24 We, In Some Scroll Credential’s Employ, Also Walk Dogs, On A Rigorous Leash

Posted on July 2, 2024 by Mike Glyer

(1) WANTED: A NEBULA FOR POETRY. Science Fiction Poetry Association President Colleen Anderson says she recently talked to an incoming Vice-President of SFWA about creating a Nebula award in the poetry category.

She points out that the Horror Writers Association already presents a Stoker Award for superior achievement in a poetry collection.

(2) WHERE TO ROAM IN BUFFALO. The preliminary schedule for Buffalo NASFiC 2024 is now online: Buffalo NASFiC Program Guide.

Buffalo NASFiC will have an extensive program consisting of multiple tracks, with a wide variety of events, panels, workshops, and happenings. We expect to have over a hundred hours of things to do and see, including items on fantasy & science fiction literature, film & TV, gaming, science, art, filk, new media, fandom, and much more…

(3) FOURTH OF JULY TWILIGHT ZONE MARATHON. [Item by John King Tarpinian.] I have this on CD, and Blu-ray, and limited edition, but I will still have the marathon on in the background on the fourth. SYFY Wire has the latest: “SYFY The Twilight Zone Fourth of July Marathon 2024: How to Watch”.

…The marathon kicks off first thing Thursday, July 4 at 6:00 a.m. ET with “And When the Sky Was Opened.” Written by series creator Serling and directed by Douglas Heyes, the classic Season 1 episode follows three test pilots (Rod Taylor, Charles Aidman, and Jim Hutton), who begin to mysteriously vanish from the very fabric of reality after their experimental ship crashes in the desert.

The script was adapted from the short story “Disappearing Act” from prolific sci-fi scribe Richard Matheson and plays on the universal human phobia of the unexplainable. “The worst fear of all is the fear of the unknown working on you, which you cannot share with others,” Serling once said (via Marc Scott Zicree’s Twilight Zone Companion). “To me, that’s the most nightmarish of the stimuli.”…

(4) CUBOLOGY. The New York Times celebrates as “The Rubik Cube Turns 50” (Unlocked article.)

… Mr. Rubik, a Hungarian architect, designer, sculptor and retired professor, took part in a question-and-answer session with Dr. Rokicki and his co-organizers, Erik Demaine, a computer scientist at M.I.T., and Robert Hearn, a retired computer scientist, of Portola Valley, Calif.

Dr. Rokicki asked Mr. Rubik about the first time he solved the Cube: “Did you solve corners-first?”

These days, new cubers learn on YouTube, watching tutorials at 1.5x speed. Dr. Rokicki instead recommends the old-fashioned strategy: Set out on a lone path and discover a solving method, even if it takes weeks or months. (It took the computer scientist Donald Knuth less than 12 hours, starting at his dining table in the evening and working straight through to the morning.) Corners-first is a common route, since once the corners are solved, the edges can be slotted in with relative ease. Mr. Rubik said that, yes, he indeed did corners-first. Mr. Rubik, who is known to take a philosophical approach to cubology and to life in general, added: “My method was understanding.”…

(5) MONSTER ART. Coming on July 31 to the Society of Illustrators in New York: “Beautiful Monsters: The Art of Emil Ferris”.

In the highly anticipated My Favorite Thing is Monsters Book Two, the densely layered artwork of Emil Ferris transports us to Chicago in 1968, a year of violence and protest. Against this backdrop, 10-year-old Karen Reyes continues her private investigation into the murder of her beautiful neighbor, Anka Silverberg, a Holocaust survivor. In a story where everyone in this complex cast of characters has a secret, no one is as they seem.

Ferris draws in a unique style, using ball-point pen on notebook paper, with a dynamic sense of timing and rhythm. Educated at the School of the Art Institute of Chicago, Ferris finds inspiration in both classic paintings and horror comics. Beautiful Monsters will include original character portraits, variations on classic paintings, saints, wolves, architecture, scary clowns, and a whole gallery of monster posters.

Curated by Kim Munson, editor of the Eisner nominated anthology Comic Art in Museums, curator of Women in Comics and Collen Doran Illustrates Neil Gaiman.

(6) BAYCON BIDS FOR 2026 WESTERCON. [Item by Kevin Standlee.] From the Westercon website: “BayCon Files Bid to Host Westercon 78”.

The parent non-profit organization of BayCon, The Society for the Promotion of Speculative Fiction, has filed a bid with Westercon 76 Utah to host the 2026 West Coast Science Fantasy Conference (Westercon 78) over the weekend of July 3-6, 2026 at the Marriott Hotel, Santa Clara, California, in conjunction with BayCon 2026.

No bids filed to be on the ballot for the 2026 Westercon by the April 15, 2024 deadline. As of July 1, 2024, no other write-in bids have filed bids. Groups interested in bidding to host the 2026 Westercon must file the information specified in Section 3.5 of the Westercon Bylaws with the 2026 Westercon Site Selection Administrator, Linda Deneroff, by the end of site selection voting at Westercon 76 at 6 PM MDT on July 5, 2024. Bids may be filed in person at Westercon 76 or by email. If no qualified bid wins the election at Westercon 76, the Westercon 76 Business Meeting on July 6, 2024 shall be responsible for selecting a site for Westercon 78 as provided for in the Westercon Bylaws.

BayCon 2025 was awarded the right to host Westercon 77 (2025) in a separate decision announced on June 14, 2024. Should they win the election at Westercon 76, they would host both Westercons 77 and 78.

Westercon 76 will be at the Doubletree Hotel Salt Lake City Airport July 4-7, 2024.

(7) TARTAN TIME. “Going to Scotland! But first, making things!” – Lisa Clarke tells what she’s making to take to the convention, including some items she’ll offer for sale.

Neil and I have been married for 29 years, and we’ve had kids for 24 of those years….

…So, we have never gone with Neil to cons that involved flying, with one notable exception: We went to Ireland five years ago. That was an epic trip. A first flight for one of our kids, a first time out of the country for both of our kids, and my first time on an airplane in 20 years.

This year, we’re doing it again: we’re headed to Scotland!

Neil is going to the World Science Fiction Convention, and we are tagging along with him to wander around Glasgow, see the sights, buy some yarn…

I’ve been preparing for this trip in the most Lisa Clarke of ways: making jewelry and a shawl to coordinate with the convention colors. Oh, I’m such a nerd really, but I can’t stop myself!

I’m not attending the con itself, but will be going to the Hugo Awards with Neil (he’s nominated again), and I’ll be wearing my usual black dress (aka my trusty blank canvas) along with a shawl that I have yet to finish. There will be a shawl pin, and some combination of earrings, bracelets, rings and a barrette, all made to coordinate with the con colors….

…Naturally I cannot wear all of these things that I’ve created, but I’m hoping that if you are attending the convention, too – or you are just a fan of these colors – that you would like some pieces to wear with your own Glasgow 2024 ensemble. I see these things going equally as well with a t-shirt as they do with a blank canvas black dress….

(8) CLARKESWORLD REBUILDS SUBSCRIBER BASE. Meanwhile, back at the office…

We're 344 subscribers away from where we were before Amazon pulled the rug out from under their traditional subscription program. There is light at the end of the tunnel, but still much work to do.https://t.co/JKayavxXM0
— clarkesworld (@clarkesworld) July 2, 2024

(9) UK CHILDREN’S LAUREATE Q&A. [Item by Steven French.] The new Children’s Laureate in the UK is Frank Cottrell-Boyce who wrote the sequel to Chitty Chitty Bang Bang and the Doctor Who episodes “In the Forest of the Night” and “Smile”, among other things: “’Reading’s in danger’: Frank Cottrell-Boyce on books, kids – and the explosive power of Heidi” in the Guardian.

… He believes that the language of “catching up” post-pandemic is a code for forgetting that it happened, and that children are not being given the space, time or resources to process their experiences. And it’s not just lockdown that they have to deal with: “Kids are being told that they’re a pre-war generation, they’re growing up aware that their entire biosphere is in danger. They’ve got all these anxieties, and we have something that can alleviate those anxieties. It’s not a magic bullet. It’s not going to cure them. But it is a really simple coping mechanism that plugs you right into the entire history of our culture. This is a chain that goes back to the first fire in the first cave. We know it works. It’s what got us here, and we are in danger of losing it.”…

(10) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Nat Cassidy and A.T. Sayre on Wednesday, July 10, 2024, at 7:00 p.m. Eastern at the KGB Bar, 85 East 4th Street, New York, NY 10003 (Just off 2nd Ave, upstairs).

Nat Cassidy

Nat Cassidy’s horror novels Mary and Nestlings were featured on best-of lists from Esquire, Harper’s Bazaar, NPR, the NY Public Library, and more, and he was named one of the “writers shaping horror’s next golden age” by Esquire. His award-winning horror plays have been produced across NYC and the country, including at the Kennedy Center. You’ve also maybe seen Nat guest-starring on shows such as Law & Order: SVU, Blue Bloods, Bull, Quantico, FBI, and others … but that’s a topic for a different bio. His next novel with Tor Nightfire, When the Wolf Comes Home, hits shelves in April 2025. His website is: www.natcassidy.com.

A.T. Sayre

A.T. Sayre has been writing in some form or other ever since he was ten years old. His work has appeared in The Cosmic Background, Aurealis, Haven Speculative, and most notably in Analog Magazine, where his debut novel The Last Days of Good People, appears in the current issue. His first short story collection, Signals in The Static, was published this spring by Lethe Press. More info on these and his other works can be found at www.atsayre.com/fiction. Born in Kansas City, raised in New Hampshire, he lives in Brooklyn and likes to read in coffeehouses.

(11) MEMORY LANE.

[Written by Cat Eldridge.]

July 2, 1948 — Saul Rubinek, 76. So tonight we have Saul Rubinek. My brain when I started stitching this together kept tugging at a thread that wasn’t quite there of a production that I’d seen him where he was quite good in a role so I had to look up his credits on IMDB where it turned out it was first in a nearly fifteen-year-old airing of The Golden Spiders: A Nero Wolfe Mystery where he was cast as Saul Panzer, freelance detective working for Nero Wolfe.

This was the first of two hour-long movies that originally were all that was planned to be but ratings were excellent and critics loved it, so two seasons followed with stars Maury Chaykin as Nero Wolfe, and Timothy Hutton as Wolfe’s assistant, Archie Goodwin.

He was on the series not as this character, but as Lon Cohen, a reporter at the New York Gazette. He’s Archie’s source of crime news, and Archie often asks Lon for background information on current or prospective clients.

Before you ask, yes, I loved the series. Unfortunately it is not streaming anywhere right now and the DVDs are ridiculously expensive as a fellow member of Susan’s Salon noted earlier this week and I found them for sale at $150 for the complete series on Amazon.

Now onto his genre work.

His longest role was as Special Agent in Charge of Warehouse 13 Artie Nielsen, in charge of the often troublesome Pete Lattimer, Myka Bering and Claudia Donovan, not to mention several others that had very interesting stories here. Now Artie prefers old fashioned items and ways of doing things because they are familiar and comfortable. He likes tinkering with what is in Charge of Warehouse, something which can be hazardous to him, other and Warehouse 13 itself.

Obviously I’m not going to say anything about what happens to him here as if you haven’t seen the series, it’d spoil for you. Suffice it to say that the writers use the character well.

Spoilers now as they can’t be avoided. On the “The Most Toys” episode of The Next Generation, he plays a nearly obsessed collector who adds Data to his collection.

(Tom Toles in a Washington Post article noted what the title meant, “Maybe you remember and maybe you don’t the phrase “He who dies with the most toys wins.” It has been attributed to Malcolm Forbes, but whoever said it deserves to be noted for being able to get it out while throwing up a little in the back of his mouth.”)

Data has been deactivated somehow and reactivated and met by Fajo, his character, who explains he collects rare and valuable objects — like Data himself. Ok let me note that is nothing to like in my opinion about Fajo. Which of course was the lint of the story here.

The homage to Asimov’s Three Laws of Robotics is rather obvious. Perhaps a little too obvious.

Saul wasn’t the first choice for this character. It’s very important to note the last-minute nature of his casting went well for three reasons: he was available as he wasn’t engaged in anything, he was a Star Trek fan keen to appear in the series, and he was a personal friend of the episode’s director Timothy Bond.

They had created an elaborate prosthetic outfit for the first choice but there wasn’t time to design even facial prosthetics for him given when they needed to get the episode done, well, now, when he stepped into the role.

Memory Alpha has a listing of what Kivas Fajo has collected and which is shown here or used here to create a feeling of his alienness. Not surprisingly, nothing in his collection or that he uses here was created for this episode but had already been designed and constructed for another episode such as the communication device used by Sarjenka for “Pen Pals”, a Next Generation episode that aired the previous season.

Ok, there’s lots of one-offs he did I could mention but those are the three roles that I want to note.

(12) COMICS SECTION.

Speed Bump remembers a helpful map.
Candorville supports replicators.
Carpe Diem complains about the light side.

(13) SCHRÖDINGER’S TRADING CARD BOXES. Heritage Auctions recently sent subscribers the short article: “Sealed Trading Card Game Booster Boxes: To Open or Not to Open?”

Sealed trading card game (TCG) booster boxes have become highly collectible due to nostalgia, potential value, and rarity. A common question about these boxes is whether to keep them sealed or open them. Here’s a brief look at why you might open or keep them sealed:

Why You Should Open Them

Chance of Rare Cards: You might pull valuable, rare, and desirable cards.
Enjoyment and Nostalgia: The experience of opening packs can be nostalgic and fun.
Content Creation: Unboxings attract views and engagement for content creators.

Why You Should Keep Them Sealed

Rarity and Scarcity: Fewer sealed boxes mean higher value.
Preservation and Collectibility: Sealed boxes are being opened, increasing collectability.
Future Demand: Nostalgia and new collectors can drive future demand.

The decision to open or keep a booster box sealed ultimately comes down to the individual. Truthfully, there’s no wrong answer to the question as long as you have fun keeping them sealed or opening them and seeing what lies inside them.

(14) THE POSTMAN ALWAYS CLICKS TWICE. Movieweb contends “The Books That Inspired Fallout Are Essential Reading Before the Show”.

The developers of the Fallout series have been very public about their influences, with the post-apocalyptic landscape drawing obvious parallels to the aforementioned Mad Max, along with lesser-known movies like A Boy and His Dog and Radioactive Dreams. The franchise’s creators have also been just as forthcoming about the series’ literary influences, and three of those books are essential reading before Prime Video’s series adaptation releases in April 2024….

David Brin was excited to find his story first on the list.

…It’s hard to imagine a video game, film, or any visual medium taking visual cues from a novel, considering the obvious lack of pictorial elements, but The Postman by David Brin is cited as a huge influence on the design process of Fallout‘s iconically unique landscape and the settlements found within.

Set in a decimated landscape, Brin’s The Postman follows a man who stumbles upon a crashed mail truck that has been untouched since the old world fell. Having lost everything after falling victim to a group of raiders, the man decides to wear the uniform, acting as the federal inspector for the “Restored United States of America” to gain entry to the local settlements across the Wasteland…

(15) BAD DAY IN SPACE TECH. A test of the Tianlong-3 rocket went wrong – video on this Weibo post. And for those of you reading along in English, Gizmodo brings us: “Chinese Rocket Accidentally Launches During Test, Crashes Dramatically”.

…Chinese company Space Pioneer accidentally launched the first stage of its Tianlong-3 rocket during a Sunday test of the vehicle that went terribly wrong. The rocket crashed and exploded near a city in Central China, but no injuries have been reported so far…

Wow. This is apparently what was supposed to be a STATIC FIRE TEST today of a Tianlong-3 first stage by China's Space Pioneer. That's catastrophic, not static. Firm was targeting an orbital launch in the coming months. https://t.co/BY9MgJeE7A pic.twitter.com/L6ronwLW1N
— Andrew Jones (@AJ_FI) June 30, 2024

…The accidental launch occurred during a hot firing test of the rocket on Sunday at a facility in Gongyi City, Henan Province. During the test, the rocket’s nine engines are ignited, while the vehicle is supposed to be secured to the ground, preventing it from heading toward orbit.

Space Pioneer blamed a “structural failure” of the test bench for the rocket’s separation from the launch pad, the company wrote in a statement. The rocket’s onboard computer, however, automatically shut down the engines upon detecting unusual activity. That’s when Tianlong-3 plummeted towards a hilly area near the city….

(16) JUSTWATCH QUARTERLIES. This month JustWatch, the largest streaming guide in the world, released updates on the market share of all major streaming platforms across 60 different countries. The results below reflect data we collected over the last 3 months.

SVOD market shares in Q2 2024

At the forefront of the market, a fierce rivalry is unfolding between Prime Video and Netflix as their figures remain closely matched. Meanwhile, Apple TV+ and Paramount+ face a similar battle with Apple TV+ coming out on top.

Market share development in 2024

Global streaming giant: Apple TV+ grabs the attention of the US market with a +1% increase in shares. Meanwhile, Amazon Prime Video struggled throughout the second quarter to keep their share above Netflix.

In other news, Disney+ has now made Hulu content available on their app within the country, bringing the two platforms closer to integration.

Methodology: JustWatch‘s Market Shares are calculated based on user interest in their website and mobile apps. User interest in the United States is measured by adding movies or TV shows to their watchlist, clicking out to a streaming service or filtering multiple streaming services, and selecting the relevant streaming service.

(17) PRESENT AT THE CREATION. “In Ukraine War, A.I. Begins Ushering In an Age of Killer Robots” — in the New York Times (behind a paywall).

…What the companies are creating is technology that makes human judgment about targeting and firing increasingly tangential. The widespread availability of off-the-shelf devices, easy-to-design software, powerful automation algorithms and specialized artificial intelligence microchips has pushed a deadly innovation race into uncharted territory, fueling a potential new era of killer robots.

In 2017, Mr. Russell, the Berkeley A.I. researcher, released an online film, “Slaughterbots,” warning of the dangers of autonomous weapons. In the movie, roving packs of low-cost armed A.I. drones use facial recognition technology to hunt down and kill targets.

What’s happening in Ukraine moves us toward that dystopian future, Mr. Russell said. …

…. a panel of U.N. experts also said they worried about the ramifications of the new techniques being developed in Ukraine.

Officials have spent more than a decade debating rules about the use of autonomous weapons, but few expect any international deal to set new regulations, especially as the United States, China, Israel, Russia and others race to develop even more advanced weapons.

“The geopolitics makes it impossible,” said Alexander Kmentt, Austria’s top negotiator on autonomous weapons at the U.N. “These weapons will be used, and they’ll be used in the military arsenal of pretty much everybody.”…

(18) VIDEO OF THE DAY. “Trailer: ‘Kite Man: Hell Yeah!’ Makes Soaring Max Premiere July 18” – Animation Magazine sets the frame.

The DC animated universe keeps expanding, as the Max Original adult animated series Kite Man: Hell Yeah! is set to debut with two episodes Thursday, July 18, followed by one new episode weekly through September 12, on Max.

The new show features characters from the Critics Choice Award-winning Max Original Harley Quinn, which has been renewed for a fifth season and is currently available to stream on Max.

Synopsis: Kite Man and Golden Glider take their relationship to the next level by opening a bar in the shadow of Lex Luthor’s Legion of Doom. Nobody said serving cold ones to the most dangerous rogues outside of Arkham Asylum would be easy, but sometimes you want to go where everybody knows your name, and how to hide a body….

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Kevin Standlee, Steven French, Teddy Harvia, Kathy Sullivan, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 6/2/24 Take Me Down To The Scroll Tonight, I Want To See The Pixels

Posted on June 2, 2024 by Mike Glyer

(1) MAKING IT UP. Sarah Gailey interviews the authors and editors of The Worst Ronin in “Middle Finger To the Sky: The Worst Ronin by Maggie Tokuda-Hall and Faith Schaffer” at Stone Soup.

Gailey: What did you get to do here that you might not have gotten to do if this book landed elsewhere?

Tokuda-Hall: [The Worst Ronin] was largely written with a middle finger to the sky–when POC are invited to the table to tell our stories, there are usually so many caveats. Yes, we want your story but we want it to be about your marginalization. Or, yes, tell your story, but we want it to be edifying about your culture. There’s this demand that we serve the white gaze, and not a respect for our boundless imaginations. We want to make up shit, too. And so I very stridently let the reader know, in many ways, that this book is not there to educate them about anything. This is not historically accurate. This is a work of invention.

Gailey: How did you first dive into the story, knowing you could do whatever you want?

Tokuda-Hall: I took such joy in writing this book. I had a misguided notion at first that I would keep it super wholesome and middle grade, but my brain just doesn’t work that way, and as soon as I accepted that the plot and characters took off and I just felt like I was sprinting to catch up with them. The hardest thing with this book was balancing the humor that is so inherent to the central characters (The Worst Ronin is a buddy comedy, in its heart) with the darkness of the stories they each would face. …

(2) WHITHER STOKERCON 2025? During last night’s Bram Stoker Awards ceremony it was announced that StokerCon 2025 will be held June 12-15 at the Hilton Stamford Hotel in Stamford, Connecticut.

(3) UBIQ. The Society of Illustrators will host “JACK DAVIS: A Centennial Celebration”, an exhibit of work by the famed MAD Magazine cartoonist and commercial illustrator, at its New York location from June 12-September 21. Full details at the link.

The Society of Illustrators marks the centenary celebration of Jack Davis’ birth by hosting a retrospective featuring the original art from among his most admired works, many for the first time ever. The art on view represents every genre and every phase of Davis’ six-decade career: from EC Comics and Mad Magazine to TV Guide and Time Magazine, from Raid and McDonald’s ads to NASCAR and Super Bowl promotions, from history book illustrations to movie posters….

…“Jack Davis was quite possibly the most ubiquitous American humor illustrator of all time. Davis was a master cartoonist, caricaturist, and illustrator, and his funny, fast-paced, manic, beautifully rendered work has graced the covers of countless comic books, magazines, and record albums and has also appeared on movie posters, bubble gum cards, and advertisements. A virtual mind-boggling one-man industry, Davis has been called “the fastest cartoonist alive” and ‘the master of the crowd scene.’ It’s astonishing to realize that this quiet Southern gentleman was usually finished with assignments for the day and out on the golf course by 2:30 p.m.”

– Drew Friedman from his Fantagraphics book, Heroes of the Comics.

(4) LOSCON 50. Can it be Loscon 50 already? Why, it wasn’t that long ago I missed the first one while I was at grad school….

However, I trust the committee’s count. And here’s the graphic that accompanies their Progress Report #3 on Facebook. Get a full update there.

(5) BEFORE YOU CAN READ THE OMENS. Colleen Doran’s Funny Business brings us a “Good Omens Update”, a highly detailed tour of Doran’s techniques for producing art for the book. So much more is involved than I ever guessed.

…I use the construction method of drawing, as you see. This is an old-school technique. Some people seem to assume that artists always use computers and tracing for their drawings, but most cartoonists of my generation work extemporaneously. There’s quite a bit of noodling around and searching in the sketches. Using too much reference often results in stiff, dead work.

In comics, it’s very important to make sure you’ve considered word balloon placement when designing a page. The script for Good Omens is more copy-heavy than most modern comic book scripts because I want to preserve as much of the clever original language as I can….

(6) DIVING INTO NETFLIX. If you’re interested in the latest business statistics on Netflix and its content, JustWatch recently released a page where they provide data and analysis: JustWatch: Netflix Statistics.

Some of the page’s features are content expansion, popularity, subscription prices, its market share, and much more.

(7) FREE READ. Sunday Morning Transport’s stories for June are by authors Kelly Robson, Laura Anne Gilman, Meg Elison, and Yi Sheng Ng. The first story of the month is free to read, but they seek “paying subscribers who allow us to keep publishing great stories week after week.”

In this, June’s first, free, story, Kelly Robson shows us how, at Versailles, getting old is no picnic. But sometimes there are options… “The High Cost of Heat” by Kelly Robson.

(8) USE THE FORCE…OF MEMORY. After all this time can there still be “Facts You Probably Didn’t Know About the Original ‘Star Wars’ Trilogy”? Maariv Periodical challenges you to find out. Their first fact is:

Big Mistake

When it came to signing a contract with James Earl Jones to fill in Darth Vader’s voice, George Lucas offered him a choice: He could take a salary of $7,000 for his work or royalties off the back end of ticket sales. Back then, $7,000 was a decent amount of money, so Jones took the cash, which turned out to be a costly mistake.

Had he chosen the alternative, he would have earned far more; Jones admitted years later that the decision cost him “tens of millions of dollars.” In comparison, Sir Alec Guinness took the royalties – and his heirs have earned an estimated $95 million for his work in the first “Star Wars” film.

(9) TODAY’S BIRTHDAY DOUBLE FEATURE.

[Compiled by Paul Weimer.]

June 2, 1929 — Norton Juster. (Died 2021.)

By Paul Weimer. Once upon a time when the world was young, a 2nd grade teacher had a reading session with my class. We read a book about a character who had found himself in a land of mathematics and weirdness, of two princesses bound, of paths to infinity and clock-like dogs. It was a wild and magical place and I adored the book to pieces.

The problem is, I had misunderstood the title. I thought the title was “Milo and the Mathemagicians” and did not see or find the book for three decades after that second grade classroom. Some days, I wondered if I had just imagined or hallucinated the existence of this book.

Enter the pre-LLM internet. It was the mid 2000’s and I got the urge to try and find some books of my youth among dome other things. And in that time, the Internet was at its peak for finding information that you wanted. SEOs were not yet a thing. Amazon was not full of crap. Websites still proliferated. And I had great success. I managed to find a copy of an old liberal arts college math textbook that, decades ago, had introduced me to Escher and other wondrous things. (Oddly, it was just called The Math Book) I found some old SF anthologies I had not seen for years. I hit upon authors and musicians and others I had dimly remembered from my youth. It was a great time for me for rediscovery.

And then there was Milo. I was throwing search terms in one day trying to find “Milo and the Mathemagicians”, and somehow managed to hit The Phantom Tollbooth. I read the description and thought “Is this it?” I bought a copy and with anxious anticipation, I started reading it. Did you ever have that feeling, wondering if the book you are reading is something that is going to be that good, or live up to the suck fairy? I had that feeling re-reading The Phantom Tollbooth.

Imagine my utter happiness when I delved into the book and found, to my delight, that it WAS the book I had remembered from that second grade class. And all of the joys in the book, the wordplay, the characters, the concepts (how many children’s books try and explain *infinity*) and the absolute heart of the book. And the artwork and drawings. I had not remembered specific drawings from the second grade class, but I had remembered the book WAS illustrated. And the illustrations are wonderful!

I don’t regret seeking out the TV movie that was made, subsequently, it doesn’t quite work for me, but I can see why it was made.

But speaking of movies, the other Juster property I adored that I did not realize at the time WAS Norton Juster was the Academy Award winning short film The Dot and the Line. I had seen it way back when I had read Flatland, and loved it, but had no idea that it had anything to do with The Phantom Tollbooth. Imagine my delightful surprise when I found out it was based on a Juster book. I think, given its dynamism, that the short movie is better than the actual book and I do recommend that fans of The Phantom Tollbooth go seek it out.

I’ve now, including the second grade class, read The Phantom Tollbooth four times. And I look forward to it again. And I really need to rewatch The Dot and the Line myself. Don’t jump to the island of conclusions that The Phantom Tollbooth is for children alone. It works for readers of all ages. If you have any interest in wordplay, mathematics or whimsy, pick it up and give it a spin.

Born June 2, 1915 — Lester Del Rey. (Died 1993.)

By Paul Weimer. For me, first and foremost, Lester Del Rey was a publisher and an editor. Many of the books I first encountered reading science fiction, back 4 decades ago, were published by Del Rey, which he founded with his wife Judy Lynn Del Rey. And for a good while, that’s all I thought that he was (although his legacy and influence as a publisher is huge).

Lester Del Rey at a Philcon around 1964. Photo by and (c) Andrew Porter.

The Science Fiction Hall of Fame anthology was a gateway to a number of authors for me. Theodore Sturgeon. Murray Leinster. Fritz Leiber (for “Coming Attraction”, although I would soon discover Fafhrd and the Grey Mouser). And Lester Del Rey, for “Helen O’Loy”. I had read enough Greek Mythology by that point to get the idea that this was a Helen of Troy story, and it was perhaps the first story I read where a robot was an object of romantic interest. Helen’s story, and the tragedy of it moved me deeply.

I soon came across other Del Rey stories, here and there, randomly, sprinkled in best of collections and favorite science fiction stories and the myriad other SF anthologies that I read in the first decade of my science fiction reading.

But it was Harlan Ellison® who turned me onto perhaps the best and my favorite of the Lester Del Rey stories. In one of his own collections about the relationship between men and Gods, he mentioned a Lester Del Rey story “For I am a Jealous People”. I could see the biblical allusion in the title, and I decided to seek it out.

I recently re-read it, and it still slaps, hard. “For I am a Jealous People” is a kicker of a story, where the Abrahamic God is real, has always been real. But, now, God is angry with humanity and fed up with us, and basically has sided with aliens invading Earth and its possessions. That is a smash to the face to begin with, but it’s humanity response to this revelation in the story that really brings it home to me, the power of a Del Rey story at it’s best. Humanity’s response could have been any number of plausible results. Regret. Sadness. Despair. Resignation. Anger. Del Rey goes for “Good. Bring it!” It’s a muscular answer to the question of what to do when even God is against you, and it remains powerful to this day.

(10) COMICS SECTION.

Brewster Rockit celebrates the Deep Space Network.
Carpet Diem introduces a very careful driver.
The Other Coast stops an invasion.
Bizarro updates a fairy tale’s nutritional information.

(11) UPDATES TO THE BLOCH WEBSITE. Jim Nemeth, curator of the Robert Bloch Official Website announced three new additions.

1) Bill Gillard, an English professor at the University of Wisconsin Oshkosh, recounts his recent travel to Laramie, Wyoming, to research the Bloch papers/archives collection, housed at the University of Wyoming. With photos! Read: Robert Bloch Papers
2) Matthew R. Bradley’s interview of Bloch; from Filmfax magazine (Aug/Sep 1993) Read: Heart of a Small Boy.
3) See Bob’s military draft card. See Gallery page.

(12) SPACE, THE FINAL EPISODE. Camestros Felapton has closing remarks on the conclusion of a Star Trek series: “Farewell Star Trek Discovery”.

….Notably, this season had the best attempt yet at marrying the idea of single season long story with Star Trek’s more traditional episode-long stories. The basic plot idea (a quest for a series of clues leading to a hidden secret treasure) was not terribly original but it was enough of a hook to ensure each episode could have its own sub-story while overtly moving the plot along. The broader plot was also well served by the two antagonists who became more interesting as the season progressed….

(13) LEARNING ALL OVER AGAIN. “How NASA astronauts are training to walk on the Moon in 2026” in Nature.

NASA astronaut Kate Rubins was having a hard time seeing in the eerie twilight of the Moon’s south pole this month.

Rubins made her way carefully through the deep shadows on the lunar surface, her path dimly lit by lights on her spacesuit’s helmet. She was hunting through the volcanic landscape for geological treasure — Moon rocks that she could pick up and bring back to Earth, which would reveal secrets of this frozen world. As the first person to set foot on the Moon in more than half a century, Rubins was making good progress on her historic foray — despite the piles of cow manure along the way.

The rock-strewn plain wasn’t really the Moon but was, in fact, the high desert of northern Arizona. Rubins and astronaut Andre Douglas were participating in the biggest dress rehearsal yet for the next time NASA plans to send people to the Moon’s surface, a mission known as Artemis III. If all goes to plan, Rubins or one of her colleagues will be stepping onto the actual Moon a little over two years from now. So NASA is training its astronauts to make the most of their precious time there — given that no human has set foot on the lunar surface since the last Apollo crew blasted off in 1972….

(14) PIGS NOT IN SPACE. Slashfilm discusses Georges Méliès A Trip to the Moon and a little-known predecessor in “This 14-Minute Short Isn’t The First Sci-Film, But It Came Close”.

…But “A Trip to the Moon” wasn’t the first sci-fi film. Indeed, it wasn’t even Méliès’ first sci-fi film.

If one is to trust the Aurum Film Encyclopedia, the first sci-fi film ever was “The Mechanical Butcher,” a short made by the Lumière Brothers in 1895. The Lumières, as all first-year film students know, invented the Cinématographe motion picture system, one of the earliest motion picture cameras, making them among the very first filmmakers. “The Mechanical Butcher” is only 53 seconds long, and depicts butcher characters lifting a pig into a futuristic machine and extracting it as prepared pork products. Mechanized slaughterhouses were relatively new in 1895, and the Lumières made a short depicting the absurdity of sped-up, high-tech meat manufacture. Why, only a moment ago, these pork chops were alive! If sci-fi is a genre that analyzes technology’s effects on human development — techno-anthropology — then “The Mechanical Butcher” certainly counts….

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Paul Weimer, Rich Lynch, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 4/23/24 Forget About Our Pixels And Your Files

Posted on April 23, 2024 by Mike Glyer

(1) SOCIETY OF ILLUSTRATORS HOF CLASS OF 2024. Muddy Colors announces the Greg Manchess and Yuko Shimizu are among the “2024 Society of Illustrators Hall of Fame” inductees. See examples of all the artists’ work at the link.

The Society of Illustrators has announced the 2024 inductees into their prestigious Hall of Fame. In recognition for their “distinguished achievement in the art of illustration” the artists are chosen based on their body of work and the significant impact it has made on the field of illustration as a whole. This year’s honorees are:

Virginia Frances Sterrett [1900 – 1931]
Robert Grossman [1940 – 2018]
Gustave Doré [1832 – 1883]
Yuko Shimizu [b. 1946]
Gregory Manchess [b. 1955]
Steve Brodner [b. 1954].

(2) LE GUIN PRIZE NOMINATION DEADLINE 4/30. There’s just one week left in the nomination period for the 2024 Ursula K. Le Guin Prize for Fiction. This $25,000 cash prize is awarded to a writer whose book reflects concepts and ideas central to Ursula’s work.

The recipient of this year’s prize will be chosen by authors Margaret Atwood, Omar El Akkad, Megan Giddings, Ken Liu, and Carmen Maria Machado.

Through April 30th, everyone is welcome to nominate books. Learn more about the prize, eligibility requirements, and the 2024 selection panel here.

(3) MIÉVILLE REJECTS GERMAN FELLOWSHIP. China Miéville has rescinded his acceptance of a residency fellowship for literature for 2024 in Germany which he had been awarded by the Deutscher Akademischer Austauschdienst (German Academic Exchange Service) – DAAD. The full text is here: “Letter to the DAAD” at Salvage.

China Miéville refuses to take up DAAD residency in Germany in protest of the institution’s willingness to be part of a “shameful program of repression and anti-Palestinian racism” pic.twitter.com/1Y8xOBvdgr
— James Jackson (@derJamesJackson) April 23, 2024

(4) A LITTLE TOO ON THE NOSE? [Item by Scott Edelman.] This year’s Met Gala theme will be “The Garden of Time,” a 1962 short story by J.G. Ballard. “Met Gala 2024: A Guide to the Theme, Hosts and How to Watch”. (Read the New York Times gift article courtesy of Scott Edelman.)

OK, what is the dress code?

It’s as potentially confusing as the exhibit. Guests have been instructed to dress for “The Garden of Time,” so named after a 1962 short story by J.G. Ballard about an aristocratic couple living in a walled estate with a magical garden while an encroaching mob threatens to end their peaceful existence. To keep the crowd at bay, the husband tries to turn back time by breaking off flower after flower, until there are no more blooms left. The mob arrives and ransacks the estate, and the two aristocrats turn to stone.

Just what comes to mind when you think “fashion,” right?

(5) BUTLER IS THEME OF LITFEST OPENING. LitFest in the Dena will hold its main program on May 4-5 at the Mt. View Mausoleum, 2300 N. Marengo Ave, in Altadena, CA. The opening event will be on May 3 – “Introduction and Keynote Presentation: In Conversation with Nikki High”, founder of Octavia’s Bookshelf.

Founder of Octavia’s Bookshelf, Nikki High will tell us about her discovery of books as an early reader and how authors of color helped her discover herself and what could become of her life. Featured in conversation with her friend Natalie Daily, librarian and literacy advocate at the Octavia E. Butler Magnet in Pasadena, Nikki talks about her bookstore as a community gathering place for book lovers who will find a treasure trove of BIPOC literature.

(6) O. HENRY 2024. Literary Hub takes care of “Announcing the Winners of the 2024 O. Henry Prize for Short Fiction”. Is there any sff on this list? I leave it up to you to identify it.

Emma Binder — “Roy“, Gulf Coast
Michele Mari — “The Soccer Balls of Mr. Kurz,” translated from the Italian by Brian Robert Moore, The New Yorker
Brad Felver — “Orphans,” Subtropics
Morris Collins — “The Home Visit,” Subtropics
Jai Chakrabarti — “The Import,” Ploughshares
Amber Caron — “Didi,” Electric Literature
Francisco González — “Serranos,” McSweeney’s Quarterly Concern
Caroline Kim — “Hiding Spot,” New England Review
Katherine D. Stutzman — “Junior,” Harvard Review
Juliana Leite — “My Good Friend,” translated from the Portuguese by Zoë Perry, The Paris Review
Kate DiCamillo — “The Castle of Rose Tellin,” Harper’s Magazine
Colin Barrett — “Rain,” Granta
Robin Romm — “Marital Problems,” The Sewanee Review
Allegra Goodman — “The Last Grownup,” The New Yorker
Dave Eggers — “The Honor of Your Presence,” One Story
E. K. Ota — “The Paper Artist,” Ploughshares
Tom Crewe — “The Room-Service Waiter,” Granta
Madeline ffitch — “Seeing Through Maps,” Harper’s Magazine
Jess Walter — “The Dark,” Ploughshares
Allegra Hyde — “Mobilization,” Story

(7) ANTI-LGBT HARASSMENT SAFETY ADVICE. “Drag Story Hour’s Jonathan Hamilt on Bomb Threats, Safety Tips” at Shelf Awareness.

Around the country, growing numbers of independent booksellers are finding themselves the targets of anti-LGBT harassment, with bomb threats proving to be an increasingly common tactic.

In recent weeks, Loyalty Bookstores in Washington, D.C., and Silver Spring, Md., Buffalo Street Books in Ithaca, N.Y., and Mosaics in Provo, Utah, have all been targets of bomb threats related to drag storytime programming. Sadly, they are not alone, and the numbers only continue to rise.

Per the nonprofit Drag Story Hour, there were nine documented incidents of bomb threats targeting official DSH events in 2023. In 2024, there have already been at least 12 such incidents, with the number growing almost every weekend.

DSH executive director Jonathan Hamilt noted that bomb threats represent only a small fraction of the harassment directed at LGBT communities and LGBT-inclusive gatherings. In 2023, there were more than 60 documented cases of harassment targeting DSH or adjacent programming; the figure more than doubles when including anti-drag incidents in general.

Hamilt called it “deeply disturbing” that adults are choosing to incite violence and intimidate children, parents, and storytellers at family-oriented events while claiming to want to protect children.

Despite what the public perception may be, Hamilt continued, Drag Story Hour is “not scrambling.” The organization is nearly 10 years old and its efforts are “very organized.” Anti-LGBT harassment is nothing new, though sometimes it takes different forms, and the organization is “working on getting through this.”

(8) ELLISON BACK IN PRINT. Inverse interviews J. Michael Straczynski for a piece titled “The Unexpected Resurrection of Harlan Ellison “. The interviewer’s portion is largely a rehearsal of decades-old Ellison controversies. (But by no means all of them.)

…As the title suggests, Greatest Hits is a kind of historical document. These are stories that don’t necessarily reflect where science fiction and fantasy are going but where the genre has been, as seen through the dark lenses of Harlan Ellison. Some of the stories (like “Shatterday”) hold up beautifully. Some, as Cassandra Khaw points out in her introduction, have problematic elements.

But unlike recent reissues of books by Roald Dahl or Ian Fleming, these stories remain uncensored. The fight against censorship was one of Ellison’s lifelong passions, and so, other than a few content warning labels in the book, the sex, sci-fi, and rock ’n’ roll of this writer’s vision remains intact and raucous. Like the punk rock of genre fiction, Ellison’s stories are as jarring and blistering as ever.

“No, no, you don’t touch Harlan’s stuff, man,” Straczynski says. “Even if he’s dead, he’ll come after you.”

(9) SPEAKING OUT. The New Mexico Press Women presented George R.R. Martin with its “Courageous Communicator Award” last month, which Martin found thought-provoking as he explains in “Women of the Press” at Not A Blog.

“On the Occasion of its 75th Anniversary Bestows its COURAGEOUS COMMUNICATOR AWARD on March 15-16, 2024 to George R.R. Martin for building new worlds and creating strong, yet nuanced, women characters in his books and television shows.”

…Our world needs courageous communicators more than ever in these dark divided days, when so many people would rather silence those they disagree with than engage them in debate and discussion.    I deplore that… but had I really done enough, myself, to be recognized for courageous speech?

I am not sure I have, truth be told. Yes, I’ve spoken up from time to time, on issues both large and small… but not always. It is always easier to remain silent, to stay on the sidelines and let the storms wash over you.   The more I pondered, the more convinced I became that I need to do more.   That we all need to do more.

I started by delivering a 45 minute keynote address, on the subject of free speech and censorship.   Which, I am happy to say, was very well received (I was not entirely sure it would be)….

(10) 2024 ROMCON AWARDS. [Item by SF Concatenation’s Jonathan Cowie.] Best Translation goes to an old Ian Watson title from 1973…

The Best Novella winner Silviu Genescu is noted for back in the 1990s winning the Romanian equivalent of “D is for End” (that’s the English translation but the play on words works in English as it does in the original Romanian). I remember staying with Silviu’s family back in the late 1990s when doing an Anglo-Romanian SF & Science Cultural Exchange, and their son came back from school to say that they had been learning about his father’s oeuvre that day in class….

(11) THE LONG WAY HOME. “’Furiosa’ has an action scene that took 78 days to film” – NME tells why.

The upcoming Mad Max prequel film Furiosa includes a 15-minute action scene that took 78 days to film, it has been revealed.

Speaking to Total Film Magazine, the film’s star Anya Taylor-Joy and George Miller’s production partner Doug Mitchell spoke about the scene, which Taylor-Joy says is “very important for understanding” the character of Furiosa better.

Mitchell revealed that the film includes a “has one 15-minute sequence which took us 78 days to shoot” and required close to 200 stunt workers on set daily. While little else has been revealed about the scene, it has been described as a “turning point” for Furiosa…

(12) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born April 23, 1973 — Naomi Kritzer, 51. Naomi Kritzer’s CatNet at this point consists of “Cat Pictures Please” which won a Hugo at MidAmeriCon II, Chaos on CatNet and Catfishing on CatNet. As one who likes this series enough that I had her personally autograph the Cat Pictures Please and Other Stories collection, I wanted to know the origin of CatNet, so I asked. Well, I also gifted her with a birthday chocolate treat, sea salt dark chocolate truffles. Here’s her answers:

Naomi Kritzer in 2020 after winning the Lodestar Award.

Naomi Kritzer: The original short story was basically the collision of two things:

1. The line, “the Internet loves cat pictures,” which made me imagine a central internet-based intelligence that wanted pictures of cats.

2. Getting myself a smartphone for the first time (I was a late adopter), and discovering some of its quirks, and coming up with anthropomorphic explanations for things like bad directions.

I mean, the Internet clearly does love cat pictures — although “the Internet” is “the billions of people who use the Internet,” not a secret sentient AI, though!

Cat Eldridge: I went on to ask her how CatNet came to be…

Naomi Kritzer: Do you mean in the story, how it got created? I was very vague about it in the short story but sort of heavily implied it was the result of something someone did at Google. In the novel CatNet was an experimental project from a company that was again, heavily implied to be Google.

Way, way cool in my opinion.

While putting this Birthday together, I noticed that she had two other series from when she was starting out as a writer, so I asked her to talk about them. Both are available on Kindle.

Cat Eldridge: Let’s talk about your first series, Eliana’s Song.

Naomi Kritzer: Eliana’s Song is my first novel, split into two pieces. I rewrote it really heavily multiple times, and each time I tried to make it shorter and it got longer. When Bantam bought it, they suggested that I split it into two books and expand each, which is what I did.

The book actually started out as a short story I wrote while in college. It garnered a number of rejections that said something like, “this isn’t bad, but it kind of reads like chapters 1 and 36 of a novel.” I eventually decided to write the novel, and struggled for a while before realizing I could not literally use the short story as Chapter 1, I had to start over writing from scratch.

Cat Eldridge: And your second series, Dead Rivers.

Naomi Kritzer: Sometime around 2010 I picked up the Scott Westerfield Uglies series and really loved it. Uglies in particular followed a plotline that I really loved, in which someone is sent to infiltrate the enemy side, only to realize once she’s there that these are her people, far more than her bosses are. But she came among them under false pretenses, and she’d have to come clean! And she almost comes clean, doesn’t, of course is discovered and cast out, and and then has to spend the next book (maybe the next two) demonstrating her worthiness to be allowed to come back. I read this series and thought, “dang, I love this plot — I loved this plot as a kid, and reading it now is like re-visiting an amusement park ride you loved when you were 10 and finding out that even when you know where all the turns and drops are, it’s still super fun.” Like two days after that I suddenly remembered that I had literally written that plotline. It’s the plotline of the Dead Rivers trilogy. I really really love this plot, it turns out! So much that I’ve written it!

I’m not sure how well it’s aged. We were not doing trigger warnings on books yet when it came out, and the fact that the book has an explicit and fairly vivid rape scene took a lot of readers by surprise. It’s also a story that’s very much about whether someone can start out a bad guy and work their way to redemption.

Cat Eldridge: Now unto your short stories. I obviously believe everyone should read “Cat Pictures Please” and Little Free Library”, both of which I enjoyed immensely. So what of your short story writing do you think is essential for readers to start with?

Naomi Kritzer: That is a good question but one I find very hard to answer about my own work! It’s a “can’t see the forest because of all the trees” problem, I think.

“So Much Cooking” would probably be at the top, though (with the explanatory note that I always attach these days — I wrote this in 2015.) And then probably “Scrap Dragon” and “The Thing About Ghost Stories.”

To date, she has two short story collections, Gift of the Winter King and Other Stories which is only available as an epub, and of course Cat Pictures Please and Other Stories which is also available in trade paper edition.

(13) COMICS SECTION.

The Far Side knows how TV is written.
The Far Side shares an entry from its “Ground Control to Major Zooky” collection.
Phoebe and Her Unicorn crosses genres.
Reality Check introduces the superhero nobody wants.

(14) A MONOPOLY OF WHAT? Ellie Griffin concludes “No one buys books” at The Elysian.

In 2022, Penguin Random House wanted to buy Simon & Schuster. The two publishing houses made up 37 percent and 11 percent of the market share, according to the filing, and combined they would have condensed the Big Five publishing houses into the Big Four. But the government intervened and brought an antitrust case against Penguin to determine whether that would create a monopoly.

The judge ultimately ruled that the merger would create a monopoly and blocked the $2.2 billion purchase. But during the trial, the head of every major publishing house and literary agency got up on the stand to speak about the publishing industry and give numbers, giving us an eye-opening account of the industry from the inside. All of the transcripts from the trial were compiled into a book called The Trial. It took me a year to read, but I’ve finally summarized my findings and pulled out all the compelling highlights.

I think I can sum up what I’ve learned like this: The Big Five publishing houses spend most of their money on book advances for big celebrities like Brittany Spears and franchise authors like James Patterson and this is the bulk of their business. They also sell a lot of Bibles, repeat best sellers like Lord of the Rings, and children’s books like The Very Hungry Caterpillar. These two market categories (celebrity books and repeat bestsellers from the backlist) make up the entirety of the publishing industry and even fund their vanity project: publishing all the rest of the books we think about when we think about book publishing (which make no money at all and typically sell less than 1,000 copies).

But let’s dig into everything they said in detail….

(15) I WALK TO THE TREES. [Item by Steven French.] If anyone fancies a walk through some weird woods … “12 Forests That Offer Chills and Thrills” at Atlas Obscura.

…While Translyvania, Romania, brings to mind images of Dracula and his imposing castle, the Hoia Baciu Forest might be more reliably scary. Known as the “Bermuda Triangle of Romania,” the forest has been home to UFO sightings, glowing eyes, strange disappearances, in addition to trees that look like they were plucked from the Upside Down. In the busy residential section of Ichikawa, Japan, is a small, seemingly out-of-place wooded area. It’s been said that those who choose to enter the Yawata no Yabushirazu are whisked away, never to be seen again. Entrance is strictly forbidden. From a woodland in the shadows of England’s “most haunted village” to a tree in a Michigan forest said to be possessed by spirits, here are our favorite spine-tingling forests…

(16) KITTY LITERATURE. “A survey of feeding practices and use of food puzzles in owners of domestic cats – Mikel Delgado, Melissa J Bain, CA Tony Buffington, 2020” at Sage Journals. (Downloadable as a PDF.)

…Environmental enrichment (although without a single, agreed-upon, definition) generally refers to the addition of activities, objects or companionship to optimize physical and psychological states and improve an animal’s welfare.^1–3 Appropriate enrichment encourages species-typical behaviors,¹ and may improve welfare by providing an individual a greater perception of control and choice in their environment,⁴ and reducing their perception of threat.⁵ Because all non-domesticated animals must forage for food, whether by hunting, scavenging or searching, interventions that encourage foraging behavior are commonly implemented for zoo and laboratory animals.

Previous studies of companion animals have demonstrated positive effects of foraging toys on behavior. Shelter dogs that were provided with a Kong toy stuffed with frozen food in addition to reinforcement-based training were calmer, quieter and showed less jumping behavior when meeting potential adopters.⁶ Shelter parrots that engaged in feather-picking spent more time foraging and showed improved feather condition when provided with a food puzzle.⁷ Case studies suggest positive effects of food puzzles on the behavior of cats such as weight loss and resolution of inter-cat aggression and other behavioral concerns,⁸ even though a recent study found that food puzzles may not increase overall activity levels in house cats.⁹ Despite potential benefits, a recent survey found that less than 5% of Portuguese cat owners attending a veterinary practice provided food puzzles for their cats or hid food around the home to stimulate foraging behavior.^10…

TEDDY HARVIA CARTOON.

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, Hampus Eckerman, Arnie Fenner, Kathy Sullivan, Scott Edelman, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Dan’l.]

Society of Illustrators 2023 Hall of Fame Recipients

Posted on July 28, 2023 by Mike Glyer

The Society of Illustrators annually inducts to its Hall of Fame artists recognized for their “distinguished achievement in the art of illustration.” This year’s honorees include contemporary illustrators Seymour Chwast, Wendell Minor and Barron Storey as well as posthumous honorees Richard Amsel, Anna Whelan Betts, Reynold Brown and Helen Hokinson.

Artists are elected by a committee that includes former presidents of the Society and illustration historians. They are chosen based on their body of work and the impact it has made on the field of illustration.

The Society will be honoring this year’s inductees at a ceremony on September 9.

ABOUT THE ARTISTS.

The incredible career of influential and legendary designer Seymour Chwast (b. 1931) spans over six decades. He is afounding partner of the groundbreaking Push Pin Studios, established in 1954 by a group of college friends from Cooper Union in New York City. This group of highly talented designers and illustrators introduced a new, collaborative style to the design world, redefining visual culture and influencing artists for generations to come. Chwast moved into a Director role at the storied organization, later renaming it the Pushpin Group in 1985. His vast client list includes the New York Times, The New Yorker, The Wall Street Journal, Vanity Fair, The Atlantic, and Print, as well as leading corporations, advertising agencies, and publishers both in the United States and abroad. His work has been showcased all over the world in both retrospectives and one-man shows, including the exhibit “The Push Pin Style,” a two-month retrospective at the Louvre’s famed Musée des Arts Décoratifs. His posters reside in the permanent collections of the Museum of Modern Art, the Cooper Hewitt, Smithsonian Design Museum, the Philadelphia Museum of Art, the Library of Congress, and the Gutenberg Museum. In 2015, Washington University’s Modern Graphic History Library in St.Louis acquired Chwast’s complete archive including posters, which will soon be available for study by students and the general public.

Wendell Minor (b. 1944) began his career as a book cover designer, creating iconic covers for noted authors David McCullough and Pat Conroy among many others. His transition to children’s book illustrator and author of over 60 award winning books continues to be very rewarding. As a nature lover and history buff, Minor loves sharing those interests with children through the books he has authored or co-authored with Jean Craighead George, Tony Johnston, Robert Burleigh, Charlotte Zolotow, Margaret Wise Brown, Buzz Aldrin, Mary Higgins Clark, Jane Yolen, and last but not least, his wife Florence. Minor’s books have received the Cook Prize, Bank Street College of Education’s Best Children’s Books of the Year, Publishers Weekly Best Books of the Year, Kirkus Best Books of the Year, New York Public Library’s 100 Best Books for Kids, Junior Library Guild Gold Selections, Notable Social Studies Trade Books for Young Children, Outstanding Science Trade Books, Dolly Parton’s Imagination Library selection, Pennsylvania One Book Every Young Child selection, ALA Notable Book, John Burroughs List of Nature Books for Young Readers, and the John and Patricia Beatty Award. Minor was honored to be the 2018-2019 Artist Laureate of the Norman Rockwell Museum. He has an Honorary Doctorate Degree from the University of Connecticut. Minor has exhibited at the Art Institute of Chicago, Boston Public Library, New Britain Museum of American Art, Eric Carle Museum, and Norman Rockwell Museum, among many others. Wendell’s portrait of David McCullough’s “TRMAN” is in the permanent collection of the National Portrait Gallery.

Illustrator, graphic novelist, and educator Barron Storey (b. 1940) began his career as a commercial artist in the 1960s. Studying under Robert Weaver at the School of Visual Arts, Storey’s career took off with such notable clients as Boys’ Life, Reader’s Digest, and National Geographic. His most iconic images are now part of the collection of multiple prestigious museums. His cover portraits of Howards Hughes and Yitzhak Rabin for TIME magazine hang in the Smithsonian’s National Portrait Gallery, his famous painting of the Amazon rainforest can be found at New York’s American Museum of Natural History, and his 1979 portrayal of NASA’s space shuttle is part of the Air and Space Museum on the National Mall collection. In addition to his editorial work, Storey created the iconic images for several book covers, most notably the 1980 reissue of William Golding’s Lord of the Flies. His work for graphic novels includes his Eisner-award winning work on Neil Gaiman’s The Sandman: Endless Nights (DC/Vertigo) as well as Barron Storey’s WATCH Magazine (Vanguard), and his novel Life After Black. In 2001, Storey was awarded the Society of Illustrators’ Distinguished Educator in the Arts award for his years of service and influence at the San Diego California College of the Arts and San Jose State University.

The short career of Richard Amsel (1947 – 1985) has become one of the most influential of all time. His celebrity portraits from the 1970s and 1980s adorned the covers of TV Guide for thirteen years. Amsel landed his first major client with 20th Century Fox shortly after graduating from Philadelphia College of Arts. His poster of Barbra Streisand for Hello, Dolly! earned him immediate recognition, and he went on to create the album art for Bette Midler’s Divine Miss M. But it was his movie poster commissions that are perhaps his most iconic. With such titles as Chinatown, The Muppet Movie, Murder on the Orient Express, The Shootist, The Sting, The Dark Crystal, Raiders of the Lost Ark, Flash Gordon, Mad Max Beyond Thunderdome, among others, Amsel’s work became widely recognizable and applauded by the illustration, film and television community as well as the general public. In 1985, Amsel passed away at the young age of 37 due to complications from AIDS. He is the recipient of multiple awards both posthumously and while he lived, including several medals from the Society of Illustrators.

During a time when women had few rights and positions in society, highly educated and talented Anna Whelan Betts (1873 – 1959) broke barriers and established herself as a leading illustrator. She began her career studying when few women were even allowed to attend classes. A graduate of the Philadelphia Academy, Anna Whelan Betts furthered her education with instruction from artist Gustave-Claude-Etinenne Courtois during her time in France, followed by instruction from renowned illustrator Howard Pyle at Drexel University in the United States. In 1899 she landed her first commission for Collier’s, with further work appearing in such notable periodicals as Century Magazine, Harper’s Monthly, The Ladies’ Home Journal, Everybody’s Magazine, among others. Her work was also featured in several books including Sarah Orne Jewett’s Betty Leicester’s Christmas as well as Houghton Mifflin Company’s The Complete Writings of Nathaniel Hawthorne. After retiring from illustration due to poor eyesight, Betts would go on to teach art at a boy’s private school in Pennsylvania before her death in 1959.

Realist painter Reynold Brown (1917 – 1991) earned accolades and recognition in several genres of illustration during his lifetime. His career began right after high school while employed as a comic artist working (uncredited) under Hal Forrest on the Tailspin Tommy strip. After a stint at the Otis Art Institute in California and the emergence of WWII, Brown worked as a technical artist for North American Aviation where he created the first cut-away illustrations of fighter planes. With his heightened technical skills and artistic ability realizable, Brown relocated to New York City and began a freelance career earning commissions for periodicals like Argosy, Popular Science, Saturday Evening Post, Boys’ Life, Outdoor Life,and Popular Aviation. In addition, his work graced the covers of numerous paperbacks. In 1950, Brown and his family moved back to California where he began teaching at the Art Center College of Design. It was during this time that Brown’s career changed direction once again, and for the next twenty years Brown would create some of his most iconic work, appearing on film posters for MGM, Universal Pictures, Disney, Warner Bros., AIP, and others. During the 1970s, Brown switched gears yet again and dove into the Western genre with a focus on action shots and portraits. Today, his work remains highly collectible and influential.

Cartoonist Helen Hokinson (1893 – 1949) is best known for her New Yorker cartoons depicting the daily lives and social scenes of the 1920s and 1930s. Upon graduating from the Chicago Academy of Fine Arts, Hokinson earned an income by sketching for the city’s famous department stores. Soon after, Hokinson relocated to New York City, picking up fashion illustration jobs for B. Altman and Lord & Taylor while also completing a short-lived comic for the Daily Mirror. During this time, Hokinson attended the New York School of Fine and Applied Art (now Parsons School of Design) and studied under Howard Giles, whose influence guided her to discover and draw everyday characters and subject matters from around the city. In 1925, Hokinson earned her first commission from The New Yorker. She would go on to create over 68 covers and 1,800 cartoons for the storied magazine, earning her a comfortable and secure, independent lifestyle. In addition to her cartoons, Hokinson illustrated numerous books for others. She published three books of her own collected work during her lifetime, and three more were published following her death.

[Based on a press release.]

Pixel Scroll 3/30/23 Yes! We Have No Pixels, We Have No Pixels Today

Posted on March 30, 2023 by Mike Glyer

(1) NEW FUTURE TENSE FICTION PODCAST. The first episode of the Future Tense Fiction podcast series dropped this week. Produced by Slate, it’s hosted by science journalist Maddie Stone, and each episode features a voice actor reading one of the Future Tense stories, followed by a conversation with the author about how their own experiences with technology informed their writing and vision. The first episode features Sturgeon Award–winning story “When Robot and Crow saved East St. Louis,” by Annalee Newitz. The podcast is free and is available through any podcast service that people use (including but not limited to Apple Podcasts, Spotify, Stitcher, and Radio Public).

(2) THE BIG EUROVISION READ. Catherynne M. Valente ecstatically told Facebook followers:

Decibel Jones and the Absolute Zeroes have finally made it to the blue carpet. WHAT.

I could not possibly be more excited to announce that Space Opera, the literary lovechild of @Eurovision & a drunk thesaurus, is officially part of the #BigEurovisionRead and #Eurofestival, sponsored by @bbcarts and @thereadingagency this year!

From a throwaway joke on Twitter to really being part of actual #Eurovision? Oh. My. God.

It truly isn’t possible to express how thrilling it is for an utterly cringe #Eurovision dork like me to be anywhere near the actual event, let alone a small official part of it. I am so honored, so grateful, and I hope Dess and the gang find a whole new galaxy of friends.

Space Opera has been such a ride, and the sequel is out this fall! Thank you so much to all the librarians that chose this book and everyone who has jumped on Mr. Jones’ Wild Ride over the last five years.

Life is beautiful and life is stupid. Truly.

(3) STARFLEET ACADEMY. “’Star Trek: Starfleet Academy’ Series Ordered at Paramount+” and Variety has details.

“Admission is now open to Starfleet Academy! Explore the galaxy! Captain your destiny! For the first time in over a century, our campus will be re-opened to admit individuals a minimum of 16 Earth years (or species equivalent) who dream of exceeding their physical, mental and spiritual limits, who value friendship, camaraderie, honor and devotion to a cause greater than themselves,” Kurtzman and Landau said. “The coursework will be rigorous, the instructors among the brightest lights in their respective fields, and those accepted will live and study side-by-side with the most diverse population of students ever admitted. Today we encourage all who share our dreams, goals and values to join a new generation of visionary cadets as they take their first steps toward creating a bright future for us all. Apply today! Ex Astris, Scientia!”

The official logline for the series states that it “will introduce us to a young group of cadets who come together to pursue a common dream of hope and optimism. Under the watchful and demanding eyes of their instructors, they will discover what it takes to become Starfleet officers as they navigate blossoming friendships, explosive rivalries, first loves and a new enemy that threatens both the Academy and the Federation itself.”

… Production on “Star Trek: Starfleet Academy” will begin in 2024….

(4) GOODNIGHT MOON. Here’s a strange exercise: “Every Page of Goodnight Moon, Ranked” at McSweeney’s Internet Tendency. This page is ranked next to last – and the commentary is one reason I’m not sure this article succeeds at being funny.

21. And goodnight mouse (Page 16)
Separated from the toy house on page 3, we see this mouse for what it really is: a thinly constructed, two-dimensional character. What had once seemed whimsical now appears in stark reality: a mouse running around a child’s bedroom, the treatment of which should neither be celebrated nor encouraged.

(5) MIKE MIGNOLA’S VISION. On exhibit at the Society of Illustrators through July 8 is “Picturing Pinocchio: Mignola Makes a Marionette”.

Deep in the midst of pandemic lockdowns, a plan was hatched: a new illuminated edition of Carlo Collodi’s Pinocchio, engineered to unDisnify one of the strangest, most startling pieces of fiction ever to be beloved by generations of children worldwide.

The seed was planted by cartoonist and author Mike Mignola (Hellboy), who had been pondering his own take on the puppet for decades. With the world closed up due to COVID, he teamed up with idiosyncratic publisher Beehive Books and holed up in his studio to create a portfolio of over fifty original illustrations re-envisioning Collodi’s tale. When author Lemony Snicket (A Series of Unfortunate Events) got wind of the project, he couldn’t resist joining, offering elaborate hand-typed annotations of his own maddening encounter with this singular text.

Pinocchio, though one of the most popular literary works of all time, is somewhat paradoxically ill-remembered. Collodi originally published the story as serialized installments in a children’s magazine. The original series ended with Pinocchio hung from a tree, dead by the hands of assassins, and was continued only because of an outcry from readers who couldn’t stand to see such a beloved character reach such a dismal end. This is the true nature of Collodi’s tale — who better than Mike Mignola to illustrate the unremitting darkness and strange whimsy that characterized this bizarre children’s classic?

This exhibition will feature his full portfolio of yet-to-be-published Pinocchio illustrations, including drawings, paintings, process work and other ephemera of Mignola’s pandemic Pinocchio project. The Land of Toys, the City of Catchfools, the Blue Fairy, Fire Eater, the feline Assassins – as seen through the eyes of a modern master of illustration and storytelling.

(6) SMALL WONDERS KICKSTARTER FUNDS. Stephen Granade reports that the “Small Wonders Magazine: Year One” Kickstarter has funded! As a result, he says, all of their Issue 0 stories and poems, including Beth Cato’s “She Seeks a Home” and Premee Mohamed’s “From the Journal of Sawyer L. Gibbs, Hero, Aged 13 1/2” are available on the Small Wonders website. They will be opening for story and poem submissions on April 1, no joke.

(7) JOE GIELLA (1928-2023). Comics artist Joe Giella died March 21 at the age of 94 reports Heritage Auctions.

Joe Giella is best known for his work at DC in the 1950s and 60s as an inker. But his career spanned 60 years! He studied art at three different schools before his first gig at age 17 in 1946 where he did “Captain Codfish” for Hillman. After some free-lance at Fawcett, former classmate Mike Sekowsky helped him land a job at Timely as an inker. He met Frank Giacoia there and went with Frank when he took a job at DC in 1949. Over the next two decades, at one time or another, Joe inked nearly every feature that Julius Schwartz edited.

By 1970, Joe had started working with the syndicates and drew or inked Batman, Flash Gordon, the Phantom, while still doing occasional work for DC. In 1991, he took over the Mary Worth strip, where he continued to work until his retirement in 2016. Joe passed away at age 94 on March 21, 2023.

(8) MEMORY LANE.

1972 – [Compiled by Cat Eldridge.]

Clifford Simak’s A Choice of Gods was published fifty-one years ago by G.P. Putnam & Sons with a simultaneous edition done by SFBC. The superb cover art was by Michael Hinge.

Sixty years ago at Torcon II, it would be nominated for Best Novel though Isaac Asimov’s The Gods Themselves would take home the Hugo that year.

Without being explicit, I will say that I think it shares some similarity in themes to City.

I think A Choice of Gods has one of the finest Beginnings that I’ve ever had the pleasure to read, so without further commentary on my part, here it is…

Aug. 1, 2185: So we begin again. Actually, we began again fifty years ago, but did not know it then. There was hope, for a time, that there were more people left and that we could pick up where we had left off. We thought, somehow, that we could hang onto what we had, once the shock was over and we could think more clearly and plan more cleverly. By the end of the first year we should have known that it was impossible; by the end of five we should have been willing to admit it, but we weren’t. At first we refused to face the fact and once we had to face it we became stubborn with a senseless sort of faith. The old way of life could not be revived; there were too few of us and none with special knowledge and the old technology was gone beyond all restoration. The technology had been too complex and too specialized and too regimented to be picked up and carried on without a large work force equipped with appropriate skills and knowledge that were necessary not only to operate the technology itself, but to produce the energy that went into it. We are now no more than scavengers feeding on the carcass of the past and some day we’ll be down to the bare bones of it and will be finally on our own. But over the years we have been recovering or rediscovering, whichever it may be, some of the older and more basic technology geared to a simpler way of life and these basic rudimentary skills should keep us from sinking into utter savagery.

There is no one who knows what really happened, which does not, of course, deter some of us from formulating theories that might explain it all. The trouble is that all the theories boil down to simple guesses, in which all kinds of metaphysical misconceptions play a part. There are no facts other than two very simple facts and the first of these is that fifty years ago last month the greater fraction of the human race either went somewhere or was taken somewhere. Out of more than eight billion of us, which was certainly far too many of us, there are now, at most, a few hundred left. In this house in which I sit to write these words, there are sixty-seven humans, and only that many because on the night it happened we had invited some young guests to help us celebrate the coming of age of our twin grandsons, John and Jason Whitney. Of the Leech Lake Indians there may be as many as three hundred, although we now see little of them, for they have taken up again, quite happily and to their great advantage, or so it would seem to me, their old tribal wanderings. At times rumors reach us of other little pockets of humanity still surviving (the rumors chiefly brought by some loose-footed robot), but when we’ve gone to hunt for them, they are never there, nor is there anything to indicate they ever had been there. This, of course, proves nothing. It stands to reason that elsewhere on the Earth there must be others left, although we have no idea where. We hunt for them no longer, even when the rumors come, for it seems to us that we no longer have any need of them. In the intervening years we have become content, settling down into the routine of a bucolic life.

The robots still are with us and we have no idea how many there may be. All the robots that were ever in existence must still remain. They did not go or were not taken as was the human race. Over the years a number of them have come to settle in with us, doing all the work and chores necessary for our comfortable existence, becoming, in all truth, a part of our community. Some of them at times may leave and go elsewhere for a while and there are occasions when new ones float in and stay, either for good or for varying periods. It might seem to someone unacquainted with the situation that in the robots we had the labor force we needed to keep at least a small sector of the more vital parts of the old technology alive. It is possible the robots could have been taught the necessary skills, but the rub here is that we had no one who was equipped to teach them. Even if we’d had, I have some well-founded doubt that it would have worked. The robots are not technologically minded. They were not built to be. They were built to bolster human vanity and pride, to meet a strange longing that seems to be built into the human ego—the need to have other humans (or a reasonable facsimile of other humans) to minister to our wants and needs, human slaves to be dominated, human beings over which a man or woman (or a child) can assert authority, thus building up a false feeling of superiority. They were built to serve as cooks, gardeners, butlers, maids, footmen (I have never got quite straight in mind what a footman is)—servants of all kinds. They were the flunkeys and the inferior companions, the yea-sayers, the slaves. In a manner of speaking, in their services to us, I suppose they still are slaves. Although I doubt the robots think of it as slavery; their values, while supplied by human agency, are not entirely human values. They serve us most willingly; thankful of a chance to serve, they press their services upon us, apparently glad to find new masters to replace the old. This is the situation as it applies to us; with the Indians it is different. The robots do not feel at ease with the Indians and the Indians, in turn, regard them with an emotion that borders upon loathing. They are a part of the white man’s culture and are readily acceptable to us upon the basis of our onetime preoccupation with machines. To the Indians they are unclean, something that is repulsively foul and alien. They will have no part of them. Any robot stumbling into an Indian camp is summarily hustled off. A few of the robots serve us. There must be many thousands more. Those that are not with us we have fallen into the habit of calling wild robots, although I doubt they, in any sense, are wild. Often, from our windows or while sitting on the patio, or while out walking, we see bands of wild robots hurrying along as if they had an urgent destination or were involved in some great purpose. We have never been able to determine where the destination or what might be the purpose. There are certain stories of them that we hear at times, but nothing more than stories and with no evidence, and not worth repeating here.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born March 30, 1904 — Herbert van Thal. Editor of the Pan Book of Horror Stories series, twenty-four volumes that appeared from 1959 to 1983. Back From the Dead: The Legacy of the Pan Book of Horror Stories is a look at the series and it contains Lest You Should Suffer Nightmares, the first biography of him written by Pan Book of Horror Stories expert Johnny Mains. (Died 1983.)
Born March 30, 1928 — Chad Oliver. Writer of both Westerns and SF, a not uncommon occupation at that time. He considered himself an anthropological science fiction writer whose training as an academic informed his fiction, an early Le Guin if you will. Not a terribly prolific writer with just nine novels and two collections to his name over a forty-year span. Mists of Dawn, his first novel, is a YA novel which I’d recommend as it reads similarly to Heinlein. (Died 1993.)
Born March 30, 1930 — John Astin, 93. He is best known for playing Gomez Addams in Addams Family, reprising it on the Halloween with the New Addams Family film and the Addams Family animated series. A memorable later role would be as Professor Wickwire in The Adventures of Brisco County, Jr., and I’d like single out his delightfully weird appearance on The Wild Wild West as Count Nikolai Sazanov in “The Night of the Tartar” episode. Years later I remember that episode and him in it.
Born March 30, 1934 — Dennis Etchison. As an editor, he received two World Fantasy Awards for Best Anthology, MetaHorror and The Museum of Horrors. As a writer, he’s best remembered as a short story writer of quite tasty horror. Talking in the Dark Is his personally selected collection of his stories. (Died 2019.)
Born March 30, 1948 — Jeanne Robinson. She co-wrote the Stardance Saga with her husband Spider Robinson. To my knowledge, her only other piece of writing was ‘Serendipity: Do, Some Thoughts About Collaborative Writing‘ which was published in the MagiCon Program. (Died 2010.)
Born March 30, 1950 — Robbie Coltrane. I first saw him playing Dr. Eddie “Fitz” Fitzgerald on Cracker way back in the Ninties. Not genre, but an amazing role none-the-less. He was Valentin Dmitrovich Zhukovsky in GoldenEye and The World Is Not Enough, with a much less prominent role as a man at an airfield in Flash Gordon being his first genre role. Being Rubeus Hagrid in the Potter franchise was his longest running genre gig. He’s also voiced both Mr. Hyde in the Van Helsing film and Gregory, a mouse, in The Tale of Despereaux film. (Died 2022.)
Born March 30, 1965 — Maurice LaMarche, 58. Voice actor primarily for such roles as Pinky and The Brain (both of which Stross makes use of in The Laundry series) with Pinky modeled off Orson Welles, near as I can tell the entire cast of Futurama, the villain Sylar on Heroes, the voice of Orson Welles in Ed Wood, a less serious Pepé Le Pew in Space Jam, and, though maybe not genre, he’s voiced Kellogg’s Froot Loops spokesbird Toucan Sam and the animated Willy Wonka character in Nestlé’s Willy Wonka Candy Company commercials.

(10) COMICS SECTION.

Sheldon shows that the Vanishing Cabinet from Harry Potter may have had other uses of interest to Valdemort.
Sheldon, again, depicts Pippin explaining so clearly and simply why it’s time for another meal that even a future King should be able to understand.
Order of the Stick has a magic trap that makes it a bit difficult to determine when the trap has been tripped.

(11) CAT CHAT. Did we do this before? Well, if so, let’s do it again. CatGPT. It seems to be a one-joke idea, so I won’t excerpt the answer I received to my question “What makes a good social justice credential?”

(12) MASSACRE IN THE EXECUTIVE SUITE. With great power comes sudden unemployment.“Marvel Entertainment Chairman Ike Perlmutter Out at Disney” reports Yahoo! and so are some other top Marvel brass.

Isaac “Ike” Perlmutter, chairman of Marvel Entertainment, has been laid off at Disney. Marvel Entertainment will be folded into the larger Disney business units, a Disney spokesperson confirmed.

The move comes as Disney looks to eliminate 7,000 jobs in multiple rounds of layoffs that kicked off this week, in what CEO Bob Iger calls part of a “strategic realignment.”

Rob Grosser, a longtime third-party Marvel security consultant who is also considered to be Perlmutter’s fixer, is also out, according to two insiders with knowledge of the situation. In addition, Disney has terminated the employment of Rob Steffens, who served as co-president of Marvel Entertainment, and John Turitzin, who held the position of chief counsel for the same division….

(13) KICKED OUT THE DOOR TO THE REAL WORLD. Another casualty of cutbacks is Disney’s metaverse division. TechCrunch has the story: “Disney cuts metaverse division as part of broader restructuring”.

…The metaverse division is headed by Mike White, who was promoted to the role from SVP of consumer experiences and platforms in February 2022 and charged with getting Disney deeper into the web3 space. The unit aimed to find ways to tell more interactive stories in immersive formats using Disney’s extensive library of intellectual property, according to WSJ. Aside from the Disney we all know and love, that extensive library includes Pixar, Marvel and all of the Star Wars movies and shows.

All 50 or so members of the team have lost their jobs, sources told WSJ. White will remain at the company, but it’s not clear in what capacity….

(14) WJW INTERVIEW. A 90-minute video interview with Walter Jon Williams has been posted on Tubi by the program “About the Authors TV”. The Q&A is conducted by author and biographer Jake Brown.

Williams posted the link along with a self-deprecating comment: “I’ve viewed only a few minutes of the interview, enough to be amused by the way Zoom’s filters kept making parts of my anatomy appear and disappear. If you’re looking for inadvertent hilarity, or possibly an epileptic seizure, this is the place for you!”

(15) RAISING THE BAR. “Man proposes to girlfriend using a personal version of ‘Everything Everywhere’ in viral TikTok” at NBC News. The TikTok video can be viewed at the link.

A wedding proposal in a movie theater went viral on TikTok for a creator’s rendition of A24’s “Everything Everywhere All at Once,” and viewers say they’re in awe of the effort.

“I rented out a theater room, did some photoshop, brought her inside, edited a fake video with trailers in the beginning,” TikTok user Daniel Le, who goes by @danyo_le, wrote.

The TikTok, which garnered over 2 million views and included a film Le named “Anniething Anniewhere All at Once” after his girlfriend, showed clips from the acclaimed film and parody versions edited in by Le….

(16) JEOPARDY! Andrew Porter did not touch that dial while contestant flailed on tonight’s episode of Jeopardy!

Category: Quoth the title

Answer: Philip Pullman quoted Milton, “Unless the Almighty Maker them ordain” these “to create more worlds”

Wrong questions: “What are men?” and “What are children of men?”

Correct question: “What is ‘His Dark Materials’?”

Answer: The title of this “Hainting” Noel Coward comedy comes from Shelley’s “To a Skylark”

No one could ask, “Shelley wrote, ‘Hail to thee, “Blithe Spirit’.”

(17) OCTOTHORPE. The eightieth episode of the Octothorpe podcast, “Four Constituent Blobs”, is now up!

John Coxon is jetlagged, Alison Scott is working, and Liz Batty is under pressure. We get excited about the upcoming Eastercon, barely even mention Chengdu at all, talk a bit about science fiction, and round it all out with Gaming Corner, sponsored by Mark Plummer. Art by the fabulous Sue Mason.

[Thanks to Cat Eldridge, Mike Kennedy, SF Concatenation’s Jonathan Cowie, Dann, Joey Eschrich, Stephen Granade, John King Tarpinian, Chris Barkley, Andrew Porter, and Michael Toman, for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 3/20/23 They’re Coming To Scroll Me Away, To The Pixel Farm, Where Life Is Beautiful All The Time

Posted on March 20, 2023 by Mike Glyer

(1) EMBRACE THE MONOVERSE. [Item by Olav Rokne.] S.I. Rosenbaum (who was at the Hugo Awards in 2022 with their partner Abraham Reisman) writes in the New York Times about the seductive power of multiverses as a metaphor, and the danger of losing yourself in them. It’s a beguiling and interesting meditative piece that weaves together threads of politics, comic books, modern pop culture and personal reflection. “I Fantasized About Multiple Timelines, and It Nearly Ruined My Life”.

…It’s easy to see the appeal of the multiverse, even as metaphor: the notion that we’re surrounded by a multitude of parallel selves, one of which might be living in a better timeline than the one we’re stuck in. It’s probably no coincidence that the idea has become so popular during an era of pandemic, climate change and political turmoil, when so many of us have felt helpless and trapped. Who doesn’t want to imagine a different world?

But it can also be a dangerous way of imagining the cosmos. Like the Capgras patient, we risk becoming detached from the world we can see and touch. Regardless of whether we can prove that the multiverse exists, the idea of it can distract us from doing the work we need to do to make this world better. This timeline is the only one we have access to, and it’s got to be enough.

As a species, we’ve long been haunted by spirit realms and ghostly domains. Plato conceived of an intangible world of forms realer than anything we can touch. Plutarch reported that Alexander wept when he heard the possibility of an infinite number of worlds, having not conquered all of this one.

C.S. Lewis was an early multiverse explorer with his Narnia books, in which siblings grow to adulthood as kings and queens on the other side of their magical wardrobe in a world that exists parallel to our own. He was also paying quite a bit of attention at the time to a new branch of science known as quantum physics. In 1957, a year after Lewis published his last Narnia book, a Princeton doctoral student, Hugh Everett III, published a dissertation bringing the ancient idea of the simultaneous existence of several worlds into the realm of modern science.

Everett was trying to solve a seeming paradox in quantum theory: Certain elementary particles (say, a photon) seemed to exist mathematically in many places at once but could be detected at only one location at a time.

Perhaps, Everett suggested, the act of detecting the particle splinters reality; perhaps the observer, and indeed the universe, splits into different possible timelines, one for each possible location of the particle. This would become known as the many-worlds interpretation. Physicists recoiled at the idea at the time.

…And that’s the peril of the multiverse; I was becoming unreal to myself, nostalgic not for a time before the death happened but for a timeline in which it never happened at all….

(2) APPROACH THE BENCH. “Publishers, Internet Archive Set for Key Hearing Today” – Publishers Weekly gives a head’s up.

After nearly three years of legal wrangling, a federal judge today will hear cross motions for summary judgment in a closely watched lawsuit challenging the legality of the Internet Archive’s program to scan and lend print library books.

First filed in New York on June 1, 2020, by four major publishers (Hachette, HarperCollins, John Wiley & Sons, and Penguin Random House) and the Association of American Publishers, the copyright infringement lawsuit alleges that the Internet Archive’s scanning and lending of library books under an untested legal theory known as “controlled digital lending” is piracy on an industrial scale. The Internet Archive counters that it’s activities are legal, protected by fair use, and that the publishers’ action fundamentally threatens the core mission of libraries to own and lend collections in the digital age….

(3) TASTE OF MOCCA. The Society of Illustrators has release the programming schedule for the 2023 MoCCA Arts Festival, taking place April 1-2. Programming will take place at the SVA Flatiron Gallery, located at 133 West 21st Street (NYC), steps away from the Exhibitor Hall at Metropolitan Pavilion. Full details here: MoCCA Arts Fest. An excerpt from the program press release:

Featured guest Maia Kobabe, author of the award-winning and frequently-banned Gender Queer, will answer questions posed by writer Michele Kirichanskaya (Ace Notes) in a special spotlight session. Kobabe will also participate in a very special panel about comics and censorship moderated by PEN America’s Jonathan Friedman, and also including Mike Curato, author of Flamer, and Cathy G. Johnson, author of The Breakaways, who have all been affected by the wave of censorship currently sweeping parts of the United States.

In other spotlight sessions, Barbara Brandon-Croft (Where I’m Coming From) will discuss her life and career as the first Black woman to write and draw a nationally syndicated daily comic strip. Colleen Doran (A Distant Soil) will appear in conversation with Neil Gaiman (Sandman) to discuss her career and their history of collaboration. This event is scheduled in conjunction with the exhibition “Colleen Doran Illustrates Neil Gaiman,” running from March 22nd to July 29th at the Society of Illustrators and curated by scholar Kim Munson, who will also moderate the conversation. Noah Van Sciver will discuss his prolific career in conversation with Gil Roth (Virtual Memories)….

(4) CULTURE CANCEL. [Item by Olav Rokne.] Research reported in Variety confirms what a lot of us already suspected about the current era of streaming; viewers won’t get attached to shows when they think they’re likely to get cancelled before their stories have a chance to be told. So Netflix’s 1899, and Amazon’s Papergirls may have been doomed before they began. Fear of streamers cancelling shows early leads to a self-fulfilling prophecy, and for dark times in media. “Survey Shows Frequent TV Series Cancellations Affect U.S. Viewership”.

Frequent TV show cancellations are starting to change how U.S. viewers decide what to watch. In fact, whether or not the show has concluded has a significant impact on whether people sample it, according to a survey from YouGov.

A quarter of U.S. adults wait for streaming originals’ finale before starting, citing fears over the show’s potential cancellation with an unresolved ending (27%) or because they do not want to wait for the next season after a cliffhanger (24%). Nearly half (48%) of the participants who said they prefer to wait until the series ends before starting it cited a preference for binge-watching shows.

Moreover, the survey showed that nearly half of Americans (46%) sometimes or always wait for the series finale before they even begin watching the show. The 18-to-34-year-old age group was the most likely to agree with that statement, with 25% saying always and 34% saying sometimes….

(5) VERSUS EBOOKS. On the BBC’s Hardtalk, Stephen Sackur speaks to the hugely successful bookseller James Daunt. “From Waterstones to Barnes & Noble he has fought off ebooks and online retail to revive bricks and mortar bookstores.” But – “Is the books industry a place where creativity and diversity truly thrive?”

(6) INDIE BOOKS RECOGNIZED. The finalists of the 2022 Foreword Indies Book of the Year Awards have been announced in lots of categories, including fantasy and science fiction.

As part of its mission to discover, review, and share the best books from university and independent publishers, Foreword Reviews is pleased to announce the finalists for the 2022 INDIES Book of the Year Awards.

More than 2,500 entries spread across 55 genres were submitted for consideration. The Finalists were determined by Foreword’s editorial team. Winners are now being decided by teams of librarian and bookseller judges from across the country.

Winners in each genre—along with Editor’s Choice Prize winners and Foreword’s Independent Publisher of the Year—will be announced June 15, 2023.

(7) LORD RUTHVEN AWARDS ON HIATUS. The Lord Ruthven Assembly usually presents its vampire-themed awards during the International Conference on the Fantastic in the Arts, but not this year.

Amanda Firestone explained to File 770, “The LRA paused our awards for 2022 in order to re-evaluate how candidates are selected and voting procedures are conducted. We intend to ‘double up’ for next year’s presentation at ICFA 45.”

(8) A DOG’S BEST FRIEND. It’s a heartwarming article. “Can’t Explain” by Mad Genius Club’s Dave Freer. (Yes, I know!) Here’s the first paragraph.

We ended up dogsitting for an older friend of ours that had to go medical, off island. A long-ish treatment. She’s a widow, and the dog is her husband’s old hunting dog. When we arrived I thought it was a death watch. Not that his mistress is unkind or mistreats him in any way – she had gone to the trouble of getting us in dog-sit, and provides for him in every way… but, well dogs are not politically correct. And no one had told Bert he wasn’t allowed to be a man’s dog. He spent our entire time there basically on my feet. I pampered him, and fussed him a lot. He put on a bit of condition, and when his mistress came home… (and he was pleased to see her) I was left at the gate saying ‘see you in heaven, someday, Bert.’ It nearly broke my heart. Because you can’t explain….

(9) MEMORY LANE.

1977 – [Compiled by Cat Eldridge.]

Spider Robinson’s Callahan’s Place, his bar that exists everywhere in this universe and perhaps elsewhere, is one of those series that is great in places, and well, not so great in others.

The Beginning below is that of Callahan’s Crosstime Saloon which was published by Ace Books in 1977 in paperback. It’s currently available from the usual suspects.

Callahan’s Crosstime Saloon contains nine stories, Most of which were published in Analog Science Fiction and Fact with one in Vertex.

I’ve said it before and I’ll repeat here — I can now only absorb my written SF in small bites, so these stories are perfect for me. Each has Robinson’s usual wry humor and more than a fair bit of sharp wit to them. .

And now let’s have this Beginning…

The Guy With The Eyes. Callahan’s Place was pretty lively that night. Talk fought Budweiser for mouth space all over the joint, and the beer nuts supply was critical. But this guy managed to keep himself in a corner without being noticed for nearly an hour. I only spotted him myself a few minutes before all the action started, and I make a point of studying everybody at Callahan’s Place.

First thing, I saw those eyes. You get used to some haunted eyes in Callahan’s—the newcomers have ’em—but these reminded me of a guy I knew once in Topeka, who got four people with an antique revolver before they cut him down.

I hoped like hell he’d visit the fireplace before he left.

If you’ve never been to Callahan’s Place, God’s pity on you. Seek it in the wilds of Suffolk County, but look not for neon. A simple, hand-lettered sign illuminated by a single floodlight, and a heavy oaken door split in the center (by the head of one Big Beef McCaffrey in 1947) and poorly repaired.

Inside, several heresies.

First, the light is about as bright as you keep your living room. Callahan maintains that people who like to drink in caves are unstable.

Second, there’s a flat rate. Every drink in the house is half a buck, with the option. The option operates as follows:

You place a one-dollar bill on the bar. If all you have on you is a fin, you trot across the street to the all-night deli, get change, come back and put a one-dollar bill on the bar. (Callahan maintains that nobody in his right mind would counterfeit one-dollar bills; most of us figure he just likes to rub fistfuls of them across his face after closing.)

You are served your poison-of-choice. You inhale this, and confront the option. You may, as you leave, pick up two quarters from the always full cigarbox at the end of the bar and exit into the night. Or you may, upon finishing your drink, stride up to the chalk line in the middle of the room, announce a toast (this is mandatory) and hurl your glass into the huge, old-fashioned fireplace which takes up most of the back wall. You then depart without visiting the cigarbox. Or, pony up another buck and exercise your option again.

Callahan seldom has to replenish the cigarbox. He orders glasses in such quantities that they cost him next to nothing, and he sweeps out the fireplace himself every morning.

Another heresy: no one watches you with accusing eyes to make sure you take no more quarters than you have coming to you. If Callahan ever happens to catch someone cheating him, he personally ejects them forever. Sometimes he doesn’t open the door first. The last time he had to eject someone was in 1947, a gentleman named Big Beef McCaffrey.

Not too surprisingly, it’s a damned interesting place to be. It’s the kind of place you hear about only if you need to—and if you are very lucky. Because if a patron, having proposed his toast and smithereened his glass, feels like talking about the nature of his troubles, he receives the instant, undivided attention of everyone in the room. (That’s why the toast is obligatory. Many a man with a hurt locked inside finds in the act of naming his hurt for the toast that he wants very much to talk about it. Callahan is one smart hombre.) On the other hand, even the most tantalizingly cryptic toast will bring no prying inquiries if the guy displays no desire to uncork. Anyone attempting to flout this custom is promptly blackjacked by Fast Eddie the piano player and dumped in the alley.

But somehow many do feel like spilling it in a place like Callahan’s; and you can get a deeper insight into human nature in a week there than in ten years anywhere else I know. You can also quite likely find solace for most any kind of trouble, from Callahan himself if no one else. It’s a rare hurt that can stand under the advice, help, and sympathy generated by upwards of thirty people that care. Callahan loses a lot of his regulars. After they’ve been coming around long enough, they find they don’t need to drink any more.

It’s that kind of a bar.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born March 20, 1902 — David Lasser. From 1929 to 1933, he was the Managing Editor of Gernsback’s Stellar Publishing Corporation. He edited Science Wonder Stories and Wonder Stories Quarterly, as well working with writers on both zines. Lasser also edited Gernsback’s Wonder Stories from June 1930 to October 1933. As near as I can tell, The Time Projector novel is his only genre work. (Died 1996.)
Born March 20, 1932 — Jack Cady. He won the Nebula Award, the World Fantasy Award, and the Bram Stoker Award, an impressive feat indeed. McDowell’s Ghost gives a fresh spin on the trope of seeing a War Between The States ghost, and The Night We Buried Road Dog is another ghost story set in early Sixties Montana. Underland Press printed all of his superb short fiction into two volumes, Phantoms: Collected Writings, Volume 1 and Fathoms: Collected Writings, Volume 2. (Died 2004.)
Born March 20, 1948 — Pamela Sargent, 75. She has three exemplary series of which I think the Seed trilogy, a unique take on intergenerational colony ships, is the one I like the best. The other two series, the Venus trilogy about a women determined to terraform that world at all costs is quite good, and there is the Watchstar trilogy which I know nothing about. Nor have I read any of her one-off novels, so please do tell me about them. Her “Danny Goes to Mars” novelette won a Nebula and was also nominated for a Hugo at ConFrancisco. She was honored with the Kevin O’Donnell Jr. Service to SFWA Award.
Born March 20, 1950 — William Hurt. He made his first film appearance as a troubled scientist in Ken Russell’s Altered States, a career-making film indeed. He’s next up as Doug Tate in Alice, a Woody Allen film. Breaking his run of weird roles, he shows in Lost in Space as Professor John Robinson. Dark City and the phenomenal role of Inspector Frank Bumstead followed for him. He was in A.I. Artificial Intelligence as Professor Allen Hobby and performed the character of William Marshal in Ridley Scott’s Robin Hood. Up next was horror film Hellgate and his role as Warren Mills, and Jebediah from Winter’s Tale. He was in Avengers: Infinity War as Thaddeus “Thunderbolt” Ross. Two series roles of note, the first being in the SyFy Frank Herbert’s Dune as Duke Leto I Atreides. Confession: the digitized blue eyes bugged me so much that I couldn’t watch it. His other role worth noting is Hrothgar in Beowulf: Return to the Shieldlands. (Died 2022.)
Born March 20, 1955 — Nina Kiriki Hoffman, 68. Her The Thread That Binds the Bones, won the Bram Stoker Award for first novel. In addition, her short story “Trophy Wives” won a Nebula Award for Best Short Story. Other novels include The Silent Strength of Stones (a sequel to Thread), A Fistful of Sky, and A Stir of Bones. All are excellent. Most of her work has a strong sense of regionalism being set in California or the Pacific Northwest.
Born March 20, 1962 — Stephen Sommers, 61. He’s responsible for two of my very favorite pulpish films, The Mummy and The Mummy Returns which he directed and wrote. He also did the same for Van Helsing, and the live action version of Rudyard Kipling’s The Jungle Book. No, I’ve not seen it, so how is it? Not that he’s perfect as he did all four of the Scorpion King films…
Born March 20, 1970 — Cathy DeBuono, 53. If you were observant, you noticed her as M’Pella, a dabo girl who worked in Quark’s on Deep Space 9 during the last three seasons for an amazing fifty-two episodes. She also worked on the series as a stand-in, photo double, and body double for Terry Farrell. She received no on-screen credits until her final appearance in “The Dogs of War” episode

Born March 20, 1979 — Freema Agyeman, 44. Best known for playing Martha Jones in Doctor Who, companion to the Tenth Doctor. She reprised that role briefly in Torchwood. She voiced her character on The Infinite Quest, an animated Doctor Who serial. She was on Sense8 as Amanita Caplan. And some years ago, she was involved in a live production of Terry Pratchett’s Discworld’s Lords and Ladies held in Rollright Stone Circle Chipping Norton, Oxfordshire. It was presented out of doors in the centre of two stone circles. She’s continued her Martha Jones role in the Big Finish audio productions.

(11) JEDI COMIC RELIEF. “Obi-Wan Kenobi: Ewan McGregor Unexpectedly Reprised His Star Wars Role This Week” at Comicbook.com.

…As for [Ewan] McGregor, it’s unclear if he’ll be playing the fan-favorite Jedi again in an official capacity, but he did don the robe this week during a Comic Relief sketch, which aired on the BBC in the United Kingdom.

McGregor took part in a star-studded parody of Peacock’s The Traitors. The “contestants” included The Great British Bake Off‘s Mary Berry as well as Alison Hammond, who will soon be replacing Matt Lucas on The Great British Bake Off. It also featured Stephen Merchant (Logan), Danny Dyer (EastEnders), Jennifer Saunders (Absolutely Fabulous), and two real contestants from the first season of The Traitors. In the sketch, McGregor speaks about the dangers of the Dark Side and Merchant accuses him of being there only through a green screen. McGregor tells Merchant to “pipe down” since “it’s been a while” and he’s “just trying to stay in character.” The beloved Star Wars actor also gets in some good puns along the way. You can check out most of the sketch below…

"Remember, when it comes to the traitor, there can only be one."

Here's a clip of most of Ewan's bit in the Comic Relief sketch ???? pic.twitter.com/pwKafgr9Ml
— All Things Kenobi (@allthingskenobi) March 17, 2023

(12) ROLL ‘EM. Speculiction favors us with comments about a Star Wars-themed board game: “Cardboard Corner: Review of Imperial Assault”.

…Imperial Assault is a difficult game to categorize. Hovering at ceiling height above the table, it’s a miniatures game for 1-5 players that plays a campaign across varying scenarios using a modular map to recreate classic Star Wars environments. Tatooine deserts, Dagobah jungles, Imperial bunkers, and star destroyer bridges are just some of the places the wonderfully sculpted plastic minis portraying Rebel heroes and Imperial villains battle it out.

Down at the table level, one player takes on the mastermind role of the Imperials, controlling all of the stormtroopers, probe droids, officers, and other baddies in an attempt to prevent the Rebels from achieving their scenario goals. The other players take on the role of Rebel heroes, and depending on the scenario will fight off the Imperials to accomplish objectives; rescuing captives, stealing data, destroying bunkers—real Star Wars stuff. Linking these pieces together is a campaign that never plays the same way twice. Oh, and a set of custom dice developed specifically for resolving the game’s attacks and skill tests…..

(13) MORE GAME REVIEWS. And if you’re looking for other reviews of “analog” (i.e., not digital) games, Eric Franklin recommended these two sources to me:

Shut Up And Sit Down – https://www.shutupandsitdown.com – is a blog and podcast that does video reviews of games that include actual gameplay. The team is very funny (and are super-good people), and they’re worth watching.
Rahdo Runs Through – https://www.youtube.com/user/rahdo – one of the best-known board game channels on YouTube. Originally a one-man show, he’s expanded and brought in a handful of other teammates for his video reviews.

Both of them do solid overviews of play during their reviews, including (usually) showing a few turns or rounds of play.

(14) SO IT’S LIKE SHREK? [Item by Mike Kennedy.] Scientists at Caltech have refined modeling of Io and say it’s likely to have a subsurface global magma ocean overlaying a solid core rather than a spongy mix of solids and magma. So, layers like an onion. Or an ogre. “Jupiter’s volcanic moon Io probably has a subsurface magma ocean” at Sky at Night.

The moon Io, the innermost of Jupiter’s Galilean moons, is a violent, tortured little world.

Despite being almost the same size as our own Moon, the two couldn’t be more different.

Our Moon is a cold, dead world, while Io is the most volcanically active body in the Solar System – even more so than Earth – and is constantly spewing itself inside out with intense eruptions.

The driving force behind all this activity is tidal heating. The powerful gravitational pull of Jupiter tugging on Io constantly distorts its shape.

This perpetual bending and flexing generates intense tidal heating in the interior of the moon, melting its silicate rock crust into hot magma….

(15) VIDEO OF THE DAY. Have you seen something strange in the sky lately? The first ones came to spy on us. Now, the Giant Bubbles attack!

Filmmaker Fabrice Mathieu says his film was “Inspired from the white balloons flying above some countries!”

[Thanks to John King Tarpinian, Chris Barkley, Andrew Porter, Olav Rokne, Eric Franklin, Fabrice Mathieu, Cora Buhlert, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 10/25/22 Mahna Mahna! Do Scroll The Pixels The Pixels Are The One Thing That Is True

Posted on October 25, 2022 by Mike Glyer

(1) PULLING RANK. Amanda S. Green puts a blip on indie author’s radar screens. There’s been a change in what rankings Amazon displays to readers: “And so it goes” at Mad Genius Club.

…And Amazon has changed the rules without much fanfare when it comes to what rankings they show. According to another author who queried Amazon about what they were seeing, Amazon has shifted to a policy where only three category rankings will show on a product page. In other words, you can be in the top 10 in four or more categories but Amazon will only show three. As if that’s not bad enough, the categories I see might not be the same one you see because their bots choose which ones to show based on our browsing histories.
As a reader, I don’t see a big problem. As a writer, this is a huge problem….

(2) KINDLE STORYTELLER AWARD. The winner of Amazon UK’s 2022 Kindle Storyteller Award is a historical fantasy novel: King of War by Peter Gibbon.

The Kindle Storyteller Award is a £20,000 literary prize recognising outstanding writing. It is open to writers publishing in English in any genre, who publish their work through Kindle Direct Publishing. Readers play a significant role in selecting the winner, helped by a panel of judges including various book industry experts.
The 2022 Kindle Storyteller Award was open for entries between 1st May and 31st August 2022.

(3) SAY IT AIN’T SO! Syfy Wire has horrible news: “Disney+ lands future seasons of ‘Doctor Who’”.

If you want to watch the next incarnation of Doctor Who, you’re going to need a Disney+ subscription.
Disney announced Tuesday morning that it will be the new home for upcoming seasons of the classic BBC science fiction series in the United States and around the world, a major streaming acquisition for a streaming service that’s already home to major franchises like the Marvel Cinematic Universe and Star Wars. Ncuti Gatwa, who will play the Fifteenth Doctor on the series, confirmed the news during an appearance on Live with Kelly and Ryan this morning, according to a Disney press release….

(4) GATEWAY TO THE PAST. Young People Read Old SFF features a look at the Susan C. Petrey that ends her posthumous collection Gifts of Blood, which included essays by Le Guin, Vonda McIntyre, and Kate Wilhelm. What do the panelists think of this Hugo finalist?

October 2022’s Young People Read Old Hugo Finalists offers a story unusual in several ways. Firstly, I was utterly unfamiliar with Susan C. Petrey’s Hugo finalist story “Spidersong¹”. A glance at Petrey’s ISFDB entry offers a grim explanation: Susan Petrey died in her mid-thirties, 5 December 1980. Most of her work seems to have been published posthumously, largely in the Magazine of Fantasy and Science Fiction, a magazine that for no good reason I did not read.
In addition to her Hugo nomination, in spite of having just three stories in print (1979’s “Spareen Among the Tartars”, 1980’s “Spidersong”, and 1980’s “Fleas”), Petrey was nominated for the Astounding Award for Best New Writer². Petrey died before the results of the nomination were announced. In fact, Petrey was one of two authors present posthumously on the 1981 Astounding Award³; Robert Stallman died August 1, 1980. As far as I can tell, this is the only year any nominees, let alone two⁴, for the Astounding were nominated post-mortum.
“Spidersong” is unusual in a third, far more positive way: it is still in print, for web-based values of in print. Spidersong can be read in Issue 54 of Light Speed Magazine….

(5) LIGHTS ON. Cora Buhlert calls this a “semi non-fiction spotlight” because it’s about an anthology that mixes fiction reprints with essays and commentary: “Rediscovery: Science Fiction by Women Volume 2 (1953 to 1957), edited by Gideon Marcus”.

What prompted you to write/edit this book?
By 2018, I had read dozens of great stories by women in my trek through all the period science fiction magazines. That same year, I ran across A. J. Howells, who had started up a small press to republish The Office by Fredric Brown. His experience made me realize that it’s not too hard to start a press these days. Putting two and two together, it was obvious what my first project would be: a collection of all of my favorite stories by women from the era….

(6) THE NOT AT ALL JOLLY ROGER. According to this article from the Guardian, even Booker Prize winners have to deal with book piracy: “Booker prize winner urges people not to circulate pirated copies of his novel”.

Booker prize-winning author Shehan Karunatilaka has asked people not to circulate pirated versions of his novel.
Karunatilaka won the prize…for his second novel, The Seven Moons of Maali Almeida. In an Instagram story and a Facebook post two days after his win, Karunatilaka said it had “come to light that an unofficial and illegal” pdf version of his book was “doing the rounds on Sri Lankan social media”.
In his post, titled “Do not steal the moon”, the author wrote: “The book took seven years to write, with countless hours of research, craft and hard work poured into it. If you wish to support and honour Sri Lankan art, please do not forward pirated versions of the book and tell those who are circulating it to refrain from doing so.”…

(7) PREMEE MOHAMED Q&A: At the Unofficial Hugo Book Club Blog: “Interview with Premee Mohamed, author of the Beneath The Rising trilogy”.

UHBC Blog: …Do you think it’s possible to write near-future fiction and not include some time of climate change elements?

Premee Mohamed: Well, anything’s possible in fiction.

But suppose I wanted to write a murder mystery set in London in a fancy house in the middle of the city in 1942. In theory, I could write the entire book just about the murder mystery and these friends would have to solve it.

But in practice, if I didn’t mention World War II at any point or the Blitz or the bombs or people that they knew that had died in the war … it would feel very weird and I feel like the book would be kind of missing something enormous about the reality of London in 1942….

(8) KNOW THE TERRITORY. J. Dianne Dotson advocates for “The Ecology of World-Building“ at the SFWA Blog.

…Interactions between living organisms and their environments include abiotic and biotic factors. Abiotic factors are nonliving factors, such as the sun, wind, precipitation, slope, or substrate (whether rock or other substance). Biotic factors are those that are living, such as plants, fungi, protists, or animals. Think about how both living and nonliving elements in your world affect your characters.
Other considerations include predator–prey relationships in your worlds. An apex predator is a top predator in a food chain. If your world has creatures, assume that there are predator–prey interactions. Where does each creature in your world fit in a food chain? What happens when you take the top predator away? What sorts of population pressures do your characters face? Showcasing these factors in your fiction weaves a unique tapestry for your characters to inhabit….

(9) CALLING OUT FATPHOBIA IN SFF. [Item by Olav Rokne.] Writing at Tor.com, R. K. Duncan enumerates the ways in which SFF has been a space that marginalizes those who are large. “SFF’s Big Fat Problem” is an important piece for us to read and to think about, when we’re consuming and creating fiction.

In my lifetime, SFF has become unimaginably more welcoming of my queer self than it was when I began to read. My fat self, not so much. This essay is a callout for everyone who feels they are a part of this community. Do better.

(10) FEARSOME FIVE. James Davis Nicoll counts up “Five Chilling Horror Novellas to Read This Fall” at Tor.com.

October is, as I noted in an earlier essay, a season for ghosts and ghouls. Days are shortening, winter is coming (at least for us folks in the northern hemisphere). It’s a season for melancholy entertainment.
Of course, autumn is also a busy season—even if, like the overwhelming majority of my readers, you don’t have to worry about getting crops in. You might not have the time, or the inclination, to read something long (there will be plenty of time for that in the cold days ahead). Happily, novellas are there for you. You might want to try one or more of these five….

(11) MEMORY LANE.

1969 — [By Cat Eldridge.] The Picasso Summer

Back in the Summer of love or thereabouts, Mister Bradbury wrote the script for The Picasso Summer which by the time it was in the can had involved artist Pablo Picasso, French directors Francois Truffaut and Serge Bourguignon, cinematographer Vilmos Zsigmond, animators Faith and John Hubley, composer Michel Legrand and Barbra Streisand. Even Bill Cosby was in the mix as his company produced it, as was another actor, Yul Brunner.

It’s based off his “In a Season of Calm Weather” short story which was first published in the January 1957 issue of Playboy. It was most recently, 2013, published by Bantam in his Medicine for Melancholy collection.

SPOILERS OF A VERY PSYCHEDELIC NATURE FOLLOW. SENSITIVE MINDS SHOULD GO ELSEWHERE.

Bradbury wrote a most excellent script here.

His story is that SF architect George Smith (as played by Albert Finney) is vacationing in France with his wife Alice (a very beautiful Yvette Mimieux) with the hopes of meeting Picasso. Why he wants to meet him is not explained. The back story is he is terminally weary of being an architect.

The young couple are turned away from the artist’s home, and a fight breaks out. George in a rather nasty mood goes off to Spain to meet Spanish bullfighting legend Luis Miguel Dominguín, who might be a friend of Picasso and might get him an introduction. He doesn’t.

So Alice stays behind and alone in France, very miserable. Upon he returns, he apologizes for the quite bad vacation. They go for a final swim on the beach, utterly failing to notice Picasso playing in the sand with his family just a few hundred yards away as they stroll away from him into the sunset.

YOU COME BACK. WE’RE NOT DOING INTERESTING DRUGS ANYMORE. I THINK.

I must stress that it includes some very trippy and quite lively animated sequences of Picasso’s work done up in the finest Sixties style possible. Groovy man! It’s quite delightful and all goes superbly well for our couple in the end.

It was shot in 1969, partly re-shot and tooted into the vault in 1969, but not shown publicly until 1972. It doesn’t appear in the Warner Bros. release records because it never hit the theaters only to premiere in the States on CBS’s Late Nite Movie. Warner Bros put a clip from it up here. Please, please do not link to the many extended clips from the film including the animated sequences as they are clear violations of copyright as the film is still very much under copyright.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born October 25, 1902 — Philip Wylie. Writer of SF snd mysteries alike. Co-author with Edwin Balme of When Worlds Collide, his most important work, which was first published as a six-part monthly serial (September 1932 through February 1933) in the Blue Book magazine with illustrations by Joseph Franké. The novel was the basis of the 1951 film of the same name that was produced by George Pal. (Died 1971.)
Born October 25, 1909 — Whit Bissell. You most likely know him as Station Manager Lurry on “The Trouble With Tribbles”, but his major contribution to the SFF genre was being in all thirty episodes of The Time Tunnel as Lt. Gen. Heywood Kirk. He also did one-offs on The Invaders, I Dream of Jeannie, The Man from U.N.C.L.E., Voyage to the Bottom of the Sea, Science Fiction Theater, The Incredible Hulk and The Outer Limits. And yes, in the Time Machine film. (Died 1996.)
Born October 25, 1928 — Marion Ross, 94. Best remembered as Marion Cunningham on Happy Days but she does have some genre roles, including an uncredited appearance in The Secret of The Incas often cited as the inspiration for Raiders of the Lost Ark. Charlton Heston was adventurer Harry Steele. Anyone see it? Again uncredited, she’s in a Fifties version of Around the World in 80 Days. The Sixties are kinder to her as she starts getting credited for her work, first for being on The Outer Limits as Agnes Benjamin in “The Special One” episode followed by being Angela Fields in Colossus: The Forbin Project. To date, her last genre role was on the animated Galaxy as the voice of Doctor Minerva in “Gotta Get Outta This Place”.
Born October 25, 1940 — Janet Fox. Author whose stories appeared in countless genre zines and anthologies between the Seventies and mid-Nineties. Her long fiction, mostly the Scorpio Rising series, was done as Alex McDonough. She’s also know for the Scavenger’s Newsletter which featured a number of noted writers during its run including Linda Sherman, Jeff VanderMeer and Jim Lee. (Died 2009.)
Born October 25, 1963 — John Gregory Betancourt, 59. Writer known for his work in Zelazny’s Amber universe but who has written quite a bit of other franchise fiction including works in the Star Trek, Hercules, Robert Silverberg’s Time Tours, Dr. Bones and The New Adventures of Superman. Most of his original fiction was early in his career. He’s also edited in a number of magazines including Weird Tales, Amazing Stories, H. P. Lovecraft’s Magazine of Horror, Adventure Tales and Cat Tales. He even co-edited with Anne McCaffrey, Serve It Forth: Cooking with Anne McCaffrey. His Wildside Press has been nominated three times for World Fantasy Awards.
Born October 25, 1971 — Elif Safak, 51. Turkish writer with three genre novels, one written originally in Turkish (Mahrem), The Gaze in its English translation, and two written in English, The Architect’s Apprentice (which was translated into Turkish as Ustam ve Ben) and 10 Minutes 38 Seconds in This Strange World.
Born October 25, 1971 — Marko Kloos, 51. Author of two MilSF series, Frontlines and The Palladium Wards. His Lines of Departure was nominated for Hugo Award for Best Novel at Sasquan on a slate organized by the Sad Puppies. In reaction to this, Kloos withdrew the novel from consideration for the award. He was subsequently honored by George R. R. Martin for this decision. And that gets him Birthday Honors. Five of his books have been Dragon Awards nominees in the Best Military SF or Fantasy category.

(13) SOI HALL OF FAME INDUCTEES. The Society of Illustrators’ 2022 Hall of Fame Ceremony and Awards will catch up two years’ worth of inductees.

Since 1958, the Society of Illustrators has elected to its Hall of Fame artists recognized for their distinguished achievement in the art of illustration.
Artists are chosen based on their body of work and the impact it has made on the field of illustration.

2021 Hall of Fame Laureates

Braldt Bralds
Craig Mullins
Floyd Norman
Margaret Brundage
Jean Alexandre Michel André Castaigne
Walter Percy Day
Dale Messick

2022 Hall of Fame Laureates

Charles Addams
George Booth
Emory Douglas
Wendy and Brian Froud
Reynold Ruffins

(14) HUGO SWAG. Cora Buhlert recently received her 2022 Hugo finalist certificate and pin. You can see a photo here: “Look What the Mailman Brought Me”.

(15) SCIENCE FICTION & FANTASY POETRY ASSOCIATION MILESTONE. Adele Gardner and Greer Woodward, Editors of the 2022 Dwarf Stars Anthology made a historic announcement about the poet who took second place in the 2022 Dwarf Stars Award for his poem “Colony.”

Jamal Hodge is the first black man to win or place in the competition. Though the editors are saddened that there have not been prior accolades for black men in the Dwarf Stars Award, we are so very glad that Jamal Hodge has broken this barrier and lifted us with the quality of his work.

Jamal Hodge is a multi-award-winning filmmaker and writer from Queens NYC who has won over 80 awards with screenings at Tribecca Film Festival, Sundance, and the Cannes Short Film Corner. As a writer, Hodge is an active member of the Horror Writers Association and the SFPA, being nominated for a 2021 & 2022 Rhysling Award for his poems “Fermi’s Spaceship” and “Loving Venus,” while placing second in the 2022 Dwarf Stars. His poetry is featured in the anthology Chiral Mad 5 alongside such legends as Stephen King and Linda Addison. His written work was featured in the historical all-black issue of Star*Line (43.4), Space and Time Magazine, Hybrid: Misfits, Monsters & Other Phenomena, Penumbric Speculative Fiction Magazine, Savage Planets, and many others. https://linktr.ee/directorh

Hodge’s 2022 Dwarf Stars poem “Colony” is a poignant observation of humanity. Although scientists have developed technology superb enough to send people to Mars and establish a colony, human nature has remained unchanged. The fact that murder is one of the things that marks our humanity is not only tragic, but may well damage prospects for a hopeful future. The editors admired the way this powerful message was expressed in only 29 words.

(16) MIGHTY DIALOG. Book Riot’s Kate Scottanoints these as “23 of the Best The Lord of the Rings Quotes”.

Choosing the best quotes from The Lord of the Rings is difficult, because there are so many amazing lines in this fantasy epic. Nevertheless, here are 23 of my favorite The Lord of the Rings quotes.

First out of the gate:

“‘Why was I chosen?’ ‘Such questions cannot be answered,’ said Gandalf. ‘You may be sure that it was not for any merit that others do not possess: not for power or wisdom, at any rate. But you have been chosen, and you must therefore use such strength and heart and wits as you have.’”

How can it be that my own favorite isn’t even on the list!

(17) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers: The Rings Of Power (Season 1),” the Screen Junkies say this Lord of the RIngs prequel has so many mysterious strangers show up in the first episodes that “It’s hard to keep up with the people who aren’t mysterious. Stop making me do homework to watch TV!” the narrator complains. He shows at least five clips where the cast are trying very very hard not to say they’re making rings that characters can be lords of. Noting this is an Amazon project, the narrator asks, “do the orc slaves get free two-day shipping?”

[Thanks to Chris Barkley, Michael Toman, Cat Eldridge, Cora Buhlert, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]

Pixel Scroll 7/8/22 Doctor Scroll In The Multipixel Of Madness

Posted on July 8, 2022 by Mike Glyer

(1) IN SUIT OVER CONTROLLED DIGITAL LENDING PARTIES FILE FOR SUMMARY JUDGMENT. This week both parties to the lawsuit over “controlled digital lending” — four publishers on one side and the Internet Archive on the other — filed motions for summary judgment Publishers Weekly reports: “Publishers, Internet Archive File Dueling Summary Judgment Motions in Scan Suit”. A motion for summary judgment asks the court to render a decision on the record already submitted.

The battle lines have now been drawn in a potentially landmark lawsuit over the scanning and lending of books. In a motion for summary judgment filed this week, lawyers for Hachette, HarperCollins, Wiley, and Penguin Random House argue that the Internet Archive’s controversial program to scan and lend books under an untested legal theory known as “controlled digital lending” is a massive piracy operation “masquerading as a not-for-profit library.” And in a dueling motion for summary judgment, the Internet Archive counters that its scanning and lending program does not harm authors and publishers and is a public good protected by fair use.

Copies of both parties’ motions are available online, the publishers motion here, and the Internet Archive’s motion here.

The publishers contend Internet Archive’s practices violate copyright law:

…Yet Internet Archive assumes that all “information should be free” and has searched for years to find a legal rationale for its radical infringements. Around 2018, it helped manufacture and market a theory called “controlled digital lending” or “CDL,” which was developed with no input from authors or publishers and without the imprimatur of Congress. Directly contradicting the idea that copyright protects a bundle of divisible rights, IA posits that it is lawful for a library to make digital copies of any print book it acquires and distribute that digital copy over the internet, without a license, as long as (a) the library uses digital rights management (“DRM”) technology to prevent additional copying, and (b) the library “only loan[s] simultaneously the number of [print] copies that it has legitimately acquired.” SUMF¶436. Regardless of whether it actually complies with CDL – and it does not – Internet Archive’s practice of CDL violates fundamental principles of copyright law, and undermines market incentives necessary to spur the creation of new works…

The Internet Archive’s motion gives this explanation of Controlled Digital Lending:

…CDL is fundamentally the same as traditional library lending; it’s just a better way of getting the book to the one patron who borrowed it. Because every book in the Internet Archive’s print collection has already been bought and paid for, everyone agrees the Internet Archive could loan those books by handing or mailing them to a patron. The only difference is that the Internet Archive is loaning the books over the Internet. Either way, the books on loan are not available to other patrons until they are returned….

The Electronic Frontier Foundation issued a press release supporting the Internet Archive’s motion: “Internet Archive Seeks Summary Judgment in Federal Lawsuit Filed By Publishing Companies”.

“The publishers are not seeking protection from harm to their existing rights. They are seeking a new right foreign to American copyright law: the right to control how libraries may lend the books they own,” said EFF Legal Director Corynne McSherry. “They should not succeed. The Internet Archive and the hundreds of libraries and archives that support it are not pirates or thieves. They are librarians, striving to serve their patrons online just as they have done for centuries in the brick-and-mortar world. Copyright law does not stand in the way of a library’s right to lend its books to its patrons, one at a time.”

(2) IT CAUGHT ON IN A FLASH. Space Cowboy Books presents an “Online Flash Science Fiction Reading” on July 19 at 6:00 p.m. Pacific. Register for free here.

Join us online for an evening of short science fiction readings with authors Douglas A. Banc, Ricardo Victoria, and Adele Gardner. Flash Science Fiction Nights run 30 minutes or less, and are a fun and great way to learn about new authors from around the world.

(3) MUSK TO TWITTER: EJECT! “Elon Musk tells Twitter he wants out of his deal to buy it” reports CNN.

Elon Musk wants to terminate his $44 billion deal to buy Twitter — the latest in a whirlwind process in which the billionaire Tesla CEO became the company’s biggest shareholder, turned down a board seat, agreed to buy the social media platform and then started raising doubts about going through with the deal. The next chapter in the saga is almost certain to be a court battle.
Musk claimed in a letter to Twitter (TWTR)’s top lawyer that he is ending the deal because Twitter (TWTR) is “in material breach of multiple provisions” of the original agreement, which was signed in April, according to a regulatory filing Friday evening.
Musk has for weeks expressed concerns, without any apparent evidence, that there are a greater number of bots and spam accounts on the platform than Twitter has said publicly. Analysts have speculated that the concerns may be an attempt to create a pretext to get out of a deal he may now see as overpriced, after Twitter shares and the broader tech market have declined in recent weeks. Tesla (TSLA) stock, which Musk was planning to rely on in part to finance the deal, has also declined sharply since he agreed to the deal….

(4) SOCIETY OF ILLUSTRATORS. An exhibit of top African-American artists in the comic book industry, “The Artist’s Experience: from Brotherman to Batman”, is being hosted by the Society of Illustrators through October 29.

The Society of Illustrators has announced a dynamic installation on display in the museum that delves between the pages of comic books and explores the artists’ process. “The Artist’s Experience: From Brotherman to Batman” on display from June 15 through October 29, 2022. The exhibit celebrates some of the top African-American artists in the comic book industry, and was co-curated by renowned culture journalist and writer Karama Horne (Marvel’s Protectors of Wakanda: A History and Training Manual of the Dora Milaje) and Eisner Award-nominated artist and writer Shawn Martinbrough (How to Draw Noir Comics: The Art and Technique of Visual Storytelling, Thief of Thieves, Red Hood), whose work will be featured along with over sixteen other talented artists.
… Also featured are Eisner Award-winning artists Afua Richardson (Black Panther World of Wakanda, HBO’s Lovecraft Country), Alitha Martinez (Batgirl, World of Wakanda) and John Jennings (Octavia Butler’s Parable of the Sower), as well as veteran artists Larry Stroman (Alien Legion, X-Factor) and Darryl Banks (Green Lantern).
Artwork from award-winning artist Ronald Wimberly, founder of the experimental art magazine THE LAAB (whose Prince of Cats graphic novel is currently being adapted to film by Spike Lee), Khary Randolph, Jamal Igle, Micheline Hess, Sanford Greene, Eric Battle, Marcus Williams, Chuck Collins, Damion Scott and Robyn Smith will all be on display, as well.

(5) TOLL ON LIBRARY WORKERS. “Groundbreaking Study Explores Trauma, Stress in Frontline Library Workers” — Publishers Weekly gives an overview.

… The 2022 Urban Libraries Unite Trauma Study draws upon a wide-ranging literature review, survey responses from more than 435 urban library workers (conducted between August and September 2021), focus groups, and a two-day forum. The final report paints a vivid picture of the difficult working conditions facing many urban librarians and library workers, as well as a promising framework through which the library community can begin to address its needs.
“It is clear that there is a crisis of trauma in urban public libraries and the evidence for this is so overwhelmingly compelling that it seems likely that trauma impacts work in libraries of all types across the profession,” reads the report’s conclusion. “It is also clear from the literature search and the conversations that created this report’s conclusions that the library profession is starting to wake up to this deeply corrosive crisis.”
The report describes a range of violent or aggressive patron behavior toward library workers, including racist and sexist verbal abuse, harassment, physical assault including having guns and other weapons brandished, and drug and alcohol issues including overdoses. In addition, library workers reported significant instances of “secondary trauma” from constant interactions with community members (including children) struggling with poverty, homelessness, mental illness, or drug abuse….

(6) EATING THE FANTASTIC. Scott Edelman invites listeners to join David Gerrold for a breakfast buffet on episode 175 of the Eating the Fantastic podcast.

Now it’s time for breakfast with David Gerrold, who I first encountered when I was 12, because I saw the Star Trek episode scripted by him, “The Trouble with Tribbles,” when it first aired in 1967. And they say 12 is the Golden Age of science fiction, right?
But David is so much more than that famed episode. He’s the author of more than 50 books, hundreds of articles and columns, and numerous hours of television. His TV credits include episodes from Star Trek (such as the aforementioned “The Trouble With Tribbles” and “The Cloud Minders”), Star Trek Animated (“More Tribbles, More Troubles” and “Bem”), Babylon 5 (“Believers”), Twilight Zone (“A Day In Beaumont” and “A Saucer Of Loneliness”), Land Of The Lost (“Cha-Ka,” “The Sleestak God,” “Hurricane,” “Possession,” and “Circle”), Tales From The Darkside (“Levitation” and “If The Shoes Fit”), Logan’s Run (“Man Out Of Time”), and others.
His novels include When HARLIE Was One (which I believe was the first prose of his I read, at age 17), The Man Who Folded Himself, The War Against The Chtorr septology, The Star Wolf trilogy, and The Dingilliad young adult trilogy, the Trackers duology, and many more. The autobiographical tale of his son’s adoption, “The Martian Child,” won the Hugo and Nebula awards for Best Novelette of the Year and was the basis for the 2007 movie, Martian Child. He was the 2022 winner of the Robert A. Heinlein Award, which was presented during Balticon.
We discussed what he means by “humility in the face of excellence,” the curse of fame and why J. D. Salinger may have had the right idea, how the more you know the slower you write, the challenge of living up to having won the Heinlein Award (and why Heinlein once called him “a very nasty man”), the scariest story he ever wrote, how Sarah Pinsker helped him understand what he really felt about Ursula K. Le Guin’s “The Ones Who Walk Away from Omelas,” the kind of person he might have been had he not moved to L.A. as a kid, the fannish way he found out he’d been nominated for a Hugo Award, how it feels to already know what the headline of his obituary will be, and much more.

(7) TOM FABER ON VIDEO GAMES. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Tom Faber recalls seeing Braveheart with his cousin, who asked, “Where are all the wizards?”

On surveying my collection of fantasy movies and video games the next day, I realized that almost all of them were set in a place that resembled 13th-century Scotland, from Lord Of The Rings to Skyrim to Game Of Thrones. Given that fantasy is the only genre that gives writers unlimited creative licence to dream up the wildest worlds, why do we see the same tired cliches again and again?…
…This is finally starting to change with the emergence of game developers outside the conventional industry hubs who are weaving new fantasies from the threads of their own history and myths. Earlier this year, Mexican studio Lienzo released Aztech: Forgotten Gods, which imagines a sci-fi world in which the Aztecs were never conquered. Rafi: An Ancient Epic incorporates Hindu mythology and draws inspiration fro the Mahabharata and the Ramayana. Maori developer Naphtali Faulkner created the stylish Umurangi Generation, a photo game set in a near-future New Zealand. Meanwhile, Aurion: Legacy of the Kori-Odan and the ambitious upcoming game The Wagada Chronicles both explore complex African mythologies.

(8) NOT JUST ANY STREAM. “Ben Aaronovitch’s Rivers of London novels are set for TV adaptation” – the Guardian tells about the deal.

A new partnership will bring together all nine of the novels, plus the accompanying short stories, novellas and graphic novels, for the screen.
Rivers of London is part urban fantasy, part police procedural, centring on detective constable Peter Grant. A newly graduated police officer from London, he is recruited in the first book by wizard and inspector Thomas Nightingale to the Folly, a police unit working on supernatural crimes, after an encounter with a ghost….

(9) DIRDA ON BOOKS OF INTEREST TO FANS. Michael Dirda reviews three volumes of Folio Society collections of Marvel comics and three volumes of Penguin Marvel collections. He also reviews a book called Cosplay which is a history of cosplayers going back to Worldcon masquerades. “Marvel comics in updated editions from Penguin and Folio, reviewed” in the Washington Post.

…All this past spring, then, I was eagerly looking forward to recapturing some of that ancient enchantment by immersing myself in six colorful volumes of Marvel superhero comics: three Penguin Classics collections of the early adventures of Spider-Man, Captain America and Black Panther, and three Folio Society best-of collections devoted to Spider-Man, Captain America and Hulk.
For fans, both series are desirable and contain little overlap. The general editor of the Penguin editions, Ben Saunders, a comics scholar from the University of Oregon, provides historical background on how Stan Lee, Jack Kirby, Steve Ditko and others co-created these modern legends. Contemporary writers such as Qiana J. Whitted, Gene Luen Yang, Jason Reynolds and Nnedi Okorafor contribute additional introductions or winningly personal forewords. Appendixes feature recommended reading lists and sometimes supplemental essays, such as Don McGregor’s memoir of how he wrote the multi-issue “Panther’s Rage,” which supplied some of the plot elements to the “Black Panther” movie. Each of these collectible Penguin hardbacks runs to roughly 350 pages and is priced at $50. Paperback editions cost $28.
The Folio Society volumes cost $125 apiece, but for purists they offer a slightly more authentic reading experience….
…At least, I continue to be childishly delighted by adult cosplay, the practice of dressing up as a favorite fictional or cinematic character. As our troubled superheroes know, donning a mask can be liberating, a way of releasing one’s deeper self. Appropriately, Andrew Liptak’s opens his chatty “Cosplay: A History” by looking at costume balls, historical reenactors, Halloween and the tradition of masquerade night at science-fiction conventions. Still, his heart really belongs to the Star Wars franchise.

(10) R. C. HARVEY (1937-2022). Cartoonist Robert C. Harvey, a respected comics historian and columnist, died July 7. His autobiographical intro at The Comics Journal sums up an incredible career.

Harv’s first foray into expository text was with a column in the fondly recalled Menomonee Falls Gazette (a weekly newspaper of comic strips) in the fall of 1973. A couple years later, he launched his Comicopia column in No.130 of the Rocket’s Blast – ComiCollector, which, by then, had been taken over by James Van Hise from Gordon Love, the founder. For RB-CC, he created a mock comicbook superhero, Zero Hero.
In March 1980, Harvey abandoned early columns and started writing for The Comics Journal, with a new effort, The Reticulated Rainbow, starting in No. 54 and continuing regularly under various titles for an insufferably long time. By the time he was in his eighties, Harv’d become, probably, the Journal contributor with the greatest longevity.
Bob also was a longtime contributor to Jud Hurd’s Cartoonist PROfiles magazine, The Thompson’s Comics Buyer’s Guide, Hogan’s Alley, and Nemo, the Classic Comics Library, among others. He also contributed to the early version of the scholarly comics publication Inks. The R.C. Harvey archives for The Comics Journal can be accessed here, and his recent Humor Times columns are here.
Harvey has written or collected and edited thirteen books on comics and cartooning, including his Milton Caniff: Conversations (2002) from the University Press of Mississippi, followed by a full biography of Caniff, Meanwhile… A Biography of Milton Caniff, Creator of Terry and the Pirates and Steve Canyon (2007) published by Fantagraphics. His most recent book is Insider Histories of Cartooning: Rediscovering Forgotten Famous Comics and Their Creators (2014) from UPM. A complete list of his books appears at his website.

Harvey still has two books scheduled to be released this Fall. He annotated the current Fantagraphics Complete Pogo series giving context to references in Walt Kelly’s comic strip, Volume Eight will arrive with R.C.’s contribution. He has also wrote and assembled The Art and History of Popeye due later this year.

(11) LARRY STORCH (1923-2022). Actor Larry Storch died July 8 at the age of 99. His most famous role was the scheming Corporal Agarn of F Troop (1965-1967). His genre work included co-starring with Bob Burns (who wore a gorilla costume) and Forrest Tucker on the Saturday morning children’s show The Ghost Busters. Storch appeared in more than 25 films, including The Monitors (1969, based on a Keith Laumer novel), and Without Warning (1980). He voiced characters in animated shows such as Merlin the Magic Mouse and Cool Cat. In Journey Back to Oz he voiced Aunt Em and Uncle Henry’s farmhand Amos.

(12) KAZUKI OBITIARY. Yu-Gi-Oh! creator Takahashi Kazuki hwas found dead at sea says Deadline. He was 60.

Takahashi Kazuki, the creative force behind manga trading card and Japanese entertainment franchise Yu-Gi-Oh!, has been found dead, according to local public broadcaster NHK.
It was reported Takahashi, whose real name is Kazuo Takahashi, was discovered floating while in snorkeling gear in near Okinawa Prefecture in Japan on Wednesday. A coast guard is looking into the cause of death.
Takahashi began as a manga artist in the 1980s and found success in 1996 when he created manga comic series Yu-Gi-Oh! and began serializing it in Weekly Shonen Jump magazine. He later outlined the rules for an accompanying trading card game.
The franchise grew to span several TV shows, manga spin-offs and video games and is now one of the highest-grossing of all time….

(13) MEDIA BIRTHDAY.

2003 – [By Cat Eldridge.] Some amazingly strange series come out of Canada. So it is with the Alienated series that debuted nineteen years ago this day on the Space network in Canada. It lasted for two seasons and a mere twenty-two episodes.

I’ve no idea who created it since, in true Heinleinian fashion, the serial numbers seem to have been completely filed off.

It was a comedy centered on a stereotypical suburban family living in Victoria, British Columbia who undergo strange and often overtly sexual changes (all nudity was pixillated) after being abducted by aliens. The mother was played by Sarah-Jane Redmond best remembered as Lucy Butler on the Millennium series and the father was played by Johnathan Whittaker who later shows on up The Expanse as Sec-Gen Gillis.

I think it was, to say the least, not aimed at all at being tasteful based on episode titles of the likes of “Where’s the Vagina?”, “Hard to Keep a Good Man Down” and “Where’s the Saltpeter?”. I have no idea what time of the evening it was broadcast in but I’m betting it was later on.

Critics, the few who actually bothered with reviewing it, found it entertaining. It never got a proper wrap-up as it was cancelled in the way so many of these low rated series are — in the middle of the night when no one is looking.

(14) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born July 8, 1914 — Hans Stefan Santesson. Trifecta of editor, writer, and reviewer. He edited Fantastic Universe from 1956 to 1960, and the US edition of the British New Worlds Science Fiction. In the Sixties, he edited a lot of anthologies including The Fantastic Universe Omnibus, The Mighty Barbarians: Great Sword and Sorcery Heroes and Crime Prevention in the 30th Century. As a writer, he had a handful of short fiction, none of which is available digitally. His reviews appear to be all in Fantastic Universe in the Fifties. (Died 1975.)
Born July 8, 1933 — Michael Barrier, 89. One of the few actors not a regular crew member on the original Trek who shows in multiple episodes under the same name. He was DeSalle in “The Squire of Gothos”, “This Side of Paradise” and “Catspaw”. While he has the same name each time, he does not have the same shipboard job as he serves as a navigator in the first episode, a biologist in “This Side of Paradise” and assistant chief engineer in “Catspaw”.
Born July 8, 1942 — Otto Penzler, 80. He’s proprietor of The Mysterious Bookshop in New York City who edits anthologies. Oh does he edit them, over fifty that I know of, some of genre interest including The Big Book of Sherlock Holmes Stories, Zombies! Zombies! Zombies! and The Black Lizard Big Book of Black Mask Stories which an original Lester Dent story in it. Back in the Seventies, with Chris Steinbrunner, he co-wrote the Encyclopedia of Mystery and Detection for which they won an Edgar Award.
Born July 8, 1951 — Anjelica Huston, 71. I’m going to single her out for her performance as The Grand High Witch of All The World, or Eva Ernst in The Witches, a most delicious film. She was also wonderful as Morticia Addams in both of the Addams Family films, and made an interesting Viviane, Lady of the Lake in The Mists of Avalon miniseries.
Born July 8, 1955 — Susan Price, 67. English author of children’s and YA novels. She has won both the Carnegie Medal and the Guardian Prize for British children’s books. The Pagan Mars trilogy is her best known work, and The Sterkarm Handshake and its sequel A Sterkarm Kiss, will please Outlander fans.
Born July 8, 1958 — Kevin Bacon, 64. The role I best remember him for is Valentine “Val” McKee in Tremors. He also played Jack Burrell in Friday the 13th, David Labraccio in the most excellent Flatliners and Sebastian Caine in Hollow Man.

(15) TUTTLE’S PICKS. “The best recent science fiction and fantasy – review roundup” by Lisa Tuttle in the Guardian. Covers The Daughter of Doctor Moreau by Silvia Moreno-Garcia; Thrust by Lidia Yuknavitch; The Ballad of Perilous Graves by Alex Jennings; Life Ceremony by Sayaka Murata and Old Country by Matt and Harrison Query

(16) SUPER-PETS CASTING. “The Good Place star confirmed as Wonder Woman in new DC movie” – Digital Spy knows her name.

DC has got itself a new Wonder Woman, with The Good Place‘s Jameela Jamil confirmed as the voice of Diana Prince’s super alter-ego in DC’s League of Super-Pets.

(17) BIG NUMBERS. “Six Flags Magic Mountain to debut record-breaking Wonder Woman coaster” – KTLA has details.

WONDER WOMAN Flight of Courage will take riders on a thrilling adventure for the very first time next Saturday, July 16.
Riders will reach speeds of up to 58 mph and can expect a steep climb up a 131-foot hill, an intense 87-degree drop and three inversions (like a loop) along the coaster’s 3,300-foot track.
Before boarding, those waiting in the Greek-inspired ride queue will be treated to immersive storytelling and a deep dive of the comic book heroine’s history and greatest accomplishments…

(18) IT WILL TAKE YOU THERE. “‘Portals will be as important as the car’: the architects exploring gateways to new dimensions” at the Guardian.

…The examples range from the rabbit-hole in Alice in Wonderland and the wardrobe in the Narnia books, to Dr Who’s Tardis, Back to the Future’s DeLorean and Platform 9¾ in Harry Potter, via all manner of holes, mirrors, cracks, bridges and “energy frames” found in sci-fi and fantasy fiction. Their timeline tells an eye-opening story, charting the explosion of portals after the second world war, marked by the likes of The Sentinel by Arthur C Clarke (which formed the basis of the film 2001: A Space Odyssey), the Wayback Machine in Peabody’s Improbable History, and the tollbooth from the 1961 book The Phantom Tollbooth, written by architect Norton Juster.
The following period, leading up to the cold war and the space race, saw portals take the form of massive energy-intensive machines and weapons built in the battle for world domination. They highlight the 1960s TV series The Time Tunnel, where thousands of people work under the desert surface on a secret megastructure, which would allow the US military to travel in time, noting how its iconic spiral design went on to inspire countless portals in future stories. The period after the cold war, meanwhile, saw portals serve more satirical and comical roles in lowbrow sci-fi and family movies – such as the phone booth in Bill and Ted’s Excellent Adventure, or the people-eating television in the 1980s body horror film Videodrome.

They found one of the most recurring types of portal to be the “portable hole”, first featured in the Looney Toons cartoon The Hole Idea in 1955, in which a scientist demonstrates his device for rescuing a baby from a safe, cheating at golf and escaping from housework. It later appears in the Beatles’ film Yellow Submarine, in the form of the Sea of Holes, as well as in Who Framed Roger Rabbit, reaching a hole-studded peak in the 1985 Marvel cartoon character, Spot – whose body is covered in portals…

(19) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Stranger Things Season 4 Pitch Meeting”, Ryan Geroge, in a spoiler-packed episode, says the villain this season is a guy who is bald, strong, doesn’t have a nose, and is clearly not Voldemort, Also several characters manage to remain alive by not explicitly dying in front of the camera during their death scenes.

[Thanks to Andrew Porter, Chris Barkley, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Lise Andreasen.]

Pixel Scroll 2/21/22 And The Scrolls That Mother Gives You Don’t Have Any Pixels At All

Posted on February 21, 2022 by Mike Glyer

(1) WAVE FUNCTION. Jim Benford was interviewed in a double-segment of 60 Minutes about the “Havana Syndrome” that is sickening State Department staffers around the world. He was interviewed as an expert on microwaves and as the author of High Power Microwaves, a copy of which was shown on screen. He was asked if the syndrome could be caused by a microwave weapon. Here’s an excerpt from the transcript.

James Benford: I think the best explanation, the most plausible, is that it’s a high-power microwave weapon.
James Benford is a physicist and leading authority on microwaves. He was not part of the government studies, but he co-wrote the book on microwave transmission. These are portable microwave transmitters of the kind that could damage the tissues of the brain.
James Benford: There are many kinds, and they can go anywhere in size from a suitcase all the way up to a large tractor trailer unit. And the bigger the device, the longer the range.
Scott Pelley: This would be able to transmit its microwave energy through the wall of a van, the wall of a home, something like that?
James Benford: Vans have windows, microwaves go through glass. They go through brick. They go through practically everything.
The technology, Benford told us, has been studied more than 50 years.
James Benford: It’s been developed widely in, perhaps, a dozen countries. The primary countries are the United States, Russia and China.

(2) VALE LOVECRAFT. From Joseph T. Major’s latest Alexiad I learned: “H. P. Lovecraft has stunned the world by announcing that this summer will see the end of his regular advice videos, ‘Ask Lovecraft’, on YouTube. How blasphemeously rugose and squamous! …Leeman Kessler, the real voice of Ask Lovecraft, has a second child and regular responsibilities as Mayor of Gambier, Ohio. After ten years, this additional activity has become more than he can handle. We will miss Ask Lovecraft.”

The latest video assures listeners things will wind down gradually —

And we’re not ending right away. Have no fear, we’re going to take things to the middle of the year so that we are right on our 10th anniversary. Until that time we will continue to answer your questions, dispense wisdom and offer up all the jackanapes you’ve come to expect.

(3) IT’S THE ECONOMY. Author Kyle Galindez asks “Why can’t Hollywood sci-fi and fantasy imagine alternatives to capitalism or feudalism?” at Salon.

… As a fantasy author myself, I’m intrigued as to how writers’ imagination hit a wall when imagining political alternatives. I am reminded of the oft-quoted remark from literary theorist Frederic Jameson, who quipped that it is easier to imagine the end of the world than it is to imagine the end of capitalism. Accordingly, the authors who are adept at imagining the end of capitalism are, more often than not, at the fringes….

(4) BY CROM, NOW THIS IS A MIGHTY ORGAN. [Item by Daniel Dern.] Found in my library’s sale pile, and purchased for a buck, because it didn’t occur to me to first check Hoopla, YouTube, etc:

Basil Poledouris’ soundtrack for the Conan The Barbarian movie, transcribed for organ, performed by Phillipp Pelster (on Amazon).

As opposed to the actual soundtrack: “Conan The Barbarian (Original Motion Picture Soundtrack)” (via Hoopla).

Here’s one of several tracks, via YouTube:

Here it is being played on piano

And here’s a live orchestra performance (not just the organ):

By Crom’s Cavitous Teeth, I wouldst happily sell my copye for that dollar plus shipping (media mail even), elstwhyse I mayeth slip the foul thing back into the library’s for-sale box.

(5) MOCCA. The Society of Illustrators released the visuals for the 2022 MoCCA Arts Festival to be held April 2-3 in New York.

Featuring work by over 500 creators, the weekend will also include live lectures, panels, and artist signings! In one of the first independent comics festivals of the season, this year’s Fest will truly be a momentous occasion with many happy reunions for the community!
To help announce and promote this year’s Fest, the Society asked creator Yadi Liu, previous MoCCA Arts Fest exhibitor and Award of Excellence gallery artist, to create a colorful, celebratory image. Liu’s art will grace the cover of the Souvenir Journal and will feature prominently on all advertising and promotional materials, as well as a selection of merchandise available to purchase at the SI Booth. “Yadi’s art really captures our excitement for the return of the Fest. After several years of challenges and disappointments, we are so happy to welcome everyone back!” said Executive Director Anelle Miller.
In addition to Liu’s art, the Society has also asked several notable artists to create work for the show. Natalie Andrewson’s whimsical creatures will be displayed on the badges, and Patrick McDonnell’s quirky MUTTS characters will be featured as spot illustrations found throughout the Fest. These featured artists will be attending the Fest, and their schedules and table locations will be released as the date approaches.

(6) BLACK HISTORY MONTH CONTINUES. The Horror Writers Association blog continues its “Black Heritage HWA interview series” –

“Black Heritage in Horror: An Interview with Linda D. Addison”

How have you seen the horror genre change over the years? And how do you think it will continue to evolve?
For sure in the 50 years that I’ve been writing I see changes. Per diversity: In the beginning there were so few Blacks (and others) in genre writing. Since then it has increased in horror and science fiction and fantasy, which is good. The birth of black publishers and self-publishing has created an outlet for Other authors to offer their work to readers, in addition to the traditional publishers. We need this expanding to include more Others to continue. There are many different kinds of stories to be told and and creators to be seen. A big part of making this happen is for the publishing field to increase awareness and be willing to work at including other voices and realize that decision makers need to include Others.

“Black Heritage in Horror: An Interview with Sumiko Saulson”.

Who are some African diaspora horror authors you recommend our audience check out?
The incredibly talented Chesya Burke is a writer who first came to my attention when I was putting together 60 Black Women in Horror. Valjeanne Jeffers and Crystal Connor are two writers who have impressed me with their short story work. I love L.A. Banks’ highly entertaining Vampire Huntress series. I love anthologies that give the reader a sampling of various African Diaspora horror writers, and Sycorax’s Daughers, edited by Linda Addison, Kinitra Brooks, and Susanna Morris and Dark Matter edited by Sheree Renee Thomas are two I recommend.

“Black Heritage in Horror: An Interview with Steven Van Patten”.

What was it about the horror genre that drew you to it?
I was drawn to horror because I needed it. I needed the distraction, the escape. The truth is, I was sort of an outcast and a latch-key kid until high school, where I would settle into just being awkward. I’m the quintessential late bloomer. With that, all that we now label ‘nerd stuff’ drew my attention and helped keep my little mind off some of the more challenging aspects of my life. Because of my strange interests, the other kids didn’t get me, and to be fair, I may have handled it badly. To give you a sense of how early my problems started, the first fight I ever had in school was over a Planet of The Apes action figure which I mistakenly brought to school only to have someone try to steal it. That was second grade.
As far as horror was concerned, everything I was exposed to became part of this rich fantasy world I developed in my head. At any given moment my imagination let me either hunt Dracula or be just like them. Naturally, this was balanced out with fantasies about being Batman or Spider-Man but as I approached my teens, these fantasies became an addiction. I think that’s possible; being addicted to your own imagination. And mine is a beast. It’s been fed some of the best horror books and movies. There’s also been a lot of cross pollination within genres, like drama and comedy. That’s why there are certain things I cannot stop doing, like inserting humor into some of my work, or creating these dialogues that could easily be inserted into a family drama, if not for the fact it’s a vampire and a werewolf having the argument.

(7) THE FIRST DAY OF THE WEEK. The New York Times asked “How Marlon James, Novelist, Spends His Sundays”.

… ON CALL When I come back here, I usually have to deal with people who don’t respect the sanctity of my Sunday, like the production team for this TV show I’m working on called “Get Millie Black,” a detective show set in the U.K. and Jamaica. It’s produced by HBO and hopefully will be out around this time in 2023. When you’re a writer, there’s no days off….

(8) WORLD VIDEO GAME HOF NOMINATIONS. You have until February 28 to submit a recommendation for the 2022 World Video Game Hall of Fame sponsored by The Strong National Museum of Play.

Do you have a favorite video game that deserves to join icons such as Pong, Pac-Man, Super Mario Bros., Tetris, The Legend of Zelda, and The Oregon Trail in The Strong’s World Video Game Hall of Fame? Video game lovers everywhere are urged to submit nominations for induction online. Submissions for nominations must be made by Monday, February 28, 2022. Finalists will be announced in March, 2022, and inductees will be revealed at a special ceremony at The Strong museum on May 5, 2022.
The World Video Game Hall of Fame at The Strong was established in 2015 to recognize individual electronic games of all types—arcade, console, computer, handheld, and mobile—that meet the following criteria: icon-status, the game is widely recognized and remembered; longevity, the game is more than a passing fad and has enjoyed popularity over time; geographical reach, the game meets the above criteria across international boundaries; and influence, the game has exerted significant influence on the design and development of other games, on other forms of entertainment, or on popular culture and society in general.

(9) WADE IN. [Item by Martin Morse Wooster.] In the Washington Post, Michael Cavna writes about “Homer At the Bat,” a classic episode of The Simpsons that first aired in February 1992 and was one of the first episodes to feature multiple celebrities in one episode. Cavna reports the episode is packed with baseball lore (if you know who Cap Anson was, this is a show for you) and he interviews Wade Boggs, who says at autograph shows “I feel like I’m at a Comic-Con” because he has as many fans asking him to sign stills from The Simpsons as he does photos of him in a Red Sox, Yankees, or Devil Rays uniform. “’Homer at the Bat’ at 30: The ‘Simpsons’ baseball episode that pushed the show’s boundaries”.

…As Major League Baseball endures a lockout and faces a possible delay to this season, it’s an apt occasion to remember another time when ballplayers and management didn’t see eye to eye. Enter Homer, Mr. Burns and themighty lineup of imported pro ringers.
“Homer at the Bat,” which featured the voices of nine active major leaguers andmade its debutFeb. 20, 1992,was more than a quirky one-off in celebrity stunt casting. The 17th episode of Season 3 emboldened the minds behind “The Simpsons” to push the boundaries of what an animated half-hour series could do and show.
And from a ratings standpoint, it was a bellwether for the surging show: “Homer at the Bat” marked the first time that a new “Simpsons” episode beat an original episode of “The Cosby Show,” long an NBC juggernaut; on that prime-time Thursday night, “Simpsons” softball also topped CBS’s Winter Olympics coverage from Albertville, France….

(10) MEMORY LANE.

1967 — [Item by Cat Eldridge] Fifty-five years ago, Raquel Welch starred in One Million Years B.C. which was financed by Hammer Film Productions and Seven Arts. It was a remake of One Million B.C., a film made twenty-seven years earlier. The original film was also known as Cave Man, Man and His Mate and Tumak. That film was produced by Hal Roach and D. W. Griffith who I know you’ll recognize.

It was directed by Don Chaffey from the screenplay by Michael Carreras which in turn was based off the screenplay for the first film written by Mickell Novack, George Baker and Joseph Frickert.

The primary cast was Raquel Welch as Loana and John Richardson as Tumak with rest of the cast being Percy Herbert as Sakana, Robert Brown as Akhoba, Martine Beswick as Nupondi and Jean Wladon as Ahot.

Ray Harryhausen animated all of the dinosaur attacks using stop-motion animation techniques, and also coordinated all of the live action creatures used from turtles to crickets and iguanas.

So what was the reception for it? Most critics liked it. The Monthly Film Bulletin said that while it was “Very easy to dismiss the film as a silly spectacle; but Hammer production finesse is much in evidence and Don Chaffey has done a competent job of direction. And it is all hugely enjoyable.” And TV Guide said “While far from being one of Harryhausen’s best films (the quality of which had little to do with his abilities), the movie has superb effects that are worth a look for his fans.”

It cost just two point five million to make and made four point five million, a solid profit at the time.

Audience reviewers at Rotten Tomatoes give it a really poor thirty-six percent rating which I admit surprised me.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born February 21, 1912 — Peter Schuyler Miller. He wrote pulp fiction starting in the Thirties, and is generally considered one of the more popular writers of the period. His work appeared in such magazines as Amazing Stories, Astounding, The Magazine of Fantasy and Science Fiction, Marvel Tales, Super Science Stories, and Weird Tales to name but a few of the publications he appeared in. He began book reviewing beginning initially for Astounding Science Fiction and later for its successor, Analog. The 1963 Worldcon presented him with a special committee award for book reviewing. He had but two novels, Genus Homo, written with L. Sprague de Camp, and Alicia in Blunderland. (Died 1974.)
Born February 21, 1914 — H.L. Gold. Editor of Galaxy from 1951 to 1960 and If from 1959 to 1961. Before that, from 1939-41 he was an assistant editor on Captain Future, Startling Stories and Thrilling Wonder Stories. He also was a writer working for DC in the early Forties on Batman, Boy Commandos, Superboy, Superman and Wonder Woman. In the Thirties, he wrote two novels, A Matter of Form and None But Lucifer, the latter with L. Sprague de Camp. And he wrote a double handful of short fiction. Philcon II awarded him, along with John W. Campbell, Jr. for Astounding Science Fiction, the Hugo for Best Professional Editor for his work on Galaxy. (Died 1996.)
Born February 21, 1935 — Richard A. Lupoff. His career started off with Xero, a Hugo winning fanzine he edited with his wife Pat and Bhob Stewart. A veritable who’s who of writers were published there. He also was a reviewer for Algol. To say he was prolific as a professional writer is an understatement as he’s known to have written at least fifty works, plus short fiction, and some non-fiction as well. I’m fond of Sacred Locomotive Flies and The Universal Holmes but your tolerance for his humor may vary. The usual digital suspects stock him deeply at quite reasonable prices. (Died 2020.)
Born February 21, 1937 — Gary Lockwood, 85. Best remembered for his roles as astronaut Frank Poole in 2001: A Space Odyssey and as Lieutenant Commander Gary Mitchell in the Trek episode “Where No Man Has Gone Before”. He’s also in The Magic Sword as Sir George which Mystery Science Theatre admitted was pretty good, a rare admission for them. He’s got a number of genre of one-offs including the Earth II pilot, Mission Impossible, Night Gallery, Six Million Dollar Man and MacGyver.
Born February 21, 1946 — Anthony Daniels, 76. Obviously best known for playing C-3PO in the Star Wars film series. To my knowledge, he’s the only actor to have appeared in all of the productions in the series, no matter what they are. He has scant other genre creds but they are being in I Bought a Vampire Motorcycle as a Priest, voicing C-3PO in The Lego Movie and the same in Ralph Breaks the Internet. Did you know that Season 4, Episode 17 of The Muppet Show is listed as “The Stars of Star Wars” and C-3PO apparently appears on it?
Born February 21, 1946 — Alan Rickman. I’ll single him out for his role in the beloved Galaxy Quest as Dr. Lazarus but he’s got an extensive acting resume in our community. Of course he played Professor Severus Snape in the Potter franchise, and his first genre role was in the Robin Hood: Prince of Thieves as the Sheriff of Nottingham. He voiced Marvin the Paranoid Android in The Hitchhiker’s Guide to the Galaxy, a role worthy of an Academy Award. Voicing Absolem in Alice Through the Looking Glass was his final role. (Died 2016.)
Born February 21, 1950 — Larry Drake. I know him best as the over the top Robert G. Durant in the Darkman franchise. His other genre roles are largely in series one offs such as several appearances on Tales from the Crypt, an appearance on The Outer Limits and even an episode of Star Trek: Voyager. (Died 2016.)
Born February 21, 1961 — David D. Levine, 61. Winner of the Hugo Award at L.A. Con IV for the Best Short Story for his story “Tk’tk’tk” which you hear thisaway. He has the Adventures of Arabella Ashby series which currently is four novels strong. To date, he has had one collection titled Space Magic.

(12) COMICS SECTION.

Bizarro with Batman and Robin – took me a moment to get it!
It’s The Argyle Sweater, but this one would be just as at home in Bizarro or The Far Side.
Dinosaur Comics’ creator tells the audience, “What this comic assumes is that the ninth and current Secretary-General of the United Nations, António Guterres, the former Prime Minister of Portugal, knows who Spider-Man is. I believe this to be an extremely fair assumption.”
Tom Gauld in the Guardian:

My cartoon for yesterday’s @GdnSaturday / @GuardianBooks

p.s. new book of cartoons coming this autumn: https://t.co/hp2RJ0wBdr pic.twitter.com/ASa3VtGxbS
— Tom Gauld (@tomgauld) February 20, 2022

(13) EASTER EGGS. Each week Dan Piraro, the creator of the Bizarro newspaper comic, posts his Sunday comic, then a short essay. In “Pie Eyed” he explains all the extras in yesterday’s comic. There are plenty!

…Anyway, I’m fascinated by background jokes and hidden images. I’m saying all this because the Sunday cartoon above is a prime example of my obsession. There are so many background gags in this one it almost overwhelms the main joke. I’m aware of that but I can’t stop myself.
I’ve included Bunny’s Pie Repair as a business in the background of cartoons on city streets a bunch of times, but I think this one is the most elaborate version I’ve done. Here’s an enlargement for your convenience….

(14) ARCHIE’S NOTES. Bob Byrne turns another calendar page at West 35th Street: “Nero Wolfe’s Brownstone: Stay at Home – Day 37” at Black Gate.

So, in 2020, as the Pandemic settled in like an unwanted relative who just came for a week and is still tying up the bathroom, I did a series of posts for the FB Page of the Nero Wolfe fan club, The Wolfe Pack. I speculated on what Stay at Home would be like for Archie, living in the Brownstone with Nero Wolfe, Fritz Brenner, and Theodore Horstmann. I have already re-posted days one through thirty-six. Here is thirty seven (April 27). It helps if you read the series in order, so I’ve included links to the earlier entries.
Day Thirty Seven – 2020 Stay at Home
I was looking through some old notebooks today and came across this gem from a case I never finished writing up. There have been times when I think Inspector Cramer really did want to lock me up forever, and this was one of them…

(15) ONCE AND FUTURE AILUROPHILES. Mark Twain House & Museum will host a free virtual event “A Cat’s Tale: Dr. Paul Koudounaris and Baba the Cat on the History of Cats in America” on Thursday, February 24 at 7:00 p.m. Eastern. Register here.

The Mark Twain House & Museum is delighted to welcome fellow feline enthusiast, historian, and author Paul Koudounaris – a man who might just love cats as much as Mark Twain did.
Paul will discuss the history of America’s felines and their oft neglected contributions. Presented with a slideshow of historical images, the talk will take the audience on a wild and harrowing journey to reclaim the prodigious achievements of some of our nation’s greatest cats. Learn about cats in wartime and their role in the Wild West. Hear the extraordinary stories of cats like Clementine Jones, who traveled 1600 miles to find her family in a home and city she had never before been in. Or Pooli, a World War II US Navy cat who is the most decorated military animal in American history. Or Kiddo the flying cat, the world’s first celebrity feline. Or the amazing Colonel, the greatest (and highest ranking!) cat in US Army history.

(16) KEEP CALM.

I saw someone commenting that when *they* got a blue check, they wouldn't act as I do, which:

a) do they think we get a handbook when we get a blue check

b) do they think I do anything different here because I have one

c) if a blue check is a measure of virtue we're all fucked
— John Scalzi (@scalzi) February 20, 2022

Twitter would not give me the blue check, so I can assure everyone that standards are being upheld.

(17) COULD IT BE…CTHULHU? “Galaxy’s Centre Hosts Hundreds Of Strange Tendrils” reports Nature.

The Galaxy’s population of mysterious filaments that emit bright radio waves is at least ten times larger than scientists realised
Radio astronomer Farhad Yusef-Zadeh co-discovered the first of these filaments in the 1980s. The structures consist of electrons travelling at nearly the speed of light, on trajectories that spiral around magnetic-field lines. Now, Yusef-Zadeh, who is based at Northwestern University in Evanston, Illinois, and his collaborators have used MeerKAT, an array of 64 antennas in South Africa’s Northern Cape region, to take a series of 20 shots of the Milky Way’s central region, an effort that took some 200 hours.
The resulting composite image reveals a number of striking features, including expanding shock waves generated by supernovae, or exploding stars, and almost 1,000 filaments. The filaments’ spectral features suggest that their origin is not related to supernovae.
One possible explanation is that they originated from past cycles of activity of Sagittarius A*, the supermassive black hole at the Galaxy’s centre. Mysteriously, some of the filaments seem to be clustered together and evenly spaced, like the teeth of a comb.

(18) WALLY FUNK AND INGENUITY AWARDED. The National Air and Space Museum’s 2022 Michael Collins Trophy has been awarded to Wally Funk and the Mars Ingenuity Helicopter Team.

Wally Funk will receive the 2022 Michael Collins Trophy for Lifetime Achievement. Funk embodies the adage of “never give up on your dreams.” Since her first flying lesson in 1948 at age 9 and enrollment in flight school at 16, Funk knew that she wanted to fly, despite societal biases against women in aviation. After earning multiple certificates and ratings, she set her sights even higher in the sky—space. She was one of the top-performing participants in the Lovelace Woman in Space Program and dedicated decades of her life to flight instruction and safety, having logged over 19,600 hours of flight time, while never abandoning her dream of going to space. In 2021, that dream came true when she launched on the first crewed suborbital mission of Blue Origin’s New Shepard capsule.

MiMi Aung and the Mars Helicopter Ingenuity Team will receive the 2022 Michael Collins Trophy for Current Achievement. In April 2021, a small robotic helicopter achieved the first powered flight on another planet. Delivered to the surface of Mars by the rover Perseverance, Ingenuity was a technology demonstration aboard the Mars 2020 mission and successfully proved that flight was possible on the Red Planet. It is also now serving as a helpful tool to aid rover exploration of Mars. Ingenuity completed increasingly challenging flights and scouted areas for the Perseverance rover’s upcoming treks. Ingenuity’s “Wright brothers moment” captured the attention of the public back on planet Earth and inspired everyone to imagine what could be next in planetary exploration.

Congratulations to these two worthy recipients! They will be honored at an event at the end of March. The event is sponsored by Atlas Air Worldwide, BAE Systems, Booz Allen Hamilton, The Claude Moore Charitable Foundation, Jacobs, Leidos, National Air Traffic Controllers Association, Pratt & Whitney, Sierra Nevada Corporation, and Thales.

(19) FLAME ON. [Item by Martin Morse Wooster.] This remake of Stephen King’s Firestarter is coming in May and has a kid “who can unleash a nuclear explosion simply by using the powers of her mind.” Gosh wow!

(20) VIDEO OF THE DAY. This video, which dropped yesterday, has Ryan George playing an apprentice ghost who’s having a hard time learning not to haunt people: “Ghosts Are Bad At Revenge”.

[Thanks to JJ, John King Tarpinian, Andrew Porter, Chris Barkley, Lise Andreasen, SF Concatenation’s Jonathan Cowie, Daniel Dern, Michael Toman, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Tom Becker.]

Pixel Scroll 5/21/21 And The “Best Of” That Was Planted In My Brain Still Remains Atop The Very Lengthy Wishlist

Posted on May 21, 2021 by Mike Glyer

(1) AUTHOR’S COMMENTS. Nghi Vo, the author, shared 16 notes and 16 highlights from The Empress of Salt and Fortune (The Singing Hills Cycle, #1) at Goodreads.

This novella has everything to do with the dead: the dead lost, the dead loved, and the dead by the wider world forgotten. These are the first dead people we meet, and it was important to me that they be nameless, rendered useful through some indifferent court sorcerer’s work decades ago. This is all we get of them, and they are far less glamorous than the ghost who shows up just a few paragraphs later, the one who has a name, a family line, and a title (the title of this novella, as a matter of fact).

(2) EATING THE FANTASTIC. Scott Edelman invites listeners to “Nibble prosciutto bread with Nebula and Hugo Award-nominated writer Nino Cipri” on Episode 145 of the Eating the Fantastic podcase.

Nino Cipri is on both the Nebula and Hugo Awards ballots for their novella Finna. Its sequel, Defekt, was released last month. Their 2019 story collection Homesick won the Dzanc Short Fiction Collection Prize, was a finalist for the World Fantasy and Shirley Jackson awards, and was chosen as one of the top 10 books on the ALA’s Over the Rainbow Reading List. Their fiction has been published in Tordotcom, Fireside, Nightmare, Daily Science Fiction, and other places. Their YA horror debut, Burned and Buried, will be published by Holt Young Readers in 2022.
We discussed how they made peace with the heat death of the universe, the way their favorite endings also feel like beginnings, the false assumption things will always get better, how their award-nominated novella started out as a screenplay, their trouble with titles and fascination with trees, the many pleasures of ambiguity, how we almost lost them to mortuary science, why they’ve been called a verbal terrorist, and much more.

(3) GREENLIGHT. Hugh Howey tells how “The WOOL TV show” finally made it over the event horizon.

Well, the news is out. In fact, the news seems to be everywhere (Variety, Deadline, Hollywood Reporter, Tor, Collider). Which means I can finally talk about it.
WOOL is coming to Apple TV in partnership with AMC.
I’ve written about the origin of the WOOL novels in the past, so I won’t bore you with that. But the road to adapting the trilogy for the screen has been just as wild and twisty. It started back when I was still working in a bookstore, watching my sales take off, and I had to violate my boss’s policy of having cell phones at our desk because I was expecting a call from Ridley Scott and Steve Zaillian.
It was around this time that I put in my two-weeks notice. Not because I was fielding calls from legends of cinema, but I was starting to earn more from my book sales than I was from selling other people’s books. It was going to be a better use of my time to write more stories. Back then, all I wanted was to support myself with my art, rather than doing it on the side. I didn’t take the film deal seriously, because I knew that these projects don’t actually get made. I wrote a Twitter thread about this recently. Nothing ever gets made.
I was right, but it wasn’t for lack of trying. The folks at Fox produced two excellent scripts and attached a few directors, and we nearly crested the hill once or twice. But I kept my expectations low the entire time. I’ve watched others go through development hell over the years and knew how easily the wheels can come off. …
The long and short of it is that this isn’t a normal “hey this thing got optioned” announcement. It’s a “people are building sets and going over their lines” announcement. Sound stages are booked. Travel plans are being made. We might just be over the hill….

(4) BEYOND PANTSING. Calvin Fisher agrees that in generally just getting words down is the way to draft – but he says there are exceptions: “First Drafts – What is Important to Nail”.

Last week, I went over some elements of your draft that are easy to fix up in subsequent drafts; as a result, it is often more beneficial to just get words on the page for these elements, instead of fretting about them and letting them slow your progress down. On the flipside of the coin, there are a few story elements that are important to get right in your first draft. If they need changes down the line, they can be significantly more time-consuming to fix later on.
In Northfield, a large portion of my time into editing went into fixing logical inconsistencies and continuity errors. For instance, if characters went from A to B, the reasoning would sometimes be unclear, or there would be a more sensible option sitting right in my face. I then either had to clarify the reasoning, or I had to change the characters’ journey to follow a different route. Even minor changes were incredibly time consuming. Rewriting a passage is the least of it. Because something about the plot changed, I would often have to go and rewrite multiple other passages that referenced the plot point I changed. From there, I would have to re-read through the novel, to make sure every dialogue and narrative passage incorporated the change.
Because of this, I would highly suggest having a solid grasp of your plot. Not only on the bullet points of what happens, but the reasoning of WHY for each element….

(5) SOUNDS ABOUT RIGHT. Leonard Maltin interviews famed movie sound creator for Maltin on Movies: Ben Burtt.

Four-time Oscar winner Ben Burtt has crafted and created sounds we all know—from the heavy-breathing of Darth Vader to the pops and squeaks of R2D2, not to mention the voices of WALL-E and E.T. the Extra-Terrestrial. He’s been obsessed with sounds since he was a boy and has never lost that passion, which comes through in everything he does—including this interview with two of his biggest fans, Leonard and Jessie. (Did someone say Wilhelm?)

(6) TODAY’S DAY.

May 21 – Empire Day. As Craig Miller explains on Facebook:

Today is May 21st, known to many as Empire Day, the anniversary of when The Empire Strikes Back opened in theaters.
Here’s an excerpt from my book, “Star Wars Memories”, about what happened that night.
Opening Night for The Empire Strikes Back
Officially, The Empire Strikes Back was opening on Wednesday evening, May 21st. But there were theaters which would have their first showings earlier that day. Mid-afternoon. Maybe even in the morning.
But the Egyptian Theater in Hollywood was going to be having its first showing at one minute after midnight Tuesday night. Technically very, very early Wednesday morning.
This was, of course, the theater that the fans were standing in line in front of on Monday morning.
A few of us from the publicity department went down early, to meet and mingle with the people in line. Or I should say “lines”. There were people in line for the 12:01 am screening. The 2:30 am screening. And the 5:00 am screening. The lines wrapped all the way around the block….

That’s just the beginning of the story. Some others claim today is —

TALK LIKE YODA DAY

To celebrate how?
Yoda, talk like. Simple, it is. Add verb and subject at the end of your sentence in the order of object-subject-verb.

(7) MEDIA ANNIVERSARY.

May 21, 1985 — Ray Bradbury Theater premiered on HBO. It ran for two seasons on there from 1985 to 1986, and then for four additional seasons on USA Network from 1988 to 1992. All 65 episodes were written by Bradbury and many were based on works he had previously written. The Ray Bradbury Theater site has the best look at the series. You can watch the first episode, “Marionettes, Inc.“ here.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

Born May 21, 1471 – Albrecht Dürer. Engravings, paintings, watercolors, woodcuts; printmaker; theorist. The 15 Apocalypse pictures, or Knight, Death, and the Devil, or Melencolia I, are each enough to make him an immortal fantasist. (Died 1528) [JH]
Born May 21, 1688 – Alexander Pope. Secondmost quoted author in English (after Shakespeare); e.g. “damning with faint praise”. Mock-heroic epic The Rape of the Lock (“lock” i.e. of hair; “rape” meaning “carry away by force”, same root as “raptor”) has sylphs. Superb translations – if you are mainly looking for what wonderful English poetry AP could make, not accuracy, because you know enough Greek to read the original, as Sam Johnson did, or don’t care – of Homer’s Iliad and (with collaborators) Odyssey. (Died 1744) [JH]
Born May 21, 1889 — Arthur Hohl. He’s Mr. Montgomery, the man who helps Richard Arlen and Leila Hyams to make their final escape in Island of Lost Souls, the 1932 adaptation of H.G. Wells’ The Island of Dr. Moreau which is considered the first such filming of that novel. Gene adjacent, he’ll show later in The Adventures of Sherlock Holmes, The Three Musketeers and The Devil-Doll. (Died 1964.) (CE)
Born May 21, 1903 — Manly Wade Wellman. I remember reading the John the Balladeer collection Karl E. Wagner did and then seeking out the rest of those stories. Amazing stuff! I liked the Complete John Thunstone when I read it a few years back. — strongly recommended. What else by him should I read? (Died 1986.) (CE)
Born May 21, 1911 – Virginia Haviland. Librarian, author, folklorist, student of children’s literature. Reviewed for The Horn Book thirty years. Sixteen volumes of Favorite Fairy Tales, one each for Czechoslovakia, Denmark, England, France, Germany, Greece, India, Ireland, Italy, Japan, Norway, Poland, Russia, Scotland, Spain, Sweden. Founded Center for Children’s Literature, U.S. Lib’y of Congress. Kate Greenaway Medal for The Mother Goose Treasury. Regina Medal. Grolier Award. Simmons Univ. gives a Virginia Haviland scholarship. (Died 1988) [JH]
Born May 21, 1915 — Bill Williams. He appeared on Science Fiction Theater in five different roles, and played The Millionaire on Batman in “Fine Finny Fiends” and “ Batman Makes the Scenes”. He also made an appearance on The Wild Wild West in “Night of the Casual Killer“ as Marshal Kirby. He also did a lot of seriously pulpish SF films such as Space Master X-7. (Died 1992) (CE)
Born May 21, 1918 — Jeanne Bates. She’s Diana Palmer in the Forties The Phantom serial, possibly the first one done. Her first genre was as Miss Norcutt in The Return of the Vampire, an unauthorized sequel to Lugosi’s 1931 Universal Studios film Dracula. Most of the films she’s known for are such horror films such as The Soul of a Monster and Back from the Dead. (Died 2007.) (CE)
Born May 21, 1945 — Richard Hatch. He’s best known for his role as Captain Apollo in Battlestar Galactica. He is also widely known for his role as Tom Zarek in the second Battlestar Galactica series. He also wrote a series of Battlestar Galactica franchise novels co-authored with Christopher Golden, Stan Timmons, Alan Rodgers and Brad Linaweaver. (Died 2017.) (CE)
Born May 21, 1951 – Broeck Steadman, age70. Eighty covers, two hundred sixty interiors, for Analog, Asimov’s (see here), Realms of Fantasy, SF Age; books, see here, here; postage stamps, see here, here; murals, see here, here. Keeps bees. Twenty years running an art school with up to forty students a week. Has done art for liquor bottles, soda cans, cars, jet planes, computers, toothpaste, chocolate. [JH]
Born May 21, 1953 — Trevor Cooper, 68. He plays Takis in the Sixth Doctor story, “Revelation of the Daleks“, and then will show up as Friar Tuck in a Twelfth Doctor story, “Robot of Sherwood”. He’s currently playing Colin Devis in Star Cops, and he was Simeon in the Wizards vs. Aliens series before that.(CE)
Born May 21, 1958 – Jeff Canfield. Photographer, system-software specialist, Formula Vee racer (he drove a Viper, which ought to count). Recruited Kevin Standlee. One of four founding directors, San Francisco Science Fiction Conventions, Inc. Deputy vice-chair of 51st Worldcon, editor of its Program Book, timekeeper of its Preliminary Business Meeting, and its Speaker to Dr. Evil. See here. (Died 2014) [JH]
Born May 21, 1984 – Jackson Pearce, age 37. As You Wish, young-adult urban fantasy; four books based on Little Red Riding Hood, Hansel & Gretel, The Little Mermaid, The Snow Queen. With Maggie Stiefvater, Pip Bartlett’s Guide to Magical Creatures, two more. Tsarina (as by J. Nelle Patrick), historical fantasy. YouTube channel with 200 videos, 12,000 subscribers. Her Website says “Young Adult 58%, Middle Grade 42%, Baked Goods 85%, Glitter 100%”. [JH]

(9) COMICS SECTION.

Cartoonist Ward Sutton creates covers that play with the phrase “You Can’t Judge a Book by Its Title” for the New York Times.

(10) PEACH MOMOKO. Titan Comics is bringing out a portfolio that showcases the covers of Peach Momoko from the best-selling Horizon Zero Dawn comic. Each cover is removable to display as a high-quality poster. Goes on sale September 7.

PEACH MOMOKO is a Japanese illustrator who began exhibiting at US comic conventions back in 2014 and saw American publication with a couple of stories picked up by Grant Morrison when he was EIC of Heavy Metal Magazine. Since then, she has become the hottest cover art variant creator in the business, increasingly in demand, drawing over a dozen covers for American publishers every month.

Here is the portfolio cover and two interior pages.

(11) MARVEL REPRESENTATION. Men’sHealth’s cover story on Shang-Chi and the Legend of the Ten Rings interviews “Simu Liu on Playing Marvel’s First Asian Superhero Shang-Chi” and in the process gets some important quotes from Marvel Studios’ Kevin Feige.

…WHEN MARVEL STUDIOS announced Shang-Chi in 2018, Liu uttered the same “WTF” as every other comic-book fan. He remembers staying up late and scouring the Marvel web to learn about the character, and the more he uncovered, the more he grew disenchanted. Instead of raiding the comics for an ultrastrong hero (like Amadeus Cho, the Korean Hulk) or superhero royalty (like Namor, Marvel’s version of Aquaman), Marvel found its first Asian lead in?.?.?.?a Bruce Lee clone. Shang-Chi was created in the 1970s because Marvel wanted a version of Lee, and he’s the son of Fu Manchu, perhaps the worst Chinese stereotype. Early stories had him speaking in broken-English phrases. His superpower? Kung fu. “I was almost disappointed,” Liu says. “I was like, how many opportunities do we have for Asian superheroes, and this one guy is, like, just a kung fu master? It just felt kind of reductive and, you know, not true to life and not anything that I could relate to.”
It seemed like another misstep from Marvel, which had repeatedly slighted Asians. Twice in the studio’s first decade, MCU films rewrote iconic Asian characters onscreen, first whitewashing the villainous Mandarin into Ben Kingsley in 2013’s Iron Man 3, then casting Tilda Swinton as the Ancient One in 2016’s Doctor Strange. Swinton’s casting, after ten years of films with next to no Asian representation, was especially vexing, since the film still placed her character in Nepal, a South Asian country. Marvel initially claimed it had chosen Swinton to prevent the character from fulfilling an Asian stereotype. Fans called bullshit. Five years later, Marvel head Kevin Feige doesn’t argue. “We thought we were being so smart and so cutting-edge,” he told me in a Zoom interview. “We’re not going to do the cliché of the wizened, old, wise Asian man. But it was a wake-up call to say, ‘Well, wait a minute, is there any other way to figure it out? Is there any other way to both not fall into the cliché and cast an Asian actor?’ And the answer to that, of course, is yes.”
Since Marvel Studios’ inception, Feige says, the studio has had a binder of “great characters who could make great movies regardless of how famous they were.” Shang-Chi was in that binder, because stereotypes aside, it’s a very Disney story: In the comics, the character discovers his father’s true nature, fakes his own death, and runs away. “You break through that and become a hero,” says Feige. “It was always a really, really great story.” Because of the character’s obscurity, Marvel could reinvent Shang-Chi in ways it couldn’t alter Spider-Man or Captain America. The MCU version can (and will) fight, but his new origin story cuts deeper. “It’s about having a foot in both worlds,” says Feige, “in the North American world and in China. And Simu fits that quite well.”

(12) THEY CHECK IN, BUT… How did Hotel California end up in Florida? “Disney’s Upcoming Star Wars Hotel Has 1 Small Caveat: You’re Not Allowed to Leave” reports Yahoo!

Before you blast off to Walt Disney World to stay in its Star Wars: Galactic Starcruiser hotel when it opens in 2022, there’s a little something you should know first: you’re not allowed to leave after check-in.
Yup, the Disney Star Wars Hotel is an immersive three-day, two-night experience that involves operating a spaceship, going to battle, and much more. The hotel is anything but a vacation – in fact, you’re even given a space communicator that resembles a cell phone for “resistance meetings.” Similar to an escape room, you have to stay until the experience is complete (you’ll be in space, after all), so prepare for a fun (and perhaps exhausting) 60 hours. The good news is that the hotel has a lounge called the “Silver C” where you can sip on strong adult beverages from around the world and play a few rounds of Sabaac to unwind….

(13) SEA IT NOW. SYFY Wire tells why we should be surprised: “Ancient, alien-looking corals and crinoids are still living in symbiosis”.

If all the eldritch things that lurk at the bottom of the sea, crinoids, many of which appear to be submerged lilies from an alien world, have to be some of the weirdest. They only get weirder if they have many-tentacled corals sticking to them.
These creatures only sound fictional. Some 273 million years ago, any evidence of a symbiotic relationship between Metacrinus rotundus crinoids and non-skeletal coral species Abyssoanthus and Metridioidea hexacorals vanished from the fossil record. Now they have resurfaced out of nowhere (unless some intervention with the Great Old Ones was involved) — and not as fossils. These life-forms still exist in symbiosis (shown above), with the hexacoral catching an easy meal from whatever might come the crinoid’s way as it sways back and forth….

(14) EARLY SENDAK. Publishers Weekly reports:

Through July 10, readers of Maurice Sendak will have the opportunity to view original drawings by the acclaimed children’s book author and illustrator that have not previously been shown to the public at the exhibit and sale “Maurice Sendak: Genius of American Picture Books,” now open at the Society of Illustrators headquarters in New York and available via a virtual tour and catalogue on the Society’s website. Pictured here is one of the exhibit’s highlights: Sendak’s first published book illustration, created for his science teacher in 1946 as a high school project, titled ‘Seven Boys Pulling on a Horse.’

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(15) VIDEO OF THE DAY. VFXcool: Flight of the Navigator analyzes the popular film’s special effects.

Sometimes a movie is objectively good and sometimes it’s subjectively amazing because you saw it at the right time and were the target audience. It ignited your imagination, shook you with possibilities. As far as I’m concerned, Flight of the Navigator is such a film.
It’s a classic tale. You know: a boy has a crush on a girl, gets kidnapped by an AI spaceship from another galaxy, returns eight years later having not aged a day, becomes the subject of intense study by the all-powerful… NASA, manages to escape their clutches, reunites with the spaceship, which needs navigation data it stored in his brain, and goes on a joyride around the world, never even thinking about his crush again!
If that doesn’t sound awesome, then you weren’t a kid in 1986. And that’s on you.
But as a… kind of adult now, I admit, the unusual tone of the movie may have partly been an accident, a result of two companies pulling in two different directions. For the American audience, Disney wanted heart-warming family drama. For the international market, PSO needed less dialogue, more action-driven spectacle.
And somehow, against all odds, despite a bunch of similar genre movies failing at the box office the previous year, the director, Randal Kleiser, pulled it off. He made a film that leaps effortlessly from wild flying chases to heart-to-heart chats, to moody musical interludes, composed by Alan Silvestri…

[Thanks to Michael Toman, John King Tarpinian, N., Will R., Cat Eldridge, John Hertz, Mike Kennedy, Andrew Porter, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to contributing editor of the day Joe H.]

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