24 So You Want To Be An Orc-And-Troll Star

Posted on June 10, 2024 by Mike Glyer

(1) LE GUIN HOME DONATED FOR USE AS NEW WRITERS RESIDENCY. “Le Guin Family Donates Portland Home To Literary Arts For New Writers Residency”:

Today, Literary Arts announced that the Le Guin family will donate their home to Literary Arts to create the Ursula K. Le Guin Writers Residency. This will be Oregon’s first significant permanent recognition of Le Guin’s 50-year literary legacy since she died in 2018.

Andrew Proctor, executive director of Literary Arts, shared, “Our conversations with Ursula and her family began in 2017. She had a clear vision for her home to become a creative space for writers and a beacon for the broader literary community. With the launch of the public phase of our Campaign for Literary Arts this month, we are closer than ever to making this dream a reality. This campaign will allow us to raise funds to launch the Ursula K. Le Guin Writers Residency and plan for its future. The Le Guin family had many partners to choose from and we are honored that they are entrusting Literary Arts with this cherished cultural treasure.”

Originally built in 1899 from a Sears & Roebuck catalog plan, the three-story house and garden were purchased by Ursula and her husband, Charles, in the early 1960s when Northwest Portland was home to many academics, artists and working-class households. With a view of Mount St. Helens and decorated with her personal collection of rocks and well-loved art and books, Ursula’s corner room evolved throughout the years from a nursery for her children to the place where she wrote some of her best-known work, from novels to her blog. There is still a designated space on her desk for the typewriter on which Ursula would type her final manuscripts. A redwood tree, planted in the 1960s, now towers over that corner of the house, a reminder of Ursula’s Northern California roots.

Once established, the new Ursula K. Le Guin Writers Residency, to be operated by Literary Arts, will welcome writers from around the world, with a focus on those residing in the western United States.Staying true to the organization’s commitment to diversity, equity and inclusion, the program will invite writers of different genders, races, ages, economic status, education and literary genres to apply for residencies. The writers will be selected by an advisory council made up of literary professionals and a Le Guin family member. Appointed writers will be asked to engage with the local community in a variety of literary activities, such as community-wide readings and workshops. The residency program is currently in the development phase, with plans for future renovations to the home for improved accessibility.

The AP News article “Ursula K. Le Guin’s home will become a writers residency” adds these quotes from her son:

Theo Downes-Le Guin, son of the late author Ursula K. Le Guin, remembers well the second-floor room where his mother worked on some of her most famous novels.

Or at least how it seemed from the outside.

“She was very present and accessible as a parent,” he says. “She was very intent on not burdening her children with her career. … But the times when she was in there to do her writing, we knew that we needed to let her have her privacy.”

[Theo] Downes-Le Guin, who also serves as his mother’s literary executor, now hopes to give contemporary authors access to her old writing space. Literary Arts, a community nonprofit based in Portland, Oregon, announced Monday that Le Guin’s family had donated their three-story house for what will become the Ursula K. Le Guin Writers Residency.

…No date has been set for when the residency will begin. Literary Arts has launched a fundraising campaign for maintaining the house and for operating an office in town….

…While writers in residence will be welcome to use her old writing room, the author’s son understands if some might feel “intimidated” to occupy the same space as one the world’s most celebrated authors.

“I wouldn’t want anyone to be in there in this constant state of reverence, which would be against the spirit of the residency,” he says….

(2) TAKE THE TARDIS TO TATTOOINE. Camestros Felapton tells us what all fifteen of them would wear to “Doctor Who’s Star Wars Cosplay Party”. Very funny!

If Doctor Who went to a Star Wars-themed costume party, what costume would they wear? In this clickbaity listicle post, I will give the definitive answers! Yet, as The Doctor is the ultimate space wizard shouldn’t every version of them dress as a Jedi? No, not at all…

(3) PASSIVUM. In case you didn’t get enough discussion of the passive voice yesterday, KW Thomas has some wisdom to contribute. Thread starts here.

OK, so that might be a bit OTT, but I honestly think the advice to avoid passive voice does more harm than good. I see writers tying themselves in knots over it, and there’s really no need.

2/8
— KW Thomas (@kwthomasbooks) June 9, 2024

(It’s “Y was done to Z by X” instead of “X did Y to Z”)

“Avoid passive voice” can be good advice, but it’s not always useful for fiction writers.

4/8
— KW Thomas (@kwthomasbooks) June 9, 2024

Fiction writers generally aren’t doing this. They’re writing things in their voice, and their characters’ voices, & most people actually have a decent instinct for when passive voice is appropriate and when it isn’t when they’re not trying too hard to be formal and neutral.

6/8
— KW Thomas (@kwthomasbooks) June 9, 2024

But most fluent speakers of English will, most probably, only be using passive voice when it's actually needed. ("My father was murdered." "I feel like I've been hit by a bus.")

So, fiction authors, if you are worried about passive voice, my advice is just… don’t be ???????

8/8
— KW Thomas (@kwthomasbooks) June 9, 2024

(4) ARGUING WITH ART. Here is the cover of Savannah Mandel’s forthcoming book Ground Control : An Argument for the End of Human Space Exploration from Chicago Review Press. It asks, “Is it worth it – socially, politically, and economically – to send humans to space?”

Seeing that tagline reminded Andrew Porter of the posters Frank Kelly Freas did for NASA back in the Seventies, one of which said —

(5) THE ROAD GOES EVER ON. Martin Amis died a year ago in May. A homage in the Guardian: “’He made every sentence electric’: Martin Amis remembered by Tina Brown, his old friend and devoted editor | Martin Amis”.

…Martin knew how good he was, and meted out his treasures to lucky editors with a certain lofty care. One of my first calls when I got to Vanity Fair was to ask him to write a piece about a new play by David Hare. His first question was: “Do I have to see it?” I found myself wavering, knowing that whatever he filed would be better than anyone else’s. Over the years, he became graver, more wary perhaps, but unchanged in his satirical glee.

Last February Isabel arranged for me to visit Martin at their home in Brooklyn. They loved each other devotedly, to the death. It hurt to see him so frail, but he was still Martin, undiminished: “I went in to have this special chemo treatment,” he said. “The doctor’s office was full of posters of happy cured people, windsurfing.” The italics dripped with the delighted disgust that Martin reserved for that wishful – and peculiarly American – fraudulence.

Mostly he reflected on “this new stage”, as he called it with an aloof curiosity. “There is absolutely no spiritual dimension to any of this,” he said. “No one writes anything really good after 70, anyway. It feels all right to look back at my life as ‘then’ – the past, belonging to someone else. The only thing I regret is not knowing how all this” – he gestured – “turns out. I’d like to have seen Trump finally finished.”

The truth is that none of us gets to know how it turns out, because it keeps going and we don’t….

(6) BRUSH UP YOUR DRAGON LORE. [Item by Andrew Porter.] I’ve been binge watching HBO’s House of the Dragon series 1; the second season starts June 16.

I found the Wikipedia article, which explains who is what, and has episode guides, useful: House of the Dragon.

(7) PAT SIMS (1937-2024). Past Big Heart Award winner Pat Sims, who served as secretary/treasurer for the Cincinnati Fantasy Group and later as VP of the Orlando Area Science Fiction Society, died June 9 at the age of 87. Deborah Oakes told the Cincinnati Fantasy Group: “She slipped away peacefully last night about 9:30 pm. Her niece Clara was with her in hospice when she passed away. She will be cremated, and her ashes spread at sea with Roger’s ashes, per their wishes.”

Pat first encountered fandom in the early 1960s after she moved to Chicago, where a roommate took her to meetings of the University of Chicago Science Fiction Club. She was recruited to work registration for Chicon 3, the 1962 Worldcon.

The following year she met Roger Sims (1930-2022) at Midwestcon, and they married in 1964. Pat and Roger were active in Detroit fandom for many years, then in Cincinnati. They later moved to Florida.

Pat and Roger Sims at Noreascon One (1971). Photo by Jay Kay Klein.

Together they hosted Ditto 10 (1997), Ditto 17 (2004) and FanHistoriCon 9 (1999).

Roger and Pat also became the 1995 Down Under Fan Fund delegates. Non-fan honors bestowed on them (through fannish connections) included being commissioned as Kentucky Colonels, and being named Honorary Captains of The Belle of Louisville.

Pat received the Big Heart Award in 2002.

Pat and Roger Sims at Midwestcon 40 in 1989. Photo by Mark Olson.

(8) TODAY’S BIRTHDAY.

[Compiled by Cat Eldridge.]

Born June 10, 1952 — Kage Baker. (Died 2010.) Kage Baker was one of those writers that I had a close relationship by email and phone for many years until she passed on. I’m still sad that she died early but relieved that she is no longer in constant pain.

Though most knew her as a genre writer, she was very proud of her other life. As Kathleen noted on the site she keeps about her life with Kage, Kathleen, Kage and the Company: “Kage Baker taught Elizabethan English (also known as Language I when we had time for lots of classes) for the performers at the Renaissance Pleasure Faire. She taught it for most of 30 years; we team-taught at workshops, she and I, in a spiel I can still recite. Well, I can recite my half – I get stuck pausing for her lines here and there. We had worked out a class recitation that was half improv and half thesaurus.”

Kage told me how they both dressed up on in their best Elizabethan cosplay finery for the Renaissance Pleasure Faires, surely the social highlight of their year from the way she described it way such obvious delight. I know they even took Harry the Space Pirate with them on occasion.

Yes Harry, a most unusual bird. Let’s have her explain: “Well, a Household Bench Mark is approaching — my parrot, Harry Redux, is about to reach his first birthday. Or his twenty-first, as he is the reincarnation of my first parrot, Harry Prime. He is the Dalai Parrot. I rescued Harry Prime from an abusive situation 20 years ago, and he was the love of my life; when he died last year, I decided my middle-aged life had enough tragedy and it was time to invoke Mystic Forces. I made sure of a clutch laid shortly after he entered the Higher Plane, and waited anxiously for his return — the system works for Tibetan religious leaders, and I saw no reason why it would not do so for my evolved dinosaur. Sure enough, this brand new little bird exhibits unnerving knowledge of his past life, including where we hide the McVittie’s Digestive Biscuits in the kitchen. When he gazes dulcetly from his pirate-gold-coin eyes, one must believe that here is an ancient and inhuman soul.”

She baked food a lot. Really she did. Quite a bit, much of it Elizabethan. And then there was Barm Brack: “Barm Brack is a soul cake — traditional Scots recipe calls for a bean or silver coin or some other token to be baked into it and the person getting the winning slice gets fame or good luck or sacrificed or whatever, deciding on how much of The Wicker Man you take seriously. I leave the tokens out of mine, personally. Life is enough of a lottery as it is.” Her recipe is here: “Barm Brack”.

No, I’m not talking about novels here though I liked them so much that we were supposed to do a Concordance for them for Golden Gryphon. I was supposed to draft a series of questions for each of the cyborgs for which she was would play out being that cyborg and answer the questions in detail. Each of these would be in turn become a chapter in the Corcordance. Sadly she got too ill before we could do it.

I’ll miss her a lot. She was a great conversationalist, a fantastic SF writer and she wrote a number of really great reviews for Green Man including this one authored with her sister about a series dear to both of them: “The Two Fat Ladies: The Complete 4 Series”.

(9) COMICS SECTION.

Frank and Ernest look at shelving patterns.
F Minus shows the face of AI.
Homefree stresses comfort reading.
Shoe defines writing motivation.
Thatababy relabels Wacky Racers.
The Flying McCoys takes a nursery rhyme case.

(10) FREE COMIC EXPO. The Bowers Museum Comic Art Expo will be held in Santa Ana, CA on June 15-16. Schedule at the link.

This free two-day event promises to be a dynamic gathering for comic enthusiasts, artists, and collectors alike, in celebration of our current exhibit, Asian Comics: Evolution of an Art Form. The Comic Art Expo will feature a variety of artists, live DJs, and family-friendly activities.

During the Expo, arrive in cosplay* to get FREE General Admission, and gain exclusive access to Asian Comics for just $10! Join us for a season of color, creativity, and community!

Here’s more about the museum’s exhibit “Asian Comics: Evolution of an Art Form” whih runs through September 8.

Never-before-seen at a museum and making its American debut, Asian Comics: Evolution of an Art Form presents the largest ever selection of original artworks from Asian comics, displayed alongside their printed, mass-produced forms. This exhibition is a vivid journey through the art of comics and visual storytelling across Asia. From its historical roots to the most recent digital innovations, the exhibition looks to popular Japanese manga and beyond, highlighting key creators, characters, and publications. Explore thriving contemporary comics cultures and traditional graphic narrative artforms from places including:

Bangladesh, Bhutan, Cambodia, China, Hong Kong, India, Indonesia, Japan, Malaysia, Mongolia, North Korea, Pakistan, Philippines, Singapore, South Korea, Sri Lanka, Taiwan, Thailand, Tibet, and Vietnam.

Visitors to Asian Comics will dive into a kaleidoscope of diverse stories, from fantastical folklore, pivotal historical moments, revealing memoirs, and challenging expressions of freedom. Discover acclaimed and influential creators from Osamu Tezuka, Zao Dao, Morel, Hur Young Man, and Lat, to genre innovators and under-represented artists including Abhishek Singh and Miki Yamamoto. See how their work has influenced cinema, animation, fashion, visual art, music, and videogames, and get creative in the accompanying makerspace that’s fun for all ages….

(11) TAX CREDITS ARE PEACHY. “Jobs IRL: How Georgia makes movie makers”, a podcast at Marketplace, provides a look at Georgia’s film production tax credits and the pipeline for show business jobs.

Here’s an article based on one of the segments: “How Georgia is training production crews for its huge film industry”.

You ever see that peach as the credits come to an end on screen for shows like “The Walking Dead” or “WandaVision”?

That peach means filmed in Georgia, a state set to surpass California for sound stages by square foot. The names that come before the peach — best boy, gaffer or, in this case, “key rigging grip” — they all come with a paycheck.

“We do things ranging from putting cameras onto dollies and cranes to hanging heavy lights above people’s heads,” said Francis Harlan. He does this for a show called “The Bondsman” being shot here on a set designed to look like a honky-tonk bar. It’s about an undead bounty hunter starring one Kevin Bacon. (Talk about fewer than six degrees.) Blumhouse, the production company, spun up a program to give a trainee his shot….

(12) LINGUA FRANCA. “Young people, especially, are choosing to read in English even if it is not their first language because they want the covers, and the titles, to match what they see on TikTok and other social media,” says the New York Times. “English-Language Books Are Filling Europe’s Bookstores. Mon Dieu!”

When the Pulitzer Prize-winning author Jennifer Egan was in the Netherlands a few years ago promoting her most recent novel, “The Candy House,” she noticed something unexpected. Most of the people who asked her to sign books at author events were not presenting her with copies in Dutch.

“The majority of the books I was selling were in English,” Egan said.

Her impression was right. In the Netherlands, according to her Dutch publisher, De Arbeiderspers, roughly 65 percent of sales for “The Candy House” were in English.

“There was even a sense of a slight apology when people were asking me to sign the Dutch version,” Egan said. “And I was like, ‘No! This is what I’m here to do.’”

As English fluency has increased in Europe, more readers have started buying American and British books in the original language, forgoing the translated versions that are published locally. This is especially true in Scandinavian countries, the Netherlands and, increasingly, Germany, which is one of the largest book markets in the world.

Publishers in those countries, as well as agents in the United States and Britain, worry this could undercut the market for translated books, which will mean less money for authors and fewer opportunities for them to publish abroad.

“There is this critical mass,” said Tom Kraushaar, publisher at Klett-Cotta in Germany. “You see in the Netherlands: Now there is a tipping point where things could really collapse.”

The English-language books that are selling abroad are generally cheap paperbacks, printed by American and British publishers as export editions. Those versions are much less expensive than hardcovers available in the United States, for example, and much less expensive than the same books in translation, which have to observe minimum pricing in countries like Germany.

“People should read in whatever language they want,” said Elik Lettinga, publisher of De Arbeiderspers in the Netherlands. But the export editions, she continued, “undercuts on price.”…

(13) ROBO BOOGIE. Click to see a brief entertaining robot video on Tumblr.

[Thanks to Kathy Sullivan, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Teddy Harvia for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 6/4/24 Cats And Pixels Like Snuggling Together

Posted on June 4, 2024 by Mike Glyer

(1) RACHAEL K. JONES Q&A. Oregon Public Broadcasting interviewed awards nominee Rachael K. Jones: “Beaverton author is announced as finalist for literary awards”.

Marshall: This short story, “The Sound of Children Screaming,” drew inspiration from real life events, including one that involved you. Can you talk more about that?

Jones: It was one of the more scary experiences in my career in education. I’m a speech language pathologist, which is someone who works in special education with children who have communication disorders.

There was a lockdown at my school that happened during prep planning, which is the week before the school opens for children. All the teachers are in the building. We’re getting our classrooms ready and we’re getting the space ready for children. One evening I stayed late to finish building some Ikea furniture. While I was getting ready to leave the building you could hear weird sounds outside the school, little popping sounds.

The secretary called a lockdown of the whole school. It turned out that there was a shooting happening in the neighborhood. I went back and had to hide under my desk in my office with all the blinds drawn on a Friday night. I’m really grateful there weren’t any children in the building, but the most disturbing thing was that, because there were no children in the building, I knew it couldn’t be a drill. I was really scared.

It was one of those moments where we all tell ourselves stories in our own heads about what we would do in an emergency situation. With school shootings, you have a fantasy about how you’re gonna block the door, throw that stapler over there or tackle the guy and how you’re going to be this hero in your imagination. It was this really chilling moment to realize that this could be it. And what am I doing? I’m hiding under my desk and I’m not any more heroic than I usually am. I could die tonight on a Friday night at my job and that would be that, and there would be nothing I could do about it.

A lot of times I use my stories as a way to process strong feelings, I can’t really get out in any other way. For me, the story represents that kind of story where it says the things that are hard for me to say in any other way than fiction….

(2) TAKE THE AUTOBAHN TO THE CON. Cora Buhlert went to a German Masters of the Universe convention in May and posted a three-part con report with many photos. To get there required a three hour road trip:

“Cora’s Adventures at the Los Amigos Masters of the Universe Convention in Neuss or the Six Hundred Kilometer Roundtrip, Part 1: The Trip Out”.

…Last Saturday, I attended the 2024 Los Amigos Masters of the Universe fan convention. There are two big Masters of the Universe conventions in Germany, Grayskull Con and Los Amigos, plus at least two general toy cons which attract a lot of Masters of Universe fans and collectors.

Last year, I considered going to one or more of those cons. However, there was one problem or rather two, a) I live in North Germany and most German cons, whether general SFF or specialty cons, are much further south and quite far away, and b) I had sick parents at home and/or in hospital and didn’t really want to leave them alone. Since point b) is no longer an issue, there was only point a) to consider.

Until last year, the Los Amigos convention used to take place in Hanau near Frankfurt, which is a four-and-a-half-hour drive away (or a one-hour flight to Frankfurt and then a train ride to Hanau). However, for 2024 the convention relocated to Neuss, a city in the Rhine-Ruhr metropolitan region, which is somewhat closer, though still roughly three hundred kilometers away, which means a three-to-three-and-a-half-hour drive, depending on traffic conditions….

“Cora’s Adventures at the Los Amigos Masters of the Universe Convention in Neuss or the Six Hundred Kilometer Roundtrip, Part 2: The Con”.

…In fact, there were quite a few customisers were displaying their creations, sometimes for sale, sometimes not. One stall offered a regular Origins Battle Cat customised to look like Battle Cat might have looked, if he had appeared in the 1987 live action movie (he didn’t, because the production team couldn’t make him work with 1980s tech). That Battle Cat looked great, but he was also quite expensive – 130 Euros – and there was so much to buy, so I passed on him. Besides, the Battle Cat was in Origins scale, but the movie figures Mattel is currently making are the bigger Masterverse figures, so the movie style Battle Cat wouldn’t fit in with my movie figure….

“Cora’s Adventures at the Los Amigos Masters of the Universe Convention in Neuss or the Six Hundred Kilometer Roundtrip, Part 3: The Road Home… and Tecklenburg”.

… I also learned that Tecklenburg has a castle ruin, as the name implies, and that bits and pieces of the castle have been integrated into buildings all over town. The ruined castle now houses an open air theater – the largest in all of Germany. The open air theater opened in 1924 and is hugely important for the town, since it’s a major tourist draw. The local handyman frequently builds sets and backdrops for them. The theatre used to stage everything from boulevard comedies to operas, but nowadays they most do musicals and children’s plays, because those are the most popular. They also host pop concerts on occasion. This summer, the open air theater Tecklenburg is staging Mamma Mia!, Madagascar (based on the eponymous CGI animated kids film) and a musical version of The Three Musketeers. Personally, I’d prefer operas and operettas or regular plays (Shakespeare should be great on an open air stage in the middle of a ruined castle), but money talks and musicals are popular with people who’d otherwise never watch musical theater or otherwise set foot inside a theater….

(3) HELP WANTED. Cora also has written a recruitment ad parody for the Evil Horde, which is one of the main villain groups in Masters of the Universe and a remarkably diverse bunch. Many positions are immediately open! “Join the Horde! Conquer the Universe! Sign Up Now!”

Are you dissatisfied with harassing peasants and raiding space tramp freighters? Are looking for a new challenge? Do want to see the galaxy and help to subjugate it? Do you want to become part of something greater? Then join the Mighty, All-Conquering Horde.

The Horde Empire is seeking, at the earliest possible date….

(4) KAIJU KORNER. Camestros Felapton is among those dialing up Netflix this week to see “Godzilla Minus One”.

…So firstly, if you are a fan of kaiju stomping and chomping their way through populated cities and military forces who foolishly think their puny weapons can stop the rampaging monster then this film absolutely delivers. Godzilla bites through warships, stomps on buildings and blasts all and sundry with atomic breath. Have no worries in this regard, if that is what you want from a Godzilla film, you should be satisfied. If you want Godzilla to be the misunderstood hero who battles a much worse kaiju, then no, you won’t get that but otherwise this is a solid entry in kaiju mayhem….

(5) MARYANN HARRIS (1953-2024). MaryAnn Harris, wife of Charles de Lint, who had been hospitalized and on a ventilator since 2021 after contracting Powassan virus, an extremely rare tick-bourne illness, died June 3. De Lint made the announcement on Facebook:

I’m so so sorry to have to tell you all that Mare passed away this afternoon, June 3, 2024. She fought long and hard to try to beat the awful state in which the Powasssan virus had left her but in the end she just didn’t have the strength to carry on any longer. She died peacefully in her room, surrounded by family, in the beautiful space that her friends and family made of what had been a sterile hospital room.

She touched the hearts of every one she met and we were all so blessed to have known her.

Lately I’d been wondering what this day would feel like. I’ve been on my own since September 2021 and feel that I started grieving at that point, but all that time did nothing to prepare me for how desolate I feel now that she’s actually gone.

Thanks to everyone who cheered her on through this journey, who sent her cards and little gifts, donations towards her care and all the love and words of encouragement. That did much to carry her forward with strength and determination until her body finally gave out on her.

Words can’t express how grateful we are for your support.

(6) TODAY’S BIRTHDAY.

[Compiled by Paul Weimer.]

June 4, 1960 — Kristine Kathryn Rusch, 64.

By Paul Weimer: For me, Kristine Kathryn Rusch’s diverse and large oeuvre, in my reading, runs along two main tracks.

Where I first discovered and encountered her work was in the boom fantasy period in the 90’s with her Fey series. The Fey novels were my first experience with a robust and expansionistic version of Elves. Up until reading The Sacrifice, The Changling and its sequels, my impression of Elves as I had read them to that point were Tolkienistic: hermit kingdoms, quietly holding their power, or slowly fading away, or looking for the chance to slip away and head west to somewhere over the sea. Elves “belonged” to a world that had passed them by. Imagine my surprise when I started reading the Changeling, and discovered a Elf-like race, the Fey, who were not retiring quietly. Instead, these Fey had decided to conquer the entire world with their battle magic. Sure, Blue Isle proved to be an insurmountable roadblock to those conquests, but the very idea of militant expansionist elves…well, I’ve read takes on it since then in various guises and authors, but Rusch’s Fey were the first time I had ever encountered the idea.

The Wreck series was not quite as innovative for me, but it sits in a relatively unexploited portion of space opera: Space Archaeology. Boss’ story, in Diving into the Wreck and its sequels, is the story of a character whom, when I met her, thought, “Hey, that would make a neat Traveller character– someone who plunders old spaceships for a living, especially for their history, as well as for the financial aspects of same. I’d read McDevitt, and Modesitt, and other authors which explored Xenoarchaeology before running into Boss, but Boss was and is a one-of-a-kind character, larger than life. I can always tell that a character resonates with me when I want to make an expy of that character for a RPG. Boss and her adventures in the first couple of novels wanted me to do that. I didn’t quite as warm to the other various characters, such as Coop, in the later Diving novels, but maybe that’s because Boss so firmly imprinted on me that she ate up the space for me to do so.

But in the end, Rusch has a prodigious output, under a variety of pen names, in a wide variety of subgenres from tie-in novels to romance, and thus is one of those authors you could lose yourself in her massive oeuvre and not come out for months or years.

(7) COMICS SECTION.

Thatababy reports something that once was commonly known
Bizarro shows why they’re a perfect match.
Macanudo has an expert taster.
Pearls Before Swine wistfully remembers a social media platform. (Wait, it’s still here!)

(8) BASED ON AN OCCASIONALLY TRUE STORY. [Item by Cora Buhlert.] ROH Press published an interesting profile about the Italian adventure fiction writer Emilio Salgari (1862-1911), who created Sandokan, the Tiger of Malaysia, and the Black Corsair. Salgari isn’t very well known in the US, but I encountered his work via the film adaptations which were a staple of afternoon TV, when I was a kid: “Emilio Salgari: Master of Adventure”

…He claimed to have travelled throughout the American West where he met Buffalo Bill; he had explored the Sudan, lived at the Mahdi’s court, loved Indian princesses, sailed among the many islands of the Far East. Here was a man of action that had explored the world and lived many adventures, adventures he would use for the basis of his 80 plus novels and hundreds of short stories to captivate readers worldwide. At dinner parties he regaled his hosts with tales from his many voyages, guests to his home would often be shown artefacts acquired in far off lands. Throughout the 20th century illustrations of him on the back of his novels showed him clad in his captain’s uniform. His memoirs were filled with adventures in the most exotic lands. A remarkable life, envied by many.

Except that very little of it was true. He did meet Buffalo Bill, but at Sherman’s Wild West Show in Verona, not, as he claimed, while exploring Nebraska. He was knighted for his stories, that much was true; he founded the adventure genre in Italy, his tales captivating young and old, and inspiring many to take up the pen….

(9) NO SUCH THING. [Item by Cora Buhlert.] This is a year old, but it’s still a lovely remembrance of Manly Wade Wellman from Stephen Smith who was one of his creative writing students: “Manly Wade Wellman: Our Forgotten Man of Letters” in The Pilot.

…Wellman was fiercely proud of his stature as a writer. “Outlaws,” he called us, generously including his students in the designation, and he had the rare ability, from the moment he stepped into the room, to instill in each student the strong belief in self that made him a successful writer and a charismatic presence.

Each Tuesday morning that semester, I’d drop a story in the campus mail, and Manly would critique and correct it and hand it back after reading it aloud to the class. I was no doubt an annoyingly eager student, and on a couple of occasions I submitted two stories in one week. “You’re like the tiger who’s tasted blood,” Manly laughed — and in fact, I was spending entirely too much study time writing fiction. Not all my stories were keepers, but one was good enough to win a state-wide short story contest that earned me $100 and a magazine publication. When I met with Manly after winning the magazine prize, he asked what my major was. I told him it was sociology. “Change your major to English!” he barked. “There’s no such thing as sociology!”…

(10) WILL SPIELBERG ADAPT ANOTHER CHICHTON NOVEL? “Eruption: James Patterson finishes Crichton passion project” – and the BBC says now that it’s done Hollywood is abuzz.

Jurassic Park author Michael Crichton died from cancer over 15 years ago – now, his unfinished “passion project”, about a humanity-threatening volcanic eruption, has been completed by fellow literary giant James Patterson and is already generating heated interest in Hollywood.

Eruption takes readers on a thrilling journey through Hawaii’s biggest island, which, unbeknown to its residents, hides dangerous military secrets dating back decades.

There has been no formal screen auction yet – but Sherri Crichton, who discovered her late husband’s unfinished manuscript over a decade ago and controls his estate, told BBC News she was now in talks with Steven Spielberg about a possible big-screen adaptation.

(11) LE GUIN LOOKS IN THE MIRROR. B.D. McClay’s article “Ursula K. Le Guin was her own toughest (and best) critic” is behind a Washington Post paywall. If you have access, lucky you!

… What a pleasure it is, then, to open “The Language of the Night: Essays on Writing, Science Fiction, and Fantasy,” and discover someone vigorously disagreeing with herself on almost every page. To say that the Le Guin we meet in this book is argumentative, sometimes unfair, sometimes wrong and even self-contradictory is not to diminish her greatness. It is rather to rescue her from the dullness imposed on her by her canonization.

By her own account, Le Guin was an indiscriminate reader of books at a young age; she read science fiction, but with no particular devotion. As she got older, the genre did not seem to have a place in it for an adult. “If I glanced at a magazine,” she wrote in the essay “A Citizen of Mondath,” included in this collection, “it still seemed to be all about starship captains in black with lean rugged faces and a lot of fancy artillery.” She drifted off to “Tolstoy and things,” and it was only when a friend told her to read a short story by Cordwainer Smith that she went back to science fiction.

Smith — whose real name was the somehow even more improbable Paul Myron Anthony Linebarger — worked for the United States military; he was, perhaps, too close to war to fantasize about it. He drew imaginatively from other sources, like Joan of Arc and Chinese mythology. His work, which features psychic pilots and heroic space cats, is elastic, wild and, perhaps most importantly in seeing his influence on Le Guin, very funny.

For Le Guin, who was also uninspired by military aesthetics, similarly eclectic in her influences and would complain that nobody ever noticed when she was being funny, reading Smith must have been a shock of recognition akin to love at first sight. (“I don’t really remember what I thought when I read it,” she wrote, “but what I think now I ought to have thought when I read it is My God! It can be done!”) …

(12) JMS Q&A. Also behind a paywall (it’s not our lucky day!) is the Los Angeles Times’ interview with J. Michael Straczynski about his work preserving Harlan Ellison’s legacy: “Harlan Ellison’s books being reissued by J. Michael Straczynski” This passage talks about the façade of Ellison’s home dubbed “The Lost Aztec Temple of Mars”.

On a hilly street in Sherman Oaks, writer and producer J. Michael “Joe” Straczynski gestures to a row of gray gargoylesque heads mounted above an entryway. “If you look carefully, you’ll see they are the Watergate figures,” he says. “Nixon in the middle, surrounded by Mitchell, Dean, Haldeman, all of them.” He smiles, knowing that the mind that created this funky tableau belonged to none other than his closest friend, the eccentric author of speculative fiction, Harlan Ellison….

…. The Watergate grotesques form a small portion of the weird and sometimes wacky, but always carefully curated, world of Ellison. The largest portion of the facade features stone-intaglio pictographs that at first glance might be Egyptian hieroglyphs or Aztec sun symbols; closer examination reveals all sorts of imaginative creatures, from tiny robots to taloned divinities to monsters. Every piece of the house was carefully chosen by Ellison, and many pieces, including carved doors, staircases and even hinges and handles, were designed to his specifications. Next to the doorbell hangs a small framed sign: “Dig. Or split.” The author had no interest in catering to people who did not share his enthusiasms or worldviews….

(13) JUSTWATCH TOP 10S FOR MAY. JustWatch has shared their Top 10 streaming charts for the month of May.

(14) HOMEWARD BOUND FROM LUNA. “China moon landing: Spacecraft Chang’e-6 unfurls flag on far side of the moon” – AP News has the details.

…The Chang’e-6 probe was launched last month and its lander touched down on the far side of the moon Sunday. Its ascender lifted off Tuesday morning at 7:38 a.m. Beijing time, with its engine burning for about six minutes as it entered a preset orbit around the moon, the China National Space Administration said.

The agency said the spacecraft withstood a high temperature test on the lunar surface, and acquired the samples using both drilling and surface collection before stowing them in a container inside the ascender of the probe as planned.

The container will be transferred to a reentry capsule that is due to return to Earth in the deserts of China’s Inner Mongolia region about June 25.

(15) WONDLA TRAILER. Animation Magazine is there when “Apple TV+ Unveils Trailer for Animated Sci-Fi Series ‘WondLa’”.

…WondLa centers on Eva, voiced by Jeanine Mason (Roswell, New Mexico), a curious, enthusiastic and spirited teenager being raised in a state-of-the-art underground bunker by Muthr, a robot caretaker, voiced by Emmy Award nominee Teri Hatcher (Desperate Housewives).

On her 16th birthday, an attack on Eva’s bunker forces her onto the Earth’s surface which is now inhabited by aliens, covered with other-worldly fauna, and no other humans to be found. In fact, it’s no longer called Earth, but Orbona. Otto, a loveable giant water bear with whom Eva shares telepathic powers, voiced by Emmy Award winner Brad Garrett (Everybody Loves Raymond), and Rovender, a cantankerous alien with a troubled past voiced by Gary Anthony Williams (Teenage Mutant Ninja Turtles: Out of the Shadows) join Eva as she leads the team on a dangerous quest to find humans, her home, and her true destiny….

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Cora Buhlert, SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, Kathy Sullivan, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 6/2/24 Take Me Down To The Scroll Tonight, I Want To See The Pixels

Posted on June 2, 2024 by Mike Glyer

(1) MAKING IT UP. Sarah Gailey interviews the authors and editors of The Worst Ronin in “Middle Finger To the Sky: The Worst Ronin by Maggie Tokuda-Hall and Faith Schaffer” at Stone Soup.

Gailey: What did you get to do here that you might not have gotten to do if this book landed elsewhere?

Tokuda-Hall: [The Worst Ronin] was largely written with a middle finger to the sky–when POC are invited to the table to tell our stories, there are usually so many caveats. Yes, we want your story but we want it to be about your marginalization. Or, yes, tell your story, but we want it to be edifying about your culture. There’s this demand that we serve the white gaze, and not a respect for our boundless imaginations. We want to make up shit, too. And so I very stridently let the reader know, in many ways, that this book is not there to educate them about anything. This is not historically accurate. This is a work of invention.

Gailey: How did you first dive into the story, knowing you could do whatever you want?

Tokuda-Hall: I took such joy in writing this book. I had a misguided notion at first that I would keep it super wholesome and middle grade, but my brain just doesn’t work that way, and as soon as I accepted that the plot and characters took off and I just felt like I was sprinting to catch up with them. The hardest thing with this book was balancing the humor that is so inherent to the central characters (The Worst Ronin is a buddy comedy, in its heart) with the darkness of the stories they each would face. …

(2) WHITHER STOKERCON 2025? During last night’s Bram Stoker Awards ceremony it was announced that StokerCon 2025 will be held June 12-15 at the Hilton Stamford Hotel in Stamford, Connecticut.

(3) UBIQ. The Society of Illustrators will host “JACK DAVIS: A Centennial Celebration”, an exhibit of work by the famed MAD Magazine cartoonist and commercial illustrator, at its New York location from June 12-September 21. Full details at the link.

The Society of Illustrators marks the centenary celebration of Jack Davis’ birth by hosting a retrospective featuring the original art from among his most admired works, many for the first time ever. The art on view represents every genre and every phase of Davis’ six-decade career: from EC Comics and Mad Magazine to TV Guide and Time Magazine, from Raid and McDonald’s ads to NASCAR and Super Bowl promotions, from history book illustrations to movie posters….

…“Jack Davis was quite possibly the most ubiquitous American humor illustrator of all time. Davis was a master cartoonist, caricaturist, and illustrator, and his funny, fast-paced, manic, beautifully rendered work has graced the covers of countless comic books, magazines, and record albums and has also appeared on movie posters, bubble gum cards, and advertisements. A virtual mind-boggling one-man industry, Davis has been called “the fastest cartoonist alive” and ‘the master of the crowd scene.’ It’s astonishing to realize that this quiet Southern gentleman was usually finished with assignments for the day and out on the golf course by 2:30 p.m.”

– Drew Friedman from his Fantagraphics book, Heroes of the Comics.

(4) LOSCON 50. Can it be Loscon 50 already? Why, it wasn’t that long ago I missed the first one while I was at grad school….

However, I trust the committee’s count. And here’s the graphic that accompanies their Progress Report #3 on Facebook. Get a full update there.

(5) BEFORE YOU CAN READ THE OMENS. Colleen Doran’s Funny Business brings us a “Good Omens Update”, a highly detailed tour of Doran’s techniques for producing art for the book. So much more is involved than I ever guessed.

…I use the construction method of drawing, as you see. This is an old-school technique. Some people seem to assume that artists always use computers and tracing for their drawings, but most cartoonists of my generation work extemporaneously. There’s quite a bit of noodling around and searching in the sketches. Using too much reference often results in stiff, dead work.

In comics, it’s very important to make sure you’ve considered word balloon placement when designing a page. The script for Good Omens is more copy-heavy than most modern comic book scripts because I want to preserve as much of the clever original language as I can….

(6) DIVING INTO NETFLIX. If you’re interested in the latest business statistics on Netflix and its content, JustWatch recently released a page where they provide data and analysis: JustWatch: Netflix Statistics.

Some of the page’s features are content expansion, popularity, subscription prices, its market share, and much more.

(7) FREE READ. Sunday Morning Transport’s stories for June are by authors Kelly Robson, Laura Anne Gilman, Meg Elison, and Yi Sheng Ng. The first story of the month is free to read, but they seek “paying subscribers who allow us to keep publishing great stories week after week.”

In this, June’s first, free, story, Kelly Robson shows us how, at Versailles, getting old is no picnic. But sometimes there are options… “The High Cost of Heat” by Kelly Robson.

(8) USE THE FORCE…OF MEMORY. After all this time can there still be “Facts You Probably Didn’t Know About the Original ‘Star Wars’ Trilogy”? Maariv Periodical challenges you to find out. Their first fact is:

Big Mistake

When it came to signing a contract with James Earl Jones to fill in Darth Vader’s voice, George Lucas offered him a choice: He could take a salary of $7,000 for his work or royalties off the back end of ticket sales. Back then, $7,000 was a decent amount of money, so Jones took the cash, which turned out to be a costly mistake.

Had he chosen the alternative, he would have earned far more; Jones admitted years later that the decision cost him “tens of millions of dollars.” In comparison, Sir Alec Guinness took the royalties – and his heirs have earned an estimated $95 million for his work in the first “Star Wars” film.

(9) TODAY’S BIRTHDAY DOUBLE FEATURE.

[Compiled by Paul Weimer.]

June 2, 1929 — Norton Juster. (Died 2021.)

By Paul Weimer. Once upon a time when the world was young, a 2nd grade teacher had a reading session with my class. We read a book about a character who had found himself in a land of mathematics and weirdness, of two princesses bound, of paths to infinity and clock-like dogs. It was a wild and magical place and I adored the book to pieces.

The problem is, I had misunderstood the title. I thought the title was “Milo and the Mathemagicians” and did not see or find the book for three decades after that second grade classroom. Some days, I wondered if I had just imagined or hallucinated the existence of this book.

Enter the pre-LLM internet. It was the mid 2000’s and I got the urge to try and find some books of my youth among dome other things. And in that time, the Internet was at its peak for finding information that you wanted. SEOs were not yet a thing. Amazon was not full of crap. Websites still proliferated. And I had great success. I managed to find a copy of an old liberal arts college math textbook that, decades ago, had introduced me to Escher and other wondrous things. (Oddly, it was just called The Math Book) I found some old SF anthologies I had not seen for years. I hit upon authors and musicians and others I had dimly remembered from my youth. It was a great time for me for rediscovery.

And then there was Milo. I was throwing search terms in one day trying to find “Milo and the Mathemagicians”, and somehow managed to hit The Phantom Tollbooth. I read the description and thought “Is this it?” I bought a copy and with anxious anticipation, I started reading it. Did you ever have that feeling, wondering if the book you are reading is something that is going to be that good, or live up to the suck fairy? I had that feeling re-reading The Phantom Tollbooth.

Imagine my utter happiness when I delved into the book and found, to my delight, that it WAS the book I had remembered from that second grade class. And all of the joys in the book, the wordplay, the characters, the concepts (how many children’s books try and explain *infinity*) and the absolute heart of the book. And the artwork and drawings. I had not remembered specific drawings from the second grade class, but I had remembered the book WAS illustrated. And the illustrations are wonderful!

I don’t regret seeking out the TV movie that was made, subsequently, it doesn’t quite work for me, but I can see why it was made.

But speaking of movies, the other Juster property I adored that I did not realize at the time WAS Norton Juster was the Academy Award winning short film The Dot and the Line. I had seen it way back when I had read Flatland, and loved it, but had no idea that it had anything to do with The Phantom Tollbooth. Imagine my delightful surprise when I found out it was based on a Juster book. I think, given its dynamism, that the short movie is better than the actual book and I do recommend that fans of The Phantom Tollbooth go seek it out.

I’ve now, including the second grade class, read The Phantom Tollbooth four times. And I look forward to it again. And I really need to rewatch The Dot and the Line myself. Don’t jump to the island of conclusions that The Phantom Tollbooth is for children alone. It works for readers of all ages. If you have any interest in wordplay, mathematics or whimsy, pick it up and give it a spin.

Born June 2, 1915 — Lester Del Rey. (Died 1993.)

By Paul Weimer. For me, first and foremost, Lester Del Rey was a publisher and an editor. Many of the books I first encountered reading science fiction, back 4 decades ago, were published by Del Rey, which he founded with his wife Judy Lynn Del Rey. And for a good while, that’s all I thought that he was (although his legacy and influence as a publisher is huge).

Lester Del Rey at a Philcon around 1964. Photo by and (c) Andrew Porter.

The Science Fiction Hall of Fame anthology was a gateway to a number of authors for me. Theodore Sturgeon. Murray Leinster. Fritz Leiber (for “Coming Attraction”, although I would soon discover Fafhrd and the Grey Mouser). And Lester Del Rey, for “Helen O’Loy”. I had read enough Greek Mythology by that point to get the idea that this was a Helen of Troy story, and it was perhaps the first story I read where a robot was an object of romantic interest. Helen’s story, and the tragedy of it moved me deeply.

I soon came across other Del Rey stories, here and there, randomly, sprinkled in best of collections and favorite science fiction stories and the myriad other SF anthologies that I read in the first decade of my science fiction reading.

But it was Harlan Ellison® who turned me onto perhaps the best and my favorite of the Lester Del Rey stories. In one of his own collections about the relationship between men and Gods, he mentioned a Lester Del Rey story “For I am a Jealous People”. I could see the biblical allusion in the title, and I decided to seek it out.

I recently re-read it, and it still slaps, hard. “For I am a Jealous People” is a kicker of a story, where the Abrahamic God is real, has always been real. But, now, God is angry with humanity and fed up with us, and basically has sided with aliens invading Earth and its possessions. That is a smash to the face to begin with, but it’s humanity response to this revelation in the story that really brings it home to me, the power of a Del Rey story at it’s best. Humanity’s response could have been any number of plausible results. Regret. Sadness. Despair. Resignation. Anger. Del Rey goes for “Good. Bring it!” It’s a muscular answer to the question of what to do when even God is against you, and it remains powerful to this day.

(10) COMICS SECTION.

Brewster Rockit celebrates the Deep Space Network.
Carpet Diem introduces a very careful driver.
The Other Coast stops an invasion.
Bizarro updates a fairy tale’s nutritional information.

(11) UPDATES TO THE BLOCH WEBSITE. Jim Nemeth, curator of the Robert Bloch Official Website announced three new additions.

1) Bill Gillard, an English professor at the University of Wisconsin Oshkosh, recounts his recent travel to Laramie, Wyoming, to research the Bloch papers/archives collection, housed at the University of Wyoming. With photos! Read: Robert Bloch Papers
2) Matthew R. Bradley’s interview of Bloch; from Filmfax magazine (Aug/Sep 1993) Read: Heart of a Small Boy.
3) See Bob’s military draft card. See Gallery page.

(12) SPACE, THE FINAL EPISODE. Camestros Felapton has closing remarks on the conclusion of a Star Trek series: “Farewell Star Trek Discovery”.

….Notably, this season had the best attempt yet at marrying the idea of single season long story with Star Trek’s more traditional episode-long stories. The basic plot idea (a quest for a series of clues leading to a hidden secret treasure) was not terribly original but it was enough of a hook to ensure each episode could have its own sub-story while overtly moving the plot along. The broader plot was also well served by the two antagonists who became more interesting as the season progressed….

(13) LEARNING ALL OVER AGAIN. “How NASA astronauts are training to walk on the Moon in 2026” in Nature.

NASA astronaut Kate Rubins was having a hard time seeing in the eerie twilight of the Moon’s south pole this month.

Rubins made her way carefully through the deep shadows on the lunar surface, her path dimly lit by lights on her spacesuit’s helmet. She was hunting through the volcanic landscape for geological treasure — Moon rocks that she could pick up and bring back to Earth, which would reveal secrets of this frozen world. As the first person to set foot on the Moon in more than half a century, Rubins was making good progress on her historic foray — despite the piles of cow manure along the way.

The rock-strewn plain wasn’t really the Moon but was, in fact, the high desert of northern Arizona. Rubins and astronaut Andre Douglas were participating in the biggest dress rehearsal yet for the next time NASA plans to send people to the Moon’s surface, a mission known as Artemis III. If all goes to plan, Rubins or one of her colleagues will be stepping onto the actual Moon a little over two years from now. So NASA is training its astronauts to make the most of their precious time there — given that no human has set foot on the lunar surface since the last Apollo crew blasted off in 1972….

(14) PIGS NOT IN SPACE. Slashfilm discusses Georges Méliès A Trip to the Moon and a little-known predecessor in “This 14-Minute Short Isn’t The First Sci-Film, But It Came Close”.

…But “A Trip to the Moon” wasn’t the first sci-fi film. Indeed, it wasn’t even Méliès’ first sci-fi film.

If one is to trust the Aurum Film Encyclopedia, the first sci-fi film ever was “The Mechanical Butcher,” a short made by the Lumière Brothers in 1895. The Lumières, as all first-year film students know, invented the Cinématographe motion picture system, one of the earliest motion picture cameras, making them among the very first filmmakers. “The Mechanical Butcher” is only 53 seconds long, and depicts butcher characters lifting a pig into a futuristic machine and extracting it as prepared pork products. Mechanized slaughterhouses were relatively new in 1895, and the Lumières made a short depicting the absurdity of sped-up, high-tech meat manufacture. Why, only a moment ago, these pork chops were alive! If sci-fi is a genre that analyzes technology’s effects on human development — techno-anthropology — then “The Mechanical Butcher” certainly counts….

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Paul Weimer, Rich Lynch, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 4/29/24 I Grow Old, I Shall Wear My Pixels Scrolled

Posted on April 29, 2024 by Mike Glyer

(1) DEAD SCIENCE FOR YOUR ENTERTAINMENT. James Davis Nicoll brings us “Five SF Novels Inspired by Disproven Scientific Theories” at Reactor.

The history of science is filled with beautiful hypotheses slain by ugly facts. The tendency of the universe to disregard the professional needs of hard-working scientists is something about which little can be done¹. In fact, disproof is a vital and necessary element for scientific progress, no matter how vexing it must have been to Thomas Gold². However, in that interval between hypothesis and disproof, a sufficiently enticing model can inspire intriguing science fiction stories.

Here’s one of his exhibits:

Quicksand Moon Dust

Prior to space probes landing on the Moon, the precise nature of the lunar surface was unknown. Among the contending models was Thomas Gold’s⁴ proposal that the lunar surface could be covered in a layer of fine dust. Depending on the properties and the depth, the layer might act like quicksand⁵. As it happens, the lunar surface is dusty, but visitors do not have to worry about sinking into it. That is the only good news. Lunar dust is actually much nastier than Gold envisioned. Abrasive lunar dust is a hazard to machines and humans alike.

Arthur C. Clark’s A Fall of Moondust (1961) embraced the most extreme case of Gold’s model. Deep dry dust seas are traversed by lunar boats conveying tourists. A mishap strands a boat deep beneath the lunar surface. Will rescuers locate and retrieve the tourists in time, or will they smother or be boiled in their own body heat⁶?

(2a) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present John Wiswell and Anya Johanna DeNiro on Wednesday, May 8, 2024 at 7:00 p.m. Eastern. KGB Bar (85 East 4th Street, New York, NY 10003; Just off 2nd Ave, upstairs.)

JOHN WISWELL

John Wiswell’s novel Someone You Can Build A Nest In was published by DAW Books in April and received starred reviews in Library Journal and BookPage, and was named one of the Best of the Best in SFF for 2024 by Ingram. His short fiction has won the Nebula Award and Locus Award, and been a finalist for the Hugo, British Fantasy, and World Fantasy Awards. His fiction has been translated into ten languages. He teaches for Clarion West and for the Rambo Academy. More about him can be found at https://linktr.ee/johnwiswell.

ANYA JOHANNA DENIRO

Anya Johanna DeNiro is the author of the short novel OKPsyche from Small Beer Press and City of a Thousand Feelings from Aqueduct Press, which was on the Honor Roll for the Otherwise Award. She has also been a finalist for the Sturgeon Award and the Crawford Award, and shortlisted for the O. Henry Award. She lives in Saint Paul, Minnesota.

(2b) IT WASN’T FOR THE TUXEDO. “But Why a Penguin?” wonders JSTOR Daily.

Historian Richard Hornsey writes that Penguin publisher Allen Lane had an avowedly “leftist vision of social-democratic progress.” Lane aimed for a democratizing public sphere with an “engaged public readership,” though one perhaps not as left-left as the contemporary Left Book Club (1936–1948). What Lane used to reach these ends was pure capitalism: “the techniques of mass production, distribution, and retail.”

And an adorable black-and-white flightless bird.

“Choosing a brand character, and specifically a penguin, allowed [Lane] to appropriate the utopian dynamic of mass consumption and mold it to fit his own progressive cultural project,” writes Hornsey….

(3) THEY SAY IT AIN’T SO. “Avengers Directors Say Marvel Flops Aren’t Superhero Fatigue” in Variety.

…“There’s a big generational divide about how you consume media,” [filmmaker Joe Russo] continued. “There’s a generation that’s used to appointment viewing and going to a theater on a certain date to see something, but it’s aging out. Meanwhile the new generation are ‘I want it now, I want to process it now’, then moving onto the next thing, which they process whilst doing two other things at the same time. You know, it’s a very different moment in time than it’s ever been. And so I think everyone, including Marvel, is experiencing the same thing, this transition. And I think that really is probably what’s at play more than anything else.”…

(4) GOT ENOUGH FINGERS? The Mary Sue is ready in case you were about to ask “Just How Many ‘Planet Of The Apes’ Films Are There, Anyway?”

…Counting Kingdom of the Planet of the Apes, which premieres next month, there are 10 total films set in the varying canons of Planet of the Apes.

Things kicked off with the original Planet of the Apes movie back in 1968; that film would go on to spawn four sequels, Beneath the Planet of the Apes (1970), Escape from the Planet of the Apes (1971), Conquest of the Planet of the Apes (1972), and Battle for the Planet of the Apes (1973)…

(5) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

Born April 29, 1908 — Jack Williamson. (Died 2006.)

By Paul Weimer: Jack Williamson. What does one say about an author who had been published continuously from the 1920’s up to the 2000s? Resilience. Staying power? An inexhaustible imagination?

All of these, and more, I say.

I first came across Williamson in the large collection of works that my elder brother, whom I think I’ve mentioned before got me into science fiction in the first place, had. That was The Humanoids, which includes his novelette “With Folded Hands”, a dystopia of unthinking robots and servitors gaining sentience, and basically (although expressed as “the Prime Directive”) following Isaac Asimov’s Law of Robotics and moving to take over the world, in an effort to protect humanity. It’s definitely a horror dystopic takeover of the world, as humans who resist the Mechanicals are taken away and lobotomized to prevent them disrupting the new society. And it’s an unhappy ending, as Underhill, our main character, and Sledge, the original creator of the Mechanicals, ultimately fail in stopping the takeover.

I’d read 1984 and Brave New World at this point, but to have a straight up science fiction story defy what was to me the cardinal trope of “the good guys must WIN” made an impression on me. Over the next decades, I encountered Williamson’s work time and again, since his prolific output meant that his works kept showing up in back corners of libraries, a story here and there in a collection, and the original book I read always simmered in my mind. This was an author with power and verve and not afraid to take chances.

Stonehenge Gate, his last novel, naturally, I had to read, and it was much of the “old time religion” of Williamson’s work that did feel something of a throwback to earlier models and eras of science fiction, but it charmed me all the same. And how could I resist a novel with a premise of a few friends basically finding a Stargate in the middle of the Sahara (the titular Stonehenge Gate) and going through to find out what was on the other side? The novel winds up pulling in elements of revolution, the origin of life on Earth and in general a cracking adventure running across multiple worlds and encountering some very strange alien species. It’s a fine capstone to an extensive and abiding body of work.

But it is The Legion of Time that really sticks out for me, even more than The Legion of Space (Space adventure), or Darker Than You Think (lycanthropes!) or his return to exploring dystopias in the Starchild books. The Legion of Time, which consists of a pair of stories, is the codifying pieces of science fiction for the idea of a Time War. Poul Anderson, the “Temporal Cold War” of Star Trek, The Big Time, Travelers, and Loki all owe a huge debt of gratitude to Williamson and coming up with the idea of multiple futures and factions in the future trying to influence the past to make their version of the timeline be the official and real one. There is also a Larry Niven Svetz story where he runs into someone trying to change the timeline from Svetz’s crapsack future (which he inadvertently created) back to the future that he is from, the nuclear war hellscape better than Svetz’s world.

The Legion of Time itself centers on a single choice, a “Jonbar Hinge”, where events are manipulated to make one young boy’s choice to either lead the world into a world of superscience and technology and freedom, or into a dread and horrible dystopia (once again, Williamson with the dystopias) where force and brutality are backed up by darker versions of the superscience of the original world. We also get a love story of sorts, as our hero Lanning feels both for Lethonee, the ruler of the utopia superscience state, and also feels attraction for the femme fatale Sorainya. And yet, even so, even as Sorianya is clearly the “Villainess”, Lethonee in her own way is as determined and forthright to make her version of the future come about as her darker duplicate. But the choice of worlds, and which of these two futures is the better for humanity, is always clear. Williamson makes no bones about being clear eyed about the dangers of dystopias and how one must risk much in order to keep them from coming about. One might not always succeed (see The Humanoids) but one must always try.

Long live his work!

(6) COMICS SECTION.

Bizarro features a fantasy medical breakthrough, or is it breakdown?
Eek! lets us witness an awkward dinner conversation.
Thatababy honors Trina Robbins.
Pardon My Planet comments on timing and the medical supply chain, after a fashion.

(7) GET OUT. “The Best Escape Rooms in the World Have a Global Competition” at Atlas Obscura.

…Escape rooms might seem like casual entertainment, but there’s actually science and a very serious global competition involved. Called Top Escape Rooms Project Enthusiasts’ Choice Awards (TERPECA), the competition gives annual awards for the best escape rooms in the world.

Nominated rooms include games like 60 Seconds to Escape in Gurnee, Illinois, involving skeletons popping out at people down hallways, or Madness Toledo in Spain, featuring biohazard spills, unleashed monsters, and a huge Alien-esque creature taking up most of a room, ready to mow participants down with its toothy jaws. Diego Esteban, the owner of Madness, describes the competition as “the Oscars of escape rooms.”…

… [There] is a surprising amount of science that goes into creating them. A methodology called Escape Room Theory dictates how escape rooms are designed and built. The theory consists of a series of “rules” designers are encouraged to follow—like ensuring each item is used only once (or there’s only one answer to a specific puzzle), making individual puzzles solvable in five minutes or less, and allowing for non-linear puzzles, meaning that one item in a room doesn’t necessarily solve the puzzle you work on in another room. The goal is ultimately to not frustrate participants or lead them down a road that’s tedious or unsolvable….

(8) SCORES 9 OUT OF 10. Nerds of a Feather’s Haley in “Review: Calypso by Oliver K. Langmead” tells why —

This awe-inspiring and utterly beautiful novel told in verse will make you think, feel, and wonder why there aren’t more contemporary authors writing sci-fi that is both full of ideas and jaw-droppingly well written….

(9) A HUGO FINALIST. In “Hugo 24 Novel: The Adventures of Amina al-Sirafi by Shannon Chakraborty”, reviewer Camestros Felapton says he can’t wait for the sequels.

Time to set sail for adventure! Yeah, people we’ve got a map in the front of the book, we’ve got a retired legendary pirate captain pulled out of retirement for just one last job, we’ve got a crew of talented misfits and we have a truly evil magician after a magical relic. Djinn, monsters, magic, all we need is some Ray Harryhausen stop-motion monsters and a great time is guaranteed….

(10) COLONIZING BINARY SYSTEMS. [Item by SF Concatenation’s Jonathan Cowie.] Life around a binary system is fairly common and SF sub-trope, the classic example being the two suns setting in Star Wars.

Indeed, in real life we have already found planets orbiting two stars.

This weekend, futurologist Isaac Arthur looked at the possibility of colonizing such worlds…

There are billions of binary star systems in our galaxy, including many of those stars closest to us. Can such systems host life, and what would it be like to live under two suns?

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, Kathy Sullivan, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Lis Carey.]

Pixel Scroll 4/25/24 Why Scroll Around Half Dead When We Can File You For Only 22 Pixels?

Posted on April 25, 2024 by Mike Glyer

(1) THE EDITOR’S LIFE. Penmen Review has a two-part transcript of a panel about “The Role of the Editor in Publishing” with editors Ellen Datlow and Joe Monti, and copyeditor Deanna Hoak.

Ellen Datlow: Well, I mean, short fiction is very different in getting into. It’s always been difficult, and I think it still is, but there are so many people starting new magazines. It’s hard to make a living out of writing short fiction and editing. There aren’t that many magazines that pay their editors or publishers, like F&SF, the four Dell Magazines: Ellery Queen, Alfred Hitchcock, Analog, and Asimov’s. Most of the others are started by people who are scrambling to make a living out of it, like Neil Clarke and the Thomases. It’s very hard. And the way to get into anything is to read slush, whether it’s novels or short stories, if you can get a job or an internship. You often don’t get paid to do that, but it’s experience, and you make connections and contact anyone you ever heard of.

One thing I learned very early is that if someone—a book editor or a major editor or publisher or anybody else—says “There’s no job, but I can talk if you’d like to come in,” always say yes. If anyone professional offers to have a drink with you, coffee with you, just talk with you in their office, say yes, because they may know some other job available, and they’ll give you insight into the whole publishing industry. It goes back to the connections and networking aspect of the whole thing. You have to put yourself out there.

Part II is here: “Professional Editors Discuss Self-Publishing, Networking and More”

W4W: We’re going to try to pull some questions out of the chat. How fast do you need to be able to edit?  …

Deanna Hoak: I’m paid by the hour, but you’re expected to do more and more within that hour. When I first started out in copy editing, the standard was that you were expected to edit about 2,500 words per hour, say ten manuscript pages an hour. But now companies are expecting more and more. I know there is one publisher that wants 17 pages an hour done.

As a copy editor, I read every manuscript at least twice, and I read sections of it more than that, because if I don’t read it at least twice, I will miss some of the plot holes. Plus, you’re fact checking. You’re going back and forth. You’re doing a lot of stuff. Seventeen pages an hour – it just doesn’t work for me. I end up not taking very many projects for the companies that want me to do that.

Joe Monti: I keep it all in my head as I go along. It’s terrible. So I’m a slow reader, but it’s because I read and ingest it and keep it all going in my head at the same time. I may make little comments on the side throughout the manuscript. But yeah, I keep it all in my head, and then keep going. And then there’s a flow that happens. It’s very much a bell curve. Maybe 15, 20 pages the first hour. And then by like hour two or three, I’m going to 40, 60 pages an hour.

But it depends on the book. And sometimes I have little to no editing. I have done almost no editing on Ken Liu‘s quartet of fantasy novels. And if you’re not familiar, the last two were 367,000 words, so it was split in two. That one we cut the ends off and beginnings. But other than that, I didn’t edit almost anything in it. Yet it took me two months because I was reading it and making sure it all fit. And everything fit perfectly. But Ken’s a rare genius, and he’s worked meticulously on his craft. One of the reasons why we work well together is that I know he knows that I trust him, and I get him. This is a lot of the creative part of it–I get your voice.

(2) ONE BILLION SERVED. In “Yes, People Do Buy Books”, Lincoln Michel rebuts the claims in Elle Griffin’s “No one buys boks” (recently linked in the Scroll).

… How many books are sold in the United States? The only tracker we have is BookScan, which logs point of sale—i.e., customer purchases at stores, websites, etc.—for most of the market. BookScan counted 767 million print sales in 2023. BookScan claims to cover 85% of print sales, although many in publishing think it’s much less. It does not capture all store sales, any library sales, most festival and reading sales, etc. (Almost every author will tell you their royalty reports show significantly more sales than BookScan captures. Sometimes by orders of magnitude.)

Still, I’ll be very conservative and assume 85% is correct. This means around 900 million print books sold to customers each year. Add in ebooks and the quickly growing audiobook market, and the total number of books sold over 1 billion. Again, this is the conservative estimate….

(3) DEDUCING THE SATISFACTIONS OF SHERLOCK. “Nicholas Meyer on the Great Escape of Art (and the Art of Detective Fiction)” at CrimeReads.

…I write Sherlock Holmes stories for the same reason I read them, to divert my attention from the terrifying issues that plague the rest of my waking hours—Ukraine, Gaza, drought, famine, wildfires, limits on voting rights, Fox News and anti-vaxxers.

But for a few hours, when I read or write Sherlock Holmes stories, I am transported to what appears to be a simpler world, where a creature of superhuman intelligence, nobility, compassion and yes, frailty, can make sense of it all. Was the Victorian world in fact simpler than this one? We’ve no way of knowing, but like an audience willing itself to believe that the magic trick is really magic, we are conniving accomplices to our own beguilement….

(4) JIM HENSON DOCUMENTARY. Animation Magazine is there when “Disney+ Debuts ‘Jim Henson Idea Man’ Official Trailer”.

… Directed by Academy Award winner Ron Howard, Jim Henson Idea Man chronicles the story of extraordinary artist and visionary Jim Henson. In his 36-year career, Henson created some of the world’s most cherished characters, including classic Muppets like Kermit the Frog and Miss Piggy and all of Sesame Street’s iconic residents, including Big Bird, Grover, Cookie Monster and Bert and Ernie. Henson also directed beloved fantasy films like The Dark Crystal and Labyrinth….

(5) HUGO 24. Camestros Felapton is reviewing the 2024 Hugo finalists. The latest entry is “Hugo 24: The Saint of Bright Doors by Vajra Chandrasekera”.

…Fetter, the central character of The Saint of Bright Doors is more keenly aware of the dislocation of both time and geography than most. He has some of the qualities of a Peter Pan, unattached from his shadow and with a loose relationship with gravity. Raised in a remote rural village by his mother to be an assassin, he has turned his back on that destiny and instead lives in the modern world of email, crowd-funding, run-down apartments and light-rail transit.

Fetter lives in the present or rather he doesn’t live there at all. Science fiction and fantasy have their fair share of unreliable narrators but Fetter lives in a world of unreliable world-building….

(6) TEDDY HARVIA CARTOON.

(7) FATHOM LORD OF THE RINGS EVENT. Via Robin Anne Reid we learn that Fathom Events will reprise The Lord of the Rings Trilogy on June 8, 9 and 10 in certain U.S. theaters. Tickets available at the link.

Warner Bros. and Fathom Events are teaming up to release Jackson’s magnum opus in extended versions, including those Jackson remastered for the 4K Ultra HD rerelease that came out in 2020. This will be the first chance for fans to see the purest iteration of Jackson’s vision on the big screen, however.

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born April 25, 1969 — Gina Torres, 55. Where shall I start with Gina Torres? What was her best role? I submit it was a non-genre role as Jessica Pearson in the legal drama Suits and Pearson, the sort of sequel series where she was a disbarred attorney. It was a truly meaningful role that she got to grow into over the time the two series ran.

Genre-wise her most interesting character was Zoë Alleyne Washburne in the Firefly series which I really would have loved to see developed into more a rounded character had the series lasted. I liked her background of having served in the Unification War under Reynolds for two-and-a-half years and being one of the few to survive the Battle of Serenity Valley.

Before that she was down in New Zealand, where she appeared in Xena: Warrior Princess as Cleopatra in “The King of Assassins” , and in Hercules: The Legendary Journeys, she had a recurring role as Nebula.

She was in the M.A.N.T.I.S. series as Dr. Amy. I liked that series.

She was the Big Bad in a season of Angel as Jasmine. It’s hard to explain what she did here without Major Spoilers being given away and there might be at least one least one reader here who hasn’t seen Angel yet. I actually think it’s a better series than Buffy was.

Right after the Firefly series, she has a role in the Matrix films, The Matrix Reloaded and The Matrix Revolutions as Cas.

After that came the Cleopatra series where she was Helen “Hel” Carter (and which last longer than I thought at twenty-six episodes) , a great piece of pulpy SF. She was obviously having a lot of fun there.

One of my favorite roles for her strictly using her voice came in the animated Justice League: Crisis on Two Earths where she was the Crime Syndicate Siberia Woman. Stellar role done with just her voice. She also voiced Vixen / McCabe on Justice League Unlimited. She was the girlfriend of John Stewart, the Green Lantern there.

She voiced Ketsu Onyo on two of the animated Star Wars series, Star Wars Rebels and Star Wars Forces of Destiny. She’s a Mandalorian bounty hunter who helps the Rebel Alliance.

She’s on Westworld in a storyline that that is so convoluted that I’m not sure that I could explain it. Suffice it to say that she was there. Or not.

Lest I forget I should note that she had a recurring role on Alias as Anna Espinosa, an assassin who was the utterly ruthless and ceaselessly persistent nemesis of Sydney Bristow, the character that Jennifer Garner played.

(9) COMICS SECTION.

Speed Bump crosses a book club with a road house.
Phoebe and Her Unicorn discusses the rules of time travel.
Rhymes with Orange has a predictable result.
Bizarro knows the winning move in this game.

(10) OCTOTHORPE. In episode 108 of the Octothorpe podcast, “Ramp is Not Ramp”, John Coxon, Alison Scott and Liz Batty look back at Eastercon.

We bask in the post-Levitation haze, going into some detail on accessibility, venue, programme, virtual, social and other aspects of the most recent Eastercon. We also mix in a variety of witty and insightful commentary, probably.

A drawing of a blackboard with text that reads: “Octothorpe 108 guide to Glasgow street food.” A picture of a deep fried pizza with glasses is next to text reading ’The “Coxon” pizza crunch’, a picture of three pakora with glasses next to ‘The “Scott” haggis pakora’, and a picture of a deep fried Mars bar next to ‘The “Batty” deep fried Mars bar”. Stars also adorn the backboard, and bottles of red and brown sauce are in the bottom-left-hand corner.

(11) ABANDON HOPE. Inverse reasons that if Heritage Auctions is selling all the stuff needed to make more episodes of HBO’s Westworld, there’s no hope that will happen: “2 Years After It Was Canceled, HBO’s Most Divisive Sci-Fi Show Might Officially Be Dead”.

Westworld ran for four seasons on HBO, but was canceled shortly after its last season wrapped and was later booted from the streaming platform. Season 4 ended on a more or less satisfactory note, but both Nolan and Joy have expressed interest in finishing the story they started.

According to the creators, Westworld still needs one more season to wrap up the battle of wills between humans and hosts. In an interview with The Hollywood Reporter, however, Nolan suggested the story could continue in a different medium, like a graphic novel or even a movie. Either way, television production seems to be moving on for good, as Westworld’s costumes, props, and set pieces are about to be scattered to the winds.

Heritage Auctions is hosting a massive Westworld auction. The event features more than 230 pieces from the series…

(12) THE HILLS ARE ALIVE WITH THE SOUND OF MAGIC. Variety reports “Harry Potter Books Full-Cast Audiobooks to Be Exclusively on Audible”.

… Amazon’s Audible and Pottermore Publishing, the global digital publisher of Rowling’s Wizarding World, will co-produce a brand-new audiobook series for the original seven Harry Potter stories. The new audiobooks are scheduled to premiere in late 2025, with each of the seven English-language titles to be released sequentially for a global audience, exclusively on Audible.

The companies said the full-cast audio productions — with more than 100 actors — will “bring these iconic stories to life as never heard before.”…

(13) UNEXPECTED STUFF. “Oreo Has a First-Of-Its-Kind Cookie Hitting Shelves Soon” and Allrecipes is ready to blab what it is.

… Oreo and Sour Patch Kids have teamed up to create the first-ever sour Oreo cookie. No, the Sour Patch Kids aren’t playing a trick on you—this collab is very real.

The limited-edition Sour Patch Kids Oreos look like your classic Golden Oreo, but look again; Those mischievous gummy candies are actually in the cookie and creme. The Oreo cookie itself is Sour Patch Kids-flavored and dotted with colorful mix-ins. The sandwich creme is the classic Oreo creme filled with sour sugar pieces. Looks like this Oreo will also be sour, sweet, then gone….

(14) CHARGE IT! “Detroit debuts ‘road of the future’ with wireless electric vehicle charging” – WBUR explains.

Drivers will buy 17 million electric vehicles this year, according to the International Energy Agency. That means one in five cars sold worldwide will be EVs.

That’s a lot of cars, and they need a lot of places to charge. Detroit is testing a new way to charge EVs that doesn’t require plugging cars in — just drive on the right strip of road and watch the battery fill up.

Here & Now’s Peter O’Dowd spoke with Bloomberg NEF analyst Ryan Fisher and Justine Johnson, chief mobility officer with the state of Michigan’s Office of Future Mobility and Electrification about the future of charging systems and EV sales….

“A vehicle will be connected to a smart road. Essentially the road has a wireless inductive charging coil inside of it and the vehicle is communicating with the actual coils underneath the road to receive their charge. So while a vehicle is driving, as long as it has the receiver underneath the vehicle, you charge and you drive at the same time maintaining your charge but also adding some charge range to that as well.”…

(15) TAU BELOW ZERO. Reported in today’s Nature: “Detectors deep in South Pole ice pin down elusive tau neutrino”. “Antarctic observatory gathers the first clear evidence of mysterious subatomic particles from space.”

An observatory at the South Pole has made the first solid detection of a type of elementary particle called the tau neutrino that came from outer space.

Neutrinos of all three known ‘flavours’ are notoriously elusive, but among them, the tau neutrino is the most elusive yet: it was first directly detected in the laboratory only in 2000.

At the IceCube Neutrino Observatory, detectors embedded throughout a cubic kilometre of the Antarctic ice sheet pick up flashes of light that signal the possible presence of a neutrino. When a tau neutrino hits the ice, it produces a particle called a tau lepton, which travels only a short way before decaying. The resulting signal is similar to that produced by an electron neutrino, whereas muon neutrinos produce muons, which leave long traces in the ice.

The IceCube Collaboration looked at IceCube data from 2011 to 2020, and used machine learning to distinguish between the signals of tau, electron and muon neutrinos. The collaborators found seven interactions that had a high probability of being produced by high-energy tau neutrinos.

Primary research here

[Thanks to Teddy Harvia, Kathy Sullivan, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Patrick Morris Miller.]

Pixel Scroll 4/11/24 One Scroll, Furnished In Early Pixelry

Posted on April 11, 2024 by Mike Glyer

(1) IT PAYS TO BE A GENIUS OF COURSE. The Steampunk Explorer updates fans about the Girl Genius Kickstarter:

Call it mad science or just good storytelling, but Phil and Kaja Foglio are blazing through Kickstarter with their latest Girl Genius graphic novel. The campaign for An Entertainment In Londinium reached its US$50,000 funding goal within 24 hours and is now in six-figure territory. It launched on April 3.

Stretch goal rewards include the “Envelope of Madness” with bookplates, bookmarks, and other printed items. Backers will also get PDF downloads of Volumes 12 through 14. All Girl Genius titles are now available for 50 percent off from DriveThru Comics through May 5.

The campaign itself runs through May 1. See the Kickstarter page for more info.

(2) OCTOTHORPE. Episode 107 of the Octothorpe podcast unpacks“The Significance of the Acorn”.

At Eastercon we welcomed Stunt Liz, Nicholas Whyte, to the podcast for the first time, and he brought an excellent tartan rocket! We discuss Glasgow 2024’s April Fool’s Day joke, before moving onto the Hugo Award finalists, what we think of Telford, and chatting about a lot of British TV.

Transcript here.

(3) HUGE RESPONSE. “’Joker 2′ Trailer Hits 167 Million Views in First 24 Hours” reports Variety.

The trailer launch for “Joker: Folie à Deux” was no laughing matter for Warner Bros. The marketing for the studio’s upcoming DC sequel, headlined by Joaquin Phoenix and Lady Gaga, got off to a stellar start with 167 million viewers in its first 24 hours. The teaser trailer went online right after it debuted at Warner Bros.’s CinemaCon presentation in Las Vegas.

Sources tell Variety that the “Joker” sequel’s trailer numbers and social engagement surpassed that of the first “Barbie” trailer to become Warner Bros.’ biggest launch in recent years. The release was no doubt bolstered by Lady Gaga’s massive 150 million follower social media footprint. The trailer instantly became the #1 trending video on YouTube on premiere night and currently boasts 15.6 million views and counting on that platform alone, where it remains the #4 trending video nearly two days after its launch…

(4) ANOTHER DISNEY CASTING KERFUFFLE. [Item by Mike Kennedy.] OK, this has gotten out of hand. It seems like every time there’s a movie remake (especially a Disney remake) somebody has to find way to get all bent out of shape about casting. Much of the time, a racist way.

But this time they jumped the gun extra early. There’s a rumored casting of a live action remake for Disney’s Tangled. But, let’s be clear, there’s no further rumor of the remake itself, just the casting.

So now some people online are jumping all over the actress (Avantika Vandanapu) who happens to be Indian-American. Because reasons. Stupid, racist, reasons.

As one online commentator said, the haters seriously “still need a hobby.” “Avantika Vandanapu receives backlash for rumored casting as Rapunzel in ‘Tangled’ remake” says Variety.

…Although Avantika’s rumored casting received criticism from some on social media, fans also showed support for the “Senior Year” actress.

“These comments are so awful. I’m so sorry girl you are perfect,” one Instagram user wrote, while another added, “She is my Rapunzel ❤”

“Never Have I Ever” star Maitreyi Ramakrishnan also appeared to weigh in on the online controversy, writing on X Tuesday, “And they finally woke up to realize it was all just rumors and the sources never existed. … And to the racists, y’all still need a hobby (for real)”…

(5) ELUSIVE BRADBURY COLLECTION. Episode 2 of Phil Nichols’ Bradbury 101, first aired in 2021, is devoted to a rare OP anthology.

DARK CARNIVAL is Ray Bradbury’s great “lost” book, one of his finest short story collections. But it’s out of print, and has been for decades! Find out why in this episode..

(6) TRINA ROBBINS (1938-2024). Trina Robbins, artist, writer and editor of comics, died April 10. The New York Times has a biographical tribute.

…In 1970, Ms. Robbins was one of the creators of It Ain’t Me Babe, the first comic book made exclusively by women. In 1985, she was the first woman to draw a full issue of Wonder Woman, and a full run on a Wonder Woman series, after four decades of male hegemony. And in 1994, she was a founder of Friends of Lulu, an advocacy group for female comic-book creators and readers….

…Ms. Robbins was responsible for the first publication of some notable cartoonists in The East Village Other, including Vaughn Bode and Justin Green, but she took particular pride in the women’s anthologies she edited and co-edited, and in their explicitly feminist content: It Ain’t Me Babe Comix, Wimmen’s Comix and the erotic Wet Satin.

She also designed the famously skimpy outfit for Vampirella, a female vampire who appeared in black-and-white comics beginning in 1969 — although her design was not as skimpy as the costume later became. “The costume I originally designed for Vampi was sexy, but not bordering on obscene,” Ms. Robbins told the Fanbase Press website in 2015. “I will not sign a contemporary Vampirella comic. I explain, that is not the costume I designed.”…

Prior to her career in comics, Robbins was a clothing designer and seller, and for awhile a pinup model. She was in contact with fandom in the Fifties and Sixties, and posed for the cover of an issue of Fanac, the fannish newzine, wearing a propellor beanie and with her feminine attributes strategically covered by a copy of Fancyclopedia.

Harlan Ellison and Trina Robbins at the 1955 Midwestcon.

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born April 11, 1920 — Peter O’Donnell. (Died 2010.) London-born Peter O’Donnell was the creator of the Modesty Blaise comic strip along with illustrator Jim Holdaway sixty-one years ago. She has no past as she doesn’t remember anything about her life before escaping from a displaced persons camp in Greece after WW II at the age of fifteen. She runs a criminal gang called The Network, and takes her last name from Merlin’s tutor. Her sidekick, of course she has one, is Willie Garvin, to give a bit of friendship in her life.

Peter O’Donnell from the rear dustjacket flap of the Archival Press edition of The Silver Mistress. Photo by Robert K. Wiener.

O’Donnell and Holdaway met when they worked together on a strip about Romeo Brown, a dashing private detective and reluctant ladies’ man, that ran in the tabloid Evening Standard for most of the Fifties. Blaise, too, would run here. It was quickly picked up globally running in the US, Australian, Indian, South African, Malaysian and other papers as she had a great appeal.

After Holdaway’s death in 1970, the art was by Spanish artist Enrique Romero. He would leave eight years later with three artists replacing him until he came back until the end of the strip with it still running in the Evening Standard thirty-eight years after it debuted.

Yes, it became a film which came just three years into the running of the strip. My did it piss O’Donnell off. Why so? Because he was hired to write the script which they then shitcanned and wrote a new one that had almost nothing to do with characters, the storyline or, well, anything else with the strip. Remember that friendship between her and Willie? Here it becomes full blown romance. And that’s just one of many, many changes.

A later film, Modesty Blaise, would be done as a pilot for a series that never happened and yet another film, My Name is Modesty Blaise, would be done for yet another series that never happened. The one had O’Donnell as a consultant and he liked it.

My Name is Modesty Blaise would be the only one with a British actress as the first had an Italian actress. Now Modesty wasn’t necessarily British as O’Donnell repeatedly said her nationality was deliberately not revealed.

I’ve not touched upon the plethora of books, short stories, graphic novels and original audiobooks that came of these characters in the part sixty years, and I’ll skip detailing them here.

So there you are. I did enjoy the strip when Titan, one of many who did, collected them in trade editions. I think there’s at least fifty trade paper editions available right now on Amazon.

(8) COMICS SECTION.

Heart of the City has a road reporting form with many options
Off the Mark is about a close encounter of the bad kind.
Reality Check cross-breeds universes.
Red and Rover analyze the usual question.
Arctic Circle delivers an AI solution.

(9) BE KIND TO YOUR WEB-FOOTED FRIENDS. This July, Marvel and Disney honor the 90th anniversary of Donald Duck and the 50th anniversary of Wolverine with an unexpected mashup adventure—Marvel & Disney: What If…? Donald Duck Became Wolverine #1.

Crafted by two acclaimed Disney comic creators, writer Luca Barbieri and artist Giada Perissinotto, MARVEL & DISNEY: WHAT IF…? DONALD BECAME WOLVERINE #1 is the latest comic book collaboration between Marvel and Disney following the What If…? Disney Variant Covers of the last few years and the highly anticipated Uncle Scrooge and the Infinity Dime #1 one-shot comic out this June. Fans can look forward to even more exciting crossovers between Marvel heroes and Disney icons throughout this year and next!

The comic will introduce Donald-Wolverine along with all sorts of reimagined Disney and Marvel mashups in a wild adventure inspired by one of Wolverine’s most memorable story arcs, Old Man Logan. In addition, the saga will revisit some of the greatest moments in Donald-Wolverine’s history including his time spent with Weapon X and the Uncanny X-Men!

Travel to the near future where chaos rules as Pete-Skull transforms Duckburg into a super-hero-less wasteland. Only Old Donald Duck can turn the tide, but he’s given up his battling days and prefers naps and his grandma’s apple pie over fighting villains. But when Mickey-Hawkeye comes knocking at the door with Goofy-Hulk at his side, Wolverine-Donald has to make a choice! Will a trip down memory lane change his mind to save the world? Or will the lure of the backyard hammock and a long nap keep him from popping his claws one last time?

(10) FOLLOWING GODZILLA’S ACT. Variety learns, “‘Monarch: Legacy of Monsters’ Renewed, Multiple Spinoffs Set at Apple”.

“Monarch: Legacy of Monsters” has been renewed for Season 2 at Apple TV+, Variety has learned.

In addition, Apple has struck a deal with Legendary Entertainment to develop multiple spinoff series set in the so-called Monsterverse….

…The official description for Season 1 states: “Following the thunderous battle between Godzilla and the Titans that leveled San Francisco and the shocking revelation that monsters are real, ‘Monarch: Legacy of Monsters’ tracks two siblings (Sawai, Watabe) following in their father’s footsteps to uncover their family’s connection to the secretive organization known as Monarch. Clues lead them into the world of monsters and ultimately down the rabbit hole to Army officer Lee Shaw (Kurt Russell, Wyatt Russell), taking place in the 1950s and half a century later where Monarch is threatened by what Shaw knows.”…

(11) SO WE’LL WALK UP THE AVENUE. “They Made a Movie About a Pack of Sasquatches. Why?” The New York Times asks the filmmakers.

…An earthquake and an eclipse weren’t the only natural rarities that happened in New York City this past week. Did you hear about the sasquatch in Central Park? The makers of “Sasquatch Sunset” sure hope you did.

That’s because the sasquatch was a costume and his stroll through the park was a publicity push for the new film from the brothers David and Nathan Zellner. Opening in New York on Friday, the movie spends a year in the wild with a sasquatch pack — a male and female (Nathan Zellner and Riley Keough) and two younger sasquatches (Jesse Eisenberg and Christophe Zajac-Denek) — as they eat, have sex, fight predators and reckon with death.

Droll but big-hearted, the movie sits at the intersection of the ad campaign for Jack Link’s beef jerky, the 1987 comedy “Harry and the Hendersons” and a 1970s nature documentary, down to the hippie-vibe soundtrack.

…Is it a family-friendly movie?

KEOUGH It depends on the family. [Laughs] I think the audience is everybody. It might be scary for small children.

DAVID ZELLNER It’s rated R for nudity, which is the funniest thing.

(12) CATS AND DOGS LIVING TOGETHER. Meanwhile, Camestros Felapton has fled the country, leaving behind to distract pursuers “McEdifice in: MYCOPHAGE! Part 1”.

Cliff “Edge” McEdifice is MYCOPHAGE the intoxicating new thriller from Timothy the Talking Cat, Straw Puppy and the ghost of Michael Crichton.

It is the Year 1995 and Cliff “Edge” McEdifice (ancestor of future soldier Chiselled McEdifice) is entangled in a web of conspiracy, tendrils and webs.

(13) NEXT TREK. “Star Trek Origin Movie Officially Announced By Paramount For 2025 Release” at ScreenRant.

Paramount Pictures officially announces the next Star Trek movie, which is scheduled to arrive in theaters in 2025. As reported in January, the next Star Trek movie isn’t the long-delayed, Chris Pine-led Star Trek 4 produced by J.J. Abrams, which remains in development at Paramount. Rather, the next Star Trek movie is an origin story directed by Toby Haynes (Star Wars: Andor) and written by Seth Grahame-Smith (Abraham Lincoln: Vampire Hunter).

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Arnie Fenner, Kathy Sullivan, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 3/29/24 Scroll On, You Crazy Pixel

Posted on March 29, 2024 by Mike Glyer

(1) FLOTSAM AND JETSAM. The five-day “Treasures From Planet Hollywood” auction brought in more than $15.6 million from over 5,500 bidders worldwide across some 1,600 lots, according to Heritage Auctions. Here are some items of genre interest that fetched big bucks.

…The whip from Indiana Jones and the Temple of Doom sold for $525,000 to become the most valuable prop or costume from the beloved franchise…

Another first-day smash was the Bapty& Co.-made ax Jack Nicholson used to heeeeeere’s-Johnny his way through the bathroom door in Stanley Kubrick’s The Shining. Among the first props Planet Hollywood secured before its grand opening in New York City in 1991, that ax sold for $125,000. When that sold Wednesday after a fierce bidding war, the auction room erupted in applause — for the first time, but not the last.

Over the five-day event, the hits kept coming: The Barbasol can Wayne Knight uses to smuggle dinosaur embryos out of 1993’s Jurassic Park realized $250,000. The blaster Princess Leia carried across the forest moon of Endor in Return of the Jedi sold for $150,000, while an original Stormtrooper blaster from Star Wars, which Bapty & Co. forged from a British Sterling submachine gun, sold for $112,500.

Tobey Maguire’s black symbiote suit from 2007’s Spider-Man 3 swung out the door for $125,000, just a web ahead of one of his signature Spidey suits from the same film, which realized $106,250. A “good guy” Chucky doll from 1988’s Child’s Play scared up a winning bid of $106,250….

…. A set of three Sankara stones from Indiana Jones and the Temple of Doom realized $100,000, while “the cup of the carpenter” — the Holy Grail itself — sold for $87,500.

But one of the auction’s first bidding wars was over a display figure wearing Gary Oldman’s Vlad the Impaler reproduced armor from 1992’s Bram Stoker’s Dracula, which Planet Hollywood obtained from technical advisor Christopher Gilman and sold on Wednesday for $87,500. And on the auction’s final day, a bidding war broke out over a prop from one of Martin Scorsese’s most underappreciated masterpieces, his 2011 adaptation of Brian Selznick’s children’s book Hugo, from which the original Mechanical Man automaton realized $81,250….

The top-selling item overall was the “Titanic prop that saved Rose and sparked debate…” reports NPR.

…”The wood panel from Titanic that saved Rose — but, controversially, not Jack — was the king of the auction, realizing $718,750 to float to the top of the five-day event,” auction house Heritage Auctions said in a release….

(2) SPOT RESOLUTION. Camestros Felapton wants you to know “Why I Declined a Hugo Spot”.

…2023 looms large here and there were definitely people I would rather see on the Hugo ballot for Best Fan Writer this year than myself. One was obviously Paul Weimer but I was certain he’d be top of most people’s ballots anyway but I was hoping some Chinese fans would make it onto the category. That didn’t happen but it is a decent list of finalists and there is nobody there that I would have wanted to replace.

Closely related to this was also the sense that I was likely to have gathered additional votes from things that I had written in 2024, specifically on the 2023 Hugo Award stats. Even if that wasn’t the case it would have felt like it was the case to me. So, I thought I’d feel happier skipping this year and putting my hat into the ring for next year…

(3) DREAM FOUNDRY CONTESTS OPEN SOON. The Dream Foundry’s annual contest for emerging artists and writers will take entries from April 1 until May 27, 2024. Every year their contest coordinators select ten finalists from a pool of submissions from around the world. Both contests offer cash prizes, first choice of seats in Flights of Foundry workshops, and other opportunities. Eligibility requirements and full details about prizes are at the links:

Art Contest — This year’s art contest will be judged by Lauren Raye Snow & Jessica Cheng, The contest coordinator is Grace P. Fong.
Writing Contest — The writing contest will be judged by Valerie Valdes and C.L. Polk, and our contest coordinator is Julia Rios.

(4) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Robert Levy and Jennifer Marie Brissett on Wednesday, April 10 at 7:00 p.m. Eastern. Location: KGB Bar, 85 East 4th Street, New York, NY 10003 (Just off 2nd Ave, upstairs).

ROBERT LEVY

Robert Levy’s novel The Glittering World was a finalist for the Shirley Jackson Award and the Lambda Literary Award. His collection No One Dies from Love: Dark Tales of Loss and Longing was published last year by Worde Horde and includes stories from The Magazine of Fantasy & Science Fiction, Nightmare, Black Static, The Dark, The Best Horror of the Year, and The Year’s Best Gay Speculative Fiction. Trained as a forensic psychologist, he teaches at the Stonecoast MFA Program in Creative Writing and can be found at TheRobertLevy.com.

JENNIFER MARIE BRISSETT

Jennifer Marie Brissett is the author of Destroyer of Light, which received a starred Kirkus Review and was on its list of Best Fiction of the Year. She is also the author of Elysium, which won The Philip K. Dick Award Special Citation and was a finalist for the Locus and Tiptree Awards. And once a long time ago she owned and operated an independent bookstore in Brooklyn. She lives in Manhattan where she is currently working on her next novel Daughters of the Night. Find her via her website at www.jennbrissett.com

(5) CLIMATE FICTION CONTEST OPENS. Grist’s “Imagine 2200 climate fiction contest 2024” is open for submissions through June 24.

Grist is excited to open submissions for the fourth year of our Imagine 2200: Climate Fiction for Future Ancestors short story contest.

Imagine 2200 is an invitation to writers from all over the globe to imagine a future in which solutions to the climate crisis flourish and help bring about radical improvements to our world. We dare you to dream anew….

…. The winning writer will be awarded $3,000. The second- and third-place winners receive $2,000 and $1,000, respectively. An additional nine finalists will each receive $300. All winners and finalists will have their story published in an immersive collection on Grist’s website. …

We are thrilled to also announce the judges for our 2024/25 contest: Omar El Akkad and Annalee Newitz. El Akkad is an author and journalist whose award-winning debut novel, American War, is an international bestseller and was selected by the BBC as one of 100 Novels That Shaped Our World. Newitz is a science fiction and nonfiction writer whose third novel, The Terraformers is a finalist for the Nebula Award, and whose latest nonfiction book, Four Lost Cities, is a national bestseller.

Imagine 2200 celebrates stories that envision the next decades to centuries of equitable climate progress, imagining futures of abundance, adaptation, reform, and hope. We are looking for stories that are rooted in creative climate solutions and community-centered resilience, showing what can happen as solutions take root, and stories that offer gripping plots with rich characters and settings, making that future come alive.

In 2,500 to 5,000 words, show us the world you dream of building.

Your story should be set sometime between the near future and roughly the year 2200….

(6) WANT TO GO TO SPACE? NASA is accepting applications to “Become An Astronaut” through April 16. The complete guidelines are at the link.

Astronaut requirements have changed with NASA’s goals and missions. Today, to be considered for an astronaut position, applicants must meet the following qualifications:

Be a U.S. citizen
Have a master’s degree* in a STEM field, including engineering, biological science, physical science, computer science or mathematics, from an accredited institution.
Have a minimum of three years of related professional experience obtained after degree completion (or 1,000 Pilot-in-Command hours with at least 850 of those hours in high performance jet aircraft for pilots) For medical doctors, time in residency can count towards experience and must be completed by June 2025.
Be able to successfully complete the NASA long-duration flight astronaut physical.

(7) LOUIS GOSSETT JR. (1936-2024). Actor Louis Gossett Jr., winner of an Oscar for his performance in An Officer and a Gentleman and an Emmy for his role in TV’s Roots,died March 29 at the age of 87.

His genre resume includes the movie Enemy Mine (as the alien soldier), the Watchmen TV series (as the former Hooded Justice, for which he won an Emmy), and an episode of Touched By An Angel (a role which also earned an Emmy nomination). He voiced Lucius Fox in The Batman animated series (2007).

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 29, 1957 — Elizabeth Hand, 67. These are my personal choices, not an overview of her career.

I’ll say up front that my favorite work by Elizabeth Hand is an atypical work by her, Wylding Hall. Using an oral history framing to tell the story of when the young members of a British folk band decide to record a new album, they choose this ancient country house that has a history that is very troubled. The characters are fascinating, the setting is well crafted and the story, well, I think it’s her best story ever and it did win the Shirley Jackson Award.

So what else did I like by her? There’s Mortal Love which intertwine the now while reaching back in the Victorian past with the mystery of a woman who holds the key to lost Pre-Raphaelite paintings, appropriate since she seems too akin to one of those of those works herself.

I will admit that I like her more grounded works better which is why the next pick is Illyria, a short novel set in the theater world (did I mention that I adore Angel Carter’s Wise Children? Well I do.) Twin sisters are now cast in a production of Twelfth Night, and magic will happen this night. It garnered a World Fantasy Award.

Curious Toys is an extraordinary work as a young girl attempts to find a murderer in turn-of-the-century Chicago. That description hardly describes the story awaiting the reader here as the girl is but fourteen and the setting the killer is stalking is the famous Riverview amusement park.

Finally I find much to appreciate in her Cass Neary private eye series. A smart-assed, substance abusing and always self-destructive punk who means well, the series is that rare series that develops the character novel by novel.

(9) COMICS SECTION.

Mannequin on the Moon demonstrates when words fail.
Arctic Circle has a discussion that turns into ‘guess the movie’.

(10) FANCY THREADS. “When Hollywood Needs a Historically Accurate Outfit That Looks Just Right, It Turns to Rabbit Goody” – Smithsonian Magazine has the story.

… Thistle Hill Weavers, founded by Rabbit Goody in 1989, makes textiles for movies and television shows, historic houses, and high-end furniture and clothing companies. What sets this little mill in Central New York apart from every other cloth manufacturer in the country is Goody’s remarkable ability to re-animate the past: No one else produces short runs of textiles that so faithfully replicate the weave, texture, weight and color of historic fabrics. If you’ve seen “The Gilded Age” or Cinderella Man, you’ve seen Goody’s work in action. The majority of Thistle Hill’s income comes from creating more contemporary fabrics for interior designers and architects, and from the work Goody does with historic houses, such as Mount Vernon, George Washington’s home in Virginia. Yet many of her favorite jobs have come from Hollywood costume designers seeking perfectly rendered, historically accurate textiles to recreate items like Abraham Lincoln’s shawl for the movie Lincoln or much of the colonial-era clothing seen in the 2008 mini-series “John Adams.”…

… Today Thistle Hill Weavers employs seven people whom Goody has trained to run the nine mechanized shuttle looms dating from the 1890s through the 1960s, plus archaic-sounding equipment like a warp winder and a quiller—all necessary to transform big cones of thread into beautiful pieces of fabric. Goody’s workers generally arrive with no knowledge of weaving; she teaches them everything they need to know….

(11) NYT ON VINGE. The New York Times obituary linked here is behind a paywall: “Vernor Vinge, Innovative Science Fiction Novelist, Dies at 79”.

… Mr. Vinge’s immersion in computers at San Diego State University, where he began teaching in 1972, led to his vision of a “technological singularity,” a tipping point at which the intelligence of machines possesses and then exceeds that of humans.

He described an early version of his vision in Omni magazine in 1983.

“We’re at the point of accelerating the evolution of intelligence itself,” he wrote, adding, “Whether our work is cast in silicon or DNA will have little effect on the ultimate results.” He wrote that the moment of the intellectual transition would be as “impenetrable as the knotted space-time at the center of a black hole,” and that at that moment “the world will pass far beyond our understanding.”

A decade later, he fleshed out the intellectual transition — the singularity — in a paper (subtitled “How to Survive in the Post-Human Era”) for a symposium sponsored by the NASA Lewis Research Center and the Ohio Aerospace Institute.

“Within 30 years,” he said, “we will have the technological means to create superhuman intelligence. Shortly after, the human era will be ended. Is such progress avoidable? If not to be avoided, can events be guided so that we may survive?”

That prediction has not come true, but artificial intelligence has accelerated to the point that some people fear that the technology will replace them….

(12) MEASURING THE UNIVERSE. The New York Times makes sure she is “Overlooked No More: Henrietta Leavitt, Who Unraveled Mysteries of the Stars”.

…In the early 20th century, when Henrietta Leavitt began studying photographs of distant stars at the Harvard College Observatory, astronomers had no idea how big the universe was. Debate raged over whether all of the objects visible through the telescopes of the day were within our own Milky Way galaxy, or whether other galaxies — or “island universes,” as they were then called — might exist somewhere out in space.

Leavitt, working as a poorly paid member of a team of mostly women who cataloged data for the scientists at the observatory, found a way to peer out into the great unknown and measure it.

What’s now commonly called Leavitt’s Law is still taught in college astronomy courses. It underpinned the research of other pioneering astronomers, including Edwin Hubble and Harlow Shapley, whose work in the years after World War I demolished long-held ideas about our solar system’s place in the cosmos. Leavitt’s Law has been used on the Hubble Telescope and the James Webb Space Telescope in making new calculations about the rate of expansion of the universe and the proximity of stars billions of light years from earth.

“All of those major discoveries rested on Leavitt’s discovery,” Wendy L. Freedman, a professor of astronomy and astrophysics at the University of Chicago, said in a phone interview, referring to the explosion of knowledge about space over the last century. “It’s the bedrock foundation of so much of what we do today in cosmology and astrophysics in general.”

What Leavitt achieved was essentially twofold. In a groundbreaking observation in 1908, she noticed that certain stars, called Cepheids, photographed in the Large and Small Magellanic Clouds — two relatively nearby galaxies — had a distinctive pattern: The longer it took for the Cepheids to cycle through their variations, the brighter they were in magnitude. Then, in a paper in 1912, she laid out a mathematical formula to explain her observation, called a “period-luminosity” relationship.

That opened the door to a new kind of interstellar triangulation, as Cepheid variables emerged as a reliable way to calculate cosmic scale for Earthbound astronomers. Distances that before then were anyone’s guess suddenly had a formula, and the portrait that emerged was shocking — a universe hundreds of times bigger than most astronomers had imagined….

(13) AT THE CORE. “Astronomers Capture Dazzling New Image of the Black Hole at the Milky Way’s Center” in Smithsonian Magazine.

Astronomers have captured the first-ever image of magnetic fields circling the supermassive black hole at the center of our Milky Way galaxy.

The fields have a similar structure to those around the black hole at the center of Messier 87, a massive elliptical galaxy in the constellation Virgo. This finding suggests that strong magnetic fields may be a common feature of all black holes, the researchers report in a pair of papers published today in the Astrophysical Journal Letters.

“This spiral pattern that we see swirling around the black hole indicates that the magnetic fields must also be a spiral pattern whirling around—and that they’re very strong and very ordered,” Sara Issaoun, a co-leader of the research and an astronomer at the Center for Astrophysics, Harvard & Smithsonian, says to BBC Science Focus’ Tom Howarth….

(14) WEEDS IN SPACE! Yesterday I was frustrated that NASA had not said what plants are part of its lunar-bound experiment. Cat Eldridge found the answer on the Space Lab website: “Lunar Payload LEAF – Lunar Effects on Agricultural Flora”.

…The LEAF β (“LEAF Beta”) payload will protect plants within from excessive Lunar sunlight, radiation, and the vacuum of space, while observing their photosynthesis, growth, and responses to stress. The experiment includes a plant growth chamber with an isolated atmosphere, housing red and green varieties of Brassica rapa (Wisconsin Fast Plants®), Wolffia (duckweed), and Arabidopsis thaliana. By bringing seedling samples back to Earth, as part of Artemis III, the research team will apply advanced system biology tools to study physiological responses at a molecular level…

(15) WHEN DID THE FIRST HOMININS TRULY ENTER EUROPE? [Item by SF Concatenation’s Jonathan Cowie.] (I have never forgiven the dinosaurs for what they did to Raquel Welch.) When did humans first enter Europe has been the subject of some debate. Now, new research from a site in Ukraine at Korolevo has used two different dating methods. These have given a very similar result… “East-to-west human dispersal into Europe 1.4 million years ago” in Nature.

Here, using two methods of burial dating with cosmogenic nuclides [the researchers] report ages of 1.42 ± 0.10 million years and 1.42 ± 0.28 million years…

…this suggests that early hominins exploited warm interglacial periods to disperse into higher latitudes and relatively continental sites—such as Korolevo—well before the Middle Pleistocene Transition.

(16) NEW SF YOUTUBER….? [Item by SF Concatenation’s Jonathan Cowie.] Well, we all (OK, perhaps just some of us) have our favorite SF YouTuber, be it Moid Moidelhoff at Media Death Cult who is particularly popular with those fairly new on their SF journey, or Book Pilled for those that are perhaps more seasoned. One recent newcomer that some Filers might like to check out is Grammaticus Books. He recently reminded me of a forgotten Heinlein classic from 1942, Orphans of the Sky. So I went to see if I had a copy in my library, and lo, it came to pass that I had and that I must have read it the best part of half a century ago…

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Kathy Sullivan, Olav Rokne, Daniel Dern, Danny Sichel, SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 3/19/24 Ocean’s Elevenses

Posted on March 19, 2024 by Mike Glyer

(1) GAIMAN COLLECTION AUCTION RESULTS. March 15 was “The Day Neil Gaiman Swapped His Original Comic Art, Comic Books and Collectibles for More Than $1 Million”.

[He offered] 125 prized pieces from his collection — everything from original comic artwork to signed books, a Coraline puppet used in the film to limited-edition sculptures, handmade Christmas stories given as gifts, to the awards he received. It was a day well spent: The completely sold-out Neil Gaiman Collection Comics & Comic Art Signature ^® Auction, which drew more than 1,200 bidders worldwide, realized $1,029,392.

A portion of the auction’s proceeds will benefit The Hero Initiative, which provides medical and monetary assistance to veteran comics creators, writers and artists needing a helping hand. Some proceeds will also go to the Authors League Fund, which assists professional authors, journalists, critics, poets and dramatists in financial need because of medical or health-related problems, temporary loss of income or other misfortunes.

Gaiman will also share some of the proceeds with the artists who made his imagination tangible enough to put on Bristol board.

“I love the idea of benefitting charities that look after authors who’ve fallen on hard times, that look after the artists and writers and creators of comics who’ve had hard times,” Gaiman told the packed auction gallery Thursday morning. “And I like the idea of normalizing the idea that we who do have art we bought for $50 a page or $100 a page that now sells for tens of thousands of dollars a page get into the idea of giving something back to the artists who originally drew it. That seems to me an important thing to do.”

This single page of art alone went for $132,000: “Dave Gibbons and John Higgins Watchmen #7 Story Page 16 Original Art”.

… Not far behind was the only piece of Sandman-related artwork Gaiman had ever purchased: Jean Giraud’s 1994 painting of Death of the Endless, sister of the titular Sandman whose epic tale spans the universe’s origin through the present day. This painting by the man called Moebius sparked a bidding war that drove its final price to $96,000. That was also the amount realized for John Totleben’s cover of Miracleman No. 16, the last issue written by Moore before Gaiman took the reins.

One of the auction’s most sought-after, fought-over pieces was among its smallest: an on-screen, camera-used puppet of Coraline in her orange polka-dot pajamas accompanied by her ever-present companion, The Cat — “fully posable actors,” as Gaiman explained. He told the audience that Coraline “has been in my bedroom in a glass case since 2009, and I had more qualms about letting her go than I did anything else in this entire auction. She’s there. She smiles at me. She’s special.”

It was so special that a bidding war broke out over Coraline, who eventually went to a new home for $72,000….

(2) KGB. Ellen Datlow has posted photos from the Fantastic Fiction at KGB reading on March 13, 2024 where Moses Ose Utomi and Richard Butner read.

(3) EVIDENCE THAT SCHOOL TOSSED BOOKS WHICH WERE OBJECTED TO BY STAFF OR PARENTS. “Publishers Issue Letter to NYC DOE Over Discarded Books” – Publishers Weekly has details.

Candlewick Press, Charlesbridge Press, Hachette Book Group, Macmillan Publishers, Penguin Random House, Simon & Schuster, Sourcebooks, and the organization Authors Against Book Bans have issued a letter to the New York City Department of Education over reports that hundreds of books were discarded by a Staten Island elementary school on ideological grounds.

On March 11, Gothamist reported that hundreds of new books featuring characters of color and LGBTQ themes were found near the garbage at PS 55. Some of the books, pictured in the report, were marked by sticky notes that marked certain titles “not approved,” with reasons such as “Boy questions gender,” “teenage girls having a crush on another girl in class,” and “Witchcraft? Human skulls.”

The discarded books included copies of My Two Border Towns by David Bowle, illustrated by Erika Meza; Kenzy Kickstarts a Team (The Derby Daredevils #1) by Kit Rosewater, illustrated by Sophie Escabasse; Black Panther: The Young Prince by Ronald Smith; We Are Still Here: Native American Truths Everyone Should Know by Traci Sorell, illustrated by Frané Lessac; and Nina: A Story of Nina Simone by Traci N. Todd, illustrated by Christian Robinson.

Gothamist reporter Jessica Gold found that no formal challenge to the books had been raised through official channels and that “the removal of the books resulted from an objection raised by staff or parents.” The NYC DOE has reportedly announced it is conducting an investigation into the incident.

In response, a coalition of publishers whose books were discarded teamed with Authors Against Book Bans to pen a letter to New York City’s DOE over the report about the book removal, stating, “If true, such action amounts to unlawful censorship and violates authors’ and students’ First Amendment rights.”…

(4) SENDAK FELLOWS. “2024 Sendak Fellows Announced” – Publishers Weekly has the names.

The Maurice Sendak Foundation has announced this year’s Sendak Fellows: Charlotte Ager, Rocío Araya, and Cozbi A. Cabrera.

The four-week fellowship will take place May 13 through June 9 at Milkwood Farm in South Kortright, N.Y., and comes with a prize of $5,000. During the residency, artists will focus on a project of their choosing, meet with visiting artists and professionals in the field, and explore Sendak’s house and archives in Ridgefield, Conn.

Originally from the Isle of Wight, Ager is a freelance illustrator based in London. Her clients have included the New York Times, Google Design, Penguin Random House, and Flying Eye Books. Araya is an illustrator from Bilbao, Spain, currently living in France. Rocío’s first English-language translation of her book Head in the Clouds will be published by Elsewhere Editions in 2024. And Cabrera is the author-illustrator of Me & Mama, which received a Coretta Scott King Honor and Caldecott Honor, and My Hair Is a Garden.

(5) NOT QUITE INFINITE COMBINATIONS. Den of Geek says “It’s Official: TV Shows Have Run Out of Titles”. (Fanzines have run into the same problem – how else to explain “File 770”?)

Back when it was all fields around here, TV show titles were in abundance. In the days when television used to be hand-stretched and sun-dried and made at a gentlemanly pace by artisanal methods, there were titles galore. Worzel Gummidge. Starsky and Hutch. Last of the Summer Wine. Distinct and descriptive titles milled around drinking holes, and all writers had to do was toss in a lasso and drag out a Sapphire & Steel or a Knight Rider.

But thanks to streaming, nowadays TV is made in windowless factories and injected with antibiotics and e-numbers. There can never be enough. Every streamer requires a chunky flow of television shows they can release all on the same day, not tell anybody about, and quickly delete for tax purposes before anybody watches them. And the first casualty (aside from the livelihoods of the writers, directors, crew, cast and the collective human spirit)? The titles.

The problem is, the glut has dried up the supply. Abstract nouns. Character names. Place names. Common phrases. “Fun” puns. Creepy lines from nursery rhymes for psychological thrillers. Every combination of words in the English language has already been used to name a TV show. ITV got lucky with Mr Bates Vs the Post Office, but it’s hardly a long-term solution.

Neither is it a uniquely new problem, but it is getting worse. Time was that two competing TV shows with the same title would be released a good many years apart, by which point, who could really remember the first one? When HBO brought out android interplanetary sci-fi Raised by Wolves in 2020, it was several years after the Channel 4 comedy Raised by Wolves set on a Wolverhampton council estate, and fairly difficult to confuse the two….

(6) DON’T TRY THIS AT HOME? “George Lucas Backs Bob Iger in Disney Proxy Fight with Nelson Peltz: ‘Creating Magic Is Not for Amateurs’” – a quote in The Hollywood Reporter.

… The Star Wars and Indiana Jones filmmaker is weighing in on The Walt Disney Company’s ongoing proxy fight with activist investors, and he is throwing his support firmly behind CEO Bob Iger and Disney’s board.

“Creating magic is not for amateurs. When I sold Lucasfilm just over a decade ago, I was delighted to become a Disney shareholder because of my long-time admiration for its iconic brand and Bob Iger’s leadership,” Lucas said in a statement Tuesday. “When Bob recently returned to the company during a difficult time, I was relieved. No one knows Disney better. I remain a significant shareholder because I have full faith and confidence in the power of Disney and Bob’s track record of driving long-term value. I have voted all of my shares for Disney’s 12 directors and urge other shareholders to do the same.”…

… Disney is facing a proxy fight against two activists: The corporate raider Nelson Peltz, and Blackwells Capital. Notably, Peltz has billions of dollars in shares pledged by Ike Perlmutter, who, like Lucas, sold his company (Marvel) to Disney and became a major shareholder. Perlmutter remained with Disney until being laid off last year….

(7) ARE YOU GOING TO BELIEVE YOUR LYIN’ EYES? Meanwhile, Variety reports Disney’s Star Wars cash register has rung up another sale: “’The Acolyte’ Trailer: New Star Wars Show Gets First Look on Disney+”.

…Disney has released the trailer for its newest “Star Wars” series “The Acolyte,” which is set to stream on Disney+ June 4.

The series takes place 100 years before the franchise’s prequel trilogy during the High Republic era of the “Star Wars” universe, which is the furthest back in the timeline “Star Wars” has gone in a live-action production. An official logline for the series reveals, “An investigation into a shocking crime spree pits a respected Jedi Master (Lee Jung-jae) against a dangerous warrior from his past (Amandla Stenberg). As more clues emerge, they travel down a dark path where sinister forces reveal all is not what it seems.”…

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 19, 1928 — Patrick McGoohan. (Died 2009.) I don’t how times I’ve seen the opening of The Prisoner series as it’s been separately shown from the episodes online pretty much since The Prisoner series first aired. Not sure in what context I watching it but that it was. It was, without doubt, one of the the best openings I’ve seen.

Then there was the series. Weird, thrilling, mysterious. Eminently watchable over and over and over again. Was it SF? Or was it a spy series set in the very near future? Who knew? And then there was Number Six, the never named intelligence agent played by Patrick McGoohan. He seemed destined to play this role.

He was an American-born Irish actor, director, screenwriter, and producer. Now it turns out that The Prisoner was his creation. He was also one of the writers – there were five in fact — and he was one of four directors. In other words, he had his hand in every facet of the series and its sixteen episodes.

Before he was that unnamed intelligence agent he was, and I’m not at all convinced that McGoohan meant this to be a coincidence, secret agent John Drake in the Danger Man espionage series. I’ve seen a few episodes, it’s well crafted.

Danger Man (retitled Secret Agent in the United States for the revived series) was a British television series broadcast between 1960 and 1962, and again between 1964 and 1968. (A neat bit of history here: Ian Fleming was brought in to work on series development, but left before that was complete. Apparently he didn’t like the way the secret service was to be portrayed.)

After The Prisoner, McGoohan’s next genre endeavor was as the narrator of Journey into Darkness is a British television horror film stitching together two episodes derived from late sixties anthology television series Journey to the Unknown.

We are now leaving genre and headed for, well the Colombo series. Why so? Because he was good friends with Peter Falk and directed five episodes of the series, four of which he appeared in, winning two Emmys in the process. McGoohan was involved with the series in some way from 1974 to 2000.

He was said that his first appearance on Columbo was probably his favorite American role. He had top billing as Col. Lyle C. Rum, fired from a military academy, in “By Dawn’s Early Light”, one of the Colombo films that preceded the series.

His daughter Catherine McGoohan appeared with him in the episode “Ashes To Ashes” The other two Columbo episodes in which he appeared are “Identity Crisis” and “Agenda For Murder”.

Yes, he reprised his role as Number Six for The Simpsons in “The Computer Wore Menace Shoes”. Homer Simpson fakes a news story to make his website more popular, and he wakes up in a prison that is a holiday resort. As Number Five, he meets Number Six.

McGoohan’s last movie role was as the voice of Billy Bones in the animated Treasure Planet.

He received the Prometheus Hall of Fame Award for The Prisoner.

(9) COMICS SECTION.

Carpe Diem updates a fairy tale.

(10) JEOPARDY! [Item by David Goldfarb.] On last night’s Jeopardy! episode, the Double Jeopardy round had a category, “Horrors!”

$1200: This horror master turned director to translate his own novella “The Hellhound Heart” to the screen as “Hellraiser”

Yogesh Raut knew this was Clive Barker.

$1600: H.P. Lovecraft wrote that the “U”s in the name of this “hellish entity” should sound “about like that in ‘full’ “

Ben Chan stumbled over the pronunciation a bit but gave “Cthulhu”.

$2000 – Daily Double. Yogesh: “I’ve wanted to say this ever since I was a child. Alex, I’ll make it a true Daily Double.” His bet: $15,200.

The title of this 1962 Ray Bradbury novel is a Shakespeare line that rhymes with “By the pricking of my thumbs”.

Very unsurprisingly, Yogesh got this right, parlaying this into a runaway win for the round.

$800: His Christmas ghost story “The Haunted Man” sold 18,000 copies on its first day of publication in 1848

Yogesh picked it as Dickens.

$400: Catriona Ward’s “The Last House on Needless Street” is partly narrated by Olivia, one of these animals, & that can’t be good luck

Troy Meyer tried, “What is a pig?”

Yogesh said, “What’s a cat?” and on prompting added “black” and was scored right.

Catriona Ward squeed about being a clue.

(11) GONE BUT NOT FORGOTTEN. “Researchers Name Ancient Species of Giant Turtle After a Universe-Vomiting Stephen King Character” – IGN unravels the references.

Researchers have named a newly discovered species of giant prehistoric turtle after a universe-creating character that features in Stephen King’s novel It, alongside the Dark Tower series of books.

The monstrous armoured reptile was thought to have lived between 40,000 to 9,000 years ago, during the Pleistocene period, during which time it may have lived alongside and potentially been hunted as a source of food by early humans in the Amazon….

…The fossil’s gigantic proportions lead the scientists to name the species Peltocephalus Maturin, in reference to the fictional, god-like turtle Maturin, which vomited out the universe that serves as the setting for Stephen King’s novel It. The benevolent turtle also appears as one of the guardians of the beams featured in King’s eight-part Dark Tower book series, which, like It, has been adapted into a live-action movie, though perhaps the less said about that the better.

As noted in the paper published in the scientific journal Biology Letters – and by the author himself on X after reading the news – King’s character was itself named in reference to the fictional doctor Stephen Maturin, who, in the course of Patrick O’Brian’s seagoing novel H.M.S. Surprise, names a giant tortoise….

(12) LIFE IS SHORT, ART IS LONG. ShortCon2024, “the Premiere Conference for Short Crime Fiction Writers”, takes place Saturday, June 22, and Michael Bracken and Brendan DuBois – familiar around here – are among the presenters.

In June, I will join NYT bestseller Brendan DuBois, AHMM & EQMM Senior Managing Editor Jackie Sherbow, and Stacy Woodson as a presenter at ShortCon, the Premier Conference for Short Crime Fiction Writers. Learn more and register at https://t.co/OZ8BgEueno pic.twitter.com/KsDhwNBuUH
— Michael Bracken (@CrimeFicWriter) March 18, 2024

Join acclaimed crime fiction professionals for an immersive, one-day event and learn how to write short crime fiction, get your stories published, and develop and sustain a long-term career writing short.

(13) THUMBS UP. Camestros Felapton gives us his eyewitness account in “Review: Zombie the Musical”.

… The show starts off with the hapless cast rehearsing their production of “It’s a Musical! (The Musical!)” with requisite sailors singing about the wonders of New York. In reality, the cast is a mix of a not-so-bright leading man whose acting career is magically failing upwards, a leading woman sick of playing two-dimensional characters, an ageing actress whose career is effectively over and a perpetual understudy with genuine talent but no chance of ever becoming a professional. Outside it is Sydney 1999 and people are worried about Y2K and excited about the Olympics coming in 2000. The tone is set with broad parodies about musicals and the sexism of the theatre industry (especially circa the 1990s).

The world of musicals begins breaking down when the leading man quits and the news on the radio warns of a rapidly spreading infection. Will there even be an audience for their opening night?…

Here’s a “sneak preview” from last fall.

[Thanks to Steven French, Mike Kennedy, Andrew Porter, Kathy Sullivan, David Goldfarb, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 3/7/24 Files Scroll In Where Pixels Fear To Thread

Posted on March 7, 2024 by Mike Glyer

(1) WILL THE DOCTOR APPROVE WHEN BBC MARKETING DEPARTMENT USES AI TO PROMOTE DOCTOR WHO? [Item by Ersatz Culture.] The BBC media centre published an article by the “Head of Media Inventory: Digital” earlier today, about their plans to use AI to promote Doctor Who. It leads:

Experimentation is at the heart of how we approach marketing at the BBC. Testing and learning on how we let audiences know what BBC content is most relevant to them and we know they might love underpins our digital marketing strategy. However, experimentation in marketing typically requires more time spent on the creative work to make extra assets. Generative AI offers a great opportunity to speed up making the extra assets to get more experiments live for more content that we are trying to promote.

We’re going to take it one step a time, starting simple and learning as we go. We have chosen to start with Doctor Who, as it is a joint content priority for both BBC Public Service UK and BBC Studios marketing teams. There’s a rich variety of content in the Whoniverse collection on iPlayer to test and learn with, and Doctor Who thematically lends itself to AI which is a bonus.

We will be creating human-written marketing copy for a Doctor Who push notification, email subject line and in the promotional rail on BBC Search – then we will be using generative AI to suggest copy variations which are then reviewed and approved by our marketing team before being shown to the audience. Their success will be measured by click- rates, open-rates, and post-impression conversion-rates across each channel.

The article also provides details about how the BBC proposes to have human oversight and review of this process.

One fan pointed out that the 1979 story “City of Death” had already depicted the Doctor’s attitude towards computer-generated content.

Reminder that Dr Who has been against generative AI since 1979 ???????????????? https://t.co/SIr6UpgjIp pic.twitter.com/xvBuGfJ5ub
— Tigorello???????? – Goofy obsession era (@Tigfore) March 7, 2024

(2) CHILDREN’S BOOK AUTHORS SIGN OPEN LETTER ABOUT GAZA. Publishers Weekly reports on an open letter to the Society of Children’s Book Writers and Illustrators signed by children’s book creators in “SCBWI Addresses the Humanitarian Crisis in Gaza”.

… Hundreds of children’s and YA creators including Jason Reynolds, Elizabeth Acevedo, Brendan Kiely, Sabaa Tahir, and Maggie Tokuda-Hall added their names to the petition, which features an illustration—“We Feel Your Silence”—by Egyptian-born picture book artist Hatem Aly….

The full text of the open letter is at the link. The letter begins:

Dear Society of Children’s Book Writers and Illustrators,

Our community of kids’ book creators and readers is calling out for solidarity and transparency.

The humanitarian crisis in Gaza is the deadliest for children in modern history. UNICEF, among other leading human rights organizations like Amnesty International and Human Rights Watch, recognized that “there is no safe place for children in Gaza” and that this is a war against children.

As the preeminent global community for children’s book creators whose mission is to, in part, “establish a more imaginative and inclusive world through the power of children’s literature,” many active, past, and prospective members of the community are struggling to feel a sense of inclusion and belonging when SCBWI remains silent.

Currently, over a million children are being actively starved while the Israeli government refuses to permit aid into the Gaza strip. Children are being carpet bombed and sniper-attacked in the Israeli government designated safe zone, Rafah, with nowhere to escape. Thousands of children have been orphaned, wounded, undergone surgeries and amputations without anesthesia, and disabled. Palestinian libraries, schools, universities, and publishing houses have been decimated….

Some signers from the sff community whose names jumped out at me are: Alaya Dawn Johnson, Alex Brown, Alyssa Wong, B. Sharise Moore, Daniel José Older, Jacqueline Woodson, Natalie C. Parker, Olivia A. Cole, Raina Telgemeier, and Tochi Onyebuchi.

SCBWI’s Executive Director has responded with a message on Instagram:

View this post on Instagram

A post shared by SCBWI (@scbwi)

According to Publishers Weekly —

…Responses were mixed, and executive director Sarah Baker engaged with several commenters directly. Various community members thanked SCBWI “for supporting the voices of all authors and illustrators… while acknowledging this horrendous war and humanitarian crisis.” Others called the letter “performative” and “disappointing,” some said they would not renew subscriptions, and one called the approach “genocidal apologism.” SCBWI has more than 22,000 members around the world….

(3) URSA MAJOR AWARDS DITCH MUSIC CATEGORY. The Ursa Major Awards for anthropomorphic literature and arts announced March 6 they have dropped the Music Category.

No further explanation was given. Commenters seem to believe the decision was in response to a specific instance of ballot stuffing, or a finalist’s use of AI to create art.

(4) JACK WILLIAMSON LECTURESHIP. David Sweeten has circulated the schedule for the 47th Annual Jack Williamson Lectureship, being held at Eastern New Mexico University from April 11-13 in Portales, NM. The guest of honor is Martha Wells, with emcee Connie Willis.

Below is a brief rundown of the events as they stand, but some items are still in development. Generally, the main events of the Lectureship will take place on Friday, but please let me know if you can make the dinner on Thursday. Also, Connie’s workshop on Saturday is always a delight.

Thursday, April 11th:
- 3 pm: a forensic talk from Cordelia Willis.
- 5-7 pm: Opening event in the Greyhound Lounge (CUB basement) with activities run by ENMU student organizations (including the History Guild doing a presentation on Jack Williamson, the Clayhounds [ENMU ceramics club] bringing scifi themed pottery and paint-and-takes, and more)
- 7-9 pm: Lectureship participant dinner for authors, the committee, and academic presenters (please email me if attending so I can update the catering)
Friday, April 12th:
- 8:30 am: Academic Panel (CUB, Zia room)
- 10 am: Guest of Honor Reading from Martha Wells (CUB, Zia room)
- 12 pm: Keynote lunch with remarks from Connie Willis, keynote address from Martha Wells, and scifi/fantasy trivia
- 1:30 pm: Tour of Special Collections, including Jack’s Office and the Science Fiction Special Collection (GSSC, Special Collections)
- 1:30 pm: Board Game Session (GSSC, Presentation Area)
- 3-6:30 pm: Author Panels (JWLA)
- 7 pm: Dinner at Asplunds’ house, Potluck
Saturday, April 13th:
- 8:30 am: Academic Panel (JWLA)
- 10 am: Connie’s Writing Workshop (JWLA)

(5) TERRY CARR ON THE DILLONS. In January we reported the sale of Leo and Diane Dillon’s original art for the cover of The Left Hand of Darkness (see Pixel Scroll 1/27/24 item #2). Le Guin’s book was part of the Ace Specials series edited by Terry Carr.

Yesterday I happened upon an article Carr wrote for the fanzine Focal Point in 1971 (see page 6) right after he had to “fire” them because he was told their covers weren’t helping to sell the books. Though he reassured everyone:

…Don’t weep for Leo and Diane. They’re among the most sought-after artists in the book field, and they make a lot more money from the work they do for Time-Life Books or Fawcett Premier than we could ever pay them at Ace. When you visit them and look in on their studio you find incredibly beautiful sketches and partially finished paintings there. ’’That one was due last Tuesday,” says Diane, ’’and we were supposed to have twenty-five double-page spreads done for a history of Hawaii last month.” For the Dillons, the SF Specials were an extra job every month that they didn’t need and which they did for less money than they could get anywhere else. They did them out of friendship and love for the freedom to paint what they wanted….

Carr’s Focal Point column continues with several pages of detailed commentary on the covers they painted for the Ace series.

Ironically, just two issues later, Focal Point reported that Terry Carr himself had been let go by Ace. However, they said Carr would continue editing the Ace Specials, working from home. The last Ace Special in the first series was released in August 1971. Carr would go on to enjoy a highly honored career as a freelance editor. And, in fact, in the Eighties he came back to Ace and edited a second series of Ace Specials.

(6) HOLY CATS, BATMAN! “Lego unveils 4,200-piece set celebrating 85 years of Batman: See the $300 creation” at Yahoo!

Fans of Lego and “Batman: The Animated Series” will have a chance to own a piece of history as Warner Bros. Discovery and DC celebrate 85 years of the Caped Crusader with a new brick set.

Lego Group on Thursday unveiled the Batman Gotham City Skyline set, an “amazing recreation of Gotham City as it appears in ‘Batman: The Animated Series.'”

The Lego press release adds:

…The 4,210 piece set is a Batman fan’s dream as every tower and building meticulously recreates iconic locations from Warner Bros. Animation’s “Batman: The Animated Series” including the Gotham City Court, Arkham Asylum, the classic Batwing and Bat Signal. The set is also full of Easter eggs and beloved characters including Catwoman, The Joker, Harley Quinn and Batman himself. In addition, parts of the set open up to reveal more intricacies inside.

The perfect set for DC fans, the Gotham City Skyline set is a stunning display piece which can be wall-mounted or placed on a shelf….

(7) GOTHAM AFTER DARK. Get an R-rated look at Gotham when The Gotham Follies of 1939: A Dark Night Parody come to Los Angeles on June 1. Tickets go on sale March 13; waitlist at the link.

Experience the allure of Prohibition-era Gotham City in The Gotham Follies of 1939—a captivating parody blending vaudeville, burlesque, cabaret, and contemporary entertainment from the creator of The Empire Strips Back. Step into a world where the Dark Night’s universe comes alive on stage, promising an unforgettable night of laughter, danger, and pure escapism at The Montalbán this summer.

Read the FAQS, ma’am.

(8) NOTES ON A CAREER. In this video from Variety, “Star Wars & Harry Potter Composer John Williams Reveals How He Came Up With Cinemas Biggest Scores”.

Musical genius, John Williams, takes us through his incredible career and shares how the soundtracks for some of the biggest movie franchises such as Star Wars, Harry Potter and Jurassic Park were brought to life.

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 7, 1944 — Stanley Schmidt, 80. This Scroll I come to speak of an editor that I really like, Stanley Schmidt. Starting in 1978, his longest tenure as an editor was at Analog Science Fiction and Fact magazine for an extraordinary thirty-four years. I’m reasonably sure that he was nominated a record twenty-nine times before winning a Best Editor, Short Form at LoneStarCon. That Award came just before his retirement from Analog, nice timing indeed.

But let’s go back in time now.

Stanley Schmidt accepts the Solstice Award. Photo by Kathi Overton.

He started out as a writer with his first short story being “A Flash of Darkness” being published in Analog in September of 1968. Likewise his first novel, The Sins of the Fathers, serialized in Analog from November 1973 to January 1974. So one could, well I will, say that his editing of Analog was well rooted in his own history with it.

Now where was I? Oh there. The Sins of The Fathers is an amazing work and would’ve made a stellar series but Schmidt was not, shall I say a prolific writer with just three novels and I count thirty-two short stories, so that didn’t happen. However the Lifeboat Earth collection of nine stories does continue what was started here, so do get it and read them if you enjoyed this novel.

He edited a lot, and I do mean a lot, of Analog anthologies taken from the material he edited in those years he was there. I can’t say which you should read as they’re all likely to have excellent reading in them, aren’t they?

He only edited four other anthologies of which I’ve only read one, having a decided jones for alternate history of all sorts: Roads Not Taken: Tales of Alternate History, co-edited with Gardner Dozois. Turtledove, Silverberg and Resnick, to name but a few, have stories here… Great stories all of course.

Before I take your leave, I should note that he had the honor of winning the Robert A. Heinlein Award which is given for outstanding published works in science fiction and technical writings that inspire the human exploration of space.

(10) THE FEDERATION RETURNS. Camestros Felapton declares “I finally watched Star Trek Discovery Season 4” and delivers a season overview.

…Yes, it is nice that this crew gets to have a season in which they are actually part of a Star Fleet that is not trying to kill them (or is barely functioning) and eventually story elements fall into place that pull things together both thematically and as a genuinely interesting science-fiction story….

(11) FREE GAME. “Indie developer says Warner Bros is “retiring” his game from official platforms, so he’s giving it away for free instead” reports GameRadar+. Download it for free at Fire Face – Games.

Owen Deery, an indie developer behind the puzzle game Small Radios Big Televisions, has stated that Warner Bros. will soon be “retiring” the game from digital storefronts. In response, Deery is giving away the PC version for free to everyone.

Small Radios Big Televisions released back in 2016 on Steam and PS4, published by the Warner Bros. subsidiary Adult Swim Games. The puzzler has you collect cassette tapes found in abandoned factories and explore the virtual worlds within them. However, Deery says it will soon be unable to buy, and that it will be removed from storefronts “within the next few weeks.”…

(12) MEET THE EMPEROR. Vanity Fair learns why at age 80 “Christopher Walken Still Rules: On ‘Dune: Part Two,’ ‘Star Wars’ and True Power”.

Truly intimidating power, Walken says, doesn’t have to announce itself. That’s his explanation for why the long-ruling emperor doesn’t feel obliged to dazzle with his appearance. “There is something about getting older that you’re sort of not inclined to get out of your pajamas,” he tells Vanity Fair. “He maybe doesn’t take a shower as often as he should. There’s a little bit of ‘the hell with it’ at a certain point.”…

…None of that will help a humble earthling get into the mindset of a galactic overlord. “I can tell you that it’s probably better not to think about it,” Walken says. “When I was young, I had to play a king in something. I was in a Shakespeare play. It was Henry II. And an older actor said to me, ‘Don’t worry about it.’ He said, ‘If the director sets it up so that people treat you like the king, you don’t have to do much.’ And I sort of trusted that to happen.”

The show of power and wealth is all around Shaddam IV, so Villeneuve and Walken believed it didn’t have to be piled on top of him as well. “The emperor’s got the trappings, he’s got the court, he’s got the costume, he’s got the bodyguards. And so I figured I’d just let them call me the emperor,” Walken says.

This withholding approach to the intimidating power broker is actually foreshadowed in another iconic Walken performance, in which he delivered an intimidating speech about a lion who reigns as “king of the jungle,” but tolerates the other animals nipping at him, taking food from his domain, and encroaching on his territory—“until one day…that lion gets up and tears the shit out of everybody.”…

(13) ARMORER GUILTY IN RUST VERDICT. AP News reports in Santa Fe, NM, “’Rust’ armorer Hannah Gutierrez-Reed convicted of involuntary manslaughter”.

A jury convicted a movie weapons supervisor of involuntary manslaughter Wednesday in the fatal shooting of a cinematographer by actor Alec Baldwin during a rehearsal on the set of the Western movie “Rust.”

The verdict against movie armorer Hannah Gutierrez-Reed assigned new blame in the October 2021 shooting death of cinematographer Halyna Hutchins after an assistant director last year pleaded no contest to negligent handling of a firearm.

Gutierrez-Reed also had faced a second charge of tampering with evidence, stemming from accusations that she handed a small bag of possible narcotics to another crew member after the shooting to avoid detection. She was found not guilty on that count.

Immediately after the verdict was read in court, the judge ordered the 26-year-old armorer placed into the custody of deputies. Lead attorney Jason Bowles said afterward that Gutierrez-Reed will appeal the conviction, which carries a penalty of up to 18 months in prison and a $5,000 fine.

(14) USE THE CHURCH KEY, LUKE. Stephen Colbert rounded up some more examples of old Cristal beer product placements inserted in Star Wars films for the opening minutes of his Late Show monologue.

(15) PITCH MEETING. It’s an old movie but apparently a new Pitch Meeting – “Ghostbusters (1984)”.

(16) VIDEO OF THE DAY. “The hate monologue” from the I have no mouth and I must scream animation.

[Thanks to Andrew Porter, John King Tarpinian, Kathy Sullivan, N., Ersatz Culture, Dann, Danny Sichel, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn, with an assist from Braxis.]

Pixel Scroll 3/4/24 We Had Scrolls, We Had Puns, We Were Yeeted In The Sun

Posted on March 4, 2024 by Mike Glyer

(1) FANGS FOR THE MEMORIES: NO MORE LEO AWARDS. The day after we reported the 2024 shortlist, Furry Book Review pulled the plug on the Leo Awards. Here’s why:

They’ll be missed – there wasn’t a cuter award in the field!

(2) RECOGNITION IN TEXAS. Congratulations to Michael Bracken on being inducted to the Texas Institute of Letters. The honor society was established in 1936 to celebrate Texas literature and recognize distinctive literary achievement. Bracken, who long ago published the fanzine Knights of the Paper Spaceship, has since forged a distinguished career as a crime fiction author. His stories have been finalists for the Anthony, Edgar, Derringer and Shamus Awards.

(3) KEEPING UP WITH SOCIAL MEDIA. In this highly amusing video Andrea Stewart says, “I swear I see the same six discussions going around online, in perpetuity.”

View this post on Instagram

A post shared by Andrea Stewart (@andreagstewart)

(4) ONE FAN’S EFFORT TO PROMOTE WORKS ABOUT CHINESE SF. Ersatz Culture’s list – “My personal recommendations of Chinese SF-related works published in 2023” – gives fans something to start with. It begins with these notes and caveats:

Any of these recommendations that tagged with * is either someone I’ve corresponded or worked with, or a project which I’ve worked on, or contributed to, and so I can’t claim that those are unbiased recommendations.
Links are generally to Chinese language pages/sites unless otherwise stated. An exception are Twitter links, which will generally be comprised of English language posts.
My Chinese language skills are way too poor to be able to read the majority of real-world content without either a lot of effort or (far more likely) resorting to machine translation. As such, any writing that is particularly clever in a literary way is likely to pass completely over my head; I’m evaluating stuff on a very basic level. (This is why the writing I cover here is more on the news/factual side than criticism/reviews.)
Further to the previous point, my dependence on machine translation means that my understanding of materials that I only possess in a physical form – i.e. all the non-fiction works I list – is at a very shallow and surface level; not much better than “I liked looking at all the pretty pictures”, to be brutally frank. As such, feel perfectly free to discount any of my observations on those grounds alone.
This document only covers work published in 2023.

(5) VIOLENCE AND CHANGE. The Beeb remembers “The ‘banned’ Star Trek episode that promised a united Ireland”. There’s a reason viewers in Ireland might not.

When sci-fi writer Melinda M Snodgrass sat down to write Star Trek episode The High Ground, she had little idea of the unexpected ripples of controversy it would still be making more than three decades later.

“We became aware of it later… and there isn’t much you can do about it,” she says, speaking to the BBC from her home in New Mexico. “Writing for television is like laying track for a train that’s about 300 feet behind you. You really don’t have time to stop.”

While the series has legions of followers steeped in its lore, that one particular episode of Star Trek: The Next Generation has lived long and prospered in infamy.

It comes down to a scene in which the android character Data, played by actor Brent Spiner, talks about the “Irish unification of 2024” as an example of violence successfully achieving a political aim.

Originally shown in the US in 1990, there was so much concern over the exchange that the episode was not broadcast on the BBC or Irish public broadcaster RTÉ…

(6) NEW EDGE SWORD & SORCERY BACKERKIT CROWDFUNDER FOR ISSUES 3&4. New Edge Sword & Sorcery is crowdfunding its next two issues via “New Edge Sword & Sorcery 2024” at BackerKit. They’ve achieved their basic goal, now Editor Oliver Brackenbury says, “All our stretch goals from now on are pay raises for our contributors!” The campaign ends March 16.

Backing this campaign is a way to be a part of genre history: JIREL OF JOIRY will be returning with her first new story in 85 years! Jirel was the first Sword & Sorcery heroine, created by legendary Weird Tales regular, C.L. Moore. Like Alice in Wonderland with a big f***ing sword, Jirel had compelling adventures in bizarre dream-logic realms, balancing a rich emotional life with terrifying struggles against dark forces! Predating Red Sonja, she & Moore were a direct influence on Robert E. Howard’s writing, as well as so many who came after.

Alas, Moore only wrote a handful of Jirel tales – which are still collected, published, and read to this day. So it’s a good thing that when backers of the campaign helped it hit 100% funding in just under three days, they helped make sure a new story will be published! Authorized by the estate of C.L. Moore, “Jirel and the Mirror of Truth” has been written by the magnificent MOLLY TANZER (editor of Swords v. Cthulhu, author of Creatures of Charm and Hunger, and so much more).

Seventeen other authors are spread across the two new issues this campaign is funding, including names like Harry Turtledove, Premee Mohamed, and Thomas Ha. Even Michael Moorcock returns with an obscure Elric reprint not included in the recent Saga collection!

(7) APPLY FOR DIANA JONES AWARD EMERGING DESIGNER PROGRAM. Submissions are open for the Diana Jones Award Emerging Designer Program through April 2. This program focuses on amplifying the voices of up-and-coming tabletop/hobby game designers with a focus on creators from marginalized communities. The complete guidelines are here. Submit using the form at the link.

The Emerging Designer Program provides both access and support to those designers that have historically been excluded from the larger industry conversations. While we recognize this program is only a first step in that process, our organization is committed to pushing forward, learning from mistakes, and improving the industry we love.

Designers who are selected as finalists receive a free badge and hotel room at Gen Con, up to $2,000 travel reimbursement for both domestic and international travel, a $75 per day food stipend, a $2,000 honorarium for presenting their work, and a prize package of game design resources. They’re also showcased as a Diana Jones Award Emerging Designer at Gen Con.

Eligible designers should have released their first professional or commercial publication (including free, self-published, PWYW, and PDF releases) no more than three years before the selection year. A designer selected for 2024’s Diana Jones Award Emerging Designer Program should not have first published before 2021, for example. We interpret “hobby game designer” broadly, to include both narrative and game mechanics design.

(8) CREATORS VISITING THE CLASSROOM. “Are author visits worth it?” Totally, says Colby Sharp.

…On Friday, author/illustrator Philip Stead visited our school. He did three presentations, so that each one of our students and teachers could hang out with him.

His presentations were captivating. I was on the edge of my seat for 65 minutes.

Phil showed them his books, his process, his studio. He answered questions. He read them one of his books.

All the things we have come to expect from an author visit….

(9) THUFIR, WE HARDLY KNEW YE. “Dune 2 director says cutting one character from the sequel was the ‘most painful choice’” at GamesRadar+.

Like all page-to-screen adaptations, Dune: Part Two makes a few changes from the novel it’s based on. For director Denis Villeneuve, though, one change in particular was the most difficult to enact: the omission of Thufir Hawat.

“One of the most painful choices for me on this one was Thufir Hawat,” Villeneuve told Entertainment Weekly. “He’s a character I absolutely love, but I decided right at the beginning that I was making a Bene Gesserit adaptation. That meant that Mentats are not as present as they should be, but it’s the nature of the adaptation.”Thufir Hawat is a Mentat, AKA a human whose mind has been trained to have the same power as a supercomputer. Played by Stephen McKinley Henderson in Dune: Part One, he works for House Atreides and is a mentor for Paul (Timothée Chalamet), but was blackmailed into working for House Harkonnen after they orchestrated the murder of Leto Atreides (Oscar Isaac) – Baron Harkonnen (Stellan Skarsgård) poisons him and will only administer doses of the antidote if he complies….

(10) OUR EYEWITNESS. Camestros Felapton popped out to the theater and came home to write “Review: Dune Part 2”. He sounds worried about revealing spoilers, so be warned. Now it’s not like you don’t know the story, however, you haven’t seen what they do in the film.

…Dune Part 2 is nearly three hours long and if anything, the script has simplified the plot of the second half of the novel. The net effect is a film that appears to rush by in a stream of compelling images to the extent that it feels like a much shorter film. The space created by the simpler plot and expansive running time is filled with dramatic sequences that relish in the setting and the events of the story. Above all, the film taps into the sense of weirdness and immersion into another imagined culture that makes the book so beloved.

One thing I particularly liked was the way Fremen society was expanded upon. The impression of a planet of millions of hidden peoples with a variety of experiences and attitudes but also with a common culture was deftly done. The sietch communities feel like real places built by a complex society that is doing more than just surviving in the harsh environment and amid brutal oppression….

(11) BUCKET LIST. This reminds me of the crowd the last time I went to Dodgers game. Nobody was paying attention to what was happening on the field. “Dune 2 fans distracted by popcorn bucket after finally going to see the film” at Ladbible.

The glow of a mobile phone, the rustling of sweet wrappers and someone asking if they can squeeze past you to nip to the loo are things that can really distract you from the plot while you’re in the cinema.

But bizarrely, it’s the popcorn buckets which are diverting the attention of film fans flocking to watch Dune: Part Two.

Then again, when you see them, you can understand why.

Rather than fighting to get a ticket in a packed out theatre, audiences are instead scrapping over the limited edition container which the classic movie snack comes in.

Focus has fallen on the unique popcorn buckets which have been released as part of the promo for Dune: Part Two, rather than what’s actually going on in the sequel.

(12) NECESSITY! Tiny Time Machine 3: Mother of Invention, the final book in John Stith’s “Tiny Time Machine” series, was released today by Amazing Selects™, an imprint of Amazing Stories.

In Tiny Time Machine 1, Meg and Josh discovered a time machine built into a cell phone and used it to avert a disastrous future. But along the way, Meg’s father, the inventor, was killed.

In Tiny Time Machine 2: Return of the Father, Meg and Josh brought a sarcastic AI, Valex, from the future to help them enhance the tiny time machine so it can open a portal to the past, and did their best to rescue Dad before his ex-partner could harm him.

Now, Meg and Josh are back in a third installment, Their mission: to venture even farther into the past so they can save Meg’s mother before she dies in the hospital mishap that originally triggered Dad’s efforts to build the tiny time machine. Along the way, they must fix the future again and survive a final confrontation with Dad’s ex partner.

(13) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 4, 1946 — Patricia Kennealy-Morrison. (Died 2021.) Patricia Kennealy-Morrison as she later called herself was hand-fasted to Jim Morrison in a Celtic ceremony in 1970. It would be by no means a traditional relationship and that’s putting it mildly.

So it shouldn’t surprise you that much of her writing would be Celtic-tinged. The Keltiad, a fantasy series, was set far, far away. I mean really far away, possibly in another galaxy. There are eight novels in the series and one collection of short stories. She intended more works but the publisher dropped it when sales fell off.

So how are they? Well, maybe I’m not the best judge of literary style as I thought the Potter books were badly written and these I think are equally badly written. Think clichéd SF blended ineptly with Celtic fantasy.

Now when she decides to write in a more a traditional fantasy vein she is quite fine, as in her Tales of Arthur trilogy which is The Hawk’s Gray Feather, The Oak Above the Kings and The Hedge of Mist. It’s actually pretty good Arthurian fiction.

Now the last thing I want mention about her is not even genre adjacent. She did two mystery series, the best of which are The Rock & Roll Murders. All but one are set at music events such as Go Ask Malice: Murder at Woodstock and California Screamin’: Murder at Monterey Pop. The era is nicely done by her and the mysteries, well, less evocative than the people and the setting but that’s ok.

The other mystery series, the Rennie Stride Murders, involves and I quote online copy here, “She’s a newspaper reporter whose beat is rock, not a detective, and her best-friend sidekick is a blonde bisexual superstar chick singer.” It’s set in LA during the Sixties and is her deep dive in that music world according to the reviews I came across.

They have titles, and I’m not kidding, like Daydream Bereaver, Scareway to Heaven and Go Ask Malice. No idea how they are, this is the first time I’ve heard of them.

(14) COMICS SECTION.

Popeye – you’ll need to scroll down to read the March 3 strip, which is what we want to feature.
Peanuts from 1955 has more about satellites and other dangers.
Hi and Lois reveals a child’s-eye view of autographed books.
The Far Side shows who else unexpectedly lives on the Yellow Brick Road.

(15) GAIMAN ADAPTATION. At Colleen Doran’s Funny Business the artist explains “The Secret Language of a Page of Chivalry: The Pre-Raphaelite Connection”. Many images at the link.

Adapting Neil Gaiman’s Chivalry is a decades-long dream fulfilled. The story as text can be enjoyed on multiple levels, and so can the art. You look at the pages and see the pretty pictures, but the pictures also have meta-textual meaning. Knowing this secret language adds to the experience….

…For example, Ford Madox Brown’s Work, a painting which took some 13 years to complete, was first exhibited in 1865 with a catalogue explaining all its symbols and elements. There is nothing in that picture that doesn’t mean something.

I brought some of that visual meta-textual sensibility to Chivalry, (and I’ve written about the symbolism and meanings in the work in other essays.)

I also brought into the work direct Pre-Raphaelite art references….

(16) DUNE WHAT COMES CHRONOLOGICALLY. “’Dune’ Books in Order: How to Read All 26 Novels Chronologically” at Esquire. I can only agree with Cat’s comment: “Twenty six novels? You’ve got to be fucking kidding, aren’t you?”

So you’re fired up about Dune‘s recent big screen adaptations, and while you’re steel reeling from the shock and awe of Dune: Part Two, you’re wanting to dive into the world of Frank Herbert’s beloved science fiction novels. Congratulations! You’ve got an exciting literary journey ahead. And whether you’ve dabbled in Dune lore before or you’re completely new to the wild world of Arrakis, there’s something for everyone in this Titanic-sized series about power, violence, and fate….

(17) WHEN TO QUIT READING. PZ Myers knows there are a lot of books in the series, because he ends his review of Dune 2 at Pharyngula on FreeThoughtBlogs by reposting this infographic. (I don’t know its original source.) [Click for larger image.]

… There’s talk that there may be a third Dune yet to come, which worries me a bit. There are studio executives dreaming of a franchise now, I’m sure of it, but I have to warn them that that is a path destined to lead them into madness and chaos. The sequels are weird, man. Heed Chani and shun the way towards fanaticism and corporate jihad.

Ooh, just saw this summary of the Dune series. I agree with it. I should have stopped with Dune Messiah, years ago.

(18) GET READY FOR BAIRD’S LATEST. Keith Anthony Baird lives in Cumbria, United Kingdom, on the edge of the Lake District National Park. His SIN:THETICA will be released in May; pre-order now at the Amazon.ca: Kindle Store.

The Sino-Nippon war is over. It is 2113 and Japan is crushed under the might of Chinese-Allied Forces. A former Coalition Corps soldier, US Marine Balaam Hendrix is now a feared bounty hunter known as ‘The Reverend’. In the sprawl of NeuTokyo, on this lawless frontier, he must track down the rogue employee of a notorious crime lord. But, there’s a twist. His target has found protection inside a virtual reality construct and Hendrix must go cyber-side to corner his quarry. The glowing neon signs for SIN:THETICA are everywhere, and promise escape from a dystopian reality. But will it prove the means by which this hunter snares his prey, or will it be the trap he simply can’t survive?

Keith Anthony Baird began writing dark fiction in 2016 as a self-published author. After five years of releasing titles via Amazon and Audible he switched his focus to the traditional publishing route. His dark fantasy novella In the Grimdark Strands of the Spinneret was published via Brigids Gate Press (BGP) in 2022. Two further novellas are to be published in 2024 via BGP: SIN:THETICA (May) and a vampire saga in collaboration with fellow Brit author Beverley Lee, A Light of Little Radiance (November).

(19) VIDEO OF THE DAY. “Video Shows ‘Dune’ Fan Effortlessly Riding Homemade Sandworm at Movie Theater” at Complex.

…As seen below, an unidentified individual at an AMC theater in Tulsa, Oklahoma decked themselves out in full-fledged Fremen garb and proceeded to ride a homemade sandworm through the lobby to the presumed delight of fellow Dune-goers.

@josh.gammon
lead them to paradise #dunemovie #dune #amctheaters
? original sound – History of Cinema

[Thanks to SF Concatenation’s Jonathan Cowie, Kathy Sullivan, Daniel Dern, Lise Andreasen, Andrew (not Werdna), Steven French, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

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