training on the ethical and lawful use of these machines, according to the guidelines.

The document was penned by five Shanghai-based industry organisations including the Shanghai Law Society, Shanghai Artificial Intelligence Industry Association and the National and Local Humanoid Robot Innovation Centre.

…China has made it a goal to have mass production of humanoid robots by 2025 and wants global leadership in the sector by 2027, according to a plan published by the Ministry of Industry and Information Technology (MIIT) in November last year.

By 2027, humanoid robots should become “an important new engine of economic growth” in China, the MIIT urged. Robots are expected to be popularised in industries including healthcare, home services, agriculture and logistics, according to the document….

(2) 3RD ANNUAL STURGEON SYMPOSIUM REGISTRATION. Registration is now open for the 3rd Annual Sturgeon Symposium, Oct 24-25, celebrating the groundbreaking work of author and critic Samuel R. Delany. The symposium will include a reading by the winner of the Sturgeon Award for best speculative fiction story published in 2023, scholarly panels, and appearances by Delany himself. Fee waiver available for students and others with financial need. Join us!

Register here: Sturgeon Symposium | Stars in Our Pockets: Celebrating Samuel R. Delany Tickets, Thu, Oct 24, 2024 at 9:00 AM | Eventbrite T-shirt, lunch, and Thursday reception are included with registration.

More information here, including updates to schedule: 

(3) VIRTUAL STOKERCON PANEL REPORTS. Lee Murray has put together highly informative summaries of two panels convened during the Horror Writers Association’s 2024 Virtual StokerCon event.

Trigger Warning: This article addresses issues of grief, loss, and mental health.

Moderated with compassion by Mo Moshaty, an author-producer with experience working closely with death doulas, the panel commenced with a round-robin of introductions, including the panellists’ relevant work, and also their particular interest in the topic of grief horror. 

Panelists included Mark Mathews, Clay McLeod Chapman, Nat Cassidy, Katherine (Kat) Silva, Ally Malinenko, and Laura Keating.

From the opening comments, it was clear that this was going to be a confronting and also humbling session, with panelists sharing their own experiences of trauma and grief, with their specific experiences discussed in more detail over the course of the panel. 

Moshaty kicked off the discussion by stating that grief, as a universal emotion, touches everyone in society, so it follows that we would want to represent grief in our horror literature. Mark Matthews and Nat Cassidy agreed that horror is a genre that is grounded in grief. Clay McLeod Chapman admitted to feeling inspired and intimidated to talk frankly about the topic, but also that he expected the discussion to be eye-opening and cathartic. He was especially interested in how we move through grief while also tackling it in our work….

Striking a sustainable work-life balance for the long-game in horror takes time and experience. Eric LaRocca, Christa Carmen, Ace Antonio-Hall (Nzondi), Pamela Jeffs, and EV Knight offer their insights in a panel moderated by L. E. Daniels on how to protect our bodies and minds as we navigate dark fiction.

Recently, I had the pleasure to attend the Self-Care for Horror Writers panel offered in the virtual space at StokerCon 2024. Given the close alignment of the topic to the work of the HWA Wellness Committee and our Mental Health Initiative, this panel was a must-view for me, and I wasn’t disappointed. Expertly moderated by Bram Stoker-nominee and Wellness Committee member L. E. Daniels, the discussion was wide-ranging and engaging, with speakers offering insightful gems and tried-and-true strategies for maintaining well-being. Key points are summarised in this report.   

Daniels began by asking her panelists how they have developed a sustainable work-life balance for the long game that is writing, publishing, and writers’ events….

(4) SCOTS GOTHS. [Item by Steven French.] For those who might be in the Edinburgh area in September, here’s an interesting event at the National Library of Scotland – and it’s free! “Treasures: Mary Shelley, Frankenstein, and the Scottish Gothic Tradition”, Thursday, September 5 at 17:30 at the National Library of Scotland in Edinburgh.

Hear from Dr. Emily Alder and Professor Daniel Cook, both leading experts in the field of Gothic literature, as they consider the ways in which Frankenstein and the Gothic permeate Scottish fiction to this day. Chaired by one of our foremost cultural commentators and interviewers, Dr. Alistair Braidwood.

With the recent success of the film adaptation of Alasdair Gray’s ‘Poor Things’, and the debt Gray’s novel owes to ‘Frankenstein’ and Gothic fiction, how might we consider the influence of Mary Shelley’s masterpiece on subsequent writers and their work? Where does James Hogg’s ‘Justified Sinner’, Robert Louis Stevenson’s ‘Jekyll and Hyde’, or more recent works by Muriel Spark, James Robertson, Alice Thompson, A. L. Kennedy, and Alasdair Gray fit into a Scottish Gothic tradition?

This event celebrates our new Treasures display, featuring items relating to Byron and Mary Shelley.

(5) RETRO PIXEL. [Item by SF Concatenation’s Jonathan Cowie.] Regarding the July 5 Pixel Scroll’s “(9) SCIENCE EXHIBITION IN LONDON” by Steven French, who wrote, “If anyone happens to be in London over the weekend, there’s some neat stuff going on at the Royal Society…”

Actually, it lasted the previous four weekdays too. I usually go and was, indeed, there this year wearing my climate science hat.

Jonathan Cowie at the Royal Society exhibition

At the exhibition, I am pointing to a graph of past temperatures as revealed by a 900,000 year Antarctic ice core at a particular point called the Mid-Brunhes Event before which glacials were less cold with interglacials being more cold, and after this point where – like today – glacials are colder and interglacials warmer. ‘Why is this so?’ you may well ask. Alas, we don’t know, though theories abound.

Antarctic ice core drilling continues. We are currently looking at another location where the ice hopefully has a record going back over a million years: ideally to 1.5 million years so as to cover the Mid-Pleistocene Transition which saw a major change to glacial-interglacial cycles that was possibly due to the arrival of large, long-term ice over Antarctica and substantive northern hemisphere glacial ice sheets. (At least, that’s the working hypothesis I go with.)

This year, six of us went to the Royal Society’s Summer Exhibition, including another member of the SF² Concatenation team.

If you like science – and many science fiction fans do – then this annual event is worth checking out.

If you need post-exhibition sustenance, the near-by Golden Lion pub is sufficiently off the tourist track that while it is usually busy Mondays to Fridays up until 7.45 it then quietens down. It has hand-pump beers and reasonable hot pub food but note it closes early Mon-Thurs at 10pm. On the way there, you can see typical 19th century West-End London architecture.  Some old buildings have been demolished, but the past decade or so has seen developers knock down buildings but keep the frontage walls: so the building looks the same from the outside but is completely modern inside.

The Royal Society (Britain’s Science Academy) is housed in Germany’s former London embassy up to World War II.  Its (the Society’s) President’s office today has a marble swastika in the floor (under a carpet but conserved as the swastika apparently has a heritage preservation order on it).

Keep an eye out next year in early July for another Royal Society summer exhibition. Avoid the weekend day as that is very crowded (Dublin Worldcon levels of crowding) with parents bringing children.

(6) THE INSTALLMENT PLAN. Eugen Bacon offers an intriguing alternative at Reach Your Apex: “What if you wrote your novel story-by-story, using your strength as an author of short stories?” — “For Writers: Writing the Novel – For Short Story Authors”.

…Maybe you’ve even won or been a finalist in awards with your short story, you’ve been killing it in anthologies—as in editors have you on speed dial, critics raving about your short story (you kinda hog the lot, you’re getting a bit self-conscious about it—maybe not, it’s fucking awesome). And you have a short story collection or three… But your mate, your family, maybe a literary agent… has been on your case, as in: “So where’s that novel?”

And imposter syndrome is creeping in, and you feel you gotta write that effin novel.

Or maybe you’ve written a short story you like so much, you want it as a starting point for a novel. Perhaps more characters are popping up, too many to contain in a short story. Or maybe you want to stretch the story—by timeline or theme or view point. The start is the same, the closing is the same, but the inside of the story is becoming longer. It demands more history, more world-building, a deeper look. Now you really need that novel.

But short stories are your strength. You don’t want to get entangled in a tortured story or a runaway plot. What if the short story is just what it is—the point of it could be lost in expanding it. Who wants a bloody novel? You do. What if the short story has told itself out: do you really need that novel? Yes, bloody yes, every inch of you shouts.

But you do love the energy in a short story—yes, Carver: Get in, get out. Don’t linger.   

So what if you could retain all that you love about the short story, and still write that novel? What if you could write about a moment in time, something experimental and decentralized, something flexible, economic, dynamic, mimetic, metaphoric, immediate, intense—and it’s still a novel?

This is how it happens: What if you wrote your novel story-by-story, using your strength as an author of short stories?…

(7) PIDGIN DROPPINGS.  “Preliminary Notes on the Delvish Dialect” by Bruce Sterling at Medium.

…Also, the human owners/managers of Large Language Models have extensively toned-up and tuned-down these neural network/deep learners/foundation-platforms, so that these “writers” won’t stochastically-parrot the far-too-human, offensive, belligerent, and litigous material that abounds in their Common-Crawl databases.

The upshot of this effort is a new dialect. It’s a distinct subcultural jargon or cant, the world’s first patois of nonhuman origin. This distinctive human-LLM pidgin is a high-tech, high-volume, extensively distributed, conversational, widely spoken-and-read textual output that closely resembles natural human language. Although it appears as words, it never arises from “words” — instead, it arises from the statistical relationships between “tokens” as processed by pre-trained transformers employing a neural probabilistic language model.

And we’ll be reading a whole lot of it. The effort to spread this new, nonhuman dialect is a colossal technical endeavor that ranks with the likes of nuclear power and genetically modified food. So it’s not a matter of your individual choice, that you might choose to read it or not to read it; instead, much like background radioactivity and processed flour from GMO maize, it’s already everywhere.

Technically, this brave-new-world dialect is actually a wide number of different Language-Model idiolects, which arise from different databases and different LLM training methods. Machine-translation AIs speak a thousand human languages at once. Consumer-facing chatbots speak with courtly circumlocutions. LLMs exist that are specially trained for marketing, warfare, cooking, legal boilerplate, code generation, website design. And so on….

(8) HALF PAST HUMAN… [Item by SF Concatenation’s Jonathan Cowie.] In recent years I have moved more from the current climate change issue into looking at the deep time evolution of the Earth system as well as that of life. (This is the ‘co-evolution of life and planet’ narrative in case any of you were wondering.) It is a big topic, but one of the things I have been looking at is not just where we have come from (and how) but where we are going. One instance (of a number) is that across deep-time both geology and biology have seen increasing ‘information’: each key step in deep-time evolution has seen increased information (in the geological record) and increased information processing (in the case of biology). However, we (modern humans) are now using technology, starting with using new alloys not found in nature to make ploughs which in turn helped us sustain a larger population and a non-agrarian population which could do things like science (as well as paint pretty pictures etc). And now our technology itself is processing more information.  If DNA were represented as information (and we have already coded all the sonnets of Shakespeare as DNA) then the amount of computer information we hold globally now rivals (if not exceeds – my last data point for this was over half a decade ago) the DNA in life planet-wide….

The other thing that has happened across deep time is that we have seen earlier stages of life incorporated into more advanced stages: for example prokaryotes became incorporated into eukaryotes through endosymbiosis. Which begs the question of whether we will merge with information processing technology…

Here I venture possibly ‘yes’ but not necessarily (biomedical treatments aside) with a huge load of invasive technologies embedded in our bodies like the Star Trek’s Borg.

Instead, we will increasingly interact with technology, and we can all see how our society is (in one sense sadly) increasingly digital.  We increasingly carry technology around with us (smartphones) and even wear it, for example, joggers these days can wear a watch that keeps track of their pulse.

Are we becoming more like cyborgs????

Well, you have had a taste of my musings (if you want more, you’ll have to ask for a talk at a con). But I’m a bio-/geoscientist.  The SF view of cyborgs tends to be more engineering orientated. Witness the $6 million man… we can build him faster, better… Though none of the ladies thought to tell Steve Austin that faster is not always better. But if you do want a more engineering/physics approach to the cyborg trope then it’s Isaac Arthur to the rescue…

It was, this last weekend, sci-fi Sunday over at “Science Futures with Isaac Arthur” where he looked at “Cyborg Civilizations”. Is this where we are heading? Isaac thinks that cyborgs may be a way to colonise the galaxy…

(9) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

July 9, 1944 – Glen Cook, 80.

By Paul Weimer: Glen Cook is a trailblazer whose fingerprints are all over modern fantasy in two separate subgenres.

Let’s put aside some of his interesting single novels  such as Tower of Fear, which is an interesting standalone fantasy novel, and A Matter of Time, where he shows that he can do twisty time travel in a Cold War setting. 

Glen Cook in 2011. Photo by Harmonia Amanda.

First up, Glen Cook doesn’t get enough love, I think, for his Garrett PI series. I’ve seen more prominent authors take up his mantle, but Garrett is the true heir to Lord Darcy (but in a secondary fantasy world) of a private investigator doing his job on the mean streets of TunFaire. The Titular Garrett is a character out of mystery fiction (and really the novels lean more heavily into mystery than the fantasy, for all being in a city of multiple species and magic). Garrett follows a lot of tropes that readers of, say, Raymond Chandler will see right away. Garrett isn’t overly ambitious, he just wants enough to get by day by day, but trouble keeps finding him (and yes, this is hardboiled detective fiction, so the trouble includes the cops (the watch), the mob (the outfit), femme fatales) and much more. I get the sense that Cook had a hell of a lot of run writing them (a dozen or so at this point).  Great literature? No.  Entertaining? If you are a fan of the Chandler school of writing and also like SFF, get thee to a bookseller. I’ve seen the fingerprints of Garett in other characters and authors, but few really capture the idea as well as Cook does.

But it is epic fantasy where Cook really sings and really has had his influence. Even beyond some of his other fantasy series, I am referring here to The Black Company.  Grimdark before Grimdark was ever a thing, the story of a band of mercenaries who get caught up in wars to decide the fate of the world, grey protagonists in a world of black to white and all the shades, The Black Company is one of the ur-texts for writers like Abercrombie, Erikson, and their ilk. (I could see the fingerprints of The Black Company as inspiration for Adrian Tchaikovsky’s House of Open Wounds, for instance). The Black Company members are caught in intrigues between themselves and their superiors, desperately try to survive hopeless battles they are thrown in, and slowly start to learn about their own origins and history. The cast shifts and changes across the series (and sub series), but the core of the idea of an elite mercenary unit working mostly for rather disreputable and treacherous powers is one that holds up to this day. The Bridgeburners, Caul Reachey’s Men, and many others owe their existence to Croaker and his crew.

(10) COMICS SECTION.

(11) CAGE MATCH. Variety reports “Spider-Man Noir Series at Amazon, MGM+ Casts Brendan Gleeson”.

Brendan Gleeson has joined the cast of the upcoming Spider-Man Noir series at Amazon, Variety has learned from sources.

This marks one of Gleeson’s first announced project since his Academy Award and Golden Globe nominated turn in “The Banshees of Inisherin.” Gleeson will star in the series opposite previously announced series lead Nicolas Cage as well as the recently cast Lamorne Morris. The show, now titled “Spider-Noir,” was formally ordered to series in May with Cage in the lead role. As previously reported, the show will debut domestically on MGM+’s linear channel and then globally on Amazon Prime Video….

(12) OVERTIME. Futurism takes notes while “Former Astronaut Explains How the Astronauts Stranded in Space Might Be Feeling”.

NASA astronauts Suni Williams and Butch Wilmore are still stranded on the International Space Station after Boeing’s plagued Starliner spacecraft finally managed to drop them off last month.

Since then, technical issues affecting the spacecraft have delayed their return journey indefinitely, with multiple helium leaks kicking off an investigation.

Williams and Wilmore were originally meant to return on June 14 — over three weeks ago — and NASA has yet to announce when its latest attempt will be to bring them back down to Earth.

It raises an interesting question: how are Williams and Wilmore feeling about the delay? One former colleague says that the extended stay on board the orbital outpost could actually be a blessing rather than a curse.

“Well, my first reaction was it’s probably good news for the two Boeing astronauts,” retired Air Force colonel and NASA astronaut Terry Virts told NPR. “They’re, you know, they get a few bonus weeks in space. And you never know when your next space flight is going to happen, and so I’m sure the astronauts are happy to get some bonus time and space.”

Virts also argued that the rest of the station’s crew would be “happy” to get some “free labor.”…

… Virts also took the opportunity to send a message to Williams and Wilmore.

“I would just say enjoy it,” he told NPR. “And stay busy. You don’t want to, you know, just sit around. But I know these two, they’re not going to sit around. And I’m sure NASA will have plenty of work for them to do.”

(13) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Astrophysicist Dr Smethurst at Dr. Becky YouTube Channel takes a look at some of the science portrayed in the SF series Battlestar Galactica. 12-minute video below.

In this episode of Astrophysicist reacts we’re watching Battlestar Galactica season 1 episode 1 “33” to pick out the science from the fiction in this sci-fi show. We’re chatting about faster than light speed travel, special relativity including time dilation and length contraction, and Newton’s third law of motion.

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Mlex, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, Kathy Sullivan, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 6/9/24 Filefjonk, Scrollmaiden, And Other Moominpixels

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(1) INSTRUMENTS INSPIRED BY SFF. Guitar.com invites you to “Check out these sci-fi-inspired guitars, made with old model kits and even unused Covid tests”.

…Custom guitar brand Devil & Sons has launched a new series of sci-fi inspired guitars called Craftcasters, and their bodies are hand-constructed via the ‘kit bashing method’, where parts of old model kits, everyday items, hand cut plastic, sculpted epoxy, and yes (in this case), unused Covid tests, are pieced together to create unique artwork.

The uber-cool, spacecraft-like models were created across three years by artist and luthier Daniel Wallis, and according to him, they’ve been made using the same techniques model makers have been using for screen props since the original Star Wars and Alien films. Upon close inspection, you’ll be able to spot bits of train sets, remote controls, Warhammer models, and even old vacuum cleaner parts on their surfaces….

(2) DEFIANT PREQUEL. Abigail Nussbaum’s new blog post shares thoughts on Furiosa: A Mad Max Saga, “a film that is missing its final act, that has a great gaping hole at its center, and which is nevertheless an exhilarating and entirely satisfying action extravaganza, and worthy companion to Fury Road.” ”Furiosa: A Mad Max Saga” at Asking the Wrong Questions.

…And now of course it must be acknowledged that Furiosa does work. I won’t get into the question of whether it’s as good as Fury Road; it obviously can’t deliver the same sharp blow to the head as that movie did, and once you allow for that, the two movies are too different for a side-by-side comparison to make much sense. But it does make you feel the same exhilaration, the same joyful disbelief at the fact that someone can do this with the cinematic medium, the same pulse-pounding desire for this ride to just keep going and going, and the same profound connection to and investment in its characters. Which obviously raises the question: how?…

(3) STOKERCON GOH SUBTRACTION. One of StokerCon 2025’s announced guests of honor, Graham Masterson, has backed out due to a scheduling conflict the committee told Facebook readers today. “Whether it can be worked out or not remains to be determined,” they said.

(4) THE END IS NEAR. Ted Gioia says sci-fi will soon follow the western in “The 6 Laws of Dying Hollywood Franchises” at The Honest Broker.

…The same reliance on aging cowboys was evident at movie theaters. John Wayne was still the top western movie star until his death at age 72.

You can laugh at that, but Hollywood has pushed to even more ridiculous extremes with Harrison Ford. The studios cast him in three action franchises (Indiana Jones, Star Wars, and Blade Runner) at an even older age than Wayne in his final film. (In a curious twist, this was Wayne’s little known role in Star Wars.)

This is not the sign of a healthy genre. Hollywood is now suffering at the box office, but you could have predicted it years ago, just based on its aging stars and franchises….

… How will this play out in the future? Well, let’s summarize what we learned from the rise and fall of the western genre.

  1. Genres die slowly, especially popular genres with large mass audiences. In those instances, the decline can continue for decades after a genre’s commercial peak.
  2. The final stages of decline are marked by total market saturation—reaching ridiculous levels. Far more product is churned out than even the core audience can absorb.
  3. The proliferation of merchandise aims to expand the franchise, but actually accelerates the pace of decline.
  4. During the period of decline, the average age of the core fan base gets older. Youngsters may continue to have some interest in the genre, but without the enthusiasm of the old days.
  5. Even more ominous, the box office stars start showing their age—and are far too old to lead any movement. They are hired out of desperation, because holding on to old fans is now more important than attracting new ones.
  6. As a result, everything about the genre starts to feel stale. The stories were fresher twenty years ago. The lead stars were definitely fresher twenty years ago. The only thing that isn’t stale is the movie popcorn out in the lobby—and even that’s not a sure thing.

This is obviously happening with almost every major Hollywood franchise today. We’re now almost fifty years beyond the release of Star Wars (1977)—that was long ago and in another galaxy. But even never-ending franchises eventually come to an end….

(5) VERY COOL BEANS. [Item by Danny Sichel.] Yes, it’s a few years old, but James D. McDonald posted an interesting little short story on his blog Madhouse Manor, and I felt it deserved more attention.

It’s called “The Coldest Equations Yet”, from 2017, and it’s a remix that might have made Tom Godwin smile and John W. Campbell grumble.

(6) THE REALLY BIG ONE. [Item by Jeffrey Smith.] I buy various volumes of The Best American series of short stories and essays every year, often starting them but rarely finishing them. I’ve decided to start cleaning some of them up, and am almost finished with The Best American Science and Nature Writing 2016. In her introduction, the editor said she felt the most important piece in the book was “The Really Big One” by Kathryn Schulz. (See The New Yorker version from 2015, “The Earthquake That Will Devastate the Pacific Northwest”.)

Over the last few years I’ve come to really appreciate Kathryn Schulz’s writing, reading her pieces in The New Yorker and often reprinted in these volumes. (The next of these I will finish, The Best American Travel Writing 2017, also has a piece by her.)

The article is about the potential for a massive earthquake to hit the Pacific Northwest, the fault there being more dangerous than the San Andreas. The editor lives at the southern tip of the fault, and says a) that she knows people who sold their houses and moved away after reading it, and b) the state governments are looking into developing early warning systems and strengthening infrastructure because of it.

“I simply cannot overstate the power of this piece,” the editor wrote. “When you read it, imagine you live where I live. Your life would change because of this story, just like mine did. That’s the power of great writing.”

It’s a long piece, and starts out with a lot of background information. The second half, though, is terrifying.

It was interesting to read this now in part because we recently watched a set of three Norwegian disaster movies: The Wave; The Quake; and The Burning Sea. (You have to hunt them down — they’re each on a different streaming service.) Judging by the article, the filmmakers did reasonably well with the science.

Here’s the beginning of Schulz article in The New Yorker:

When the 2011 earthquake and tsunami struck Tohoku, Japan, Chris Goldfinger was two hundred miles away, in the city of Kashiwa, at an international meeting on seismology. As the shaking started, everyone in the room began to laugh. Earthquakes are common in Japan—that one was the third of the week—and the participants were, after all, at a seismology conference. Then everyone in the room checked the time.

Seismologists know that how long an earthquake lasts is a decent proxy for its magnitude. The 1989 earthquake in Loma Prieta, California, which killed sixty-three people and caused six billion dollars’ worth of damage, lasted about fifteen seconds and had a magnitude of 6.9. A thirty-second earthquake generally has a magnitude in the mid-sevens. A minute-long quake is in the high sevens, a two-minute quake has entered the eights, and a three-minute quake is in the high eights. By four minutes, an earthquake has hit magnitude 9.0.

When Goldfinger looked at his watch, it was quarter to three. The conference was wrapping up for the day. He was thinking about sushi. The speaker at the lectern was wondering if he should carry on with his talk. The earthquake was not particularly strong. Then it ticked past the sixty-second mark, making it longer than the others that week. The shaking intensified. The seats in the conference room were small plastic desks with wheels. Goldfinger, who is tall and solidly built, thought, No way am I crouching under one of those for cover. At a minute and a half, everyone in the room got up and went outside.

It was March. There was a chill in the air, and snow flurries, but no snow on the ground. Nor, from the feel of it, was there ground on the ground. The earth snapped and popped and rippled. It was, Goldfinger thought, like driving through rocky terrain in a vehicle with no shocks, if both the vehicle and the terrain were also on a raft in high seas. The quake passed the two-minute mark. The trees, still hung with the previous autumn’s dead leaves, were making a strange rattling sound. The flagpole atop the building he and his colleagues had just vacated was whipping through an arc of forty degrees. The building itself was base-isolated, a seismic-safety technology in which the body of a structure rests on movable bearings rather than directly on its foundation. Goldfinger lurched over to take a look. The base was lurching, too, back and forth a foot at a time, digging a trench in the yard. He thought better of it, and lurched away. His watch swept past the three-minute mark and kept going.

Oh, shit, Goldfinger thought, although not in dread, at first: in amazement. For decades, seismologists had believed that Japan could not experience an earthquake stronger than magnitude 8.4. In 2005, however, at a conference in Hokudan, a Japanese geologist named Yasutaka Ikeda had argued that the nation should expect a magnitude 9.0 in the near future—with catastrophic consequences, because Japan’s famous earthquake-and-tsunami preparedness, including the height of its sea walls, was based on incorrect science. The presentation was met with polite applause and thereafter largely ignored. Now, Goldfinger realized as the shaking hit the four-minute mark, the planet was proving the Japanese Cassandra right.

For a moment, that was pretty cool: a real-time revolution in earthquake science. Almost immediately, though, it became extremely uncool, because Goldfinger and every other seismologist standing outside in Kashiwa knew what was coming. One of them pulled out a cell phone and started streaming videos from the Japanese broadcasting station NHK, shot by helicopters that had flown out to sea soon after the shaking started. Thirty minutes after Goldfinger first stepped outside, he watched the tsunami roll in, in real time, on a two-inch screen.

In the end, the magnitude-9.0 Tohoku earthquake and subsequent tsunami killed more than eighteen thousand people, devastated northeast Japan, triggered the meltdown at the Fukushima power plant, and cost an estimated two hundred and twenty billion dollars….

(7) DON’T DO THIS, DO THAT. Editor Demi Michelle Schwartz decided this was a good day to share the writing problems she runs into most often. Thread starts here. Excerpted below are the first two out of five. The second one became a subject of dispute.

(8) TODAY’S BIRTHDAY.

[Compiled by Cat Eldridge.]

Born, sort of, June 9, 1934 — Donald Duck, 90. Before I get to the history of Donald Duck, let me tell you why I chose this date. 

The first ever reference to the character by name was in The Adventures of Mickey Mouse, published by David McKay Company, Philadelphia in 1931 — although the actual character wasn’t shown. On the first text page, it says, “Mickey has many friends in the old barn and the barnyard, besides Minnie Mouse. They are Henry Horse and Carolyn Cow and Patricia Pig and Donald Duck…” Not characteristic at all of what is to come, just animals in a barnyard. 

The following year, a duck with the same name made another printed appearance in Mickey Mouse Annual #3, a 128-page British hardback. This book included the poem “Mickey’s ‘Hoozoo’: Witswitch, and Wotswot”, which listed some of Mickey’s barnyard animal friends: “Donald Duck and Clara Hen, Robert Rooster, Jenny Wren…” Again, nothing to do with the Disney character.

So when do we get that character? That was really when he was made the star of the Silly Symphony strips in 1937 and his nephews Huey, Dewey, and Louie, who debuted who debuted later that year. The team who did the strip made a city sophisticate instead of, as they called him, a country bumpkin. (Never saw him as the latter.) 

“The Wise Little Hen”, officially released on June 9, 1934 was his first animated appearance. It was directed by Wilfred Jackson and of course produced by Walt Disney from a script by Otto Englander.  It is based on the fairy tale The Little Red Hen. I have not looked for videos of it on YouTube or Vimeo as the film’s copyright was renewed in 1961, so it will not enter the public domain until January 1, 2030. 

What does he look like there? Pretty much like he does today as you can see for yourself. He really hasn’t changed that much since introduced physically, just his character become more of the smart ass that I think he is. 

He would star in his own series that started in 1937 and ran for 24 years with “Donald’s Ostrich”, although two previous shorts, “Don Donald” and “Modern Inventions”, both from 1937, were later  included in this series, with “The Litterbug” being the conclusion to this series. 

Though he appeared in “The Wise Little Hen” short, the Walt Disney company officially lists the Don Donald short which was released in 1937 as his official release. No idea why. It off is still under copyright  as are allthe myriad shorts he did until Disney stopped producing his shorts in 1961. 

The one I now want to see is the second one which was released on May 29, 1937  titled “Museum of Modern Marvels” as it’s full of SF wonders including Robot Butler. 

I think I’ve prattled on long enough tonight. I do like the character a lot. I’m not a Disney fan first, being a Warner Brothers fan deep in the bone but I appreciate them. 

Editor’s Note: And courtesy of John Scalzi at Whatever we learned a new Donald Duck short dropped today: “D.I.Y. Duck”.

(9) COMICS SECTION.

(10) THAT OTHER DUCK. “Darkwing Duck Returns: Dynamite Entertainment to Reprint Every Comic Book Story” reports IGN.

Dynamite Entertainment has become the source for Disney fans who yearn for the return of some of their ’90s favorites. Gargoyles has found new life at the publisher, and now Darkwing Duck is making his comeback.

Today Dynamite announced that they’ll be launching a new Darkwing Duck comic book series with the involvement of original animated series creator/writer Tad Stones. But before that book gets off the ground, Dynamite will be rereleasing every previous Darkwing Duck comic in a trio of graphic novel compendiums…

…Dynamite is turning to Kickstarter to crowdfund the Darkwing Duck reprints. The first volume will collect the entirety of writer Amanda Deibert and artist Carlo Cid Lauro’s 2023 series. The second volume will collect Lauro and writer Roger Langridge’s miniseries Justice Ducks and writer Jeff Parker and artist Ciro Cangialosi’s miniseries Negaduck. The third volume will collect all of the pre-Dynamite Darkwing Duck comics, including stories originally published in Disney Adventures magazine.

The Darkwing Duck Kickstarter campaign is live now….

(11) FAKE NEWS. [Item by SF Concatenation’s Jonathan Cowie.] Well this is firmly genre adjacent as fake news is fiction and it is spread by technology.

No, not Big Brother, but by the people themselves.  Orwell could not have made it up. Anyway, this is the cover story of this week’s Nature.

Online misinformation is frequently highlighted as a blight that threatens to undermine the fabric of society, polarize opinions and even destabilize elections. In this week’s issue, a collection of articles probe the scourge of misinformation and try to assess the real risks. In one research paper, David Lazer and colleagues examine the effects of Twitter deplatforming 70,000 traffickers of misinformation in the wake of violent scenes at the US Capitol in January 2021. In a second paper, Wajeeha Ahmad and co-workers explore the relationship between advertising revenue and misinformation. A Comment article by Ullrich Ecker and colleagues discusses the risks posed by misinformation to democracy and elections, and an accompanying Comment article by Kiran Garimella and Simon Chauchard assesses the prevalence of AI-generated misinformation in India. Finally, David Rothschild and colleagues put the harms of misinformation into perspective, highlighting common misperceptions that exaggerate its threat and suggesting steps to improve evaluation of both the effects of misinformation and the efforts made to combat it.

(12) FUTURAMA PREVIEW. Comicbook.com is there when “Futurama Season 12 First Look Released”.

…Futurama Season 12 will be launching with Hulu on July 29th, and has finally given fans the first look at what to expect from the next wave of episodes. Confirmed to have many more seasons now in the works, the first look at Season 12 showcases a tease of where the next season will go to further differentiate itself from what went down during Season 11…. 

(13) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] How the generations have changed. Is it true that the new generation of fans have never heard of The Prisoner? Moid Moidelhoff at Media Death Cult has a feeling that many have not as he takes a 24-minute dive into this remarkable show (one of my personal favorites). This is shot on location in Portmeirion where the series was set…. “The Most Influential Show You’ve (Probably) Never Seen”.

[Thanks to Teddy Harvia, Kathy Sullivan, Mike Kennedy, Danny Sichel, Jeffrey Smith, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Ingvar.]

Pixel Scroll 6/3/24 Rikki Don’t Lose That Pixel, You Don’t Want To Scroll Nobody Else

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(1) THE NO BODY PROBLEM. The other day File 770 linked to a report with the good news that Netflix confirmed 3 Body Problem will have a second and third season. Today, Giant Freakin’ Robot took the same story and turned it into a reason for panic: “Huge Netflix Sci-Fi Hit Gets Canceled After Season 3”. Got to get those clicks somehow!

Netflix has long had a reputation for canceling great shows right as they become mainstream hits, and it looks like that won’t be changing anytime soon. The streamer recently revealed that 3 Body Problem will be canceled after season 3.

That means that fans still have two more seasons to look forward to, but it’s not entirely clear how much of the original novels will ultimately be adapted by the show.

At first glance, the news that Netflix has canceled 3 Body Problem after season 3 comes as something of a shock.

After all, the first season was a genuine hit: it currently has a 79 percent critical rating on Rotten Tomatoes and a 78 percent audience score….

(2) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Grady Hendrix & Bracken MacLeod on Wednesday, June 12, 2024. The event begins 7:00 p.m. Eastern at the KGB Bar (85 East 4th Street, New York, NY 10003; Just off 2nd Ave, upstairs.)

Grady Hendrix

Grady Hendrix is the New York Times-bestselling author of How To Sell a Haunted House, The Final Girl Support Group, My Best Friend’s Exorcism, and many more. His history of the horror paperback boom of the ’70s and ’80s, Paperbacks from Hell, won the Stoker Award for Outstanding Achievement in Nonfiction. His books have been translated into 23 languages and sold over a million copies, which means he is guaranteed a seat on the space ark when the earth becomes uninhabitable. You can learn more useless facts about him at www.gradyhendrix.com.

Bracken MacLeod

Bracken MacLeod is a Bram Stoker, Shirley Jackson, and two-time Splatterpunk Award finalist and the author of several books including Closing Costs and 13 Views of the Suicide Woods, which the New York Times Book Review called, “Superb,” though he imagines the reviewer pronouncing that, “supOIB.” Before devoting himself to full-time writing, he’s survived car crashes, a near drowning, being shot at, a parachute malfunction, and the bar exam. So far, the only incident that has resulted in persistent nightmares is the bar exam. So, please don’t mention it.

(3) PHILLY SUMMER AUTHOR EVENTS SCRATCHED. Michael Swanwick alerted Facebook fans that the summer Author Events at the Free Library of Philadelphia have been cancelled. Apparently, the entire staff quit this morning. Here’s the announcement in its totality:

Dear Friends,

The entire lineup of scheduled Author Events is cancelled. The Author Events team is no longer with the Free Library Foundation.

With sincere thanks for your support over these many years of our program, “the big, beating heart of literature in Philadelphia,” (Philadelphia Inquirer),

Andy Kahan, Laura Kovacs, Jason Freeman, and Nell Mittelstead

Reasons for their quitting have yet to be reported.

UPDATE: The Philadelpha Free Library has followed up the earlier email with another saying that despite the resignations no Author Events have been cancelled. See the complete text of that email in Todd Dashoff’s comment below.

Here is the later message:

(4) MARK YOUR CALENDAR – AND MAP. Lev Grossman will be taking to the skies on “The Bright Sword Tour”. The full schedule is at the link. The journey starts in Brooklyn and ends at the San Diego Comic-Con

The Bright Sword is coming out on July 16th. I’m going on tour to promote it.

Not in any virtual or zoomy sense, I am actually going to transport my physical corporeal cells all around the USA. And to bits of the UK as well. Any other anglophone nations want a piece of this—Canada, Australia, New Zealand—you just let me know.

I’m really, really looking forward to it. It’s an incredible privilege to be able to travel around and talk to people about books.

There are definitely aspects of it that make me nervous. Like most writers I am a poorly distributed mix of intro- and extro-vert and I’m never quite sure which of these aspects is going to be outward-facing at any given moment.

But mostly I’m just unbelievably excited. My extrovert-face actually loves talking to crowds, especially about books and King Arthur and The Bright Sword, which I have been working on for ten years, and my family got sick of me talking about it about one year into that process, so you can imagine how much stuff I’ve got pent up. I love new places, and food, I don’t mind planes, and I actively, immoderately adore hotels of all kinds….

(5) SECOND FIFTH. “55 Years Ago, Star Trek Delivered Its Worst Finale — And Accidentally Saved the Fandom” claims Inverse’s Ryan Britt. It was the last aired episode of Star Trek: The Original Series. One of Kirk’s revenge-seeking ex-girlfriends engineers a way to swap bodies with him.

…The episode also accidentally fueled an emergent fan phenomenon: slash fiction. As fanfic readers know, the concept of slash fiction, in which fans pair one character with another, derives its name from Kirk/Spock fanfic, which imagined the famous duo as lovers. In “Turnabout Intruder,” after Spock mind-melds with Janet Lester and realizes Kirk is in her body, he holds their hand, treating Kirk like his girlfriend. It’s not subtle. Supposedly, even the actors were aware the story’s gender-role-switching elements prompted all kinds of questions about Kirk and Spock’s true feelings. In a famous outtake, William Shatner jokingly reworked his line to say, “Spock, it’s always been you, you know it’s always been you. Say you love me too.”

We know this because super-fan Joan Winston got herself onto the “Turnabout Intruder” set. In the fan-made essay collection Star Trek Lives! Winston recounted the experience in great detail, including the anecdote about Shatner jokingly professing his love to Spock. By 1972, Joan Winston would become one of the key organizers of the world’s first Star Trek conventions.

In 1970, only 300 people attended the first San Diego Comic-Con. In 1972, Winston brought 3,000 people to the first Star Trek convention. By 1974, Winston’s fourth Star Trek Lives! convention attracted at least 15,000 attendees. Star Trek conventions helped create large-scale genre-themed conventions in general, which is partially why today’s geek landscape even exists. Small fantasy and sci-fi conventions existed before Star Trek, but Trek made the idea of having a big convention possible, and Joan Winston was one of the movement’s key pioneers….

(6) SOUND INVESTMENT. “U.S. Audiobook Sales Hit $2 Billion in 2024” reports Publishers Weekly.

The audiobook market in the United States continues steadily growing, with revenue increasing by 9%, to $2 billion, in 2023, according to the Audio Publishers Association, which published data from its annual sales survey today. The sales survey, conducted by Toluna Harris Interactive, incorporates data from 27 publishers, including Audible, Hachette Audio, HarperCollins, Macmillan, Penguin Random House, and Simon & Schuster, among others.

In addition, the APA has released highlights from its 2024 consumer survey, carried out by Edison Research, which showed that 52% of U.S. adults, or nearly 149 million Americans, have listened to an audiobook. The survey also found that 38% of American adults listened to an audiobook in the last year, up from 35% reported in 2023….

(7) STOKERCON 2025. The StokerCon 2025 Guests of Honor are:

  • Paula Guran
  • Graham Masterson
  • Gaby Triana
  • Tim Waggoner

(8) SMALL WONDER KICKSTARTER FUNDS.

(9) TODAY’S BIRTHDAY.

[Compiled by Cat Eldridge.]

June 3, 1964 — James Purefoy, 60. James Purefoy has an interesting genre history though I’m going to start with his role in Hap and Leonard based off that series created by Joe R. Lansdale. There he was Hap Collins who was imprisoned for refusing to be drafted during the Vietnam War.  He and Leonard Pine are rather eccentric private investigators for Hap’s girlfriend Brett Sawyer. 

Remember A Knight’s Tale, a film that the Suck Fairy tells me that they don’t even have in their database. He played the dual role of Edward, the Black Prince of Wales and Sir Thomas Colville. It currently not surprisingly has a Rotten Tomatoes rating of eighty percent. It’s one of my favorite films. 

James Purefoy at San Diego Comic-Con in 2012.

Next on his genre work is Solomon Kane where he played that character. Based on the Robert E. Howard character, he made a stellar Kane. It currently has a Rotten Tomatoes rating of seventy-one percent. 

He was Kantos Kan, the Odwar, the commanding officer, of the ship Xavarian in the John Carter film. It currently has a much better rating than I was expecting at Rotten Tomatoes rating — sixty percent. Huh.

He is cast in a main role as Captain Gulliver “Gully” Troy / Captain Blighty in the second and third seasons of the Pennyworth series, the prequel to the Gotham series. I like it a lot better than the latter series. 

He’s Philippe de Clermont  in A Discovery of Witches series based off on Deborah Harkness’ All Souls Trilogy, and it’s named after the first book in the trilogy.  I read and really loved these novels. 

Almost on my list is his performance as Laurens Bancroft in the Altered Carbon series. Yes I read the Richard Morgan trilogy. I thought it was excellently well written story with great characters and a fascinating story. He’s a ruthless billionaire who cares for nothing but what he wants. 

What is finally on my list is something I never knew had been done. BBC Radio 4 as part of their Dangerous Visions series broadcast a two-part adaptation of Do Androids Dream of Electric Sheep? Off the Philip K. Dick work. It stars James Purefoy as Rick Deckard and Jessica Raine as Rachael Rosen.  No other cast is credited, a bit odd I think. 

(10) COMICS SECTION.

(11) MUSEUM STARTED WITH SALVAGED SETS CAN’T OPEN ITS DOORS. Santa Monica’s SciFi World isn’t open despite a “gala opening” on Memorial Day – the LA Times says in its story “A child porn conviction and angry ‘Star Trek’ fans: Inside the drama around a new sci-fi museum” that “The museum’s public opening is delayed indefinitely due to permitting issues with the city”. The full article is behind a paywall.

Sci-Fi World, a new “museum” that promises fans real and replica props, costumes and sets from popular films and TV shows, hosted its opening “gala” on Memorial Day in the historic former Sears building just a couple of blocks from the Santa Monica Pier.

More than a decade in the making, the museum has drawn the interest of “Star Trek” fans worldwide thanks to its genesis story: Superfan Huston Huddleston said he salvaged a replica of the bridge from “Star Trek: The Next Generation” from a discard pile outside of a Long Beach warehouse in 2011. Huddleston, known for his fanatical devotion to science fiction and horror, launched Kickstarter campaigns to restore the prop and open a museum to house it, raising nearly $163,000 in less than two years.

But now Huddleston, 54, has emerged as the nexus of questions swirling around the museum, which, despite the recent gala, did not actually open as scheduled. Some of those same sci-fi fans who were enthralled by the museum’s origin story have since learned that in 2018, Huddleston was convicted of misdemeanor possession of child pornography. He was required to serve 126 days in jail and three years of summary probation, complete 52 weeks of sex offender counseling and pay fines.

In an interview with The Times, Huddleston said he knew that any association with the museum after his conviction would be toxic for an organization that hopes to attract young fans, so he gave up control of the nonprofit and its collection of film and TV ephemera to the museum’s chief executive.

But several Sci-Fi World volunteers past and present told The Times that Huddleston remains active — if not central — in museum operations and preparations for opening. Lee Grimwade, one of the museum’s lead volunteers who quit a day before the gala, said Huddleston is “definitely 100% involved.”…

(12) AI AND SHOW BIZ. “State of Generative AI in Hollywood” — Variety has a roundup. The complete report is behind a paywall.

… It further examines the advancement and potential of video generation models that have gripped the industry, including OpenAI’s Sora and Google DeepMind’s Veo, which were announced in the first half of 2024.

Yet to understand how the tech is actively being used today also requires an understanding of its limitations and challenges. VIP+ digs into the specific factors holding back gen AI implementation as tools used to make the highest production-value content. Ethical use is now central and critical to gen AI decision making for media and entertainment companies, and it is the final focus area of this report.

Research for this special report partly draws from 28 independent interviews conducted on background from February to May 2024 with leaders at generative AI tech and service providers, those in VFX and content localization networks, film and TV concept and storyboard artists, independent filmmakers experimenting with generative AI, ethical technologists and lawyers specializing in entertainment and cybersecurity….

(13) VOICE ACTOR Q&A. “Star Wars Bad Batch: Dee Bradley Baker on Voices, Clones, Show Ending” at The Hollywood Reporter.

If The Bad Batch were a live-action series, it’d most certainly be considered an ensemble show. But given that one actor voiced 22 (!) characters in the final season of the animated series, that term might not quite fit in this case. It’s a point that the voice actor himself, Dee Bradley Baker, humbly acknowledges.

“The Bad Batch is a very different creative ask of an actor, to bring all of these full-fledged, full-bodied characters together in a scene as an ensemble, not as disconnected or one-offs,” says Baker. “This is an ensemble story in the same way that The Clone Wars was originally an ensemble story. It’s just in this particular ensemble, I’m most of the ensemble,” he adds, laughing.

The Disney+ series, which ended its three-season run on May 1, follows Clone Force 99, a special forces squad comprising clone solders who were enhanced with special abilities, in the aftermath of Order 66 (whereby Emperor Palpatine ordered the clones to kill all Jedi). The group is led by stellar tracker Hunter and includes the abnormally strong Wrecker, brilliant Tech and uber marksman Crosshair. The quintet is rounded out with Echo, a regular clone who, after cybernetic modifications, joined up with the Bad Batch. All five of those characters are voiced by Baker, who is an Emmy contender this awards season for his role as Crosshair….

Speaking of fans, what is the voice you get asked to do most often?

[In Wrecker’s voice] They want to hear Wrecker all the time. I always say Wrecker wrecks my voice, but I’ll talk like Wrecker anyway. [Switching to Crosshair’s voice] Also, Crosshair because he meant a lot to many of the fans. He was probably the most interesting character of all of the Bad Batch [switching back to his real voice] because Crosshair really had the arc, the transformational redemption arc, that was his story, and what started out to seem to be sort of an adversarial counter-character ends up being the character that you’re rooting for. And that is finally redeemed with that hug that he gets from Omega. It’s a really beautiful story, it’s an inspiring story, and people are really locked into that. But it’s a lot of fun [in Hunter’s voice] just to switch from character to character [in Tech’s voice] because each one is very different from the other [back to his real voice], and they’re all just different people, and they’re here within me.

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, Kathy Sullivan, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Steve “Steely” Green.]

Pixel Scroll 6/2/24 Take Me Down To The Scroll Tonight, I Want To See The Pixels

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(1) MAKING IT UP. Sarah Gailey interviews the authors and editors of The Worst Ronin in “Middle Finger To the Sky: The Worst Ronin by Maggie Tokuda-Hall and Faith Schaffer” at Stone Soup.

Gailey: What did you get to do here that you might not have gotten to do if this book landed elsewhere?

Tokuda-Hall: [The Worst Ronin] was largely written with a middle finger to the sky–when POC are invited to the table to tell our stories, there are usually so many caveats. Yes, we want your story but we want it to be about your marginalization. Or, yes, tell your story, but we want it to be edifying about your culture. There’s this demand that we serve the white gaze, and not a respect for our boundless imaginations. We want to make up shit, too. And so I very stridently let the reader know, in many ways, that this book is not there to educate them about anything. This is not historically accurate. This is a work of invention.

Gailey: How did you first dive into the story, knowing you could do whatever you want?

Tokuda-Hall: I took such joy in writing this book. I had a misguided notion at first that I would keep it super wholesome and middle grade, but my brain just doesn’t work that way, and as soon as I accepted that the plot and characters took off and I just felt like I was sprinting to catch up with them. The hardest thing with this book was balancing the humor that is so inherent to the central characters (The Worst Ronin is a buddy comedy, in its heart) with the darkness of the stories they each would face. …

(2) WHITHER STOKERCON 2025? During last night’s Bram Stoker Awards ceremony it was announced that StokerCon 2025 will be held June 12-15 at the Hilton Stamford Hotel in Stamford, Connecticut.

(3) UBIQ. The Society of Illustrators will host “JACK DAVIS: A Centennial Celebration”, an exhibit of work by the famed MAD Magazine cartoonist and commercial illustrator, at its New York location from June 12-September 21. Full details at the link.

The Society of Illustrators marks the centenary celebration of Jack Davis’ birth by hosting a retrospective featuring the original art from among his most admired works, many for the first time ever. The art on view represents every genre and every phase of Davis’ six-decade career: from EC Comics and Mad Magazine to TV Guide and Time Magazine, from Raid and McDonald’s ads to NASCAR and Super Bowl promotions, from history book illustrations to movie posters….

…“Jack Davis was quite possibly the most ubiquitous American humor illustrator of all time. Davis was a master cartoonist, caricaturist, and illustrator, and his funny, fast-paced, manic, beautifully rendered work has graced the covers of countless comic books, magazines, and record albums and has also appeared on movie posters, bubble gum cards, and advertisements. A virtual mind-boggling one-man industry, Davis has been called “the fastest cartoonist alive” and ‘the master of the crowd scene.’ It’s astonishing to realize that this quiet Southern gentleman was usually finished with assignments for the day and out on the golf course by 2:30 p.m.”

– Drew Friedman from his Fantagraphics book, Heroes of the Comics.

(4) LOSCON 50. Can it be Loscon 50 already? Why, it wasn’t that long ago I missed the first one while I was at grad school….

However, I trust the committee’s count. And here’s the graphic that accompanies their Progress Report #3 on Facebook. Get a full update there.

(5) BEFORE YOU CAN READ THE OMENS. Colleen Doran’s Funny Business brings us a “Good Omens Update”, a highly detailed tour of Doran’s techniques for producing art for the book. So much more is involved than I ever guessed.

…I use the construction method of drawing, as you see. This is an old-school technique. Some people seem to assume that artists always use computers and tracing for their drawings, but most cartoonists of my generation work extemporaneously. There’s quite a bit of noodling around and searching in the sketches. Using too much reference often results in stiff, dead work.

In comics, it’s very important to make sure you’ve considered word balloon placement when designing a page. The script for Good Omens is more copy-heavy than most modern comic book scripts because I want to preserve as much of the clever original language as I can….

(6) DIVING INTO NETFLIX. If you’re interested in the latest business statistics on Netflix and its content, JustWatch recently released a page where they provide data and analysis: JustWatch: Netflix Statistics.

Some of the page’s features are content expansion, popularity, subscription prices, its market share, and much more.

(7) FREE READ. Sunday Morning Transport’s stories for June are by authors Kelly Robson, Laura Anne Gilman, Meg Elison, and Yi Sheng Ng. The first story of the month is free to read, but they seek “paying subscribers who allow us to keep publishing great stories week after week.”

In this, June’s first, free, story, Kelly Robson shows us how, at Versailles, getting old is no picnic. But sometimes there are options… “The High Cost of Heat” by Kelly Robson.

(8) USE THE FORCE…OF MEMORY. After all this time can there still be “Facts You Probably Didn’t Know About the Original ‘Star Wars’ Trilogy”? Maariv Periodical challenges you to find out. Their first fact is:

Big Mistake

When it came to signing a contract with James Earl Jones to fill in Darth Vader’s voice, George Lucas offered him a choice: He could take a salary of $7,000 for his work or royalties off the back end of ticket sales. Back then, $7,000 was a decent amount of money, so Jones took the cash, which turned out to be a costly mistake.

Had he chosen the alternative, he would have earned far more; Jones admitted years later that the decision cost him “tens of millions of dollars.” In comparison, Sir Alec Guinness took the royalties – and his heirs have earned an estimated $95 million for his work in the first “Star Wars” film.

(9) TODAY’S BIRTHDAY DOUBLE FEATURE.

[Compiled by Paul Weimer.]

June 2, 1929 — Norton Juster. (Died 2021.)

By Paul Weimer. Once upon a time when the world was young, a 2nd grade teacher had a reading session with my class. We read a book about a character who had found himself in a land of mathematics and weirdness, of two princesses bound, of paths to infinity and clock-like dogs. It was a wild and magical place and I adored the book to pieces. 

Norton Juster

The problem is, I had misunderstood the title. I thought the title was “Milo and the Mathemagicians” and did not see or find the book for three decades after that second grade classroom. Some days, I wondered if I had just imagined or hallucinated the existence of this book. 

Enter the pre-LLM internet. It was the mid 2000’s and I got the urge to try and find some books of my youth among dome other things. And in that time, the Internet was at its peak for finding information that you wanted. SEOs were not yet a thing. Amazon was not full of crap. Websites still proliferated. And I had great success. I managed to find a copy of an old liberal arts college math textbook that, decades ago, had introduced me to Escher and other wondrous things. (Oddly, it was just called The Math Book)  I found some old SF anthologies I had not seen for years. I hit upon authors and musicians and others I had dimly remembered from my youth. It was a great time for me for rediscovery. 

And then there was Milo.  I was throwing search terms in one day trying to find “Milo and the Mathemagicians”, and somehow managed to hit The Phantom Tollbooth.  I read the description and thought “Is this it?” I bought a copy and with anxious anticipation, I started reading it. Did you ever have that feeling, wondering if the book you are reading is something that is going to be that good, or live up to the suck fairy? I had that feeling re-reading The Phantom Tollbooth.

Imagine my utter happiness  when I delved into the book and found, to my delight, that it WAS the book I had remembered from that second grade class. And all of the joys in the book, the wordplay, the characters, the concepts (how many children’s books try and explain *infinity*) and the absolute heart of the book.  And the artwork and drawings. I had not remembered specific drawings from the second grade class, but I had remembered the book WAS illustrated. And the illustrations are wonderful! 

I don’t regret seeking out the TV movie that was made, subsequently, it doesn’t quite work for me, but I can see why it was made. 

But speaking of movies, the other Juster property I adored that I did not realize at the time WAS Norton Juster was the Academy Award winning short film The Dot and the Line.  I had seen it way back when I had read Flatland, and loved it, but had no idea that it had anything to do with The Phantom Tollbooth.  Imagine my delightful surprise when I found out it was based on a Juster book. I think, given its dynamism, that the short movie is better than the actual book and I do recommend that fans of The Phantom Tollbooth go seek it out.

I’ve now, including the second grade class, read The Phantom Tollbooth four times. And I look forward to it again. And I really need to rewatch The Dot and the Line myself. Don’t jump to the island of conclusions that The Phantom Tollbooth is for children alone. It works for readers of all ages. If you have any interest in wordplay, mathematics or whimsy, pick it up and give it a spin.

Born June 2, 1915 — Lester Del Rey. (Died 1993.)

By Paul Weimer. For me, first and foremost, Lester Del Rey was a publisher and an editor. Many of the books I first encountered reading science fiction, back 4 decades ago, were published by Del Rey, which he founded with his wife Judy Lynn Del Rey.  And for a good while, that’s all I thought that he was (although his legacy and influence as a publisher is huge). 

Lester Del Rey at a Philcon around 1964. Photo by and (c) Andrew Porter.

The Science Fiction Hall of Fame anthology was a gateway to a number of authors for me. Theodore Sturgeon. Murray Leinster. Fritz Leiber (for “Coming Attraction”, although I would soon discover Fafhrd and the Grey Mouser).  And Lester Del Rey, for “Helen O’Loy”.  I had read enough Greek Mythology by that point to get the idea that this was a Helen of Troy story, and it was perhaps the first story I read where a robot was an object of romantic interest. Helen’s story, and the tragedy of it moved me deeply.

I soon came across other Del Rey stories, here and there, randomly, sprinkled in best of collections and favorite science fiction stories and the myriad other SF anthologies that I read in the first decade of my science fiction reading.  

But it was Harlan Ellison® who turned me onto perhaps the best and my favorite of the Lester Del Rey stories. In one of his own collections about the relationship between men and Gods, he mentioned a Lester Del Rey story “For I am a Jealous People”.  I could see the biblical allusion in the title, and I decided to seek it out.

I recently re-read it, and it still slaps, hard.  “For I am a Jealous People” is a kicker of a story, where the Abrahamic God is real, has always been real. But, now, God is angry with humanity and fed up with us, and basically has sided with aliens invading Earth and its possessions. That is a smash to the face to begin with, but it’s humanity response to this revelation in the story that really brings it home to me, the power of a Del Rey story at it’s best.  Humanity’s response could have been any number of plausible results. Regret. Sadness. Despair. Resignation. Anger.  Del Rey goes for “Good. Bring it!” It’s a muscular answer to the question of what to do when even God is against you, and it remains powerful to this day.

(10) COMICS SECTION.

(11) UPDATES TO THE BLOCH WEBSITE. Jim Nemeth, curator of the Robert Bloch Official Website announced three new additions.

1) Bill Gillard, an English professor at the University of Wisconsin Oshkosh, recounts his recent travel to Laramie, Wyoming, to research the Bloch papers/archives collection, housed at the University of Wyoming. With photos! Read: Robert Bloch Papers
2) Matthew R. Bradley’s interview of Bloch; from Filmfax magazine (Aug/Sep 1993) Read:  Heart of a Small Boy. 
3) See Bob’s military draft card. See Gallery page.

(12) SPACE, THE FINAL EPISODE. Camestros Felapton has closing remarks on the conclusion of a Star Trek series: “Farewell Star Trek Discovery”.

….Notably, this season had the best attempt yet at marrying the idea of single season long story with Star Trek’s more traditional episode-long stories. The basic plot idea (a quest for a series of clues leading to a hidden secret treasure) was not terribly original but it was enough of a hook to ensure each episode could have its own sub-story while overtly moving the plot along. The broader plot was also well served by the two antagonists who became more interesting as the season progressed….

(13) LEARNING ALL OVER AGAIN. “How NASA astronauts are training to walk on the Moon in 2026” in Nature.

NASA astronaut Kate Rubins was having a hard time seeing in the eerie twilight of the Moon’s south pole this month.

Rubins made her way carefully through the deep shadows on the lunar surface, her path dimly lit by lights on her spacesuit’s helmet. She was hunting through the volcanic landscape for geological treasure — Moon rocks that she could pick up and bring back to Earth, which would reveal secrets of this frozen world. As the first person to set foot on the Moon in more than half a century, Rubins was making good progress on her historic foray — despite the piles of cow manure along the way.

The rock-strewn plain wasn’t really the Moon but was, in fact, the high desert of northern Arizona. Rubins and astronaut Andre Douglas were participating in the biggest dress rehearsal yet for the next time NASA plans to send people to the Moon’s surface, a mission known as Artemis III. If all goes to plan, Rubins or one of her colleagues will be stepping onto the actual Moon a little over two years from now. So NASA is training its astronauts to make the most of their precious time there — given that no human has set foot on the lunar surface since the last Apollo crew blasted off in 1972….

(14) PIGS NOT IN SPACE. Slashfilm discusses Georges Méliès A Trip to the Moon and a little-known predecessor in “This 14-Minute Short Isn’t The First Sci-Film, But It Came Close”.

…But “A Trip to the Moon” wasn’t the first sci-fi film. Indeed, it wasn’t even Méliès’ first sci-fi film. 

If one is to trust the Aurum Film Encyclopedia, the first sci-fi film ever was “The Mechanical Butcher,” a short made by the Lumière Brothers in 1895. The Lumières, as all first-year film students know, invented the Cinématographe motion picture system, one of the earliest motion picture cameras, making them among the very first filmmakers. “The Mechanical Butcher” is only 53 seconds long, and depicts butcher characters lifting a pig into a futuristic machine and extracting it as prepared pork products. Mechanized slaughterhouses were relatively new in 1895, and the Lumières made a short depicting the absurdity of sped-up, high-tech meat manufacture. Why, only a moment ago, these pork chops were alive! If sci-fi is a genre that analyzes technology’s effects on human development — techno-anthropology — then “The Mechanical Butcher” certainly counts….

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Paul Weimer, Rich Lynch, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

2023 Bram Stoker Awards

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The 2023 Bram Stoker Award winners were announced on June 1 during the Annual Bram Stoker Awards Banquet at StokerCon™ 2024 in San Diego.

THE 2023 BRAM STOKER AWARDS®

Superior Achievement in an Anthology

  • Peele, Jordan, and Adams, John Joseph – Out There Screaming (Random House)

Superior Achievement in a Fiction Collection

  • Files, Gemma – Blood from the Air (Grimscribe Press)

Superior Achievement in a First Novel

  • Carmen, Christa – The Daughters of Block Island (Thomas & Mercer)

Superior Achievement in a Graphic Novel

  • Chu, Amy (author) and Lee, Soo (artist) – Carmilla: The First Vampire (Dark Horse)  

Superior Achievement in Long Fiction

  • Jiang, Ai – Linghun (Dark Matter INK)

Superior Achievement in Long Nonfiction

  • Hartmann, Sadie – 101 Horror Books to Read Before You’re Murdered (Page Street Publishing)

Superior Achievement in a Middle Grade Novel

  • Senf, Lora – The Nighthouse Keeper (Atheneum Books for Young Readers)

Superior Achievement in a Novel

  • Due, Tananarive – The Reformatory (Gallery/Saga Press/Titan)

Superior Achievement in Poetry

  • Wytovich, Stephanie M. – On the Subject of Blackberries (Raw Dog Screaming Press)

Superior Achievement in a Screenplay

  • Yamazaki, Takashi – Godzilla Minus One (Robot Communications, Toho Studios)

Superior Achievement in Short Fiction

  • O’Quinn, Cindy – “Quondam” (The Nightmare Never Ends, Exploding Head Fiction)

Superior Achievement in Short Non-Fiction

  • Bulkin, Nadia – “Becoming Ungovernable: Latah, Amok, and Disorder in Indonesia,” (Unquiet Spirits: Essays by Asian Women in Horror, Black Spot Books)

Superior Achievement in a Young Adult Novel

  • Tran, Trang Thanh – She Is a Haunting (Bloomsbury YA)

OTHER AWARDS PRESENTED

SPECIALTY PRESS AWARD

  • Thunderstorm Books

THE RICHARD LAYMON PRESIDENT’S AWARD

  • Brian W. Matthews

THE KAREN LANSDALE SILVER HAMMER AWARD

  • Lila Denning

MENTOR OF THE YEAR AWARD

  • Lisa Wood

LIFETIME ACHIEVEMENT AWARDS

  • Mort Castle
  • Cassandra Peterson.
  • Steve Rasnic Tem

Pixel Scroll 4/20/24 Was Cheops A Very Large Cat? Only The Builders Know

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(1) UKRANIAN WOMEN IN SF. Michael Burianyk’s English-language roundtable interview with Ukrainian Science Fiction and Fantasy writers Daria Piskozub, Svitlana Taratorina, Iryna Hrabovska, Natalia Matolinets and Nataliya Dovhopol has just been published in the British Science Fiction Association blog, Vector: “Ukrainian Women in SF: A Roundtable Conversation”. The wide-ranging discussion, on Ukrainian Science Fiction and Fantasy, literature and culture, language and translation, women’s writing, is insightful and often touching and even harrowing at times.

…There is a strong trend of more Ukrainian SFF being published. Why did you think this was happening?

Nataliya It’s mainly about escapism. After spending the night in a bomb shelter and doom scrolling all day, one needs something less traumatic. Yet, SFF can also help to cope with feelings, to project one’s own experiences on those in the stories. Then the ban on book imports from Russia and a growing interest in Ukrainian culture has created more of a demand for domestic literature….

(2) HORROR UNIVERSITY OPEN FOR ENROLLMENT. StokerCon has announced the 2024 Horror University Online workshop schedule. From May 30 to June 1, they will present nine live, in-person workshops at StokerCon 2024 in San Diego, CA. See items at the link.

HORROR UNIVERSITY is designed for horror writers interested in refining their writing, learning new skills and techniques, exploring new writing formats, or better understanding the genre. These workshops are taught by some of the most experienced voices in horror. Full descriptions and registration information for our STOKERCON 2024 Workshop Schedule is available in the Horror University School on Teachable: https://horror-university.teachable.com/courses/category/stokercon-2024.

REGISTRATION IS OPEN NOW!

Registration for each workshop is $65 for non-HWA-members. HWA members receive a 15% discount on individual courses or a 20% discount on registration for five or more courses. Log into the Members Only area of www.horror.org and check the discounts page for codes. General registration for StokerCon does not include Horror University programming; additional registration is required so that the Con is able to compensate each instructor for their workshop and support the cost of the program.

(3) FIVE FOR YOUR MT TBR. Lisa Tuttle’s roundup of “The best recent science fiction, fantasy and horror” for the Guardian reviews Calypso by Oliver K. Langmead; Someone You Can Build a Nest In by John Wiswell; The Familiar by Leigh Bardugo; The Underhistory by Kaaron Warren; and The Universe Delivers the Enemy You Need by Adam Marek.

(4) GAY FURRY HACKERS. Them reports“Gay Furry Hacker Group SiegedSec Breached Far-Right Media Outlet Real America’s Voice”.

The gay furry hacker group SiegedSec has done it once again, this time claiming responsibility for leaking the data from a far-right media outlet.

In a Monday post to its Telegram channel, the group announced that it had hacked the app for Real America’s Voice, a right-wing media outlet founded in 2020 that regularly features far-right activists like Steve Bannon and Charlie Kirk. The outlet also frequently platforms conspiracy theories and transphobic rhetoric.

As part of SiegedSec’s ongoing hacktivism campaign OpTransRights, the group said they released the personal information of over 1,200 users on the app, including their full names, phone numbers, and email addresses. The group also said they “went poof on their files,” wiping user data from the app’s API and its cloud storage.

“[T]hroughout our attacks on transphobic entities, we have received concerns that our attacks will be used to label the LGBTQ+ community as ‘terrorists’ and ‘criminals,’” the group wrote in a Telegram message. “[T]he thing is, these types of people will blame the LGBTQ+ community regardless of what we do. they will look for a reason to hate, they won’t listen to reason, they want to spread lies to shun people different than them.”…

(5) COPYRIGHT’S WOBBLY LEGAL LINE. “Author granted copyright over book with AI-generated text—with a twist” reports Ars Technica.

…The novel draws from Shupe’s eventful life, including her advocacy for more inclusive gender recognition. Its registration provides a glimpse of how the [Copyright Office] is grappling with artificial intelligence, especially as more people incorporate AI tools into creative work. It is among the first creative works to receive a copyright for the arrangement [emphasis added] of AI-generated text.

“We’re seeing the Copyright Office struggling with where to draw the line,” intellectual property lawyer Erica Van Loon, a partner at Nixon Peabody, says. Shupe’s case highlights some of the nuances of that struggle—because the approval of her registration comes with a significant caveat.

The USCO’s notice granting Shupe copyright registration of her book does not recognize her as author of the whole text [emphasis added] as is conventional for written works. Instead she is considered the author of the “selection, coordination, and arrangement of text generated by artificial intelligence.” This means no one can copy the book without permission, but the actual sentences and paragraphs themselves are not copyrighted and could theoretically be rearranged and republished as a different book. [emphasis added]

(6) GLASGOW 2024 NEWS. The Glasgow 2024 Worldcon “In Memoriam” list is being constantly updated by Steven H Silver. They ask of you know of someone you believe should be included, please let us know.

(7) DUNE MUSICAL AT WORLDCON. Glasgow 2024 also invites members to “Prepare for a unique twist on Frank Herbert’s masterpiece with Dune! The Musical. Solo artist Dan Collins will take you on a whimsical one-hour journey across Arrakis with humour and song.” There will be a performance at the Worldcon.

A memoir in song by the Earl of Caladan, trusted adviser to the Padisha Emperor and beloved troubadour-warrior, the bard Gurney Halleck.

Following the success of his work on “A Child’s History of Muad’Dib” Gurney will perform hits from his back catalogue and introduce never-before-heard songs from his time among the Fremen.

Sing along with little Paul Atreides on his journey to Sietch Tabr; can he tame the worm, save the world and get the girl?

Forget everything you know about Arrakis and get ready for Dune! The Musical…

(8) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

Born April 20, 1939 — Peter S. Beagle, 85. [By Paul Weimer.] It’s Rankin and Bass’ fault that I got into the work of Peter S. Beagle.  As a voracious young reader, I saw The Last Unicorn in the library and somehow, even given my small “c” catholic tastes in SFF, saw that it was somehow not going to be for me. So I didn’t pick it up. I passed it by.

Fast forward to the mid-1980’s. NYC’s Channel 11, an independent TV station, aka “New York’s movie station”, introduced me to a gigantic swelter of movies.  

One of them, by accident, was the 1982 animated version of The Last Unicorn. I remember not remembering at the time or realizing at the time that it was based on the Beagle novel, but after I was transported and transformed by the adaptation, I went and sought out the original novel.  As fine and charming as the movie is, the novel truly gave me a sense of the power and lyric nature of Beagle’s work.

I was hooked.

Peter S. Beagle

I came across my favorite Beagle, The Innkeeper’s Song, in the mid 90’s. I was in a strong fantasy vein at the time and was interested in a variety of narrative forms. The Innkeeper’s Song, with its multiple first-person narration, was a revelation in escaping the usual multiple third-person points of view that were the norm at the time. Even today, Innkeeper’s Song feels fresh and unique in its approach to narrative, point of view, and literary interest. Even before Gene Wolfe, I think Beagle’s fantasy was my first real immersion into what one might call literary fantasy.

But even more than literary talent or line by line skill, what Beagle’s work does to me, from the Last Unicorn to today, is make me feel. I think his shorter fiction is where the distillation of his skill, craft, mood and the ability to evoke emotion is at its best in the short form.  “Two Hearts”, a sequel to The Last Unicorn, is a particular favorite, because Griffins. His TNG written episode “Sarek” is one of the most moving pieces of Star Trek to this day. And yes, to this day, The Last Unicorn, the movie, brings tears to my eyes.

(9) COMICS SECTION.

(10) CLOSING WORDS. GiantFreakinRobot discusses “The Last Essay Ray Bradbury Wrote Before He Died”.

…At points, he describes how his librarian would get upset with him because he’d check out so many books when she didn’t think he’d read them all. But he did, he read every word he could get his hands on. As Bradbury explains, books “are the building blocks, the DNA, if you will, of you.”

Reading fed Ray Bradbury’s appetite for knowledge and his curiosity, which led to his understanding of writing and imagination. He expressed his love for books throughout his work, including, famously, in his 1953 novel Fahrenheit 451, which describes a future world where books and reading is against the law.

Having his last essay be about the art of reading in general is more than a little fitting for Ray Bradbury. It acts as something of a career summation, an explanation for why literature and the act of reading are just so very important for us as humans. There really is no better sendoff for the writer, an inspiration for all us.

(11) BLUEY. Chris Barkley assures me sff fans will want to know this news: “’Bluey’ Drops Surprise New Episode on Disney” at The Hollywood Reporter. I’m guessing Chris knows this show exists because he has kids in his life. When my daughter was young I knew about Blue’s Clues and Mister Rogers Neighborhood in detail. Now kids’ TV is an undiscovered country for me.

… The new episode comes a week after “The Sign,” a special, 28-minute installment of the beloved kids’ show debuted (most Bluey episodes run under 10 minutes). The special drew waves of critical praise for its emotional storyline centering on the Heeler family possibly selling their home and moving to another city where dad Bandit would take a new job, as well as a wedding between the Heelers’ Uncle Rad and Frisky.

Coupled with the preceding episode, “Ghostbasket,” the special spawned widespread speculation that Bluey was ending. While the long-term future of the show, originally commissioned by Australia’s ABC and the BBC in the U.K. hasn’t been decided — “the BBC has asked for me never to talk about the kids’ voices or the future of Bluey,” creator Joe Brumm told The Hollywood Reporter in 2023 — “Surprise” ensures that “The Sign” isn’t the last episode of the series.

Bluey has been a breakout hit for Disney+ in the United States. It’s the most streamed show in the country this year in terms of total viewing time, according to Nielsen’s streaming ratings, after ranking second in 2023 and sixth in 2022….

(12) LESSONS FROM THE UKRAINE. The New York Times asks “Do Tanks Have a Place in 21st-Century Warfare?”

… Despite their power, tanks are not impenetrable, and they are most vulnerable where their heavy plated armor is the thinnest: on the top, the rear engine block and the space between the hull and the turret. For years they were mainly targeted with land mines, improvised explosive devices, rocket-propelled grenades and anti-tank guided missiles, like “shoot and scoot” shoulder-fired systems. These were widely used early in the Ukraine war because they could strike tanks from above and hit them up to 90 percent of the time.

The drones that are now being used against tanks in Ukraine are even more accurate. Known as first-person view drones, or FPVs, they are equipped with a camera that streams real-time images back to their controller, who can direct them to hit tanks in their most vulnerable spots. In several cases, the FPVs have been sent in to “finish off” tanks that had already been damaged by mines or anti-tank missiles so that they could not be retrieved from the battlefield and repaired, Colonel Reisner said.

Depending on their size and technological sophistication, the drones can cost as little as $500 — a paltry investment for taking out a $10 million Abrams tank. And some of them can carry munitions to boost the impact of their blast, said Colonel Reisner. These could be rocket-propelled grenades, he said, or self-forging warheads known as explosively formed penetrators, or EFPs, that were widely used in roadside bombs during the war in Iraq. Colonel Reisner has collected videos of tanks in Ukraine being chased down by the drones or drones flying into their open turrets.

“Welcome to the 21st century — it’s unbelievable, actually,” said Colonel Reisner, a historian and former armor reconnaissance officer who oversees Austrian forces’ training at the Theresian Military Academy….

(13) MILITARY AI. “’Machines set loose to slaughter’: the dangerous rise of military AI” – a 2020 article from the Guardian.

The video is stark. Two menacing men stand next to a white van in a field, holding remote controls. They open the van’s back doors, and the whining sound of quadcopter drones crescendos. They flip a switch, and the drones swarm out like bats from a cave. In a few seconds, we cut to a college classroom. The killer robots flood in through windows and vents. The students scream in terror, trapped inside, as the drones attack with deadly force. The lesson that the film, Slaughterbots, is trying to impart is clear: tiny killer robots are either here or a small technological advance away. Terrorists could easily deploy them. And existing defences are weak or nonexistent.

Some military experts argued that Slaughterbots – which was made by the Future of Life Institute, an organisation researching existential threats to humanity – sensationalised a serious problem, stoking fear where calm reflection was required. But when it comes to the future of war, the line between science fiction and industrial fact is often blurry. The US air force has predicted a future in which “Swat teams will send mechanical insects equipped with video cameras to creep inside a building during a hostage standoff”. One “microsystems collaborative” has already released Octoroach, an “extremely small robot with a camera and radio transmitter that can cover up to 100 metres on the ground”. It is only one of many “biomimetic”, or nature-imitating, weapons that are on the horizon…

(14) NO SIRENS ON TITAN. “Dragonfly: NASA Just Confirmed The Most Exciting Space Mission Of Your Lifetime” enthuses Forbes.

NASA has confirmed that its exciting Dragonfly mission, which will fly a drone-like craft around Saturn’s largest moon, Titan, will cost $3.35 billion and launch in July 2028.

Titan is the only other world in the solar system other than Earth that has weather and liquid on its surface. It has an atmosphere, rain, lakes, oceans, shorelines, valleys, mountain ridges, mesas and dunes—and possibly the building blocks of life itself. It’s been described as both a utopia and as deranged because of its weird chemistry.

Set to reach Titan in 2034, the Dragonfly mission will last for two years once its lander arrives on the surface…

(15) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Nearly 200,000 views and not even out for two days…. Matt O’Dowd over at PBS Space Time wonders “Why Is The World Rushing Back To The Moon?”

The Moon has been one of the most important theoretical stepping stones to our understanding of the universe. We’ve long understood that it could also be our literal stepping stone: humanity’s first destination beyond our atmosphere.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Michael Burianyk, Francis Hamit, SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 4/8/24 Everyone I Know Is A Hoopy Scroll, Who Know Where Their Pixel Is

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(1) ANGRY ROBOT BRINGS ON ECLIPSE OF STORYWISE. [Item by Anne Marble.] Angry Robot Books announced a one-week open submissions period that begins April 22, and several posts down in their thread they also said they would be using a submissions portal named Storywise to help them sort through their submissions. In their image, they explain a little more and point out that it’s not generative AI.

Angry Robot provided more information about Storywise here: “Storywise and Open Submissions FAQ’s “ [Internet Archive copy]. It included information on how authors can opt out of Storywise being used in their submission.

For obvious reasons, people are worried. People are pointing out that the Storywise platform can have biases. (And because it’s software, you can’t see those biases.) While it’s great that it’s not generative AI, does that mean writers can still trust it? For example, how do authors known what Storywise will do with their submissions? Others think its fine because it’s not generative AI — it’s just AI being used as a tool. Some have pointed out that slush readers are often unpaid, so that this is not taking away jobs. (But does that apply to slush readers working for book publishers?!)

Here is a quote-tweet by Vajra Chandrasekera with lots of information about Storywise. (Thread starts on X.com here.)

Angry Robot subsequently removed the posts to social media about their open submissions, and walked back the announcement with respect to Storywise, saying they will resume using their inbox system.

Editor’s note: Adrian Moher has a good roundup about the controversy at Astrolabe Digest: 040824. (Moher provided the link in his social media.)

(2) ON THE WAY TO THE CENTERLINE. Rich Lynch snapped this photo of the view from Interstate 87, in the middle of Adirondack Park while on his way to witness today’s eclipse. (Click for larger image to read sign).

No pictures of the event itself, though. “I don’t have any eclipse photos on my iPhone.” But Rich says, “It very much did exceed my expectations, even with the sun having to burn its way through a thin cloud layer.”

(3) STOKERCON 2024 ADDS GOH. Rob Savage was announced today as StokerCon 2024’s fifth Guest of Honor.

Rob Savage initially gained attention at the age of 19 when he wrote, directed, produced, and edited the low-budget romantic drama film Strings (2012), he later became more widely known for his work in horror films and has since co-written and directed lockdown horror hit Host (2020), co-written and directed Dashcam (2021), and directed Stephen King adaptation The Boogeyman (2023).

The con also signal-boosted HWA’s Librarian’s Day.

This year’s Librarian’s Day on Friday, May 31, 2024, once again offers fantastic programming featuring the conference’s guest authors on timely topics and more. Librarian’s Day ticket holders ($60) will have access to the Dealers Room and other areas of the full conference throughout the day.  

(4) DETROIT FURRY CON VICTIMIZED AGAIN. “Motor City Furry Con evacuated for second straight year” reports Audacy.

For a second straight year Motor City Furry Con attendees were forced to be evacuated from their hotel due to a threat.

The nature of the threat was not clear, but officials with the convention confirmed Sunday the Ann Arbor Marriott Ypsilanti at Eagle Crest in Ypsilanti was evacuated around 9 a.m.

The “all clear” was given around 12:30 p.m. and the final day of convention activities resumed.

Sunday’s evacuation comes a year after attendees were evacuated from the same hotel due to an emailed bomb threat. Ultimately, there were no injuries or any explosives found last March.

The Motor City Furry Con is a convention for people who “appreciate the anthropomorphic lifestyle,” according to a report from The Detroit Free Press.

The Detroit Free Press article also noted, “Event attendee Scoops took to social media to celebrate the second year of being an evacuee.”

(5) SLOWLY WE TURNED, STEP BY STEP. “Caeciliusinhorto” has written an impressive perspective piece synthesizing all the news items that comprise “The 2023 Hugo Awards fuckup” for Reddit’s r/HobbyDrama.

… After much discussion, the general consensus seemed to coalesce around a combination of two or three explanations: firstly, active censorship by the Hugo administrators, possibly due to pressure from the Chinese government (national or local); secondly, incompetence; and perhaps thirdly, weird nominator behaviour (possibly including organised voting blocs). For a while things stalled there: the data was obviously wrong, the most plausible explanation seemed to be some combination of cock-up and conspiracy, and there was no prospect of anyone finding out anything more.

And then we found out more….

(6) SURE. MAYBE. DUNNO. ABSOLUTELY NOT. Nautilus asked six sff writers “Does Science Fiction Shape the Future?”.

Behind most every tech billionaire is a sci-fi novel they read as a teenager. For Bill Gates it was Stranger in a Strange Land, the 1960s epic detailing the culture clashes that arise when a Martian visits Earth. Google’s Sergey Brin has said it was Neal Stephenson’s Snow Crash, the cyberpunk classic about hackers and computer viruses set in an Orwellian Los Angeles. Jeff Bezos cites Iain M. Banks’ Culture series, which unreel in an utopian society of humanoids and artificial intelligences, often orchestrated by “Minds,” a powerful AI. Elon Musk named three of SpaceX’s landing drones after starships from Banks’ books, a tribute to the role they played in turning his eyes to the stars.

Part of this makes sense. Science fiction widens the frontiers of our aspirations. It introduces us to new technologies that could shape the world, and new ideas and political systems that could organize it. It’s difficult to be an architect of the future without a pioneer’s vision of what that future might look like. For many, science fiction blasts that vision open.

Yet these tech titans seem to skip over the allegories at the heart of their favorite sci-fi books. Musk has tweeted, “If you must know, I am a utopian anarchist of the kind best described by Iain Banks.” Yet in Banks’ post-scarcity utopia, billionaires and their colossal influence are banished to the most backward corners of the galaxy.

Recently, I interviewed six of today’s foremost science-fiction authors. I asked them to weigh in on how much impact they think science fiction has had, or can have, on society and the future….

The interview subjects are N.K. Jemisin, Andy Weir, Lois McMaster Bujold, David Brin, Cory Doctorow and Charles Stross. Here’s a quote from Stross:

Charles Stross: Yes, the entire current AI bubble is exactly that. The whole idea of AI has been turned into the centerpiece of a secular apocalyptic religion in which we can create superhumanly intelligent slaves that will solve all our knottily human intellectual problems, then work out how to liberate our pure soul-stuff from these clumsy rotting meatbags and upload us into a virtual heaven. And right now, some of the biggest tech companies out there are run by zealots who believe this stuff, even though we have no clear understanding of the mechanisms underlying consciousness. It’s an unsupported mass of speculation, but it’s threatening to derail efforts to reduce our carbon footprint and mitigate the climate crisis by encouraging vast energy expenditure.

(7) MONSTER BOX OFFICE. Godzilla x Kong rang the registers loudly last weekend reports Variety.

“Godzilla x Kong: The New Empire” dominated the domestic box office again, looming large over newcomers “Monkey Man” and “The First Omen.”

Warner Bros. and Legendary Entertainment’s monster tentpole added $31.7 million from 3,948 theaters in its second weekend of release. Ticket sales dropped a standard (for a tentpole of its size and scale) 60% from its mighty $80 million debut and stand at $132 million domestically and $361 million globally.

First-time director Dev Patel’s action thriller “Monkey Man” nabbed second place with $10.1 million from 3,029 venues, while Disney and 20th Century’s supernatural prequel “The First Omen” trailed at the No. 4 spot with a muted $8.4 million from 3,375 locations….

(8) PEAK TELEVISION. “Twin Peaks’ Agent Cooper: How TV’s strangest detective was born” – BBC went right to the source.

… Writer Mark Frost told the BBC’s Late Show that part of the inspiration behind the character was the show’s co-creator and director David Lynch. 

“I tried to base that character on David to some extent,” said Frost. “A lot of his quirkiness and attention to detail, which are things that David has in great abundance, sort of came to the surface with that character. I guess his interest in people’s obsessions, and characters who are obsessed with something, are pretty common with other things he’s done.” …

(9) SMALL BUSINESS. And what is David Lynch working on today? “David Lynch Still Wants To Make Animated Movie ‘Snootworld’: Interview” at Deadline. Netflix said no – maybe someone else will say yes.

…“I don’t know when I started thinking about Snoots but I’d do these drawings of Snoots and then a story started to emerge,” Lynch told us in a rare interview. “I got together with Caroline and we worked on a script. Just recently I thought someone might be interested in getting behind this so I presented it to Netflix in the last few months but they rejected it.”

Lynch was philosophical about the reasons for that decision: “Snootworld is kind of an old fashioned story and animation today is more about surface jokes. Old fashioned fairytales are considered groaners: apparently people don’t want to see them. It’s a different world now and it’s easier to say no than to say yes.”

Thompson described the storyline to us as “wackadoo”: “It takes my breath away how wacky it is. The Snoots are these tiny creatures who have a ritual transition at aged eight at which time they get tinier and they’re sent away for a year so they are protected. The world goes into chaos when the Snoot hero of the story disappears into the carpet and his family can’t find him and he enters a crazy, magnificent world”….

(10) WHO WAS THAT MASKED MAN? “Star Trek Discovery’s Doug Jones Reveals How He Said Goodbye to Saru (And It Involves Whitney Houston)” – Comicbook.com listens in.

Star Trek: Discovery‘s long-awaited fifth season finally debuted this week on Paramount+, and it marks the beginning of the end for the series. ComicBook.com recently had the chance to chat with some of the show’s cast, and they opened up about saying goodbye to their characters in the final season. Doug Jones (Saru) revealed how he said farewell to the character he began playing in 2017, and it involves an iconic song…

“Oh yeah,” Jones said when asked if he was able to keep any part of Saru after the show finished filming. “I wasn’t gonna let that go. Yeah. My final time taking Saru off, I did not cut him up and throw him across the room at all,” he added, referencing the famous story of René Auberjonois throwing his Odo mask at the showrunner at the end of Deep Space Nine. “I held him on my hand and we were playing a Whitney Houston song and I sang ‘I Will Always Love You’ to him and somebody was recording it. So I hope that’s out there somewhere.”…

(11) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born April 8, 1974 — Nnedi Okorafor, 50. Tonight we have Nnedi Okorafor, a truly phenomenal writer. 

She’s Nigerian, and has coined two words to describe her literary focus, Africanfuturism, and Africanjujuism. The latter word identifies the Afrocentric subgenre of fantasy fiction that draws on African spiritualities and cosmologies. Cool. 

Let’s start with some of her work as comic book writer.  The LaGuardia series that she wrote for was published by Berger Books. The collection won a Graphic Story Hugo Award at ConZealand, and her Black Panther: Long Live the King was nominated at Dublin 2019. She did other work in the Panther universe as well — Shuri in which Black Panther is missing and she has to find him (great story), Wakanda Forever and Shuri: Wakanda Forever

I started there as I love her writing in this medium. Now let me pick my favorite novellas and novels by her. 

The Binti trilogy is an extraordinary feat of writing and my favorite reading experience by her. The “Binti” novella which leads it off won a Hugo at MidAmeriCon II. Then came the “Binti: Home” novella which was nominatedfor a Hugo at Worldcon 76 and the final “Binti: The Night Masquerade” novella to date which was nominatedfor a Hugo at Dublin 2019. 

Lagoon is a deep dive in Nigerian mythology including Legba in the forefront here, in what is a SF novel as aliens and humans come together to form a new postcapitalist Nigeria. Neat concept well executed, characters are fascinating and the story is done well. 

(12) COMICS SECTION.

(13) IT COULDN’T HURT. “Fallout Moves To California For Season 2 With Big Tax Credit Award” – Deadline pencils in the numbers.

Just days before its debut, Fallout looks to be assured a second season thanks to a $25 million tax credit from California.

Officially, Amazon has not said yet that the Prime Video series is coming back, but, with some hints from executive producers Lisa Joy and Jonathan Nolan recently, it is pretty clear the money is doing the talking here. Receiving one of the largest allocations ever from the program for a relocating series, the LA-set post-apocalyptic drama is among a dozen shows awarded $152 million in incentives.

Primetime prequel NCIS: Origins, the Noah Wyle starring The Pitt, plus the Ryan Murphy executive produced Dr. Odyssey starring Joshua Jackson, and Grotesquerie starring Emmy winner Niecy Nash also were awarded credits through the California Film Commission run $330 million annual program – as you can see below….

… Of course, being awarded the tax credits, even big bucks like what Fallout has reaped, is no guarantee a project will go forward. The allocations are conditional on certain timelines being met, and a number of films and shows, like Season 2 of Amazon’s spy saga Citadel, have dropped out of the program after getting a green light….

(14) FILM CENSORSHIP. [Item by SF Concatenation’s Jonathan Cowie.] Though not SF in itself, this half-hour radio programme, Screenshot, will be of interest to anyone over here in Brit Cit who are fans of fantastic films.  It explains how Britain ranks its films for age suitability. Those in the rebel colonies are not ignored as there is a section comparing Britain’s system with that in the US. It seems we get a better deal over here. Meanwhile, along the way Kim Newman (co-master of ceremonies at the 2005 Hugo ceremony) gets a name check.

As the British Board of Film Classification publishes its new guidelines, Ellen E Jones and Mark Kermode delve into the long, chequered history of film censorship and classification in the UK.

Mark speaks to BBFC President (and original Strictly Come Dancing winner) Natasha Kaplinsky about her role, and about her reaction to the new guidelines. And he discusses the Board’s controversial history, and some of its most notorious decisions, with ex-BBFC Head of Compliance Craig Lapper.

Ellen talks to director Prano Bailey-Bond about her debut film Censor, which was inspired by the ‘video nasty’ moral panic of the 1980s. And pop culture critic Kayleigh Donaldson talks her through some of the differences between the BBFC and its US equivalent, the MPA Ratings Board.

Half hour prog here: BBC Radio 4 – Screenshot, “Censorship”.

(15) THE ELEPHANT NOT IN THE ROOM. “US company hoping to bring back the dodo and the mammoth – but here’s why it won’t be like Jurassic Park” explains Sky News.

… “We’ve got all the technology we need,” says Ben Lamm, chief executive of the firm, based in Dallas, Texas.

“It is just a focus of time and funding. But we are 100% confident [we can bring back] the Tasmanian tiger, the dodo, and the mammoth.”

The science behind the project is simple: Work out the genes that make an extinct animal what it is, and then replicate those genes using the DNA of a close existing relative….

… So after around 4,000 years of extinction, when could we see the return of the mighty mammoth – a creature that fell victim to human hunting and the changing conditions brought about by the end of the last Ice Age.

“We are well into the editing phase,” says Mr Lamm.

“We don’t have mammoths yet, but we still feel very good about 2028.”…

(16) STAND BY FOR MANIACAL LAUGHTER. “Animaniacs in Concert” will be presented at Pepperdine in Malibu on April 19. Buy tickets at the link. Learn more about the show itself at their website: “Animaniacs – IN CONCERT”.

Join the leading voice cast of Animaniacs—the iconic animated Warner Bros. series created and produced by Steven Spielberg—for a “zany, animany and totally insaney” evening as they perform the world-famous songs backed by projections from the beloved cartoon TV series. The live show celebrates the creative inspiration behind the songs with lots of audience interaction and never-before-told behind-the-scenes insider stories shared by the show’s original Emmy-Winning composer Randy Rogel and iconic voice actors like Rob Paulsen (Yakko) and Maurice LaMarche (The Brain) to some of the most unforgettable characters in the history of animation. Special guest Nancy Cartwright joins for this performance. Nancy, of course, is Bart Simpson, a lead character in a “globally known property,”  as well as Mindy in Animaniacs, from “Mindy and Buttons.”  

(17) VIDEO OF THE DAY. Warp Zone’s video “If the Star Wars ‘Cantina Song’ Had Lyrics” was first posted six years ago – but it is news to me! (Maybe you, too?)

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, Mark Roth-Whitworth, Lise Andreasen, Daniel Dern, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Igvar.]

Pixel Scroll 3/16/24 And The Riverbank Scrolls Of The Pixels Of March

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(1) SEE SAMATAR’S EPIC LECTURE. Sofia Samatar will deliver the 2024 Richard W. Gunn Memorial Lecture on Monday, March 18, at 4:00 p.m Central. The lecture is virtual and you can register here. She will be speaking on the relationship between epic poetry and fantasy:

What is the relationship between ancient epic poetry and the contemporary genre known as epic fantasy? This talk offers five answers to that question, from the perspective of a speculative fiction writer. Sofia Samatar is the author of six books, including the memoir The White Mosque, a PEN/Jean Stein Award finalist. Her works range from the award-winning epic fantasy A Stranger in Olondria to Tone, a collaborative study of literary tone with Kate Zambreno.

(2) THE FIRST GREEN HILLS. Bobby Derie filled in a previously unsuspected gaping hole in my knowledge of sff history with “Quest for the Green Hills of Earth (1995) by Ned Brooks” at Deep Cuts in a Lovecraftian Vein. Originally I was just checking to see if he was talking about the Ned Brooks I knew – he was. Then – bang! – I discovered that C.L. Moore and Henry Kuttner are at the root of a famous verse tradition.

…Who wrote this bit [in “Quest of the Starstone”]? Moore was the poet of the pair, but Kuttner was no slouch, and the title itself is a callback to two previous tales. In “Shambleau” Moore wrote: “[…] he hummed The Green Hills of Earth to himself in a surprisingly good baritone”; and in “The Cold Gray God” (1935):

“No one sang Starless Night any more, and it was the Earth-born Rose Robertson’s voice which rang through the solar system in lilting praise of The Green Hills of Earth.”

That could be the kind of detail that a good pasticheur like Kuttner would pick up and expand upon. Yet it wouldn’t be surprising if they both had a hand in the final version of this scene….

…However, Sam Moskowitz claims:

“When Robert Heinlein read the story, he never forgot the phrase which became the title of one of his most famous short stories and of a collection, The Green Hills of Earth.” — Sam Moskowitz, Seekers of Tomorrow (1967), 312

“The Green Hills of Earth” ran in The Saturday Evening Post for 8 Feb 1947, and provided the title for Heinlein’s 1951 collection of science fiction. Heinlein did not reiterate Moore & Kuttner’s verses, but came up with his own—and attributed it to an author, the blind poet Rhysling….

Ned Brooks later produced a chapbook based on these works:

…This is where Quest of the Green Hills of Earth (1995) comes in. Edited by Ned Brooks and illustrated by Alan Hunter, this is the kind of standalone chapbook that is a hallmark of science fiction and fantasy fandom. It reprints “Quest of the Starstone” in its entirety, Heinlein’s verses from “The Green Hills of Earth,” and three fan-made versions—one by Chuck Rein, George Heap, “and other fans of the 1960s”; one by Don Markstein (“late 60s”), and one by Steve Sneyd (Oct 1992)….

(3) SPIRITED GIVING 2024. Spirited Giving, a horror-themed fundraiser serving as the official kickoff to StokerCon 2024, takes place May 29, 2024 beginning at 3:00 p.m. in the San Diego Central Library. Full details at the link.  

It’s a night of author readings, live performances, meet and greets, and book signings, all while raising funds for the San Diego Library Foundation, particularly the Books Unbanned Initiative.

The event will feature readings from: Clay McLeod Chapman, Jamie Flanagan, Ai Jiang, Vincent V. Cava, Danger Slater, and Bridget D. Brave. And a special one-hour live performance by YouTube Horror Narrator Mr. Creepypasta.

To attend the event, get Spirited Giving Tickets at Eventbrite.

(4) IF NOT NEWS TO YOU, IT WILL BE NEWS TO SOMEONE. At Literary Hub Debbie Berne makes her case — “Not Just Covers, But Every Page: Why Writers Should Talk About Book Design Early On”.

… Interior design is both micro and macro. It involves technical prowess and creativity. There is line-by-line typesetting and there is translation of vibe.

Take, for instance, chapter openers. Most books are divided into chapters and an author has decided if they each have chapter titles or just numbers, or both, or neither, or additional info like a subtitle or time stamp or narrator name or geographic locator or setting-up-an-idea pull quote.

The designer, then, must figure out how to make those pieces of text—many or few—look nice and clear on the page and put forward an aesthetic, bringing visual voice to the writing voice. Which font? How big? How bold? Italic? Centered or no? In a single line, neatly stacked, cascading? Each decision is literal and expressive….

(5) HOW MUCH WAS C-3PO’S HEAD WORTH? Read the answer reported in Friday’s Birmingham (UK) Mail.

(6) SPRINGTIME FOR WONKA. Everyone is going to make money off this disaster except the people who perpetrated it. (Would you have it any other way?) “Viral Willy Wonka Glasgow event to be turned into musical” at BBC.

A new musical satire based on a Glasgow Willy Wonka experience that went viral is in the works.

The show’s lead producer, Richard Kraft, has assembled a team of writers and producers for the project titled Willy Fest: A Musical Parody.

The event in February gained notoriety after angry families, who paid up to £35 to attend, demanded their money back.

Kraft says he hopes people watching the show “won’t be left in tears.”

The creative team working on the musical includes Emmy-nominated actor and comedian Riki Lindhome who tweeted, “I’m so excited,” along with screenshots of an article.

Others attached to the project include Broadway songwriters Alan Zachary and Michael Weiner.

Kraft is known for producing and directing a Willy Wonka and the Chocolate Factory concert at the famed Hollywood Bowl.

He told the BBC it was his idea to turn the Glasgow event into a musical and that the writing team was “assembled in less time than it takes for someone to sing the first verse of ‘Oompa Loompa Doompa-Dee-Do’.”

He hopes to launch the musical later this year….

…Asked why the Glasgow event might be ripe for the musical theatre treatment, Kraft said: “It is about desperate dreamers who actually have fragments of a great idea, just executed beyond their budget and abilities.”

He said he loved shows “about big-hearted flim-flam artists in musicals like The Music Man, The Greatest Showman, and The Producers. At the core they are romantics who get in over their heads.”…

(7) THREE-BODY, BUT NOT JUST ONE PROBLEM. “’3 Body Problem:’ How Netflix’s new sci-fi saga employs the legendary Wow! signal” – Space.com is sure you’ll want to know.

The Wow! signal is one of the great astronomy puzzles of the past 50 years, but it’s not so mysterious in the sci-fi universe of “3 Body Problem.”

Netflix’s new eight-episode alien invasion saga “3 Body Problem” uses the famous SETI (search for extraterrestrial intelligence) signal as a prominent plot device in its wild centuries-spanning narrative.

The Wow! signal was an intense narrowband radio signal detected on the night of Aug. 15, 1977 by Ohio State University’s Big Ear Radio Observatory and the North American Astrophysical Observatory (NAAPO) during a standard SETI search. No personnel were on duty at the time, yet the strong 72-second-long signal was recorded by a computer printer….

Beware spoiler:

… “3 Body Problem,” which drops on March 21, puts its own spin on the signal. In the series, Wow! is a real message from intelligent aliens beyond Earth. A Chinese astrophysicist responds to the translated signal by inviting the aliens to visit Earth — to humanity’s detriment, as we later learn….

(8) SIGNING TIME. John King Tarpinian has the Glendale Civic Auditorium all prepared to welcome tomorrow’s influx of dealers to the 2024 LA Vintage Paperback Collectors Show & Sale.

(9) JON STOPA (1935-2024). Longtime Chicagoland fan Jon Stopa died March 4 at the age of 88. See the family obituary in the Kenosha News at the link. (The family obituary spells his first name “John”. In the sff field he was known as “Jon” except for the few instances when he used “John” in the credits for his book cover art for Advent:Publishers).

Jon Stopa

Fancyclopedia 3’s article about Jon records that he made his first sf short story sale to Astounding at age 22, “The First Inch” published in 1957, followed by two more appearances in Campbell’s magazine in 1958. Jon’s fourth and last fiction credit was in 1973 with “Kiddy-Lib” in Eros in Orbit.

He co-founded Advent:Publishers in 1955 with Earl Kemp, Robert Briney, Sidney Coleman, James O’Meara, George Price, and Ed Wood. The company produced nonfiction books about the sf field, the first of which was Damon Knight’s essay collection In Search of Wonder (1956).

A Jon Stopa-designed Advent book cover.

Stopa met Joni Cornell at the 1960 Worldcon (Pittcon). They married in 1962 and lived at Wilmot Mountain, Stopa’s family ski resort in Wilmot, WI, where they began hosting Wilcon, a three-day long invitation-only relaxacon.

Jon appears as a bartender in the video Faans (1983) (around the 18:50 mark) in a scene shot at the lodge at Wilmot Mountain.

Throughout the 1960s, the Stopas entered and won many convention masquerades. In the early 1970s, the couple helped found the conrunning group ISFiC.

The Stopas were Fan GoHs at Chicon V, the 1991 Worldcon.

Jon’s survivors include his grandson, Keanen (Kim) Burns; sister, Diane Reese; great-granddaughter, Kinsley Burns; and nieces: Tiffany and Amanda Stopa. Along with his parents and wife; John was preceded in death by his daughter, Deb Burns; and brothers: Walter Jr. and Conrad (Karen) Stopa.

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 16, 1920 — Leo McKern. (Died 2002.) Pop culture is wonderful, isn’t it? And Leo McKern was definitely part of it. 

The Prisoner where he was Number Two in three of the seventeen episodes is definitely his best remembered SF role. He played that role more than any of the other seventeen credited actors. That is if you consider The Prisoner to even be SF and not merely a spy series gone very weird. Just tossing that idea out here.

Leo McKern as Number Two in The Prisoner.

Next up is The Adventures of Robin Hood where he was Sir Roger DeLisle, usurper of the Locksley manor and lands, and Herbert of Doncaster, a corrupt moneylender. It was an early Fifties series and his of earliest acting roles. 

Sliding on later in his career is one of my favorite roles by him, Horace Rumpole, a London barrister on Rumpole of the Bailey. He was a great  character to watch, the cases were interesting and the supporting cast was well thought out.

Slipping on over to his radio work, he was the voice of Captain Haddock in the 1992 and 1993 BBC Radio Hergé’s The Adventures of Tintin.

He was “Mac” MacGill in X the Unknown, a Fifties horror SF film from Hanmer Productions; and he’s got a lead role as Bill McGuire in The Day the Earth Caught Fire, an end of the world Sixties film.

The final role I want to mention is in The Adventure of Sherlock Holmes’ Smarter Brother where he gets to be Professor Moriarty. I’m almost certain that I’ve seen it. 

(11) COMICS SECTION.

And we’re overdue to catch up with Tom Gauld!

(12) STAND AND DELIVER. [Item by Steven French.] Sally Wainwright is a national treasure over here in the U.K. so her writing a new fantasy show set in the 18th century (featuring Louisa Harland formerly of Derry Girls as a gender fluid highwaywoman with superpowers!) is a Big Deal: “’I never dreamed I’d get this role!’: Derry Girl Louisa Harland on Sally Wainwright’s thrilling new heroine” in the Guardian.

When Louisa Harland was cast as the lead in the new Sally Wainwright drama, Renegade Nell, the director told her: “Nell needs to be one of those characters, even when she’s on the screen so much, you still want the audience to miss her when she’s not.” It’s quite an ask: Nell is a massive Doctor Who of a role, swashbuckling, always with a new accent or cool pyrotechnics or punch in the face, and Harland fills the screen every second she’s on it. Somehow, though, you do miss her when she isn’t. Meeting the 31-year-old in central London, I can see exactly why she was chosen for Nell, even though almost the first thing she says is “I never in my wildest dreams thought I would get this role. My parents still think it is so random.”

Renegade Nell is a rebel and a chancer, an 18th-century tomboy in a constant life-or-death scenario of some other bugger’s making. The year is 1705, and she’s just lost her husband in a battle that has left her both widowed and superhuman, but only sometimes. The show has a lush period feel and is a closely observed love affair with the British countryside (Harland describes the incredibly precise location scouts combing through forests searching for trees that would have been mature by 1705), but it is powered by mischief – fight scenes, disguises, magic monsters and highway robbery after highway robbery….

(13) JAPANIMATION’S SUICIDE SQUAD. Animation Magazine introduces Warner Bros. Japan LLC’s updated trailer featuring the anime-styled anti-heroes of Suicide Squad ISEKAI.

Synopsis:  In the crime-ridden Gotham city, Amanda Waller, the head of A.R.G.U.S., has assembled a group of notorious criminals for a mission: Harley Quinn, Deadshot, Peacemaker, Clayface and King Shark. These DC Super-Villains are sent into an otherworldly realm that’s connected to this world through a gate. It’s a world of swords and magic where orcs rampage and dragons rule the skies — an “ISEKAI!”

Harley and others go on a rampage after arriving in ISEKAI but are captured by the Kingdom’s soldiers and sent to prison. They only have 72 hours before the bomb on their neck explodes.

The deadline is fast approaching. After negotiations with Queen Aldora, the condition for liberation was the conquest of the hostile Imperial army. They have no choice but to throw themselves head-first into the front line of battle.

They run; they die. They lose; they die. With their lives on the line, can Harley Quinn and The Suicide Squad survive in ISEKAI? Brace yourselves for the pulse-pounding saga of the elite task force known as the “Suicide Squad” as they embark on a jaw-dropping adventure! Let the party begin!

(14) THE HOBBIT DIET EXPLAINED SCIENTIFICALLY. [Item by SF Concatenation’s Jonathan Cowie.] Filers may have noted “(10) NO MICHELIN STARS FOR MORDOR.  CBR.com chronicles ‘Every Meal Hobbits Eat In Tolkien’s The Lord of the Rings’” in “Pixel Would Like A Word With Engineering”. It strikes me that there is a very logical, biological reason for Hobbits requiring more meals than us, larger, humans!

It centres on the fact that scale is size specific: a cube does not have the same spatial properties at any scale – its surface area to volume ration is scale specific. For example, to depart slightly from a simple cube, a single cube might have a volume of one unit and a surface area of six square units: a cube has six sides. However, a cube of volume of two cubic unites only has a surface area of ten square units. (You can easily create a volume of two cubic units by joining two one-cubic-volume cubes together and in the process cover two, one cubic square sides leaving just ten cubic squares as the surface area.)

What this all means is that smaller creatures have proportionally more surface area from which to lose heat.

Hobbits are smaller than humans and so must lose more heat assuming they have the same blood temperature. Proportionally losing more heat means that they must consume proportionally more food, hence require more meals.

Jus’ sayin’.

Second breakfast anyone?

(15) POOR LITTLE MERCURY! Space.com says “Mercury slammed by gargantuan eruption from the sun’s hidden far side, possibly triggering ‘X-ray auroras’”.

A gigantic, fiery eruption around 40 times wider than Earth recently exploded from the sun’s hidden far side. The eruption hurled a massive cloud of plasma into space that later smashed into Mercury, scouring the planet’s rocky surface and potentially triggering “X-ray auroras” on the unprotected world.

The eruption was likely triggered by a powerful solar flare, which occurred around 7 p.m. ET on March 9, Spaceweather.com reported. NASA’s Solar Dynamics Observatory (SDO) spotted a large, partially obscured plasma filament exploding outward from behind the sun’s northeast limb. Based on the amount of visible plasma, the eruption likely spanned around 310,000 miles (500,000 kilometers) across.

SDO data showed that the explosion, which likely left behind a massive “canyon of fire” on the sun’s surface, also released a large coronal mass ejection (CME) — a fast-moving cloud of magnetized plasma and radiation — that collided with Mercury on March 10.

Mercury is often blasted with CMEs due to its proximity to our home star. The small planet has no atmosphere left as a result of this bombardment and is fully exposed to the full force of these solar storms. …

(16) HOT TIMES CLOSER TO HOME. “The Staggering Ecological Impacts of Computation and the Cloud” at The MIT Press Reader. “Anthropologist Steven Gonzalez Monserrate draws on five years of research and ethnographic fieldwork in server farms to illustrate some of the diverse environmental impacts of data storage.” (A full version of this article, as well as a bibliography, can be accessed here.)

…The molecular frictions of digital industry, as this example shows, proliferate as unruly heat. The flotsam and jetsam of our digital queries and transactions, the flurry of electrons flitting about, warm the medium of air. Heat is the waste product of computation, and if left unchecked, it becomes a foil to the workings of digital civilization. Heat must therefore be relentlessly abated to keep the engine of the digital thrumming in a constant state, 24 hours a day, every day.

To quell this thermodynamic threat, data centers overwhelmingly rely on air conditioning, a mechanical process that refrigerates the gaseous medium of air, so that it can displace or lift perilous heat away from computers. Today, power-hungry computer room air conditioners (CRACs) or computer room air handlers (CRAHs) are staples of even the most advanced data centers. In North America, most data centers draw power from “dirty” electricity grids, especially in Virginia’s “data center alley,” the site of 70 percent of the world’s internet traffic in 2019. To cool, the Cloud burns carbon, what Jeffrey Moro calls an “elemental irony.” In most data centers today, cooling accounts for greater than 40 percent of electricity usage….

(17) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Physicist Matt O’Dowd at PBS Space Time this week takes a dive into a decidedly SFnal trope, that of the possible need to hide humanity from aliens as they themselves may be doing so?

Dark Forest: Should We NOT Contact Aliens?

In 1974 we sent the Arecibo radio message towards Messier 13, a globular cluster near the edge of the Milky Way, made up of a few hundred thousand stars. The message was mostly symbolic; we weren’t really expecting a reply. Yet surely other civilisations out there are doing the same thing. So, why haven’t we heard anything? What if the silence from the stars is a hint that we shouldn’t be so outgoing? What if aliens are deliberately keeping quiet for fear that they might be destroyed?

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Rich Lynch, Steve Green, Steven French, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]

Pixel Scroll 2/29/24 Scrollaris

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(1) STOKER AWARD UPDATE SPARKS KERFUFFLE. [Item by Anne Marble.] The Horror Writers Association has realized that Camp Damascus by Chuck Tingle was in the wrong category in the list of finalists — it is not a YA novel. So they moved it to the Adult category – increasing the finalists there from five to six (i.e, nobody was dropped). And because of this change, they added a YA novel by author Kalynn Bayron to the YA category.

But as a result, some people are yelling at Kalynn Bayron on social media — apparently because they think she “stole” the nomination from Chuck Tingle. And Brian Keene has stepped in and asked people to yell at Mr. Keene instead. Let’s see if the people who were so eager to yell at Kalynn Bayron (a young Black YA author) are just as eager to yell at Brian Keene. (Somehow, I doubt it.)

(2) STOKERCON GOH NEWS. Paula Guran will be unable to attend StokerCon 2024 the convention announced today in a newsletter. A reason was not given; the committee hopes she will be able to join them at a future event.

The remaining GoHs are Justina Ireland, Nisi Shawl, Jonathan Maberry and Paul Tremblay.

(3) ANNUAL YARDSTICK. Publishers Weekly reports “New Lee & Low Diversity Baseline Survey Finds Minor Changes” in the publishing industry.

The third edition of Lee & Low Books’ quadrennial “Diversity Baseline Survey” found that the publishing industry has made incremental gains in broadening its workforce since the survey was introduced in 2015.

The survey’s top-line findings show that white people made up 72.5% of this year’s 8,644 respondents, down from 76% in 2019 and 79% in 2015. Those identifying as biracial/multiracial were the second largest group, at 8.3%—a significant increase over the 3% in 2019 who identified as biracial/multiracial. The percentage of respondents who were Asian/Native Hawaiian/Pacific Islander/South Asian/Southeast Indian rose slightly, to almost 8%, from 7% in 2019. Black respondents held even at about 5% of the publishing workforce, while those identifying as Hispanic/Latino/Mexican fell to 4.6%, from 6% in both 2019 and 2015….

(4) REACH OUT. Dream Foundry calls for donations to “Con or Bust”, which seeks to assist creators or fans of color with opportunities they can’t afford:

Con or Bust has received a slew of applications for extremely exciting opportunities that we are not currently able to fund or support. You can help us change that! Since late October, we’ve had to defer or decline 14 applications requesting over $25,000 in fiscal support. In most cases even a small portion of the request made as a grant would be a huge help to the applicant. Most fiscal grants we’ve made are $500, and that’s also the largest amount we’ve granted out of our unrestricted funds. …

…If you’ve ever been to an industry event that inspired, motivated, or nurtured you, then you know what these opportunities can mean. Help us bring that to more people!

(5) WRITERS AND ARTISTS, GET READY. Dream Foundry is also looking ahead to their annual Writing and Arts Contest which opens to submissions from April 1 through May 27, 2024.

(6) MACHINES IN TRAINING. Rivka Galchen is “Thinking About A.I. with Stanisław Lem” in The New Yorker.

…“Solaris” is mostly serious in tone, which makes it a misleading example of Lem’s work. More often and more distinctively, he is funny and madcap and especially playful on the level of language. A dictionary of his neologisms, published in Poland in 2006, has almost fifteen hundred entries; translated into English, his invented words include “imitology,” “fripple,” “scrooch,” “geekling,” “deceptorite,” and “marshmucker.” (I assume that translating Lem is the literary equivalent of differential algebra, or category theory.) A representative story, from 1965, is “The First Sally (A) or, Trurl’s Electronic Bard.” Appearing in a collection titled “The Cyberiad,” the story features Trurl, an engineer of sorts who constructs a machine that can write poetry. Does the Electronic Bard read as an uncanny premonition of ChatGPT? Sure. It can write in the style of any poet, but the resulting poems are “two hundred and twenty to three hundred and forty-seven times better.” (The machine can also write worse, if asked.)

It’s not Trurl’s first machine. In other stories, he builds one that can generate anything beginning with the letter “N” (including nothingness) and one that offers supremely good advice to a ruler; the ruler is not nice, though, so it’s good that Trurl put in a subcode that the machine will not destroy its maker. The Electronic Bard is not easy for Trurl to make. In thinking about how to program it, Trurl reads “twelve thousand tons of the finest poetry” but deems the research insufficient. As he sees it, the program found in the head of even an average poet “was written by the poet’s civilization, and that civilization was in turn programmed by the civilization that preceded it, and so on to the very Dawn of Time.” The complexity of the average poet-machine is daunting….

(7) THE ROOM WHERE IT HAPPENS. It was the club’s first in-person meeting outside of a Loscon since the pandemic. See photos at “We’re Back Baby! LASFS 1st Meeting in Years” on the Los Angeles Science Fantasy Website.

(8) OCTOTHORPE. Episode 104 of the Octothorpe podcast is “Groundbreaking and Great”. And humble!

Octothorpe 104 is here! We know you’ve eagerly been awaiting our takes on the Hugo Awards, so here they all are, as we discuss our favourite SF of 2023!

Hang on, what do you mean? Something else happened with the Hugo Awards and you thought we were talking about that? Well, er…maybe next time!

John is in the bottom-left, sitting in a chair, wearing a blue shirt and purple trousers, holding a can, and reading an ebook. Alison is in the upper-middle, lying down upside down, wearing a purple shirt and stripy trousers, and reading an ebook. Liz is in the bottom-right, wearing a pink shirt with green trousers, holding a mug of a hot beverage, and reading a physical book. They are surrounded by floating beer bottles, books, the Moon, a mug with a moose on it, and two cats. The word “Octothorpe” appears in scattered letters around the artwork, against a pinky-purple background.

(9) FREE READ. Worlds of If #177 is available as a free download for a limited time at the Worlds of If Magazine website. And the print version and t-shirts are also available for order there.

(10) JAIME LEE MOYER HAS DIED. Author and poet Jaime Lee Moyer was found dead today after friends requested a wellness check. C.C. Finlay announced on Facebook:

Dear friends of Jaime Lee Moyer, we have some very sad news. No one had heard from Jaime in more than ten days, which was concerning because her latest book was scheduled for release this week.

This morning we contacted her rental company and the East Lansing Police Department and asked them to perform a wellness check. They found Jaime deceased in her bedroom, apparently from natural causes. They’ve contacted her family to make formal arrangements. We only just received the news, and we don’t know any other information at this time.

Jaime has friends in the writing community all over the world. We thought this would be the best way to reach you. If you are a friend of hers, a client, or are waiting to hear an answer from her on anything else, we wanted you to know as soon as possible.

With love and grief,

Charlie and Rae

(11) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born February 29, 1952 — Tim Powers, 72. Now Tim Powers is a writer that I really admire. He’s decently prolific as he has twenty novels published. Now remember this essay is about what I like, so I may or may not mention what something that you, so please do t be too miffed by that. 

Where to start?  That’s easy as it has to be The Anubis Gates. Victorian London and Egypt. Ancient Egypt. Time travel. Anubis. Oh ymmm. It’s on my list of To Be Listened To list as I’ve already read it several times and the sample at Audible indicates Bronson Pinchot does a great job of narrating this. 

Tim Powers

Just as good in a very different manner is On Stranger Tides takes place during the so-called Golden Age of Piracy which was nothing of the kind, when an individual on his way from Britain to Haiti has a series of increasingly wild adventures. I know the novel was purchased to be part on the Pirates of Caribbean franchise. I’ve not seen the film, so I don’t know how much, if anything of his novel made it into the film, but I’m betting nothing except the name did.

Declare, a secret history of the Cold War, is extraordinary. I mean it really. When I was still actually reading novels as opposed to listening to them, as I’m doing now, I didn’t spend six to eight hours a day on one but I remember I did on Declare just to see where the story went. Stellar.

The Vickery and Castine series is just fun, and I mean that as a compliment. Set in contemporary LA, rogue federal agents Sebastian Vickery and Ingrid Castine can see ghosts and other things that are the secret reality of that city. It’s an ongoing series with four novels so far. Highly recommended. 

Then there’s Three Days to Never which I’m not convinced actually makes sense but is really fun to read with its wild mix of supernatural history of what actually happened, time travel and foreign agents. 

Ok, those are my picks as the Powers novels that I really like. So what’s your choices? 

(12) COMICS SECTION.

(13) TWO COMPANIONS CUT A RUG. Radio Times makes sure we don’t miss out when “Karen Gillan and Jenna Coleman share cute Doctor Who reunion”.

Amy Pond and Clara Oswald may have never met on-screen, but the former Doctor Who companions certainly look like they get along behind the camera.

Karen Gillan (Amy) and Jenna Coleman (Clara) were spotted together at an event in London last night, with former Doctor Who showrunner Steven Moffat also in attendance.

Gillan took to the opportunity to share a video of the trio on the dance floor on TikTok alongside the caption: “We might have had a few red wines… but look WHO it is!”…

@karengillan

We might have had a few red wines…but look WHO it is! #doctorwho

? original sound – Karen Gillan

(14) AGBABI Q&A. HAL interviews 2021 Clarke Award nominee Patience Agbabi, author of The Past Master, at Carbon-Based Bipeds.

HAL: Hello Patience, and congratulations to you on finishing your tetralogy. I’m curious, did you always know this would be a four-book cycle or did the project grow more organically?

PATIENCE: …In reality, a series made sense for lots of other reasons since I had too many ideas to fit into a single book: I wanted to explore the past as well as the future; to take different angles on ecological issues, becoming more covert as the series progressed; and also, I wanted to develop my hero, Elle, from a 3-leap girl to a 4-leap young woman. Elle is black, of Nigerian origin and autistic. It was a positive challenge to show the reader how she overcomes numerous obstacles to reach maturity. I originally submitted the manuscript as young YA but Canongate wanted to market it as middle-grade since my hero was 12 and children like to read up. But since my hero gets one year older with each instalment, I knew I’d be segueing into YA territory anyway, which demands a greater level of introspection.

(15) STRINGS ATTACHED. SOMETIMES. “Muppets, marionettes and magic: My life with puppets” – hear an interview with Basil Twist, who created puppets for the My Neighbour Totoro production by the Royal Shakespeare Company  at BBC Sounds.

Basil Twist’s fascination for puppets started as a child watching productions his mum put on as an amateur puppeteer. Basil built his own puppet characters of Star Wars as a kid and loved it, but became a ‘closeted puppeteer’ in his teens. It wasn’t cool anymore, and playing with dolls was seen as feminine. Basil pursued an education at college, but became unhappy and dropped out. Later moving to New York, Basil could finally embrace his puppetry passions. He scoured phone books and bashed phones to track down people involved in puppetry. His diligence took him around the world, winning awards and captivating crowds along the way. During the pandemic Basil found his biggest challenge to date – bringing the much-loved animated Japanese character Totoro to life for a live action stage show…. 

(16) OUTSIDE THE BOX. The Onion reports “Litter-Robot Recalls Thousands Of Self-Cleaning Litter Boxes That Accidentally Transported Cats To Year 1300”. (Could they be using the same version of the software as my comments section, which unaccountably tells people they’re in random years?)

(17) TODAY’S THING TO WORRY ABOUT. Jessica Grose wonders “Could Swifties or Trekkies Decide the Election?” in a New York Times opinion piece. (Well, maybe I exaggerate. I don’t think it really worries her.)

…Social media is where many young voters live — about a third of adults under 30 regularly get news from TikTok, according to Pew Research. And turning out young voters who are otherwise not particularly politically engaged will be key to winning elections up and down the ballot in November. The left-leaning Working Families Party isn’t exactly a threat to take the White House in 2024, but it is on to a new way of reaching Gen Z voters at a time when the old ways are increasingly useless.

As Marcela Valdes explained this week for The New York Times Magazine, young voters tend to have low turnout rates. “No one is more ambivalent about participating in elections than young people,” she wrote. (It’s worth noting, though, that turnout among Americans ages 18 to 29 was historically high in 2018, 2020 and 2022, according to C.I.R.C.L.E., the Center for Information and Research on Civic Learning and Engagement at Tufts University.)…

(18) TOMORROW’S THING TO WORRY ABOUT! Kathryn Schulz doubts we’re prepared for “What a Major Solar Storm Could Do to Our Planet” as she tells readers of The New Yorker.

…But “space-weather forecaster” is an optimistic misnomer; for the most part, he and his colleagues can’t predict what will happen in outer space. All they can do is try to figure out what’s happening there right now, preferably fast enough to limit the impact on our planet. Even that is difficult, because space weather is both an extremely challenging field—it is essentially applied astrophysics—and a relatively new one. As such, it is full of many lingering scientific questions and one looming practical question: What will happen here on Earth when the next huge space storm hits?

The first such storm to cause us trouble took place in 1859. In late August, the aurora borealis, which is normally visible only in polar latitudes, made a series of unusual appearances: in Havana, Panama, Rome, New York City. Then, in early September, the aurora returned with such brilliance that gold miners in the Rocky Mountains woke up at night and began making breakfast, and disoriented birds greeted the nonexistent morning.

This lovely if perplexing phenomenon had an unwelcome corollary: around the globe, telegraph systems went haywire. Many stopped working entirely, while others sent and received “fantastical and unreadable messages,” as the Philadelphia Evening Bulletin put it. At some telegraph stations, operators found that they could disconnect their batteries and send messages via the ambient current, as if the Earth itself had become an instant-messaging system.

Owing to a lucky coincidence, all these anomalies were soon linked to their likely cause. At around noon on September 1st, the British astronomer Richard Carrington was outside sketching a group of sunspots when he saw a burst of light on the surface of the sun: the first known observation of a solar flare. When accounts of the low-latitude auroras started rolling in, along with reports that magnetometers—devices that measure fluctuations in the Earth’s magnetic field—had surged so high they maxed out their recording capabilities, scientists began to suspect that the strange things happening on Earth were related to the strange thing Carrington had seen on the sun….

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Daniel Dern, Kathy Sullivan, Lise Andreasen, JeffWarner, Anne Marble, Jean-Paul Garnier, Jeffrey Smith, SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day JeffWarner.]

Pixel Scroll 1/12/24 You’re Scrolling Into Another Dimension, The Signpost Up Ahead, The Pixel Scroll

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(1) STOKERCON 2024 ADDS GOHS. The Horror Writers Association has announced two new Guests of Honor for StokerCon, Justina Ireland and Nisi Shawl. They join Paula Guran, Jonathan Maberry and Paul Tremblay, with a sixth guest soon to join them.

Nisi Shawl
Justina Ireland

(2) SCHOLARSHIP FROM HELL. Applications are open for the Horror Writers Association’s annual Scholarship From Hell through March 1. Full details at the link.

This scholarship puts the recipient right into the intensive, hands-on workshop environment of Horror University.  Horror University takes place during HWA’s annual StokerCon. The winner of the Scholarship From Hell will receive domestic coach airfare (contiguous 48 states) to and from the StokerCon venue, $50 for luggage reimbursement, a 4 night stay at the convention,  free registration to StokerCon, and as many workshops as you’d like to attend!

(3) EATING THE FANTASTIC. Scott Edelman invites listeners to join Izzy Wasserstein for Kansas City BBQ in episode 216 of his Eating the Fantastic podcast.

Izzy Wasserstein

The guest you and I will be breaking bread with this time around is Izzy Wasserstein, who’s published fiction in Analog, Apex, Lightspeed, Fantasy, Fireside, and many other magazines, plus such anthologies as A Punk Rock Future, Resist Fascism, Future Fighting for the Future: Cyberpunk and Solarpunk Tales, Glitter + Ashes: Queer Tales of a World That Wouldn’t Die, and more.

Many of those stories have been collected in her marvelous short story collection All the Hometowns You Can’t Stay Away From, which was a Lambda Literary Award finalist. Her poetry collections include When Creation Falls and This Ecstasy They Call Damnation. Her forthcoming debut novella These Fragile Graces, This Fugitive Heart will be released by Tachyon in March, and you should preorder it right now.

We discussed the way Sarah Pinsker sparked her lightbulb moment, why it’s important for her to learn your chosen D&D character, which Star Trek: The Next Generation characters caused her to take her first stab at writing, the change she’d make in her life if she were independently wealthy, why we both miss those paper rejection slips from publishing’s pre-electronic days, the disconnect between the way we feel about certain stories of ours and how readers respond, the most important gift she was given by the Clarion writing workshop, our perverse love for second-person present-tense stories, how surprised she was when she sold a story to Analog, and much more.

(4) TBRCON PANEL. Gareth L. Powell alerted fans to an upcoming event. It’s free to watch.

As part of TBRCon, I will be participating in an online panel discussion with Ai Jiang, Max Gladstone, Sadir S, Samir, Nicholas W. Fuller, and Jendia Gammon.

The panel will stream LIVE on: the FanFiAddict YouTube channel, the TBRCon Twitter feed, the SFF Addicts Twitter feed, and the FanFiAddict Facebook page.

It takes place on Jan 25 at 11.00am CST / 12.00pm EST / 17.00pm GMT and is absolutely FREE to watch.

Additional information can be found here:
https://fanfiaddict.com/tbrcon2024/

(5) FANAC FANHISTORY ZOOM SERIES. Fanac.org kicks off a new year in its zoom programming next week when they interview Joe Green, fan, sff writer, and NASA spokesman.

Next Zoom Session: An Interview with Joe Green

Please Note: NEW TIME to better accommodate our attendees requests from around the world. Graphic poster attached.

January 20, 2024 – 3PM EST, Noon PST, 8PM London GMT and 7AM Jan 21 in Melbourne

Joe Green has traced an amazing arc through fandom, prodom and the space program. Joe was a fan in the 50s, is a professional science fiction writer with his first stories having appeared in the early 60s, and later became a NASA spokesman, specializing in educating the public about the space program. Host of many a legendary launch party, Joe has lived the dream of many a young science fiction fan.

Send a note to [email protected] with “Zoom” in the title to subscribe.

View past sessions on the FANAC Fan History YouTube channel.

(6) THE GREAT TIME WAR. “Doctor Who Season 15 Trailer Brings Back a Classic Companion for a New Time War Scene” – Den of Geek tells what to look for.

 [The] announcement trailer for Doctor Who: The Collection – Season 15 …features a whole new scene starring former companion Leela. In the short “Leela vs. the Time War,” Leela, played again by Louise Jameson witnesses the final moments of the Great Time War on Gallifrey. As she watches the Daleks decimate the remains of the Time Lord capitol, a soldier arrives with a gift from the Doctor, forcing her to make a decision. Check out the full scene here:

(7) STAN MATTSON (1937-2024). J. Stanley Mattson, who founded the C.S. Lewis Foundation in 1986, died January 9. He is survived by his wife Jean.

A past member of the faculty of Gordon College and of the faculty and administration of the University of Redlands, Dr. Mattson also served as Headmaster of The Master’s School of West Simsbury, CT.

One of the C.S. Lewis’ Foundation’s first projects was the restoration of Lewis’ house, The Kilns, in Headington Quarry, Oxfordshire, England. It’s now a study center for visiting academics.

(8) DAVID J. SKAL (1952-2024). A Clarion graduate and sf novelist whose greatest fame came from his film scholarship, David J. Skal died January 1 in an auto accident in Los Angeles. According to his nephew, he was struck by a drunk driver. Steve Vertlieb calls Skal “brilliant beyond mere words, and an historian of immeasurable scope and substance. He towered above most film scholars, and was an inspiration to all those who write about motion picture history.”

Skal’s science fiction novels were Scavengers (1980), When We Were Good (1981) and Antibodies (1987). He wrote numerous nonfiction works about Dracula, vampires, and monsters: Hollywood Gothic: The Tangled Web Of Dracula From Novel To Stage To Screen (1990); The Monster Show: A Cultural History Of Horror (1993); V Is For Vampire (1995); Dark Carnival: The Secret World Of Tod Browning (1995,with Elias Savada); the Norton Critical Edition of Bram Stoker’s Dracula (1996, co-edited with Nina Auerbach); Screams Of Reason: Mad Science And Modern Culture(1997); and the monumental anthology Vampires: Encounters With The Undead (2001).

As a documentary filmmaker he wrote and co-produced segments for the A&E’s series Biography, and contributed scripts chronicling the lives and careers of Bela Lugosi, Boris Karloff, Lon Chaney, Jr. and Angela Lansbury (with whom he had worked during his theatre career).

In 1999, he wrote, co-produced and co-directed a behind-the-scenes chronicle of the Academy Award-winning film Gods and Monsters. The same year, he contributed to a Universal Studios Home Video series of twelve original DVD documentaries exploring the legacies of the studio’s classic horror and science fiction films. His DVD work has continued with Disney Home Video’s Jules Verne and Walt Disney: Explorers of the Imagination (2003) and the feature commentary for Warner Home Video’s special-edition release of Tod Browning’s Freaks (2004).

Other projects include Claude Rains: An Actor’s Voice, Romancing The Vampire, and Citizen Clone: The Morphing Of America.

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born January 12, 1980 — Kameron Hurley, 43. So I’ve been listening to Kameron Hurley’s space opera The Stars are Legion as I write this Birthday essay. A most excellent story indeed. It was nominated first a Campbell Memorial Award.  

Her time travel novel which I listened to recently, The Light Brigade, is one the best works in that sub-genre I’ve encountered. It was nominated for a Hugo at CoNZealand. 

Her first novel which I need someday to listen to (if it’s in audiobook format) is the start of her matriarchal Islam culture Bel Dame Apocrypha biopunk trilogy. Her term, not mine. 

The Worldbreaker trilogywhich begins with The Mirror Empire I find delightful with its merging of hard SF underpinned by magic in a space opera setting. Now that shouldn’t work, should it? Really. But it magnificently does.

And let’s talk about her non-fiction. The Geek Feminist Revolution which garnered a BFA is a collection of previously published blog posts and none news essays written for here. One of the first, “We Have Always Fought’: Challenging the ‘Women, Cattle and Slaves’ Narrative” got a Hugo for Best Related Work at Loncon 3, and she also won a Hugo for Best Fan Writer.

Her exemplary short stories have been collected so far in Meet in The Future and Future Artifacts.  Meet in The Future was nominated for an Otherwise Award. 

Of course everything she’s written is available from the usual suspects. 

Mur Lafferty, Ursula Vernon, and Kameron Hurley at 2017 Hugo Award reception.

(10) COMICS SECTION.

  • Candorville has another detail on the difference between Star Trek and Star Wars.

(11) WOMEN WORKING IN ASTRONOMY. Atlas Obscura tells how researchers are “Uncovering the Forgotten Female Astronomers of Yerkes Observatory”. It all started with a group photo featuring Albert Einstein.

…Nearly a century later, a group of researchers at the University of Chicago evaluating the photograph (below) recognized that distinctive coif first: It was, unmistakably, Albert Einstein, on a whirlwind tour of the United States in the early days of his global fame. Some of those gathered around the physicist were also well-known to the researchers. The distracted-looking man with his tie askew was Edwin B. Frost, the then-director of the observatory. The white-haired man with the walrus mustache was Edward E. Barnard, an astronomer known for his photographs of the Milky Way. “And then someone in the room asked a deceptively simple question,” recalls Andrea Twiss-Brooks of the University of Chicago Library. “Who are all the women in the photograph?”

Of the 19 people documented alongside Einstein that day eight were women. They stand shoulder to shoulder with the men in this hallowed space of scientific exploration, an unusual sight in the 1920s. Even more surprisingly, while their presence at the observatory has been forgotten in the intervening decades, they were not overlooked in 1921. In the margin of another copy of the photograph in the University of Chicago archives, someone identified each person by last name. “Once we had names,” says Twiss-Brooks, “being a librarian, I knew what to do.”

Over the last three years, Twiss-Brooks and her team—including historian Kristine Palmieri and a group of undergraduate students—have rediscovered the lives of many of these women and the story of this unique place in Williams Bay, Wisconsin. In the first half of the 20th century, when men dominated the world of scientific research, Yerkes Observatory employed more than 100 women, some as secretaries; some as “computers,” solving mathematical equations; and many as astronomers. At Yerkes, women scientists could reach for the stars.

(12) WITCHER ADDS FISHBURNE. The Hollywood Reporter tells readers, “Netflix’s ‘The Witcher’ Season 4 Casts Laurence Fishburne as Regis”.

Netflix‘s The Witcher has cast acclaimed actor Laurence Fishburne in a major role.

Fishburne (the Matrix and John Wick franchises) has joined season four as Regis, a fan-favorite character from The Witcher books and games.

The character is in saga creator Andrzej Sapkowski’s novel Baptism of Fire as “a world-wise Barber-surgeon with a mysterious past” who will join Geralt (now played by Liam Hemsworth, taking over for Henry Cavill) on his adventures….

(13) HOT ON THE TRAIL. [Item by Mike Kennedy.] Scientists have spotted a “hot Jupiter” exoplanet with a tail longer than the distance from the Earth to the Moon.

WASP 69-b is in a close orbit that takes it around its home star in under 4 days. The heat from the primary is driving helium off in concentrations sufficient to be detected from our vantage point about 160 light years away. The helium forms a tail lagging behind the planet as it orbits. “Scientists find planet with a tail 150 times longer than the Mississippi” at Mashable.

There are some strange planets out in deep space.

Now, scientists have found a planet with a tail at least 350,000 miles (563,270 kilometers) long. That’s longer than the distance between Earth and the moon, and about 150 times longer than the Mississippi River. Helium gas is escaping from the Jupiter-sized planet WASP-69b, located 160 light-years away from Earth. With observations from the giant W. M. Keck Observatory atop Hawaii, researchers detected this planetary leak has created an expansive tail.

“Previous observations suggested that WASP-69b had a modest tail, or no tail at all,” Dakotah Tyler, an astrophysics doctoral candidate at UCLA and first author of the research, said in a statement. “However, we have been able to definitively show that this planet’s helium tail extends at least seven times the radius of the giant planet itself.”…

[Thanks to, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Kathy Sullivan, Steven French, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Thomas the Red.]