Tag Archives: Lucasfilm

Pixel Scroll 3/18/24 We Cannot Do With More Than 16, To Give A Tentacle To Each

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(1) HOLLY BLACK Q&A. “Holly Black interview: The Cruel Prince author on the boom in faerie fantasy novels, BookTok, and sex scenes” at Slate.

What does it feel like now to be surrounded by all these other faerie fantasy books and, consequently, readers who potentially read only fantasy, who are not coming into the genre for the first time?

[Black] As a person who writes and reads a lot of fantasy, it’s been extremely gratifying to see fantasy move into a mainstream place. There are a lot of people who’ve grown up watching Lord of the Rings at a young enough age that it’s become part of their vocabulary of how the fantasy world works. Game of Thrones too. I think, for a lot of people, that barrier to entry is much lower than it was when there wasn’t so much exposure to fantasy.

I think the rise of romantasy is certainly in part because people do have the vocabulary of fantasy. Romance is one of the biggest genres in the world, so of course people want to see, or are able to read, fantasy romances in a way that might not have been true before. Romantasy is really two different genres kind of mushed together, probably in the same way that urban fantasy was. You have two streams: the romance-forward fantasy, where it’s really a romance novel with fantasy, and then you have fantasy that has romance. They’re paced really differently, and they have different focuses, but they live in the same genre. Then you had urban fantasy that came out of fantasy, and often those were the faerie books; for a long time urban fantasy was faerie, in the late ’80s.

(2) NEW WORLDS TURNING 60. Richard Glynn Jones told the New Worlds Facebook group on March 13 that an anniversary issue is in the works:

Michael Moorcock and some associates are preparing a new issue of New Worlds to commemorate the 60th anniversary of his becoming its editor. This will be in magazine format as before (A4, saddle-stitched) for publication in mid-summer. The contents are pretty much finalised, so please don’t send any unsolicited material: it’s by invitation only. A second book-format New Worlds is due from PS Publishing later in the year. More info soon.

(3) SOMETHING IS ROTTING IN HOLLYWOOD BITS. [Item by Mike Kennedy.] Digital is forever. Except when it isn’t. The movie industry has a data migration problem. From The Hollywood Reporter: “’It’s a Silent Fire’: Decaying Digital Movie and TV Show Files Are a Hollywood Crisis”.

Industry pros sweat the possibility that many digital files will eventually become unusable — an archival tragedy reminiscent of the celluloid era.

While David Zaslav and Bob Iger’s tax-optimization strategy of deleting films and TV shows from their streamers has triggered plenty of agita among creators, the custodians of Hollywood’s digital era have an even greater fear: wholesale decay of feature and episodic files. Behind closed doors and NDAs, the fragility of archives is a perpetual Topic A, with pros sweating the possibility that contemporary pop culture’s master files might be true goners, destined to the same fate as so many vanished silent movies, among them Alfred Hitchcock’s second feature, The Mountain Eagle, and Ernst Lubitsch’s Oscar-winning The Patriot.

It’s underscored by initiatives such as Martin Scorsese’s Film Foundation. “The preservation of every art form is fundamental,” the industry icon says on a video on the organization’s web site. For the business, these are valuable studio assets — to use one example, the MGM Library (roughly 4,000 film titles including the James Bond franchise and 17,000 series episodes) is worth an estimated $3.4 billion to Amazon — but there’s a misconception that digital files are safe forever. In fact, files end up corrupted, data is improperly transferred, hard drives fail, formats change, work simply vanishes. “It’s a silent fire,” says Linda Tadic, CEO of Digital Bedrock, an archiving servicer that works with studios and indie producers. “We find issues with every single show or film that we try to preserve.” So, what exactly has gone missing? “I could tell you stories — but I can’t, because of confidentiality.”

(4) FADING SCHOLARSHIP. [Item by SF Concatenation’s Jonathan Cowie.] The same fear holds true for scholarly publications. Nature this week has rung an alarm bell.  SF fans should note: this is another reason why fandom’s move away from paper publications is to be deplored. Digital is simply not for evermore. We need plurality and a diversity of solutions…. “Millions of research papers at risk of disappearing from the Internet” at Nature.

An analysis of DOIs suggests that digital preservation is not keeping up with burgeoning scholarly knowledge.

DOIs for the uninitiated are Digital Object Identifiers: every academic publication should have one so that if a publisher’s website changes and there is a new web-page address (URL) the DOI remains the same and links through. [Jonathan adds, “Fans need not worry about this (the only one they should remember is https://doi.org/10.1017/cbo9781139087735…” Guess whose book that link goes to…]

More than one-quarter of scholarly articles are not being properly archived and preserved, a study of more than seven million digital publications suggests. The findings, published in the Journal of Librarianship and Scholarly Communication on 24 January1, indicate that systems to preserve papers online have failed to keep pace with the growth of research output.

“Our entire epistemology of science and research relies on the chain of footnotes,” explains author Martin Eve, a researcher in literature, technology and publishing at Birkbeck, University of London. “If you can’t verify what someone else has said at some other point, you’re just trusting to blind faith for artefacts that you can no longer read yourself.”

Primary research is here.

(5) LEGACY WORRIES. Brian Keene muses about the disturbingly short half-life of author name recognition in “Letters From the Labyrinth 372”.

…On Tuesday of this past week, I took a rare day off and drove up to Asbury Park, New Jersey to visit my pal F. Paul Wilson. It occurs to me that I will need to explain to some of my younger readers just who Paul is, and therein lies the meat of this missive. Paul was one of the first horror novelists I read. (As I’ve written in OTHER WORDS, my evolutionary chain as a kid was comic books and Hardy Boys, then Stephen King and F. Paul Wilson). First thing I read by him was The Keep — a seminal, classic horror novel which, sadly, most of you under the age of forty have probably never read. The Keep was the third “grown up book” I ever read (right after King’s Night Shift and Salem’s Lot), and it is an essential part of my writer DNA.

Paul went on to become a giant in the fields of not just horror, but science-fiction, fantasy, thrillers, and other genres, as well. He was a stalwart, perennial New York Times bestseller, and his best-known IP — Repairman Jack — will carry on long after he’s gone. I guarantee you that right now, many of you who did not recognize the name F. Paul Wilson are now nodding and saying, “Oh, yeah, I’ve heard of Repairman Jack.”

It feels absurd to have to explain all of this to you. How could anyone not know this? But then, I think about this past Thursday in the store, when I overheard a mother explaining to her daughter who Brian Keene was, and that he owned the store they were currently shopping in, and that she (the mother) had started reading him in high school. The girl, high school age herself, was holding a book by Wile E. Young that she’d pulled off the shelf. Wile E. Young, was reading me in high school and my books are an essential part of his writer DNA the way Paul’s are a part of mine….

(6) FEAR THE LEFTOVERS. “Godzilla Minus One Director Releases New Kaiju Short, ‘Foodlosslla’” – here is Comicbook.com’s introduction.

…Godzilla Minus One director Takashi Yamazaki teamed up with Ajinomoto (a line of cooking products in Japan) on a special new promo that takes the Kaiju director’s expertise and brings it to life in a new way. Highlighting the amount of food waste in Japan (2.44 million tons according to the advertisement), it results in the creation of “Foodlosslla” a kaiju made out of all the wasted food that doesn’t get eaten or cooked. But with the director’s eye, it’s a great looking monster for the promo. Check it out in action below…

(7) STILL PLENTY OF GOOD EATING ON THIS ONE. Don’t ask what internet rabbit hole this 2014 recipe came from: “Edible Art: Spice Stuffed Squash Sandworms” at Kitchen Overlord. (Click for larger image.)

(8) THOMAS STAFFFORD (1930-2024). [Item by Mike Kennedy.] Gemini 6. Gemini 9. Apollo 10. Apollo 10 Lunar Module. Apollo-Soyuz. Air Force Lt General. A long and busy life. RIP. “Astronaut Thomas Stafford, commander of Apollo 10, has died at age 93”. He died March 18. PBS News Hour pays tribute.

…Stafford, a retired Air Force three-star general, took part in four space missions. Before Apollo 10, he flew on two Gemini flights, including the first rendezvous of two U.S. capsules in orbit. He died in a hospital near his Space Coast Florida home, said Max Ary, director of the Stafford Air & Space Museum in Weatherford, Oklahoma.

Stafford was one of 24 people who flew to the moon, but he did not land on it. Only seven of them are still alive….

…After he put away his flight suit, Stafford was the go-to guy for NASA when it sought independent advice on everything from human Mars missions to safety issues to returning to flight after the 2003 space shuttle Columbia accident. He chaired an oversight group that looked into how to fix the then-flawed Hubble Space Telescope, earning a NASA public service award.

“Tom was involved in so many things that most people were not aware of, such as being known as the ‘Father of Stealth’,” Ary said in an email. Stafford was in charge of the famous “Area 51” desert base that was the site of many UFO theories, but the home of testing of Air Force stealth technologies….

… After the moon landings ended, NASA and the Soviet Union decided on a joint docking mission and Stafford, a one-star general at the time, was chosen to command the American side. It meant intensive language training, being followed by the KGB while in the Soviet Union, and lifelong friendships with cosmonauts. The two teams of space travelers even went to Disney World and rode Space Mountain together before going into orbit and joining ships.

“We have capture,” Stafford radioed in Russian as the Apollo and Soyuz spacecraft hooked up. His Russian counterpart, Alexei Leonov, responded in English: “Well done, Tom, it was a good show. I vote for you.”

The 1975 mission included two days during which the five men worked together on experiments….

(9) BELATED BIRTHDAY.

[Written by Cat Eldridge.]

Born March 17, 1948 — William Gibson, 76. Not at all surprisingly, the first series that I read by William Gibson was the one that started off with his first novel, Neuromancer, published forty years ago, which is called the Sprawl trilogy. I still love the now anachronistic wording of the opening, “THE SKY ABOVE the port was the color of television, tuned to a dead channel.”

I don’t know at all how many times that I’ve read that trilogy but the last time I did read it, about a decade, it was still impressively excellent. 

William Gibson

Neuromancer would get a much deserved Hugo at Aussiecon Two as well as a Ditmar, Nebula and a Philip K. Dick; and Mono Lisa Overdrive won an Aurora. The novels had too many nominations to list here.

Yes, I’m looking forward to the Apple financed Neuromancer series. If anyone can financially afford to do it right, it’s them. And they have a strict hands-off policy of not interfering with the actual production team. 

Going back in time I must talk about “Johnny Mnemonic” which was not his first story, which was “Hinterlands“ which I’ve never of until now. “Johnny Mnemonic” I think is one of the finest SF short story written.  The same holds true for “The Gernsback Continuum” which was published in the same year, forty-two years ago.  I’ll toss in “New Rose Hotel” which showed up a few years later.

Please let’s not talk about the Johnny Mnemonic film. Really don’t mention it. I get queasy thinking about how they butchered that stellar story. And I’ve seen some pretty awful scripts but few that matched this, plus the casting of him. Why oh why? 

His second series, the Bridge trilogy, which is Virtual Light, Idoru and All Tomorrow’s Parties came out some thirty years ago. No, I’ve not read it nearly as many times as I’ve read the Sprawl ones but I did find rather excellent. The near future setting is more grounded and a more fascinating read for that. 

Ok, I’ll admit that I do not at all know what to make of Pattern Recognition, Spook Country and Zero History. They are well written like everything he does, and the characters are fascinating, but something these works is just not quite right for me. It comes off cold, distanced and just not interesting as what else he’s done.

On the other catspaw, the Jackpot trilogy, or possibly longer series, which so far consisted of The Peripheral that has contain time travel (of sorts, maybe) and Agency, and a third, Jackpot, which I don’t think has a release date, is fascinating in the first two novels. Strange, disjointed but fascinating. 

(10) COMICS SECTION.

(11) JUNE 4. ScreenRant says The Acolyte release date has been confirmed by Lucasfilm: “We Finally Know When The Next Star Wars TV Show Comes Out”.

… With a summer 2024 Disney+ drop having long been rumored, Lucasfilm has officially confirmed The Acolyte‘s release date as June 4, 2024, via Star Wars‘ official Twitter/X account. As it turns out, the release dates that have been reported for The Acolyte were accurate. This means Star Wars fans will not have to wait long to sink their teeth into the High Republic era, as Lucasfilm takes a big step into a new facet of a galaxy far, far away….

… The books of the High Republic are set centuries before Star Wars: Episode I – The Phantom Menace. Upon The Acolyte‘s announcement, it was confirmed that the Disney+ show would detail the waning days of the High Republic era. This places the show about 100 years before The Phantom Menace in the Star Wars timeline, promising a new, exciting look at an entirely new era of the franchise….

(12) DO ANDROIDS DREAM OF LOOKING UP AT GIANT ELECTRIC SHEEP? YES THEY CAN! [Item by Daniel Dern.] “Montana Man Pleads Guilty to Federal Wildlife Trafficking Charges as Part of Yearslong Effort to Create Giant Hybrid Sheep for Captive Hunting” at the US Department of Justice.

Defendant Worked to Traffic Marco Polo Sheep Parts from Kyrgyzstan, Clone Sheep, Illegally Inseminate Ewes to Create Hybrids and Traffic Rocky Mountain Bighorn Sheep Parts

A Montana man pleaded guilty today to two felony wildlife crimes – a conspiracy to violate the Lacey Act and substantively violating the Lacey Act – as part of an almost decade-long effort to create giant sheep hybrids in the United States with an aim to sell the species to captive hunting facilities.

Arthur “Jack” Schubarth, 80, of Vaughn, Montana, is the owner and operator of Sun River Enterprises LLC – also known as Schubarth Ranch – which is a 215-acre alternative livestock ranch in Vaughn. The Schubarth Ranch is engaged in the purchase, sale and breeding of “alternative livestock” such as mountain sheep, mountain goats and various ungulates. The primary market for Schubarth’s livestock is captive hunting operations, also known as shooting preserves or game ranches.

According to court documents, Schubarth conspired with at least five other individuals between 2013 and 2021 to create a larger hybrid species of sheep that would garner higher prices from shooting preserves. Schubarth brought parts of the largest sheep in the world, Marco Polo argali sheep (Ovis ammon polii), from Kyrgyzstan into the United States without declaring the importation. Average males can weigh more than 300 pounds with horns that span more than five feet. Marco Polo argali are native to the high elevations of the Pamir region of Central Asia. They are protected internationally by the Convention on International Trade in Endangered Species, domestically by the U.S. Endangered Species Act and are prohibited in the State of Montana to protect native sheep from disease and hybridization.

Schubarth sent genetic material from the argali parts to a lab to create cloned embryos. Schubarth then implanted the embryos in ewes on his ranch, resulting in a single, pure genetic male Marco Polo argali that he named “Montana Mountain King” or MMK….

(13) TINY MESSAGES. Like the “golden record” sent with two 1977 Voyager probes,“NASA’s Europa Clipper mission will carry a poem and millions of names to ocean moon” reports CNN.

When NASA’s Europa Clipper aims to launch on its highly anticipated mission to an icy moon in October, the spacecraft will carry a unique design etched with names, poetry and artwork symbolizing humanity.

The US space agency has a long history of sending names and meaningful designs aloft aboard missions, including the Voyager probes, the Perseverance rover and Parker Solar Probe. Now, it’s Europa Clipper’s turn to carry on the tradition of ferrying a design that illustrates why humans are driven to explore the cosmos….

… Decorated on both sides and made of the rare metal tantalum, the triangular plate will seal the spacecraft’s sensitive electronics inside a vault to protect them from Jupiter’s harsh radiation.

On the inside of the vault is a silicon microchip stenciled with more than 2.6 million names submitted by the public. The microchip is at the center of a design that shows a bottle floating within the orbit of Jupiter and its moons to symbolize that it serves as a cosmic message in a bottle.

Technicians at NASA’s Jet Propulsion Laboratory in Pasadena, California, used electron beams to stencil the names at a size smaller than one-thousandth the width of a human hair.

Below the bottle, the design features the original poem “In Praise of Mystery: A Poem for Europa” by US Poet Laureate Ada Limón, etched in her handwriting, as well as a portrait of the late planetary sciences pioneer Ron Greeley, an Arizona State University professor who played a crucial role in laying the foundation for the development of a mission to Europa.

The side of the plate facing the inside of the vault also includes an etching of the Drake Equation, developed by the late astronomer Frank Drake of the University of California Santa Cruz in 1961 to estimate the possibility of finding advanced life beyond Earth. The equation remains an important part of astrobiological research as scientists search for evidence of life beyond our planet.

The external side of the plate carries waveforms, or visual representations of sound waves, that depict the word “water” in 103 languages from around the world. At the heart of the spiral is a symbol that means “water” in American Sign Language. The audio of the spoken languages collected by linguists for NASA is available on its website….

(14) VIDEO OF THE DAY. Mother’s Basement looks back on “How Akira Toriyama Changed The World”.

Akira Toriyama didn’t just change manga and anime forever, he changed the entire world. Here’s how.

Geoff Thew creates videos analyzing the storytelling techniques of anime and video games. He has been named the number one Worst YouTube Anime Reviewer by The Top Tens.

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, Kathy Sullivan, Daniel Dern, JJ, Lise Andreasen, Andrew (not Werdna), N., Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 1/2/24 It Was A Dark And Scrolly Night, Suddenly A Pixel Rang Out

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(1) THE ENEMY OF THE GOOD. Rachel Craft tells “How Writing Challenges Made Me a Better Writer” at the SFWA Blog. One of the ways is: they make her “Let go of perfection”.

…For me, one of the hardest parts of writing is deciding when a piece is finished and ready to submit. No matter how many rounds of revision I’ve been through, the perfectionist in me can always find something else to tweak. Sometimes I suspect it’s less about perfectionism and more about fear of rejection. As long as I never quite finish a story, it can never be rejected, right?

Writing challenges forced me to let go of perfectionism, fear of failure, and all the other things that usually keep me from saying “It’s done.” They also reframed this last step of the process. Submitting used to be a big, daunting task that loomed like a specter over the rest of my writing process—but in a writing challenge, submitting is actually a triumph. There’s nothing quite like the sense of accomplishment that comes from hitting “submit” as the clock ticks down after 24 hours of frenzied creativity. And even if your story doesn’t win or place in the challenge, you can go on to submit it elsewhere….

(2) MIDNIGHT ACQUISITIONS. Colin O’Sullivan tells his CrimeReads audience not to sleep through great raw material for their writing: “How to Corral Your Nightmares for Use in Your Next Novel” at CrimeReads.

Will robots dream of us in the same way that we dream about them? They say that AI can “hallucinate”, right? Hadn’t Philip K. Dick warned us about all this many years ago? Maybe we weren’t paying enough attention then. Maybe we aren’t paying enough attention now. What a strange world we are being thrust into… and are we ready?

Sunny, the titular robot character of my novel, was conceived in a dream. Several years ago, I tossed and turned in bed, unnerving visions unfurling in my head. In this nightmare I was being chased by a robot that I myself had programmed. The domestic robot had turned on me – and I had been under the illusion that it was merely a household appliance, there to help with the laundry, dust a shelf, or vacuum the floor. I was trying to access its “dark settings” in order to switch the damn thing off, but I wasn’t having much luck: I couldn’t find the manual that would provide me with the right set of instructions, and the machine was definitely out to get me. It was one of the nastiest nightmares I’ve ever had, so vivid, so real. I woke in the proverbial sweat, and was instantly relieved to realize we hadn’t yet reached that stage where the machines were taking over. Not yet, at least, not yet….

(3) IOWA BOOK BAN LAW REBUKED BY FEDERAL DISTRICT COURT. “Judge Blocks Key Provisions of Iowa Book Banning Law” reports Publishers Weekly.

In yet another legal victory for freedom to read advocates, a federal judge has blocked two key portions of SF 496, a recently passed Iowa state law that sought to ban books with sexual content from Iowa schools and to bar classroom discussion of gender identity and sexuality for students below the seventh grade.

In a 49-page opinion and order, judge Stephen Locher criticized the law as “incredibly broad” and acknowledged that it has already resulted in the removal of “of hundreds of books from school libraries, including, among others, nonfiction history books, classic works of fiction, Pulitzer Prize–winning contemporary novels, books that regularly appear on Advanced Placement exams, and even books designed to help students avoid being victimized by sexual assault.”

Specifically, Locher preliminarily enjoined two provisions challenged in two separate but parallel lawsuits. Regarding the law’s ban on books with any depictions of sex acts, Locher found that the law’s “sweeping restrictions” are “unlikely to satisfy the First Amendment under any standard of scrutiny.” In a rebuke, Locher said he was “unable to locate a single case upholding the constitutionality of a school library restriction even remotely similar to Senate File 496.”

Locher said that the law’s “underlying message” is that there is “no redeeming value to any such book even if it is a work of history, self-help guide, award-winning novel, or other piece of serious literature,” adding that with the law state lawmakers had sought to impose “a puritanical ‘pall of orthodoxy’ over school libraries.”

Furthermore, Locher suggested that the law was a solution in search of a problem. “The State Defendants have presented no evidence that student access to books depicting sex acts was creating any significant problems in the school setting, much less to the degree that would give rise to a ‘substantial and reasonable governmental interest’ justifying across-the-board removal,” he wrote….

(4) FROM ZERO COURANT TO AU COURANT. In “Scalzi on Film: When Fun Becomes Homework” at Uncanny Magazine, John Scalzi puts on his film critic’s hat and runs down the ridiculously large number of film and streaming series a person must have previously seen in order to fully appreciate the latest in certain Marvel Cinematic Universe or Star Wars properties. This is a lot like a job!

…We are nerds, and more than slightly obsessive—all the minutiae of created universes are our jam. But there’s a difference between salting in easter eggs to reward the faithful, and requiring hours of prep work—or at least the willingness to locate a wiki and dive in. And even the nerds have limits. I am a nerd by inclination and by profession—but I’m also a 54-year-old human who lives in the world and who requires at least some of my time and brain slots remain open for other things, like family and work and sleep and domain knowledge in other areas relevant to my life….

(5) FUTURES HISTORY. Professor Esther MacCallum-Stewart, Chair of Glasgow 2024, a Worldcon for Our Futures, posted a message on New Year’s Day: “Looking Ahead to 2024—Reflections from the Chair”.

…When I look up from writing this, I see original art on my wall by Iain Clarke, and an empty bottle of our gin, full of lights and on display in my bookcase. I see a mug that one of my team gave to me and a comic book that a Division Head sent this week to cheer me up. My phone is buzzing, because it always is, despite the fact that I said ‘This is the last week we have before the new year, you HAVE to all take breaks’. (Reader, my team absolutely has not let me do this, because there’s always one thing that needs addressing and, as a result, several of them have been forcibly told to take that break, because we really won’t get it from now on in.) I can see the official gavel of the convention, which is on my mantlepiece until next August. The gavel has been around the world multiple times, but for me, it will be next used to open Glasgow 2024, and five days later, it will be used to declare it closed. Another Chair told me once that closing their Worldcon with that gavel broke their heart a little bit. All of the Chairs cry in the Closing Ceremony. Because it’s five days to attend, but it’s years and years to build…. 

Any Chair that wants to cry should go right ahead. Do all Chairs? No.

(6) I KNOW SOMETHING YOU DON’T KNOW. [Item by Mike Kennedy.] Or, so US House of Representatives members may claim after they leave this briefing: “Scoop: House members to receive classified UFO briefing” says Axios.

Members of the House Oversight Committee will receive a classified briefing on unidentified anomalous phenomena (UAP), better known as UFOs, Axios has learned.

Why it matters: Congressional interest in the issue has grown in recent years, with a small but vocal group of lawmakers in both parties pushing for greater transparency from the government on the issue.

Driving the news: The members-only briefing will be held in the Office of House Security, according to a notice obtained by Axios.

The briefing is being provided by the Office of Inspector General of the Intelligence Community, the notice said….

(7) HURT IN NYC. A stuntwoman whose resume includes major MCU films was critically hurt by a hit-and-run driver on New Year’s Day: “Carrie Bernans Injured: Stuntwoman & Actress Hurt In NYC Hit & Run” – Deadline tells how it happened.

Actress and stuntwoman Carrie Bernans was critically injured during an alleged hit and run in New York City at 1:30 a.m. Monday.

Bernans, whose work includes 2023’s The Color Purple as well as Marvel’s Black Panther and Avengers: Infinity War/Endgame, was hurt along with eight others. Per her publicist, she was struck by a driver who crashed into an outdoor dining shed at Chirp, a Peruvian restaurant in Midtown Manhattan. That driver then backed up and rammed into another car before officers swarmed.

Bernans recently gave birth to a son, and luckily the newborn wasn’t with her but rather in a hotel with her family. Bernans was in stable condition and is undergoing surgery. Her mom posted details on the traumatic incident on Instagram and said Bernans is in rough shape….

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born January 2, 1920 — Isaac Asimov. (Died 1992.) I’m looking at Isaac Asimov this Scroll, one of the Big Three of SF, proclaimed so at the time along with Arthur Clarke and Robert Heinlein. 

Isaac Asimov. Photo by and © Andrew Porter.

Now let me note these selections are my personal picks, not a look at his entire career as that’s simply not possible given how prolific he was. One source says that he wrote five hundred books and I certainly wouldn’t say that’s impossible to believe!

Without a single doubt, I can state that the Foundation Trilogy which won a well deserved Hugo at NyCon 3 for All Time Best Series is my favorite work by him, and it is certainly the work by him that I’ve read the most down the years. Like everything by him, I’ve not watched any film adaptations that have been done. 

I am familiar with, and fond of, of his first two novels, Pebble in The Sky and The Stars, Like Dust.  It’s been decades since I’ve read either so I’ve no idea how they’ve fared with age. 

The Caves of Steel and the other Robot series novels I think are on the whole excellent. Now of course speaking of robots, I, Robot with Susan Calvin is simply awesome. Almost all of the Robot stories, all 32 of 37, can be found in the 1982 The Complete Robot collection. There also are six novels.

The Gods Themselves is an amazing and it stands up well when re-read. It would win a Hugo at Torcon II. 

Isaac Asimov. Photo by and © Andrew Porter.

That’s it for SF by him, but there’s one more tasty creation by him that being The Black Widowers stories which were based on a literary dining club Asimov belonged to known as the Trap Door Spiders. 

The Widowers were based on real-life Spiders, some of them well known writers in their own right such as Lin Carter, L. Sprague de Camp, Harlan Ellison and Lester del Rey.

There were sixty-six stories over the six volumes that were released. So far only one volume, Banquets of the Black Widowers, has been released as an ePub. And yes, I’ve got a copy on my iPad as they are well worth re-reading. 

Someone needs to get them collected in one ePub collection. Pretty please. 

So that’s what I like by him. What do you like? 

(9) COMICS SECTION.

  • The Far Side asks, if a tree falls on an exoplanet, does it make a sound?
  • Peanuts (published March 22, 1955) has one more Martian joke.
  • Moderately Confused lives up to its name – does the sign refer to the store or the books?
  • Oh my gosh – Tom Gauld revealed a secret message!

(10) YOUR LACK OF FAITH ETC. ETC. It’s not a very good omen that Entertainment Weekly’s “The 40 best alien movies of all time” can’t make up its mind about the very first film on the list.

1 of 40 Invasion of the Body Snatchers (1956 and 1978)

If you favor the later renditions of Invasion of the Body Snatchers, we don’t blame you. And it may be cheating to double up on our list’s first entry, but the 1978 version (featuring Brooke Adams, Donald Sutherland, Jeff Goldblum, Leonard Nimoy, and Veronica Cartwright) is one of the rare examples of a remake living up to the legacy of its predecessor, which is all the more impressive when you consider the magnitude of industry legend Robert Wise‘s original. As an EW staffer previously wrote, the 1956 film is meant to be “a timely Cold War parable of takeover from within.” It ultimately “hit upon even deeper mass-marketing-age fears,” which helped it stand the test of time. Meanwhile, the follow-up flick harnesses that same dread and translates it to a new age without losing any punch.

At the center of these effective alien features is our fear of the Other. Most people don’t worry about little green men taking over their cities and suburbs, but most of us have watched some of our friends and family become bizarre shadows of their former selves practically overnight — which is exactly what transpires in Body Snatchers as the citizens of Earth are infiltrated by alien doppelgängers. In an age where paranoia and misinformation reign supreme, this tale of science failing to explain the chaos around us seems more timely (and more frightening) than ever before.

(11) SCREAMBOAT WILLIE. “Mickey Mouse horror film unveiled as copyright ends” and BBC is quick to point it out.

…A trailer for a slasher film, featuring a masked killer dressed as Mickey Mouse, was released on 1 January, the day that Disney’s copyright on the earliest versions of the cartoon character expired in the US.

“We wanted the polar opposite of what exists,” the movie’s producer said….

…Creatives have been quick to take advantage of the new rules, with a trailer (contains violent scenes) for a Mickey horror film dropping on the same day.

In the horror comedy thriller, called Mickey’s Mouse Trap, a young woman is thrown a surprise birthday party in an amusement arcade – but things quickly take a turn for the worse when she and her friends encounter a knife-wielding murderer in a Mickey costume….

(12) WIPER NO SWIPING! Meanwhile Disney’s lawyers are staying in shape by working over the owner of a Chilean car wash. Forbes analyzes the case in “Lucasfilm Sues ‘Star Wash’—A Car Wash In Chile—Claiming Plagiarism”.

Lucasfilm, the billion-dollar Disney-owned film and production company behind the “Star Wars” franchise, is suing a Chilean car wash known as “Star Wash,” arguing the small business is plagiarizing the wildly popular franchise with its branding, according to Reuters.

The law firm representing Matias Jara, the owner of “Star Wash,” told Reuters that Jara was in the process of registering his brand with Chile’s patent authority when he received a lawsuit from Lucasfilm seeking to block the registration of his business’s name.

Lucasfilm is claiming the business brand could confuse consumers into believing it’s affiliated with the studio, though it hasn’t taken issue with car attendants who can be seen on the “Star Wash” Instagram account dressed as characters like Darth Vader, Chewbacca and Boba Fett….

Once I looked at this Instagram ad for the business, though, I thought Disney had a point.

(13) MUSICAL ITEMS. [By Daniel Dern.] By the way, a third theremin video (not here) said that playing the trombone was the best preparation/way for learning to play the theremin.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Kathy Sullivan, Daniel Dern, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Thomas the Red.]

Pixel Scroll 8/15/23 All That Is Scrolled Does Not Pixel

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(1) WHEN IS HUGO VOTER PACKET COMING? Joe Yao of the Chengdu Worldcon committee responded online to questions about this year’s Hugo Voter Packet.

Sorry for the delayed release of the Hugo Packet since we are still waiting for the approval from the Administrator.

This year we have about 88 entries including all the works in fiction categories (Novel, Novella, Novelette and Short Story), and as you can see this is a Hugo finalist with the most non-Chinese works and editors/writers than ever before. We encouraged the finalists to submit their works with both Chinese and English as much as they can and some of the non-Chinese finalists are willing to do a Chinese translation version for the Chinese fandom, thus it took longer than we expected to release the packet.

But the good news is that we are almost there, and please stay posted with us on our official announcement.

Thanks for your patience.

The online Hugo voting deadline is October 1, 2023, 17:59 pm China Standard Time / September 30, 2023,23:59 pm Hawaiian Time. 

(2) CHENGDU SCIENCE FICTION MUSEUM VIDEO. [Item by rcade.] There’s video of the Chengdu Science Fiction Museum under construction embedded in a June 2023 post at KevinJamesNg: “Chengdu Science Fiction Museum #June2023| a New International Landmark”. When the video was made is unknown to me.

(3) NEW PILOT. Escape Pod announces “A Change in Crew”. Assistant editor Benjamin C. Kinney is leaving. Kevin Wabaunsee is coming aboard.

As Octavia Butler said, “All that you touch you change. All that you change changes you. The only lasting truth is change.”

Escape Pod is changing as our longtime Assistant Editor, Ben Kinney, leaves the bridge. Ben has been part of the crew since 2016, and he’s seen many of the changes we’ve gone through: the shift from Submittable to Moksha, from volunteer staff to paid staff, from private company to non-profit. Not to mention the co-editors transitions!

Ben has also helped to change Escape Pod for the better through his tireless work. From recruiting and overseeing the associate editors to navigating the galaxy of submissions we receive, Ben’s guidance and vision have kept our ship flying at warp speed. His knowledge of science and of what makes a good story are some of the reasons the podcast has been so successful in recent years. We will miss him.

Taking up Ben’s post is Kevin Wabaunsee. Kevin is a speculative fiction writer and a former newspaper reporter. He is a professional science news editor and the former managing editor for the Science Fiction and Fantasy Writers Association (SFWA). He is a Prairie Band Potawatomi. His short fiction has appeared in Strange Horizons, Escape Pod, PseudoPod, Apex, and the anthology Fighting for the Future. You can find him online at kevinwabaunsee.com. We’re excited to discover what changes Kevin has in store for us in the future….

(4) IT’S HIM. You may not realize it but the name of Fulton County Superior Court Judge Robert McBurney, who made news yesterday presiding over the submission of grand jury indictments against Trump and 18 others, came up in a news item here once before.

In 2019 he was the presiding officer of the Georgia state panel that officially suspended Judge Kathryn Schrader after she and three co-defendants were indicted on felony computer trespass charges. We covered it because one of those co-defendants was Dragon Con co-founder Ed Kramer. He worked for a private investigator tracking the activity on a WireShark monitoring system the judge had installed on her computer, under a belief the DA was spying on her. An Atlanta Journal-Constitution article quoted from the panel’s report:

“The Panel further finds that Judge Schrader’s personal decision to allow an outside third party to gain access to the County’s network — with its many subsequent repercussions, including the discovery that Judge Schrader’s actions allegedly enabled a convicted child molester to have access to Court data — also adversely affects the administration of that office, as well as the rights and interests of the public,” wrote Fulton County Superior Court Judge Robert McBurney, the presiding officer of the JQC panel.

(5) EKPEKI AND OMENGA Q&A. “Carriers of Culture: PW Talks with Oghenechovwe Donald Ekpeki and Joshua Uchenna Omenga” at Publishers Weekly.

In the stories and essays of Between Dystopias: The Road to Afropantheology (CAEZIK SF & Fantasy, Oct.), Ekpeki and Omenga explore the intersections of the fantastic and the spiritual.

What drew you to speculative fiction?

Ekpeki: I was exposed to speculative fiction at a young age through oral storytelling traditions maintained by my grandmother….

See the rest at the link.

(6) THIS IS WHY YOU HAVE TO STAY TIL THE END. “Judge Approves Final Injunction in Publishers, Internet Archive Copyright Case” — but with a twist reports Publishers Weekly. Will it make a difference? The publishers spokesperson doesn’t think so.

After more than three years of litigation, it took judge John G. Koeltl just hours to sign off on the parties’ negotiated consent judgment—but not without a final twist. In a short written opinion made public yesterday, Koeltl sided with the Internet Archive in a final dispute, limiting the scope of the permanent injunction to cover only the plaintiffs’ print books that also have electronic editions available.

In a letter to the court, lawyers for the plaintiff publishers had argued that the injunction should cover all the plaintiffs’ commercially available books, whether the books have digital editions or not. “The law is clear that the right to decide whether or not to publish a book in electronic format belongs to its authors and publishers, not IA,” the publishers’ letter argued. Furthermore, IA’s unauthorized digital editions create “clear potential market harm to the print book market,” the publisher letter claims, because a “straight, verbatim digital copy of the entire work is an obvious competing substitute for the original.”

In their letter to the court, IA attorneys argued that the injunction should be limited to the plaintiffs’ books that have digital editions available because that was what the suit addressed. “Because the parties did not have the opportunity in this case to litigate the degree to which the unavailability of digital library licensing would affect the fair use analysis, it is inappropriate for an injunction in this case, by its breadth, to effectively prejudge the outcome of that question,” IA attorneys argued.

Koeltl sided with the Internet Archive, holding that because the 127 works chosen for the suit were all commercially available works with digital editions, sweeping all the plaintiffs’ books into the final injunction risked being overbroad.

“This action concerned the unauthorized distribution of a select number of works in suit, all of which were ‘available as authorized e-books that may be purchased by retail customers or licensed to libraries,’” Koeltl pointed out in a 4-page order. “That fact was relevant to the court’s conclusion that Internet Archive was liable for copyright infringement. In particular, the court’s fourth-factor analysis emphasized the ‘thriving e-book licensing market for libraries’ and concluded that Internet Archive ‘supplants the publishers’ place in this market’ by ‘bring[ing] to the marketplace a competing substitute for library e-book editions of the works in suit.'”

In an August 15 statement, AAP president and CEO Maria Pallante said Koeltl’s decision would have “a very minimal” impact.

“The overwhelming majority of the tens of thousands of books that plaintiffs make available in print are also commercially available from them as authorized e-books,” Pallante said. “Nor are the plaintiffs precluded from enforcing under the Copyright Act the small percentage of works that may not be covered by the injunction.”…

(7) PERSONS OF INTEREST. Gizmodo learned that “Persons of Interest in Gen Con Card Theft Are Game Designers”.

At Gen Con earlier this month, a pallet of Magic: The Gathering cards worth $300,000 was stolen from the convention center; the product belonged to Pastimes, a gaming shop and MTG vendor. In an update from Indianapolis news station WTHR 13, police have identified two people of interest in the case: Thomas J. Dunbar and Andrew Pearson Giaume.

Dunbar and Pearson Giaume were attending Gen Con 2023, and might have been present to support their own card game, Castle Assault. In the photos taken from security footage, such as the one that appears above, a man that the police department has identified as a person of interest (assumed to be Dunbar) can be seen wearing a dark tee shirt with what looks like Castle Assault artwork and logotype on the back….

(8) DITCH DAY. Akemi C. Brodsky finds “5 Academic Novels That Won’t Make You Want to Go Back to School” for Tor.com.

… The academic setting works as a literary mount just as well, if not better. Students are bound by law or narrative obligation to remain, trapped, day after day, and therefore must face their demons (sometimes literally). Maybe it’s rooting for the underdog that keeps me coming back, maybe it’s just nostalgia. In any case, I am drawn to campus novels. Still, I have no desire to relive my own school days. Fiction seems to emphasize the facts and while some stories highlight first friendships and carefree youth, others remind us that education is laced with external pressures and inner turmoil….

One of those books is —

Ninth House by Leigh Bardugo

Of all of these novels, this is the book that makes me want to go back to school least of all. Throughout the story, Galaxy “Alex,” Stern is repeatedly traumatized by both the mystical and the mundane (in ways that keep you on the edge of your seat throughout). An undergraduate given a special acceptance to Yale, Alex is an apprentice, learning to keep watch over Yale’s infamous secret societies. Only thing is, the secret societies each practice their own brand of dark magic. What I love about this book is that as much as the narrative relies on mystical elements, Bardugo does not shy away from the evils of our own world. In fact, she carefully wraps them up in her own magic that keeps you speeding through the pages but leaves you with a chilling understanding of the true wickedness among us. She almost makes you believe that Yale’s secret societies really are practicing the occult, or worse.

(9) CUTS AT LUCASFILM ILM. “Lucasfilm’s Industrial Light & Magic to Close VFX and Animation Facility in Singapore Due to ‘Economic Factors Affecting the Industry’”

Disney-owned Lucasfilm/ Industrial Light & Magic is to close its VFX and animation facility in Singapore, where more than 300 people are employed. The company points to changes in the global entertainment industry as a factor behind the decision.

“Over the next several months, ILM will be consolidating its global footprint and winding down its Singapore studio due to economic factors affecting the industry,” Disney said in a statement emailed to Variety.

The Singapore studio was founded in 2004 as Lucasfilm Animation Singapore and began operations in 2006 with work on the animated TV series “Star Wars: The Clone Wars.”

It relocated within the city-state in 2013, setting up shop in the futuristic George Lucas-owned Eclipse Building at Fusionopolis. It was nicknamed the “Sandcrawler Building,” due to its similarity to an iconic “Star Wars” vehicle. The Eclipse Building was sold by Lucas in January 2021 to the Blackstone Group.

(11) AI-ASSISTED BOOK CHALLENGES. “Iowa School District Bans 19 Books Over ‘Depictions of a Sex Act’” reports Rolling Stone, and the assessment was done using AI.

BOOKS ARE BEING pulled from the library shelves of an Iowa school district following new legislation from Republican Gov. Kim Reynolds, which purports to protect children from obscene material, The Gazette reports.

The new legislation, Senate File 496, prohibits “instruction related to gender identity and sexual orientation in school districts, charter schools and innovation zone schools in kindergarten through grade six.” It requires that every book available to students be “age appropriate” and free of any “descriptions or visual depictions of a sex act.”

The district used Artificial Intelligence to make is determinations on what books to ban.

The Mason City school board began reviewing library titles last month to ensure compliance with the law. The district said “lists of commonly challenged books were compiled from several sources to create a master list of books that should be reviewed. The books on this master list were filtered for challenges related to sexual content. Each of these texts was reviewed using AI software to determine if it contains a depiction of a sex act. Based on this review, there are 19 texts that will be removed from our 7-12 school library collections and stored in the Administrative Center while we await further guidance or clarity. We also will have teachers review classroom library collections.”…

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 15, 1858 — E. Nesbit. She wrote or collaborated on more than sixty books of children’s literature including the Five Children Universe series. She was also a political activist and co-founded the Fabian Society, a socialist organization later affiliated to the Labour Party. (Died 1924.)
  • Born August 15, 1906 — William Sloane. Best known for his novel To Walk The Night which Boucher, King and Bloch all highly praise. Indeed, the latter includes it on his list of favorite horror novels. It and the Edge of Running Water were published together as The Rim of Morning in the early Sixties and it was reissued recently with an introduction by King. (Died 1974.)
  • Born August 15, 1933 — Bjo Trimble, 90. Her intro to fandom was TASFiC, the 1952 Worldcon. She would be active in LASFS in the late 1950s onward and has been involved in more fanzines than I can comfortably list here. Of course, many of us know her from Trek especially the successful campaign for a third season. She’s responsible for the Star Trek Concordance, an amazing work even by today’s standards. And yes, I read it and loved it. She’s shows up (uncredited) as a crew member in the Recreation Deck scene in Star Trek: The Motion Picture. Bjo and her husband John Trimble were the Fan Guests of Honor at the 60th Worldcon, ConJose. She was nominated at Seacon for Best Fanzine for Shangri L’Affaires, and two years later at DisCon 1 for the same under the Best Amateur Magazine category. 
  • Born August 15, 1934 — Darrell K. Sweet. Illlustrator who was best-known for providing cover art for genre novel with his first with being Andre Norton’s Shadow Hawk, published by Ace in 1972, in which capacity he was nominated for a Hugo award in 1983. He was Illustrator GoH at 71st Worldcon, LoneStarCon III. He was also a guest of honor at Tuckercon in 2007, at the 2010 World Fantasy Convention in 2010, and LepreCon in 2011. (Died 2011.)
  • Born August 15, 1943 — Barbara Bouchet, 80. Yes, I’ve a weakness for performers who’ve shown up on the original Trek. She plays Kelinda in “By Any Other Name”.  She also appeared in Casino Royale as Miss Moneypenny, a role always noting, and is Ava Vestok in Agent for H.A.R.M. which sounds like someone was rather unsuccessfully emulating The Man from U.N.C.L.E. 
  • Born August 15, 1945 — Nigel Terry. His first role was John in A Lion in Winter which is at least genre adjacent as its alternate history, with his first genre role being King Arthur in Excalibur. Now there’s a bloody telling of the Arthurian myth.  He’s General Cobb in the Tenth Doctor story, “The Doctor’s Daughter”, and on the Highlander series as Gabriel Piton in the “Eye of the Beholder” episode. He even played Harold Latimer in “The Greek Interpreter” on Sherlock Holmes. (Died 2015.)
  • Born August 15, 1958 — Stephen Haffner, 65. Proprietor of Haffner Press which is mainly a mystery and genre reprint endeavor though he’s published such original anthologies as Edmond Hamilton & Leigh Brackett Day, October 16, 2010 and the non-fiction work Thirty-Five Years of the Jack Williamson Lectureship which he did with Patric Caldwell.

(13) COMICS SECTION.

  • David Brin says xkcd makes his point:

(14) WALK A MILE (OR THREE) IN HER SHOES. Take Anne Marble’s advice about “How to Attend the National Book Festival” at Medium. To read all of it requires registration for a free account.

…The National Book Festival is a yearly event run by the Library of Congress. In 2001, it was founded by former First Lady Laura Bush (a librarian) and the 13th Librarian of Congress, James H. Billington. The first one hosted between 25,000 and 30,000 attendees.

Since 2014, with attendance soaring to as many as 200,000 people, the National Book Festival has been held at the Walter E. Washington Convention Center.

The National Book Festival is huge, busy, and overwhelming. Read up on the event. Learn from what I did right, and most important of all, learn from what I did wrong…

(15) SIC TRANSIT AVENUE VICTOR HUGO. [Item by Daniel Dern.] Avenue Victor Hugo Books, a SF-and-much-more bookstore (which also, for a while, was doing Galileo magazine) used to be one of my regular stops over on Boston’s Newbury Street. Then they relocated to Lee, New Hampshire. (Where I never got to.)

Now, Vince McCaffrey is hanging up his brick’n’mortar shingle, as Vince explains on the store’s web site main page, “A letter to our customers” and in the August 1st, 2023 entry to the site’s blog-ish Annotations.

Bookselling is not what it used to be. Never was, really. For me, it was always what I was willing to make of it. It’s probably that way with most independent booksellers. I’ve known a few and the motivations are as diverse as the individuals themselves.

Maybe an explanation for that is in order. The world is full of unpleasant jobs that have to be done. Bookselling is not one of them—unless it’s made to be that way. Selling books as rectangular objects to be marketed with phony advertising or artificial words such as ‘magisterial,’ or ‘brilliant,’ or even the lowly ‘provocative,’ without regard to the real matters that the authors have spent years of their lives (or too few weeks perhaps) working on, is not a better occupation than selling cars or soap…

FYI, AVH is running a 20% off online sale here.

(16) SUBLIME ACTING. Praise for “Jules: Ben Kingsley Rules” at Leonard Maltin’s Movie Crazy.

Ben Kingsley disappears into every character he plays, and the quiet senior citizen he becomes in Jules is no exception. The fact that he has a mop of hair and no trace of a British accent should come as no surprise; this is an actor who has played everyone from Mahatma Gandhi to Salvador Dali, not to mention his wide range of fictional characters in films as diverse as The Wackness and House of Sand and Fog.

In Jules, writer Gavin Steckler and director Marc Turtletaub have given him a part he can play with, an understated senior citizen whose life has fallen into a routine…. 

[Thanks to Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Anne Marble, rcade, Cliff, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 7/10/23 These Pixels Have Purest Unobtainium Woven Seamlessly Into Them Using The Taurocopric Process

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(1) OKORAFOR’S WORK OF A LIFETIME. Announced today:

(2) AFRICAN/BLACK HUGO FINALISTS. Writing Africa’s post “Hugo Awards 2023 finalists announced” names seven writers of African descent (African or Black) in the running for the awards. List at the link.

(3) HELP IS ON THE WAY. Twitter’s API changes (including price hikes) radically affected certain kinds of services. Shaun Duke tells about how he replaced a resource he used in “When You Lose Your Social Media Manager (Or, Notes on SMMSs to Drown Your Tears In)”. Duke screened over 100 services and has shared his scouting report on 11 finalists. (For him, whether they link to Mastodon is an important consideration.)

…Like a lot of folks, I don’t really have the time to sit on social media apps posting. And like a lot of folks, I have things to “sell,” which means I don’t have much choice but to be on social media apps. In this case, I mostly “sell” a podcast, and in the corporate environment of podcasting, you can’t exist without a social media presence. And one person really can’t manage that much social media without a little help. For me, that help comes in the form of a social media manager.

As such, when my existing management tools either went belly up or fell apart due to Muskian shenanigans, I knew I needed to find something else that would help me manage my personal feeds AND the feeds for The Skiffy and Fanty Show without me needing to be constantly app-bound. To do that effectively, that “something else” needed to be more or less similar to SmarterQueue in terms of price and function….

The original post only featured SocialChamp, Buffer, SocialBu, Sociomonials, and Vista Social.

New entries include the following: SocialBee, Publr, SocialOomph, Zoho Social, Missinglettr and dlvr.it…

(4) OPPIE-SITES ATTRACT? From The Hollywood Reporter: “AMC Theatres Says More Than 20,000 Moviegoers Have Already Booked ‘Barbie’-‘Oppenheimer’ Double Features”.

In the battle of the bomb vs. the bombshell… why not both?

Plenty of moviegoers are making the decision to watch Christopher Nolan’s atomic drama “Oppenheimer” and Greta Gerwig’s colorful romp “Barbie” on the same day when the two tentpoles hit theaters on July 21….

(5) ON THE RADIO. [Item by SF Concatenation’s Jonathan Cowie.] Lots on the B Beeb Ceeb Radio 4.

Yeti

A 10-part series of half hour episodes. Yeti, 1. “Ready, Yeti, Go!”

Open access, so no need even for a BBC Sounds account.

Tales of a bipedal ape-like creature persist in the myth and legend of the Himalayas. But does the yeti really exist? Two enthusiasts are determined to find out.

Andrew Benfield and Richard Horsey begin their search in the north-east Indian state of Arunachal Pradesh.

Speaking to villagers and yak herders, they hear multiple accounts of yeti sightings. Will they find the evidence they need to prove the creature is real?

Last Man Standing

One off one hour production: Last Man Standing

Love the end of the world.  One of the best SF tropes going.

This is a sort of drama documentary following the last man alive but also explores the quiet Earth trope in SF.

In the near future, Paul Farley finds that he is the last person on the planet – everyone else has disappeared without any explanation.

At first bewildered, in order to mark time and help him keep his wits sharp, he sets about creating an audio journal, centred on an exploration of the various novels, poems and films that feature a last man (and it is almost always a man) character.

These stem back to the Romantics, and include Byron’s poem Darkness and Mary Shelley’s overlooked gem The Last Man, which raises some of the key questions that arise not just in later narratives but also in Paul’s own experience – what happens to time when you’re the last person standing, should you live in the town or the countryside, is it possible to really be happy or simply enjoy a view, a meal or a song when there’s nobody left to enjoy them with?

Bitter Pill

Five part SF drama of half hour episodes.  Open access – no BBC Sounds account required. Bitter Pill – 1: “Fight or Flight”

An audio drama series about memory and trauma.

After a traumatic car crash, Mary joins a clinical drug trial that promises a cure for PTSD. The medication triggers intense flashbacks of the accident that left her fiancée comatose. But is Mary simply remembering the event, or reliving it? And if she is actually returning to the past, does that mean she can change her future?

(5) AI JIANG EVENT. Space Cowboy Books of Joshua Tree, CA (which incidentally just retired its Simultaneous Times newsletter) will host an Online Reading & Interview with Ai Jiang on Tuesday July 18 at 6:00 p.m. Pacific.

If you have the opportunity to give up humanity for efficiency, mechanical invincibility, and to surpass human limitations. . . would you? Ai is a cyborg, under the guise of an AI writing program, who struggles to keep up with the never-blinking city of Emit as it threatens to leave all those like her behind.

Get your copy of I Am AI here. Register for the reading free here.

(6) CELEBRITY BRUSH. Steve Vertlieb is visiting LA. Last night he and his brother Erwin met Paul Williams at The Catalina Jazz Club. Paul was there to support his friend, Jimmy Webb.

Erwin Vertlieb, Paul Williams, and Steve Vertlieb.
Steve Vertlieb, Jimmy Webb, and Erwin Vertlieb.

(7) MEMORY LANE.

2004 – [Written by Cat Eldridge from a choice by Mike Glyer.]

So Mike picked a work by Geoff Ryman, a writer that I like a lot. I think one of his best works is the revisionist fantasy of The Wizard of Oz, Was…, and 253, or Tube Theatre which a Philip K. Dick Award is stellar work. The Child Garden which I honestly can’t decide if I like or loathe won both the Arthur C. Clarke Award and the John W. Campbell Memorial Award

He’s written a fair amount of short fiction, half of which is collected is Paradise Tales, and some of his novellas are in Unconquered Countries: Four Novellas.

So what was that work? It was Air (or, Have Not Have) which was published nineteen years ago by St. Martin’s Griffin. It won an Arthur C. Clarke Award, a British Science Fiction Award, an Otherwise Award and the Sunburst Award for Excellence in Canadian Literature of the Fantastic. 

And now for our Beginning…

MAE LIVED IN THE LAST VILLAGE IN THE WORLD TO GO ONLINE. After that, everyone else went on Air. 

Mae was the village’s fashion expert. She advised on makeup, sold cosmetics, and provided good dresses. Every farmer’s wife needed at least one good dress. 

Mae would sketch what was being worn in the capital. She would always add a special touch: a lime-green scarf with sequins; or a lacy ruffle with colorful embroidery. A good dress was for display. “We are a happier people and we can wear these gay colors,” Mae would advise. “Yes, that is true,” her customer might reply, entranced that fashion expressed their happy culture. “In the photographs, the Japanese women all look so solemn.”

“So full of themselves,” said Mae, and lowered her head and scowled, and she and her customer would laugh, feeling as sophisticated as anyone in the world. 

Mae got her ideas as well as her mascara and lipsticks from her trips to the town. It was a long way and she needed to be driven. When Sunni Haseem offered to drive her down in exchange for a fashion expedition, Mae had to agree. Apart from anything else, Mae had a wedding dress to collect. 

Sunni herself was from an old village family, but her husband was a beefy brute from farther down the hill. He puffed on cigarettes and his tanned fingers were as thick and weathered as the necks of turtles. In the backseat with Mae, Sunni giggled and prodded and gleamed with the thought of visiting town with her friend and confidante who was going to unleash her beauty secrets.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 10, 1903 — John Wyndham. His best-known works include The Day of the Triffids and The Midwich Cuckoos, both written in the Fifties. The latter novel was filmed twice as Village of the Damned. The usual suspects have an impressive selection of his novels though little of his short fiction is available alas. (Died 1969.)
  • Born July 10, 1914 — Joe Shuster. Comic book artist best remembered for co-creating Superman with Jerry Siegel. It happened in Action Comics #1 which was cover-dated June 1938. Need I mention the long fight with DC over crediting them as the creators and paying them? I think not. He was inducted into the Will Eisner Comic Book Hall of Fame and the Jack Kirby Hall of Fame. (Died 1992.)
  • Born July 10, 1923 — Earl Hamner Jr. Though much better known for writing and producing The Waltons, he wrote eight scripts for the Twilight Zone including “Black Leather Jackets” in which an alien falls in love with a human girl and “The Hunt” where raccoon hunters enter the Twilight Zone. He also wrote the script of the Hanna-Barbera production of Charlotte’s Web. (Died 2016.)
  • Born July 10, 1931 — Julian May.  She‘s best known for her Saga of Pliocene Exile (known as the Saga of the Exiles in the UK) and Galactic Milieu series: Jack the Bodiless, Diamond Mask and Magnificat. At age 21 she chaired TASFiC, the 1952 Worldcon in Chicago. She was inducted into the First Fandom Hall of Fame at the Sasquan Worldcon. (Died 2017.)
  • Born July 10, 1941 — Susan Seddon Boulet. Another one who died way, way too young after a long struggle with cancer. If you’ve read the American edition of Terri Windling’s The Wood Wife (which won the Mythopoeic Fantasy Award for Adult Literature Award), you’ve seen her amazing work. Or perhaps you’ve got a copy of Pomegranate‘s edition of Ursula Le Guin’s Buffalo Gals Won’t You Come Out Tonight which also features her art. If you’re keen on knowing more about this amazing artist, see the Green Man review of Susan Seddon Boulet: A Retrospective. (Died 1997.)
  • Born July 10, 1941 — David Hartwell. Encyclopedia of Science Fiction describes him as “perhaps the single most influential book editor of the past forty years in the American science fiction publishing world”.  I certainly fondly remember the The Space Opera Renaissance he co-edited with Kathryn Cramer. Not to mention that his Year’s Best Fantasy and Year’s Best SF anthologies are still quite excellent reading, and they’re available at the usual suspects for a very reasonable price. (Died 2016.)
  • Born July 10, 1945 — Ron Glass. Probably best-known genre wise as Shepherd Book in the Firefly series and its sequel Serenity. His first genre role was as Jerry Merris in Deep Space, a SF horror film and he’d later show up voicing Philo D. Grenman in Strange Frame: Love & Sax (“slated as the world’s first animated lesbian-themed sci-fi film”; look it up as it as an impressive voice cast) and he showed up twice as J. Streiten, MD in Agents of S.H.I.E.L.D. Oh and he was on Voyager playing a character named Loken in the “Nightingale” episode. (Died 2016.)

(9) YOUTHFUL MEMORIES. From the desk of Dean Koontz:

I was born in July. I remember telling the physician who attended my birth that I was going to be a male model and therefore needed to be sure that my belly button was a neat innie and not an outie. The doctor obliged, but as it turned out I didn’t have the right stuff to be a model. I was four weeks old, making the rounds of agents, getting one polite rejection after another, when I finally encountered a man who understood that what I needed to hear was not insincere encouragement but the blunt truth. “Kid,” he said, though I was still a mere infant, “take a long look in a mirror. A moldering turnip has a better chance of being a model than you do.”

Oh, I recall vividly the emotional turmoil that overcame me when he issued that judgment. He spoke the truth, but there was no need to phrase it so cruelly. I wanted to give him a thrashing he would never forget, but he was six feet four, and I was only twenty-six inches tall with inadequately developed musculature. I told him I’d be back to settle the score in twenty years, and I left his office red-faced with anger and shame…

(10) OVER THERE. [Item by Michael Toman.] Bibliophile Filers might be interested in browsing this list to see who (and what!) “made the cut” of 1,322 titles before June, 1947. “List of Armed Services Editions” in the Wikipedia. Have to wonder just how valuable titles like the Lovecraft and Stoker are now?

Armed Services Editions (ASEs) were small paperback books of fiction and nonfiction that were distributed in the American military during World War II. From 1943 to 1947, some 122 million copies of more than 1,300 ASE titles were published and printed by the Council on Books in Wartime (CBW) and distributed to service members, with whom they were enormously popular.

(11) HOW THE DIGITAL SAUSAGE IS MADE. “’Indiana Jones and the Dial of Destiny’ Visual Effects Work Revealed” in the Hollywood Reporter. Beware spoilers.

Lucasfilm’s Industrial Light & Magic, which won Oscars for the visual effects in Steven Spielberg’s Indiana Jones films Raiders of the Lost Ark and Temple of Doom, returned to use every trick in the book on the whopping 2,350 VFX shots in the fifth installment of the franchise.

In the opening action sequence of Indiana Jones and the Dial of Destiny, a young Harrison Ford appears in a 1944-set flashback highlighted by an action scene atop of moving train. Then we meet the elder Indy in 1969 for his next adventure, which includes a tuk-tuk chase in Morocco and — using the titular dial to time travel — a climax set during the epic siege of Syracuse….

It goes without saying, a lot of attention has been placed on the young Harrison Ford, who appears during the movie’s opening scene. How’d you do it?

ANDREW WHITEHURST It’s called ILM Face Swap; it’s using an enormous number of techniques.

ROBERT WEAVER Face swap essentially is replacing the face with another face, whether it’s a younger version or somebody entirely different. In this case, it was the younger version. And as Andrew was saying, we utilized every trick in the book as far as what it would take to get each individual shot to the level that it needed to be. It employed using machine learning; it employed building a full CG asset to highly critical detail. This work doesn’t lend itself well to having a very consistent recipe; it’s completely dynamic to the individual shot. So there were times that we were leaning more on the CG asset, and there were times that we would be getting a bit more out of the machine learning passes.

WHITEHURST The one continuous element throughout all of this is having really great artists with really great eyes making those choices with Robert and me. And we had an enormous amount of reference material from earlier Indy films, which we got scanned, and we could use that and we could frame through that and understand what exactly the likeness was that we were trying to hit. And it’s building it up. We would initially do a low-resolution pass that we could give to the edit. So they were always cutting with an age-appropriate Indiana Jones, even if it was not a final quality, so that they could judge the performance in the cut and understand how that was working. And that meant we then got better notes back….

(12) DEADLIER THAN THE MALE. “Unknown: Killer Robots review – the future of AI will fill you with unholy terror” says a Guardian critic about this Netflix program.

…Unknown: Killer Robots walks us through various inventions (including those headless robot dog-alikes you see far too much on social media), scenarios and ramifications with admirable surefootedness. You sense that its heart lies with the cool guys making all the cool stuff. And it is hard not to be mesmerised by the extraordinary stuff in the offing. To see MIT’s latest dog quickly navigate new surfaces via the infinite raw power of machine learning, or a flight lieutenant with 20 years of combat under his immaculately polished belt be outclassed in a dogfight by a new piece of tech that has been filled with 30 years of experience in 10 months, is to watch a terrible beauty being born. But whenever the film slips into full cheerleading (and jingoistic) mode, it recalls itself and us to duty and turns to showcasing the less telegenic side of things.

By which I mean stories like Sean Ekins’ and Fabio Urbina’s. They “just flipped a 0 to a 1” in their work finding treatments and cures via AI molecules and modelling for underresearched diseases, “pushed go” and returned to their desks later to find their six-year-old Apple Mac had created 40,000 new molecules that would be absolutely lethal to humanity. Only if a bad actor got hold of them, but … anyway, Ekins has barely slept since. “We were totally naive … Anyone could do what we did. How do we control this technology before it is used to do something totally destructive?”…

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day SocialInjusticeWorrier.]

Pixel Scroll 1/23/22 Pixel Yourself On A Scroll On A River, With Tangerine Fanzines And Ray Bradbury Skies

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(1) SUSAN COOPER Q&A. Two-time Newbery Honor recipient Susan Cooper is interviewed in The School Library Journal: “Susan Cooper: Writing Fantasy Is a ‘Voyage Fed by My Unconscious’”.

You’ve written that fantasy involves images “bubbling up” from the writer’s unconscious mind. As you’ve thought about the “Dark Is Rising” novels and spoken about them, have you come to understand that unconscious bubbling in new ways?

I was a child of World War ll England, and if people are dropping bombs on you from the age of four to 10, you grow up with a powerful sense of threat, enmity, Them versus Us, the Dark and the Light. This is also, of course, the stuff of myth and legend, which I read thirstily when young. Ideas come from the imagination, but this unconscious mass is the soil in which it grows.

(2) HARDWARE WARS. Ryan George is “The First Guy To Ever Win An Award”. Doesn’t everyone want a Shiny Thing?

(3) ADEYEMI PROJECT MOVES TO PARAMOUNT. Lucasfilm is going to stick to what it knows, while another studio gives the author what they want: “’Star Wars’: Lucasfilm Rethinks Projects, ‘Children of Blood and Bone’ Goes to Paramount” in The Hollywood Reporter.

…Things began to sour just months after the 2020 Disney Investor Day presentation. [Tomi] Adeyemi, according to sources, grew disenchanted with the pace of the project and began pushing for a stronger voice at the table for the adaptation of her book. The author made the case that she should be the one writing the script, a request Lucasfilm was unwilling to accommodate, sources say.

The sides remained at loggerheads until the project was quietly put into turnaround in the fall of 2021. The bidding and winning of Blood and Bone took a couple of months, and when it landed at Paramount in early January with its original producers, Adeyemi now had what she had asked for: creative influence and the right to pen the screenplay.

In the meantime, Lucasfilm, according to sources, has decidedly shifted away from developing projects that are new and is leaning even more toward those already under its umbrella. Those include a series based on the 1988 fantasy Willow, Indiana Jones 5 and, yes, many, many Star Wars movies and shows….

(4) ERIC FLINT MEDICAL UPDATE. Eric Flint told Facebook readers yesterday he has been hospitalized with a staph infection.  

Well, I have some bad news, I’m afraid. I’ve been in the hospital for two with a staff infection. Staphylococcus aureus, to be precise. Fortunately, it doesn’t appear to be MRSA or any other especially virulent form of the disease.

That said, staph is nothing to fool with. If it’s a blood infection, as it is in my case, it travels to every part of the body. Little problems become big problems and you’re soon in a world of hurt. So far things are looking good. Once they got me on antibiotics everything started improving. StIll, this take time. The doctors tell me a full treatment takes about two weeks and you can’t stint on it. Unfortunately, that’s going to bring us very close to Superstars Writing Seminar, which I may have to miss. We won’t know for awhile yet, I will keep you informed.

(5) HARRY POTTER FIRED. “Broadway’s ‘Harry Potter and the Cursed Child’ actor fired” – Yahoo! has the story.

The actor playing Harry Potter has been fired from the Broadway production of “Harry Potter and the Cursed Child” following a complaint by a co-star about his conduct.

Producers said Sunday night that, after an independent investigation of the incident, they decided to terminate the contract of James Snyder. The exact nature of his conduct was not specified. Snyder did not immediately reply to a request for comment.

Producers said in a statement that they received a complaint against Snyder from a female co-star in November and immediately suspended Snyder. The female co-star has decided to take a leave of action from the Broadway show.

The play, which picks up 19 years from where J.K. Rowling’s last novel left off, portrays Potter and his friends as grown-ups. It won the Tony Award for best new play in 2018….

(6) WHEDON CONSIDERED. Keith R.A. DeCandido, who has written a lot of Whedonverse tie-ins, comments “on the fall from grace of Joss Whedon” at KRAD’s Inaccurate Guide to Life.

An article dropped on Vulture yesterday by Lila Shapiro which details the fall from grace of Joss Whedon following first an open letter his ex-wife wrote on her way out the door of their life together, and then the Justice League debacle, which led to a lot of allegations coming to light going all the way back to Whedon’s Buffy days.

I’ve been connected to Whedon’s worlds both as a fan and as a pro since the late 1990s. I was a huge fan of Buffy the Vampire Slayer, Angel, and Firefly, and I wrote four Buffy books (a novelization, two novels, and I worked on one of the official reference books) and novelized Serenity and wrote a Firefly role-playing game adventure. As a result, I was always heavily plugged into the intense fandom that grew up around his creations.

And I found myself concerned about the near-deification that went on surrounding him. The “Joss Whedon is My Master Now” T-shirts and the “trust in Joss” mantras — and just generally, referring to him as “Joss” as if he was their friend.

…The interview is the first time Whedon has spoken publicly since he was all but hung in effigy by the entire universe, and he didn’t waste any time inserting his foot once he opened his mouth. At no point does he take responsibility, and he spends lots of time making excuses. He unconvincingly denies many of the allegations, or tries to downplay them….

(7) THE SAGAS NEVER TOLD. At Galactic Journey, Cora Buhlert reviews the first Lancer Conan edition and reminds us what the genre lost: “[January 22, 1967] The Return of the Cimmerian: Conan the Adventurer by Robert E. Howard”.

The untimely death of Robert E. Howard thirty years ago is one of the great tragedies of our genre. The lifelong Texan Howard had his first story, the prehistoric adventure “Spear and Fang” published in Weird Tales in 1925, when he was only nineteen years old. In the following eleven years, Howard published dozens of stories in Weird Tales as well as in long forgotten pulp magazines such as Oriental Stories, Fight Stories, Action Stories, Magic Carpet Magazine or Spicy Mystery. In the introduction to Conan the Adventurer, editor L. Sprague de Camp calls Howard “a natural story-teller, whose tales are unsurpassed for vivid, colorful, headlong, gripping action.”

In 1936, tragedy struck, when Howard’s beloved mother was about to succumb to tuberculosis. Overcome with grief, Howard took his own life. He was only thirty years old….

(8) GOULART REMEMBERED. Frances Goulart, widow of Ron, sent a kind note about File 770’s Ron Goulart obituary.

Thank you so much for the tribute to my husband. He would be so pleased with all the attention and love he’s getting. Hope he can read it all wherever he is. We are planning a memorial in June. Please stay in touch for details.

(9) JEAN-CLAUDE MÉZIÈRE (1938-2022). Creator of Valerian and Laureline, Jean-Claude Mézière died last night. Here is a good obituary in Flemish from a Belgian comics news site: “Jean-Claude Mézières (83) overleden” (which you could read with the help of a Google translation), and a less-detailed appreciation in English: “Comics author Jean-Claude Mézières has died”.

Jean-Claude Mézières, cult comic book author, especially SF, died at the age of 83, on the night of January 22 to 23.

Born in 1938 in Paris, Jean-Claude Mézières is considered a figure of Franco-Belgian comics. He is mainly known for the adventures of Valerian and Laureline, two space-time agents. He worked on these characters alongside screenwriter Pierre Christin, his childhood friend.

(10) MEDIA BIRTHDAY.

1947 — [Item by Cat Eldridge.] Seventy-five years ago today in New York City, the Lady in The Lake film opened. Based on the Raymond Chandler novel of the same name. It was the directing debut of Robert Montgomery who also played Phillip Marlowe. The rest of the cast is Audrey Totter, Lloyd Nolan, Tom Tully, Leon Ames and Jayne Meadows. 

Steve Fisher, a pulp writer, who published in far too many pulps too list here but I’ll note that wrote some of The Shadow stories, wrote the screenplay. His most significant stories, however, would be published in Black Mask.

Montgomery’s desire was to recreate the first-person narrative style of the Marlowe novels. As the film is up legitimately on YouTube as part of their film series, you can judge yourself if he succeeded in that. 

So how was the reception? Well critics didn’t like it. Really they didn’t it at all. As BBC critic George Perry much later put it: “This is the only mainstream feature ever to have been shot in its entirety with the subjective camera. Which means that you, the viewer, sees everything just as the hero Philip Marlowe does. Every so often the camera pauses by a mirror and looking at you in the reflection is Robert Montgomery, who also directed, for it is he who is playing Marlowe.” And I think that’s reflected in the audience reviewers at Rotten Tomatoes who give an ambivalent rating of fifty percent. 

He would play Marlowe once more in Robert Montgomery Presents The Big Sleep, a hour long version of that novel that aired on September 25th, 1950.  Robert Montgomery Presents for eight seasons.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 23, 1923 — Walter M. Miller Jr. He’s best remembered for A Canticle for Leibowitz, the only novel he published in his lifetime. Terry Bisson would finish off the completed draft that he left of Saint Leibowitz and the Wild Horse Woman, a sequel of sorts to the first novel. He did a fair amount of short fiction as well. He’s poorly represented both from the usual suspects and in the dead tree sense as well beyond A Canticle for Leibowitz. (Died 1996.)
  • Born January 23, 1932 — Bart LaRue. He was the voice of The Guardian of  Forever in the “City on the Edge of Forever” episode of Trek as well as doing voice roles in “Bread and Circuses” (on-screen too) “The Gamesters of Triskelion” as Provider 1 (uncredited) “Patterns of Force” as an Ekosian newscaster (Both voice and on-screen) and “The Savage Curtain” as Yarnek. He did similar work for Time Tunnel, Mission Impossible, Voyage to The Bottom of The Sea, The Andromeda Strain, Wild Wild West, Land of Giants and Lost in Space. (Died 1990.)
  • Born January 23, 1933 — Emily Banks, 89. She played Yeoman Tonia Barrows in the absolutely splendid “Shore Leave”.  Though her acting career was brief, ending twenty years later, she shows up on Mr. Terrific, a series I’ve never heard of, Fantasy Island, The Wild Wild West, Bewitched, the original Knight Rider, Highway to Heaven and Air Wolf.
  • Born January 23, 1939 – Greg Hildebrandt, 83, and Tim Hildebrandt (died 2006). I’d say best remembered for their very popular and ubiquitous Lord of the Rings calendar illustrations, also for illustrating comics for Marvel Comics and DC Comics. They also did a lot of genre covers so I went to ISFDB and checked to see if I recognized any. I certainly did. There was Zelazny’s cover of My Name is Legion, Tolkien’s Smith of Wootton Major and Farmer Giles of Ham and Poul Anderson’s A Knight of Ghosts and Shadows. V’nice.
  • Born January 23, 1943 — Gil Gerard, 79. Captain William “Buck” Rogers in Buck Rogers in the 25th Century which I fondly remember as a really a truly great SF series even if it really wasn’t that great. He also shows up in the very short lived E.A.R.T.H. Force as Dr. John Harding, and he’s General Morgenstern in Reptisaurus, a movie title that proves someone had a serious lack of imagination regarding titles that day. In Bone Eater, a monster film that Bruce Boxleitner also shows up in as Sheriff Steve Evans, he plays Big Jim Burns, the Big Bad. Lastly, I’d like to note that he got to play Admiral Sheehan in the “Kitumba” episode of fan-created Star Trek: New Voyage
  • Born January 23, 1944 — Rutger Hauer. Roy Batty in Blade Runner, of course, but did you know he was Lothos In Buffy the Vampire Slayer film? That I’d forgotten. He’s also William Earle in Batman Begins, Count Dracula himself in Dracula III: Legacy, Captain Etienne Navarre in Ladyhawke, the very evil John Ryder in The Hitcher, Abraham Van Helsing in Dracula 3D, King Zakour in, and no I didn’t know they’d done this film, The Scorpion King 4: Quest for Power and finally let’s note his involvement in Valerian and the City of a Thousand Planets as President of the World State Federation. (Died 2019.)
  • Born January 23, 1950 — Richard Dean Anderson, 72. Unless you count MacGyver as genre like I do, his main and rather enduring genre role was as Jack O’Neill in the many Stargate Universe series. Well, Stargate SG-1 really as he only briefly showed up on Stargate Universe and Stargate Atlantis whereas he did one hundred seventy-three episodes of SG-1. Wow. Now his only other SF role lasted, err, twelve episodes in which he played Enerst Pratt alias Nicodemus Legend in the most excellent Legend which co-starred John de Lancie. Yeah, I really liked it. And damn it should’ve caught on. 
  • Born January 23, 1964 — Mariska Hargitay, 58. Did you know she’s the daughter of Jayne Mansfield? I certainly didn’t. Her first film appearance was as Donna in Ghoulies which is a seriously fun film. Later genre creds are limited but include playing Marsha Wildmon in the Freddy’s Nightmares – A Nightmare on Elm Street: The Series. She also plays Myra Okubo in the Lake Placid film and voices Tenar in Tales from Earthsea.  She is by the way in her twenty-third season of Law & Order: Special Victims Unit of portraying Captain Olivia Benson which is now over five hundred episodes in length. 

(12) COMICS SECTION.

(13) A COMICS HISTORY MISFIRE. [Item by Martin Morse Wooster.] In today’s NFL playoff game between the Tampa Bay Buccaneers and the Los Angeles Rams, NBC broadcaster Al Michaels referred to an electronic gizmo around Buccaneers Coach Bruce Arians’s neck as “a Rube Goldberg machine.”

“I’m sorry,” said  Michaels’s colleague, Cris Collinsworth, “Rube Goldberg?”

“It was a long, long, long time ago,” said Michaels.

Al Michaels was born in 1944 and Cris Collinsworth was born in 1959.

(For an explanation of the reference, see Wikipedia’s entry on Rube Goldberg machine.)

(14) THE ICARUS SHORTAGE. “‘It’s a glorified backpack of tubes and turbines’: Dave Eggers on jetpacks and the enigma of solo flight” in the Guardian.

We have jetpacks and we do not care. An Australian named David Mayman has invented a functioning jetpack and has flown it all over the world – once in the shadow of the Statue of Liberty – yet few people know his name. His jetpacks can be bought but no one is clamouring for one. For decades, humans have said they want jetpacks, and for thousands of years we have said we want to fly, but do we really? Look up. The sky is empty.

Airlines are dealing with pilot shortages, and this promises to get far worse. A recent study found that, by 2025, we can expect a worldwide shortfall of 34,000 commercial pilots. With smaller aircraft, the trends are similar. Hang-gliding has all but disappeared. Ultralight aircraft makers are barely staying afloat. (One manufacturer, Air Création, sold only one vehicle in the US last year.) With every successive year, we have more passengers and fewer pilots. Meanwhile, one of the most dreamed of forms of flight – jetpacks – exists, but Mayman can’t get anyone’s attention.

“I did a flight around Sydney harbour a few years ago,” he tells me. “I still remember flying around close enough to see the joggers and the people walking around the botanical area, and some of them did not look up. The jetpack is loud, so I promise you they heard me. But there I was, flying by on a jetpack, and they did not look up.”

(15) GAME GETS TV SERIES. This retro cartoon show is coming to Netflix.

Based on the award-winning video game, THE CUPHEAD SHOW! follows the unique misadventures of loveable, impulsive scamp Cuphead and his cautious but easily swayed brother Mugman.

(16) VIDEO OF THE DAY. Isaac Arthur says there’s another way the whole shooting match could come to an end: “Civilizations at the End of Time: The Big Rip”.

Current science and cosmology tell us the Universe will slowly die and ebb away countless trillions of trillions of years from now, but another model – the Big Rip – says that end may come far sooner, ripped apart by dark energy. Could civilizations survive the Universe itself being torn apart at the atomic scale?

[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Bruce D. Arthurs, Chris Barkley, Jen Hawthorne, Cora Buhlert, SF Concatenation’s Jonathan Cowie, Andrew Porter, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Camestros Felapton.]

#DisneyMustPay Update and Reprints Alert

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SFWA has distributed a new update from the #DisneyMustPay Task Force:

In April 2021, we let you know about a contract issue with Disney that affected multiple authors across different writer organizations. We’ve made some progress and a few authors have been paid. Unfortunately, we’ve also uncovered more concerning issues in the process. We still need your help to raise awareness of the #DisneyMustPay campaign, which has yet to be resolved.

Authors may still be missing royalty statements or checks across a wide range of properties in prose, comics, and graphic novels. As of today, our list is incomplete and only based on properties and/or publishers for which we have verified reports of ongoing issues. We have little doubt more creators are affected by this issue.

We have identified properties now owned by Disney where works are being reprinted by new domestic and foreign publishers without the author receiving notification, updated royalty statements, or payment. Disney acquired two media companies and all their properties. They and their properties include: 

  • Lucasfilm (Star Wars, Indiana Jones, etc.)
  • 20th Century Fox (Buffy the Vampire Slayer, Alien, AVP, Predator, Firefly, Angel, etc.)

Previously published works for these properties are now being reprinted by Disney-owned publishers or their licensees. This list is by no means exhaustive. Publishers include:

  • Boom! Comics (Licensed comics including Buffy the Vampire Slayer, etc.)
  • Titan Publishing UK (Licensed novels including Alien/Predator)
  • Marvel WorldWide (SpiderMan, Alien/Predator)
  • Disney Worldwide Publishing (Buffy, Angel)

We’ve also identified two sources of previously published materials from former licensees. We can confirm previously published works are being reprinted. 

  • Dark Horse Comics (Former licensee. Previously published tie-in comics, graphic novels, and novels including Buffy the Vampire Slayer, Alien, Predator, AVP, Star Wars, etc.)
  • Byron Preiss/iBooks (Former licensee. Previously published tie-in novels including Marvel characters now owned/published by Disney)

If you are an affected author who has not been paid or are missing royalty statements, you have the right to ensure your contract(s) are honored. We urge all creators to review their statements regularly and recommend that affected creators fill out this form, hosted by SFWA. We guarantee anonymity.

Please note that you do not need an agent or membership in any professional organization to seek help from the task force. 

Additionally, only a handful of creators have been paid since our last update while several more have come forward. 

The Disney Must Pay Joint Task Force has attempted to create a cooperative relationship with Disney, but the corporation continues to refuse a partnership. 

Disney’s actions make it clear to us that they are picking and choosing which cases they want to resolve, while simultaneously attempting to isolate creators from receiving counsel from their professional organization. The Disney Must Pay Joint Task Force has observed a marked difference in treatment between agented and unagented creators, as well as high-profile and lesser-known individuals, and novelists and comics writers. 

Dark Horse Comics

As of today’s date, conversations are ongoing to ensure Dark Horse Comics creators will be paid for their licensed, reprinted comics, graphic novels, and/or novels post-acquisition. Royalties are owed and Disney must pay.

Further:

  • Dark Horse Comics was a licensee for Lucasfilm and 20th Century Fox, producing works for several properties now owned by Disney.
  • Case details show works originally published at Dark Horse were republished with Disney (Ballantine), Marvel (100% owned by Disney), Boom! Studios (Disney stake), and Titan Books (UK). 
  • Dark Horse Comics creators comprise over fifty percent of our reported cases as a source of previously published media that is being reprinted.
  • Dark Horse Comics does send royalty statements when requested.
  • We are unable to confirm whether or not artists, letterers, inkers, and other types of creators working on affected titles have been paid. To date, we haven’t received a report but this does not confirm payment.
  • No author we’re working with has received notification of their reprinted works. 

Despite Boom! Studios agreeing to work with us and sending us a list of affected creators, the status of the original cases is unchanged. To date, affected Boom! Studios creators have not been paid the royalties they are owed.

The task force has communicated with Disney in the past, but we have yet to bring these cases to a close. We continue to ask for simple, basic methods to honor contracts. Yet, our experiences have reinforced our belief their strategy is to be selective about who they assist.

Despite paying a few higher-profile authors, Disney is not willing to even put a FAQ on their website, much less work with the task force to identify authors and correct missing payments. Thus, we need your help to alert any creators who may be affected. If you know someone who may be affected, please share this email.

You can also show your support for this effort in a number of ways:

  • Use #DisneyMustPay on social media. We need your help to bring the task force’s simple demands to the attention of Disney’s decision-makers. Here are some sample tweets to share. Include a link to our growing task force’s website: WritersMustBePaid.org: 
      • #DisneyMustPay all creators what they’re owed. It shouldn’t matter how many fans they have. They held up their end of the contract, why can’t Disney?
      • #DisneyMustPay. That’s it. That’s the Tweet. 
      • #DisneyMustPay by honoring creators’ contracts for the properties they’ve purchased. Pay royalties owed, provide statements, notify when works are reprinted. A contract isn’t just a wish your heart makes.
      • #DisneyMustPay by creating an FAQ on their licensing page so all creators know how to ask for their missing royalties and/or statements. It’s not rocketeer science! It’s business basics.
      • #DisneyMustPay by establishing a point of contact for writers who have not been paid their back royalties for properties now owned by Disney. Make that contact and the process for claiming royalties transparent—these are the bare necessities.
      • #DisneyMustPay by working with creators’ organizations who can advocate for and support authors and their agents that may not feel secure enough to go it alone. It’s why we exist—let us help. You’ve got a friend in us.
      • #DisneyMustPay by notifying creators when their work is reprinted and paying them what they’re contractually owed. A new publication should be a point of pride, not of surprise. 
  • Visit WritersMustBePaid.org, the website set up by our growing task force, and share the link.

Because Disney has declined to cooperate with the task force in identifying affected authors, the Disney Task Force needs your help to contact everyone who might be affected. Unfortunately, this now extends to reprinted works for the properties listed.

Please help us spread the message widely that #DisneyMustPay.

Thank you,

Disney Must Pay Joint Task Force

The Task Force is comprised of the following associations, unions, and nonprofits that have pledged support and resources to help all affected creators: Science Fiction and Fantasy Writers of America, Inc., (SFWA), the Authors Guild, Horror Writers Association (HWA), International Association of Media Tie-In Writers (IAMTW), International Thriller Writers (ITW), Mystery Writers of America (MWA), National Writers Union (NWU), Novelists, Inc. (NINC), Romance Writers of America (RWA), Sisters in Crime (SinC), Writers Guild of America West (WGA West), and Writers Guild of America, East (WGA East).

N. K. Jemisin tweeted an immediate reaction:

Pixel Scroll 12/16/19 It’s Not Easy Being Soylent Green

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(1) MAKE IT SO AGAIN. Although showrunner Michael Chabon is moving on, Picard is not a one-and-done series judging by this item of state tax news. (However, CBS declined comment). “‘Star Trek: Picard’ Renewed For Season 2 Ahead Of Series Debut On CBS All Access Next Month” at Deadline.

… Like the first season that will premiere on CBS All Access on January 23, Season 2 of the Patrick Stewart-led Picard looks to be a 10-episode order for the streamer. As a part of that second season, the latest venture in the Alex Kurtzman marshaled Trekverse has been allocated over $20.4 million in California tax incentives….

Certainly, the huge reaction that Picard received when the resurrection of the philosopher-captain was first announced in Las Vegas last year and the tax credits made public today were a cold hard cash indication that the CBS Television Studios, Secret Hideout and Roddenberry Entertainment produced series was going to engage further, to paraphrase Jean-Luc himself.

(2) WELL-INFORMED. Joe Haldeman explained to his Facebook readers why he signed a petition to ban assault weapons – and how he became familiar with them.

We got this interesting petition, which Gay asked me to sign, from an outfit called Ban Assault Weapons Now.

I did sign it, but not reflexively. I do know assault weapons.

Unlike most people — unlike almost every American — I have been shot, both as a soldier and as a civilian. But I did carry a gun for most of a year “in country,” in Vietnam, sometimes two guns, and was conventionally glad to be armed.

Because of odd timing, I was never issued an M-16. They were not ubiquitous in Vietnam in 1968. I carried — and preferred, most of the time — the M-14 automatic rifle. We also had a Colt .45 automatic, sealed in a plastic bag, and traded around a Chinese AK-47, which my squad carried on convoy….

(3) ENJOYING THE WRONG FUTURE. In another article that takes off from Gary K. Wolfe’s Sixties sff novel collection for Library of America, Scott Bradfield holds forth on “Science Fiction’s Wonderful Mistakes” in The New Republic. Tagline: “The great novels of the 1960s remain enjoyable because they got everything wrong.”

…The science fiction novels of the 1960s—as this two-volume collection of eight very different sci-fi novels testifies—remain enjoyable because they got everything wrong. They didn’t accurately predict the future of space travel, or what a postnuclear landscape would look like, or how to end intergalactic fascism. They didn’t warn us against the roads we shouldn’t travel, since they probably suspected we were going to take those roads anyway. And they definitely didn’t teach us what a neutrino is. But what ’60s science fiction did do was establish one of the wildest, widest, most stylistically and conceptually various commercial spaces for writing (and reading) fiction in the history of fictional genres. Each book is unpredictable in so many ways as to almost constitute its own genre.

Take, for example, Samuel R. Delany’s influential space opera, Nova (presented here in a newly corrected, author-approved text), which takes the concept of the “cybernetic” fusion of human and machine and runs with it. Nova envisions a universe boiling over with star-hopping spaceships, spine-socketed crew members, weirdly mutated sexual and familial relationships, synesthetic video-art instruments, and at least one character raised on another planet who speaks in a verb-delaying syntax several years before Yoda was a gleam in George Lucas’s eye. (“Not too good going to be is. Out of practice am.”) Delany’s prose was stylistically bright, fizzing with ambitious energy (he began publishing novels in his late teens and won several major awards early) and relentlessly inventive, with flashy new visions of the future in one paragraph after another….

(4) WILL YOU BE MY NEIGHBOR?  Alastair Reynolds tells how he admired Niven’s “Tales of Known Space” and that despite recent discoveries a writer can still do wildly creative worldbuilding. Then the question is – how do your space-faring characters navigate your stellar neighborhood?

…In some instances, our observations have begun to put limits on the numbers and properties of planets around familiar, SF-friendly stars such as Epsilon Eridani. It may well turn out that what was perfectly reasonable speculation thirty years ago is now ruled out by current data.

Still, let’s assume for now that our real stars and imagined planets remain viable locations, and we wish to use them in new stories. That’s where an additional wrinkle comes in: it’s very easy to look up how far away these stars are, and on that basis, work out (depending on the mechanics of your imagined space technology) how long it would take to get there from Earth. But sooner or later your story may depend on getting from star A to star B, without stopping off at Earth en-route. How do we work out how far these stars are from each other?

All the information we need is present: for any given star, all we need are its coordinates in the night sky, and a figure for its distance….

(5) KEYS TO THEIR PERSONALITIES. In the Washington Post, Frank Lehman, a music professor at Tufts University, analyzes John Williams’s scores to the Star Wars films and argues the music Williams composed for evil characters such as Emperor Palpatine and Darth Vader gives many clues to how we view these characters: “How John Williams’s Star Wars score pulls us to the dark side”.

…It’s said that the Devil gets the best tunes, but Williams has long proved that that maxim applies to Sith lords, too. Within Star Wars’ ever-expanding library of leitmotifs — recurring, malleable musical symbols — much of the most insinuating material belongs to the villains, from Darth Maul to Jabba the Hutt to Supreme Leader Snoke. Listening to these nefarious themes with the ear of a music scholar offers a lesson in the real power of the dark side, showing us how music can repel, deceive and, with the right compositional tricks, even charm.

(6) A DIFFERENT KIND OF COPIER. Daniel Dern’s GrabCAD article unexpectedly predicts “3D Printers Could Be Coming to a Library Near You”.

Public libraries have always been the place where you can go to borrow books, CDs, DVDs, and magazines. And in recent years, it’s now where you can go for 3D printing services.

“Libraries represent the public on-ramp to the world of 3D printing and design,” said Dan Lee, chair of the Advisory Committee for the American Library Association’s (ALA) Office for Information Technology Policy (OITP).

According to a report from ALA, there are over 428 public library branches in the United States that offer 3D printers to the public….

… Using 3D printers requires education. The Medway library, for example, offers weekly walk-in 3D printer certification sessions.

How libraries charge for use of their 3D printers varies. Some charge per hour of printing time (probably around a dollar), while others will charge based on the amount of printing materials that will be required — typically nickel to a quarter per gram of filament.

(7) KERFUFFLE IS COMING. According to Vanity Fair, “David Benioff and D.B. Weiss’s Lovecraft Movie Has a Massive Problem: H.P. Lovecraft”. Laura Bradley’s question is: “The renowned horror writer was also a known racist and anti-Semite. Are the Game of Thrones creators the right people to handle that history?”

… What is known, however, is that Lovecraft, for all his pop-culture influence, was also terribly racist. His letters and literary work overflow with these sentiments, and in some cases it’s not even subtext. In 1912 he penned a poem titled “On the Creation of N—–s,” in which, as Lithub explained in its thorough exploration of Lovecraft’s white supremacy, Gods create black people as a semi-human species somewhere between man and beasts.

Benioff and Weiss, no strangers to online controversy, are seeing some of the same pushback that happened when they first announced the now-defunct series Confederate for HBO: namely, why this story, and why them?

(8) LEFT BRAINED ALIENS. NPR invites us to “‘Imagine Pleasant Nonsense’ With ‘Strange Planet’ Creator Nathan Pyle”.

Nathan Pyle fills the pages of his new book Strange Planet with big eyed, bright blue aliens from a planet that shares a lot in common with Earth. These aliens sunbathe, sneeze and even wish each other sweet dreams like us, but they describe these practices with deadpan technical terminology like “sun damage” and “face fluid explosions.” The lifegiver aliens even implore their offspring to “imagine pleasant nonsense” as they tuck them in for the night.

“One of the points of Strange Planet is that this is all (gestures in every direction) delightfully odd. It’s wonderful how much complexity we [humans] have created,” Pyle tells me in an email conversation — and yes, those parentheticals are his.

Pyle was inspired to create the series one day as he and his wife were preparing to have guests over — and they began hiding their possessions to make their small New York City apartment appear as clean as possible. “I realized this would make an excellent comic. I drew this one based on the experience, and the series was born,” he says. He began posting the comics on social media in February, and in less than a year, the series has amassed over 4.7 million followers on Instagram.

(9) KARINA OBIT. Actress Anna Karina died December 15 at the age of 79. Her work has been saluted by many culture blogs, including Lawyers, Guns and Money. Alphaville is the only SF she did, “a science-fiction tale set in a loveless dystopian future…”

(10) TODAY IN HISTORY.

  • December 16, 2016 — Rogue One: A Star Wars Story premiered. It was directed by Gareth Edwards with the  screenplay by Chris Weitz and Tony Gilroy. It is from a story by John Knoll and Gary Whitta. The cast includes Felicity Jones, Diego Luna, Donnie Yen, Mads Mikkelsen, Alan Tudyk, Jiang Wen and Forest Whitaker. The film was a box office success, the critics loved it and it’s got an eighty eight percent rating among reviewers at Rotten Tomatoes. The Fan Boys…? 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born December 16, 1917 — Arthur C. Clarke. When I was resident in Sri Lanka courtesy of Uncle Sam in the early Eighties, nearly every American ex-pat I ran into was reading The Fountains of Paradise. The tea plantations he described therein are very awesome. I never saw him, but he was well-known among the small British community there.   I’ll admit that I’ve not read that much by him — Childhood’s End, Rendezvous with Rama and that novel are the only long-form works by him I’ve read. I’m certain I’ve read The Nine Billion Names of God collection as well. And I’ve seen 2001 myriad times but I’ve never seen the sequel. (Died 2008.)
  • Born December 16, 1927 — Randall Garrett. Ahhh, Lord Darcy. When writing this up, I was gobsmacked to discover that he’d written only one such novel, Too Many Magicians, as I clearly remembered reading reading more than that number. Huh. That and two collections, Murder and Magic and Lord Darcy Investigates, is all there is of this brilliant series. Glen Cook’s Garrett P.I. is named in honor of Garrett.  I’ll admit I’ve not read anything else by him, so what else have y’all read? (Died 1987.)
  • Born December 16, 1928 — Philip K. Dick. Dick has always been a difficult one for me to get a feel for. Mind you Blade Runner is my major touchstone for him but I’ve read the source material as well, Do Androids Dream of Electric Sheep?, and Flow My Tears, the Policeman Said which won an John W. Campbell Memorial Award, and I’ve read a lot of the shorter works, so I’d say he’s a challenging writer is a Good Thing. (Died 1982.)
  • Born December 16, 1937 — Peter Dickinson. Author who was married from 1991 to his death to Robin McKinley. He had a number of truly  great works, both genre and not genre, including Eva, The Tears of the Salamander and  The Flight of Dragons. His James Pibble upper class British mystery series are quite excellent as well. (Died 2015.)
  • Born December 16, 1957 — Mel Odom, 62. An author deep into mining franchise universes with work done into the Buffyverse, Outlanders, Time Police, Rogue Angel (which I’ve listen to a lot as GraphicAudio as produced them as most excellent audioworks) and weirder stuff such as the Left Behind Universe and Tom Clancy’s Net Force Explorers, both I think game tie-ins. 
  • Born December 16, 1967 — Miranda Otto, 52. She was Éowyn in the second and third installments of Peter Jackson’s The Lord of the Rings film franchise. She‘s Zelda Spellman in Chilling Adventures of Sabrina, and Mary Ann Davis in Spielberg’s version of The War of The Worlds. She also played Wueen Lenore inI, Frankenstein which had an an amazing cast even if the Tomatometer gives it’s 5% rating. 
  • Born December 16, — Krysten Ritter, 38. She played Jessica Jones on the series of that name and was in The Defenders as well. She had a recurring role in the Veronica Mars series which a lot of a lot is us adore (it’s one of the series that Charles de Lint and his wife MaryAnn Hartis are avid followers of, and they contributed to the the film Kickstarter) and I supposed it’s sort of genre adjacent, isn’t it? (Do not analyze that sentence.) She’s been in a number of horror flicks as well, but nothing I grokked. 
  • Born December 16, 1988 — Anna Popplewell, 31. She was Susan Pevensie in The Chronicles of Narnia film franchise, Chyler Silva in Halo 4: Forward Unto Dawn (I saw this — it’s quite well done), she was (at twelve) Anna Sackville-Bagg in The Little Vampire, and she’s Frankie in the forthcoming  Fairytale which may be genre or genre adjacent. It might even be titled Fairytale of New York. Or not. 

(12) COMICS SECTION.

(13) SOUND AND THE FURY. ScienceFiction.com is excited because “Your Alexa Device Can Now Curse You Out With The Samuel L. Jackson Voice Package!”.

To get started, just say, “Alexa, introduce me to Samuel L. Jackson.” Then, choose whether you’d like Sam to use explicit language or not. If you change your mind later, simply go to the settings menu of the Alexa app to toggle between clean and explicit content.

The Bloomberg video is a bit calmer: “Amazon Alexa Now Lets You Make Samuel L. Jackson’s Your Personal Assistant.”

Amazon company kicked off its celebrity voice program for Alexa, giving customers the option to hear some familiar voices—and it’s starting with Samuel L. Jackson. Users can pay $0.99 and have Jackson respond to your Alexa requests for music, the weather forecast, and more. You can also ask questions that are specific to Jackson, including queries about his career, specific roles, or his interests outside Hollywood.

(14) STEPHENSON BOOK TO SMALL SCREEN. The A.V. Club reports that “HBO is taking a crack at adapting Neal Stephenson’s Snow Crash for TV”.

Hollywood’s ongoing efforts to adapt every single book that some guy spent way too much time and energy recommending at you at a party in college continues apace today, with Deadline reporting that HBO has put a TV version of Neal Stephenson’s Snow Crash into development. The series comes courtesy of The Kid Who Would Be King and Attack The Block director Joe Cornish, with 21 Jump Street’s Michael Bacall set to write the script…[Snow Crash] is satirical, fast-paced, and with one of the most kinetic opening sequences ever committed to print, it’s also one of Stephenson’s most readily accessible books. (Which is to say, he keeps the parables about computer programming, cryptography, and 17th century economics to a minimum.)

(15) FREE DOWNLOAD. Free anthology of Tor.com fiction from 3rd quarter — “Download the Fall 2019 Tor.com Short Fiction Newsletter”.

(16) TAKEN TO THEIR LEADER. Lou Antonelli has posted the latest free story at his Sirius Science Fiction site: “’Trump Asks a Feminist Extraterrestrial Leader for a Favor’ by Marleen S. Barr”.

It’s satirical. Whether it’s satirical enough for you remains the question.

(17) RAMBO UNLIMITED. And to complete our free fiction trifecta, Cat Rambo has released a bunch of titles on KU: “Free Fiction: Stories Newly Enrolled in Kindle Unlimited”. Here are a few of them —

Tabat stories include:

  • §  Narrative of a Beast’s Life: Taken from his home village, the centaur Fino is enslaved and shipped to a new land, where he must learn to cope with the trainer determined to break him. This short story originally appeared in Realms of Fantasy.
  • Events at Fort Plentitude: An exiled soldier tries to wait out a winter in a fort beleaguered by fox-spirits and winter demons. Originally appeared in Weird Tales under editor Ann VanderMeer.
  • How Dogs Came to the New Continent is a short story pulled from the events of the novel Hearts of Tabat, told in the form of a meandering historical paper that teases out more behind the oppression of Beasts and their emerging political struggle.

(18) PLUS ONE. ComicBook.com reports “Guardians of the Galaxy Star Karen Gillan Has Completed Her Role on Marvel’s What If…?”

Marvel’s What If…? may be one of the most anticipated offerings coming to Disney+. The animated series, based on the comics of the same name, will explore many significant moments from the Marvel Cinematic Universe but from the angle of what would have happened had just one thing gone a little differently. It’s a premise that is set to offer Peggy Carter as Captain Carter instead of Steve Rogers as Captain America among other interesting twists, but while it’s an exciting premise it’s one that fans have to wait for as the series isn’t set to debut until summer 2021. But while we don’t yet have a release date, fans can at least take some comfort in knowing that work is underway and that when it comes to Guardians of the Galaxy star Karen Gillan, she’s already completed her voice work on the series….

(19) THE FUTURE OF A GALAXY FAR, FAR AWAY. Los Angeles Times: “After ‘Rise of Skywalker’ and Baby Yoda, Kathleen Kennedy’s plan for ‘Star Wars’ and beyond”.

 [Rob Bredow [(head of Lucasfilm’s visual effects division Industrial Light & Magic), speaking of Lucasfilm President Kathleen Kennedy:]

“She said, ‘There have been a few times in my career where there have been these kinds of moments. Go for it,’” Bredow recalled in the cafeteria of Lucasfilm’s San Francisco headquarters. “She, and we, are looking for those opportunities to break new ground.”

By all accounts, the gamble on “The Mandalorian” has paid off for Lucasfilm since it debuted to an enthusiastic response on streaming service Disney+ in November. Viewers have obsessed online about the show’s introduction of so-called Baby Yoda, an infant from the same species as the green Jedi master…

Kennedy said she plans to make key decisions about the direction of the franchise in the coming weeks. But some things she already knows. While the “Skywalker” saga is ending, the company won’t abandon the characters created in the most recent trilogy. Additionally, she said, the plan is to move beyond trilogies, which can be restricting.

“I think it gives us a more open-ended view of storytelling and doesn’t lock us into this three-act structure,” she said. “We’re not going to have some finite number and fit it into a box. We’re really going to let the story dictate that.” […]

(20) WORKS FOR HER. NPR interviews somebody who had success with the idea — “Researchers Explore A Drug-Free Idea To Relieve Chronic Pain: Green Light”.

Ann Jones tried everything short of surgery for her chronic migraines, which have plagued her since she was a child.

“They’ve actually gotten worse in my old age,” says Jones, who is 70 years old and lives in Tucson, Ariz.

Jones would have as many as two dozen migraines a month.

Over the years, some treatments might work initially, but the effects would prove temporary. Other medications had such severe side effects she couldn’t stay on them.

“It was pretty life-changing and debilitating,” Jones says. “I could either plow through them and sometimes I simply couldn’t.”

In 2018, her doctor mentioned a study that was taking place nearby at the University of Arizona: Researchers were testing if daily exposure to green light could relieve migraines and other kinds of chronic pain.

Jones was skeptical.

“This is going to be one more thing that doesn’t work,” she thought to herself.

But she brushed aside the hesitation and enrolled in the study anyway.

It began with her spending two hours each day in a dark room with only a white light, which served as the control. In the second half of the study, she swapped out the conventional light for a string of green LED lights.

For more than a month, Jones didn’t notice any change in her symptoms. But close to the six-week mark, there was a big shift.

She began going days in a row without migraines. Even when the headaches did come, they weren’t as intense as they had been before the green light therapy.

(21) NOT DARWIN. But a sign of the times: “Driver ‘blows up’ car with ‘excessive’ use of air freshener”. Doesn’t smell so good anymore. (Includes a picture of the destruction.)

A driver caused an explosion in his car when he lit a cigarette after spraying air freshener.

He used “excessive” amounts of the aerosol scent before sparking up, according to firefighters.

Gas from the spray ignited, blew out the windscreen and windows and buckled the doors but the man escaped with only minor injuries.

Police said the incident in Halifax on Saturday “could’ve been worse” and warned people to follow safety advice.

The motorist was in stationary traffic in Fountain Street in the town at about 15:00 GMT on Saturday when the explosion happened.

It was so powerful it caused damage to windows at nearby businesses.

(22) YULE TRADITION. Marcus Errico, in the Yahoo! Entertainment story “The Joker’s still getting away… How ‘Jingle Bells, Batman Smells’ became the ultimate holiday spoof”, looks into the origins of “Jingle Bells, Batman Smells” and traces its origins to the Batman TV series of the 1960s.

[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, Rob Thornton, Cat Eldridge, Chip Hitchcock, Alan Baumler, Darrah Chavey, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 11/21/19 Because The Scroll Belongs To Pixels

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(1) CHENGDU ROLLS OUT THE RED CARPET. An international array of visiting writers and Worldcon runners will attend the 5th China (Chengdu) International Science Fiction Conference this weekend.

China Daily previewed the event in an English-language article “Sci-fi conference to be held in Chengdu”.

…The guests are from 14 countries and regions, and over 40 events will be organized during the three-day conference.

…Chengdu, the capital of Southwest China’s Sichuan province which is best known as the home of pandas, is the cradle of “Science Fiction World,” China’s most popular sci-fi periodical.

Founded 40 years ago, the magazine has cultivated a large number of well-known sci-fi figures including Han Song, Wang Jinkang and Hugo Award-winner Liu Cixin.

Chengdu has made great efforts in recent years to develop the sci-fi culture industry and build itself into China’s science fiction town. It has put in a formal bid to host the 81st World Science Fiction Convention in 2023.

Chengdu’s bid is competing with two other bids Nice, France, and Memphis, TN.

A partial list of the international writers and conrunners who are in Chengdu includes CoNZealand (2020) co-chairs Kelly Buehler and Norman Cates, DisCon III (2021) co-chairs Colette Fozard and William Lawhorn, Chicago in 2022 bid co-chairs Dave McCarty, Helen Montgomery, plus Crystal Huff, Pablo M.A Vazquez, Ben Yalow, Derek Künsken, Mimi Mondal, Robert J. Sawyer, and Francesco Verso.

Pablo M.A Vazquez is a winner of the Shimmer Program’s Two-Way Exchange Fund, chaired the 2017 NASFiC, and will co-chair of the 2020 Corflu.

Some of the guests and visitors were also part of the group photo below taken at the China Science Fiction Conference two weeks ago (November 2-3) in Beijing, China. SFWA President Mary Robinette Kowal is at center, with Vazquez on the left, and Vincent Docherty (co-chair 1995 and 2005 Worldcons) to the right.

(2) ILM INNOVATION. Slashfilm fires the imagination with its description of a new visual media tech: “How Lucasfilm’s New ‘Stagecraft’ Tech Brought ‘The Mandalorian’ to Life and May Change the Future of TV”

… Kennedy adds an interesting little tidbit about the material used to create the screen:

“But I’m going to add one other thing that I didn’t know anything about this and it’s an interesting little tidbit. You have to grow the crystals for these screens. Who knew? You have to wait five years for the crystals to grow. And the crystals means a limited number of screens. Not only do you have to grow them but if you have volume, it’s important that you have the same bunch of LCD screens so that all the crystals are growing together. And then, how they refract the light, then they go into a whole pass on the ground crystals to then curate which ones are refracting the light in the same way so Its quite a process.”

So now the soundstage, a performance capture volume like the one James Cameron used on the Avatar films, is wrapped with these very high-resolution LED screens that present footage either shot on location or “in combination with CG environments.” Brennan explains further:

“And we’re able to have the perspective with cameras, but that means that you can change from Iceland to the desert in one [minute] from setup to setup so it really changes the flow of production. I think it also helps because actors are not in a sea of green. They’re actually seeing the environments that they’re in. And you add to that, after the puppetry and they’ve got characters to perform against in the environments that they are in and I think it does change.”

(3) BEST SFF. Silvia Moreno-Garcia and Lavie Tidhar pick “The best science fiction and fantasy of 2019” for Washington Post readers. They make a wide, international sweep.

Silvia: I like mosaic novels so it’s no wonder I thought “Automatic Eve” by Rokuro Inui was cool, but it also had a Phillip K. Dick meets steampunk Japan vibe that is hard to miss. The other science fiction novel I recommend is Maurice Carlos Ruffin’s “We Cast a Shadow,” in which a black lawyer wants his son to undergo an expensive procedure that will render him white. It’s a near-future, socially charged and pretty impressive debut.

(4) TOP OF THE DECADE. And Paste Magazine figures with only a month to go it’s safe to call these titles “The 30 Best Fantasy Novels of the 2010s”. I’ve actually read four of them – yay me!

1. The Fifth Season by N.K. Jemisin (2015)

The first book in N.K. Jemisin’s Broken Earth trilogy introduces a stunning world in the midst of an apocalyptic event. To avoid major spoilers, let’s just say that The Fifth Season is brimming with gloriously intense family drama and includes one of the most phenomenal magic systems ever created. It also boasts a complex protagonist who is a mother, gifting us with one of the most formidable and fascinating characters of the 21st century. Jemisin made history by winning the Hugo Award for Best Novel three years in the row for this trilogy, cementing her status as an essential voice in fantasy literature. But critical success aside, simply diving into her luminous prose will be enough for you to discern why she’s such a brilliant, must-read author. —Frannie Jackson

 (5) TODAY IN HISTORY.

  • November 21, 1942 — “Tweety Bird” debuted.
  • November 21, 1969 — First ARPANET link put into service.  

ARPANET was an early computer network developed by J.C.R. Licklider, Robert Taylor, and other researchers for the U.S. Department of Defense’s Advanced Research Projects Agency (DARPA). It connected a computer at UCLA with a computer at the Stanford Research Institute, Menlo Park, CA. In 1973, the government commissioned Vinton Cerf and Robert E. Kahn to create a national computer network for military, governmental, and institutional use. The network used packet-switching, flow-control, and fault-tolerance techniques developed by ARPANET. Historians consider this worldwide network to be the origin of the Internet.

  • November 21, 1973 — The Michael Crichton scripted Westworld premiered. Starring Yul Brynner, Richard Benjamin and James Brolin, critics gave it mixed reviews but it has an 86% rating among watchers at Rotten Tomatoes. 
  • November 21, 2012 — The animated Rise Of The Guardians enjoyed its premiere.  The feature starred the talents of Hugh Jackman, Jude Law and Isla Fisher. Based on William Joyce’s The Guardians of Childhood series, it really bombed. However the audience rating at Rotten Tomatoes is very healthy 80%. 

(6) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 21, 1924 — Christopher Tolkien, 95. He drew the original maps for the LoTR. He provided much of the feedback on both the Hobbit and LoTR and his father invited him  to join the Inklings when he was just twenty-one years old, making him the youngest member of that group. Suffice it to say that the list is long of his father’s unfinished works that he has edited and brought to published form. I’ll leave to this group to discuss their merit as I’ve got mixed feelings on them.
  • Born November 21, 1937 — Ingrid Pitt. Actor from Poland who emigrated to the UK who is best known as Hammer Films’ most sexy female vampire of the early Seventies. Would I kid you? Her first genre roles were in the Spanish movie Sound of Horror and the science-fictional The Omegans, followed by the Hammer productions The Vampire Lovers, Countess Dracula, and The House That Dripped Blood. She appeared in the true version of The Wicker Man and had parts in Octopussy, Clive Barker’s Underworld, Dominator, and Minotaur. She had two different roles in Doctor Who – somewhat of a rarity – as Dr. Solow in the “Warriors of the Deep” episode and as Galleia in “The Time Monster” episode. (Died 2010.)
  • Born November 21, 1941 — Ellen Asher, 78. Editor who introduced many fans to their favorites, as editor-in-chief of the Science Fiction Book Club (SFBC) for thirty-four years, from 1973 to 2007 (exceeding John W. Campbell’s record as the person with the longest tenure in the same science fiction job). She was personally responsible for selecting the monthly offerings to subscribers, and oversaw the selection of individual works for their special anthologies and omnibuses. She has been honored with a World Fantasy Special Award and an Edward E. Smith Memorial Award for Imaginative Fiction. In 2009, she was given a World Fantasy Award for Life Achievement, and she was Editor Guest of Honor at Worldcon in 2011.
  • Born November 21, 1942 — Jane Frank, 77. Art collector along with her husband quite beyond belief. Really. Together they put compiled a legendary collection of genre artwork, The Frank Collection, that has won awards. She is the author of numerous articles on illustration art, artists and collecting, and the book The Art of Richard Powers which was nominated for a Hugo, The Art of John Berkey, and The Frank Collection.
  • Born November 21, 1944 — Harold Ramis. Actor, Writer, and Producer, best-known to genre fans for his role as Egon Spengler in the Saturn-winning, Oscar- and Hugo-nominated Ghostbusters and its lesser sibling Ghostbusters II (the scripts for both of which he co-wrote with Dan Aykroyd). He had voice roles in Heavy Metal and Spacehunter: Adventures in the Forbidden Zone, and a cameo in Groundhog Day, for which he received Saturn nominations for writing and directing. He was also director and producer of Multiplicity. (Died 2014.)
  • Born November 21, 1945 — Vincent Di Fate, 74. Artist and Illustrator who has done many SFF book covers and interior illustrations since his work first appeared in the pages of Analog in 1965. He was one of the founders of the Association of Science Fiction and Fantasy Artists (ASFA), and is a past president. In addition to his Chesley Award trophy and 7 nominations, he has been a finalist for the Professional Artist Hugo 11 times, winning once; two collections of his artwork, Infinite Worlds: The Fantastic Visions of Science Fiction Art and Di Fate’s Catalog of Science Fiction Hardware, have been Hugo finalists as well. He was Artist Guest of Honor at the 1992 Worldcon, for which he organized their Art Retrospective exhibit. He was inducted into the Science Fiction Hall of Fame in 2011. You can see galleries of his works at his website.
  • Born November 21, 1946 — Tom Veal, 73. He’s a con-running fan who chaired Chicon 2000. He was a member of the Seattle in 1981 Worldcon bid committee. He chaired Windycon X.  In 2016 he married fellow fan Becky Thomson. And he wrote the “1995 Moskva 1995: Igor’s Campaign“ which was published in  Alternate Worldcons and Again, Alternate Worldcons as edited by Mike Resnick.
  • Born November 21, 1950 — Evelyn C. Leeper, 69. Writer, Editor, Critic, and Fan, who is especially known for her decades of detailed convention reports and travelogues. A voracious reader, she has also posted many book reviews. She and her husband Mark founded the Mt. Holz Science Fiction Club at Bell Labs in New Jersey (Mt = abbreviation for the labs’ Middletown facility), and have produced their weekly fanzine, the MT VOID (“empty void”), since 1978; it is currently at Issue #2,041. She was a judge for the Sidewise Award for Alternate History for 20 years. She has been a finalist for the Hugo Award for Best Fan Writer twelve times, and Fan Guest of Honor at several conventions, including a Windycon.
  • Born November 21, 1953 — Lisa Goldstein, 66. Writer, Fan, and Filer whose debut novel, The Red Magician, was so strong that she was a finalist for the Astounding Award for Best New Writer two years in a row. Her short fiction has garnered an array of Hugo, Nebula, and World Fantasy Award nominations, as well as a Sidewise Award. The short story “Cassandra’s Photographs” was a Hugo and Nebula finalist and “Alfred” was a World Fantasy and Nebula finalist; both can be found in her collection Travellers in Magic. Her novel The Uncertain Places won a Mythopoeic Award. You can read about her work in progress, her reviews of others’ stories, and other thoughts at her blog.
  • Born November 21, 1965 — Björk, 54. Who bears the lovely full name of Björk Guðmundsdóttir. I like Icelandic. And I’ve got boots of her band somewhere here I think. She’s here for The Juniper Tree which is a 1990 Icelandic film directed and written by Nietzchka Keene which is based  on “The Juniper Tree” tale that was collected by the Brothers Grimm. She’s one of five performers in it. Oh, and because her last album Utopia explored that concept even using cryptocurrency as part of the purchase process.

(7) ZOMBIES APPERTAIN THEIR FAVORITE BEVERAGE. [Item by Errolwi.] Complaints about a “terrifying to children” TV ad for New Zealand soft drink L&P have been rejected by the NZ advertising watchdog. Stuff has the story — “‘Frightening’ L&P zombie ad attracts 40 complaints from viewers”.

Coca-Cola Amatil, which produces the beverage, said the ad was a light-hearted parody of “zom-com” or “zomedy” movies such as Shaun of the Dead and Warm Bodies. 

…The Advertising Standards Authority dismissed the complaints, saying that while the ad may be distasteful to some viewers, it did not reach the threshold to be considered likely to cause harm or serious offence.

It noted that since receiving the complaints, the advertiser had decided to reschedule the ad to be screened after 7pm.

(8) BEWARE THIS SORT OF SPOILER. Whoops, too late. SYFY Wire insists: “Worry you must not! Yoda Baby merchandise will be coming in time for Christmas”.

We still don’t know what the titular hero of The Mandalorian is going to do with the little “asset” that he found in the first live-action Star Wars series, but it is more than clear that the real world wants a piece of it. Everyone wants merchandise for the “Yoda Baby,” and there’s good news on the horizon. 

Disney and Lucasfilm purposely held back this bit of salesmanship to avoid spoilers, but that starship has flown. CNBC reports that all kinds of toys and apparel based on the character will be out in time for the holidays. 

(9) IN WIRED. [Item by Martin Morse Wooster.] The December WIRED has three articles on Star Wars that I thought were interesting. These are:

  • Angela Watercutter interviews cosplayers who enjoy cosplaying Rey because her costume is relatively simple and because she is the first female character in Star Wars to wield a lightsaber: “Everybody Loves Rey, a Star Wars Story”.

Annamarie McIntosh is coming undone. People in comic-book tees are rushing past her, lit up by too-bright fluorescents. She’s surrounded by massive signs with corporate logos, from Nintendo to DC Comics. The cavernous hall is 460,000 square feet, and McIntosh is taking up about three of them, trying to cinch the beige bandages wrapped around her arms. “We’re having issues here,” she says, with an exasperated giggle. “It’s been falling down all day.” With an assist by her mom, the 17-year-old finally twists and tucks her costume into place. All things considered, the fix is easy. It’s 2019’s Comic-Con International, and compared to the wizards and warlocks and Wonder Women crowding the floor, the outfit of the Jedi Rey is plain, simple. Sensible.

  • Adam Rogers undertakes “A Journey to Galaxy’s Edge, the Nerdiet Place on Earth” — and discusses how the park is a form of storytelling.  He says that cosplaying in Star Wars: Galaxy’s Edge is banned, although “I saw a few women cosplaying on the down low, hair done weird, rocking galactically appropriate boots.” This graf of Rogers is news to me:

Eventually, Star Wars: Galactic Starcruiser will open. That’s a two-day stay adjacent to the Orlando park in a hotel designed to look like a Star Wars spaceship, a luxury liner called the Halcyon.  The windows will somehow look out onto space; families will get tours of the bridge, and ‘port day’ will connect to Galaxy’s Edge.  Apparently even the hotel building ill be bermed off from arriving guests–all they’ll see is the ‘terminal’ where they board a shuttle to the Halcyon in orbit above.

The biggest battle in Star Wars is between its mythic arcs—the heroes’ journeys—and its political stories. Padmé fell on the political side so squarely that the prequel trilogy expended significant visual and narrative energy trying to drag her toward the mythic, where Anakin Skywalker was waiting.

She never got there. Her realm was that of the negotiation and the vote, and nothing was able to bring her into line with the adventure and the myth.

(10) KIWI IN TRAINING. Stephen Colbert has spent the week masquerading as The Newest Zealander. I don’t think any WorldCon venues are in shot, but parts are right next to Museum of NZ.

Prominent New Zealand celebrities Lucy Lawless (“Xena: Warrior Princess”) and Bret McKenzie (“Flight of the Conchords”) show Stephen around the town of Wellington and offer him tips on how to blend in as a local.

[Thanks to JJ, Cat Eldridge, Michael Toman, N., Martin Morse Wooster, John King Tarpinian, Chip Hitchcock, Mike Kennedy, Errolwi, Tom Boswell-Healey, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jon Meltzer.]