[INTRODUCTION. I got a little misty reading Heath Row’s article inThe Stf Amateur about LASFS divesting some of its fanzine files. Since the clubhouse was sold in 2016 these decades-old legacies have been in a storage unit, and the club is no longer willing to bear the cost. The good news is part of them will end up filling gaps in the Eaton Collection at UC Riverside, with the remainder hopefully accepted by the University of Iowa’s collection, so the materials will live on. While people were pulling stuff out of the unit they also found some club heirlooms. Heath Row gaveFile 770 permission to run his account of the work party.]
By Heath Row: Fun with Fanzines. Last weekend, I went to Sylmar to join a handful of LASFSans in cleaning out one of the club’s storage units. At the December board meeting, Elayne Pelz informed the board that the unit’s monthly cost had increased substantially, and the board voted to divest the club of the filing cabinets holding the club’s archives and various clubzine back issues, including De Profundis, APA-L, and LASFAPA.
I went to see how much of those I could salvage, box, and fit in our car, for donation to the Eaton Collection of Science Fiction & Fantasy at the University of California, Riverside, and the Iowa Archives of the Avant-Garde at the University of Iowa, which has a sizable holding of apae material, including my previous donations. Pelz had previously reached out to potential homes, finding no takers, but I was able to identify and secure interest. The storage unit in question is not one we have ready access to. Materials are stored in large, wooden walk-in crates—pods—that are then warehoused. With a work group involving Pelz, Christian B. McGuire, Cathy and Dean Johnson, Gavin Claypool, and myself, we were able to empty three of five such crates, cutting the club’s storage costs substantially.
The resulting Banker’s boxes, now in my storage.
Over the course of several hours, I was able to prepare almost 20 Banker’s boxes of De Profundis dating back to 1957 (three boxes), APA-L #1-360 (five boxes), and LASFAPA #1-487 (11 boxes). While no archive wants the hard copy APA-Ls—they’re scanned and available online—the other materials will eventually go to Eaton. Duplicates from their holdings will hopefully go to Iowa.
Gavin Claypool and some of the filing cabinets for disposal.
Pelz plans to donate early materials from the 1940s and 1950s to Fanac. Cathy Johnson assessed the club archives, and as far as I know, only clubzine and apae materials were set aside for disposal. (I didn’t see any back issues of Shangri L’Affaires, but there weren’t any in the cabinets we got rid of, so they’re still in storage.) After I’d boxed the materials I wanted to salvage, I got a chance to see some other prime holdings of the club. That included William Rotsler’s 1997 Hugo for Best Fan Artist and the urn that held his ashes after cremation. His ashes were subsequently spread by his family; the urn is empty.
Rotsler’s 1997 Hugo for Best Fan Artist.Rotsler’s urn
I also learned about a new—to me—LASFS-oriented apa, SSAPA, or the Second Sunday APA. It debuted April 14, 2002, and didn’t seem to last long. Does anyone remember anything about the SSAPA? (Joe Zeff, perhaps? You were in #1!) One additional vignette: When we identified the filing cabinets containing LASFAPA, they were locked. There was an assortment of keys and padlocks on hand, but none of the keys worked for those cabinets. I was worried we wouldn’t even be able to open them. I tried to jimmy it open with a flat key ring attachment, and Dean Johnson used what few tools he’d brought. Then we had the storage unit staff drill the lock bolts out! That did the trick.
(1) CLASSIC CAR WITH AN SFF PEDIGREE. J. Michael Straczysnki told Facebook readers he needs a taker for the late Harlan Ellison’s 1947 Packard.
For the last six months, we’ve talked to just about every vintage car company in existence about buying Harlan’s 1947 Packard, to no avail. It’s not an especially collectible car, not in great condition, not worth much on the market, and nobody we spoke to knew who Harlan was or felt that this added to its market value.
We need to get the car out of the garage where it’s been sitting, exposed to the elements, every day for almost ten years because the plan is to turn the open garage into an enclosed, on-site storage and work area to make it easier to work on the house, rotate out equipment, and store display cabinets and other items to be used for exhibitions. But I really don’t want to just sell it for parts because it hurts my heart.
Knowing Harlan, I think he’d want the Packard to end up in the hands of a fan who could appreciate it, look after it, maybe fix it up over time. Which brings me here. If there’s a stone Harlan fan who can arrange to have the car (safely) picked up and transported away, it’s yours.
(And to everyone looking on: please don’t send me suggestions or links or say “well, what about this company?” or “I think I know a guy” or “what about an SF museum somewhere” because we have spent half a year chasing that stuff down and come up empty every time. We have to start the process of transforming the garage into on-site storage and as a place for the contractors currently making repairs to the house to seek refuge from the bitter heat. It’s been a long, difficult and annoying process, with so many folks flaking out on us, so honestly, just don’t.)
Any takers? Serious only. Must be able to pick it up by no later than the end of August.
UPDATED TO ADD: Despite the very clear request not to post more dead-end solutions, true to the tradition of the Internet, people keep posting the very thing they’re being asked not to post. I don’t mean to be crotchety about it, but I don’t know how to express it any more clearly: the only posts here should be from folks interested in taking the car, so if we can keep the signal to noise ratio to a minimum that would be grand. Otherwise every time I get pinged with a notification and think, oh, good, we have someone who can take the car, I come back to…the opposite.
Harlan Ellison wrote about his love for that Packard here.
I’m sitting in my car, my car is a 1947 Packard. I got a current car. I drive that one, but I love the Packard. I love the Packard because it was built to run, built to last. You could hit this car with 200 small Japanese cars and they would be demolished into ashes. When I go past a grade school little kids have no idea what this car is. They have no idea it was made in 1947. They don’t even know there was a year called 1947. But they see this car go by and they give me that (thumbs up & OK signs) and that means they recognize something that is forever, like the pyramids….
(2) X NO LONGER MARKS THE SPOT. Charlie Jane Anders has pulled the plug on her X (formerly Twitter) account. It’s gone. “If you see me on Twitter, it’s not me”. She tells why another common strategy for leaving the platform wouldn’t work for her:
…. Many, many people have advised me to delete all of my tweets, lock my account, and simply stop tweeting. Their argument is that someone else could take my username and impersonate me, which feels like a real, serious issue — but if I leave my account inactive for long enough, Twitter will probably take my username away and let someone else take it in any case. So I apologize in advance to anyone who sees a fake Charlie Jane on Twitter and gets confused. It’s not me, I swear. (And that’s part of why I’m writing this newsletter: so people can point to it if there’s any confusion.)
I feel the need to make a clean break from Twitter at this point. After all of the proliferation of hate speech, and the random shutdowns of progressive accounts that challenge the owner’s rigid orthodoxy, I was already wanting to make a break for it. But after the latest scandals involving CSAM, I really feel as though I have no choice. And the “clean break” thing feels important — to be honest, I don’t entirely trust myself not to log in a month from now when I have something to announce, unless I delete the account entirely….
(3) CELEBRATE BRATMAN’S HALF-CENTURY OF SCHOLARSHIP. A collection of David Bratman’s nonfiction, Gifted Amateurs, has been released by the Mythopoeic Press.
For more than four decades, David Bratman has established himself as a leading authority on J.R.R. Tolkien, the Inklings, and the enchanting realms of fantasy literature. Bratman’s scholarly articles, captivating Mythopoeic Conference presentations, and esteemed editorial work for the newsletter Mythprint and the journal Tolkien Studies: An Annual Scholarly Review have solidified his expertise. Now, in celebration of his profound contributions and recent distinction as the Scholar Guest of Honor at Mythcon 52, the Mythopoeic Press proudly presents Gifted Amateurs and Other Essays, an extraordinary collection of some of Bratman’s most insightful, engaging, and intellectually stimulating works.
Within these pages, discover the untold stories behind the “Top Ten Rejected Plot Twists from The Lord of the Rings,” unravel the religious themes woven throughout Middle-earth, and delve into the surprising origins of hobbit names. Guided by Bratman’s unwavering curiosity and scholarly passion, explore the fascinating history of the Inklings and how they connect to the boundless expanse of the Pacific Ocean, unearth the dramatic works of Lord Dunsany and the overlooked masterpiece of Mervyn Peake, and revel in the mythopoeic genius of Roger Zelazny. Seamlessly blending scholarship and entertainment, Gifted Amateurs and Other Essays invites readers on a journey that illuminates the true essence and enduring power of mythopoeic storytelling.
David Bratman has been writing Tolkien scholarship for nearly 50 years. He’s been co-editor of Tolkien Studies: An Annual Scholarly Review since 2013 and has edited its annual “Year’s Work in Tolkien Studies” since 2004. In addition to contributing to Tolkien scholarship, Bratman has published works on Charles Williams, C.S. Lewis, Ursula Le Guin, Mervyn Peake, Neil Gaiman, and others. Now a retired academic librarian, Bratman also was editor of the Mythopoeic Society’s members’ bulletin Mythprint for 15 years and worked on many Mythopoeic Conferences, including serving twice as chair.
(4) SDCC SOUVENIR BOOK. The 2023 San Diego Comi-Con souvenir book can be downloaded as a free PDF here.
(6) YEARS PASS AND THESE ARE STILL LIVE ISSUES. [Item by Mike Kennedy.] SAG-AFTRA and producers are still at odds over many things. But, at least they have seemingly agreed to end the large majority of paintdowns and wiggings.
As SAG strikes, stunt performers have proposed one thing the union and studios can agree on: a new process to end controversial “paintdowns” and “wiggings”
Actor Jason George was a few years into his career when he secured his first starring role in a movie. It was the early 2000s, and he’d been cast as a co-lead in a mountain climbing flick called The Climb. He was excited for the prospect of a break until he walked into a trailer one day and saw a white man “wearing my wardrobe, my helmet, my climbing harness, and they’re putting makeup on him to make him look like me.”
George, who is Black, was stunned.
“I did a double take — if you’d shot it for a movie, [my reaction] would’ve been too much, too big,” he tells Rolling Stone. “I stepped out to make sure I was in the right place, came back in, and said, ‘What is happening?’ And they said, ‘This is your stunt double.’”
What George had walked in on was a “paintdown.” It wasn’t blackface in the traditional sense of a minstrel show, but it was also definitely blackface. One of Hollywood’s many seedy little secrets, a paintdown is when the skin of a white stunt performer is darkened so they can double for an actor of color — rather than just hiring a stunt performer of the same ethnicity….
In the 20-odd years since, paintdowns and “wiggings” — a similar practice where, instead of hiring a stuntwoman, a man is dressed up to double a woman — have been on the decline, but they’re far from eradicated….
(7) A LITTLE MISTAKE. [Item by Kevin Hogan.] I always start my Hugo ballot early, based on what I nominated. In case I’m abducted by aliens, at least my initial preferences will be taken into account.
The website itself is nicely done, and the ranking of choices is easy enough. No way to accidentally rank multiple entries the same number with a drag and drop system.
I feel that the English proofreading on the nominees might need another pass, though. Unless Rachel Hartman truly is the secret 7th member of Monty Python.
Editor’s note: In case that’s too hard to read, we’re talking about Lodestone Award finalist Rachel Hartman’s In the Serpent’s Wake. When I voted today I copied the Chinese characters for Hartman’s work and ran them through Google Translate. It returned “Monty Python – Rachel Hartman (Random Children’s Books)” in English. The self-same Chinese text is part of the 2023 Hugo finalists press release.
…Sony Pictures Entertainment on Friday pushed back the release of two major films that had been set to arrive in theaters by the end of the year — the Marvel Comics-based “Kraven the Hunter” and a sequel to “Ghostbusters: Afterlife.”
In addition, Sony is postponing some of its big 2024 releases. “Spider-Man: Beyond the Spider-Verse,” is no longer on track for a March premiere, and a new “Karate Kid” will no longer arrive in June.
Until now, the 2023 theatrical release schedule had been left relatively unscathed by the actors’ strike, which started on July 14. But other studios are likely to follow Sony’s lead. Warner Bros. has been debating whether to postpone “Dune: Part Two,” which is supposed to arrive in theaters on Nov. 3. “Aquaman and the Lost Kingdom,” a big-budget superhero sequel, and “The Color Purple,” based on the Broadway musical, are among other 2023 holiday-season movies that could be delayed….
(9) BO GOLDMAN (1932-2023.) [Item by Mike Kennedy.] Bo Goldman is probably best known as the screenwriter for One Flew Over The Cuckoo’s Nest, but many of his films received acclaim. He won two Oscars (for Cuckoo’s Nest plus Melvin and Howard) and was nominated for a third (for Scent of a Woman). Goldman died July 25. Read Variety’s tribute: “Bo Goldman, Oscar-Winning Writer of ‘One Flew Over the Cuckoo’s Nest’ Script, Dies at 90”.
His only completed and credited genre work appears to be the script for Meet Joe Black (1998)—starring Brad Pitt as Joe Black, aka Death. He did also do uncredited script revisions for 1990’s Dick Tracy.
In an alternate reality, we could’ve seen Goldman’s take on the King Kong story. In 1975 he wrote a script for a Universal film, to be called The Legend of King Kong. It went unproduced after Paramount and Dino DeLaurentis sued in favor of their own 1976 release of King Kong. (Source: IMDb, Trivia section of his entry.)
Born July 29, 1888 — Farnsworth Wright. Editor of Weird Tales, editing an amazing 179 issues from November 1924–March 1940. Mike Ashley in EoSF says, “Wright developed WT from a relatively routine horror pulp magazine to create what has become a legend.” His own genre fiction is generally considered undistinguished. He also edited during the Thirties, Oriental Stories and The Magic Carpet. The work available digitally is a poem, “After Two Nights of the Ear-ache”. He was nominated at Loncon 3 for a Best Editor Retro Hugo. (Died 1940.)
Born July 29, 1907 — Melvin Belli. Sole genre role is that of Gorgan (also known as the “Friendly Angel”) in the Star Trek “And the Children Shall Lead” episode. Koenig objected to his playing this role believing the role should have gone to someone who was an actor. (Died 1996.)
Born July 29, 1915 — Kay Dick. Author of two genre novels, The Mandrake Root and At Close of Eve, plus a collection, The Uncertain Element: An Anthology of Fanta. She is known in Britain for campaigning successfully for the introduction of the Public Lending Right which pays royalties to authors when their books are borrowed from public libraries. They which may or may not be genre is her only work available at the usual suspects. (Died 2001.)
Born July 29, 1927 — Jean E. Karl. Founder of Atheneum Children’s Books, where she edited Ursula K Le Guin’s early Earthsea novels and Susan Cooper’s The Dark Is Rising series. An SF author as well for children and young adults, she wrote The Turning Place collection and three novels, Beloved Benjamin is Waiting, But We are Not of Earth and Strange Tomorrow. (Died 2000.)
Born July 29, 1941 — David Warner. Being Lysander in thatA Midsummer Night’s Dream was his first genre role. I’m going to do just highlights after that as he’s got far too extensive a genre history to list everything. So he’s been A Most Delightful Evil in Time Bandits, Jack the Ripper in Time After Time, Ed Dillinger / Sark In Tron, Father in The Company of Wolves, Chancellor Gorkon in Star Trek VI: The Undiscovered Country, The Creature in Frankenstein, voice of Ra’s al Ghul on Batman: The Animated Series and Abraham Van Helsing on Penny Dreadful. (Died 2022.)
Born July 29, 1955 — Dave Stevens. American illustrator and comics artist. He created The Rocketeer comic book and film character. It’s worth noting that he assisted Russ Manning on the Star Wars newspaper strip and worked on the storyboards for Raiders of the Lost Ark. The Rocketeer film was nominated for a Hugo at MagiCon which was the year Terminator 2: Judgment Day won. (Died 2008.)
Born July 29, 1956 — Chitra Banerjee Divakaruni, 67. Author of the India set magical realist The Brotherhood of the Conch series. She also has three one-off novels, The Palace of Illusions, The Mistress of Spices, and The Forest of Enchantments.
(11) VALHALLA FOR FANZINES. Thanks to Heath Row, the late Marty Cantor’s 54 boxes have been delivered to the Eaton Collection at UC Riverside. See photos on FB.
Today a friend and I loaded a rented van with 54 boxes of science fiction fanzines and amateur press association bundles and mailings to donate to the Eaton collection at UC Riverside. The collection spans 1975 to the present day. It is a veritable treasure trove.
(12) A JOLLY PAIR OF FRIGHTENERS. Once upon a time in 1968, Boris Karloff and Vincent Price sang a duet on the Red Skelton Hour.
(13) IS THAT WATER THEY SEE? [Item by SF Concatenation’s Jonathan Cowie.] There’s a pre-print just up on Nature in which an international collaboration of western European based astronomers has reported the detection of water in the terrestrial zone of a planet forming star system.
PDS 70 (V1032 Centauri) is a very young T Tauri star in the constellation Centaurus. Located 370 light-years (110 parsecs) from Earth, it has a mass of 0.76 M☉ and is approximately 5.4 million years old. The star has a protoplanetary disk containing two very early exoplanets, named PDS 70b and PDS 70c, which have previously been directly imaged by the European Southern Observatory’s Very Large Telescope. PDS 70b was the first confirmed protoplanet to be directly imaged.
Terrestrial and sub-Neptune planets are expected to form in the inner (less than 10 AU – 1 AU being the distance from Earth to the Sun) regions of protoplanetary disks.
The European astronomers’ findings show water in the inner disk of PDS 70. This implies that potential terrestrial planets forming therein have access to a water reservoir.
OK, before we get too excited 1) the edge of the detection is 1 AU (the distance from the Earth to our Sun) and 2) PDS 70 is smaller, hence cooler, K-type star than our Sun and so the habitable zone would closer in to the star than in the Solar System: further in than the 1AU detection limit.
OK, we can get a little excited. There has been a fair bit about water in proto-planetary systems recently and the over-all picture emerging does seem that it is likely that water might exist early in star systems’ lives in the habitable zone and not — as it is today either already on planets or alternatively on small bodies beyond planetary snow or frost line which in our system is beyond Jupiter. The reason it could exists so close in — as the pre-print alludes — is because proto-planetary systems have not yet has a star with solar wind clearing out all the interplanetary dust and gas: that came later.
Until recently, the conventional theory was that the Earth (and Mars) had water transported to it from beyond the snow line. by the more abundant comets in the early Solar system. Possibly these comets were driven inward by a migrating Jupiter to a more stable orbit, so providing the inner system with a late veneer or heavy bombardment of volatile rich comets. The picture that emerges is that water is more common — if not universal — in very early planetary systems and so planets forming there will have water.
(14) VASTER THAN EMPIRES. The Smithsonian discusses the challenges of “Preserving Launch Infrastructure” at the National Air and Space Museum.
Launching a rocket is a complex operation, requiring personnel, equipment, and infrastructure. Space agencies and companies around the world, therefore, build giant ground systems to support launches. One of the largest and best-known launch complexes is Launch Complex 39 (LC 39), which NASA has used at Florida’s Kennedy Space Center to stack and launch rockets for the Apollo, Skylab, Space Shuttle, and Artemis programs, among others.
All these programs have relied on a similar method of assembly. Apollo and Skylab’s Saturn V and Saturn IB, the Space Shuttle’s Space Transportation System, and Artemis’ Space Launch System (SLS) have all had their final construction inside the massive Vehicle Assembly Building (VAB). At 525 feet tall, the VAB is one of the largest buildings by volume in the world. Stacking the launch vehicle inside protects it from weather, including Florida’s frequent storms….
Both the mobile launch platforms and the CTs are enormous, meaning that they are both much too large to fit inside either of the National Air and Space Museum’s two locations. Even NASA does not have enough space to store the MLPs now that they will not be used for Artemis. At the same time, both structures are integral to the histories of three space programs. How can the Museum collect artifacts to tell this history? One way is through preserving representative components that can speak to the history, use, and scale of these pieces of infrastructure.
From the Crawler Transporter, the Museum’s collection boasts two tread shoes. Seeing the shoes up close gives a sense of scale. Additionally, it is possible to see that these are shoes that have been used. Their wear and tear speaks to the heavy load that the CT carries as it moves the vehicle to the launch pad….
(15) VIDEO OF THE DAY. How It Should Have Ended works out the correct finish for “Guardians of the Galaxy Volume 3”. Actually, several correct finishes. Take your pick!
How Guardians of the Galaxy Volume 3 Should Have Ended. Starlord remembers his boots, The High Evolutionary visits the Villain Pub, The Guardians visit the Super Cafe, and Rocket Raccoon saves his friends.
[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Kevin Hogan, Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day P J Evans.]
(1) GGBOOKS. The Governor General’s Literary Awards presented by the Canada Council for the Arts celebrate literature and inspire the general public to read books by creators from Canada. The five finalists in the fiction category include one work of genre interest, Pure Colour by Sheila Heti. Category winners, who will be named November 16, receive C$25,000 (about US$18,850). The publisher of each winning book receives C$3,000 (about US$2,260) to support promotional activities, and finalists each receive C$1,000 (about US$755).
I’ve written a lot of Halloween fiction, and I do mean A LOT. As in, I’ve already had one entire collection of just Halloween short stories and novellas – The Samhanach and Other Halloween Treats – published (by JournalStone) in 2017, and I’ve written a bunch of new Halloween fiction since. It shouldn’t come as a surprise, given that I’m both a horror fiction writer and an expert on Halloween history (with three non-fiction books on that subject to my credit).
When I’m asked to contribute a new Halloween story to something, I always stop first to think about some aspect of the beloved holiday I maybe haven’t done….
When Maya Hodge read Parable of the Sower, a 1993 novel by Octavia E. Butler, it opened up her mind. This was the first science fiction book the writer had come across written by a black woman. It was about an African American teenager living in a dystopian America, and it made her realise what these books could mean to black and brown folks: “We live in these dystopias. These books are our escape.”
Hodge, a Lardil and Yangkaal woman, told the recent Melbourne Writers Festival that she went on to discover the novels of writers such as the African American N. K. Jemisin, hailed by The New York Times as “the most celebrated science fiction and fantasy writer of her generation”. Or more locally, Mykaela Saunders, a Koori and Lebanese writer who has edited This All Come Back Now, the world’s first collection of blackfella speculative fiction (or spec fic, as it’s often known).
What is going on here? It’s a new worldwide wave of science fiction and fantasy from writers of colour, First Nations writers, and writers with diverse and migrant backgrounds. They see that creating works in these popular, entertaining and sometimes mind-blowing genres is a way to make serious and subversive points about the real dystopian worlds of marginalised communities, worlds they know only too well….
(4) HEADED FOR NEW ORLEANS. Oghenechovwe Donald Ekpeki told Facebook readers that his Gofundme to attend the World Fantasy Convention funded successfully. The World Fantasy Convention 2022 committee also donated him a free, full membership.
(5) SMOFCON SCHOLARSHIPS AWARDED. Cansmof Inc. announced it has given two people scholarships for the purpose of attending Smofcon 38 in Montréal, Canada.
The first scholarship was awarded to Alex Stornel of Kenora, Ontario.
The second was awarded to Meg Macdonald of Glasgow, Scotland.
Cansmof Inc. created these scholarships to allow promising convention-runners to attend the annual Smofcon convention-runners’ convention. The scholarships include a complimentary membership to SMOFCon 38. Smofcon 38 will be held in Montréal. Canada, December 2-4, 2022.
We’ve all seen them: the thirty pages of interview questions you should ask your characters. The analytical texts on astrological signs. The “ultimate of ultimate” tools offering twenty-some Enneagrams for character development. All these resources are fantastic. Heck, I use them, and they’re amazing. I’m a list-loving personality theory hoarder.
These are great tools to use to build characters, but as romance writers (and anyone with a bit of love in their stories), are we asking specific questions about our character in relation to love?
Whether it’s for romance novels or romantic subplots, it’s incredibly important to examine a character’s love life, their perspective on love, and biases on love, because it strengthens arcs, dialogues, and the tone of the story. Honing in on their love life offers insight ranging from a character’s body language to their voice….
… Activism is part of who Serpell is, her life a bold exercise in human rights in the most literal sense. When she received the Caine Prize in 2015, she announced that she would split the monetary part of the award with the other shortlisted nominees. She was surprised by the impact and intensity of responses. On September 23, 2020—the same day she learned that the police officers who killed Breonna Taylor would not be charged with murder—she learned that she won the prestigious Arthur C. Clarke Award for The Old Drift. She donated the entire monetary prize to the Louisville Community Bail Fund for those detained during protests. She eschews being praised for “generosity”; instead, these actions are motivated by her political and philosophical beliefs about the nature of art. “The logic of competition, of reward, is deeply capitalistic,” she says, part of “the insistent corporatization of publishing.” She looks to what she calls “people recognition”—other writers, talented editors, and her readers—instead of monetized success….
SN: Death is portrayed in the book as a dynamic and ongoing experience, especially for the people who are left behind. But Wayne has his own life in the book in unexpected ways. How did you approach rendering Wayne’s death and life, and the ghosts who live in the bodies of the people you might not even expect?
NS: The second half of the novel really starts to play with this notion of haunting and doubling and doppelgangers in a more explicitly genre sense, and there I was really riffing on Edgar Allan Poe’s story “William Wilson.” The family in the doppelganger story of Jordan Peele’s Us is also named the Wilsons, so he’s obviously thinking about this as well, the way that there’s some kind of uncanny relationship between the notion of the double or the doppelganger, the notion of haunting, or being haunted by a version of yourself, that seems particular to Black experience. And one of the ways that I think about this is that the double consciousness that W.E.B. Du Bois speaks about manifests as a doppelganger in my novel as well.
Ray Bradbury was a true lover of Halloween. As his favorite holiday, he always made sure to dress in costume and have an amazing Halloween bash. If you’re looking to host your own Halloween party—in-person or even online—we’ve got you covered with advice from the legend himself. To learn more about Bradbury and his love of all things spooky, check out our exhibit, Ray Bradbury: Inextinguishable online and at the museum….
Pro Tip 3: Don’t forget the pumpkins!
“The pumpkins began to come alive. One by one, starting at the bottom of the Tree and the nearest pumpkins, candles took fire within the raw interiors. This one and then that and this and then still another, and on up and around, three pumpkins there, seven pumpkins still higher, a dozen clustered beyond, a hundred, five hundred, a thousand pumpkins lit their candles, which is to say brightened up their faces, showed fire in their square or round or curiously slanted eyes. Flame guttered in their toothed mouths. Sparks leaped out their ripe-cut ears.” —Ray Bradbury, The Halloween Tree
We can’t guarantee that your jack-o-lanterns will come to life, but they will certainly add to the ambience of the evening. We also cannot necessarily endorse lighting 1,000 candles for pumpkins, so please keep fire safety in mind just in case your pumpkins do come to life.
(10) MEMORY LANE.
1964 — [By Cat Eldridge.]Outer Limits’ “Demon With A Glass Hand” (1964)
Through all the legends of ancient peoples — Assyrian, Babylonian, Sumerian, Semitic — runs the saga of the Eternal Man, the one who never dies, called by various names in various times, but historically known as Gilgamesh, the man who has never tasted death … the hero who strides through the centuries … — Opening narration
Fifty-eight years ago on this evening, Outer Limits’ “Demon With A Glass Hand” first aired on ABC. As you all know, it was written by Harlan Ellison and it was directed by Bryon Haskin who is best remembered for directing The War of the Worlds which won a Retro Hugo Award.
Really I don’t need SPOILER warnings here, do I? Surely you’ve seen it by now. I have and I think it’s one of the best genre stories ever done.
Robert Culp played our central character, our so-called demon with a glass hand, I think it might well be his best performance of his long career. That Trent believes he is human is beautifully scripted by Ellison and acted out just perfectly by Culp right out to point when his hand is finally whole again. And then…
The production was perfect, the other performers, particularly Arlene Martel as Consuelo Biros, the woman in love with him until she discovers that he’s quite inhuman, is stellar in her role. And that hand? Years ahead of its time indeed!
It was Ellison third genre script, his first being Voyage to the Bottom of the Sea‘s “The Price of Doom” the same year flowed by “Soldier” for here. He’d done some amount of mainstream writing — Burke’s Law, Ripcord and Route 66, but that was it for our end of things. Later on, his genre output did pick up.
A final note. It has long been held by fans and less than reputable media that “Demon with a Glass Hand” was why Ellison received a settlement after it was supposedly plagiarized for The Terminator. Ellison clarified in a 2001 exchange with a fan at his Web site: “Terminator was not stolen from ‘Demon with a Glass Hand,’ it was a ripoff of my OTHER Outer Limits script, ‘Soldier.’”
Pluto and Youtube are streaming it.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 17, 1913 — Robert Lowery. Batman in 1949’s Batman and Robin. You can see the first episode here. And he popped up in an episode of the Adventures of Superman. (Died 1971.)
Born October 17, 1914 — Jerry Siegel. His most famous creation was Superman, which he created in collaboration with his friend Joe Shuster. He was inducted (along with the previously deceased Shuster) into the comic book industry’s Will Eisner Comic Book Hall of Fame in 1992 and the Jack Kirby Hall of Fame in 1993. (Died 1996.)
Born October 17, 1921 — Tom Poston. One of his acting first roles was The Alkarian (uncredited at the time ) in “The Mystery of Alkar” episode of Tom Corbett, Space Cadet in 1950. He much later had the recurring role of Mr. Bickley in Mork & Mindy. (Died 2007.)
Born October 17, 1926 — Julie Adams. Her most famous role no doubt is being in the arms of The Creature from Black Lagoon. She also been on Alfred Hitchcock Presents three times, and once each on The Girl from U.N.C.L.E. The Night Gallery, Kolchak: The Night Stalker, The Incredible Hulk and Lost. (Died 2019.)
Born October 17, 1934 — Alan Garner, 88. His best book? That’d be Boneland which technically is thesequel to The Weirdstone of Brisingamen and The Moon of Gomrath but really isn’t. Oh, and The Owl Service is amazing!
Born October 17, 1950 — Michael Tolkin, 72. Of genre interest, he directed Deep Impact, he had uncredited writing in the first Punisher film and the same for Dawn of the Dead. Likewise The Haunting. Is that a form of ghostwriting? EoSF notes, “He also wrote and directed the adaptation of Robert A Heinlein’s ‘Jerry Was a Man’ (October 1947 Thrilling Wonder) for the Television Anthology Series Masters of Science Fiction (2007).”
Born October 17, 1945 — Thomas Kopache, 77. One of those actors who appeared in a lot of Trek — Next Generation twice in different roles followed by the Generations film then Voyager once followed by Deep Space Nine where he appeared twice in a recurring role, and finally twice on Enterprise in different roles.
Born October 17, 1966 — Mark Gatiss, 56. English actor, screenwriter, director, producer and novelist. Writer for Doctor Who; with Steven Moffat, whom Gatiss worked with on Doctor Who and Jekyll, he also co-created and co-produced Sherlock. As an actor, I’ll note he does Vogon voices in The Hitchhiker’s Guide to the Galaxy, and is Mycroft Holmes in Sherlock.
…The Lord of the Rings: The Rings of Power isn’t very good. It quite often isn’t anywhere near good. There are moments in almost every episode where I have found myself sniggering into my sleeve at how inept it is. And all these misgivings were massively underlined by the finale….
Levi has snagged a no-lease apartment sight unseen in the Hollywood Hills to crash at while he ties up loose ends for his exodus from Los Angeles. He quickly strikes up a rapport with his new neighbor John, swapping stories like old friends under the glowing, smoke-filled skies of the city. Soon after meeting, Levi and John witness something impossible in one of their apartments. Terrified at first, they soon realize this could change their lives and give them a purpose. With dollar signs in their eyes, these two eccentric strangers will attempt to prove the supernatural.
Lloyd Biggle, Jr., was a musicologist with a PhD in musicology, a musician, an educator, and an oral historian, so it might not come as a surprise that the arts—and aesthetics—play a major role in this delightful 1972 science fiction novel and in much of his sf writing. Biggle also served in various roles for the Science Fiction Writers of America, founded the Science Fiction Oral History Association, and turned to writing full time in the 1960s. Kelly Freas’s cover painting for this paperback edition captures the themes of the novel well: alien humanoids considering a human sculpture….
(16) LET THOSE WHO HAVE EARS. [Item by Tom Becker.] One time when Joni Mitchell was singing her famous song “Both Sides Now”, she flashed on how it related to Star Trek. “Both Sides Now”.
“Did you ever used to watch that show called Star Trek? (cheers from crowd) Oh… I just had a flash of this show, that I saw while I was singing this tune. It was the only show where Dr. Spock ever got any emotion, right? You remember that one? It was really great because… well, for those of you who never saw it, anyway, the premise is this…”
The Arecibo Observatory‘s massive radio dish was an unusual facility because it was a key player in three different fields of science: atmospheric studies, radio astronomy and planetary radar. Opened in 1963, the telescope’s observing equipment hung from a web-like platform strung over a massive dish 1,000 feet (305 meters) wide. But in December 2020, the cables supporting that platform gave out and the equipment crashed down through the delicate dish, destroying the telescope.
Now, the National Science Foundation (NSF), which owns the site, has determined that despite scientists’ pleas, Arecibo Observatory won’t be getting any new telescope to replace the loss. The new education project also doesn’t include any long-term funding for the instruments that remain operational at the observatory, including a 40-foot (12 m) radio dish and a lidar system….
… Instead, the NSF intends to build on the observatory’s legacy as a key educational institution in Puerto Rico by transforming the site into a hub for science, technology, engineering and math (STEM) education, due to open in 2023, according to a statement(opens in new tab). The observatory is also home to the Ángel Ramos Foundation Science and Visitor Center, which opened in 1997….
[Thanks to Chris Barkley, Michael Toman, Cat Eldridge, Bill, Kevin Standlee, Lise Andreasen, Olav Rokne, Tom Becker, Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Dan’l Danehy-Oakes.]
