24 Swamp Thing! You Make My Haploid Graveyard Heart Sing!

Posted on August 29, 2024 by Mike Glyer

(1) BRIAN KEENE INSTALLS A NEW BASKET AT HIS BOOKSTORE. Patrick Tomlinson somehow thought he was entitled to call out Brian’s purity. Anybody could have told him what happens when you yank Brian’s chain.

(2) FLORIDA SUED. “John Green and Jodi Picoult Join Publishers, Authors and Advocates in a Lawsuit Against Florida Book Bans” – People has the story.

A group of book publishers and renowned authors — along with students, their parents and The Authors Guild — are suing the state of Florida for its decision to implement the state’s book-banning law.

On Thursday, Aug. 29, Penguin Random House announced in a press release that it — along with Hachette Book Group, HarperCollins Publishers, Macmillan Publishers, Simon & Schuster and Sourcebooks — would be filing a suit against the state to challenge House Bill 1069.

Also joining the suit are two students, two parents, the Authors Guild and the individual authors Julia Alvarez (The Cemetery of Untold Stories) Laurie Halse Anderson (Speak), John Green (The Fault in Our Stars), Jodi Picoult (By Any Other Name), and Angie Thomas (The Hate U Give).

Back in 2022, Florida Gov. Ron DeSantis signed HB 1069 into effect, giving parents a say in what books schools can and can’t have in their libraries. The Associated Press reported at the time that the law would require Florida schools to provide a searchable list of all books in their libraries, and school boards have to give notice to the public if adding in new reading materials….

…One of the attorneys representing the group of plaintiffs, Dan Novack said in the press release that the law’s “complex and overbroad provisions have created chaos and turmoil across the state, resulting in thousands of historic and modern classics — works we are proud to publish — being unlawfully labeled obscene and removed from shelves.”…

(3) MAKING A LIVING AS A WRITER (FOR SOME VALUES OF LIVING). Jeff Reynolds applies inflation to sf magazine pay rates of years gone by to argue “The Past Is Not as Rosy as You’ve Been Led to Believe” at the SFWA Blog.

… You could make an excellent living selling shorts during the pulp era. But there’s a truckload of ifs tied to that could. If editors liked you; if you wrote decently; if you churned out work fast enough that your fingers bled; if you didn’t mind being hungry. Being a pulp writer during the Depression years was downright murderous.

I limited my research to pulp’s heyday, the mid-1920s through mid-1930s, and left out the type of magazines referred to as slicks in order to maintain a close comparison with modern genre writers who publish short stories. By 1934, there were as many as 250 monthly pulps operating, publishing stories on topics ranging from war, science fiction, romance, westerns, mysteries, and so on.

The majority of pulps paid one cent per word or less. A few paid two or three cents, and some paid even more for writer exclusivity. But to get to that level, you had to be talented and charming. You also had to write enormous quantities of stories….

(4) GOLDMAN FUND. Dream Foundry’s “Con or Bust” program is taking applications for funding to bring Palestinians and members of the Palestinian diaspora to the 2025 Worldcon. Apply at the link.

Our preferred application window for funding is now open until October 21, 2024 for Palestinians or members of the Palestinian diaspora planning to go to Worldcon 2025 in Seattle. Applicants who apply within this window will be considered together, and hear about their funding amounts in early November. Applications received outside this window will be considered on a first-come-first served basis for as long as funding remains.

We’d love to reach as many Palestinian fans and creators as possible.

(5) THE WATERMELON GRANT. The Watermelon Grant offers $2000 USD in unrestricted funds to an emerging Palestinian creator in the field of speculative arts. The 2025 grant considers works of speculative fiction and poetry. Full guidelines at the link.

The roots of Palestinian and Black American solidarity are deep and storied, stretching back decades and centered in the works, writings, and movements of James Baldwin, Malcolm X, Angela Davis, and Toni Morrison. In keeping with FIYAH’s pledged solidarity with the Palestinian people, The Watermelon Grant aims to assist emerging Palestinian creators working in speculative artforms throughout the world.

This grant is funded by L. D. Lewis and administered by Dream Foundry’s Incubator Program. To support an expansion of the project, through a donation to the Match Me campaign, tap here.

The Watermelon Grant offers $2000 USD in unrestricted funds to an emerging Palestinian creator in the field of speculative arts. A panel of three judges with expertise in a given year’s accepted format review in full all applications entered through an electronic submissions portal. Applications are judged on a criteria which considers artistic merit and potential impact. One grant is awarded annually (two if our Match Me campaign funds)….

WHAT ARE “SPECULATIVE ARTS?”

Speculative Arts are here defined as works of imagination based in concurrent, alternate, invented, or emerging realities. Works of memoir or nonfiction would be considered ineligible. Rather than just being based in speculative literature, the grant cycles through eligible media every year allowing artists beyond those who work in prose or poetry to enter portfolios of visual media (illustration, photography, etc) or those pertaining to performance arts.

(6) OCTOTHORPE. In episode 117 of the Hugo-winning Octothorpe podcast, John Coxon, Alison Scott, and Liz Batty discuss the recent Worldcon, Glasgow 2024. Listen here: “You Made That Joke Last Time, John”.

We talk mostly about registration, attendance, and programme. Spoiler: we quite liked it, listeners.

There’s an uncorrected transcript at this link.

Three photographs dominate the centre of the image. The left-hand photograph is of a prototype Hugo made of rough wood and cardboard; the centre photograph is of a rough-ish wood base and tin foil rocket but with the actual acrylic and etching, and the right-hand photograph is of the finished Hugo Award. Text below the photos reads “protoprototype”, “prototype”, and “2024 Hugo”. Above, the words “Octothorpe 117” appear.

(7) OCTOTHORPE RECUSES FROM 2025. After winning the Best Fancast Hugo at Glasgow, the Octothorpe crew say they are recusing “for at least the 2025 Hugos”.

(8) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

August 29, 1954 — Michael P. Kube-McDowell, 70.

By Paul Weimer: I first encountered Kube-McDowell ‘s work in a quasi tie-in novel, Isaac Asimov’s Robot City: Odyssey. This was part of a series of novels that Asimov commissioned in the titular city, set somewhere in his Robot-Empire timeline. It started off in the classic amnesia case, with a man on the run and not remembering why, and easing readers into the setting Asimov had created for Kube-McDowell to explore in this and subsequent books. It was entertaining enough that I started to look for other works of his. I came across some stories here and there (especially a couple that wound up as Tales from the Darkside)

And then I struck gold when I found Alternities.

Alternities stands as one of the classic parallel world novels. Walter Endicott, clearly not from our world, stumbles from our world, suddenly, into a world not his own. The singular universe has now fractured into a kaleidoscope (the novel uses the word maze) of alternate realities. The novel, like many alternate history multiverse novels of the period (before and since) heavily thinks about the branch points, the jonbar points, the decisions that lead to each of the major color-coded worlds that we see in the book. There is a lot of speculation as to why the worlds split as they did, and a surprising answer and conclusion, as well. The novel shows his erudition not only in science but in general communication of popular knowledge. Kube-McDowell’s columns and articles on everything from the space program to the idiocy of “scientific creationism” are a testament to his knowledge, curiosity, and ability to explain and bring ideas to his reading audience both in fiction and nonfiction alike.

And he’s a filker on top of all that. Quite the Renaissance man indeed.

(9) COMICS SECTION.

Speed Bump shows if you can fake that, you’ve got it made.
Thatababy exposes the inner workings.
The Argyle Sweater is present at the creation of a famous saying.
Rubes complains about a superhero theme song.

(10) KBG. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Alaya Dawn Johnson and Sarah Beth Durst on Wednesday, September 11 starting at 7:00 p.m. Eastern. Location: KGB Bar, 85 East 4th Street, New York, NY 10003 (Just off 2nd Ave, upstairs).

Alaya Dawn Johnson

Alaya Dawn Johnson is the author of Trouble the Saints, winner of the World Fantasy Award; Reconstruction, her debut short story collection; and The Library of Broken Worlds, recent winner of the BSFA award for Fiction for Young People. Alaya has lived in Mexico for the last decade, where she’s sung in a blues band, gotten her master’s degree, produced a documentary, written novels, fooled around and fell in love. She and her filmmaker partner can normally be found in rural Oaxaca on a haunted mountaintop, where they have half a house, seven dogs and a mare.

Sarah Beth Durst

Sarah Beth Durst is the New York Times bestselling author of over twenty-five books for adults, teens, and kids, including cozy fantasy The Spellshop. She’s been awarded an American Library Association Alex Award, as well as a Mythopoeic Fantasy Award. Several of her books have been optioned for film/television, and her novel Drink Slay Love was made into a TV movie and was a question on Jeopardy! She lives in Stony Brook, New York, with her husband, her children, and her ill-mannered cat. Visit her at sarahbethdurst.com.

(11) EBERT’S TEN WORST SF MOVIES. Roger Ebert died in 2013 and missed seeing some stinkers that might belong on this list; however, he probably thought the field of candidates was already pretty crowded: “10 Worst Sci-Fi Movies of All Time, According to Roger Ebert” at Collider.

The science fiction genre asks audiences to suspend belief in the name of scientific and sometimes extraterrestrial wonders. This demands intricate premises that rely on logic and enough of a fictional leap to seem plausible in a world that exists apart from reality.The worst movies of the genre are unable to do any of these things, many of them falling victim to the merciless reviews of the esteemed Roger Ebert. In his reviews of what he deemed the worst sci-fi movies of all time, Ebert cuts through the convoluted and scolds the special effects.

First and worst is Battlefield Earth. Trailing in second place is —

2. ‘Jason X’ (2001)

Directed by James Isaac

With Ebert’s incredible distaste for the Friday the 13th movies, it’s only fitting that he gave the slasher franchise another scathing review for its sci-fi chapter. The tenth installment in the series, Jason X takes place in the year 2455 where a cryogenically frozen Jason Vorhees is transported from the now-research facility at Camp Crystal Lake to space. Aboard the ship, he thaws out and begins terrorizing the crew. The formulaic horror movie swaps the nooks and crannies of the summer camp for a spaceship where the promiscuous crew sneaks away only to be met by the masked slasher.

In one moment of the movie, Jason’s iconic hockey mask and garments are replaced with metallic armor. Jason X calls upon the rules of its former films but also strays so far with its dive into sci-fi. Ebert’s one-star reviewcalled the movie a “low-rent retread” of the Alien franchise but was dismally optimistic there would be a follow-up movie. Laughably terrible and so far out of its element, Jason X is easily considered one of the worst sci-fi movies of all time.

(12) TREKKIN’ TO GONDWANALAND. “Matching dinosaur prints were found an ocean apart in Africa and South America” – NPR follows a prehistoric trot.

Tens of millions of years ago, South America and Africa were part of the same land mass, an ancient supercontinent called Gondwana.

At some point, the two continents we now know started to pull away from each other until there was just a thin strip of land at the top holding them together.

A group of scientists say in new research that matching dinosaur tracks found in modern-day Brazil and Cameroon were made 120 million years ago along that narrow passage before the continents separated.

“There was just a neck of land connecting the two, and that neck of land is the corridor that we’re talking about,” said Louis Jacobs, a professor emeritus of earth sciences at Southern Methodist University.

(13) DRESS REHEARSAL FOR LUCIFER’S HAMMER. Scitechdaily covers the biennial exercise: “NASA Confronts 72% Asteroid Impact Probability: A Planetary Defense Test (scitechdaily.com)

…Asteroid Impact Preparedness

A large asteroid impacting Earth is highly unlikely for the foreseeable future. But because the damage from such an event could be great, NASA leads hypothetical asteroid impact “tabletop” exercises every two years with experts and decision-makers from federal and international agencies to address the many uncertainties of an impact scenario. The most recent exercise took place this past April, with a preliminary report being issued on June 20.

Designing Realistic Impact Scenarios

Making such a scenario realistic and useful for all involved is no small task. Scientists from the Center for Near Earth Object Studies (CNEOS) at NASA’s Jet Propulsion Laboratory (JPL) in Southern California, which specializes in the tracking and orbital determination of asteroids and comets and finding out if any are hazards to Earth, have played a major role in designing these exercises since the first 11 years ago.

“These hypothetical scenarios are complex and take significant effort to design, so our purpose is to make them useful and challenging for exercise participants and decision-makers to hone their processes and procedures to quickly come to a plan of action while addressing gaps in the planetary defense community’s knowledge,” said JPL’s Paul Chodas, the director of CNEOS.

…The Impact Scenario

This year’s scenario: A hypothetical asteroid, possibly several hundred yards across, has been discovered, with an estimated 72% chance of impacting Earth in 14 years. Potential impact locations include heavily populated areas in North America, Southern Europe, and North Africa, but there is still a 28% chance the asteroid will miss Earth. After several months of being tracked, the asteroid moves too close to the Sun, making further observations impossible for another seven months. Decision-makers must figure out what to do.

Leading the exercise were NASA’s Planetary Defense Coordination Office (PDCO), the Federal Emergency Management Agency Response Directorate, and the Department of State Office of Space Affairs. Over the course of two days in April, participants gathered at the Johns Hopkins Applied Physics Laboratory in Laurel, Maryland, which hosted the event, to consider the potential national and global responses to the scenario.

(14) THE MAN WHO SOLD THE SUN. [Item by Daniel Dern.] HotHardware.com has learned “California Startup Wants To Sell Sunlight After Dark Using A Giant Space Mirror” Dern ponders, (a) what’s the potential (bad) impact on global warming, and (b) could we use this to sell dark during the day? And c) If earth gets invaded by giant cats, this might be useful.

…Nowack remarked at the International Conference on Energy from Space, “The problem is that solar energy is not available when we actually want it. It would be really great if we could get some solar energy before the sun rises and after sunset, because then you could actually charge higher prices and make a lot more money.” He added, “And we think that reflector-based technologies can solve this problem.”

Reflect Orbital, a California-based startup, wants to send 57 small satellites into low-Earth orbit with 33-square-foot ultra reflective mylar mirrors that would, in theory, bounce sunlight back down to solar farms on Earth. The company made a video (see above) that uses a hot-air balloon to simulate how the technique is supposed to work. If successful, the satellites could provide an additional 30 minutes of sunlight to the solar farms during peak demand times.

There are some possible pitfalls to the idea, however. Thick clouds and stormy weather could potentially block the sunlight from reaching its destination. Seasonal changes that alter the amount of sunlight in certain areas of the world could also present challenges, and the possible environmental impacts of this light reflection have also not been discussed thus far.

The company’s orbital mirror project is scheduled to launch sometime in 2025, and interested parties can “apply for sunlight” over the next few months ahead of the launch….

(15) SCIENTIST BEWARE. [Item by SF Concatenation’s Jonathan Cowie.] You’ve heard of ‘writer beware’, well now scientists beware as there are some who are out to build up a fake profile. It seems there is a citation black market. Reported in this week’s Nature.

Research-integrity watchers are concerned about the growing ways in which scientists can fake or manipulate the citation counts of their studies. In recent months, increasingly bold practices have surfaced. One approach was revealed through a sting operation in which a group of researchers bought 50 citations to pad the Google Scholar profile of a fake scientist they had created.

The scientists bought the citations for US$300 from a firm that seems to sell bogus citations in bulk. This confirms the existence of a black market for faked references that research-integrity sleuths have long speculated about, says the team.

[Thanks to Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel “I Make Everything Groovy” Dern.]

Pixel Scroll 8/4/24 Portmanteau’s Complaint

Posted on August 4, 2024 by Mike Glyer

(1) HWA’S USE OF NDA’S EXPLAINED. Horror Writers Association President John Edward Lawson explains why their organization requires elected officers and trustees, paid employees, and certain committee chairs or volunteers (but not all volunteers) to sign Non-Disclosure Agreements. Ten-part thread starts here.

We handle your credit cards, taxes, Social Security numbers, the details of your business deals, we work with author estates, we have contracts with large publishers and other business partners, we have knowledge of your medical situation or other problems, 2/10
— John Edward Lawson ???? (@bizarroguy) August 3, 2024

come and go frequently as compared to employees, so their level of training is often "in progress" but, more importantly, it's a distributed work system with everyone operating remotely–and much more difficult to track how your information is being handled. 4/10
— John Edward Lawson ???? (@bizarroguy) August 3, 2024

(2) THE STATE OF HORROR. Ellen Datlow, Brian Keene, Lisa Wood, Lisa Kröger, Maxwell I. Gold, moderated by Angela Yuriko Smith, recently discussed “The State of Horror 2024”, part of the HWA “Halloween in July” program set up to help fund scholarships and educational programs year-round.

(3) SUCCESS! Good news. Chris Barkley reports the GoFundMe to “Help Oghenechovwe Ekpeki Attend the 2024 Glasgow WorldCon” has fully funded.

(4) EKPEKI PROGRAM. And he’s got a visa. Here’s his Glasgow 2024 schedule. Click for larger images.

(5) NOMMOS. He’ll be one of the hosts of the “Nommo Awards Winners Event” explained by JAYLit, the Journal of African Youth Literature.

An exceptional evening awaits guests of the forthcoming Glasgow 2024 Worldcon in a special evening dedicated to the 2024 winners of the Nommo Awards for the best in African Speculative Fiction.

The event will feature presentations by renowned African writers Tendai Huchu, Wole Talabi, Oghenechovwe Donald Ekpeki, and Nnedi Okorafor, with sponsorship from Tom Ilube.

The Nommo Awards, in their 7th edition, honour excellence in four categories: The Ilube Award for Best Speculative Fiction Novel, and the Nommo Awards for Novella, Short Story, and Graphic Novel. Finalists from Nigeria, South Africa, Ghana, Senegal, Tanzania, and Sierra Leone highlight the diverse talent in African speculative fiction.

Organised by The African Speculative Fiction Society (ASFS), the awards celebrate works in genres like science fiction, fantasy, horror, and more. The event receives support from Dublin 2019 – An Irish Worldcon, Glasgow 2024, and the British Science Fiction Association (BSFA).

Join in celebrating the creativity and innovation of African writers at the Nommo Awards 2024 on Saturday, August 10, 2024, at 17:30, at the Lomond Auditorium. The ceremony will last for 60 minutes.

(6) RUH-ROH. “Warner Bros. Discovery Unplugging Boomerang Streaming Service” reports Deadline.

Warner Bros. Discovery is shutting down the Boomerang streaming service and moving some of its programming, which includes many classic cartoon series, onto Max.

The kids-and-family move is set for September 30, according to an email to subscribers.

It comes in the same year as a similar strategic shift by Paramount Global, which shuttered Noggin and moved its content onto flagship Paramount+.

Boomerang, which began as a cable network in 2000 featuring a range of animated classics like Scooby Doo, Tom & Jerry and Loony Tunes, became a streaming service in 2017. In more recent years, it expanded into original programming….

(7) SOME ARE MORE FANTASTIC THAN OTHERS. What did theme park blog AllEars hear? “’They Designed an Entire Land Around the Worst Movie I’ve Seen in My Life’ – Fans React to Latest Epic Universe News”.

Universal just revealed the first in-depth look at The Wizarding World of Harry Potter – Ministry of Magic, one of the five new lands coming to the new park. While many Universal and Harry Potter fans have been extremely excited to hear more about this new land, it appears that the announcement hasn’t exactly landed the way Universal wanted it to with some fans…

… It is true that the second and third Fantastic Beasts films did not do too well, especially compared to the first. The first film, Fantastic Beasts and Where to Find Them, has a 7.2/10 rating on IMDB, while the second film, Fantastic Beasts: The Crimes of Grindelwald, has a 6.5/10 rating. The last film, Fantastic Beasts: The Secrets of Dumbledore, has the lowest rating of 6.2/10….

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

August 4, 1964 — Jaroslav Olša Jr, 60. That we doing the Birthday of Czech fan Jaroslav Olša Jr. is entirely the credit of Our Gracious Host as he will explain later on with a charming tale of their encounter.

Today’s the sixtieth birthday of Jaroslav who currently is the Czech Consul General in Los Angeles. (OK I’m foreshadowing why Mike will be telling a tale.) He’s also done diplomatic service in Zimbabwe, South Korea and the Philippines — very impressive.

In our corner of things. Jaroslav’s a SF editor, translator and bibliographer. That in itself is also quite impressive, isn’t it?

Let’s start off with his amateur work. Jaroslav started the major Ikarie XB fanzine back in the Eighties which turned into their sf monthly magazine Ikarie which had a twenty-year run before becoming the still published XB-1. He was assistant editor there for a time.

In the period after the Velvet Revolution of 1989. with Alexandre Hlinka he also started the AFSF press which was active until the late 1990s, publishing some seventy titles including such as selections of the best stories by SF writers and also novels by Robert A. Heinlein, Robert Silverberg and Kim Stanley Robinson to name a few.

If you were at Conspiracy ’87 in Brighton, you might have him as he was there. And he attended many other international conventions.

Finally, before I let Mike have the last words here, I should note that he was responsible for twenty years for the Czech Encyklopedie literatury science fiction (“Encyclopedia of Science Fiction Literature”, 1995) co-editing it with Ondřej Neff. He also has edited about a dozen sf anthologies; has compiled bibliographies of Czech and Slovak fanzines; and often contributed to Locus.

Mike: In 2019 Jaroslav Olša, jr. invited me to a nice lunch in Westwood – making sure we had the restaurant’s front window seat. That was nice. We discussed science fiction and what he could do in that line when he became Consul General of the Czech Republic in LA. And first thing, he gifted me with copies of several sff publications he’d helped produce, including a copy of XB-1, the longest-running monthly publication in the Czech Republic, which began life as Olša’s fanzine Ikarie XB (1986-1989). He also gave me a copy of a Czech SF anthology (English translation). Since then, he’s hosted a lot of cultural events in LA, including one in conjunction with an in-person LASFS meeting. A very fannish fellow!

(9) COMICS SECTION.

Saturday Morning Breakfast Cereal witnesses a close encounter of the disappointing kind.
Eek! demonstrates how to predict a rampage.
Foxtrot reinterprets the night sky.
Frazz studies the moon.
Frank and Ernest report elemental news.
Jumpstart recycles tech trends.
Non Sequitur understands why so little is known about early physics discoveries.
Pearls Before Swine challenges you to solve a mystery.
Thatababy sees a Star Wars character getting a summer buzz cut.
The Argyle Sweater pitches more unwanted shows.
Rhymes With Orange shows kaiju toys.
Tom Gauld knows it isn’t easy to get the message just right.

My cartoon for this week’s @newscientist pic.twitter.com/gbWPlnXAPp
— Tom Gauld (@tomgauld) August 4, 2024

(10) CLOSE ENOUGH FOR GOVERNMENT WORK. You may have seen it elsewhere, however, a Bluesky user recently posted a copy of the travel voucher Buzz Aldrin filed on his return from the Moon in 1969. Only $33.31, and the itinerary is a bit tongue-in-cheek.

(11) FAN MAIL FROM SOME FLOUNDER. Attention dads — having AI write your letter to your daughter isn’t cool. “Google pulls Gemini AI ad from Olympics after backlash” – The Verge has the story.

Google is not winning any gold medals for its Olympics ads this year. After days of backlash, the company has decided to pull its controversial “Dear Sydney” ad from Olympic coverage.

In the 60-second ad, a father seeks to write a fan letter on behalf of his daughter to her Olympic idol, US track star Sydney McLaughlin-Levrone. The premise is the sort of treacly ad you’d expect to see at the Olympics, but things take a twist when instead of helping his daughter write a letter, he just has Gemini do it for them. “This has to be just right,” he says, before prompting Gemini to tell Sydney how inspiring she is, that his daughter plans to break her record one day, and to add a “sorry, not sorry” joke at the end.

(12) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Cool Worlds asks whether Dyson Spheres are possible…? I recall when Niven’s Ringworld and some bright wags from MIT (I think — though my memory may be dodgy) pointed out that it’d be unstable. So if true for a ringworld then must be too for a Dyson sphere….

The idea of a Dyson sphere was a radical proposal by the physicist Freeman Dyson, an enormous shell of material enveloping a star. Dyson’s idea may be over half a century old, but interest in looking for such objects has only grown in the decades since. But how would such structures work? Are they physically even possible? And what might someone use them for? Today, we dive into the physics of Dyson spheres.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Lise Andreasen, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, and Teddy Harvia for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel “SJ Perlman” Dern .]

Pixel Scroll 6/15/24 Isn’t That The Motto Of The United States Pixel Academy?

Posted on June 15, 2024 by Mike Glyer

(1) NYT’S NCUTI GATWA PROFILE. “Ncuti Gatwa Brings Millennial Emotion to ‘Doctor Who’” – an unlocked copy of the New York Times article.

…“It sounds like a showbiz story, but the last person we saw was Ncuti — and bang!” [Russell T] Davies said. “I knew then and there that was the man.”

Gatwa said that he and Davies didn’t have many discussions about his portrayal of the Doctor. “This is a character that is constantly born again, with fresh eyes,” he said. “There is an element of innocence within the Doctor. For me, that’s where his curiosity comes from, the confidence to explore the unknown in the way kids do.”

Asked whether he consciously incorporated more L.G.B.T.Q. elements into Gatwa’s first season, Davies pointed out that he has been putting gay characters onscreen for around 30 years. “We never had a sexuality meeting,” he said with a laugh. “And the Doctor is an alien, of course — he’s not Ncuti Gatwa, and I think human labels barely apply to him. He loves Ruby with all his heart. He doesn’t care what gender people are.”

Gatwa had another take. “I feel like ‘Doctor Who’ has always been a bit camp,” he said. “I mean, it’s a time-traveling alien in a British police box!”

(2) WHAT IF? Brian Grubb shares a little list: “Some shows I would like to see Reacher appear on” – “the actual character, not the actor who plays him (who I also call Reacher)”. Here’s one example of what he wants like to see.

House of the Dragon

A dragon swoops in during a festival and begins spitting fire at the villagers, ruining their stands and burning a number of them alive.

Reacher headbutts the dragon.

The dragon leaves.

(3) NEVER GIVE UP. NEVER SURRENDER. Horror author Tim Waggoner advises writers how to “Stay the Course: How to Keep Writing (Especially When You Don’t Want To)”. It’s a very in-depth discussion of many varied career situations – quite interesting.

…I began wondering why some writers quit while others continue chugging along, regardless of setbacks and self-doubts. And as a creative writing teacher, I’ve seen people who stop before they really get started or who quit along the way. Why do some writing careers fizzle out, and what, if anything, can be done to help writers keep doing what they love?…

Why Do Some Writers Quit After a Long Career?

I think the following list is mostly self-explanatory, and most of the items are challenges of aging in general applied to a writing career. I turned sixty this year, and I’ve started to feel some of the issues below. I remind myself about envy again, try to focus on what I really wanted from my career (to write and to grow as a person and artist), and I remember the kid writer I used to be.

·       Disillusionment with the publishing industry.

·       Seeing younger writers having earlier and greater success than they did.

·       Their career didn’t reach the heights they’d hoped for.

·       Fearing their best days artistically are behind them.

·       Feeling forgotten.

·       They’re tired.

How NOT to Quit

If you’re truly determined to quit writing, no one can stop you. And as I said at the outset of this long entry, it’s okay if you do want to quit. But if you’d like to keep going, here’s some advice from someone who’s considered quitting more than once in his forty-year career….

(4) NEWS FLASH. At The Mary Sue, Rachel Leishman is incredulous: “How Are So Many People Just Now Realizing the Jedi Are Not Really That Great?”

It’s wild to me that people watched Star Wars and saw a group of overly religious wizards who took kids from their parents as the clean-cut good guys, but hey, what do I know? With The Acolyte, fans are getting a more complicated version of the Jedi, and people … aren’t happy.

[SPOILER ALERT] The anger stems from the fact that the episode “Destiny” shows the Jedi going to Brendok and forcing the witches there (who are not apart of the Republic) to let them test children, Osha and Mae, to train as Jedi. When a fire breaks out because of Mae, the Jedi also do nothing to help save the witches, and the only “survivor” is seemingly Osha, all because the Jedi intervened. It isn’t the worst thing they’ve ever done, but it doesn’t exactly paint the Jedi in the best light.

The Jedi, as a group, are too overly strict in their rules—no emotional connections, continually doing as the Jedi Council says. It all leads to some people straying from the Order, and for a group that claims that only the Sith deal in absolutes, they sure have a lot of absolutes. While, yes, the Jedi are the “good guys” fighting against the fascist rule of the Empire, that doesn’t mean they’re perfect—far from it—and that’s what we’re seeing in The Acolyte….

(5) TEDDY HARVIA CARTOON.

(6) SIMULTANEOUS TIMES. Space Cowboy Books has released episode 76 of their bimonthly podcast Simultaneous Times. Hear it at the link. Stories featured in this episode:

“You Must Buy Your Purchase” by Andy Dibble — with music by Fall Precauxions
“Another Boiling Day” by s. c. virtes & Denise Dumars — with music by Phog Masheeen

(7) TODAY’S BIRTHDAY.

[Compiled by Cat Eldridge.]

June 15, 1989 — Ghostbusters II premiered in the States in Hollywood thirty-five years ago. It came out just five years after Ghostbusters was released and in the meantime The Real Ghostbusters, an animated series, began airing. That’s where Slimer comes from who appears who in is Ghostbusters II.

After the moneymaker that was Ghostbusters raked in three hundred million on a budget of no more than thirty million (or perhaps as low as twenty million, as the studio never admitted what was the actual budget), Columbia Pictures wanted desperately a sequel but ran into numerous objections from the cast and the production staff they needed until they waved fistfuls of cash at them according to sources. Much of that cash actually being a share of the profits in the box office. Now that wouldn’t be a great idea in the end.

Murray might have been the main problem here as he hated sequels. Co-creators, Reitman, Murray, Aykroyd, and Ramis all had control over the franchise at the point, and their unanimous approval was required to produce this film. Murray thought sequels were just greed on the part of film companies but he was willing to do this on he had a lot of fun on the first one.

(Much later, after the death of Ramis, they sold control of the franchise to the studio for enough money to ensure trans-generational wealth. He and Aykroyd set up the production company Ghost Corps to continue the franchise, starting with the 2016 female-led reboot, Ghostbusters. It was really, really a financial nightmare making two hundred and thirty million while costing one hundred and forty-four million. Sweet mercy.)

As with the first film, Aykroyd and Ramis collaborated on the script which went through many variations. Way too many according to sources.

Neat note — Richard Edlund, their SFX producer, used part of the budget to found Boss Film Studios, which then employed used miniatures, practical effects and puppets to deliver the ghoulish visuals.

It was an extremely quick shoot as regards the street scenes, just two weeks. Filming in New York lasted approximately two weeks and consisted mostly of exterior shoots. Those street scenes happened because city authorities allowed the producers to film on Manhattan’s Second Avenue during a period in which access for forty city blocks was restricted because of the visit of Gorbachev. Cool.

The Fire House was an actual one, Firehouse, Hook & Ladder Company 8 fire station, in the Tribeca neighborhood of Manhattan. The sign that they hung there was given to the station and hung there for years after until it fell off. So what happened to it? Here’s that story as reported in the New York Times on the 24th of March 2002:

“’Yeah, we’re the ‘Ghostbusters’ firehouse,’ said Firefighter Jim Curran of Ladder No. 8 at North Moore and Varick Streets. The filmmakers used the firehouse for exterior shots in both ‘Ghostbusters’ movies. The sign inside the station was hung outside the station for the second film, but it fell and broke. It was then given to the firehouse and was placed on a wall above a collage of pictures of ‘Ghostbusters’ fans who have made the pilgrimage.

“’We used to get a steady stream,’ Firefighter Curran said. ‘It was listed as a tourist destination by a Japanese airline. Plus we would get a lot of people coming out of the bars late at night.’”

So how did Ghostbusters II do financially? It earned just two hundred and fifteen million, much less than its predecessor which as I previously said pulled in three hundred million. It was, to say the least, considered a financial disaster from the perspective of Columbia Pictures. Before the film had been released, the Board had been talking of a Ghostbusters franchise. So Ghostbusters: Afterlife, the third film in the franchise , wouldn’t be released for thirty years. It would be a financial success making over two hundred million after costing seventy million.

Ghostbusters: Frozen Empire is doing very well as with an opening weekend May 24 of forty-five million. So there’s life in the Ghostbusters after all, isn’t there?

(8) COMICS SECTION.

Free Range shows a superhero taking exception to part of a traditional wedding ceremony.
Non Sequitur depicts dinosaur denial.
Tom Gauld shows life on the campaign trail.

‘Politicians shamelessly chase votes from the Crime Fiction community’ my cartoon for this week’s @GuardianBooks pic.twitter.com/kpQgwdhqZk
— Tom Gauld (@tomgauld) June 15, 2024

(9) THIS IS NOT GOOD. “This Tucson homeowner didn’t know his house was built on a cemetery — until he found bones” at KJZZ.

Almost like the famous 1982 film “Poltergeist,” some homeowners in the Dunbar Spring neighborhood of Tucson had no idea their homes were built on top of a cemetery when they purchased their properties near the intersection of Stone Avenue and Speedway Boulevard.

One of those is Moses Thompson, who bought his home in 2006.

“We’d only been in the house [for] maybe a month and a sinkhole opened up in front of the house,” Thompson said.

He thought he had a sewer line break, but he started digging and found that the soil was dry.

“And then I found some brass decorations, like some diamond-patterned brass pieces and then I found a cross and then I hit some boards,” Thompson said….

…So Thompson contacted a local archaeologist and described everything he found.

“He was like, ‘You 100% hit a human grave. Your house was built over the Court Street Cemetery,’” said Thompson.

That archaeologist, Homer Thiel, excavated the grave and found it was a small child.

“I scraped my trowel and discovered there was another person underneath,” Thiel said. “That was an adult male. He had identical coffin hardware, which indicates the two people were buried at the same time.”…

(10) BEING THERE. Mary SanGiovanni lets us step into her shoes for a moment.

(11) SCHRODINGER’S ACTION MOVIE. [Item by Chris Barkley.] A movie proposal seen on Bluesky.

(12) A 1698 AUTHOR’S IDEAS ABOUT INHABITANTS OF OTHER WORLDS. “Rare book predicting alien life discovered in Cotswolds” at BBC. (If the auction price is too rich for your blood, you can read a scan of The Celestial Worlds Discover’d at Google Books.)

A rare book predicting alien life could sell for thousands at auction.

The book, published in 1698, was found at a free antique valuation event in Moreton-in-Marsh, Gloucestershire, by books valuer Jim Spencer.

Inside, author Christiaan Huygens explores his fascination with the potential existence of extra-terrestrial beings.

Mr Spencer said its contents seemed “almost comical”.

The book, lengthily entitled The Celestial World Discover’d: Or, Conjectures Concerning the Inhabitants, Plants and Productions of the Worlds in the Planets, Huygens questions why God would have created other planets “just to be looked” upon from Earth.

He concludes that aliens must have hands and feet like humans because of their “convenience”, writing: “What could we invent or imagine that could be so exactly accommodated to all the design’d uses as the Hands are? Shall we give them an Elephant’s Proboscis.”

He also suggests that “celestial beings” must have feet “[unless] they have found out the art of flying in some of those Worlds”.

The writer believed aliens enjoyed astronomy and observation, sailed boats and listened to music but also suffered misfortunes, wars, afflictions and poverty “because that’s what leads us to invention and progress”….

(13) YOUR GIBLETS AREN’T MADE FOR SPACE. “Human missions to Mars in doubt after astronaut kidney shrinkage revealed” reports The Independent.

Human missions to Mars could be at risk after new research revealed that long-duration space travel can impact the structure of astronauts’ kidneys.

Samples from more than 40 space missions involving humans and mice revealed that kidneys are remodelled by the conditions in space, with certain parts showing signs of shrinkage after less than a month in space.

… Scientists at University College London (UCL), who carried out the study, said that microgravity and galactic radiation from space flight caused serious health risks to emerge the longer a person is exposed to it.

Future missions to Mars were not ruled out, though the scientists said that measures to protect the kidneys would need to be developed to avoid serious harm to astronauts. Methods of recovery could also be introduced onboard spacecraft, such as dialysis machines….

(14) NO FAA REVIEW PRIOR TO NEXT SUPERHEAVY/STARSHIP FLIGHT. [Item by Bill.] The previous two Superheavy/Starship flights were both delayed because of waiting on the FAA to issue reports on their mishap investigations (and both reports were essentially reviews of SpaceX’s own investigations – there didn’t appear to be any significant value added by the FAA).

The FAA has said that there is no requirement for a review for the most recent flight. “The FAA assessed the operations of the SpaceX Starship Flight 4 mission. All flight events for both Starship and Super Heavy appear to have occurred within the scope of planned and authorized activities.” So SpaceX can launch again as soon as it is internally ready. “Review of 4th Superheavy/Starship flight; FAA clears SpaceX for next flight” at Behind the Black.

(15) WAVES HELLO. “’Gravity Waves’ Confirmed For First Time During Solar Eclipse, Say Scientists” – Forbes has the story.

Researchers at Montana State University have made a significant scientific breakthrough by confirming the existence of gravity waves in Earth’s stratosphere during a solar eclipse.

Gravity waves in Earth’s atmosphere are created by mountain ranges and by the difference in temperature between day and night.

The results show that the moon’s shadow during the eclipse lowered temperatures enough to generate atmospheric gravity waves. The cold, dark shadow cast by the moon during an eclipse creates a thermal shock that sends out ripples in the atmosphere. They can most often be observed as ripples in clouds.

During October 14’s annular solar eclipse and April 8’s total solar eclipse—both visible in the U.S.—53 teams of students from 75 institutions across the nation launched high-altitude balloons. This Nationwide Eclipse Ballooning Project, a NASA- and National Science Foundation-sponsored program, was led by Montana State University….

… “By observing how the atmosphere reacts in the special eclipse cases, we can understand more about the atmosphere in general, which can help us better predict the weather and model climate change,” said Angela Des Jardins, director of the Montana Space Grant Consortium and an associate professor in the Department of Physics at MSU’s College of Letters and Science….

(16) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Moid over at Media Death Cult in a 16-minute video wonders “Why Stephen King Banned His Own Book” …?

An essay about the life, fallout and death of Rage by Stephen King…

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Bruce D. Arthurs, Bill, Teddy Harvia, Kathy Sullivan, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Jack Lint.]

Pixel Scroll 3/28/24 Did You Ever Dance With The Pixel In The Pale Scroll Light?

Posted on March 28, 2024 by Mike Glyer

(1) JAMES A. MOORE (1965-2024). [Item by Anne Marble.]Horror and fantasy author James A. Moore died March 27. Christopher Golden made the announcement in a concise obituary on Facebook.

Celebrated horror and fantasy author James A. Moore passed away this morning at the age of 58. Moore was the author of more than fifty horror and fantasy novels, including the critically acclaimed Fireworks, Under The Overtree, Blood Red, the Serenity Falls trilogy (featuring his recurring anti-hero, Jonathan Crowley) and the grimdark fantasy series Seven Forges and Tides of War. Moore also co-wrote many novels and stories with his longtime collaborator Charles R. Rutledge.

His early career highlights included major contributions to White Wolf Games’ World of Darkness, and he was especially proud of his first comic book script sale, to Marvel Comics original series set in the world of Clive Barker’s Hellraiser. A prolific and versatile writer, Jim wrote novels based on various media properties, including Alien, Buffy the Vampire Slayer, and The Avengers.

He was nominated for the Bram Stoker Award three times, for his novel Serenity Falls, in the long fiction category for Bloodstained Oz, a collaboration with Christopher Golden, and as editor (with Golden) for the groundbreaking horror anthology The Twisted Book of Shadows, for which the pair won the Shirley Jackson Award.

Beyond his work, Jim Moore was a much-beloved figure in the horror community, a tireless champion of other writers and their work, who mentored dozens of new writers, relentlessly urging them to pursue their desire to tell stories. He is survived by his wife, Tessa Moore, and his legions of readers. No wake or funeral is planned, but a celebration of life will be held sometime in April.

And on his own blog Golden has written a longer and more personal remembrance: “James A. Moore”.

Many writers are remembering Moore as a supportive friend and a mentor.

I just don't have it in me to eulogize my friends anymore. Suffice to say, Jim Moore was one of the best of them. That hotel convention bar is filling up faster these days. Save me a seat, brother. I'll see you eventually. pic.twitter.com/IeWY0ftCKs
— Brian Keene (@BrianKeene) March 27, 2024

Just heard the awful news about James A. Moore. You'd be hard pressed to find a nicer guy in this industry than Jim, and his presence was at once larger than life yet incredibly humble. He'll be missed.
— Ronald Malfi (@RonaldMalfi) March 27, 2024

RIP James A. Moore. The creatures of the haunted forest are in mourning.
— Jeff Strand ???? (@JeffStrand) March 27, 2024

Thanks to everyone for reaching out to me about Jim (James A. Moore). I'm gutted, and just barely functional right now. I'll have more to say later, but for now just know that he was one of my closest friends and I loved him.
— Charles R. Rutledge (@CRRutledge2) March 27, 2024

The world has lost another one of the truly good guys. My dear friend James Moore passed this morning. He was one of the very first friends I made in the fiction world. A gentleman, a superb writer, a decent human being. Happy journeys, my brother. #RipJamesAMoore pic.twitter.com/TpD7AsnVFo
— Jonathan Maberry (@JonathanMaberry) March 27, 2024

A couple of GoFundMe campaigns were established by Camp Necon to help James A. Moore (and his family). There was one established to help him during a cancer battle, and there was a more recent one established to help both him and his wife with medical expenses after he beat cancer: “Fundraiser for James A. Moore by Camp Necon : Please Help Jim & Tessa Moore (COVID-19 Expenses)”.

Now a GoFundMe has been started for his memorial expenses.

Dear Fellow Halloween People — @ChristophGolden has started a fundraiser for Jim Moore’s memorial and final wishes. If you have the means, please contribute. If you don’t have the means, please share. https://t.co/k22c764Du3
— Brian Keene (@BrianKeene) March 28, 2024

“Fundraiser by Christopher Golden : James A. Moore Final Wishes and Memorial Expenses”.

This is hard to do. Jim would’ve hated it. He received so much help from so many of you over the past five years, through cancer and Covid and surgeries and job loss and housing loss and amputation. We did two major GoFundMe campaigns during that time. Over the past year, there were moments we talked about doing a third one, but Jim hated the idea of asking again, no matter how much trouble he was in. Sympathy fatigue is real, and so many other people needed help, too.

Jim is going to be cremated. The expense for that is nothing compared to a funeral and a casket and a burial plot, but it’s still costly. I also want to be able to gather everyone together to have a Celebration of Life in a way that honors him. If we could wait a few months, we could risk doing it outside, but I know that everyone is feeling raw and would like to do it sooner. I’d like to do it on a Saturday or Sunday in April.

I’ve set the goal of this GFM to $6K to pay for both his cremation (and associated expenses) and the memorial gathering. I’m not sure it will be enough, but we’ll see. PLEASE NOTE that any monies received over and above the costs of those two things will be given directly to Jim’s wife, Tessa, to help her as she sorts out her next steps. These years have been hard enough, and we’d like to do all we can to help at this time.

(2) WORLDBUILDING ON EARTH. “Arkady Martine in Singapore: On Sci-Fi City Planning and What Makes a ‘City of the Future’” at Reactor.

…Usually in a sci-fi setting, the city functions as a snapshot in time that helps to illustrate how characters engage with their environment; for Martine, this might involve how long it takes for a character to get to their job, or if they even have a job to get to at all. It is not so much concerned with planning, or what drives planning decisions. “Fiction in general, and science fiction specifically, is bad at thinking about city planning as a discipline,” she explains. “Mostly because it feels absolutely dull, it’s worse than economics. I say this as someone who’s trained as a city planner and who loves it very much and actually finds it deeply fascinating and exciting and horrifically political.” More often than not, she finds that the idea of a constructed, planned city in science fiction—with some exceptions—is simply a given.

“In the US they go on and on…that planning is some kind of neutral process, and that the point of a planner is to be a facilitator,” says Martine. “This is why I ended up in politics and policy and not in planning, because to be perfectly honest, it’s bullshit.” She cites the origins of Victorian infrastructure as a starting point for the western view that the constructed environment determines behavior, “which is that there are too many people and too little space and it’s not sanitary, which is all true.” The solution is not actually ‘everyone has to live in a perfect little garden house,’ but that’s the ideal that is constructed.”…

(3) PURPLE FRIENDS AND OTHERS. “’IF’ Trailer — Ryan Reynolds’ Imaginary Friend Comes to Life” – Collider introduces the movie, which arrives in theaters on May 17.

IF focuses on a young girl with the unique ability to see not only her own imaginary friends but also those of others, particularly the ones left behind by their human companions. These forgotten imaginary beings, once vital to the lives of many children, find themselves lonely and at risk of being forsaken indefinitely. In their desperation, they ally themselves with the girl, seeing her as their last chance to be recalled and cherished again before it’s too late.

(4) OCTOTHORPE. Episode 106 of Octothorpe promises a “Fitter Happier Healthier Eastercon”. Which, of course, you want, right?

Octothorpe 106 is now available! You can listen to it while at Eastercon, while travelling to Eastercon, or in defiance of the occurrence of Eastercon. We discuss, er, Eastercon. We talk about transcripts a little, too, before discussing awards, science fiction, cricket, and games. It’s basically a pretty representative episode, is what we’re saying.

(5) PASSING THE PLATE. 13th Dimension ranks “13 Delectable ALEX ROSS Collector Plates”. A whole gallery of images here, naturally.

3. Christmas with the Justice League of America (Warner Bros. Studio Store, 2000). Harking back to some of the classic covers of DC’s Christmas With the Super-Heroes specials, Ross creates a jubilant yuletide scene, literally framed with a bit of melancholy. The classic satellite era League (along with Ross favorites Captain Marvel and Plastic Man) celebrate in their own unique ways: The toast between Martian Manhunter and Red Tornado; Black Canary hanging on Green Arrow’s shoulder; Hawkman and Hawkgirl observing the strange Earth custom of decorating the tree; and my favorite, Green Lantern making the tree lights with his power ring. But all of this is superseded by the Man of Steel beckoning the Dark Knight to let his often-lonely crusade rest for the night, and come inside and join the celebration.

(6) LIADEN UNIVERSE® NEWS. Sharon Lee announced that the eARC (electronic Advance Reading Copy) of Ribbon Dance is now available from Baen Books.

Also, a spoiler discussion page has been set up for those folks who have read the eARC and Want To Talk About It. Here is that link.

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 28, 1912 — A. Bertram Chandler. (Died 1984.) Tonight’s Scroll features a Birthday for a writer from Australia — A. Bertram Chandler.

Did you ever hear of space opera? Of course you have. Well, the universe of Chandler’s character John Grimes was such. A very good place to start is the Baen Books omnibus of To The Galactic Rim which contains three novels and seven stories. If there’s a counterpart to him, it’d be I think Dominic Flandry who appeared in Anderson’s Technic History series. (My opinion, yours may differ.) Oh, and I’ve revisited both to see if the Suck Fairy had dropped by. She hadn’t.

Connected to the Grimes stories are the Rim World works of which The Deep Reaches of Space is the prime work. The main story is set in an earlier period of the same future timeline as Grimes, a period in which ships are the magnetic Gaussjammers, recalled with some nostalgia in Grimes’ time.

But that’s hardly all that he wrote. I remember fondly The Alternate Martians, a novella that he did. A space expedition to Mars that find themselves in the worlds of H.G. Wells, Edgar Rice Burroughs and Otis Adelbert Kline. Why he chose the latter I know not as I’d never heard of him. It’s a great story well told. And fun to boot. It was first published as an Ace Double, The Alternate Martians / Empress of Outer Space. Gateway has released it as a separate epub for a mere buck ninety nine at the usual suspects.

He wrote a reasonably large number of stand-alone-alones, so what did I like? For a bit of nicely done horror, you can’t beat The Star Beasts — yes, I know that there’s nothing terribly original there but it’s entertaining to read; Glory Planet has a watery Venus occupied by anti-machine theocracy opposed by a high-tech city-state fascinating; and finally I liked The Coils of Timeenin which a scientist has created a Time Machine but now needs a guinea pig, errr, a volunteer to go back through time and see what’s there — did it go as planned? Oh guess.

I see that he’s written but a handful of short stories, none of which I’ve read other than the ones in To The Galactic Rim. So who here has?

He’s won five Ditmars and The Giant Killer novel was nominated for a Retro Hugo.

All in all, I like him a lot.

(8) COMICS SECTION.

Bliss has another take on the shaggy dog story.
Reality Check hears from Yoda.

(9) SOUNDS FAMILIAR. From the New York Times: “Like My Book Title? Thanks, I Borrowed It.” Just like the Scroll item headlines here, yes?

You see it everywhere, even if you don’t always recognize it: the literary allusion. Quick! Which two big novels of the past two years borrowed their titles from “Macbeth”? Nailing the answer — “Birnam Wood” and “Tomorrow, and Tomorrow, and Tomorrow” — might make you feel a little smug.

Perhaps the frisson of cleverness (I know where that’s from!), or the flip-side cringe of ignorance (I should know where that’s from!), is enough to spur you to buy a book, the way a search-optimized headline compels you to click a link. After all, titles are especially fertile ground for allusion-mongering. The name of a book becomes more memorable when it echoes something you might have heard — or think you should have heard — before.

This kind of appropriation seems to be a relatively modern phenomenon. Before the turn of the 20th century titles were more descriptive than allusive. The books themselves may have been stuffed with learning, but the words on the covers were largely content to give the prospective reader the who (“Pamela,” “Robinson Crusoe,” “Frankenstein”), where (“Wuthering Heights,” “The Mill on the Floss,” “Treasure Island”) or what (“The Scarlet Letter,” “War and Peace,” “The Way We Live Now”) of the book.

Somehow, by the middle of the 20th century, literature had become an echo chamber. Look homeward, angel! Ask not for whom the sound and the fury slouches toward Bethlehem in dubious battle. When Marcel Proust was first translated into English, he was made to quote Shakespeare, and “In Search of Lost Time” (the literal, plainly descriptive French title) became “Remembrance of Things Past,” a line from Sonnet 30.

(10) YOU’VE GOT TO BE KIDDING. “Liu Cixin: ‘I’m often asked – there’s science fiction in China?’” he told the Guardian.

…Science fiction was a rarity in China when Liu was growing up because most western books were banned. Living in a coal mining town in Shanxi province as a young man, he found a book hidden in a box that once belonged to his father. It was Journey to the Centre of the Earth by Jules Verne, and Liu read it in secret, and in doing so forged a lifelong love of science fiction….

(11) BREAD FOR CIRCUSES. “The film fans who refuse to surrender to streaming: ‘One day you’ll barter bread for our DVDs’” in the Guardian. Anybody who’s bought an ebook from Amazon doesn’t need a natural disaster to convince them about the advantages of owning physical media.

When a hurricane struck Florida in 2018, Christina’s neighborhood lost electricity, cell service and internet. For four weeks her family was cut off from the world, their days dictated by the rising and setting sun. But Christina did have a vast collection of movies on DVD and Blu-ray, and a portable player that could be charged from an emergency generator.

Word got around. The family’s library of physical films and books became a kind of currency. Neighbors offered bottled water or jars of peanut butter for access. The 1989 Tom Hanks comedy The ’Burbs was an inexplicably valuable commodity, as were movies that could captivate restless and anxious children.

“I don’t think 99% of people in America would ever stop to think, ‘What would I do if I woke up tomorrow and all access to digital media disappeared?’ But we know,” Christina told me. “We’ve lived it. We’ll never give up our collection. Ever. And maybe, one day, you’ll be the one to come and barter a loaf of bread for our DVD of Casino.”…

(12) IN SPACE NOBODY CAN HEAR YOU LAUGH. “Spaceballs: 12 Behind the Scenes Stories of Mel Brooks’ Ludicrous Sci-Fi Adventure” at Moviemaker. Here’s one I never thought of:

Spaceballs Was Also Inspired by It Happened One Night

One of the biggest reference points for Spaceballs wasn’t a sci-fi film, but a Frank Capra classic, 1934’s It Happened One Night. The film was the first to sweep the top five Oscar categories — Best Picture, Best Director, Best Adapted Screenplay, Best Actor and Best Actress.

The film follows an heiress (Claudette Colbert) who flees her dull groom on her wedding day and falls for a cool regular guy played by Clark Gable. “We took that same basic plot and shot it into space!” Brooks wrote in his memoir.

In Spaceballs, Princess Vespa of Planet Druidia (Daphne Zuniga) flees her dull groom, Prince Valium, on her wedding day, and falls for a cool regular guy named Lone Starr (Bill Pullman).

(13) DON’T ASK? “Artemis astronauts will carry plants to the moon in 2026” reports Space.com. Strangely, neither this article nor the NASA press release it’s based on say what specific plants will be part of the experiment.

The first astronauts to land on the moon in more than half a century will set up a lunar mini-greenhouse, if all goes according to plan.

NASA has selected the first three science experiments to be deployed by astronauts on the moon’s surface on the Artemis 3 mission in 2026. Among them is LEAF (“Lunar Effects on Agricultural Flora”), which will study how space crops fare in the exotic lunar environment.”LEAF will be the first experiment to observe plant photosynthesis, growth and systemic stress responses in space-radiation and partial gravity,” NASA officials wrote in a statement Tuesday (March 26) announcing the selection of the three experiments….

(14) WAS HE LOST IN SPACE? Dan Monroe investigates “Whatever Happened to ROBBY The ROBOT?”

(15) VIDEO OF THE DAY. Slashfilm covers (and uncovers) “The Most Controversial Costumes In Sci-Fi History”.

The worst superhero costume in history, space bikinis, and a leather trenchcoat that sparked a media frenzy — sci-fi costumes don’t get much more controversial than this.

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Anne Marble, Kathy Sullivan, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Authors Dropping from New Demons Anthology

Posted on March 21, 2024 by Mike Glyer

After several authors withdrew their stories today from the New Demons anthology due to the involvement of co-editor Patrick R. McDonough, another co-editor, Joe R. Lansdale, said the anthology is “done”.

A Kickstarter to fund the New Demons anthology was launched two days ago and promptly raised almost five times the amount of its target goal. The anthology was to be co-edited by Joe R. Lansdale, Patrick R. McDonough and Keith Lansdale, and feature stories from the following authors:

Subtweeting in social media about McDonough began when pre-launch publicity about the Kickstarter appeared. Ginger Nuts of Horror review website editor Jim McLeod then wrote explicitly on March 18:

Here are posts from several writers who today dropped out of the anthology.

Another is Chuck Wendig, who briefly stated in “Three More things Makes A Post” at Terribleminds:

….[T]he anthology I announced being a part of earlier, New Demons, I sadly am pulling out of at present. I’ll let you know if that changes.

Co-editor Joe Lansdale then responded:

And Patrick R. McDonough has posted a response and denial of wrongdoing:

Pixel Scroll 3/18/24 We Cannot Do With More Than 16, To Give A Tentacle To Each

Posted on March 18, 2024 by Mike Glyer

(1) HOLLY BLACK Q&A. “Holly Black interview: The Cruel Prince author on the boom in faerie fantasy novels, BookTok, and sex scenes” at Slate.

What does it feel like now to be surrounded by all these other faerie fantasy books and, consequently, readers who potentially read only fantasy, who are not coming into the genre for the first time?

[Black] As a person who writes and reads a lot of fantasy, it’s been extremely gratifying to see fantasy move into a mainstream place. There are a lot of people who’ve grown up watching Lord of the Rings at a young enough age that it’s become part of their vocabulary of how the fantasy world works. Game of Thrones too. I think, for a lot of people, that barrier to entry is much lower than it was when there wasn’t so much exposure to fantasy.

I think the rise of romantasy is certainly in part because people do have the vocabulary of fantasy. Romance is one of the biggest genres in the world, so of course people want to see, or are able to read, fantasy romances in a way that might not have been true before. Romantasy is really two different genres kind of mushed together, probably in the same way that urban fantasy was. You have two streams: the romance-forward fantasy, where it’s really a romance novel with fantasy, and then you have fantasy that has romance. They’re paced really differently, and they have different focuses, but they live in the same genre. Then you had urban fantasy that came out of fantasy, and often those were the faerie books; for a long time urban fantasy was faerie, in the late ’80s.

(2) NEW WORLDS TURNING 60. Richard Glynn Jones told the New Worlds Facebook group on March 13 that an anniversary issue is in the works:

Michael Moorcock and some associates are preparing a new issue of New Worlds to commemorate the 60th anniversary of his becoming its editor. This will be in magazine format as before (A4, saddle-stitched) for publication in mid-summer. The contents are pretty much finalised, so please don’t send any unsolicited material: it’s by invitation only. A second book-format New Worlds is due from PS Publishing later in the year. More info soon.

(3) SOMETHING IS ROTTING IN HOLLYWOOD BITS. [Item by Mike Kennedy.] Digital is forever. Except when it isn’t. The movie industry has a data migration problem. From The Hollywood Reporter: “’It’s a Silent Fire’: Decaying Digital Movie and TV Show Files Are a Hollywood Crisis”.

Industry pros sweat the possibility that many digital files will eventually become unusable — an archival tragedy reminiscent of the celluloid era.

While David Zaslav and Bob Iger’s tax-optimization strategy of deleting films and TV shows from their streamers has triggered plenty of agita among creators, the custodians of Hollywood’s digital era have an even greater fear: wholesale decay of feature and episodic files. Behind closed doors and NDAs, the fragility of archives is a perpetual Topic A, with pros sweating the possibility that contemporary pop culture’s master files might be true goners, destined to the same fate as so many vanished silent movies, among them Alfred Hitchcock’s second feature, The Mountain Eagle, and Ernst Lubitsch’s Oscar-winning The Patriot.

It’s underscored by initiatives such as Martin Scorsese’s Film Foundation. “The preservation of every art form is fundamental,” the industry icon says on a video on the organization’s web site. For the business, these are valuable studio assets — to use one example, the MGM Library (roughly 4,000 film titles including the James Bond franchise and 17,000 series episodes) is worth an estimated $3.4 billion to Amazon — but there’s a misconception that digital files are safe forever. In fact, files end up corrupted, data is improperly transferred, hard drives fail, formats change, work simply vanishes. “It’s a silent fire,” says Linda Tadic, CEO of Digital Bedrock, an archiving servicer that works with studios and indie producers. “We find issues with every single show or film that we try to preserve.” So, what exactly has gone missing? “I could tell you stories — but I can’t, because of confidentiality.”

(4) FADING SCHOLARSHIP. [Item by SF Concatenation’s Jonathan Cowie.] The same fear holds true for scholarly publications. Nature this week has rung an alarm bell. SF fans should note: this is another reason why fandom’s move away from paper publications is to be deplored. Digital is simply not for evermore. We need plurality and a diversity of solutions…. “Millions of research papers at risk of disappearing from the Internet” at Nature.

An analysis of DOIs suggests that digital preservation is not keeping up with burgeoning scholarly knowledge.

DOIs for the uninitiated are Digital Object Identifiers: every academic publication should have one so that if a publisher’s website changes and there is a new web-page address (URL) the DOI remains the same and links through. [Jonathan adds, “Fans need not worry about this (the only one they should remember is https://doi.org/10.1017/cbo9781139087735…” Guess whose book that link goes to…]

More than one-quarter of scholarly articles are not being properly archived and preserved, a study of more than seven million digital publications suggests. The findings, published in the Journal of Librarianship and Scholarly Communication on 24 January¹, indicate that systems to preserve papers online have failed to keep pace with the growth of research output.

“Our entire epistemology of science and research relies on the chain of footnotes,” explains author Martin Eve, a researcher in literature, technology and publishing at Birkbeck, University of London. “If you can’t verify what someone else has said at some other point, you’re just trusting to blind faith for artefacts that you can no longer read yourself.”

Primary research is here.

(5) LEGACY WORRIES. Brian Keene muses about the disturbingly short half-life of author name recognition in “Letters From the Labyrinth 372”.

…On Tuesday of this past week, I took a rare day off and drove up to Asbury Park, New Jersey to visit my pal F. Paul Wilson. It occurs to me that I will need to explain to some of my younger readers just who Paul is, and therein lies the meat of this missive. Paul was one of the first horror novelists I read. (As I’ve written in OTHER WORDS, my evolutionary chain as a kid was comic books and Hardy Boys, then Stephen King and F. Paul Wilson). First thing I read by him was The Keep — a seminal, classic horror novel which, sadly, most of you under the age of forty have probably never read. The Keep was the third “grown up book” I ever read (right after King’s Night Shift and Salem’s Lot), and it is an essential part of my writer DNA.

Paul went on to become a giant in the fields of not just horror, but science-fiction, fantasy, thrillers, and other genres, as well. He was a stalwart, perennial New York Times bestseller, and his best-known IP — Repairman Jack — will carry on long after he’s gone. I guarantee you that right now, many of you who did not recognize the name F. Paul Wilson are now nodding and saying, “Oh, yeah, I’ve heard of Repairman Jack.”

It feels absurd to have to explain all of this to you. How could anyone not know this? But then, I think about this past Thursday in the store, when I overheard a mother explaining to her daughter who Brian Keene was, and that he owned the store they were currently shopping in, and that she (the mother) had started reading him in high school. The girl, high school age herself, was holding a book by Wile E. Young that she’d pulled off the shelf. Wile E. Young, was reading me in high school and my books are an essential part of his writer DNA the way Paul’s are a part of mine….

(6) FEAR THE LEFTOVERS. “Godzilla Minus One Director Releases New Kaiju Short, ‘Foodlosslla’” – here is Comicbook.com’s introduction.

…Godzilla Minus One director Takashi Yamazaki teamed up with Ajinomoto (a line of cooking products in Japan) on a special new promo that takes the Kaiju director’s expertise and brings it to life in a new way. Highlighting the amount of food waste in Japan (2.44 million tons according to the advertisement), it results in the creation of “Foodlosslla” a kaiju made out of all the wasted food that doesn’t get eaten or cooked. But with the director’s eye, it’s a great looking monster for the promo. Check it out in action below…

(7) STILL PLENTY OF GOOD EATING ON THIS ONE. Don’t ask what internet rabbit hole this 2014 recipe came from: “Edible Art: Spice Stuffed Squash Sandworms” at Kitchen Overlord. (Click for larger image.)

(8) THOMAS STAFFFORD (1930-2024). [Item by Mike Kennedy.] Gemini 6. Gemini 9. Apollo 10. Apollo 10 Lunar Module. Apollo-Soyuz. Air Force Lt General. A long and busy life. RIP. “Astronaut Thomas Stafford, commander of Apollo 10, has died at age 93”. He died March 18. PBS News Hour pays tribute.

…Stafford, a retired Air Force three-star general, took part in four space missions. Before Apollo 10, he flew on two Gemini flights, including the first rendezvous of two U.S. capsules in orbit. He died in a hospital near his Space Coast Florida home, said Max Ary, director of the Stafford Air & Space Museum in Weatherford, Oklahoma.

Stafford was one of 24 people who flew to the moon, but he did not land on it. Only seven of them are still alive….

…After he put away his flight suit, Stafford was the go-to guy for NASA when it sought independent advice on everything from human Mars missions to safety issues to returning to flight after the 2003 space shuttle Columbia accident. He chaired an oversight group that looked into how to fix the then-flawed Hubble Space Telescope, earning a NASA public service award.

“Tom was involved in so many things that most people were not aware of, such as being known as the ‘Father of Stealth’,” Ary said in an email. Stafford was in charge of the famous “Area 51” desert base that was the site of many UFO theories, but the home of testing of Air Force stealth technologies….

… After the moon landings ended, NASA and the Soviet Union decided on a joint docking mission and Stafford, a one-star general at the time, was chosen to command the American side. It meant intensive language training, being followed by the KGB while in the Soviet Union, and lifelong friendships with cosmonauts. The two teams of space travelers even went to Disney World and rode Space Mountain together before going into orbit and joining ships.

“We have capture,” Stafford radioed in Russian as the Apollo and Soyuz spacecraft hooked up. His Russian counterpart, Alexei Leonov, responded in English: “Well done, Tom, it was a good show. I vote for you.”

The 1975 mission included two days during which the five men worked together on experiments….

(9) BELATED BIRTHDAY.

[Written by Cat Eldridge.]

Born March 17, 1948 — William Gibson, 76. Not at all surprisingly, the first series that I read by William Gibson was the one that started off with his first novel, Neuromancer, published forty years ago, which is called the Sprawl trilogy. I still love the now anachronistic wording of the opening, “THE SKY ABOVE the port was the color of television, tuned to a dead channel.”

I don’t know at all how many times that I’ve read that trilogy but the last time I did read it, about a decade, it was still impressively excellent.

Neuromancer would get a much deserved Hugo at Aussiecon Two as well as a Ditmar, Nebula and a Philip K. Dick; and Mono Lisa Overdrive won an Aurora. The novels had too many nominations to list here.

Yes, I’m looking forward to the Apple financed Neuromancer series. If anyone can financially afford to do it right, it’s them. And they have a strict hands-off policy of not interfering with the actual production team.

Going back in time I must talk about “Johnny Mnemonic” which was not his first story, which was “Hinterlands“ which I’ve never of until now. “Johnny Mnemonic” I think is one of the finest SF short story written. The same holds true for “The Gernsback Continuum” which was published in the same year, forty-two years ago. I’ll toss in “New Rose Hotel” which showed up a few years later.

Please let’s not talk about the Johnny Mnemonic film. Really don’t mention it. I get queasy thinking about how they butchered that stellar story. And I’ve seen some pretty awful scripts but few that matched this, plus the casting of him. Why oh why?

His second series, the Bridge trilogy, which is Virtual Light, Idoru and All Tomorrow’s Parties came out some thirty years ago. No, I’ve not read it nearly as many times as I’ve read the Sprawl ones but I did find rather excellent. The near future setting is more grounded and a more fascinating read for that.

Ok, I’ll admit that I do not at all know what to make of Pattern Recognition, Spook Country and Zero History. They are well written like everything he does, and the characters are fascinating, but something these works is just not quite right for me. It comes off cold, distanced and just not interesting as what else he’s done.

On the other catspaw, the Jackpot trilogy, or possibly longer series, which so far consisted of The Peripheral that has contain time travel (of sorts, maybe) and Agency, and a third, Jackpot, which I don’t think has a release date, is fascinating in the first two novels. Strange, disjointed but fascinating.

(10) COMICS SECTION.

Thatababy is really for the birds.
Breaking Cat News reports on a comics industry story.
Peanuts from 1955 explains why we’ll never land a rocket on the moon.

(11) JUNE 4. ScreenRant says The Acolyte release date has been confirmed by Lucasfilm: “We Finally Know When The Next Star Wars TV Show Comes Out”.

… With a summer 2024 Disney+ drop having long been rumored, Lucasfilm has officially confirmed The Acolyte‘s release date as June 4, 2024, via Star Wars‘ official Twitter/X account. As it turns out, the release dates that have been reported for The Acolyte were accurate. This means Star Wars fans will not have to wait long to sink their teeth into the High Republic era, as Lucasfilm takes a big step into a new facet of a galaxy far, far away….

… The books of the High Republic are set centuries before Star Wars: Episode I – The Phantom Menace. Upon The Acolyte‘s announcement, it was confirmed that the Disney+ show would detail the waning days of the High Republic era. This places the show about 100 years before The Phantom Menace in the Star Wars timeline, promising a new, exciting look at an entirely new era of the franchise….

(12) DO ANDROIDS DREAM OF LOOKING UP AT GIANT ELECTRIC SHEEP? YES THEY CAN! [Item by Daniel Dern.] “Montana Man Pleads Guilty to Federal Wildlife Trafficking Charges as Part of Yearslong Effort to Create Giant Hybrid Sheep for Captive Hunting” at the US Department of Justice.

Defendant Worked to Traffic Marco Polo Sheep Parts from Kyrgyzstan, Clone Sheep, Illegally Inseminate Ewes to Create Hybrids and Traffic Rocky Mountain Bighorn Sheep Parts

A Montana man pleaded guilty today to two felony wildlife crimes – a conspiracy to violate the Lacey Act and substantively violating the Lacey Act – as part of an almost decade-long effort to create giant sheep hybrids in the United States with an aim to sell the species to captive hunting facilities.

Arthur “Jack” Schubarth, 80, of Vaughn, Montana, is the owner and operator of Sun River Enterprises LLC – also known as Schubarth Ranch – which is a 215-acre alternative livestock ranch in Vaughn. The Schubarth Ranch is engaged in the purchase, sale and breeding of “alternative livestock” such as mountain sheep, mountain goats and various ungulates. The primary market for Schubarth’s livestock is captive hunting operations, also known as shooting preserves or game ranches.

According to court documents, Schubarth conspired with at least five other individuals between 2013 and 2021 to create a larger hybrid species of sheep that would garner higher prices from shooting preserves. Schubarth brought parts of the largest sheep in the world, Marco Polo argali sheep (Ovis ammon polii), from Kyrgyzstan into the United States without declaring the importation. Average males can weigh more than 300 pounds with horns that span more than five feet. Marco Polo argali are native to the high elevations of the Pamir region of Central Asia. They are protected internationally by the Convention on International Trade in Endangered Species, domestically by the U.S. Endangered Species Act and are prohibited in the State of Montana to protect native sheep from disease and hybridization.

Schubarth sent genetic material from the argali parts to a lab to create cloned embryos. Schubarth then implanted the embryos in ewes on his ranch, resulting in a single, pure genetic male Marco Polo argali that he named “Montana Mountain King” or MMK….

(13) TINY MESSAGES. Like the “golden record” sent with two 1977 Voyager probes,“NASA’s Europa Clipper mission will carry a poem and millions of names to ocean moon” reports CNN.

When NASA’s Europa Clipper aims to launch on its highly anticipated mission to an icy moon in October, the spacecraft will carry a unique design etched with names, poetry and artwork symbolizing humanity.

The US space agency has a long history of sending names and meaningful designs aloft aboard missions, including the Voyager probes, the Perseverance rover and Parker Solar Probe. Now, it’s Europa Clipper’s turn to carry on the tradition of ferrying a design that illustrates why humans are driven to explore the cosmos….

… Decorated on both sides and made of the rare metal tantalum, the triangular plate will seal the spacecraft’s sensitive electronics inside a vault to protect them from Jupiter’s harsh radiation.

On the inside of the vault is a silicon microchip stenciled with more than 2.6 million names submitted by the public. The microchip is at the center of a design that shows a bottle floating within the orbit of Jupiter and its moons to symbolize that it serves as a cosmic message in a bottle.

Technicians at NASA’s Jet Propulsion Laboratory in Pasadena, California, used electron beams to stencil the names at a size smaller than one-thousandth the width of a human hair.

Below the bottle, the design features the original poem “In Praise of Mystery: A Poem for Europa” by US Poet Laureate Ada Limón, etched in her handwriting, as well as a portrait of the late planetary sciences pioneer Ron Greeley, an Arizona State University professor who played a crucial role in laying the foundation for the development of a mission to Europa.

The side of the plate facing the inside of the vault also includes an etching of the Drake Equation, developed by the late astronomer Frank Drake of the University of California Santa Cruz in 1961 to estimate the possibility of finding advanced life beyond Earth. The equation remains an important part of astrobiological research as scientists search for evidence of life beyond our planet.

The external side of the plate carries waveforms, or visual representations of sound waves, that depict the word “water” in 103 languages from around the world. At the heart of the spiral is a symbol that means “water” in American Sign Language. The audio of the spoken languages collected by linguists for NASA is available on its website….

(14) VIDEO OF THE DAY. Mother’s Basement looks back on “How Akira Toriyama Changed The World”.

Akira Toriyama didn’t just change manga and anime forever, he changed the entire world. Here’s how.

Geoff Thew creates videos analyzing the storytelling techniques of anime and video games. He has been named the number one Worst YouTube Anime Reviewer by The Top Tens.

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, Kathy Sullivan, Daniel Dern, JJ, Lise Andreasen, Andrew (not Werdna), N., Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 3/10/24 He Who Controls The Pixels Controls The Scroll

Posted on March 10, 2024 by Mike Glyer

(1) HUGO, GIRL! REVERSES PERMANENT RECUSAL DECISION. The Hugo, Girl! the Podcast team tells why they have changed their minds about permanently recusing themselves from the Best Fancast category in “Statement on the 2023 Hugo Awards”. The complete explanation is at the link.

Following the Chengdu Hugo Awards, we believed in good faith that we were the legitimate winners of the 2023 Hugo Award for Best Fancast. We subsequently announced Hugo, Girl’s permanent recusal from the Best Fancast category. We were honored and delighted by the win, and we wanted to make room for others to experience the same.

However, with each recent revelation about the administration of the Hugo Awards, we have become increasingly uncomfortable thinking of ourselves as legitimate winners. Viewing the nomination and voting data that others have meticulously combed through, analyzed, and presented in a thorough and digestible way, it initially seemed that Fancast was one of the less obviously suspicious categories. It did not appear that any of our Fancast co-finalists or entries on the long list had been mysteriously disqualified, as was the case in several other categories. That being said, Fancast is not free from strange numbers.

We became even more dubious once we learned that the Hugo Administrators had investigated and disqualified potential finalists* on the basis of assumed politics, queer and trans identity, and an imaginary trip to Tibet. We ourselves likely should have been disqualified under the same criteria. It does not escape our notice that as four white people, we may have been scrutinized less closely….

… For the foregoing reasons, we have decided to withdraw our recusal from Hugo eligibility, effective in 2025. We hope to have a future opportunity to participate in a fair, transparent Hugo Awards process, if voters decide to honor us again with a place on the ballot.

(2) FALSE GRIT. Heard too much about Dune lately? Then your brain will probably explode in the middle of reading “Charles Bukowski’s Dune” at McSweeney’s Internet Tendency.

It had been a long day. The hot-shit new supervisor, who looked about sixteen and probably hadn’t even started shaving yet, had written me up twice. I’d crumpled both slips in front of him, thrown them in the trash.

On the way home, the 48-Arrakeen worm died at the base of the hill, and we all had to hop off into the sand. The thing was already starting to stink as I began the trudge uphill, bone-tired and thirsty….

(3) NO ARMY IS SO POWERFUL AS AN IDEA WHOSE TIME HAS COME. Variety reports, “SAG-AFTRA Chief: Chance of Strike Against Game Producers is ’50-50’”.

Issues around the use of AI in the production process is the big sticking point in SAG-AFTRA’s negotiations with the largest video game companies, SAG-AFTRA chief Duncan Crabtree-Ireland said Saturday during a wide-ranging Q&A at SXSW in Austin, Texas.

Crabtree-Ireland, who is national executive director and chief negotiator of the performers union, said he put the chances of union members striking against key game companies is “50-50, or more likely than that we will go on strike in the next four to six weeks because of our inability to get past these issues,” Crabtree-Ireland told Brendan Vaughan, editor-in-chief of Fast Company, during a conversation focused on AI….

… Some pushed the union to demand an outright ban on the use of AI in union-covered productions. Crabtree-Ireland said he know that was a nonstarter.

“We would not have succeeded, any more than any union ever in history has been able to stop technology,” he said. “Unions that try that approach, they fail and they give up the chance to influence how those technologies are implemented. “The fact of matter is, we’re going to have AI.”

Crabtree-Ireland emphasized repeatedly that the union’s position on AI revolves around “consent and compensation” for its members when AI engines use their work. “We want to make sure the implementation is human-centered and focused on augmentation [of production], not replacement of people,” he said….

(4) SFF WINS CANADIAN COMPETITION. The Québecois author Catherine Leroux’s The Future, in a translation by Susan Ouriou, has won the 2024 Canada Reads national competition. (Canada Reads is a television show. ) “’Canada Reads’ 2024 Winner: Catherine Leroux’s ‘The Future’” at Publishing Perspectives.

…The Future by Catherine Leroux, published by Biblioasis in Windsor, was named the winner of the weeklong series of elimination programs from the Canadian Broadcasting Corporation’s CBCbooks. The book is translated from French by Susan Ouriou and is a dystopian history of Detroit, a book the program refers to as, “a plea for persistence in the face of our uncertain future.”

(5) REID Q&A. Sff gets two callouts in this Guardian interview: “Taylor Jenkins Reid: ‘Elizabeth Bennet and Mr Darcy are unbeatable’”. Taylor Jenkins Reid will be international author of the day at the London Book Fair on March 12.

The writer who changed my mind
I thought I didn’t like sci-fi until I discovered Octavia Butler. Kindred defies genre, but it taught me that I’ll go anywhere in a story if I trust the writer….

My comfort read
Whenever I want to read a book I know will be good, I go to Silvia Moreno-Garcia. Her genres are ever changing, her ability to take on a wild story each time is incredible. You never know what she’s going to do, but you know it will be a page-turner. I cannot wait for her next book, The Seventh Veil of Salome. Fifties Hollywood, two starlets, the role of a lifetime … what more could you want?

(6) FLATIRON STILL AWAITS ITS FUTURE. [Item by Ersatz Culture.] In a news item today on the BBC about America’s office market, there’s a passing reference to the former Tor offices:

The famous triangular Flatiron building nearby has been vacant since 2019. Last autumn, the owners said it would be turned into condos.

Way back in January 2009, File 770 reported that the owners originally had different plans:

However, the offices of Tor Books are housed in New York’s Flatiron Building, which an Italian investor has announced plans to convert into a luxury hotel. Reports say hotels take so long to construct that it might be a decade before the Flatiron Building comes online in its new capacity.

The departure of Tor and the wider Macmillan publishing organization was reported in the June 5th, 2019 Pixel Scroll.

(7) TEENAGE BROADBAND. “New Emotions Move in for ‘Inside Out 2’” – and Animation Magazine makes the introductions:

Disney and Pixar today unveiled the official trailer plus new images and poster for Inside Out 2, which welcomes new Emotions to now-teenager Riley’s mind. Joining Joy (voice of Amy Poehler), Anger (Lewis Black), Sadness (Phyllis Smith), Fear (Tony Hale) and Disgust (Liza Lapira) is a group of Emotions perfectly suited for the teenage years:

Maya Hawke voices Anxiety, the previously announced new arrival bound to shake up everything in headquarters and beyond. A bundle of frazzled energy, Anxiety enthusiastically ensures Riley’s prepared for every possible negative outcome.

Envy, voice of Ayo Edebiri, may be small but she sure knows what she wants. She’s perpetually jealous of everything everyone else has, and she’s not afraid to pine over it.

Ennui, who’s voiced by Adèle Exarchopoulos, couldn’t care less. Bored and lethargic with a well-practiced eye-roll, Ennui adds the perfect amount of teenage apathy to Riley’s personality, when she feels like it.

Embarrassment, voiced by Paul Walter Hauser, likes to lay low, which isn’t easy for this burly guy with a bright blush-pink complexion….

(8) BILL WAHL TRIBUTE. Brian Keene is overwhelmed by the loss of another friend – Bill Wahl died March 6 — as he told readers of “Letters From the Labyrinth 371”.

…Bill, like me, was always blunt and spoke his mind. And he did indeed give Mary and I a TON of pointers and help in the setting up of Vortex Books & Comics. It is Saturday as I write this, in the bookstore, and it is not lost on me that he had planned on coming in here today, right about the time I’m typing this (2:31pm).

I guess maybe I wrote a eulogy after all. Maybe half-assed, but that’s still pretty good considering that I’m typing it amidst a car crash of mental, physical, and emotional exhaustion from which I may not be able to beat this time.

After 56 years on this planet, I finally know what it means to be tired…

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 10, 1918 — Theodore Rose Cogswell. (Died 1987.) Let’s consider Theodore Rose Cogswell. He was a member of the Minneapolis Fantasy Society and later noted that fellow members Poul Anderson and Gordon Dickson said that he should he should be a writer.

He was in his thirties before his first work, “The Spectre General” novella was published in the June 1952 issue of Astounding. SWFA considers it one of our best novellas.

He would co-write with Charles A. Spano, Jr., Spock, Messiah. Prior to this novel, only one Star Trek tie-in novel intended for adult readers instead of YA readers had been published, Spock Must Die!, written by James Blish. Blish was supposed to do a Mudd novel but his death obviously prevented that. A real pity that. Though Mudd’s Angels would be written by J.A. Lawrence, Blish’s wife.

Back to Cogswell.

He wrote a fair amount of short fiction, some forty works, collected in The Wall Around the World, the title novelette here was nominated for a Retro Hugo, and The Third Eye.

Perhaps, his most interesting work was as editor of Proceedings of the Institute for Twenty-First Century Studies where such individuals as Poul Anderson, Isaac Asimov, James Blish, Algis Budrys, Arthur C. Clarke, Avram Davidson, Gordon Dickson, Fritz Leiber engaged in what is best described as a very long running written bull session. A copious amount of these writings was published as PITFCS: Proceedings of the Institute for Twenty-First Century Studies. Though NESFA distributed it, it was published by Advent Publishing. It was nominated for a Hugo at ConAdian for Best Related Non-Fiction Book.

(10) COMICS SECTION.

Thatababy is solving a mystery.

(11) NEW MARVEL UNLIMITED PROGRAM LETS YOU ACCESS INFINITY COMICS FOR FREE. Marvel’s Infinity Comics: Start Scrolling became available starting March 7.

It’s time to Start Scrolling! Today, comic fans will have even more access to their favorite stories spanning the Marvel Universe with the all-new Marvel’s Infinity Comics: Start Scrolling digital program. The new program, exclusively from Marvel Unlimited, allows readers to access select Infinity Comics for free.

Marvel’s Infinity Comics: Start Scrollingwill provide instant access to select free comics, with no login required. Readers can experience over 100 issues of bingeable Marvel stories starring fan-favorites including the X-Men, Spider-Man, Jeff the Land Shark, and many more, by visiting Marvel’s Infinity Comics: Start Scrolling. With an extensive library of over 30,000 comics on Marvel Unlimited, fans can expect other free Infinity Comics to be rotated in throughout the year.

Marvel’s Infinity Comics are a vertical format designed for phones and tablets exclusive to Marvel Unlimited. Since launching in September 2021, Marvel Unlimited has published over 1,000 Infinity Comics to date from over 300 top Marvel creators.

(12) FOLLOW THE MONEY. Or the spice. The economic engine that drives Dune’s universe isn’t explained in the movie, but GameRant has volunteered for the job: “Dune: CHOAM, Explained”.

…The Combine Honnete Ober Advancer Mercantiles is a monopolistic conglomerate that controls all commerce throughout the Dune universe. All material goods flow through CHOAM. All substantial wealth comes through interests in CHOAM. The CHOAM network runs through every other seat of power. CHOAM is under the Corrino Empire, the highest station in the universe, which oversees CHOAM’s board of directors. CHOAM was a publicly traded company. Shareholder profits could make any participant fabulously wealthy. Only the noble patriarchs of the Great Houses could become shareholders in CHOAM. The Houses fought for directorship positions, seeking to earn dividends and skim profit from their impossibly vast businesses. The Emperor reserved the right to revoke or hand out director positions, giving him the final say in any profit-seeking venture….

(13) CALLING SOLOMON! Space tells “Why astronomers are worried about 2 major telescopes right now”.

There’s a bit of tension right now in the U.S. astronomy community and, perhaps unsurprisingly, it has to do with telescopes — extremely large telescopes, in fact. Here’s what’s going on.

The National Science Foundation (NSF), a source of public funding that two powerful next-gen observatories have been banking on for financial support, is facing pressure to go forward with only one telescope. This is because last month, the National Science Board — which is basically an advisory committee for the NSF — recommended that it cap its giant telescope budget at $1.6 billion. This is a lot of money, but it’s just not enough for both. The board even says the NSF will have until only May of this year to decide which telescope gets the go-ahead.Yet, both telescopes are already in the middle of construction, both are equally important and both are actually supposed to work together to fulfill a wide-eyed dream for astronomers. Because of how utterly huge they’re meant to be, they’re expected to one-up even the $10 billion James Webb Space Telescope (JWST) in many ways. That’s the gold-mirrored, silvery-shielded trailblazer sitting a million miles from Earth right now, finding deep space gems so quickly it’s normalizing us to seeing things humanity once couldn’t fathom seeing. Imagine something better….

… One of the big scopes is the Giant Magellan Telescope (GMT). It’s taking shape as you read this in the clear-skied deserts of Chile, and it’s projected to cost something like $2.54 billion as a whole. The other is called The Thirty Meter Telescope (TMT). That one’s location is a bit more controversial. It’s planned to decorate a mountain in Hawaii called Mauna Kea, but locals have protested the decision because this stunning volcanic peak that boasts low humidity and gentle winds (perfect conditions for astronomy) is extremely meaningful in native Hawaiian culture. It’s a fraught situation, as 13 other telescopes already live in the area and some local people say the facilities are impacting the natural environment. In terms of cost, however, the projected amount is just about symmetrical to the GMT’s….

(14) WHAT’S THE MATTER? “Controversial new theory of gravity rules out need for dark matter” – and the Guardian tries to explain it to us. However, the last time I heard a doctor use the word “wobbly” in connection with anything about spacetime, his last name was “Who”.

…There are multiple lines of evidence for dark matter, but its nature has remained mysterious and searches by the Large Hadron Collider have come up empty-handed. Last year, the European Space Agency launched a mission, Euclid, aiming to produce a cosmic map of dark matter.

The latest paper, published on the Arxiv website and yet to be peer-reviewed, raises the question of whether it even exists, drawing parallels between dark matter and flawed concepts of the past, such as “the ether”, an invisible substance that was thought to permeate all of space.

“In the absence of any direct evidence for dark energy or dark matter it is natural to wonder whether they may be unnecessary scientific constructs like celestial spheres, ether, or the planet Vulcan, all of which were superseded by simpler explanations,” it states. “Gravity has a long history of being a trickster.”

In this case, the simpler explanation being proposed is Oppenheim’s “postquantum theory of classical gravity”. The UCL professor has spent the past five years developing the approach, which aims to unite the two pillars of modern physics: quantum theory and Einstein’s general relativity, which are fundamentally incompatible.

Oppenheim’s theory envisages the fabric of space-time as smooth and continuous (classical), but inherently wobbly. The rate at which time flows would randomly fluctuate, like a burbling stream, space would be haphazardly warped and time would diverge in different patches of the universe. The theory also envisions an intrinsic breakdown in predictability….

(15) GIANT SQUID. [Item by Lise Andreasen.] This is the last place I would look for characters from 20000 Leagues Under The Sea.

On what occasion do you wear this? #onwhatoccasion pic.twitter.com/Wo2f2Sfdtd
— Carol Roth (@caroljsroth) March 6, 2024

(16) NO PLANET FOR OLD MEN. Dan Monroe is determined to find out “What Happened to THE BOMB from BENEATH the PLANET of the APES?”

(17) WITH AND WITHOUT STRINGS ATTACHED. [Item by Carl.] “Here Come The Puppets” was a PBS special produced by KQED at the International Puppet Festival in Washington DC. It was hosted by Jim Henson and the Muppets, and features internationally known puppeteers. It’s NEVER been offered in DVD form. It can now be seen on YouTube.

https://www.youtube.com/watch?v=MiwLNy24ak4

(18) VIDEOS OF THE DAY. “Watch: Rare Footage Of Leonard Nimoy Hosting 1975 Special Presentation Of Star Trek’s ‘The Menagerie’” at TrekMovie.com.

In 1975, Paramount produced a special movie presentation for syndication of the two-part Star Trek episode “The Menagerie,” hosted by TOS star Leonard Nimoy. The original Spock recorded introductions for each part of the episode as well as closing remarks for the special presentation. In the special, Nimoy explains how “The Menagerie” uses footage from the original Star Trek pilot “The Cage” and more….

There’s a nod to its Hugo win at the 4:51 mark.

…This morning, WJAR Channel 10 in Rhode Island posted a clip from their morning show with guest Leonard Nimoy from what appears to be around the end of the first season of the series. The actor talks about concerns the show will be canceled and the fan campaign to keep it on the air along with the origins of his signature Vulcan ears….

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Kathy Sullivan, JJ, Lori, Carl, Ersatz Culture, Lise Andreasen, Mark Roth-Whitworth, Steven French, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Joseph Hurtgen.]

Pixel Scroll 3/3/24 And Did Those Filers In Ancient Times Scroll Upon Glyer’s Pixels Green?

Posted on March 3, 2024 by Mike Glyer

(1) SIGN FROM A FELINE. Mary Robinette Kowal’s “Rude Litterbox Space” is a free read at Sunday Morning Transport to encourage people to subscribe. Bonnie McDaniel says it is based on the author’s real-life communication-board-using cat.

… Language was hard. Bending space-time was not….

(2) A HITCH. P. Djèlí Clark’s blog post makes you want to read “The Dead Cat Tail Assassins”, then tells you why you’ll need to wait ’til summer’s end.

…Okay, now for the not so good news. The Dead Cat Tail Assassins was supposed to drop this month, March. But… yadda, yadda, yadda.. we got a new pub date: August, 6 2024.

What happened? Stuff. Stuff happened. Putting a book together requires lots of hands: me the author, editors, copyeditors, publicists, printers, centaurs, goblins, magical creatures from Fillory. And, for a myriad of reasons, sometimes things go pear shaped and stuff gets pushed back. You’re probably like, yeah but from March to August? That’s a big pushback! Hey, what can I tell you… lose your place in line, and you don’t just get a back-cut. There are other books by other authors waiting to be worked on, books coming out that can’t clash with your own, gotta find a new place in the queue at the printing warehouse, and all kinds of arcane alchemy I don’t pretend to understand…

(3) LIVESTOCK BY MAIL. I think the anecdote that starts Brian Keene’s “Letters From the Labyrinth 370” really happened, though I won’t be surprised if it finds its way into a book.

“I’m here about the dead chicks.”

That was what the woman butting in front of me and another customer at the post office said. I turned, intrigued. She was short, thin, blonde hair fading with age to the color of straw. I placed her at older than me — probably mid-sixties but then I remembered the day before when my postal carrier, whom I’d thought was in her seventies, told me she was the same age as me — 56. I can’t gauge age anymore. When I look in the mirror, I don’t see 56. But I’m also smart enough to know that how I see myself isn’t necessarily how others see me. In my mind, I’m still as suave and charming as Diamond David Lee Roth, but I suspect others look at me and think “Look at that silly old man. How sweet.”

But I digress….

Makes me remember when I was surprised to learn you could order live honeybees through the Sears catalog. (Which I wasn’t allowed to do. Just as well.)

(4) HUGO NEWS ROUNDUP AND MORE. Jason Sanford’s “Genre Grapevine for February 2024” on Patreon is free to the public.

In early February, Chris Barkley contacted me and said he’d received emails and documents related to the 2023 Hugo Awards from Diane Lacey, one of the award administrators. I’d seen Chris only two weeks earlier at the ConFusion convention in Detroit, where we sat at the bar discussing that weekend’s release of the Hugo nomination and voting stats. We were both shocked by the works and authors deemed “not eligible” and kept off the final ballot for no stated reason. We also were surprised so few Chinese authors and works made the Hugo longlist.

While talking in Detroit, Chris and I felt shenanigans had likely happened during last year’s Hugos. However, we also feared the truth of what happened might never come out.

Two weeks later, Chris shared the leaked emails and documents and I realized we’d been wrong. The truth would indeed come out….

(5) FAITH. Abigail Nussbaum walks readers through “The 2024 Hugo Awards: My Hugo Ballot” at Asking the Wrong Questions. She says in a preamble to the nominations:

We’ve spent so much of the last six weeks talking about the debacle that was last year’s Hugo awards, that it was easy to forget that another awards season was gearing up at the same time. So here we are, with less than a week left to nominate for this year’s Hugos, and to be honest it feels a bit strange to make this post. I always love to talk about the things I enjoyed in the fantastic genres over the last year, and to encourage my readers to consider them for a Hugo nomination. But doing it this year, with the shadow of an award whose nominations and results we can have no faith in, can feel a bit pointless.

Another way of putting it is that this is an act of faith–in the administrators of this year’s award, who have been doing their utmost to project reliability and distance themselves from last year’s inexcusable actions; in the fandom, which continues to care about this award and try to make it the best it can be; and in the award itself, and the idea that it can overcome this blow to its reputation and start moving back to what it was….

(6) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Christopher Rowe and Moses Ose Utomi on Wednesday, March 13 starting at 7:00 p.m. Eastern. Location: KGB Bar, 85 East 4th Street, New York, NY 10003. (Just off 2nd Ave, upstairs)

Christopher Rowe

Christopher Rowe’s most recent novella, The Navigating Fox, published by Tordotcom was described by The Wall Street Journal as a “modern Aesop’s fable.” His other books include the novella These Prisoning Hills and a collection, Telling the Map. Over the last 25 years, his stories have been published, anthologized, and translated around the world and he has been a finalist for the Hugo, Nebula, World Fantasy, Theodore Sturgeon, Neukom, Seiun, and other awards. He lives in Kentucky.

Moses Ose Utomi

Moses Ose Utomi is a Nigerian-American fantasy writer and nomad currently based out of San Diego, California. He has an MFA in fiction from Sarah Lawrence College and short fiction publications in Fantasy Magazine, Sunday Morning Transport, and other venues. He is the author of the young adult fantasy novel Daughters of Oduma and The Forever Desert, the fantasy novella series that includes the acclaimed The Lies of the Ajungo. When he’s not writing, he’s traveling, training martial arts, or doing karaoke—with or without a backing track.

(7) FILM EDITING AWARDS. Deadline has the “ACE Eddie Awards Winners List”.

Oppenheimer took the marquee Best Edited Feature Film (Dramatic) honor and The Holdovers landed the top Best Edited Feature Film (Comedy) award at the 74th ACE Eddie Awards Sunday….

Here are all the winners of genre interest:

BEST EDITED FEATURE FILM (Drama, Theatrical)

Oppenheimer — Jennifer Lame

BEST EDITED ANIMATED FEATURE FILM

Spider-Man: Across the Spider-Verse — Michael Andrews, ACE

BEST EDITED DRAMA SERIES

The Last of Us: “Long, Long Time” — Timothy A. Good, ACE

(8) HERE WE GO AGAIN. “Hollywood Teamsters, IATSE Hold Solidarity Rally Ahead of AMPTP Negotiations” – The Hollywood Reporter was there.

A coalition of Hollywood’s below-the-line unions rallied Sunday on the eve of their latest contract negotiations. They threatened a historic strike against the Alliance of Motion Picture and Television Producers if their demands weren’t met. Such a work stoppage would follow a pair of strikes in 2023 by industry writers and actors which crippled the entertainment industry and have left it limping into the new year.

“I hope they’re paying attention right down the road at the AMPTP,” IATSE vice president Michael Miller announced from the stage to the crowd of around a thousand people at Woodley Park in Encino. (Nearly a thousand more watched a live-stream online.) He then invoked a slogan repeated throughout the event: “Nothing moves without the crew.”

For the first time since 1988, the Hollywood Basic Crafts group — which includes Teamsters Local 399, IBEW Local 40, LiUNA! Local 724, OPCMIA Local 755 and UA Local 78 — and the crew union IATSE are joining this year to negotiate their health and pension benefits with the Hollywood trade group the AMPTP, which represents studios and streamers. Those talks begin Monday.

The “Many Crafts, One Fight” rally served mainly as an opportunity for members to express solidarity and hype each other up. So-called “above-the-line” unions SAG-AFTRA and the WGA made strong shows of force with their sign-wielding members and leaders expressing gratitude. (Teamster cooperation was key in the WGA’s production shutdown strategy early in its stoppage.) WGA West vice president Michele Mulroney drew applause when she acknowledged crew support which “sustained us through our own long and arduous fight,” and noted that “without all of you our words would just languish on the page.”…

(9) ARRAKIS DELIVERS BIG B.O. “’Dune 2′ Nears $100 Million Overseas, Surpasses $150 Million Globally” according to Variety.

“Dune: Part Two” is turbocharging the international box office.

Director Denis Villeneuve’s otherworldly sequel has generated $97 million from 71 overseas markets, bringing its global tally to a promising $178.5 million. Those worldwide revenues include $81.5 million from North American theaters, where it landed the biggest domestic opening weekend of the year.

The movie, starring Timothée Chalamet and Zendaya, has been embraced in the U.S. and Canada. But the backers of “Dune 2” need overseas audiences to keep the ticket sales flowing as freely as spice on the desert planet of Arrakis. That’s because Warner Bros. and Legendary Entertainment spent $190 million to produce and roughly $100 million more to promote the film to global audiences. Those hefty fees mean the tentpole will require outsized admissions to turn a profit.

(10) MARK DODSON (1960-2024). The voice actor Mark Dodson died of a heart attack while staying in Evansville, IN to appear at Horror Con. Deadline pays tribute: “Mark Dodson Dies: ‘Star Wars’ And ‘Gremlins’ Voiceover Artist Was 64”.

Mark Dodson, whose unique voice characterizations propelled creatures in the films Star Wars: Return of the Jediand Gremlins, has died at 64.

His daughter told TMZ that he died while in Evansville, Indiana, to attend Horror Con. He checked into a hotel and suffered a “massive heart attack” while sleeping, she said.

Dodson was the voice of Salacious Crumb, the scruffy little creature who was a cackling crony of Jabba the Hut in Star Wars: Return of the Jedi.That memorable voice led to a gig in Gremlins, where he became the voice Mogwai, much-imitated in school yards.

He worked continuously for several decades in film, video games, radio and commercials as a voice artist. .

His daughter, Ciara, told TMZ that her father “never ceased making me proud.” a

The Evansville Horror Con, where Dodson was scheduled to appear, posted a tribute to Facebook.

“We are heartbroken to announce the sudden passing of Mark Dodson last night. Mark was not only a talented voice actor but also a cherished member of the horror community. Our thoughts and prayers are with his family, friends, and fans during this incredibly difficult time. We hope that you can take a moment out of your day to reflect on the joy and laughter that Mark brought into the world. His legacy will live on through his work.”

Survivors include his daughter and several grandchildren.

(11) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 3, 1920 — James Doohan. (Died 2005.) James Doohan, a Canadian, is of course remembered best for being the original Montgomery “Scotty” Scott on the first version of the Enterprise. And doesn’t it say something about the franchise that I had to write the sentence that way?

He played, definitely way too much in my opinion, the archetypal Scotsman. He even had a Dress Uniform Kilt, something I’m dead certain doesn’t exist in the modern Navy, as on display in “Is There in Truth No Beauty?” and “The Savage Curtain”. And I forget how many characters he drank literally to the floor. No don’t get me wrong, I loved the character, but the depiction was seriously over the top.

So my favorite episode involving him? That had to be when he defended the honor of the Enterprise in a bar brawl with a Klingon in “The Trouble with Tribbles” after that Klingon called his beloved ship a garbage scow. Perfect, just perfect.

So what else has he done? His first major genre role (he had previously appeared in one episode of Tales of Tomorrow) was as Paul Mitchell on Space Command, an early Fifties Canadian children’s sf series. It only lasted two years but they did one hundred and fifty episodes! Shatner would appear there.

A decade later, he entered the Twilight Zone playing Johnson, by no means a major role, in the “Valley of the Shadow”. Around the same time, on Outer Limits he played Police Lt. Branch in “Expanding Human”, this time a lead role.

He showed up twice in The Man from U.N.C.L.E (in different roles), Bewitched, Fantasy Island, MacGyver and Knight Rider 2000.

Need I say Next Generation’s “Relics” was wonderful? And I’m not talking about Trials and Tribble-ations even though it’s a stellar story as he’s only there in existing footage of him.

Filmwise, Trek was his major gig as I see very little genre undertakings at all. He had an uncredited role in The Satan Bug, an sf thriller. It’s so short that IMDB gives the time that he’s in the film.

His only other genre role that I can see in a film outside of Trek was as Judge Peterson in Skinwalker: Curse of the Shaman. If you’ve not seen it don’t feel bad. It’s obscure enough that no one on Rotten Tomatoes has either.

I think that covers it for him. Now keep in mind that I did love him, despite my criticism of his portrayal of a Scottish character, on Trek as he’s really likeable. He and Nichelle Nichol’s always seems to be the two most, well, truly warm, likeable individuals there.

I think I’ll go watch both of the Tribbles episodes on Paramount + now. Yes, I know there’s the animated episode as well, “More Tribbles, More Trouble”, but it just doesn’t have the charm the actual ones with live actors do.

(12) COMICS SECTION.

Wallace the Brave is being hopeful.

(13) CACHING IN. [Item by SF Concatenation’s Jonathan Cowie.] If my memory serves (and it is not that reliable though I constantly amaze myself in recalling a science paper from years ago out of the recesses of my mind) I have a feeling that File770 covered the demise of Google’s readily available Cache. Then this piece might interest you — “Why Is Google Hiding Its Cached Search Results?” at Tedium.

I have to imagine that Google did not make a lot of money from people pinging its search engine for cached website results, but making it convenient to access was a service to searchers.

It was also somewhat of a service to society. Often, when information-related scandals broke—such as content with egregious errors, evidence of deleted social media statements, or information at risk of appearing offline in short order—it was a great backstop that worked more effectively than the Internet Archive for capturing fresh information.

And yet, for some reason, Google has treated this feature like it was embarrassed of it. Over the years, it has increasingly come to bury the feature in its search interface, making it harder and harder to find, despite me finding it just as useful as it was the day it launched.

Recently, the company started removing it entirely…

… To be clear, the cache is not gone—it is simply hidden from public view. (I don’t see it on my end, either.) You can access it manually by typing in a specialized URL…

For example, here’s the URL to access the cache for File 770: https://webcache.googleusercontent.com/search?q=cache:file770.com

(13) A TRUTH NOT YET UNIVERSALLY ACKNOWLEDGED. Would Jane herself have turned thumbs down on this idea? “Winchester plan for £100,000 Jane Austen statue triggers ‘Disneyfication’ fears” reports the Guardian.

The idea was to celebrate one of the greatest British authors with a beautiful statue set up in a cathedral for the 250th anniversary of their birth.

But at a public meeting to discuss the erection of a Jane Austen sculpture close to her final resting place at Winchester Cathedral, concerns were raised that it would lead to the “Disneyfication” of the place of worship and become a magnet for tourists keen to get a selfie.

Elizabeth Proudman, an Austen expert and leading light in the Jane Austen Society, also suggested the author herself would not have approved of the statue and the fuss surrounding it.

She said: “We don’t know what she looked like, but we do know that she was a very private person. She despised publicity.”

Austen is buried in the north nave aisle of Winchester Cathedral under a memorial stone, which mentions “the extraordinary endowments of her mind” but does not provide any more detail about her career.

(15) IN CASE YOU WONDERED. Everyone who’s read the history of the first atomic bomb saw this was missing from the movie. SYFY Wire’s James Grebey gives his opinion “Why Oppenheimer Doesn’t Include the Deadly “Demon Core” Accidents”.

… The ominously named demon core, a sphere of plutonium used in the development of atomic bombs after the success of the Trinity Test, was responsible for the deaths of two scientists who worked on the Manhattan Project. The core, which weighed 14 pounds and measured just 3.5 inches in diameter, was all set to be turned into a third bomb that could have been used against Japan had they not surrendered following the bombings of Hiroshima and Nagasaki in August 1945….

(16) THE HILLS ARE UNDEAD WITH THE SOUND OF MUSIC. Mitch Benn mashes up “Gilbert & Sullivan’s Francis Ford Coppola’s Bram Stoker’s Dracula” for YouTube viewers.

Now with on-screen libretto, my “restoration” of Gilbert & Sullivan’s operetta version of Dracula married to the sumptuous visuals of Coppola’s masterful 1992 film adaptation… Have fun with it before someone has it taken down

(17) VIDEO OF THE DAY. In a 2018 video Mr. Sci-Fi, Marc Scott Zicree, explains “WHY DIDN”T WE GET THIS?! Unreleased Sulu Star Trek Series!”

Star Trek and Deep Space Nine writer Marc Scott Zicree shares the entire Captain Sulu Star Trek pilot he and Emmy winner Michael Reaves wrote, and shares the untold story of why you never got to see that series — despite its Hugo and Nebula Award nominations!

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, Kathy Sullivan, Bill, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Bill.]

Pixel Scroll 2/29/24 Scrollaris

Posted on February 29, 2024 by Mike Glyer

(1) STOKER AWARD UPDATE SPARKS KERFUFFLE. [Item by Anne Marble.] The Horror Writers Association has realized that Camp Damascus by Chuck Tingle was in the wrong category in the list of finalists — it is not a YA novel. So they moved it to the Adult category – increasing the finalists there from five to six (i.e, nobody was dropped). And because of this change, they added a YA novel by author Kalynn Bayron to the YA category.

But as a result, some people are yelling at Kalynn Bayron on social media — apparently because they think she “stole” the nomination from Chuck Tingle. And Brian Keene has stepped in and asked people to yell at Mr. Keene instead. Let’s see if the people who were so eager to yell at Kalynn Bayron (a young Black YA author) are just as eager to yell at Brian Keene. (Somehow, I doubt it.)

(2) STOKERCON GOH NEWS. Paula Guran will be unable to attend StokerCon 2024 the convention announced today in a newsletter. A reason was not given; the committee hopes she will be able to join them at a future event.

The remaining GoHs are Justina Ireland, Nisi Shawl, Jonathan Maberry and Paul Tremblay.

(3) ANNUAL YARDSTICK. Publishers Weekly reports “New Lee & Low Diversity Baseline Survey Finds Minor Changes” in the publishing industry.

The third edition of Lee & Low Books’ quadrennial “Diversity Baseline Survey” found that the publishing industry has made incremental gains in broadening its workforce since the survey was introduced in 2015.

The survey’s top-line findings show that white people made up 72.5% of this year’s 8,644 respondents, down from 76% in 2019 and 79% in 2015. Those identifying as biracial/multiracial were the second largest group, at 8.3%—a significant increase over the 3% in 2019 who identified as biracial/multiracial. The percentage of respondents who were Asian/Native Hawaiian/Pacific Islander/South Asian/Southeast Indian rose slightly, to almost 8%, from 7% in 2019. Black respondents held even at about 5% of the publishing workforce, while those identifying as Hispanic/Latino/Mexican fell to 4.6%, from 6% in both 2019 and 2015….

(4) REACH OUT. Dream Foundry calls for donations to “Con or Bust”, which seeks to assist creators or fans of color with opportunities they can’t afford:

Con or Bust has received a slew of applications for extremely exciting opportunities that we are not currently able to fund or support. You can help us change that! Since late October, we’ve had to defer or decline 14 applications requesting over $25,000 in fiscal support. In most cases even a small portion of the request made as a grant would be a huge help to the applicant. Most fiscal grants we’ve made are $500, and that’s also the largest amount we’ve granted out of our unrestricted funds. …

…If you’ve ever been to an industry event that inspired, motivated, or nurtured you, then you know what these opportunities can mean. Help us bring that to more people!

(5) WRITERS AND ARTISTS, GET READY. Dream Foundry is also looking ahead to their annual Writing and Arts Contest which opens to submissions from April 1 through May 27, 2024.

(6) MACHINES IN TRAINING. Rivka Galchen is “Thinking About A.I. with Stanisław Lem” in The New Yorker.

…“Solaris” is mostly serious in tone, which makes it a misleading example of Lem’s work. More often and more distinctively, he is funny and madcap and especially playful on the level of language. A dictionary of his neologisms, published in Poland in 2006, has almost fifteen hundred entries; translated into English, his invented words include “imitology,” “fripple,” “scrooch,” “geekling,” “deceptorite,” and “marshmucker.” (I assume that translating Lem is the literary equivalent of differential algebra, or category theory.) A representative story, from 1965, is “The First Sally (A) or, Trurl’s Electronic Bard.” Appearing in a collection titled “The Cyberiad,” the story features Trurl, an engineer of sorts who constructs a machine that can write poetry. Does the Electronic Bard read as an uncanny premonition of ChatGPT? Sure. It can write in the style of any poet, but the resulting poems are “two hundred and twenty to three hundred and forty-seven times better.” (The machine can also write worse, if asked.)

It’s not Trurl’s first machine. In other stories, he builds one that can generate anything beginning with the letter “N” (including nothingness) and one that offers supremely good advice to a ruler; the ruler is not nice, though, so it’s good that Trurl put in a subcode that the machine will not destroy its maker. The Electronic Bard is not easy for Trurl to make. In thinking about how to program it, Trurl reads “twelve thousand tons of the finest poetry” but deems the research insufficient. As he sees it, the program found in the head of even an average poet “was written by the poet’s civilization, and that civilization was in turn programmed by the civilization that preceded it, and so on to the very Dawn of Time.” The complexity of the average poet-machine is daunting….

(7) THE ROOM WHERE IT HAPPENS. It was the club’s first in-person meeting outside of a Loscon since the pandemic. See photos at “We’re Back Baby! LASFS 1st Meeting in Years” on the Los Angeles Science Fantasy Website.

(8) OCTOTHORPE. Episode 104 of the Octothorpe podcast is “Groundbreaking and Great”. And humble!

Octothorpe 104 is here! We know you’ve eagerly been awaiting our takes on the Hugo Awards, so here they all are, as we discuss our favourite SF of 2023!

Hang on, what do you mean? Something else happened with the Hugo Awards and you thought we were talking about that? Well, er…maybe next time!

John is in the bottom-left, sitting in a chair, wearing a blue shirt and purple trousers, holding a can, and reading an ebook. Alison is in the upper-middle, lying down upside down, wearing a purple shirt and stripy trousers, and reading an ebook. Liz is in the bottom-right, wearing a pink shirt with green trousers, holding a mug of a hot beverage, and reading a physical book. They are surrounded by floating beer bottles, books, the Moon, a mug with a moose on it, and two cats. The word “Octothorpe” appears in scattered letters around the artwork, against a pinky-purple background.

(9) FREE READ. Worlds of If #177 is available as a free download for a limited time at the Worlds of If Magazine website. And the print version and t-shirts are also available for order there.

(10) JAIME LEE MOYER HAS DIED. Author and poet Jaime Lee Moyer was found dead today after friends requested a wellness check. C.C. Finlay announced on Facebook:

Dear friends of Jaime Lee Moyer, we have some very sad news. No one had heard from Jaime in more than ten days, which was concerning because her latest book was scheduled for release this week.

This morning we contacted her rental company and the East Lansing Police Department and asked them to perform a wellness check. They found Jaime deceased in her bedroom, apparently from natural causes. They’ve contacted her family to make formal arrangements. We only just received the news, and we don’t know any other information at this time.

Jaime has friends in the writing community all over the world. We thought this would be the best way to reach you. If you are a friend of hers, a client, or are waiting to hear an answer from her on anything else, we wanted you to know as soon as possible.

With love and grief,

Charlie and Rae

(11) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born February 29, 1952 — Tim Powers, 72. Now Tim Powers is a writer that I really admire. He’s decently prolific as he has twenty novels published. Now remember this essay is about what I like, so I may or may not mention what something that you, so please do t be too miffed by that.

Where to start? That’s easy as it has to be The Anubis Gates. Victorian London and Egypt. Ancient Egypt. Time travel. Anubis. Oh ymmm. It’s on my list of To Be Listened To list as I’ve already read it several times and the sample at Audible indicates Bronson Pinchot does a great job of narrating this.

Just as good in a very different manner is On Stranger Tides takes place during the so-called Golden Age of Piracy which was nothing of the kind, when an individual on his way from Britain to Haiti has a series of increasingly wild adventures. I know the novel was purchased to be part on the Pirates of Caribbean franchise. I’ve not seen the film, so I don’t know how much, if anything of his novel made it into the film, but I’m betting nothing except the name did.

Declare, a secret history of the Cold War, is extraordinary. I mean it really. When I was still actually reading novels as opposed to listening to them, as I’m doing now, I didn’t spend six to eight hours a day on one but I remember I did on Declare just to see where the story went. Stellar.

The Vickery and Castine series is just fun, and I mean that as a compliment. Set in contemporary LA, rogue federal agents Sebastian Vickery and Ingrid Castine can see ghosts and other things that are the secret reality of that city. It’s an ongoing series with four novels so far. Highly recommended.

Then there’s Three Days to Never which I’m not convinced actually makes sense but is really fun to read with its wild mix of supernatural history of what actually happened, time travel and foreign agents.

Ok, those are my picks as the Powers novels that I really like. So what’s your choices?

(12) COMICS SECTION.

The Far Side has two hunters who took down the wrong quarry.
The ArgyleSweater points out the danger of shopping.
Peanuts – published in 1955 — has Lucy laughing at Charlie Brown’s space news.
Saturday Morning Breakfast Cereal is still figuring out how to get Earth demoted to Pluto’s status.

(13) TWO COMPANIONS CUT A RUG. Radio Times makes sure we don’t miss out when “Karen Gillan and Jenna Coleman share cute Doctor Who reunion”.

Amy Pond and Clara Oswald may have never met on-screen, but the former Doctor Who companions certainly look like they get along behind the camera.

Karen Gillan (Amy) and Jenna Coleman (Clara) were spotted together at an event in London last night, with former Doctor Who showrunner Steven Moffat also in attendance.

Gillan took to the opportunity to share a video of the trio on the dance floor on TikTok alongside the caption: “We might have had a few red wines… but look WHO it is!”…

@karengillan
We might have had a few red wines…but look WHO it is! #doctorwho
? original sound – Karen Gillan

(14) AGBABI Q&A. HAL interviews 2021 Clarke Award nominee Patience Agbabi, author of The Past Master, at Carbon-Based Bipeds.

HAL: Hello Patience, and congratulations to you on finishing your tetralogy. I’m curious, did you always know this would be a four-book cycle or did the project grow more organically?

PATIENCE: …In reality, a series made sense for lots of other reasons since I had too many ideas to fit into a single book: I wanted to explore the past as well as the future; to take different angles on ecological issues, becoming more covert as the series progressed; and also, I wanted to develop my hero, Elle, from a 3-leap girl to a 4-leap young woman. Elle is black, of Nigerian origin and autistic. It was a positive challenge to show the reader how she overcomes numerous obstacles to reach maturity. I originally submitted the manuscript as young YA but Canongate wanted to market it as middle-grade since my hero was 12 and children like to read up. But since my hero gets one year older with each instalment, I knew I’d be segueing into YA territory anyway, which demands a greater level of introspection.

(15) STRINGS ATTACHED. SOMETIMES. “Muppets, marionettes and magic: My life with puppets” – hear an interview with Basil Twist, who created puppets for the My Neighbour Totoro production by the Royal Shakespeare Company at BBC Sounds.

Basil Twist’s fascination for puppets started as a child watching productions his mum put on as an amateur puppeteer. Basil built his own puppet characters of Star Wars as a kid and loved it, but became a ‘closeted puppeteer’ in his teens. It wasn’t cool anymore, and playing with dolls was seen as feminine. Basil pursued an education at college, but became unhappy and dropped out. Later moving to New York, Basil could finally embrace his puppetry passions. He scoured phone books and bashed phones to track down people involved in puppetry. His diligence took him around the world, winning awards and captivating crowds along the way. During the pandemic Basil found his biggest challenge to date – bringing the much-loved animated Japanese character Totoro to life for a live action stage show….

(16) OUTSIDE THE BOX. The Onion reports “Litter-Robot Recalls Thousands Of Self-Cleaning Litter Boxes That Accidentally Transported Cats To Year 1300”. (Could they be using the same version of the software as my comments section, which unaccountably tells people they’re in random years?)

(17) TODAY’S THING TO WORRY ABOUT. Jessica Grose wonders “Could Swifties or Trekkies Decide the Election?” in a New York Times opinion piece. (Well, maybe I exaggerate. I don’t think it really worries her.)

…Social media is where many young voters live — about a third of adults under 30 regularly get news from TikTok, according to Pew Research. And turning out young voters who are otherwise not particularly politically engaged will be key to winning elections up and down the ballot in November. The left-leaning Working Families Party isn’t exactly a threat to take the White House in 2024, but it is on to a new way of reaching Gen Z voters at a time when the old ways are increasingly useless.

As Marcela Valdes explained this week for The New York Times Magazine, young voters tend to have low turnout rates. “No one is more ambivalent about participating in elections than young people,” she wrote. (It’s worth noting, though, that turnout among Americans ages 18 to 29 was historically high in 2018, 2020 and 2022, according to C.I.R.C.L.E., the Center for Information and Research on Civic Learning and Engagement at Tufts University.)…

(18) TOMORROW’S THING TO WORRY ABOUT! Kathryn Schulz doubts we’re prepared for “What a Major Solar Storm Could Do to Our Planet” as she tells readers of The New Yorker.

…But “space-weather forecaster” is an optimistic misnomer; for the most part, he and his colleagues can’t predict what will happen in outer space. All they can do is try to figure out what’s happening there right now, preferably fast enough to limit the impact on our planet. Even that is difficult, because space weather is both an extremely challenging field—it is essentially applied astrophysics—and a relatively new one. As such, it is full of many lingering scientific questions and one looming practical question: What will happen here on Earth when the next huge space storm hits?

The first such storm to cause us trouble took place in 1859. In late August, the aurora borealis, which is normally visible only in polar latitudes, made a series of unusual appearances: in Havana, Panama, Rome, New York City. Then, in early September, the aurora returned with such brilliance that gold miners in the Rocky Mountains woke up at night and began making breakfast, and disoriented birds greeted the nonexistent morning.

This lovely if perplexing phenomenon had an unwelcome corollary: around the globe, telegraph systems went haywire. Many stopped working entirely, while others sent and received “fantastical and unreadable messages,” as the Philadelphia Evening Bulletin put it. At some telegraph stations, operators found that they could disconnect their batteries and send messages via the ambient current, as if the Earth itself had become an instant-messaging system.

Owing to a lucky coincidence, all these anomalies were soon linked to their likely cause. At around noon on September 1st, the British astronomer Richard Carrington was outside sketching a group of sunspots when he saw a burst of light on the surface of the sun: the first known observation of a solar flare. When accounts of the low-latitude auroras started rolling in, along with reports that magnetometers—devices that measure fluctuations in the Earth’s magnetic field—had surged so high they maxed out their recording capabilities, scientists began to suspect that the strange things happening on Earth were related to the strange thing Carrington had seen on the sun….

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Daniel Dern, Kathy Sullivan, Lise Andreasen, JeffWarner, Anne Marble, Jean-Paul Garnier, Jeffrey Smith, SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day JeffWarner.]

Pixel Scroll 2/12/24 Cats Dream Well. Why Do You Think They Sleep So Much?

Posted on February 12, 2024 by Mike Glyer

(1) STUMBLING OUT OF THE STARTING GATE. When the Montréal in 2027 Worldcon bid launched two days ago, one of its Presupport levels included an offer that sparked debate about whether it violated the WSFS Constitution’s site selection rules:

Today that language has been removed:

Mike Scott explained the problem on Facebook:

WSFS constitution 4.3. Non-natural persons can only cast site selection ballots for No Preference. Montreal in 2027 buying you a WSFS membership in Seattle is fine, and you can still vote in site selection yourself, because you’re a natural person. But if you delegate Montreal in 2027 to cast a ballot on your behalf, that ballot must be counted as No Preference, because Montreal in 2027 is not a natural person. The constitution doesn’t say that ballots must be cast on behalf of a natural person, it says they must be cast by a natural person.

Other people have always been allowed to deliver ballots properly executed by a voter. Here, the committee had said they would execute these ballots for others. In that case, the ballots would have to be counted as No Preference.

(2) TEL AVIV IN 2027 WEBSITE. The announcement of competition from Montréal has led to a wider awareness that the WorldCon 2027 in Tel aviv bidders launched a new website last October.

The TLV2027 bid committee boasts a team of highly experienced individuals. Guy Kovel, the Bid Chair, has a track record of convention operations. Gadi Evron, with a history of organizing events since 1996, handled logistics and events at prestigious conventions like Dublin 2019 and CoNZealand. Other members, including Einat Citron, Naama Friedman, Dror Raif Nesher, and Tal Goldman, bring expertise in programming, logistics, volunteer management, and event operations.

The front page also carries this statement about the situation in Israel:

We want to update you on the current situation with our bid committee. Firstly, we’re relieved to share that all the members of our committee are safe, even though some of us have been called to service during these challenging times.

We’re all deeply devastated by the recent attacks, but we remain steadfast in our belief that things will stabilize, and ultimately, peace will prevail. Our commitment to our shared goals remains unshaken, and we’ll continue to work diligently to bring our vision to life.

Thank you for your unwavering support, and together, we’ll navigate through these trying times and look forward to a brighter future.

(3) ROMANTASY ON THE RADIO. [Item by SF Concatenation’s Jonathan Cowie.] This week’s Open Book on BBC’s Radio 4 looked at the sub-genre of “Romantasy”. This is a hugely growing book genre in Britain the past couple of years that has had to overcome some snobbery with clear overlaps – depending on the book – with epic fantasy, military fantasy, etc…

‘Romantasy’ – combining fantasy and racy romance, it’s the hot new genre sought after by publishers and readers alike, and dominated by female authors and readers. To discuss it’s huge growth in popularity, Johny is joined by: Saara El-Arifi – bestselling author of Faebound, the first in a three part trilogy, which went straight to number one on release last month; Natasha Bardon – publisher of Science Fiction and Fantasy for Harper Voyager, of romantasy-focussed imprint Magpie Books, and of the upcoming ‘spicy’ romantasy list, the Midnight Collection; and by Katie Fraser – journalist for The Bookseller who writes about SFF.

You can download it from here: “Open Book, Madeleine Grey”.

(4) TAKE THE TOUR. Congratulations to Brian Keene and Mary SanGiovanni on their store opening! And thanks for the Vortex Books & Comics Opening Day video tour. (I see Brian starts right off in the true outlaw spirit by ignoring the crossing signal!)

Authors Brian Keene and Mary SanGiovanni have opened a bookstore in Columbia, Pennsylvania — focusing on horror, science-fiction, fantasy, thrillers, and other speculative fiction genres, as well as comic books and magazines. Brian gives you a tour on opening day.

(5) MYRIAD MEN OF TIN. G. W. Thomas rounds up an enormous number of examples of robots in Seventies comics in “Bronze Age Robots! 1970s” at Dark Worlds Quarterly.

…The 1970s divides neatly in two with Star Wars at the center. The 1980s would see Science Fiction explode in all media as Star Wars proved that fans wanted space opera again, even if they hadn’t known it. For robot fans in America there was the coming of the Japanese style giant robots. And more toy-based products like ROM the Spaceknight.

(6) OMEGA AWARDS DEADLINE. February 13 is the last day to submit entries for The Tomorrow Prize and The Green Feather Award.

(7) THE NEW NUMBER TWO. This list is presented as an infographic: “The 15 BEST Science Fiction Books of ALL TIME” at Daily Infographic. Number 1 is Dune. But number 2 is The Hitchhiker’s Guide to the Galaxy?

(8) THOSE WERE THE DAYS, MY FRIEND. The New York Times tells how “Video Games Are Mourning the Old, Weird, Clunky Internet”.

Surfing the web in the 1990s and early 2000s was a slower endeavor, and fewer people had access to the technology. But it is still easy to reminisce about the days when it felt like a public marketplace, with a good chance that someone out there had made a blog or GeoCities site about the niche topic you found interesting.

Those robust online forums have since been flattened into algorithmic social media feeds or hidden on messaging apps, a shift mourned by several video games with a shared fondness for bygone internet eras.

Games like last year’s Videoverse, 2019’s Hypnospace Outlaw and the upcoming Darkweb Streamer use chat interfaces akin to AIM or MSN, as well as fake websites that greet people with MIDI songs and text written in bold fonts. Each experience has its own nostalgic lens but is a snapshot of lost expression, creativity and independence.

Chantal Ryan, an anthropologist and the lead developer of Darkweb Streamer, a horror simulation game that merges the perils of modern streaming with the ’90s internet, bemoaned how high-quality independent services were often cannibalized by corporate interests. She pointed to sites like Goodreads and AbeBooks, both bought by Amazon.

“It reminds me of forest clearing,” said Ryan, who studied at the University of Adelaide. “You have this habitat with sustainable ecosystems, and communities of beings living harmoniously. And then the bulldozer comes in and destroys literally everything in its path with no regard to who’s being affected.”…

The visual novel Videoverse follows the final days of the online social network for a fictional gaming system in 2003. Kinmoku

(9) ELIZABETH (WARREN) ADAMS OBITUARY. Norwescon social media has announced that Elizabeth (Warren) Adams, affectionately known as The Dragon Lady, died on February 9. She was the chair of Norwescons 11, 12, and 14, and ran legendary hospitality rooms at the con. She also was a past editor of Westwind, the NWSFS clubzine, and was very active with PSST (Puget Sound Star Trekkers).

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born February 12, 1950 — Michael Ironside, 73. The role I remember Michael Ironside most for was as Lieutenant Jean Rasczak in Starship Troopers. There wasn’t much great about that film but I thought that he made much of that character.

Do I need to say that I’m not covering everything he’s done of a genre nature? Well most of you get that. Really you do. So let’s see what I find interesting.

Scanners is one weird film. It really is. And he was in it as Darryl Revok, the Big Baddie, a role he perfectly played.

Next he got cast as the main antagonist in another of my favorite SF films, this time as Overdog McNab in Spacehunter: Adventures in the Forbidden Zone. Who comes with these names?

Then there was Total Recall where he was Agent Richter, the ruthless enforcer of Cohaagen, the source of everything corrupt on Mars. Great role that fit his gruff voice and frankly even gruffer looks absolutely perfectly.

One of his major ongoing roles was in the V franchise, first as Ham Tyle, a recurring role in V: The Final Battle, and then playing the same character in all episodes of V: The Series.

Now we come to my favorite of his roles, in one one of my favorite series, seaQuest 2032, where he was Captain Oliver Hudson. Great series and an absolute fantastic performance by him! Pity it got cancelled after thirteen episodes.

Finally he has one voice acting role I loved. In the DC universe, he was Darkseid, the absolute rule of Apokolis. He voiced him primarily on Superman: The Animated Series, but also on the Justice League series as well, and to my surprise on the HBO Harley Quinn series as well.

(11) COMICS SECTION.

The Argyle Sweater mashes up a nursery rhyme and online shopping.
Existential Comics stages a humorous confrontation between a student and teacher of the magical arts. Sort of Clarke’s Law in reverse.

(12) A LITTLE RAY OF SUNSHINE. Nic Farey, in This Here 72, thinks that the most noteworthy feature of the 2023 Hugo stats embarrassment (“Even a WorldThing avoider such as meself cannot have failed to clock the latest brouhaha (causing much haha round here, to be sure)”) is the opportunity it affords to declare his own report of the voting figures for this year’s FAAn awards will be immediately available — while predicting coverage of the FAAns he anticipates winning will be exploited to take attention away from the Hugos’ disgrace.

The fact that the probity of the FAAns (and my own alleged “fixing” of them, a libelous statement to be sure) has been questioned starts to be more of a “but look over there…” diversion, don’t it?…

Great suggestion, Nic, except (and I know you’ll be surprised to hear this) even your figleaf won’t be big enough to cover this cockup.

(13) THE QUIET BEFORE…THE QUIET. “’A Quiet Place: Day One’ first look at Lupita Nyong’o, Joseph Quinn” at Entertainment Weekly.

The ingenuity of the next A Quiet Place movie lies in the simplicity of its idea: Take the same core premise of the previous entries, but just change the setting. That tweak alone drastically affects the stakes.

John Krasinski’s 2018 horror-thriller introduced the Abbott family, who embraced a life of silence at their rural farmhouse in upstate New York in a terrifying reality overrun by sightless alien monsters that hunt through sound. The story continued in 2021’s A Quiet Place: Part II, but now A Quiet Place: Day One, a prequel film and the franchise’s first spinoff, will see how the citizens of New York City, one of the noisiest metropolitans on the globe, fared when these vicious creatures arrived on Earth….

(14) SFF MOVIE TRAILERS DROPPED DURING SUPER BOWL. [Item by Mike Kennedy.] Most (if not all) of the movie trailers debuted during the Super Bowl are for genre works. Comicbook.com did a roundup of all the YouTube videos. See them at the link: “2024 Super Bowl: Watch Every New Movie Trailer Released for the Big Game”.

The Super Bowl may technically be about the two best teams in the NFL facing off for football’s ultimate prize, but for many around the country, it represents one of the biggest movie events of the year. Several film studios use the Super Bowl as a platform to advertise some of their biggest movies in the coming year, leading to more than a few awesome trailers arriving online in the same weekend….

(15) BUGS, MISTER RICO! And some other commercials had a genre flavor, too, like this one: “Jeff Goldblum Returns as Brad Bellflower in Apartments.com’s Sci-Fi Super Bowl Ad” at LBBOnline.

Apartments.com returns to the Super Bowl as the universal leader in renting and debuted a never-before-seen 30-second spot, titled ‘Extraterrentials.’ In the new ad, which premiered during the first quarter of Super Bowl LVII, Jeff Goldblum continues his role as Brad Bellflower, visionary leader of Apartments.com, and defuses a tense standoff with some new arrivals on Earth. The campaign rollout spoofs an upcoming Jeff Goldblum sci-fi blockbuster, featuring a clever media strategy and unique creative from agency of record, RPA.

“Leading up to the Super Bowl, Apartments.com leveraged extraterrestrial buzz in culture to generate intrigue and awareness across media channels by leaning into the possibility of a new Goldblum sci-fi film,” said Fred Saint, president, marketplaces at CoStar Group….

(16) DOPPELGÄNGERS3: “Exploring New Futures in Space: A Revolutionary Integration of Neuroscience, Quantum Physics, and Space Exploration” at SETI.org.

The SETI Institute is proud to support a groundbreaking project from London-based filmmaker and SETI Institute Designer of Experiences Dr. Nelly Ben Hayoun-Stépanian that combines insights from intergenerational trauma, neuroscience, quantum physics, and space exploration.

Premiering at SXSW 2024, Doppelgängers3 is a feature film and research project that challenges conventional narratives of space colonization by integrating diverse perspectives. Ben Hayoun-Stépanian will present this multidisciplinary endeavor at the International Astronautical Congress (IAC) 2024, highlighting its unique blend of science, culture, and storytelling within the decolonial space and space culture sessions.

The project spotlights the importance of acknowledging collective trauma and its impacts — a burgeoning field in neuropsychology research. By weaving together the stories of three individuals across different geographies, Doppelgängers3imagines a utopian community on the moon that learns from the past and aspires to a future where diversity and plurality are celebrated….

(17) VIDEO OF THE DAY. Dan Monroe at Media Master Design answers the question “What Happened to THE TIME MACHINE?”

[Thanks to Steven French, Mike Kennedy, Andrew Porter, Dann, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

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Tag Archives: Brian Keene

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