Wil Wheaton joined AudioFile Magazine’s Michele Cobb to discuss the audiobook of his “annotated memoir,” Still Just A Geek. In addition to his acting and producing work, Wheaton has narrated audiobooks by John Scalzi, Andy Weir, and Ernest Cline. He tells AudioFile listeners about what it was like to revisit his 2004 memoir Just A Geek, asking author Neil Gaiman to write and record the introduction, and more. Watch the full conversation below.
Here are AudioFile’s brief notes about Wheaton’s new audiobook.
STILL JUST A GEEK by Wil Wheaton, read by Wil Wheaton, Neil Gaiman [Introduction] Harper Audio
Actor Wil Wheaton—from “Star Trek: The Next Generation”—has managed something many of us have wished for at one time or another—a do-over. With humor and humility, he explains and mostly apologizes for his 2004 memoir JUST A GEEK. Using the acting skills he honed at an early age, he indulges in audiobook therapy. He invites us into his inner circle of friends and confesses misdeeds. As friends, listeners would tell Wil to relax and accept his humanity.
Find more audiobooks narrated by Wil Wheaton in his audiography.
Today Paramount released a “Wesley Crusher’s Return” video feature that was also included in The Ready Room. The video features executive producers Akiva Goldsman and Alex Kurtzman discussing the fact that after the idea of Wesley returning on Picard was brought up, it started a sort of Crusher conflict with at least one other series…
I had no idea that the showrunners of the different Star Trek shows were fighting over who could write Wesley into their story.
This just feels like such a huge validation and such a huge win for Wesley, for me, and for all the other kids who were weird, unseen, awkward, or any of the other qualities we all had in common that made him important to us.
And as long as I have your attention: I feel seen and celebrated right now, in a way I never have before. I feel like it’s personal in a way that is brand new, that *belongs* to me, because it is a gift that was given to me.
I don’t know who all the people were, at every step of the way, who made Wesley’s return to Star Trek canon happen, but I am so grateful to all of them for making this happen.
And I’m so grateful to everyone who has celebrated me, and Wesley. It feels really good and it means a lot to me.
Raw version of an email interview I did for a college student for her history thesis paper. I was rather bemused to have my teen fannish enthusiasms viewed as history; my parents would have been quite surprised…
When it comes to Star Trek zines, you are featured in Spockanalia 2 (issued 1968) for your short piece The Free Enterprise. Could you talk more about that, especially since fanzine culture is so different (practically nonexistent) today? What were fanzines like during the ‘60s and ‘70s? The first documented fanzines began in the 1930s, but were they extremely popular among SF fans when Star Trek: TOS was airing or were they still an emerging medium?
LMB: Fanzine culture is thriving today, its content just moved online. It’s just called blogs and websites. It may not know its own history in some cases, true.
One commenter described the internet hitting fanfic as like throwing a gasoline tanker truck onto a campfire, which sounds about right to me….
Less than a year after settling a lawsuit with Dr. Seuss Enterprises, ComicMix is launching a Kickstarter campaign to fund the publication of The Zaks and Other Lost Stories by Theodor Geisel, aka Dr. Seuss, to be released in July. The stories, which are in the public domain and available digitally on the Seussville website, include the titular story The Zaks, and The Sneetches, among others. ComicMix plans to release the titles of the other stories in the compilation as successive crowdfunding goals are met.
Between 1950 and 1956, Geisel published 23 stories in Redbook, including the seven that will be published in this compilation…. The ComicMix edition of the stories was created with high-quality scans from the original Redbook stories, tracked down from collectors of the magazine. Redbook reverted the copyright to these stories to Geisel, but the copyright was not renewed, so the versions that appeared in the magazines are now in public domain.
ComicMix issued an official comment about the publication, stating, “This book is not associated with, nor approved by, nor even particularly liked by Dr. Seuss Enterprises L.P., a California limited partnership, which owns some of the copyrights of the works of Theodor Seuss Geisel, the author and illustrator who created many works under the pseudonym ‘Dr. Seuss.’ ” Hauman, who preferred to comment about the upcoming book in Seuss-like rhyme, had this to say:
“We found Dr. Seuss stories, once thought to be lost, that we’re bringing to you at a reasonable cost. Some tales are familiar, though not quite this way, but all fine examples of Seuss’s wordplay! We spruced them all up, and now are good times to rediscover his artwork and rhymes. We filled up a book to put on your shelf So that you can at last read them for yourself!” OY
Dr. Seuss Enterprises declined to comment on the story.
Wait, what? I’ve read almost all of Tolkien. I’ve watched every Star Trek series. I’ve read some of Ringworld, and in general, I devoured science fiction. What on Earth are these fans so upset about? What am I missing here? I decided last night to do a little bit of looking, and I regret some of the time I sacrificed but it certainly left me with some thoughts. I can always tell things are going wrong when people use terms like “woke” which is just one of those right-wing slurs that they use to replace “compassionate” or “reasonable” it seems….
(5) FREE READ. The “Unofficial Hugo Book Club Blog,” a Best Fanzine Hugo finalist, has made their submission to the Hugo Voter Packet available as a free read at the link. And a very nice job they did, picking the material and creating the design.
(6) JDA SNEAKS BACK ONTO TWITTER. You knew that wouldn’t take long. Jon Del Arroz after being ousted from Twitter on May 6 simply opened another account and immediately resumed tweeting the usual links to his crowdfunding appeals, comics, and books. And misogynistic BS. (The last image below wasn’t posted by JDA, but I bet he wishes he’d thought of it.)
(7) LYNN HARRIS DIES. [Item by Joel Zakem.] Long-time Midwestern and Southern fan Lynn Harris passed away on May 10, 2022. She was 70 years old. Lynn was an artist who was known for running and/or working on many convention art shows, including at the late lamented Rivercon and Kubla Khan. She received the Rebel Award at the 2000 Deep South Con.
(8) PATRICIA MCKILLIP (1948-2022). World Fantasy Award for Lifetime Achievement honoree Patricia A. McKillip died May 6 at the age of 74. Her best-known works included the books in the Riddle-Master trilogy, The Riddle-Master of Hed (1976), Heir of Sea and Fire (1977), and Harpist in the Wind (1979) — the latter her only Hugo finalist, also a finalist for the World Fantasy Award, British Fantasy Award, and winner of a Locus Award.
Four of her books won the Mythopoeic Award for Adult Literature or Adult Fantasy, Something Rich and Strange (1995), Ombria in Shadow (2003, which also won the World Fantasy Award), Solstice Wood (2007), and Kingfisher (2017). Her other World Fantasy Award winning book was The Forgotten Beasts of Eld (1975), which was published in 1974, the year after the appearance of her first published work, The Throme of the Erril of Sherrill (1973), a novella.
McKillip’s Encyclopedia of Science Fiction entry written prior to her death summed up her career: “Over the past two decades, eschewing the use of fantasy backgrounds for inherently mundane epics, McKillip has become perhaps the most impressive author of fantasy story still active.”
(9) MEMORY LANE.
1999 – [By Cat Eldridge.] The considerable joy of doing these anniversaries is finding these weird little shows that I’ve never heard of. So it is with a Disney series called So Weird whichran for sixty-five episodes. So Weird could best be described as a younger version of the X-Files and it far darker than anything which was on Disney when it debuted in 1999. It lasted for just three seasons.
It was centered around teen Fiona “Fi” Phillips (played by Cara DeLizia) who toured with her rocker mom Molly Phillips (played by Mackenzie Phillips). They kept running into strange and very unworldly things. For the third and final season, she was replaced by Alexz Johnson playing Annie Thelen after the other actress gets the jones to see if she could make in Hollywood. (Well she didn’t.)
The story is that one of the characters, Annie, while visiting an Egyptian museum encounters a cat who once belonged to Egyptian queen that now wants her very much missed companion back. Yes, both the cat and the princess are either immortal or of the undead.
The writer of this episode, Eleah Horwitz, had little genre background having written just three Slider episodes and a previous one in this series. He’d later be a production assistant on ALF.
Now if you went looking to watch So Weird’s “Meow” on Disney + after it’s debuted, the streaming service pulled the second season within days of adding the series but returned it a month later within any reason for having pulled it. The show has never been released on DVD.
However the first five episodes in the first season of the series were novelized and published by Disney Press as mass-market paperbacks, beginning with Family Reunion by Cathy East Dubowski. (I know the Wiki page says Parke Godwin wrote it but the Amazon illustration of the novel cover shows her name. So unless this is one of his pen names, it is not by him.) You can find the other four that were novelized in the Amazon app by simply doing So Weird + the episode name. No they are not available at the usual suspects.
I didn’t find any critics who reviewed it, hardly surprising given it was on the Disney channel but a lot of folks really liked including John Dougherty at America: The Jesuit Review: “As a kid, my favorite show was about death. Well, not just death: it was also about faith, sacrifice and trying to make sense of life’s ineffable mysteries. Strangest of all, I watched it on the Disney Channel. ‘So Weird’ ran for three seasons from 1999 to 2001. It was Disney’s attempt to create a kid-friendly version of ‘The X-Files,’ tapping into an in-vogue fascination with ghosts, alien encounters and other paranormal phenomena. In practice, it became something more: a meditation on mystery and mortality.”
I think I’ll leave it there.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born May 11, 1930 — Denver Pyle. His first genre performance is in The Flying Saucer way back in 1950 where he was a character named Turner. Escape to Witch Mountain as Uncle Bené is his best known genre role. He’s also showed up on the Fifties Adventures of Superman, Commando Cody: Sky Marshal of the Universe, Men Into Space, Twilight Zone and his final role was apparently in How Bugs Bunny Won the West as the Narrator. (Died 1997.)
Born May 11, 1935 — Doug McClure. He had the doubtful honor of appearing some of the worst Seventies SF films done (my opinion of course and you’re welcome to challenge that), to wit The Land That Time Forgot, The People That Time Forgot, Warlords of the Deep and even Humanoids From The Deep. Genre wise, he also appeared in one-offs in The Twilight Zone, Out of This World, AirWolf, Alfred Hitchcock Presents, Fantasy Island and Manimal. Some of which were far better. (Died 1995.)
Born May 11, 1936 — Gordon Benson Jr. Publisher and bibliographer who released the first of his many SF bibliographies around the early Eighties. Writers such as Anderson, Lieber and Wellman were covered. Early bibliographies written solo were revised for the Galactic Central Bibliographies for the Avid Reader series, are listed jointly with Phil Stephensen-Payne as later ones. (Died 1996.)
Born May 11, 1952 — Shohreh Aghdashloo, 70. Best known genre role is Chrisjen Avasarala on The Expanse series. (I’ve not seen it, but have listened to all of The Expanse series.) She also had a recurring role as Farah Madani on The Punisher. She was also in X-Men: The Last Stand as Dr. Kavita Rao, but her role as The Chairman in The Adjustment Bureaudidn’t make it to the final version. She was Commodore Paris in Star Trek Beyond, and she had a recurring role as Nhadra Udaya in FlashForward.
Born May 11, 1976 — Alter S. Reiss, 46. He’s a scientific editor and field archaeologist. He lives in Jerusalem, and has written two novels, Sunset Mantel and Recalled to Service. He’s also written an impressive amount of short fiction in the past ten years, which has appeared in Strange Horizons, F&SF, and elsewhere.
(11) DISNEY, PAY THE WRITER. LA Times business columnist Michael Hiltzik reports at length about #DisneyMustPay in “Disney’s unpaid artists”.
Given its immense appetite for entertainment content to keep its movie and television pipelines filled, you would think that Walt Disney Co. would do its best to treat its creative talent fairly.
You would be wrong.
For years, Disney has been cheating the writers and artists of tie-in products — novelizations and graphic novels based on some of its most important franchises — of the royalties they’re due for their works. That’s the conclusion of a task force formed by the Science Fiction and Fantasy Writers of America and joined by the Writers Guild East and West and several other creator advocacy organizations.
…[Mary Robinette Kowal] and others say that Disney has refused to take a proactive approach to identifying the creative artists who are owed money and paying what it owes. The company has ignored pleas by the task force and individual agents to post a portal on its website and a FAQ page to inform writers how to file claims and to whom their claims should be addressed.
The company has also refused to accept names and contact information from the SFWA for writers and artists who have reached out to the organization. “Disney gets away with this by using the exhaustion tactic,” Kowal told me. “They wear people down.”
The tactic works, she says: “Some authors have just given up because Disney puts up roadblocks and makes people jump through hurdles.”
The company, according to Kowal, has told some authors who stopped receiving royalties or royalty statements that this happened because it didn’t have their addresses. “They tell that to authors they’ve sent author copies of books to,” Kowal says, “so clearly they have their mailing addresses.”…
(12) FLASHBACK. [Item by SF Concatenation’s Jonathan Cowie.] BECCON’s 40th anniversary reunion has been held – a year late due to CoVID.
BECCON was a series of biennial conventions in the 1980s: 1981; 1983; 1985; and the 1987 UK Eastercon. BECCON standing for the Basildon Essex Centre CONvention with ‘Centre’ becoming ‘Crest’ when the hotel changed its name. The 40th anniversary reunion would have taken place last year but was postponed due to CoVID. The gathering took place in Arlesey, Bedfordshire, where previous reunions had taken place so as to give one of BECCON’s film projectionists, Graham Connor, a fan experience (Graham had severe mobility issues several years prior to his passing and could not get to conventions). BECCON may be a thing of the past but those involved with it, for the most part, are still very active in fandom and BECCON did spawn two spin-out ventures still going today: Beccon Publications (a number of whose books have been short-listed for Hugos) and the SF² Concatenation (the winner of a number of Eurocon Awards).
Despite the refreshing shift in visual style brought into the MCU by director Sam Raimi, Doctor Strange in the Multiverse of Madness is far from the milestone it was expected to be. The ongoing saga of the Avengers was supposed to expand into a wealth of possibilities with the addition of alternate realities, character variants, and reclaimed franchises just acquired by Disney from Fox. But what this movie delivers is smaller than the sum of its parts….
Season 2 of Star Trek: Picard bites more than it can chew. In the span of ten episodes, it tries to explore xenophobia, eugenicism, the weight of self-blame, repressed trauma, the tragedy of finitude, the tension between open and closed societies, the human yearning for intimate connection, the fear of loneliness, the responsibilities that come with parenthood, immigration policy, the purpose of life in old age, the narcissism inherent to the search for a legacy, authoritarianism, temporal paradoxes, suicide, and the uncertainty about the turbulent direction of humankind in the 2020s. Unfortunately, the show doesn’t manage to say anything insightful about any one of its myriad themes….
These time-defying contraptions fill us with wonder because, while we’re innately curious with a desire to explore, we also love fawning over shiny screens and elaborate gadgetry. Humans are hardwired to push any button we see. No matter the ramifications….
6. DOCTOR WHO’S TARDIS
WHAT IT DOES: It takes you to another realm that enables you to move through time (the time vortex).
Everyone we spoke to mentioned this iconic machine, which looks like an old, blue, British police box.
“What other time machine gets a decorating job every few years, keeps updating its canon, and has an Olympic-sized swimming pool? Or even a personality?” Šiljak says. “The way the TARDIS operates and interacts with the Doctor is also a great suspension of disbelief catalyst that allows me to enjoy a plot that has holes.”
Its properties are bizarre, but its time-travel abilities are appealing to real scientists.
“The core of the TARDIS is a tesseract, which is a four-dimensional cube,” says Dr. Erin Macdonald, an astrophysicist, writer, producer, and Star Trek science advisor. “The reason this is great scientifically is our universe is four-dimensional, but we can only control three of those dimensions (space, not time). It logically makes sense that if we had an object that had four dimensions, that extra dimension could be time and could have more control than just space.”
Jan J. Eldridge, a theoretical astrophysicist and associate professor in the physics department at the University of Auckland, New Zealand, adds that the TARDIS’ ability to travel freely through both space and time also helps explain another of its key features: the interior doesn’t match the exterior.
“Any technology that allows you to bend space-time to travel through time would also leave you with the ability to stretch and square space-time itself,” she says.
(16) JEOPARDY! A whole category about sci-fi trilogies on tonight’s Jeopardy!, and Andrew Porter was tuned in. Unfortunately, the contestants weren’t!
Category: Sci-Fi Trilogies
Answer: This Alphanumeric book series follows up on the “Judgment Day” film, telling more of the story of Skynet & John Connor.
No one could ask, What is T-2?
Answer: The first in a Cixin Liu trilogy, this numerical novel is partially set during China’s Cultural Revolution.
No one could ask, What is ‘The 3-Body Problem”?
(17) SPACE EXTRICATION. “I hate that MS Word considers this an error,” says John King Tarpinian. “Double Space” at Nerdy Tees.
Tropicana Crunch Honey Almond Cereal is a limited-edition offering for the “cereal curious” released to honor National Orange Juice Day on May 4. It’s the first cereal made specifically for pairing with OJ, and the company claims it’s “crispy and ready to get citrusy.” It comes thoughtfully packaged with one of Tropicana’s famous red-striped straws, so you can finish the cereal … juice … with class instead of lapping it from the bowl like a dehydrated Labrador….
It’s hard to swallow, I’ll grant you, but hear me out: It might be a sound concept. I often talk to clients who either don’t like milk or are allergic to it, and just like the box says, many times they tell me that they have tried orange juice on cereal.…
(19) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers: The Batman,” the Screen Junkies say Robert Pattinson is the first Gen-Z Batman, because the “villains are influencers, he’s worse off than his parents, and his home town will very soon be under water.” Also, the Riddler “talks a big game abou cleaning up the city while dressed like a garbage bag.”
[Thanks to JJ, John King Tarpinian, Cora Buhlert, Cat Rambo, Joel Zakem, Michael J. Walsh, Rich Lynch, SF Concatenation’s Jonathan Cowie, Adam Rakunas, Chris Barkley, Andrew Porter, Michael Toman, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]
(1) DISNEYLAND ORIGINALS FOR SALE. Heritage Auctions’ catalog for “Disneyland: The Auction” includes an impressive assortment of retired equipment from the park, in addition to all the other collectibles. Coming up for bid on May 21-22 will be things of this nature –
(2) IN TIMES OF COVID. Norwescon 44 was held in Sea-Tac, WA from April 14-17. A week afterwards the committee published Norwescon 44 Post-Con COVID Report 1 dealing with cases they’d been informed about as of April 25. This case is receiving vocal attention in the comments:
Case 3: Reported on Friday, April 22. Started experiencing symptoms on Tuesday, April 12 (two days pre-con), tested positive on Friday, April 15, and stayed at the convention through Sunday, April 17. Was present throughout the convention, particularly the space-focused panels, and had dinner at Denny’s on Friday. Reported case to the Health Department and did not have exposure notification tracking active.
(3) CON OR BUST BEING REVIVED. The Flights of Foundry Opening Ceremonies video included an announcement by Alex Jennings and Brandon O’Brien about the return of the Con-or-Bust project in partnership with Dream Foundry.
[Brandon O’Brien:] As people of color we know how difficult it can be to access creative spaces like conventions. Travel, registration and other related expenses can be difficult to muster for a lot of reasons. When I attended my first convention it was only because there was a project that was generous enough to see people like me share space with my colleagues and fellow fans without it I would not have had the networking opportunities, the community, or even the will to participate in our field to this day and i am still deeply grateful for that generosity that project was Con-or-Bust….
Kate Nepveu has worked hard to make sure it can continue even in her absence.
[Alex Jennings:] Following the example she set we’re excited to share with you that we’ll be working with Dream Foundry to revive and expand Con-or-Bust. This project will help make cons, writing retreats, and other opportunities available to writers and fans of color…
Brandon O’Brien said he will be serving on the Dream Foundry board in an oversight capacity and be running the project. They’re working on the details and will have more updates soon.
We’re about to do a little time traveling, you and I. That’s because I worked for both Marvel and DC Comics from the mid-’70s through the early ’80s, and my guest this episode is Alex Segura, a writer whose latest novel, Secret Identity, is a noir murder mystery set during the mid-‘70s comics industry I lived through.
Segura seems like the perfect person to tackle that particular overlapping Venn diagram of genres. He’s written murder mysteries before — including five novels in the Pete Fernandez series, beginning with Bad Beat in 2016 and concluding with Miami Midnight in 2019, plus the six-part Lethal Lit: A Tig Torres Mystery podcast series. He’s also worked for Archie Comics and DC Comics, and is currently the Senior Vice President of Sales and Marketing at Oni Press.
Some of his more well-known comics work includes his Archie Meets Kiss arc — he also had the gang meet the Ramones and the B-52s — plus his “Occupy Riverdale” story. His Black Ghost miniseries was named one of the five new comic book series for the end of summer by the New York Times. He also supplied an origin story for everybody’s favorite new Star Wars character in the novel Poe Dameron: Freefall.
In a better world, I’ve have been able to make a day trip to NY so we could have an in-person conversation, but that’s not the world in which we live at the monent, so he grabbed Chinese food at Taystee Garden in Kew Gardens, Queens, I did the same from Evergreen Chinese Restaurant in Inwood, West Virginia, and we chatted with several hundred miles between us.
(5) PORTAL STORY. “I think this new Amazon series is sf,” writes Martin Morse Wooster. I think so too! Night Sky arrives on Prime Video May 20.
(6) NEW BUHLERT FICTION. Congratulations to Cora Buhlert who has a flash story in Wyngraf Magazine of Cozy Fantasy: “A Cry on the Battlefield”.
Cora also shared the link to the other flash story Wnygraf posted today, “The God’s Apology” by Ian Martínez Cassmeyer, which she says is also well worth reading.
(7) FIVESOOTH! The Royal Shakespeare Company is staging My Neighbour Totoro from October 8, 2022 – 21 January 2023 at the Barbican.
In this video, Executive Producer Joe Hisaishi, Director Phelim McDermott and members of the creative team for My Neighbour Totoro, discuss the creative process behind the landmark adaptation of Studio Ghibli’s celebrated 1988 animated feature film to the stage, in collaboration with Improbable and Nippon TV.
…The writer who changed my mind It wasn’t until I was 22 that I realised I could stop dreaming of being a writer and instead be a writer. It was Harlan Ellison’s fault, from his introduction to a short story called Count the Clock that Tells the Time, in a collection called Shatterday. He wrote about wasting time, how you look around and time’s gone. It plugged straight into everything I had ever thought or dreamed about becoming a writer and in that moment I was determined to become a writer. I thought better to try and fail than not to try and let the time blow past.
The book that made me want to be a writer I don’t recall there being a time that I ever didn’t want to be a writer, but CS Lewis and his Narnia books definitely made me realise that these stories I loved were being written by a person. Lewis wasn’t pretending to be invisible, he was very happily there in the text, making these lovely friendly asides to the reader. I loved that so much, and loved the idea of doing it too….
(9) WHEN WORDS FAIL. Sandra M. Odell cautions against being “More Writerly Than Thou” at the SFWA Blog. Her successful book set off a long struggle to resume writing again. While telling what helped her she advises:
… Before you encourage someone to write faster, better, more successfully, ask yourself if that’s what you mean to say. More importantly, ask if that’s what they need to hear…
(10) NEAL ADAMS (1941-2022). Famed comic artist Neal Adams died April 29 at the age of 80. The Hollywood Reporter paid tribute:
Adams jolted the world of comic books in the late 1960s and early ’70s with his toned and sinewy take on heroes, first at DC with a character named Deadman, then at Marvel with X-Men and The Avengers and then with his most lasting influence, Batman.
During his Batman run, Adams and writer Dennis O’Neil brought a revolutionary change to the hero and the comics, delivering realism, kineticism and a sense of menace to their storytelling in the wake of the campy Adam West-starring ’60s ABC series and years of the hero being aimed at kiddie readers.
… “It was no secret that we were doing Batman right,” Adams said during a panel at San Diego Comic-Con in 2010. “It was as if the memory of DC Comics went along with the statements that both Denny and I were making, that we want it to be more realistic, more gritty. And that’s how we remember — whether it was true or not — that Batman should be. And when we did it, everybody went, ‘Ah, that’s it. We don’t need comedy anymore.’”
Adams, also with O’Neil, came up with a then-controversial turn for Green Lantern/Green Arrow, tackling social issues such as drug addiction, racism and overpopulation and creating the Green Lantern hero, Jon Stewart, who became one of DC’s first Black icons. Their 1971 two-part story “Snowbirds Don’t Fly” remains a watermark in the evolution to more mature readers….
…He helped change the practice of comic book publishers keeping the original art by artists or even shredding and tossing it, influencing companies to establish policies of returning the art, something that allowed artists to enjoy a second income stream. The biggest case in point: Marvel returned pages of art to Jack Kirby, the co-creator of Fantastic Four, Thor, X-Men and Hulk.
He also proved to be a champion of two writer-artists who laid the foundation for DC, Superman creators Jerry Siegel and Joe Shuster… [He] led a lobbying effort that eventually led to greater recognition for the pair, a creator tag in comics and other media that continues to this day, plus a pension….
(11) MEDIA BIRTHDAY.
1981 — [Compiled by Cat Eldridge.] Forty-one years ago on this evening, The Greatest American Hero series served up the ever so sweet and rather nostalgic “My Heroes Have Always Been Cowboys”. It starts off with Ralph quitting twice after perceiving that he has failed badly.
Meanwhile one of the secondary characters tells Ralph that her friend wants to go to an appearance by John Hart, the actor who played the second version of the Lone Ranger. Ralph is excited because Hart is his childhood hero. Why am I not surprised?
Later in the episode, Ralph and Hart get to have a talk and Ralph realizes that society needs its heroes and decide to wear the suit again.
I watched a lot of the Lone Ranger when I was rather young and never realized that there were two actors in that role. And no, I never figured out the deal with the silver bullets. Obviously that version of the Old West didn’t have werewolves.
And yes, it was very, very sweet to see one of the Lone Rangers sort of playing his role again. If only as a mentor.
The Greatest American Hero series is streaming currently on Peacock.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born April 29, 1887 — H. Bedford-Jones. Pulp writer of whom only maybe ten percent of his twelve hundred stories could be considered genre but some such as the Jack Solomon novels, say John Solomon, Argonaut and John Solomon’s Biggest Game are definitely genre. Like many of the early pulp writers, he used a number of pen names, to wit Michael Gallister, Allan Hawkwood, Gordon Keyne, H. E. Twinells and L. B. Williams. In 2006, Wildside Press published a collection of his short stories, The House of Skulls and Other Tales from the Pulps. (Died 1949.)
Born April 29, 1908 — Jack Williamson. By the end of his long career in sff he had won eight lifetime achievement / grand master honors, and been inducted to the Science Fiction Hall of Fame. I’ll frankly admit that he’s one of those authors that I know I’ve read a fair amount by can’t really recall any specific titles as I didn’t collect him either in hard copy or digitally. A quick bit of research suggests the Legion of Space series was what I liked best when I was reading him. Aussiecon Two awarded him a Hugo for Wonder’s Child: My Life in Science Fiction (1985), and Millennium Philcon saw him get one for his “Ultimate Earth” novella (2000), which also won the Nebula. (Died 2006.)
Born April 29, 1923 — Irvin Kershner. Director and producer of such genre works as the Amazing Stories and seaQuest DSV series, Never Say Never Again, RoboCop 2 and The Empire Strikes Back. By the way, several of the sources I used in compiling this Birthday claimed that was the best Star Wars film. (Died 2010.)
Born April 29, 1943 — Russell M. Griffin. Author of but four novels as he died far too young of a heart attack. The Makeshift God was his first novel, I remember that novel as being a rather excellent dystopian affair, and Century’s End was even bleaker. He wrote but nine stories. He alas has not made into the digital realm yet. (Died 1986.)
Born April 29, 1946 — Humphrey Carpenter. Biographer whose notable output includes J. R. R. Tolkien: A Biography; he also did the editing of The Letters of J. R. R. Tolkien, and is responsible for The Inklings: CS Lewis, JRR Tolkien, Charles Williams and their Friends. He also wrote the engaging Mr. Majeika children’s series which is most decidedly genre. (Died 2005.)
Born April 29, 1955 — Kate Mulgrew, 67. Captain Kathryn Janeway on Star Trek: Voyager and she’ll be voicing that role again on the animated Star Trek: Prodigy. Other genre roles include voicing Red Claw on Batman: The Animated Series, the recurring role of Jane Lattimer on Warehouse 13 and Clytemnestra in Iphigenia2.0 at the Signature Theatre Company. Finally she voiced Titania in a recurring role on Gargoyles.
Born April 29, 1958 — Michelle Pfeiffer, 64. Selina Kyle aka Catwoman in Tim Burton’s Batman Returns. She was also in the much better The Witches of Eastwick as Sukie Ridgemont and was Brenda Landers in the “Hospital” segment of Amazon Women on the Moon. She played Laura Alden in Wolf, voiced Tsippōrāh in The Prince of Egypt, was Titania in A Midsummer Night’s Dream, voiced Eris in Sinbad: Legend of the Seven Seas, was Lamia in Stardust and is playing The Wasp (Janet van Dyne) in the Marvel Universe.
Born April 29, 1960 — Robert J. Sawyer, 62. Hominids won the Hugo for Best Novel at Torcon 3, and The Terminal Experiment won a Nebula as well. Completing a hat trick, he won a John W. Campbell Memorial Award for Mindscan too. Very impressive. And then there’s the FlashForward series which lasted for thirteen episodes that was based on his novel of that name. Interesting series that ended far too soon.
Born April 29, 1970 — Uma Thurman, 52. Venus / Rose in The Adventures of Baron Munchausen (Kage’s favorite film alongside Time Bandits; review by Kage here), Maid Marian in the Robin Hood film that starred Patrick Bergin which I highly recommend, Poison Ivy in Batman & Robin which she will follow by being Emma Peel in The Avengers.
(13) TIME LORD. The May issue of David Langford’s Ansible appeared today. How can that happen? He claims, “I reversed the polarity of the neutron flow!” Today the ansible, tomorrow the sonic screwdriver!
…Written by Juno Dawson, Doctor Who: Redacted was launched alongside the Easter TV special, Legend of the Sea Devils, and has been described by the producer/director Ella Watts as “very gay, very trans”, and sitting “to the left” of the main show. The 10-part BBC Sounds audio drama follows three best mates who make “the Blue Box Files”, a paranormal conspiracy podcast about a certain police box popping up throughout history. Their tongue-in-cheek theorising suddenly gets all too real when they’re sucked into an action-packed alien adventure of their own.
The friends are university dropouts, who now live in different UK cities but stay connected via their hobby podcast. The leader of the gang (and the drama) is a trans woman, Cleo, who works as a theatre usher, lives on a south London estate and is saving up for surgery. She’s played by transgender activist Charlie Craggs, a scene-stealer in her first ever acting role, who describes her casting as “a huge step for the trans community. I’m so honoured to be part of something so sacred to so many”.
Juno Dawson always had Craggs in mind to play her protagonist. “She’s such a force,” says Dawson. “The label “trans activist” can be a club with which to beat trans people. It’s a dehumanising term, but Charlie uses her voice so cleverly – with humour and honesty. When it came to casting, I said to Ella: ‘Look, we can either audition Charlie Craggs or find a trans actor and tell her to play it like Charlie Craggs.’ There were some nerves at the BBC about hiring someone untrained but I’m so glad we stuck to our guns.”
Founder of the podcast-within-a-podcast is devoted “boxspotter” and resident believer Abby (Vigil’s Lois Chimimba), who is bisexual and a full-time carer for her sick mother in Glasgow. The lineup is completed by sceptical Shawna (Grange Hill’s Holly Quin-Ankrah), an out-and-proud lesbian studying computing at her local college in Sheffield….
(15) WORD OF THE DAY. Here’s something Jon Del Arroz had never been called before.
Remember NASA’s OSIRIS-REx spacecraft that visited the distant Bennu asteroid and scraped-up a sample in October 2020. It’s going to deliver that sample to NASA September 24, 2023 as it swings by Earth—and then it’s off on a new mission of explore a near-Earth asteroid that could one day be a “planet-killer.”
The Apophis asteroid is enormous and classed as “potentially hazardous” by NASA. Thought to be about 1,100 feet/340 meters in diameter (that’s about the same height as the Empire State Building in Manhattan in New York), Apophis will get to within just 23,000 miles/37,000 on April 13, 2029.
During that close pass it will even be visible to the naked eye as seen from some parts of Earth.
The newly-named OSIRIS-Apophis Explorer (OSIRIS-APEX) will already be in orbit of it by then. NASA announced this week that the spacecraft, having dropped off its package in 2023, will make its first maneuver toward Apophis 30 days later.
Although it will pass Earth inside the orbits of our geosynchronous satellites in 2029, Apophis won’t pose a danger this time around.
So why visit it?
Scientists suspect that the effect on it of the close pass in 2029 could be a slight alteration to its future trajectory. We know Apophis will make very close passes in 2060 and 2068. Might the 2029 event put Apophis on an “Earth-resonant impact trajectory ?”…
(17) SJW CREDENTIALS IN HISTORY. The BBC in 1973 meets Quicksilver and Quince, two cats with their own checking account who make charitable donations to cathedrals and the Royal Society for the Protection of Birds!
(18) ROLL CREDITS. This is how Star Trek: Strange New Worlds episodes will begin. Here are the opening seconds of the five-year mission.
(19) VIDEO OF THE DAY. And Wil Wheaton hosts this special preview of Star Trek: Strange New Worlds.
[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Cora Buhlert, Christian Brunschen, John A Arkansawyer, Martin Morse Wooster, JJ, John King Tarpinian, Chris Barkley, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Jack Dominey.]
… In Still Just A Geek, I write a lot about the child abuse, neglect, and exploitation I survived and still struggle with. It was incredibly challenging to revisit (and in the case of The Curse, relive) all of it. In the afterword, I wrote that I expected that doing that work would lead to a catharsis, but all it did was retraumatize me.
That was true, until I narrated the audiobook. Over the course of six or seven days, I said everything I wrote in the book out loud. I gave a voice to the child who was put to work against his wishes at seven years old. I gave a voice to the teenager who was abused by his father. I gave a voice to the young father and husband who was struggling to provide for his family while he also struggled to figure out what he was going to do with the rest of his life….
Both politicians and political scientists know the power of narratives: there is much talk about who controls and how to alter “the narrative.” But neither group tends to ask where these narratives are actually, you know, narrated. In his new book, Reverse Colonization: Science Fiction, Imperial Fantasy, and Alt-Victimhood, David M. Higgins offers a fascinating look into the process by which such stories are generated and transformed into cultural references and societal roadmaps.
Higgins examines a particular cluster of narratives about power and identity, a cluster that is nicely described in his title: stories that use the iconography of science fiction to express fear of the other and resentment of loss of power, thus giving a boost to a number of reactionary movements, from Brexit and the cult of Trump to anti-feminist internet trolldom. Higgins traces the origins of a set of powerful tropes in print science fiction from the 1960s and early 1970s; he then follows their spread through media and electronic culture as well as their uses in political rhetoric and advertising. His choice of decade might seem unnecessarily limiting — why not go back to the Gothic origins of science fiction or forward to survey the contemporary scene? — but it makes perfect sense as he guides us through the paranoid visions of Philip K. Dick, the heroic illusions of Frank Herbert’s Dune (1965), and the crumbling empires of J. G. Ballard, and then shows how these and their contemporaries provided the imagery, language, and narrative tropes that continue to mold behavior and set terms for debate….
(4) REPAYING IT FORWARD. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Tom Faber discusses why far too many gamers are trolls.
…Two-thirds of gamers have experienced toxic behaviour in online multiplayer games, according to a study from games company Unity. Anyone who has played an online shooter will be familiar with the abuse that fills your headphones and can escalate from ‘noob’ to ‘kill yourself’ within seconds.
Online gaming forums too are hotbeds of vitriol. ‘Hate raids’ on Twitch–where mobs of trolls target streamers from minority backgrounds with spam and hate speech–have become so prevalent that streamers boycotted the platform last September in protest. Anti-Defamation League research shows that marginalised groups suffer worst and that online abuse can cause real world harm, with 44 per cent of players feeling emotionally affected by attacks and 11 per cent of them reporting depressive or suicidal thoughts as a result….
(5) WE INTERRUPT THIS NARRATIVE. For those who just tuned in and for whom it’s important to believe that a genre that didn’t have a name until a hundred years ago was knowingly practiced by writers since Roman times, Grunge’s Richard Milner offers, “The 1,800-Year-Old History Of Science Fiction Explained”.
… But yes, science fiction does indeed go back to the 2nd century CE. That doesn’t mean that ancient sci-fi features cell phones, rocket propulsion, and quantum tunneling. Rather, it means that the recognizably current sci-fi tropes — extraplanetary adventure, alien races, space flight, and the rest — were present even back then, albeit in a softer, more fantastical form….
(6) GILBERT GOTTFRIED (1955-2022). Comedian and voice actor Gilbert Gottfried died April 12 from Recurrent Ventricular Tachycardia due to Myotonic Dystrophy type II. Primarily thought of as a comedian/comic actor by (likely) most people, he did tons of voice work in genre TV and films, mostly animated.
He was the voice of the wise cracking parrot Iago in Disney’s iconic animated film Aladdin (1992), the video Aladdin 2: The Return of Jafar (1994), and many more Aladdin-themed projects over the years.
His live-action genre film and TV work included episiodes of Superboy, The Weird Al Show (as “Al’s imaginary friend Gilbert”), and the last three Sharknado films. He also did voice work in episodes of The Ren and Stimpy Show, Superman: The Animated Series as Mr. Mxyzptlk, and many other sff shows.
(7) MEDIA BIRTHDAY.
1979 — [Item by Cat Eldridge.] Forty-three years ago, I was at University which is where I saw Mad Max in a lovely old theater near there. Not a packed house but a decent gathering if I remember this correctly many years on.
It was produced by George Miller and Bryon Eric Kennedy (who’d go on to Mad Max 2: The Road Warrior with him. He died at age thirty three when the helicopter he was piloting crashed at Warragamba Dam in New South Wales, Australia).
The screenplay was by Miller and James McCausland. It’s his only screenplay and he shows up in Mad Max as the bearded man in an apron.
Need I say who played the lead character here? I think not.
So how was the reception?
First, it cost virtually nothing to produce, less than a half million, and made at least a hundred million globally. It holds the Guinness World Record for the highest box office to budget ratio of any motion picture ever.
Second, critics liked it. Or despised it. Philip Adams in the Australian Bulletin said that it had “all the emotional uplift of Mein Kampf”. Ouch. Whereas David Nusair of Reel Film Reviews stated that “Gibson’s thoroughly charismatic performance, along with Miller’s treatment of the film’s few high-octane moments, goes a long way towards keeping things interesting for the majority of Mad Max‘s mercifully brief running time.”
It get an excellent seventy percent rating among audience reviewers at Rotten Tomatoes.
It was not nominated for a Hugo but its sequel, The Road Warrior (with the alternative title of Mad Max 2) was at ConStellation.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born April 12, 1884 — Bob Olsen. He wrote twenty-seven poems and stories that were published in Amazing Stories in the late Twenties and early Thirties. He’s said to be one of the first authors to use the term “space marines”. A search of both print and digital publishers does not show any indication that any of his genre or mystery fiction is now in-print. (Died 1956.)
Born April 12, 1916 — Beverly Cleary. One of America’s most successful authors, almost a hundred million copies of her children’s books have been sold worldwide since her first book was published over seventy years ago. Some of her best-known characters are Ramona Quimby and Beezus Quimby, Henry Huggins and his dog Ribsy, and Ralph S. Mouse. (Died 2021.)
Born April 12, 1915 — Emil Petaja. He considered his work to be part of an older tradition of ‘weird fiction.’ He published thirteen novels and some one hundred and fifty short stories. His Otava series, published by Ace Books in the Sixties, is based on the Finnish national myth, The Kalevala. He was named the first ever Author Emeritus by the Science Fiction Writers of America. And he was chair of the Golden Gate Futurians, a club of writers and fans, hosting meetings at his home in the Castro neighborhood of San Francisco. (Died 2000.)
Born April 12, 1921 — Carol Emshwiller. I think her short stories are amazing and The Start of the End of It All and Other Stories collection won a World Fantasy Award. She’d later receive a Life Achievement honor from the World Fantasy Awards. I’ve not read her novels, so which would you recommend I read? Novel wise, she’s reasonably well stocked at the usual suspects but her collections are largely not there. (Died 2019.)
Born April 12, 1922 — Vince Clarke. He first made acquaintance with fandom in the late Thirties, and was active as a fanwriter and editor from a decade hence including Science Fantasy News. He’d be the winner of the first TAFF in 1954 but didn’t take the trip. He worked on the 1957 Worldcon, Loncon I, and he was Fan Guest of Honor at the 1995 Worldcon, Intersection. He helped create the British Science Fiction Association. (Died 1998.)
Born April 12, 1936 — Charles Napier. Well, let’s meet Adam on the Trek episode of “The Way to Eden”. Oh, that’s a horrible outfit he’s wearing. Let’s see if he had better genre roles… well he was on Mission: Impossible twice in a truly anonymous roles, likewise he played two minor characters on The Incredible Hulk and he did get a character with a meaningful name (General Denning) on Deep Space 9. I’m surprised to learn that he voiced General Hardcastle in the Superman and Justice League Unlimited series, and also voiced Agent Zed for the entire run of the Men in Black animated series. (Died 2011.)
Born April 12, 1958 — Elizabeth Klein-Lebbink, 64. A LA-resident con-running fan. She has worked on a variety of conventions, both regionals and Worldcons, frequently in the art shows. She has been a member of the Dorsai Irregulars. She is married to fellow fan Jerome Scott. Works for NASA where she’s co-authored papers such as “Measurements of Integration Gain for the Cospas-Sarsat System from Geosynchronous Satellites”.
Born April 12, 1968 — Alicia Coppola, 54. She showed up on Voyager in the premier episode “Caretaker” as Lieutenant Stadi. Depending on how you define genre, she was in National Treasure: Book of Secrets as FBI Agent Spellman, and had one-offs in Touched by an Angel, The Lazarus Man, The Burning Man, The Sentinel, Profiler, The Dead Zone and Teen Wolf. She was Dr. Ana Castillo in Blood & Treasure which surely is genre.
The “Stranger Things” kids are all grown up and going to war with the monsters of the Upside Down in the official trailer for Season 4.
Set to a looping version of the pulse in Journey’s “Separate Ways (Worlds Apart),” the trailer sees Mike (Finn Wolfhard), Dustin (Gaten Matarazzo), Lucas (Caleb McLaughlin) and Max (Sadie Sink) enter high school, while Eleven (Millie Bobby Brown) and Will (Noah Schnapp) are in California. As the friends navigate their different surroundings, a new supernatural threat surfaces, forcing them to once again confront the horrors of the Upside Down….
(10) RUN DON’T WALK TO YOUR NEAREST THEATER. [Item by Mike Kennedy.] This listicle of someone’s idea of the 15 “best” movie posters is a little over half genre. Maybe closer to 2/3 if you include all kinds of horror. YMMV. “These Are The 15 Best Film Posters Of All Time” at Buzzfeed. Images of the posters are at the link.
There have been many creative and eye-popping designs for film posters over the years, and a lot of them have become just as iconic as the films themselves. No matter how much they’ve told us about their respective movies, these posters made us want to line up and buy a ticket. These are the 15 Best Film Posters of All Time….
6. E.T. the Extra-Terrestrial
Behind the shot of Elliott flying on his bike in front of the moon, this poster is one of the most memorable images of Steven Spielberg’s sci-fi masterpiece. Invoking Michelangelo’s “The Creation of Adam,” this image is a marvelous display of a young boy’s first encounter with this magical little alien.
(11) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers: Critical Role’s The Legend of Vox Machina,” the Screen Junkies say that, even though we live “in a world where the only thing more boring than someone telling you about their dreams is someone telling you about their Dungeons and Dragons campaign,” this Amazon series, which raised $1.3 million on Kickstarter, could be the first successful adaptation of a tabletop game since 1985’s CLUE.” After noting numerous board game adaptations that were failures (remember the Tom Hanks cheesefest Mazes And Monsters) this series “has so much D & D in it you’ll feel like you’re eating lunch alone in the eighth grade again.” But then voice actor Matthew Mercer shows up and Mercer and the narrator have an epic voice rap battle!
[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Chris Barkley, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
Star Trek Day 2021, a free live-streamed celebration of Star Trek, begins Wednesday, September 8 at 5:30 p.m. Pacific/ 8:30 p.m. Eastern.
Live from the Skirball Cultural Center in Los Angeles, California, Star Trek Day will feature back-to-back in-person conversations with cast members and creative minds from the Star Trek Universe, “legacy moments” with iconic cast, and other announcements and reveals.
I’ve read the entire script, and I’m about to leave for rehearsal, so I know most of the OMGAREYOUSERIOUS stuff that will be revealed. I’m not going to spoil anything, but I will tell you that if you love Star Trek the way I love Star Trek, you won’t want to miss it.
Mica Burton is LeVar Burton’s daughter, an actor and cosplayer who is well known to fans of D&D webseries Critical Role and the Overwatch League.
“It was a dark and stormy night, so we stayed inside, just like we’d done every night for the last year. In that way, it was a perfectly normal night.”
“A Tale of Two Cities,” by Charles Dickens
“It was the best of times, it was the worst of times. But, mostly, it was the worst of times. In fact, not once had it felt like the best of times.”
Bill sent the link with a suggestion that Filers extend the list. Here’s his contribution —
“Double Star” by Robert A. Heinlein
If a man walks in dressed like a hick and acting as if he doesn’t need to wear a mask, he’s a spaceman.
(2) FREE BOOK FROM TAFF. Creative Random Harris is now available in multiple formats at the Trans-Atlantic Fan Fund’s website, where they hope you’ll make a little donation to the fund if you please. Over 276,000 words.
Chuck Harris (1927-1999) was active in fandom in the 1950s as a founding editor of the legendary fanzine Hyphen (where he wrote the “Random” column), and returned to the fannish scene in 1984. His letters, full of hilarious, scabrous and generally irresponsible anecdotes, were re-edited as the “Creative Random History” column in many issues of Pulp (1984-1989) and distributed in his own round-robin compilations Quinsy (later just Q) and Charrisma; similar columns also appeared in other fanzines.
For this ebook, Rob Hansen and David Langford have assembled a huge mass of Chuck’s articles and correspondence (some never before published). There is an introductory appreciation written in 1989 by his lifelong friend Walt Willis, a historical foreword by Rob Hansen, and various notes and explications by David Langford.
(3) RED AND OTHER COLORS PLANET. View the California Art Club’s online exhibit “Mars: An Artistic Mission”. Features work by Julie Bell, James Gurney, William Stout, Boris Vallejo and many others.
Art and science have been intertwined since the dawn of civilization. Science, and in particular space exploration, has allowed us to transcend our bodily limitations on Earth, magnifying our creativity in the process, as we are propelled into the cosmos. With Mars: An Artistic Mission, which celebrates the landing of the Mars Perseverance Rover on the Red Planet, we honor the marriage of art and science.
As you venture through these virtual galleries, you will find dazzling Mars-scapes, snapshots of rovers in operation, and ethereal portraits of life beyond our Earthly barrier.
We hope this exhibition leaves you saying “Mission Accomplished.”
Trailers have a fun way of changing the context of what you’re looking at. It’s truly an experiment in the Kuleshov effect, but with more music. We’re barely a week out from the bombastic, humor-fueled, classic-rock-ified first trailer for James Gunn’s The Suicide Squad, which introduced us to our new favorite son, King Shark. Now, Gunn has shared a second trailer that premiered in cinemas with Godzilla vs. Kong. It’s got a completely different feel, even though it uses a lot of the same shots, moments, and lines. If we saw this one first, we might think we were getting an action drama. Maybe it’s both!
(5) MIDCOURSE MANUVERS. The Encyclopedia of Science Fiction revealed forthcoming changes to hosting and sponsorship in the “Shape of Things to Come”.
October 2021 will see the tenth anniversary of the online Encyclopedia of Science Fiction, which since 2011 has been hosted by Orion and linked to the Gollancz SF Gateway ebook operation. Orion/Gollancz have now decided not to renew the contract on 1 October 2021, and we are parting amicably.
The principal Encyclopedia editors John Clute and David Langford plan to move sf-encyclopedia.com to their own web server and continue as seamlessly as possible with very much the same “look and feel”, with access exactly the same as now, though soon perhaps with a new sponsor and certainly with a few improvements that the current platform does not allow. Keep watching the skies!
John Clute’s version of the announcement ends:
…The first changes to be made, several of which David has already pre-coded, will be technically “cosmetic”, but should make the site easier to navigate. Nothing is ever signed until it’s signed, and nothing is ever certain till it bores you silly: but the reference to new sponsors is not blowing in the wind.
I first met William Shatner on the set of Star Trek V back in 1988. I was 16, and had been working on TNG for two years at the time….
For weeks, I tried to get up the nerve to introduce myself. When I would walk from the stage to my dressing room or school room, I would do it slowly, looking at their stage door, hoping to catch a glimpse of Mister Spock, or Doctor McCoy, or even the legendary Captain Kirk. The few times they did appear, though, I could never find the courage to approach them.
This went on for about six weeks.
…Why was I so intimidated? I was a 16 year-old geek, with a chance to meet The Big Three from Star Trek. You do the math.
One afternoon, while I was sitting outside stage 9 talking with Mandy, my costumer, they opened the huge stage door across the way, and I could see right into the set of Star Trek V. It was a large area, like a cargo bay, filled with extras and equipment. It was quite different from our set, but it was unmistakably The Enterprise. Standing in the middle of it all was William Shatner. He held a script open like it was a holy text. The way he gestured with his hands, I could tell that he was setting up a shot and discussing it with the camera crew.
I waited for the familiar rush of nerves, but it didn’t come. Seeing him as a director and not as Captain Kirk put me at ease. I knew that this was my moment. If I didn’t walk over and introduce myself right then, I would never do it….
(8) MEMORY LANE.
1981 — Forty years ago, John Carpenter’s Escape from New York premiered. (That was how it was shown on-screen.) Starring Kurt Russell as Snake Plissken, this film was written by John Carpenter and Nick Castle. It was directed by John Carpenter, and produced by Larry Franco and Debra Hill. Supporting cast was Lee Van Cleef, Donald Pleasence, Ernest Borgnine, Isaac Hayes, Adrienne Barbeau, and Harry Dean Stanton. The film received generally positive reviews with Russell in particular finding favor with the critics; it did very well at the box office earning far more than it cost to produce; and audience reviewers at Rotten Tomatoes give it an excellent seventy seven percent rating.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born April 1, 1875 — Edgar Wallace. Creator of King Kong, he also wrote SF including Planetoid 127, one of the first parallel Earth stories, and The Green Rust, a bioterrorism novel which was made into a silent film called The Green Terror. Critics as diverse as Orwell, Sayers and Penzler have expressed their rather vehement distaste for him. Kindle has an impressive number of works available. (Died 1932.) (CE)
Born April 1, 1911 – Augusta Braxton Baker. First black to get a Master’s degree in librarianship from Albany Teacher’s College, admitted only under pressure from Eleanor Roosevelt whose husband F.D. Roosevelt was then Governor of New York. First black librarian in an administrative position at the NY Public Library. President of Amer. Lib’y Ass’n Children’s Services Division. Chaired the Newbery and Caldecott Medals committee. First Storyteller-in-Residence at an American university (Univ. S. Carolina). Two anthologies for us, The Talking Tree and The Golden Lynx. (Died 1998) [JH]
Born April 1, 1918 – Frank Borth. Twoscore interiors for us; also comics e.g. There Oughta Be A Law! 1970-1983 succeeding Harry Shorten, “Draw Along with FB” in Treasure Chest 1963-1972. Here is an illustration for “As Chemist to Chemist” in the Nov-Dec 78 Asimov’s. Here is Zelazny’s “Last Defender of Camelot” (Died 2009) [JH]
Born April 1, 1926 — Anne McCaffrey. I read both the original trilogy and what’s called the Harper Hall trilogy oh so many years ago. Enjoyed them immensely but haven’t revisted them so I don’t know what the Suck Fairy would make of them. And I confess that I had no idea she’d written so much other genre fiction! (Died 2011.) (CE)
Born April 1, 1942 — Samuel R. Delany, 79. There’s no short list of recommended works for him as everything he’s done is brilliant. That said I think I’d start off suggesting a reading first of Babel- 17 (one of his four Nebula winners) and Dhalgren followed by the Return to Nevèrÿon series. I’m reasonably sure that his only Hugo-winning fiction was in the Short Story category at Heicon (1970) for “Time Considered as a Helix of Semi-Precious Stones” as published in New Worlds, December 1968. He won another Hugo for Best Nonfiction Book with The Motion of Light In Water: Sex and Science Fiction Writing in the East Village 1957-1965 at Noreascon Three (1989). (CE)
Born April 1, 1950 – Randy Bathurst. Active in the Detroit area during the 1970s, particularly with fanart. Fan Guest of Honor at Marcon XI. Here he is in the Masquerade costume competition at Torcon II the 31st Worldcon (hello,Tim Kirk). He’s in the first issue of File 770;see here (PDF; scroll down to p. 8). See his Ten of Cups in Bruce Pelz’ Fantasy Showcase Tarot Deckhere (PDF of the deck starts with BP’s introduction, then Cups). Here is Our Gracious Host’s report of his death. (Died 2009) [JH]
Born April 1, 1953 — Barry Sonnenfeld, 68. Director of The Addams Family and its sequel Addams Family Values (both of which I really like), and the Men in Black trilogy (well one out of three ain’t bad). He also executive produced Lemony Snicket’s A Series of Unfortunate Events which I’ve not seen, and did the same for Men in Black: International, the recent continuation of that franchise. (CE)
Born April 1, 1960 — Michael Praed, 61. Robin of Loxley on Robin of Sherwood which no doubt is one of the finest genre series ever done of a fantasy nature. He also played Phileas Fogg on The Secret Adventures of Jules Verne, an amazing series that never got released on DVD. It has spawned a lively fanfic following since it was cancelled with names such as Spicy Airship Stories. (CE)
Born April 1, 1963 — James Robinson, 58. Writer, both comics and film. Some of his best known comics are the series centered on the Justice Society of America, in particular the Starman character he co-created with Tony Harris. His Starman series is without doubt some of the finest work ever done in the comics field. His screenwriting is a mixed bag. Remember The League of Extraordinary Gentlemen? Well that’s him. He’s much, much better on the animated Son of Batman film. (CE)
Born April 1, 1966 – Janette Rallison, age 55. A dozen novels, one novelette for us (some under another name); a score of other novels and books of shorter stories. Has read My Double Life (memoirs of Sarah Bernhardt), Babbitt, A Tale of Two Cities, two by Jane Austen, The Brothers Karamazov, The 500 Hats of Bartholomew Cubbins. “If your teacher asks you to identify symbolism in my books, you have my permission to tell him/her that I didn’t put any in.” Website. [JH]
Born Aril 1, 1974 – Diane Awerbuck, age 47. Two novels for us (with Alex Latimer, as Frank Owen), a score of shorter stories. Outside our field, Commonwealth Writer’s Prize, Short Story Day Africa prize. Geoff Ryman’s interview with her for Strange Horizons (and excerpt from AR’s Home Remedies) here. [JH]
Born April 1, 1991 – Kat Zhang, age 30. Four novels for us. Bank Street Best Children’s Book of the Year. First book sold at age 19. Outside our field, in The Emperor’s Riddle a Chinese-American girl and her brother visiting China tangle with legends of the Chian-wen Emperor (Ming Dynasty; disappeared 1402). [JH]
(10) A FAN’S HOUSE. This post from Porch.com advises you how to “Turn Any Space at Home into Your Favorite Fandom”. It exists to drive business to home improvement professionals, however, its commercial orientation didn’t keep me from enjoying the article — maybe you will, too.
First, assess your space.
When it comes to Fandom decor, you can draw inspiration from your favorite films, books, video games, or any other cultural sources that strike your fancy. You can transform a nook beneath your stairs into Harry Potter’s hidden chamber or your bedroom into Maleficent’s boudoir of enchantment. The key is to choose a theme that resonates with your interests so that it will delight you each time you visit the space.
Of course, before you head out to shop for a Lego Death Star for your Star Wars-themed room or a life-size Pikachu for your Pokemon personal den, you’ll need to assess your space carefully. Keep its measurements handy so that you don’t have to estimate sizing considerations while you’re shopping for items like draperies, carpets, furnishings, and decorative items. Be sure you note the dimensions of windows, walls, and the floor.
(11) NOT LIKE OLD TIMES. Diamond Bay Radio did a podcast on time and space in Russian speculative fiction of the 1920s. In this interview, Mlex spoke with Reed Johnson, of Bowdoin College, about the life and works of Sigizmund Krzhizhanovsky, and his time travel story, “Memories of the Future”.
“Half eaten away by rust, its letters said: WHOLESALE SUPPLIERS OF UTOPIA SINCE… The year had been obliterated by time.”
John Coxon is communicating, Alison Scott’s head is spinning, and Liz Batty is a programme operator. We discuss all the things about Eastercon that we’re excited about (which takes a while!) and then discuss future Eastercons, briefly talk about staying Seder in the apocalypse, and then talk about breakfast.
(13) HANDMAID’S TALE. In The Handmaid’s Tale Season 4 trailer, June Osborne becomes Public Enemy No. 1 says Yahoo!
June Osborne wants justice and it looks like the country of Gilead is prepping for an all-out war. Hulu has released the first full trailer for the fourth season of the popular Emmy-winning series, and the wait to learn more is coming to an end with the show’s return on April 28.
(14) GENTLEMEN, BE SEATED (TWICE). David Grigg and Perry Middlemiss look at Australian literature, ranging from a book about bushrangers written in serial form in 1882 to modern science fiction in Episode 49 of Two Chairs Talking.
(15) WHEN THE HUGOS ARE DEAD, WILL YOU BE INVITED TO THE FUNERAL? Here’s someone who thinks that’s only minutes away – Richard Paolinelli – who’s such a lazy ass his post runs under a photo copied from File 770. (*) “The Sad Demise Of The Hugos And The Nebulas” [Internet Archive link].
…Instead, they embarked on the “Wokian Way”, disregarded great works, and embraced lesser material based on the creators’ sex and race rather than on the quality of the works themselves. Any creator deemed unworthy, 99.9% white males oddly enough, was run out of each organization and their works blacklisted from consideration. Predictably, with each passing year the Hugos and the Nebulas have become less popular, as shown by the declining number in participating voters.
The Dragon Awards, open to all who enjoy SF/F around the world and free to participate in – unlike the Hugos and Nebulas – are thriving….
Of course they’re thriving — because the Dragons are moving toward the mainstream – John Scalzi’s The Last Emperox won in 2020 – something the Sad Puppies who monopolized the awards in their first year tried to ignore: “Reaction to 2020 Dragon Awards Winners”.
(*) It’s Fran Wilde’s photo from Twitter, but bears the file name the image was given in the media library here.
When the captain of an isolated mining station near Saturn is murdered, Detective Lennox is sent to investigate the three remaining crew members. Centered around a series of interrogations and flashback, Lennox discovers that everyone has a motive to kill. With otherworldly threats approaching and the killer amongst them, will everybody make it off the station?
[Thanks to Andrew Porter, Mike Kennedy, Mlex, Cat Eldridge, John King Tarpinian, James Bacon, David Langford, Martin Morse Wooster, Michael Toman, Bill, John Hertz, and JJ for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew (not Werdna).]
Did I mention that Bill Gates allegedly chose me, personally? Because holy h*ck he did. He chose me. Personally. Out of everyone in the world who does my job, he picked me. That kinda blows my mind.
(2) WORLDCON HOTEL. DisCon III, the 2021 Worldcon, posted their biweekly hotel update: “2/28 Hotel Update”.
We have retained legal counsel in Delaware, which is the location of the Wardman Park bankruptcy proceedings. We are working with our legal counsel to move closer to a resolution, and we hope to provide you more concrete information as the process progresses.
Justice Society: World War II – Official Exclusive Wonder Woman vs Nazis Clip
In this exclusive sneak peek at Warner Bros. Animation’s latest DC animated movie, Justice Society: World War 2, Wonder Woman faces off with a group of Nazi soldiers. The new film finds modern-day Barry Allen – prior to the formation of the Justice League – discovering he can run even faster than he imagined, and that milestone results in his first encounter with the Speed Force. The Flash is promptly launched into the midst of a raging battle – primarily between Nazis and a team of Golden Age DC Super Heroes known as The Justice Society of America. Led by Wonder Woman, the group includes Hourman, Black Canary, Hawkman, Steve Trevor and the Golden Age Flash, Jay Garrick. The Flash quickly volunteers to assist his fellow heroes in tipping the scales of war in their favor, while the team tries to figure out how to send him home. But it won’t be easy as complications and emotions run deep in this time-skipping World War II thriller. Justice Society: World War II will be available to purchase on Digital starting April 27, 2021, and on 4K Ultra HD Blu-ray Combo Pack and Blu-ray on May 11, 2021.
The Flash: Season 7 Premiere – Official Exclusive Clip
In this exclusive clip from the long-awaited Season 7 premiere of The Flash, Barry races against the clock to stop Mirror Master and rescue Iris before his speed permanently runs out. “All’s Well That Ends Wells” will premiere on The CW on Tuesday, March 2.
(4) I, WITNESS. [Item by Martin Morse Wooster.] Isaac Asimov’s autobiography In Joy Still Felt, published in 1980, offers his explanation of fanzines and fandom in 1955. (I’ve omitted the details of the fan feud he was involved in.)
Fan magazines are produced by fans and exist, literally, in the hundreds. All but a very few are evanescent and exist for only a few issues before the time and the costs become insupportable.
I have no theoretical objection to write an occasional piece for love, but I have always steered clear of the fan magazines. There are so many that to write for one will mark you down as a target for the others and you will be nibbled to death…
…Though I had been an almost lifelong reader of science fiction, though I had written letters to magazines, though I had even involved myself with the Futurians, I had never immersed myself in what was called ‘fandom.’
I had no experience whatsoever with the ferocious single-mindedness with which this handful of people lived their science fiction. They interpreted literally among us the catchphrase that ‘Fandom is a way of life.’
What ever these enthusiasts could earn in their work they invested in their collections, or in their fan magazines. Their time was entirely devoted to their correspondence and to their meetings. Often, in fact, their fan activities crowded out the basis on which it was all founded–for they were so busy being fans of science fiction, they lacked the time to read science fiction.
Fans knew each other, loved each other, hated each other, formed cliques and threatened lawsuits, and, in short, formed a small subculture to which everything else in the world seemed alien and of no account.
News spread through fandom at the speed of light, even though it might never so much touch the world outside Any controversy involving fandom or the fan world elicited a joyful response at once as a vast number of fans (well, dozens anyway) plunged into the fray–on either side, it didn’t matter which.
….I did, however, get a letter from Harlan Ellison, about a phone call he made to me, an enterprise which was slightly handicapped by the fact that I didn’t have a phone at the time. He got my father’s house, which was a block away, and my sister didn’t come and get me because it was raining.
[From Ellison’s letter] “To say I’m merely angry or hurt would be a gross understatement. I’m completely devastated. You sent me ‘Mike Hammer at the Philcon,’ and I sent it out to be illustrated. Sure, it took me a year to get to it, but I was suspended with college work. Now when I have it on stencil and run off and announced as in the next issue with illos by Nasman Peterson, I pick up Mari Wolf’s column and see Space Times has already pubbed it. I’m really in a mess with the thing, and personally I think it was both poor taste on your part and a gross injustice not to at least write and tell me what had happened, before you sent a carbon to anyone else…”
I replied as follows. “Dear Harlan, Come now, old Birdbath. In the first place, how do you expect me to know you wanted the MS if you didn’t even acknowledge it? You wrote several times asking me to do something for you, but when I did send it there wasn’t another peep out of you. In fact, you folded your fanzine, retired from fandom, and changed your address. Not that I thought all this was on account of the MS, but in the absence of any acknowledgement or mention of it in any of your blurbs except the last one, how was I to know you were going to publish it?… Chuck Harris was staying with me at the time. The mail had just arrived, he had got five letters and there were none for me, and he was pulling my leg about my fan status having declined. Then my sister came round with the news that there had been a phone call from a Mr. Ellison of Ohio. Thanks, pal. All the best. Walter.”
This was at a time when transatlantic phone calls were almost unheard of in fandom. My recollection is that Chuck asked me, did I often get phone calls from American fans, and I said, “Only when it’s something important.”
(6) STRONACH INTERVIEWS LUCAS. In “An interview with Casey Lucas, moments before the avalanche hits” at The Spinoff, Alexander Stronach interviews the person he’s been friends with the longest, a Wellington science fiction and fantasy writer on the brink of world domination. (Alexander Stronach is Sasha Stronach, 2020 Sir Julius Vogel Winner for Best Novel, and Casey Lucas is the winner of the 2020 Sir Julius Vogel Award for Best Short Story.)
…Casey Lucas is a Swiss army knife. Casey Lucas is six feet tall and extremely bisexual. Casey Lucas is back from the dead (again). Casey Lucas is – finally, after years of dedication and hard work – on the cusp of very big things.
In the last year she’s won one of New Zealand’s highest honours for science fiction and fantasy writing, she’s worked on the wildly popular games Mini Metro and Mini Motorways, she’s run a workshop at Clarion West (possibly the most prestigious SF/F workshop in the world), she’s edited 30 graphic novels, she’s been hired to work on the next block of collectible card game Magic: the Gathering, and now her post-apocalyptic fungal fantasy web serial Into the Mire has picked up a prestigious international agent and is poised to go out to publishers.
Casey Lucas is, for lack of a better word, utterly singular, and today I’m getting deep in the weeds with her about success, trauma, M*A*S*H, and the impossible vastness of stone.
Alex Stronach: So you’re an “overnight success” now. What’s the spell look like? Who do I gotta kill?
Casey Lucas: Success in publishing is like an avalanche. You only see the snow rushing at you, but it took millions of exhausting years and lots of earthquakes for that mountain to yank itself up out of the sea, and you don’t get the avalanche without a mountain for it to roll down….
(7) MEDIA BIRTHDAY.
February 28, 1993 — On this date in 1993, Journey to the Center of the Earth first aired on NBC. It was intended as the pilot for a series but that never happened. It’s based on the novel of the same by Jules Verne. It is one of at least seven adaptations of the Verne novel to date so far. It was by William Dear from the screenplay by David Evans and William Gunter. It starred David Dundara, Farrah Forke, Tim Russ, Jeffrey Nordling and John Neville. No, it was not well received by the audience reviewers at Rotten Tomatoes where it has a rating of just eighteen percent. And Screen Rant dubbed it the worst adaptation of the novel ever done.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born February 28, 1820 – Sir John Tenniel. Had he only illustrated Alice in Wonderland and Through the Looking-Glass, it would have been enough for us. He also illustrated an edition of the Ingoldsby Legends – so well known in the U.K. that Dorothy L. Sayers has Lord Peter Wimsey quoting them as late as Five Red Herrings (1931) and The Nine Tailors (1934). JT drew 2,300 cartoons for Punch. His knighthood (1893) was the first ever given to an illustrator. (Died 1914) [JH]
Born February 28, 1875 – Maurice Renard. Pioneering SF writer (d’accord, honors to Rosny aîné). MR’s Dr. Lerne (1908) was a great Mad Scientist. The Blue Peril is a decade earlier than The Book of the Damned and, I dare say it, kinder. The Man Who Wanted to Be Invisible doesn’t “ruin” The Invisible Man – MR dedicated Le docteur Lerne to Wells – but faces, you should pardon the expression, the optics. Half a dozen novels, ninety shorter stories. (Died 1939) [JH]
Born February 28, 1913 — John Coleman Burroughs. An illustrator known for his illustrations of the works of his father, Edgar Rice Burroughs. At age 23, he was given the chance to illustrate his father’s book, The Oakdale Affair and the Rider which was published in 1937. He went on to illustrate all of his father’s books published during the author’s lifetime — a total of over 125 illustrations. He also illustrated the John Carter Sunday newspaper strip, a David Innes of Pellucidar comic book feature and myriad Big Little Book covers. I remember the latter books — they were always to be found about the house during my childhood. (Died 1979.) (CE)
Born February 28, 1928 — Walter Tevis. Author of The Man Who Fell to Earth which became the basis of the film of the same name starring David Bowie. There’s apparently a series planned off it. He also two other SF novels, The Steps of The Sun and Mockingbird. All of his work is available from the usual digital sources. (Died 1984.) (CE)
Born February 28, 1942 — Terry Jones. Member of Monty Python who was considered the originator of the program’s structure in which sketches flowed from one to the next without the use of punchlines. He made his directorial debut with Monty Python and the Holy Grail, which he co-directed with Gilliam, and also directed Life of Brian and The Meaning of Life. He also wrote an early draft of Jim Henson’s 1986 film Labyrinth, though little of that draft remains in the final version. (Died 2020.) (CE)
Born February 28, 1946 – Leanne Frahm, age 75. Two Ditmars as Best Fanwriter; two others, and an Aurealis, for fiction. Seen in SF Commentary (and The Metaphysical Review); Souvenir Book for Aussiecon Three the 57th Worldcon – the year Greg Benford said “Certainly, thank you. Are you inviting me to be Fan Guest of Honor or Pro Guest of Honor?” Two dozen short stories (one with Terry Carr! anthologized in Stellar 7; another in TC’s Universe 13). [JH]
Born February 28, 1948 – Donna Jo Napoli, Ph.D., age 73. Fourscore novels – opinions may differ on what under “children’s” we should count. Writes for us when not too busy as a linguist, she’s a professor at Swarthmore. Arabian Nights, Egyptian, Greek, Norse tales for National Geographic. Golden Kite Award, Sydney Taylor Award, Parents’ Choice Gold and Silver Awards. Bimodal videobooks which hearing parents can read – I don’t know what else to call it – to deaf children. [JH]
Born February 28, 1957 — John Barnes, 64. I read and really liked the four novels in his Thousand Cultures series which are a sort of updated Heinleinian take on the spread of humanity across the Galaxy. What else by him do y’all like? He’s decently stocked by the usual digital suspects. (CE)
Born February 28, 1977 — Chris Wooding, 44. If you read nothing else by him, do read the four novel series that is the steampunkish Tales of the Ketty Jay. Simply wonderful. The Haunting of Alaizabel Cray plays off the Cthulhu Mythos that certain folk don’t think exist and does a damn fine job of doing so. (CE)
Born February 28, 1977 – J.T. Petty, age 44. Four novels, as many shorter stories, for us; others too. Motion pictures, videogames. Interviewed in Lightspeed. [JH]
Born February 28, 1980 – Gareth Worthington, Ph.D., age 41. Endocrinologist who’s given us six novels. Studied Jeet Kune Do, which as I understand is the best ever if you happen to be Bruce Lee – no blame, great sages keep telling us It’s simple, see? Has read Moby-Dick and A Brief History of Time. [JH]
(9) TRIVIAL TRIVIA.
Dr. Seuss is credited with inventing the word “nerd,” which first appeared in ‘If I Ran the Zoo’ in 1950. Source: Parade Magazine
In an interview on Fresh Air, King described his life-changing accident to Terry Gross but said it didn’t change the way he approached his writing….
On the nurses who took care of him
“You know, they’d all read Misery, and they worked for an outfit called the Bangor Area Visiting Nurses. These are nurses who go into the home and give home care. And I think one of them told me toward the end of the period, where I needed full-time nursing, that they had all read it, and they had all been called into the office by their superior and told in no uncertain terms, ‘You don’t make any Misery jokes.'”
Includes an excerpt from King’s book On Writing with this quote:
…Asteroid Miners (which wasn’t the title, but that’s close enough) was an important book in my life as a reader. Almost everyone can remember losing his or her virginity, and most writers can remember the first book he/she put down thinking: I can do better than this. Hell, I am doing better than this!
What could be more encouraging to the struggling writer than to realize his/her work is unquestionably better than that of someone who actually got paid for his/her stuff?
The Coda trilogy is set to tie-up the reality of the Star Trek litverse which has been told over the last couple of decades, but was alas shunted into an alternate timeline by the new canon events of Picard. All three of the new blurbs start with the following intro, which confirms we are getting one last enormous TNG/DS9/Titan/Aventine crossover:
… Temporal Apocalypse!! Blimey. Who is the mysterious old friend, what is the nature of the disaster, how will this all mesh the litverse with the canon reality? I cannot wait to find out!
If you have no idea what the litverse is, check out the Almighty Star Trek Lit-Verse Reading Order Flowchart, compiled by Thrawn and I. You’ve got a few months to get caught up on the dozens of books leading up to this epic closing trilogy (though of course if you’re not caught up I’m sure the authors will make sure it’s entirely accessible to new readers too).
(12) THE CHART. Indeed, the “Almighty Star Trek Lit-Verse Reading Order Flowchart” deserves an item to itself – you should see it! This is the proposed reading order for Star Trek books created by Thrawn and 8of5 for the period between the end of DS9 (1999) and Star Trek: Picard. (There are, of course, a zillion other Trek books outside this timeframe.)
If you’re a bit lost navigating the sometimes complex web of interconnectivity between the various Star Trek novels in the post-finale continuity, this is the resource you need. TrekBBS user Thrawn found a most elegant solution, with his brilliant Star Trek Lit-Verse Reading Order Flowchart. Now (as of 2020) on the version six, Thrawn and I guide you through the world of Star Trek fiction.
Whether you’re a fan of TNG, DS9, Voyager, or Enterprise the chart below will show how they spin off into New Frontier, Titan, IKS Gorkon, Vanguard, or Seekers, and crossover into Destiny, Typhon Pact, The Fall, Mirror Universe, and more; letting you chart your own path through the Trek-litverse. Once you’ve got to grips with the flow chart you might also find some of my lists a useful reference too.
There are several pivotal turning points in the production history of Star Trek. Pinning down the most important ones is tricky — is filming of “The Cage” more impactful than casting the second pilot, “Where No Man Has Gone Before?” What about the writing approach in Season 3 of The Next Generation? Which events truly define how Star Trek was made and why? Among the likely candidates, the moment when Leonard Nimoy took over directorial duties for Star Trek III: The Search For Spock tends to be overlooked. One June 1, 1984, The Search For Spock was released, becoming the very first Trek production crafted by one of the actors. And the way Star Trek was created behind-the-scenes would never be the same.
There are several fictional cities in Kim Stanely Robinson’s seminal SF books about the settlement of Mars — Red Mars, Green Mars, and Blue Mars — so it’s hard to pick just one. But, if you have to choose only one Martian metropolis from his books, Bradbury City is the way to go.
Named for Ray Bradbury, who wrote The Martian Chronicles, Robinson’s Bradbury City is designed to recreate a city in Illinois. Bradbury was born in Waukegan, Illinois. The Martian Chronicles features several unlikely Martian cities, some made by humans, some made by Martians. But, in almost all cases, like in “Night Meeting,” these towns and cities often have gas stations and pickup trucks.
(17) VIDEO OF THE DAY. “The Underground Comix Movement” on YouTube is an introduction to the great independent comix creators of the late 1960s, including S. Clay Wilson, Peter Bagge, and Gilbert Shelton.
[Thanks to Martin Morse Wooster, Ben Bird Person, John Hertz, JJ, Cat Eldridge, Rich Lynch, Michael J. Walsh, Andrew Porter, Michael Toman, Jennifer Hawthorne, Mike Kennedy, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Anna Nimmhaus.]
Parler filed a lawsuit against Amazon Web Services on Monday, just hours after the social media network was taken offline when Amazon pulled support.
Parler filed the suit against Amazon on Monday in the U.S. District Court for the Western District of Washington. The company alleges in the suit that Amazon breached its contract by not giving it 30 days’ notice before dropping service. Parler also argued that Amazon was being hypocritical by not taking similar action against Twitter, where violent posts can also appear.Big Tech abandoned the social media site, known for allowing unfettered speech on its platform, over the weekend after expressing concern that the site was not properly moderating posts that could incite violence. Google and Apple removed Parler from its app stores, while Amazon — which was hosting the site on its cloud — decided to stop working with it, effectively removing it from the Internet.
…Even after Apple warned Parler that it needed to implement a more thorough content moderation plan or be kicked off the App Store, the social media network spurned the idea.
(2) HOYT. Sarah Hoyt, in “…Book Promo And Some Blather By Sarah” [Internet Archive link], urged people not to make her Amazon sales collateral damage in their reaction to its treatment of Parler.
A lot of you are furious at Amazon for joining the unconscionable censorship of Parler, which btw is still relatively small and all innocuous, other than, you know, allowing Trump a platform (Because as invaders, the left can’t let the president of the US address the nation, of course.) Look, so am I. I’m even more furious because I have no way out of the trap.
Yes, a lot of you — yes, I’m looking at you — have raged at Amazon for years and told us it would come for us and that we should get out now. This was not only misguided (I’ll explain why) but also it’s kind of the equivalent of poking a chained prisoner and saying “run.” He really wants to, but all you’re actually doing is torturing and wounding him.
However, since last night, this has TRULY become an emergency, not because of what Amazon will do or won’t do to ebook fiction (more on that) but because a core of my readers will now refuse to buy from Amazon under any circumstances, which means that I’m going to lose a lot of my income (and Amazon won’t give a flying fig. But I get your outrage, I understand, and yet you’ll only hurt the writers, UNTIL WE HAVE AN ALTERNATIVE.)
(3) CORREIA. Larry Correia’s post “Bow Before Appgooglezon” [Internet Archive link] at Monster Hunter Nation mentions neither Parler nor Amazon, but everyone in comments knows what’s being discussed, and they do name them.
(4) PUNDITRY. Camestros Felapton finds the two prior authors a source of inspiration for his own commentary. Quoted here are the final lines of a pair of his latest posts.
…It is a bit late in the day for Larry to discover that Elizabeth Warren had a point but it is noticeable that the step big tech took that tipped Larry over the edge was them clamping down on speech aimed at inciting violence to over throw an election.
Just because it was a stupid coup attempt doesn’t mean it wasn’t a real coup attempt. Trump plumped for the thing to happen in his nodding and winking way on Twitter, and he incited it and encouraged it in person. The attendees came expecting to take part in one, and had planned their strategy, such as it was, on Parler and other not-exactly-savory portions of the internet. They brought weapons and zip ties. They went looking for congresspeople. They weren’t just there to hang out on the mall, wave their Trump flags, get a churro and go home. They meant business. Fortunately like all Trump business, it went belly up in record time. But that’s neither here nor there for the intent….
(6) JEMISIN. N.K. Jemisin identifies some historical myopia in Arnold Schwarzenegger’s video (linked in yesterday’s Scroll) but adds “I’m mostly fine with Arnold’s message, BTW.”
(7) WATCHING BB. Buckaroo Banzai is the theme of the World Watch One Newsletter for January 10 [PDF file] which contains Steven H Silver’s “The Buckaroo Barrier” (pp. 15-16) where he explains, “I’ve been a fan of the film Buckaroo Banzai ever since I saw it in the theatres. A few years ago, I realized that for a lot of people, the first viewing of the film left them confused and disliking the film. I discuss why a second viewing may be necessary to appreciate it.”
Yesterday, I marked the fifth anniversary of my decision to quit drinking alcohol. It was the most consequential choice I have ever made in my life, and I am able to stand before you today only because I made it.
I was slowly and steadily killing myself with booze. I was getting drunk every night, because I couldn’t face the incredible pain and PTSD I had from my childhood, at the hands of my abusive father and manipulative mother.
It was unsustainable, and I knew it was unsustainable, but when you’re an addict, knowing something is unhealthy and choosing to do something about it are two very different things….
While but a callow youth, I subscribed to the Science Fiction Book Club. The club, wise in the ways of procrastination, would send each month’s selection of books to subscribers UNLESS the subscribers had sent the club a card informing the SFBC that one did not want the books in question. All too often I planned to send the card off, only to realize (once again), when a box of books arrived, that intent is not at all the same thing as action.
Thus, I received books that I would not have chosen but, once in possession, I read and enjoyed them. All praise to the SFBC and the power of procrastination! Here are five of my favorite unintended reading experiences…
(10) MEDIA ANNIVERSARY.
1991 — The Nebula Award for Best Novel went to Ursula K. Le Guin’s Tehanu: The Last Book of Earthsea, the fourth novel of the Earthsea sequence. It published by Atheneum in 1990. It had been twenty years since the last Earthsea novel was published. It would be not the last novel as The Other Wind would follow twenty years later. It would also win the Locus Award for Best Fantasy Novel.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born January 11, 1886 – Samuel Cahan. Frequent Argosy interiors for us, e.g. Pirates of Venus and The Synthetic Men of Mars (Burroughs), “The Earth-Shaker” (Leinster). Outside our field e.g. this fine drawing of Woodrow Wilson. (Died 1974) [JH]
Born January 11, 1906 – John Myers Myers. A score of books, including historical fiction, nonfiction, poetry; for us marvelously Silverlock – get the NESFA Press edition with songs, a Reader’s Guide, commentary; as the folklorist George Melikis said about something else, “I love studying Macedonia because everybody lives there.” (Died 1988) [JH]
Born January 11, 1923 — Jerome Bixby. His “It’s a Good Life” story became the basis for an episode of the original Twilight Zone episode under the same name and which was included in Twilight Zone: The Movie. He also wrote four episodes for the original Star Trek series: “Mirror, Mirror”, “Day of the Dove”, “Requiem for Methuselah”, and “By Any Other Name”. With Otto Klement, he co-wrote the story upon which the Fantastic Voyage series and the Isaac Asimov novel were based. Bixby’s final produced or published work so far was the screenplay for The Man from Earth film. (Died 1998.) (CE)
Born January 11, 1928 – Virgil Burnett. Author, illustrator, sculptor, Professor of Fine Arts at Univ. Waterloo (Ontario, Canada). A dozen short stories collected in Towers at the Edge of a World. Here is a cover for The War of the Worlds. Here is his frontispiece for Jurgen. Here, The Rubâ‘îyat [pl. of rubâ‘î , a kind of quatrain] of Omar Khayyam. Here is his cover for Sir Gawain and the Green Knight. Here is Alexander the Great. See this note on a 2013 exhibit by his daughter at Haverford College. (Died 2012) [JH]
Born January 11, 1930 — Rod Taylor. First SFF role would be as Israel Hands in Long John Silver. He would follow that up with World Without End (which you probably heard of), the Hugo nominated The Time Machine, Colossus and the Amazon Queen (Taylor claims to have rewritten the script though there’s no proof of this), The Birds (I really don’t like it), Gulliver’s Travels, One Hundred and One Dalmatians and last, and certainly least, The Warlord: Battle for the Galaxy. (Died 2015.) (CE)
Born January 11, 1931 – Mary Rodgers. Her Freaky Friday and three sequels are ours; I’m unsure about her musical Once Upon a Mattress – is “The Princess and the Pea” fantasy? She did music and lyrics for Davy Jones’ Locker with the Bill Baird marionettes, also music for a Pinocchio with them. Daughter of Richard Rodgers. (Died 2014) [JH]
Born January 11, 1937 — Felix Silla, 84. He played Cousin Itt (sic) on The Addams Family in a role invented for the show. The voice was not done by him but rather provided by sound engineer Tony Magro in post-production. He was also responsible for the physical performance of Twiki on Buck Rogers in the 25th Century though the voice was supplied by Mel Blanc or Bob Elyea. And he played an unnamed Ewok on Return of the Jedi. (CE)
Born January 11, 1961 — Jasper Fforde, 60. I read and thoroughly enjoyed every one of his Thursday Next novels with their delightfully twisted word play as I did his Nursery Crimes series. I thought last year when I wrote Birthday note up that I had not read his Shades of Grey books and I was right — I now know that I read the first few chapters of the first one and wasn’t impressed enough to finish it. I do know I’ve not read the Dragonslayer series though I’ve heard Good Things about them. (CE)
Born January 11, 1963 — Jason Connery, 58. Son of Sir Sean Connery. He’s best known for appearing in the third series of Robin of Sherwood, a series I loved dearly, including the music done by Clannad which I’ve got live boots of. He also played Jondar in the Vengeance on Varosstory on Doctor Who during the Sixth Doctor era (much least favorite Doctors). He was Ian Fleming in Spymaker: The Secret Life of Ian Fleming. And he was a young Merlin in Merlin: The Quest Begins. (CE)
Born January 11, 1972 — Tom Ward, 39. He’s Captain Latimer in the Eleventh Doctor’s Christmas Special, “The Snowmen”. He played H.G. Wells in Hallmark’s The Infinite Worlds of H. G. Wells series, and he’s Edward Goodwin in Harry Price: Ghost Hunter. His latest genre role was as Sir Robert Peel in The Frankenstein Chronicles. (CE)
Born January 11, 1976 – Alethea Kontis, age 45. A dozen novels for us, four dozen shorter stories. NY Times and USA Today best-seller. Keynote address at Lewis Carroll Society’s Alice150 Conference. “Alethea means truth in Greek, but I was named after an episode from the first season of Kung Fu where Jodie Foster played a little girl named Alethea Ingram…. Our last name was originally Kontaridis, but my grandfather shortened it.” Makes good baklava, plays bad acoustic guitar. [JH]
Born January 11, 1987 – Wesley King, age 34. A dozen novels, including two with Kobe Bryant and the possibly well-titled Incredible Space Rangers from Space. NY Times best-seller. Has read “Doctor Jekyll and Mr. Hyde”, The Time Machine, four Shakespeare plays, War and Peace, Where the Wild Things Are. Lives in Nova Scotia and on a 1967 sailboat. [JH]
(12) COMICS SECTION.
At The Far Side, alien researchers have made a little mistake.
…For me, my intention is I really want all my stories to speak to those moments in our lives when the scrim drops away and we’re confronted with the brutality of this life that we’re living in. And also the beauty. But I want my stories to be comforting in the sense that they won’t be full of shit if you read them at a low moment. That means that I don’t want anything in a story that doesn’t serve that purpose, or another way of saying it is I don’t want anything weird to happen until it’s going to do that kind of emotional work. So my default is there’s no weird shit allowed. I’m basically a realist at heart. But every so often you get to a place where a story is saying, “If you will just let me have the talking spider, I will be more profound.” Or often what it does is it says, “There’s a question that I have to ask here in this story, but I can’t do it without the talking spider. Would you allow it?”
Massachusetts residents have no shortage of state symbols through which to celebrate their regional devotion….
Now, Massachusetts state legislator Jack Patrick Lewis is lobbying for another one: state dinosaur. As Boston.com reports, Lewis has fostered a passion for prehistoric creatures ever since seeing The Land Before Time (1988) in his youth, and he’s hoping an official state dinosaur will help fellow Bay Staters learn about the area’s early history.
Lewis has chosen two species to consider for the designation. The Podokesaurus holyokensis is a 3-to-6-foot carnivore whose fossils were unearthed around Mount Holyoke in 1910. Mignon Talbot, the woman who made the discovery, was the first woman to ever name a newfound dinosaur. The Podokesaurus’s competition is the Anchisaurus polyzelus, a slightly larger herbivore whose bones were located in Springfield, Massachusetts, more than half a century earlier….
…“This kind of discovery—in essence, fossilized behavior—is the rarest of the rare in dinosaurs,” explains Dr. Lamanna. “Though a few adult oviraptorids have been found on nests of their eggs before, no embryos have ever been found inside those eggs. In the new specimen, the babies were almost ready to hatch, which tells us beyond a doubt that this oviraptorid had tended its nest for quite a long time. This dinosaur was a caring parent that ultimately gave its life while nurturing its young.”
The team also conducted oxygen isotope analyses that indicate that the eggs were incubated at high, bird-like temperatures, adding further support to the hypothesis that the adult perished in the act of brooding its nest. Moreover, although all embryos were well-developed, some appear to have been more mature than others, which in turn suggests that oviraptorid eggs in the same clutch might have hatched at slightly different times. This characteristic, known as asynchronous hatching, appears to have evolved independently in oviraptorids and some modern birds.
You’ve published six books in your Hazard and Somerset mysteries. Do you tend to outline your books and series ahead of time, or do you tend to figure things out as you go along? When you started the series, did you know how many books you would write and where your characters would end up?
Although I have become more and more of an outliner, there is still an element of excavation and discovery in each book I write. One challenge I’ve faced as a writer is that I tend to write long books—and if I’m not careful, they become massive. Outlining helps me control the size of the story, as well as ensuring that I hit the right beats and turns when and where I want to. The excavatory and exploratory side of storytelling tends to happen, for me, between those major plot points. I have written quite a few books without an outline at all, but that is less and less the case. The same is true for series. The Hazard and Somerset series essentially took shape as two parts: the first four books, and then the last two. I learned from that, and when I wrote ‘season two,’ Hazard and Somerset: A Union of Swords, I had a fairly comprehensive outline for the five-book series. I now tend to write all of my series this way, with an outline to guide the pacing of the series as well as the individual books.
Jonathan Lawton is a visionary artist. His work may seem humble—the West Yorkshire man builds model railways, set in blue-skied little villages, just like so many other people looking for a productive reprieve from their daily lives. But, Lawton’s work extends beyond its genre and into the realm of speculative fiction thanks to his collaborator, a cat named Mittens that towers like a benevolent god in a showcase of his creation….
(18) VIDEO OF THE DAY. In “Power Rangers Pitch Meeting” on YouTube, Ryan George explains that people who see the Power Rangers remake will not enjoy Bryan Cranston’s performance as a 65-million-year-old blue guy or that there’s no Power Rangers action until 90 minutes into the movie.
[Thanks to Cat Eldridge, JJ, Andrew Porter, Mike Kennedy, John King Tarpinian, Martin Morse Wooster, Michael Toman, and John Hertz for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
(1) TREK THE VOTE. Trek fans are called on to volunteer their time to help protect election integrity in this YouTube clip featuring many stars from all of the shows, including Gates McFadden, Wil Wheaton, and Armin Shimmerman.
This week marks the 100th anniversary of the publication of R.U.R., the dystopian theatre play by Karel Capek that introduced the word ‘robot’ into English – and to science fiction as a whole. A new exhibition called A Journey into the Depths of the Robot’s Soul focuses on how Capek’s ground-breaking play was received and staged abroad.
R.U.R. (or ‘Rossum’s Universal Robots’) was Karel ?apek’s most popular work during his lifetime, both in Czechoslovakia and abroad. By 1923, a couple of years after its premiere in Prague, the dystopian play had been translated into 30 languages and been staged in major theatres in Europe and across the Atlantic.
Exhibition curator Zdenek Vacek is director of the Karel Capek Memorial, a museum housed in the writer’s summer residence in Stará Hu?, south of Prague. For the centennial anniversary, he says, they decided to focus on the history of R.U.R.’s early foreign performances and influence on writers around the world.
L.A. Comic Con says it is moving forward with its plan to hold an in-person convention in December at the L.A. Convention Center, but large gatherings — such as conventions and conferences — are currently not permitted anywhere in California amid the ongoing COVID-19 pandemic.
The event’s organizers explained in a Sunday announcement on the L.A. Comic Con website that they have been working with the convention center and taking guidance from state and local officials to plan an event they think will “be both safe and fun” for attendees and exhibitors.
But Doane Liu, the executive director of the Los Angeles Department of Convention and Tourism Development, told The Times on Monday that this announcement came as a surprise and is premature.
“Under current state health guidelines, conventions are not allowed,” Liu said. “It’s not known when they will be allowed.”
…In a video posted to YouTube on Tuesday, the chief executive of L.A. Comic Con parent company Comikaze Entertainment, Chris DeMoulin, clarified that L.A. Comic Con is currently “a potential show.”
The Burbank-based company said Tuesday that it would lay off 28,000 employees at its domestic parks division, which includes Disneyland Resort in Anaheim and Walt Disney World in Orlando, Fla.
The company’s once-mighty parks division has been severely hobbled by the coronavirus health crisis. In March, Disney announced it was furloughing more than 100,000 workers after the pandemic forced the company to shut down its lucrative theme parks.
Walt Disney World has been operating with strict capacity limits and social distancing requirements. California has not yet allowed theme parks including Disneyland to resume business.
COGNITION is a short dystopian sci-fi drama / thriller about a son confronting his past trauma. Journeying through the symbolic landscape of the subconscious mind, the story follows an unbreakable bond between father and son…. A bond that transcends SPACE AND TIME…..
(6) ASHKIN DIES. Nobel laureate Arthur Ashkin, who the New York Times styles as having invented a ‘Tractor Beam’, died September 21 at the age of 98.
Arthur Ashkin, a physicist who was awarded a 2018 Nobel Prize for figuring out how to harness the power of light to trap microscopic objects for closer study, calling his invention optical tweezers, died on Sept. 21 at his home in Rumson, N.J. He was 98.
Optical tweezers — or optical traps, as they are more properly known — use the pressure from a highly focused laser beam to manipulate microscopic objects, from atoms to living organisms, like viruses and bacteria.
As the Nobel committee wrote, Dr. Ashkin had “invented optical tweezers that grab particles, atoms, molecules, and living cells with their laser beam fingers.”
Trapping biological material proved to have groundbreaking practical applications in research and in understanding the behavior of the basic building blocks of life, like DNA, and other biological systems. Today, optical tweezers are widely manufactured and sold to researchers.
Dr. Ashkin’s “tweezer” is created by shining a laser — a beam of coherent monochromatic light — through a tiny magnifying lens. The lens creates a focal point for the laser, and, by a strange twist of nature, particles are drawn near that focal point and trapped there, unable to move up or down or backward or forward.
Steven M. Block, a professor of biology and applied physics at Stanford University, compared optical tweezers to the kind of immobilizing technology postulated in “Star Trek” and “Star Wars,” calling them “the closest thing to a tractor beam that humans have ever produced.”…
(7) MEDIA ANNIVESARY.
Fifty years ago, Ursula Le Guin’s The Left Hand of Darkness won the Hugo Award for Best Novel at Heicon ’70. (It would win the Nebula Award as well.) (The runner-ups for the Hugo were Robert Silverberg’s Up the Line, Piers Anthony‘s Macroscope, Kurt Vonnegut, Jr.‘s Slaughterhouse-Five and Norman Spinrad’s Bug Jack Barron.) It was published first by Ace Books in their paperback Ace SF Special, Series 1 in 1969, and has had at least thirty editions in eleven languages though not Finnish. The first edition of The Left Hand of Darkness did not contain an introduction though later editions do.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born September 29, 1942 — Ian McShane, 78. Setting aside Deadwood which is the favorite series of Emma Bull and Will Shetterly where he’s Al Swearengen, he portrays Mr. Wednesday in American Gods.and it turns out, though I don’t remember it, he was Dr. Robert Bryson in Babylon 5: The River of Souls film. And he’s Blackbeard in Pirates of the Caribbean: On Stranger Tides. Now you tell me what your favorite genre role is by him. (CE)
Born September 29, 1944 — Isla Blair, 76. Her first credited film appearance was in Dr. Terror’s House of Horrors as an art gallery assistant. She was Isabella in The King’s Demons, a Fifth Doctor story. She’s in Indiana Jones and the Last Crusade as the wife of her real-life husband Julian Glover, and credited as Mrs. Glover. Finally, she has played a starring role as Sally in the BBC’s alternate history An Englishman’s Castle series. (CE)
Born September 29, 1949 – Joêlle Wintrebert, 71. Nine novels, three dozen shorter stories; three years editing Univers; essays, reviews in Alerte!, Fiction, Futurs; edited Petite anthologie de la science-fiction (all in French). [JH]
Born September 29, 1952 – Lou Stathis. Fan and pro. Part of the SF Forum that gave birth to ICON. Wrote for Fantastic, Mississippi Review, SF Eye, Thrust, Vertigo (i.e. DC Comics’). One novel. Here is a Jeff Schalles photo from the mid-1980s. (Died 1997) [JH]
Born September 29, 1959 — Scott MacDonald, 61. He’s been on four Trek shows: Next Gen, Voyager, Deep Space Nine, and Enterprise. He’s also on Space Above and Beyond, Babylon 5, X-Files, Stargate: SG-1, Carnivale and Threshold.. (CE)
Born September 29, 1961 — Nicholas Briggs, 59. A Whovian among Whoians who started out writing Who fanfic. First off, he’s the voice of the Daleks and the Cybermen in the new series of shows. Second he’s the Executive Producer of Big Finish Productions, the audio drama company that has produced more Doctor Who, Torchwood and other related works that you’d think possible. Third he’s appeared as himself in The Five(ish) Doctors Reboot. (CE)
Born September 29, 1961 — Dale Dickey, 59. She was Martha Bozeman in a recurring role on True Blood. She’s also been on Them: Covenant, The X-Files and Bones, and in two genre films, Changeling and Iron Man 3. (CE)
Born September 29, 1961 – John O’Halloran, 59. Long active at SF cons. Webmaster for the Int’l Costumers Guild, 1989. “Gerard” in the Best of Show “Trumps of Amber”, Torcon 3 (61st Worldcon) Masquerade, see here (at right) and here; judge, LoneStarCon 3 Masquerade (71st). Official Photographer of Events, Loncon 3 (72nd); Official Photographer for Candid Shots, Sasquan (73rd) – see his Sasquan album here. Fan Guest of Honor (with wife Chris), Baycon 2013. Taiko drummer (as Chris is too). [JH]
Born September 29, 1978 – Aislinn Batstone, 42. (Forename is Irish, pronounced like “Aish-lin”.) “What the Witch Wants” in Stupefying, “Instructions in My Absence” in Timeless Tales, a dozen more. Master’s degree in Philosophy, taught philosophy, married a philosopher. So there. [JH, B.A. in Philosophy]
Born September 29, 1983 – Elisa McCausland, 37. Half a dozen books (some collaborative). Ignotus award for Wonder Woman about feminism as a superpower; later, with Diego Salgado, Supernovas, a feminist history of audiovisual SF; McC also does “Postheroic Transmutations”, about the subversive power of superheroines, on the Rock & Comics podcast (all in Spanish, i.e. her section of R&C is «Transmutaciones Postheroicas»). [JH]
James Earl Jones’ long career is filled with exceptional roles, but he’s probably best known for providing the voice of Darth Vader. David Prowse spoke all the dialogue as the movie was filmed, but his British West Country accent wasn’t working for George Lucas.
It’s unclear whether Lucas always planned to dub over Prowse’s dialogue, but in the end, that’s what he did, using Jones’ dialogue instead. Jones, however, asked that he not be given credit for his work in the film’s credit reel, and in the original, he wasn’t.
Jones felt that his contribution to the film was minimal and he didn’t deserve credit. Over time, he realized the significance his voice gave to the character and reprised the role in subsequent movies, television series, and video games.
(13) BUSINESS OUTREACH. “How do you know you’ve arrived at the Uncommon Open Air weekend? You see the bookshop with a sea monster coming out of the windows,” the owners said on Facebook. This landmark is the River Bookstore in Amherstburg, Ontario.
(14) VIDEO OF THE DAY. The Screen Junkies, in “Firefly Honest Trailer” on YouTube, invite viewers to “suit up in their dustiest browns and beiges” to watch Firefly, the show with so much “quippy dialogue” that “if the ship goes under 50 quips an hour, it’s primed to explode!”
[Thanks to John King Tarpinian, JJ, Cyril Simsa, Martin Morse Wooster, Cat Eldridge, Mike Kennedy, Michael Toman, Michael J. Walsh, Rob Thornton, John Hertz, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel “One-Body” Dern.]
(1) COLUMBUS NASFIC OPENING CEREMONIES. [Item by David Doering.] Watching the Opening Ceremonies of the Columbus NASFiC, I noted the number of apologies for lack of the in-person meetings.
However, I also think we should celebrate that we are LIVING an SF novel. If we had written this 20 years ago, it would have been SF–real-time linkups with AV from around the globe!! Is that KEWL or what??
We did NOT have to cancel. We still have a great slate of programming. AND we still can get together to honor Mike Resnick.
I should add that we also don’t have worry about scaring each other with pathogens if we were in person. Thus potentially setting off a “War of the Worlds” scenario with all of us “aliens” descending on a single city only to be doomed by GERMS.
(2) ROGUE NASFIC. Chris Garcia is the virtual Columbus NASFiC’s Editor Guest of Honor. The con newsletter made everyone aware he’s also got some real-life concerns right now:
Please share your positive thoughts, hopes, prayers – as appropriate – and spare a moment of contemplation for Christopher J. Garcia (GOH), his wonderful family Vanessa, John Paul and Ben, as they await news of their home, and neighbourhood, evacuated as they are from Boulder Creek in the Santa Cruz County CZU August Lightning Complex Fire. Certainly, we all wish them well. (submitted by James Bacon)
In better Chris Garcia news, check out his Rogue NASFiC YouTube channel of extra programming. As Chris explained on Facebook:
This is what happens when I’m given the power of Guest of Honor without oversight!
This YouTube Channel has some great videos of interviews and more! I’ll be adding as the Weekend (and beyond!) goes on!
Coming soon will be our Podcast channel!
I wanna thank the entire team of the NASFiC for letting me have a little fun!!!
Here’s one example:
(3) NINA ALLAN FIRES A CANON. [Item by PhilRM.] Here’s another very interesting piece by Nina Allan, discussing, among other things**, the notion of an SFF canon: “Weird Wednesdays #11: the question of lineage”. There’s a well-known quote by Borges, from his essay on Kafka: “The fact is that every writer creates his own precursors. His work modifies our conception of the past, as it will modify the future.” Nina’s take (which I completely agree with) is that every writer creates their own canon; I’d extend this to say that every reader creates their own canon also.
**Her piece also convinced me that I really need to read William Golding’s The Inheritors and The Spire, which sound like fascinating books.
…I have explored and will continue to explore some of the ‘canonical’ works from science fiction’s so-called Golden Age – not because I feel I should but because I am interested. I enjoy thinking about these things, I enjoy writing criticism, and I happen to believe that the more widely you read around a subject, the more fiercely you can argue your corner, the more enjoyment you can derive. And having said that, I saw an interesting comment somewhere at some point during the post-Hugo furore with words to the effect that it is actually the middle generation of science fiction writers – Le Guin, Butler, Russ, Delany, Disch, Haldeman, Pohl – who are the true pioneers of the American tradition, who not only wrote better then but speak better now to the generation of writers currently winning Hugos. That definitely rings true for me, though it might not for you. But that’s the beauty of such contentions: they are there to be discussed.
In celebration of Bradbury, the AWM will also air in August on its newly launched podcast four conversations with contemporary science fiction and fantasy writers. Each weekly episode of the podcast features one of the AWM’s past live programs and covers a range of topics including process, writing influences, and the life of a writer. J. Michael Straczynski, author of Becoming Superman headlines the August 10 episode. On the August 17 episode, Annalee Newitz, author of The Future of Another Timeline, is joined by journalist Dan Sinker. Hugo-Award winner John Scalzi, author of The Consuming Fire, is featured on the August 24 episode. Isabel Ibanez, author of Woven in Moonlight, closes out the month on the August 31 episode.
If there is one lesson to be learned from Hamilton’s Broadway success, it’s that a surprising diverse number of themes can be successfully turned into musicals. After all, who would have believed Ontario’s steel town—just a second—I have just been informed that the musical Hamilton is not in fact about Hamilton, Ontario, but rather about a significant figure in the American Revolution. I see.
Nevertheless, my point stands: almost everything can be turned into a musical, given sufficient talent. Even science fiction epics. Which brings me to the exciting topic of What Science Fiction Works I Would Like to See as Musicals.
Ray Harryhausen original sculpture, #10 in the limited edition of 12 created in the early 1990s, and then cast in 2010, the last work of fine art by the cinematic trailblazer before his passing. Entitled ”Giving Life to Fantasy”, this self-portrait sculpture depicts Harryhausen as he wanted to be remembered, filming the animated creatures of his imagination: the Cyclops and Dragon in their climactic battle in ”The 7th Voyage of Sinbad”. Other personal touches in this detailed sculpture include Harryhausen’s Giant Octopus from ”It Came from Beneath the Sea” in a box on the floor (along with his inspiration, the gorilla from ”King Kong”), and his Brontosaurus from ”The Animal World” on the side table. Signed and numbered by Harryhausen on the corner of the table, ”Ray Harryhausen 10/12”. Sculpture stands on a green marble and wooden base, with entire presentation measuring 19” x 11.5” x approximately 11” tall, and weighing nearly 50 lbs. Some light patina to bronze, overall near fine condition.
(7) HUNGER GAMES IN EVERYDAY LIFE. [Item by Martin Morse Wooster, Designated Reader, Financial Times.] This is the lede of an article by John Reed in the August 20 Financial Times about protests against the Thai government.
“It is a morning ritual at every Thai school, steeped in tradition and nationalist decorum: children stand still and sing the national anthem as the kingdom’s blue, white, and red flag is raised.
But this week, amid a growing ‘Free People’ youth protest movement, children across Thailand raised their hands during the ceremony to make the protesters’ trademark, defiant three-fingered salute.
The gesture originated in The Hunger Games, the dystopian young adult franchise of books and films, but has been adopted as an emblem of a movement that has spread from university campuses to secondary schools…
…”it has become a peacefully powerful symbol of anti-authoritarianism,’ said Viengrat Nethipo, assistant professor of political science at Bangkok’s Chulalongkorn University. ‘Recently it’s been described among youth as symbolic of the French Revolution’s values of liberty, equality, and fraternity, so it’s easily adopted as a symbol.'”
(8) STATUE READY FOR PRIME TIME. [Item by rcade.] Medusa, a 2008 statue by the Argentine-Italian sculptor Luciano Garbati, is getting a seven-foot tall bronze version in New York City across from the New York Criminal Courthouse where Harvey Weinstein was put on trial. NSFW image in a tweet here.
Garbati’s statue is a response to Benvenuto Cellini’s famous Perseus with the Head of Medusa statue and the idea that Medusa is the villain of the story.
The original Greek myth of Medusa offers plenty to be angry about. The monstrous being with snakes for hair starts out as a human woman, who Poseidon rapes in Athena’s temple. The goddess then punishes Medusa by turning her into a Gorgon and exiling her. Perseus is later sent on an errand to bring Medusa’s head to King Polydectes. Equipped with a mirrored shield, winged sandals, and a special sack for her head, Perseus creeps up on Medusa while she lies sleeping, cuts off her head, and then uses it as a weapon for turning enemies into stone.”
Garbati says, “The representations of Perseus, he’s always showing the fact that he won, showing the head…if you look at my Medusa…she is determined, she had to do what she did because she was defending herself. It’s quite a tragic moment.”
…With Steven Universe and She-Ra both having ended this year, PAPER invited showrunners Rebecca Sugar and Noelle Stevenson to sit down with one another and reflect on the legacies of their respective series, getting their start in comics, the state of representation in the animated field and where things go from here.
PAPER: Since you’re both wrapping up your respective series’, looking back at what each of you have accomplished, in those series what are you proud of, what do you wish you could have improved on or pushed further?
Rebecca Sugar: Okay, well looking back on everything, I’m really proud of what we were able to do with the characters of Garnet and Ruby and Sapphire. It really goes all the way back to the time I spent on Adventure Time and when I got a chance to do some of the earlier episodes with Marceline and Bubblegum. This was 2010 so Don’t Ask Don’t Tell was still a national policy. It would be half a decade before same-sex marriage was legal in The United States and I wanted to do something with the characters of Marceline and Bubblegum but figure out how to get it on TV. The strategy at the time that I pitched was that because they’re both centuries-old, millenniums-old, had a relationship sometime in the past and they’re unpacking that in a way that would be apparent. That was the only way to be able to do something with these characters and their relationship on screen.
As I was entering my show, I really wanted to find a way to be able to show characters actively in a relationship happening in real-time. We strategized the concept of fusion to be able to explore relationships and include queer relationships. Central to that, one of the things we were excited about was to have the character of Garnet have a ton of screen time and be a main character. There were a lot of things I wanted to explore with an active relationship to parallel my own relationship. I was inventing these characters with my co-executive producer Ian Jones-Quartey, who is also my partner. We wanted to explore an active, queer relationship that would parallel a lot of our experiences with bigotry as an interracial couple.
(10) N.K. [Item by rcade.] While discussing a project called Women’s Prize for Fiction Reclaim Her Name that asked to publish one of her stories for free, then asked to publish one of her novels for free, Nora Jemisin explains how she came to write novels under the initials N.K. Thread starts here.
“(And for those wondering, I’ve said this in multiple interviews, but I did it bc at the time I was an academic starting to publish papers, and thought the initials would separate my fiction writing from my academic writing. [Yeah, this was before natural language processing.])”
Read the whole thread for how she handles a question about what the K stands for.
(11) MEDIA ANNIVERSARY.
August 1998 — Blade premiered. With Wesley Snipes as Blade, this film, the first of a trilogy, was directed by Stephen Norrington and written by David S. Goyer as based on the Marvel character developed by writer Marv Wolfman and penciller Gene Colan. It was produced by Snipes along with Peter Frankfurt and Robert Engelman. Stephen Dorff, Kris Kristofferson, N’Bushe Wright and Donal Logue were the other principal cast. Marvel, along with Amen Ra Films and Imaginary Forces, were the producing film companies. It was generally well-received by critics though several thought it was way too violent. Box office-wise, it did fantastic but Marvel earned just a flat fee of $25,000. Audience reviewers at Rotten Tomatoes currently only give it a 55% rating.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born August 21, 1872 — Aubrey Beardsley. Best remembered for his often highly erotic art, ISFDB lists him as having a genre novel, The Story of Venus and Tannhäuser, which bears one of the longest subtitles I’ve encountered (“The story of Venus and Tannhäuser in which is set forth an exact account of the manner of State held by Madam Venus, Goddess and Meretrix under the famous Hörselberg, and containing the Adventures of Tannhäuser in that Place, his Repentance, his Journeying to Rome, and Return to the Loving Mountain”). He has two genre novellas as well, “Catullus: Carmen Cl.“ and “ Under the Hill”. And yes, he was just twenty-five when he died of tuberculosis. (Died 1898.) (CE)
Born August 21, 1888 — Miriam Allen deFord. Although it is said that she started writing SF when Boucher became editor of The Magazine of Fantasy & Science Fiction, she only published five of her eighteen late Forties through Fifties works there. One published there, “Mary Celestial“, was written with Boucher. And one, “A Death in the Family”, was adapted in Night Gallery‘s second season. Best remembered as a mystery writer. I see no indication that she’s in print in any manner these days for her SF (but three of her mysteries are available from the usual suspects) though she had two SF collections, Elsewhere, Elsewhen, Elsehow and Xenogenesis. (Died 1975.) (CE)
Born August 21, 1911 – Anthony Boucher. Co-founded The Magazine of Fantasy & Science Fiction with Francis McComas, co-edited with him 1949-1954, alone through ’58; two Hugos for Best Professional Magazine. Eight Best of F&SF anthologies 1952-1959 (’52-’54 with FM). A Treasury of SF ’59, one of our best. Six dozen short stories. Translated into Dutch, French, German, Hungarian, Italian, Japanese, Russian. Opera lover. First translator of Borges into English, hello Evelyn Leeper. Also detective fiction (a star there too), radio drama, poker. (Died 1968) [JH]
Born August 21, 1927 – Arthur Thomson. Fanartist. Thirty covers, a hundred forty interiors. Signature often read as “ATom”, some insist it’s just “Atom”. Resident illustrator of Hyphen. Back covers for Nebula. Here is the Nov 64 Riverside Quarterly. Here is Banana Wings 49 (repr. from An ATom Sketchbook). TAFF (Trans-Atlantic Fan Fund) delegate, published ATom Abroad. Official Artist of Boskone 15. Two Novas. Rotsler Award. (Died 1990) [JH]
Born August 21, 1943 – Ron Walotsky. A hundred eighty covers, fifty interiors. Gallery in Locus 500. Interview in SF Chronicle 214. Magic: the Gathering cards. Ancient Warriors of Lost Civilizations series based on horseshoe-crab shells found near his Florida home. Here is the May 67 F&SF. Here is Lord of Light. Here is Earth Ship and Star Song. Here is The Shores Beneath. Here is Houston, Houston, Do You Read? (Souls cover bound with it is by Dieter Rottermund.) Here is the Nov 97 Analog. Here is Jimi Hendrix. Artbook, Inner Visions. (Died 2002) [JH]
Born August 21, 1943 — Lucius Shepard. Damn, I didn’t know he’d passed on. Life During Wartime which won him the Astounding Award for a Best New Writer is one seriously weird novel. And his World Fantasy Award winning The Jaguar Hunter is freaking amazing as are all his short collections. I don’t remember reading “ Barnacle Bill the Spacer” which won a Best Novella Hugo at ConFrancisco. (Died 2014.) (CE)
Born August 21, 1956 — Kim Cattrall, 64. Gracie Law in John Carpenter’s amazing Big Trouble in Little China. She also played Justine de Winter in The Return of the Musketeers, Paige Katz in Wild Palms, Lieutenant Valeris in Star Trek VI: The Undiscovered Country and Linday Isley in Good v. Evil. Series wise, she was one offs in Tales of the Gold Monkey, Logan’s Run, The Incredible Hulk and The Outer Limits. (CE);
Born August 21, 1957 – John Howe, 63. A hundred sixty covers, two hundred fifty interiors. The Maps of Middle-Earth, There and Back Again with Brian Sibley; A Middle-Earth Traveler. Here is Rip van Winkle. Here is The Lord of the Rings (presumably not meaning to imply Gandalf is he, aiee). Here is The Once and Future King. Here is Fool’s Errand. Here is Créatures. Artbooks Myth & Magic, Sur les terres de Tolkien, John Howe Fantasy Art Workshop, Forging Dragons, Lost Worlds, Coloring Dragons. Website here. [JH]
Born August 21, 1965 – Darynda Jones, 55. Sixteen novels, three shorter stories. Summa cum laude from U. New Mexico. Sign-language interpreter. RITA Award. Admits to almost finishing a post-Apocalypse story while in a corner booth at a Tastee Freez, kindly has never shown the manuscript. Lives in New Mexico with husband and two sons the Mighty Mighty Jones Boys. Third Grave Dead Ahead a NY Times Best Seller. [JH]
Born August 21, 1968 — Carrie-Anne Moss, 52. I first saw her as Tara McDonald in the Dark Justice series. Not genre, just her first video I think. Due later played Monica Howard in the “Feeding the Beast” episode of Forever Knight as her first genre role. Oddly enough her next role was as Liz Teel in the Canadian series called Matrix which has nothing to do with the Matrix film franchise where she’s Trinity. Her latest genre role was playing Jeryn Hogarth in the now defunct Netflix based Marvel Universe. (CE)
Born August 21, 1972 – Socorro Vegas, 48. Premio Nacional de Poesía y Cuento «Benemérito de América», Premio Nacional de Novela Ópera Prima «Carlos Fuentes» (Mexico). Five book-length works (Todos las islas is short stories). We may claim “The Giant in the Moon”, see it in English here. Other translations in Compressed, Concho River Review, The Listening Eye, Literal, The Modern Review. [JH]
Born August 21, 1975 — Alicia Witt, 45. Her first role was at age eight as Alia Atreides in David Lynch’s Dune. Next, genre wise at least, voices Caitlin Fairchild In the animated Gen¹³ film. She has series one-offs in Twilight Zone, Person of Interest, Elementary, Walking Dead, Supernatural and The Librarians. She showed up in an episode of the original Twin Peaks and reprised that role nearly thirty years later in Twin Peaks: A Limited Event Series. (CE)
(13) DC FANDOME. In addition to everything else happening this busy weekend is the DC Fandome. It’s free and signing up is easy — here. The 24-hour event starts at 10 a.m. Pacific.
(14) GRATITUDES. In “i am grateful”, Wil Wheaton admits it’s hard for him to fall asleep because when he’s trying, that’s when anxiety works on him most aggressively. He shares a practice that has made it easier.
…But I started doing something that’s been incredibly helpful, and I thought I’d share it.
Every night as I’m getting ready for bed, I focus on a list of things for which I am grateful. I call it “doing my gratitudes”. I just start somewhere, like “I am grateful that I am going to sleep in a warm, safe bed. I am grateful that I get to share this bed with Anne. I am grateful I have enough food.” Stuff like that. I remind myself that there is so much that is good in my life, and by thinking about those things, recognizing those things, and making space to feel grateful for them, I do not give my anxiety an opportunity to grab hold of anything and go to work on me.
… Those bright lights are so important right now, whether they are stadium lights turning night into day, or pinpricks that barely allow candlelight through black velvet. Spending time in gratitude makes it easier for me to find the light, and remember that it is there, even when I can’t see it.
Did the iconic theme song for The X-Files need fan-written lyrics? If it got the cast of the sci-fi series to reunite for a musical Zoom call, then, perhaps — like the massive government archives secreting away the supernatural — it’s worth it for the greater good.
…Now how many government secrets are hidden in this song? The new lyrics — courtesy of contest winners Jennifer Large and Rebecca MacDonald — give composer Mark Snow’s classic eerie theme a twist, especially when sung by a wide-ranging collection of cast members and crew.
…Explanations abound for the game’s sudden explosion in popularity, but I have noticed a particularly common camaraderie among fellow writers. What is it about this game, with so many other open-concept games already in existence, that draws writers to it with such gusto? The timing of release and the sweetness of the game in such dark times are no doubt factors, but I believe it goes deeper than that, down to the very core of our creative hearts.
…From that moment on, I unconsciously spun the narrative of my experience. From the clothes I wore to where I placed the coin-operated tourist binoculars I’d shot out of a balloon with a slingshot, I was crafting a story within this story-less game. This is the garden where I breed pink roses. Here is my carnival for when I need a bit of a thrill, outfitted with a popcorn machine and a teacup ride. There is the playground and community pool where I’ll meet my friends on the weekend, lined with color-coded tables for playing chess. Every piece of wallpaper, every color, every pair of jelly sandals I place on my chibi feet are dishing out tone and theme and mood.
And then there are the villagers. They are a delight to witness as they flit about the island, munching on popsicles, singing, or sprinting Naruto-style on the beach. I’ve dedicated far too many hours to crafting and designing spaces on my island that my residents might enjoy, despite many of the items being stationary and non-interactive. My imagination does all the work the game does not.
Alexander Muscat tweets, “In Microsoft Flight Simulator a bizarrely eldritch, impossibly narrow skyscraper pierces the skies of Melbourne’s North like a suburban Australian version of Half-Life 2’s Citadel, and I am -all for it-.”
In Japan, if you want to disappear from your life, you can just pick up the phone and a ‘night moving company’ will turn you into one of the country’s ‘johatsu,’ or literally ‘evaporated people.’ You can cease to exist. Meet the people who choose to disappear and the people who are left behind.
After a cliff collapsed in Grand Canyon National Park, a boulder with fossilized tracks was revealed, park officials said in a Thursday news release. The fossil footprints are about 313 million years old, according to researchers.
“These are by far the oldest vertebrate tracks in Grand Canyon, which is known for its abundant fossil tracks” Stephen Rowland, a paleontologist at the University of Nevada, Las Vegas, said in the news release. “More significantly, they are among the oldest tracks on Earth of shelled-egg-laying animals, such as reptiles, and the earliest evidence of vertebrate animals walking in sand dunes.”
Pumpkin spice came early this year — too early, according to majorities of consumers.
Dunkin’ Donuts’ pumpkin-flavored coffee and other fall treats returned to the menu earlier than ever this year, the company said, arriving at participating locations Wednesday. Starbucks Corp. has yet to confirm the return date for its much-loved pumpkin spice latte, but one location reportedly said the product would launch on Aug. 28.
While some social media users are eager for the early return of fall products — a silver lining in an otherwise difficult year — new polling from Morning Consult shows that many consumers would prefer to see products promoted closer to the seasons or holidays with which they’re associated….
(21) VIDEO OF THE DAY. Metal Monsterette is a fun family film made in 1957 with kids and cousins by Ed Emshwiller. His daughter Eve is the heroine and daughter Susan is the mad scientist Dr. Majenius.
[Thanks to Cat Eldridge, Mike Kennedy, John King Tarpinian, John Hertz, Michael Toman, JJ, rcade, Martin Morse Wooster, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W.]