Regina Kanyu Wang, Yen Ooi and Arthur Liu join Chris Garcia and James Bacon to co-edit an issue of Journey Planet dedicated to Chinese science, science fiction, space and fandom, with over 20 articles and interviews, all both in Chinese and English in parallel text.
This issue has exceeded expectations in regard to volume of content, and the editors decided that they would split the issue into two parts. Part 1 was released on December 31, and Part 2 now. The dates are chosen to connect both the western and Chinese New Year, echoing with the initial intention of this issue, to build a cultural bridge.
Part 2 features a cover art Three Worlds by Sinjin Li. The artist designs the symbol on the flag, which represents an eye straining to perceive all three dimensions at once – above / on / below, past / present / future etc.
Following the contents on game, location, fiction, movie, and art in Part 1, Part 2 includes contents on art, comic, animation, fan, space, and more. Contents in this issue include:
1. Space is Terrifying – Interview with Sinjin Li
Interviewer: Mia Chen Ma and Yen Ooi
Translator: Olivia Cat
2. Revamping Sci-Fi Writing Through Sci-Fi Art: An Introduction to “Morning Star Cup”, China’s Original Science Fiction Art Competition
Author: Ma Guobin and Zhao Hongyin
Translator: Ana Padilla Fornieles
3. Ten Thousand Worlds in the Nijigen Universe
Author: Fly Cat
Translator: J. Xu
4. A Review on Night Bus by Zuo Ma
Author: James Bacon
Translator: Lin Pingxiu
5. A Review on Split Earth by Joey Yu, Zephyr Zheng and Monica Ding
Author: James Bacon
Translator: Que Shizi
6. Space Food, Future Food, and Food in Science Fiction
Author: Qian Cheng and Serene Hu
Translator: Andy Yang, Serene Hu, and Chen Qinglong
7. From a SF Fan to a SF Entrepreneur- An Interview with Sun Yue
Interviewer: Regina Kanyu Wang
Translator: Kelly Zhang
8. A Brief History of Science Fiction Societies in Chinese Universities
Translator: Stefan Harvey
9. A Brief History of the Development of Chinese SF Fanzines
Translator: Ana Padilla Fornieles
10. The Humanity in the Future: A Viewpoint Developed after Meeting with Russian and the U.S. Astronauts
Author: Tan Kai
Translator: Li Siqi
11. An Encounter in Space and Science Fiction – Interview with Liu Cixin, Ken Liu, and Kjell Lindgren
Interviewer: Regina Kanyu Wang
Translator: Liu Shuli
My partner Juli and I set out on a beautiful morning for Chicago. One of our favorite sights is the immense Meadow Lake Wind Farm (which generates 801.25 megawatts of electricity) consisting of 301 turbines, just northwest of Lafayette, Indiana. I have always been in awe of the size and scope of this modern marvel of engineering.
We arrived at dusk and were treated to the enchanting vista of Chicago at night by the river…
Since I was going to be dwelling in the hometown of the Blues Brothers, I thought it would be appropriate to be attired properly.
One of the first people Juli and I met at Chicon 8 was Galaxy’s Edge Editor and Arc Manor Assistant Publisher Robyn Lezli, who was a large display of books and magazines with her benevolent (and generous) boss, Shahid Mahmud.
On my way to the Press Office, Christopher Garcia threw a copy of Journey Planet (paperboy style) as we passed each other. Here is a photo of it in mid-flight…
One of the first things I unpacked for the Press Office was this item. When the staff assembled that first morning, I told them in NO UNCERTAIN TERMS that if they stepped out of line, I would not hesitate to blow the Illuminated Death Star Beach Ball up! Needless to say, it remained deflated during the duration of the convention.
After several delays (and escapades) involving the United States Department of State and airline hijinks, Nigeria’s rising literary star (and double Hugo Finalist), Oghenechowe Donald Ekpeki finally arrived at Chicon 8. I greeted him at the Galaxy’s Edge table in the Dealer’s Room with two facemasks and an envelope with some valuable personal papers. Needless to say, everyone was overjoyed to see him…
Also on hand were my daughter, Laura, her husband Charlie (not pictured, unfortunately) and my granddaughter, Navia. They were here to witness my (possible) Hugo Award acceptance speech on Sunday. I may have felt the sting of disappointment by not winning but I was so incredibly happy they were all there.
Chicago By Day…
So here are my Press Office mates, Dan Berger, Juli Marr and Sooshe Blat Harkins, pondering where we should go for dinner along the Chicago Riverwalk. Rest assured, we did eat that evening…
Chicago After Dark…
Day Three of Chicon 3, another beautiful morning.
On my way to the Press office, I made some time Saturday morning to stop by the Exhibit Hall and check out this year’s Hugo Award trophy. This magnificent award was handcrafted by the renowned Chicago artist and business entrepreneur Brian Keith Ellison of BKE Designs.
Ah, FINALLY, a photo from a Chicon 8 panel. Here are the panelists of “Movie Year in Review: A Curated Look at Genre Films (2021–2022)” moderated by yours truly. From left to right are: Matthew S. Rotundo, Daryll Mansel, Joshua Bilmes and Deirdre Crimmins. We had fun. You should have been there.
I was checking up on how Mr. Ekpeki was getting along in the Dealer’s Room when up ZOOMED fellow Hugo Award Finalist Seanan Maguire on her scooter. They both knew of a photo opportunity when they saw it…
It’s Saturday Night so you know it’s time for another magnificent appearance by fandom’s favorite, and most regal, Masquerade Judge, John Hertz!
And here is a wide shot of all the Chicon 8 Masquerade contestants. I apologize for it being out of focus; I BLAME the three apparitions lighting up in the middle of the photo. I don’t recall who they are but let’s face it, they lit up the joint that evening.
It’s THE BIG DAY! And that calls for a BIG BREAKFAST, courtesy of the Chicon 8 Staff Lounge. I hadn’t had a bowl of Rice Chex in AGES. (As a kid, I used to inhale whole boxes in a single sitting. Ah, those were the days…). Anyway, kudos to everyone who helped kept us fed during the convention.
Juli and I are very sneaky. We knew in advance that Sunday was Lezli Robyn’s birthday so we planned something a little special for her. The day before we left, we packed and wrapped her gift specially for her. We have both known for years that Lezli is a bit, uh, accident prone. After the fifth or sixth incident we started threatening to just roll her in bubble wrap, for her own safety and protection. Well at Chicon 8, we decided on this preemptive strike before disaster struck again. As you can see, a nice birthday card was placed on top of the package. And you can see Lezli’s reaction as she realized that bubble wrap was all that was left in the box. All for her. We were later informed by sources that she used the bubble wrap as a pillow (in an appropriate place, mind you) when she needed to nap. You’re welcome, Lezli, anytime.
After delivering Ms. Robyn’s gift, I stole a few minutes from my Press Office duties to have a novel by Catherynne M. Valente signed. We met before when she had a signing at Joseph Beth Booksellers in Cincinnati where I worked for many years. She remembered me and enthusiastically remarked that she had a great time and would love to return for a visit someday. I told her I would pass the word along.
As the day wore on, the more nervous I became. Since there wasn’t much going on that afternoon, I turned my attention to writing a Hugo Award acceptance speech and a concession speech (which was published on File 770 that very evening). Everyone wished me luck but deep down, I knew that I was long shot to actually win. (And, as it turned out, I was right, finishing second in the nomination count and fifth overall in the vote standings.)
At the Chicon 8 Hugo Award Reception, Mr. Ekpeki and I were recessed to the nines!
Your 2022 Hugo Award Finalists in the Fan Writing Category; from left to right, Jason Sanford, myself, Paul Weimer and Bitter Karella.
The Crowd gathers for the start of the Hugo Awards Ceremony.
My Date, My Love and My Partner, the lovely and vivacious Juli Marr.
My Fellow 2022 Hugo Award Finalist Steven H Silver and his partner, Elaine Silver.
My Fellow 2022 Hugo Award Finalist Chuck Serface.
Our 2022 Hugo Award Ceremony Hosts, Annalee Newitz and Charlie Jane Anders.
Two Hugo Losers commiserating, Olav Rokne and myself (being subtly photobombed by Vincent Docherty) at the Chengdu Hugo Reception.
My daughter Laura and I at the Glasgow Bid Party.
My daughter Laura is seen here holding the 2022 Hugo Award for Best Dramatic Presentation – Long Form for Dune (Part 1). The award was offered for photos by Chicon 8 Advisor Dave McCarty, whom we thank profusely for the opportunity.
SEPTEMBER 5TH AND 6TH
And it’s all over but the shouting. Here John Hertz and I are watching the proceedings, counting down until the dead dog parties start…
After Closing Ceremonies, Juli and I met author Col.Jonathan P. Brazee and Hugo Award Finalist (Best Professional Artist) Maurizio Manzieri outside the hotel on their way to an early dinner.
As we wind down a day after Chicon 8 has officially ended, we shared a final meal with Dan Berger, Terry Berger and Sooshe Blat Harkins, who were a tremendous help in the Chicon 8 Press Office.
A final portrait from Chicago of your humble correspondents, myself and Juli Marr. Until next time, Goodbye and Good Luck…
The brilliance of Andor captured the imagination and excitement of many fans.
Caught up in this enthusiasm are this issue of Journey Planets Co-Editors, Erin Underwood, John Coxon, James Bacon and Chris Garcia. They decided a matter of weeks ago that it would be fabulous to consider how enjoyable the TV series was and share views, insights and thoughts with an whole issue dedicated to Andor.
With a stunning cover by Iain Clark, this issue contains an eclectic selection of views and thoughts. Get it here.
Andor: The Center of the Star Wars Storyverse by Erin Underwood
Andor Season 1 – Putting faces to the Empire and a cause for rebellion by James Mason
ANDOR: Star Wars Finally Grows Up by Tony Peak
Andor: Real People and the Rebellion by Chelsea Mueller
Star Wars Storytelling Matures with Andor by R. B. Wood
Andor: Faced with Violence by Brenda Noiseux
Vive la résistance! by John C. Foster
Based on by Peppard Saltine
We Always Knew There Was More to Star Wars by Carrie Vaughn
Shaping the Conflict: The Ominous Geometry of Andor by Hannah Strom-Martin
The Complexities of Revolution in Andor by Rich Horton
Droid Boy by Alexis & Kenneth Taylor-Butler
Andor – a rebellion, a consideration comparison and contrast of Andor with the Irish Rebellion of the early 20th century by James Bacon
Andor: An Awakening by Edward Lazellari
Less Fan Service of Better Storytelling? by John Coxon
Jack ‘Gunner’ McCarthy and Captain of Intelligence Mary McGrath by James Bacon
Shadows of the British Empire by Dan Hartland
The Sounds of Andor by James Bacon
Instant Fanzine: Andor featuring Joelle Renstrom and Oghenechovwe Ekpeki
Regina Kanya Wang, Yen Ooi and Arthur Liu join Chris Garcia and James Bacon to co-edit an issue dedicated to Chinese science, science fiction, space and fandom, with over 20 articles and interviews, all both in Chinese and English in parallel text.
Featuring a stunning cover From Ocean in the Sky by Sharksden, there is a wide variety of articles, interviews and art.
This issue has exceeded expectations in regard to volume of content, and the editors decided that they would split the issue into two parts, with Part 2 planned for publication in the Chinese New Year.
Contents in this issue include:
If I Have a Dyson Sphere, I Can _______ – The Independent Science Fiction Game Dyson Sphere Program and Its Player Ecology by Bill Black. Translated by Scarlet Zhang
An Encounter with Mars at Lenghu by Arthur Liu. Translated by Shaoyan Hu
Twelve Space-Themed Chinese SF Novels In the 2020s by Arthur Liu
The Female Body and the Future of Humanity by Mia Chen Ma. Translated by Wang Jin and Lily Rathbone
“The Wandering Earth”: Should I Leave Behind the Heavy Shell? by Lyu Guangzhao
The Wandering Fan – A Diaspora View of Chinese Science Fiction by Kin-Ming Looi. Translated by Jiang Qingying
Hunt for the Hidden Treasures of Republican-Era Science Fiction by Ren Dongmei, edited by RiverFlow. Translated by Jack Hargreaves
Dugu Yue Refuses to Be Alone by Zhong Tianyi. Translated by Qing Zhao
Imagining Outer Space in Chinese Science by Huang Mingfen. Translated by Zhou Danxue
Original Art: Lunar Photosynthesis by Angela YT Chan
Narrating Fantastic Stories with Visual Arts – Interview with Feifei RuanInterviewer: Regina Kanyu Wang. Translated by RiverFlow
My Best Art is Always the Next Piece – Interview with Sharksden Interviewer: Regina Kanyu Wang, Translated by Scarlet Zhang
By Chris Garcia: Hugo-winning fanzine Journey Planet tackles the intersection of climate change and science fiction with their 67th issue now available here.
The issue — titled “Anthropocene Ruminations” — features articles, fiction, and art from more than a dozen creators from across the fandom community. Amanda Wakaruk and Olav Rokne were brought on as guest editors for the issue, which delves into everything from geoengineering to how climate change affects parasites in changing environments.
“Climate change is the defining crisis of our age. We might suggest that climate change fiction — or cli-fi — is quickly becoming the defining subgenre of our time,” Wakaruk and Rokne explain. “People all across the globe are grappling with climate change — some more directly than others. Rising oceans, disappearing fresh water, massive heat waves, displacements, and droughts are all factors in this massive event, and it’s important to understand how that is being reflected in the stories that we tell each other.”
The issue kicks off with a three-page interview with America’s most prominent author of climate change fiction Kim Stanley Robinson, followed by commentary and analysis of the subgenre from authors from across the globe:
The Roadmap to Drought by Victoria Paterson
The Lies They Will Tell You by Camestros Felapton
The Loaner by A. L. Yakimchuk
Where The World May Wind Up by Juan Sanmiguel
Songs of a Disposable Earth by Jason Sanford
Disco and the Rising Tide of Cli-Fi Paul Weimer
Ponderings by Victoria Carter
Parasites in Peril by Collin Horn
Massive Moment for Cli-Fi by James Bacon
Apocalyptic Radio by Nicolas Pallaris
Choosing Van Gogh by Oghenechovwe Donald Ekpeki
Things Fall Apart, It’s Scientific by Chris Garcia
Is Geoengineering by The New Denial? by Stephen Griffith & Marshall Boyd
Dwelling in the Anthropocene by Cora Buhlert
Blowing Up The Ministry For The Future by Gautam Bhatia
By Steven H Silver: Robin Hood, whether you picture Errol Flynn, a fox, or the cover of a book by Howard Pyle, at Journey Planet Steven H Silver joins Christopher J. Garcia and James Bacon for this issue which looks at the legend of Robin Hood, historically, cinematically, and affectionately.
Lawrence Ellsworth, Jeff Berkwits, and Anthony Roche look at the various cinematic versions of the Robin Hood legend, each bringing their own take to what the outlaw from Sherwood Forest means.
Robin Hood’s adventures on the small screen are covered by James Bacon, Bonnie K. Jones, Michael A. Burstein, and Alissa Wales.
Tina L. Jens describes a vast array of cartoon depictions of Robin, not just by Disney, but featuring Tom & Jerry, Bugs Bunny, Daffy Duck, Popeye, and less famous characters.
Laura Frankos shares her love of musicals with an article about a popular operetta based on Robin Hood that debuted in 1891 and helped chart the path for the American musical theatre.
Yilin Wang, David Stein, and Chris Garcia explore historical outlaws who share traits with the Robin Hood of legend.
James returns for a look at the comic The Real Robin Hood and Steven discusses Parke Godwin’s decision to set his novel Sherwood during the immediate aftermath of the Norman Conquest.
And finally, Graeme Davis interviews Robin Hood, or at least Tim Pollard, who has been the official Robin Hood of Nottingham and is a co-founder of the International League of Legends.
All this can be found in the latest issue of Journey Planet, available for download.
(1) FANTASTIC FICTION AT KGB FUNDRAISER. Fantastic Fiction at KGB is a monthly speculative-fiction reading series held on the second Wednesday of every month at the KGB Bar in Manhattan, hosted by Ellen Datlow and Matthew Kressel. Admission is always free. To cover the next round of guest expenses, they have launched their first fundraiser in three years, with a $6,000 goal: “Fantastic Fiction reading series at the KGB Bar Gofundme”.
The monthly series, which has been running since the late 1990s , serves as a salon, where writers, editors, agents, and fans of science fiction, fantasy, and horror can co-mingle in a shared event space. The series also served a vital social function during multiple Covid lockdown periods, when we featured authors from all over the globe on our live YouTube channel, and people who were isolated due to the lockdown could keep in contact with the writing community. We also release a free podcast, where we post audio recordings of the monthly readings.
Running the series costs us money. We pay a stipend to our guests, we pay for their drinks at the bar, and we also take them out to dinner after the readings. At present, the series costs about $2,000 per year to run. Unfortunately, we are almost out of money from our last fundraiser three years ago. We hope to raise at least $6,000, which will fund the series for three more years. It would be great if we could raise more.
(2) BLACK PANTHER. “Show them who we are.” A new trailer for Marvel Studios’ Black Panther: Wakanda Forever dropped today. See it only in theaters beginning November 11.
(3) CALL FOR SUBMISSIONS — JOURNEY PLANET: ANTHROPOCENE RUMINATIONS. [Item by Olav Rokne and Amanda Wakaruk.] When Chris Garcia and James Bacon approached us to guest edit an edition of their Hugo-winning fanzine Journey Planet, they asked us “what subject would you most like to tackle?”
The answer was easy: climate fiction.
Climate change is the defining crisis of our age. Given that the causes of climate change are rooted in technological transformations celebrated by the past century of science fiction, enthusiasts like us have some responsibility to grapple with what it means.
The upcoming “Anthropocene Ruminations” will contain some of the various ways in which SFF fans are grappling with a rapidly heating and chaotic planet: through fiction, through art, through poetry, and through critical discourse.
We’re hoping to have reviews of books depicting climate change, discussions of historical trends, and examinations of aspects of climate change that may have been neglected by genre fiction.
We’d love to hear article and art pitches from across the fandom community (that means all y’all). Send us your ideas before October 15 (email BOTH of us at amanda.wakaruk at gmail dot com and olavrokne at gmail dot com). We’re aiming to have the finished works submitted by November 15.
Will “Anthropocene Ruminations” singlehandedly solve climate change? It’s too early to say for certain. What it’s not too early to say is that it will contain some pieces by Hugo-finalist and Hugo-winning fanwriters.
Drop us a line. Amanda & Olav. Unofficial Hugo Book Club Blog co-editors
(4) KEEPING UP WITH CORA BUHLERT. The alumni newsletter of Bremen University, Kurzmeldungen, listed Cora Buhlert’s Hugo win.
Issue Zero of New Edge Sword & Sorcery Magazine published Cora’s article about C.L. Moore and Jirel of Joiry, as well as fiction and non-fiction by Howard Andrew Jones, Brian Murphy, Milton J. Davis, Nicole Emmelhainz, David C. Smith, Dariel R.A. Quiogue, Remco van Strane and Angeline B. Adams, Bryn Hammond, J.M. Clarke, T.K. Rex, Robin Marx and editor Oliver Brackebury. The digital edition is free, the print editions are fairly cheap.
In these pages you will find glowing memories of flights of fancy such as Ultraman, Johnny Sokko and His Flying Robot, Astro Boy, Battle of the Planets, Space Giants, Speed Racer, Robotech, and many, many more—including a few you may never even heard of!
The Nobel Committee for Physiology or Medicine awarded the field’s top prize on Monday to Svante Pääbo, a Swedish geneticist who determined how to extract and analyze DNA from 40,000-year-old Neanderthal bones. Pääbo’s decades of research have made it possible for scientists to begin probing differences between today’s modern humans and their ancient ancestors.
Pääbo, who is 67, has spent decades pioneering and perfecting new methods of extracting Neanderthal DNA, an extremely complex and challenging process. Over time, very old DNA degrades and can become polluted with the DNA of bacteria, and modern scientists can also easily contaminate it with their own genetic material.
But time and again, Pääbo found ways around these and other issues. In 2010, after years of painstaking work, Pääbo and his team published the sequenced Neanderthal genome, a feat that at one time was considered impossible, reports the New York Times’ Benjamin Mueller. As Elizabeth Kolbert wrote in her book The Sixth Extinction, the process was like trying to reconstruct a “Manhattan telephone book from pages that have been put through a shredder, mixed with yesterday’s trash, and left to rot in a landfill.”
…On Monday morning, Pääbo was just finishing a cup of tea when he got a call from Sweden. He assumed the call was bad news about his family’s summer home in Sweden and was instead surprised to learn he’d won the Nobel Prize. When asked whether he ever envisioned winning science’s most prestigious prize, Pääbo humbly replied that he “somehow did not think that this really would… qualify for a Nobel Prize,” per an interview posted on the Nobel Prize website….
…AS: Your work is of course on the sequencing of these early hominins. What does our knowledge, your knowledge of the genetic makeup of those species tell us about our relationship with them.
SP: Well, it does tell us that we are very closely related, first of all, and we’re actually so closely related that they have contributed quite directly, 50, 60 thousand years ago, DNA to the ancestors of most people today, those who have their roots outside Africa. And that variation that, sort of, those variants do have an influence, and influence many things in our physiology today.
AS: Do you think that changes our view of ourselves, knowing that?
SP: In some sense, I do think it does so, the sort of realisation that until quite recently, maybe 14 hundred generations or so ago there were other forms of humans around and they mixed with our ancestors and have contributed to us today. The fact that the last 40 thousand years is quite unique in human history, in that we are the only form of humans around. Until that time, there were almost always other types of humans that existed.
In October 1982, the first issue of FANTASTYKA, Polish science fiction monthly reached its first readers. This was the first real science fiction magazine in the former Soviet bloc! And it had an enormous impact on science fiction in other neighbouring countries as the situation in Eastern Europe was significantly different than in Western Europe as all publishing business in Soviet bloc was under strict control of each state and its leading (often Communist) party. The publishing houses were operated and owned predominantely by state ministries or its subsidiaries, controlled more or less visibly by various types of censorship bodies and though in some Soviet bloc countries in different times publishing was allowed greater freedom (e. g. Yugoslavia, Hungary and/or 1980s Poland), there was never allowed a free press.
And thus even publishing SF fanzines was a sort of risky adventure…
Thank you late Adam Hollanek, late Maciej Parowski, late Andrzej Krzepkowski, Jacek Rodek, Andrzej Wójcik and many many others, who gave us Fantastyka, and who helped us to open the window to science fiction in the West and internationalize science fiction – something then a real novelty….
(7) MICKEY MOUSE CAPITALISM. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Elaine Moore discusses how Disney CEO Bob Chapek is concerned that people who show up at a Disney park every week are crowding out the occasional visitor who will spend a lot of money on stuff.
The problem is that super fans don’t spend as much per visit as occasional park visitors. There are only so many Minnie Mouse headbands a person can wear. For some, the annual pass that allows buyers to visit Disney parks throughout the year is extremely good value too. A one day trip to Disney World in Florida is $109. The annual Incredi Pass is $1,299 plus tax. Visit once a month and you break even. Go every week and you’d save over $4,000. The mismatch has shades of the MoviePass debacle, in which subscribers paid less than $10 per month for multiple cinema trips. MoviePass guessed they might visit once or twice a month. But their willingness to go day after day left the company bankrupt…
…At the recent D23 Expo there were complaints that passes were still suspended. Unluckily for them, Chapek used to run the parks division. He knows that demand is far higher than supply and is sufficiently unsentimental to take advantage. Prices would double and visitors would pay them. Disney fans may moan but they will still keep coming back.”
…For decades, India’s Hindi film industry, known as Bollywood, has been one of the country’s most popular products, for Indians themselves and the world at large. But the consolidation of Hindu nationalism under the ruling Bharatiya Janata Party (BJP), has marked a cultural shift.
Laal Singh Chaddha stars, and is produced by, Aamir Khan, one of Hindi cinema’s trio of superstar Khans (Shahrukh and Salman are the other two, all unrelated). On its release, social-media platforms witnessed a tidal wave of targeted attacks calling for a boycott of the movie. The resurfacing of remarks made by Khan on the rise of “intolerance” in India in 2015, as well as clips from his 2014 film PK (which criticised blind-faith belief) were coupled with targeted tweets. Laal Singh Chaddha has fared poorly at the box office, but the calls for a boycott have not stopped. Other movies, such as Vikram Vedha, Dobaara, Shamshera and Brahmastra, are also in the line of fire, the last two owing to the recirculation of 11-year-old remarks by the lead actor, Ranbir Kapoor, on eating beef….
(9) SALES FIGURES. In the Washington Post, David Betancourt looks at the process that Hasbro uses to make 32-inch action figures that cost $399,99. (The latest, Galactus, will be “a towering 32-inch monstrosity of plastic articulation.”) Betancourt says Hasbro uses a crowdfunding method of deciding which giant action figures to make; they greenlit the huge Galactus last summer after 14,000 people agreed to buy it.) “Would you buy a $400 Marvel action figure? Thousands of people can’t wait.”
In comic books,Galactus is known as the devourer of worlds. When it comes to action figures, Galactus is now the destroyer of wallets.
Hasbro decided that its newest figure depicting the giant planet eater from Marvel’s Fantastic Four wouldn’t be the typical six-inch toy that retails inthe $20 to $30 range and decorates work desks and bookshelves. This Galactus,with a design based on the art of famed Marvel writer-artist John Byrne, would be a towering 32-inch-tall monstrosity of plastic articulation. The figure, scheduled for release some timethis fall, is the biggest toy Hasbro has ever built for its Marvel line, which is fitting, given Galactus’s gigantic stature….
Arch had never been to a ritual of dissolution for someone who mattered.
Of course, there were distant kin who had died. But when they dissolved, it felt like they had moved to the next village: poignant, but not a disaster. The artificiality of the ritual made her more uncomfortable than their loss. Well, perhaps that wasn’t quite true. She had genuinely suffered when her physics teacher had died, and she could no longer ask questions about what lay beyond the village of Slope-Toward-Sea, on the planet Skiff, wrapped in the mottled glow of the eroding firmament. Even when her teacher dissolved, though, the ritual had seemed absurd….
(11) MEMORY LANE.
2016 – [By Cat Eldridge.] Six years ago on NBC the Timeless series debuted. (Yes, I do delve into the recent past on occasion). It would last but two seasons. (Yes, two seasons. Read below for why it was only two seasons, really.)
Not terribly original in concept, it involved a group that attempts to stop a mysterious organization from changing the course of history through time travel.
It was created by Eric Kripke who of Supernatural series fame along with the later The Boys, and Shawn Ryan who’s done nothing else they genre wise but has created S.W.A.T. that I love and Lie to Me, a rather odd crime drama series I also like a lot. Yes, I have odd tastes.
Project Lifeboat, among its members, had a history professor, a Delta forces soldier, a computer programmer and a creator of the Lifeboat time machines. Ok I did say it wasn’t a terribly original concept, didn’t I so guess what? NBC got sued by the Spanish series El ministerio del tiempo (The Ministry of Time), which follows the adventures of a three-person team made up of two men and a woman who travel to the past with a view to preserving past events.
It went to court but eventually “their attorneys of record hereby stipulate that the entire civil action may be and hereby is dismissed with prejudice, with each party bearing that party’s fees and costs of suit.” One assumes that large sums of money were involved. Isn’t there always money involved when such things need to be settled?
Getting back to the series, it was cancelled after the second season but a massive, and I do mean massive, fan campaign sort of saved it, so it got a special two-part finale. It originally didn’t make the cut for the next fall season but when they started getting a pushback from fans, NBC responded saying “And then we woke up the next morning, heard the outcry (from fans). We went back to the drawing board, with our partners at Sony, and we found a way to bring it back. It’s extraordinarily well produced and deserved to come back.”
Unlike many similar series, it was allowed a proper wrap-up. Fandango noted, “A fitting farewell, Timeless wraps with a fun, festive finale that ties up loose ends and provides enough fan service to satisfy.”
It carries a most excellent seventy-seven percent rating among audience reviewers at Rotten Tomatoes. It does not appear to be streaming for free anywhere.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 3, 1933 — Norman Adams. The SF Encyclopedia says genre wise that “Adams may be best known for his cover for the first edition of Larry’s Niven’s World of Ptavvs” on Ballantine Books in 1966. I must say having looked at his ISFDB listings that their assessment is absolutely right. (Died 2014.)
Born October 3, 1927 — Don Bensen. Best-known for his novel And Having Writ… which is not in print in form digitally or in hard copy — damn it. Indeed, nothing by him is. Huh. (Died 1997.)
Born October 3, 1931 — Ray Nelson, 91. SF writer best known for his short story “Eight O’Clock in the Morning” which was the basis of John Carpenter’s They Live. He later collaborated with Philip K. Dick on The Ganymede Takeover. In the 1940s Nelson appropriated the propeller beanie as a symbol of science fiction fandom. His fannish cartoons were recognized with the Rotsler Award in 2003. He was inducted to the First Fandom Hall of Fame in 2019.
Born October 3, 1935 — Madlyn Rhue. She on Trek’s “Space Seed” as Lt. Marla McGivers, Khan Noonien Singh’s (Ricardo Montalbán) love interest. Other genre appearances included being on the original Fantasy Island as Lillie Langtry in “Legends,” and Maria in the “Firefall” episode of Kolchak: The Night. (Died 2003.)
Born October 3, 1944 – Katharine Kerr, 78. Ok I’m going to confess that I’ve not read her Deverry series so please tell me how they are. Usually I do read such Celtic tinged series so I don’t know how I missed them.
Born October 3, 1964 — Clive Owen, 58. First role I saw him in was the title role of Stephen Crane in the Chancer series. Not genre, but fascinating none the less. He’s been King Arthur in film of the same name where Keira Knightley was Guinevere. He’s also was in Sin City as Dwight McCarthy, and in The Pink Panther (though weirdly uncredited) as Nigel Boswell/Agent 006. I’ll also single him out for being Commander Arun Filitt in Valerian and the City of a Thousand Planets.
Born October 3, 1973 — Lena Headey, 49. Many of you will know her as Cersei Lannister on Game of Thrones, but I liked her sociopathic Madeline “Ma-Ma” Madrigal on Dredd better. She was also Angelika in The Brothers Grimm, a film I’m sure I’ve seen but remember nothing about.
(14) SURPRISE BEGINNING. John Grayshaw of the Middletown PA Public Library arranged for questions about Murray Leinster to be answered for his Online Science Fiction Book Club by Steven H Silver and the author’s daughter, Billee Stallings. See the Q&A here: “Interview about Murray Leinster”. Note: Murray Leinster was the pen name of Will Jenkins, but I never knew til now that H.L. Mencken was behind his decision to use one.
Damo Mac Choiligh: A trivial question perhaps, but where did he get the pseudonym ‘Leinster’? The word is the English version of the name of a region of Ireland, well known to any Rugby fans.
Billee: When Will was published in Smart Set magazine in his teens, H. L. Mencken put down the other magazines he was selling to and said he should use a pen name and save his own for the “good stuff” (ie; Smart Set). Dad selected Murray from his mother’s maiden name (Murry. Wyndham Martyn, an English writer for the magazine, suggested Leinster. Martyn (known for the Anthony Trent novels) told him the Fitzgeralds (Dad’s middle name) were descended from the Dukes of Leinster.
(15) A DIFFERENT KIND OF TIMELESS NEWS. In 2020, Alex Ross crafted over 30 extraordinary depictions of Marvel’s most beloved super heroes in a beautiful art piece known as Timeless. This iconic imagery was used to produce a best-selling variant cover program and now… it’s the villains turn.
The legendary artist’s newest art piece deviously unites 37 of Marvel’s classic villains! Capturing the menace, danger, and allure of characters like Green Goblin, Doctor Doom, and Thanos, this stunning group shot represents the definitive takes on Marvel’s deadliest foes straight from one the industry’s most revered talents! Look for this beautifully painted artwork to be used for a new series of variant covers starting in March 2023.
“The passion I held for illustrating many of Marvel’s heroes in a timeless representation was easily matched by the passion I felt for illustrating the villains,” Ross said. “Marvel clearly has some of the greatest concepts in the realm of supervillains as well as heroes.”
Find more information about Alex Ross’ new piece including which titles it’ll grace the covers of at Marvel.com.
The news follows the first official Nielsen ratings being released Thursday for the Prime Video series, showing The Rings of Power topped the streaming charts for its debut week with 1.3 billion minutes viewed (likely an Amazon series record given that only two hours were released).
The first season of the show was filmed in New Zealand over an epic stretch of 18 months during the pandemic. For season two, which will consist of eight episodes, Amazon switched the show’s production to the U.K., which is considered more economical and is also where the company is establishing a multishow hub….
(17) SCREEN TIME. Here are JustWatch’s September’s Sci-Fi Top 10 lists:
Everything Everywhere All at Once
The Handmaid’s Tale
Jurassic World Dominion
War of the Worlds
The Twilight Zone
Jurassic World: Fallen Kingdom
Crimes of the Future
*Based on JustWatch popularity score. Genre data is sourced from themoviedb.org
(18) MORE HOLLYWOOD BUZZ. The teaser trailer for the new Ant-Man and the Wasp: Quantumania movie dropped Friday.
[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, Olav Rokne, Kate Yeazel, Kathy Sullivan, Andrew Porter, Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
Celebrating Rogue One, the stunning cover of the current issue of Journey Planet, is by Iain Clarke, one of two pieces that he has contributed to this issue.
Alissa Wales joins Christopher J. Garcia and James Bacon on this issue which looks at Rogue One with thoughtfulness and affection.
What is it about Jyn Erso that fans find so compelling?
A series of fans spend time thinking about Jyn and Rogue One. James Mason, Ann Gry, Ken Marsden and Noelle Ameijenda share their thoughts.
Art is provided by Micheal Carroll, Sara Felix, Colin Arthurs, while professional comic artists, Will Sliney, Ruarí Coleman and Keith Burns contribute thoughts on the film.
Amongst the many contributors, we hear from Victor D’Agostino II, Keith Perrin and David Ferguson.
This issue includes a data visualization by Phoenix, prints of which are being sold to raise money for the Royal British Legion Red Poppy Appeal — providing lifelong support to serving and ex-serving personnel and their families. https://www.phoenixdataart.com/rogue-one
Peppard Saltine takes an informed and reflective set of considerations into account regarding the filming, and asks some hard questions about what happened pre and post production. Their experience and insight in the film industry offer an interesting view.
(3) PAWS FOR GENRE. [Item by Daniel Dern.] Over on a mailing list, a (so far) brief discussion of “grinning like a Cheshire cat” came up.
In the 150th anniversary version of The Annotated Alice, a page-and-a-half comment discussion on this starts on page 73. (Other CC-related annotations show up a few pages later.) (If you’ve got the original hardcover Annotated Alice, from 1960, like the one I won at summer camp either in 1962 or 1963, there’s a much shorter annotation comment on page 83.)
“The term grin like a Cheshire cat predates the publication of Alice’s Adventures in Wonderland by at least seventy-five years, if not longer”
along with this suggestion/explanation for the idiom:
“Cheshire is a county in England that is known for its milk and cheese products, surely a reason for Cheshire cats to smile….The most intriguing story may be that at one time a cheese was manufactured in Cheshire county that was shaped like a cat. The cheese was eaten from tail to head, leaving the cat’s smile as the last part of the cheese to be consumed”
“the phrase crops up in English literature as early as 1788, where it appears an entry in a sort of slang dictionary of the time, Francis Grose’s A Classical Dictionary of the Vulgar Tongue.”
Playlist/Lagniappe: And here’s Sammy Davis Jr, who voiced The Cheshire Cat in the 1966 Hanna Barbara ABC-TV animated movie, singing “What’s A Nice Kid Like You Doing In A Place Like This?”
(4) PUBLISHER REBRANDS. Tom Doherty Associates has rebranded itself Tor Publishing Group, effective immediately. Tor president and publisher Devi Pillai said in the announcement, “Although the Tor name has always been associated with science fiction and fantasy, our list has included titles beyond that genre since our inception. With this name change and continued growth, the Tor name will now stand for quality in various types of genre publishing, with each imprint representing a distinct voice.” “Tom Doherty Associates Is Now Tor Publishing Group” at Tor.com.
(5) ALAMAT. [Item by Chris Garcia.] We here at Journey Planet have been working hard as we barrel towards Worldcon where many of us will be seeing one another for the first time since 2019-ish. Chris and James are joined by 2022 Hugo nominees Jean Martin and Chuck Serface for an issue looking at Filipino myth, legend, and folklore, alamat in Tagalog.
Jean provides an excellent introduction to the zine and her journey into myth and legend, and writers Pat M. Yulo, Karl Gaverza, Claire Mercado-Obias, Gerard Galo, Jimuel Villarosa Miraber, and James Bacon provide fine words on the subject.
Art from Franz Lim, Diana Padullo, Leandro Geniston, Clair Mercado-Obias, Alfred Ismael Galaroza, and Jimuel Villarosa Mirabar is also joined by a couple of pieces from the AI art-generator DALL*E 2, and graphic design elements from Chris’ 1960s airline menu collection!
(6) ATOMIC PILES. First Fandom Experience’s latest post in support of the “1946 Project” at Chicon 8 is “The Fan Cave, c1940s”. They’ve reproduced “narrative tours” of the dedicated fan spaces created by Bob Tucker, Harry Warner Jr., and Ron Holmes.
The “experience” component of “First Fandom Experience” conveys our desire to capture what it was like to be an early fan. To date we’ve dedicated the most space to fannish interactions — clubs, correspondence, conventions, conflicts. But fans spent most of their time at home. Those fortunate enough to have even a semi-permanent residence literally papered their walls with the accumulated evidence of their devotion to science fiction….
Welcome to the first, free-to-read Sunday Morning Transport story for August: science fiction from Michael Swanwick. Concise and epic, “The Warm Equations,” explores a different side of the choices we may make in space. ~ Fran Wilde, August 7, 2022.
(8) PRINCE AND REPRINTS. Jason Sanford has written a follow-up Twitter thread about the SF Insiders post commenting on Best Editor Short Form finalist Oghenechovwe Donald Ekpeki (who they ranked last) and the merits of reprint anthology work. The thread starts here.
Jeff VanderMeer also drew on his experience in a comment to Sanford:
“The Orville” honored Norm Macdonald in a tribute video posted Friday showcasing the late comedian and actor’s moments on the show as lovable Gelatin Lieutenant Yaphit….
(10) OLIVIA NEWTON-JOHN (1948-2022). Actress and singer Olivia Newton-John died August 8 at the age of 73. Her husband made the announcement on Facebook. Her genre credits include the movies Xanadu and Sharknado 5: Global Swarming.
(11) MEMORY LANE.
2009 – [By Cat Eldridge.]Ravens in the Library: Magic in the Bard’s Name (2009)
I get a lot of personally signed books and Ravens in The Library showed up in the post some thirteen years ago with a note asking if Green Man would review it. I already knew of SJ Tucker, a singer-songwriter who does a lot of filk, sort of filk and of course straight singer-songwriter material. You can hear her doing Catherynne Valente’s “A Girl in The Garden” here, riffing The Orphan’s Garden as she gave it to Green Man.
She also writes children’s books and we reviewed one here, Rabbit’s Song, she wrote with Trudy Herring.
Sadly she got a severe illness starting in 2008 caused her to have a very long hospital stay and related surgery, and left her to recover under the weight of massive medical bills. As you well know, independent musicians don’t have deep pockets, so her friends launched a number of projects to generate the needed monies.
So what did they do? Well the most successful project is sitting on my desk, The Ravens in the Library anthology. Three hundred and seventy pages of ballads, poems, songs and stories amply illustrated by far too many stellar artists too note here. The great cover which you can see below is James A. Owen
The writers here are, well, let’s just say I was gobsmacked. Charles de Lint, and Terri Winding, and Neil Gaiman. Ari Berk usually known for his illustrations does a story too, as does Catherynne Valente, Holly Black, and, of course, S.J. Tucker contribute excellent work too. It would be wrong to overlook the work by writers that I’ve never heard of, most likely from the fan community, who are just as great.
So how successful was it? This anthology in less than a week paid off all of her considerable medical bills. Very impressive!
I’d be remiss not to mention the excellent editing work of Phil Brucato and Sandra Buskirk.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 8, 1905 — Reginald Lal Singh. Indian-born actor. He portrayed Captain Chandra in Star Trek’s “Court Martial”. He can also be seen by use of archival footage from The Day the Earth Stood Still in the Star Trek: Strange New Worlds’ “Strange New Worlds” episode. He was a military officer in the fifties War of the Worlds. (Died 1970.)
Born August 8, 1919 — Dino De Laurentiis. Responsible for the first Dune obviously (it’s odd to have to state that it’s the first Dune, for decades there was only one) but less obviously also a lot of other genre including two Conan films, Flash Gordon, King Kong, Halloween II and Halloween III, Dead Zone and The Last Legion. His company even made Army of Darkness! (Died 2010.)
Born August 8, 1920 — Jack Speer. He is without doubt one of the founders of fandom and perhaps the first true fan historian having written Up to Now: A History of Science Fiction Fandom covering up to 1939 as well as the first Fancyclopedia in 1944. Filking and costume parties are also widely credited to him as well. Mike has a proper remembrance here. (Died 2008.)
Born August 8, 1930 — Terry Nation. Best known as scriptwriter for Doctor Who and creator of the Daleks. He later created Blake’s 7. He would also write scripts for Department S, The Avengers,The Champions and MacGyver. He both Davros and the Daleks on Who. He died from emphysema in Los Angeles aged 66, as he working with actor Paul Darrow who played Kerr Avon on Blake’s 7 in an attempt to revive that series. (Died 1997.)
Born August 8, 1935 — Donald P. Bellisario, 87. His genre shows include Tales of the Gold Monkey, Airwolf, Magnum P.I. (according to some of you) and of course that truly amazing show Quantum Leap. He was a writer and producer on the original Battlestar Galactica.
Born August 8, 1937 — Dustin Hoffman, 85. Ahhh Captian Hook, the man who got figuratively swallowed by the vast crocodile in Hook. Yeah I like that film a lot. But then I like the novel very much, too. By no means his only genre appearance as he was Mumbles, Caprice’s fast-talking henchman in Dick Tracy (a film I actually find rather odd), Mr. Edward Magorium in Mr. Magorium’s Wonder Emporium and the voice of Master Shifu in Kung Fu Panda.
Born August 8, 1961 — Timothy P. Szczesuil, 61. Boston-based con-running fan who chaired Boskone 33 and Boskone 53. He’s also edited or co-edited several books for NESFA, Strange Days: Fabulous Journeys with Gardner Dozois and His Share of Glory: The Complete Short Science Fiction of C. M. Kornbluth.
Born August 8, 1987 — Katie Leung, 35. She played Cho Chang, the first love interest for Harry in the Potter film series. Her only other genre appearance to date is as Dou Ti in Snow in Midsummer at the Swan Theatre, Stratford-upon-Avon. Dou E Yuan, often also translated as The Injustice to Dou E, is a Chinese play written by Guan Hanqing (c. 1241–1320) during the Yuan dynasty with serious bloody magic realism in it. End of your history lesson.
(13) COMICS SECTION.
Breaking Cat Newsran a series where the cats play an RPG. The first post is on June 20 and it runs through July 9.
…Now, Rolling Stone Australia reports that another DC superhero movie is dead, this time, it is Supergirl who will fly no more.
…insiders at Warner Bros. have also said the currently in-development Supergirl film is next to be canceled. The film was planned as a spin-off from the upcoming The Flash, starring Ezra Miller. Supergirl is set to be introduced in The Flash when it is released in 2023, with actress Sasha Calle portraying the blue-suited heroine.
It should come as no surprise that Supergirl is the next DC superhero project to be retired by the newly cutthroat Warner Bros. Discovery regime and it is likely that it has nothing to do with Batgirl. So far, The Flash has constantly been suffering bad press thanks to its lead actor Ezra Miller. Miller has been embroiled in several criminal charges and allegations over the past year and Warner Bros. has already stated the actor no longer has a future in the DC franchise beyond The Flash. With Miller out of the picture, it is safe to assume any spin-offs related to their lead role will follow suit. It’s worth mentioning that Michael Keaton’s return as Batman in The Flash was also set to be complemented by his appearance as the iconic character in Batgirl….
First, to the many nervous fans of The Sandman among you:
Relax. They nailed it.
Yeah, it took forever, and a slew of assorted aborted attempts, but the Netflix adaptation of the landmark comic book series just … works.
It succeeds as a faithful presentation of the look, feel and story of the Lord of Dreams as presented in the comics, which was written by Neil Gaiman, with art by Sam Kieth, Mike Dringenberg and many other pencilers and inkers over the years.
Far more importantly, however, it succeeds as a work of adaptation.
Where recent audiobook versions strictly adhered to every infinitesimal detail of the 1989-1995 comic run (and as a result ended up feeling both dated and overwritten), the Netflix series’ grip on the source text is gratifyingly looser. It breathes.
Changes, big and small, have been made to characters and storylines that streamline, update and focus the narrative, now honed to fit the specific propulsive demands of serialized television….
…Those elements started with the Bridge, which already made its debut during the second season of “Star Trek: Discovery.” But now that Pike’s Enterprise was getting its own show — one that will hopefully (and boldly) go the distance with a five-year mission — that called for significant revisions to the nerve center of the Enterprise.
“We’ve taken the set that we’ve inherited, but we did a great deal of work,” Lee said. “[Executive Producer] Akiva Goldsman briefed me to bring it back to ‘The Original Series.’ We had to move things around a little bit. We moved the captain’s chair around so that Captain Pike could throw a look to helm and navigations really easily, and that would work with the camera.” And since the viewscreen that was seen in “Discovery” was depicted using visual effects, a physical representation of the viewscreen was designed and added to the Bridge set for “Strange New Worlds.”
Lee also changed the color language from the “Discovery” version of the Enterprise. “It was quite cool with blues and greens and cool yellows. I said, the Bridge must feel warmer, particularly the motion graphics on all the monitors. When you see the before and after, it’s pretty dramatically different, but it’s much more intimate, and it feels more like our show.”
Growing up in Fairhope, Alabama, in the mid-20th century, Gregory Benford engaged in more than his share of character-building employment. In sun-parched farm fields, he chopped sugar cane and bagged potatoes. On shrimping and fishing boats operating out of Mobile Bay, he hauled in nets laden with the ocean’s produce.
Those years of toil on the land and water planted a seed in Benford’s young brain that would, decades later, sprout into CROPS, a nascent commercial enterprise he co-founded that may prove to be one of the most practicable and effective approaches to solving climate change ever devised.
Crops Residue Oceanic Permanent Sequestration is a method of atmospheric carbon dioxide removal that’s simple, straightforward and globally scalable. It relies on the seasonally regulated natural processes of our planet combined with readily available farm labor and unremarkable, centuries-old equipment such as baling wire, trucks and barges. Essentially, CROPS involves bundling agricultural waste into half-ton cubes and transporting them out to the deep sea, where gravity will take them to the ocean floor. Here, the carbon that was once in the air will sit unperturbed for millennia…
…Jane Rigby patiently walked me through what the Webb can and can’t do. One thing I learned: Even a million miles from Earth, with that sun shield providing the equivalent of SPF 1 million, the Webb isn’t in total darkness. The heavens glow in the infrared part of the spectrum because of sunlight bouncing off dust.
“It’s our stupid solar system,” Rigby said. “It’s the zodiacal cloud. It’s the light from our own solar system. We’re stuck in our solar system, and we can’t get out of it.”
The Webb probably won’t be able to see the very first stars, she said, “unless they’re kind enough to blow up for us.” But already, the Webb has detected a galaxy that emitted its light just 300 million years after the big bang — easily a record. The instruments on the telescope can do spectroscopy on that light to see what elements are present….
(19) STATE OF THE ART! ATARI 800. Paul Daniels discuses how he programmed an Atari 800 to create a computer game in this 1983 clip from the BBC that dropped today.
“The massive problem with all of this is that it’s not written for ordinary people, and it’s a shame. The magazines and the manuals are completely non-understandable, it’s gobbledygook.” – Paul Daniels Micro Live takes a trip to Blackpool, where magician, presenter and self-taught computer programmer Paul Daniels is hard at work coding his first computer game – Paul Daniels’ Magic Adventure – on the Atari 800. Will you like it? Daniels feels that the unnatural language surrounding computers and their associated literature is a huge barrier to entry for many potential users.
(20) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] Emory Allen asks, “What if you could change your head as easily as you change your clothes? “Detached”.
[Thanks to JJ, John King Tarpinian, Andrew Porter, Chris Barkley, Soon Lee, Cath Jackel, Arnie Fenner, Daniel Dern, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Camestros Felapton.]
By James Bacon: Join the Journey Planet team as they look at the art of Erró, Iceland’s most famous Avant Garde artist, but are challenged by re-use, copying and the ongoing conflict created by pop-artists and their supporters as they paint over comic artist signatures. A behaviour as old as the movement itself.
Does Erró’s art really speak when he fights against war? Was the experience of living through Britain invading Iceland and a military occupation by the allies of his peaceful non belligerent home, during the Second World War an enduring and formative one?
Are we as ignorant of Erró and Iceland’s occupation as curators are of the original ‘source’ of the art he utilizes, or do we prefer to ignore it all.
Are original artists now being recognized?
Is this now changing thanks to Brian Bolland, whose open letter the team reprints, or is it worse than ever as they consider the appalling response of Glenn Brown who copied Chris Foss in the name of fine art.
In this intense consideration of the work of an artist, copyright and appropriation of comic art is discussed. The team ask of themselves and the reader, what’s going on with our love of the image and try to figure out the conflict, the joy of comic imagery writ large crashing into the reflected reality of a failure to be original or worse steal from another.
Is that the western capitalist way, written to suit themselves into law that legitimizes and profits from it, regardless of the original artist?
Meanwhile we look ownership of a work, copyright per se, but a much older starting point than one night expect.