Hey, folks, it’s hard to ask for help, especially right now, but Noel Rosenberg is suing me for defamation for my 2018 blog post about Arisia and my experience of their safety processes and their leadership team at the time and everything. Vicka Corey and a couple of friends are kindly running a GFM to help pay for my legal defense.
I expect to be vindicated in court, but I need help….
Noel Rosenberg, former President of Arisia, Inc. (2000, 2018) and Arisia convention chair (2002), filed suit against Crystal Huff in Middlesex (MA) Superior Court on September 17  alleging defamation and intentional infliction of emotional distress. Huff published a 6,000+ word statement on October 25, 2018 ending her connections with the convention: “Why I’m Not At Arisia Anymore: My Rapist is President. Again”. Rosenberg says in his complaint:
…Her blog posting also alleged that in addition to raping her, Noel had “stalked,” “harassed” and “intimidated” her. Crystal’s accusations of violent and heinous criminal wrongdoing by Noel are utterly devoid of any basis in reality.
Huff’s attorney filed their answer to the suit on November 11.
In 2018, Crystal Huff published a #MeToo blog post addressed to the Arisia community. Crystal is now being sued for defamation, over two years later, for the content of that blog post.
…Crystal has talked publicly about having earned about $2,000 during the entire year of 2020. Steve, Crystal’s spouse, earns a higher salary, but a good legal defense is simply beyond their ability to fund. This lawsuit must be answered, and for that, Crystal needs support from their community.
Anything you can do to help would be appreciated. If you can add money to this fund, if you can spread the word, if you can offer other kinds of help — please do. Crystal’s work online and in person has touched many lives, between science fiction, feminism, tech, gardening, and political organizing. It would be great to see them receive support in return.
Noel Rosenberg, former President of Arisia, Inc. (2000, 2018) and Arisia convention chair (2002), filed suit against Crystal Huff in Middlesex (MA) Superior Court on September 17 alleging defamation and intentional infliction of emotional distress. Huff published a 6,000+ word statement on October 25, 2018 ending her connections with the convention: “Why I’m Not At Arisia Anymore: My Rapist is President. Again”. Rosenberg says in his complaint:
…Her blog posting also alleged that in addition to raping her, Noel had “stalked,” “harassed” and “intimidated” her. Crystal’s accusations of violent and heinous criminal wrongdoing by Noel are utterly devoid of any basis in reality.
Rosenberg requests a jury trial, with damages in an amount to be determined by the jury (plus interest), plus costs and attorney’s fees.
(1) AIRCHECK. WNYC’s The Takeaway had a segment with Victor LaValle and Silvia Moreno-Garcia today: “New Generation of Writers of Color Reckon with H.P. Lovecraft’s Racism”. Both authors discuss their first encounters with Lovecraft and how later readings opened them up to recognizing more of Lovecraft’s personal failings. The Retro Hugos are discussed and criticized by Moreno-Garcia.
This weekend, the television show “Lovecraft Country,” premieres on HBO. Based on a book by Matt Ruff, the show is set during the Jim Crow South, and combines the actual terrors of racism with the fantastical horror of author H.P. Lovecraft, who wrote most of his work in the early 20th century. In real life, Lovecraft was extremely racist, and his personal letters reveal his opposition to interracial relationships, as well as his support of Adolf Hitler.
While his influence has been felt in fantasy and horror for decades, a new generation of writers, particularly writers of color, have recently begun to reckon with his bigoted views in their own fiction.
The Takeaway speaks with two of the acclaimed authors who have worked to reclaim Lovecraft’s work for women and people of color, Victor LaValle is the author of “The Changeling,” and Silvia Moreno-Garcia is the author of “Mexican Gothic.”
(2) DELANY LECTURE TO BE WEBCAST. [Item by Olav Rokne.] Yale’s annual Donald Windham Sandy M. Campbell Literature Prizes are going online this year. That’s good news for SFF fans, because it means that we’ll get to tune in for their keynote guest speaker Samuel R. Delany. Delany will deliver the 2020 Windham-Campbell Lecture on the subject “Why I write.” The lecture will be cast at 5:00 p.m. Eastern on September 16 at windhamcampbell.org. (“Samuel R. Delany to Deliver the 2020 Windham-Campbell Lecture”.)
The Arecibo Observatory, one of the largest single-aperture radio telescopes in the world, has suffered extensive damage after an auxiliary cable snapped and crashed through the telescope’s reflector dish.
…In addition to halting scientific observations at the telescope, the accident is sad news for anyone inspired by Arecibo’s status as a cultural icon and its pioneering role in the search for extraterrestrial intelligence (SETI).
The observatory was written into the plot of Carl Sagan’s bestselling novel Contact, as well as its 1997 film adaptation. It has also served as the backdrop in the James Bond film GoldenEye, the X-Files episode “Little Green Men,” and the multiplayer map for the game Battlefield 4, among its many other popular depictions.
(4) SCALZI’S NINETIES MOVIE REVIEWS. Since Richard Paolinelli (unintentionally) made people curious to read John Scalzi’s syndicated movie reviews from the 1990s, here’s a link to a set of them on his old website [Internet Archive]. The Starship Troopers and Alien Resurrection reviews are from immediately after Scalzi left his reviewing gig; the rest are from while he was writing reviews for the Fresno Bee. (These reviews are not on the current iteration of the site.)
(5) BRADBURY PANEL. The 20th Library of Congress National Book Festival will celebrate “American Ingenuity” in 2020, featuring the creativity and inspiration of some of the nation’s most gifted authors in a reimagined virtual festival from September 25-27.
The festival will honor Ray Bradbury with a discussion exploring his ingenious imagination and his enduring influence on literature, space exploration, and our collective curiosity. Bradbury historian and biographer Jonathan Eller will moderate the panel featuring writer and visionary Ann Druyan, co-creator of Cosmos; science fiction writer Mary Robinette Kowal, winner of Hugo, Nebula, and Locus awards; and Leland Melvin, NASA engineer, astronaut, and educator.
(6) BECOMING DOCTOROW. [Item by Olav Rokne.] On the eve of his induction into the Canadian Science Fiction and Fantasy Hall of Fame, Cory Doctorow took to Twitter in tribute to several foundational figures who mentored him in his formative years. There are some very nice details in the thread about Judith Merril, Tanya Huff, and others. Worth a read. Thread starts here.
As an aside, I maintain that the CSFF HoF trophy is one of the most beautiful trophy designs in all fandom.
…More often than not, people my age opt to completely leave out any type of punctuation at the end of texts or tweets, especially short messages, because there’s no need to punctuate if there’s only one sentence, you can just send the message and that counts as the ending point. In addition, Twitter has a character limit, and why waste a character on a period?
I can absolutely confirm without a doubt that everyone my age for some reason thinks that periods are passive-aggressive as hell and if you use one in a text you must be mad about something, or upset with the person you’re sending it to. You just sound… so angry. I can’t explain where this logic came from, but we all hear it the same way. Periods mean you’re unhappy. When you send a sentence with a period, you are sending a clear-cut statement that has a finite end, so it must be about something serious….
(8) KICKSTARTER.The “Recognize Fascism Anthology” Kickstarter has hit $12,000 on the way to a $15,000 stretch goal that would allow them to also do an audiobook. And all backers who pledge at or above the “$25 or more” level will receive a digital copy of the Recognize Fascism audiobook.
The 70,000 word anthology edited by Crystal M. Huff features 22 authors from 9 different countries. See the Table of Contents here. The Kickstarter updates include there Recognize Fascism authors reading excerpts of their stories:
In a recent Reddit AMA (as reported by Syfy Wire), Tennant was asked what major franchise he’d want to cross off of his bucket list next. He’s already made waves as the Tenth Doctor in Doctor Who, a Marvel villain in Netflix’s Jessica Jones, and a sexy demon in Neil Gaiman’s Good Omens. But there’s one major series he said he’s still keen on joining.
reCONvene is an online convention, organized for science fiction and fantasy fans by fans. In addition to featuring traditional content such as panel discussions, solo talks, and demos, we are also taking advantage of the online environment to try a few new things that aren’t normally possible at in-person conventions. We look forward to having you join us.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born August 12, 1894 — Dick Calkins. He’s best remembered for being the first artist to draw the Buck Rogers comic strip. He also wrote scripts for the Buck Rogers radio program. Buck Rogers in the 25th Century, The Complete Newspaper Dailies in three volumes on Hermes Press collects these strips. (Died 1962.) (CE)
Born August 12, 1929 — John Bluthal. He was Von Neidel in The Mouse on the Moon which sounds silly and fun. He’s in Casino Royale as both a Casino Doorman and a MI5 Man. He had roles in films best forgotten such as Digby, the Biggest Dog in the World. (Really. Don’t ask.) and did play a blind beggar in The Return of the Pink Panther as well, and his last genre role was as Professor Pacoli in the beloved Fifth Element. Lest I forget, he voiced Commander Wilbur Zero, Jock Campbell and other characters in Fireball XL5. (Died 2018.) (CE)
Born August 12, 1931 — William Goldman. Writer of The Princess Bride which he adapted for the film. Wrotethe original Stepford Wives script and King’s Hearts in Atlantis and Misery as well. He was hired to adapt “Flowers for Algernon“ as a screenplay which he but the story goes that Cliff Robertson intensely disliked his screenplay and it was discarded for one by Stirling Silliphant that became Charly. (Died 2018.) (CE)
Born August 12, 1936 – George Flynn, Ph.D., F.N. Stalwart of NESFA (New England SF Ass’n). Proofreader for NESFA Press; widely regarded as the best proofreader in SF. Named Fellow of NESFA (service award). Representative of the Fannish Frisian Freedom Front to the Highmore in ’76 Worldcon bid. Knight and Wilhelm bibliographies for Noreascon Two Pgm Bk (38th Worldcon). Administrator of Hugo Awards. Reporter of WSFS (World SF Soc.) Business Meetings for SF Chronicle. Head of the Long List Committee. Letters in Banana Wings, The Frozen Frog, Izzard, Janus, Patchin Review. A fine man to watch the Masquerade (on-stage costume competition) with, quiet, observant, articulate. (Died 2004) [JH]
Born August 12, 1947 — John Nathan-Turner. He produced Doctor Who from 1980 until it was cancelled in 1989. He finished having become the longest-serving Doctor Who producer and cast Peter Davison, Colin Baker and Sylvester McCoy as the Fifth, Sixth and Seventh Doctors. Other than Who, he had a single production credit, the K-9 and Company: A Girl’s Best Friend film. He wrote two books, Doctor Who – The TARDIS Inside Out and Doctor Who: The Companions. He would die of a massive infection just a year before the announcement the show was being revived. (Died 2002.) (CE)
Born August 12, 1948 – Tim Wynne-Jones, O.C., 72. Three novels for us, a score of shorter stories; many others, children’s and adults’. Radio dramas & songs. “I stole my father’s Welsh moodiness and his love of awful puns.” Here is his cover for North by 2000. Seal First Novel Award, Edgar Award, Metcalf Award. Two Boston Globe – Horn Book Awards. Three Governor General’s Awards. Officer of the Order of Canada. Website here. [JH]
Born August 12, 1954 — Sam J. Jones, 66. Flash Gordon in the 1980 version of that story. Very, very campy. A few years later, he played the lead role in a TV adaptation of Will Eisner’s The Spirit which I’ve not seen and am now very curious about. (CE)
Born August 12, 1957 — Elaine Cunningham, 63. She’s best known for her work on Dungeons & Dragons creating the campaign setting of Forgotten Realms, including the realms of Evermeet, Halruaa, Ruathym and Waterdeep. She’s also wrote The Changeling Detective Agency series as well as a Star Wars novel, Dark Journey. (CE)
Born August 12, 1967 – Kelly McCullough, 53. A dozen novels, as many shorter stories, for us; many others. Writers of the Future winner. Actor in Arizona, Colorado, Minnesota Renaissance Festivals. Essays in Apex, Uncanny. Website here. [JH]
Born August 12, 1969 – Rachel Kadish, 51. “A gifted writer, astonishingly adept at nuance, narration, and the politics of passion,” says Toni Morrison. Three novels; two dozen shorter stories, essays in the New England Review, Paris Review, Ploughshares, Salamander, Salon, Slate, Story; one short story for us (in The Iowa Review!). Gardner Award, Koret Award, Nat’l Jewish Book Award. “On Asking Dangerous Questions About Spinoza” for the American Philosophical Ass’n. [JH]
Born August 12, 1971 – Erin McKean, 49. Lexicographer; Principal Editor, New Oxford Amer. Dictionary (2nd ed’n); editor, Verbatim. Seven books; one short story for us. “Prettiness is not a rent you pay for occupying a space marked ‘female’”. [JH]
Born August 12, 1987 – Tom Moran, 33. Two novels for us, half a dozen shorter stories, half a dozen covers, a dozen interiors. Here is Breaking Eggs. Guardian and Legend Press prize (books “that are not only zeitgeisty and promising, but will be talked about in 10 or even 100 years’ time”) for Dinosaurs and Prime Numbers. [JH]
(13) COMICS SECTION.
Half Full worries about a superhero affected by the pandemic.
(14) ESSENCE OF WONDER. Kevin Hearne, Chuck Wendig, and Delilah S. Dawson will join the Essence of Wonder team on Saturday, August 15 at 3:00 p.m. Eastern, along with special guest Amal El-Mohtar who will come back on the show to interview Kevin about his work. Kevin, Chuck, and Delilah will discuss the art and science of location scouting, and their joint hobby of nature photography “as a moment on zen”. Register here: “Kevin Hearne And Friends on Location Scouting, and Nature Photography”.
(15) THE FUTURE OF MEDICINE. [Item by Olav Rokne.] If there’s one thing that Canadians love more than bragging about our universal health care system, it’s talking about the future of the health care system. Fresh off his fourth time on the Hugo shortlist, Canuck fan writer James Davis Nicoll takes a look at some of the various ways that science fiction writers have imagined health care systems. I’m just surprised that he doesn’t talk about Mercy Point — ”Five Science-Fictional Approaches to Healthcare” at Tor.com.
Recently I encountered an SF novel in which medical care—more exactly, healthcare funding—featured as a significant element. Curiously, the work drew on the same rather implausible healthcare system used to such effect in, say, Breaking Bad. No doubt the author was simply unaware of other approaches. Other science fiction authors have been more imaginative when it comes to healthcare systems, as these five examples show….
The dungeon-master Flintwyrm explains to four adventurers over a voice call that the only way to stop the apocalypse is to play the most intense extreme-metal song imaginable. All they have to do is find a concert venue called The Hall of Cacophonous Screams, an endless keg of beer, and five “minstrels of pain” to frontline their jam session, all the while surviving goblins and the forthcoming apocalypse. Flintwyrm, a 29-year-old named Christopher Joel, is excited about the adventure: this is how he and hundreds of strangers are bonding during quarantine, whether they are role-playing gamers, metalheads, or somewhere in between.
Welcome to Mörk Borg, the headbanger of a game that is the latest example of the fertile cross-pollination between tabletop role-playing and extreme metal: a love letter to the hellraising imagery, lyrics, and album art of metal.
(17) A FILER ON FAULKNER. The current Atlantic has a review by former Harvard president Drew Gilpin Faust of The Saddest Words: William Faulkner’s Civil War by Michael Gorra — “What to Do About William Faulkner”. Most Filers may not know that Gorra, the eminent English professor at Smith College, was once a fanzine publisher. And Gorra commented here as recently as 2012!
…Michael Gorra, an English professor at Smith, believes Faulkner to be the most important novelist of the 20th century. In his rich, complex, and eloquent new book, The Saddest Words: William Faulkner’s Civil War, he makes the case for how and why to read Faulkner in the 21st by revisiting his fiction through the lens of the Civil War, “the central quarrel of our nation’s history.” Rarely an overt subject, one “not dramatized so much as invoked,” the Civil War is both “everywhere” and “nowhere” in Faulkner’s work. He cannot escape the war, its aftermath, or its meaning, and neither, Gorra insists, can we. As the formerly enslaved Ringo remarks in The Unvanquished (1938) during Reconstruction-era conflict over voting rights, “This war aint over. Hit just started good.” This is why for us, as for Jason and Quentin Compson in The Sound and the Fury (1929), was and again are “the saddest words.” As Gorra explains, “What was is never over.”
In setting out to explore what Faulkner can tell us about the Civil War and what the war can tell us about Faulkner, Gorra engages as both historian and literary critic. But he also writes, he confesses, as an “act of citizenship.” His book represents his own meditation on the meaning of the “forever war” of race, not just in American history and literature, but in our fraught time. What we think today about the Civil War, he believes, “serves above all to tell us what we think about ourselves, about the nature of our polity and the shape of our history.”
…Gorra underscores the “incoherence” of Faulkner’s position as both critic and defender of the white South’s resistance to change….
…And it’s a really nice story of memory and queerness and family, told by an old woman (identified only as “Rabbit”) to a “Cleric” of an order of archivists, telling mainly the story of the just deceased Empress, from a time in her life when she was in exile. It’s a tale of memory, love, and family and what it all means, as we and the archivist find out about how one cast off woman managed to fight back against a man in power determined to keep her out of his way, and what it cost in the end.
They’re wiggly and slimy and live inside the flesh of other animals. Now, scientists are making a new case for why they should be saved.
Parasites play crucial roles in ecosystems around the world, making up around 40% of animal species. As wildlife faces the growing threats of climate change and habitat loss, scientists warn that parasites are equally vulnerable.
That’s why a team of scientists has released a “global parasite conservation plan.”
“Parasites have a major public relations problem,” says Chelsea Wood, assistant professor at the University of Washington’s School of Aquatic and Fishery Sciences. “Most people don’t really like thinking about them, but the fact is they’re really important in ecosystems.”
…”We think that about 1 in every 10 parasite species might be threatened with extinction in the next 50 years just from losing their habitat,” says Colin Carlson, assistant professor and biologist at Georgetown University. “But when we account for that they might also lose their hosts, it pushes it closer to about 1 in every 3 species of parasite.”
“That’s an extinction rate that’s almost unthinkable at broad scales,” Carslon says.
GREENFIELDBOYCE: So what he’s saying there is it’s a big world out there with all kinds of organisms whose genes we could be studying, but, you know, we’re not really. So Josh and his colleagues have been trying to add another organism to that short list of model organisms, and what he’s most interested in are squids.
KWONG: Oh, like cephalopods.
GREENFIELDBOYCE: Right – squid, cuttlefish, octopuses – all cephalopods.
Enormous “terror crocodiles” once roamed the earth and preyed on dinosaurs, according to a new study revisiting fossils from the gigantic Late Cretaceous crocodylian, Deinosuchus.
The research, published in the Journal of Vertebrate Paleontology, reiterates that Deinosuchus were among the largest crocodylians ever in existence, reaching up to 33 feet in length. New in this study is a look at the anatomy of the Deinosuchus, which was achieved by piecing together various specimens unknown until now, giving a fuller picture of the animal.
Adam Cossette, a vertebrate paleobiologist at the New York Institute of Technology College of Osteopathic Medicine at Arkansas State University, led the study that corrected some misunderstandings about the Deinosuchus.
“Until now, the complete animal was unknown,” Cossette said. “These new specimens we’ve examined reveal a bizarre, monstrous predator with teeth the size of bananas.”
Past studies on cranial remains and bite marks on dinosaur bones led paleontologists to believe the massive Deinosuchus were an opportunistic predator, according to the press release. Fossil specimens now make it clear that Deinosuchus did indeed have the head size and jaw strength to have its pick of prey, including large dinosaurs.
“Deinosuchus was a giant that must have terrorized dinosaurs that came to the water’s edge to drink,” Cossette said.
In the unimaginably far future, cold stellar remnants known as black dwarfs will begin to explode in a spectacular series of supernovae, providing the final fireworks of all time. That’s the conclusion of a new study, which posits that the universe will experience one last hurrah before everything goes dark forever….
…The particles in a white dwarf stay locked in a crystalline lattice that radiates heat for trillions of years, far longer than the current age of the universe. But eventually, these relics cool off and become a black dwarf.
Because black dwarfs lack energy to drive nuclear reactions, little happens inside them. Fusion requires charged atomic nuclei to overcome a powerful electrostatic repulsion and merge. Yet over long time periods, quantum mechanics allows particles to tunnel through energetic barriers, meaning fusion can still occur, albeit at extremely low rates.
…Caplan says the dramatic detonations will begin to occur about 101100 years from now, a number the human brain can scarcely comprehend. The already unfathomable number 10100 is known as a googol, so 101100 would be a googol googol googol googol googol googol googol googol googol googol googol years. The explosions would continue until 1032000 years from now, which would require most of a magazine page to represent in a similar fashion.
(24) CREATE A NEED AND FILL IT. Archie McPhee offers the Office Possum. You didn’t know you needed one, did you?
This perfect possum has posable paws so it can hang on the side of a garbage can, computer monitor or anything with a ledge. It even has a tail for creepy dangling! Sure, you can set it up somewhere to scare a loved one, but really the Office Possum just wants to be your new BFF.
(25) HE’S RED, JIM. If these masks go with Trek crew uniforms, one wearer may find out if there’s an afterlife sooner than the others.
[Thanks to Olav Rokne, John King Tarpnian, Chip Hitchcock, John Hertz, JJ, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, John A Arkansawyer, Daniel Dern, Michael Toman, Cliff, Tom Boswell, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Olav Rokne.]
…The guests are from 14 countries and regions, and over 40 events will be organized during the three-day conference.
…Chengdu, the capital of Southwest China’s Sichuan province which is best known as the home of pandas, is the cradle of “Science Fiction World,” China’s most popular sci-fi periodical.
Founded 40 years ago, the magazine has cultivated a large number of well-known sci-fi figures including Han Song, Wang Jinkang and Hugo Award-winner Liu Cixin.
Chengdu has made great efforts in recent years to develop the sci-fi culture industry and build itself into China’s science fiction town. It has put in a formal bid to host the 81st World Science Fiction Convention in 2023.
A partial list of the international writers and conrunners who are
in Chengdu includes CoNZealand (2020) co-chairs Kelly
Buehler and Norman Cates, DisCon III (2021) co-chairs Colette Fozard and
William Lawhorn, Chicago in 2022 bid co-chairs Dave McCarty, Helen
Montgomery, plus Crystal Huff, Pablo
M.A Vazquez, Ben Yalow, Derek
Künsken, Mimi Mondal, Robert J. Sawyer, and Francesco Verso.
Some of the guests and visitors were also part of the group photo below taken at the China Science Fiction Conference two weeks ago (November 2-3) in Beijing, China. SFWA President Mary Robinette Kowal is at center, with Vazquez on the left, and Vincent Docherty (co-chair 1995 and 2005 Worldcons) to the right.
… Kennedy adds an interesting little tidbit about the material used to create the screen:
“But I’m going to add one other thing that I didn’t know anything about this and it’s an interesting little tidbit. You have to grow the crystals for these screens. Who knew? You have to wait five years for the crystals to grow. And the crystals means a limited number of screens. Not only do you have to grow them but if you have volume, it’s important that you have the same bunch of LCD screens so that all the crystals are growing together. And then, how they refract the light, then they go into a whole pass on the ground crystals to then curate which ones are refracting the light in the same way so Its quite a process.”
So now the soundstage, a performance capture volume like the one James Cameron used on the Avatar films, is wrapped with these very high-resolution LED screens that present footage either shot on location or “in combination with CG environments.” Brennan explains further:
“And we’re able to have the perspective with cameras, but that means that you can change from Iceland to the desert in one [minute] from setup to setup so it really changes the flow of production. I think it also helps because actors are not in a sea of green. They’re actually seeing the environments that they’re in. And you add to that, after the puppetry and they’ve got characters to perform against in the environments that they are in and I think it does change.”
Silvia: I like mosaic novels so it’s no wonder I thought “Automatic Eve” by Rokuro Inui was cool, but it also had a Phillip K. Dick meets steampunk Japan vibe that is hard to miss. The other science fiction novel I recommend is Maurice Carlos Ruffin’s “We Cast a Shadow,” in which a black lawyer wants his son to undergo an expensive procedure that will render him white. It’s a near-future, socially charged and pretty impressive debut.
The first book in N.K. Jemisin’s Broken Earth trilogy introduces a stunning world in the midst of an apocalyptic event. To avoid major spoilers, let’s just say that The Fifth Season is brimming with gloriously intense family drama and includes one of the most phenomenal magic systems ever created. It also boasts a complex protagonist who is a mother, gifting us with one of the most formidable and fascinating characters of the 21st century. Jemisin made history by winning the Hugo Award for Best Novel three years in the row for this trilogy, cementing her status as an essential voice in fantasy literature. But critical success aside, simply diving into her luminous prose will be enough for you to discern why she’s such a brilliant, must-read author. —Frannie Jackson
(5) TODAY IN HISTORY.
November 21, 1942 — “Tweety Bird” debuted.
November 21, 1969 — First ARPANET link put into service.
ARPANET was an early computer network developed by J.C.R. Licklider, Robert Taylor, and other researchers for the U.S. Department of Defense’s Advanced Research Projects Agency (DARPA). It connected a computer at UCLA with a computer at the Stanford Research Institute, Menlo Park, CA. In 1973, the government commissioned Vinton Cerf and Robert E. Kahn to create a national computer network for military, governmental, and institutional use. The network used packet-switching, flow-control, and fault-tolerance techniques developed by ARPANET. Historians consider this worldwide network to be the origin of the Internet.
November 21, 1973 — The Michael Crichton scripted Westworld premiered. Starring Yul Brynner, Richard Benjamin and James Brolin, critics gave it mixed reviews but it has an 86% rating among watchers at Rotten Tomatoes.
November 21, 2012 — The animated Rise Of The Guardians enjoyed its premiere. The feature starred the talents of Hugh Jackman, Jude Law and Isla Fisher. Based on William Joyce’s The Guardians of Childhood series, it really bombed. However the audience rating at Rotten Tomatoes is very healthy 80%.
(6) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born November 21, 1924 — Christopher Tolkien, 95. He drew the original maps for the LoTR. He provided much of the feedback on both the Hobbit and LoTR and his father invited him to join the Inklings when he was just twenty-one years old, making him the youngest member of that group. Suffice it to say that the list is long of his father’s unfinished works that he has edited and brought to published form. I’ll leave to this group to discuss their merit as I’ve got mixed feelings on them.
Born November 21, 1937 — Ingrid Pitt. Actor from Poland who emigrated to the UK who is best known as Hammer Films’ most sexy female vampire of the early Seventies. Would I kid you? Her first genre roles were in the Spanish movie Sound of Horror and the science-fictional The Omegans, followed by the Hammer productions The Vampire Lovers, Countess Dracula, and The House That Dripped Blood. She appeared in the true version of The Wicker Man and had parts in Octopussy, Clive Barker’s Underworld, Dominator, and Minotaur. She had two different roles in Doctor Who – somewhat of a rarity – as Dr. Solow in the “Warriors of the Deep” episode and as Galleia in “The Time Monster” episode. (Died 2010.)
Born November 21, 1941 — Ellen Asher, 78. Editor who introduced many fans to their favorites, as editor-in-chief of the Science Fiction Book Club (SFBC) for thirty-four years, from 1973 to 2007 (exceeding John W. Campbell’s record as the person with the longest tenure in the same science fiction job). She was personally responsible for selecting the monthly offerings to subscribers, and oversaw the selection of individual works for their special anthologies and omnibuses. She has been honored with a World Fantasy Special Award and an Edward E. Smith Memorial Award for Imaginative Fiction. In 2009, she was given a World Fantasy Award for Life Achievement, and she was Editor Guest of Honor at Worldcon in 2011.
Born November 21, 1942 — Jane Frank, 77. Art collector along with her husband quite beyond belief. Really. Together they put compiled a legendary collection of genre artwork, The Frank Collection, that has won awards. She is the author of numerous articles on illustration art, artists and collecting, and the book The Art of Richard Powers which was nominated for a Hugo, The Art of John Berkey, and The Frank Collection.
Born November 21, 1944 — Harold Ramis. Actor, Writer, and Producer, best-known to genre fans for his role as Egon Spengler in the Saturn-winning, Oscar- and Hugo-nominated Ghostbusters and its lesser sibling Ghostbusters II (the scripts for both of which he co-wrote with Dan Aykroyd). He had voice roles in Heavy Metal and Spacehunter: Adventures in the Forbidden Zone, and a cameo in Groundhog Day, for which he received Saturn nominations for writing and directing. He was also director and producer of Multiplicity. (Died 2014.)
Born November 21, 1945 — Vincent Di Fate, 74. Artist and Illustrator who has done many SFF book covers and interior illustrations since his work first appeared in the pages of Analog in 1965. He was one of the founders of the Association of Science Fiction and Fantasy Artists (ASFA), and is a past president. In addition to his Chesley Award trophy and 7 nominations, he has been a finalist for the Professional Artist Hugo 11 times, winning once; two collections of his artwork, Infinite Worlds: The Fantastic Visions of Science Fiction Art and Di Fate’s Catalog of Science Fiction Hardware, have been Hugo finalists as well. He was Artist Guest of Honor at the 1992 Worldcon, for which he organized their Art Retrospective exhibit. He was inducted into the Science Fiction Hall of Fame in 2011. You can see galleries of his works at his website.
Born November 21, 1946 — Tom Veal, 73. He’s a con-running fan who chaired Chicon 2000. He was a member of the Seattle in 1981 Worldcon bid committee. He chaired Windycon X. In 2016 he married fellow fan Becky Thomson. And he wrote the “1995 Moskva 1995: Igor’s Campaign“ which was published in Alternate Worldcons and Again, Alternate Worldcons as edited by Mike Resnick.
Born November 21, 1950 — Evelyn C. Leeper, 69. Writer, Editor, Critic, and Fan, who is especially known for her decades of detailed convention reports and travelogues. A voracious reader, she has also posted many book reviews. She and her husband Mark founded the Mt. Holz Science Fiction Club at Bell Labs in New Jersey (Mt = abbreviation for the labs’ Middletown facility), and have produced their weekly fanzine, the MT VOID (“empty void”), since 1978; it is currently at Issue #2,041. She was a judge for the Sidewise Award for Alternate History for 20 years. She has been a finalist for the Hugo Award for Best Fan Writer twelve times, and Fan Guest of Honor at several conventions, including a Windycon.
Born November 21, 1953 — Lisa Goldstein, 66. Writer, Fan, and Filer whose debut novel, The Red Magician, was so strong that she was a finalist for the Astounding Award for Best New Writer two years in a row. Her short fiction has garnered an array of Hugo, Nebula, and World Fantasy Award nominations, as well as a Sidewise Award. The short story “Cassandra’s Photographs” was a Hugo and Nebula finalist and “Alfred” was a World Fantasy and Nebula finalist; both can be found in her collection Travellers in Magic. Her novel The Uncertain Places won a Mythopoeic Award. You can read about her work in progress, her reviews of others’ stories, and other thoughts at her blog.
Born November 21, 1965 — Björk, 54. Who bears the lovely full name of Björk Guðmundsdóttir. I like Icelandic. And I’ve got boots of her band somewhere here I think. She’s here for The Juniper Tree which is a 1990 Icelandic film directed and written by Nietzchka Keene which is based on “The Juniper Tree” tale that was collected by the Brothers Grimm. She’s one of five performers in it. Oh, and because her last album Utopia explored that concept even using cryptocurrency as part of the purchase process.
Coca-Cola Amatil, which produces the beverage, said the ad was a light-hearted parody of “zom-com” or “zomedy” movies such as Shaun of the Dead and Warm Bodies.
…The Advertising Standards Authority dismissed the complaints, saying that while the ad may be distasteful to some viewers, it did not reach the threshold to be considered likely to cause harm or serious offence.
It noted that since receiving the complaints, the advertiser had decided to reschedule the ad to be screened after 7pm.
We still don’t know what the titular hero of The Mandalorian is going to do with the little “asset” that he found in the first live-action Star Wars series, but it is more than clear that the real world wants a piece of it. Everyone wants merchandise for the “Yoda Baby,” and there’s good news on the horizon.
Disney and Lucasfilm purposely held back this bit of salesmanship to avoid spoilers, but that starship has flown. CNBC reports that all kinds of toys and apparel based on the character will be out in time for the holidays.
(9) IN WIRED. [Item by Martin Morse Wooster.] The December WIRED
has three articles on Star Wars that I thought were interesting. These
Angela Watercutter interviews cosplayers who enjoy cosplaying Rey because her costume is relatively simple and because she is the first female character in Star Wars to wield a lightsaber: “Everybody Loves Rey, a Star Wars Story”.
Annamarie McIntosh is coming undone. People in comic-book tees are rushing past her, lit up by too-bright fluorescents. She’s surrounded by massive signs with corporate logos, from Nintendo to DC Comics. The cavernous hall is 460,000 square feet, and McIntosh is taking up about three of them, trying to cinch the beige bandages wrapped around her arms. “We’re having issues here,” she says, with an exasperated giggle. “It’s been falling down all day.” With an assist by her mom, the 17-year-old finally twists and tucks her costume into place. All things considered, the fix is easy. It’s 2019’s Comic-Con International, and compared to the wizards and warlocks and Wonder Women crowding the floor, the outfit of the Jedi Rey is plain, simple. Sensible.
Adam Rogers undertakes “A Journey to Galaxy’s Edge, the Nerdiet Place on Earth” — and discusses how the park is a form of storytelling. He says that cosplaying in Star Wars: Galaxy’s Edge is banned, although “I saw a few women cosplaying on the down low, hair done weird, rocking galactically appropriate boots.” This graf of Rogers is news to me:
Eventually, Star Wars: Galactic Starcruiser will open. That’s a two-day stay adjacent to the Orlando park in a hotel designed to look like a Star Wars spaceship, a luxury liner called the Halcyon. The windows will somehow look out onto space; families will get tours of the bridge, and ‘port day’ will connect to Galaxy’s Edge. Apparently even the hotel building ill be bermed off from arriving guests–all they’ll see is the ‘terminal’ where they board a shuttle to the Halcyon in orbit above.
Genevieve Valentine fills in the backstory of Padme Amidala from the story in Revenge of the Sith and other clues from various other Star Wars stories: “Padmé Amidala, Queen of Empty Space”.
The biggest battle in Star Wars is between its mythic arcs—the heroes’ journeys—and its political stories. Padmé fell on the political side so squarely that the prequel trilogy expended significant visual and narrative energy trying to drag her toward the mythic, where Anakin Skywalker was waiting.
She never got there. Her realm was that of the negotiation and the vote, and nothing was able to bring her into line with the adventure and the myth.
(10) KIWI IN TRAINING. Stephen Colbert has spent the week
masquerading as The Newest Zealander. I
don’t think any WorldCon venues are in shot, but parts are right next to Museum
Prominent New Zealand celebrities Lucy Lawless (“Xena: Warrior Princess”) and Bret McKenzie (“Flight of the Conchords”) show Stephen around the town of Wellington and offer him tips on how to blend in as a local.
[Thanks to JJ, Cat Eldridge, Michael Toman, N., Martin Morse
Wooster, John King Tarpinian, Chip Hitchcock, Mike Kennedy, Errolwi, Tom
Boswell-Healey, and Andrew Porter for some of these stories. Title credit goes
to File 770 contributing editor of the day Jon Meltzer.]
update on the "as things stand" part of the above post: @m_older and I have advised Arisia we're not going to be Guest of Honors this year, period. Ending rape culture takes more than firing 1 person and then another as accusations become public. Accountability is not cosmetic.
In addition, there is a new statement from Ly Meloccaro, who resigned from the Arisia committee earlier this year and details the reasons why.
Hello, my name is Crow, and I have been involved with Con Safety at Arisia since 2013. I started as a staffer, and climbed my way to section leader (2014-15), Head of The Watch (2016-17), and finally Assistant Division Head of Operations (2018). My direct supervisor during 2017 and 18 was the Division head of Ops, Noel Rosenberg.
…What I can tell you is this: There was an investigation about the allegations against Noel, but it was taken so lightly, and without seriousness, they didn’t even bother to tell the person running con safety [Meloccaro], someone who worked closely with him, anything about it.
I believe Crystal Huff. And I feel utterly betrayed by so many people I thought I could trust.
Also, this third party security audit group they’re calling in was something they were going to do already, don’t let them trick you into thinking that this is in response to this scandal and that they’re being in any way proactive.
I will not be at Arisia 2019. Or any Arisia from henceforth. Their efforts to make this right feel more like efforts to save their own ass. Until the entirety of the voting eboard resigns and the culture at Arisia changes drastically, it will continue to be a toxic and dangerous place.
In a decision intended to give new corporate members a voice in the upcoming elections I am calling a special meeting. This meeting will take place at 1:45PM at the Arts at the Armory on November 11th, immediately prior to the previously scheduled Corporate Meeting.
The agenda of this meeting will be limited to a welcome to new Corporate members and to introduce Robert’s Rules of Order and other Arisa Corporate Meeting Procedures (https://corp.arisia.org/MeetingProcedures). This meeting will serve to ensure new members of the corporation may vote in the regular November Corporate Meeting. I would like to acknowledge that this feels to me, and to many others, to be against the spirit of our Bylaws which state that “Voting rights are granted at the end of the first meeting the member attends after joining.” However, I believe when both options result in an injustice the lesser must be chosen.
On that note I would like to make a personal plea, right now. In this moment Arisia is in urgent and important need of volunteers in the Corporation, Executive Board, and Convention Committee. In several months and years the work required may not be urgent but it will remain important. I ask now for people, who are willing and able, to come to meetings, make their voices heard, and vote for an Executive Board they believe in. I also ask for people to elect leaders who not only willing work to improve the culture of safety and inclusiveness at Arisia, but who are capable and willing to put in the important and mundane work down the line.
…This year (2018) was my first Arisia. I knew it was a stretch for me to go, but because Arisia is an important event to my partners I wanted to give it a try. While playing in a Dungeons & Dragons game, one of the other players repeatedly and intentionally misgendered me. When I corrected him, he rolled his eyes at me. This game had a sign up sheet, and was part of a three part series. Given that we were using character names, I don’t remember the name of the person who had done this.
…After the report was filed I was told that staff would find and follow up with the person who had aggressively misgendered me and then be in touch. I received two emails, both of which felt formulaic and left me with a sense that my hurt wasn’t important to Arisia….
… In June 2013, J and I had to recap the events in detail because Morgon wanted to get back on staff. In response to our reiterated complaints, Arisia finally banned him from being on staff—though not from attending—and gave him a wide path to reinstatement: “After Arisia 2014, he is welcome to ask the EBoard to change this decision if: he apologizes for his actions at Arisia 2011, he has a position lined up and agreed to pre-con by the area-head responsible, and he presents a letter from a doctor saying he is capable of volunteering for that position.”
This is why I haven’t attended Arisia since 2011. I didn’t and don’t give a shit about whether serial harassers get teachable moments. (I also don’t feel it’s the place of a convention to request any kind of medical documentation of, presumably, a person’s mental health.) I felt absolutely unsupported by Arisia’s executive team at the time and after.
As these reports have come out, Arisia has been losing staff and volunteers:
In case I want clear enough: I will be resigning as a track manager from @arisia, canceling my room, & will not be attending/paneling the con unless Crystal's points are addressed and we see resignations. I will respond in a more official capacity once the statement is released.
It sure is a bummer. Programming for the anime theater was a fair bit of work, but I relished getting to put interesting stuff up for the show attendees. But there are plenty of cons out there. They come and they go. And it's time for this one to go.
I have withdrawn from staff and panels at #Arisia.
— Alexandra Rowland | CONSPIRACY OF TRUTHS, Nov 6!? (@_alexrowland) October 27, 2018
After the events of this weekend, I have resigned as the Writing track manager for @arisia 2019. I feel a profound sense of loss and disappointment for a community that has been an important part of my life for several years but no longer feels safe to me.
I have withdrawn from my position as Literary Track Manager of Arisia. I will not be attending this year, nor will I consider returning until I feel as though it is a safe space for all once again. I hope there can be change, and I hope all of those affected by this can heal.
I am withdrawing from attending and staffing Arisia 2019. Maura’s report on her treatment, the results of that, and then putting the predator back onto staff as an ADH enraged me, Finding out that one of my kids had issues with that predator, when she was 14, around the same time, makes it impossible for me to even be in the same room as some of those involved with the extremely bad decisions made all over that case.
Today’s Arisia Eboard statement makes membership refunds available, and tells fans the next open-to-the-public corporate meeting will happen November 11.
Update from the Eboard: 10/28
We are announcing that Noel Rosenberg is banned from attending Arisia and Arisia functions permanently. This decision will be reported to the corporate membership at the next corporate meeting. Per policy, this decision may be overturned by the corporate membership, or revisited by a future Eboard if new information comes to light.
We are also examining some of our previous IR decisions in light of new information.
We understand that some people will still not want to attend Arisia 2019 or feel unsafe doing so. Although normally Arisia memberships are non-refundable (but are transferable) the board has authorized refunds to people who request them. Email [email protected] so we can help with this request.
The Eboard is continuing to discuss and explore further options and will continue to share updates.
As before, please send further questions about this situation, our Code of Conduct, or disciplinary policy in any capacity to [email protected] This email address goes to the Incident Response Team Heads, Conchair team, and Executive Board. We are working on additional steps that we will announce in the coming weeks.
Nicholas Eames’ freshman novel, Kings of the Wyld, was one of my favorite reads of 2017, a well-written, cleverly observed and often hilariously funny adventure fantasy pastiche that adhered to genre forms while gently poking fun at well-worn tropes and presenting a refreshingly positive and downright heartwarming portrait of non-toxic masculinity in action. So I was pretty hyped to see what Eames would make of this sequel, which showcases a mixed-gender cast from the point of view of a queer teenage girl. Unfortunately, Bloody Rose doesn’t quite rise to the level of excellence of its predecessor, although it’s also by no means a complete failure at the perhaps-too-many things it sets out to accomplish…
While on an episode of the podcast Sitcom Geeks, Moffat revealed that he thinks more money should be spent on ‘Doctor Who’ in order to keep the show competitive. The interviewer made a comment about the ‘Who’ of his childhood, saying:
“My memory of ‘Doctor Who’ is very much a piece of cardboard that he is standing behind.”
To which Moffat replied:
“That’s the big challenge of ‘Doctor Who’ now… running the risk of looking as cheap now as it did then, compared to what the rest of TV is doing, unless they put a whole lot more money into it. And it’s still an inexpensive show. A show that generates as much money as ‘Doctor Who’ should be getting more of it back.”
Yes, a lot of the movie takes place in Halloween Town and main character Jack Skellington is the Pumpkin King, but there are also plenty of Christmas elements once Jack travels to Christmas Town. Is it a Christmas movie that happens to take place around Halloween, or is it a Halloween movie with strong Christmas themes? The debate between which is which has raged on among fans ever since the film’s release in 1993 (in late October, it should be noted), so much so that director Henry Selick finally had to step into the fray.
Click to find out how the director answered the question.
(5) FAST FOOD CONFRONTATION. N.K. Jemisin’s thread starts here.
I walked into the taco place and "the Final Countdown" started playing. Now I really want to fight a climactic battle with someone for these tacos.
HUMANS is a UK science fiction television series that began in 2015. There are three series broadcast thus far. The theme revolves around a modern world in which anthropomorphic androids called ‘synths’ are part of daily life. Synths can be purchased for family/personal use but there are also synths contracted by companies and synths contracted by government health services. HUMANS is an SF drama show-the focus being on how the exists of synths explores human relationships to technology and each other….
…Thomas Veil’s life has been erased. His friends don’t know him and his identity seems to be erased from all record. He figures out that the people responsible for his erasure negatives of a photograph he took of rebels being hanged by US soldiers in South America. Someone wants the negatives to erase all the evidence. Veil believes it’s part of a coverup of government activities. He tries to identify the military unit involved using evidence from the photos, yet, each step takes him deeper into a an ever, menacing conspiracy. He follows a trail of clues with lead him to several other anomalies: one town controlled by subliminal programming; another town in which people are being abducted by UFO’s; yet another town comprised entirely of people who’ve been erased like Tom. Veil himself is often captured, tracked, and subject to further experiments.
Robinson’s little town, crisscrossed by bike paths, is full of artists and scientists. (The guy who works the next garden plot over is a researcher at Monsanto; Robinson says everyone can tell that neighbor secretly threw down some RoundUp to clear a pathway.) Robinson tried to build a perfect ecosystem within the constraints of scientific and political realities. It went wrong. Now, only a polymerization of advanced superscience and hardcore diplomacy will fix it—and ignoring those realities will make things worse.
In other words, Kim Stanley Robinson is living inside a Kim Stanley Robinson novel….
(8) LE GUIN THE POET. David Naimon, who interviewed Ursula K. Le Guin for Ursula K. Le Guin: Conversations on Writing, discusses in “Always Beginning”, a post at the Poetry Foundation website, how Le Guin’s she continued to work on poems throughout her career.
…Despite her formal playfulness, Le Guin’s poems aren’t considered experimental or avant-garde. She wasn’t interested in what was or was not en vogue—formally, stylistically, or otherwise—in contemporary poetry. She found more freedom in the constraints of metrically rhyming verse than in free verse. And there is a way in which Le Guin’s poetry feels, if not out of time, then as if it arises from a longer span of time. I first noticed this elongated perspective, this drawing from a longer timeline of influence, when discussing the craft of writing fiction with her. She cautioned against getting swept up in whatever was in fashion given how many fashions she had seen come and go in publishing, as well as how the commodification of books shapes many of these fashions….
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and JJ.]
Born October 27, 1926 – Takumi Shibano, Teacher, Writer, Editor, and Fan from Japan. He co-founded and edited Uchujin, Japan’s first SF magazine, in 1957. He was a major figure in the establishment of Japanese SFF fandom, and he founded and chaired four of the first six conventions in that country. In 1968 the Trans-Oceanic Fan Fund (TOFF) paid for him to attend a Worldcon for the first time, in the U.S., where he was a Special Guest. He wrote several science fiction novels starting in 1969, but his work translating more than 60 science fiction novels into Japanese was his major contribution to speculative fiction. From 1979 on, he attended most Worldcons and served as the presenter of the Seiun Award. He was Fan Guest of Honor at two Worldcons, in 1996 and at Nippon 2007, he was given the Big Heart Award by English-speaking fandom, and he was presented with a Special Hugo Award and a Special Seiun Award.
Born October 27, 1939 – John Cleese, 79, Oscar-nominated Actor, Writer, and Producer from England whose most famous genre work is undoubtedly in the Hugo finalist Monty Python and the Holy Grail, but who has also appeared many other genre films, including the Saturn-nominated Time Bandits, Mary Shelley’s Frankenstein, The Great Muppet Caper, the live-action version of The Jungle Book, two of the Harry Potter movies, and the remake of The Day the Earth Stood Still – and, surprisingly, in episodes of the TV series The Avengers, Doctor Who, and 3rd Rock from the Sun. And he wrote a DC Elseworlds tale, Superman: True Brit, in which Superman was British. Really. Truly.
Born October 27, 1940 – Patrick Woodroffe, Artist and Illustrator from England, who produced more than 90 covers for SFF books, including works by Zelazny, Heinlein, and GRRM, along with numerous interior illustrations, in the 1970s. He was also commissioned to provide speculative art for record album cover sleeves; his masterwork was The Pentateuch of the Cosmogony: The Birth and Death of a World, a joint project with the symphonic rock musician Dave Greenslade, which purported to be the first five chapters of an alien Book of Genesis, consisting of two music discs by the musician and a 47-page book of Woodroffe’s illustrations. It sold over 50,000 copies in a five-year period, and the illustrations were exhibited at the Brighton UK Worldcon in 1979. Hallelujah Anyway, a collection of his work, was published in 1984, and he was nominated for Chesley and BSFA Awards.
Born October 27, 1948 – James Cosmo, 70, Actor and Producer from Scotland whose most notable recent genre appearance was playing Night’s Watch Commander Mormont in the series Game of Thrones. He had roles in the films Highlander, The Lion, the Witch and the Wardrobe, The Seeker: The Dark Is Rising, Wonder Woman, Doomwatch, Malevolent, Dark Signal, and the short film 2081 (based on Vonnegut’s story “Harrison Bergeron”), as well as roles in TV series such as SS-GG, Terry Pratchett’s The Colour of Magic, UFO, Merlin, and the upcoming His Dark Materials.
Born October 27, 1948 – Bernie Wrightson, Artist and Illustrator, whose credits include dozens of comic books and fiction book covers, and more than hundred interior illustrations, as well as a number of accompanying works of short fiction. His first comic book story, “The Man Who Murdered Himself” appeared in the House of Mystery No. 179 in 1969. With writer Len Wein, he later co-created the muck creature Swamp Thing in House of Secrets No. 92. In the 70s, he spent seven years drawing approximately fifty detailed pen-and-ink illustrations to accompany an edition of Frankenstein. And in the 80s, he did a number of collaborations with Stephen King, including the comic book adaptation of that author’s horror film Creepshow. In 2012, he collaborated with Steve Niles on Frankenstein Alive, Alive! for which he won a National Cartoonists Society’s award. He was Guest of Honor at numerous conventions, was honored with an Inkwell Special Recognition Award for his 45-year comics art career, and received nominations for Chesley Awards for Superior and Lifetime Artistic Achievement and for a Stoker Award for Superior Achievement in an Illustrated Narrative.
Born October 27, 1953 – Robert Picardo, 65, Actor and Writer who played the Emergency Medical Hologram on 170 episodes of the Saturn-winning Star Trek: Voyager, a role which he reprised in cameos in the film Star Trek: First Contact and episodes of Deep Space Nine and the fan series Star Trek: Renegades. He is also credited with writing a Voyager tie-in work, The Hologram’s Handbook. He has a long list of other genre credits, including the films The Man Who Fell to Earth, Total Recall, Innerspace, Legend, Amazon Women on the Moon, and Gremlins 2 (for which he received a Saturn nomination to match the one he received for Voyager), and recurring roles in the TV series Stargate SG-1, Stargate Atlantis, Smallville, and Sabrina, the Teenage Witch. Since 1999 he has been a member of the Advisory Board, and now the Board of Directors, of The Planetary Society, which was founded by Carl Sagan to provide research, public outreach, and political advocacy for engineering projects related to astronomy, planetary science, and space exploration.
Born October 27, 1970 – Jonathan Stroud, 48, Writer from England who produces speculative genre literature for children and young adults. The Bartimaeus Trilogy is set in an alternate London, and involves a thousand-year-old djinn; Lockwood & Co. is a series involving ghost hunters in another alternative London. I’ve read a few of the latter – they’re fun, fast reads. His works have won 3 Mythopoeic Awards for Children’s Literature and 3 Prix Imaginaires for Youth Novels.
In case you have been living under a rock or moved on to newer programs, like The Outer Limits, The Twilight Zone returned to television for a fifth season. The series has also returned to a half-hour format and is once again airing on Friday nights. Back in May, I wrote that I hoped the program would be renewed for at least another season, because I just could not bear the thought of a once great series ending its run with an episode like The Bard. Well, it seems as if the television gods must have been listening because my wish has come true. If you have not been tuning in consistently for the past month, here is what you may have missed:
Suspiria, Luca Guadagnino’s reimagining of Dario Argento’s gnarly Italian cult film about a haunted dance academy in Germany, is vulgar, shamelessly pretentious, and frequently opaque. But enough about its virtues.
Set in 1977, the year Argento unleashed Suspiria Prime upon the world, this “cover version” (in the words of Guadagnino’s longtime collaborator Tilda Swinton, who plays three of the new film’s major roles, under varying tonnages of prosthetic makeup) is, tonally and visually, muted and somber where its inspiration was vibrant and operatic. A title card at the opening warns us that it comprises “Six Acts and an Epilogue in a Divided Berlin,” and sure enough, this Suspiria, at 152 minutes, runs just shy of an hour longer than Argento’s. Even without those title cards at the top of each act, you would. Notice. The. Time.
FilmStruck, for the sadly uninitiated, is a service that allowed you to stream thousands of old movies and documentaries for less than the price of Netflix. For old movie lovers, this was an absolute boon; between the catalogs of Warner Bros., Turner, and Criterion, FilmStruck had the largest library of early films available to a mass audience. There are movies on the service that are virtually impossible for the public to view any other way—no VHS release, no readily available spools of film, and only the slightest chance of a screening on TCM.
Comprising three books (Infomocracy, Null States and State Tectonics), the Centenal Cycle examines a near future world with a radical form of global democracy. With most of the globe carved up into roughly equal population sized mini-states, Older’s thought-experiment novels takes the ‘marketplace of ideas’ seriously with a world where people might move a few blocks in a big city to change their government. The grout in the tiles of worldwide micro-democracy is information and Information. The latter is an organisation that is a cross between a nationalised Google, a surveillance state, a non-partisan civil service, the ‘deep state’ and a benevolent version of a Wikipedia of everything….
I’m looking today at a timely volume from Abaddon books, which explores the mythology two centuries on through a new set of stories edited by David Thomas Moore. Creatures: The Legacy of Frankenstein is a collection of five long novelettes and/or short novellas exploring the legacy of Victor Frankenstein and his creation through a series of shared universe stories, dealing with other creators in other situations, all of which circle the same themes of life, death, autonomy and monstrosity that the original text evokes so effectively.
…Put together, this is a very strong collection: what the stories as a whole lack in inter-relatedness and consistency, they make up for in terms of the sheer breadth of the Frankenstein experience that they cover between them.
It’s 1918, there’s been a death in the family and you are invited to the funeral. Will you cry? What will you wear? Will you attempt to contact the dearly departed?
Get the answers as you join the funeral party and see how Edwardians grieved their dead at Heritage Square Museum’s popular Mourning Tours from noon – 4pm on October 27 and 28, 2018. Throughout the weekend, funeral-goers will be immersed in mourning etiquette, participate in a reenactment ceremony inside a historic home and other activities including:
The year is 1918 and that means the Spanish Flu is wreaking havoc! Will you defy the gathering bans to attend the funeral? Or, if you are deemed “sick,” what will you discover as you are escorted into a flu-ridden home?
Learn about the turn-of-the-century movement of Spiritualism and the lure of séances complete with a reenactment and a discussion on the “tricks of the trade.”
Experience a re-creation of Phantasmagoria, a phenomenon that shocked and exhilarated its Victorian audiences.
Researchers are ramping up plans for living on the Moon.
Next year, astronaut Matthias Maurer expects to walk on the surface of the Moon — but without the hassles of a rocket flight, zero-gravity nausea and a risky landing. Instead he’ll stroll close to home in a leafy meadow near Cologne, Germany, which is set to host the largest Moon mock-up ever made. On a pit of artificial lunar dust covering more than 1,000 square metres, Maurer and other scientists will be attached to crane-and-pulley systems that allow them to leap as if experiencing the Moon’s weaker gravity, and work under adjustable lamps that simulate lighting at different lunar sites. Sometimes, they will retreat to lunar-style living quarters: an airlock-connected module the size of a shipping container.
…We also know what happens with the other characters in the other rumored projects: Boba Fett gets eaten by a Sarlacc in Return of the Jedi, and Obi-Wan Kenobi bites it after helping a terrorism suspect escape from a secure facility in A New Hope. These backstory movies flesh out the larger world of Star Wars, but they’re not advancing the larger story or advancing toward the kind of ending that builds anticipation and story loyalty.
This isn’t to say that prequel stories can’t be useful or interesting. Lucasfilm’s animated TV shows have done solid work in looking at older time periods in the franchise and telling intriguing, engaging, successful stories…
[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Mike Kennedy Carl Slaughter, Chip Hitchcock, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jayn.]
Effective immediately, Noel Rosenberg is no longer President of Arisia, Inc. On October 26th, at an emergency meeting of the other members of the Arisia Executive Board, the first step we took was to ask Noel to resign as President of Arisia Corporate and we have accepted that resignation. The Arisia 2019 Conchair has informed the Eboard that Noel is no longer the Operations Division Head, and will not be placed in any other staff positions.
Yesterday we issued a short statement that “the Arisia Executive Board takes our Incident Response process and the safety and concerns of our community very seriously.” We mean that, but we acknowledge that we failed severely in this case. We will work harder to live up to our values going forward, and in order to begin to regain the trust of our community, we are going to acknowledge and apologize for our failures, and take immediate and decisive action.
We failed by allowing Noel to be part of any Incident Response process while he was the subject of a serious incident investigation. To be clear, he was not a part of the investigation which related to him. He was not privy to any information collected, nor was he involved with the discussion or voting on the results. He was still, in his capacity as President, participating in other incident investigations. That was an error of our judgment and we apologize for this. We will work with the Corporation to improve our policies so that this does not happen again.
We failed by mentioning a subject’s name at the September corporate meeting. We apologized at the time. However we understand that can’t make up for the error. We have ensured that the person’s name is not recorded in the minutes or printed in Mentor.
We failed to give the corporate membership sufficient transparency ahead of the 2018-2019 officer elections, and we apologize for this. While we did mention the Incident Report at the election meeting, we did not give the Corporation sufficient notice or detail to make an informed decision. Again, we will visit this with the Corporation to ensure it cannot happen again.
We have accelerated the creation of a webpage to act as a centralized, public location for our disciplinary policy process. This is intended to clarify and and make more transparent our processes as well as codifying, when possible, best practice into procedure. Please keep in mind that putting this together correctly takes time but the work in progress can be found here: https://corp.arisia.org/DisciplinaryProcessInformation.
We are conducting a review of our Code of Conduct and Incident Response Process to ensure that it meets its goal of ensuring the safety of our community. We are reaching out to a third party consulting company for review and assistance and will report back to the Corporation.
Please send further questions about this situation, our Code of Conduct, or disciplinary policy in any capacity to [email protected] This email goes to the Incident Response Team Heads, Conchair team, and Executive Board. We are working on additional steps that we will announce in the coming weeks.
The Arisia Executive Board
However, there was nothing contrite about Rosenberg’s resignation email to the corporate list.
I take issue with what Crystal has said, both about me and about Arisia, most of which is at best misleading and at worst flat out untrue.
Nevertheless, it is clear that I cannot lead Arisia at this time and I have become too much of a distraction. Therefore, in the interests of Arisia I am resigning as president effective immediately. I have also tendered my resignation as Division Head for Operations for Arisia ’19, and the Convention Chair has accepted my resignation.
I make this decision with a heavy heart, as I know what the truth is regarding these accusations. I have worked on this convention for more than a quarter century, and have been served on the Eboard for a number of those years.
Marie Brennan’s Twitter thread epitomized the early reaction to Arisia’s statement:
I've seen multiple other people tell stories of harassment and safety complaints being mishandled at @arisia: bad procedures, long delays, unsatisfactory responses, or even complaints just not being handled at all.
(1) CRYSTAL HUFF AND ARISIA NEWS DEVELOPMENTS. During the day, Noel Rosenberg resigned as Operations Division Head and President of Arisia Inc. on the Arisia Corporate Members mailing list, per a report by Kris Snyder on Facebook.
Huff’s initial public response was:
I've not seen it posted publicly yet, but it's been forwarded to me many times in the past hour or two, in varying degrees of "I hope this helps" and "I hope this means the problem is fixed now and we can go back to #Arisia." Well, and one full of cuss words, but, you know.
…As a member of the Readercon convention committee in 2012, I had a ringside seat when the similar failure of a convention to abide by its own stated policies led to the creation of its safety committee, the total overhaul of its code of conduct as well as incident report protocols, and the resignation of all members of the Readercon board. All steps including public statements of apology and accountability were necessary to restore the trust of a membership built over decades and burned in hours. I do not joke when I say it was a near-death experience for the convention. We still work to make its reputation inclusive, responsive, and safe, as opposed to tarnished by double standards and more tolerance for perpetrators than victims.
It is my sincere hope that the executive board of Arisia can heed the lesson of Readercon in choosing from this moment forward which kind of convention it wishes to be.
This is a more explicit version of the statement Nalo Hopkinson tweeted yesterday.
…I have received training for working with people who have been subjected to trauma and sexual violence. I have an extensive abuse and trauma history myself. I understand that it can take years to fully process a traumatic event like sexual assault or rape. I support Crystal’s right as a victim to evolve her understanding of what took place, and to make decisions later about how to handle the situation that are different than the ones she initially made.
I take issue with her characterization of how members of Arisia handled the situation. I do not like that she now demonizes people for actions (or lack thereof) that she specifically requested of them.
I don’t doubt that there were some people in leadership positions within the community that downplayed or dismissed the situation. That was not OK. I was not one of them. In 2012, when Crystal started enforcing boundaries with Noel, she sent several of us an email complaining about his actions but addressed it “To you guys as my friends and not as people in charge of things.” Once Arisia officially instated a disciplinary process in the spring and summer of 2013, Crystal was approached to make a report about Noel’s behavior. She declined, as was and is her right to do. Members of the eboard asked Crystal multiple times between 2013 and 2017 if she wanted to make a report and encouraged her to handle this through process. She said no….
(3) IT GOES ROUND. Alastair Reynolds saw “File 777” discussing “Paternoster Elevators” and says he knew about one in a familiar building that had, in fact, claimed a victim —
Years later I reasoned that the story must have been a carefully engineered rumour designed to stop people using the elevator in a way that wasn’t intended, not because of the risk of injury (or death) but because it caused problems with the mechanism, perhaps leading to the elevator shutting down or needing maintenance. I could well imagine that the authorities would “leak” a story like that just to stop students larking around and causing expensive breakdowns.
But (being a grisly sort of fellow) the File777 article prompted me to read up a little bit more paternosters and their history of accidents, and rather shockingly the first such account I read about was indeed one in the Claremont Tower, in 1975:
Osprey Games will publish Jonathan Strange & Mr Norrell: A Board Game of English Magic, a game set in the world of Susanna Clarke’s novel, coming in June 2019. Players will take on the role of four principle characters from the novel—Jonathan Strange, Mr. Norrell, Miss Redruth, or John Segundus—and “travel around England and Europe, attending social engagements and performing feats of magic in the hope of becoming the most celebrated magician of the age. On their travels they encounter a host of familiar characters, from the jovial Mr Honeyfoot and beautiful Lady Pole to the extraordinary Stephan Black and the enthusiastic Lord Portishead. All the while they will be building up their magical abilities, as the gentleman with the thistledown hair is weaving his magic in the background and must be stopped for any player to have a chance of claiming victory.” The game was created by designers Marco Maggi and Francesco Nepitello, who have previously brought the worlds of J.R.R. Tolkien, H.P. Lovecraft, and the Marvel Universe to the tabletop. The game is illustrated by Ian O’Toole.
Authors: Want to make friends with the bookseller hosting you on the tour? At the end of your presentation, just before the signing part, encourage the people at the event to buy a book from the bookstore (even if it’s not your own book!). Most people at your event have probably gotten a book from the store already (and probably your book, because they want you to sign it), but some haven’t, and some people forget that there’s a high correlation between a bookseller hosting future events, and the bookseller doing well with the current events. So remind people to buy books from the bookstore at your event, and to support them the rest of the time as well.
Whilst Sabrina in 90s-sitcom form didn’t realise she had magic powers until her 16th birthday, the new Sabrina is already well aware of her supernatural skills.
That’s not the only difference – the modern Sabrina is as Kelly-Leigh puts it, “woke”. She’s a feminist icon for a new generation of teens and is not afraid to question the archaic rules of the satanic cult she’s a part of.
Also, Sabrina’s cutting rebuttals of everything high priest Father Blackwood (Richard Coyle) says is her way of bringing down the patriarchy, and I for one loved it.
Most Likely to Defect From the Coven: Queenie’s power was so great she thought she might be the Supreme, and she was one of two witches who survived the Seven Wonders, which is a pretty great reward for all the crap she had to deal with during AHS: Coven.
Activities: Witches’ Council; voodoo; practicing the Seven Wonders
Senior Quote: “I grew up on white-girl shit like Charmed and Sabrina the Teenage Cracker. I didn’t even know that there were black witches. As it turns out, I’m an heir to Tituba. She was a house slave in Salem. She was the first to be accused of witchcraft. So, technically, I’m part of your tribe.”
(8) TODAY IN HISTORY
October 26, 1966 — Jerry Lewis’ Way … Way Out had fun with the genre.
October 26, 1984 — The Terminator premiered.
October 26, 2015 – Supergirl premiered on television.
(9) TODAY’S BIRTHDAYS.
Born October 26, 1934 – Dan McCarthy, the grand old man of New Zealand fandom. He belonged to Aotearapa, New Zealand’s APA, for 25 years, and was its official editor from 1986-1987 and 2001-2003. As a member, he contributed 77 issues of his fanzine Panopticon, for which he did paintings and colour graphics. His skills as a fanartist were widely appreciated: he was a Fan Guest of Honour at the New Zealand national convention, a nominee for the Sir Julius Vogel Award, and he won NZ Science Fiction Fan Awards (the predecessor of the Vogel) Best Fan Artist twice.
Born October 26, 1942 – Bob Hoskins, Oscar-nominated Actor from England who is famous for his quirky character roles and is known in genre circles for the Hugo-winning Who Framed Roger Rabbit (for which he received a Saturn nomination) and Super Mario Bros. He played Professor George Challenger in the most recent film version of Arthur Conan Doyle’s The Lost World, and also appeared in Snow White and The Huntsman, Hook, the Hugo-nominated Brazil, A Christmas Carol, Son of The Mask, and as the voice of The Badger in an animated version of The Wind in The Willows.
Born October 26, 1942 – Jane Chance, 66, Teacher, Writer, and Lecturer who specializes in medieval English literature, gender studies, and J. R. R. Tolkien – with a very, very impressive publication list for the latter, for which she has received three Mythopoeic Award nominations, including Tolkien’s Art: A Mythology for England, Tolkien the Medievalist, The Lord of the Rings: The Mythology of Power, and Tolkien, Self and Other: “This Queer Creature”.
Born October 26, 1959 – Jennifer Roberson, 59, Writer of of fantasy and historical romances. The Chronicles of the Cheysuli is her fantasy series about shapeshifters and their society, and the Sword-Dancer Saga is a desert-based adventure series of sort, but the series I’ve enjoyed most is her Sherwood duology that consists of Lady of the Forest and Lady of Sherwood, telling that tale from the perspective of Marian. She has been Guest of Honor at more than a dozen conventions, including a Westercon, and a novel she co-authored received a World Fantasy Award nomination. Her hobby, which consumes much of her time, is breeding and showing Cardigan Welsh Corgis.
Born October 26, 1959 – François Chau, 59, Actor from Cambodia who is most known to genre fans as Jules-Pierro Mao on the Hugo-winning series The Expanse, but who has also had recurring roles on Lost and Gemini Division, and appeared in episodes of the TV series The Flash, Intruders, The Adventures of Brisco County Jr., Time Trax, The Invisible Man, The X-Files, Alias, Medium, and Awake, as well as lending his voice to numerous videogames.
Born October 26, 1962 – James Pickens Jr., 56, Actor and Producer who played the FBI’s Deputy Director on 21 episodes of The X-Files; he also appeared in genre films Rocket Man, Sphere, Venom, and Red Dragon, and had guest roles in episodes of The Pretender and Touched by an Angel.
Born October 26, 1962 – Cary Elwes, 56, Actor, Director, and Producer from England who is unquestionably most famous for his role as the pirate Westley in The Princess Bride; he alsoplayed astronaut Michael Collins in the miniseries From the Earth to the Moon, voiced historical roles in Cosmos: A Spacetime Odyssey, appeared in Bram Stoker’s Dracula, Ella Enchanted, Shadow of the Vampire, Saw, and Saw 3D, had parts in episodes of Stranger Things, The X-Files, The (new) Outer Limits, and Night Visions, and has provided voices in animated features and series including Quest for Camelot, The Adventures of Tintin, Hercules, Batman Beyond, Sofia the First, and Family Guy.
Born October 26, 1963 – Keith Topping, 55, Writer from England. It being the month of ghoulies, I’ve got another academic for you. He’s published a number of non-fiction reference works – frequently in collaboration with Martin Day and/or Paul Cornell – for various genre franchises, including The Avengers, The X-Files, Stargate SG-1, Star Trek Next Generation and Deep Space Nine, Buffy the Vampire Slayer, Angel, and for horror film fans in general, A Vault of Horror: A Book of 80 Great British Horror Movies from 1956-1974. He’s also written four novels in the Doctor Who universe, and co-authored The DisContinuity Guide.
Born October 26, 1971 – Jim Butcher, 47, Writer who was nominated for the Compton Crook Award for the first novel in his Dresden Files urban fantasy series, now up to 15 novels and countless short fiction works, which became immensely popular and was made into a TV series lasting one season. He has also written half a dozen novels in his Codex Alera series and contributed a novel to the Spiderman universe. He has been Guest of Honor at numerous conventions, including an Eastercon (the UK natcon).
Born October 26, 1976 – Florence Kasumba, 42, Actor of German Ugandan heritage who has done films in English, German, and Dutch languages. She is best known for her role as Ayo in the Marvel universe movies Captain America: Civil War, Black Panther, and Avengers: Infinity War, but she also had a role in the Hugo-winning Wonder Woman, played the Wicked Witch of the East in the TV series Emerald City, and voices a character in the upcoming live-action remake of The Lion King.
The drinks, meanwhile, are playful and delicious, with names that will have “Beetlejuice” fans exchanging knowing looks. (They’ll be available through early November.) My favorite is the Miss Argentina, a twist on the classic Corpse Reviver #2. Blue Curacao gives it a lovely blue color — a nod to the skin of the undead beauty queen-turned-receptionist in Beetlejuice’s Netherworld — while stripes of Peychaud’s bitters are reminiscent of the “little accident” that sent her to the afterlife.
(12) IS SMOKING REQUIRED? Aliya Whiteley, in “Smoking, Science Fiction, and Addiction” on Den of Geek, asks: if you’re writing a hard-boiled sf novel, should your protagonist smoke?” Looking at John Constantine in the comics, the movie Watchmen, and Tade Thompson’s novel Rosewater, she answers: “Yes, sometimes.”
For instance, back in the film noirs of the 1940s and 50s it would have been inconceivable for our hero not to smoke. Look at the thick smoke hanging in the light from the projector in Billy Wilder’s Sunset Boulevard (1950) or the silhouette of Robert Mitchum, the cigarette smoke rising up and out of the French windows, in Jacques Tourneur’s Out Of the Past (1947) – it was often used as an excuse for intimacy between lovers, the camera closing in on the lips, or to bring movement to a still frame. Great directors used it as a language of its own, and it must be really difficult to decide to not use that language, as a contemporary director, if you’re making a film that deliberately uses noir elements.
Bounding into Comics has become the latest target of comic book industry professionals’ attempts to silence those whose opinions they disagree with.
On Tuesday, prominent Marvel and DC Comics Colorist Tamra Bonvillain (Doom Patrol, Moon Girl and Devil Dinosaur, Uncanny Avengers) issued a call to her followers to unfollow and ignore Bounding Into Comics (henceforth BiC):
This incident arose following a dispute in the Call of Duty video game between two men. One of them owned the home occupied and rented by Mr Finch and this address was given to Mr Barriss as the place to send police.
The two men have been charged for their role in the fatal incident. Both have pleaded not guilty.
US federal prosecutors filed the fresh charges in a California court, claiming that many of the crimes were committed when Mr Barriss lived in Los Angeles.
The charge sheet details incidents in which Mr Barriss is suspected of being involved, between September 2014 and December 2017.
Many of the charges relate to fake calls about bombs planted in schools, federal buildings and universities. Others relate to separate swatting incidents, bank fraud, other hoax calls to police departments and threats of violence.
Ostensibly, the title of the Swedish film Border refers to the internationally recognized demarcation separating one country from another. Its main character Tina (Eva Melander), after all, works at the Swedish Customs Service, where she screens those entering the country for contraband. She’s very, very good at her job: She can literally smell deceit, which, when you think about it, should single-handedly earn her portrait pride of place on the Employee of the Month wall, in perpetuity.
Of course, there’s more to it. If Border were only about Customs practices, howsoever informed they might be by nasal lie-detection, the film would be odd, but relatively straightforward — a kind of Nordic, olfactory-powered superhero yarn, maybe. Happily, this is not the case.
Anyone who has visited the Netherlands has undoubtedly come across the country’s famous stroopwafels, a pair of thin, crisp waffles sandwiching a caramel filling. Fans especially enjoy the fantastic aroma that stroopwafel stands emit when making a fresh batch, and many claim that no better treat exists. However, the company Van Meer’s did not agree and decided to up the ante by transforming the stroopwafel into alcohol form.
The resulting liqueur, which won a gold medal at the 2017 San Francisco World Spirits Competition, captures both the distinctive smell and flavor of stroopwafels.
“If self-driving cars become widespread, society will have to grapple with a new burden: the ability to program vehicles with preferences about which lives to prioritize in the event of a crash. Human drivers make these choices instinctively, but algorithms will be able to make them in advance. So will car companies and governments choose to save the old or the young? The many or the few?”
Researchers from MIT have published a paper (Nature: “The Moral Machine experiment”) discussing the results of an online experiment (using a platform they call the Moral Machine) to “explore the moral dilemmas faced by autonomous vehicles”. They gathered 40 million decisions across a variety of languages and cultures. The paper itself is behind a paywall, but the article on The Verge takes a look at their findings. The data itself—and the code the researchers used to perform some of their analyses—is available to the public.
PerThe Verge article, the Moral Machine asked users to:
“make a series of ethical decisions regarding fictional car crashes, similar to the famous trolley problem. Nine separate factors were tested, including individuals’ preferences for crashing into men versus women, sparing more lives or fewer, killing the young or the elderly, pedestrians or jaywalkers, and even choosing between low-status or high-status individuals.”
Millions of users took the quiz. There were some fairly universal agreements. Again, per The Verge coverage:
“[…] the study’s authors found certain consistent global preferences: sparing humans over animals, more lives rather than fewer, and children instead of adults.”
There were also some disagreements, including:
“The study’s authors suggest this might be because of differences between individualistic and collectivist cultures. In the former, where the distinct value of each individual as an individual is emphasized, there was a ‘stronger preference for sparing the greater number of characters.’ Counter to this, the weaker preference for sparing younger characters might be the result of collectivist cultures, ‘which emphasize the respect that is due to older members of the community.’”
Of course, at present self driving cars might be able to tell most animals from most humans, but haven’t a clue about most age differences—nor can they likely tell law-abiding pedestrians from jaywalkers. So, this is mostly academic at present (see, e.g., the reference to MIT, above) but sooner or later some sort of ethical decisions will probably be baked into a car’s programming. Thinking about what that should be now seems sensible.
Taking a step past the automakers themselves, though, The Verge article also asks:
“But how close are we to needing legislation on these issues? When are companies going to start programming ethical decisions into self-driving vehicles?”
[…] the problems ahead can already be glimpsed in Germany, the only country to date to propose official guidelines [Google Translate version] for ethical choices made by autonomous vehicles. Lawmakers tried to slice the Gordian knot of the trolley problem by stating that all human life should be valued equally and that any distinction based on personal features like age or gender should be prohibited. […] if this choice is implemented, it would go against the public’s strong preference for sparing the younger over the elderly. If a government introduces this policy […], how will it handle the backlash “that will inevitably occur the day an autonomous vehicle sacrifices children in a dilemma situation.”
Obviously, much more work remains to be done
(19) PROVED AGAIN. “Archaeopteryx: The day the fossil feathers flew” – Back in the day, noted contrarian (and SF writer) Fred Hoyle claimed the fossil was a fake; disproved then by analysis, and disproved now by precision scanning of fossil halves and “fitting” them together by computer.
Sir Fred was high-profile and if the idea of fakery in a transitional fossil went unchallenged, Archaeopteryx would quickly become a cause célèbre for the anti-evolution movement. And don’t forget, the museum was the scene of perhaps the biggest fossil fake of all time – Piltdown Man.
The astronomer’s accusation could not be allowed to pass.
New Caledonian crows are known to spontaneously use tools in the wild. This task, designed by scientists at the Max Planck Institute for Ornithology in Seewiesen, Germany, and the University of Oxford, presented the birds with a novel problem that they needed to make a new tool in order to solve.
(21) VIDEO OF THE DAY. “Orson Welles On Censoring Horror Comics” on YouTube is an excerpt from an interview Welles gave a British show in the mid-1950s where he says that he personally dislikes horror comics, but feels that they shouldn’t be censored.
[Thanks to John King Tarpinian, JJ, Martin Morse Wooster, Bill, Mike Kennedy, Cat Eldridge, Chip Hitchcock, Carl Slaughter, and Andrew Porter for some of these stories. Title credit belongs to File 777, er, 770, contributing editor of the day Kendall.]
The Arisia committee, inundated with messages, promises a reply this weekend.
Regarding a recent influx of comments, the Arisia Executive Board takes our Incident Response process and the safety and concerns of our community very seriously. We will follow up with a statement by the end of the weekend.
For a start, let's not hire people with a history of disregarding clearly established boundaries to lead safety teams, or to be on those safety team at all. Safety team should also receive training in how to take reports. @arisia
…Conventions have gotten better in recent years about establishing policies on abuse and harassment. When it comes to following and enforcing those policies, the record is spottier. I know of some instances where conventions have done an amazing job of following through and working to promote the safety of their attendees.
Crystal’s experience, when she reported this to Arisia, was … well, it sounds like she’s correct when she says she doesn’t think Arisia was prepared to deal with this situation. It’s one thing to create a policy. It gets messier when the accusation is against someone you know. Possibly a friend. Possibly an officer in your organization….
People are reevaluating their plans to attend or work on the con.
Marie Brennan responds to Huff’s statement in “On Arisia” —
…This is not a con I can trust with my safety, or that of anybody I know. So while I did not have any existing plans to attend Arisia — just a vague “ooh, I should do that someday!” intention — I now have very firm plans not to attend. Not this year, not next year, not any year until and unless this is made better. And if you’re an Arisia attendee, I encourage you to rethink that plan.
Effective immediately, please remove me from the org chart as Tiptree Bake Sale staff and from programming as a participant. I will not be attending Arisia until Noel Rosenberg is removed as President of Arisia, Inc. and Division Head of Operations, and is banned from the convention….
Many people have tweeted their concerns or outrage to the Arisia committee, including these writers, editors, and conrunners:
I was a program participant at @arisia from 2016-18. I was signed up for '19. I don't think I'll be there unless they remove this man, implement a clear plan to prevent anything like this from happening again, and prove they can follow their own code of conduct. https://t.co/hGiEKvS4i4
Well, now I don’t feel nearly as bad as I did for not going this coming year. The convention I thought I knew has been changing even more that I thought, the staff member near and dear to my heart has been dead for a decade. I think I can let this one go now.