(1) BRIDGING WORLDS EDITOR Q&A. Insightful questions, great answers in “Hugo Book Club Blog: Interview with Oghenechovwe Donald Ekpeki, editor of Bridging Worlds”.
It strikes me that your previous anthology Dominion was extremely successful. It seems to me like it would be tempting to take the easy route and follow that up with something very similar. One of the things that impresses me about Bridging Worlds is that you’ve taken a risk. Could you speak to that risk? To the fact that you’re tackling new ground here?
[ODE] I consider myself a literary explorer. I want to enjoy and experience things across the entire gamut of the literary, starting with the speculative. That is why I am engaged in a wide range of activities like writing and editing, long and short fiction, non-fiction, slush reading, publishing, conrunning, organizing awards, presses, etc. Even in my fiction, you’ll notice this. O2 Arena my Nebula-winning story is mundane sci-fi as Geoff Ryman coined, where my Nommo-winning “Witching Hour” is fantasyish. “Mother’s Love, Father’s Place” is a historical fantasy and “Destiny Delayed” in Asimov’s and Galaxy’s Edge published this year is a genre blender. My latest story “The Magazine of Horror”, yet unpublished is epistolary, written as a series of letters between magazine editors and a submitter.
My editing is the same. After Dominion, an original fiction anthology, I undertook to do the first-ever Year’s Best African Speculative Fiction anthology, a Hugo, Locus, WFA & BFA finalist. It was a reprint anthology. And next was Bridging Worlds, an original non-fiction anthology, then I edited several collections with Interstellar Flight Press before returning to editing original fiction with Sheree Renée Thomas and Zelda Knight again in Africa Risen. I believe in exploring, charting and discovering new courses, to challenge myself to growth as you cannot find without risk. Rather than stagnating on the capitalist, hollywoodish attitude of being safe and dying on the altar of ‘never change a winning formula.’ The truest wins, are yet undiscovered and continued progress and the ongoing growth of the genre hinges on going outside our comfort zones to find what’s different, new, needed.
(2) NOBEL PRIZE FOR LITERATURE. Annie Ernaux is the winner of the 2022 Nobel Prize for Literature, a French author cited “for the courage and clinical acuity with which she uncovers the roots, estrangements and collective restraints of personal memory.” The summaries of Ernaux’ major works do not indicate that any are genre, but you wanted to know who won, didn’t you?
(3) RELATED WORKS. Cora Buhlert’s new “Non-Fiction Spotlight” is for Rising Sun Reruns: Memories of Japanese TV Shows from Today’s Grown-up Kids, edited by Jim Beard.
SFF-related non-fiction is somewhat sidelined by the big genre awards, since the Nebulas have no non-fiction category and the Best Related Work Hugo category has become something of a grab bag of anything that doesn’t fit elsewhere. So why do you think SFF-related non-fiction is important?
[Jim Beard] Because of the width and breadth of SF and Fantasy in pop culture, and how we all as fans have connection points throughout it. I personally love coming across a non-fiction book on a subject I love, whether well-known or obscure, and while I myself am chugging away on doing my own publications, I can’t wait to see what other editors and publishers are doing. We’ve only scratched the surface of what can be discussed, debated, and delivered in SFF non-fiction.
(4) TROLLING TOMLINSON. The Daily Beast gives mainstream media attention to a story fans have been following for some time: “Internet Trolls Have Tormented Patrick Tomlinson for Years and He Can’t Stop Them”.
…Tomlinson and his wife have both been the victims of impersonators spoofing their email and social media accounts to send bigoted messages to colleagues and random people, prompting intensive cleanup efforts on the sci-fi writer’s behalf.
All the while, the author continues to receive dozens of insulting texts, voicemails, and emails on a daily basis from his nameless stalkers, some of whom even send pictures indicating they’re just outside his house.
Yet, as Tomlinson told The Daily Beast, the efforts they’ve taken to identify his harassers and potentially bring them to justice have not only come up empty but cost them tens of thousands of dollars in legal fees. All because a court recently found that the identity of the anonymous owner of the message board can remain hidden and thus cannot be subpoenaed to provide information about the identities of the users on their site.
Tomlinson’s plight is somewhat similar to that of trans Twitch streamer Clara Sorrenti, who has been the focus of a lengthy, vicious, anti-trans harassment campaign by users on the internet message board Kiwi Farms. In fact, Tomlinson himself was the target of a 1,400-page thread on the notoriously toxic online community, whose users single out specific individuals to stalk and harass….
…During this period of time, Tomlinson filed a court action attempting to subpoena Cloudflare in an effort to seek the identity of the anonymous blogger who runs the OnA Forums. Tomlinson’s lawyers argued that he needed the ability to depose the forum owner in order to learn the identities of dozens of anonymous users he sought to sue for posting defamatory statements about him on the site.
In September 2021, a California judge granted John Doe’s order to quash Tomlinson’s petition to subpoena Cloudflare to learn Doe’s identity, citing protections under Section 230 that allows for anonymity for those who passively engage on the internet.
…Besides quashing the subpoena, Judge Ethan P. Schulman also ordered Tomlinson to pay a mandatory amount of $23,739.25 in attorneys’ fees and costs.
(5) CITY TECH SF SYMPOSIUM. The Seventh Annual City Tech Science Fiction Symposium has put out a “Call for Papers: Science Fiction and the Archive”. The online event, sponsored by the School of Arts and Sciences at the New York City College of Technology, CUNY, will take place Tuesday, December 6, 2022 from 9:00AM-5:00PM Eastern.
Continuing the explorations and conversations of the previous two symposia on “Race” and “Access” respectively, this year’s City Tech Science Fiction Symposium is focused on the idea of the “Archive.” The potential of the SF Archive as an inclusive and celebratory concept is increasing, and we hope this symposium will be a space to facilitate its expansion through our conversations and collegial debate. Of course, an archive (little a) can refer to practical considerations of Library-based Special Collections like those in the City Tech Science Fiction Collection and others, including the collected materials, cataloging, and providing access. However, we are also thinking of the Archive (big A) in terms of canonicity, cultural preservation, reading lists, and bookstore shelfspace. These latter considerations raise questions about what does and doesn’t get included within what we might call the SF Archive as well as who does and doesn’t get a say in those selections. Therefore, the SF Archive is a broadly based concept that encompasses Libraries and Special Collections and the larger cultural space of fandom, social media, and the marketplace, all of which involve the exchange of cultural capital, influence by different forms of gatekeepers, and conversations on many levels by different readers about what SF should be valued, recognized, and saved.
The SF Archive changes over time. Perhaps most exciting for the present are the many initiatives to excavate our shared cultural histories for SF that had been overlooked or forgotten but certainly deserving of inclusion, such those by writers of color, women, and LGBTQ+ persons; and efforts to bring global SF to wider audiences thanks to growing networks of readers and scholars versed in the original language of a text and those wanting to experience those stories through translation.
The Symposium is also where Analog Science Fiction and Fact will announce the winner of their second Analog Award for Emerging Black Voices Award.
(6) CROWDSOURCED QUESTIONS FOR KEVIN SMITH. [Item by Cora Buhlert.] Readers of the Guardian interview director Kevin Smith. Of his works Dogma and Masters of the Universe: Revelation are explicitly genre, the rest is at the very least genre-adjacent: “Kevin Smith: ‘How are you going to get laid if you look like an old person?’”. The answer to the first question is really sad BTW, because Smith says he received so much harassment from toxic fanboys about Masters of the Universe: Revelation that he wouldn’t even want to do a Star Wars or Marvel movie, because he fears it would be worse.
What was it like working with Alan Rickman in Dogma? CWilliams1955
Bliss. Alan Rickman, it turns out, was my friend. I was such a fan from the moment I saw him in Die Hard. I assumed we were just associates, but he stayed in touch the rest of his life. Whenever I was in England, he would call out of the blue and say – I can’t do the voice: “I know you’re here, it’s time to hang out.” He wasn’t just being professionally courteous because we made a movie together 20 years ago. I still can’t believe Alan Rickman actually liked me.
One of my favourite memories is when he came to one of my shows at the O2 in London and we drove back to town together. He said: “I’ve finally broken and bought an apartment in New York.” I said: “That’s excellent.” He said: “It’s not excellent, it’s in the same building as my friend Ralph.” I said: “Why is that bad?” And he said: “Ralph Fiennes. If the Harry Potter world found out that Snape and Voldemort live in the same building, they’d burn it to the ground!”
(7) MEMORY LANE.
1962 – [By Cat Eldridge.] Sixty years ago, the very first novel in James White’s most exemplary Sector General series was published, Hospital Station.
Now I wasn’t originally was going to do an essay on this series as I was about to do a UPN series about a human interstellar hospital series (and yes I’ll tell you about it next year) but I remember this series and yes I liked it a lot, so decided to essay it this time. Me, fickle? No.
(That series, Mercy Point, was considered influenced by White’s series. It lasted seven episodes. No, I’ve not seen it.)
I think I was in University when I discovered the Ballantine Books paperback of the first novel in a wonderful bookstore near the public library in the town near the University. (It had four used bookstores. Bliss!) I won’t say it was it was the cover that it attracted me as it wasn’t at all appealing, but the tag line of “the fabulous story of a hospital in the sky” did get my attention.
It certainly didn’t disappoint. Hospital Station was quite amazing from beginning to end. It was the home of many strange creatures, including humans!
As one reviewer so aptly put it, “Good-natured, high quality, pacifist SF that is ideal comfort food when looking to elevate your mood into the upper range of the happy scale.” It was the antithesis of all the military SF in existence and I loved deeply it for being so. Humans and aliens not attacking each other, but working together instead. Oh how so very wonderful!
White was very good at envisioning both how humans would handle dealing with various aliens and those aliens themselves. One of the lasting advantages of text fiction over video fiction is it is easier to create in the mind’s eye an alien for the reader. And damn cheaper too!
Some reviewers and readers have criticized the twelve novel series saying that as it went along its way that it got weaker, less interesting. Not for me, as I think it was perfectly fine right to the end, even the sometimes far too jokey The Galactic Gourmet.
Okay, food in genre fiction is a tricky thing to do. Just look at Steven Brust’s Cowboy Feng’s Space Bar and Grille which is the only novel by him that I deeply loathe with all my heart. (Don’t worry, he knows that. He gets dark chocolate from me.)
One critic compared the setting to that of Deep Space Nine which I must say makes me go WTF? Yes it’s a station in outer space but that’s the only resemblance. A pacifist hospital versus a heavily armed station? Huh?
I’ve re-read some of the novels several times such as Hospital Station forty years on and the steel booted Suck Fairy stubbed her toe on the way to it and broke her leg. It’s just as fine now as it was way back then.
The first three novels, Hospital Station, Star Surgeon and Major Operation are really a Meredith Moment from the usual suspects at twelve bucks.
White was a Guest of Honor of the L.A.con III Worldcon that Our Ever So Gracious Host chaired in 1996.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
- Born October 6, 1942 — Britt Ekland, 80. She starred in The Wicker Man as Willow MacGregor, and appeared as a Bond girl, Goodnight, in The Man with the Golden Gun. She was also Queen Nyleptha in King Solomon’s Treasure based off the H. Rider Haggard novels.
- Born October 6, 1946 — John C. Tibbetts, 76. A film critic, historian, author. He’s written such articles as “The Illustrating Man: The Screenplays of Ray Bradbury” and “Time on His Hands: The Fantasy Fiction of Jack Finney”. One of his two books is The Gothic Imagination: Conversations on Fantasy, Horror, and Science Fiction in the Media, the other being The Gothic Worlds of Peter Straub.
- Born October 6, 1950 — David Brin, 72. Author of several series including Existence, the Postman novel, and the Uplift series which began with Sundiver, followed by Startide Rising, a most excellent book and a Hugo-winner at L.A. Con II (1984). I’ll admit that the book he co-wrote with Leah Wilson, King Kong Is Back! An Unauthorized Look at One Humongous Ape, tickles me to no end.
- Born October 6, 1955 — Ellen Kushner, 67. If you’ve not read it, do so as her now sprawling Riverside series is amazing. I’m quite sure that I’ve read all of it. And during the High Holy Days, do be sure to read The Golden Dreydl as it’s quite wonderful. As it’s Autumn and this being when I read it, I’d be remiss not to recommend her Thomas the Rhymer novel which won both the World Fantasy Award and the Mythopoeic Award.
- Born October 6, 1952 — Lorna Toolis. Librarian, editor, and fan Lorna was the head of the Merril Collection of Science Fiction, Speculation, and Fantasy at the Toronto Public Library from 1986-2017, a collection started in 1970 with a donation from Judith Merril. Toolis was a significant influence on the Canadian SF community, a founding member of SFCanada, who won an Aurora Award for co-editing Tesseracts 4 with Michael Skeet. (Died 2021.)
- Born October 6, 1963 — Elisabeth Shue, 59. Best known as Jennifer, Marty McFly’s girlfriend, in Back to the Future Part II and Back to the Future Part III, she also had roles in Hollow Man and Piranha 3D. Really Piranha 3D? Let’s look that up on Rotten Tomatoes… The audience reviewers there gave it a twenty-two percent rating.
(9) COMICS SECTION.
- Non Sequitur tells the truth about film makers!
(10) ACTING IN THE AGE OF CGI. [Item by Francis Hamit.] I trained as an actor when I was a Drama major. A Method actor should be able to handle this. British-trained actors may have a harder time of it. But this may explain why the performances in comic book movies are so uneven. “Does it really matter if Marvel’s stars act in a state of utter bewilderment?” in the Guardian.
Ewan McGregor revealed earlier this year that he spent virtually the entirety of filming for 2002’s Star Wars: Attack of the Clones wandering round a blue-screen studio talking to inanimate objects while portraying the young Obi-Wan Kenobi, an experience he clearly found disgruntling. “I spent a lot of time off on my own and on this planet with tall aliens, and of course, none of that was there,” he said during interviews for the recent Disney+ show that revived the Jedi knight. “For me, it was, like, a long time walking around blue sets speaking to tennis balls and sticks and it was just not what I was used to, and it was hard to make. Hopefully, we made it realistic and we did the best we could.”
In the early days of CGI film-making, actors regularly reported similar unease, but in recent years the problem seems to have diminished. This is probably down to the increased use of motion capture where actors can bounce off their fellow cast members in a more organic fashion….
(11) STAR POWER. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Timmy Fisher discusses “When You Wish Upon A Star” from Pinocchio.
…The song was penned for Walt Disney’s original animated feature, with in-house composer Leigh Harline setting words by ex-Broadway lyricist Ned Washington. That wistful version–a homage to the nursery rhyme ‘Star Light, Star Bright’–was perfectly suited for the crooning falsetto of Cliff Edwards, aka Ukulele Ike, a vaudeville star who voiced Jiminy Cricket and recorded abridged versions for the opening credits and the final scene….
Though Pinocchio initially struggled at the box office. ‘When You Wish’ was an instant hit: a re-recording with Edwards and the Victor Young Orchestra jostled for attention among covers by Glenn Miller, Kate Smith, and Vera Lynn, as well as the movie soundtrack release. Foreign-language versions such as the Swedish “Ser du Stjärnan I Det Blå” (“Do you see the star in blue”) soon popped up. Even Nazi Germany succumbed. According to Albert Speer, Hitler whistled it at the Palais de Chaillot overlooking a conquered Paris.
(12) THE DOC AND SPOCK. “Star Trek’s Leonard Nimoy nearly directed the Doctor Who TV movie” reports RadioTimes.
Having premiered just over 25 years ago to a mixed reception, the 1996 Doctor Who TV movie has slowly garnered an appreciation alongside a strong fandom for Paul McGann’s Eighth Doctor, who made a brief return appearance as part of the show’s 50th anniversary celebrations in 2013….
…While best known for his iconic role as Spock in Star Trek, Nimoy is no stranger to directing, having helmed Star Trek III and IV as well as Three Men and a Baby, which went on to become the highest-grossing film of 1987.
With an impressive track record not only with sci-fi fans but also at the box office, Nimoy might have seemed like a no-brainer to come on to direct. So, what happened?
“FOX did not want him to do it. They were concerned it looked very kitsch to go, ‘Aren’t we clever? We’ve got Spock from Star Trek directing.’”…
(13) YOU GOT TROUBLE, MY FRIEND. In the Washington Post, Michael Cavna says newspapers are slashing the space given to comic strips, with Lee Enterprises saying in its 77 dailies the comic strips will be cut to half a page. Comic strip creators are scrambling to replace the lost income. “Is the print newspaper comics page in trouble?”
…And Patrick McDonnell, creator of the strip “Mutts,” which he says lost dozens of clients, underscores why comics are a popular staple of the newspaper, with readers developing long-term relationships with their favorite strips: “Over time, the characters are like family. Newspapers should consider this bond before they decide to make drastic changes.”…
(14) BOO! Alasdair Beckett-King sums up all haunted house movies in this clip from 2021.
(15) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: Metal: Hellsinger,” Fandom Games says this game combines the thrill of blasting creatures with the throbbing beats of metal, with a different headbanging song on every level. They say “We wonder what these guys could do with an actual budget,” but adds the key to success here is “just don’t expect to use any part of your brain that you can’t find on a lizard. But sometimes smooth brain fun is the best kind of fun.”
[Thanks to John King Tarpinian, Andrew Porter, Chris Barkley, mark, Cora Buhlert, Francis Hamit, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern & Sullivan.]