Winners of three traditional DeepSouthCon awards were announced October 22 at DeepSouthCon 60 in Huntsville, Alabama.
The Phoenix Award is given to the professional (writer, editor or artist) who has done the most for Southern Fandom. This year’s honorees are:
David B. Coe
(Sadly, Flint’s award is posthumous.)
The Rebel Award is awarded to the fan who has done the most for Southern Fandom. This year it went to:
Brandy Bolgeo Hendren
The physical awards were designed and produced by Robert Zielke. The awards subcommittee consisted of Regina Kirby and Toni Weisskopf. DSC co-chairs Sam Smith and Mike Kennedy were also involved in selecting the award winners. Past winners of both awards were polled for suggestions.
The physical awards for Hendren and Coe are custom-built figured and inlaid hardwood boxes. The award for Flint has yet to be made, however, it will be a custom designed hardwood product much like the boxes.
The facetious Rubble Award, given to the individual who has done the most TO Southern Fandom, was presented by Gary Robe. It went to SARS-CoV-2/COVID-19.
There was no one to accept.
[Thanks to Mike Kennedy for the story and photos.]
(1) JUSTICE FOR SYLVIA ANDERSON. [Item by SF Concatenation’s Jonathan Cowie.] Last night’s BBC Radio 4 arts programme, Front Row, devoted a substantive amount of time to the airbrushing of Sylvia Anderson from Anderson productions by Gerry Anderson and then the Anderson estate. This included unlawful contracts that lost her many years of royalties. Absolutely shocking. “Richard Eyre’s The Snail House; Sylvia Anderson and women in TV; the late Jean-Luc Godard”.
The name Sylvia Anderson was recently invoked by Dr. Lisa Cameron MP, during a debate on gender equality in the media in Westminster Hall. The late Sylvia Anderson was a pioneer in the male dominated world of television, co-creating Thunderbirds in the 1960s with her then husband Gerry. But her family say her name has often been omitted from credits and merchandise in the years since then. Samira speaks to Sylvia’s daughter Dee Anderson and Dame Heather Rabbatts, Chair of Time’s Up UK, who are campaigning for her legacy to be restored and to Barbara Broccoli, producer of the James Bond films, who remembers Sylvia as her mentor.
(2) PIECES OF CHICON 8. In episode 66 of the Octothorpe podcast, “Thank You, Steven”, John Coxon is in the fanzine lounge, Alison Scott is under a bison hat, and Liz Batty is good, thank you.
We chat to people in the fanzine lounge at Chicon 8. (Sorry about the background noise, and normal service resumes next week.)
Alt text. A purple square with “OCTOTHORPE 66” written at the bottom and inset, a photograph of John, Alison, and Liz. John is wearing a grey suit with a Hugo Award finalist pin and a matching purple tie and mask; Alison is wearing a black mask, a burgundy dress, and has glitter on her temple, and Liz is wearing a green dress and matching mask, a necklace by Vanessa Applegate, and a yellow shrug. They are against a backdrop which has alternating Hugo Award logos and Chicon 8 logos.
Whether you’ve been writing for a while or dreaming of getting away and actually having time to write, many of us have wondered if a writer’s workshop was right for us.
At WorldCon 80, otherwise known as ChiCon8, I attended the panel: The Writing Workshop Workshop where moderator Erin Underwood led panelists Ian Muneshwar, Tegan Moor, James Patrick Kelly, and Caroline M Yoachim in a discussion aimed at answering that very question….
Hazelwood also presents the information in this YouTube video.
(4) TAKING COUNSEL OF THEIR FEARS. [Item by Cora Buhlert.] The Atlantic has an interesting article about the backlash against casting actors of color in The Rings of Power, House of the Dragon, Sandman and all sorts of other things: “Fear of a Black Hobbit”.
Earlier this month, CNN published a news story featuring an interview with Brandon Morse, an editor for the right-wing website RedState, in which he complained that Amazon’s new Lord of the Rings show, The Rings of Power, is integrated: “He says ‘The Rings of Power’ producers have cast non-White actors in a story based on European culture and who look wildly different from how Tolkien originally described them,” CNN reported. “He says it’s an attempt to embed ‘social justice politics’ into Tolkien’s world.” Morse told CNN that “if you focus on introducing modern political sentiments, such as the leftist obsession with identity issues that only go skin deep, then you’re no longer focusing on building a good story.”
It’s worth noting how rapidly right-wing language about colorblind meritocracy melts away when it does not produce the desired results. Perhaps the actors cast were simply the most qualified? …
Because I’m addicted to story, I wondered just how much of our invisible culture we carried in in the way we tell stories. I began to look at the world building we do and the paths we take when we tell stories and read them. What is the difference between story space for the reader and story space for the writer and, indeed, story space for the editor? As I addressed these questions, I discovered how very powerful genre literature is in our lives. Even those who have never read a science fiction novel have experienced the narratives we tell and the cultural material we embed into our stories.
I wanted to explain this: that genre literature is a powerful, powerful force, that culture is transmitted through story, that we can all think about story and through that thought have more control over what we accept from story. We can, in short, choose not to be bigots….
(6) WHAT’S AHEAD IN THE DESIGN FIELD? Arizona State University’s Center for Science and the Imagination’s event “Designing the Future with Applied Sci-Fi” will take place on Thursday, September 29, from 12:00-1:00 p.m. Eastern. Panelists include design fiction pioneer Julian Bleecker, speculative designer Anab Jain, narrative designer Alex McDowell, strategic foresight practitioner Radha Mistry, and futurist Brian David Johnson. The event will also feature opening remarks from the renowned science fiction (and nonfiction) author Bruce Sterling.
The event is the second in a series for the Applied Sci-Fi Project at ASU’s Center for Science and the Imagination, which seeks to understand the influence of science fiction on technology and the people who build it, and to study the ways that sci-fi storytelling can a tool for innovation and foresight.
Amazon’s Prime Video has given the green light to Blade Runner2099, a limited series sequel to the iconic sci-fi film franchise. The series comes from Amazon Studios and Alcon Entertainment, which holds the rights to Blade Runner. Ridley Scott, who directed the classic 1982 film, will executive produce through his Scott Free Productions, while Silka Luisa (Apple TV+’s Shining Girls) will serve as showrunner….
Amazon announced it was developing Blade Runner 2099 in February. Its title implies it will be set 50 years after 2017’s film sequel Blade Runner 2049, directed by Denis Villeneuve, but story details are being kept quiet for now. The series will be the first live-action treatment of Blade Runner for TV; Adult Swim aired an anime series titled Blade Runner: Black Lotus that debuted in November 2021….
(8) A FONT OF KNOWLEDGE. Camestros Felapton is doing a highly scientific study to show that you can predict the genre of a book by the type face used on the cover. “The sans-serif genre axis part 2”. He’s not high, just his science is.
… “Science Fiction typically uses sans-serif fonts for titles” is a defensible claim — the proportion is high and the spread is relatively narrow compared with other genres….
Alternate historians love stranding people and places in the past because we want to see what happens when technology and ideas from the present are unleashed on earlier eras. And one novel would revolutionize these kind of stories and launch a new community of writers.
(10) MARGARET ANN BASTA (1951—2022). Margaret Basta who, with her twin sister Laura, published some of the earliest Star Trek fanzines, was found dead in her home on September 4. She was 69. Margaret was active in Detroit fandom in the Seventies, belonging to the Wayne Third Foundation. She and Laura were founders and officers of the Star Trek Association for Revival (S.T.A.R.). (Laura was nominated for a Best Fan Writer Hugo in 1974.) Margaret was later involved in Beauty and the Beast fandom.
Hi, I’m Jan Feldmann; my best friend Margaret Basta died unexpectedly earlier this month. She left no provisions for a funeral or burial and her family cannot handle the expense. I loved her dearly for 50 years and want to see her ashes buried with dignity at Holy Sepulchre cemetary in Southfield MI. She was one of the first original Star Trek fans and organized several early ST fan conventions. She wrote fan fiction, collected and sold vintage jewelry, had a huge circle of friends all over the country, and made a lasting impression on countless people. Margaret was a wonderful lady and I hope you can help her on her final journey. $1500 will pay for the cremation and internment at Holy Sepulchre cemetary.
(11) MEDIA BIRTHDAY.
1991 – [By Cat Eldridge.]Eerie, Indianaseries
You remember Joe Dante who has served us such treats as the Gremlin films, a segment of the Twilight Zone: The Movie (“It’s A Good Life”) and, errr, Looney Tunes: Back in Action? (I’ll forgive him for that because he’s a consultant on HBO Max prequel series Gremlins: Secrets of the Mogwai.)
And Dante was the creative consultant and director on a weird little horror SF series thirty-one years ago on NBC called Eerie, Indiana. Yes, delightfully weird. It was created by José Rivera and Karl Schaefer. For both it would be their first genre undertaking, though they would have a starry future, their work including Eureka, Goosebumps, The Jungle Book: Mowgli’s Story and Strange Luck to name but a few genre series that they’d work on in a major capacity.
SPOILER ALERT! REALLY I’M SERIOUS, GO AWAY
Hardly anyone there is normal. Or even possibly of this time and space. We have super intelligent canines bent on global domination, a man who might be the Ahab, and, in this reality, Elvis never died, and Bigfoot is fond of the forest around this small town.
There’s even an actor doomed to keep playing the same role over and over and over again, that of a mummy. They break the fourth wall and get him into a much happier film. Tony Jay played this actor.
Yes, they broke the fourth wall. That would happen again in a major way that I won’t detail here.
END SPOILER ALERT. YOU CAN COME BACK NOW.
It lasted but nineteen episodes as ratings were very poor.
Critics loved it. I’m quoting only one due to its length: “Scripted by Karl Schaefer and José Rivera with smart, sharp insights; slyly directed by feature film helmsman Joe Dante; and given edgy life by the show’s winning cast, Eerie, Indiana shapes up as one of the fall season’s standouts, a newcomer that has the fresh, bracing look of Edward Scissorhands and scores as a clever, wry presentation well worth watching.”
It won’t surprise you that at Rotten Tomatoes, that audience reviewers give it a rating of eighty-eight percent.
It is streaming on Amazon Prime, Disney+ and legally on YouTube. Yes legally on the latter.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 15, 1922 — Bob Anderson. He was the swordmaster who played Darth Vader in his fight scenes in The Empire Strikes Back and Return of the Jedi. He replaced David Prowse due to the actor’s unfortunate tendency to break lightsabers. Because of the height differences—Anderson was six one while Prowse was six inches taller, Anderson’s scenes were filmed from a lower angle to make him seem taller, or he stood on some small stilts or wore platform shoes. Anderson later did swordfighting choreography and training for films such as The Lord of the Rings trilogy (with Christopher Lee), the Zorro movies with Antonio Banderas and Die Another Day with stunt performer Jim Dowdall. (Died 2022.)
Born September 15, 1924 — Henry Silva, 98. Here for his genre work — Buck Rogersin the 25th Century as Kane, Allan Quatermain and the Lost City of Gold as Argon, Amazon Women on the Moon as Himself (the “Bullshit or Not” segment, Cyborg – Il guerriero d’acciaio as ‘Hammer’, and Dick Tracy as ‘Influence’.
Born September 15, 1925 — Carlos Rambaldi. Wnner of three Oscars: one Special Achievement Academy Award for Best Visual Effects in Seventies version of King Kong, and two Academy Awards for Best Visual Effects of Alien and E.T. the Extra-Terrestrial. He is best remembered for his work in those two last mentioned films, that is for the mechanical head-effects for the creature in Alien and the design of the title character of E.T. the Extra-Terrestrial. He designed the Worms in Dune. (Died 2012.)
Born September 15, 1940 — Norman Spinrad, 82. I’ll admit that the only novel I’ve read by him is Bug Jack Barron. My bad. And I was fascinated to learn he wrote the script for Trek’s “The Doomsday Machine” episode which is an amazing story. So how is it that he’s never won a Hugo?
Born September 15, 1943 — John M. Faucette. Published five novels and one short story. He left seven unpublished novels in various states of completion at his death. Two of his novels; Crown of Infinity and Age of Ruin, were published in the Ace Doubles series. None of his works are in print in digital or paper format currently including his Black Science Fiction anthology which he as an African-American SF writer was very proud of. (Died 2003.)
Born September 15, 1956 — Elton T. Elliott, 66. Editor, publisher, reviewer. His solo fiction debut was “Lighting Candles on the River Styx” in Amazing (March 1991). His early novel-length work appeared in the 1980s in collaboration with Richard E.Geis under the pseudonym Richard Elliott. He edited Science Fiction Review from 1990 to 1992 which, yes, I remember reading at the time.
Born September 15, 1960 — Kevin Roche, 62. Chaired Worldcon 76 in San Jose (2018). Prior to that he co-chaired Westercon 66 in Sacramento in 2013 and chaired Costume-Con 26 in San José in 2008. He’s a veteran costumer and masquerade emcee, who co-directed the 2011 Worldcon’s Masquerade as well as Masquerades at Anime Los Angeles, Westercon, and BayCon. Roche is a research scientist at IBM Research Almaden. He also was editor of Yipe! The Costume Fanzine of Record.
Born September 15, 1962 — Jane Lindskold, 60. My first encounter with her was through the Zelazny novel she finished, Donnerjack. It’s excellent though how much is Zelazny is open to vigorous debate. Of her own novels, I recommend The Buried Pyramid,Child of a Rainless Year and Asphodel as being very good.
(13) COMICS SECTION.
Agnes has some pecadillos as a author that make me wonder if she’s a relative of Writer X. It seems even more possible after reading this later strip.
Lio shows that sometimes nature calls from very faraway places.
…Other “What If? 2” situations ring of the perilous: What are your chances of death-by-geyser at Yellowstone Park? What would the daily caloric human-intake needs be for a modern T. rex gone rogue in the boroughs of New York? And how catastrophic would it be if, as the children’s tune goes, all the raindrops were lemon drops and gumdrops?…
(15) CURRENT EVENTS. “Colonizing the Cosmos: Astor’s Electrical Future” at The Public Domain Review. “During America’s Gilded Age, the future seemed to pulse with electrical possibility. Iwan Rhys Morus follows the interplanetary safari that is John Jacob Astor’s A Journey in Other Worlds, a high-voltage scientific romance in which visions of imperialism haunt a supposedly ‘perfect’ future.”
…Luckily, one of them told us exactly how he imagined the century to come. In 1894, New York publishers D. Appleton and Company released A Journey in Other Worlds: A Romance of the Future, written by John Jacob Astor IV, one of America’s wealthiest men. The Astor clan had originally made their fortune in the fur trade, and had added to their millions through investment in land and property. In 1897, John Jacob would build the Astoria Hotel in New York, next door to the Waldorf, owned by his cousin William. The hotel was both a symbol of the Astor family’s wealth and a honeypot for New York’s fashionables (Tesla himself lived there until he was turfed out for failing to pay his bills). It’s Astor’s authorship that makes the book such a fascinating insight into the Gilded Age’s fantasies about its prosperous tomorrows….
(16) TURN OF THE SEASON. [Item by SF Concatenation’s Jonathan Cowie.] SF2 Concatenation’s autumnal edition is now up.
The image (shown) is of a planet called HIP 65426 b, an object similar to Jupiter, but younger and hotter, that lies 107 parsecs from Earth in the constellation Centaurus. Although it looks like a pixelated light bulb, it is the first exoplanet image ever taken at deep infrared wavelengths, which allow astronomers to study the full range of a planet’s brightness and what it is made of (the star symbol marks HIP 65426 b’s star, whose light the telescope blocked).
Astronomers know of more than 5,000 exoplanets, but they have taken pictures of only around 20. Imaging exoplanets directly is difficult, because they are often lost in the glare of the star around which they orbit.
But observing them at infrared wavelengths, as Webb does, helps to boost the contrast between star and planet. “You’re in the regime where planets are brightest and stars are dimmest,” says Aarynn Carter, an astronomer at the University of California, Santa Cruz, and lead author of the preprint.
Some 150 million years ago, towards the end of the Jurassic period, an unknown but probably small creature threw up a recent meal inside a pond in what is now Utah1.
Over the ages, the puke’s contents were fossilized and remained untouched. That is, until they reached the hands of John Foster at the Utah Field House of Natural History State Park Museum in Vernal and his colleagues.
The researchers found the fossil at the ‘Jurassic Salad Bar’, a site where they’ve unearthed more than 300 fossilized plants. The specimen is small, not much larger than 1 square centimetre in area. But it’s densely packed with more than 20 undigested bones and some puzzling items that might well be soft tissues or part of the vomit material.
Some of the bones, including some vertebrae, possibly belonged to a tadpole. Others were once part of frogs. And a tiny femur might have come from a salamander. Given the contents and the setting they were found in, researchers strongly suspect that a fish might have been the one to throw them up.
(19) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers: 300th Episode,” the Screen Junkies’s EPIC Voice Guy salutes Ryan George for his 300th episode of “Pitch Meeting” by saying Ryan George is “the Canadian Ryan who doesn’t have six-pack abs.” George gets to repeat all the catchphrases from every episode (including “super easy, barely an inconvience”) and says that after 300 episodes the producer and the writer have turned from “poorly developed characters” into “psychopaths.”
[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, Joey Eschrich, SF Concatenation’s Jonathan Cowie, Cora Buhlert, John King Tarpinian, Andrew Porter, Chris Barkley, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Cora Buhlert.]
A consequence of Eric Flint’s death on July 17 is that his publishing businesses will have to shut down. His wife, Lucille Robbins, made the announcement today on the Ring of Fire Press website.
Our Fellow Members of the Ring of Fire Press Family,
It has taken the staff and the family to both assess and absorb the sad passing of our friend and mentor, Eric Flint. In the wake of his passing, we have looked at the financial realities of the publisher 1632, Inc. as a company and its future without Eric as the visionary and driving force behind the press.
It is with great sadness and heavy hearts that the publisher 1632, Inc. must cease all operations and release all staff and consultants. This is not what we wanted or expected to happen but, unfortunately the publisher 1632, Inc. is not sustainable.
Eric Flint’s Ring of Fire Press will be working with each of their authors to revert their creative rights. A caretaker volunteer will be reaching out to authors in order to help facilitate the transfer and answer any questions you have.
We here at 1632, Inc. are so very sorry things have come to this.
Meanwhile, Lucille Robbins, Eric Flint’s widow and heir, in conjunction with Baen Books announced the forthcoming titles from Eric Flint, which have already been delivered and are on the schedule for Baen Books:
1637: The Transylvanian Decision by Eric Flint & Robert Waters—hardcover
1638: The Siberian Enterprise by Eric Flint, Paula Goodlett & Gorg Huff–hardcover
There will also be a number of previously contracted-for projects that Eric Flint had already provided input on, and which will be published as by his collaborator “with Eric Flint.” These include sequels to his science fiction novels with David Carrico and Ryk E. Spoor as well as a number of 1632/Ring of Fire series novels, including novels with Jody Lynn Nye, Griffin Barber, and Charles E. Gannon.
The announcement said in conclusion that, moving forward, any projects not already under contract by Baen Books will need to be approved by Lucille Robbins, who will be working with Baen publisher Toni Weisskopf and several of Flint’s collaborators to make sure his intentions for the series are kept. Proposals can be directed to Weisskopf at [email protected]
…It was when Howard Attfield, who’d played Donna’s dad in The Runaway Bride, passed away before his scenes could be completed on 2008 episode Partners in Crime that Russell T Davies hit upon the idea of bringing in Cribbins as Donna’s gramps (Cribbins re-filmed the scenes that Attfield had already completed).
With any other actor it would have taken fans time to fall in love, but RTD was clearly banking on 40-plus years’ worth of affection for Cribbins. And it’s testament to how scene-stealing the actor was in that episode that Wilf pops up more and more as the 2008 series goes on. He’s heartbreaking in alternate reality episode Turn Left, as he watches immigrants being forcefully taken away by the army. “Labour camps, that’s what they called them last time,” he says, tearfully. “It’s happening again.”…
The Natural History Museum and HBO Max present a new, one-of-a-kind experience exploring the lives and legends of the HBO original series House of the Dragon. Visit the mythical world of Westeros, the Targaryen Dynasty, and the dragons that ruled beside them. Attendees will be the first to see new costumes and props from the series and have the chance to sit on a replica of the new Iron Throne.
Through related digital and public programming, we will also explore the relationship between dragons and the real-life creatures that may have inspired them.
(3) A NOVEL INTERPRETATION. If the government’s suit to keep Penguin Random House from buying a competitor, Simon & Schuster, is successful, does that actually help Amazon? “The Books Merger That’s About Amazon” (limited to New York Times subscribers).
…This case, which is about much more than books and the earnings of big-name authors, is another example of the debate over how to handle large companies — including the biggest digital powers — that shape our world.
The elephant in the room is Amazon. Book publishers want to become bigger and stronger partly to have more leverage over Amazon, by far the largest seller of books in the United States. One version of Penguin Random House’s strategy boils down to this: Our book publishing monopoly is the best defense against Amazon’s book selling monopoly.
As the dominant way Americans find and buy books, Amazon can, in theory, steer people to titles that generate more income for the company. If authors or publishers don’t want their books sold on Amazon, they may disappear into obscurity, or counterfeits may proliferate. But if the publisher is big enough, the theory goes, then it has leverage over Amazon to stock books on the prices and terms the publisher prefers.
“Their argument is in order to protect the market from monopolization by Amazon, we’re going to monopolize the market,” said Barry Lynn, the executive director of the Open Markets Institute, an organization that wants tougher antitrust laws and enforcement….
…For example, in 1947 the Post needed an illustration for a story by Robert Heinlein that takes place in “interplanetary space.” According to How I Make a Picture, the art editor recalled that he scratched his head and wondered, “What the hell does interplanetary space look like?” Next, he called Fred Ludekens.
The story, The Green Hills of Earth, was about a blind accordion player living in the Martian city of Marsopolis. Ludekens first thought he might avoid a lot of homework by proposing a flat, “decorative” design as an illustration. Here is his preliminary draft that he submitted to the Post:
But the Post said no. Then he thought he might get off easily by adopting a “fantasy” approach:
But again the Post said no. Any illustrator could do that kind of painting. The Post wanted a “realistic” illustration. The magazine had housewives and truck drivers amongst its readers, but it also had astronomers and university professors itching to criticize any technical error they might find. The Post needed an artist who could please a general audience but at the same time satisfy the experts….
In the aftermath of the war, an explosion of genre book publishing brought science fiction and fantasy closer to the mainstream. However, new novel-length fiction was scarce, so the vast majority of titles issued in 1946 looked back, republishing material from prior years.
Thanks to one prolific fan, we have a contemporaneous view of fandom’s favorites from this period. In January 1947, New Jersey’s Joseph Charles (“Joe”) Kennedy published the 1946-1947 Fantasy Review, the second in his series of yearbooks covering the field. Along with his own perspective, Kennedy presented the results of a survey that captured the opinions of 78 fans of the day. Caveats apply; e.g. the sample appears to be entirely from the United States and Canada — but the poll offers at least one window into sentiments at the time….
…Hollywood was in its Golden Age in 1941 and so was baseball. As I wrote this novella, setting scenes at Gilmore Field and the Brown Derby and Long Beach Harbor for the first flight of the Spruce Goose was great fun, made all the more enjoyable for my fictional version being not so far from the truth.
But there’s another part of this story that’s also not far from the truth. Underneath all the glamour and magic of Hollywood in those years there was a dark upwelling of fascism. There were plenty of people in America, and particularly in Southern California, who admired Hitler and the way he’d made Germany a world power again. Many, perhaps most, of these people also liked what he was doing to the Jews in Germany and thought that was something they should do to the Jews of Hollywood, especially the Jewish studio heads and their many directors and producers and actors, who, in the fevered minds of these home-grown fascists, were destroying America with their evil money-making success trying to make propaganda films that warned of the Nazi menace and praised resistance to it. Good thing the German consul to Los Angeles, Georg Gyssling, made sure those films were changed to be less troublesome before they were released, else he’d ban them from distribution in Germany, Europe’s biggest market for films….
We have some locs, and then we dive into discussing the recent travails of FantasyCon, the recent books of The Arthur C. Clarke Award, and the recent venues of Conversation 2023. Art by Alison Scott.
(8) HIS FRIEND FLINT. Kevin J. Anderson paid tribute to the late Eric Flint on Facebook.
Took me a long time to do this.
It was all an act, as any of Eric’s closest friends knew: his gruff demeanor, his curmudgeonly comments, but it was nothing more than a thin disguise for the engaged, caring, and mentoring personality that was Mr. Eric Flint. This guy knew what he was talking about.
When I met Eric for the first time (or so I thought), he was already a legend. I sought him out at a Chicago Worldcon and introduced myself. He just smiled and said that we had already met—I was one of his instructors when he’d won the Writers of the Future Contest in 1993. He was one of those wide-eyed students sitting around the table (along with Sean Williams and Stoney Compton), as Rebecca Moesta and I lectured them on professionalism and productivity….
(9) MEMORY LANE.
1952 – [By Cat Eldridge.] No, this is definitely not genre or genre related in any way what-so-ever, but it’s a fascinating story none-the-less. So let’s look at the story of Agatha Christie’s The Mousetrap play.
The Mousetrap opened in London’s West End in 1952 and ran continuously until 16 March 2020, when the stage performances had to be temporarily discontinued during the COVID-19 pandemic. It then re-opened on 17 May 2021. The longest-running ever West End show, it has by far the longest run of any play in the world, with its 27,500th performance taking place on the 18th September of 2018.
It is set in a guest house, Monkswell Manor, in the winter in the present day so the settings and costuming are always contemporary. it is a whodunit and the the play has a surprise ending, which the audience are asked not to reveal after leaving the theatre. Not that actually helps as many of course do discuss it.
Critics in general just plain didn’t like saying it was way too cliched and the characters were “too obvious by half”.
Some four hundred actors have played the various roles down the decades. Most are relatively unknown. sir Richard Attenborough was the original Detective Sergeant Trotter, and his wife, Sheila Sim, the first Mollie Ralston, owner of the Monkswell Manor guesthouse.
The play began life as a short radio play written as a birthday present for Queen Mary, the consort of King George V. It was broadcast on 30 May 1947 as “Three Blind Mice”.
The play is based on a short story which was Christie based off the radio play. Christie ordered that the story not be published as long as it ran as a play in the West End of London. The short story has still not been published within the U.K. but it was published in the States in the 1950 Three Blind Mice and Other Stories collection.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 4, 1923 — Paul Schneider. He wrote scripts for the original Star Trek, Star Trek: The Animated Series, The Starlost, The Six Million Dollar Man, and Buck Rogers in the 25th Century. He’s best remembered for two episodes of the original Trek series: “Balance of Terror” and “The Squire of Gothos”. “Balance of Terror”, of course, introduced the Romulans. (Died 2008.)
Born August 4, 1937 — David Bedford. Composer who worked with Ursula K Le Guin to produce and score her Rigel 9 album which the Encyclopedia of Science Fiction says is ‘a work that is musically pleasant although narratively underpowered.’ I’ve not heard it, so cannot say how accurate this opinion is. (Died 2011.)
Born August 4, 1942 – Don S. Davis. He’s best-known for playing General Hammond on Stargate SG-1 and Major Garland Briggs on Twin Peaks. He had a small part in Beyond the Stars as Phil Clawson, and was in Hook as Dr. Fields. Neat factiod: on MacGyver for five years, he was the stunt double for Dana Elcar. (Died 2008.)
Born August 4, 1944 — Richard Belzer, 78. The Third Rock from The Sun series as himself, also the Species II film and a truly awful adaption of Heinlein’s The Puppet Masters, along with series work too in The X-Files, The Invaders, Human Target, and a recurring role in the original Flash series to name a few of his genre roles.
Born August 4, 1950 — Steve Senn, 72. Here because of his Spacebread duology, Spacebread and Born of Flame. Spacebread being a large white cat known throughout the galaxy as an adventuress and a rogue. He’s also written the comic novels, Ralph Fozbek and the Amazing Black Hole Patrol and Loonie Louie Meets the Space Fungus. Spacebread is available at the usual suspects for a mere ninety cents as is Born of Flame: A Space Story for the same price!
Born August 4, 1968 — Daniel Dae Kim, 54. First genre role was in the NightMan series, other roles include the Brave New World TV film, the second Fantasy Island of three series, recurring roles on Lost, Angel and Crusade, the Babylon 5 spinoff Crusade series, Star Trek: Voyager, Charmed and voice work on Justice League Unlimited.
Born August 4, 1969 — Fenella Woolgar, 53. Agatha Christie in “The Unicorn and The Wasp” episode of Doctor Who where she more than capably played off against David Tennant’s Tenth Doctor. Her only other genre was as Helena in A Midsummer Night’s Dream at the Royal Exchange Theatre, Manchester. (See my essay on “The Unicorn and the Wasp” in item #9 here.)
(11) AMONG THE MISSING. In the Washington Post, David Betancourt explores who would have been in Batgirl if it had been finished, including J.K. Simmons as Commissioner Gordon and the return of Michael Keaton as Batman. “’Batgirl’ has been canceled. Here’s what’s lost”.
…One of the most dramatic aspects of the Batgirl mythos is that she is the daughter of Gotham City police commissioner Jim Gordon, who in many comic iterations is not aware his daughter is a crime-fighting vigilante. “Batgirl” starred J.K. Simmons as Gordon, continuing a role he began in Zack Snyder’s polarizing Justice League movies. Simmons is best known for giving one of the all-time great superhero movie performances in Sam Raimi’s original Spider-Man trilogy as Daily Bugle editor in chief J. Jonah Jameson. If Simmons is in your superhero movie, it’s a big deal.
Brendan Fraser, having already done stellar work for WB/DC in the HBO Max series “Doom Patrol,” was “Batgirl’s” villain, the pyromaniac Firefly. His attempt to add to an impressive array of DC movie villains over the years, from Jack Nicholson to Heath Ledger, now goes up in smoke.
But the biggest holy cow moment of all from “Batgirl” was going to bethe return of Keaton as Batman. There are few bigger deals in comic book culture than his answering a Bat-signal’scall in the 21st century. He is also set to resume the role in the upcoming “The Flash” movie starring Ezra Miller, scheduled for release in 2023,but given the recent controversies surrounding Miller, one must wonder whether we’ll ever see Keaton’s bat-comeback at all….
(12) RAISE YOUR BANNERS. Creation Entertainment and Warner Bros. will run the first Game of Thrones Official Fan Convention from December 9-11, 2022 at Los Angeles Convention Center. See guest list and other details at the link.
…I also thought Martine did a great job of conveying how military officers are required to make significant decisions without enough data, and how that results in a drastically different worldview than that of an academic.
And finally, the prose was wonderful. Little things like “You think these aliens are offensive; your word for offensive is ‘wasteful'”. Just so good. I highly, highly recommend this novel….
Stech also delivers many frank observations about some of the other finalists that don’t work so well for him.
(14) DEATH’S INTERN. Plague Unleashed by D. C. Gomez (published in 2018) is book two in the action-packed and humorous Urban Fantasy series The Intern Diaries. Isis Black has survived eight months as Death’s Intern. But not even all her training could have prepared her for the madness of zombies running loose in Texarkana.
A disgruntled employee, sibling rivalry, and zombie attacks. Who said Texarkana was boring?
I swear, I didn’t do it.
It wasn’t me.
I did not start the zombie-apocalypse in Texarkana.
But I’m planning to find out who did it, before the whole city is taken over by those mindless souls.
Too bad the one person that might have the answer is the one being Constantine despises above all else, Death’s Sister, Pestilence. How can one person be so absolutely despicable? Why does she need ten interns all calling her Mistress? She is evil.
Pestilence swears she didn’t cause the Plague. I’m blaming her anyway. Now all I need is more time and less five-year-olds trying to eat their teachers’ faces. Scratch that, what I really need is a new job.
D. C. Gomez is an award-winning USA Today Bestselling Author, podcaster, motivational speaker, and coach. Born in the Dominican Republic, she grew up in Salem, Massachusetts. D. C. studied film and television at New York University. After college she joined the US Army, and proudly served for four years. You can find out more about her at www.dcgomez-author.com.
Scientists have discovered ancient human footprints in Utah, traces, they say, of adults and children who walked barefoot along a shallow riverbed more than 12,000 years ago….
The 88 footprints are in several short trackways, some of which indicate that people may have simply been congregating in one area. “It doesn’t look like we just happened to find someone walking from point A to point B,” Dr. Duke said. They believe these footprints are of people who lived nearby. “Maybe collecting things. Maybe just enjoying themselves” in the shallow water, he added….
Dr. Urban compared the Utah footprints to the “ghost tracks” in White Sands, a term used for tracks that appear only under certain conditions, then disappear just as quickly. The fossil tracks in New Mexico, as much as 23,000 years old, were uncovered using ground-penetrating radar technology and contained a treasure trove of revelations: tracks of ancient humans and megafauna intersecting and interacting with each other. They showed proof that ancient humans walked in the footprints of enormous proboscideans and vice versa; that one human raced across the mud holding a child, put that child down at one point, picked that child back up and then rushed off to an unknown destination; that at least one giant ground sloth was followed by ancient humans, rose up on its hind legs and twirled as the humans surrounded it; that children played in puddles.
(16) WHO’S WATCHING WHAT. JustWatch says these were the Top 10 Sci-Fi Movies and TV Shows in the US in July.
Everything Everywhere All at Once
Spider-Man: No Way Home
Jurassic World Dominion
For All Mankind
Jurassic World: Fallen Kingdom
Crimes of the Future
The Twilight Zone
Doctor Strange in the Multiverse of Madness
*Based on JustWatch popularity score. Genre data is sourced from themoviedb.org
(17) CATS WHO LOVE TURKEY. Kedi, a cat documentary filmed in Istanbul, was released in 2017. But maybe these clips are news to you, too!
A profile of an ancient city and its unique people, seen through the eyes of the most mysterious and beloved animal humans have ever known, the Cat.
[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, John Coxon, Bill, Martin Morse Wooster, JJ, John King Tarpinian, Andrew Porter, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
I’ve been having a brutal time getting online all afternoon. And having suitably paranoid thoughts that my internet provider knows I spent the morning trying to replace its service (only to discover the company that had been sending me its advertising doesn’t actually cover my address), and is punishing me for my disloyalty. Therefore I have prepared this placeholder which I will load if I can get online long enough to do so. And I will add the rest of the birthdays later, since I assume at some point things will start working again
(1) BAEN WRITERS REMEMBER ERIC FLINT. On the Baen Free Radio Hour, Griffin Barber hosts and participates in a roundtable remembrance of the late Eric Flint, featuring David Weber, Charles E. Gannon, Kevin Ikenberry, and Bjorn Hasseler.
(2) PAUL COKER (1929-2022). MAD Magazine artist Paul Coker died July 23. Coker’s first appearance in Mad was in 1961; he has since gone on to illustrate over 375 articles for the magazine. In 1968, he illustrated the Mad paperback MAD for Better or Verse; written by Frank Jacobs, the first of eight all-new paperbacks drawn by Coker. In 2002, the magazine also published a collection of “Horrifying Cliches,” the long-running feature that featured Coker art. Coker also was a production designer on more than a dozen Rankin/Bass specials and shorts, including Frosty the Snowman, Santa Claus Is Comin’ to Town, The Year Without a Santa Claus, Rudolph’s Shiny New Year and The Easter Bunny Is Comin’ to Town.
(3) MEMORY LANE.
2011 – [By Cat Eldridge.] Just twelve years ago on this date, a rare beast slouched forth. Cowboys & Aliens was an SF Western film which was directed by Jon Favreau with the cast Daniel Craig as the memory fogged cowboy and Harrison Ford as a wealthy landowner, and Olivia Wilde as a mysterious traveller. Yes, they got top billing.
It was based off the rather excellent graphic novel created by Scott Mitchell Rosenberg and written by Fred Van Lente and Andrew Foley, with art by Dennis Calero and Lucian Lima. It’s available from the usual suspects as a Meredith moment as it only seven dollars. Do be very careful what you download as there’s a not so choice bit of erotica called Cowboys & Aliens as well. Really. Truly. There is.
The screenplay by Roberto Orci, Alex Kurtzman, Damon Lindelof, Mark Fergus and Hawk Ostby from the story by Mark Fergus, Hawk Ostby and Steve Oedekerk. Notes about the film by Orci and Kurtzman says they thought it has a strong Trek and a Indy Jones feel.
Before Universal Studios picked up the option, Universal Pictures, DreamWorks Studios, Fox Family Films, Columbia Pictures, Walt Disney Entertainment, and Paramount Pictures passed out on it. Mind you Universal Studios didn’t take all the financial risk here as they formed a complex consortium of DreamWorks Pictures, Reliance Entertainment, Relativity Media, Imagine Entertainment, K/O Paper, Products Fairview Entertainment and Platinum Studios.
Oh I’d loved to have seen the profit sharing paperwork there! Not that there weren’t any as it made just ten million over its production costs of one hundred and sixty four million. With publicity costs, it definitely lost money.
SPOILERS! BEWARE! GO AWAY!
A mysterious men with no memories wearing alien tech. Corpses that come back to life. Aliens kidnapping locals for nefarious reasons. Well to mine gold. Huh? A lot of this could fit into The Adventures of Brisco County, Jr. episode if you tried. Sorry it just felt that way to me watching it.
It ends happily, more or less, for almost everyone still living with the townsfolk using the gold after after the Aliens have been killed off to rebuild the flatten town, and the Mysterious Stranger, no not the Olivia Wilde character, but the character with the alien tech allowed to leave town.
IT’S SAFE TO COME BACK NOW. REALLY IT IS.
It’s not bad but I’ll note the mixing of genres didn’t please many critics. As the Salon reviewer said it was “a mediocre western clumsily welded to a mediocre alien shoot-’em-up”. And Slant concluded that “Cowboys & Aliens mashes up genres with a staunch dedication to getting everything wrong, making sure that each scene is more inane than the one that preceded it.”
It has a forty-three rating among audience reviewers at Rotten Tomatoes.
(4) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 29, 1915 — Kay Dick. Author of two genre novels, The Mandrake Root and At Close of Eve, plus a collection, The Uncertain Element: An Anthology of Fanta. She is known in Britain for campaigning successfully for the introduction of the Public Lending Right which pays royalties to authors when their books are borrowed from public libraries. There should be a statue of her for that. She’s not available in digital or print currently. (Died 2001.)
Born July 29, 1927 — Jean E. Karl. She founded Atheneum Children’s Books, and she edited the beginning of Ursula K Le Guin’s Earthsea sequence and Susan Cooper’s The Dark Is Rising sequence. As an author, she wrote three genre novels, Strange Tomorrow, Beloved Benjamin Is Waiting and But We Are Not of Earth, and a reasonable amount of short fiction, all of which is In the Clordian Sweep series. Nine of those stories are in The Turning Point collection. The Turning Point collection is available from the usual suspects. (Died 2000.)
Born July 29, — Curtis C. Smith. Editor of Twentieth-Century Science-Fiction Writers, plus two genre biographies, Olaf Stapledon: A Bibliography with co-author Harvey J. Satty, and Welcome to the Revolution: The Literary Legacy of Mack Reynolds. Not active since the mid Eighties as near as I can tell. Clute in EoSF notes “The brief biographical sections are generally accurate; the critical pieces vary in quality, with some excellent short essays by a wide range of authors; but the bibliographies are flawed by a murkily inconsistent methodology (perhaps due to the series’ house style), and are error-strewn.” (Died 2014.)
Born July 29, 1941 — David Warner. Being Lysander in that A Midsummer Night’s Dream was his first genre role. I’m going to do just highlights after that as he’s got far too extensive a genre history to list everything. So he’s been A Most Delightful Evil in Time Bandits, Jack the Ripper in Time After Time, Ed Dillinger / Sark in Tron, Father in The Company of Wolves, Chancellor Gorkon in Star Trek VI: The Undiscovered Country, The Creature in Frankenstein, voice of Ra’s al Ghul on Batman: The Animated Series and Abraham Van Helsing on Penny Dreadful. (Died 2022.)
Born July 29, 1888 — Farnsworth Wright. Editor of Weird Tales, editing an amazing 179 issues from November 1924–March 1940. Mike Ashley in EoSF says, “Wright developed WT from a relatively routine horror pulp magazine to create what has become a legend.” His own genre fiction is generally considered undistinguished. He also edited during the Thirties, Oriental Stories and The Magic Carpet. The work available digitally is a poem, “After Two Nights of the Ear-ache”. He was nominated at Loncon 3 for a Best Editor Retro Hugo. (Died 1940.)
Born July 29, 1956 — Chitra Banerjee Divakaruni, 66. Author of the India set magical realist The Brotherhood of the Conch series. She also has three one-off novels, The Palace of Illusions, The Mistress of Spices, and her latest, The Forest of Enchantments. Her website is here.
[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, Andrew Porter, Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
(1) CALL FOR ATTITUDE CHANGE. Robert Zubrin and two associates discuss the search for life on Mars in the New Atlantis. “How to Search for Life on Mars” – “First, stop refusing to look.”
… The search for life ought to be the great passion animating Mars exploration. But it has not been a goal for NASA. In fact, NASA’s public relations department frequently claims that the agency’s Mars exploration program is meant to “seek signs of life.” They say this because they know that it is what the public is — rightly — interested in. Unfortunately, the claim just isn’t true. NASA’s Mars robotic exploration program is actually focused on geological research, while its planned human Mars exploration program — inasmuch as it exists at all — is not being designed to properly support scientific exploration of any kind.
The last time our space agency conducted experiments to identify signs of living microbes on the planet was in 1976. The 2012 Curiosity rover was meant only to find out “if Mars was ever able to support microbial life,” and the 2021 Perseverance mission was to collect geological samples for later retrieval and perhaps find signs of ancient life — neither aimed at finding living things on the planet today….
(2) DREAMHAVEN MURAL. A bit of criminal activity almost stalled today’s plans to keep painting the DreamHaven Books mural. First they announced.
Things were going so well with the mural but now someone came in the middle of the night and stole the scaffolding.
UN-FUCK! We found the scaffolding. Some asshole wheeled it off behind a nearby building. A neighbor saw it happen and knew vaguely where it had been taken. We already had new scaffolding being delivered and I was planning to spend the night to ensure it stayed in place. I’m still staying tonight. Mark is doing Cheech Wizard right now and Little Nemo and backgrounds tomorrow.
…Though the publishing industry would never condone book banning, a subtler form of repression is taking place in the literary world, restricting intellectual and artistic expression from behind closed doors, and often defending these restrictions with thoughtful-sounding rationales. As many top editors and publishing executives admit off the record, a real strain of self-censorship has emerged that many otherwise liberal-minded editors, agents and authors feel compelled to take part in.
Over the course of his long career, John Sargent, who was chief executive of Macmillan until last year and is widely respected in the industry for his staunch defense of freedom of expression, witnessed the growing forces of censorship — outside the industry, with overt book-banning efforts on the political right, but also within the industry, through self-censorship and fear of public outcry from those on the far left.
“It’s happening on both sides,” Sargent told me recently. “It’s just a different mechanism. On the right, it’s going through institutions and school boards, and on the left, it’s using social media as a tool of activism. It’s aggressively protesting to increase the pain threshold, until there’s censorship going the other way.”
In the face of those pressures, publishers have adopted a defensive crouch, taking pre-emptive measures to avoid controversy and criticism. Now, many books the left might object to never make it to bookshelves because a softer form of banishment happens earlier in the publishing process: scuttling a project for ideological reasons before a deal is signed, or defusing or eliminating “sensitive” material in the course of editing….
…What is often missed in the early drafting of characters is the up-close observation necessary to fully render their emotional expression, which in turn accentuates their uniqueness. One way we can develop our characters is to consider the individuality and expression of a character’s eyebrows.
Eyebrows can be an important window into a character’s interior world. When we scrutinize with words the detail of movement and expression individual to each person, we create an orchestration, a living symphony of movement and energy, indicative of a living world. To do this takes attention, rumination, and concentrated focus on the people we’re writing….
(5) IN THE PIPELINE. Andrew Porter shared this list of titles from the late Eric Flint that have already been delivered and are on the schedule for Baen, which he received from Toni Weisskopf.
July 2022 1812: The Rivers of War-first Baen publication, trade pb
August 2022 The Crossing by Kevin Ikenberry-hardcover (not by Eric, but an Assiti Shards novel)
September 2022 To End in Fire by David Weber & Eric Flint-mass market reprint 1637: Dr. Gribbleflotz and the Soul of Stoner by Kerryn Offord & Rick Boatwright-mass market reprint
November 2022 1637: The Transylvanian Decision by Eric Flint & Robert Waters-hardcover
January 2023 Grantville Gazette IX-mass market reprint
April 2023 1637: The Coast of Chaos by Eric Flint et al.-mass market reprint
September 2023 1638: The Siberian Enterprise by Eric Flint, Paula Goodlett & Gorg Huff-hardcover
Since the Space Force was established in 2019, there has been the lingering question of what, exactly, it does.
One would certainly hope that the branch would be heavily involved in a theoretical battle between aliens and dragons in space. The occurrence of which, apparently, one helpful citizen was trying to warn the Space Force about last week.
At Patrick Space Force Base, Corey Johnson, 29, was arrested for trying to enter the installation. The reason? According to what he told arresting officers, he was there on behalf of the President to alert the Space Force that there were “US aliens fighting with Chinese dragons.”…
(7) THE ULTIMATE SPACE RACE. [Item by Martin Morse Wooster.] The space battle between the U.S. and the USSR is explained by Ambient Press in less than three minutes!
(8) MEDIA BIRTHDAY.
2022 – [By Cat Eldridge.]Green Lantern: Beware My Power (2022). I forgot that had preordered this animated DC film some months ago until I got an email a few hours ago that it was available for download. I’m a big fan of Green Lantern and very much enjoyed the animated series and abhorred the live film (I made maybe twenty minutes into it before giving up), so I figured that I’d like it based on the trailer that I watched on iTunes.
So I downloaded it to my iPad and started watching it. It’s the forty eighth film in the DC Animated Movie Universe influenced predominantly by The New 52 which rebooted the DC Universe. No, I’ve seen all of them by any means!
The animation style is a clean, adult style affair and the language is too with an occasional “shit” allowed. It’s a strong PG-13 and you can see the trailer trail here.
John Stewart is a black marine sniper, voiced here by Aldis Hodge (playing Hawkman in Black Adam) who is given a Lantern Ring by a dying member of the Lantern Corps. He’s not at all happy about that as he’s forsworn violence, and doesn’t have a clue what the Lanterns are. Furthermore the mission here isn’t really explained at all, and I’ve avoiding spoilers, so he and Green Arrow plus Hawkgirl figure out things as they go along.
It was directed by Wamester from a stellar screenplay by E. J. Altbacker and John Semper. The former was involved with the Green Lantern: The Animated Series; the latter wrote for a Cyborg series.
I highly recommend it.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 26, 1894 — Aldous Huxley. Brave New World is fascinating. I knew I had it assigned and sort of discussed in a High School class and at least one Uni class a very long time ago. So what else is genre by him and worth reading? I see his Time Must Have a Stop novel was on the longlist at CoNZealand. (Died 1963.)
Born July 26, 1928 — Stanley Kubrick. I’m reasonably sure 2001: A Space Odyssey was the first film I saw by him but Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb was the one that impressed me the most. A Clockwork Orange was just too damn depressing. And I’m not a horror fan as such so I never saw The Shining. Barry Lyndon is great but it’s not genre by any means. (Died 1999.)
Born July 26, 1945 — Helen Mirren, 77. She first graces our presences as Hermia in A Midsummer Night’s Dream. She next shows up in a genre role as Alice Rage in The Fiendish Plot of Dr. Fu Manchu, Peter Sellars’s last film. She’s an ever so delicious Morgana in Excalibur and then leaps into the future as Tanya Kirbuk in 2010: The Year We Make Contact. She voices the evil lead role in The Snow Queen, and likewise is Deep Thought in The Hitchhiker’s Guide to the Galaxy.
Born July 26, 1945 — M. John Harrison, 77. Winner of the Otherwise Award. TheViriconium sequence, I hesitate to call it a series, starting with The Pastel City, is some of the most elegant fantasy I’ve read. And I see he’s a SJW as he’s written the Tag, the Cat series which I need to take a look at again. He’s also been a major critic for the past thirty years reviewing fiction and nonfiction for The Guardian, The Daily Telegraph, the Times Literary Supplement and The New York Times. He’s lightly stocked at the usual suspects though TheViriconium sequence is there at a very reasonable price. And his short stories are excellent, so may I recommend Settling the World: Selected Stories 1970-2020?
Born July 26, 1954 — Lawrence Watt-Evans, 68. Ok I’ll admit as I’ve said before that I’ve not read “Why I Left Harry’s All-Night Hamburgers” which won him a short fiction Hugo at Conspiracy ’87. It also was nominated for a Nebula and won an Asimov’s Reader’s Poll that year. It’d be his only Hugo. So I’m curious what Hugo voters saw in it. Yes, I’ve read him — his War Surplus series is quite excellent.
Born July 26, 1978 — Eve Myles, 44. She’s a a Welsh actress from Ystradgynlais, convenient as she played Gwen Cooper on Torchwood which was set in and shot in Cardiff. She previously played the servant girl Gwyneth in the Doctor Who episode “The Unquiet Dead” during the Ninth Doctor’s time.
(10) BOOK TRAILER.Giant Island by World Fantasy Award Lifetime Achievement winner Jane Yolen and award-winning fantasy illustrator Doug Keith will be released in August.
Two children explore the caves and coves of the tiny and oddly-named Giant Island. Under Grandpa’s watchful eye, Ava, Mason, and dog Cooper finally fathom that the island is much more than it seems: the craggy rocks, windswept trees, and unusual grotto are all parts of a submerged giant. Yolen’s text charms with hints of age-old magic and pays tribute to mystery, curiosity, and friendship. Keith’s wondrous watercolor paintings invite young readers to pore over the pages to discover the clues to this “huge” secret. Giant Island is a delightful, intergenerational and interspecies adventure for all ages.
In the near future, Earth has established diplomatic relations with aliens known as Logi, sort-of-but-not-quite humanoids who cannot speak in sound and use telepathy instead. To facilitate the daily business of politics, some humans are trained in specialized schools to understand Logi telepathy and translate into human speech. Each Logi visitor is thus paired with a human interpreter who accompanies them at their official appearances and handles their routine communication with Earth governments.
The catch? The Logi language does funny things to the human brain. After a few minutes of hosting alien thoughts in your head, you start feeling drunk. Too much talking in one day, and you might pass out.
So when our protagonist Lydia, the interpreter assigned to the Logi cultural attaché, wakes up from a massive blackout to find her boss murdered on his sofa, she has to quickly decide whom to trust and whom to suspect, because this is a future where impressions are everything, and the wording of a message can have rippling effects on public opinion.
(12) GAMING FOR THE HIGHEST STAKES.SPARK stands for Solar Prime Augmented Reality Park, a destination for gamers in Pat Daily’s debut novel.
In his mother’s last letter, she wrote, “Find me. Save me.” And Will Kwan had heard those words before. He’d heard them in a video game. Solar Prime Augmented Reality Park, or SPARK, is a theme park for gamers: a sprawling virtual reality complex with quests and games that appeal to all ages. But beneath the surface, SPARK harbors many a secret. When sixteen-year-old Will has to escape the foster system, SPARK is his destination. “Find me. Save me.” What had his mother meant? At SPARK, he runs headlong into the force of nature known as Feral Daughter, another runaway who has chosen to make SPARK her home and her life. As their friendship grows, Will begins to walk a path that will unveil not only the secrets of SPARK, but also a whole new perception of his world. So when terrorists threaten his new home and new friend, Will cannot stand idly by. Can Will finally get his closure? Or will SPARK be destroyed, along with the new life he has built?
Pat Daily is an engineer and former Air Force test pilot who worked at NASA’s Johnson Space Center on both the Space Shuttle and International Space Station programs. When not writing or trying to bring new airplane designs to life, Pat can be found gaming online. He is a fan of role-playing games – particularly open worlds with engaging storylines where actions have consequences.
The proposed T. rex reclassification struck the paleontology community like an asteroid, igniting passionate debates. On Monday, another team of paleontologists published the first peer-reviewed counterattack.
“The evidence was not convincing and had to be responded to because T. rex research goes well beyond science and into the public sphere,” said Thomas Carr, a paleontologist at Carthage College in Wisconsin and an author of the new rebuttal. “It would have been unreasonable to leave the public thinking that the multiple species hypothesis was fact.”
The earlier team of researchers have anticipated the rebuttal, which was published in the journal Evolutionary Biology. Gregory Paul, one of the authors of the original study, is working on another paper and says many of the rebuttal’s claims are outlandish…..
A respected Polish scientific institute has classified domestic cats as an “invasive alien species,” citing the damage they cause to birds and other wildlife…
(15) ONCE AGAIN, WHERE DOES IT RAIN? [Item by Danny Sichel.] Last month, psycholinguist Anne Cutler died, and renewed attention was given to her 1994 paper The perception of rhythm in language, which at two and a half pages long is the greatest scientific paper ever written.
When the World Wide Web made its public debut in the early nineteen-nineties, it fascinated many and struck some as revolutionary, but the idea of watching a film online would still have sounded like sheer fantasy. Yet on May 23rd, 1993, reported the New York Times‘ John Markoff, “a small audience scattered among a few dozen computer laboratories gathered” to “watch the first movie to be transmitted on the Internet — the global computer network that connects millions of scientists and academic researchers and hitherto has been a medium for swapping research notes and an occasional still image.”
That explanation speaks volumes about how life online was perceived by the average New York Times reader three decades ago. But it was hardly the average New York Times reader who tuned into the internet’s very first film screening, whose feature presentation was Wax or the Discovery of Television Among the Bees. Completed in 1991 by artist David Blair, this hybrid fiction and essay-film offered to its viewers what Times critic Stephen Holden called “a multi-generational family saga as it might be imagined by a cyberpunk novelist…
(17) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers: Ms. Marvel,” the Screen Junkies say that Ms. Marvel is not only the first Pakistani superhero in the MCU, but also the first MCU superhero from New Jersey. But while she faces “yet another poorly developed Marvel villain and two hunky guys competing for her attention, she is also the first mutant in the MCU since they re-acquired the X-Men, “Come for the origin of the X-Men–stay for the origin of Pakistan!”
[Thanks to Chris Barkley, Michael Toman, Cat Eldridge, Danny Sichel, Francis Hamit, Daniel Dern, Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Steve Davidson.]
(1) BOT AND PAID FOR. In “Fandoms Can Do Bad All by Themselves”, Vice looks at reports about what percentage of social media support for the release of the Zack Snyder cut of Justice League came from bots, but concludes most of it was probably genuine.
According to a report in Rolling Stone, the very online campaign for the release of Zack Snyder’s cut of Justice League was a battle waged in no small part by bots. The report is gossipy fun and well worth reading in full—multiple sources tell reporter Tatiana Siegel that Snyder, discoursing on his enemies to a studio executive, said, “I will destroy them on social media,” and it gets more absurd from there—but the main impression the reader is left with is that the pro-Snyder movement was perhaps not quite as organic as it seemed. One interesting thing is that it’s not clear how much that would matter—the behavior of most fandoms when they’re incensed, after all, is not all that different from bots to begin with.
… The outlet commissioned reports from three different cybersecurity and social-media firms, and also quotes from reports that were commissioned by Warner Bros. According to reports commissioned by Rolling Stone, at least 13% of the accounts using the hashtags related to the Snyder fandom were deemed fake—much higher than the average of around 5%. Because people and bots using this hashtag would often target specific Warner Bros. executives with implied death threats, Rolling Stone reports, the studio hired cybersecurity firms to analyze its contents. While all acknowledge that any popular hashtag will have bot activity, at a few points in the article different people argue that if Snyder was scheming behind the scenes at the Warner Bros. studios, then these bots must have been under his control as well. (One site, forsnydercut.com, was at one point registered by an ad agency, but Rolling Stone was unable to establish a connection between Snyder and a person apparently behind the site, whom he denied knowing or hiring.)
While this report is full of juicy gossip surrounding Snyder’s behavior towards the people he felt had wronged him, it probably somewhat overstates the power of robot armies; whatever else Snyder was or wasn’t in control of, he certainly knew how to present himself to a fandom in order to garner its sympathy….
Just Like Home is dedicated “to everyone who ever loved a monster.”
It is the easiest thing in the world to love a monster. It’s easy to love a monster because love isn’t a decision. It’s no one’s fault that love happens. Emotions, urges, and impulses are themselves beyond our ability to control. Love in its many forms wells up out of the human spirit irrepressibly. Like anger or sadness or the desire to kill, it arrives without invitation or intention. Action might spring from emotion—love might lead to an expression of affection, anger might lead to violence, a powerful impulse might lead to a monstrous act. But on its own, love is no different from any other feeling. To love a monster is easy, when the monster seems loveable.
It’s easy for a monster to seem loveable. All monsters partition other people into two categories—those who witness their monstrosity, and those who don’t. Maybe this is because the monster sees the world as divided into unequal parts, where some deserve to flourish while others deserve to be the targets of ungoverned impulse. Or maybe it’s because monsters want to be loved just as much as anyone else, and they understand that those who experience their ungoverned impulses aren’t likely to give them support, affection, admiration. Maybe it’s just another reflex, as unconscious as the way my voice slips into a slightly different register when I’m around trusted friends….
…Last Angel is not only a film about science fiction but, partly influenced by Chris Marker’s 1962 film La Jetée, it features a character called the “data thief” who travels back from the year 2195 to probe the failure of the Ghanaian revolution. If this all sounds hugely ambitious, Icarean even, that’s part of its appeal. It played a crucial role in popularising Afrofuturism – a term first coined by white theorist Mark Dery, and now used to describe countless exhibitions, film series and even films (such as the feudalism-romanticising Black Panther) in which the term is used breezily, a floating signifier for something to do with technophilia, empowerment, a vague and breezy form of utopianism. “Because of the ways it uses the archive, its montage, its commentary – the film has become a codex of futurity,” says George.
“If you want to fetishise futurity less, you have to go back to the plantations and to the slaves themselves: a lot of the songs that they were singing were literally about a tomorrow. These were cast in the metaphysical language of the day – that of the Bible – which was an act of mastery in itself. More than that, look at Italian futurism in the early 20th century: it opened out on to all kinds of fascism. You can’t have futurity, or futurism, or Afrofuturism, without some ambience of a fascist thinking creeping in.”…
(4) FLINT FUNDRAISER ACHIEVES GOAL. The “Eric Flint” GoFundMe created to help pay the costs of memorial services raised $12,540. The organizer announced, “The family wants to thank you for your generosity. We have reached the goal and will be closing the campaign. Hug your loved ones today.”
(5) SFWA SPOTLIGHTS ROMANCE STEERING COMMITTEE. The Science Fiction and Fantasy Writers Association (SFWA) announced that a SFWA Romance Steering Committee (RSC) was formed in Fall 2021.
The RSC will offer meaningful input and assistance in cultivating a positive trajectory for authors of stories that combine fantasy, science fiction, and romance in a way that encourages diversity, engagement, and quality, while also providing outreach and support resources for romance writers struggling with inclusion in the SFF community at large.
RSC resources that are already available, or will be soon, include:
The SFWA Discord channel #romantic-sff
Monthly posts in the Romancing SFF series on the SFWA Blog searchable here.
A Romancing SFF Meetup to be held in the fall.
The members of the Romance Steering Committee are Alexia Chantel, Claire Davon, Miranda Honfleur (co-chair), Victoria Janssen, Chelsea Mueller (co-chair), Abigail Reynolds, Katherine Ley, and R.K. Thorne.
This is the famous asbestos-bound edition of Bradbury’s classic dystopian novel about the power of books. #83 of 200 signed and numbered copies. A regular signed first edition of Fahrenheit 451 sold for $12,000 via AbeBooks earlier in the year.
Sixth on the list was Alice’s Adventures in Wonderland illustrated by Salvador Dali sold for $21,375.
(7) CYBER-GROUNDHOG DAY. [Item by Daniel Dern.] Sure, sounds useful, but also “Yet another ‘what could possibly go wrong,’ e.g., heists/capers, foreign invaders, alien invaders, and AI/cyber takeovers. E.g, Niven/Pournelle Oath of Fealty, probably also at least one PK Dick story. “Earthgrid Aims To Rewire the USA Using Super-Cheap Tunnel Tech” at Slashdot.
He-Man and his friends will welcome a new addition to the follow-up to Netflix’s Masters Of The Universe: Revelation—an animated series set in outer space that, up until now, has been sorely lacking anyone who’s actually been in outer space. William Shatner made a surprise appearance at Thursday’s San Diego Comic-Con panel celebrating 40 years of Masters Of The Universe toys, films, and series, at which series creator Kevin Smith confirmed that Shatner will voice a mystery character in the upcoming Masters Of The Universe: Revolution.
The legendary Star Trek actor and actual astronaut arrived to deliver the news of his casting in the most conceivably Comic-Con way possible: his booming voice startling and delighting Hall H audience members before he emerged to join the panel. The 2022 edition of the convention is a busy one for Shatner, who was also on hand to preview a forthcoming documentary about his life produced by Legion M, the production company created and led entirely by fans. “San Diego Comic-Con has grown,” he quipped. “There’s something in the water. It used to be a little sleepy town!”…
Cora Buhlert is keeping a sharp eye on these developments. She notes there will be another Masters of the Universe panel on Friday focused on the toys. Plus, says Cora, “Mattel has a huge toy display at the con, including a diorama featuring the massive Eternia playset, of which only a handful were produced in the 1980s. Apparently, the Eternia set will be crowdfunded, e.g. Mattel will be collecting preorders and only then go into production. There are a couple of videos about the Mattel display online. This one is pretty detailed and offers a good look at the Eternia diorama and the other toys announced.”
(9) BUHLERT’S NEW TOY PHOTO STORY. The previous item would have been the perfect lead-in to a new Masters of the Universe figure photo story, but that’s not the source of her latest, which is “The Frost-Giant’s Daughter”, an adaptation of a story by Robert E. Howard.
…For those who don’t know, “The Frost-Giant’s Daughter” is the second story about Conan of Cimmeria that Robert E. Howard ever wrote, ninety years ago now. It was rejected by Weird Tales and only published in altered form (with Conan renamed Amra) in the fanzine The Fantasy Fan during Howard’s lifetime. The original version did not appear until way after Howard’s death. You can read the Amra version here.
“The Frost-Giant’s Daughter” is set early during Conan’s career. Many believe it is the earliest of Conan’s chronicles adventures. I’m not entirely convinced by this, but Conan is definitely young in this story.
My adaptation differs from the original story in two aspects. For starters, I made it less rapey. Secondly, instead of the male pseudo-Viking companions from the original story, the companion I gave Conan is Valeria of the Red Brotherhood, pirate, mercenary, swordswoman and all around awesome character, whom Conan meets in the later story “Red Nails”.
So I present you: “The Frost-Giant’s Daughter” by Robert E. Howard, starring Conan of Cimmeria and Valeria of the Red Brotherhood…
We discussed the way his new novel 51 is similar to The Great Gatsby, why he believes his books will crumble if he attempts to describe them, the perils and pleasures of pantsing (and how his stories often don’t get any good until the 15th draft), the tragedy of being an invisible creature, our mutual fears of what aging might bring, his love for Marvel Comics (and especially the Silver Surfer), how Laura Ingalls Wilder introduced him to literature, the way reading Kurt Vonnegut taught him there were no rules, the two science fiction greats who literally left him speechless, and much more.
(11) ALAN GRANT (1949-2022). Comic writer Alan Grant, best known for his work on Judge Dredd and Batman, died July 20 at the age of 73. 2000AD has a full profile of his career here.
…Grant was one of his generation’s finest writers, combining a sharp eye for dialogue and political satire with a deep empathy that made his characters seem incredibly human and rounded. Through his work he had a profound and enduring influence on 2000 AD and on the comics industry….
(12) MEMORY LANE.
1922 – [By Cat Eldridge.] One hundred years ago, Agatha Christie’s Secret Adversary was released in the United Kingdom by The Bodley Head. The novelintroduces Tommy and Tuppence who will be featured in three more novels and a collection of short stories. The five Tommy and Tuppence books would span Christie’s writing career.
The story here is that the Great War is over, and jobs are almost impossible to find, so childhood friends Tommy Beresford and Prudence “Tuppence” Cowley decide to start their own business as The Young Adventurers. In this novel, they are hired for a job that leads them into many dangerous situations, and meeting allies as well, including an American millionaire in search of his cousin.
The critics liked it. The Times Literary Supplement said it was “a whirl of thrilling adventures” and the Daily Chronicle was very happy with it: “It’s an excellent yarn and the reader will find it as impossible as we did to put it aside until the mystery has been fathomed.”
It would be the second Christie work to be turned into a film as it would be made in Germany by the Orplid Film company in 1929 as a silent movie which ran for 76 minutes. Thought to be lost, it wasn’t and was shown at the National Film Theatre in 2001.
The novel was adapted twice for television, in 1983 and in 2014. Significant changes were made to story. A graphic novel was done. Several theatre productions were staged.
(13) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 22, 1882 — Margery Williams. The Velveteen Rabbit (or How Toys Become Real) is the work that is by far her best known work. Is it genre? Sure. And it has been adapted as video, audio and theatre myriad times. One audio version was narrated by Meryl Streep with music by George Winston. (Died 1944.)
Born July 22, 1932 — Tom Robbins, 90. Author of such novels as Even Cowgirls Get the Blues and Another Roadside Attraction. ISFDB lists everything he’s done as genre and who am I to argue with them on this occasion at least? Well I will. Now Jitterbug Perfume, that’s definitely genre! Cowgirls Get the Blues got made into a rather excellent film by Gus Van Sant and stars Uma Thurman, Lorraine Bracco, and Keanu Reeves. Interesting note: Still Life with Woodpecker made the long list at one point for the Prometheus Award for Best Libertarian SF Novel.
Born July 22, 1941 — Vaughn Bodé. Perhaps best known for the Cheech Wizard character and his art depicting erotic women. For our purposes, he’s a contemporary of Ralph Bakshi and has been credited as a major influence on Bakshi’s The Lord of the Rings and Wizards. He’s been inducted into the Will Eisner Award Hall of Fame. (Died 1975.)
Born July 22, 1944 — Nick Brimble, 78. His first genre role was in Lust for a Vampire as the First Villager. He next shows up in Roger Corman’s Frankenstein Unbound as The Monster. He’s Sir Ectot in A Knight’s Tale which I really like be it genre adjacent or not. His lastest film genre role is as Dr. Zellaby in Soulmate, and he’s the voice of Owsla in the Watership series.
Born July 22, 1959 — Nigel Findley. He was a game designer, editor, and an author of science fiction and fantasy novels and RPGs. He was also part of the original Shadowrun RPG core group and has sole writing credit on both sourcebooks and Shadowrun world novels. Yes, I played Shadowrun, a most enjoyable experience. (Died 1995.)
Born July 22, 1972 — Colin Ferguson, 50. Best known for being Sheriff Jack Carter on Eureka. Damn I miss that series which amazingly won no Hugos. (I just discovered the series is on the Peacock streaming service which I subscribe to so I’m going to watch it again!) He’s also been in Are You Afraid of the Dark, The Hunger, The X-Files, The Outer Limits, the Eureka “Hide and Seek” webisodes (anyone seen these?) and The Vampire Diaries. Oh and he made a series of commercials for Maytag.
(14) COMICS SECTION.
Last Kiss has genre-related advice for a foundering romance.
Amazon spent nearly half a billion dollars on their new Lord Of The Rings series, and at least half of that must’ve gone into their Comic-Con panel. Led by a string accompaniment featuring series composer Bear McCreary, the panel kicked off with the music of Middle Earth to set the stage, and Late Show host Stephen Colbert on hand to speak elvish and keep things moving.
Prime Video played a room-wrapping trailer on screens all around Hall H, showing off the various peoples of Middle Earth. And all that’s before showrunner J.D. Payne taught us to say “Oh, shit” in Elvish—only to be challenged by Colbert. “Tolkien speaks the language of the soul,” said Payne. And he also speaks the language of debate.
… And finally, Colbert asked question that was on everyone’s lips: “Will there be Entwives?”
Discover the legend that forged the rings. #TheRingsOfPower Prime Video’s The Lord of the Rings: The Rings of Power brings to screens for the very first time the heroic legends of the fabled Second Age of Middle-earth’s history. This epic drama is set thousands of years before the events of J.R.R. Tolkien’s The Hobbit and The Lord of the Rings, and will take viewers back to an era in which great powers were forged, kingdoms rose to glory and fell to ruin, unlikely heroes were tested, hope hung by the finest of threads, and the greatest villain that ever flowed from Tolkien’s pen threatened to cover all the world in darkness. Beginning in a time of relative peace, the series follows an ensemble cast of characters, both familiar and new, as they confront the long-feared re-emergence of evil to Middle-earth. From the darkest depths of the Misty Mountains, to the majestic forests of the elf-capital of Lindon, to the breathtaking island kingdom of Númenor, to the furthest reaches of the map, these kingdoms and characters will carve out legacies that live on long after they are gone.
(17) FREE READ. Cora Buhlert has a new flash story online at Wyngraf Magazine. This one is called “Demon Child” which she says “is a changeling story in reverse.” The first line is —
“I swear to you, this baby is a monster,” Sansavi said as she pushed the pram back and forth across the black bridge of Zairahm….
The announcement was made Friday as part of the show’s panel at San Diego Comic-Con. Production on the new season is scheduled to begin in August. Season 3 of the series debuted on the streamer on June 10.
“For All Mankind” is an alternative history series that explores what would have happened if the global space race had never ended. The series presents an world where NASA astronauts, engineers and their families find themselves in the center of extraordinary events seen through the prism of an alternate history timeline — a world in which the USSR beats the US to the moon.
In Season 3, the series moved into the early ‘90s with a race to a new planetary frontier: Mars. The Red Planet becomes the new front in the Space Race not only for the U.S. and the Soviet Union, but also an unexpected new entrant with a lot to prove and even more at stake. The characters find themselves going head-to-head as their ambitions for Mars come into conflict and their loyalties are tested, creating a pressure cooker that builds to a climactic conclusion….
The fast-food chain has released La Massacre—a 14-minute short film, which tells the often-told story of five teenagers who travel to a remote cabin in the woods to enjoy a weekend away. However, once they reach it, they are stalked and killed by a terrifying entity shaped like a pizza.
(21) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Harry Potter and the Half-Blood Prince Pitch Meeting,” Ryan George notes the sixth Harry Potter movie begins with Harry Potter breaking Hogwarts security by reading a magic newspaper in a Muggle coffee shop. But Dumbledore drags him back to Hogwarts so that he can begin his yearly ritual of “placing children in mortal danger.” The producer notes that at Hogwarts “they really don’t teach anything except how to die a horrible death,” so Harry and the gang “spend way too much time on teenage romance.” But things are so lax at Hogwarts that Harry nearly kills Draco Malfoy until Snape saves him but Harry isn’t punished for this.
[Thanks to JJ, John King Tarpinian, Andrew Porter, Chris Barkley, Daniel Dern, Bill, Steven French, Cora Buhlert, John A Arkansawyer, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Joe H.]
(1) AKO CAINE PRIZE. Kenyan writer Idza Luhumyo has been awarded the 2022 AKO Caine Prize for African Writing for her short story “Five Years Next Sunday”, published in Disruption (Catalyst Press and Short Story Day Africa, 2021). The story is about “a young woman with the unique power to call the rain in her hair. Feared by her family and community, a chance encounter with a foreigner changes her fortunes, but there are duplicitous designs upon her most prized and vulnerable possession.”
Okey Ndibe, Chair of the 2022 AKO Caine Prize Judging Panel, announced the winner at an award ceremony at London’s Victoria and Albert Museum. Luhumyo’s story was described by Ndibe as ‘an incandescent story – its exquisite language wedded to the deeply moving drama of a protagonist whose mystical office invites animus at every turn.’
Judging the Prize alongside Ndibe this year were French-Guinean author and academic Elisa Diallo; South African literary curator and co-founder of The Cheeky Natives Letlhogonolo Mokgoroane; UK-based Nigerian visual artist Ade ‘Àsìkò’ Okelarin; Kenyan co-founder of the Book Bunk Angela Wachuka.
Luhumyo takes the £10,000 prize, beating 267 eligible entries in a record year of submissions. She will be published in the 2022 AKO Caine Prize anthology later this year by Cassava Republic Press. She is the fifth Kenyan writer to win the award after Binyavanga Wainaina (2002), Yvonne Owuor (2003), Okwiri Oduor (2014) and Makena Onjerika (2018).
(2) AUCTION RESULTS. The “Hollywood Legends” event organized by Julien’s Auctions rang up some big numbers for these items of genre interest:
…Other top sellers included the red, white and blue shield handled by Chris Evans’ Captain America in the 2012 superhero blockbuster “The Avengers,” which went for $200,000.
A Stormtrooper helmet used in 1977′s original “Star Wars” movie sold for $192,000, while a hammer wielded by Chris Hemsworth’s titular superhero in 2013′s “Thor: The Dark World” made $51,200….
(4) ALONG CAME JONES. Stephen Jones, the British editor, had some things to say about pronouns yesterday that have since been taken private (or offline), therefore cannot be quoted here. However, some of the knock-on discussion he had about them was screencapped.
Hillary Monahan doesn’t name the person they light into in this thread, but everybody knew who it was. Thread starts here.
The Midnight Society thought the situation called for a satire. Thread starts here.
The social media discussion also reminded people of some of Jones’ history, such as:
…Eugen Bacon: As an African-Australian author who is black, female, migrant and a single mother, I have struggled with identity and being ‘different’. I think, as humans, intrinsically, we want to belong, to be integral to the worlds we live in.
‘Other’ is anyone who looks different, feels different, thinks different, acts different, lives different, owns different (possessions), is perceived different—there’s a whole spectrum of othering, which is what makes the theme of Other Terrors very relatable and easy to respond to. More so in the safe space that speculative fiction offers for engaging with difference, even in acts of subversive activism….
(6) WESTERCON 74 EVENTS ONLINE. [Item by Kevin Standlee.] All of Westercon 74’s Events — anything that happened in the Main Hall or on the Main Stage of the Tonopah Convention Center, as distinct from Programming that happened in function rooms of the TCC or the other convention buildings — are now online on a newly-minted Westercon 74 YouTube channel in the Events playlist:
This includes, in the order that they happened:
Friday: Opening Ceremony
Saturday: Match Game SF
Sunday: Westercon Business Meeting, Committee of the Whole on Site Selection, Kuma’s Korner Stuffed friends gathering
Monday: Closing Ceremony
In addition, the channel includes separate recordings of the opening and closing title videos that we played during the opening and closing ceremonies.
Programming will post those online and hybrid items that we recorded to a separate playlist on this channel when they are able to do so. The head of online/hybrid programming, Michelle Weisblat-Dane, came down with COVID-19 immediately after the convention, which has slowed production.
(7) MEDIA BIRTHDAY.
1965 – [By Cat Eldridge.] Forty-seven years ago, The Tenth Victim premiered in Ireland. An international co-production between Italy and France, it is based on Robert Sheckley’s 1953 short story “Seventh Victim” which was nominated for a Retro Hugo at Noreascon 4. No, I’ve no idea why it became the Tenth Victim.
It was directed and co-written by Elio Petri who had spent five years trying to get this filmed. In filming it, he made some major changes. Sheckley told his story from the point of view of a man hunting his seventh target, a woman, whereas in the movie she is the hunter. And as most reviewers note, the film is largely a chase story. It’s been a very long time since I read it so I don’t know how much it deviates from the original text.
The French-Italian production was fairly expensive to make at a cool million. That’s ten million now. Absolutely no idea what they spent that much money on making what was a chase film. Very expensive cars? Crates of champagne? Caviar?
The movie company insists that it lost money, some ten million. They needed to have drank a lot less champagne.
Coming full cycle, there’s a Sheckley novelization of the film. Algis Budrys in his June 1966 Galaxy Science Fiction review said it was “a reasonably good chase novel”.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 19, 1883 — Max Fleischer. Animator, film director and producer. He brought such animated characters as Betty Boop, Popeye and Superman to the screen and was responsible for a number of technological innovations including the Rotoscope and Stereoptical Processes. You can see Betty’s first screen appearance here in the 1930 Cartoon, “Dizzy Dishes”. (Died 1972.)
Born July 19, 1904 — Groff Conklin. He edited forty anthologies of science fiction, one of mystery stories. His book review column, “Galaxy’s Five-Star Shelf”, was a core feature in Galaxy Science Fiction from its premiere issue in October 1950 until the October 1955 issue. He was nominated at NyCon II for a Best Book Reviewer Hugo, and at Millennium Philcon, he was nominated for a Retro Hugo for Best Professional Editor. (Died 1968.)
Born July 19, 1927 — Richard E. Geis. I met him at least once when I was living out there in Oregon. Interesting person. He won the Hugo Award for Best Fan Writer twice; and whose science fiction fanzine Science Fiction Review won Hugo Awards for Best Fanzine four times. The Alien Critic won the Best Fanzine Hugo (once in a tie with Algol), and once by himself. And yes, I enjoyed reading the Science Fiction Review. I’ve not any of his handful of genre novels, and certainly haven’t encountered his soft-core porn of which there’s a lot. (Died 2013.)
Born July 19, 1938 — Jayant Vishnu Narlikar, 84. He and Fred Hoyle developed the Hoyle–Narlikar theory, which Stephen Hawking would prove is incompatible with an expanding universe. He would write two genre novels, The Return of The Vaman (translated from Marathi) and The Message from Aristarchus. His autobiography is My Tale of Four Cities: An Autobiography.
Born July 19, 1950 — Richard Pini, 72. He’s half of the husband-and-wife team responsible for creating the well-known Elfquest series of comics, graphic novels and prose works. They are also known as WaRP (as in Warp Graphics). It’s worth noting that characters based on works by the Pinis appear in the first issue of Ghost Rider.
Born July 19, 1963 — Garth Nix, 59. Writer of children’s and young adult fantasy novels, to wit the Keys to the Kingdom, Old Kingdom, and Seventh Tower series. The Ragwitch which I read quite some time ago is quite excellent and being a one-off can give you a good taste of him without committing to a series.
Born July 19, 1969 — Kelly Link, 53. First, let me note that along with Ellen Datlow, she and her husband Gavin Grant were responsible for the last five volumes of The Year’s Best Fantasy & Horror. They all did an absolutely magnificent job. All of her collections, Pretty Monsters, Magic for Beginners and Get in Trouble are astonishingly good. And she’s much honored having three Nebula Awards, a World Fantasy Award, an Otherwise Award, a Sturgeon Award and received a MacArthur Genius Grant. She was a finalist for a 2016 Pulitzer Prize. And Hugos. She won a Hugo at Interaction for her “Faery Handbag” novellette, her “Magic for Beginners” novella was nominated at L.A. Con IV, and finally Lady Churchill’s Rosebud Wristlet was nominated at Nippon 2007 for Best Semi-Prozine (her husband Gavin Grant was also nominated).
Fantasy literature is arguably the single oldest genre in all of storytelling. Contemporary fantasy has its roots, overtly or not, in world mythology and folklore, which in turn have their roots in oral traditions that extend back beyond recorded history. Old!
But today we’re interested in new fantasy. Gathered below are the most popular fantasy books of the past three years, as determined by reader shelvings and reviews. All books listed here were published in 2019 or later, in the U.S., and for fantasy series with multiple titles (Armentrout! Butcher! Maas!) we’ve listed the first series book published in that time period.
(10) FUTURE ERIC FLINT TITLES COMING FROM BAEN. [Item by Andrew Porter.] Toni Weisskopf wrote to me, “His last email to me was the delivery of revision of THE TRANSYLVANIAN DECISION; that’s already on the schedule. There’s a few more, which I expect collaborators will finish. Credit will vary, depending on how much input Eric had already given.”
(11) FUNDRAISER FOR FLINT FAMILY. The GoFundMe set up for Eric Flint’s wife Lucille – “Eric Flint” – has already made its $10,000 goal, having raised $11,627 at this writing.
My name is Debbie and my sister, Lucille Robbins, just lost her beloved husband of 21 years, Eric Flint. For the last six months Eric has been fighting the fight of his life, but unfortunately his body could no longer sustain the battle and he succumbed to the infections that robbed him of the final years of life. Eric had so many plans, right up to the end. He wanted to live and to keep writing and to keep reaching out to everyone in the Science Fiction community, but here we are. Unfortunately Eric has not been able to write while he has been sick and Lucille lost many hours of work taking care of Eric. As you know writers have to keep writing to make money and right now Lucille and family could use some help financially with the costs of memorial services. Any donation will be greatly appreciated.
(12) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers: Hulk v. Thor (1988)” the Screen Junkies narrator notes, “no one wanted this. You’ve got to trust us.” The movie isn’t even called “Hulk v. Thor,” it’s “The Incredible Hulk Returns,” the first of three made-for-TV Hulk movies. This ripe piece of ’80s cheese has Bruce Banner hiding out as “Bruce Banyon” when he isn’t turning into Lou Ferrigno and “gruntflexing.” But Hulk DOES fight Thor. They even dance around a sparkly machine while fighting. And Thor has a drinking problem. “I’m thirsty,” Thor says in the laboratory. “Is there nothing to drink in this alchemist’s den?”
[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, Daniel Dern, Kevin Standlee, John King Tarpinian, Andrew Porter, Chris Barkley, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
Prolific and distinguished author and editor Eric Flint died July 17 at the age of 75. David Weber made the announcement on Facebook.
Flint was frequently hospitalized for health problems in recent years. In 2019, he had to leave the NASFiC/Westercon/1632 Minicon where he was one of the guests of honor to be treated for pneumonia (though he did one of his panels by Skype from a hospital bed.) Before that he had cancer surgery in 2016. In 2017 had to forgo his GoHship at Balticon 51 due to a previous case of pneumonia. This May, he told Facebook friends he was in hospital for a staph infection.
Flint’s incredible career in sff was all the more remarkable for having essentially started after he reached age 50.
Flint spent many years as a longshoreman, and then machinist, as well as serving as a labor organizer and member of the Socialist Workers Party, before beginning his writing career.
With his short story “Entropy, and the Strangler” he won the fourth quarter of the 1993 L. Ron Hubbard Writers of the Future contest. However, it was another four years before his first novel, Mother of Demons, was published by Baen Books. He only moved into writing full-time in 1999.
Since then he has published over 70 novels, many in collaboration with other authors including David Freer, David Drake, David Weber, Ryk E. Spoor, Mercedes Lackey, and more.
Beginning in 1999, he became the first librarian of the Baen Free Library, working with Jim Baen to determine whether the availability of books free of charge on the Internet encouraged or discouraged the sale of their paper books. In a 2001 article in The Industry Standard — primarily composed of quotes from Harlan Ellison railing against e-piracy — Flint took a very different tack: “’The real enemy of authors – especially midlist writers – is not piracy,’ says Baen’s online librarian Eric Flint. ‘It’s obscurity.’ Two-thirds of the e-mail Flint has received since the Baen Free Library began posting books is from readers who purchased books they initially downloaded from the site.”
Flint also helmed Jim Baen’s Universe, an e-zine published from 2006 until 2010.
for his ongoing encouragement of the genre of alternate history through his support of the community and writers developed around his 1632 series. In 2000, Eric Flint published the novel 1632. Following the publication of the novel, Flint has encouraged an extensive on-line community to expand on his vision and explore the ramifications of alternate history through discussion and publication of fiction and non-fiction that builds off his original work, resulting in dozens of stories and novels and helping to launch the careers of many authors.
And he was a five-time Dragon Award nominee for novels he co-authored in the 1632 series, winning last year for 1637: No Peace Beyond the Line written with Charles Gannon.
Flint donated his archive to the department of Rare Books and Special Collections at Northern Illinois University in 2008.
Some of Flint’s convention guest of honor appearances not already mentioned were at the 2010 NASFiC, ReConStruction, and as guest of the 1632 Minicon held in conjunction with the 2020 NASFiC in Columbus, OH.
He is survived by his wife Lucille, their daughter Liz, son-in-law Donald and his grandchildren.
THE STORY SO FAR . . . by Walt Boyes: Whew! We made it. We made it to Issue 100 of the Grantville Gazette. This is an incredible feat by a large group of stakeholders. Thank you, everyone.
I don’t think Eric Flint had any idea what he’d created when he sent Jim Baen the manuscript for 1632. In the intervening two-plus decades, the book he intended to be a one-shot novel has grown like the marshmallow man in Ghostbusters to encompass books from two publishing houses, a magazine (this one, that you are holding in your metaphorical hands) and allowed over 165 new authors to see their first published story in print. The Ring of Fire Universe, or the 1632 Universe, has more than twelve million words published. The Grantville Gazette is bi-monthly, publishing six times a year. To do this requires a dedicated group of editors and proofreaders, authors, and artists. Later in this issue, you can read interviews with Eric Flint and Paula Goodlett about the early days of the Grantville Gazette.
From the Grantville Gazette’s unique beginning, we knew it would be a different magazine. Growing as it did out of the writing group from Jim Baen’s Universe, it was always dedicated to finding and grooming new writers–writers who had oftentimes never published anything before, or who had published only non-fiction for their entire careers. We set up the conferences in Baen’s Bar that we still use today as a permanent floating crit group where you could post your story, get comments and criticism, rewrite and repost your story until the editor bought it. There wasn’t another crit group like it anywhere–the prize was, “We bought your story.”
I am the third editor of the magazine, and with my right-hand man, Bjorn Hasseler, we continue to build the legacy of this wonderful magazine and its crit groups on Baen’s Bar. We are always looking for new authors, and we keep finding them. Bethanne Kim, Sarah Hayes, Joy Ward, and others have been looking at the 1632 Universe from a woman’s perspective, so it isn’t all about hillbillies in Germany. Joy and others have written about LGBTQ issues in the seventeenth century. Robert Waters, Griffin Barber, and Iver Cooper have written about the collisions between 20th-century mindsets and South America, India, Japan, and the Native Americans on the West Coast of the United States. The canvas of the 1632 series is utterly vast–an entire world! Garrett Vance, who is our Graphic Designer, has also written about saving the Dodo, the thrust toward a balanced ecology, the Japanese diaspora, and the Time Spike universe. These are just the tip of the iceberg of authors and visions and topics and themes. These are only a few of the authors who have collaborated with Eric Flint’s world as he built it. As an homage to Jim Baen’s Universe magazine, we have kept a portion of the Gazette we call the Universe Annex, to publish really good science fiction from great authors, just not in the 1632 Universe.
The theme of this issue is the Committees of Correspondence set up by the Americans in the first novel, 1632. Based on the committees formed in the American Revolution, the Committees of Correspondence (CoCs) have been dedicated to improving the lives of the downtrodden in the Early Modern Era, They teach and organize on every subject from sanitation and hygiene to spreading democracy and tumbling over-reaching Adel. Above all, the CoCs are literal death to anti-Semitism and witch-burning.
We have selected twelve stories about the CoCs, including one by Eric Flint himself. It is called “1632: The Wrecking Crew” and is about Harry Lefferts and the CoC getting started. Another look at the beginnings of the CoC is from Bethanne Kim called, “Freedom Arches.” Terry Howard, one of the Gazette’s most prolific authors, gives us two stories in this issue, “Like the Mad Men of Munster,” and “Funding the CoC.” Virginia DeMarce talks about killing witch-burners in “If You Want to Write a Play with Witches.” Marc Tyrell takes a different look at the CoC killing witch-burners in “Advocatus Angeli.” In “Be Happy Now, My Enemies,” A.P. Davidson asks what happens when the Adel start fighting back. Can the CoC’s new political consciousness win against centuries of noble skulduggery?
Joy Ward returns with “It’s Only Rock and Roll, But…” showing another side of the Committees of Correspondence as a place where teenage misfits can rock out on rhythm and blues without getting in trouble, and where a young gay boy can make friends in the name of music. In “Aftermath,” Bjorn Hasseler shows that the CoC can fight and beat Swedish regulars during the rebellion of Axel Oxenstierna, and show graciousness and nobility when the fighting is over. In Michael Lockwood’s “What Price an Adel?” the story of one man’s political journey in the Magdeburg CoC is told.Edith Wild’s “Leftovers” lets us see what happens after a CoC action when a son dives in front of his father’s assassin. In “Slamfire!” by Bjorn Hasseler and Walt Boyes, a young Welsh gunsmith’s new political consciousness leads him to create a special design of shotgun cheap enough to equip all the Committees of Correspondence in Europe and North America. In the only piece of non-fiction in this issue, we present Kristine Katherine Rusch on 100 issues of the Grantville Gazette.
In the two-plus decades since Eric wrote 1632, nearly 200 people have contributed to the success of the Universe directly, and many more indirectly by reviewing and buying the books and magazines. Time passes in the original timeline, and some of those people have passed away. We want to acknowledge them and their wonderful contributions to the story:
…Finally, I want to point out that the 100th issue of the Grantville Gazette is the first that will be issued in POD as a trade paperback on Amazon. Going forward, all issues will be done this way, and we are going to go back toward the beginning issues as we can scrape up the time to do it. Eventually, the entire backlist of the magazine will be available in hard copy as well as in multiple format ebook editions.
So once again, I ask you to strap on your seat belt, keep your arms and legs inside the car, and get ready to ride the 1632 rollercoaster! Welcome aboard!