I Sing Bradbury Electric: A Loving, Personal Remembrance 

Ray Bradbury at his home in Los Angeles (photo by Danny Tuffs, Getty Images)

By Steve Vertlieb: He was a kindly, gentle soul who lived among us for a seeming eternity. But even eternity is finite. He was justifiably numbered among the most influential writers of the twentieth century. Among the limitless vistas of science fiction and fantasy he was, perhaps, second only in literary significance to H.G. Wells who briefly shared the last century with him. Ray Bradbury was, above all else, the poet laureate of speculative fiction. He shared with Ernest Hemingway the simplicity of phrase inspired by genius. No more legendary literary figure ever claimed Earth as his home, and yet Ray Bradbury was a childlike gargantuan whose life and artistry were shaped by the wonder and innocence of curiosity and tender imagination.

He was born into a world of rocket ships and monsters, a universe traversed by Buck Rogers, Flash Gordon, Frankenstein, Dracula, and a miraculous primordial ape called KING KONG. His boyhood was transformed by the promise of distant worlds and stranger creatures whose outward malevolence masked secret torment, the sadness of being deemed somehow different.

Ray Douglas Bradbury was born in Waukegan, Illinois (a hometown he shared with Jack Benny) on August 22nd, 1920. From birth he shared an affinity with the magical realm of motion pictures. His middle name was dedicated to the imagery of screen swashbuckler Douglas Fairbanks, and so Ray always knew that his spiritual ancestors consisted of pirates and colorful masked swordsmen. Coming of age during America’s great Depression, the gregarious youth was lifted by the seat of his pants by silken images painted in celluloid. His heroes consisted not only of daring cavaliers such as Fairbanks, but by the pervasively exotic characterizations of Lon Chaney Sr., Boris Karloff and Bela Lugosi. The mystic lure of far away worlds beckoned the impressionable adolescent with the promise of tomorrow, while monstrous cinematic cadavers and rockets to Mars replaced the mundane scenery of a Depression-stricken America.

As sympathetic souls and kindred spirits came together in pre-destined unison, Bradbury found himself drawn to the early worlds of science fiction, fantasy, pulp fandom and, together with fellow teenagers Ray Harryhausen and Forrest James Ackerman, began their journey of discovery, forming what has come to be recognized as “first fandom,” in pursuit of creative profit and recognition. Bradbury would later state that he owed everything to Forry Ackerman who sold his first published story. The third member of the imaginative trio, Ray Harryhausen, formalized their creative partnership with the visual realization of Bradbury’s short story “The Fog Horn.” Published in a celebrated issue of The Saturday Evening Post, the short story concerning a sea beast consumed by the tantalizing image of an isolated light house, became the basis for Harryhausen’s first solo screen effort, The Beast From 20,000 Fathoms.

Rod Serling encouraged the celebrated writer to join his literary enclave at CBS Television as the decade reached its conclusion and, while Bradbury submitted several scripts to Serling’s classic science fiction/fantasy anthology series, The Twilight Zone, only one was aired as a part of the series. “I Sing The Body Electric,” inspired by Walt Whitman’s famous poem, served as the basis for a Bradbury story in which an electric grandmother is hired by a wealthy widower to work as his children’s nanny. The episode aired as a part of the series on May 18th, 1962 and was later included in a famous Bradbury anthology of the same name published in 1969. While this remains the only episode of the series penned by Bradbury, Serling managed to include an affectionate reference to the writer in his own melancholy tale (“Walking Distance”) of an advertising executive on the verge of a nervous breakdown, coming home once more to the small town in which he had spent his boyhood. As Martin Sloan (Gig Young) walks along the streets of Homewood, he makes a casual reference to the Bradbury house standing prominently in his gaze. Homewood sweetly represented small town Americana from which both writers had migrated.

Ray Bradbury turned his adolescent energy and enthusiasm into poetic imagery, and brought a human face to Man’s exploration of the stars. When Neil Armstrong took his first small steps upon the lunar landscape in July,1969, generating a giant leap of faith for all Mankind, Bradbury’s frustration over the lack of excitement shown by the television networks covering the monumental story exploded into headlines, and a memorable tirade by the world’s most eloquent innocent. Bradbury sat solemn and quiet as a guest on a network Lunar themed telecast, struggling to fill time with inanity after insanity. Unable to contain his rage at the proliferation of stupidity filling the national airwaves, the child in a man’s body rose to his feet…outraged by the lack of understanding and exhilaration being exhibited by David Frost and his disinterested panel of guests…and threatened to walk off of the live telecast. His contempt for the bland assemblage of guests apparent, Bradbury admonished them as he would a poor student in the gaze of a disappointed teacher. “This is the greatest night in the history of the world,” he raged. The lack of excitement over this cherished, awe inspiring moment in time, was just too much for this child of wonder either to accept or to absorb. The moment that Ray, and millions of children around the world, had dreamt of and imagined since Buck Rogers and Superman had first flown into space some thirty years earlier was finally here. That these simple, uninspired talk show guests were consumed with themselves, rather than this extraordinary moment of mortal achievement and exploration, was more than Bradbury could endure.

Like millions of imaginative children inhabiting Bradbury’s world, I revered his name and legend. Ray Bradbury signified everything I’d ever dreamt of or aspired to.

As a quiet, introspective boy growing up in Philadelphia during the nineteen fifties, I became a poster child for what would one day become known as “A Monster Kid” — a generation of “baby boomers” weaned on, and inspired by, television, the huge monster movie craze of the fifties, and the introduction of a genre movie magazine with the unlikely name of Famous Monsters of Filmland. The progenitor of this magical publication was none other than the editor who had first brought Ray Bradbury to the attention of publishers. Forrest J Ackerman, or as he was known to his millions of adoring children, “Uncle Forry.”

Forry was the Hans Christian Anderson of science fiction, fantasy, and horror, a Walt Disney father figure who, like the proverbial “Pan,” would lure willing children to worlds and concepts beyond the stars, filling their imaginations with inspirational promise and invitation. He was a joyous Pied Piper who, together with his boyhood friends, Ray Bradbury and Ray Harryhausen, would cause generation after generation of creative youth to embrace their dreams, and create their own fantastic lives and careers. Steven Spielberg and George Lucas were only two of the many artists who found their singular paths among the clouds inhabited by Bradbury, Harryhausen, and Ackerman.

Ray Bradbury with Steve and Erwin Vertlieb

It was during the wonderful Summer months of 1974 that I traveled for the first time to Los Angeles, and came face to face with the land of fantasies, dreams, imagination, and motion pictures that had so consumed and mesmerized my own impressionable childhood. I was like the proverbial kid in the candy store. Everywhere I turned represented the reflection of my own childhood longing and wanderings.

Among my friends of the period was composer and orchestrator John Morgan. John announced one afternoon that he had received an invitation to Ray Bradbury’s house that evening, and he wondered if my brother Erwin and I would like to join him for the royal summons. I swallowed my singular exhilaration, and excitedly accepted his generous invitation. Bradbury’s residence was a large yellow structure in a quiet residential neighborhood. We nervously climbed the outer steps and rang the door bell. As the door opened, Ray greeted us personally and ushered the three of us into his living room. I was both thrilled and frightened, for here within my gaze was the legendary writer smiling at me and extending his hand. His hands, I remember, were very large and inviting and I became lost inside their welcome grasp. Ray asked me about my own career, and I told him that I was a published writer and minor film historian. My day job was, I explained, a film editor at a Philadelphia television station.

He asked if I knew that he had written the screen play for John Huston’s magnificent 1956 production of Moby Dick. I assured him that I had. He was very proud of the gift that Huston had given him after the picture had been released. It was a 16-millimeter Technicolor print of the Warner Bros. release given him personally by the director. Ray was like a little kid proudly showing off his Hopalong Cassidy pistol. He asked if I’d like to see a few minutes of the film. I said yes, of course, and he ran to find the print. His joy was infectious as I watched him delicately thread the projector and share his treasure with us.

As the film began to unspool on the screen in his living room I could see that the print was immaculate. My film editor’s eye, however, noticed just the beginnings of an emulsion scratch in the otherwise gorgeous Technicolor print. I took my life in my hands, and asked Ray to stop the film for a moment. I don’t know if it was courage on my part or youthful arrogance. It’s difficult now to say which. Ray looked at me with a puzzled expression. I asked him if he ever cleaned his projector “gate.” He asked what I meant. I said “Ray, do you have a box of cue tips and some Isopropyl Alcohol?” Here was one of the most important writers of the Twentieth Century going dutifully to fetch a box of cue tips for this young upstart transgressing his hospitality. I honestly thought he would lift me bodily from my chair, and hurl me out the door to the street below. Instead, like the gentle soul he was, he went out into another room to bring what I had requested. I took a cue tip from the box he had handed me and immersed it in the accompanying bottle of alcohol. I showed him how to clean the “gate” of the projector in the areas that came into contact with the film print and assured him that this procedure would help to keep his beloved Technicolor print from being torn and permanently scratched. He thanked me for this simple lesson in film maintenance, and appeared grateful, but I was thoroughly convinced at the time that I would soon be black listed all over Hollywood, and forbidden from ever encountering or confronting this splendid Ice Cream Man again. That was Ray. He was just a big kid…a gentle, enthusiastic child with the talent and intellect of a genius.

During that same trip out West we had the unique opportunity to sit in the audience with Ray and his wife for a live, small theater production of Fahrenheit 451. Ray told me that he adored Bernard Herrmann’s original score for the Truffaut film version of his famous novel and, at his insistence, the small theater troupe used excerpts from the Herrmann recording of his score for London Phase 4 Records, with the composer conducting The London Philharmonic Orchestra. The experience was surreal.

After that, Ray and I maintained a sporadic, yet steady correspondence for the rest of his life. I remember running into him at one of Forry Ackerman’s Famous Monsters Of Filmland conventions in Virginia in 1993. I hadn’t seen Ray in years. He was surrounded, as he always was, by a burgeoning crowd of awe-struck fans. I approached him and asked if he remembered an arrogant young man some twenty years earlier who had had the temerity, in his own living room, to lecture him on the care and feeding of his 16-millimeter movie projector. He looked up at me from the hotel couch on which he was sitting and grinned somewhat impishly, pointing his finger in my direction. “Was that YOU?” I assured him that I was, indeed, that brazen young lad. We both chuckled over the recollection of that embarrassing episode so many years earlier. He might have cringed at my appearance, but he didn’t. He simply chuckled in delight. He was A Medicine For Melancholy.

Among the many ties that bound us together was Ray’s passionate interest in symphonic motion picture music written for the screen. We shared a love for the music of such composers as Bernard Herrmann, Miklos Rozsa, and Max Steiner among others. I had known Miklos Rozsa as a friend for nearly thirty years, and Ray not only admired his music, but had worked together with the composer during the filming of King Of Kings for MGM in 1961. Rozsa had won a richly deserved Oscar for his magnificent 1959 score for Metro-Goldwyn- Mayer’s Ben-Hur, and so was asked to write the music for the studio’s early sixties remake of the original 1927 Cecil B. DeMille silent classic. Ray was hired by Metro to write the narration spoken by Orson Welles scattered throughout the picture, and attended some of the recording sessions with Rozsa.

In 2007 the historic Castro Theater in San Francisco was preparing a special film festival honoring the work of the legendary composer, and I was asked to choose the films for the presentation, write the liner notes for the program, and co-host the festival. As it turned out, the Miklos Rozsa film festival became a major San Francisco event in late 2007 and early 2008 with seventeen motion pictures presented to packed houses over a nine-day period. The composer’s daughter, Juliet Rozsa, along with his granddaughters Nicci and Ariana, all drove in from Los Angeles and appeared with me on stage during the introductions. I was honored to read proclamations from both the Mayor of San Francisco, as well as the Hungarian Ambassador to The United States. However, the introduction that thrilled me the most was one written expressly for the event by Ray Bradbury.

Knowing Ray’s love for film music, I wrote him about the festival. He wrote me back asking if he might contribute his own written introduction to the festival. I was honored to accept his lovely request. After all, who was I to say say “no” to Ray Bradbury. Consequently, I felt a tingle of excitement as I read Ray’s brief, loving words from the stage to an audience of some seven hundred people just prior to my “live” interview with Juliet Rozsa, and a 35-millimeter screening of the composer’s masterpiece, Ben-Hur.

Over the years that followed I continued to correspond with Ray, both my mail and through the internet. Each Christmas would bring Ray’s newest holiday poetry which seemed to arrive not through conventional mail delivery but, rather, upon wings of angels within a snow covered sleigh. On one memorable occasion, after sending him an article I’d written pertaining to the science fiction genre we both so adored, he wrote me a lovely note thanking me for continuing to write about the worlds of fantasy and science fiction. He felt a singular obligation to keep the faith, so to speak, through his own place in literary history, and wanted to thank me, as well, for continuing to carry the torch along with him. Despite his advancing years and assorted health problems, which included a debilitating stroke in 1999, he was still the same little boy who had discovered the wonder of other worlds and galaxies so many decades before. Like Ray Harryhausen and Forry Ackerman, with whom he had shared his first spiritual journeys to outer space, he wrote “Steve…You’re a good pal.” I nearly cried when I read that, and wanted to reach out and hug this gentle soul whose life and work had so touched and impacted my own.

Ray continued to find wonder in the music of the movies and particularly loved Jerry Goldsmith’s valiant score for The Wind and The Lion. His affection for Goldsmith’s exhilarating musical themes for the romantic Sean Connery adventure film inspired his own work, and he proudly acknowledged his debt to the composer’s symphonic poetry in creating Now And Forever: Somewhere A Band Is Playing, published by William Morrow Company in 2007.

Jerry Goldsmith

I published my own tribute to Jerry Goldsmith and his music for another epic score, First Knight, in June, 2011, at Film Music Review, and discussed Ray’s love for that earlier Goldsmith music. I sent the article to Ray’s beloved daughter, Alexandra (Zee) shortly after its online publication. I think that one of the greatest thrills of my life, perhaps, was when Zee took my work along with her during a trip to her dad’s home a few weeks later, and read it to him. She wrote me that he smiled from ear to ear and offered his own enthusiastic comments as she read him my words about the Goldsmith music. 

Several weeks later I received a small parcel from Ray in the mail. On the face of the large white envelope were two postage stamps honoring Edgar Allan Poe.

Next to the stamps, Ray had drawn an arrow pointing toward Poe, and written in big letters “My Pa.”

Inside the envelope were a photograph of Ray standing next to a painting of Poe, along with a handwritten note which read…

Steve:

Thanks for “Mickey” (Miklos Rozsa)
4E (Forry Ackerman)
Xmas
& ME!

Love,
Ray

I got to see Ray a couple of more times, and those visits were the most wonderful love fests that I could have imagined. After the death of his lifelong friend friend Forry Ackerman, I sent Ray my Rondo-nominated tribute to my own forty-seven year friendship with Uncle Forry and, as I sat at his side, Ray said “I owe him everything.” I visited Ray shortly after his ninetieth birthday in late August, 2010. He was busily involved in numerous tributes, interviews and appearances honoring his birthday, but he told Zee to please somehow fit me into his schedule…and so I traveled with my little brother Erwin to Ray’s house to spend a loving hour at his feet. It was difficult for him to speak due to ill health, but he was obviously happy to see us and felt invigorated by our visit. I continued to feel astonished that this world renowned literary figure, this giant of a writer, was still living within the confines of the very same humble home he’d shared with an unsuspecting, quiet residential neighborhood for some fifty years. When I asked him about it, he told me that he’d raised his family and enjoyed much of his fame and success in his beloved house. Why would he ever wish to leave it?

In January, 2010, I discovered that my own health had been dramatically failing and that I would need major open heart surgery quite soon if I were to survive. In mid February of that year we scheduled surgery for a few weeks hence. I wrote Ray of my impending procedure, and he playfully instructed Zee to write me of the poetic irony of my requiring heart surgery right around Valentine’s Day. He further instructed her to tell me that he would not allow me to die. Who was I to contradict Ray Bradbury?

I was able to visit Ray one more time during the closing days of August, 2011. Once again, the demands on his time had become nearly impossible, as the world around him was beginning to understand and respect the significance and singular importance of the solitary inspiration who had so profoundly influenced the better part of their lives. Once again, Ray grew excited at the prospect of my impending visit and asked Zee to please arrange his schedule so that he might find time to see me. When Zee wrote me that “Dad” was excited about seeing me during my visit to Los Angeles, I humbly pondered the reasons why Ray Bradbury…this living legend…would grow excited over seeing me, of all people. I think the reason for his enthusiasm had little to do with me personally. It was just that Ray had never truly grown up. He was still the eternal innocent…still the little boy possessed of childlike awe and wonder who was eager to stop time and simply visit with an old “pal.”

Ray had just turned ninety-one and was visibly excited over the news that a film production company had just purchased the rights to his novel Dandelion Wine. As we entered the house, Zee told me that her dad was thrilled by the report and that he couldn’t wait to tell me about it. When I entered his den I found him in good spirits and quite animated. We talked of the sale, and of our nearly forty-year friendship. As the time wore on, and Ray was growing tired, I grew unusually sentimental as we were to preparing to leave. I filled up with tears as I told Ray how deeply I loved him, and how he had so profoundly impacted not only my life, but the lives of literally millions of friends and admirers all over the world who loved him as well, and owed him so very much. I arose from my chair and embraced this frail, gentle soul. I kissed him on his cheek, and told him how much he meant to me. He said “I love you, too, Steve” as each of us smiled and fought back the inevitable tears.

As we left the modest home on Cheviot Drive, I turned once more to see the façade and stood there for a moment, deep in thought and contemplation. As we got into the car, I said to Erwin “I have a terrible feeling that this is the last time we’ll ever see Ray.”

The remaining months of 2011 slipped quickly away. A new year was dawning but, with it, came new health concerns…not only for me, but for my beloved mom who had celebrated her one hundredth birthday six months earlier. In the early morning hours of February 1st, 2012, I received the dreaded telephone call that my mother had passed away. Among the treasured notes and letters of condolence that I received was a touching E-mail from Ray and Zee Bradbury expressing their sadness over the loss of my mom.

Nostalgia for things past and for a simpler time, perhaps, has become a common thread shared by so many so called “baby boomers.” In December, 2011, I was interviewed in my home for two hours by film director Robert Tinnell and a camera crew for a new film documentary concerning the “Monster Kid” phenomenon inspired by Forrest J Ackerman, his groundbreaking Famous Monsters Of Filmland Magazine, and the hugely popular, affectionately remembered monster movie craze of the 1950’s. Such luminaries as Steven Spielberg and George Lucas owe their careers to the phenomenon, as do such decidedly minor players as myself. While the film has not yet been completed, the producers released a theatrical trailer promoting their forthcoming documentary in the Spring. I sent the link for the trailer to Zee Bradbury, inspiring her to write back that “Dad should really be a part of this.” I telephoned Bob Tinnell on his mobile phone while he was driving in West Virginia to let him know that Ray Bradbury was interested in appearing in his film. He pulled off to the side of the road in excitement over the news. I put Bob in touch with Zee, and they arranged for Bob to come and visit Ray either in late May or early June, 2012, to interview him for the film.

In the meantime, I had spoken with Zee about my own impending return to Los Angeles in late August, 2012 and, as usual, she wrote back that her dad was excited about seeing me, and had asked her to re-arrange his schedule so that he might find the time to do so. While at work on the morning of Wednesday, June 6th, I received an E-Mail from Bob Tinnell letting me know that Ray had passed away during the night before at his home in Los Angeles. I stared at my Blackberry phone in stunned silence, unable to fully grasp the news. Ray Bradbury was gone. I began to cry. My lifelong hero and friend had died. I would no longer behold his wonderful face and childlike smile, nor would I ever again find my own hands lost in his. He had joined Forry and his other pals in what must surely be Science Fiction Heaven. Ray shared our lives and existence for an all too brief and shining moment in eternity, and now he had departed, leaving us to face a world sadly dreary in his absence.

Ray has found peace in another realm of immortality, having joined The Ghosts of Forever, and yet his work lives on beyond his fabled physical presence, and we shall continue to sing Bradbury Electric in joyful celebration and chorus for the remainder of our own solitary sojourn upon this wondrous sphere.

— Steve Vertlieb, June 2012
Contributing writer – Film Music Review

Originally published by Roger Hall in Film Music Review.

[Some of the images in the remembrance are from the author’s personal collection. Others are from online sources and no copyright infringement is intended or implied.]

Pixel Scroll 5/6/22 I Pixelled Today’s Scrolldle In Fifth Guesses

(1) KSR AT EARTH DAY GATHERING IN DHARAMSALA. Kim Stanley Robinson was among those present for the 14th Dalai Lama’s “Meeting with Participants in a Dialogue for Our Future”. This was posted on April 22:

…Kim Stanley Robinson, who described himself as a science fiction writer, asked how Buddhism can help science. His Holiness told him that scientists have been interested to discuss ways to achieve peace of mind because they recognise that if the mind is disturbed people won’t be happy. He emphasised the benefits of discovering more about mental consciousness and learning to train it on the basis of reasoning…

(2) VERTLIEB MEDICAL UPDATE. Steve Vertlieb returned to Facebook as he begins his long recovery from major heart surgery.

… My time on Facebook will, for the present, be limited, I fear, in the days ahead, but I just wanted to let everyone know that I’ve survived. I came home from the hospital yesterday (Thursday) after a ten day stay following major open-heart surgery. The procedure lasted approximately six hours, during which my surgeons replaced one heart valve, repaired another, stitched back together the hole in my heart, and stopped my internal bleeding.

This procedure was far more involved and life threatening than I ever imagined or was advised. The second time, it seems, is not the charm, but the entire bracelet. They had to cut through an already existing incision, breaking once healed bones protecting my heart cavity yet again, in order to reach and operate upon the newly troubled areas. My recovery, consequently, will also be far more difficult than my original transition back to health, healing, and wholeness twelve years ago.

The good news, however, is that when I asked my surgeon the chances for a complete recovery, he responded “ONE HUNDRED PERCENT.” Doing anything beyond menial movement and chores over the next several months will be severely limited. My brother Erwin is here with me for the next month or so, and he’ll be taking care of me….

(3) LOWREY ARRIVES. Trans-Atlantic Fan Fund delegate “Orange Mike” Lowrey has returned. “As of 5 p.m. Milwaukee (11 p.m. GMT), I’m off the plane and have already been put back to work here at the bookstore. (Yes, the gout’s still painful.)” Welcome back! Sorry about the gout…

(4) YEAR’S BEST SERIES IN ABEYANCE. Jonathan Strahan, praising a story at his Notes from Coode Street blog, said:

In the meantime, since I’m not currently editing a year’s best anthology series for anyone, I’ll try to note some of the best short fiction I’m reading about the place. My favourite story of the moment is Maureen McHugh’s wonderful “The Goldfish Man“, from Uncanny 45. Because it’s online and shareable, you should go read it if you see this. It would be in my year’s best.

He clarified in a comment there will not be a forthcoming volume in his Year’s Best SF series:

Sadly, those were not successful and they opted not to proceed. I have been looking for new publisher for the series, but to no avail so far.

It was news to me.

(5) I’M WORKING, REALLY. [Item by Martin Morse Wooster.] Anne Helen Petersen explains how remote workers can show the home office they’re busy by turning work into a LARP: “LARPing your job” at Culture Study.

…The compulsion to LARP is for those who have to feel accountable to some larger salary god, one who takes earthly shape in the form of our manager, our manager’s manager, and/or our coworkers, all of whom are constantly deciding whether or not we deserve the salaried, privileged position in which we’ve found ourselves. This is largely bullshit, of course: yes, our managers do think about how much we’re producing, but only the worst of them are clocking how many hours our green dot is showing up on Slack. Most of our coworkers are too worried about LARPing their own jobs to worry about how much you’re LARPing yours.

We’re performing, in other words, largely for ourselves. Justifying to ourselves that we deserve the place that we’ve found ourselves. Justifying to ourselves that writing for the internet is a vocation that deserves steady payment. At heart, this is a manifestation of a general undervaluing of our own work: we still navigate the workplace as if getting paid to produce knowledge means we’re getting away with something, and have to do everything possible to make sure no one realizes they’ve made a massive mistake.

Of course, there are myriad cultural and societal forces that have led us to this point of disbelief. Every time someone made fun of my undergrad degree, or my dissertation, or my Ph.D. Every time someone made fun of BuzzFeed, or denigrated writing about celebrities or pop culture generally. Every time someone at a family gathering said something like “must be fun to get paid to go to the movies?” All of those messages come together to tell me that my work is either easy or pointless. No wonder I spend so much time trying to communicate how hard I work…

(6) LOUD AND CLEAR. [Item by Martin Morse Wooster.] This is a documentary that Penguin Random House UK putout in late April about the new Discworld audiobooks.  This is corporate promotion but still worth 20 minutes in part because you get a sense of how an audiobook is made and also because you get to hear some of the actors who are narrating, as well as Pratchett’s literary executor, Rob Wilkins. One important point is that these books have been called “full cast” audiobooks and they’re not; a single actor narrates each one of the Discworld subseries, with the great Bill Nighy providing the footnotes. Of the narrators I thought Andy Serkis (who now has a pompadour) was the most interesting. “Turning Terry Pratchett’s Discworld into Audiobooks”.

This documentary follows Penguin Audio’s ambitious project of turning the entire Discworld catalog into audiobook format. Click here to find out more: https://linktr.ee/Discworld This is Discworld like you’ve never heard it before. With an incredible cast of names from British stage and screen, including Bill Nighy, Peter Serafinowicz, Indira Varma, Colin Morgan, Andy Serkis and Sian Clifford. This ambitious project, taking 40 unabridged books, containing nearly 4 million words, recording over 135 days and featuring over 420 hours of audio is being produced and directed by Neil Gardner – the multiple award-winning radio writer & director – who is a life-long Terry Pratchett superfan.

(7) STOP AVOIDING THE SF LABEL. At Publishers Weekly, Emily Midkiff argues “Sci-Fi for Kids Is a Missed Publishing Opportunity”.

… When I looked at very different libraries all across the country, I saw the same low supply of science fiction that I had observed in that first elementary school library, but I also saw a high demand for it. In each library, only about 3% of the books were science fiction. I expected to see a corresponding low number of checkouts. Instead, the records showed that science fiction books were getting checked out more often per book than other genres. While realistic fiction books were checked out, on average, one to three times per book and fantasy books were checked out three to four times per book, science fiction books’ checkout numbers were as high as six times per book. These libraries may not have many science fiction books available, but the children seem to compensate by collectively checking out the available books more often.

The librarians were just as surprised as I was. Library software doesn’t keep track of each book’s genre, and so librarians have no easy way of knowing that science fiction books are being checked out so often. Librarians are, however, aware that there isn’t much science fiction available. There just aren’t as many choices as there are for other genres…

(8) GREAT LEAP FORWARD. “’Quantum Leap’ Sequel Scores Series Pickup at NBC”The Hollywood Reporter has details.

Nearly 30 years since the Scott Bakula-led original series signed off after a five-season run on NBC, the broadcast network has handed out a formal series order to the sequel series starring Raymond Lee.

The drama, which was formally picked up to pilot in January, recently wrapped production and is one of a handful of comedies and dramas that is expected to be in formal consideration for the 2022-23 fall schedule.

Written by God Friended Me and Alcatraz duo Steven Lilien and Bryan Wynbrandt — who will now have two shows on NBC with rookie La Brea having already been renewed — the new Quantum Leap follows a new team that has been assembled to restart the Quantum Leap project in the hopes of understanding the mysteries behind the machine and the man who created it 30 years since Dr. Sam Beckett stepped into the accelerator and vanished….

(9) MEDIA BIRTHDAY.

1960 [By Cat Eldridge.]

This is Gart Williams, age thirty-eight, a man protected by a suit of armor all held together by one bolt. Just a moment ago, someone removed the bolt, and Mr. Williams’ protection fell away from him, and left him a naked target. He’s been cannonaded this afternoon by all the enemies of his life. His insecurity has shelled him, his sensitivity has straddled him with humiliation, his deep-rooted disquiet about his own worth has zeroed in on him, landed on target, and blown him apart. Mr. Gart Williams, ad agency exec, who in just a moment, will move into the Twilight Zone—in a desperate search for survival. — opening narration of “A Stop at Willoughby”

Sixty-two years ago this evening CBS aired The Twilight Zone’s “A Stop at Willoughby”. So why am I essaying this Scroll? It is because, although I cannot give you an original source for it, it is said that Rod Serling cited this as his favorite story from the first season of the series. This being a story of the Twilight Zone, I’m willing to accept that as a true story.

 So “A Stop at Willoughby” concerns a man so lonely, so unhappy with his life that he starts dreaming as he takes a short nap on the train while commuting home one snowy November day. Waking he finds his dream is real and he is in Willoughby in 1888, which Serling describes as a “peaceful, restful place, where a man can slow down to a walk and live his life full measure.” Even the train, where he’s the only passenger, is eighty years old.

He returns to Willoughby several times where he’s created as if he’s actually resident there but this being the reality of the Twilight Zone, things don’t end as he hopes. I am most definitely not saying what happens as that’d be a major spoiler and there might actually be someone here who hasn’t yet seen it. Though I find that extremely unlikely. 

It shows up repeatedly in popular culture with some instances I’ll note here. The For All Time film starring Mark Harmon was based on this episode. An animated Rugrats “Family Reunion” episode has all of the Pickles family taking the train to Willoughby, with the conductor saying, “Next stop Willoughby!” And in Stargate Atlantis’ “The Real World” episode, Dr. Elizabeth Weir awakens in the Acute Care Unit of Willoughby State Hospital. 

The Twilight Zone is streaming on Paramount +. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 6, 1914 Randall Jarrell. Author of the ever so charming The Animal Family which is illustrated by Maurice Sendak. Go read it — you’ll be smiling afterwards. The Anchor Book of Stories has more of his genre friendly stories. (Died 1965.)
  • Born May 6, 1915 Orson Welles. Certainly the broadcast of “The War of the Worlds” in 1938 was his pinnacle of genre success, but for the Federal Theatre Project he also did the 1936 adaptation of Macbeth with an entirely African American cast that was absolutely amazing. That was known as the Voodoo Macbeth which might give you an idea of what he did to it. He would later do a more straightforward film of Macbeth. And of course he made a most excellent radio Shadow as well! (Died 1985.)
  • Born May 6, 1946 Nancy Kilpatrick, 76. Fangoria called her “Canada’s answer to Anne Rice”. I do recommend the anthology she edited Danse Macabre: Close Encounters with the Reaper as it’s a most excellent horror collection. 
  • Born May 6, 1952 Michael O’Hare. He was best known for playing Commander Jeffrey Sinclair in the first season of Babylon 5.  Other genre appearances were limited — he played Fuller in the 1984 film C.H.U.D, was Jimmy in the “Heretic” episode of Tales from the Darkside and appeared as a thug on the subway train in The Trial of the Incredible Hulk. And yes, he’s one of Babylon 5 actors who died well before they should’ve. (Died 2012.)
  • Born May 6, 1961 Carlos Lauchu, 61. Anubis, the captain of Ra’s personal guard, in the original Stargate film. His only other genre acting was two appearances in the Monsters anthology series. 

(11) COMICS SECTION.

  • Bizarro has Superman explaining why you can’t afford to be subtle in comics.

(12) MOON KNIGHT QR & A. Variety reveals “How Marvel Studios Buried Secret Messages via QR Codes Inside ‘Moon Knight’”.

It’s not every day that one can write a sentence that reasonably connects the Fox animated series “Bob’s Burgers,” the House of Terror museum of fascist and communist regimes in Hungary, and the Marvel Cinematic Universe — but in 2022, anything is possible.

Let’s back up. Ever since the Marvel Studios series “Moon Knight” debuted on Disney+ on March 30, eagle-eyed viewers have noticed a series of semi-conspicuous QR codes in the background of scenes in the first, second and fifth episodes of the show. Scanning the codes sends viewers to a special website that contains a weekly free web comic featuring the Moon Knight character through the run of the show, from his first appearance in 1975 through his most recent issue in 2019.

It’s a savvy way to expand viewers’ comic book knowledge for a character even serious Marvel fans may never have read, and it’s been wildly successful: According to Disney, the landing page has been visited over 1.5 million times, leading to over 500,000 full comics read to date…

(13) DOUBLE-CROSSOVER. [Item by Danny Sichel.] in 2004, KC Carlson compiled an Oral History of the JLA/Avengers crossover from the early 80s. The one that was never published. The Oral History wasn’t published either — possibly because it presents a rather unpleasant image of many of the people involved. But now here it is. At Comics Beat:

George Pérez:  “It just ended up being one thing after another — accusations both from DC and Marvel towards each other — until I realized there was a lot more private politics that seemed to be going on which were killing the book I really wanted to work on. After a while I became very bitter about the entire thing. It was never more apparent to me that, as much as I love drawing comics, it’s still a business, and politics and petty squabbles can kill a project, even such a potential money-maker.”  — Modern Masters Volume 2: George Pérez, 2003

George nailed it. If there ever was a single comics project that embodied company politics, petty squabbles, and flying accusations, it was the original JLA/Avengers crossover, scheduled to be jointly published between Marvel Comics and DC Comics in the summer of 1983 — the fifth in a series of highly successful team-ups. Pairing the legendary Justice League of America (JLA) and the mighty Avengers, this project would include virtually all of the quintessential characters from the two companies’ lineups….

George Pérez:  “I had been drawing for two weeks and was already starting page 21, when I received a call from Len Wein saying they needed to find out what changes I was making in the plot. (DC staffer) Joey Cavalieri had to do a piecemeal plot based on things I had changed — ideas, if not actual explanations — since I hadn’t quite worked out everything as I was going along yet.” — Comics Interview #6, August 1983

Gerry Conway, unwilling to do another draft of the plot, leaves the project at this point. Cavalieri, in consultation with Perez and Wein, cobbles together a new plot — draft #3 — and Giordano rushes it into Shooter’s hands….

(14) ABOUT JANE 57821. Janelle Monáe’s volume of collaborative stories is the subject of  “Review: The Memory Librarian and Other Stories of Dirty Computer” by Arturo Serrano at Nerds of a Feather.

… The introduction to the collection is a quick summary of the rise of a totalitarian regime, New Dawn, whose control over society was possible because “we accepted their offer that an eye in the sky might protect us from… ourselves.” With the assurance of total visibility, an immediate problem emerged regarding privacy and deviancy, and the regime decided that “what they struggled to see, they began to deem not worthy of being seen—inconsistent, off standard. Began calling it dirty—unfit to be swallowed by their eyes.”

In the backstory that this introduction presents, the new social category of the dirty started being applied to modes of thought and identity that did not fit the rigid standards of the regime. The stories that compose this collection explore various characters’ struggle to reclaim, preserve, and even celebrate the dirty….

(15) A LAUGH RIOT IT’S NOT. [Item by Mike Kennedy.] “The debut episode of the new Star Trek show has drawn complaints for using documentary footage of the 2014 Maidan Uprising to depict an alien riot,” reports Gizmodo: Star Trek Strange New Worlds Uses Ukrainian Protest Footage as Alien Riot”.

Star Trek: Strange New Worlds heads to the franchise’s past to tell adventure stories for a bright, optimistic future—but its very first episode has looked to our own recent history to provide a proxy that has some very unfortunate connotations.

Part of the first episode of the new series, titled “Strange New Worlds” itself, sees the Enterprise’s Captain Pike (Anson Mount), Lt. Spock (Ethan Peck), and Lt. Noonien-Singh (Christina Chong) beam down to an alien world, Kiley 279, in an attempt to recover missing Starfleet officers in the wake of a First Contact meeting. The trio arrives to find the world a pre-warp civilization being torn apart by a conflict between the planetary government and a local uprising…

…Shortly after the away team lands on Kiley 279, they come across a crowd of civilians watching a news broadcast on an outside monitor, discussing an overnight series of protests taking place across the Kiley civilization. However, the footage shown is from much closer to our home than the world of Star Trek: it’s footage taken during the late 2013-early 2014 civil unrest in Ukraine known as “Euromaidan,” or the Maidan Uprising.

…Footage from the Maidan Uprising is not the only archival protest footage used in the episode—later on in the episode, Captain Pike shows the Kiley 279 government a selection of footage from Earth’s history as a precedent to World War III in Star Trek’s timeline, notably using footage from the January 6th 2021 riots at the U.S. Capitol as Pike draws a direct line between a “second Civil War, and then the Eugenics War, and then finally just World War III.”… 

(16) ROBOHOP. [Item by Mike Kennedy.] Dine Brands—corporate parent of both IHOP and Applebee’s—is among the restaurant companies beginning or expanding experiments with robotics. The bots have roles both back-of-house (e.g., food prep) and front-of-house (e.g., delivering food or busing tables). Labor shortages are said to be the biggest inspiration. “Applebee’s And IHOP Are Adding New Technologies, Including Robotics, To Offset Labor Shortages” at Forbes.

…Further, IHOP has a new point-of-sale system that streamlines orders across channels and a franchisee is also testing a robot that can deliver food to guests and bus tables. Robotic servers are starting to pop up across the casual dining segment, including at Denny’s and Chili’s, the latter of which just expanded deployment to 51 more restaurants.

It’s too early to tell if such an approach is worth a broader rollout. Peyton did say, however, that the robot makes servers more productive and efficient and “guests and kids think it’s super cool.”

“Also, borrowing from QSR, we’re testing a robotic arm that can work the fryer station,” he said. “If we have one less cook in the kitchen, this can help them be more efficient and productive.”…

(17) 8K. Seán Doran provides some video of a crater on Mars from the Mars Reconnaissance Orbiter: “A Very Detailed View Of A Crater On Planet Mars”.

This is ESP_073055_1675 from HiRISE camera onboard Mars Reconnaissance Orbiter. Frame height is approximately 1km taken from an orbit height of 250km. Source was denoised, blended, graded, rescaled & animated to create the footage. HiRISE (High Resolution Imaging Science Experiment) is the most powerful camera ever sent to another planet, one of six instruments onboard the Mars Reconnaissance Orbiter. The color you see in HiRISE images is not the “true” color human eyes would see on Mars. This is because the HiRISE camera views Mars in a different part of the spectrum than human eyes do. The camera has three different color filtered CCDs: red, blue-green, and near-infrared. False color imagery is extremely valuable because it illuminates the distinction between different materials and textures.

(18) MAKE A DOUBLE BATCH. [Item by Mike Kennedy.] Do you know where your Cumberbatch is? James Cordon of The Late Late Show, Elizabeth Olsen, Benedict Cumberbatch, and Benedict Cumberbatch dispute whether telling news-based jokes or drinking margaritas is more important on Cinco de Mayo. Or maybe it’s figuring out which Benedict Cumberbatch is from our universe. “Benedict Cumberbatch and Elizabeth Olsen interrupting James Corden’s monologue is sheer chaos” at Mashable.

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Rob Thornton, Andrew (Not Werdna), Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 4/27/22 It Was The Time Of The Pixel, In The Year Of Scroll One

(1) ZAGREB CON’S SPECIAL DEAL. Croatia’s SFeraKon 2022, taking place May 13-15, is offering free admission to Ukrainians taking temporary shelter in the country.

Given the current situation in Eastern Europe, we decided to invite Ukrainians who are currently in Croatia to SFeraKon without paying a registration fee.

Free SFeraKon 2022 attendance for citizens of Ukraine If you are a citizen of Ukraine who came to Croatia to find temporary shelter from war, and are interested in science, science fiction, fantasy, horror literature, films or series, or borderline geeky activities such as board or computer games, cosplay or stuff like that, we would love to help you drop your worries for at least one weekend: come to SFeraKon for free. We offer three days of programme, but more importantly, an opportunity for you to take part in a gathering with a lot of fun and friendly people who may share some of your interests. Unfortunately, we cannot offer any translation into Ukrainian language, but if you speak English, then you already have something in common with 90% of the population at SFeraKon. Even of you don’t speak English, Ukrainian and Croatian have some similarities so most likely you will be able to communicate with others with a moderate amount of good will and a bit of hand waving SFeraKon is taking place from 13th till 15th of May (Friday evening till Sunday evening) at the Faculty of Electrical Engineering and Computing (If you are in Zagreb, simply look for FER). We will be glad to meet and hang out with you.

(2) AMERICAN WRITERS FESTIVAL. [Item by Steven H Silver.] The American Writers Festival, sponsored by the American Writers Museum, will take place on May 15 at the Chicago Cultural Center.  It will include a panel discussion moderated by Chicon 8 Special Guest Dr. Eve L. Ewing (“The Future of Black”), and a talk between Ewing and Ashley C. Ford, and a discussion between Chicon 7 Toastmaster John Scalzi and Michi Trota.

The inaugural American Writers Festival on May 15, 2022 in Chicago coincides with the American Writers Museum’s fifth anniversary. The free literary festival will be held at four stages inside the Chicago Cultural Center and one stage at the American Writers Museum, and feature more than 75 beloved contemporary authors, artists and playwrights. Participating writers will address their perspectives on many of today’s most timely and controversial topics including immigration, book censorship, racism and equality through themes within their literature.

As a special bonus, the AWM will waive museum admission fees on Sunday, May 15 and Monday, May 16 – AWM’s fifth anniversary – to encourage more people to experience the literary works of the greatest American writers.

Proof of vaccination and masks are required to enter the American Writers Museum and all event spaces at the Chicago Cultural Center.

(3) CHARITY STREAM. [Item by Ben Bird Person.] Twitch streamer Keffals will be having a charity stream to help Alabaman trans kids and their parents. Lilly Wachowski, Anthony Fantano, and Chelsea Manning are confirmed guests!

(4) AVATAR SEQUEL LEAVES DRYDOCK. Variety was there as “’Avatar 2′ Footage Debuts at Cinemacon”.

Avatar 2” is real, and it’s here — naysayers be damned.

After at least seven delays in the last eight years (the film was originally supposed to open in 2014), director James Cameron is finally ready to show audiences his otherworldly, underwater vision for “Avatar’s” long-awaited sequel. It’s newly titled as “Avatar: The Way of Water.”

Disney, which inherited the franchise after acquiring 20th Century Fox in 2019, unveiled new footage of the highly anticipated film at CinemaCon, the annual gathering of movie theater owners that’s currently unfolding at Caesars Palace in Las Vegas.

CinemaCon attendees were given 3D glasses to watch the minutes-long trailer, which contained almost no dialogue. Instead, exhibitors were immersed into different regions across the dazzling world of Pandora through sweeping visuals of the planet’s crystal blue oceans and lakes. The footage also shows the local tribe of Na’vi interacting with various species resembling whales and pelicans, some of which flew through the screen and into audience member’s faces thanks to the three-dimensional technology.

(5) COME FROM AWAY. Sarah Gailey responded to the angst about Twitter’s future by encouraging writers and artists to use her comments to tell where to find their newsletters. Thread starts here.  

(6) KAREN GILLAN INTERVIEW. [Item by Martin Morse Wooster.] I heard this podcast that Leonard and Jessie Maltin did with Karen Gillan, which is the first time I’ve heard Gillan speak in her normal Scottish voice (she’s from Inverness). Much of Gillan’s work is genre-related, ever since she was Matt Smith’s companion for three seasons on Doctor Who, a part she enjoyed because the cast bonded as a family through nine months of shoots where they worked 11 days out of every 14. She talks about what it is like being behind a table at media conventions, where fans pepper her with really arcane trivia questions about her roles, most notably as Nebula in the MCU. (Fans, Leonard Maltin says, “are a wily lot.”)  But she also talks about promoting MCU films in giant press conferences where the stars have two goals:  Not saying anything about the movie and making sure that Tom Holland doesn’t blurt out spoilers.

Gillan is currently developing Conventional, based on a short film she wrote and starred in in 2018 about a horror film star who meets fans who dress as the serial killer in her movies.  The film is on YouTube and would be rated R if it had a rating.

(7) ESSAY: JACK KLUGMAN ON THE ORIGINAL TWILIGHT ZONE.

By Cat Eldridge: Only three individuals did four or more appearances on Rod Serling’s Twilight Zone and Jack Klugman was one of them. 

Let’s discuss his appearances. He was in “A Passage for Trumpet,” “A Game of Pool”, “Death Ship” and “In Praise of Pip”. 

In “A Passage for Trumpet” he’s Joey Crown, a hopeless NYC trumpeteeer with no money, no friends, and no job prospects due to being an alcoholic. He ends in Limbo talking to an Angel. 

Next he’s Jesse Cardiff in “A Game of Pool,” where we get told the story of the best pool player living and the best pool player dead. No points for guessing which he is. 

Now this episode was remade in the eighties Twilight Zone. That version featured Esai Morales as Jesse Cardiff and Maury Chaykin as Fats Brown. This version used the original alternate ending that Johnson intended for the original version. (Nope in keeping with the File 770 policy of not having spoilers if at possible, I’m not telling you what that ending was. After all it’s only been sixty years and some of you might not have seen it yet.) 

The next episode he’s in is definitely SF and based on a Richard Matheson short story with the same title, “Death Ship”. (It was first published in Fantastic Story Magazine, March 1953.) Matheson wrote sixteen episodes of The Twilight Zone including “Nightmare at 20,000 Feet”. Only Serling wrote more. In this episode, a spaceship crew discovers a wrecked replica of their ship with their own dead bodies inside. Klugman plays the Captain Paul Ross.

The model used in this episode of the hovering spaceship is that of a C-57D Cruiser, a leftover prop from Forbidden Planet. It would also be used in the episodes “The Monsters Are Due on Maple Street” and “Third from the Sun”. The crashed ship is a model created for this episode.

The final appearance by him is in “In Praise of Pip” where his role is Max Philips,  a crooked bookie, who after learning that his soldier son has suffered a mortal wound in the Vietnam War, apparently encounters a childhood version of his son.

The Twilight Zone streams on Paramount +. 

From “Death Ship”

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 27, 1894 Dashiell Hammett. Yes, I know he’s written some genre fiction but I’m interested this time in his mysteries. He wrote The Maltese Falcon which was turned into the film you remember and another film a decade earlier. And, of course, there are Nick and Nora Charles in The Thin Man series that got turned in a six film series. Now my favorite character by him is the Continental Op in Red Harvest and The Dain Curse. And let’s not forget the Secret Agent X-9 comic strip which artist Alex Raymond  of Flash Gordon fame illustrated. (Died 1961.)
  • Born April 27, 1899 Walter Lantz. Cartoonist, animator, producer and director who founded Walter Lantz Productions. He created the Woody Woodpecker and Chilly Willy characters among others. He received an Academy Award “for bringing joy and laughter to every part of the world through his unique animated motion pictures”. (Died 1994.)
  • Born April 27, 1901 Frank Belknap Long. John Hertz says that he should be singled out for the “To Follow Knowledge” novelette which John lovingly discuses here. Let me add that Long received the World Fantasy Award for Life Achievement. (Died 1994.)
  • Born April 27, 1920 Doris Baumgardt. Well-known and loved fan, illustrator and writer under the name of Leslie Perri. She was a member of the Futurians, and a founding member of FAPA. She was also a member of the CPASF and the Science Fictioneers. She was one of five members of the Futurians allowed into the first World Science Fiction Convention by Sam Moskowitz  with the other four were Isaac Asimov, David Kyle, Jack Robinson and Richard Wilson. She wrote three pieces of short fiction that were published in the Forties and Fifties; she contributed artwork to fanzines. (Died 1970.)
  • Born April 27, 1962Rachel Caine. She had two series, the Weather Warden series which is most excellent and the superb Great Library series. I can’t speak to the Morganville Vampires series as I don’t really do vampires. She’s got a number of other series, far more than can detailed here. She won the Nebula Solstice Award last year, given for significant impact on speculative fiction. Ben Bova and Jarvis Bernard Sheffield also were given the Award that year. (Died 2020.)
  • Born April 27, 1963 Russell T. Davies, 59. Responsible for the 2005 revival of the BBC One of Doctor Who. A Whovian since the very beginning, he thinks “The Talons of Weng-Chiang” has the best dialogue in the entire series, an opinion I concur with. Of course he’s also responsible for Torchwood and The Sarah Jane Adventures as well. (Need I note that the The Five(ish) Doctors Reboot was his idea?) Oh, and a few years back, he produced A Midsummer Night’s Dream. And that hardly covers everything that he’s done. Hugo nominations and awards? Oh yes. Starting at Nippon 2007, where he was nominated for Doctor Who’s “Army of Ghosts” and “Doomsday”, then at Anticipation both “Silence in the Library/Forest of the Dead” and “Turn Left” were nominated. At Aussiecon 4, he finally won a Hugo for “The Water of Mars”. “The Next Doctor” and “Planet of the Dead” were also nominated.  And y’all know he’s the new Who showrunner. That should be interesting. 
  • Born April 27, 1986 Catherine Webb, 36. She’s writes under a number of names but I only know her under her Kate Griffin name where she wrote the extraordinary London set Matthew Swift series which one of the best urban fantasy series I ever read. Hugo worthy indeed. I’ve not read any of her fiction written as Claire North which is major other name, so if you have, do tell me how it is. As North, her book The First Fifteen Lives of Harry August won the Clarke Award and Campbell Memorial Award, and The Sudden Appearance of Hope won a World Fantasy Award. Now go read the Matthew Swift series! 
  • Born April 27, 1986 Jenna Coleman, 36. Clara Oswald, Companion to the Eleventh and Twelfth Doctors.  She remains the longest serving companion since the series was revived. Genre wise, she was also Connie in Captain America: The First Avenger, and did voice work on the animated reboot of Thunderbirds Are Go. And yes, she showed up in The Five(ish) Doctors Reboot which deserves to be annotated. 

(9) SAGA IS BACK. NPR’s Mallory Yu tells how “Radical pacifism and violence collide in the ‘Saga’ comic series”.

There’s a frog playing drums, an alien on guitar, and a humanoid creature with a television for a head on vocals on the cover of Saga‘s Issue 58.

It’s a collection of characters that’s par for the course for the award-winning science fiction epic, which pretty quickly amassed a legion of fans after its first issue in 2012. Then, in 2018, creators Brian K. Vaughan and Fiona Staples announced their saga would be going on hiatus.

Their series returned this year, in February, and Vaughan was ready to get started.

“I can’t stop thinking about it,” he said. “I think most of my hiatus was really spent still focused on Saga and sort of plotting out the next several years of these character’s adventures.”

If you call running for your life while dangerous assassins shoot lasers at you “adventures.”…

(10) WHO – OR WHAT? – WILL EXPLORE SPACE. [Item by Martin Morse Wooster.] Jeff Foust reviews a new book that argues that we don’t need astronauts anymore and can just rely on unmanned missions. “The End of Astronauts” at The Space Review.

…For the last couple of decades, there has been a truce between advocates of robotic and human space exploration, with an acknowledgement that the two can and should work together: robots serving as precursors and assistants for later human missions. But in The End of Astronauts, Donald Goldsmith and Martin Rees—a veteran science writer and the UK’s Astronomer Royal, respectively—argue that exploration beyond Earth orbit should be left to robots, a case that is certainly controversial but not necessarily compelling.

…Of course, governments don’t send astronauts into space exclusively or even primarily to do exploration: it’s one rationale of several, like geopolitics and national prestige. Goldsmith and Rees appear to acknowledge this, expecting the US and China to land humans on the Moon in the next decade or so, with Mars missions possibly by the 2040s but perhaps later….

(11) HOW ANCIENT DNA HIT THE HEADLINES; [Item by SF Concatenation’s Jonathan Cowie.] The origins, politics and motivations of the people who sequence age-old genomes dance with science fiction In tomorrow’s Nature….

In 1993, the day after the film Jurassic Park premiered in Washington DC, Nature reported the sequencing of DNA from a weevil encased in amber more than 120 million years ago. Then, in 2015, days before the global premiere of a sequel, Jurassic World, Nature Communications published evidence for the preservation of red blood cells and proteins in a 75-million-year-old dinosaur sample. Coincidence? The authors of the 1993 paper (R. J. Cano et al. Nature 363, 536–538; 1993) insisted it was, notes historian of science Elizabeth Jones. One of the co-authors of the 2015 paper https://www.nature.com/articles/ncomms8352.pdf (S. Bertazzo et al.Nature Commun. 6, 7352; 2015) told me theirs was, too: “100%”. These tantalizing parallels between life and art open Jones’s book Ancient DNA, a fun and thought-provoking introduction to the origins, politics and motivations of research into age-old genomes…

...Will the ancient-DNA big-hitters go back in time once more? The latest film in the franchise, Jurassic World Dominion, premieres in June; perhaps we’ll find out.

(12) THE GANG’S ALL HERE. [Item by Martin Morse Wooster.] Sam Neill, Laura Dern, and Jeff Goldblum chat with Vanity Fair about Jurassic Park and Jurassic World: Dominion, which they are all in, in this video that dropped today.

(13) ON THE HORIZON. Snopes.com expects “Musk’s Twitter Ambitions to Collide with Europe’s Tech Rules”.

A hands-off approach to moderating content at Elon Musk’s Twitter could clash with ambitious new laws in Europe meant to protect users from disinformation, hate speech and other harmful material.

Musk, who describes himself as a “free speech absolutist,” pledged to buy Twitter for $44 billion this week, with European Union officials and digital campaigners quick to say that any focus on free speech to the detriment of online safety would not fly after the 27-nation bloc solidified its status as a global leader in the effort to rein in the power of tech giants.

“If his approach will be ‘just stop moderating it,’ he will likely find himself in a lot of legal trouble in the EU,” said Jan Penfrat, senior policy adviser at digital rights group EDRi.

Musk will soon be confronted with Europe’s Digital Services Act, which will require big tech companies like Twitter, Google and Facebook parent Meta to police their platforms more strictly or face billions in fines….

(14) YOU’LL WANT TO RUSH TO YOUR NEAREST THEATER 45 YEARS AGO! “Star Wars: The Empire Strikes Back Gets a Modern Trailer Makeover” and ScreenRant admires it greatly.

1980’s Star Wars: The Empire Strikes back gets a brand new, modern trailer that doesn’t give away any of the film’s surprises. As one of the true blockbusters, the release of 1977’s original Star Wars movie marked the beginning of one of the most influential franchises of all time. For its first sequel, creator George Lucas stepped back from directorial duties, handing off the role to his former film school professor Irvin Kirshner. With a story by Lucas and a script by Lawrence Kasdan, The Empire Strikes Back took a much darker tone than its predecessor and was all the better for it.

(15) FOR THEIR FANS. This trailer explains what happens when a character “has CGI surgery,” shows Chip and Dale going to cons, and hopefully will not have kids ask, “What are the Chippendale dancers?” Coming to Disney Plus in May!

(16) HONEST GAME TRAILER. In “Honest Game Trailers: Tunic,” Fandom Games says this game first asks “What if Zelda were a furry?” but then goes on to be a game where all the rules and plot mechanics are hidden, so the game “captures the feeling of being a lost child in Costco.” But as you repeat actions over and over, “It’s like having OCD–but the fun kind!”

[Thanks to Chris Barkley, Andrew Porter, Michael Toman, Borys Sydiuk, Steven H Silver, Ben Bird Person, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 4/17/22 Filefjonk, Scrollmaiden, And Other Moominpixels

(1) HE PUT THE BOMP. “Cyberpunk pioneer John Shirley survived Portland’s 1970s music scene, discovers you can go home again” – the author is profiled by The Oregonian.

…Ultimately, he didn’t make it as a punk rocker. And that was OK. He loved performing for an audience, creating noise and upheaval. But he loved sitting by himself in front of a typewriter too.

He wrote wild stories that took readers to distant worlds, and inside the heads of killers, sex fiends and sadists.

This was how he made his mark — his X.

Shirley pioneered cyberpunk (just ask William Gibson, the best-known writer associated with the influential science-fiction subgenre). He’s published more than 50 novels and many more short stories, earning a dedicated fan base. He co-wrote the screenplay for the cult movie “The Crow” and penned a series of paperback novels that inspired the Sylvester Stallone movie “The Specialist.”…

(2) JOCULARITY. “I Feel Funny: Humor Writing Tips for Novelists” by Kathy Flann at the SFWA Blog

Fairly or unfairly, the general public doesn’t associate science fiction and fantasy (SFF) with hilarity. In fact, a recent fake survey revealed that 72% of readers expected these novels to be “Moby-Dick in space … (or the moors or wherever).” However, what is humor if not an observant reimagining of the familiar, typically with some kind of an unexpected twist? Writers of SFF create ten interesting twists before their well-observed breakfasts. So, why aren’t our bookshelves and our zeitgeists chock-full of hilarious SFF novels? 

My guess is that SFF writers already feel overwhelmed. Not only do they face the challenges of any novel—including character development, plot, point of view, and so on—but also the mandate to build worlds for characters to inhabit and confront. I think writers suffer from knee-knocking fear of the additional layer of “trying” to be funny. A corny novel that makes readers groan may erode their suspension of disbelief. All that work for nothing!… 

(3) EATING THE FANTASTIC. Scott Edelman invites listeners to chow down on butter chicken with Paul Kupperberg in episode 169 of the Eating the Fantastic podcast.

Paul Kupperberg

It’s time once again to step into the time machine, as this episode’s guest, Paul Kupperberg, is one of the two people in comics I’ve known the longest. He, along with former guest of the podcast Paul Levitz, ran fanzine sales at Phil Seuling’s 1971 4th of July weekend Comic Art Convention. We were both 16 then.

Paul’s another one of those guests I’d planned to sit across the table from during a day trip north sometime during the past two years, but that couldn’t happen, so to prevent the state of the world from stealing from us the conversation we would have had in better times, this became another one of the remote episodes I started doing once our world narrowed in early 2020, urged on by my Patreon supporters, who felt as much of a need for community during this difficult period as I did.

A lot has changed over the past half century since Paul and I met, as he’s written more than 1,000 short stories and comic book stories during those years. Among the characters whose adventures he’s scripted are Superman, Supergirl, Superboy, the new Doom Patrol, Green Lantern, the Justice League of America, Aquaman, Conan, and many others. He also scripted something near and dear to my heart — the first appearance of Keith Giffen’s Ambush Bug character in DC Comics Presents #52 (Dec. 1982). He wrote the syndicated The World’s Greatest Superheroes newspaper comic strip with José Delbo from 1981–1985. He’s the author of more than three dozen books of fiction and nonfiction, including The Same Old StoryJSA: RagnarokDirect Comments: Comics Creators in Their Own Words, and Paul Kupperberg’s Illustrated Guide to Writing Comics. He’s been an editor at DC Comics, WWE Kids’ Magazine, and the Weekly World News.

Paul ordered in Butter Chicken from Curry & Hurry in Riverside Connecticut, I ran over to Spice Connexion in Martinsburg, West Virginia for take-out Lamb Rogan Josh, and I hope you grab some Indian food so you can better pretend to be part of the gabfest.

We discussed which superhero starred in his first favorite comic book, the reasons we’re in agreement when it comes to the Stan vs. Jack debate, why his introduction to Superman had nothing to do with comics, what we each felt was lacking in our own early comic book writing, the surprising identity of the DC editor whose books sold the best, what caused legendary artist Don Heck to curse him out, the special challenges of writing comic strips, how he needed to get ready (or not) before writing all those legacy characters, what it was like rebooting Doom Patrol, which Archie character’s death upset him so much he had to step away from the keyboard, and much more.

 (4) THE RESISTANCE. Publishers Weekly is “Confronting Cultural Illiteracy: LGBTQ Books 2022”.

The recent spate of challenges to books with LGBTQ content has been met with equally vocal resistance from booksellers, librarians, parents, and other advocates. Caught in the middle are the people who create the books.

George M. Johnson’s All Boys Aren’t Blue, a YA essay collection revolving around themes of identity and family, was, according to the ALA, the third most challenged book of 2021; it was cited for LGBTQ content, profanity, and because it was considered sexually explicit. “It’s never easy to wake up to Google alerts mischaracterizing your work as something that it isn’t or seeing it used as a pawn for political partisanship,” Johnson says. “It only makes me want to create more stories in the world—find newer, cooler mediums to tell my stories.”

Another author, Jarrett Dapier, had a virtual presentation of his picture book Mr. Watson’s Chickens cancelled when the school librarian told the principal that the story features a gay couple. The principal then suggested offering parents the choice to opt out of the event, which Dapier found unacceptable. The presentation was rescheduled, the author says, after the school agreed to his terms: he insisted that the principal not send the opt-out letter, and that “teachers would not change their approach to the book or point out the characters’ relationship in anything but a positive, normal light, if they did at all.”…

(5) DENIS MEIKLE (1947-2022). Author Denis Meikle, a scholar who wrote about Hammer Films, died this week reported his daughter. His books included A History of Horrors-The Rise and Fall of the House of Hammer (1996), Jack the Ripper-The Murders and the Movies (2001), Vincent Price-The Art of Fear (2002), Johnny Depp-A Kind of Illusion (2004), The Ring Companion (2006), Roman Polanski-Odd Man Out (2007), Mr Murder-The Life and Times of Tod Slaughter (2019). And he wrote numerous articles for magazines such as My Little Shoppe of Horrors, The Dark Side, etc. He was the publisher of The Fantastic Fifties, The Sensational Sixties, and The Age of Thrills magazines.

(6) MEDIA BIRTHDAY.

1964 [Compiled by Cat Eldridge.] The cast of characters—a cat and a mouse, this is the latter. The intended victim who may or may not know that he is to die, be it by butchery or ballet. His name is Major Ivan Kuchenko. He has, if events go according to certain plans, perhaps three or four more hours of living. But an ignorance shared by both himself and his executioner, is of the fact that both of them have taken the first step into the Twilight Zone. — Opening narration of this episode. 

On this evening fifty eight years ago, The Twilight Zone‘s “The Jeopardy Room” first aired on CBS.  The plot is Major Ivan Kuchenko  as played by Martin Landau, a KGB agent who is attempting to defect, is trapped inside a hotel room in an unnamed, politically neutral country with a bomb about to go off unless he can disarm it. I’m assuming that you’ve seen, but on the grounds that you might not have, I won’t say more. It’s a splendid bit of Cold War paranoia. 

Not surprisingly, it was written by Serling. It was directed by Richard Donner who later on would be known for The OmenScrooged and Superman but this was very early on in his career and he had just three years earlier released X-15, an aviation film that presented a fictionalized account of the X-15 research rocket aircraft program. Neat indeed. 

It is one of only a handful of The Twilight Zone episodes that has no fantastical elements at all. It’s a classic Cold War story more befitting a Mission: Impossible set-up than this series. It even involves a message delivered by way of a tape recorder, but mine you that series is two years in the future so that has to be just a coincidence. Or The Twilight Zone being The Twilight Zone

Like all of The Twilight Zone series, it’s streaming on Paramount +. 

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 17, 1919 Julius Fast. He was the first recipient of the Edgar Award given by the Mystery Writers of America for the best first novel of 1945, Watchful at Night.  (He wrote a lot of mystery novels.) He was also a sff genre writer and he released Out of This World, a collection of SF stories while he was still in the Army during WW II. He only genre novel was written in the Seventies, The League of Grey-Eyed Women. (Died 2008.)
  • Born April 17, 1923 Lloyd Biggle Jr. He was the founding Secretary-Treasurer of Science Fiction Writers of America and served as Chairman of its trustees for many years. Writing-wise, his best known series were the Jan Darzek and Effie Schlupe troubleshooting team, and the Cultural Survey. His “Monument” story published in Analog was a finalist at Chicon III for a Short Story Hugo. I find it interesting that he wrote his own Sherlock Holmes stories from the perspective of Edward Porter Jones, an assistant who began his association with Holmes as a Baker Street Irregular. There are two novels in this series, The Quallsford Inheritance and The Glendower Conspiracy. (Died 2002.)
  • Born April 17, 1923 Earl Norem. An illustrator who signed his work simply Norem. He did a lot of work in Goodman’s men’s magazine but for our purposes I’m interested in the fact that he did a lot of for the same line of black-and-white comics magazines affiliated with his Marvel Comics division. Here is three of his covers, first for the trade paperback of Star Lord: Guardian of The Galaxy, next for Punisher/Black Widow: Spinning Doomsday’s Web (1992) #1, and finally for Moon Knight #6. (Died 2015.)
  • Born April 17, 1942 David Bradley, 80. It’s his Doctor Who work that garners him a Birthday honor.  He first showed up during the time of the Eleventh Doctor playing a complete Rat Bastard of a character named Solomon in the “Dinosaurs on a Spaceship” episode. But it was his second role on the series as actor who was the First Doctor that makes him really worth noting. He portrayed William Hartnell in An Adventure in Space and Time and then played the role of the First Doctor again in “The Doctor Falls” and “Twice Upon a Time”, both Twelfth Doctor stories.  He is also known for playing Argus Filch in the Harry Potter film franchise, Walder Frey in Game of Thrones and Abraham Setrakian in The Strain
  • Born April 17, 1948 Peter Fehervari, 74. Ok I’ll admit I’m including him because he’s written a number of novels set in the Warhammer Universe and I’ve never read anything set there. Who here has read the fiction set there? Is it worth reading, and if so, is there a good starting point?  I’ll admit that as a causal collector of action figures that some of those do seriously interest me as they have a definite SF vibe as you can see here.
  • Born April 17, 1959 Sean Bean, 63. His current role that garners him recognition is Joseph Wilford on Snowpiercer, though he gave an iconic performance as Ned Stark in Game of Thrones, and he’s been in our area of interest a long time.  His first genre role was in GoldenEye as the antagonist of Bond, Alec Trevelyan (Janus). Next he shows up as Boromir in the first of The Lord of the Rings films. He played Dr. Merrick in the horror SF film The Island and was James in horror flick The Dark which purports to be based off Welsh myth. Following in the horror vein, he’s Chris Da Silva in Silent Hill (which gets a sequel later in Silent Hill: Revelation) and in yet more horror is John Ryder in the remake of The Hitcher. (Was it so good that it yearned for a remake? I doubt it.) Black Death — yes more horror — and the character of Ulric ensued next. Finally something not of a horror nature in playing Zeus in Percy Jackson & the Olympians: The Lightning Thief happened. I’m going to forgo listing the subsequent horror films he’s in and just finally note that he’s in The Martian playing Mitch Henderson. 
  • Born April 17, 1972 Jennifer Garner, 50. Back before there was the Marvel Cinematic Universe, there were Marvel Comic movies which have not been retconned into the MCU reality. Such was the case with Elektra and its lead character of Elektra Natchios. She also had the same role in Daredevil which was at best an OK film though I’m fond of the Kingpin character. And yes, I know some of you don’t like that Kingpin. 
  • Born April 17, 1973 Cavan Scott, 49. To my thinking, there’s somewhat of an arbitrary line between fanfic and professional writing. (Ducks quickly.) Which bring me to the world of fiction set in media universes where a lot of fanfic is set. This writer has apparently specialized in such writing to the extent that he has novels in the universes of Dr. Who (including the full blown subgenre of Professor Bernice Summerfield), Blake’s 7Judge DreddSkylanders UniverseThe Tomorrow PeopleStar Wars and Warhammer Universe (yes again). Judge Dredd?  Novels? Who knew? 

(8) COMICS SECTION.

(9) ASIMOV PROFILE. The Jerusalem Post published this feature to mark the thirtieth anniversary of the author’s death: “Isaac Asimov: The biochemist who created new worlds – The Jerusalem Post (jpost.com)

Isaac Asimov is considered one of the greatest science fiction writers, and definitely the most famous of them all. He has written some of the most influential and popular books of the genre, which contained ideas, prophecies and quotes that appear in multiple references to this day. He has written and edited more than 500 books in different fields and was legendarily prolific as a writer. The American writer Harlan Ellison once commented about Asimov, “He had writer’s block once. It was the worst ten minutes of his life.”

Owing to his huge success as an author, it’s easy to forget that Asimov was also a scientist and a professor of biochemistry. Science was an integral part of his life and greatly influenced his stories…. 

(10) SELF-PUBLISHED BOOKS HONORED. Among those receiving medals in the 2022 Global Book Awards for Self-Published Authors this week in the science fiction categories were:

  • VS Holmes, author of Heretics won Silver for Sci Fi/ Hard
  • Kristina Rienzi, author of Among Us won Silver for Sci-fi / Space Exploration

Heretics

Hot-tempered Dr. Nel Bently is not cut out to save the world. After her last project ended in fire and death, Nel must put aside her distrust of just about everyone and embark on a lo-fi search for a deadly radio transmission.

Earth’s survivors are torn between the austere superpower of IDH and the high-tech grassroots Los Pobledores. At every turn more allies go missing and Nel questions where everyone’s true loyalties lie–and on which side Lin will fall when a line is finally drawn.

They need experts. They need firepower. But it looks like the only thing standing between Earth and devastation is Nel: archaeologist, asshole, and functioning alcoholic with anger issues.

Among Us

Marci Simon lives a double life: conservative professor of English by day, and controversial blogger of aliens by night. But when a classified document lands in her lap, her two worlds collide in an explosive revelation of shocking and deadly secrets.

Despite imminent danger at every twist, Marci embarks on an unstoppable quest to expose the terrifying truth. Only she never anticipated the entangled nebula of dark lies, nor the never-ending wormhole the government would spiral through to silence her forever.

Knowledge can kill.

And Marci knows too much. With global security at risk, no one can be trusted. To debunk the stratosphere of deceit, Marci races at the speed of light to escape the grips of the clandestine Extraterrestrial Security Agency (ESA) hunting her before she vanishes like all the others. But Marci is unique. Despite being the ESA’s prime target, she’s also the skeleton key to the deadliest truth in the history of the universe.

The nightmare is real, and it’s only just begun. Marci must take a nefarious leap of faith before her options, and her breaths, evaporate into a black hole for all eternity.

(11) VOYAGER NEWS. An excerpt has been released from a new documentary on Star Trek:  Voyager.“To The Journey”.

(12) GYGAX. [Item by Martin Morse Wooster.] The BBC interviews E. Gary Gygax, the great game creator Sid Sackson, and goes to a British national gaming convention in this Classic BBC Clip from a 1982documentary that dropped this week. “Why do we play TABLETOP GAMES?”

[Thanks to JJ, John King Tarpinian, Andrew Porter, Michael Toman, John Lorentz, Mickey Mikkelsen, Lise Andreasen, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Ingvar.]

Pixel Scroll 2/14/22 Our Files Are Protected By Mutual Assured Pixellation

(1) PENGUIN RANDOM HOUSE ASKS INTERNET ARCHIVE TO REMOVE MAUS. Chris Freeland, a librarian and Director of the Internet Archive’s Open Libraries program, advocates for his work at ZDNet: “Librarian’s lament: Digital books are not fireproof”.

The disturbing trend of school boards and lawmakers banning books from libraries and public schools is accelerating across the country. In response, Jason Perlow made a strong case last week for what he calls a “Freedom Archive,” a digital repository of banned books. Such an archive is the right antidote to book banning because, he contended, “You can’t burn a digital book.” The trouble is, you can.

A few days ago, Penguin Random House, the publisher of Maus, Art Spiegelman’s Pulitzer Prize-winning graphic novel about the Holocaust, demanded that the Internet Archive remove the book from our lending library. Why? Because, in their words, “consumer interest in ‘Maus’ has soared” as the result of a Tennessee school board’s decision to ban teaching the book. By its own admission, to maximize profits, a Goliath of the publishing industry is forbidding our non-profit library from lending a banned book to our patrons: a real live digital book-burning.

We are the library of last resort, where anyone can get access to books that may be controversial wherever they happen to live — an existing version of Perlow’s proposed “Freedom Archive.” Today, the Internet Archive lends a large selection of other banned books, including Animal FarmWinnie the PoohThe Call of the Wild, and the Junie B. Jones and Goosebumps children’s book series. But all of these books are also in danger of being destroyed.

In the summer of 2020, four of the largest publishers in the U.S. — Penguin Random House among them — sued to force our library to destroy the more than 1.4 million digital books in our collection. In their pending lawsuit, the publishers are using copyright law as a battering ram to assert corporate control over the public good. In this instance, that means destroying freely available books and other materials that people rely on to become productive and discerning participants in the country’s civic, economic, and social life…. 

(2) SUPER BOWL COMMERCIALS WITH A TOUCH OF SFF. Thanks to Cora Buhlert for flagging several of these in a comment yesterday on the “The Lord of the Rings: The Rings of Power – Teaser Trailer” post. Besides the ones I’ve embedded below, there’s a “Planet Fitness – What’s Gotten into Lindsay?” spot with a cameo and narration by William Shatner, and astronaut Matthew McConaughey headlining the “’The New Frontier’ Salesforce Super Bowl Ad” (“while the others look to the metaverse and Mars, lets stay here and restore ours…”).

Enter a new dimension of Strange. Watch the official trailer for Marvel Studios’ Doctor Strange in the Multiverse of Madness. Only in theaters May 6. In Marvel Studios’ “Doctor Strange in the Multiverse of Madness,” the MCU unlocks the Multiverse and pushes its boundaries further than ever before. Journey into the unknown with Doctor Strange, who, with the help of mystical allies both old and new, traverses the mind-bending and dangerous alternate realities of the Multiverse to confront a mysterious new adversary.

See the all-new Big Game TV Spot for Marvel Studios’ #MoonKnight ?, an Original series streaming March 30, only on Disney+. The story follows Steven Grant, a mild-mannered gift-shop employee, who becomes plagued with blackouts and memories of another life. Steven discovers he has dissociative identity disorder and shares a body with mercenary Marc Spector. As Steven/Marc’s enemies converge upon them, they must navigate their complex identities while thrust into a deadly mystery among the powerful gods of Egypt.

In a competitive home buying market, Barbie was able to find and finance her dream house with some help from Rocket Homes??, Rocket Mortgage® and Anna Kendrick.

Retiring from Mount Olympus to Palm Springs, Zeus is underwhelmed by all earthly electric things and becomes a shell of his former self. But right when we think all hope is lost, his wife, Hera, introduces him to the all-electric BMW iX and helps mighty Zeus reclaim his spark.

(3) THE SIXTIES CONAN REDISCOVERY. At Galactic Journey, Cora Buhlert continues her overview of the Lancer Conan reprints with Conan the Warrior, which includes two of the best Conan stories “and no L. Sprague de Camp mucking about”: “[February 14, 1967] Three Facets of Conan: Conan the Warrior by Robert E. Howard”.

…Valeria is a marvellous character, a warrior woman who is Conan’s equal in many ways. “Why won’t men let me live a man’s life?” Valeria laments at one point. “That’s obvious,” Conan replies with an appreciative look at Valeria’s body. Robert E. Howard is usually considered a writer of masculine fiction and Conan is clearly a man’s man, but I was pleasantly surprised by the variety and competence of the female characters in these stories. Not every women in these stories is as impressive as Valeria or Yasmina from “The People of the Black Circle”, but they are all characters with personalities and lives of their own and every one of them is given a chance to shine….

(4) IT’S TIME FOR TRIVIA. Clarion West’s third annual speculative fiction trivia night fundraiser welcomes anyone to join this celebration of all things speculative. The event takes place March 20 from 5:00 p.m.-7:30 p.m. Pacific. Purchase tickets here – most options are $15.

Quizmaster Seanan McGuire will host us on Sunday, March 20th at 5pm PT for a night of science fiction, fantasy, and horror-themed rivalry. We’re also excited to welcome celebrity team captains Tananarive Due & Steven Barnes, A.T. Greenblatt, Greg & Astrid Bear, Cat Rambo, Andy Duncan, Brooks Peck, Julia Rios, and Curtis C. Chen!

Clarion West began running Speculative Fiction Trivia Night as an in-person fundraiser in 2019. It’s been such a hit that we’ve kept it going online for our global community. We enjoy bringing everyone together for this annual event, keeping it easy to run (with lots of volunteer power), and low cost to join! Ticket sales support Clarion West, the time and efforts of our staff, and our wonderful quizmaster Seanan McGuire!

You can join as an individual and be placed on a team, bring your own team, or join a team led by one of our amazing celebrity team captains (these fill quickly)!

Learn more about Trivia Night, our Celebrity Team Captains, and other details here.

(5) HIDDEN GEMS. G.W. Thomas remembers the adventures of Thula, a little known 1970s sword and sorcery heroine by Pat McIntosh, whose stories only appeared in an obscure British fanzine and Lin Carter’s Year’s Best Fantasy collections: “The Adventures of Thula” at Dark Worlds Quarterly.

 The Adventures of Thula was a series of five Sword & Sorcery tales featured in Lin Carter’s The Year’s Best Fantasy Stories 1-5Pat McIntosh, the Scottish author of these tales, was a mystery to me. Her stories appeared first in John Martin’s British fanzine Anduril but nowhere else. She was an obvious favorite of Lin’s, along with other women writers such as Tanith Lee, C. J. Cherryh and Janet Fox. He called McIntosh “…a new British writer bound to go places in the years to come!”…

(6) NOPE TRAILER. “Jordan Peele’s ‘Nope’ Trailer Sees a UFO Terrorize Keke Palmer, Daniel Kaluuya and Steven Yeun”. Yahoo!’s preview explains, “One day, a UFO appears in the sky, causing all matter of chaos for those at the ranch and its neighboring town. In one eye-catching scene in the trailer, we see Kaluuya on horseback trying to outrun the UFO; in another, a gooey alien creature stalks its prey.”

(7) IVAN REITMAN (1946-2022). A prolific Hollywood producer and director, Ivan Reitman died February 13 at the age of 75. He worked on many famous non-sf films, but the Ghostbusters movies were his best-known. As a producer or executive producer he had a hand in genre films Heavy Metal (1981), Spacehunters: Adventures in the Forbidden Zone (1983), Ghostbusters (1984), Ghostbusters II (1989), and the reboots Ghostbusters (2016) and Ghostbusters: Afterlife (2021), Space Jam (1996), Evolution (2001), A Babysitters Guide to Monster Hunting (2020), and also two animated TV series Mummies Alive (1997) and Alienators: Evolution Continues (2001), plus a recurring segment of the Atom TV series (2008).

The Guardian’s Hadley Freeman found Ivan Reitman impressive: “I finally met Ivan Reitman three months ago – my Hollywood hero was a truly lovely man”.

As the Guardian’s official 80s movies correspondent, I talked to Reitman multiple times over the years, beginning with a phone interview for the last film he directed, 2014’s Draft Day. When I contacted him again a few weeks later to ask if I could interview him for a book I was working on about 80s movies, he immediately agreed, and talked to me for over an hour, reminiscing about films people had been asking him to reminisce about for over 30 years. He never showed boredom or irritation. If I ever needed a quote, or just had a question, I could email him and he’d reply immediately. Does it really need saying that this kind of behaviour from a genuine Hollywood powerhouse is not exactly typical?

(8) MEDIA BIRTHDAY.

1964 [Item by Cat Eldridge] James Elwood: master programmer. In charge of Mark 502-741, commonly known as Agnes, the world’s most advanced electronic computer. Machines are made by men for man’s benefit and progress, but when man ceases to control the products of his ingenuity and imagination, he not only risks losing the benefit, but he takes a long and unpredictable step into… The Twilight Zone.”

Fifty-eight years ago this evening, Twilight Zone’s “From Agnes—With Love” episode first aired. The twentieth episode of Season Five, it tells the rather silly story of a meek computer programmer who has Agnes, the world’s most advanced computer, loving him. And what ends she’ll go to make sure no end else wins his hand. 

It was directed by Richard Donner who went to fame by directing The Omen and the 1978 Superman. It was written by Bernard Cutner Schoenfeld who had done mostly crime noir before this including Phantom Lady and The Dark Lady though he did write the screenplay for The Space Children, a film currently holding a fourteen percent rating among audience reviewers at Rotten Tomatoes. You can see it here.

The cast of this series was: Wally Cox as James Elwood, Sue Randall as Millie, Raymond Bailey as Supervisor,  Ralph Taeger as Walter Holmes, Don Keefer as Fred Danziger, Byron Kane as Assistant  and Nan Peterson as A Secretary. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 14, 1925 J. T. McIntosh. Scottish writer at his best according to Clute in his early work such as World Out of Mind and One in Three Hundred. He’s deeply stocked at the usual suspects at very reasonable rates, indeed most as Meredith Moments. (Died 2008.)
  • Born February 14, 1942 Andrew Robinson, 80. Elim Garak on Deep Space Nine. He wrote a novel based on his character, A Stitch in Time, and a novella, “The Calling,” which can be found in Prophecy and Change, a DS9 anthology edited by Marco Palmieri. Other genre credits include Larry Cotton in Hellraiser, appearing in The Puppet Masters as Hawthorne and playing John F. Kennedy on the The New Twilight Zone.
  • Born February 14, 1948 Teller, 74. Performed on Babylon 5 in the episode scripted by Neil Gaiman titled “Day of The Dead” as part of Penn & Teller who portrayed comedians Rebo and Zooty. It’s one of my favorite episodes of the series. Harlan Ellison provided his voice there. Now available on HBO Max. 
  • Born February 14, 1952 Gwyneth Jones, 70. Interesting person that she is, let’s start with her thoughts on chestnuts she did when she was Winter Queen at Green Man. Just because I can. Now regarding her fiction, I’d strongly recommend her Bold As Love series of a Britain that went to pieces as it now certainly is, and her twenty-year-old Deconstructing the Starships: Science, Fiction and Reality polemic is still worth reading. 
  • Born February 14, 1952 Paula M. Block, 70. Star Trek author and editor; but primarily known for working in Paramount Pictures’ consumer licensing division and then with CBS Consumer Products. Remember that novel I noted by Andrew Robinson? Yeah, that’s her bailiwick. She’s also written with her husband Terry J. Erdmann, Star Trek: Deep Space Nine Companion and Star Trek: Costumes: Five Decades of Fashion from the Final Frontier. It looks like she did some Trek fanfic as well including “The Girl Who Controlled Gene Kelly’s Feet”.
  • Born February 14, 1963 Enrico Colantoni, 59. Any excuse to mention Galaxy Quest I’ll gladly take. He played a delightful Mathesar on that film, and that was his first genre role, lucky bastard. Up next for him was A.I. Artificial Intelligence as The Murderer followed by appearing in the most excellent animated Justice League Dark as the voice of Felix Faust where his fate was very, very bad. He had an amazing role on Person of Interest as Charlie Burton / Carl Elias. Not genre, but his acting as Sgt. Gregory Parker on Flashpointa Canadian police drama television series is worth noting as it that excellent series. 
  • Born February 14, 1964 Zach Galligan, 58. You’ll no doubt recognize him best as Billy Peltzer in Gremlins and Gremlins 2: The New Batch. He did some really forgettable films after that including Waxwork II: Lost in TimeWarlock: The Armageddon and Cyborg 3: The Recycler even if the star of the latter was Malcolm McDowell. He did show on Voyager on as Ensign David Gentry in the “In the Flesh” episode. 
  • Born February 14, 1970 Simon Pegg, 52. Best known for playing Montgomery Scott in the sort of ongoing Star Trek franchise. His first foray into the genre was Shaun of the Dead which he co-wrote and had an acting role in. Late genre roles include Land of the Dead where he’s a Photo Booth Zombie, Diary of the Dead where he has a cameo as a Newsreader, and he portrays Benji Dunn in the ongoing Mission: Impossible franchise.

(10) COMICS SECTION.

  • Bizarro has a cringeworthy joke for the holiday.  [Link worked earlier; right now it appears none of Comics Kingdom’s comics will load for some reason.]

(11) TUBERS IN SPACE. Nerdist gives us fair warning when “Mr. Potato Head Joins STAR WARS with The Yamdalorian Toy”. (See it at Hasbro.com.)

…Bring some space saga to your kid’s toy chest with Hasbro’s newest Star Wars plaything. This intergalactic version of Mr. Potato Head is ready to carry Grogu, in this case known as the Tot, everywhere he goes. Even in his stomach. The Yamdalorian features a 5-and-a-half inch body and comes with 14 parts to make him into the greatest bounty spud in the universe. That includes a Mandalorian helmet, armor, and cape. As well a base with feet, eyes, two arms, two ears, nose, and mustache. And his adopted son can also fit inside his pouch…

(12) FUN FACT. [Item by Sam Long.] I was looking up the word “god” in the Online Etymological Dictionary, and found that it could be derived from the Proto-Indo-European (PIE) word ghu-to, to pour a libation (as of bheer).  Apparently fandom–or at least the fannish “h”–dates back five thousand years or more.

“Bloomin’ idol o’ egoboo,

Wot they call the ghreat ghod Ghu!

(Plucky lot she cared for idols when I gave her some corflu.”

          –On the Road to Fandalay

(13) IMPRISONED ALIENS. Some aliens may never be able to leave their world due to things like high gravity or self-generated orbital debris. Isaac Arthur considers “The Fermi Paradox: Imprisoned Planets”.

(14) VIDEO OF THE DAY. As one commenter calls it, “The all-Boston crossover you never expected, but deserved.” “Your Cousin From Boston (Dynamics)”.

While working security at the Boston Dynamics robotics lab, Your Cousin From Boston gives a robot a Sam Adams. At least he brought a Wicked IPA Party Pack to share!

[Thanks to JJ, John King Tarpinian, Andrew Porter, Cora Buhlert, Bill, Sam Long, SF Concatenation’s Jonathan Cowie, Michael Toman, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Kevin Harkness.]

The Next Bradbury Roundup

Is due in five…four…three….

(1) MEET THE MARTIANS. Nicholas Whyte’s quick notes about “The Martian Chronicles, by Ray Bradbury” begin “Gosh. I had forgotten quite how good this is.”

(2) FREE RANGE MARS STORIES. But wait, there are more! In Bradbury 100 episode 30 Phil Nichols takes up “Bradbury’s OTHER Mars Stories”.

This episode looks at Ray Bradbury’s OTHER Martian stories, stories about Mars and Martians which are NOT included in his THE MARTIAN CHRONICLES.

I review each of the un-chronicled martian tales, and figure out where they fit into the mythos of The Martian Chronicles. Be ready for some surprises!

(3) COMPARE AND CONTRAST. YouTuber Robert Bacon analyzes “A Twilight Zone Episode Turned Into A Kids Movie”.

The Electric Grandmother is a made for TV movie that was based on a short story by Ray Bradbury that itself was based on a Twilight Zone episode that Bradbury wrote. The film was originally aired on NBC, but most people saw it when it was distributed to classrooms. No idea why this was considered educational, but I don’t think anyone cared. The Electric Grandmother (1982) Director: Noel Black Writer: Ray Bradbury Starring: Maureen Stapleton, Edward Herrmann, and Paul Benedict Plot: A trio of children and their father, get a very special robot grandmother to assist them.

(4) THE MELODY LINGERS ON. Screen Rant’s Spencer Bollettieri finds that Disney’s animated hit resonates with a Bradbury classic: “Encanto: How Mirabel’s Powers Struggle Mirrors A 76-Year-Old Fantasy Story”.

Encanto is a beloved tale of an enchanted family with supernatural power, but it’s not a new one; it actually mirrors a story originally written 76 years ago by late horror author Ray Bradbury. Both are timeless tales about what it means to be human in an extraordinary family and the drama they face when confronted with collapse. Although Bradbury claimed he was unable to predict the future, he somehow reflected it in ways even the Madrigals couldn’t foresee.

In 1946 Ray Bradbury first chronicled the story of the Elliott family, a clan of gothic creatures who adopted a human boy named Timothy, who they found strange. Inspired by Bradbury’s real-life experiences, he wrote a 50-year collection of short stories compiled into a single narrative titled From the Dust Returned. Although not as recognized as gothic icons such as The Addams Family, many considered it a beautifully macabre novel and found the Elliott family resonated with them….

(5) WHEN BRADBURY WAS 89. Kenneth Strange says “You’ll Never Guess Who Kissed Me” – but I will bet you can.

..During the signing, I handed my book to Ray Bradbury but decided to crouch like a baseball catcher so I could whisper a word to him at eye level. As he scribbled his name in the book and closed it, I leaned in and opened my heart, “Mr. Bradbury. Many years ago I discovered you in a small library in Brooklyn, New York. Your books made such a difference in my life…thank you for that.” His eyes began to water and I suppose mine did as well. A spontaneous gesture from this playful man of “gentle humanity” followed as he pulled me toward him and kissed me on the cheek.

I’m a lucky man. Some might prefer being kissed by Bo Derek. Not me….

Ray Bradbury’s 89th Birthday Cake. Photo by John King Tarpinian.

(6) DRINK UP. For a short time, Mary Robinette Kowal is offering a limited edition Bradbury Base mug for all new and existing subscribers at $25 or above to her Patreon.

(7) CENTER FOR RAY BRADBURY STUDIES. There was a changing of the guard last year.

Former Director Dr. Jonathan R. Eller retired on February 1, 2021 and Dr. Jason Aukerman stepped into the role. During his career at IUPUI, Dr. Eller co-founded the Bradbury Center with the late Dr. William Touponce, became a Chancellor’s Professor of English, and touched countless lives through his work as a teacher and scholar. Without Dr. Eller, there would be no Bradbury Center, and even though he is now retired, Dr. Eller and Debi Eller maintain a close relationship with Center staff, serving as volunteers, consultants, and friends. We thank the Ellers for their passionate leadership and continued support!

(8) FOURTH ANNUAL WRITER’S LECTURE. The Center for Ray Bradbury Studies has posted a video of the 2021 Ray Bradbury Visiting Writer’s Lecture With Maurice Broaddus presented this past November.

Maurice Broaddus is the resident Afrofuturist at the Kheprw Institute and librarian at the Oaks Academy Middle School. His work has appeared in places like Lightspeed Magazine, Black Panther: Tales from Wakanda, Asimov’s, Magazine of F&SF, and Uncanny Magazine, with some of his stories having been collected in The Voices of Martyrs. He’s also an editor at Apex Magazine!

(9) REASONS TO READ. Amit Majmudar promotes Ray Bradbury: Novels & Story Cycles, the Library of America’s inaugural Bradbury volume. “Ray Bradbury: Prophetic visionary, ‘word-wizard,’ and next-door neighbor”.

Mention Ray Bradbury, I’ve found, and faces light up. Strangers reach out to you on Twitter with testimonials. A voice changes on the phone, as if you just mentioned a childhood best friend. This is something beyond fondness and beyond admiration. The name conjures up poignant wonder; the name exhilarates the imagination. No one seems to be just “familiar with his work.” You’ve either never read him, or you love him.

 One place to read his best work (his stories are as innumerably luminous as stars) is in Library of America’s new omnibus, which contains The Martian ChroniclesFahrenheit 451Dandelion Wine, and Something Wicked This Way Comes

(10) PEDALING THE COLLECTION. Anne Farr Hardin spent most of her life collecting Bradbury books, and corresponding with him, too – and all of it will be preserved: “Ray Bradbury collection finds new home at the University of South Carolina” reports the Greenville Journal.

…The exhibit features a full case on Bradbury’s most famous novel, “Fahrenheit 451,” a couple of cases exploring the author’s lifelong fascination with the planet Mars and a representative range of the collection’s other holdings. Taken together, they provide an intriguing window on 20th-century book and periodical publishing, particularly in the genres of fantasy and science fiction.

But what’s on display is just a hint of the many treasures tucked into Hardin’s vast collection, which also chronicles a decades-long correspondence and friendship Hardin enjoyed with the famous writer. 

Bradbury devotees who take the time to dive into the holdings will discover every edition of classics like “Fahrenheit 451,” “The Martian Chronicles” and “Dandelion Wine”plus vividly illustrated mid-century pulps like “Amazing Stories” and “Weird Tales,” mainstream magazines or “slicks” like “Mademoiselle,” “McCall’s” and “Good Housekeeping,” plus small-run fanzines predating the author’s international fame and acclaim.

In other words, it’s about as complete as complete gets — the collection even includes one of Bradbury’s bicycles — and it’s all the result of Hardin’s tireless literary sleuthing, which stretches back more than four decades….

(11) GOLDEN TONES. From LeVar Burton Reads, “’The Great Wide World Over There’ by Ray Bradbury”.

A visitor’s arrival delivers both wonder and heartache to a rural community. This story appears in Ray Bradbury’s collection THE GOLDEN APPLES OF THE SUN. Thanks to our presenting sponsor Audible. 

(12) HOT NUMBER. Extra Credits episode “Fahrenheit 451 – Dystopias and Apocalypses” can be viewed on YouTube.

Ray Bradbury not only cautions against censorship (the primary theme of Fahrenheit 451), but offers interesting commentary on who censors works at all, and why humans do it anyway.

[Thanks to John King Tarpinian for these links.]

Pixel Scroll 12/24/21 Scrollent Green Is Made Of Pixels

(1) THE MOVING FINGER WRITES. “Russell T Davies has already written new Doctor Who episodes for 2023” reports Radio Times.

…In an interview with The Guardian, the writer has revealed some of the new episodes are already written and ready to go – but he insists the new Doctor is not yet decided.

“I’ve already written some of the episodes. The first will go out in November 2023 – that’s the 60th anniversary of the show,” he said.

Davies was tight-lipped on the topic of who will replace Whittaker as the Doctor, however….

(2) BEWARE SPOILER. Radio Times interviews “Jodie Whittaker on being exterminated by Dalek in Doctor Who”.

…Speaking about the upcoming episode, which will see her succumb to her foes a fair bit, Whittaker told press including RadioTimes.com: “When I read this episode for the first time and in one of the opening moments get exterminated I genuinely thought, ‘Somebody has decided to write me out a bit sooner than I thought!’

“It’s brilliant to play because the first time, for the Doctor, it’s as if you’re grasping at those seconds and that realisation that it could be your last moment. And for you to be killed by a Dalek would be so horrendous! But then once you realise you’re in this time loop the anticipation of the pain and the fun that can be had with that… it’s the first time in my career I’ve died so many times in an episode, there’s always a first! ”…

(3) A HUNK OF BURNING LOVE. Marvel shares Kate Bishop’s Yule Log.

Grab some hot cocoa and cuddle up by the fireplace at Kate Bishop’s inspired NYC apartment!

(4) HAWKEYE NON-SPOILER. [Item by Daniel Dern.] Hawkeye’s end of season-finale episode #6 includes the full performance of the Rogers/Avengers “I Could Do This All Day” song.

(5) TWILIGHT ZONE. Slash Film reminds everyone that “Rod Serling’s The Twilight Zone Is Science Fiction With A Beating Heart”.

…”The Twilight Zone” isn’t only some of the most unique and influential science fiction of all time, it’s also science fiction with a soul. Watch straight through, and you’ll see that Serling has an unmovable moral compass that always directs his narrative path to the most humane end result. It makes sense that the series is often played in marathons around the holiday season, as many episodes would make a great double feature with the Frank Capra Christmas classic, “It’s A Wonderful Life.” The show possesses both a sense of wonder and a through-line of deep awareness of humankind’s fallibility and mortality….

(6) A LOOK AT THE NEW MATRIX FILM. Pablo Vazquez reviewed The Matrix: Resurrection on Facebook. Reprinted here with permission.

First off, let me preface this by noting that the Matrix series has been highly influential to me and cheesily responsible for getting me to read more philosophy and exploring heterodox concepts. After rewatching some scenes and talking with other folks who’ve seen the film, I think the new Matrix film is somewhere between a 5-5.5/10 and some moments border on 6/10. It is very clearly a protest film if an impotent one and I respect it for that. It’s very clear no one involved wanted to do this but they were willing to jump back in if only to maintain an element of creative control. Some scenes are quality Matrix, some are a bit too “Whedonized/Marvelized” for me, and there’s a few sequences that were far too Episode One for me to the point that they might as well have put in some podracing. The pacing was weird, the movie seemed cheaply made, the soundtrack was disappointing and the dialogue was even more so. Don’t even get me started on the fight sequences and, I gotta say, the aesthetic was rather bland for a series so well known for its aesthetics.

What did I like then? Well, probably the first half of the film where it still seemed like a Situationist critique on the power of media to shape consensus reality and a vicious attack on bland sequel culture. The sad point is it basically became the things it was obviously trying to critique. The acting was good and I loved seeing the Sense8 cast involved in something again considering Sense8 is my all-time favorite Wachowski work. I think the movie got too saccharine in its second half but I did like the “two halves of a greater whole” theme. The cinematography was also good but could’ve been better.

Would I go see it again? Probably not. Do I think people are ridiculous for liking it? Definitely not. This is very much a subjective film considering I view it as a cynical nostalgia cash-in masquerading as radical critique but, to someone, it could very well be a crucial “message movie” or some simple entertainment. Lana didn’t want to make this but I suppose her at the helm is a bit better than whatever catastrophe WB was planning in the first place without her. All in all, to me, it’s not a thinking film, it’s rather not what I was looking for with The Matrix, and way too cynical for me, but hey, I suppose that’s the world we live in now and at least it makes alright popcorn fodder if you feel like hitting up the theaters and getting your nostalgia dose.

(7) MEDIA BIRTHDAY.

1981 [Item by Cat Eldridge.] Forty years ago in Australia, The Road Warrior (alt: Mad Max 2) premiered. Directed by George Miller and produced by Byron Kennedy, the screenplay was by Terry Hayes, George Miller and Brian Hannant. Australian New Wave composer Brian May is responsible for the music. It stars Mel Gibson and the Australian outback. 

It was extremely well received by critics with Roger Ebert of the Chicago Sun-Times saying it was “one of the most relentlessly aggressive movies ever made,” and Vincent Canby of the New York Times calling it “an extravagant film fantasy that looks like a sadomasochistic comic book come to life.” On a budget of just three million, it made thirty-six million — a rather excellent showing.  Audience reviewers at Rotten Tomatoes currently give it an eighty-seven rating. It would be nominated for a Hugo at ConStellation, the year Blade Runner took home the Hugo.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born December 24, 1910 — Fritz Leiber. I can say that my fav work by him is The Big Time which I either read or listen to every year. And yes, I’ve read the Change War Stories too, difficult to find as they were. Yes, I know it won a Hugo — much, much deserved!  I’m also fond of Conjure Wife, but otherwise I prefer his short fiction to his novels. (Died 1992.)
  • Born December 24, 1945 — Nicholas Meyer, 74. Superb and funny novel, The Seven-Per-Cent Solution is.  Much better than the film, I think. Now his Time After Time film is spot on. And let’s not forget his work on the Trek films, The Wrath of Khan (much of which went uncredited), The Voyage Home and The Undiscovered Country.  
  • Born December 24, 1964 — Mark Valley, 55. He made my Birthday list first by being the lead, Christopher Chance, in Human Target, a short-lived series created by Len Wein and Carmine Infantino for DC, that was weirdly well done. He was also John Scott in Fringe as a regular cast member early on. He voiced Clark Kent / Superman in the second part of Batman: The Dark Knight Returns
  • Born December 24, 1966 — Diedrich Bader, 53. I know him best as the voice of Batman on The Batman and Batman: The Brave and the Bold. No, he’s not Kevin Conroy but his Batman is quite enjoyable and interesting in his own right. He’s best cast as Batman / Bruce Wayne in the new Harley Quinn series on the DC Universe service.
  • Born December 24, 1969 — Mark Millar, 50. Comic book writer whose resume is long. The Millar/Quitely era on The Authority was politically edged and often got censored by DC as it commented on the Iraq War — well worth your reading. His run on Swamp Thing from 142 to 171 has a lot of other writers including Morrison. He did the Ultimates at Marvels and a lot of the superb series ended in the Avengers film. Finally, his excellent Civil War was the basis of the Captain America: Civil War film and his not to be missed Old Man Logan was the inspiration for Fox’s Logan film.

(9) COVID JOURNAL. John Skylar, Ph.D., a virologist who contracted Covid at DisCon III, is publicly documenting his experience with the virus. Thread starts here.

(10) TAIYOU CON. An Arizona anime con has had its director resign after a sexual assault claim: “Anime fans, cosplayers bow out of Arizona convention after sexual assault accusation” at Yahoo!

Cosplayers and fans of comic books, anime and video games have vowed to boycott a long-running Arizona anime convention in January due to allegations of misconduct and sexual assault against the convention’s director, who has since stepped down.

On Dec. 15, Arizona resident Allie Heady, 25, detailed in a public Facebook post that she had been sexually assaulted by someone known within the anime and cosplay communities as Gackto in December 2017. Gackto also was the name of the director of Taiyou Con, an annual anime convention scheduled for Jan. 7-9 at Mesa Convention Center.

…Heady, an anime fan who lives in Arizona, alleged in her Facebook post that she now has post-traumatic stress disorder after being sexually assaulted by Gackto four years ago.

“It’s taken me a long time to come forward and speak about this. But I continue to see him, and his posts and his ‘achievements.’ And I don’t want to,” she wrote. “And whether or not anyone believes me, I can finally get this off my chest.”

At the end of her post, Heady added a call to action: “He also created an anime convention called Taiyou Con. Please boycott it. Please understand what nightmares he has put me and others thru. Please share my story and uplift those who are maybe too afraid to come forward, because it’s happened. And I will not, I do not want to stay quiet anymore.”

(11) SPACE RONIN. [Item by Kendall.] Tons of rogue planets, Jupiter sized (which makes me wonder about smaller ones they simply can’t detect).  I wouldn’t want to meet a Jupiter in a dark alley between the stars. “Astronomers discover largest group of ‘rogue planets’ yet”The Verge has the story.

Astronomers just discovered a treasure trove of “rogue planets” — free-floating planets that don’t orbit a star but exist all by their lonesome in the depths of space. With masses comparable to that of Jupiter, the 70 or more rogue planets spotted throughout the Milky Way galaxy are the largest such group of cosmic nomads ever found.

Located within the Scorpius and Ophiuchus constellations, the planets were spotted using a suite of telescopes on both the ground and in space. Typically, rogue planets are difficult to image because they aren’t close to any stars to make them visible. However, with data compiled over 20 years from European Southern Observatory (ESO) telescopes, the European Space Agency’s Gaia satellite, and more, Núria Miret-Roig, an astronomer at the Laboratoire d’Astrophysique de Bordeaux, France and the University of Vienna, Austria, and her team were able to capture faint heat signatures emitted from planets that formed within the last several million years.

(12) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] Well, this is inspired! “Where Is The Comma In ‘God Rest Ye Merry, Gentlemen’ Supposed To Go?”

This a cappella arrangement of “God Rest Ye Merry, Gentlemen” examines how commas can change meanings… often with unintended results.

[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day John A Arkansawyer.]

Pixel Scroll 11/18/21 Always Pixeling And Never Scrollmas

(1) DOUBLE-BARRELLED VOTING DEADLINE. November 19 is the deadline for DisCon III members to vote for the Hugos, and ASFA members to vote for the Chesley Awards!

(2) HOW THE NYT BESTSELLER LISTS WORK. John Scalzi stepped in to set the record straight.

The Reddit link to his six-point commentary is here.

So, actual New York Times best selling novelist here.

One: The New York Times list very generally tracks sales, but also employs other criteria in order to mitigate “gaming,” — so, for example, they tend to disregard “bulk buys” of a book and will otherwise asterisk books they think have manipulated sales. Gaming the list is a moving target, so the criteria change over time. The point of the list is to give a snapshot of what people are actually purchasing but also, hopefully, reading (or at least giving to others to read).

(3) THE DOCTOR IS OUT. Radio Times knows we thrive on every crumb of info about the series – even the episode titles: “Doctor Who Flux unveils final episode title: The Vanquishers”.

The title of Doctor Who: Flux‘s sixth and final episode has been officially confirmed.

The Vanquishers will premiere on Sunday 5th December and will see the conclusion of the series’ “massive arc”, which has been spread over all six episodes in a Doctor Who first.

There’s a synopsis too, which hints at what’s in store for Thirteen and her companions. It reads: “In the final epic chapter in the story of the Flux, all hope is lost. The forces of darkness are in control. But when the monsters have won, who can you count upon to save the universe?”

(4) WOULD YOU LIKE TO GUESS? In the Washington Post, Adela Suliman says Warner Bros. is planning a big special for HBO Max for the 20th anniversary of the first Harry Potter film, but no one will say why J.K. Rowling won’t be there. “Harry Potter stars ‘Return to Hogwarts’ in 20-year HBO reunion missing J.K. Rowling”.

Daniel Radcliffe, Emma Watson and Rupert Grint, who played the trio of best friends Harry, Hermione and Ron respectively, came of age on screen where they began as child actors on the fabled Hogwarts school set. The actors grew up in front of a global audience of ardent fans. Now in their 30s, they will join cast members and the films’ makers for a nostalgic TV special.

British author J.K. Rowling, who wrote the books the movies are based on and worked closely with the film’s producers, is absent from the lineup for the Warner Bros. television show. Representatives for Rowling told The Washington Post on Wednesday that they would not be commenting. Warner Bros.also declined to comment.

… Rowling caused a social media storm last year after she shared her opinions on Twitter and months later wrote a lengthy personal essay on transgender issues, and some in the LGBTQ community accused her of transphobia. Grint, Watson and Radcliffe publicly distanced themselves from Rowling’s comments at the time and said they stood with the trans community….

Watson, who played bookish Hermione Granger, shared the news of the television reunion on her Instagram page along with a photo of the young cast, and thanked loyal fans known as “Potterheads.”

“Harry Potter was my home, my family, my world and Hermione (still is) my favorite fictional character of all time,” she said Tuesday. “I am proud not just of what we as group contributed as actors to the franchise but also as the children that became young adults that walked that path.”…

(5) DECEMBER THE FIRST IS (NOT) TOO LATE. Yesterday the Authors Guild sent a warning to members along the same lines SFWA recently did, in respect to the National Library of New Zealand’s plans, and how authors whose books are included can opt-out. (Which they’ll also be able to do after December 1.)  

Despite strong opposition from the New Zealand Society of Authors and international groups including the Authors Guild, the National Library of New Zealand (NLNZ) is moving ahead with its plan to donate 400,000 books from its overseas collection to the Internet Archive for digitization and lending through its Open Library platform. This collection likely contains tens of thousands of books written by American authors—many still protected by copyright—and may include your books.

While it is unfortunate that New Zealand officials are choosing to partner with the Internet Archive—an entity that has consistently flouted copyright law—over our objections, the NLNZ is allowing any author whose book is included in the collection to opt out of the scheme in response to the concerns raised about the legality of “controlled digital lending.”

Authors who do not wish their books to be digitized by the Internet Archive and loaned out through Open Library have until December 1, 2021, to opt out and withdraw their books.
 

Here’s how to opt out:

      1. Check whether your books are included in the collection. NLNZ has provided an Excel spreadsheet of all titles it intends to donate. The spreadsheet is available on this page. Click the link labeled “List of candidate books for donation to the Internet Archive” (it is a large Excel file, so we suggest downloading it and then searching for your name by running a Ctrl+F search). 
      2. If your books are available, send an email to opcmanagement@dia.govt.nz and ask that they be withdrawn. Your email must include the NZNL’s “unique number” (column “I” on the spreadsheet) of each title you would like withdrawn, and proof that you have rights in the titles (emails from persons or organizations whose names correspond with rightsholders’ names will be sufficient proof of rights).

 If you need assistance, please send us an email staff@authorsguild.org.

(6) PETERSON OR HARKONNEN? [Item by Olav Rokne.] Can you tell which statements were said by a Canadian pseudophilosopher, and which ones are said by a fiendish villain from the novel Dune?  Honestly, I couldn’t pass this test even if the Reverend Mother held the Gom Jabbar to my throat.  “Who Said It? Jordan Peterson or Baron Vladimir Harkonnen”.

(7) A NEW HOPE. Orange County (CA) is getting rid of library fines starting next week. The library will still collect for lost or damaged items. 

Orange County Board of Supervisors approved to indefinitely eliminate library late fines. Beginning November 23, OC Public Libraries will take its 100 years of service in a new direction by removing late fines for overdue items. 

“Public libraries play an essential role in providing safe, accessible, and free educational resources for every member in our community,” said Chairman Andrew Do, First District Supervisor. “Eliminating late fines will incentivize residents to take advantage of county library resources once again and not be hesitant to take a book home during their next visit.” 

…OC Public Libraries wishes to reflect its vision of ‘Open Doors, Free Access and Community’ and welcome back patrons that have refrained from coming to the library due to outstanding fines. 

(8) PREVIOUSLY UNSUSPECTED FANZINES. [Item by Bruce D. Arthurs.] Ian Cooke with the British Library tweeted a link to an article calling for contributions to a doctoral research project about UK football fanzines from the 1970s to the present. The accompanying picture of a spread of typical football fanzines reminded me of some of our own generation of fanzines, with mimeo reproduction, some fairly crude art, and layout & design marked more by enthusiasm than talent. Parallel evolution among almost completely unconnected subjects. The direct link is here.

(9) MINUTE MAN. Marc Scott Zicree offers up the Twilight Zone Minute – “The Man in the Bottle”.

(10) MEDIA BIRTHDAY.

1985 — Thirty-six years ago today, Calvin and Hobbes first appeared in serialization from the Universal Press Syndicate. (The very first strip is available here to view.) Created by Bill Watterson, it was his first and only such strip after working in advertising and political cartooning. The last strip of Calvin and Hobbes was published on December 31, 1995. At the height of its popularity, it was featured in over twenty four hundred newspapers worldwide. Despite the overwhelming popularity of the strip, the strip remains notable for the complete lack of official product merchandising as Watterson is absolutely opposed to it being marketed that way. If you’ve purchased any Calvin and Hobbes merchandise, it’s bootleg. Everything by him is copyrighted, so I’m not including any images here. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 18, 1939 Margaret Atwood, 82. Well, there’s that work called The Handmaid’s Tale that’s garnering a lot of discussion now. There’s the excellent MaddAddam Trilogy which I wholeheartedly recommend, and I’ve heard good things about The Penelopiad. What else do you like of hers? 
  • Born November 18, 1946 Alan Dean Foster, 75. There’s fifteen Pip and Flinx novels?!? Well the first five or so that I read oh-so-long ago were superb. The Spellsinger series is tasty too. Can’t say anything about his Stars Wars work as I never got into it. Though I’m glad the Evil Mouse is paying him for it finally. 
  • Born November 18, 1950 Michael Swanwick, 71. I will single out The Iron Dragon’s Daughter and Jack Faust as the novels I remember liking the best. His short fiction is quite excellent, and I see the usual suspects have the most excellent Tales of Old Earth collection with this lovely cover. 
  • Born November 18, 1950 Eric Pierpoint, 71. I’d say that he’s best known for his role as George Francisco on the Alien Nation franchise. He has also appeared on each of the first four Trek spin-offs, a neat feat indeed. And he’s got a very impressive number of genre one-offs which I’m sure y’all will tell me about. 
  • Born November 18, 1953 Alan Moore, 68. His best book is Voice of the Fire which admittedly isn’t genre. Though the first volume of The League of Extraordinary Gentlemen is very close. Pity about the film which surprisingly has a forty-four percent rating among audience reviewers at Rotten Tomatoes. His worst work? The Lost Girls which is genre in an odd manner. A shudderingly pornographic manner. Shudder. I’m also fond of The Ballad of Halo Jones and Swamp Thing work that he did as well. And let’s not forget that the The Watchmen won a well-deserved Hugo at Nolacon II. 
  • Born November 18, 1961 Steven Moffat, 60. Showrunner, writer and executive producer of Doctor Who and Sherlock Holmes. His first Doctor Who script was for Doctor Who: The Curse of Fatal Death, a charity production that you can find on YouTube and I suggest you go watch now.   He also co-wrote The Adventures of Tintin: The Secret of the Unicorn, a most excellent animated film. He has deservedly won four Hugo Awards.
  • Born November 18, 1970 Peta Wilson, 51. Wilhelmina “Mina” Harker in The League of Extraordinary Gentlemen film, a bit role as Bobbie-Faye in Superman Returns. Inspector in the “Promises” episode of the Highlander series. Though The League of Extraordinary Gentlemen was not well received, she received a Saturn Award Best Supporting Actress for being in it which is rather surprising I’d say. 
  • Born November 18, 1981 Maggie Stiefvater, 40. Writer of YA fiction, she has myriad series, of which I recommend The Dreamer trilogy, The Wolves of Mercy Falls and the astonishing Raven Cycle. With her sister, Kate Hummel, she writes and records a piece of music for each novel she releases. These are released in the form of animated book trailers. She’s had five Mythopoeic Fantasy Award nominations but so far no wins. 

(12) GRAPHIC EXAMPLES. The New York Times’ Michael Tisserand reviews American Comics: A History by Jeremy Dauber in “A Sweeping History of American Comics”.

…Dauber is particularly nuanced in dealing with the many controversies buffeting comics past and present, from debates over comics codes and depictions of sex and violence to questions of diversity, representation and authority “played out through the stretch of spandex.” He identifies comics’ “original sin” as the publishers’ failure to give creators proper credit, compensation and rights to their work. From there, he digs deep into comics economics, beginning with the $130 once paid to Jerry Siegel and Joe Shuster for Superman and landing at the current multi-platform, multi-billion-dollar industry. There is no shortage of bitter ironies in this part of the tale: “In something that felt like an overdetermined symbol, the original check for $130 made out to Siegel and Shuster for Superman, the site of the grandest battle between creator and corporation, netted $160,000 at auction in 2012.”

(13) SAFETY CONCERN. Seanan McGuire, a GoH at last weekend’s Windycon in Chicago, tweeted about a problem she observed with people behaving like they’d found a loophole in the con’s mask-wearing requirement. Thread starts here. [Via Petréa Mitchell’s SMOF News.] 

(14) ESSENCE OF WONDER. The Essence of Wonder team’s Zoom with 2021 Astounding Award Finalist Lindsay Ellis can be seen now on YouTube.

Lindsay Ellis is so cool! Astounding Award Nominee Lindsay Ellis author of Axioms End and Truth of the Divine joined Alan and Karen this last Saturday to discuss her work, nomination, and a lot of fun was had!

(15) BATTLE ROYALE. [Item by Martin Morse Wooster.] This trailer, which dropped today, asks, “What if all the DC superheroes, all the Looney Tunes characters, Tom, Jerry, and the Scooby-Doo gang were in one incredible universe where they could fight each other?”

(16) FLAKEY NAMES. Boston.com invites everyone to “Meet ‘SNOWbegone Kenobi,’ ‘Jennifer Snowpez,’ and the 160 other snowplows named by Vermont kids”. The full list can be found at VTrans’ “Name A Plow Program” webpage.

In October, Vermont elementary students were tasked with naming the VTrans snowplows as part of their Name a Plow Program. From “Jennifer Snowpez” to “Mr. Pushy” and even “Steve,” their responses did not disappoint.

The state’s elementary schools were tasked with submitting names for VTrans’ 250 snowplows from Oct. 4 to Oct. 22, according to VTrans. The named plow would then be assigned to cover the respective school’s district, according to the state.

…Some schools gave their plows intense names as they prepare to battle the stormy months ahead. The Lunenburg School’s “The Lion’s Snow Destroyer,” Rutland Area Christian School’s “RACS Snow Destroyer,” and “Snowcrusher” from Sustainability Academy to name a few….

The force (of snowplows) must be strong in Vermont this year, as there were six Star Wars referenced plows. “Luke Snow Walker” will be joined by both “Snowbegone Kenobi” and “Obi-Wan KenSNOWbi,” “Storm Trooper,” “Darth Blader,” and of course, “Baby Snowda.”

Other names also had creative references: “Perry the Plowerpus” was the “Phineas and Ferb” inspired plow name from The School of Sacred Heart St. Francis de Sales and “Edgar Allen Snow” was the poetic name of Pacem School’s plow….

(17) CATS NOT DECEIVED BY TELEPORTATION. We’re not talking about the “two to beam up” kind of thing, however, today’s Nature reports “Experiments involving ‘impossible teleportation’ reveal the cognitive powers of the house cat” — “A cat can track its human by voice — if it can be bothered to”.

Pet cats seem to be able to track their human companion’s every move — through sound1.

Domestic house cats (Felis catus) use visual cues to create a mental map of their environment and the whereabouts of any other creatures nearby. However, our feline familiars also have keen ears, which could assist with their mental cartography when their prey — or person — is out of sight.

To investigate this, Saho Takagi at Kyoto University in Japan and her colleagues attempted to hoodwink dozens of house cats through ‘impossible teleportation’ experiments. The researchers placed each cat in a room with two widely spaced audio speakers. First, one speaker played a recording of the cat’s owner calling its name. Then, the second speaker played the same recording after an interval that would be too short for a human to travel between the two locations. Video cameras recorded the cats’ reactions.

The team found that house cats were noticeably surprised by auditory evidence that their people had been ‘teleported’. The cats’ astonishment suggests that they can keep mental notes of their humans’ presence and map that person’s location by voice.

(18) LIKE YOU NEED LITTLE TEENEY BRANDING IRONS FOR ANTS. If you can just find the little holes they made…. “Black holes slamming into the moon could end the dark-matter debate” according to MSN.com.

…A black hole half the size of a golf ball would have a mass equivalent to Earth’s. Even microscopic black holes, with masses comparable to asteroids, would’ve unceasingly sucked in and destroyed everything along their path. 

Slowly, as the universe progressed, swarms of them would have seen planetary systems rise and fall, and billions of years ago there’s a fair chance they’d have even whizzed through our corner of the cosmos. Eventually, these mini black holes would’ve sailed away from each other. But if they did exist, experts think they’d still be roaming in and around the galaxies right this second. 

They are, scientists believe, our newest lead on dark matter — perhaps the greatest mystery of the universe.

Dark matter quests that hope to unveil the strange, invisible particle or force that somehow binds the cosmos together often reach a wall. Solving the puzzle requires, well, actually… finding dark matter. 

So to ensure this innovative hypothesis isn’t a dead end, we’d need to locate unseen, miniature versions of black holes. But how? We have enough trouble finding supermassive, visible ones with high-tech equipment tailored to the search.

That’s where the moon comes in.

“There’s this funny estimate that you can do,” says Matt Caplan, an assistant professor of physics at Illinois State University and one of the theorists behind the research published in March. Caplan contends that if dark matter can indeed be explained by these tiny black holes, then at some point, they would have punctured the moon. 

Yes, you read that correctly: The moon might’ve been bombarded by atomic-sized black holes. Taking it a step further, the wounds they inflicted should still be up there; if these mini-abysses are proven to exist, dark matter may no longer be an everlasting enigma….

[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Bruce D. Arthurs, Olav Rokne, Chris Barkley, SF Concatenation’s Jonathan Cowrie, Michael J. Lowrey, Jennifer Hawthorne, Andrew Porter, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Paul Weimer.]

Pixel Scroll 10/10/21 The Lone And Level Pixels Stretch Far Away

(1) SAINT OF STEEL CONTINUES. Oor Wombat has a third Paladin book out today, written in her guise as T. Kingfisher.

Piper is a lich-doctor, a physician who works among the dead, determining causes of death for the city guard’s investigations. It’s a peaceful, if solitary profession…until the day when he’s called to the river to examine the latest in a series of mysterious bodies, mangled by some unknown force.

Galen is a paladin of a dead god, lost to holiness and no longer entirely sane. He has long since given up on any hope of love. But when the two men and a brave gnole constable are drawn into the maze of the mysterious killer, it’s Galen’s job to protect Piper from the traps that await them.

He’s just not sure if he can protect Piper from the most dangerous threat of all…

Here are some early returns from the readers on Twitter:

(2) BARRELLING OVER LEVIATHAN FALLS. In “The Expanse Saga Takes Its Final Space Flight”, Publishers Weekly interviews authors Daniel Abraham and Ty Franck about how they created the story arc.

…Their aspirations were extremely modest initially. “The original concept for this was we would write Leviathan Wakes and sell it for pizza money,” Abraham said.

Franck added, “We didn’t have high expectations for it being a big new title or anything. And that’s what Daniel means by pizza money—you know, you could sell it for a few thousand bucks, and high-five each other, and that’d be the end of it.”

They did have a firm idea of where their story could continue after that first novel, however. “When we sent it out, we wrote one-paragraph outlines of what the next two books would be,” Franck said. “We sent that to the publisher too. And they bought three books based on one complete book and two one-paragraph blurbs. It was when we started writing the second book that we actually sat down and said, ‘Let’s have a good plan for this. Let’s figure this out.’ And that was when we really started to plan out what the longer story would be.”

The plan, inevitably, changed a bit. While the authors once contemplated writing 12 books, they cut out three after realizing their ideas for what would have followed the sixth book, 2016’s Babylon’s Ashes, were just a “boring rehash.” Instead, the seventh book, 2017’s Persepolis Rising, featured a dramatic time jump that allowed the authors to give the solar system time to stabilize after the events of the prior book.

Not much else changed, though. Franck said he had pitched “the last scene and the last line of the last scene” of Levithan Falls to his colleague around 2012.

The Expanse has sold a total of four million copies in North American and has been translated into 21 languages, according to Orbit, its publisher. Interest in the series has continually grown and Levithan Falls has a first printing of 125,000 copies….

(3) SUPERSAVER. “How ‘Adventures of Superman’ star Jack Larson saved a piece of Charlie Chaplin history and met Seinfeld”Decades has a memory about the actor who played Jimmy Olsen.

… [In 1955] Chaplin had sent for his films and memorabilia to be shipped to Europe.

But Chaplin only kept certain costumes and props. Other props lying around Chaplin Studios were being tossed in the trash. One prop that was about to end up in the garbage can was a rubber wrench that Chaplin used to great effect in the classic film Modern Times.

While working on Superman, Larson saw this cinematic crime about to happen and couldn’t sit still. He begged them to let him have it. They thought he was nuts for asking for this piece of rubber….

(4) TRANSLATING TOLKIEN. The virtual Tolkien Society Autumn Seminar with the theme “Translating and Illustrating Tolkien will take place November 6. It is free, sign up at the link.

Tolkien’s appeal has led to his fiction and non-fiction being translated into over fifty languages. The art of translation is immensely complex and when discussing the Dutch translation of The Lord of the Rings, Tolkien himself saw the task as “formidable”, offering his own supportive intervention to achieve a satisfactory result. The author’s invented names and languages prompt the question of how the translator should approach Tolkien’s immense mythology. Recent scholarship has emphasised the need for a wider range of Tolkien’s work to be translated in order for readers to gain a fuller understanding of Arda and the author’s development. But with a wealth of translated texts existing already, this seminar hopes to spark new interpretations about old texts and for unacknowledged translations to be brought to light and examined….

(5) TAFF REPORT AVAILABLE. Anna Raftery’s report of her TAFF trip to MidAmeriCon II (the 74th Worldcon) in 2016, Cuttlefish and Cake, can now be acquired for a donation of £5 at the link. Purchase will give you access to the PDF and MP3 versions of the report. All proceeds will go to TAFF.

(6) NEWS, GOOD AND OTHERWISE. David Brin has rounded up a bunch of interesting science links “Gravitational waves, Snowball Earth … and more science!” at Contrary Brin.

…A fascinating paper dives into the SFnal question of “what-if” – specifically if we had been as stupid about the Ozone Layer as we are re climate change. The paper paints a dramatic vision of a scorched planet Earth without the Montreal Protocol, what they call the “World Avoided”. This study draws a new stark link between two major environmental concerns – the hole in the ozone layer and global warming – and how the Montreal Accords seem very likely to have saved us from a ruined Earth.

Going way, way back, the Mother of Modern Gaia Thought – after whom I modeled a major character in Earth – the late Lynn Margulis, has a reprinted riff in The Edge – “Gaia is a Tough Bitch” – offering insights into the kinds of rough negotiations between individuals and between species that must have led to us. Did eukaryotes arise when a large cell tried and failed to eat a bacterium? Or when a bacterium entering a large cell to be a parasite settled down instead to tend our ancestor like a milk cow? The latter seems slightly more likely!

Not long after that, (in galactic years) some eukaryotes joined to form the first animals – sponges – and now there are signs this may have happened 250M years earlier that previously thought, about 890 Mya, before the Earth’s atmosphere was oxygenated and surviving through the Great Glaciation “Snowball Earth” events of the Kirschvink Epoch….

(7) EXPANSE REACHES ITS LIMIT. The Expanse’s sixth and final season arrives December 10 on Amazon Prime.

(8) MEMORY LANE.

  • 2008 – Thirteen years ago this October, G. Willow Wilson’s most excellent Air series would see its first issue on Vertigo, an imprint of DC comics, published. It’s illustrated by Turkish artist M. K. Perker, and it tells the story of Blythe, an acrophobic flight attendant, who gets involved with a terrorist from a country that doesn’t exist. Amelia Earhart and Quetzalcoatl are crucial characters. Reception was sharply divided with folks within our community such as Neil Gaiman and Gail Simone loving it but with mainstream critics pretty much dismissing it for both for the story and the artwork. It would last but twenty four issues before being cancelled due to low sales. It’s not available digitally but is easily had in the four trade paper collections for reasonable prices at online sellers. Oddly enough, it’s not listed on ISFDB even though it’s clearly fantasy, but then neither is her graphic novel Cairo which is also quite excellent.  Does ISFDB have a bias against graphic novels? 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 10, 1924 Ed Wood Jr. Though best remembered for Plan 9 from Outer Space which inexplicably has a sixty-eight percent rating among audience reviewers at Rotten Tomatoes, he did a lot of terribly bad genre films including Night of the Monster and Bride of The Ghouls. (Died 1978.)
  • Born October 10, 1927 Dana Elcar. Most of you will remember him as Peter Thornton on MacGyver, but he has a long genre history including Russ in Condorman which was inspired by Robert Sheckley’s The Game of X. He also played Sheriff George Paterson in Dark Shadows, and showed up in 2010 as Dimitri Moisevitch. (Died 2005.)
  • Born October 10, 1929 Robin Hardy. Wicker Man is the film he’s known for though he followed that up with The Wicker Tree, an adaptation of his Cowboys for Christ novel. Anyone seen it? The Bulldance is at least genre adjacent. (Died 2016.)
  • Born October 10, 1931 Victor Pemberton. Writer of the script for the “Fury from the Deep”, a Second Doctor story in which he created the Doctor’s sonic screwdriver. He had appeared as an actor in the series, in a non-speaking role as a scientist in “The Moonbase”, a Second Doctor story. In the Seventies, he wrote the BBC Doctor Who and the Pescatons audio drama which I remember hearing. It was quite excellent. (Died 2007.)
  • Born October 10, 1941 Peter Coyote, 70. He actually did two genre films in 1982 with the first being Timerider: The Adventure of Lyle Swann in which he appeared as Porter Reese and the second being E.T. the Extra-Terrestrial which he’s Keys, the Agent hunting E.T. down. (Not so named in the film but in the novelization.)  Sphere in which he’s Captain Harold C. Barnes is his next SF outing followed by The 4400 and FlashForward series being his next major genre involvements.
  • Born October 10, 1966 Bai Ling, 55. She’s Miss West in that wretched Wild West West and the Mysterious Women in the exemplary Sky Captain and the World of Tomorrow, she has a major role as Guanyin in The Monkey King which aired on Syfy. Nope, not seen that one. Her last genre role was Zillia in Conjuring: The Book of the Dead, a horror film riffing off Alastair Crowley. 

(10) COMICS SECTION.

(11) NEVERENDING STORY. Read the first chapter of Douglas Wolk’s All of the Marvels: A Journey to the Ends of the Biggest Story Ever Told at Entertainment Weekly.

The twenty-seven thousand or so superhero comic books that Marvel Comics has published since 1961 are the longest continuous, self-contained work of fiction ever created: over half a million pages to date, and growing. Thousands of writers and artists have contributed to it. Every week, about twenty slim pamphlets of twenty or thirty pages apiece are added to the body of its single enormous story. By design, any of its episodes can build on the events of any that came before it, and they’re all (more or less) consistent with one another….

(12) BEFORE AND BEHIND THE CAMERA. A profile of Phoebe Waller-Bridge in the October 2 Financial Times notes she is involved in two franchises: she co-wrote No Time To Die and is an actor in Indiana Jones 5. (I had to take a three-question survey about underwear brands to get free access to the article – make sure your drawers are in order.) “Phoebe Waller-Bridge: the writer making James Bond ‘a little bit twisted’”.

…The marriage between quirky creativity and mega budgets can be fraught. Waller-Bridge, who stars opposite Harrison Ford in the fifth instalment of Indiana Jones, has been coy about her contributions to the latest Bond film. Those hoping to find Fleabag will be disappointed. The secret agent retains some of his old cheesiness. Yet the central speech by sinister villain Lyutsifer Safin contained a reminder of Waller-Bridge’s protagonist: “I just think I want someone to tell me how to live my life?.?.?. because so far I think I’ve been getting it wrong.”…

(13) TRIPPING. Victoria Silverwolf finds a clever lead for a review of the latest (in 1966) issue of Worlds of Tomorrow at Galactic Journey: “[October 10, 1966] Let’s Take A Trip (November 1966 Worlds of Tomorrow)”.

… Until this month, this hallucinogenic drug [LSD] was legal everywhere in the USA. On October 6, it became illegal in the state of California. In response to the new law, on the same day thousands of people showed up for a so-called Love Pageant Rally in San Francisco’s Golden Gate Park. They enjoyed music from local artists, and many took doses of LSD in defiance of the law….

Even if you live in California, you can enjoy a trip deep into your imagination in a perfectly legal manner, simply by opening the latest issue of Worlds of Tomorrow. Fittingly, almost all the fiction takes place in the far reaches of interstellar space….

(14) INSIDE TZ. Marc Scott Zicree is doing full episode commentaries on over 100 Twilight Zone episodes that will supplement those he did for the official disc set. To find out how to buy them, look at Twilight Zone Commentaries.

The official Twilight Zone BluRay set contained 54 full-length detailed, informative, and entertaining commentaries by Marc Scott Zicree. And now, Marc continues where that left off, with commentaries of the remaining 102 Twilight Zone episodes delivered in a convenient app on your phone, tablet, laptop, SmartTV, or other device.

(15) FOUNDATION GARMENT. You’ve read the series – now buy the shirt that looks as old as it is — Foundation unisex book t-shirt from Out of Print.

The Foundation series by Isaac Asimov received the 1966 Hugo Award for Best All-Time series, beating out the Lord of the RingsFoundation is the first book in that trilogy.

Each purchase helps to fund literacy programs and book donations to communities in need.

(16) ASTRO’S COUSINS. [Item by Martin Morse Wooster.] Also in the Financial Times, columnist John Gapper, in a column about the Amazon Astro, made a Doctor Who reference that was news to me.

There is a well-known Punch cartoon of some Daleks from Dr Who at the foot of a staircase, cursing that their plans to conquer the universe are ruined.  This machine (the Astro) suffers from similar limitations:  It can navigate apartments but would be stymied by a two-storey house.

(17) READY FOR EVERY EMERGENCY. “Star Trek: Prodigy Gives Extended Look at Captain Janeway Hologram” at CBR.com.

… At Prodigy‘s panel at New York City Comic-Con, the show debuted a minute-long clip from the show’s pilot episode. In it, the hologram introduces herself to the ragtag group of young aliens, announcing she is the Emergency Training Hologram for the USS Protostar. Little does she know that everything is far from routine on this ship.

After making her introductions, Tellurite Jankom Pog (Jason Mantzoukas) criticizes her looks, prompting a snippy response to show that Janeway’s snark made its way into the programming. The crew does no better job after that first impression to show that they have any idea what they’re doing. Shy Rok-Tahk (Rylee Alazraqui) doesn’t even know what a Federation is.….

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, John Coxon, Lise Andreasen, Daniel Dern, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Paul Weimer.]

Pixel Scroll 7/27/21 Now The Years Are Scrolling By Me, They Are Rocking Pixelly

(1) 328305 JACKMCDEVITT. SF writer Jack McDevitt has been honored with an asteroid. Here’s the chart –

(2) HUMAN COST IGNORED. Will Slocombe protests that “Militaries Plunder Science Fiction for Technology Ideas, But Turn a Blind Eye to the Genre’s Social Commentary” at Activist Post.

One of the most interesting tools for thinking about future defence technology isn’t big data forecasting and the use of synthetic training environments, but narrative and imagination. And we get this from science fiction.

That might sound fanciful, but many militaries are already engaging with the genre. The US military and the French army use science fiction writers to generate future threat scenarios. The Australian Defence College advocates for the reading of science fiction and, in Germany, Project Cassandra uses novels to predict the world’s next conflict. The Sigma Forum, a science fiction think tank, has been offering forecasting services to US officials for years.

But while science fiction provides military planners with a tantalising glimpse of future weaponry, from exoskeletons to mind-machine interfaces, the genre is always about more than flashy new gadgets. It’s about anticipating the unforeseen ways in which these technologies could affect humans and society – and this extra context is often overlooked by the officials deciding which technologies to invest in for future conflicts….

(3) GET READY FOR BLUECON. [Item by Florrie Frederiksen.]  BlueCon, the 48th French national science-fiction convention, takes place August 19-22. The in-person event will be held on the international campus of the Valbonne University near Nice and the French Riviera. Ugo Bellagamba, president of this project, waxed poetical in his introduction: “Blue is the primary color of imagination, which may be painted in shades of azure, deep blue, or the morning blue which lightens and opens, the color of the skies, of the sea, which both invite to explore the realms beyond the horizon… ”

It is still possible to join the 105 attendees already committed to make this convention a success; panels and meetings and many tables are already being readied. Although the rooms in the center are already filled, the website lists other possibilities for accommodation nearby. Nice is easily reached by train and there is a good sized airport not far away.

(Warnings: this convention does not plan to have virtual elements. All attendees must make sure to have the compulsory valid “passe sanitaire” i.e. QR code proof of full vaccination or at least a negative PCR test dated after August 17. Even then, both vaccinated or non vaccinated people should be wearing masks and some measures of distance and hygiene will be necessary).

The program of the convention has been posted here.

(4) GHOSTBUSTERS AFTERLIFE TRAILER. Ghostbusters: Afterlife is coming to theaters in November.

In Ghostbusters: Afterlife, when a single mom and her two kids arrive in a small town, they begin to discover their connection to the original ghostbusters and the secret legacy their grandfather left behind.

(5) TERRIFICON LINEUP. Joe Stuber interviews David Gerrold for his Comic Book Central podcast: “David Gerrold on Star Trek & Land of the Lost!” Gerrold is on his way to be a guest at Terrificon.

TerrifiCon Week continues with legendary Star Trek writer and creator of Land of the Lost, David Gerrold! David drops by to talk about the origin of his fascination with sci-fi, crafting the most memorable episode of Trek, tackling tales of Tarzan and Superboy, and developing the complex mythology for the 70s Saturday morning sensation, Land of the Lost!

(6) DOOMSDAY BOOKS. James Davis Nicoll homes in on the trouble of that green and ancient land at Tor.com: “Five Speculative Visions of Britain in Chaos”.

The Star Fraction by Ken MacLeod (1995)

Rescued by US/UN intervention from the perils of the United Republic’s radical democracy, Britain is home to a patchwork of micro-states under the umbrella of the restored Hanoverian monarchy. Within sensible limits, each micro-state is free to govern itself as it sees fit, with heavily armed, remotely piloted war robots providing gentle rebukes should anyone overstep the US/UN guidelines.

Although the peace process can be trying from the perspective of the common person in the street, the system provides something the US/UN treasures: stability. However, stability is a chimera. An unseen enemy has been waiting patiently to bring the US/UN regime down. Now, thanks to a mercenary, a fundamentalist teen, and a scientist, the revolution has come.

(7) HAMIT MEDICAL UPDATE. Longtime File 770 contributor Francis Hamit has had two surgeries this week to deal with spinal stenosis. His partner Leigh Strother-Vien reports:

Francis had his first surgery on Friday, the 23rd, and his second yesterday, the 26th. Everything went well; in fact, they decided Friday’s went so well that they combined the second and the planned third surgeries together yesterday, fixing his spine down to the T2. He is in the ICU for at least one more day just to be extra careful, and he’s getting plenty of pain management. He said to let you know that it’s ok to put something in File 770 if you wish.

Before the surgeries Hamit sent me a note which ended:

…So I am going to be out of action and Leigh will be taking care of me.  … I will be “just the writer” for  some time to come.  Fortunately that’s part of my therapy.  So I’m not going anywhere.  Just completed that long novel and my memoir and have other work in progress. (Also need a literary agent). 

…Thoughts, prayers, good wishes etc are welcome of course.  Buying, reading and reviewing my books and stories, (Amazon.com) or dramatic work (Stageplays.com) is also very helpful since it helps out with expenses.  No time left for a fundraiser and too much else to do….

(8) A TRIBUTE TO ANDERSSON. The death of horror writer C. Dean Andersson a.k.a. Asa Drake was reported here the other day. Here is a tribute by his friend Christopher Fulbright: “Rest in Peace Dean Andersson”.

… Looking through old pictures is a little bittersweet. We had such great times together, but you never think about having to say goodbye for the last time. You seldom know what conversation will be your last. If I had to pick a last conversation, the one we had was as close to perfect as one might get—we talked about everything from the meaning of life to God himself. We talked a lot about God. I brought him a book of Robert E. Howard’s Kull stories and a Bible, which I promised had heroes and heroines, swords and sorceresses, dragons, pagan gods, epic battles, and the living dead. He was so grateful, and it was such a good talk. I left Dean’s hospital room a week and a half ago with a promise that I would bring lunch by his house and hang out in a couple of weeks, after he’d had a chance to get settled in again at home. Well … I know I’ll see him again someday, it’s just going to be a longer wait. In the meantime, the world is a bit poorer without him. He would no doubt have some subtle quip to make at that, but I insist it’s true….

(9) LESNIAK OBIT. Jim Lesniak of Voodoo Comics died over the weekend while manning his dealers table at the Gem City Comic Con in Dayton, OH according to numerous reports. No more details are known at this writing.

(10) HENRI VERNES (1918-2021). [Item by Florrie Frederiksen:] Henri Vernes (pen-name of Belgian author Charles-Henri-Jean Dewisme, born in 1918) passed away on July 25 at the age of 102.

He is best remembered for the over 200 French language novels of action, fantasy and science-fiction revolving around the BOB MORANE character, that he published continuously since 1953. Bob Morane also appeared in a 1965 television series, a 1996 animated movie, and a number of comics albums with art by well-known French artists.

The character has been made famous by a line in the 1982 song L’Aventurier by French rock group Indochine (“Et soudain surgit face au vent le vrai héros de tous les temps, Bob Morane contre tout chacal, l’aventurier contre tout guerrier.” Tranlsation: “And suddenly, against the wind appeared the real all time hero: Bob Morane fighting any jackal, the adventurer fighting all warriors…”)

A French science-fiction award has been named for Bob Morane (see here).

(11) MEMORY LANE.

  • July 27, 2001 – Twenty years ago, the Planet of the Apes reboot premiered. Directed by Tim Burton and produced by Richard D. Zanuck, it was the sixth film in the Planet of the Apes franchise, very loosely adapted from Pierre Boulle’s novel and the 1968 film version. The screenplay was by William Broyles Jr., Lawrence Konner and Mark Rosenthal. The primary cast was Mark Wahlberg, Tim Roth, Helena Bonham Carter, Michael Clarke Duncan, Kris Kristofferson, Estella Warren and Paul Giamatti. The critics mostly liked it though Ebert noted the original was much better, and it did very well at the box office ranking among the top ten films of the year. Currently at Rotten Tomatoes, audience reviewers really don’t like it and give it a twenty-seven percent rating. 

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 27, 1874 Frank Shannon. He’s best remembered now as the scientist Dr. Alexis Zarkov in the three Flash Gordon serials starring Buster Crabbe between 1936 and 1940.  The serials themselves were Flash GordonFlash Gordon’s Trip to Mars and Flash Gordon Conquers the Universe. He does show in the Forties Batman serial as Dr. Hayden and The Phantom serial of the era as Professor Davidson. (Died 1959.)
  • Born July 27, 1938 Pierre Christin, 83. French comics creator and writer. In the mid Sixties, collaborated with Jean-Claude Mézières to create the science-fiction series Valérian and Laureline for PiloteTime Jam: Valerian & Laureline, a French animated series was released, and a feature film directed by Luc Besson, Valerian and the City of a Thousand Planets, was released as well. A compilation of the Valerian & Laureline series is on YouTube here.
  • Born July 27, 1938 Gary Gygax. Game designer and author best known for co-creating  Dungeons & Dragons with Dave Arneson. In addition to the almost beyond counting gaming modules he wrote, he wrote the Greyhawk Adventure series and the Dangerous Journeys novels, none of which is currently in print. I’ll admit that I’ve not read any of the many novels listed at ISFDB, so I’ve no idea how he is as a genre writer.(Died 2008.)
  • Born July 27, 1939 Sydney J. van Scyoc, 82. Her first published story was “Shatter the Wall” in Galaxy in 1962. She continued to write short stories throughout the Sixties and Seventies, and published Saltflower, her first novel in the early Seventies. Assignment Nor’Dyren is one of her better novels. Over the next twenty years, she published a dozen novels and likewise number of short stories. 
  • Born July 27, 1940 Gary Kurtz. Producer whose genre credits include Star Wars and The Empire Strikes Back, The Dark Crystal and Return to Oz. He did a late Eighties SF film Slipstream, which reunited him with Mark Hamill. He was the original producer on The Spirit. He was executive producer on Chandler, a PI film which isn’t genre adjacent but worth noting here. (Died 2018.)
  • Born July 27, 1949 Robert Rankin, 72. Writer of what I’d call serious comic genre fiction. Best book by him? I’d single out The Hollow Chocolate Bunnies of the Apocalypse as the best work he ever did bar none. Hell, even the name is absolutely frelling great. 
  • Born July 27, 1968 Farah Mendlesohn, 53. She’s an historian and prolific writer on genre literature, and an active fan. Best works by her? I really like her newest work on Heinlein, The Pleasant Profession of Robert A. Heinlein, whichwon a BSFAHer Diana Wynne Jones: Children’s Literature and the Fantastic Tradition is also a fascinating read. And I highly recommend her Rhetorics of Fantasy as we don’t get many good theoretical looks at fantasy. Her only Hugo to date was at Interaction for The Cambridge Companion to Science Fiction. She’s also garnered a BFA for Children’s Fantasy Literature: An Introduction (shared with co-writer Michael Levy) which also got a Mythopoeic Scholarship Award for Myth and Fantasy, and she a Karl Edward Wagner Award winner as well. 
  • Born July 27, 1973 Cassandra Clare, 48. I read at least the first three or four volumes of her Mortal Instruments series which I see means I’ve almost completed it. Damn good series. Anyone read her Magnus Bane series? Interestingly she’s been nominated for myriad Goodreads Choice Awards and won two for City of Fallen Angels and City of Heavenly Fire.

(13) COMICS SECTION.

(14) 30 YEARS IN THE MAKING. Here’s a teaser trailer for Mad God, a feature film directed by Phil Tippett, the world’s pre-eminent stop motion animator. Content Warning: Graphic body horror. Tippett’s career credits include Star Wars, RoboCop, and Jurassic Park.

(15) IT’S FROM AN OLD FAMILIAR SCORE. Vintage News shares some “Twisty Turny Facts About The Classic TV Series ‘The Twilight Zone’”.

Check out some mind-boggling behind-the-scenes facts, as we take you on a trip into Serling’s singularly strange universe…

It has a connection to Marty McFly

Does this building look familiar? As Screen Rant points out, the setting was part of The Twilight Zone’s first ever episode: “Where Is Everybody?”

The story concerns a man who appears to be alone in the world. Yet Courthouse Square, part of Universal Studios, has been anything but deserted over the years.

Lightning bolts and streaks of fire turned the area into an exit route for time travelers Marty McFly (Michael J Fox) and Doc Brown (Christopher Lloyd) in Back To The Future (1985)….

(16) FIELDS OF DREAMS. [Item by Cora Buhlert.] Since we just discussed Lord Dunsany, the fantasy author, here is a profile of his descendant Randal Plunkett, the current Lord Dunsany, who is an eco hippy organic farmer and film maker. His first movie The Green Sea even appears to be genre: “’There have been many death threats, but I’ll never stop’ – Randal Plunkett, Baron of Dunsany, on rewilding his family estate” in The Independent.

…  “After attempting a normal agricultural approach, I stepped back and saw a landscape bleak and exhausted from overgrazing and over-farming,” he explains. “Chemicals injected into the soil and no pause for regeneration or recovery. How does land remain healthy when the cycle of life is ignored?”

The 21st Baron of Dunsany made a radical decision. He removed all grazing animals from the property, gearing towards an overall holistic focus on crops. Pesticides were banned, fertilisers were abandoned and invasive weeds like ragwort and thistle were tackled by hand. “My mum looked at me as if I’d joined a cult.”

Steered by a passionate new advocacy for veganism, Randal — who tradition dictates should be addressed as Lord Dunsany — came upon the concept of ‘rewilding’ seven years ago, a progressive approach to conservation allowing the environment to take care of itself and return to a native natural state. Rather than an experimental litmus test in a quiet corner of the property, he sacrificed 750 acres of a highly profitable 1,700-acre pasture in an unorthodox gamble.

“I wanted to return the land to the wild, not just preserve what little natural habitat remained. So we locked up a huge part of the estate and it was militant. No footfall most of the year, no paths or interference. That’s not to say we abandoned the land, we’re guardians keeping a distant, watchful eye. And the results speak for themselves.”…

(17) FLORIDA MAN. “Florida man washes ashore after trying to ‘walk’ to New York in bubble device” reports The Guardian.

Florida man startled beachgoers when he washed ashore inside a hybrid bubble-running wheel device.

The man, identified by a local news channel as Reza Baluchi, washed ashore in Flagler county on the east coast of Florida on Saturday.

He was inside a large barrel-type device which appeared to have flotation buoys attached to each end. The Flagler county sheriff’s office posted photos of the strange vessel on Facebook.

“The occupant advised he left the St Augustine area yesterday to head to New York,” the sheriff’s office said, “but came across some complications that brought him back to shore”.

…The Sun-Sentinel reported that Baluchi was forced to turn back after he discovered that some of his safety and navigation equipment had been stolen. The equipment has been recovered, and Baluchi plans to resume his journey once the weather improves, the newspaper said.

(18) THE LATEST MEMES OF 2003. In Honest Trailers:  Space Jam:  A New Legacy, on YouTube, teh Screen Junkies say this movie turns LeBron James into “a joyless grunt who plays boring basketball” and Bugs Bunny into “off-brand Bugs Bunny.”

[Thanks to Michael Toman, John King Tarpinian, Cat Eldridge, N., Steve H Silver, Cora Buhlert, Florrie Frederiksen, David K.M. Klaus, Mike Kennedy, Andrew Porter, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to contributing editor of the day Jon Meltzer.]