Pixel Scroll 3/29/24 Scroll On, You Crazy Pixel

(1) FLOTSAM AND JETSAM. The five-day “Treasures From Planet Hollywood” auction brought in more than $15.6 million from over 5,500 bidders worldwide across some 1,600 lots, according to Heritage Auctions. Here are some items of genre interest that fetched big bucks.

Mechanical Man from Hugo

The whip from Indiana Jones and the Temple of Doom sold for $525,000 to become the most valuable prop or costume from the beloved franchise…

Another first-day smash was the Bapty& Co.-made ax Jack Nicholson used to heeeeeere’s-Johnny his way through the bathroom door in Stanley Kubrick’s The Shining. Among the first props Planet Hollywood secured before its grand opening in New York City in 1991, that ax sold for $125,000. When that sold Wednesday after a fierce bidding war, the auction room erupted in applause — for the first time, but not the last.

Over the five-day event, the hits kept coming: The Barbasol can Wayne Knight uses to smuggle dinosaur embryos out of 1993’s Jurassic Park realized $250,000The blaster Princess Leia carried across the forest moon of Endor in Return of the Jedi sold for $150,000, while an original Stormtrooper blaster from Star Wars, which Bapty & Co. forged from a British Sterling submachine gun, sold for $112,500.

Tobey Maguire’s black symbiote suit from 2007’s Spider-Man 3 swung out the door for $125,000, just a web ahead of one of his signature Spidey suits from the same film, which realized $106,250A “good guy” Chucky doll from 1988’s Child’s Play scared up a winning bid of $106,250….

…. A set of three Sankara stones from Indiana Jones and the Temple of Doom realized $100,000, while “the cup of the carpenter” — the Holy Grail itself — sold for $87,500.

But one of the auction’s first bidding wars was over a display figure wearing Gary Oldman’s Vlad the Impaler reproduced armor from 1992’s Bram Stoker’s Dracula, which Planet Hollywood obtained from technical advisor Christopher Gilman and sold on Wednesday for $87,500. And on the auction’s final day, a bidding war broke out over a prop from one of Martin Scorsese’s most underappreciated masterpieces, his 2011 adaptation of Brian Selznick’s children’s book Hugo, from which the original Mechanical Man automaton realized $81,250….

The top-selling item overall was the “Titanic prop that saved Rose and sparked debate…” reports NPR.

…”The wood panel from Titanic that saved Rose — but, controversially, not Jack — was the king of the auction, realizing $718,750 to float to the top of the five-day event,” auction house Heritage Auctions said in a release….

(2) SPOT RESOLUTION. Camestros Felapton wants you to know “Why I Declined a Hugo Spot”.

…2023 looms large here and there were definitely people I would rather see on the Hugo ballot for Best Fan Writer this year than myself. One was obviously Paul Weimer but I was certain he’d be top of most people’s ballots anyway but I was hoping some Chinese fans would make it onto the category. That didn’t happen but it is a decent list of finalists and there is nobody there that I would have wanted to replace.

Closely related to this was also the sense that I was likely to have gathered additional votes from things that I had written in 2024, specifically on the 2023 Hugo Award stats. Even if that wasn’t the case it would have felt like it was the case to me. So, I thought I’d feel happier skipping this year and putting my hat into the ring for next year…

(3) DREAM FOUNDRY CONTESTS OPEN SOON. The Dream Foundry’s annual contest for emerging artists and writers will take entries from April 1 until May 27, 2024. Every year their contest coordinators select ten finalists from a pool of submissions from around the world. Both contests offer cash prizes, first choice of seats in Flights of Foundry workshops, and other opportunities. Eligibility requirements and full details about prizes are at the links:

  • Art Contest — This year’s art contest will be judged by Lauren Raye Snow & Jessica Cheng, The contest coordinator is Grace P. Fong.
  • Writing Contest — The writing contest will be judged by Valerie Valdes and C.L. Polk, and our contest coordinator is Julia Rios.

(4) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Robert Levy and Jennifer Marie Brissett on Wednesday, April 10 at 7:00 p.m. Eastern. Location: KGB Bar, 85 East 4th Street, New York, NY 10003 (Just off 2nd Ave, upstairs).

ROBERT LEVY

Robert Levy’s novel The Glittering World was a finalist for the Shirley Jackson Award and the Lambda Literary Award. His collection No One Dies from Love: Dark Tales of Loss and Longing was published last year by Worde Horde and includes stories from The Magazine of Fantasy & Science Fiction, Nightmare, Black Static, The Dark, The Best Horror of the Year, and The Year’s Best Gay Speculative Fiction. Trained as a forensic psychologist, he teaches at the Stonecoast MFA Program in Creative Writing and can be found at TheRobertLevy.com.

JENNIFER MARIE BRISSETT

Jennifer Marie Brissett is the author of Destroyer of Light, which received a starred Kirkus Review and was on its list of Best Fiction of the Year. She is also the author of Elysium, which won The Philip K. Dick Award Special Citation and was a finalist for the Locus and Tiptree Awards. And once a long time ago she owned and operated an independent bookstore in Brooklyn. She lives in Manhattan where she is currently working on her next novel Daughters of the Night. Find her via her website at www.jennbrissett.com

(5) CLIMATE FICTION CONTEST OPENS. Grist’s “Imagine 2200 climate fiction contest 2024” is open for submissions through June 24.

Grist is excited to open submissions for the fourth year of our Imagine 2200: Climate Fiction for Future Ancestors short story contest. 

Imagine 2200 is an invitation to writers from all over the globe to imagine a future in which solutions to the climate crisis flourish and help bring about radical improvements to our world. We dare you to dream anew….

…. The winning writer will be awarded $3,000. The second- and third-place winners receive $2,000 and $1,000, respectively. An additional nine finalists will each receive $300. All winners and finalists will have their story published in an immersive collection on Grist’s website. …

We are thrilled to also announce the judges for our 2024/25 contest: Omar El Akkad and Annalee NewitzEl Akkad is an author and journalist whose award-winning debut novel, American War, is an international bestseller and was selected by the BBC as one of 100 Novels That Shaped Our World. Newitz is a science fiction and nonfiction writer whose third novel, The Terraformers is a finalist for the Nebula Award, and whose latest nonfiction book, Four Lost Cities, is a national bestseller.

Imagine 2200 celebrates stories that envision the next decades to centuries of equitable climate progress, imagining futures of abundance, adaptation, reform, and hope. We are looking for stories that are rooted in creative climate solutions and community-centered resilience, showing what can happen as solutions take root, and stories that offer gripping plots with rich characters and settings, making that future come alive.

In 2,500 to 5,000 words, show us the world you dream of building.

Your story should be set sometime between the near future and roughly the year 2200….

(6) WANT TO GO TO SPACE? NASA is accepting applications to “Become An Astronaut” through April 16. The complete guidelines are at the link.

Astronaut requirements have changed with NASA’s goals and missions. Today, to be considered for an astronaut position, applicants must meet the following qualifications:

  1. Be a U.S. citizen
  2. Have a master’s degree* in a STEM field, including engineering, biological science, physical science, computer science or mathematics, from an accredited institution.
  3. Have a minimum of three years of related professional experience obtained after degree completion (or 1,000 Pilot-in-Command hours with at least 850 of those hours in high performance jet aircraft for pilots) For medical doctors, time in residency can count towards experience and must be completed by June 2025.
  4. Be able to successfully complete the NASA long-duration flight astronaut physical.

(7) LOUIS GOSSETT JR. (1936-2024). Actor Louis Gossett Jr., winner of an Oscar for his performance in An Officer and a Gentleman and an Emmy for his role in TV’s Roots,died March 29 at the age of 87.

His genre resume includes the movie Enemy Mine (as the alien soldier), the Watchmen TV series (as the former Hooded Justice, for which he won an Emmy), and an episode of Touched By An Angel (a role which also earned an Emmy nomination). He voiced Lucius Fox in The Batman animated series (2007).

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 29, 1957 Elizabeth Hand, 67. These are my personal choices, not an overview of her career. 

I’ll say up front that my favorite work by Elizabeth Hand is an atypical work by her, Wylding Hall. Using an oral history framing to tell the story of when the young members of a British folk band decide to record a new album, they choose this ancient country house that has a history that is very troubled. The characters are fascinating, the setting is well crafted and the story, well, I think it’s her best story ever and it did win the Shirley Jackson Award. 

Elizabeth Hand

So what else did I like by her? There’s Mortal Love which intertwine the now while reaching back in the Victorian past with the mystery of a woman who holds the key to lost Pre-Raphaelite paintings, appropriate since she seems too akin to one of those of those works herself. 

I will admit that I like her more grounded works better which is why the next pick is Illyria, a short novel set in the theater world (did I mention that I adore Angel Carter’s Wise Children? Well I do.) Twin sisters are now cast in a production of Twelfth Night, and magic will happen this night. It garnered a World Fantasy Award.

Curious Toys is an extraordinary work as a young girl attempts to find a murderer in turn-of-the-century Chicago. That description hardly describes the story awaiting the reader here as the girl is but fourteen and the setting the killer is stalking is the famous Riverview amusement park.  

Finally I find much to appreciate in her Cass Neary private eye series. A smart-assed, substance abusing and always self-destructive punk who means well, the series is that rare series that develops the character novel by novel. 

(9) COMICS SECTION.

(10) FANCY THREADS. “When Hollywood Needs a Historically Accurate Outfit That Looks Just Right, It Turns to Rabbit Goody”Smithsonian Magazine has the story.

… Thistle Hill Weavers, founded by Rabbit Goody in 1989, makes textiles for movies and television shows, historic houses, and high-end furniture and clothing companies. What sets this little mill in Central New York apart from every other cloth manufacturer in the country is Goody’s remarkable ability to re-animate the past: No one else produces short runs of textiles that so faithfully replicate the weave, texture, weight and color of historic fabrics. If you’ve seen “The Gilded Age” or Cinderella Man, you’ve seen Goody’s work in action. The majority of Thistle Hill’s income comes from creating more contemporary fabrics for interior designers and architects, and from the work Goody does with historic houses, such as Mount Vernon, George Washington’s home in Virginia. Yet many of her favorite jobs have come from Hollywood costume designers seeking perfectly rendered, historically accurate textiles to recreate items like Abraham Lincoln’s shawl for the movie Lincoln or much of the colonial-era clothing seen in the 2008 mini-series “John Adams.”…

… Today Thistle Hill Weavers employs seven people whom Goody has trained to run the nine mechanized shuttle looms dating from the 1890s through the 1960s, plus archaic-sounding equipment like a warp winder and a quiller—all necessary to transform big cones of thread into beautiful pieces of fabric. Goody’s workers generally arrive with no knowledge of weaving; she teaches them everything they need to know….

(11) NYT ON VINGE. The New York Times obituary linked here is behind a paywall: “Vernor Vinge, Innovative Science Fiction Novelist, Dies at 79”.

… Mr. Vinge’s immersion in computers at San Diego State University, where he began teaching in 1972, led to his vision of a “technological singularity,” a tipping point at which the intelligence of machines possesses and then exceeds that of humans.

He described an early version of his vision in Omni magazine in 1983.

“We’re at the point of accelerating the evolution of intelligence itself,” he wrote, adding, “Whether our work is cast in silicon or DNA will have little effect on the ultimate results.” He wrote that the moment of the intellectual transition would be as “impenetrable as the knotted space-time at the center of a black hole,” and that at that moment “the world will pass far beyond our understanding.”

A decade later, he fleshed out the intellectual transition — the singularity — in a paper (subtitled “How to Survive in the Post-Human Era”) for a symposium sponsored by the NASA Lewis Research Center and the Ohio Aerospace Institute.

“Within 30 years,” he said, “we will have the technological means to create superhuman intelligence. Shortly after, the human era will be ended. Is such progress avoidable? If not to be avoided, can events be guided so that we may survive?”

That prediction has not come true, but artificial intelligence has accelerated to the point that some people fear that the technology will replace them….

(12) MEASURING THE UNIVERSE. The New York Times makes sure she is “Overlooked No More: Henrietta Leavitt, Who Unraveled Mysteries of the Stars”.

…In the early 20th century, when Henrietta Leavitt began studying photographs of distant stars at the Harvard College Observatory, astronomers had no idea how big the universe was. Debate raged over whether all of the objects visible through the telescopes of the day were within our own Milky Way galaxy, or whether other galaxies — or “island universes,” as they were then called — might exist somewhere out in space.

Leavitt, working as a poorly paid member of a team of mostly women who cataloged data for the scientists at the observatory, found a way to peer out into the great unknown and measure it.

What’s now commonly called Leavitt’s Law is still taught in college astronomy courses. It underpinned the research of other pioneering astronomers, including Edwin Hubble and Harlow Shapley, whose work in the years after World War I demolished long-held ideas about our solar system’s place in the cosmos. Leavitt’s Law has been used on the Hubble Telescope and the James Webb Space Telescope in making new calculations about the rate of expansion of the universe and the proximity of stars billions of light years from earth.

“All of those major discoveries rested on Leavitt’s discovery,” Wendy L. Freedman, a professor of astronomy and astrophysics at the University of Chicago, said in a phone interview, referring to the explosion of knowledge about space over the last century. “It’s the bedrock foundation of so much of what we do today in cosmology and astrophysics in general.”

What Leavitt achieved was essentially twofold. In a groundbreaking observation in 1908, she noticed that certain stars, called Cepheids, photographed in the Large and Small Magellanic Clouds — two relatively nearby galaxies — had a distinctive pattern: The longer it took for the Cepheids to cycle through their variations, the brighter they were in magnitude. Then, in a paper in 1912, she laid out a mathematical formula to explain her observation, called a “period-luminosity” relationship.

That opened the door to a new kind of interstellar triangulation, as Cepheid variables emerged as a reliable way to calculate cosmic scale for Earthbound astronomers. Distances that before then were anyone’s guess suddenly had a formula, and the portrait that emerged was shocking — a universe hundreds of times bigger than most astronomers had imagined….

(13) AT THE CORE. “Astronomers Capture Dazzling New Image of the Black Hole at the Milky Way’s Center” in Smithsonian Magazine.

Astronomers have captured the first-ever image of magnetic fields circling the supermassive black hole at the center of our Milky Way galaxy.

The fields have a similar structure to those around the black hole at the center of Messier 87, a massive elliptical galaxy in the constellation Virgo. This finding suggests that strong magnetic fields may be a common feature of all black holes, the researchers report in a pair of papers published today in the Astrophysical Journal Letters.

“This spiral pattern that we see swirling around the black hole indicates that the magnetic fields must also be a spiral pattern whirling around—and that they’re very strong and very ordered,” Sara Issaoun, a co-leader of the research and an astronomer at the Center for Astrophysics, Harvard & Smithsonian, says to BBC Science Focus’ Tom Howarth….

(14) WEEDS IN SPACE! Yesterday I was frustrated that NASA had not said what plants are part of its lunar-bound experiment. Cat Eldridge found the answer on the Space Lab website: “Lunar Payload LEAF – Lunar Effects on Agricultural Flora”.

…The LEAF β (“LEAF Beta”) payload will protect plants within from excessive Lunar sunlight, radiation, and the vacuum of space, while observing their photosynthesis, growth, and responses to stress. The experiment includes a plant growth chamber with an isolated atmosphere, housing red and green varieties of Brassica rapa (Wisconsin Fast Plants®), Wolffia (duckweed), and Arabidopsis thaliana. By bringing seedling samples back to Earth, as part of Artemis III, the research team will apply advanced system biology tools to study physiological responses at a molecular level…

(15) WHEN DID THE FIRST HOMININS TRULY ENTER EUROPE? [Item by SF Concatenation’s Jonathan Cowie.] (I have never forgiven the dinosaurs for what they did to Raquel Welch.) When did humans first enter Europe has been the subject of some debate. Now, new research from a site in Ukraine at Korolevo has used two different dating methods. These have given a very similar result… “East-to-west human dispersal into Europe 1.4 million years ago” in Nature.

Here, using two methods of burial dating with cosmogenic nuclides [the researchers] report ages of 1.42 ± 0.10 million years and 1.42 ± 0.28 million years…

…this suggests that early hominins exploited warm interglacial periods to disperse into higher latitudes and relatively continental sites—such as Korolevo—well before the Middle Pleistocene Transition.

(16) NEW SF YOUTUBER….? [Item by SF Concatenation’s Jonathan Cowie.] Well, we all (OK, perhaps just some of us) have our favorite SF YouTuber, be it Moid Moidelhoff at Media Death Cult who is particularly popular with those fairly new on their SF journey, or Book Pilled for those that are perhaps more seasoned.  One recent newcomer that some Filers might like to check out is Grammaticus Books.  He recently reminded me of a forgotten Heinlein classic from 1942, Orphans of the Sky.  So I went to see if I had a copy in my library, and lo, it came to pass that I had and that I must have read it the best part of half a century ago…

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Kathy Sullivan, Olav Rokne, Daniel Dern, Danny Sichel, SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 10/5/23 The Fan-Kzin Scrolls

(1) NICOLA GRIFFITH Q&A. “’Hild’ sequel author Nicola Griffith talks about ‘Menewood’” in the Christian Science Monitor.

When did you first learn about the real Hild?

I love old abbeys, old castles, all that kind of thing. But I had never been to [the ruins of Whitby] Abbey until I was in my early 20s. I crossed the threshold of the abbey, and it was like stepping into Narnia. The world just changed. You know when some people talk about the skin of the Earth being thin in some places, this sense of immanence? It was like that for me. 

I read in a tourist pamphlet about St. Hilda of Whitby, who founded the abbey, and I wanted to learn more, but there were no books about her. 

My question was, why is this woman, from a time when we’re told that women had no power, no influence, no significance whatsoever, still remembered 1,400 years later? Nobody could tell me. I was on fire to find out; I thought what we knew of history must be wrong. This could not have happened if what we think of as history is actually true. So I basically started this enormous controlled experiment. I rebuilt the seventh century. I mean, I researched before I even wrote a word.

I’d been researching that book [“Hild”] for 20 years. I’d been reading everything you could possibly think of, all the medieval plants, everybody’s lists of grave goods. I followed all the archeology magazines and blogs and journals, and I read about the weather. I researched the flora, fauna, jewelry, making textiles. And then the day before my birthday, I thought, I cannot start another year without having done this book. So I sat down and said, I’m going to write one paragraph. And so I did. And there was Hild. And she was 3 years old and sitting under a tree. And I thought, that’s how I’m going to do it. She’s going to learn the world along with the reader.

(2) LE GUIN VIDEOS PART FOUR. The Journey That Matters is a series of six short videos from Arwen Curry, the director and producer of Worlds of Ursula K. Le Guin, a Hugo Award-nominated 2018 feature documentary about the iconic author.

In the fourth of the series, Khadija Abdalla Bajaber introduces “There I Am on the Page,” in which Ursula and other writers—including Nisi Shawl and adrienne maree brown—reflect on Ursula’s decision to make many of her characters people of color. Watch  “Ursula K. Le Guin on Writing Characters of Color” at Literary Hub.

(3) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present David D. Levine and Robert Levy on Wednesday, October 11 at 7:00 p.m. Eastern. Where: KGB Bar, 85 East 4th Street, New York, NY 10003 (Just off 2nd Ave, upstairs)

DAVID D. LEVINE

David D. Levine is the author of Andre Norton Nebula Award winning novel Arabella of Mars, sequels Arabella and the Battle of Venus and Arabella the Traitor of Mars, and over fifty SF and fantasy stories, some collected in the award-winning Space Magic. His story “Tk’Tk’Tk” won the Hugo, and he has been shortlisted for awards including the Hugo, Nebula, Campbell, and Sturgeon. His latest novel is The Kuiper Belt Job.

ROBERT LEVY

Robert Levy’s novel The Glittering World was nominated for the Shirley Jackson Award and the Lambda Literary Award. Shorter work has appeared in The Magazine of Fantasy & Science FictionNightmareBlack Static, and The Best Horror of the Year. He teaches at the Stonecoast MFA Program, and his collection No One Dies from Love: Dark Tales of Loss and Longing is out now from Word Horde.

(4) NOBEL PRIZE FOR LITERATURE. Jon Fosse has won the 2023 Nobel Prize for Literature “for his innovative plays and prose which give voice to the unsayable.”

(5) LAURIE HALSE ANDERSON DONATES $100K TO PEN AMERICA’S FIGHT AGAINST BOOK BANS. The 2023 Astrid Lindgren Memorial Award laureate, American writer Laurie Halse Anderson, is donating $100,000 of her prize money to PEN America’s fight against book bans.

…Many of Laurie Halse Anderson’s books are frequently found on lists of banned books: books that, in some states or districts in the United States, are not allowed to be read in schools or bought by public libraries because of their subject matter or plot. Earlier this year, Anderson received the Astrid Lindgren Memorial Award, the world’s largest award for children’s and YA literature. The prestigious award comes with a cash prize of SEK 5 million ($452,000).

“Public libraries and schools have a duty to offer a broad range of books to the communities that they serve. People who find a book that they don’t like don’t have to read it. They do not have the right to dictate what books other people, or other people’s children, can read. I am proud to support PEN America and their fight against book banners and others bent on destroying our freedom to read. Remember: censorship is the child of fear and the father of ignorance”, says Laurie Halse Anderson….

(6) THEY WENT APE. Matthew Hays recalls how “50 Years Ago, One of the Gutsiest, Strangest Sci-Fi Movie Franchises Came to a Close with Battle for the Planet of the Apes” at Literary Hub.

When Planet of the Apes opened in cinemas in 1968, its box-office success was surprising even to the filmmakers themselves. After all, the film featured an astronaut survivor named Taylor (played by Oscar winner Charlton Heston) facing off against a planet of actors wearing elaborate ape makeup.

The possibility that the film would seem a giant joke to audiences had already crossed the minds of the suits at 20th Century Fox. The studio had set up an audience screening before they greenlit the project. Producer Arthur Jacobs was commissioned to film a 15-minute short film that would include some actors in ape makeup; if one person in the audience laughed, there would be no movie. No one laughed, and a legendary science fiction film was born.

To kids (I first saw the film at age six), Planet of the Apes seemed a basic movie about an astronaut landing on a planet run by a different species. But when the film arrived, many adults got the film’s multilayered jokes and running commentary: screenwriters Rod Serling and Michael Wilson (adapting Pierre Boulle’s novel) packed every imaginable bit of baggage that would fit into their carefully crafted Trojan horse. As New Yorker critic Pauline Kael immediately intuited, Planet of the Apes was a hate letter to America, full of commentary about slavery, manifest destiny, religious fundamentalism, creationism versus evolution, colorism and racism generally. The extensive medical experimentation done on the humans by apes is a clear reference to the Tuskegee Experiments. That some thought the apes were meant to represent Black Americans was a fundamental misreading of the film; the ape society is clearly a parody of American society, with all of its contradictions (especially the purported separation of church and state).

(7) WRITING POEMS, AND WAITING TO BE ARRESTED. [Item by SF Concatenation’s Jonathan Cowie.] With Chengdu Worldcon in mind, it is worth checking out today’s BBC World Service programme on the life of a Uyghur artist (poet, film and documentary maker) in China.

The programme is very Orwellian.

Tahir Izgil is one of the most highly respected living Uyghur poets. Tahir was born near Kashgar, in Xinjiang province, and from an early age he was immersed in the poetry of his culture. When the Chinese state clamped down on the Uyghur community, he lived under constant threat of arrest, and says he couldn’t even perform his poems. So he decided to try and escape his homeland…

You can listen to it here: “Writing poems, and waiting to be arrested”.

(8) 24TH FANTASIC SHORT STORY CONTEST. [Item by Ahrvid Engholm, contest administrator.] Results are in for the “24th Fantastic Short Story Contest” or “Fantastiknovelltävlingen”, probably the oldest running writing contest in Sweden, organized by writing E-mail list SKRIVA. (The term “fantastik” is here often used for sf, fantasy and horror, the “fantastic” genres.)

1st prize: “Der Berliner Underwellen”, by Kristian Schultz

2nd prize: “Cladosporium¨, by Isak Laestander

3rd prize: “The Cleaning Day”, by Kristian Schulz

There also were five “honorable mentions”.

A total of ca €200 is handed out in prize money plus a diploma and a secret prize… The Google English translation version of the result announcement

The winner 2023 Kristin Schultz also grabbed 3rd place, and despite having a German sounding title — it’s set in Berlin — the short story was in Swedish. An edited summary of the jury’s comments, authors P Lindestrand, K Bjällersted-Mickos and N Krog:

“…well-balanced description of a relationship in disintegration…Very eerie environments and Lovecraftian abominations that dwell in dark cellars…exciting and evocative story about…an underground tunnel populated by a hungry monster. The ending is dramatic, well written and classic…Wonderfully well-written and well-thought-out story about a Mathias and Klara who go on group sightseeing in the Berlin underground…Soon total chaos breaks out. The short story is well structured…A pleasure to read.”

Next contest starts in spring 2024. It will be the 25th and a silver jubilee!

(9) FAN HISTORY ZOOM: EVOLUTION OF FAN ART. The Fan History Project has another great FANAC Fan History Zoom session coming up coordinated by webmaster Edie Stern.

  • Evolution of Fan Art with legendary fan artists Grant Canfield, Tim Kirk, Jim Shull and Dan Steffan.

Sunday, October 15, 2023. Time: 4 pm EDT, 1 pm PDT, 9 pm BST (UK) and 7 am (Oct. 16, Melbourne, AU)

To attend, please send a note to [email protected]

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 5, 1945 Judith Kerman, 78. Can we call her a polymath? She’s a translator, publisher, academic, anthologist and poet.  All of her poetry, collected in Uncommonplaces: Poems of the Fantastic, is well worth your time. She did two non-fiction works of which I’m recommending one, “Retrofitting Blade Runner: Issues in Ridley Scott’s Blade Runner and Phillip K. Dick’s Do Androids Dream of Electric Sheep”, as I’ve a Jones for that literature.
  • Born October 5, 1949 Peter Ackroyd, 74. His best known genre work is likely Hawksmoor which tells the tale of a London architect building a church and a contemporary detective investigating horrific murderers involving that church. Highly recommended. The House of Doctor Dee is genre fiction as is The Limehouse Golem and The Casebook of Victor Frankenstein.  I thought Hawksmoor had been turned into a film but it has not. But he has a credit for The Limehouse Golem which is his film work. 
  • Born October 5, 1952 Clive Barker, 71. Horror writer, series include the Hellraiser and the Book of Art, which is not to overlook The Abarat Quintet which is quite superb. Though not recent, The Essential Clive Barker: Selected Fiction published some twenty years ago contains more than seventy excerpts from novels and plays and four full-length short stories. His Imaginer series collects his decidedly strange art.  There has been a multitude of comic books, both by him and by others based on his ideas.  My personal fave work by him is the Weaveworld novel.
  • Born October 5, 1959 Rich Horton, 64. Editor of three anthology series — Fantasy: Best of The Year and Science Fiction: Best of The Year, merged into The Year’s Best Science Fiction & Fantasy in 2010. He wrote a review column for Locus for twenty years, signing off this past February. His Strange at Ecbatan blog includes reviews, criticism, and a well-received series that proposes Hugo finalists to fill in the old years when only winners were announced, or even before the award was created.
  • Born October 5, 1971 — Paul Weimer, 52. Writer, Reviewer, and Podcaster, also known as @PrinceJvstin. An ex-pat New Yorker living in Minnesota, he has been reading science fiction and fantasy for over 40 years and exploring the world of roleplaying games for more than 35 years. A three-time Hugo finalist for Best Fan Writer (2020-2022), he is a prolific reviewer for Nerds of a Feather and contributes elsewhere, including Tor.com, The Skiffy and Fanty Show, A Green Man Review, and here at File 770. He also contributes to the Hugo-nominated fancast The Skiffy and Fanty Show and the SFF Audio podcasts. He was the 2017 Down Under Fan Fund delegate to the Australia and New Zealand National Conventions, and his e-book DUFF trip report, consisting of more than 300 pages of travel stories and stunning photographs, is still available here.
  •  Born October 5, 1974 Colin Meloy, 49. He’s best known as the frontman of the The Decemberists, a band that makes use of folklore quite a bit,  but he has also written the neat and charmingly weird children’s  fantasy Wildwood chronicles which is illustrated by his wife, Carson Ellis.

(11) COMICS SECTION.

(12) GET READY FOR LIFE DAY. Marvel comics will publish four Life Day variant covers in November – in time for the Wookiee celebration of Life Day on November 17.  

Each November, the galaxy far, far away celebrates family, joy, and harmony on Life Day, and this year, Marvel Comics will commemorate this longstanding Wookiee tradition by reflecting these values in all-new variant covers!

 Gracing the covers of STAR Wars, Star Wars: Darth Vader, Star Wars: Doctor Aphra, and Star Wars: Bounty Hunters, the four new Life Day Variant Covers come from artists Mike Del Mundo and Rod Reis and feature characters from throughout various eras of Star Wars storytelling, including nods to the original Star Wars Holiday Special. Fans can enjoy heartwarming moments like young Anakin Skywalker sharing a meal with his mother Shmi, Han Solo and Chewie decorating, Chef Gormaanda whipping up a delicious feast, and Doctor Aphra and Krrsantan reuniting for the season!

(13) EATING THE FANTASTIC. Scott Edelman invites listeners to relive Capclaves past and present during Eating the Fantastic’s lightning-round Capclave Donut Carnival.

I love Eating the Fantastic’s lightning-round donut episodes, for which I park myself in a heavily trafficked area of a con with a dozen donuts and chat with anybody who’s up for trading five minutes of talk for a freebie. It’s a fun contrast to my usual well-researched one-on-one conversations, in that it’s completely spontaneous, since I never know the identities of my guests until their eyes alight on my donuts and they choose themselves.

In 2016, listeners were able to eavesdrop on the Readercon Donut Spectacular, then in 2017 the Balticon Donut Extravaganza, in 2018 the Nebula Awards Donut Jamboree, and in 2019 — before the pandemic forced me to take a break from such things — the StokerCon Donut Spooktacular.

Because Capclave — which ended the day before yesterday as this episode goes live — not only has a patio, but this year, unlike last, had weather warm enough for us to gather there, I was able to bring back that tradition. On Saturday afternoon, I sat down out on the patio with two boxes of donuts from Donut King in Kensington, Maryland, and waited for potential guests to materialize.

So join us during the lightning-round Capclave Donut Carnival, where you’ll hear R. Z. Held and me bond over rejection, David Hacker explain his love of listening to writers read, Michael Dirda recall why Orson Scott Card once kneeled before him on an elevator, James Morrow share his fascination with Charles Darwin, how Katy Lewis found her husband through Dungeons and Dragons, Michael Walsh’s favorite moment as a con chair (which involved Howard Waldrop, Gardner Dozois, and George R. R. Martin), Bill Lawhorn clarify the creation of the bronze dodo, Sarah Pinsker reveal how and why her first science fiction convention was Capclave, Adeena Mignogna explain why space is cool but space travel gets really hot, Mike Zipzer’s memories of Terry Pratchett’s surprise visit, Sarah Mitchell’s arranging of a secret con wedding, Sunny Moraine opine on how the world’s response to COVID-19 changes our ideas of what would happen in a real-world zombie apocalypse, John Pomeranz chat about how the infamous Disclave Great Flood thrust him into being a hotel liaison — and much more!

(14) WOOF 2023. [Item by Rich Lynch.] WOOF(the Worldcon Order Of Faneditors) will have a collation at the upcoming Worldcon in Chengdu.  This year’s Official Editor (OE) is Don Eastlake. 

WOOF is an amateur press association (apa) that has been a feature of Worldcons since 1976 thanks to its originator, the late Bruce Pelz.  For those who will be attending this year’s Worldcon, there will be a WOOF collection box at the Worldcon for printed fanzines.  Alternatively, you can email your WOOFzine as a PDF to <[email protected]>. Your contribution must be received by October 22, Chengdu time. After the deadline passes, the OE will collate all fanzines received into a single PDF document and this assembled mailing will then be made available for download and viewing at efanzines.com, where several previous mailings of WOOF are now archived.  (It’s not yet known if there will be any printed copies.)

(15) CHENGDU WORLDCON ROUNDUP. [By Ersatz Culture.]

Procedure for Chengdu bid supporters to be able to enter the lottery https://weibo.com/5726230680/NmqACu8fo

Following on from recent items, File 770 commenter Adaoli has documented the process that (Chinese?) supporters of the Chengdu site selection bid have to go through, in order to enter the lottery to attend any of the main ceremonies.  (I don’t think this particular quirk was mentioned in those earlier updates, because I didn’t — and still don’t — fully grok all the details.)  In my understanding, anyone who had Chengdu membership through supporting that bid — as opposed to buying a new membership or ticket — doesn’t have the purchase number that is necessary to fill in the lottery application, and so they have to go through this process.  Amongst other things, this involves calling a telephone helpline.

Some initial Weibo comments about the apparent lack of foreign/Western guests

Via Google Translate.  Poster’s identities have been removed, as have the names of authors, which has involved some minor editing for readability.  There are multiple comments from certain posters, so I wouldn’t claim that this is a representative sample of Chinese fandom by any means.

  • Guest of honor Lukyanenko did not appear (understandably). The willingness of foreign science fiction people to participate in the conference is indeed too low (visible to the naked eye).  (I suspect that last bit would be more accurately translated as “invisible to the naked eye”.)
  • Many authors who have been inactive for many years have been brought up to make up the number. Foreign guests invited many cartoonists and artists who are not well-known in China. There were only four well-known foreign writers. Yes, this is really embarrassing.
  • There is no publicity outside. When I helped distribute flyers at the Japan Science Fiction Convention in August, many people who sold doujinshi didn’t know it was held in Chengdu.  (FWIW, this poster has Korean hangul characters in their username, and Weibo indicates they posted that comment from a Japanese IP address.)
  • [In] 1991, there were 45 foreign guests at the WSF conference in Chengdu.
  • Let’s not talk about European and American writers. I didn’t see the writers from neighboring Japan, [Names of 8 Japanese writers omitted.]  It feels not much different from domestic science fiction conventions.
  • I checked that there were probably more than 120 foreign guests attending the event in Yokohama 2007. There were approximately 1,210 foreign participants at that conference (the total number of participants was 2,788) 

At time of submitting this item, I’ve not seen any general reaction to the schedule – although as the announcement on Weibo went out at 22:52 local time, I’m hoping there’ll be more commentary tomorrow.

Video posted showing the interior of the con site https://weibo.com/6088652407/4952842881735936

Chengdu-based KanDu News posted this 2:42″ video to Weibo, which is the best look yet at the interior of the con venue.  The opening captions indicate it was filmed yesterday (October 3rd), and there’s clearly a lot of interior construction work still underway.

From 0:30 to 0:55 shows the “Hugo Hall”, which is 4000 square meters. The guy talking indicates there’s something special about the video wall; it looks to be translucent and/or visible from both sides?  The area shown between 0:55 – 01:10 is (I think) the area for the press and media, and is 1000 square meters.  

 The structure shown between 1:35 and 2:20 seems like it’s a reproduction of something from the Wandering Earth 2 film, although I haven’t seen that, so I’m unclear what exactly it is. 

That organization also posted a video yesterday composed of night drone shots of the exterior — https://weibo.com/6088652407/NmaFNiigG.

Tibet Airlines magazine interview https://weibo.com/6045346855/NlSyioyiG

Via the Weibo account of Chengdu SF publisher 8 Light Minutes, (what I assume is) the October issue of the in-flight magazine of Tibet Airlines has a 6-page interview with Best Editor (Short Form) finalist Yang Feng, with various photos relating to the history of Chinese SF and the upcoming Worldcon

(16) WE APOLOGISE FOR ANY INCONVENIENCE. [Item by SF Concatenation’s Jonathan Cowie.] A time-loop, Groundhog Day-type audio play on BBC Radio 4, “We Apologise for Any Inconvenience.”

The being-trapped-in-a-repeating-time-loop trope has an early exemplar film in Groundhog Day (1993) but that was decidedly fantasy.

The SF version was 12:01 (1993) in which the loop was caused by technology. However, the trope’s provenance does not begin there: there was the earlier, Oscar short-listed, short film, 12:01 (1990) which in turn was based on the short story ’12:01 P.M.’ (1973) by Dick Lupoff (who sadly died in 2020).

Alas, challenging Hollywood as to potential plagiarism is arguably hard: it has deep pockets. But you can’t keep a good trope treatment down, and the idea of being stuck in a recurring time loop has been used in a fairly recent Star Trek series as well as an episode of Stargate as well as elsewhere.

And now the BBC has just gotten in on the act with a play on Radio 4 this week: We Apologise for Any Inconvenience, only this time, the principal protagonists are not those actually stuck in the loop themselves but others who happen to encounter the hapless looper that day… 

Sebastian Baczkiewicz’s drama takes us to an anonymous northern station at the heart of the rail network on the day everything grinds to a halt. Hundreds of lives go into limbo but one person claims to have been stuck there longer than anyone else. Will his groundhog day ever end? 

You can listen to it here.

(17) TOP STREAMING. JustWatch lists the top 10 most streamed movies and TV shows for the month of September.

(18) OVER 20K YEARS OLD. A U.S. Geological Survey “Study confirms age of oldest fossil human footprints in North America”.

In September 2021, U.S. Geological Survey researchers and an international team of scientists announced that ancient human footprints discovered in White Sands National Park were between 21,000 and 23,000 years old. This discovery pushed the known date of human presence in North America back by thousands of years and implied that early inhabitants and megafauna co-existed for several millennia before the terminal Pleistocene extinction event. In a follow-up study, published today in Science, researchers used two new independent approaches to date the footprints, both of which resulted in the same age range as the original estimate. 

The 2021 results began a global conversation that sparked public imagination and incited dissenting commentary throughout the scientific community as to the accuracy of the ages. 

“The immediate reaction in some circles of the archeological community was that the accuracy of our dating was insufficient to make the extraordinary claim that humans were present in North America during the Last Glacial Maximum. But our targeted methodology in this current research really paid off,” said Jeff Pigati, USGS research geologist and co-lead author of a newly published study that confirms the age of the White Sands footprints….

In addition to the pollen samples, the team used a different type of dating called optically stimulated luminescence, which dates the last time quartz grains were exposed to sunlight. Using this method, they found that quartz samples collected within the footprint-bearing layers had a minimum age of ~21,500 years, providing further support to the radiocarbon results…

(19) VIDEO OF THE DAY. Ryan George is there when “The Eggplant Emoji Finds Out” what everybody uses it for.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Kathy Sullivan, Scott Edelman, Joe Siclari, Rich Lynch, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, and Ersatz Culture for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 3/13/20 The Sun Comes Shining As I Was Scrolling, The Pixels Waving And The Dust Clouds Rolling

(1) BUTTIGIEG INTERVIEWS SIR PAT. “Recently unemployed” Mayor Pete Buttigieg guest-hosted The Jimmy Kimmel Show. Due to public health concerns over the coronavirus, they cancelled their studio audience. Sir Patrick Stewart was a guest on the show.

Sir Patrick talks about Mayor Pete’s huge “Star Trek” fandom, civil disobedience, Sir Ian McKellen performing the multiple marriage ceremonies he had to his wife, and he surprises Mayor Pete with one of his original scripts from “Star Trek.”

They also did a sketch about “a Star Trek trivia game show for the ages called ‘Who’s the Captain Now?’” hosted by LeVar Burton.

(2) HELIOSPHERE CANCELLED. Heliosphere, which was to have been held April 3-5 in Tarrytown, NY has been called off. The committee has not yet decides whether to try and hold it later this year.

Unfortunately, due to the coronavirus, HELIOsphere 2020 will not be running as scheduled for April 3-5. At this time, we don’t know whether we will be postponing or simply cancelling for this year. We will keep you posted as we work out the details with the hotel.

(3) STOKERCON STATUS. The Horror Writers Association’s annual StokerCon is scheduled to be held in the U.K. next month. HWA President John Palisano gave this update to Facebook readers today:

At this time, more than two-thirds of attendees are based in the U.K., you should all be aware that the political situation has been changing by the hour. Only in the last 24 hours has travel in Europe (with the exception of the U.K.) been generally banned. The U.K. may take a similar step, or the U.S. may prohibit travel to and from there. So it’s a very real possibility that in the next few days, the decision of whether to hold the Con may be taken out of our hands. We don’t want to cancel the event unnecessarily, because that could cause severe financial hardship to many of our attendees and volunteers. On the other hand, we want to be respectful of individual decisions about whether or not to travel. We ask for you to be patient for a few more days while we try to sort out various options, including streaming the Bram Stoker Awards ceremony.

Meanwhile, our Librarians Day event, scheduled for May 7th of this year in Chicago, is still a go at this point. The organizers are also carefully watching this pandemic and are working on contingencies should the issues stretch that far into the future. They will have an announcement tomorrow.

Know that heading my first StokerCon as President of the HWA carries no small weight, and that my main priority is and will remain our members’ safety and well-being as we navigate these treacherous and unmapped waters.

(4) UP IN THE AIR. Fans inquiring about the status of Minicon 55, planned for April 10-12 in Minneapolis, have been told there’s a committee meeting this weekend and an announcement one way or the other may follow.

(5) MORE COVERAGE. Tor.com’s Andrew Liptak is also tracking the status of sff events. “Coronavirus: The Sci-Fi/Fantasy Conventions Canceled So Far”.

Those events include major science fiction, fantasy, and gaming conventions, as well as adjacent events like conferences. We’ve compiled a list of major and regional events that have been postponed, canceled, or which are as of now still running.

(6) SMITHSONIAN’S OPEN ACCESS IMAGE COLLECTION. We ought to be able to do a lot with this: “Smithsonian Releases 2.8 Million Images Into Public Domain”.

Culture connoisseurs, rejoice: The Smithsonian Institution is inviting the world to engage with its vast repository of resources like never before.

For the first time in its 174-year history, the Smithsonian has released 2.8 million high-resolution two- and three-dimensional images from across its collections onto an open access online platform for patrons to peruse and download free of charge. Featuring data and material from all 19 Smithsonian museums, nine research centers, libraries, archives and the National Zoo, the new digital depot encourages the public to not just view its contents, but use, reuse and transform them into just about anything they choose—be it a postcard, a beer koozie or a pair of bootie shorts.

And this gargantuan data dump is just the beginning. Throughout the rest of 2020, the Smithsonian will be rolling out another 200,000 or so images, with more to come as the Institution continues to digitize its collection of 155 million items and counting.

When I searched “science fiction” lots more photogenic things came up – from lunch boxes to C3PO – but I was intrigued by this 1951 Astounding advertising rate card:

(7) SCIENCE IN THE HOUSE. That’s candidate Brianna Wu’s latest appeal:

Media has focused on the dangers of Coronavirus. Brianna Wu speaks with Geneticist Frank Wu about the possible treatments and vaccines being developed by the biotech industry

(8) ANOTHER WORLD. Henry Lien posted this thought experiment on Facebook.

WHAT WOULD THE WORLD BE LIKE IF EVERYONE WERE LIKE YOU?
I used to play a game and ask people what the world would be like if everyone were like you. Here are some features of my world.
1. Restaurants would be filled with constant people traffic as everyone went to wash their hands after touching the menu and after touching cash.
2. Doorknobs, elevator buttons, light switches, hotel TV remotes, and ATM interfaces would all be redesigned for elbows.
3. There’d be no shoes in the house and people would bow instead of shaking hands.
4. Everyone would be at home on Friday, Saturday, and Sunday nights happily writing, making music, reading, or playing Nintendo.
5. No one would get a cold more than once every ten years.
6. Extroverts and free-spirited folks would be miserable.

(9) SPEAKER IN THE HOUSE. Cat Rambo shares her experience in “How to Stay Sane and Productive While Working at Home”. One of her eight main headings is —

Exercise is good. You may not be able to get to the gym — I’m currently avoiding it, myself — but you will be happier and healthier if you are doing something. For me, that’s walking, because I’m lucky enough to live in a great area for it. I also have a standing desk that I got from Ikea years back. Your mileage may (literally) vary, but at least stretch when you can and be mindful of your back.

(10) TODAY IN HISTORY.

  • March 13, 1927 Metropolis premiered in Germany. It was directed by Fritz Lang. It was written by Thea von Harbou in collaboration with Lang. It stars Gustav Fröhlich, Alfred Abel, Rudolf Klein-Rogge and Brigitte Helm. The film’s message is encapsulated in the final inter-title of “The Mediator Between the Head and the Hands Must Be the Heart.” In 2001 the film was placed upon UNESCO’s Memory of the World Register, the first film so distinguished. It is considered one of the greatest films ever made, and has a 92% rating among audience members at Rotten Tomatoes. You can see it here.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 13, 1911 L. Ron Hubbard. Ok I’ll admit that I tried reading Battlefield Earth and really didn’t like it. Some of his early pulp fiction is actually quite good. So what do y’all think of him as a genre writer? (Died 1986.)
  • Born March 13, 1928 Douglas Rain. Though most of his work was as a stage actor, he was the voice of the HAL 9000 for 2001: A Space Odyssey and its sequel. He’s in Sleeper a few years later as the voices of the Evil Computer and Various Robot Butlers. (Died 2018.)
  • Born March 13, 1932 Richard Lawrence Purtill. He’s here because EoSF list him as the author of  Murdercon, a1982 novel where a murder is discovered at a SF Convention. I’ve not heard of it but was wondering if y’all had heard of this work. (Died 2016.)
  • Born March 13, 1938 David McKail, 82. He was Sergeant Kyle in the Fourth Doctor story, “The Talons of Weng-Chiang”. He also was Sir Henry Roscoe in Beatrix: The Early Life of Beatrix Potter, and was in the adaptation of Iain Banks’ The Crow Road which I know is neither genre or genre adjacent but it had Peter Capaldi in it.  
  • Born March 13, 1950 William H. Macy Jr., 70. I’ll start his Birthday note by noting that he was in the superb Pleasantville as George Parker. He’s shown up in a lot of genre works including but limited to Somewhere in Time, Evolver, The Secret of NIMH 2: Timmy to the Rescue, The Night of the Headless Horseman, Jurassic Park III, Sahara and The Tale of Despereaux.
  • Born March 13, 1956 Dana Delany, 63. I’ve come today to praise her work as a voice actress. She was in a number of DCU animated films, first as Andrea Beaumont in Batman: The Mask of The Phantasm, then as Lois Lane in Superman: The Animated Series, Superman: Brainiac Attacks and Justice League: The Flashpoint Paradox. (That’s not a complete listing.) Remember that Wing Commander film? Well there was an animated series, Wing Commander Academy, in which she was Gwen Archer Bowman. 
  • Born March 13, 1966 Alastair Reynolds, 54. As depressing as they are given what they lead up to, The Prefect Dreyfus novels are my favorite novels by him. That said, Chasm City was fascinating. The only ones by him that I absolutely failed to get any enthusiasm for is his Revenger Universe series.
  • Born March 13, 1967 Lou Anders, 53. Hugo-winning Editor. He’s has been editorial director of Prometheus Books’ SF  imprint Pyr since its launch fifteen years ago. He’s a crack editor of anthologies. I’ve very fond of his Live Without a Net, Sideways in Time and FutureShocks anthologies. I note that he has a fantasy trilogy, Thrones and Bones, but I’ve not heard of it til now.
  • Born March 13, 1968 Jen Gunnels, 52. Writer and genre theater critic, the latter a rare thing indeed. She does her reviews for Journal of the Fantastic in the ArtsFoundation: The Review of Science Fiction and New York Review of Science Fiction. With Erin Underwood, she has edited Geek Theater: Anthology of Science Fiction and Fantasy Plays

(12) KGB TO STREAM. The Fantastic Fiction at KGB reading series with Daniel Braum and Robert Levy has been converted to a livestream. Hosts Ellen Datlow and Matthew Kressel invite everyone to see it here on YouTube on March 18 at 7:00 p.m. Eastern.

We will, for the first time in our history, be live-streaming readings from both of our authors on YouTube. We hope you will join us for this historic event.

UPDATE March 13, 2020: For the safety and well-being of our readers and guests, we have decided to cancel this month’s in-person Fantastic Fiction at KGB reading with guests Daniel Braum & Robert Levy.

Instead, we will be hosting a YouTube Live event with both authors, who will be reading their work. Anyone with YouTube access can watch.

(13) PIKE PEEK. We Got This Covered confirmed “Captain Pike Star Trek Spinoff Series Reportedly In Development”.

… Of course, there’ve been calls for CBS to move ahead with such a spinoff for the past couple of years. EP Alex Kurtzman has addressed the possibility in the past, refusing to rule it out and commenting that they’re trying to find ways to bring these characters back. True, they did all appear in a few episodes of the Short Treks anthology series, but this didn’t fully satiate our appetite to see more of Pike and his crew.

As Discovery itself addressed, Pike is fated to meet a tragic end. As detailed in an episode of TOS, he’s eventually left paralyzed and confined to a wheelchair after rescuing Starfleet cadets from a delta ray radiation leak. Our intel says that this spinoff show will build up to that fate, properly filling the gap between TOS‘ pilot, “The Cage,” and his return in “The Menagerie.”

(14) WEEKEND NEWS BACKDATE. Galactic Journey’s John Boston has a 1965 news flash: “[March 12, 1965] Sic Transit (April 1965 Amazing]”.

The big news, previously rumored, is that Amazing and its stablemate Fantastic are to change hands.  The April Science Fiction Times just arrived, with the big headline “ ‘AMAZING STORIES’ AND ‘FANTASTIC’ SOLD TO SOL COHEN.” Cohen is the publisher of Galaxy, If, and Worlds of Tomorrow, but will resign at the end of next month to take up his new occupation. 

Why is this happening?  Probably because circulation, which had been increasing, started to decline again in 1962 (when I started reviewing it!).  The SF Times article adds, tendentiously and questionably, that “the magazine showed what appeared to be a lack of interest by its editors.” Read their further comment and draw your own conclusions on that point.

(15) ACROSS THE DIVIDE. Law & Liberty’s Brian A. Smith, in “Ursula Le Guin and the Persistence of Tragedy”, looks at The Dispossessed from the right.

At least when their authors avoid offering a thesis, novels acquire peculiar value in deranged times. They allow us to see cracks in our political and social foundations from another perspective, and as a result, open paths to conversation and thought that might otherwise remain closed. Lots of genres can unsettle us, but one peculiarity of science fiction is that its authors have the freedom to create worlds.

At the genre’s most stereotypical, this license to invent lends itself to both ham-fisted allegories and didacticism. But if the author happens to be coming from the “right” direction, so to speak, and has some real talent, it’s relatively easy to take an imaginative leap into their world. Reaching beyond one’s own tribe may present a challenge, however. It is difficult to read David Drake, Iain Banks, China Miéville, Robert Heinlein, or John Varley without observing how they view human nature, what they think family means, or the political order they endorse—and a lot more besides.

Critics often complain that such novels fail precisely because they think the author is stacking the deck in favor of their pet ideas. It’s easy for partisans to forgive this because such novels entertain while also fortifying our opinions against a hostile world. And it’s not surprising that sci-fi readership so often divides along partisan lines.

The Work of Sympathy

It is harder to name many great works of science fiction that offer a definitive point of view, while also presenting us with unresolvable tensions and latent anxieties that no attentive reader can quite escape. Neal Stephenson’s best work probably qualifies. Arguably Frank Herbert’s Dune or Dan Simmons’ Hyperion Cantos also do this. We need the sympathy and broadening of horizons that such novels can cultivate more than ever, and for the present moment, the most compelling book of this kind remains Ursula Le Guin’s The Dispossessed.

(16) STANDING UP. “Disney promises LGBT ‘commitment’: ‘We want to represent our audience'”.

Disney has promised to continue making films and TV shows with “an increased commitment” to diversity in its output, according to its boss Bob Chapek.

“We want to represent our audience,” he said at a meeting for the company’s shareholders this week.

“We want to tell stories that our audience wants to hear, that reflects their lives.”

He was responding to a question about LGBT characters in their films and pride events at theme parks.

There will be a transgender character in a future Marvel film, and upcoming superhero movie The Eternals will introduce Marvel’s first openly gay lead character to cinema screens.

…At the shareholder’s meeting, Disney CEO Bob Chapek was asked a question by Catholic campaigner Caroline Farrow, who represents conservative group Citizen Go.

As part of her question, she asked: “Is it perhaps time to reconsider what you can do to make Disney more family friendly, to make it safe for people around the world, not just one particular minority?”

She also claimed a petition which asks Disney not to hold gay pride events in its parks was signed by “almost 700,000 people”

(17) CLIMB EV’RY MOUNTAIN – NOT. From the BBC — “Mount Everest: Nepal’s government shuts off mountain amid virus outbreak”.

Mount Everest has shut down for the rest of the expedition season because of the coronavirus outbreak.

Nepal’s government announced that it would cancel all climbing permits from 14 March until 30 April.

China had already cancelled expeditions from the northern, Chinese-controlled, side of the mountain.

According to the Kathmandu Post, Nepal earns $4m (£3.1m) by issuing Everest climbing permits every year, aside from wider tourism revenue.

(18) THAT IS NOT DEAD… “Marine pollution: Russian fly spray and 1800s shoes among beach litter”.

Russian fly spray, US prohibition-era rum, shoes from the 1800s and a council bin have been among the stranger items to have washed up on British shores.

To highlight pollution, the National Trust has revealed the oddest objects to wash up on beaches it manages.

The 19th Century shoes, Russian insect spray and an aerosol from Saudi Arabia were all found at Orford Ness, Suffolk.

The National Trust saidit illustrated the “deluge” of marine litter and how long items such as plastic could last.

(19) NO PICTURES! They tore it out by the roots: “Christmas Island: ‘A giant robber crab stole my camera'” — video, including some impressively mangled equipment and a crab walking off with a coconut.

Researcher Annabel Dorrestein set up a thermal imaging camera to study flying foxes, or bats, at night on Australia’s Christmas Island.

But when she returned one morning to collect the camera, she discovered it had been stolen – almost certainly by the island’s famous robber crabs.

[Thanks to Dann, JJ, Chip Hitchcock, Andrew Porter, John King Tarpinian, Michael Toman, Mike Kennedy, Martin Morse Wooster, Olav Rokne, Andrew Liptak, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Brian Z.]

Pixel Scroll 3/3/20 And Was The Corny Cry Of ‘Fifth’ On The File’s Pleasant Comments Seen?

(1) NEW HORROR “RADIO NETWORK.” Brian Keene announced yesterday on Facebook that The Horror Show with Brian Keene will become the flagship podcast for the new Brian Keene Radio Network, which will also include Defenders Dialogue, Cosmic Shenanigans, and Grindcast. From the statement, it looks like the split from Shelly and Armand Rosamilia is amicable.  They are all still friends.

The Horror Show with Brian Keene started out on the Project iRadio Network. During our second year, we became part of the Project Entertainment Network.

Beginning April 1, (in the midst of our sixth year on the air) The Horror Show with Brian Keene will become the flagship podcast for the new Brian Keene Radio Network,…

Listeners will not be impacted by this change. You’ll still be able to hear episodes of each podcast for free via Spotify, Apple Podcasts, Stitcher, iHeartRadio, YouTube, Google Play Music, and all other platforms. You’ll also be able to hear them for free on a new 24/7 live-streaming venture (a rebooted and revamped Brian Keene Radio) beginning in April. Old shows will still be accessible, as well. You may notice some changes to the structure of each show — new theme music, new title cards, advertising presented in a different way — but otherwise, it’s business as usual….

(2) DEAR JEFF BEZOS. While Amanda S. Green had some unfortunate problems uploading her new book via Kindle Digital Publishing, thereby missing a deadline and forfeiting pre-orders, she got a hell of a good post out of it for Mad Genius Club: “Not How I Expected Today To Go”. A lot to learn here.

…Lesson #1: Check the Terms of Service on a regular basis.

Amazon has updated the Terms of Service and did so on Feb. 20, 2020. How many of you have read them since then to see if there are any changes you need to be aware of? I hadn’t–at that point. I guarantee you I have since then.

…In the meantime, I have set a recurring alarm on my phone’s calendar to remind me to check the ToS every month. Yes, I’m being obsessive about it. But I am convinced the fact I knew what the ToS said and could prove it was at odds with the FAQs helped me plead my case and get my pre-order privileges restored. (As did being professional in my dealings with Amazon).

This writer will not be the unhappy writer on what should be release day ever again.

Fingers crossed.

(3) ONWARD. Vanity Fair fills readers in about “The Heartbreaking True Story Behind Pixar’s Onward”. Tagline: “A lost father. A found tape. A voice a filmmaker thought he would never hear.”

Dan Scanlon didn’t have a sad childhood; he just grew up with a hole in it.

It was in the shape of his father, who died in 1977 when Scanlon was only one year old. Neither he nor his brother, who is about three years older, remember their dad. They tried to construct some sense of him from pictures, from stories, from glimpses of the few soundless reel-to-reel home movies they had.

That’s what inspired Scanlon, a veteran Pixar creative team member and director of Monsters University, to pitch the idea for Onward, an animated fantasy about two brothers who do the same. These siblings—younger, shy Ian (voiced by Tom Holland) and older, boisterous Barley (Chris Pratt)—are blue-skinned, pointy-eared elves in a suburban sword-and-sorcery world who harness magic to bring their late father back for one single day together. 

(4) LONDON CALLING, FEWER ANSWERING. Coronavirus is taking its toll of book events. Publishers Lunch asserts “Reed Is Holding the London Book Fair, Dubbed ‘The Nightmare of Epidemiologists,’ without All of You”

The UK government is not ready to ban public events of scale yet, and Reed Exhibitions is apparently not ready to face the costs of a voluntary cancellation and continues to vow that the London Book Fair will proceed next week. The show is an increasing outlier, with the big Leipzig Book Fair canceling next week’s show.

More companies have announced that they will skip the fair and protect their employees, now including a number of UK-based companies and divisions. Penguin Random House, which officially had only made the show optional for US employees — most of whom opted out — has followed other large trade publishers in withdrawing entirely. Their spokesperson said, “The London Book Fair is an important moment in the global publishing calendar but given the fast moving situation around the Coronavirus, Penguin Random House has come to the difficult decision to withdraw from the fair in the interest of the health and wellbeing of our employees, authors, and partners.”

The post continues for another couple of paragraphs naming businesses that have pulled out of the London event. Nevertheless, Publishers Weekly says “London Book Fair Will Still Go Ahead”.

(5) CALL FOR ARTICLES. Steven H Silver will be co-editing an issue of Journey Planet and would like contributions that fit in with its theme —

I don’t believe in the supernatural, but when I was walking amongst the ruins of Kenilworth Castle back in 1984, I had the feeling that if ghosts existed, I was about to meet one.

As anyone who knows me can tell you, I’m not much for wandering around outdoors. Allergies have had a tendency to make me favor climate controlled areas, so it came as a huge surprise to Elaine when we saw Thingvellir in Iceland that I commented “I want to come back here and spend three or four days hiking and camping.”

While it is true that travel broadens the mind, it is also true that it opens us up to the magic of the world around us. This year, I’ll be co-editing an issue of the Hugo Award wining fanzine Journey Planet with James Bacon and Christopher J Garcia that looks at “the most magical place you’ve visited.”

We’re leaving it up to the authors and artists whose work will appear in this issue to define what “most magical” means in this context. It could be a place that took your breath away, a place that actually made you believe that magic or ghosts or the supernatural existed, a place that has significant meaning for you, or something else entirely.

Artwork and photos based on the same prompt are also very welcome.

If you are interested in participating, please drop me an e-mail at [email protected] and we can discuss appropriate topics and article length.

The deadline is June 20.

(6) AO3/CHINA UPDATE. Two English-language publications that focus on China have news stories from their perspective.

South China Morning Post: “Archive of Our Own, one of the internet’s biggest fanfiction sites, blocked in China amid new censorship rules”

…Outraged internet users took to social media Weibo to voice their anger, accusing Xiao’s fans of being compliant in China’s censorship machine.

“China has succeeded in getting people accustomed to self-censorship in the past decade, and in using public power to eliminate those with different opinions. The idea has been deeply rooted in everyone’s head,” Weibo user Frunzzi wrote in one of the most popular comments.

Another user with the handle ChaofanDouxiansen wrote: “Why would you hurt the already limited space for creation? Shame on you.”

Also, Radii reported: “A03 Fanfiction Drama Sparks High-Stakes War of Boys’ Love Fandom”

…Some Sean Xiao fans went so far as to organize a coordinated assault against the website, posting a message that encouraged others to report AO3 and LOFTER (China’s equivalent of Tumblr) for unlawful and homoerotic content.

Unfortunately, it seems that the spiteful act has yielded results. AO3 is now blocked in China, leaving a massive base of displaced fanfiction authors and readers. In turn, that community has started to launch similar attacks against Xiao’s fanbase.

The whole thing is a huge and unnecessary mess, and the fan who organized the assault has admitted to working with Sean Xiao’s management team in order to control the situation on Weibo.

(7) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Daniel Braum and Robert Levy on Wednesday, March 18, 7 p.m. at the KGB Bar (85 East 4th Street, 2nd Floor, New York, NY.)

Daniel Braum

Daniel Braum is the author of the short story collections The Night Marchers and Other Strange Tales, The Wish Mechanics: Stories of the Strange and Fantastic and the Dim Shores Press chapbook Yeti Tiger Dragon. His third collection, Underworld Dreams is forthcoming from Lethe Press in 2020. The Serpent’s Shadow, his first novel, was released from Cemetery Dance eBooks in 2019. He is the editor of the Spirits Unwrapped anthology from Lethe Press.

Robert Levy

Robert Levy’s novel The Glittering World was a finalist for the Lambda Literary Award and the Shirley Jackson Award, while shorter work has appeared in Black Static, Shadows & Tall Trees, The Dark, The Best Horror of the Year, The Year’s Best Gay Speculative Fiction, and more. Anaïs Nin at the Grand Guignol, a speculative novella written in the style of the literary icon’s legendary diaries, was released in October by Lethe Press.

(8) LUNNEY OBIT. Fanzine fan Frank Lunney died February 28 due to a coronary event. Early on, Lunney’s Beabohema was competitive with the very best sercon zines of its day, gaining a Best Fanzine Hugo nomination in 1970 when it shared the ballot with Richard E. Geis’ Science Fiction Review, Charlie Brown’s Locus, Leland Sapiro’s Riverside Quarterly, and Peter Weston’s Speculation. Wikipedia says his contributors included “a then-obscure fan named ‘Gene Klein’ who would later become famous as Gene Simmons of KISS.”

In the early Seventies he switched over to publishing Syndrome, the reasons for which he explained in an interview published by Dan Steffan and Ted White in Blat! (See the full text here.)

…But the real thig that made me decide to change was being at the Boston woldcon in 1971 with the Katzes and the Kunkels. They had some hashish that made me hallucinate. (laughs) And they loaned me A Sense of FAPA with Ah! Sweet Idiocy in it, and I read and I realized that not writing about science fiction was a lot more interesting than being concerned with science fiction at all….

Although he considered what he was doing before to be fannish, from that point on other fans also identified his output as fannish. Or even faannish. In later years he would often attend Corflu. Indeed, Lunney is credited with originating the Corflu practice of paying $20 to have one’s name removed from the choosing hat, taking away any risk of being drafted to give a GoH speech at the Sunday banquet.

(9) TODAY IN HISTORY.

  • March 3, 1965 Mutiny in Outer Space premiered. It was, produced, directed and written by Hugo Grimaldi and Arthur C. Pierce (although the latter was not credited as directing). It starred William Leslie, Dolores Faith, Pamela Curran and Richard Garland. The word “meh” would best sum up the reaction critics at the time had to this film. It has no rating at Rotten Tomatoes so you’ll need to watch it and see what you think of it.
  • March 3, 1965 The Human Duplicators premiered. It was produced and directed by Hugo Grimaldi and Arthur C. Pierce (without a credit for the latter as director). The film stars George Nader, Barbara Nichols, George Macready and Dolores Faith. It was the color feature on a double bill with the black-and-white Mutiny in Outer Space. It wasn’t well received by critics, and Mystery Science Theater 3000 gave it their usual treatment. It currently holds a zero percent audience rating at Rotten Tomatoes. You can see it here.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 3, 1863 Arthur Machen. His novella “The Great God Pan” published in 1890 has garnered a reputation as a classic of horror, with Stephen King describing it as “Maybe the best horror story in the English language.” His The Three Impostors; or, The Transmutations 1895 novel is considered a precursor to Lovecraft and was reprinted in paperback by Ballantine Books in the Seventies. (Died 1947.)
  • Born March 3, 1920 James Doohan. Montgomery “Scotty” Scott on Trek of course. His first genre appearance was in Outer Limits as Police Lt. Branch followed by being a SDI Agent at Gas Station in The Satan Bug film before getting the Trek gig. He filmed a Man from U.N.C.L.E.film, One of Our Spies Is Missing, in which in played Phillip Bainbridge, during the first season of Trek.  Doohan did nothing of genre nature post-Trek. ISFDB notes that he did three genre novels co-written with S.M. Stirling. (Died 2005.)
  • Born March 3, 1924 Catherine Downs. She’s in four Fifties grade B SF films: The Phantom from 10,000 Leagues, The She Creature, The Amazing Colossal Man and Missile to the Moon. All but the first film was the subject of a MST3K show. (Died 1976.)
  • Born March 3, 1936 Donald E. Morse, 84. Author of the single best book done on Holdstock, The Mythic Fantasy of Robert Holdstock: Critical Essays on the Fiction which he co-wrote according to ISFDB with Kalman Matolcsy. I see he also did two books on Kurt Vonnegut and the Anatomy of Science Fiction on the intersection between SF and society at large which sounds fascinating.
  • Born March 3, 1945 George Miller, 75. Best known for his Mad Max franchise, The Road WarriorMad Max 2Mad Max Beyond Thunderdome andFury Road.  He also directed The Nightmare at 20,000 Feet segment of the Twilight Zone film, The Witches of Eastwick, Babe and 40,000 Years of Dreaming
  • Born March 3, 1977 Sarah Smart, 43. She’s Jennifer in the two part Eleventh Doctor story, “The Rebel Flesh” and “The Almost People”. She’s Magda Cribden on The Secret of Crickley Hall, and played Carl Gruff in the “Billy Goat” episode of the Fairy Tale series. 
  • Born March 3, 1982 Jessica Biel,  38. A number of interesting genre films including The Texas Chainsaw MassacreBlade: Trinity, StealthThe Illusionist, the remake of Total Recall which I confess I’ve not seen, and the animated Spark: A Space Tail.
  • Born March 3, 1980 Katherine Waterston, 40. She’s Tina Goldstein in the Harry Potter spin-off Fantastic Beasts and Where to Find Them, which she reprised in Fantastic Beasts: The Crimes of Grindelwald. And she was Janet “Danny” Daniels in Alien: Covenant. Finally I’ll note that she was Chrisann Brennan in the Steve Jobs film.

(11) COMICS SECTION.

(12) FOWL TRAILER. Artemis Fowl hits U.S. theaters May 29.

Disney’s “Artemis Fowl,” based on the beloved book by Eoin Colfer, is a fantastical, spellbinding adventure that follows the journey of 12-year-old genius Artemis Fowl, a descendant of a long line of criminal masterminds, as he seeks to find his father who has mysteriously disappeared. With the help of his loyal protector Butler, Artemis sets out to find him, and in doing so uncovers an ancient, underground civilization—the amazingly advanced world of fairies. Deducing that his father’s disappearance is somehow connected to the secretive, reclusive fairy world, cunning Artemis concocts a dangerous plan—so dangerous that he ultimately finds himself in a perilous war of wits with the all-powerful fairies.

(13) REALISM. In “How To Write Believable, Realistic, and Responsible Violence” on CrimeReads, Ed Ruggero offers seven tips for making violent scenes in fiction plausible.

1. People have strong reactions to violence.

Here is retired Marine Randy Hoffman describing combat to young men and women in training. “Your heart rate is uncontrollable,” he tells them. “Your pulse goes up so much that your ears kind of stop up. Everything goes kind of in slow motion. Your brain focuses on minute details to help you get through engaging the enemy before he can kill you.” [Wall Street Journal, December 13, 2019]

There are also delayed physiological effects. Here is the late Paul Russell, a combat medic in Vietnam, describing his reaction after he crawled under incoming fire to rescue wounded GIs, an action for which he would be awarded the Silver Star. “I threw my guts up all the next day. Adrenaline.”

(14) PRESSING ON. Galactic Journey’s Gideon Marcus is full of good news about their affiliated venture, Journey Press. He begins the “State of the Press, March 2020 edition” with news that their flagship release, Rediscovery: Science Fiction by Women (1958-1963), is in over 300 bookstores (besides being available as an ebook.) Here’s what else they have coming up —

Old Masters sign on with Journey Press

It is our great honor and privilege to announce that Journey Press will be working with Hugo Finalist and SF veteran Tom Purdom to bring back his classic, I Want the Stars. We chose to bring back this particular book for several reasons. For one, it is a timeless work, with a unique vision of the human condition nearly a thousand years from now. For another, it may well be the first science fiction novel ever to explicitly star a Black man. That’s unusual for today, forget 1964. Finally, it’s just a great book. It comes out in June.

Also, we are bowled over with delight to announce our collaboration with Robin Brown, son of the late, great Rosel George Brown. Ms. Brown was one of science fiction’s brightest lights from the mid ’50s until her untimely death in 1967 (two of her best stories are in Rediscovery). Just before she passed away, she wrote Sibyl Sue Blue, the novel that features the first galactic woman space cop. If ever there were a genre we need to have more books in, it’s that one!

Look for Sibyl Sue Blue next year, timed to coincide with coverage of the book at Galactic Journey.

New Talent on the Horizon

In less than two weeks, we will be releasing Kitra, our first work of new fiction. It’s already gotten some great advance reviews, and we think it’ll be a hit. Well, we hope so: there are nine more planned books in the series! Don’t worry, though. Kitra stands alone.

We’re particularly excited about this release, not only because it’s a revival of the space adventure yarns of the mid-20th Century (think Robert Heinlein and Andre Norton), but it also features illustrations by the talented Lorelei E. Marcus. Last, but certainly not least, Kitra has a queer woman of color as its protagonist — again, something we think there should be more of!

(15) WATERWORLD IS REAL. Or at least it Was. Maybe. According to Futurism com: ”Scientists Say Ancient Earth Was Completely Covered In Water”.

Scientists at Iowa State and the University of Colorado say they’ve found compelling new evidence that the ancient Earth was an unbroken expanse of water, without a single continent. Yes: “Waterworld.”

The research, published this week in the journal Nature Geoscience, examined ancient samples of sea floor found in Australia and found chemical clues that Earth used to be a completely blue planet — a discovery, the scientists say, that could have deep implications for the history of life itself.

(16) GAME TECH. “Half-Life: Alyx – Hands on with Valve’s virtual reality game-changer”, a BBC video.

In 1998, Half Life changed first-person shooters forever.

It combined cinematic storytelling, taut and tense combat and extra-dimensional bad guys.

A successful sequel followed, but it’s been nearly 13 years since the last release.

Now the series has returned in the form of a virtual reality title.

BBC Click’s Marc Cieslak was one of the first people in the world to play it, and he suggests it could be VR’s first killer app.

(17) PLOT POINT. “Mulan: Disney drop character following #MeToo movement” – BBC has the story.

A Disney producer says the character Li Shang is missing from the live-action remake of Mulan, as his storyline is not “appropriate” in the #MeToo era.

The film tells of a woman who disguises herself as a man to fight in place of her father in China’s imperial army.

In the 1998 animated original, based on the Chinese legend of Hua Mulan, General Li Shang developed a bond with Mulan’s male warrior alter-ego Ping.

After her true identity was revealed, she and Li Shang have dinner together.

Given recent revelations in Hollywood, however, producer Jason Reed confirmed they were uncomfortable with the power dynamics in their relationship.

“I think particularly in the time of the #MeToo movement, having a commanding officer that is also the sexual love interest was very uncomfortable and we didn’t think it was appropriate,” Reed told Collider.

[Thanks to John King Tarpinian, JJ, Chip Hitchcock, Cat Eldridge, Dann, Mike Kennedy, Michael Toman, Martin Morse Wooster, Brian Z., and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Camestros Felapton.]