Tag Archives: Rings of Power

Pixel Scroll 7/8/24 Listen, Billy Pixel’s Come UnScrolled In File

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(1) MAAS AND YARROS DOMINATE THE MARKET. “With Fantasy on Fire, Print Book Sales Are Catching Up to 2023” reports Publishers Weekly.

…Results for the first half of 2024 leave no question about what is driving sales: adult fantasy sales skyrocketed 85.2% over the first six months of 2023 thanks to a huge increase in interest in romantasy. Combined with increases of about 20% each in the science fiction and suspense/thriller areas, unit sales of adult fiction rose 6.3% in the first half of 2024. Sales of graphic novels continued to recede from record highs in 2022, falling 16.1% in this year’s first six months.

Books by Sarah J. Maas and Rebecca Yarros are leading the fantasy charge. Yarros’s Iron Flame and Fourth Wing combined to sell about 1.1 million copies, while Maas had seven books selling in big numbers, led by her latest, A Court of Thorns and Roses, which sold more than 740,000 copies. Her seven current bestsellers combined sold more than three million copies…

(2) THE EXTRA FILES. [Item by Steven French.] David Duchovny answers some readers’ questions in the Guardian: “David Duchovny: ‘I’m not just throwing on a kilt willy-nilly’”

Do you believe? TurangaLeela2

The proposition that Earth is the only planet in the universe that has managed to sustain intelligent life seems an impossibility. On the other hand, do I believe we’ve been contacted or are in contact with aliens? I don’t believe that, no. How often do I get asked if they are going to reboot The X-Files? I mean, that’s the default question people like to ask. If I was going to do it, I’d let y’all know. You wouldn’t have to ask me. I wouldn’t keep it a secret. Nowadays, I think people believe in conspiracies we never would have aired because they were just too stupid.

(3) WHAT COMES OVER THE DIGITAL TRANSOM. Nelly Geraldine García-Rosas belts out “The Ballad of the Slush Reader: What I’ve Learned (And What I Want to Know) about Reading Slush” at the SFWA Blog.

… I’m not the self-appointed slush reader representative of the short fiction genre publications, nor do I pretend to be one. I write these lines, first and foremost, from my own brief but fulfilling experience as a slush reader for Clarkesworld Magazine, as well as from what I’ve gathered in conversations with friends, who are also part of editorial teams. This essay is unapologetically, a personal generalization that hopes to start a discussion somewhere, sometime….

Communication is a two-way affair. Editors should be clear about the specific kind of commitment expected from slush readers: amount of stories read, level of detail in recommendations’ comments, etc. It is expected from them to be approachable and open to answering our questions on submission guidelines, as well as offering guidance on handling problematic stories, protecting author privacy, and giving advice on trusting our editorial instincts. First readers should write concise, unambiguous notes for the submissions we read and share any concerns we may have about them. We shouldn’t ghost our editors or make unilateral decisions based on our interpretation of the magazine’s guidelines if something is not clear in them. We’re members of a team, after all.

As the first ones to interact with a submission, we must treat the authors’ privacy with respect. A little decency goes a long way. Markets have the responsibility to delineate confidentiality specifications for the team and make sure authors know they exist. I believe that having better practices during recruitment, selection, and training can help identify and avoid the few people who might try to misuse the authors’ private information before they can even have access to it.

We’re supposed to read slush to support and advocate for other people’s work, but that doesn’t mean that we have power over them or that they owe us anything. We shouldn’t even think about rejecting a story on the basis of an author we don’t like, or recommend our friend’s work just because we know each other. We’re professionals. We do this for the stories, for the end readers. At Clarkesworld, for example, I don’t make final decisions but suggestions that have to be reviewed and approved by a senior member of staff.

(4) WILL MERGER AFFECT THE FEDERATION? “Paramount Global Officially Agrees To Skydance Merger, With Potential Big Impact On Star Trek’s Future” – and TrekMovie.com tries to foresee what that impact might be.

Today, Paramount Global announced that Shari Redstone’s National Amusements (which owns a controlling share of Paramount) will be sold to David Ellison’s Skydance Media and RedBird Capital  for $2.4 billion, leading to a $4.5 billion merger of Paramount Global with Skydance. The deal will offer voting and non-voting shareholders a premium on their stock as well as inject billions into “New Paramount” coffers to help pay off debt. A new leadership team has been announced, with Skydance’s David Ellison to be Chairman and Chief Executive Officer with RedBird exec (and former NBCUniversal chief) Jeff Shell named as president….

…Since the 1960s when Desilu was purchased by Paramount, the Star Trek franchise has seen its way through multiple corporate changes. It is too early to know what this announcement means for the Star Trek franchise, but this deal was seen as one of the better potential outcomes. Unlike other potential bidders, Skydance is committed to keeping Paramount relatively intact, avoiding any potential division of the Star Trek rights that occurred during the Viacom/CBS corporate split years before they were remerged in 2019. The most positive indication for Star Trek is that Skydance previously partnered with Paramount on the production of the last two Trek feature films, and they were committed to backing the next movie currently in development. Skydance CEO David Ellison, who will run the new Paramount, was credited as an executive producer for both Into Darkness and Beyond. These movies were mentioned by Ellison in a call with investors this morning….

…During today’s call, incoming Paramount president Jeff Shell talked about seeing Paramount+ as part of an “ultimate bundle.” He also indicated they will be looking at more licensing deals and “windowing” strategies for Paramount-owned content, which could lead to Star Trek streaming originals showing up beyond Paramount+. Today’s investor presentation noted Star Trek as one of the key franchises for the new Paramount, including a plan to “reevaluate” franchises to fuel a “powerful and repeatable IP ecosystem.” Today Ellison also talked about unifying franchises across TV, film and interactive media, which could potentially lead to a more comprehensive Star Trek Universe….

(5) HE MADE IT SO. “Patrick Stewart Is Ready To Engage” at the Washington Free Beacon.

…Stewart represents a fascinating mix of working-class ethics, having grown up poor but hard-working, and upper-class aesthetics, which he refined first in amateur plays and then in acting schools. This occasionally led him to mildly awkward encounters. My favorite story in his memoir comes on the set of Dune, where Stewart (who was playing warrior-poet Gurney Halleck) was introduced to the musician Sting.

“Do you … play in a group?” Stewart asked.

“Yes, with The Police,” Sting replied.

“I broke into a broad grin,” Stewart writes. “‘You play in a police band?’ I said. ‘Wow! How marvelous!’ I have never fully recovered from the sheer embarrassment I suffered when word got out on the set about my exchange with one of the world’s biggest rock stars.”…

(6) LANTHIMOS TURNS TO SFF. According to The Mary Sue, “Yorgos Lanthimos and Emma Stone’s Next Is a Sci-Fi Comedy”. Lanthimos’ 2023 picture Poor Things got a lot of awards attention this year.

… The movie, titled Bugonia, is set for a November 7, 2025, release date in the US. Jesse Plemons, who featured in Lanthimos’ recent release Kinds of Kindness, has been announced as the co-lead alongside Stone…. 

…A fifth collaboration between Stone and Lanthimos, the film is an adaptation of the 2003 South Korean sci-fi comedy Save the Green Planet!, directed by Jang Joon-hwan and starring Shin Ha-kyun and Yun-shik Baek. The plot follows two conspiracy-minded men who kidnap the powerful CEO of a major corporation, assured that she is an extraterrestrial being determined to end Earth’s existence. It remains to be seen whether Lanthimos’ rendition will be similar to the original or whether he tweaks the story to introduce some of his own elements….

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

July 8, 1951 — Anjelica Huston, 73. The first role that I clearly remember Anjelica Huston from was as Mortica Addams in The Addams Family  thirty-three years ago. She was every bit was ghoulishly fascinating as was Raul Julia as Gomez Addams. She inhabited that role as if she’d been born to play it. A perfect couple they were.

Anjelica Huston in 2014.

It’s worth noting that she always had a ghostly glow around the eyes, which became most noticeable when she was standing or lying in dim light. Bela Lugosi in 1931’s Dracula had the same effect. That meant all were her scenes were filmed with a light in her face. 

So being Morticia required Huston to wear a truly tight dress on top of an already tight corset to give her the character’s distinctive, slim silhouette. (Director Barry Sonnenfeld aimed for a cartoon-like figure, so hence that metal corset which restricted her movements and caused quite severe headaches. She reported that she gleefully burned all of the dresses when shooting finished.) 

In addition, she had to wear custom makeup to lighten her skin to create the look of  Morticia, have her hair painfully scraped so that she could wear a wig and then on top of all this, had to wear regular makeup, fake nails and eyelash extensions to complete the look.

Despite all of this I think that, Huston’s portrayal of Morticia captured both warmth and macabre humor. She was a perfect mother to two rather unusual children, and a loving wife to Raul. 

She’d reprise her role in Addams Family Values. The first film was nominated for a Hugo at MagiCon, the second at ConAdian.

Her first genre role, and yes I’ve seen it but I’ve honestly long since forgotten everything about it, was in Ice Pirates as Maida, one of the pirates. I really need to show you what she was outfitted there as it is, errrr, well, I think kind of silly. 

So what else did Angelica appear in? Good question. She would appear in The Witches based off of the Roald Dahl work as the Grand High Witch. Her makeup here is a work of art so here it is.

Yes, I know the film has fallen into let us say disrepute among certain groups, but I still like it.

I’m not seeing anything else this genre but she did one interesting animated work, one of which I wish to point out which is then let me spell this correctly in English A Cat in Paris.  In French it sounds oh so much better as Une vie de chat. A cat’s life. Black cat with red stripes leads a double life. During the night, he accompanies a car burglar named Nico (who calls him Mr. Cat), who performs heists to steal jewels. She voices the English version of Claudine.

She’s in John Wick, Chapter 3, Parabellum as The Director about which the John Wick wiki helpfully says “The Director is a crime lord and leader of the New York branch of the Ruska Roma. She is also the adoptive mother of John Wick and a mentor at the Tarkovsky Theater.” 

(8) COMICS SECTION.

(9) RINGS OF POWER WILL BIND COMIC-CON. “‘Lord Of The Rings: The Rings Of Power’ Season 2 To Conquer San Diego Comic-Con” says Deadline.

This year at SDCC, ahead of the series’ Season 2 premiere on August 29, the streamer will host an exclusive press and influencer reception by invitation only on Thursday, July 25, in San Diego. It will be followed by The Rings of Power panel in Hall H on Friday from 11:05 a.m.-12:15 p.m. featuring the series’ showrunners J.D. Payne and Patrick McKay as well as cast giving fans a inside look at Season 2 in Middle-earth.

Afterward, at 1:45 p.m. at Venue 808 in San Diego, a fan meet-and-greet with cast will be held in conjunction with the official Lord of the Rings fan site TORn (TheOneRing.net). On display will be a curated collection of Season 2’s costumes and props….

(10) MAD, YOU KNOW. “Americana meets meshuggeneh at a museum exhibit about MAD magazine” – Jewish Telegraphic Agency takes you there.

There’s a delightful “what if” moment at the start of “What, Me Worry? The Art and Humor of MAD Magazine,” a new exhibit at the Norman Rockwell Museum here. 

In 1964, MAD commissioned Rockwell himself to paint a portrait of Alfred E. Neuman, the humor magazine’s gap-toothed mascot, as he might have looked in real life. Correspondence featured in the exhibit suggests that Rockwell — grand master of gentle, folksy, even cornball Americana — was close to signing on with what MAD called its “usual gang of idiots”: goofball masters of sophomoric, anti-establishment satire.

In the end, Rockwell turned down the offer. “I think I better back out of this one,” he wrote. “After talking with you, and my wife who has a lot more sense than I have, I feel that making a more realistic definitive portrait just wouldn’t do. I hate to be a quitter, but I’m afraid we would all get in a mess.”

We didn’t lose just a marriage of comic sensibilities, but of ethnic ones: the “goyish” and the Jewish, mid-20th century style. Rockwell’s world is full of farmers and fishermen, country folk and small-town shopkeepers. MAD seemed to have been born on the Lower East Side, come of age in the Bronx, and found its voice somewhere between Brooklyn and Broadway….

(11) WORLDS WITHIN MURPHY’S LAW. Feeling mellow? Let’s fix that. The Mary Sue presents “The 10 Best Dystopian Novels, Ranked”.

…Authors have dreamed about all the countless ways the future can go wrong and will go wrong, so much so that a new genre was born from the collective unease: dystopian fiction. These novels are the worst—meaning they’re the best in their field…

This one’s new to me:

6. The Giver

The Giver [by Lois Lowry] may seem like a utopia on the surface, but it’s a dystopia like all the other cities on this list. Set in a peaceful society where people’s bad memories of the past are wiped away, only one person known as the Receiver of Memory is privy to the secrets of the human race. In order to maintain peace, the elders of this society eliminate the free will of everyone else. A good idea on paper? Not even in the pages of this book. You’ll soon find out why.

(12) SHIFTING GEARS. Ever heard that phrase, “Stop the Earth, I want to get off!”? Well, who knew — “Earth’s core has slowed so much it’s moving backward, scientists confirm. Here’s what it could mean” at WSVN.

Deep inside Earth is a solid metal ball that rotates independently of our spinning planet, like a top whirling around inside a bigger top, shrouded in mystery.

This inner core has intrigued researchers since its discovery by Danish seismologist Inge Lehmann in 1936, and how it moves — its rotation speed and direction — has been at the center of a decades-long debate. A growing body of evidence suggests the core’s spin has changed dramatically in recent years, but scientists have remained divided over what exactly is happening — and what it means.

… One promising model proposed in 2023 described an inner core that in the past had spun faster than Earth itself, but was now spinning slower. For a while, the scientists reported, the core’s rotation matched Earth’s spin. Then it slowed even more, until the core was moving backward relative to the fluid layers around it.

At the time, some experts cautioned that more data was needed to bolster this conclusion, and now another team of scientists has delivered compelling new evidence for this hypothesis about the inner core’s rotation rate. Research published June 12 in the journal Nature not only confirms the core slowdown, it supports the 2023 proposal that this core deceleration is part of a decades-long pattern of slowing down and speeding up…

(13) RASMUSSEN Q&A. [Item by Steven French.] An interview with astrophysicist Seven Rasmussen who has published in Clarkesworld under the pen name C.M. Fields: “’All things that wander in the heavens’: how I swapped my ivory tower for the world of science fiction” in Nature.

Through golden hive minds, dreaming androids and interstellar alien worlds, astrobiologist and speculative science-fiction author Seven Rasmussen explores humanity within the unfamiliar and strange. Rasmussen writes short stories that often feature space and the distant future — topics that her work as an astrobiologist at Tacoma Community College in Washington often touches on. Her debut non-fiction book, Life in Seven Numbers: The Drake Equation Revealed, is due to be published in June 2025. The book explores the seven variables of the Drake Equation, which estimates the number of intelligent, communicating civilizations in our galaxy.

Rasmussen spoke to Nature about writing science fiction as a scientist, her experience as a community-college professor and the importance of storytelling in science…

(14) WITCH WAY IS UP. “Agatha All Along Trailer: Kathryn Hahn Returns as WandaVision Witch” – The Hollywood Reporter sets the scene.

…A spinoff series from Disney+’s 2021 show WandaVision, Agatha All Along hails from creator Jac Schaeffer and premieres on the streaming service Sept. 18 with the first two episodes….

…Hahn reprises her WandaVision role as Agatha, who finds herself without her powers after a teen breaks her from a spell and urges her to attempt a dangerous gauntlet of trials known as Witches’ Road.

“I miss the glory days,” Hahn says in the trailer. “She took every bit of power I had, and I can be that witch again.”

(15) VIDEO OF THE DAY. [Item by Danny Sichel.] Alan Becker, creator of 2023’s “Animation vs Math”, which starts with simple arithmetical concepts and quickly devolves into an all-out battle with lasers and mecha, has done it again. “Animation vs Geometry” begins with the concept of the line segment and somehow becomes a thrilling chase scene with a giant monster from beyond reality.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Danny Sichel, Daniel Dern, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 5/29/24 Pixel Scroll Heaven’s Just A File Away

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(1) RARE APPLAUSE. George R.R. Martin says he found an exception to the rule in “The Adaptation Tango” at Not A Blog.

…Everywhere you look, there are more screenwriters and producers eager to take great stories and “make them their own.”   It does not seem to matter whether the source material was written by Stan Lee, Charles Dickens, Ian Fleming, Roald Dahl, Ursula K. Le Guin, J.R.R. Tolkien, Mark Twain, Raymond Chandler, Jane Austen, or… well, anyone.   No matter how major a writer it is, no matter how great the book, there always seems to be someone on hand who thinks he can do better, eager to take the story and “improve” on it.   “The book is the book, the film is the film,” they will tell you, as if they were saying something profound.   Then they make the story their own.

They never make it better, though.   Nine hundred ninety-nine times out of a thousand, they make it worse.

Once in a while, though, we do get a really good adaptation of a really good book, and when that happens, it deserves applause.

I came across one of those instances recently, when I binged the new FX version of SHOGUN.

…The new SHOGUN is superb.   Better than Chamberlain’s version, you ask?   Hmmm, I don’t know.   I have not watched the 1980 miniseries since, well, 1980.   That one was great too.…

(2) EATING THE FANTASTIC. Scott Edelman invites listeners to polish off paneer biryani with Tobias Carroll in Episode 226 of the Eating the Fantastic podcast.

Tobias Carroll

Tobias Carroll is the author of the novels Ex-Members, Reel, and In the Sight, the short story collection Transitory, and the nonfiction book Political Sign. …He writes a column on notable books in translation for Words Without Borders. Plus he has a podcast of his own — Framed & Bound, in which bookish people discuss movies set in the literary world.

We discussed which punk rock music made him a fan, why his heart belongs to novella-length works rather than massive epics, the artistic motivation for sometimes not giving readers what they’ve been taught to expect, the reason Ann Nocenti’s run on Daredevil was meaningful to him (and why he believes it aged so well), his fascination with deteriorating physical media, why Edward Hopper’s classic painting Nighthawks would have made the perfect cover art for one of his books, how you know when you’ve stuck the landing with a short story, and much more.

(3) SETTING THE STANDARD. C. E. Murphy did a lot of writing during a “Milford writing retreat” and makes that fact into an interesting story of its own.

I was afforded the unexpected opportunity to go on a writing retreat in mid-May. It was a great success, but I have to start by telling you about the first time I went on this retreat, in 2019, which MIGHT have been the first year this retreat was held.

That week, I wrote 41,000 words. Which is a lot. In fact, it’s enough that they said “we’re now going to use ‘murphy’ as our unit of measurement for this retreat forever,” which I thought they were joking about, except it turns out they’re not. :laughs: So, yeah. Wordcounts at this retreat are measured in “murphys,” although it turns out that they thought I’d written 33k that week so a “murphy,” technically speaking, is 33k. 🙂

That, however, was evidently not the legendary bit.

The legendary bit is that, because I was driving in with a friend and her van broke down, and we had to wait for the AA(A)* guy, I said, “Well, we might as well get some writing done” and made her take out her laptop and got my laptop out and we got some writing done.

I THOUGHT THIS WAS A PERFECTLY NORMAL REASONABLE THING TO DO! I now understand, at least intellectually, that…it was not. 🙂

Anyway, so that’s kind of the level of expectation I had/have for myself, going into a retreat. Nothing less than ‘legendary.’

Well, mes amis, I did not achive legendary.

Which is to say, I ONLY accomplished a Full Murphy by Retreat Standards: ie, I did about 32,000 words, which is Close Enough, sez I. I ONLY finished one novella and did 80% of another. (Well, 90%. I finished that one yesterday.) And also I edited a friend’s book, which probably should give me some kind of writing credit but is too hard to figure out in terms of wordcount….

(4) REGISTER FOR TALABI Q&A. FIYAH Literary Magazine will host an online interview with Wole Talabi on June 23. Connect at the link.

(5) NO SILVER LINING IN THIS CLOUD FOR “GOLD STANDARD OF FAMILY FILMS”. “Pixar Hit With Layoffs as 175 Staffers Cut” reports Variety.

Pixar was hit with layoffs on [May 21] as approximately 175 employees, or 14% of its workforce, were let go….

…Pixar employees have been bracing for layoffs since January, but cuts were smaller than the speculated 20% reduction that was reported at the time.Once considered the gold standard of family films, Pixar has been struggling since the pandemic when its corporate overlords at Disney used the pedigree of the animation brand to prop up its new streaming service. During that period, new offerings “Soul,” “Luca” and “Turning Red” were sent directly to Disney+ and family audiences became accustomed to expect those movies at home. When it reverted to prioritizing theatrical releases, moviegoers rejected the $200 million-budgeted “Toy Story” spinoff “Lightyear,” which marked Pixar’s second consecutive misfire after 2020’s “Onward” (which was released just before theaters shut down due to COVID). Although “Elemental” finished with $495 million globally, much stronger than its disappointing opening weekend would have suggested, it’s far less than past Pixar movies have earned.

(6) BOMBADIL ON BOARD. “Tom Bombadil Finally Steps Forth in ‘The Rings of Power’—An Exclusive First Look” at Vanity Fair.

Tom Bombadil has finally been invited on one of the long and winding road trips through Middle-earth. The mystical character is one of the more offbeat figures in J.R.R. Tolkien’s The Lord of the Rings saga, a woodland-dwelling man with an ethereal presence and a penchant for nonsense songs and brightly colored clothes, who helps rescue the hobbits from peril early in the first book, The Fellowship of the Ring. As much as he stands apart, his name would likely draw a blank from anyone who hasn’t read the novels since the two primary film retellings—Ralph Bakshi’s animated 1978 opus and Peter Jackson’s Oscar-winning live-action trilogy—both cut the him from the narrative completely. Now Old Tom, as the books refer to him, is finally getting his moment in the sun.

The Rings of Power, the Amazon Prime Video series based on Tolkien’s ancient history of his fantasy realm, will break that tradition of exclusion and finally feature Tom Bombadil—along with his jolly songs and his flamboyant wardrobe—when its second season begins August 29. Bombadil was described in Tolkien’s books as “older than the old,” a benevolent entity who began life around the time all life began, so his existence in this earlier era, thousands of years before the events of The Lord of the Rings, fits within the canon established by the author. In a 1937 letter to his publisher, mulling a possible sequel to The Hobbit, Tolkien described Bombadil as “the spirit of the (vanishing) Oxford and Berkshire countryside.” The author bristled at the notion that he wrote in allegory, but it’s clear he saw Bombadil as nature personified—right up to the character’s ambivalence about interfering in the larger world around him. That left showrunners J.D. Payne and Patrick McKay to figure out exactly how he might turn up in their show—and why.

(7) WHERE THEY’RE WATCHING BRIDGERTON. JustWatch covers one of the most anticipated releases of 2024, Bridgerton season three. Netflix has seen great success with Bridgerton, and as the newest season has just dropped they wanted to see how its release stacks up against the first two. (Click for larger image.) 

Key Insights:

  • Season 2 had the most successful launch, ranking 1st in 93 countries
  • Season 3 has the highest rating out of all three Bridgerton seasons
  • Season 1 is the least successful out of all three seasons, with the lowest IMDb rating and the lowest global popularity 

JustWatch created this report by pulling data from the week following the release of Bridgerton, and compared it to the previous two seasons. JustWatch Streaming Charts are calculated by user activity, including: clicking on a streaming offer, adding a title to a watchlist, and marking a title as ‘seen’. This data is collected from >40 million movie & TV show fans per month. It is updated daily for 140 countries and 4,500 streaming services.

(8) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

May 28, 1906 – T. H. White. (Died 1964.)   

By Paul Weimer.

Sure, the only thing I have read of him is the four volumes of the Once and Future King, and I particularly remember best the original, The Sword in the Stone. Yes, I read the book because I saw the animated Disney version on WPIX. So when I turned to the book itself, and found just how different it was, it was an early lesson for me in the perils of adaptations. This was a good lesson to learn, that adaptations could be extremely different than the original source text.  When I saw the animated Hobbit, Lord of the Rings and Return of the King, I was prepared for the books to be very different, thanks to the Sword in the Stone and White’s book.

T. H. White

But White’s book was also a lesson in something else. The Sword in the Stone was arguably the first time I came across a book which “extended” a myth I already knew. I knew who King Arthur and the Round Table were from a book of mythology I read when I was young. But it was White’s book that showed me that you could extend a story backwards in time, that you could go “beyond the myth and legend” and invent new stories for a character. And I will bet that most people who aren’t scholars, take the events in the Sword in the Stone as fully amalgamated parts of the Arthur story.  Consider: This is where the idea that Merlin either is living backwards (something Piers Anthony would later borrow for his Incarnations books), or that he is quite aware or is preparing for our modern day (c.f. Zelazny’s The Last Defender of Camelot). Other adaptations of the Arthurian myths from Lawhead to Attanasio to Barron have had to have at least a passing familiarity with White’s ur-Arthur story, even if they take it in very different directions.  

Sure, it’s an anachronism stew, and it left me for years wondering why other books didn’t have Robin Hood and Camelot in the same time period, but the sheer audacity of mixing and remixing history and myth and telling a new story of young Arthur is, and was, audacious and I admire it still for that audacity.

Or, in other words, The Sword in the Stone is the prequel that defies the curse of prequels and in fact fully canonizes the prequel. And the rest of the series feels as fully canonical as Malory, and perhaps even more so. Not a bad legacy, in my book.

(9) COMICS SECTION.

  • Baldo has a winner who multitasks.
  • Carpe Diem imagines a future athletic event.
  • Bizarro might remind you of Rorschach.

(10) BIG BONED. The Guardian stands by as a “’Virtually complete’ Stegosaurus fossil to be auctioned at Sotheby’s geek week”.

The largest and most complete Stegosaurus fossil ever found is expected to fetch up to $6m (£4.7m) when it is sold as the star lot in Sotheby’s “geek week” auction this summer.

At 11ft (3.4 metres) tall and more than 20ft long the “virtually complete” fossil, which has been nicknamed “Apex”, is more than 30% larger than “Sophie”, the previously most intact stegosaurus specimen which was on display in London’s Natural History Museum….

…With an auction estimate of $4m-$6m it may become one of the most valuable dinosaur fossils ever sold at auction. The record is held by Stan, a T rex skeleton auctioned off by Christie’s for $31.8m in 2020….

… Apex was discovered by the commercial palaeontologist Jason Cooper in the Morrison Formation, in Moffat County, Colorado, near the town of Dinosaur, in May 2022.

(11) INSECURITY. “Police Biometric Data Leaks In Huge Hack” – Giant Freakin’ Robot has details.

As our world becomes increasingly reliant on computerized data storage, it becomes clearer and clearer that the wars of tomorrow will be fought using leaks, hacks, and online attacks. A widespread hack of police data in India was recently conducted, releasing facial images, fingerprints, and other personal data about Indian police, and those seeking to apply for police jobs. The leaked info has also been compiled into zip files and offered for sale to criminals over the encrypted messaging app Telegram, clearly for nefarious purposes.

This hack of police data is a sign of more cyber crimes of this kind to come, as criminals continue to become better equipped with online hacking skills with each passing day. Security researcher Jeremiah Fowler explained that he’s already uncovered numerous web servers with hundreds of gigabytes of stolen data, targeting victims from multiple countries all over the Earth. This data ranges from basic information such as birthdays, purchase history, and education certificates, to more personal documentation such as birth certificates, bank info, and social security cards….

(12) FIN DE CYCLE. “Orcas are still smashing up boats – and we’ve finally worked out why” says New Atlas.

For four years now, orcas have been ramming and sinking luxury yachts in European waters, and scientists have struggled to work out just why these smart, social animals had learnt this destructive new trick. But it’s not due to some anticapitalist ‘eat the rich’ agenda, nor is it to do with territory and aggression. The truth is, well, it’s child’s play.

Following years of research, a team of biologists, government officials and marine industry representatives have released their findings on just why one particular Orcinus orca group has developed this destructive streak. And it turns out, orcas – especially the kids and teens – just want to have fun. The report reveals that a combination of free time, curiosity and natural playfulness has led to young orcas adopting this ‘trend’ of boat-bumping, which is not at all surprising for a species that has been known to adopt odd, isolated behaviors from time to time.

In recent years, a dramatic recovery in the population of bluefin tuna in the region has been a win for a group of about 40 critically endangered Iberian killer whales that feed exclusively on the large fish. This has meant they’ve cut down their time spent foraging, leaving space for other ‘hobbies.’…

(13) THE BEE SIDE. “A vaccine for bees has an unexpected effect” explains Science News.

The first vaccine designed for insects may make honeybees healthier overall.

Honeybee hives vaccinated against a bacterial disease had much lower levels of an unrelated viral disease than did unvaccinated hives, veterinarian Nigel Swift of Dalan Animal Health reported April 3 at the World Vaccine Congress.

Researchers at Dalan, based in Athens, Ga., designed the bee vaccine to protect against American foulbrood — a fatal disease caused by a spore-forming bacterium called Paenibacillus larvae. Adult bees don’t get sick but can spread spores in the hive, where the disease infects and kills larvae. Spores can remain viable for more than 50 years, so beekeepers with infected colonies must destroy hives by irradiating or burning them to keep the disease in check. A vaccine may save bee lives and beekeepers’ livelihoods….

… Dalan’s vaccine against foulbrood disease doesn’t rely on tiny syringes. Instead, bees are inoculated through a sugar paste that researchers spike with heat-killed P. larvae. Worker bees eat the candy and incorporate it into their royal jelly, which they feed to the queen. Inside the queen’s gut, bits of the bacteria attach to a protein, which in turn transports the vaccine fragments to the ovaries where they can be deposited in eggs. Larvae that hatch from the eggs should be protected from the disease…

… Yet the researchers found a surprising result: Vaccinated hives were protected from a viral disease spread by varroa mites (SN: 3/7/16). Both vaccinated and unvaccinated hives started the study with the same number of mites and a baseline level of virus, as measured by a PCR test. Virus levels continued to rise in the unvaccinated hives but declined in the vaccinated ones. At the end of the study, vaccinated hives had accumulated 83 percent less virus than unvaccinated hives did, Swift said. The number of mites per hive remained the same….

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, Cliff, Kathy Sullivan, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Kip W.]

Pixel Scroll 5/5/23 I’m Gonna Take My Pixels To The Old File Road, I’m Gonna Scroll Till I Can’t No More

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(1) GENRE SUPPORT FOR WGA STRIKE. “SFWA Stands in Solidarity with the WGA” the organization announced today.

The Science Fiction and Fantasy Writers Association supports writers. As such, SFWA stands in solidarity with the Writers Guild of America (WGA) in their strike. Emblematic of that support was our Nebula Awards Ceremony team working to ensure that the script for the ceremony was complete before the strike began so we would not violate the picket line.

During this time, we would like to caution writers who are offered meetings for TV or movie work that such seemingly innocuous meetings may affect their eligibility to join the WGA in the future. For more information, see WGA’s Strike Rules.

We hope this strike will come to a swift conclusion with writers’ voices and concerns heard and met with reasonable terms.

(2) RINGS POWERS ON WITHOUT SHOWRUNNERS. [Item by Mike Kennedy.] Due to the Writers Guild of America strike, season 2 of The Lord of the Rings: The Rings of Power will be finishing its last few weeks of filming without their showrunners. The production company had arranged to have all scriptwriting finished ahead of the strike.

What they’ll do if somebody decides a rewrite is necessary hasn’t been announced. Executive producers, directors, and other crew who are not WGA members will be overseeing all on-set work. “The Rings of Power to complete season 2 filming without showrunners amid writers’ strike” in Entertainment Weekly.

The Lord of the Rings: The Rings of Power is moving forward with filming season 2 — despite the ongoing Hollywood writers’ strike.

Amazon Studios‘ fantasy epic is currently in production on its second season, and EW has confirmed that filming will continue in the U.K. without showrunners J.D. Payne and Patrick McKay. The production team planned for a potential strike, and scripts and other creative materials were finished ahead of time so as not to delay filming. Rings of Power has 19 days left to shoot for season 2.

The Writers Guild of America went on strike this week after failing to reach an agreement with the Alliance of Motion Pictures and Television Producers. Under strike rules, WGA members are prohibited from participating in writing duties. In Payne and McKay’s absence, non-writing executive producers, directors, and crew will oversee production on set….

(3) CLASS IS IN SESSION. Madeline Shier lists books about 21 magical institutions of learning in “There’s Magic in All of Us: Choosing the Right Magic School for You” at Powell’s Books.

There comes a point in every young person’s life where they need to make an important decision: where will they go to study magic?

While excellent students from a variety of academies and programs have been sharing their experiences for years — Ged’s adventures at The School of Wizardry on Roke Island in A Wizard of Earthsea (1968), Cat Chant’s training at Chrestomanci Castle in Charmed Life (1977), etc. — it’s impossible to deny that a particular institution has dominated the conversation for the last twenty-six years. But as news continues to break regarding the outrageous transphobia, antisemitism, and racism propagated by that academy and its founder, more and more students who’d previously anticipated immediately accepting their invitation to an ancient castle in Scotland are finding themselves considering alternative courses for their magical education.

(This is not to say that one person’s cruelty, even its founder’s, can wipe away all merit from an institution. You may still wish to take a tour of the campus there, and that is of course your prerogative. You will likely find much to love; this writer certainly does. I would simply also urge you to consider your surroundings as you pass through. If you, like me, find yourself put off by the tokenization of your non-white, non-straight peers, and by the mistreatment of entire groups of sentient beings, it is simply good to remember that these hallowed halls are not our only option.)

Hereafter, you will find a catalog of academic options to weigh as you plan your studies. Certain programs — such as the much-lauded training offered by Camp Half-Blood and its sibling organizations, or the prestigious School for Good and Evil — are undoubtedly already on your radar and have therefore been omitted, though we highly recommend you consider them as well.

(4) AH, ROMANCE. Allison Brennan explains the art of “Crafting Will They or Won’t They Tension in Thrillers” at CrimeReads.

…The key in any long-running suspense series is to ensure that conflicts are authentic and true to the characters. Contrived conflict where “if only they talked” or throwing in a spontaneous disappearance with no lead-up and definitely no satisfying conclusion will disappoint readers….

(5) KOONTZ LIVES IN FEAR. [Item by Olav Rokne.] Dean Koontz has written more than 110 novels, lives like a prince and is riddled with self-doubt. In a long form profile of the multi-genre author, the Washington Post seems to imply his fear based stories are his most personal.  “What scares master of suspense Dean Koontz? Plenty.” according to the Washington Post.

 (6) EATING THE FANTASTIC. Scott Edelman invites listeners to feast on fish and chips with the prolific Robert Jeschonek in Episode 197 of the Eating the Fantastic podcast.

Robert Jeschonek

I met this episode’s guest, Robert Jeschonek, when I attended the Steve Ditko Mini-Con in Johnstown, PA in September of 2021, While there, I spontaneously decided late in the afternoon to wander the exhibit tables to capture the voices of four other attendees, getting them to share anecdotes about that legendary creator, and you can hear them in Episode 154. But Jeschonek, who’d recently completed a biography of Ditko with the family’s cooperation, had taken off before I could get to him. We agreed we’d someday catch up to chat, and that someday is now.

There’s so much else to talk about with Bob in addition to Steve Ditko, though. For one thing, he’s managed to have stories published in every issue so far of the revived Pulphouse — all 20 of them! (Me, I’ve only had two published there.) His  short stories have also appeared in Clarkesworld, Galaxy’s Edge, Fiction River, Pulp Literature, StarShipSofa, and many other publications. He has also written official Doctor Who and Star Trek fiction plus Batman and Justice Society comics for DC. His novels include the military scifi epic Battlenaut Crucible, the urban fantasy Earthshaker, the cozy mystery Death by Polka, and the young adult thriller Unbullied. He’s won a Scribe Award from the International Association of Media Tie-In Writers, and the grand prize in Pocket Books’ Strange New Worlds contest.

We discussed why when he a kid growing up in Johnstown, Pennsylvania, he dismissed any suggestion Steve Ditko grew up there as mere rumor, the differences in the way we each pants our stories, how to get writing done amid the pressures of life, the best way to approach assembling collections and anthologies, how he got his first gig writing comic books, dealing with the inevitable rejections, whether his fans follow his writing career cross his many genres, the many misconceptions people have about Steve Ditko, and much more.

(7) SZE SAYS. The New York Times profile “Sarah Sze Wishes She Could Hear Gertrude Stein Pick a Fight” includes these shout-outs to sff.

What’s your favorite book no one else has heard of?

“Flowers for Algernon,” by Daniel Keyes, was an influential book for me when I was growing up, and I’ve found that few people seem to have read it. It’s written in an epistolary style, and I was taken by how the writing itself uses spelling, grammar, punctuation and diction to indicate the rise and loss of the fictive author’s cognitive skills, reflecting the story line. I’m still struck with the novel’s opening epigraph from Plato, taken from Book 7 of “The Republic”: “Any one who has common sense will remember that the bewilderments of the eye are of two kinds, and arise from two causes, either from coming out of the light or from going into the light, which is true of the mind’s eye, quite as much as of the bodily eye.”

What book might people be surprised to find on your shelves?

“Slaughterhouse-Five,” by Kurt Vonnegut, “Fahrenheit 451,” by Ray Bradbury, “1984,” by George Orwell, “Survival in Auschwitz,” by Primo Levi.

(8) MEMORY LANE.

1969 – [Compiled by Cat Eldridge.]

John Boyd’s The Rakehells of Heaven was  published by Weybright and Talley in the States fifty-four years ago. It was not his first novel, which was The Last Starship from Earth. SFE loved that novel but was not impressed but any of the twelve that followed: “None of Boyd’s subsequent novels – some of which are abundantly inventive – made anything like the impression of this first effort, though they are not inconsiderable.” 

(The Dictionary of Literary Biography says Robert A. Heinlein endorsed The Last Starship from Earth highly. No word on what he thought of this novel.) 

If you’ve not read him, be advised that The Last Starship from Earth is not available from the usual suspects but this novel is as Andromeda Gun (excellent) and The Girl with the Jade Green Eyes (weird, and very entertaining).  That is it. 

So let’s have the Beginning…

Astronauts hold few charms for psychiatrists. 

With Their “Rogers” and their “Wilcos” and their “A-Okays,” the eagle scouts of the Space Navy are all typical American boys who like girls and would rather go bowling than read a book. No matter if the astronaut comes from Basutoland, black and fuzzy-haired, he’s still an all-American boy. 

Malfunctions of the ego are as rare among the breed as roses on Mars, or so I thought when I came to Mandan. And so I continued to think until I debriefed Ensign John Adams after his unscheduled touchdown at the Mandan Pad. In John Adams, I found the psychiatric equivalent of an orchid blooming on Jupiter. 

As a psychiatrist of Plato’s school, I would have never volunteered for duty at the Mandan Naval Academy. Platonists are sculptors of the psyche who hold that sanity is innate in man’s mind. Our tools are rhetoric, insight, empathy and, above all, the question, for wise interrogation is the better part of therapy. Our marble is mined from the loony bins of Earth. Yet, with Bellevue Hospital but a few blocks from where I was graduated, the bureaucracy ordered me to intern at the North Dakota space complex “to broaden my technical knowledge.”

I got to Mandan in late September, a week before school opened, during the point of impact called autumn when winter kicks summer off the Northern Plains. I reported to Space Surgeon Commander Harkness, USN (MC), commandant of the infirmary staff. Doctor Harkness, or Commander, as he preferred to be called, was a neurosurgeon, which is a fancy name for a brain mechanic who uses laser drills and saws. Harkness made no attempt to suppress his hostility toward interns in general and psychiatrists in particular. He assigned me to interview incoming midshipmen who had already been Rorschached from Johannesburg to Juneau. It was salt-mine work. Any behavioral psychologist could have handled it, but it implemented Harkness’s policy of making interns sweat.

In my first three weeks, I interviewed over two hundred yearlings and found only one whose behavior was suspect, an earlobe-puller from Shanghai. His ear-pulling suggested a compulsion neurosis that can be dangerous in space—such boys start counting stars when they should be tending the helm. I offered my Chinese ear-puller to Harkness to demonstrate my application to duty. Harkness felt the lad’s earlobe, found a pimple which had irritated it and gave me a dressing down. “One thing we don’t do at Mandan, Doctor, is stumble over facts to get at a theory.”

Actually, Harkness’s ridicule was my high point at Mandan until Adams touched down in late December. Curse me for a masochist, but any emotion that colored that wasteland of psychiatrists was welcome. I chewed my hostility like a betel nut. 

It was 5: 45 P.M., Wednesday, December 28. I had the medical watch in the infirmary when Harkness called. “Doctor, are you the only psychiatrist aboard?”

 “Yes, sir,” I answered, “and will be during the holidays.”

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 5, 1890 — Christopher Morley. English writer who’d be here for Where The Blue Begins with its New York City inhabited solely by canines, but who also wrote The Haunted Bookstore which is at least genre adjacent depending on how you view it, and lovingly-crafted Sherlock Holmes and Dr. Watson: A Textbook of Friendship, his look at the writings of Arthur Conan Doyle. (Died 1957.)
  • Born May 5, 1922 — Joseph Stefano. Screenwriter who adapted Bloch’s novel as the script for Hitchcock’s Psycho. He was also a producer for the first season of Outer Limits and wrote a total of twelve episodes. He also the screenwriter for the very horrifying Eye of The Cat. He wrote Next Generation’s “Skin of Evil” episode. And he was producer on the original Swamp Thing. (Died 2006.)
  • Born May 5, 1944 — John Rhys-Davies, 79. He’s known for his portrayal of Gimli and the voice of Treebeard in the Lord of the Rings trilogy, General Leonid Pushkin in The Living Daylights, King Richard I in Robin of Sherwood, Professor Maximillian Arturo in Sliders, a most excellent Hades in the animated Justice League Unlimted series, Hades in Justice League and Sallah in the Indiana Jones films. Oh, and voicing Macbeth in the exemplary Gargoyles animated series too.
  • Born May 5, 1942 — Lee Killough, 81. Author of two series, the Brill and Maxwell series which I read a very long time ago and remember immensely enjoying, and the Bloodwalk series which doesn’t ring even a faint bell. I see she’s written a number of stand-alone novels as well – who’s read deeply of her? Her only Hugo nomination was at Aussiecon Two for her short story, “Symphony for a Lost Traveler”.  And in the early Eighties, she wrote an interesting essay called “Checking On Culture: A Checklist for Culture Building”. Who’s read it? 
  • Born May 5, 1943 — Michael Palin, 80. Monty Python of course. I’ll single him out for writing Monty Python’s The Meaning of Life and co-writing Time Bandits with Terry Gilliam. Though decidedly not genre, he was in A Fish Called Wanda for which he won the BAFTA Award for Best Actor in a Supporting Role.
  • Born May 5, 1957 — Richard E. Grant, 66. He first shows up in our world as Giles Redferne in Warlock, before going on to be Jack Seward in Bram Stoker’s Dracula. On a lighter note, he’s Frederick Sackville-Bagg in The Little Vampire, and the voice of Lord Barkis Bittern in Corpse Bride. He breaks into the MCU as Xander Rice in Logan, and the Star Wars universe by being Allegiant General Enric Pryde in Star Wars: The Rise of Skywalker. Now I had forgotten that he’s in the Whoverse twice, once seriously and once very not. The first appearance was the latter as he in Doctor Who and the Curse of Fatal Death as The Conceited Doctor. And then he plays the Great Intelligence in three episodes of Doctor Who.
  • Born May 5, 1961 — Janet Brennan Croft, 62. She’s published any number of works on library science, but her research on Tolkien includes the Mythopoeic Scholarship Award for Inkling Studies-winning War and the works of J.R.R. Tolkien, Tolkien on Film: Essays on Peter Jackson’s The Lord of the Rings, Tolkien and Shakespeare: Essays on Shared Themes and Language and Perilous and Fair: Women in the Works and Life of J. R. R. Tolkien. I’d also like to single her work, Baptism of Fire: The Birth of the Modern British Fantastic in World War
  • Born May 5, 1979 — Catherynne M. Valente, 44. The last thing I read by her was The Refrigerator Monologues which is a lot of fun. Space Opera is in by TBR pile and I’d like to know what y’all thought of it. My favorite work by her? Oh, by far that’d be the two volumes of The Orphan’s Tales which I go back to fairly often — stunning writing. If you’ve not read them yet, here’s her telling “The Tea Maid And The Tailor” as excerpted from In the Night Garden which is from Green Man. 

(10) BID ON TV HISTORY. Collector James Comisar will be auctioning items from his TV memorabilia collection on June 2-4. His passion for collecting is described in “The James Comisar Show”. Several historic genre TV items (I Dream of Jeanie, Star Trek, Batman)are discussed in “The History of TV in 22 Lots”.

…In time, Comisar amassed decades’ worth of sets, props and costumes spanning the medium’s birth to its Golden Age to the era of Peak TV – from Howdy Doody to Gunsmoke, I Love Lucy to Star Trek, Bewitched to I Dream of Jeannie, The Office to E.R., The Sopranos to Mad Men to Breaking Bad. And everything in between: Johnny Carson’s and David Letterman’s talk-show sets. Archie and Edith Bunker’s living room and chairs. The bar around which the Cheers regulars shared beers and jokes. The hometown signpost from the 4077th MASH. Games from The Price Is Right.

That’s just the beginning of the beginning of an extensive and remarkable list. Comisar spent decades – and millions of dollars – gathering and preserving material and memories enough to fill the television history museum he had long dreamed of opening. If you watched it, he collected it, looked after it and loved it like a family member….

(11) KOJA Q&A. One of the Horror Writers Association’s blog post themes is “Celebrating Our Elders” – as in, “Celebrating Our Elders: Interview with Kathe Koja”.

Who were your influences as a writer when you started out and who, if anyone, continues to influence you?

My two greatest influences as a writer were Emily Bronte and Shirley Jackson, from whom I learned velocity, force, and economy. And as a kid, I read a lot of M.R. James, who will always scare me.  

(12) WEN WEN YANG TAKES QUESTIONS. Another HWA theme is illustrated by this post: “Asian Heritage in Horror: Interview with Wen Wen Yang”.

What about the horror genre drew you to it?

It was a lot easier to approach horror as a writer than as a consumer, because I control how bad things get. Evil will be defeated in a satisfying ending. I get nightmares very easily so I don’t consume horror as much as others do. My body horror flash fiction in If There’s Anyone Left: Volume 3 was directly from a nightmare I had after Texas’ recent attacks on reproductive rights. 

(13) CALL FOR PAPERS. Science Fiction Film and Television is planning a special issue and is looking for scholarly contributions. The theme is: “The Dark Fantastic by Ebony Elizabeth Thomas:  Black Girl Protagonists in Science Fiction TV and Film.”

Ebony Elizabeth Thomas’s pathbreaking book The Dark Fantastic (2019) has given new direction to debates about race, gender, and power in fantastic fiction. In her work, Thomas charts the Dark Fantastic Cycle, a pattern that consists of Black female characters moving through a sequence that includes the following: (1) spectacle, (2) hesitation, (3) violence, (4) haunting, and (5) emancipation. In examining this cycle, she posits that the Dark Other is a foundational presence in fantastic storyworlds, where desirable qualities are explicitly associated with whiteness and Blackness is consistently associated with “the monstrous Thing that is the root cause of hesitation, ambivalence, and the uncanny.”

At the same time, Thomas voices a powerful call to “re-story” fantastic storyworlds in ways that release captive characters from the cycle of the Dark Fantastic, allowing for more participatory, and more imaginative stories and worlds—as many Afrofururist and Black fantasy storytellers have been doing across media.

Thomas’s interdisciplinary approach to the “imagination gap” that has afflicted fantastic fiction gives us new ways to approach science fiction and its related genres. The editors of Science Fiction Film and Television are therefore proud to announce a forthcoming special issue dedicated to pushing Thomas’ work forward through a disruption of the Dark Fantastic Cycle with specific attention to Black girl protagonists in science fiction and film. For this issue, we have invited Drs. S. R. Toliver and Autumn A. Griffin, mentees of Dr. Thomas, as special co- guest editors, who have agreed to be centrally involved in the selection of articles and the overall organization of the special issue. We therefore invite contributions that engage meaningfully with the key concepts, methods, and proposals from The Dark Fantastic, and thereby to further the lines of thinking that Dr. Thomas has initiated in her book.

Thomas argues that “an emancipatory Black fantastic requires interrupting the dark fantastic cycle in order to create new paradigms” (p. 169).

Thus, potential questions for inquiry/interrogation include:

  • How are science fiction authors (re)imagining stories about Black girls?
  • How are Black girls (re)imagined in science fiction stories (e.g. See You Yesterday, Fast Color, Black Lightning, Titans)?
  • How do Black women science fiction television and filmmakers (re)frame and (re)center Black girls’ racialized and gendered identities (e.g., A Wrinkle in Time, Brown Girl Begins, Naomi, Lovecraft Country, Pumzi)?
  • How are Black women creators narrating themselves into existence in science fiction film and television?

In what ways do Black women and girl science fiction fans (books, film, and TV) engage with/in fandom?

Timeline

  • May 31, 2023: Abstracts due
  • June 30, 2023: Authors notified
  • December 2, 2023: Drafts due to editors
  • March 8, 2024: Initial feedback from editors
  • June 3, 2024: Final drafts to editors to send for peer review
  • Fall 2024: Special Issue Publication

Questions can be sent to the Guest Editors, Autumn Griffin & Stephanie Toliver at: [email protected] 

(13) A LITTLE MORE SUB THAN ORBITAL. [Item by Mike Kennedy.] Though not as spectacular as the SpaceX Starship launch failure, a suborbital rocket recently launched by Up Aerospace also went boom early in the mission. Among more than a dozen payloads was a group of 120 small capsules with human cremains. 

They were were intended to make it above the Kármán Line, sort of posthumously qualifying the decedents for their astronaut wings. In fact, one of the decedents already had their astronaut wings. Remains from NASA astronaut Philip K. Chapman were among those involved.

Fortunately, the cremains all survived the explosion and were recovered. It’s said they will be placed on a future mission. Hopefully that one will make the intended trip rather than another severely curtailed one. “Cremated Remains of NASA Astronaut Recovered After Failed Rocket Launch” at Gizmodo.

(14) TODAY’S BEST SENTENCE FROM A PRESS RELEASE. [Item by Daniel Dern.] Note, this is legit, and not a typo. (Easy to find the source by searching on the sentence).

What could possibly go wrong? (from DNA privacy to superpower origins gone wrong, cloning abuse…)

“Student toenails meanwhile were sent back to MIT for analysis in the nuclear reactor.”

(15) WHO? [Item by Mike Kennedy.] The story is behind a Chicago Tribune paywall (but available free if you have the Apple News app). If you could see the full thing, you’d see a number of illustrations to go along with the story. Perhaps the main thrust of the story is why Gygax is so unrecognized in the town where D&D was invented. “The Dungeons & Dragons game was invented in Lake Geneva. Why no statue in the town square?”

When Ed Schwinn thinks about the history of Lake Geneva, Wisconsin — and as president of the board of directors for the Geneva Lake Museum, he thinks about it quite a bit — he thinks of a summer retreat, a tourist town that has fewer than 10,000 year-round residents. He thinks of his own family living there year-round for 34 years. He thinks of his grandfather, who helped steer the Schwinn Bicycle Company into becoming a household name, buying a second home on the lakefront in the 1920s. He notes that a lot of summer families have long since become permanent residents, though “when I grew up on Lake Geneva, people with homes on the lakefront shut off the water on Labor Day, slipped a key under the mat and went home until May.”

He thinks of all those wealthy, famous names associated with the history of the town — the Schwinns, the Wrigleys, the Maytags, the Wards — then admits, “No matter how many well-known families have been coming here a century or more, I’m not sure any of us have done as much for the city of Lake Geneva as Gary Gygax.”

If the name doesn’t ring a bell, you’d be hard-pressed to learn more in Lake Geneva…

(16) VIDEO OF THE DAY. Honest Game Trailers dissects “Kirby’s Return to Dream Land Deluxe”.

There’s been a lot of remakes in 2023 like Resident Evil 4 and Dead Space with plenty more on the way, and Kurt can’t help but ask: is this a good thing?

[Thanks to Mike Kennedy, Andrew Porter, SF Concatenation’s Jonathan Cowie, Olav Rokne, Daniel Dern, John King Tarpinian, Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Rob Thornton.]

Pixel Scroll 10/21/22 < PanGalacticGargleBlaster-Emoji > < MTBR-Emoji > < Sleeping-Credential-Emoji >

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(1) AS THE DAYS DWINDLE DOWN. Is it the end of the year so soon? Publishers Weekly has announced its selection of 150 “Best Books 2022”. Here’s what they picked in the “SF/Fantasy/Horror” category.

  • The Golden Enclaves by Naomi Novik (Del Rey)
  • The Hacienda by Isabel Cañas (Berkley)
  • Leech by Hiron Ennes (Tordotcom)
  • Lonely Castle in the Mirror by Mizuki Tsujimura, trans. from the Japanese by Philip Gabriel (Erewhon)
  • Moon Witch, Spider King by Marlon James (Riverhead)
  • The Mountain in the Sea by Ray Nayler (MCD)
  • Ocean’s Echo by Everina Maxwell (Tor)

(2) WHAT’S SAUCE FOR THE GOOSE? Aja Romano’s article for Vox, “Xi Jinping’s crackdown on fandom and social media, explained”, primarily discusses China’s pop music fans, especially fans of Kpop, however it’s still instructive.

…Fans, locally and abroad, are motivated by deeply personal, often byzantine motivations that no amount of outside interference — even from the Chinese government — can moderate. If anything, its attempts to do so only remind us how universal the problem of controlling uncontrollable social media has become. In a way, it’s as though the Chinese government has engaged in a game of whack-a-mole: The more it attempts to crack down on extreme fandom behavior, the more creative fans get at dodging its regulations and the more extreme that behavior becomes.

In a strange twist, the very fandom communities the CCP [Chinese Communist Party] is most concerned about may also be the ones that are unexpectedly helping to spread its political agenda. A recently published study from researchers at Concordia University and York University, conducted between January 2020 and October 2021, looked at the way danmei fans online interacted with the CCP’s restrictions. They found that in the absence of clarity around many of the restrictions, the fans themselves, through a mix of speculation and “accusatory reporting” — that is, reporting or threatening to report each other to authorities for perceived transgressions — were doing a more efficient job policing themselves than the government ever could. In essence, the fans who tried to conduct their subversive fandoms within the parameters of the regime “strengthened the political authority’s practice and narrative.”

Ultimately, the biggest irony of the Qinglang campaign is that it may have ensured the communities the government wanted to “clean and clear” are messier than ever. “In my friend circle, we often say the only people ‘cleaned’ are the normal fans,” one fan told me. “The toxics are completely unaffected.”

(3) EATING THE FANTASTIC. Scott Edelman invites listeners to dig into dim sum with the Nebula Award-winning Eileen Gunn in episode 193 of the Eating the Fantastic podcast.

Eileen Gunn

My guest this time around is Eileen Gunn, who received the Nebula Award in 2005 for “Coming to Terms,” a story inspired, in part, by her friendship with Avram Davidson, about whom she’s working on a biography. She also won Japan’s Sense of Gender Award, and has been nominated for the Hugo, Philip K. Dick, Locus, and Tiptree awards. Her short story collections include Stable Strategies and Others (2004), Questionable Practices (2014), and most recently Night Shift Plus … , out earlier this year as part of the PM Press Outspoken Authors Series. From 2001-2008, she was editor and publisher of the influential webzine The Infinite Matrix. She served for 22 years on the board of directors for Clarion West, and taught there and at numerous other creative writing workshops. She also had a lengthy career in technical advertising and website management in Boston, Seattle, and New York.

We discussed how it’s possible to write when you always have writers block, the Ursula K. Le Guin story which convinced her she could have a career in science fiction, the two most important things she wants aspiring writers to know, her early advertising career writing funny ads for shoes she didn’t like, the reason she believes “I don’t decide what the story is until after I’ve finished it,” which famous science fiction writer wrote the box copy for Screaming Yellow Zonkers, the question Kate Wilhelm asked her at Clarion which unlocked the unknown ending of a story in progress, the way her years in the ad business helped her become a better writer, how Carol Emshwiller made her a person of interest with a sheriff’s department, what she said on a Worldcon panel which was so outrageous the audience had to be told she was joking, how Psychology Day magazine was almost sued over Frankenstein because they didn’t listen listen to my advice, and much more.

(4) IN DYSON’S SPHERE. Jeremy Bernstein recounts his half-century friendship with the renowned scientist and visionary in “Freeman Dyson and Me” at the MIT Press Reader.

…That summer he went off to the General Atomic division of the large firm General Dynamics in La Jolla to consult, and I went to the RAND Corporation in Santa Monica to do likewise. It was not a success.

Although RAND had the superficial atmosphere of a college campus, it was devoted to the strategy of nuclear war. The Falstaffian figure of Herman Kahn was assuring everyone that a few megadeaths in an exchange with the Soviets would be quite tolerable. I recall once going into a room with the other RAND physicists where a seismograph had been set up. We watched while it registered the quavers from a hydrogen bomb test in the Pacific. I found the whole atmosphere very depressing. In the meanwhile, the secretary we had in our building at the Institute was forwarding mail along with the gossip. I learned that Dyson was designing a spaceship, that he had been to a bullfight, and had been bitten by a dog. I wrote a note to him saying that if any of these three things were true, he was having a better time than I was. Much to my surprise, a day or so later the phone rang, and it was Dyson inviting me to come down to La Jolla. I jumped at the chance.

It turned out that all three of these things were true, and the spaceship, which was supposed to be powered by the exploding atomic bombs, was called the “Orion.” It is not an accident that this was the name of a spaceship in Kubrick’s “2001.” There was more. He had been stopped by the police for walking. They had some reason: he had broken his glasses and was wearing scuba diving goggles to assist his vision. When asked for identification, he produced a card with his picture and fingerprints on it from the Department of Defense. It said that the bearer of this card was entitled to receive top-secret information. One can only wonder what went through the police officer’s mind….

(5) TROLLING. [Item by Danny Sichel.] Sakeina Syed’s article for The Walrus, “The Rings of Power Has a Troll Problem”, is about the outsize effect of online racists, and how the productions try to deal with them.

…Beneath assertions of fandom pride and purity seethes a maelstrom of abject racism. The now-deleted YouTube comment barrage is one strand in a much larger web of backlash, diligently stoked by subgroups of fans that seem hell-bent on tanking the series.

While it’s long been present, the racism in groups of pop culture fans online has rapidly gained coordination and sophistication in recent years. Behind-the-scenes planning has allowed relatively small minorities of users to flood online spaces. These campaigns go beyond seemingly trivial internet chatter and have the power to shape the future of projects, the careers of BIPOC actors, and the film and TV industry as a whole.

…FOR THE FANS who don’t subscribe to the racist and misogynistic rhetoric, those clamouring voices are a source of dismay, antithetical to the works they know and love. Anna María is a UK-based actor, community organizer, and self-described armchair Tolkien expert who was first introduced to the series at the age of seven. “Bigotry hurts more when it comes from a space you once associated only with joy,” she writes in an email.

“Seeing racist comments (and facing some myself) from fellow Tolkien fans . . . is infinitely more personal and hurtful. I know it makes me—and many of my friends—feel decidedly unwelcome in the fandom.”…

(6) CATCHING UP WITH CHICON. Read Morgan Hazelwood’s notes about the Chicon 8 panel “Fairytales & Folklore in Urban Fantasy” or view the video commentary at Morgan Hazelwood: Writer in Progress.

As humans, we look for patterns everywhere. So, when we see a new story, draped in the shape of a well-known fairytale, the vibrant mix of the familiar with the new and strange can be irresistible to many of us as readers. There’s a reason that wrapping fairytales and folklore in urban fantasies has proven so popular.

In 1987, Charles de Lint published Jack, the Giant Killer, a retelling of a fairytale set in 1980s Ottawa. This novel, along with Terri Windling’s Borderlands, became part of the foundation of the urban fantasy subgenre. How was utilizing folktales in contemporary settings revolutionary in the 1970s and 80s? How have fairy and folk tales influenced urban fantasy since then? Join us as we explore the roots of one of the most influential subgenres of the early 21st century.

The titular panel at ChiCon8/WorldCon 80 was moderated by Alma Alexander and featured Adam Stemple, Sharon Sheffield, and C.L. Polk. The insightful discussion wandered a ways from the given description but stayed on topic….

(7) MEMORY LANE.

1972 — [By Cat Eldridge.] Ray Bradbury’s The Halloween Tree

Tom Skelton shivered. Anyone could see that the wind was a special wind this night, and the darkness took on a special feel because it was All Hallows’ Eve. Everything seemed cut from soft black velvet or gold or orange velvet. Smoke panted up out of a thousand chimneys like the plumes of funeral parades. From kitchen windows drifted two pumpkin smells: gourds being cut, pies being baked. — The Halloween Tree

I love everything that he wrote unreservedly. Now I am not saying that everything was great but I go into reading something by him knowing that there’s a very good chance that I’ll enjoy it. And I really like him as, well, himself.

Now we come to this book. I’m assuming that being from the upper Midwest that he was well-versed, indeed deep in the bone, in the ways of Halloween. So it was rather appropriate that he’d write this novel fifty years ago with illustrations by Joseph Mugnaini who worked extensively with Bradbury. You can hear him here talking about working with Bradbury.

Doubleday published the first edition in June 1972 within Mugnaini doing all the art.

IF YOU’VE HAVEN’T READ OR, YES, SEEN IT, GO HIDE UNDER BED FOR NOW. [SPOILERS]

Bradbury is stellar here. Truly brilliant.

Lifelong friends do what such boys always do on this day: trick-or-treating. However, they discover that a ninth friend has been whisked away on a journey, a really fantastic journey, that could in the end say whether he lives or dies. 

Through the help of a mysterious character named Carapace Clavicle Moundshroud (and doesn’t our author have a way with names?) they pursue their friend across the universe through the old civilizations of Egypt, Greece, and Rome, learn what Celtic Druids are like, visit the Cathedral Notre Dame in Medieval Paris, and finish their journey at Mexican Day of the Dead. 

Like an overstuffed goose, they consume and hopefully digest a lot of stuff on this fantastic night. (They are young kids after all.) Bradbury speaking through Moundshroud as the narrator is rather a good guide here. 

We are made aware that the Halloween Tree itself, with its myriad branches oh so heavy with jack-o’-lanterns, is Bradbury’s metaphor for the historical confluence of all these traditions.

COME OUT NOW. MOTHER’S BAKING CHOCOLATE CHIP COOKIES AND MAKING COCOA IN THE KITCHEN. 

Hanna-Barbera nineteen years later would make it into an animated film. Bradbury serves as the narrator of the film, which also has Nimoy as Moundshroud. Bradbury also wrote the film’s Emmy Award winning screenplay.

Now here’s where we loop oddly enough back to the children’s book. That work originated five years before it was published as a screenplay as an unproduced collaboration with animator Chuck Jones. Now think about that being actually done!  No idea if the illustrated screenplay exists as a published work but I wanted it really badly.  

The Halloween Tree is shown on the Cartoon pretty much continuously during this month. It enjoys an eighty-eight percent rating at Rotten Tomatoes among audience reviewers.

The children’s book is available at the usual suspects for a very reasonable price.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 21, 1929 — Ursula K. Le Guin. Ursula K. Le Guin: Writer, Artist, Editor, Poet, and Translator. She called herself a “Narrative American”. And she most emphatically did not consider herself to be a genre writer – instead preferring to be known as an “American novelist”. Oh, she wrote genre fiction with quite some brillance, be it the Earthsea sequence, The Left Hand of Darkness, The Dispossessed, or Always Coming Home. Her upbringing as the daughter of two academics, one who was an anthropologist and the other who had a graduate degree in psychology, with a home library full of SF, showed in her writing.  She wrote reviews and forewards for others’ books, gave academic talks, and did translations as well. Without counting reader’s choice awards, her works received more than 100 nominations for pretty much every genre award in existence, winning most of them at least once; she is one of a very small group of people who have won Hugo Awards in all four fiction length categories. She was Guest of Honor at the 1975 Worldcon; was the second woman to be named SFWA Grand Master; was given a World Fantasy Award for Life Achievement; and was awarded the National Book Foundation Medal for Distinguished Contribution to American Letters. In later years, she took up internet blogging with great delight, writing essays and poems, and posting pictures and stories of her cat Pard; these were compiled into a non-fiction collection, No Time to Spare: Thinking About What Matters, which won a posthumous Hugo for Best Related Work. Her last Hugo was at Dublin 2019 for The Books of Earthsea: The Complete Illustrated Edition which was illustrated by Charles Vess. (Died 2018.)
  • Born October 21, 1937 — Richard Meredith. writer, graphic designer and illustrator who’s best remembered  for the most excellent We All Died at Breakaway Station and his Timeliner Trilogy. He wasn’t prolific in his shorter works, producing only eleven total novellas, novelettes and short stories. His only Award was the Phoenix, the lifetime achievement award for a science fiction professional who has done a great deal for Southern Fandom.  He died when he was only forty-one, following a stroke. Awakening, his last novel, was published by St. Martin’s Press after his death. (Died 1979.)
  • Born October 21, 1945 — Vicki Ann Heydron, 77. Wife of Randall Garrett with whom she wrote almost all of her fiction. Her first work, “Keepersmith” was published in Asimov’s in 1979. I recommend the Gandalara Cycle beginning with The Steel of Raithskar with her husband that ended seven books later with The River Wall. 
  • Born October 21, 1952 — Robin McKinley, 70. Beauty: A Retelling of the Story of Beauty and the Beast was her first book. It was considered a superb work and was named an American Library Association Notable Children’s Book and an ALA Best Book for Young Adults. Rose Daughter is another version of that folktale, whereas Spindle’s End is the story of Sleeping Beauty, and Deerskin and two of the stories that you can find in The Door in the Hedge are based on other folktales. She does a superb telling of the Robin Hood legend in The Outlaws of Sherwood. Among her novels that are not based on folktales are Sunshine, Chalice and Dragonhaven. Her 1984 The Hero and the Crown won the Newbery Medal as that year’s best new American children’s book. She was married to Peter Dickinson from 1991 to his death in 2015; they lived together in Hampshire, England where she still lives. They co-wrote two splendid collections, Water: Tales of Elemental Spirits and Fire: Tales of Elemental Spirits. I’d be very remiss not to note her Awards, to wit a Newbery Honor for The Blue Sword, then a Newbery Medal for The Hero and the Crown, a World Fantasy Award for Anthology/Collection for Imaginary Lands, as editor, a Phoenix Award Honor Book for Beauty and a Mythopoeic Fantasy Award for Adult Literature for Sunshine. Impressive indeed!
  • Born October 21, 1952 — Candas Jane Dorsey, 70. Canadian writer who’s the winner of the Prix Aurora Award and the Otherwise Award for gender bending SF for her Black Wine novel. She’s also won a Prix Aurora Award for her short story, “Sleeping in a Box”.  She’s one of the founders of SF Canada was founded as an authors collective in the late Eighties as Canada’s National Association of Speculative Fiction Professionals. At the present time, she appears to have little available from the usual digital suspects save two mysteries about her “queer, nameless, amateur detective.”
  • Born October 21, 1976 — Lavie Tidhar, 46. The first work I read by him was Central Station which won a John W. Campbell Memorial Award for Best Science Fiction Novel. It certainly deserved that accolade! The next work by him I experienced was The Bookman Histories in which Mycroft Holmes is murdered and, well, everything of a pulp nature gets tossed into alternate history England. Both absolutely brilliant and completely annoying at the same time. I’ve just read Unholy Land, his telling of the founding of a Jewish homeland long ago in Africa, and I’m now reading Neom, his sequel to Central Station. It’s quite, quite stellar.

(9) CAPE FEAR. Steve Vertlieb, seeing yesterday’s mention of the star’s birthday, invites all to read “Vertlieb’s Views: Bela Lugosi” at The Thunder Child.

Lugosi. The very name struck palpable terror into the hearts of film goers throughout the nineteen thirties. With his iconic voice, hypnotic gaze, and nightmarish persona, Lugosi became the very embodiment of vampiric decadence and mortal decay. A fallen aristocrat, the Transylvanian Count was the symbolic reflection of sexual repression and the abduction of innocence. Like the haunted character whom he most famously portrayed, Bela Lugosi has long ago passed both into memory and legend.

Born Béla Ferenc Dezső Blaskó on October 20th, 1882, no single individual has ever been as closely or indelibly associated with Bram stoker’s immortal “Dracula” as this aristocratic, ultimately tragic Hungarian actor.

Here, then, is my affectionate Halloween Birthday tribute to Bela Lugosi…his “horrific” career ascension, as well as its poignant decline…as we remember The Man Behind Dracula’s Cape.

(10) CELEBRATE THE SEASON. The Root recommends “15 Scary Ass Books By Black Authors That Are Perfect for Halloween”

… If you’re looking for a spooky story to sink your teeth into this Halloween, check out some of these haunting novels by Black authors. Just be sure to read them with the lights on….

First on the list:

In “The Good House” [by Tananarive Due], Angela Toussaint comes back to the house where her son committed suicide looking for the truth about his death. And what she finds is an invisible, evil force that is inciting acts of violence from the locals.

(11) TALKING ABOUT THE FIFTY WAYS. Ted Gioia continues his praise of “non-realist fiction” in “The 50 Best Works of Non-Realist Fiction of the 21st Century (Part 2 of 5)” at The Honest Broker. You’ll definitely recognize several of these titles.

Below is the second installment of my guide to the 50 best works of non-realist fiction published since 2000. For part one of the survey, click here.

I’m sharing the entire list in five installments (because of email length constraints).

To be eligible for the list, a book must be either science fiction, fantasy, horror, magical realism, alternate history, or some other genre that violates our notions of everyday reality. As I’ve written elsewhere, I believe that much of the best contemporary fiction falls into these categories—and is often unfairly neglected because of its genre origins….

(12) PALETTE CLEANSER. Meanwhile, Screen Rant is taking a count of its own. “10 Things Only Marvel Comics Fans Know About The Incredible Hulk”.

10/10 Gray Hulk

Most Marvel Comics fans know Hulk becomes gray for a period in the 1980s. They may not know he started out that way. In his comic book debut in The Incredible Hulk #1 in 1962, the Hulk appears gray. Co-creators Stan Lee and Jack Kirby intended Hulk to be gray, but coloring limitations at the time left him looking more green.

(13) RECONSIDERING SOLAR ENERGY SATELLITES. Science investigates the question, “Has a new dawn arrived for space-based solar power?” “Better technology and falling launch costs revive interest in a science-fiction technology.”

…NASA first investigated the concept of space solar power during the mid-1970s fuel crisis. But a proposed space demonstration mission—with ’70s technology lofted in the Space Shuttle and assembled by astronauts—would have cost about $1 trillion. The idea was shelved and, according to Mankins, remains a taboo subject for many at the agency.

Today, both space and so-lar power technology have changed beyond recognition. The efficiency of photo-voltaic (PV) solar cells has increased 25% over the past decade, Jones says, while costs have plummeted….

(14) LAUNDRY DAY. UPI invites you to “Watch: Researchers unveil world’s fastest clothes-folding robot”.

…The robot uses a neural network called BiManual Manipulation Network to interpret input from machine vision and manipulates the clothing using a pair of industrial robot arms.

The researchers detailed the robot’s creation and capabilities in a paper submitted for presentation at the International Conference on Intelligent Robots and Systems 2022 next week in Kyoto, Japan….

[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Andrew Porter, Danny Sichel, SF Concatenation’s Jonathan Cowie, Chris Barkley, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 10/17/22 And Now, The File Is Clear, And So I Scroll The Final Pixel

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(1) GGBOOKS. The Governor General’s Literary Awards presented by the Canada Council for the Arts celebrate literature and inspire the general public to read books by creators from Canada. The five finalists in the fiction category include one work of genre interest, Pure Colour by Sheila Heti. Category winners, who will be named November 16, receive C$25,000 (about US$18,850). The publisher of each winning book receives C$3,000 (about US$2,260) to support promotional activities, and finalists each receive C$1,000 (about US$755). 

(2) NOT SUGAR AND PUMPKIN SPICE. Lisa Morton shares her extensive experience writing Halloween-themed fiction with the Horror Writers Association blog: “Halloween Haunts: A Taste of Halloween Beyond – The Talking-board by Lisa Morton”.

I’ve written a lot of Halloween fiction, and I do mean A LOT. As in, I’ve already had one entire collection of just Halloween short stories and novellas – The Samhanach and Other Halloween Treats – published (by JournalStone) in 2017, and I’ve written a bunch of new Halloween fiction since. It shouldn’t come as a surprise, given that I’m both a horror fiction writer and an expert on Halloween history (with three non-fiction books on that subject to my credit).

When I’m asked to contribute a new Halloween story to something, I always stop first to think about some aspect of the beloved holiday I maybe haven’t done…. 

(3) SFF BY POC AT MELBOURNE WRITERS FESTIVAL. “Books: A new wave of sci-fi that has plenty to say about today’s world” at the Sydney Morning Herald.

When Maya Hodge read Parable of the Sower, a 1993 novel by Octavia E. Butler, it opened up her mind. This was the first science fiction book the writer had come across written by a black woman. It was about an African American teenager living in a dystopian America, and it made her realise what these books could mean to black and brown folks: “We live in these dystopias. These books are our escape.”

Hodge, a Lardil and Yangkaal woman, told the recent Melbourne Writers Festival that she went on to discover the novels of writers such as the African American N. K. Jemisin, hailed by The New York Times as “the most celebrated science fiction and fantasy writer of her generation”. Or more locally, Mykaela Saunders, a Koori and Lebanese writer who has edited This All Come Back Now, the world’s first collection of blackfella speculative fiction (or spec fic, as it’s often known).

What is going on here? It’s a new worldwide wave of science fiction and fantasy from writers of colour, First Nations writers, and writers with diverse and migrant backgrounds. They see that creating works in these popular, entertaining and sometimes mind-blowing genres is a way to make serious and subversive points about the real dystopian worlds of marginalised communities, worlds they know only too well….

(4) HEADED FOR NEW ORLEANS. Oghenechovwe Donald Ekpeki told Facebook readers that his Gofundme to attend the World Fantasy Convention funded successfully. The World Fantasy Convention 2022 committee also donated him a free, full membership.

(5) SMOFCON SCHOLARSHIPS AWARDED. Cansmof Inc. announced it has given two people scholarships for the purpose of attending Smofcon 38 in Montréal, Canada.

The first scholarship was awarded to Alex Stornel of Kenora, Ontario.

The second was awarded to Meg Macdonald of Glasgow, Scotland.

Cansmof Inc. created these scholarships to allow promising convention-runners to attend the annual Smofcon convention-runners’ convention. The scholarships include a complimentary membership to SMOFCon 38. Smofcon 38 will be held in Montréal. Canada, December 2-4, 2022.

(6) I’M TALKING TO YOU. Katherine Garcia Ley tells SFWA Blog readers how to get answers from their characters: “ROMANCING SFF: ‘So, How’s Your Love Life?’ and Other Questions to Ask Your Characters”.

We’ve all seen them: the thirty pages of interview questions you should ask your characters. The analytical texts on astrological signs. The “ultimate of ultimate” tools offering twenty-some Enneagrams for character development. All these resources are fantastic. Heck, I use them, and they’re amazing. I’m a list-loving personality theory hoarder.

These are great tools to use to build characters, but as romance writers (and anyone with a bit of love in their stories), are we asking specific questions about our character in relation to love?

Whether it’s for romance novels or romantic subplots, it’s incredibly important to examine a character’s love life, their perspective on love, and biases on love, because it strengthens arcs, dialogues, and the tone of the story. Honing in on their love life offers insight ranging from a character’s body language to their voice….

(7) VALUES BEING LIVED. Poets & Writers interviewer Renée H. Shea finds out “How It Felt: A Profile of Namwali Serpell”.

… Activism is part of who Serpell is, her life a bold exercise in human rights in the most literal sense. When she received the Caine Prize in 2015, she announced that she would split the monetary part of the award with the other shortlisted nominees. She was surprised by the impact and intensity of responses. On September 23, 2020—the same day she learned that the police officers who killed Breonna Taylor would not be charged with murder—she learned that she won the prestigious Arthur C. Clarke Award for The Old Drift. She donated the entire monetary prize to the Louisville Community Bail Fund for those detained during protests. She eschews being praised for “generosity”; instead, these actions are motivated by her political and philosophical beliefs about the nature of art. “The logic of competition, of reward, is deeply capitalistic,” she says, part of “the insistent corporatization of publishing.” She looks to what she calls “people recognition”—other writers, talented editors, and her readers—instead of monetized success…. 

(8) SERPELL Q&A. Then Shondaland interviewed Serpell about her book The Furrows. “Namwali Serpell Distills the Disorienting Experience of Grief in ‘The Furrows’”.

SN: Death is portrayed in the book as a dynamic and ongoing experience, especially for the people who are left behind. But Wayne has his own life in the book in unexpected ways. How did you approach rendering Wayne’s death and life, and the ghosts who live in the bodies of the people you might not even expect?

NS: The second half of the novel really starts to play with this notion of haunting and doubling and doppelgangers in a more explicitly genre sense, and there I was really riffing on Edgar Allan Poe’s story “William Wilson.” The family in the doppelganger story of Jordan Peele’s Us is also named the Wilsons, so he’s obviously thinking about this as well, the way that there’s some kind of uncanny relationship between the notion of the double or the doppelganger, the notion of haunting, or being haunted by a version of yourself, that seems particular to Black experience. And one of the ways that I think about this is that the double consciousness that W.E.B. Du Bois speaks about manifests as a doppelganger in my novel as well.

(9) PARTY ANIMAL. You’ll find “Ray Bradbury’s Guide to Throwing the Best Halloween Party” at the American Writers Museum.

Ray Bradbury was a true lover of Halloween. As his favorite holiday, he always made sure to dress in costume and have an amazing Halloween bash. If you’re looking to host your own Halloween party—in-person or even online—we’ve got you covered with advice from the legend himself. To learn more about Bradbury and his love of all things spooky, check out our exhibit, Ray Bradbury: Inextinguishable online and at the museum….

Pro Tip 3: Don’t forget the pumpkins!

“The pumpkins began to come alive. One by one, starting at the bottom of the Tree and the nearest pumpkins, candles took fire within the raw interiors. This one and then that and this and then still another, and on up and around, three pumpkins there, seven pumpkins still higher, a dozen clustered beyond, a hundred, five hundred, a thousand pumpkins lit their candles, which is to say brightened up their faces, showed fire in their square or round or curiously slanted eyes. Flame guttered in their toothed mouths. Sparks leaped out their ripe-cut ears.”
—Ray Bradbury, The Halloween Tree

We can’t guarantee that your jack-o-lanterns will come to life, but they will certainly add to the ambience of the evening. We also cannot necessarily endorse lighting 1,000 candles for pumpkins, so please keep fire safety in mind just in case your pumpkins do come to life.

(10) MEMORY LANE.

1964 — [By Cat Eldridge.] Outer Limits’ “Demon With A Glass Hand” (1964) 

Through all the legends of ancient peoples — Assyrian, Babylonian, Sumerian, Semitic — runs the saga of the Eternal Man, the one who never dies, called by various names in various times, but historically known as Gilgamesh, the man who has never tasted death … the hero who strides through the centuries … — Opening narration 

Fifty-eight years ago on this evening, Outer Limits’ “Demon With A Glass Hand” first aired on ABC. As you all know, it was written by Harlan Ellison and it was directed by Bryon Haskin who is best remembered for directing The War of the Worlds which won a Retro Hugo Award.

Really I don’t need SPOILER warnings here, do I? Surely you’ve seen it by now. I have and I think it’s one of the best genre stories ever done. 

Robert Culp played our central character, our so-called demon with a glass hand, I think it might well be his best performance of his long career. That Trent believes he is human is beautifully scripted by Ellison and acted out just perfectly by Culp right out to point when his hand is finally whole again. And then…

The production was perfect, the other performers, particularly Arlene Martel as Consuelo Biros, the woman in love with him until she discovers that he’s quite inhuman, is stellar in her role. And that hand? Years ahead of its time indeed! 

It was Ellison third genre script, his first being Voyage to the Bottom of the Sea‘s “The Price of Doom” the same year flowed by “Soldier” for here. He’d done some amount of mainstream writing — Burke’s Law, Ripcord and Route 66, but that was it for our end of things. Later on, his genre output did pick up.

A final note. It has long been held by fans and less than reputable media that “Demon with a Glass Hand” was why Ellison received a settlement after it was supposedly plagiarized for The Terminator.  Ellison clarified in a 2001 exchange with a fan at his Web site: “Terminator was not stolen from ‘Demon with a Glass Hand,’ it was a ripoff of my OTHER Outer Limits script, ‘Soldier.’”

Pluto and Youtube are streaming it. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 17, 1913 — Robert Lowery. Batman in 1949’s Batman and Robin. You can see the first episode here. And he popped up in an episode of the Adventures of Superman. (Died 1971.)
  • Born October 17, 1914 — Jerry Siegel. His most famous creation was Superman, which he created in collaboration with his friend Joe Shuster. He was inducted (along with the previously deceased Shuster) into the comic book industry’s Will Eisner Comic Book Hall of Fame in 1992 and the Jack Kirby Hall of Fame in 1993. (Died 1996.)
  • Born October 17, 1921 — Tom Poston. One of his acting first roles was The Alkarian (uncredited at the time ) in “The Mystery of Alkar” episode of Tom Corbett, Space Cadet in 1950. He much later had the recurring role of Mr. Bickley in Mork & Mindy. (Died 2007.)
  • Born October 17, 1926 — Julie Adams. Her most famous role no doubt is being in the arms of The Creature from Black Lagoon. She also been on Alfred Hitchcock Presents three times, and once each on The Girl from U.N.C.L.E. The Night Gallery, Kolchak: The Night Stalker, The Incredible Hulk and Lost. (Died 2019.)
  • Born October 17, 1934 — Alan Garner, 88. His best book? That’d be Boneland which technically is the sequel to The Weirdstone of Brisingamen and The Moon of Gomrath but really isn’t. Oh, and The Owl Service is amazing!
  • Born October 17, 1950 — Michael Tolkin, 72. Of genre interest, he directed Deep Impact, he had uncredited writing in the first Punisher film and the same for Dawn of the Dead. Likewise The Haunting. Is that a form of ghostwriting? EoSF notes, “He also wrote and directed the adaptation of Robert A Heinlein’s ‘Jerry Was a Man’ (October 1947 Thrilling Wonder) for the Television Anthology Series Masters of Science Fiction (2007).” 
  • Born October 17, 1945 — Thomas Kopache, 77. One of those actors who appeared in a lot of Trek — Next Generation twice in different roles followed by the Generations film then Voyager once followed by Deep Space Nine where he appeared twice in a recurring role, and finally twice on Enterprise in different roles.
  • Born October 17, 1966 — Mark Gatiss, 56. English actor, screenwriter, director, producer and novelist. Writer for Doctor Who; with Steven Moffat, whom Gatiss worked with on Doctor Who and Jekyll, he also co-created and co-produced Sherlock. As an actor, I’ll note he does Vogon voices in The Hitchhiker’s Guide to the Galaxy, and is Mycroft Holmes in Sherlock.

(12) COMICS SECTION.

(13) WHAT SMELLS IN MIDDLE-EARTH? [Item by Olav Rokne.] Welp. They did not like that show. And after the finale, I’m inclined to agree. “Now it’s over, let’s come out and say it: The Rings of Power was a stinker”.

…The Lord of the Rings: The Rings of Power isn’t very good. It quite often isn’t anywhere near good. There are moments in almost every episode where I have found myself sniggering into my sleeve at how inept it is. And all these misgivings were massively underlined by the finale….

(14) IT’S IMPOSSIBLE. No, it’s not Perry Como. IGN unveiled the Something in the Dirt Official Trailer.

Levi has snagged a no-lease apartment sight unseen in the Hollywood Hills to crash at while he ties up loose ends for his exodus from Los Angeles. He quickly strikes up a rapport with his new neighbor John, swapping stories like old friends under the glowing, smoke-filled skies of the city. Soon after meeting, Levi and John witness something impossible in one of their apartments. Terrified at first, they soon realize this could change their lives and give them a purpose. With dollar signs in their eyes, these two eccentric strangers will attempt to prove the supernatural.

(15) AESTHETICS IN SFF. Heath Row looks back 50 years ago: “Book Review: ‘The Light That Never Was’ by Lloyd Biggle, Jr.” at the LASFS.org blog.

Lloyd Biggle, Jr., was a musicologist with a PhD in musicology, a musician, an educator, and an oral historian, so it might not come as a surprise that the arts—and aesthetics—play a major role in this delightful 1972 science fiction novel and in much of his sf writing. Biggle also served in various roles for the Science Fiction Writers of America, founded the Science Fiction Oral History Association, and turned to writing full time in the 1960s. Kelly Freas’s cover painting for this paperback edition captures the themes of the novel well: alien humanoids considering a human sculpture….

(16) LET THOSE WHO HAVE EARS. [Item by Tom Becker.] One time when Joni Mitchell was singing her famous song “Both Sides Now”, she flashed on how it related to Star Trek. “Both Sides Now”.

“Did you ever used to watch that show called Star Trek? (cheers from crowd) Oh… I just had a flash of this show, that I saw while I was singing this tune. It was the only show where Dr. Spock ever got any emotion, right? You remember that one? It was really great because… well, for those of you who never saw it, anyway, the premise is this…”

And Mitchell continues for about 400 words…

(17) ARECIBO WILL NOT BE REBUILT. “Fallen Arecibo Observatory telescope won’t be rebuilt” reports Space.com.

The Arecibo Observatory‘s massive radio dish was an unusual facility because it was a key player in three different fields of science: atmospheric studies, radio astronomy and planetary radar. Opened in 1963, the telescope’s observing equipment hung from a web-like platform strung over a massive dish 1,000 feet (305 meters) wide. But in December 2020, the cables supporting that platform gave out and the equipment crashed down through the delicate dish, destroying the telescope.

Now, the National Science Foundation (NSF), which owns the site, has determined that despite scientists’ pleas, Arecibo Observatory won’t be getting any new telescope to replace the loss. The new education project also doesn’t include any long-term funding for the instruments that remain operational at the observatory, including a 40-foot (12 m) radio dish and a lidar system….

… Instead, the NSF intends to build on the observatory’s legacy as a key educational institution in Puerto Rico by transforming the site into a hub for science, technology, engineering and math (STEM) education, due to open in 2023, according to a statement(opens in new tab). The observatory is also home to the Ángel Ramos Foundation Science and Visitor Center, which opened in 1997….

[Thanks to Chris Barkley, Michael Toman, Cat Eldridge, Bill, Kevin Standlee, Lise Andreasen, Olav Rokne, Tom Becker, Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Dan’l Danehy-Oakes.]

Pixel Scroll 10/3/22 My Positronic Brain It Teems With Endless Subroutines

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(1) FANTASTIC FICTION AT KGB FUNDRAISER. Fantastic Fiction at KGB is a monthly speculative-fiction reading series held on the second Wednesday of every month at the KGB Bar in Manhattan, hosted by Ellen Datlow and Matthew Kressel. Admission is always free. To cover the next round of guest expenses, they have launched their first fundraiser in three years, with a $6,000 goal: “Fantastic Fiction reading series at the KGB Bar Gofundme”.

The monthly series, which has been running since the late 1990s , serves as a salon, where writers, editors, agents, and fans of science fiction, fantasy, and horror can co-mingle in a shared event space. The series also served a vital social function during multiple Covid lockdown periods, when we featured authors from all over the globe on our live YouTube channel, and people who were isolated due to the lockdown could keep in contact with the writing community. We also release a free podcast, where we post audio recordings of the monthly readings.

Running the series costs us money. We pay a stipend to our guests, we pay for their drinks at the bar, and we also take them out to dinner after the readings. At present, the series costs about $2,000 per year to run. Unfortunately, we are almost out of money from our last fundraiser three years ago. We hope to raise at least $6,000, which will fund the series for three more years. It would be great if we could raise more.

(2) BLACK PANTHER. “Show them who we are.” A new trailer for Marvel Studios’ Black Panther: Wakanda Forever dropped today. See it only in theaters beginning November 11.

(3) CALL FOR SUBMISSIONS — JOURNEY PLANET: ANTHROPOCENE RUMINATIONS. [Item by Olav Rokne and Amanda Wakaruk.] When Chris Garcia and James Bacon approached us to guest edit an edition of their Hugo-winning fanzine Journey Planet, they asked us “what subject would you most like to tackle?”

The answer was easy: climate fiction.

Climate change is the defining crisis of our age. Given that the causes of climate change are rooted in technological transformations celebrated by the past century of science fiction, enthusiasts like us have some responsibility to grapple with what it means.

The upcoming “Anthropocene Ruminations” will contain some of the various ways in which SFF fans are grappling with a rapidly heating and chaotic planet: through fiction, through art, through poetry, and through critical discourse. 

We’re hoping to have reviews of books depicting climate change, discussions of historical trends, and examinations of aspects of climate change that may have been neglected by genre fiction. 

We’d love to hear article and art pitches from across the fandom community (that means all y’all). Send us your ideas before October 15 (email BOTH of us at amanda.wakaruk at gmail dot com and olavrokne at gmail dot com). We’re aiming to have the finished works submitted by November 15. 

Will “Anthropocene Ruminations” singlehandedly solve climate change? It’s too early to say for certain. What it’s not too early to say is that it will contain some pieces by Hugo-finalist and Hugo-winning fanwriters.

Drop us a line. Amanda & Olav. Unofficial Hugo Book Club Blog co-editors

(4) KEEPING UP WITH CORA BUHLERT. The alumni newsletter of Bremen University, Kurzmeldungen, listed Cora Buhlert’s Hugo win.

Issue Zero of New Edge Sword & Sorcery Magazine published Cora’s article about C.L. Moore and Jirel of Joiry, as well as fiction and non-fiction by Howard Andrew Jones, Brian Murphy, Milton J. Davis, Nicole Emmelhainz, David C. Smith, Dariel R.A. Quiogue, Remco van Strane and Angeline B. Adams, Bryn Hammond, J.M. Clarke, T.K. Rex, Robin Marx and editor Oliver Brackebury. The digital edition is free, the print editions are fairly cheap.

And Cora has an essay about anime in West Germany in the 1970s and 1980s in Rising Sun Reruns: Memories of Japanese TV Shows from Today’s Grown-Up Kids.

In these pages you will find glowing memories of flights of fancy such as Ultraman, Johnny Sokko and His Flying Robot, Astro Boy, Battle of the Planets, Space Giants, Speed Racer, Robotech, and many, many more—including a few you may never even heard of!

(5) NOBEL PRIZE FOR PHYSIOLOGY OR MEDICINE. “Svante Pääbo Wins Nobel Prize for Unraveling the Mysteries of Neanderthal DNA” – Smithsonian Magazine has the story.

The Nobel Committee for Physiology or Medicine awarded the field’s top prize on Monday to Svante Pääbo, a Swedish geneticist who determined how to extract and analyze DNA from 40,000-year-old Neanderthal bones. Pääbo’s decades of research have made it possible for scientists to begin probing differences between today’s modern humans and their ancient ancestors.

Pääbo, who is 67, has spent decades pioneering and perfecting new methods of extracting Neanderthal DNA, an extremely complex and challenging process. Over time, very old DNA degrades and can become polluted with the DNA of bacteria, and modern scientists can also easily contaminate it with their own genetic material.

But time and again, Pääbo found ways around these and other issues. In 2010, after years of painstaking work, Pääbo and his team published the sequenced Neanderthal genome, a feat that at one time was considered impossible, reports the New York Times’ Benjamin Mueller. As Elizabeth Kolbert wrote in her book The Sixth Extinction, the process was like trying to reconstruct a “Manhattan telephone book from pages that have been put through a shredder, mixed with yesterday’s trash, and left to rot in a landfill.”

…On Monday morning, Pääbo was just finishing a cup of tea when he got a call from Sweden. He assumed the call was bad news about his family’s summer home in Sweden and was instead surprised to learn he’d won the Nobel Prize. When asked whether he ever envisioned winning science’s most prestigious prize, Pääbo humbly replied that he “somehow did not think that this really would… qualify for a Nobel Prize,” per an interview posted on the Nobel Prize website….

Here’s a further excerpt from the Nobel’s “Svante Pääbo – Interview”.

…AS: Your work is of course on the sequencing of these early hominins. What does our knowledge, your knowledge of the genetic makeup of those species tell us about our relationship with them.

SP: Well, it does tell us that we are very closely related, first of all, and we’re actually so closely related that they have contributed quite directly, 50, 60 thousand years ago, DNA to the ancestors of most people today, those who have their roots outside Africa. And that variation that, sort of, those variants do have an influence, and influence many things in our physiology today.

AS: Do you think that changes our view of ourselves, knowing that?

SP: In some sense, I do think it does so, the sort of realisation that until quite recently, maybe 14 hundred generations or so ago there were other forms of humans around and they mixed with our ancestors and have contributed to us today. The fact that the last 40 thousand years is quite unique in human history, in that we are the only form of humans around. Until that time, there were almost always other types of humans that existed.

(6) A MOMENT IN SFF HISTORY. “Science Fiction In Communist Bloc Changed Forever 40 Years Ago” writes Jaroslav Olsa Jr., the Consul General of the Czech Consulate in Los Angeles.

In October 1982, the first issue of FANTASTYKA, Polish science fiction monthly reached its first readers. This was the first real science fiction magazine in the former Soviet bloc! And it had an enormous impact on science fiction in other neighbouring countries as the situation in Eastern Europe was significantly different than in Western Europe as all publishing business in Soviet bloc was under strict control of each state and its leading (often Communist) party. The publishing houses were operated and owned predominantely by state ministries or its subsidiaries, controlled more or less visibly by various types of censorship bodies and though in some Soviet bloc countries in different times publishing was allowed greater freedom (e. g. Yugoslavia, Hungary and/or 1980s Poland), there was never allowed a free press.

And thus even publishing SF fanzines was a sort of risky adventure…

Thank you late Adam Hollanek, late Maciej Parowski, late Andrzej Krzepkowski, Jacek Rodek, Andrzej Wójcik and many many others, who gave us Fantastyka, and who helped us to open the window to science fiction in the West and internationalize science fiction – something then a real novelty….

(7) MICKEY MOUSE CAPITALISM. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Elaine Moore discusses how Disney CEO Bob Chapek is concerned that people who show up at a Disney park every week are crowding out the occasional visitor who will spend a lot of money on stuff.

The problem is that super fans don’t spend as much per visit as occasional park visitors.  There are only so many Minnie Mouse headbands a person can wear.  For some, the annual pass that allows buyers to visit Disney parks throughout the year is extremely good value too.  A one day trip to Disney World in Florida is $109.  The annual Incredi Pass is $1,299 plus tax. Visit once a month and you break even.  Go every week and you’d save over $4,000.  The mismatch has shades of the MoviePass debacle, in which subscribers paid less than $10 per month for multiple cinema trips.  MoviePass guessed they might visit once or twice a month.  But their willingness to go day after day left the company bankrupt…

…At the recent D23 Expo there were complaints that passes were still suspended.  Unluckily for them, Chapek used to run the parks division.  He knows that demand is far higher than supply and is sufficiently unsentimental to take advantage.  Prices would double and visitors would pay them.  Disney fans may moan but they will still keep coming back.”

(8) ANTI-MUSLIM SENTIMENTS. The culture war is engulfing Bollywood reports the Guardian: “Bollywood under siege as rightwing social media boycotts start to bite”.

…For decades, India’s Hindi film industry, known as Bollywood, has been one of the country’s most popular products, for Indians themselves and the world at large. But the consolidation of Hindu nationalism under the ruling Bharatiya Janata Party (BJP), has marked a cultural shift.

Laal Singh Chaddha stars, and is produced by, Aamir Khan, one of Hindi cinema’s trio of superstar Khans (Shahrukh and Salman are the other two, all unrelated). On its release, social-media platforms witnessed a tidal wave of targeted attacks calling for a boycott of the movie. The resurfacing of remarks made by Khan on the rise of “intolerance” in India in 2015, as well as clips from his 2014 film PK (which criticised blind-faith belief) were coupled with targeted tweets. Laal Singh Chaddha has fared poorly at the box office, but the calls for a boycott have not stopped. Other movies, such as Vikram Vedha, Dobaara, Shamshera and Brahmastra, are also in the line of fire, the last two owing to the recirculation of 11-year-old remarks by the lead actor, Ranbir Kapoor, on eating beef….

(9) SALES FIGURES. In the Washington Post, David Betancourt looks at the process that Hasbro uses to make 32-inch action figures that cost $399,99.  (The latest, Galactus, will be “a towering 32-inch monstrosity of plastic articulation.”)  Betancourt says Hasbro uses a crowdfunding method of deciding which giant action figures to make; they greenlit the huge Galactus last summer after 14,000 people agreed to buy it.) “Would you buy a $400 Marvel action figure? Thousands of people can’t wait.”

In comic books,Galactus is known as the devourer of worlds. When it comes to action figures, Galactus is now the destroyer of wallets.

Hasbro decided that its newest figure depicting the giant planet eater from Marvel’s Fantastic Four wouldn’t be the typical six-inch toy that retails inthe $20 to $30 range and decorates work desks and bookshelves. This Galactus,with a design based on the art of famed Marvel writer-artist John Byrne, would be a towering 32-inch-tall monstrosity of plastic articulation. The figure, scheduled for release some timethis fall, is the biggest toy Hasbro has ever built for its Marvel line, which is fitting, given Galactus’s gigantic stature….

(10) A FREE-TO-READ STORY. Sunday Morning Transport presents “A Hole in the Light” by Annalee Newitz, “an astounding new world wrapped around a stellar story of grief and growth.”

Arch had never been to a ritual of dissolution for someone who mattered.

Of course, there were distant kin who had died. But when they dissolved, it felt like they had moved to the next village: poignant, but not a disaster. The artificiality of the ritual made her more uncomfortable than their loss. Well, perhaps that wasn’t quite true. She had genuinely suffered when her physics teacher had died, and she could no longer ask questions about what lay beyond the village of Slope-Toward-Sea, on the planet Skiff, wrapped in the mottled glow of the eroding firmament. Even when her teacher dissolved, though, the ritual had seemed absurd….

(11) MEMORY LANE.  

2016 – [By Cat Eldridge.] Six years ago on NBC the Timeless series debuted. (Yes, I do delve into the recent past on occasion). It would last but two seasons. (Yes, two seasons. Read below for why it was only two seasons, really.)

Not terribly original in concept, it involved a group that attempts to stop a mysterious organization from changing the course of history through time travel. 

It was created by Eric Kripke who of Supernatural series fame along with the later The Boys, and Shawn Ryan who’s done nothing else they genre wise but has created S.W.A.T. that I love and Lie to Me, a rather odd crime drama series I also like a lot. Yes, I have odd tastes.

Project Lifeboat, among its members, had a history professor, a Delta forces soldier, a computer programmer and a creator of the Lifeboat time machines. Ok I did say it wasn’t a terribly original concept, didn’t I so guess what? NBC got sued by the Spanish series El ministerio del tiempo (The Ministry of Time), which follows the adventures of a three-person team made up of two men and a woman who travel to the past with a view to preserving past events.  

It went to court but eventually “their attorneys of record hereby stipulate that the entire civil action may be and hereby is dismissed with prejudice, with each party bearing that party’s fees and costs of suit.” One assumes that large sums of money were involved. Isn’t there always money involved when such things need to be settled?

Getting back to the series, it was cancelled after the second season but a massive, and I do mean massive, fan campaign sort of saved it, so it got a special two-part finale. It originally didn’t make the cut for the next fall season but when they started getting a pushback from fans, NBC responded saying “And then we woke up the next morning, heard the outcry (from fans). We went back to the drawing board, with our partners at Sony, and we found a way to bring it back. It’s extraordinarily well produced and deserved to come back.”

Unlike many similar series, it was allowed a proper wrap-up. Fandango noted, “A fitting farewell, Timeless wraps with a fun, festive finale that ties up loose ends and provides enough fan service to satisfy.”

It carries a most excellent seventy-seven percent rating among audience reviewers at Rotten Tomatoes. It does not appear to be streaming for free anywhere. 

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 3, 1933 — Norman Adams. The SF Encyclopedia says genre wise that “Adams may be best known for his cover for the first edition of Larry’s Niven’s World of Ptavvs” on Ballantine Books in 1966.  I must say having looked at his ISFDB listings that their assessment is absolutely right. (Died 2014.)
  • Born October 3, 1927 — Don Bensen. Best-known for his novel And Having Writ… which is not in print in form digitally or in hard copy — damn it. Indeed, nothing by him is. Huh. (Died 1997.)
  • Born October 3, 1931 — Ray Nelson, 91. SF writer best known for his short story “Eight O’Clock in the Morning” which was the basis of John Carpenter’s They Live.  He later collaborated with Philip K. Dick on The Ganymede Takeover. In the 1940s Nelson appropriated the propeller beanie as a symbol of science fiction fandom. His fannish cartoons were recognized with the Rotsler Award in 2003. He was inducted to the First Fandom Hall of Fame in 2019.
  • Born October 3, 1935 — Madlyn Rhue. She on Trek’s “Space Seed” as Lt. Marla McGivers, Khan Noonien Singh’s (Ricardo Montalbán) love interest. Other genre appearances included being on the original Fantasy Island as Lillie Langtry in “Legends,” and Maria in the “Firefall” episode of Kolchak: The Night. (Died 2003.)
  • Born October 3, 1944 – Katharine Kerr, 78. Ok I’m going to confess that I’ve not read her Deverry series so please tell me how they are. Usually I do read such Celtic tinged series so I don’t know how I missed them.
  • Born October 3, 1964 — Clive Owen, 58. First role I saw him in was the title role of Stephen Crane in the Chancer series. Not genre, but fascinating none the less. He’s been King Arthur in film of the same name where Keira Knightley was Guinevere. He’s also was in Sin City as Dwight McCarthy, and in The Pink Panther (though weirdly uncredited) as Nigel Boswell/Agent 006. I’ll also single him out for being Commander Arun Filitt in Valerian and the City of a Thousand Planets.
  • Born October 3, 1973 — Lena Headey, 49. Many of you will know her as Cersei Lannister on Game of Thrones, but I liked her sociopathic Madeline “Ma-Ma” Madrigal on Dredd better.  She was also Angelika in The Brothers Grimm, a film I’m sure I’ve seen but remember nothing about. 

(13) COMICS SECTION.

(14) SURPRISE BEGINNING. John Grayshaw of the Middletown PA Public Library arranged for questions about Murray Leinster to be answered for his Online Science Fiction Book Club by Steven H Silver and the author’s daughter, Billee Stallings. See the Q&A here: “Interview about Murray Leinster”. Note: Murray Leinster was the pen name of Will Jenkins, but I never knew til now that H.L. Mencken was behind his decision to use one.

Damo Mac Choiligh: A trivial question perhaps, but where did he get the pseudonym ‘Leinster’? The word is the English version of the name of a region of Ireland, well known to any Rugby fans.

Billee: When Will was published in Smart Set magazine in his teens, H. L. Mencken put down the other magazines he was selling to and said he should use a pen name and save his own for the “good stuff” (ie; Smart Set). Dad selected Murray from his mother’s maiden name (Murry. Wyndham Martyn, an English writer for the magazine, suggested Leinster. Martyn (known for the Anthony Trent novels) told him the Fitzgeralds (Dad’s middle name) were descended from the Dukes of Leinster.

(15) A DIFFERENT KIND OF TIMELESS NEWS. In 2020, Alex Ross crafted over 30 extraordinary depictions of Marvel’s most beloved super heroes in a beautiful art piece known as Timeless. This iconic imagery was used to produce a best-selling variant cover program and now… it’s the villains turn.

The legendary artist’s newest art piece deviously unites 37 of Marvel’s classic villains! Capturing the menace, danger, and allure of characters like Green Goblin, Doctor Doom, and Thanos, this stunning group shot represents the definitive takes on Marvel’s deadliest foes straight from one the industry’s most revered talents! Look for this beautifully painted artwork to be used for a new series of variant covers starting in March 2023.

“The passion I held for illustrating many of Marvel’s heroes in a timeless representation was easily matched by the passion I felt for illustrating the villains,” Ross said. “Marvel clearly has some of the greatest concepts in the realm of supervillains as well as heroes.”

Find more information about Alex Ross’ new piece including which titles it’ll grace the covers of at Marvel.com.

(16) HERE THEY COME AGAIN. “’The Rings of Power’ Season 2 Has Started Filming” in the UK says The Hollywood Reporter.

The news follows the first official Nielsen ratings being released Thursday for the Prime Video series, showing The Rings of Power topped the streaming charts for its debut week with 1.3 billion minutes viewed (likely an Amazon series record given that only two hours were released).

The first season of the show was filmed in New Zealand over an epic stretch of 18 months during the pandemic. For season two, which will consist of eight episodes, Amazon switched the show’s production to the U.K., which is considered more economical and is also where the company is establishing a multishow hub….

(17) SCREEN TIME. Here are JustWatch’s September’s Sci-Fi Top 10 lists:

Rank*MoviesTV shows
1NopeQuantum Leap
2Everything Everywhere All at OnceThe Handmaid’s Tale
3Jurassic World DominionSeverance
4MoonfallWar of the Worlds
5AvatarThe Twilight Zone
6PreyOrphan Black
7Jurassic World: Fallen KingdomDoctor Who
8The ThingLa Brea
9Jurassic WorldThe X-Files
10Crimes of the FutureMoonhaven

*Based on JustWatch popularity score. Genre data is sourced from themoviedb.org

(18) MORE HOLLYWOOD BUZZ. The teaser trailer for the new Ant-Man and the Wasp: Quantumania movie dropped Friday.

[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, Olav Rokne, Kate Yeazel, Kathy Sullivan, Andrew Porter, Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 9/18/22 Scrolling Pixels In The Park

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(1) HE KEPT IT UNDER HIS HAT. Rob Wilkins, who assisted Terry Pratchett for many years, writes a long profile about him for the Guardian: “’I think I was good, though I could have been better’: Terry Pratchett and the writing of his life”. “After he was diagnosed with Alzheimer’s, the Discworld author began an autobiography. He never finished it, but seven years after his death, his long-time assistant has taken up the task.”

…Terry also had strong and, some might even say, puritanical ideas about how much money he should accept in advance of a book’s publication. If he couldn’t be confident that the advance would earn itself out inside three years and that the book would go into profit and yield royalties, he refused to accept it. At one point, for example, Transworld offered Terry £125,000 for a book. This was in the mid-1990s, when a generous offer for a book of its nature would have been in the region of £25,000, so that six-figure offer was an emphatic demonstration of confidence in Terry’s writing. Colin, naturally, was excited to tell Terry about it. The conversation they had was short and pointed. Colin then found himself ringing Transworld and saying: “I have conveyed your offer to Terry, and I’m afraid he is not at all happy with it … No, he says it’s far too much and he would like me to agree a deal with you for less.”…

(2) THE KICKOFF. Charlie Jane Anders is the new sf/fantasy book reviewer for The Washington Post. Here is her first column: “4 witchy books from the world of science fiction and fantasy”.

When Megan Giddings told her agent she wanted to write a novel about witches, he told her: “If anybody can make them feel new, it’s you.” In the acknowledgments of her new novel, “The Women Could Fly” (Amistad),Giddings says she didn’t entirely agree with him that witches feel like a tired subgenre; to her, there’s always room for another take.

Luckily for anyone who feels the same way, a wealth of novels about witches has come out recently — and many of them do feel brand new.

To be sure, many recent witch novels explore timeworn themes: Witches are distrusted and feared and must conceal themselves from the world. But Giddings and other authors also uncover fresh layers to the classic witch tales, exploring the complexity of anti-witch attitudes in an enriching and timely way….

(3) IT’S NOT EVEN THE THING I’M POINTING AT WHEN I SAY ‘FANZINE’.  In “Fan v Pro v Fanzine”, Camestros Felapton ventures into the twisty little maze of passages all alike.

…But seriously, I think the current knot arises out of an unwillingness to redefine what a fanzine is. Functionally, fan artist and fan writer arose out of fanzine culture where fanzine didn’t need a definition. To a lesser degree the mess around semi-prozine arises there as well. There’s an intuitive sense of three grades of platforms were stuff happens: professional, fan and somewhere in between (a labour of love that aspires to be a going concern).

There are many available dimensions but none by themselves capture the essence of the fanzine distinction:

  • profit v non-profit
  • paywall v open access
  • corporate v non-corporate
  • size – number of people involved in the endeavour
  • fiction v non-fiction
  • hobby v “job”
  • weight class – a mix of size, influence and professional demeanour I guess
  • paying writers or not
  • paying staff or not
  • general vibe

¯\_(ツ)_/¯

commercial-corporate v. non-commericial-corporate gets closest to a distinction but not one that I could convert into a sensible set of rules.

Which means that I must circle back to the notion of self-identification as fan or pro. That also has tricky cases (a pro-writer who is a fan artists or vice versa) but if the point is to address the weight-class idea then maybe that is the least problematic pain point to accept. Put another way, if we see the “original sin” of John Scalzi’s* fan writer win not as blogs v print fanzines, not as style of genre question (clearly it was in the genre of fan writing), not as whether he is a real fan (clearly he is), but as a question of whether the voting is distorted because he had a large voting base in the Hugo Awards and major name recognition…then self-identification for the purpose of award eligibility gets at that issue….

(4) AND HE’D DO IT ALL OVER AGAIN.  Meanwhile, John Scalzi’s ears are burning.

(5) HWA CELEBRATES LATINX HORROR AUTHORS. The latest entry in the Horror Writers Association blog’s “Latinx Heritage in Horror” series is an “Interview with LP Hernandez”.

What inspired you to start writing?

Reading fueled my love of writing. I was a constant Scholastic Book Fair customer, addicted to the smell of new Goosebumps or Fear Street books. Eventually, I progressed to King, McCammon, and Tolkien. I began writing stories at around nine or ten. I remember corralling my mother in the morning as she attempted to get ready for work, handing her what I knew was going to be a best seller and requesting she read it right there in front of me.

(6) RATED ARRRRH! Do people still do “Talk Like a Pirate Day”? If so, it’s tomorrow, September 19.

(7) UNTRUE GRIT. Brian Murphy shares his appreciation for the Bard books by Keith Taylor: “Under the Spell of Keith Taylor’s Bard Songs” at Goodman Games.

…A characteristic of good sword-and-sorcery is earthiness; even if not set in some ancient age of our own earth, sword-and-sorcery nevertheless is typically gritty, even grimy, in its realism. Joseph McCullough once described sword-and-sorcery with the terse, pithy, “fantasy with dirt.” That works for me.

Over this layer of grit, which serves to ground the reader somewhere recognizable and to spare overly tedious worldbuilding, the skilled sword-and-sorcery writer adds in the fantastic, in small doses. Weird monsters and dark sorcery that feels alien, and dangerous, and when it appears casts its spell upon the reader….

(8) HOUSES DIVIDED. The New York Times explores “How Russian Trolls Helped Keep the Women’s March Out of Lock Step”.

…For more than a century, Russia and the Soviet Union sought to weaken their adversaries in the West by inflaming racial and ethnic tensions. In the 1960s, K.G.B. officers based in the United States paid agents to paint swastikas on synagogues and desecrate Jewish cemeteries. They forged racist letters, supposedly from white supremacists, to African diplomats.

They did not invent these social divisions; America already had them. Ladislav Bittman, who worked for the secret police in Czechoslovakia before defecting to the United States, compared Soviet disinformation programs to an evil doctor who expertly diagnoses the patient’s vulnerabilities and exploits them, “prolongs his illness and speeds him to an early grave instead of curing him.”

A decade ago, Russia’s president, Vladimir V. Putin, oversaw a revival of these tactics, seeking to undermine democracies around the world from the shadows.

Social media now provided an easy way to feed ideas into American discourse, something that, for half a century, the K.G.B. had struggled to do. And the Russian government secretly funneled more than $300 million to political parties in more than two dozen countries in an effort to sway their policies in Moscow’s favor since 2014, according to a U.S. intelligence review made public last week.

What effect these intrusions had on American democracy is a question that will be with us for years. It may be unanswerable. Already, social media was amplifying Americans’ political impulses, leaving behind a trail of damaged communities. Already, trust in institutions was declining, and rage was flaring up in public life. These things would have been true without Russian interference.

But to trace the Russian intrusions over the months that followed that first Women’s March is to witness a persistent effort to make all of them worse….

(9) MORE TROLLS WITH OPINIONS. The homegrown trolls are also busy. “The Rings of Power Gets Review Bombed: Amazon Turns Off Ratings” – The Hollywood Reporter has the story.

Where’s a wizard to fight trolls when you need one?

The mega-budget fantasy series The Lord of the Rings: The Rings of Power is under fire from some of its viewers. A day after the first two episodes of Amazon’s billion-dollar baby debuted on Prime Video, the show’s average audience score on Rotten Tomatoes is a “rotten” 37 percent, and reviews on Amazon have been outright suspended.

Compare that score to TV critics giving the show a very fresh 83 percent average, and many of the reviews were highly enthusiastic (“It’s great: a gorgeously immersive and grandly ambitious spectacle, packed with stunning imagery and compelling plot threads,” wrote TV Line). The Hollywood Reporter dubbed the first two episodes a rather successful, promising start.

The scores come a couple weeks after Marvel’s She-Hulk was declared review bombed on the site, with 88 percent critics score and an initial 36 percent audience score.

How The Rings of Power is doing on Amazon’s own user review ecosystem is not yet clear because the company has taken the unusual step of suspending user ratings for the show. An Amazon source says reviews are being held 72 hours to help weed out trolls and to ensure each review is legitimate. The source later claimed Prime Video started the policy this summer on all its shows.

“Review bombing” is when a group of online users post numerous negative reviews for a product or service due to its perceived cultural or political issues rather than its actual quality….

(10) HENRY SILVA (1926-2022). [Item by Cora Buhlert.] Actor Henry Silva, whose genre rolls include The Manchurian Candidate (well, I think it’s genre), Killer Kane in Buck Rogers in the 25th Century and the voice of Bane in Batman: The Animated Series, died September 13 at the age of 95.

…“Henry Silva is one of those guys you most likely will recognize even if you don’t know his name,” onetime Crimespree magazine writer Dave Wahlman wrote in 2016. “His face is something straight out of central casting if you were looking for a villain. It alternates between the insipid glee of potential mayhem and looking emotionless and dead as a stone.”

…He went on to make dozens of movies in Europe, the majority of which were in the Italian “poliziotteschi” genre. “Funny thing,” he said in a 1971 interview, “over here they see me as a bad guy; in Europe, they see me as a hero.”… 

(11) MEDIA BIRTHDAY.  

1964 – [By Cat Eldridge.] There are series I refuse to rewatch lest the Suck Fairy with her steel toed boots stomps all over it.  The Addams Family series which premiered on this evening fifty-eight years ago on ABC is definitely one of them. I unreservedly loved that series. 

The Los Angeles Times in its obituary of David Levy explained how he came to create the series: “The idea for the series came to Levy when he was strolling with a friend down New York’s 5th Avenue and passed a display of Addams’ books. One, ‘Homebodies,’ showed the entire group of Addams characters in a family portrait on the cover. Levy was stopped in his tracks by the sight and told his friend: ‘There’s a hit series!’”

Now let’s talk about the characters here. Who wasn’t perfect? Be it John Astin as Gomez Addams or Carolyn Jones as his wife Morticia, they played their roles perfectly. And no, I’m certainly not forgetting Wednesday, their child. (Surely the name comes from the English folk poem, Wednesday’s child is full of woe), Uncle Fester or Thing. Not to mention Lurch played oh-so-well by Ted Cassidy. 

It had pets, presaging to a great extent what Lio would have. Aristotle was Pugsley’s pet octopus and Fang was his pet jaguar. Addams Family had a lion called Kitty Kat and they piranhas, Tristan and Isolde. Zelda was their vulture. Morticia had a very large carnivorous plant named Cleopatra and Wednesday has a pet tarantula by the name of Homer.

It didn’t last nearly as long as I thought did — just two seasons totaling sixty-four episodes shot in glorious black and white. 

Halloween with the New Addams Family aired eleven years after the series went off the air with new characters added in. Seven years after the series was cancelled, the animated version of The Addams Family aired for sixteen episodes. It’s notable for a young Jodie Foster voicing Pugsley Addams. Only Jackie Coogan and Ted Cassidy, who played Uncle Fester and Lurch from the series, returned in voice acting roles.

Gold Key Comics produced a comic book series in connection with the show, but it only lasted three issues.

It streams on Amazon and Paramount +. Of course Paramount + owns the Columbia catalog and Columbia produced it.

It has a near perfect ninety-eight percent rating among audience reviewers at Rotten Tomatoes.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 18, 1884 — Gertrude Barrows Bennett. She’s been called by many a pioneering author of genre fiction. She wrote a number of fantasies between in the late 1910s and early 1920s, and has been called “the woman who invented dark fantasy”. Her short story, “The Curious Experience of Thomas Dunbar” which was published under G.M. Barrows in Argosy is considered the first time that an American female writer published an SF story using her real name. (Go ahead, dispute it.) I’m pleased to say that the usual suspects are heavily stocked with her works.  (Died 1948.)
  • Born September 18, 1917 — June Foray. Voice performer with such roles as Cindy Lou Who, Natasha Fatale and Rocky the Flying Squirrel. She also provided the voice of Lucifer the Cat from Disney’s Cinderella. She also did a lot of witches such as Looney Tunes’ Witch Hazel which you can hear over here. She was instrumental in the creation of the Academy Award for Best Animated Feature twenty years ago. OGH has a most touching remembrance here. (Died 2017.)
  • Born September 18, 1946 — Struan Rodger, 76. He was the Bishop in Stardust, and shows up in the A Discovery of Witches as John Dee. (Loved the novels, skipped the series as I always do.) He voiced the Three-Eyed Raven in The Game of Thrones’ “The Lion and The Rose” and “The Children”.  More interestingly he’s got multiple roles in Doctor Who. First he’s The Voice of The Face of Boe in the Tenth Doctor stories, “New Earth” and “Gridlock”, next he’s Clayton in the Twelfth Doctor story, “The Women Who Lived” and finally he’s a voice again, that of Kasaavin in “Skyfall, Part One”, a Thirteenth Doctor story. 
  • Born September 18, 1946 — Nicholas Clay. Here for playing Lancelot on Excalibur. He did two earlier horror films, The Damned and Terror of Frankenstein, and he was The Prince in Sleeping Beauty. For television work, he’s done The Adventures of Sherlock Holmes, The Hound of the Baskervilles, Zorro, The New Adventures of Robin Hood, Virtual Murder, Highlander and Merlin. (Died 2000.)
  • Born September 18, 1948 — Lynn Abbey, 74. She’s best known for co-creating and co-editing with Robert Lynn Asprin (whom she was married to for 13 years) the quite superb Thieves’ World series of shared-setting anthologies. (Now complete in twelve volumes.) Her Sanctuary novel set in the Thieves’ World universe is quite excellent. I’ve not kept up with her latter work, so y’all will have to tell me how it is. Most, if not all, of the Thieves’ World series is available from the usual digital suspects.
  • Born September 18, 1959 — Mark Romanek, 63. His first film was Static about a teenager who invents a device he claims can show picture of Heaven. Cult hit in the UK after Robyn Hitchcock prompted it. Never Let Me Go, a film released a decade ago postulated clones whose organs were harvested that made life extension possible in the UK. US reviewers thought it was fact leading it to having a text prologue explaining it was fiction.
  • Born September 18, 1963 — Gary Russell, 59. A very prolific director of audio narratives for Big Finish Productions, having done forty-five Doctor Who and related productions, which is to say the Sarah Jane and Bernice Summerfield lines as well. He’s written novels that feature Doctor Who and related characters. He’s written three nonfiction works, two Who related, no surprise there, and one called The Art of The Lord of the Rings.
  • Born September 18, 1984 — Caitlin Kittredge, 38. Known for her Nocturne City series of adult novels which I’d not heard of before this, and for The Iron Codex, a series of YA novels, but I think her best work is by far the Black London series. She’s penned a Witchblade series at Image Comics, and the excellent Coffin Hill series for Vertigo. 

(13) COMICS SECTION.

(14) EDGE CASE. “R. Crumb Means Some Offense” is a profile of the iconic comix creator in the New York Times.

…Crumb used to attend comic conventions and book signings, but now he makes very few public appearances. He never really picked up French (he relies on Kominsky-Crumb for that), and his social circle is small. Crumb’s followed in the long line of artists and writers who have exiled themselves from America, but his life abroad feels far more circumscribed than most. He doesn’t even have a cellphone. (At one point, he looks at his wife’s and says earnestly, “It’s listening to us right now.”) He uses email but “I worry about it,” he says. “Any email you write goes into the N.S.A. computer banks.” He’s only voted once in his life, for Barack Obama in 2008. Yet even living thousands of miles from America, disconnected from its culture by so many moats of his own making, he is, like many of his expatriate predecessors, a dedicated and unflinching observer of home. It was his ability to capture the id of America — in all its decadence, hypocrisy and lecherousness — that established him as an artist; that ability is unmatched nearly six decades later. He’s been called an “equal opportunity offender”: For his entire career, he’s angered the left, the right and everyone in between. It’s why his work remains, more than that of perhaps any other artist today, a litmus test for how much we’re willing to put up with for the sake of art….

(15) CONSTANTINE NEWS. [Item by Mike Kennedy.] There can be only one. AKA The Law of Conservation of Constantines. “Keanu Reeves’ Constantine Sequel Means JJ Abrams’ Constantine Show is Dead, For Now” reports Gizmodo.

Just before the weekend started, Warner Bros. Discovery up and surprised everyone when they revealed that a sequel to their 2005 Constantine movie was in development. With Keanu Reeves and original director Francis Lawrence both set to return, it seemed like a pleasant shock…until one had to remember that way back in 2021, the corporation announced that JJ Abrams was working on a series for the Hellblazer. And like with much of what’s recently happened with HBO Max, the situation for Abrams’ show is now in a weird bind.

Per Variety, the new Constantine show, along with the Madame Xanadu series being headed up True Blood’s Angela Robinson, are both dead at the moment…. 

(16) SCREEN TIME. Gizmodo is also prepared to fill you in about the coming season of genre TV: “Fall 2022 TV Preview: All the Sci-Fi, Fantasy, and Horror Shows”.

Your TV brain might be completely hardwired into magical rings and lusty dragons these days, but there are so many more sci-fi, fantasy, and horror shows—both returning and new—coming to screens this season.

Scroll through for our handy calendar of all the geeky series that you need to know about, with the caveat that dates may be subject to change….

(17) LIFE LESSONS. His role in Tron is the ObSF reference, however, there’s so much more! “’Dealing with your mortality, it makes things more precious’: Hollywood legend Jeff Bridges on the gift of life after cancer” in the Guardian.

…So he’s someone who can quickly identify and make the most of a bright side. As I’m not someone like that, I ask him how he does it. How did he stay positive through two vicious illnesses? Bridges starts to tell an apparently unrelated story, the relevance of which only gradually becomes clear. “So I’m remembering the very last gift my father gave me, before he died,” he says. His father, Lloyd, was a successful TV actor who died in 1998. “Sue and I had this new house at the time,” Bridges continues, “huge grounds, and what I really wanted for my birthday was a neat little electric golf cart to get around the property. I know Dad’s bought something cool for me. I open a door. And there… It’s not the golf cart I wanted… It’s like a motorised, gasoline-operated, dump truck kind of a thing. In my mind I’m thinking, ‘Oh, shit. This is not what I want at all.’ But I say thank you to him. Then he dies. Suddenly I’m using this vehicle all the time. I’m constantly saying to myself, ‘This is so much better than a golf cart! It’s so much more powerful! There are so many things I can get done!’”…

(18) HOT STUFF. Get ready to serve breakfast on Halloween: “Dash Mini Waffle Maker — Halloween, Black and Orange”.

SPOOKY WAFFLES: The Dash Halloween Mini Waffle Maker 2-pack is perfect for making spooky waffles for fall and beyond. Plus make your favorite breakfast classics and get creative with waffled hash browns, cookies and more

(19) NASA RELIC. “A Busted Trailer Listed on a Government Auction Website Turned Out to Be a Space Fan’s Dream: a NASA Command Vehicle”. ArtNet News tellxs all about it.

For most people trawling government auctions, the listing would not have stood out: GSA Auctions, a division of the General Services Administration, was offering up a vehicle described simply as a “1989 Airstream Executive Air Coach,” with no minimum bid.

An online sleuth, however, was able to determine that the RV was probably once used in NASA’s Space Shuttle program. Acquired for just $21,000, the historic item was a major steal for any fan of space memorabilia…. 

The upshot? “This van was the official Convoy Command Vehicle for the Space Shuttle at Edwards,” Higgins wrote. “It directed all Shuttle recovery procedures once the spacecraft was on the ground! And it’s for sale currently at $10k.” (He also shared a YouTube video of the vehicle in action.)

Some 19 bidders competed for the former Convoy Command Vehicle, with interest leaping from $10,000 to over $20,000 in the final day….

(20) VIDEO OF THE DAY. Alasdair Beckett-King parodies “Every ‘Not So Fast… I’ll Be Taking That’ Scene”.

When you’re a rogue archaeologist in search of a surprisingly cheap-looking idol. I’m really pushing the limits of what one man with four hats can do, here.

[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Cora Buhlert, Steven French, Andrew Porter, Chris Barkley, Michael Toman, Cat Eldridge, and Mike Kennedy  for some of these stories. Title credit belongs to File 770 contributing editor of the day Cliff.]

Pixel Scroll 9/15/22 One Fist Science Fiction, The Other Fantasy, If The Right One Don’t Get You, Then The Left One Will

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(1) JUSTICE FOR SYLVIA ANDERSON. [Item by SF Concatenation’s Jonathan Cowie.] Last night’s BBC Radio 4 arts programme, Front Row, devoted a substantive amount of time to the airbrushing of Sylvia Anderson from Anderson productions by Gerry Anderson and then the Anderson estate. This included unlawful contracts that lost her many years of royalties. Absolutely shocking. “Richard Eyre’s The Snail House; Sylvia Anderson and women in TV; the late Jean-Luc Godard”.

The name Sylvia Anderson was recently invoked by Dr. Lisa Cameron MP, during a debate on gender equality in the media in Westminster Hall. The late Sylvia Anderson was a pioneer in the male dominated world of television, co-creating Thunderbirds in the 1960s with her then husband Gerry. But her family say her name has often been omitted from credits and merchandise in the years since then. Samira speaks to Sylvia’s daughter Dee Anderson and Dame Heather Rabbatts, Chair of Time’s Up UK, who are campaigning for her legacy to be restored and to Barbara Broccoli, producer of the James Bond films, who remembers Sylvia as her mentor.

(2) PIECES OF CHICON 8. In episode 66 of the Octothorpe podcast, “Thank You, Steven”, John Coxon is in the fanzine lounge, Alison Scott is under a bison hat, and Liz Batty is good, thank you.

We chat to people in the fanzine lounge at Chicon 8. (Sorry about the background noise, and normal service resumes next week.)

Alt text. A purple square with “OCTOTHORPE 66” written at the bottom and inset, a photograph of John, Alison, and Liz. John is wearing a grey suit with a Hugo Award finalist pin and a matching purple tie and mask; Alison is wearing a black mask, a burgundy dress, and has glitter on her temple, and Liz is wearing a green dress and matching mask, a necklace by Vanessa Applegate, and a yellow shrug. They are against a backdrop which has alternating Hugo Award logos and Chicon 8 logos.

(3) ABOUT WORKSHOPS. Morgan Hazelwood shares notes about the Chicon 8 panel “Is a Writer’s Workshop Right For Me?” at Morgan Hazelwood: Writer In Progress.

Whether you’ve been writing for a while or dreaming of getting away and actually having time to write, many of us have wondered if a writer’s workshop was right for us.

At WorldCon 80, otherwise known as ChiCon8, I attended the panel: The Writing Workshop Workshop where moderator Erin Underwood led panelists Ian Muneshwar, Tegan Moor, James Patrick Kelly, and Caroline M Yoachim in a discussion aimed at answering that very question….

Hazelwood also presents the information in this YouTube video.

(4) TAKING COUNSEL OF THEIR FEARS. [Item by Cora Buhlert.] The Atlantic has an interesting article about the backlash against casting actors of color in The Rings of Power, House of the Dragon, Sandman and all sorts of other things: “Fear of a Black Hobbit”.

Maybe you’ve heard that people are mad about Black actors being cast in Lord of the Rings. Or Game of Thrones. Or maybe it was Star Wars. Or perhaps Thor. Wait, maybe it was Titans, or Superman. The Witcher? Or maybe you heard that people are angry that Black Panther got made in the first place, because Wakanda is fictional, unlike one of those fantasy countries authors seem to think will seem more mysterious if you add enough accents or apostrophes, like Warthéréth’rién. (I just made that up.) Maybe you’re wondering why adults care about a Disney mermaid being Black.

Earlier this month, CNN published a news story featuring an interview with Brandon Morse, an editor for the right-wing website RedState, in which he complained that Amazon’s new Lord of the Rings show, The Rings of Power, is integrated: “He says ‘The Rings of Power’ producers have cast non-White actors in a story based on European culture and who look wildly different from how Tolkien originally described them,” CNN reported. “He says it’s an attempt to embed ‘social justice politics’ into Tolkien’s world.” Morse told CNN that “if you focus on introducing modern political sentiments, such as the leftist obsession with identity issues that only go skin deep, then you’re no longer focusing on building a good story.”

It’s worth noting how rapidly right-wing language about colorblind meritocracy melts away when it does not produce the desired results. Perhaps the actors cast were simply the most qualified? …

(5) RELATED WORK. Cora Buhlert’s new “Non-Fiction Spotlight” is about Story Matrices: Cultural Encoding and Cultural Baggage in Science Fiction and Fantasy a fascinating book about storytelling, writing, and worldbuilding by Gillian Polack.

What prompted you to write/edit this book?

Because I’m addicted to story, I wondered just how much of our invisible culture we carried in in the way we tell stories. I began to look at the world building we do and the paths we take when we tell stories and read them. What is the difference between story space for the reader and story space for the writer and, indeed, story space for the editor? As I addressed these questions, I discovered how very powerful genre literature is in our lives. Even those who have never read a science fiction novel have experienced the narratives we tell and the cultural material we embed into our stories.

I wanted to explain this: that genre literature is a powerful, powerful force, that culture is transmitted through story, that we can all think about story and through that thought have more control over what we accept from story. We can, in short, choose not to be bigots….

(6) WHAT’S AHEAD IN THE DESIGN FIELD? Arizona State University’s Center for Science and the Imagination’s  event “Designing the Future with Applied Sci-Fi” will take place on Thursday, September 29, from 12:00-1:00 p.m. Eastern. Panelists include design fiction pioneer Julian Bleecker, speculative designer Anab Jain, narrative designer Alex McDowell, strategic foresight practitioner Radha Mistry, and futurist Brian David Johnson. The event will also feature opening remarks from the renowned science fiction (and nonfiction) author Bruce Sterling.

The event is the second in a series for the Applied Sci-Fi Project at ASU’s Center for Science and the Imagination, which seeks to understand the influence of science fiction on technology and the people who build it, and to study the ways that sci-fi storytelling can a tool for innovation and foresight. 

 The event is free and open to everyone. Here is the registration link.

(7) TAKING ANOTHER CUT AT IT. The Hollywood Reporter declares,  “Amazon’s ‘Blade Runner’ TV Series Officially Happening”.

Amazon’s Prime Video has given the green light to Blade Runner 2099, a limited series sequel to the iconic sci-fi film franchise. The series comes from Amazon Studios and Alcon Entertainment, which holds the rights to Blade Runner. Ridley Scott, who directed the classic 1982 film, will executive produce through his Scott Free Productions, while Silka Luisa (Apple TV+’s Shining Girls) will serve as showrunner….

Amazon announced it was developing Blade Runner 2099 in February. Its title implies it will be set 50 years after 2017’s film sequel Blade Runner 2049, directed by Denis Villeneuve, but story details are being kept quiet for now. The series will be the first live-action treatment of Blade Runner for TV; Adult Swim aired an anime series titled Blade Runner: Black Lotus that debuted in November 2021….

(8) A FONT OF KNOWLEDGE. Camestros Felapton is doing a highly scientific study to show that you can predict the genre of a book by the type face used on the cover. “The sans-serif genre axis part 2”. He’s not high, just his science is.

… “Science Fiction typically uses sans-serif fonts for titles” is a defensible claim — the proportion is high and the spread is relatively narrow compared with other genres….

(9) OUR MAN FLINT. The Alternate Historian does a beautiful tribute to the late author: “1632 by Eric Flint: What If Time Traveling Hillbillies Saved Europe?”.

Alternate historians love stranding people and places in the past because we want to see what happens when technology and ideas from the present are unleashed on earlier eras. And one novel would revolutionize these kind of stories and launch a new community of writers.

(10) MARGARET ANN BASTA (1951—2022). Margaret Basta who, with her twin sister Laura, published some of the earliest Star Trek fanzines, was found dead in her home on September 4. She was 69. Margaret was active in Detroit fandom in the Seventies, belonging to the Wayne Third Foundation. She and Laura were founders and officers of the Star Trek Association for Revival (S.T.A.R.). (Laura was nominated for a Best Fan Writer Hugo in 1974.) Margaret was later involved in Beauty and the Beast fandom.

Margaret died without provisions or funds for her burial and a friend has started a GoFundMe to pay for her burial expenses.

Hi, I’m Jan Feldmann; my best friend Margaret Basta died unexpectedly earlier this month. She left no provisions for a funeral or burial and her family cannot handle the expense. I loved her dearly for 50 years and want to see her ashes buried with dignity at Holy Sepulchre cemetary in Southfield MI. She was one of the first original Star Trek fans and organized several early ST fan conventions. She wrote fan fiction, collected and sold vintage jewelry, had a huge circle of friends all over the country, and made a lasting impression on countless people. Margaret was a wonderful lady and I hope you can help her on her final journey. $1500 will pay for the cremation and internment at Holy Sepulchre cemetary.

(11) MEDIA BIRTHDAY.  

1991 – [By Cat Eldridge.] Eerie, Indiana series

You remember Joe Dante who has served us such treats as the Gremlin films, a segment of the Twilight Zone: The Movie (“It’s A Good Life”) and, errr, Looney Tunes: Back in Action? (I’ll forgive him for that because he’s a consultant on HBO Max prequel series Gremlins: Secrets of the Mogwai.)

And Dante was the creative consultant and director on a weird little horror SF series thirty-one years ago on NBC called Eerie, Indiana. Yes, delightfully weird. It was created by José Rivera and Karl Schaefer. For both it would be their first genre undertaking, though they would have a starry future, their work including Eureka, Goosebumps, The Jungle Book: Mowgli’s Story and Strange Luck to name but a few genre series that they’d work on in a major capacity. 

SPOILER ALERT! REALLY I’M SERIOUS, GO AWAY

Hardly anyone there is normal. Or even possibly of this time and space. We have super intelligent canines bent on global domination, a man who might be the Ahab, and, in this reality, Elvis never died, and Bigfoot is fond of the forest around this small town. 

There’s even an actor doomed to keep playing the same role over and over and over again, that of a mummy. They break the fourth wall and get him into a much happier film. Tony Jay played this actor.

Yes, they broke the fourth wall. That would happen again in a major way that I won’t detail here. 

END SPOILER ALERT. YOU CAN COME BACK NOW. 

It lasted but nineteen episodes as ratings were very poor. 

Critics loved it. I’m quoting only one due to its length: “Scripted by Karl Schaefer and José Rivera with smart, sharp insights; slyly directed by feature film helmsman Joe Dante; and given edgy life by the show’s winning cast, Eerie, Indiana shapes up as one of the fall season’s standouts, a newcomer that has the fresh, bracing look of Edward Scissorhands and scores as a clever, wry presentation well worth watching.”

It won’t surprise you that at Rotten Tomatoes, that audience reviewers give it a rating of eighty-eight percent. 

It is streaming on Amazon Prime, Disney+ and legally on YouTube. Yes legally on the latter. 

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 15, 1922 — Bob Anderson. He was the swordmaster who played Darth Vader in his fight scenes in The Empire Strikes Back and Return of the Jedi. He replaced David Prowse due to the actor’s unfortunate tendency to break lightsabers. Because of the height differences—Anderson was six one while Prowse was six inches taller, Anderson’s scenes were filmed from a lower angle to make him seem taller, or he stood on some small stilts or wore platform shoes. Anderson later did swordfighting choreography and training for films such as The Lord of the Rings trilogy (with Christopher Lee), the Zorro movies with Antonio Banderas and Die Another Day with stunt performer Jim Dowdall. (Died 2022.)
  • Born September 15, 1924 — Henry Silva, 98. Here for his genre work —  Buck Rogers in the 25th Century as Kane, Allan Quatermain and the Lost City of Gold as Argon, Amazon Women on the Moon as Himself (the “Bullshit or Not” segment, Cyborg – Il guerriero d’acciaio as ‘Hammer’, and Dick Tracy as ‘Influence’.
  • Born September 15, 1925 — Carlos Rambaldi. Wnner of three Oscars: one Special Achievement Academy Award for Best Visual Effects in Seventies version of King Kong, and two Academy Awards for Best Visual Effects of Alien and E.T. the Extra-Terrestrial. He is best remembered for his work in those two last mentioned films, that is for the mechanical head-effects for the creature in Alien and the design of the title character of E.T. the Extra-Terrestrial. He designed the Worms in Dune. (Died 2012.)
  • Born September 15, 1940 — Norman Spinrad, 82. I’ll admit that the only novel I’ve read by him is Bug Jack Barron. My bad. And I was fascinated to learn he wrote the script for Trek’s “The Doomsday Machine” episode which is an amazing story. So how is it that he’s never won a Hugo? 
  • Born September 15, 1943 — John M. Faucette. Published five novels and one short story. He left seven unpublished novels in various states of completion at his death. Two of his novels; Crown of Infinity and Age of Ruin, were published in the Ace Doubles series. None of his works are in print in digital or paper format currently including his Black Science Fiction anthology which he as an African-American SF writer was very proud of. (Died 2003.)
  • Born September 15, 1956 — Elton T. Elliott, 66. Editor, publisher, reviewer. His solo fiction debut was “Lighting Candles on the River Styx” in Amazing (March 1991). His early novel-length work appeared in the 1980s in collaboration with Richard E.Geis under the pseudonym Richard Elliott. He edited Science Fiction Review from 1990 to 1992 which, yes, I remember reading at the time. 
  • Born September 15, 1960 — Kevin Roche, 62. Chaired Worldcon 76 in San Jose (2018). Prior to that he co-chaired Westercon 66 in Sacramento in 2013 and chaired Costume-Con 26 in San José in 2008. He’s a veteran costumer and masquerade emcee, who co-directed the 2011 Worldcon’s Masquerade as well as Masquerades at Anime Los Angeles, Westercon, and BayCon. Roche is a research scientist at IBM Research Almaden. He also was editor of Yipe! The Costume Fanzine of Record.
  • Born September 15, 1962 — Jane Lindskold, 60. My first encounter with her was through the Zelazny novel she finished, Donnerjack. It’s excellent though how much is Zelazny is open to vigorous debate. Of her own novels, I recommend The Buried Pyramid, Child of a Rainless Year and Asphodel as being very good. 

(13) COMICS SECTION.

  • Agnes has some pecadillos as a author that make me wonder if she’s a relative of Writer X. It seems even more possible after reading this later strip.
  • Lio shows that sometimes nature calls from very faraway places.
  • The Far Side offers wordplay of mythic proportions.  

(14) STUMPERS. In the Washington Post, Michael Cavna interviews Randall Munroe on how he went from being a NASA roboticist to an answerer of weird questions. “The world’s funniest former NASA roboticist will take your questions”.

…Other “What If? 2” situations ring of the perilous: What are your chances of death-by-geyser at Yellowstone Park? What would the daily caloric human-intake needs be for a modern T. rex gone rogue in the boroughs of New York? And how catastrophic would it be if, as the children’s tune goes, all the raindrops were lemon drops and gumdrops?…

(15) CURRENT EVENTS. “Colonizing the Cosmos: Astor’s Electrical Future” at The Public Domain Review. “During America’s Gilded Age, the future seemed to pulse with electrical possibility. Iwan Rhys Morus follows the interplanetary safari that is John Jacob Astor’s A Journey in Other Worlds, a high-voltage scientific romance in which visions of imperialism haunt a supposedly ‘perfect’ future.”

…Luckily, one of them told us exactly how he imagined the century to come. In 1894, New York publishers D. Appleton and Company released A Journey in Other Worlds: A Romance of the Future, written by John Jacob Astor IV, one of America’s wealthiest men. The Astor clan had originally made their fortune in the fur trade, and had added to their millions through investment in land and property. In 1897, John Jacob would build the Astoria Hotel in New York, next door to the Waldorf, owned by his cousin William. The hotel was both a symbol of the Astor family’s wealth and a honeypot for New York’s fashionables (Tesla himself lived there until he was turfed out for failing to pay his bills). It’s Astor’s authorship that makes the book such a fascinating insight into the Gilded Age’s fantasies about its prosperous tomorrows….

(16) TURN OF THE SEASON. [Item by SF Concatenation’s Jonathan Cowie.] SF2 Concatenation’s autumnal edition is now up.

Fiction Reviews

Non-fiction SF/F & Popular Science

(17) SAY CHEESE. [Item by SF Concatenation’s Jonathan Cowie.]  “Webb telescope wows with first image of an exoplanet” in Nature.

The James Webb Space Telescope has taken its first picture of a planet beyond the Solar System — opening a window to understanding other worlds and underscoring the telescope’s immense capabilities.

The image (shown) is of a planet called HIP 65426 b, an object similar to Jupiter, but younger and hotter, that lies 107 parsecs from Earth in the constellation Centaurus. Although it looks like a pixelated light bulb, it is the first exoplanet image ever taken at deep infrared wavelengths, which allow astronomers to study the full range of a planet’s brightness and what it is made of (the star symbol marks HIP 65426 b’s star, whose light the telescope blocked).

“It gives us wavelengths we’ve never seen planets at before,” says Beth Biller, an astronomer at the University of Edinburgh, UK, and a member of the discovery team. The image was reported in a paper on a preprint server on 31 August (A. L. Carter et al. Preprint at https://arxiv.org/abs/2208.14990; 2022); the study has not been peer reviewed.

Astronomers know of more than 5,000 exoplanets, but they have taken pictures of only around 20. Imaging exoplanets directly is difficult, because they are often lost in the glare of the star around which they orbit.

But observing them at infrared wavelengths, as Webb does, helps to boost the contrast between star and planet. “You’re in the regime where planets are brightest and stars are dimmest,” says Aarynn Carter, an astronomer at the University of California, Santa Cruz, and lead author of the preprint.

(18) SICK IN UTAH. [Item by SF Concatenation’s Jonathan Cowie.] Someone had too good a room party…. “The Jurassic vomit that stood the test of time” at Nature.

Some 150 million years ago, towards the end of the Jurassic period, an unknown but probably small creature threw up a recent meal inside a pond in what is now Utah1.

Over the ages, the puke’s contents were fossilized and remained untouched. That is, until they reached the hands of John Foster at the Utah Field House of Natural History State Park Museum in Vernal and his colleagues.

The researchers found the fossil at the ‘Jurassic Salad Bar’, a site where they’ve unearthed more than 300 fossilized plants. The specimen is small, not much larger than 1 square centimetre in area. But it’s densely packed with more than 20 undigested bones and some puzzling items that might well be soft tissues or part of the vomit material.

Some of the bones, including some vertebrae, possibly belonged to a tadpole. Others were once part of frogs. And a tiny femur might have come from a salamander. Given the contents and the setting they were found in, researchers strongly suspect that a fish might have been the one to throw them up.

(19) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers: 300th Episode,” the Screen Junkies’s EPIC Voice Guy salutes Ryan George for his 300th episode of “Pitch Meeting” by saying Ryan George is “the Canadian Ryan who doesn’t have six-pack abs.”  George gets to repeat all the catchphrases from every episode (including “super easy, barely an inconvience”) and says that after 300 episodes the producer and the writer have turned from “poorly developed characters” into “psychopaths.”

[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, Joey Eschrich, SF Concatenation’s Jonathan Cowie, Cora Buhlert, John King Tarpinian, Andrew Porter, Chris Barkley, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Cora Buhlert.]

Pixel Scroll 9/6/22 All Of The Riverworld Ramblers Are Losing Their Grails

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(1) A LITTLE SMACK. Deadline takes notes as “Neil Gaiman Slaps Back At Elon Musk For Criticizing ‘LOTR: The Rings Of Power’”.

…Gaiman’s comment came after Musk slammed Amazon’s LOTR: The Rings Of Power, saying “Tolkien is turning over his grave,” as Musk is attempting to exit his proposed $44BN takeover of Twitter and amid an ongoing feud with Amazon founder and executive chairman Jeff Bezos.

(2) DANISH AUTHOR IN NY. The Community Bookstore in Brooklyn, NY will host “Olga Ravn presents ‘The Employees’” on Friday, September 30 at 6:00 p.m. Eastern. Tickets for sale at the link.

Shortlisted for the International Booker prize, and the Ursula K. Le Guin Prize, The Employees reshuffles a sci-fi voyage into a riotously original existential nightmare.

Olga Ravn’s prose is chilling, crackling, exhilarating, and foreboding. The Employees probes into what makes us human, while delivering a hilariously stinging critique of life governed by the logic of productivity.

(3) FREE READ. Sunday Morning Transport offers a free story: “About what you keep, what you mend, and what you throw away,” by Elizabeth Bear: “The Part You Throw Away”.

(4) SOURCES OF TERROR. Meg Elison promotes her new novel Number One Fan on CrimeReads.“Why Are Stories of Captivity and Abduction So Extraordinarily Terrifying?”

…Part of the reason for the power of captivity is something called the “castle doctrine.” This is an underpinning of law, dating back to the English document known as the Magna Carta. This concept and subsequent iterations of law made the home a sacrosanct place, providing the bedrock from which we derive our rights to deny search and seizure without a warrant, to remove anyone we wish from our homes, and to defend ourselves at home using force, including deadly force. This concept and the laws formed around it make any domicile, even a van or a bus a person might live in, a legally protected place that no one may enter or inspect without cause and (usually) a judicial order. As much as this is a crucial piece of our right to privacy (but not in your own womb! ha!) it also shrouds and protects perpetrators of home-based violence: domestic and child abuse, incest, and this kind of home-grown captivity….

(5) BRITISH ACADEMY BOOK PRIZE. The shortlist for the British Academy Book Prize for Global Cultural Understanding 2022 is comprised of six books. The international book prize, worth £25,000, rewards and celebrates the best works of non-fiction that have contributed to public understanding of world cultures and their interaction.

  • The Invention of Miracles: Language, Power, and Alexander Graham Bell’s Quest to End Deafness by Katie Booth (Scribe UK)
  • Aftermath: Life in the Fallout of the Third Reich by Harald Jähner (WH Allen/Ebury Publishing)
  • Osebol: Voices from a Swedish Village by Marit Kapla (Allen Lane)
  • Horizons: A Global History of Science by James Poskett (Viking)
  • When Women Kill: Four Crimes Retold by Alia Trabucco Zerán (And Other Stories)
  • Kingdom of Characters: A Tale of Language, Obsession, and Genius in Modern China by Jing Tsu (Allen Lane)

(6) WORLDCON CHAIRS PHOTO SESSION. Recorded at Chicon 8.

(7) PETER STRAUB (1943-2022). Author Peter Straub died September 4 at the age of 79. The New York Times obituary is here. The Guardian notes that Straub’s many novels ranged from his debut horror novel Julia in 1975 – later filmed as The Haunting of Julia – to the 2010 novel A Dark Matter and The Talisman, which he co-wrote with Stephen King.

He told Salon in 2016, “I like the worst characters, I like the villain. You can almost always tell there’s a lot of imaginative sympathy for them on my part. Once I start thinking about how they got that way I feel empathy and compassion. I don’t want to kill them off.” 

Straub won four World Fantasy Awards and ten Bram Stoker Awards. He received World Fantasy and Bram Stoker Life Achievement awards, was named an International Horror Guilds Living Legend, and a World Horror Grandmaster.

Peter Straub at Stoker Awards, 1992. Photo by and copyright © Andrew Porter
Peter Straub autographing copies of KOKO at American Booksellers Assn convention. Photo by and copyright © Andrew Porter

(8) MEMORY LANE.  

1999 – [By Cat Eldridge.]  Speaking of most stellar novels, there’s the matter of Neil Gaiman’s Stardust. There are two novels that I think Gaiman did really well, this and Neverwhere. This is his best novel and I’ll say why now. (Me? Opinionated? Why yes!) 

SPOILERS ABOUND LIKE SPRITES IN THE MOONLIGHT

Stardust was written twenty-three years ago, starting off with the story set in late April 1839, as John William Draper had just photographed the Moon and Charles Dickens was serializing Oliver Twist, but almost all of the book takes place seventeen years later, starting around October 1856.

The novel set in the village of Wall. Once every nine years an opening to Fairy occurs on All Hallows’ Eve. Naturally a young man will fall in love with what he thinks is a young woman. Who isn’t. Really she isn’t. Trust me on this plot point. 

We have really evil witch-queens, near immortal rulers of vast castles delightfully named Stormhold, quests to the end of the world or nearly so. All deliciously told by Gaiman as though it was a fairy tale. There’s even unicorns. And pirates! 

Yes, and true love won out in the end as it should. 

END OF SPOILERS. NO MORE SPOILERS FOR NOW. MAYBE.

The best edition of this book is the one illustrated by Charles Vess that should’ve won a Hugo but didn’t. Nor did Stardust itself. The film did win one most deservingly at Denvention 3.  Oh and Neil himself narrates the audio version! 

I’ve read both the unadorned text version and the version with Vess artwork, or listened to it, at least a half dozen times now, and it always delights me every time that I do. No, I’ve not seen the film, nor will I ever see it following my long standing policy of never seeing any video version of books that I really, really like. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 6, 1904 — Groff Conklin. He edited some forty anthologies of genre fiction starting with The Best of Science Fiction from Crown Publishers in 1946 to Seven Trips Through Time and Space on Fawcett Gold in 1968. The contents are a mix of the obscure and well known as Heinlein, Niven, Simak, Dahl, Sturgeon, Lovecraft and Bradbury show up there. (Died 1968.)
  • Born September 6, 1943 — Roger Waters, 79. Ok Pink Floyd is definitely genre and I’m no longer doing any substances that aid in my judgement thereof. The Wall of course. And The Division Bell with its themes of communication. And Happy Birthday Roger!
  • Born September 6, 1946 — Hal Haag. Baltimore-area fan who found fandom in the early Eighties and who chaired Balticon 25 and Balticon 35 and worked on Balticon and quite a number of regionals. He Co-founded BWSMOF (Baltimore/Washington SMOFs) along with Inge Heyer from Shore Leave, a regional organization whose purpose it is to discuss running regional conventions of all types. The Baltimore Science Fiction Society put together a very touching memorial site which you can see here. (Died 2006.)
  • Born September 6, 1953 — Patti Yasutake, 69. Best-known for her portrayal of Nurse Alyssa Ogawa in the Trek universe where she had a recurring role on Next Generation and showed up in Star Trek Generations and Star Trek First Contact. In doing these Birthdays, I consult a number of sites. Several of them declared that her character ended her time as a Doctor. Not true but made for a nice coda on her story.
  • Born September 6, 1972 — China Miéville, 50. My favorite novels by him? The City & The City is the one I’ve re-read the most, followed closely by Kraken. Scariest by him? Oh, that’d King Rat by a long shot.  And I’ll admit the dialect he used in Un Lun Dun frustrated me enough that I gave up on it. I’ll hold strongly that the New Crobuzon series doesn’t date as well as some of his other fiction does. His Hugo history is a one long one. His first nomination at ConJosé for Perdido Street Station was followed by The Scar at Torcon 3. He picked up another nomination at interaction for Iron Council, and his only win at Aussiecon 4 for The City & The City which was shared Paolo Bacigalupi’s The Windup Girl. He has two more nominations to date, Embassytown at Chicon 7 and “This Census-Taker” novella at Worldcon 75. 
  • Born September 6, 1958 — Michael Winslow, 64. Though he might bear notice as the comically voiced Radar Technician in Space Balls, I’m more interested that his first genre role of significance was giving voice to Mogwai, and the other gremlins in Gremlins, a role he didn’t reprise for the second Gremlins film. 
  • Born September 6, 1972 — Idris Elba, 50. Heimdall in the Thor franchise, as well as the Avengers franchise. First genre role was as Captain Janek in Ridley Scott’s Prometheus and later he was in Pacific Rim as Stacker Pentecost. And let’s not forget him as the Big Bad as Krall in Star Trek: Beyond. 
  • Born September 6, 1976 — Robin Atkin Downes, 46. Though he’s made his living being a voice actor in myriad video games and animated series, one of his first acting roles was as the rogue telepath Byron on Babylon 5. He later shows up as the Demon of Illusion in the “Chick Flick” episode of Charmed and he’s got an uncredited though apparently known role as Pockla in the “Dead End” episode of Angel. Ditto for Repo Men as well. He does get as the voice of Edward in Hansel & Gretel: Witch Hunters.
  • Born September 6, 1976 — Naomie Harris, 46. She’s Eve Moneypenny in Skyfall, Spectre and  No Time to Die. This was the first time Moneypenny had a first name.  No word if she’ll be in Bullets for Winter, the next Bond film which has been announced.  She also appeared in Pirates of the Caribbean: Dead Man’s Chest and Pirates of the Caribbean: At World’s End as Tia Dalma. In the Marvel Universe, she was Frances Barrison / Shriek in the Spider-Man centric Venom: Let There Be Carnage. And lastly I’ll note she played Elizabeth Lavenza in Mary Shelley’s Frankenstein at the National Theatre.

(10) COMICS SECTION.

(11) THE WINNER GETS A T-SHIRT. Joe Stech will begin giving the Compelling Science Fiction Appreciation Award every month. See what it takes to win.

Ever since Compelling Science Fiction stopped publishing short stories I’ve been looking for ways to engage with the science fiction community that don’t involve me reading a submission queue of 500 stories/month. I’m still thinking about different approaches, but in the meantime I’m announcing a fun project: every month I’m going to send a t-shirt to the author that writes the short story that scores the highest on the set of axes that best represent Compelling Science Fiction (plausibility/novelty/entertainment).

(12) COMPELLING SCIENCE FICTION T-SHIRT DESIGN POLL. Joe Stech is also going to print up some more of the original Compelling Science Fiction shirts, but also wants to create a new design.

Below are eight different astronaut designs that I think reflect Compelling Science Fiction’s lack of taking itself too seriously, and I’d love it if you’d tell me your favorite. Please ask your friends too, if your friends have good taste! Here’s the poll.

(13) A TRUCE WITH BEAVERS. [Item by Daniel Dern.] My favorite informative fact from the article: “They’re wild, swimming rodents the size of basset hounds.” “It Was War. Then, a Rancher’s Truce With Some Pesky Beavers Paid Off.”

Horace Smith blew up a lot of beaver dams in his life.

A rancher here in northeastern Nevada, he waged war against the animals, frequently with dynamite. Not from meanness or cruelty; it was a struggle over water. Mr. Smith blamed beavers for flooding some parts of his property, Cottonwood Ranch, and drying out others.

But his son Agee, who eventually took over the ranch, is making peace. And he says welcoming beavers to work on the land is one of the best things he’s done.

“They’re very controversial still,” said Mr. Smith, whose father died in 2014. “But it’s getting better. People are starting to wake up.”

As global warming intensifies droughts, floods and wildfires, Mr. Smith has become one of a growing number of ranchers, scientists and other “beaver believers” who see the creatures not only as helpers, but as furry weapons of climate resilience.

Last year, when Nevada suffered one of the worst droughts on record, beaver pools kept his cattle with enough water. When rains came strangely hard and fast, the vast network of dams slowed a torrent of water raging down the mountain, protecting his hay crop. And with the beavers’ help, creeks have widened into wetlands that run through the sagebrush desert, cleaning water, birthing new meadows and creating a buffer against wildfires.

…“We need to get beavers back to work,” Wade Crowfoot, California’s secretary of natural resources, said in a webinar this year. “Full employment for beavers.” (Beaver believers like to note that the animals work for free.)…

(4) VERY CAREFULLY. “Once they had breathed our air, germs which no longer affect us began to kill them. The end came swiftly. All over the world, their machines began to stop and fall.” You know where that line comes from. And we don’t want to be on the receiving end. “To Prevent a Martian Plague, NASA Needs to Build a Very Special Lab” reports the New York Times.  

…“It is possible that on Mars there are pathogens,” [Carl Sagan] wrote, “organisms which, if transported to the terrestrial environment, might do enormous biological damage — a Martian plague.”

Michael Crichton imagined a related scenario in his novel “The Andromeda Strain.”

Such situations, in which extraterrestrial samples contain dangerous tagalong organisms, are examples of backward contamination, or the risk of material from other worlds harming Earth’s biosphere.

“The likelihood that such pathogens exist is probably small,” Sagan wrote, “but we cannot take even a small risk with a billion lives.”

Scientists have long considered Sagan’s warnings in mostly hypothetical terms. But over the approaching decade, they will start to act concretely on backward contamination risks. NASA and the European Space Agency are gearing up for a shared mission called Mars Sample Return. A rover on the red planet is currently scooping up material that will be collected by other spacecraft and eventually returned to Earth.

No one can say for sure that such material will not contain tiny Martians. If it does, no one can yet say for sure they are not harmful to Earthlings.

With such concerns in mind, NASA must act as if samples from Mars could spawn the next pandemic. “Because it is not a zero-percent chance, we are doing our due diligence to make sure that there’s no possibility of contamination,” said Andrea Harrington, the Mars sample curator for NASA. Thus, the agency plans to handle the returned samples similarly to how the Centers for Disease Control and Prevention handles ebola: carefully….

(15) WHAT’S BREWING? Make explains how “This Elven Architecture Diorama Makes A Perfect Cup Of Tea”. It’s a sort of steampunk encounter with Rivendell.

…There are multiple options available, for different blends of tea and temperatures for steeping. With a quick press of a button, this elven village hops to life measuring out tea leaves, depositing them into the tea ball, heating water and dispensing it into the cup, then dunking the tea ball for the prescribed amount of time, then depositing it on a tiny coaster for disposal. 

At the end of the process, Samuel is left with a perfect cup of tea, and a view that is absolutely wonderful.

[Thanks to Chris Barkley, Michael Toman, Cat Eldridge, Daniel Dern, Kevin Standlee, Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 9/5/22 Boosterspice Fields Forever

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(1) CHICON 8 MEMBERSHIP NUMBERS. Chicon 8 drew 3,574 warm bodies (494 at door). Another 947 watched at least one hour of virtual programming. There were ~6,500 total members of all types. (Numbers via KevinStandlee.)

(2) WORLDCON MASQUERADE PHOTOS. Chicon 8 posted a rich gallery of photos: “Masquerade! Astounding Faces on Parade!” Includes notes on the award winners, including Best in Show, Arwen’s Lament presented by Rae Lundquist and company. (Which also won “Excellence in Workmanship for Hobbit Feet”.)

(3) CLOSING CEREMONIES. Thanks to Kevin Standlee who encouraged me to run any of his posts and photos.

The 2023 Chengdu Worldcon leadership:

The Chengdu Worldcon committee singing to the Closing Ceremonies audience.

(4) HE WAS A WALKING WORLDCON HIGHLIGHT. Oghenechovwe Donald Ekpeki shared some general comments about being able to achieve his trip to Chicon 8, and the Hugo acceptance speech he didn’t get to give. Lots of photos, too! Thread starts here. (Full text of the speech is on Facebook.)

And there’s a photo of another heartwarming moment on Lezli Robyn’s Facebook page here of Ekpeki being “gifted an iPad and keyboard, for all the future masterpieces he will write.” Robyn added in comments, “It was not from us! But I was the messenger/organizer.” So I don’t know who gave it to him.

(5) CONGRATULATIONS, HUGO WINNER. When Cora Buhlert sent these photos of her Hugo outfit last night she was about to practice her speech again. Now we know – the extra rehearsal was worth it!

(6) TODAY’S THING TO WORRY ABOUT. Lincoln Michel contests a recent meme: “No, Most Books Don’t Sell Only a Dozen Copies”. After dissecting the premises of how sales are measured, Michel offers some conclusions.

…In terms of the dozen copies statistic, I can’t evaluate it because it is unclear what it’s referring to. Fifty-eight thousand books is more books than PRH publishes in a given year, but far less than their entire backlist. Is 58k all new books published with an ISBN, including self-published books? Is it something else? I really don’t know and none of the publishing professionals I follow seem to know either. (Editing to add: Jane Friedman, who posted this number originally on Instagram, noted there was no source given in testimony. Friedman gives her own guess in the comments.)

In my experience, and with the data I’ve seen, most traditionally published novels that you see on bookstore shelves or reviewed in newspapers sell several hundred to a few thousand copies across formats. Many sell much more of course. I’ve seen some flops that sold only a couple hundred. And of course not all traditionally published novels appear in bookstores or reviewed in newspapers. Is it possible someone has published a Big 5 novel that sold only 12 copies over its lifetime? I suppose. But I don’t think it’s 5% much less 50%!…

(7) SHARED UNIVERSE. Wole Talabi tells Guardian readers: “Out of this world: why we created the first collaborative African fantasy universe”. (See the list of members of the Sauúti Collective at the link.)

Creative writing can be a lonely business. As writers, we inhabit whole worlds and characters that live only in our heads for days or years, as we deposit them on the page. This is particularly true for speculative fiction – an umbrella genre of stories that involve supernatural or futuristic elements, or settings that are not the real world.

This creative loneliness is why I’ve always admired the concept of a “shared world” – a fictional setting with its own set of rules where multiple authors can create stories. Some examples are Thieves’ World, edited by Robert Lynn Asprin, or George RR Martin’s Wild Cards (which spawned dozens of books, comics and games, and was optioned for film and TV).

Because writers use the same settings, characters and concepts of the shared world in a connected way, they are in conversation with each other, as a community in the act of creation.

As a speculative fiction author from Africa, where recognition for the genre is growing and community is an important part of the culture, I’ve long wanted to be able to do this with my contemporaries – create together. Not only with other African authors but with the greater African diaspora.

That’s why, working with Fabrice Guerrier, a Haitian-American author and founder of Syllble, a production house based in Los Angeles, and the Nigeria-based magazine Brittle Paper, I sought out a group of like-minded volunteer authors from five African countries to form the Sauúti Collective.

Together we have created Sauúti – a unique shared world for and by Africans and the African diaspora….

(8) MEMORY LANE.  

1967 – [By Cat Eldridge.] Alan Garner’s The Owl Service (1967)

It all begins with the scratching in the ceiling. From the moment Alison discovers the dinner service in the attic, with its curious pattern of floral owls, a chain of events is set in progress that is to affect everybody’s lives. — Alan Garner’s The Own Service

Yes, I do have favorite novels as you already know and Alan Garner’s The Owl Service which came out fifty-five years ago is one of them. I think of it as an Autumnal work so it being September, I decided to take a look at it. So here we are.

The Owl Service is supposedly a young adult novel, however, it is much, much more than that. Set in modern Wales, it is an adaptation of the story of the Welsh myth concerning the woman Blodeuwed who becomes an owl — equally made of feathers and claws. It was, as Garner has said, an “expression of that myth”. 

In his version, three teenagers visiting a Welsh estate find themselves re-enacting the story by the two boys both being bitter rivals for the girl who came with them to the estate. They awaken the legend by finding a dinner service with an owl pattern, hence the title of the novel.

It is a novel filled with myth come to life with characters, both the children and the adults, being fully realized. It wasn’t his first novel as he’d written three novels previously (The Weirdstone of Brisingamen, The Moon of Gomrath and Elidor) but of all works he’s done, it’s my favorite still. It’s not his most complex, that honor goes to Boneland which is a sequel to The Weirdstone of Brisingamen and The Moon of Gomrath.

The Owl Service was made into a Granada Television series in 1969. If you live in the U.K., it’s available on DVD.  It was BBC Radio 4 series in 2000. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 5, 1914 — Stuart Freeborn. If you’ve seen Yoda, and of course you have, this is the man who designed it, partly based on his own face. Besides being the makeup supervisor and creature design on the original Star Wars trilogy, he did makeup on The Omen, Dr. Strangelove, 2001: A Space Odyssey and all four of the Christopher Reeve-fronted Superman films. (Died 2013.)
  • Born September 5, 1936 — Rhae Andrece and Alyce Andrece. They played twin androids in I, Mudd, a classic Trek episode. (And really their only significant role.) Both appeared as policewomen in “Nora Clavicle and the Ladies’ Crime Club” on Batman. That’s their only genre other appearance. They appeared together in the same seven shows. (Died 2009 and 2005, respectively.)
  • Born September 5, 1939 — George Lazenby, 83. He is best remembered for being James Bond in On Her Majesty’s Secret Service. Genre wise, he also played Jor-El on Superboy and was a Bond like character named JB in the Return of the Man from U.N.C.L.E. film. 
  • Born September 5, 1940 — Raquel Welch, 82. Fantastic Voyage was her first genre film, and her second was One Million Years B.C. (well, it wasn’t exactly a documentary) where she starred in a leather bikini, both released in 1966. She was charming in The Three Musketeers and The Four Musketeers. She has one-offs in Bewitched, Sabrina the Teenage Witch, The Muppet Show, Lois & Clark: The New Adventures of Superman, Happily Ever After: Fairy Tales for Every Child and Mork & Mindy. 
  • Born September 5, 1946 — Freddie Mercury. Now you know who he was and you’re saying that you don’t remember any genre roles by him. Well there weren’t alas. Oh, Queen had one magnificent role in the 1980 Flash Gordon film starring Sam J. Jones, a film that has a seventy percent rating among audience reviewers at Rotten Tomatoes. But I digress as only cats can do. (Prrrr.) Queen provided the musical score featuring orchestral sections by Howard Blake. Most of Blake’s score was not used. Freddie also composed the music for the first Highlander film. And Freddie was a very serious SJW. He cared for at least ten cats throughout his life, including Delilah, Dorothy, Goliath, Jerry, Lily, Miko, Oscar, Romeo, Tiffany and Tom. He was adamantly against the inbreeding of cats and all of them except for Lily and Tiffany, both given to him as gifts, were adopted from the Blue Cross. (Died 1991.)
  • Born September 5, 1964 — Stephen Greenhorn, 58. Scriptwriter who has written two episodes for Doctor Who: “The Lazarus Experiment” and “The Doctor’s Daughter”, both Tenth Doctor stories. He wrote one episode of Around the World in 80 Days, reuniting him with David Tennant. He also wrote Marchlands, a supernatural series with Doctor Who’s Alex Kingston
  • Born September 5, 1973 — Rose McGowan, 49. Best known as Paige Matthews on Charmed. She played two different roles in the Grindhouse franchise, Cherry Darling in Planet Terror and Pam in Death Proof. She was Miss Kitty in Monkeybone, a very weird film indeed.

(10) COMICS SECTION.

(11) ARCANE. Boing Boing points out that “Arcane is the first streaming show to win the Emmy for best animated program”.

…The aforementioned Arcane from Netflix was the talk of the town last year, earning heaps of praise from fans and critics. Now the series can add Emmy award winner to its growing list of accolades. The win marks the first time an animated show from a streaming service snagged the award….

(12) KERFUFFLES OF POWER. Stuart Heritage of the Guardian wouldn’t want you to miss any: “The backlash to rule them all? Every controversy about The Rings of Power so far”. What, only six?

It’s hard to know exactly what to make of The Lord of the Rings: The Rings of Power so far, for several reasons. The series has veered wildly in quality, with its second episode a vast improvement on its stunning but directionless pilot. It’s hard, too, to crosscheck with the source material, given that the entire shebang is cobbled together from a bunch of Tolkien’s appendices.

But the main reason why it’s difficult to form a consensus is the internet. Even more so than usual, it is being especially internetty about The Rings of Power, churning up no end of controversies about it in service to the discourse. Here’s a quick compendium of what we’ve all endured so far….

(13) HUGO LOSERS TROPHY. Camestros Felapton had an artificial intelligence art program help him gin up a trophy for those who didn’t win last night. Image at the link. “For those who need it today”.

(14) PHOTOS FROM JAMES BACON’S PRESENTATION AT CHICON 8. Including the badge ribbons distributed to support Ukraine fandom.

(15) TAMMY’S TASTING AT CHICON 8. Tammy Coxen serves Ukraine-themed drinks.

[Thanks to Andrew Porter, Chris Barkley, Michael Toman, Rob Thornton, Nancy Sauer, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]