Tag Archives: space shuttle

Pixel Scroll 10/11/23 We’re All The Children Of Pixels, Ancient Pixels Who Gave Birth To All Intelligence

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(1) THE ROCKETS’ GREEN LIGHT. Early this morning in Los Angeles the last of two Space Shuttle Rocket Launch Motors made their way through Exposition Park to the California Science Center. Each is 116 feet long and around 12 feet in diameter.  

They are part of the “Go for Stack” project to move and lift space shuttle components for the future Samuel Oschin Air and Space Center. What is Go for Stack?

“Go for Stack” is the complex process of moving and lifting each of the space shuttle components into place for Endeavour’s upcoming, awe-inspiring 20-story vertical display in the future Samuel Oschin Air and Space Center, which is currently under construction. This technically challenging feat has never been done outside of a NASA facility. 

(2) ROBIN REID GUESTS ON TOLKIEN PODCAST. Episode 16 of Queer Lodgings: A Tolkien Podcast is a “Queer Anthology Interview with Robin Reid, Chris Vaccaro, Steven Yandell”.

We have a special treat for you this month – Leah, Alicia, and Grace welcome not one… not two… but three guests! They are the editors of the forthcoming edited anthology ‘”There Are Many Paths to Tread”: Queer Approaches to Tolkien’s Middle-earth’ from McFarland (due to release in 2025), and each is a well-known Tolkien scholar in their own right – Robin Reid, Chris Vaccaro, and Steve Yandell. Join us as we discuss the landscape of Queer and Intersectional Tolkien studies, why they’re important, and what these important and fresh outlooks can contribute to Tolkien scholarship.

(3) MALINDA LO ON BOOK SUPPRESSION. “My Books Have Been Banned or Challenged in 16 States” says Malinda Lo, and in this thoroughly-researched post the author explores many ways that has been done.

In the last two years, my books have been banned, challenged, or restricted in 44 cases in 40 communities across 16 states. Last Night at the Telegraph Club receives the most attention, but Ash, Huntress, A Line in the Dark and A Scatter of Light have also been targeted by book banners. The book bans have increased over time, and in the last couple of months I’ve learned about a new one almost every week…

In the spreadsheet, I’ve recorded 44 cases in which my books were targeted by right-wing activists. Those cases include: 

  1. Book bans, in which books are removed from school libraries and/or classrooms (either during an investigation of the challenge or completely);
  2. book challenges, in which a community member makes a complaint about a book to a school district or library (this may not lead to an outright ban);
  3. restrictions, in which a book is placed in a restricted section of the library or requires parental permission for access; and 
  4. instances in which a book published as young adult was moved to the adult section of a library. 

I have chosen to count more than straightforward book bans, and I include the challenges I have found even if the book is not ultimately banned, because I’m interested in tracking all the ways my books are targeted. This is a personal analysis of how book banning has affected my work, not a broader analysis of book bans in America….

Here’s an example of Lo’s detailed analysis:

…. When asked if they had read the entire book, the challenger wrote, “I read a summary and it told me everything I need to know.” What concerns them? “This book promoting a sexual agenda to young people.”

Since they didn’t read the book, you may be wondering where they found these summaries or sections that they object to. While I don’t know where these specific two challengers found their summaries, I suspect they may have used conservative book banning Facebook groups or websites like Book Looks (created by Florida-based Moms for Liberty) or Rated Books (affiliated with the Utah-based Laverna in the Library). I think that whoever made the entries about Telegraph Club for these websites has in fact read the book, or at least they have combed through it line by line hunting for excerpts that they believe prove their allegations of a book’s offensive nature….

(4) CHENGDU WORLDCON ROUNDUP. [By Ersatz Culture.]

New Worldcon logo

2023 Chengdu has changed its logo just before the con.  

Chinese-language article about the WSFS Business Meeting

The con posted an article to weixin.qq.com entitled (via Google Translate) “Everyone, please check the introduction of the 2023 Chengdu World Science Fiction Conference Business Meeting!”.  Most File 770 readers are likely to be already familiar with material about the WSFS Business Meeting – the article even has a section summarizing Robert’s Rules of Order – but there are a couple of interesting bits near the bottom of the page, as follows…

Who’s sponsoring the WorldCon?  Some answers

The October 9th Scroll pointed out that the list of Chengdu Worldcon sponsors in the Business Meeting Agenda did not match announcements at a June Brand Conference.  At the bottom of the page, there is what I believe is the first official confirmation of any sponsors on any of the Worldcon’s platforms.  There are four levels or types of sponsor, the information I’ve been able to glean so far is:

“2023 Chengdu Worldcon Starseeker”

  • China Telecom (the only sponsor confirmed at the aforementioned Brand Conference)
  • ICBC – Industrial and Commercial Bank of China

“2023 Chengdu Worldcon Stargazer”

  • Das Security – cybersecurity firm, apparently also known as DBAppSecurity, according to this article which states they were also a sponsor of the recent Asian Games alongside China Telecom and ICBC.
  • Starry Dome – I assume that this is the same company as 上海瀚海星穹网络科技 / Shanghai Hanhai Xingqiong Network Technology, but I’m still a bit unclear what exactly they do; websites that provide company data mention both technology and marketing.  This listing states (via Google Translate) that “Shanghai Hanhai Xingqiong Network Co., Ltd. was established in 2023. It is a technology company dedicated to brand management, game distribution, omni-channel operation and entertainment innovation. At the beginning of its establishment, the company determined that the derivative incubation of the “Wandering Earth” IP would be its main business direction, and it has actively explored and developed in this field.”

“2023 Chengdu Worldcon Specially Supporting Brands”

“2023 Chengdu Worldcon IP Cooperative Partner”

  • Three-Body Universe is a name I’ve seen a few times, but I never looked into.  Per a recent Reddit thread, “Three Body Universe is the Chinese company behind most Three Body Problem IP like the Zhang Beihai season of the Three Body Minecraft animation, the TBP animation, the radio drama, etc…”

Note that the above list(s) include neither of the organizations named as sponsors in the Business Meeting Agenda document.

(5) ON WORLDCON WEEKEND PUTIN WILL BE IN CHINA, BUT NOT CHENGDU. [Item by Mike Kennedy.] Reuters News reports “China to host Belt and Road forum in Beijing Oct 17-18” on the same weekend as the Worldcon – and guess who will be there.

China will host its third Belt and Road Forum next week, its foreign ministry said on Wednesday, a President Xi Jinping signature event that President Vladimir Putin is due to attend on a rare trip abroad….

…Putin attended the two previous forums, in 2017 and 2019, and the Kremlin said in September he had accepted an invitation to the forum and for talks with Xi.

The Russian leader is not known to have gone abroad since the Hague-based International Criminal Court (ICC) issued a warrant for him in March over the deportation of children from Ukraine….

Overlaps Worldcon in time, but not in space by a few provinces and about 1800 km by road. It might inform someone’s decisions on when and where to sightsee.

(6) TOLKIEN SOCIETY SEMINAR. The Tolkien Society Online Seminar 2023 will be happening November 26, 2023 with the theme “Tolkien and Religion in the Twenty-First Century.” Complete information at the link, including a schedule of paper presentations.

… Although J.R.R. Tolkien deliberately excluded explicit religious references from his legendarium and rejected narrow allegorical readings of The Lord of the Rings, he made no secret of his devout Roman Catholicism and its importance to his sub-creative endeavor. From the creation myth of the “Ainulindalë” to the eucatastrophic destruction of the One Ring, Túrin Turambar’s doomed warrior courage to Frodo Baggins’s self-sacrificial humility, scholars have long examined the influence of Tolkien’s Christian faith and his abiding admiration for pre-Christian legends on the nature and history of Arda. Explorations of the legendarium from other religious perspectives or explicitly nonreligious perspectives have received less attention, however, as have studies of the reception of Tolkien’s work among (non)religious readers and communities….

(7) MYTHOPOEIC ONLINE EVENT. “Something Mighty Queer” is the theme of the Mythopoeic Society’s Online Midwinter Seminar 2024, to be held next year on February 17-18. The call for papers is at the link. The deadline to submit is November 30.

We invite submissions for an online conference that focuses on queerness in fantasy, science fiction, speculative fiction or other mythopoeic work. This can be queer representation within the work or engaging with mythopoeia through queer theory. “Queerness” is an intentionally ambiguous term, demonstrating the diversity of queer experiences, and the necessity of situating queerness as a liminal, complex paradigm. Queer theory is wider than the study of gender identity or sexuality, extending to taking positions against normativity and dominant modes of thought, and engaging with the indefinite….

(8) FIVE-YEAR MISSIONARY. In an NPR interview “Patrick Stewart says his time on ‘Star Trek’ felt like a ministry”.

… Martin: I talk to a lot of people about spirituality and about the value of spiritual communities, which I think are when people who have similar values gather together and have or seek transcendent experiences. And I think Star Trek, in all of its incarnations, represents that to a lot of fans. It is a spiritual world. They treat it with religious reverence. Have you encountered that? Do you get it?

Stewart: Yes. I see it very, very clearly and very strongly. It was about truth and fairness and honesty and respect for others, no matter who they were or what strange alien creature they looked like. That was immaterial. They were alive. And if they needed help, Jean Luc Picard and his crew, his team, were there to give it.

In a sense, we were ministers. And I have heard now so many times from individuals who have been honest enough and brave enough to tell me aspects of their life, of their health, of their mental health. And how it was all saved and improved by watching every week….

(9) SIGNATURE MYSTERY. [Item by Danny Sichel.] From the collection of the late Sylvain St-Pierre, Montreal fan, comes this autograph page from the souvenir program book for Nolacon II (Worldcon 1988). The top autograph is obviously from George Alec Effinger, but does anyone have any idea who the bottom one is from?

(10) MEMORY LANE.

2004 — [Written by Cat Eldridge.]

Charles de Lint’s Medicine Road which is where our Beginning is from has an interesting backstory, or at least the lead characters do. Now mind you, we won’t be meeting either of them in the Beginning. Well sort of we won’t. 

There’s a minor spoiler here. Very minor. 

 There’s a number of stories that he did that are set within a place, a very rural Appalachian setting, roughly now though the year is never known to the reader. A children book, A Circle of Cats which Lis will be reviewing is where these stories began followed  by The Cats of Tanglewood Forest which she has already reviewed here.  

There’s a single story in this set of stories “Somewhere in My Mind There Is a Painting Box”.  And now we get to the YA Seven Wild Sisters where Laurel and Bess, musical twins, younger here than they will be in the adult Medicine Road where they are a folk singing duo, will get involved in the fey world of the region. Both of these will also be reviewed by her. 

And here’s our Beginning…

CHANGING DOG AND CORN HAIR

One night, not so long ago, Changing Dog and Corn Hair met up in Sedona, Arizona, to have a talk about an old bargain they’d made with Coyote Woman. It’s funny, thinking of the two of them together like that; I can imagine them doing pretty much anything except getting along. Most times they’ll argue the colour of the moon, or the taste of water, if they can’t find something better to disagree on. There’s nothing much they ever seem to settle on, except that the other’s wrong.

But this night Corn Hair wasn’t aiming for an argument. She had herself a camp there by Oak Creek, on the south bank where the water runs below Cathedral Rock. It wasn’t much, just her bedroll laid out in the sand under the sycamores, with her pack doubling as a pillow. Close by, she’d built a small fire on which she was boiling water in a tin coffee pot, the bottom blackened from all its years of use. She ground some coffee beans using a flat rock and another the size of her fist for a mortar and pestle, scooping them into the now-boiling water when they were ground to her satisfaction. By the time Changing Dog came ambling down from the red rock scars skirting the solitary butte that towered above the creek, the coffee was thick and black, ready to drink.

Changing Dog nodded hello and sat cross-legged near the fire. He was a rangy, copper-skinned man with a narrow face and long, chestnut hair that streaked to a dark tan at his temples and was kept tied back with a thin strip of leather. You hardly ever saw him dressing up. That night he was wearing a white T-shirt and jeans, dusty tooled-leather cowboy boots and an old brown leather jacket going thin at the elbows. He wasn’t a homely man and he wasn’t particularly handsome, but he had these eyes that would grab anybody’s attention, especially a woman’s. They were a vivid cornflower blue that looked violet in the right light, and there was always a promise in them–not that he’d necessarily deliver, but that whatever might come, it would at least be interesting.

He accepted the tin coffee mug that Corn Hair handed him and took an appreciative sip. Setting the mug in the sand, he pulled a tobacco pouch from his pocket and rolled them each a cigarette, lighting them with a twig from the fire. He left one hanging from his lips, offering the other to Corn Hair.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 11, 1949 — Sharman DiVono, 74. She was the primary writer of the Star Trek comic strip from a year in the early Eighties.  She’s written a number of other strips such as Pebbles and Bamm-Bamm, The Man from Planet X and Tarzan. She has written for three animated series — G.I. Joe, Bill & Ted’s Excellent Adventures and Star Wars: Droids. She’s written one genre novel, Blood Moon. 
  • Born October 11, 1960 — Nicola Bryant, 63. Well known for her role as Perpugilliam “Peri” Brown, a companion to both the Fifth and Sixth Doctors. She also worked in “The Two Doctors” story so she appeared with the Second Doctor as well. Of course she’s done Big Finish Doctor Who audio dramas. Like so many, many genre performers, she shows up in the video Trek fan fiction playing Lana in Star Trek Continues.
  • Born October 11, 1964 — Michael J. Nelson, 59. Best known for his work on Mystery Science Theater. He was the head writer of the series for most of the show’s original eleven-year run, and spent half of that time as the on-air host. Bad genre films were a favorite target of him and his companions. Not that they don’t deserve it. 
  • Born October 11, 1965 — Sean Patrick Flanery, 58. I really do think that his best work was on The Young Indiana Jones Chronicles and the films that followed. It certainly wasn’t as Bobby Dagen in Saw: The Final Chapter, a film best forgotten. (It gets a forty-one percent rating among audience reviewers at Rotten Tomatoes, much better than I expected.) He appeared as Jake Greyman in Demon Hunter, another low budget horror film, and as John in The Evil Within. I see a pattern…
  • Born October 11, 1972 — Nir Yaniv, 51. Author, editor, musician, and filmmaker.  He founded a webzine for the Israeli Society for Science Fiction & Fantasy.  Currently, he’s the chief editor of Chalomot Be’aspamia, Israel’s only professionally printed genre magazine. His short fiction has appeared in Weird Tales, Apex Magazine and The Best of World SF. He co-wrote The Tel Aviv Dossier with Lavie Tidhar. 
  • Born October 11, 1972 — Claudia Black, 51. Best known for being Aeryn Sun in Farscape, arguably the best SF video series ever done, Vala Mal Doran in Stargate SG-1 and Sharon “Shazza” Montgomery in Pitch Black. She also had a recurring role as Dahlia in The Originals and starred as Dr. Sabine Lommers in The CW’s Containment series.
  • Born October 11, 1976 — Emily Deschanel, 47. Temperance “Bones” Brennan in Bones which crossed over with Sleepy Hollow twice (she visited the latter once) and she had a bit part on Spider-Man 2. More notably she was Pam Asbury in Stephen King’s Rose Red series. Actually the forensic science on Bones is genre, isn’t it? 

(12) COMICS SECTION.

(13) PRODIGY COMES IN FOR SAFE LANDING. So says The Hollywood Reporter: “’Star Trek: Prodigy’ Moves to Netflix After Paramount+ Cancellation”.

Star Trek: Prodigy, the animated kids show that was canceled at Paramount+ with its second season still midway through production, has found a new home.

Netflix has scooped up both the previously aired first season and has committed to airing the sophomore run once that completes production. Season one will stream later this year, with the second batch due in 2024.

The Paramount Global-backed Paramount+ axed Prodigy in June when it became the latest streamer to take advantage of tax write-offs. 

Prodigy, though, was a particular surprise given the series is produced in-house by CBS Studios, where Star Trek captain Alex Kurtzman is based with a nine-figure overall deal…. 

(14) DISNEY SOLVES FOR X. At CBR.com,“Disney Celebrates the X-Men and Avengers’ 60th Anniversary With What If…? Variant Covers”.

Classic Disney characters will grace the covers of Marvel’s comics in 2024 to celebrate the Avengers and X-Men‘s 60th anniversary.

The Disney What If…? variant cover series will be a monthly program adorning select issues of Amazing Spider-Man. There are twelve covers, and they will be released monthly throughout 2024. They will feature Mickey Mouse, Minnie Mouse, Donald Duck, Goofy and other classic Disney characters in milestone moments from Avengers and X-Men history. Marvel revealed the first three covers, one recreating Avengers #1 with Peg Leg Pete as Loki, another with Mickey and friends as the original X-Men, and the third showing the iconic Disney characters assembling as the Avengers, even giving Goofy Captain America‘s shield and Pluto Thor’s hammer.

(15) 2 ARMS, 2 ARMS! The Heritage Auctions Blog promises “This Piece Will Hook You – T-1000 Arms from Terminator 2”.

When it comes to explosive sequels, few in the industry can make a more bombastic blockbusting entry into a franchise like James Cameron. Having taken audiences on a pulse pounding tour de force with his follow up to the critically acclaimed Alien and made a splash with the cutting-edge special effects technologies which brought to life his memorable creations in The Abyss, one would think that Cameron would be hard pressed to continue his upward trajectory as the king of Blockbusters. Then, on July 3rd, 1991, it happened. Like a nuclear blast from his harrowing future vision of a robotic apocalypse, he unleashed yet another pioneering action film with Terminator 2 . A sequel that not only raised the stakes presented in the original film but proved to be an even bigger critical success. Among the memorable characters and sequences, a particular liquid metal menace played by a then unknown actor, Robert Patrick, captivated audiences and the vast pop-culture consciousness, the T-100.

Flash forward 32 years, and I find myself typing this entry while sitting in a large warehouse. Don’t worry. It might be a little imposing, but a fallout shelter it is not. The world hasn’t been taken over by artificial intelligence (yet), and as a cataloger working on Heritage Auctions’ various upcoming auctions, I continually find myself in a movie memorabilia mecha. And though I’ve held pieces from iconic films spanning the history of Hollywood, very few pieces have made my heart race the way these prop T-1000 hooked arms have….

(16) COULD THIS KSR SCENARIO REALLY WORK? [Item by John A Arkansawyer.] A speculative article from the BBC on climate change uses Kim Stanley Robinson’s Ministry for the Future as a hook. Beware spoilers. “To avert climate disaster, what if one rogue nation dimmed the Sun?” at BBC Future.

…In Robinson’s imagined scenario, India’s rogue deployment of solar geo-engineering turns out to be broadly benign, and buys time to scale-up emissions reductions. But in the real-world, the idea that such a deus ex machina technology could ever be safely deployed remains highly speculative, with many risks and unknowns.

So if one rogue nation did decide to dim the Sun for real, what environmental and geopolitical consequences might unfurl? And is the safe deployment of such a technology even a conceivable goal? …

(17) PLAYING CHICKEN IN SPACE – AND LOSING. [Item by Steven French.] When worlds collide! (It’s kinda pretty…) “Afterglow of cataclysmic collision between two planets seen for first time” reports the Guardian. Photos at the link.

… After a detailed analysis of the observations, the astronomers concluded that the blast of infrared radiation came from a hot new object or “synestia” created by the collision of two planets nearly as large as Neptune. Based on the infrared readings, the vast spinning object had a temperature of more than 700C for about three years. It will eventually cool and form a new planet around the star.

According to details published in Nature, the star began to dim about 2.5 years after the afterglow began as a massive cloud of fine impact debris drifted across the face of the star.

“It’s the first time we’ve seen the afterglow from such an event,” said Simon Lock, another co-lead author at the University of Bristol. “We’ve seen debris and discs before, but we have never seen the afterglow of the planetary body that’s produced.”…

(18) BARBIE HALLOWEEN. [Item by Mike Kennedy.] Part of an Utah neighborhood is transforming itself into Barbieland for Halloween. Each homeowner has picked a different theme related to the Barbie movie, Halloween+Barbie, etc. There’s the Barbie Dream House, a Barbie graveyard, Disco Barbie, and many more. Most of the houses are using pink floodlights, making the effect much more vivid at night. “Utah residents transform neighborhood into Barbieland for Halloween” at USA Today.

And the pink passion this season isn’t only in Utah. For instance, an Atlanta-area homeowner has decorated her front yard as the Barbie Scream House.

If you know of more examples of this trend, feel free to add links in the comments.

[Thanks to Ersatz Culture, John King Tarpinian, Steven French, Daniel Dern, Bonnie McDaniel, John A Arkansawyer, Lise Andreasen, Chris Barkley, Cat Eldridge SF Concatenation’s Jonathan Cowie, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 8/25/23 Like A File Over Troubled Pixels I Will Scroll You Down

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(1) HOPE FOR THE JAMES WHITE AWARD. Gareth Jelley, editor and publisher of Interzone, responded to the comments about the James White Award in yesterday’s post “Are These Awards Dead or Just Pining for the Fjords?”

Thank you for the interesting post today on awards. Funnily enough, I’m becoming a big fan of James White’s writing and have one of his books on the bedside stack at the moment.

But you are right: I’ve not yet been asked about Interzone and the James White Award.

It is on my radar, though! It has been on my list of things to do as Martin McGrath and I chat once in a while on the IZ Digital Discord. But we’ve both been quite busy.

So, not 100% an ex-award yet — it is something I would definitely like to get going again, once Interzone is back on its feet.

(2) BEHIND THE SCENES. “Disney+ Celebrates ‘Star Wars: Ahsoka’ Debut with ‘Rebel Crew’ Featurette” and Animation World Network has the story.

Disney+ celebrated yesterday’s launch of Lucasfilm’s newest series, Star Wars: Ahsoka, by sharing the Rebel Crew featurette, a look behind the making of the series. The first two episodes of the show are now available. 

The show, set after the Empire’s fall, follows the former Jedi Knight Ahsoka Tano as she investigates an emerging threat to a vulnerable galaxy.

Rosario Dawson, who reprises her The Mandalorian role as Ahsoka Tano, is joined by Natasha Liu Bordizzo as Sabine Wren; Mary Elizabeth Winstead as Hera Syndulla; Ivanna Sakhno as Shin Hati; Wes Chatham as Captain Enoch; Hayden Christensen as Anakin Skywalker; the late Ray Stevenson as Baylan Skoll; David Tennant as Huyang; Temeura Morrison as Captain Rex; and Lars Mikkelsen as Grand Admiral Thrawn….

(3) EATING THE FANTASTIC. Scott Edelman invites listeners to chow down on crispy pickled cucumbers with Lisa Morton in Episode 205 of his Eating the Fantastic podcast.

Lisa Morton

My second guest from this year’s Pittsburgh StokerCon is Lisa Morton, a screenwriter, award-winning prose writer, author of non-fiction books, and Halloween expert.

She’s written more than 150 short stories, including the Bram Stoker Award-winning “Tested” (from Cemetery Dance magazine) and “What Ever Happened to Lorna Winters?,” chosen for inclusion in Best American Mystery Stories 2020. In 2010, her first novel The Castle of Los Angeles was awarded the Bram Stoker Award for First Novel. Her other novels include Malediction (nominated for the Bram Stoker Award for Best Novel), Netherworld, and Zombie Apocalypse: Washington Deceased.

Her work as an editor includes the anthology Midnight Walk, winner of the Black Quill Award and nominated for the Bram Stoker Award, Haunted Nights (co-edited with Ellen Datlow), Ghost Stories: Classic Tales of Horror and Suspense, and Weird Women: Classic Supernatural Fiction by Groundbreaking Female Writers 1852-1923, co-edited with Leslie Klinger. As a Halloween expert, Lisa wrote the definitive reference book The Halloween Encyclopedia (now in a second edition), and the multiple award-winning Trick or Treat: A History of Halloween. Her screenplay credits include the feature films Tornado Warning, Blood Angels, Blue Demon, and The Glass Trap. She’s is a former President of the Horror Writers Association.

We discussed how seeing The Exorcist at age 15 changed her life, why she sometimes feels guilty about her path to publication, our memories of the late, great Dennis Etchison, the differences between trick or treating in New York vs. L.A., the weirdest thing about working in a bookstore during the pandemic, the differing ways our writing was affected by lockdown, how she myth-busted Halloween, why she doesn’t think of rejection as rejection, what she means when she says horror fiction should be more political, writing for themed anthologies, what it would take for us to turn our hand to novels, and so much more.

(4) SFF ABOVE THE 38TH PARALLEL. Ars Technica leads readers to “The strange, secretive world of North Korean science fiction”.

A plane is flying to the Philippines, gliding above “the infinite surface” of the Pacific Ocean. Suddenly, a few passengers start to scream. Soon, the captain announces there’s a bomb on board, and it’s set to detonate if the aircraft drops below 10,000 feet.

“The inside of the plane turned into a battlefield,” the story reads. “The captain was visibly startled and vainly tried to calm down the screaming and utterly terrorized passengers.”

Only one person keeps his cool: a young North Korean diplomat who has faith that his country will find a solution and save everyone. And he’s right. North Korea’s esteemed scientists and engineers create a mysterious anti-gravitational field and stop the plane in mid-air. The bomb is defused, and everyone gets off the aircraft and is brought back safely to Earth.

This story, Change Course (Hangno rǔl pakkura) by Yi Kŭmchǒl, speaks about solidarity, peace, and love for the motherland, displaying an intricate relationship between literature and politics. It was first published in 2004 in the Chosǒn munhak magazine, only to be reprinted 13 years later, around the time North Korea claimed it was capable of launching attacks on US soil.

“Political messages in every North Korean sci-fi can be hardly missed,” historian of science Dong-Won Kim, who taught at Harvard University and the Korea Advanced Institute of Science and Technology in South Korea, told me….

(5) GALAXY QUEST NEWS. “Is Sigourney Weaver Reprising Her Role in a ‘Galaxy Quest’ Series?” Animation World Network thinks the answer is yes.

Finally, a morsel of news from the Paramount+ series adaptation of Galaxy Quest! While the project has finally made headway after a stint in production hell, we can now report that Sigourney Weaker will reprise her role as Gwen DeMarco, according to a source close to Giant Freakin Robot. Gwen will serve as a mentor-like figure for a new generation of cast members aboard the Protector, if the news is to be believed….

…The Galaxy Quest series will be produced by Mark Johnson under his Gran Via Productions banner. No other execs have been announced.

(6) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 25, 1909 — Michael Rennie. Definitely best remembered as Klaatu in The Day the Earth Stood Still. He would show up a few years later on one of The Lost World films as Lord John Roxton, and he’s got an extensive genre series resume which counts Lost in Space as The Keeper in two episodes, The Batman as The Sandman, The Time Tunnel, The Man from U.N.C.L.E. and The Invaders. (Died 1971.)
  • Born August 25, 1913 — Walt Kelly. If you can get them, Fantagraphics has released Pogo in six stunning hardcover editions covering up to 1960. They’re planning to do all of his strips eventually. Did you know Kelly began his career as animator at Walt Disney Studios, working on Dumbo, Pinocchio and Fantasia? (Died 1973.)
  • Born August 25, 1940 — Marilyn Niven, 83. She was a Boston-area fan who lives in LA with her husband Larry Niven. She has worked on a variety of conventions, both regionals and Worldcons.  In college, she was a member of the MITSFS and was one of the founding members of NESFA. She’s also a member of Almack’s Society for Heyer Criticism.
  • Born August 25, 1947 — Michael Kaluta, 76. He’s best known for his 1970s take on The Shadow with writer Dennis O’Neil for DC in 1973–1974. He’d reprise his work on The Shadow for Dark Horse a generation later. And Kaluta and O’Neil reunited on The Shadow: 1941 – Hitler’s Astrologer graphic novel published in 1988. If you can find them, the M. W. Kaluta: Sketchbook Series are well worth having.
  • Born August 25, 1955 — Simon R. Green, 68. I’ll confess that I’ve read pretty much everything he’s written. Favorite series? The Nightside, Hawk & Fisher and Secret History are my favorite ones with Drinking Midnight Wine the novel I’ve re-read the most. 
  • Born August 25, 1958 — Tim Burton, 65. Beetlejuice is by far my favorite film by him. His Batman is interesting. Read that comment as you will. Charlie and the Chocolate Factory is definitely more Dahlish than the first take was, and Sleepy Hollow is just damn weird. Well, too damn weird for my liking. 
  • Born August 25, 1970 — Chris Roberson, 53. Brilliant writer. I strongly recommend his Recondito series, Firewalk and Firewalkers. The Spencer Finch series is also worth reading. He won two Sidewise Awards, first for his “O One” story and later for The Dragon’s Nine Sons novel. He’s had five Sidewise nominations. And he’s scripted a lot of comics, primarily Hellboy related, but also Fables, The Shadow, Doc Savage, iZombie and House of Mystery.

(7) SAND STOPS RUNNING IN THE HOURGLASS. “’Dune: Part Two’ release postponed to 2024 as actors strike lingers” reports the Portland (ME) Press-Herald.

The release of “Dune: Part Two,” one of the fall’s most anticipated films, has been postponed from November until next near, Warner Bros. confirmed Thursday.

Denis Villeneuve’s science-fiction sequel had been set to open Nov. 3 but will instead land in theaters March 15. With the actors strike entering its second month, “Dune: Part Two” had been rumored to be eyeing a move. Variety earlier this month reported Warner Bros. was mulling the delay.

Warner Bros. is opting to wait until its starry cast can promote the follow-up to the 2021 Oscar-winning “Dune.”…

…Dune: Part Two” is one of the biggest 2023 films yet postponed due to the ongoing strikes by actors and screenwriters. Recent releases have mostly opted to go ahead, despite lacking their stars on red carpets or on magazine covers. SAG-AFTRA has asked its members not to promote studio films during the work stoppage….

(8) NEXT DOMINO TO FALL IS TOLKIEN ANIME FILM. “‘Lord Of The Rings: The War Of The Rohirrim’ Release Delayed Until December 2024” reports Deadline.

New Line’s animated movie The Lord of the Rings: The War of the Rohirrim is moving from its April 12, 2024 release date to December 13 of next year.

The move stems from a chain reaction of Warner Bros re-dating Thursday, spurred by Legendary Entertainment’s Dune: Part Two moving from November 3 this year to March 15, 2024, which pushed that financier and producer’s other title, Godzilla X Kong: The New Empire, from that date to April 12, 2024.

Dune: Part Two had to move had to shift on account of the unavailability of its cast to promote during the ongoing actors strike.

War of the Rohirrim will now face off on its new December date against Sony’s reboot of The Karate Kid.

The anime feature, directed by Kenji Kamiyama, is set 183 years before the events chronicled in the original New Line Lord of the Rings trilogy. Those Peter Jackson movies, in addition to his Hobbit trilogy, always played the December year-end holiday period.

The War of the Rohirrim centers on the fate of the House of Helm Hammerhand, the mighty King of Rohan, a character from the appendix of JRR Tolkien’s The Lord of the Rings: The Return of the King. Succession actor Brian Cox will provide the voice of the protagonist.

(9) FOUND ON FACEBOOK. This is a little touch of genius.

(10) DO YOU KNOW SHUTTLE LORE? The National Air and Space Museum Hackathon invites you to play Galactic Mystery. As far as I can tell I got all the questions right. Is that possible? That has never happened before!

Each year, the National Air and Space Museum holds the Air and Space Hackathon, in collaboration with Deloitte, for local students. A hackathon is a design sprint-like event with the goal of creating functioning software or hardware by the end of the event.

In the most recent Air and Space Hackathon, small teams from schools around the DC area took on the challenge of designing a web or mobile prototype aimed at a K-12 student audience. The goal of their prototype was to highlight inspiring stories of diversity in the past, present, and/or future that connects to something on display at the Steven F. Udvar-Hazy Center.

Team Rambutan from the Governor’s School @ Innovation Park was the winner of our latest Hackathon! They created a game called “Galactic Mystery” in which users answer questions related to Space Shuttle Discovery to solve the mystery of who stole Canadarm. As players successfully progress through the game, their shuttle climbs through the levels of the atmosphere.

And now, their “Galactic Mystery” game is a reality! Anyone can play from wherever you are to test your knowledge of Space Shuttle history.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Joe H.]

Pixel Scroll 7/7/23 The Universal Pixelscroll

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(1) BE UPSTANDING. The space shuttle Endeavour will be rehoused in a new building that will allow it to be displayed upright in its original launch position, mated to the orange external tank and two booster rockets: “Space shuttle Endeavour preps for move to new museum” reports the LA Times.

After more than a decade on display at the California Science Center, the space shuttle Endeavour will begin the final trek to its permanent home at a new Los Angeles building in the coming months.

To get ready for the grand move, the state-run museum announced Thursday that crews will begin the installation of the base of the shuttle’s full stack on July 20. Workers will use a 300-ton crane to lower the bottom sections of the twin solid rocket boosters, which are 10,000 pounds apiece and roughly 9 feet tall, to the freshly built lowest section of the partly constructed $400-million Samuel Oschin Air and Space Center.

It’ll be the first of many delicate maneuvers conducted over roughly six months (if the weather cooperates). Eventually, all half-million pounds of the full stack — including the shuttle Endeavour and a giant orange external tank — will rest on the base of the solid rocket boosters, bolted to the ground by eight supersized, superalloy fasteners that are 9 feet long and weigh 500 to 600 pounds….

(2) OCTOTHORPE. John Coxon, Alison Scott, and Liz Batty have uttered Episode 87 of the Octothorpe podcast, “We Didn’t Imagine the Third Option”.

Wheeeeeee we’re Hugo finalists again! Huge congratulations to Alison Scott and España Sheriff who are finalists in Best Fan Artist, huge congratulations to John Coxon who’s a finalist with Journey Planet in Best Fanzine, and of course congratulations to transatlantic besties and cocky cake-makers Hugo, Girl! We also discuss the Locus and the BSFA Awards, plus (of course) picks.

(3) MEET RIVERFLOW. Chinese fan RiverFlow, a two-time 2023 Hugo finalist, tweeted this self-introduction:

(4) IT’S AN HONOR JUST TO BE NOMINATED. Wil Wheaton also shared his happy news: “Still Just A Geek is a Hugo award finalist” at WilWheaton.net.

I have been nominated for a few things in my life. I’ve even won a few. But I have not won way more often than I have. Based on my experience, the “I won!” thing is awesome for a short time, but where that euphoria fades quickly, the genuine honor of “I was nominated!” lasts forever. With that in mind, I looked at the other nominees this morning, and … I think it’s very unlikely I’ll be making space for a Hugo statue in my house. But that’s okay! I got to reach out to my TNG family today and tell them about it, and everyone who replied made me feel the love and pride that I imagine kids feel from parents who love them unconditionally.

If Still Just A Geek wins in its category, it’s going to be awesome. I’m not going to lie: I think it would be pretty great if I got to have a Hugo in my house, next to my Tabletop trophies. But if it doesn’t, the excitement, joy, and gratitude I feel that my story even made the finalists this year will never go away, and I get to have that whether I get the statue or not.

(5) COMPLETE LISTS OF HUGO FINALISTS. The Chengdu Worldcon Hugo Administrator limited the number of names they would place on the ballot announcement. As a result, several finalists have tweeted links to the complete lists of people they believe should be included.

(6) HUGO FINALIST ANNOUNCEMENT VIDEO. The Chengdu Worldcon has added the 81st Worldcon Hugo Awards Finalists Announcement to YouTube.

(7) CLARION CROWDFUNDING. The Clarion Science Fiction and Fantasy Writers Workshop at UC San Diego is in the midst of a 2023 crowdfunding campaign on Indiegogo to support the next generation of science fiction, fantasy, and horror writers. They have raised over $5,500 of their $20,000 with over three weeks remaining.

Would you be interested in these perks on offer to donors?

Want to have your name in a new Cory Doctorow novel?

Talk worldbuilding with Sue Burke?

Get a signed proof of Kim Stanley Robinson’s story “UCSD and Permaculture”?

Or name a scholarship to support making attending Clarion possible for a student next year? (Donation = $1,000)

All these — and t-shirts! — are on offer through the Clarion Workshop IndieGogo campaign. 

(8) ROGERS: THE MUSICAL. [Item by Daniel Dern.] I’d lost track that info about this was already scrolled — Item 7 in the June 30 Scroll — but it doesn’t look like there were any links to the actual show.

Here’s the five-and-a-half-minute trailer, from Marvel’s D23 Ex (watching the full thing once was enough for me, and it’s not the same without seeing Clint “Hawkeye” Barton in the audience shaking his head…

And here’s two  of many links to the full 37-minute show. (The first one seems to have more close-ups, but “features” some MST3K back of somebody’s head mid-left…):

  • Rogers: The Musical | Full Show, Disney California Adventure Park
  • Full Show: Rogers: The Musical | Disney California Adventure

(9) MEMORY LANE.

1963 – [Written by Cat Eldridge from a choice by Mike Glyer.]

This Scroll, Mike picked a work by Clifford Simak who I knew thot y’all know, so I see no need to introduce him to you. I will say that he was one of the first genre writers that I read deeply of. 

I’m fairly sure the first work by him that I read was City, a work that remains my favorite by him. But tonight we’re here to talk about Way Station, the source of the Beginning the Mike choose, another favorite of mine.

It was published by Doubleday in 1963 with the cover at by Ronald Fratell. It would win a Hugo at Pacificon II for the original publication as Here Gather the Stars in Galaxy’s June and August 1963 issues. 

And now let us turn to the Beginning…

The noise was ended now. The smoke drifted like thin, gray wisps of fog above the tortured earth and the shattered fences and the peach trees that had been whittled into toothpicks by the cannon fire. For a moment silence, if not peace, fell upon those few square miles of ground where just a while before men had screamed and torn at one another in the frenzy of old hate and had contended in an ancient striving and then had fallen apart, exhausted. 

For endless time, it seemed, there had been belching thunder rolling from horizon to horizon and the gouted earth that had spouted in the sky and the screams of horses and the hoarse bellowing of men; the whistling of metal and the thud when the whistle ended; the flash of searing fire and the brightness of the steel; the bravery of the colors snapping in the battle wind. 

Then it all had ended and there was a silence. 

But silence was an alien note that held no right upon this field or day, and it was broken by the whimper and the pain, the cry for water, and the prayer for death—the crying and the calling and the whimpering that would go on for hours beneath the summer sun. Later the huddled shapes would grow quiet and still and there would be an odor that would sicken all who passed, and the graves would be shallow graves. 

There was wheat that never would be harvested, trees that would not bloom when spring came round again, and on the slope of land that ran up to the ridge the words unspoken and the deeds undone and the sodden bundles that cried aloud the emptiness and the waste of death. 

There were proud names that were the prouder now, but now no more than names to echo down the ages—the Iron Brigade, the 5th New Hampshire, the 1st Minnesota, the 2nd Massachusetts, the 16th Maine. 

And there was Enoch Wallace

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 7, 1907 — Robert Heinlein. Let’s have Paul Weimer tell about his favorite Heinlein works: “If I had to pick one favorite Heinlein novel, and that’s a tough road to hoe, I am going to go with the novel I’ve re-read the most and it’s probably not going to be the one you think.  It’s Glory Road. Yes, Glory Road. The back matter once the quest is done can be overcooked, but Heinlein had a keen eye for epic fantasy quests, the good and the bad, long before the rise of Tolkien clones. It was an early Heinlein for me, and the novel has stuck with me since, with a number of audio re-reads. I survived a boring drive across the flatness of the Great Plains by listening to the adventures of Oscar Gordon.” // If I had to pick one Heinlein story, I have a strong fondness for All You Zombies, which encapsulates all the potential paradoxes of time travel in a way that has been done at greater length, but not, I’d argue, with better effect. (The movie Predestination with Ethan Hawke is pretty darned good by the way). Oh, and my favorite book ABOUT Heinlein is Farah Mendelsohn’s The Pleasant Profession of Robert Heinlein. (Died 1988.)
  • Born July 7, 1919 — Jon Pertwee. The Third Doctor and one that I’ll admit I like a lot. He returned to the role of the Doctor in The Five Doctors and the charity special Dimensions in Time for Children in Need. He also portrayed the Doctor in the stage play Doctor Who – The Ultimate Adventure.  After a four-year-run here, he was the lead on Worzel Gummidge where he was, errr, a scarecrow. And I must note that one of his first roles was as The Judge in the film of Toad of Toad Hall by A. A. Milne. (Died 1996.)
  • Born July 7, 1946 — Lisa Seagram. I’m noting her here because she was in the Batman episode “Louie, the Lilac” as Lila in which Milton Berle played the title character. She also had one-offs in both The Man from U.N.C.L.E. and The Girl from U.N.C.L.E., plus My Favorite Martian and Bewitched. (Died 2019.)
  • Born July 7, 1931 — David Eddings. Prolific and great, with his wife Leigh, they authored several best-selling epic fantasy novel series, including The Belgariad, The Malloreon and The Dreamers to name but three of their series. He’s written but one non-series novel, The Redemption of Althalus. (Died 2009.)
  • Born July 7, 1959 — Billy Campbell, 64. There are some films so good in my memory that even the Suck Fairy can’t spoil them and The Rocketeer in which he played stunt pilot Cliff Secord is one of them. (IDW did a hardcover edition called Dave Stevens’ The Rocketeer: The Complete Adventures which Amazon has it for a mere twenty bucks! And the ePub is available from the usual suspects for a mere five dollars and ninety nine cents.) Yes, he did other work of genre interest including the main role of Jordan Collier on The 4400, Quincey Morris on Bram Stoker’s Dracula, Captain Thadiun Okona in “The Outrageous Okona” episode of Next Gen, the Maine Dr. Alan Farragut on Helix and he’s currently voicing Okona once again on Prodigy.
  • Born July 7, 1968 — Jeff VanderMeer, 55. Ok I’ll admit that I’m ambivalent about the Southern Reach Trilogy and am not sure if it’s brilliant or not though it is I’ll say quite disturbing. (Haven’t seen the film and have no desire to so.) I will say the pirate anthology he and his wife Anne did, Fast Ships, Black Sails, is quite tasty reading.  Now let’s see what the Hugos would hold for him. At Noreascon 4 for The Thackery T. Lambshead Pocket Guide to Eccentric & Discredited Diseases which I truly, madly love, he got a Hugo. He along with his Ann picked up at Anticipation up one for Best Semiprozine: for Weird Tales. It would be nominated the next year at Aussiecon 4 but Clarkesworld would win as it would the Renovation losing out again to Clarkesworld. The Steampunk Bible: An Illustrated Guide to the World of Imaginary Airships, Corsets and Goggles, Mad Scientists, and Strange Literature which he co-edited with  S. J. Chambers was nominated at Chicon 7. Another Best Related Work was nominated at Loncon 3, Wonderbook: The Illustrated Guide to Creating Imaginative Fiction. Finally the film Annihilation based off the Southern Reach trilogy was nominated for Best Dramatic Presentation Hugo at Dublin 2019. 
  • Born July 7, 1987 — V.E. Schwab, 36. I’m very pleased with her A Darker Shade of Magic which explores magicians in a parallel universe London. It’s part of her Shades of Magic series. Highly recommended. Her Cassidy Blake series is also good provided you’re a Potter fan because she makes a lot of references to that series.

(11) COMICS SECTION.

  • Arlo and Janis know there’s always someone ready to jump in and correct the details. Just like in the comments here!

(12) THE VOID CAPTAINS. Mark and Evelyn Leeper today reminded people of the history of their prolific fanzine in today’s issue, the 2278th MT VOID:

The MT VOID started as a zine for the newly formed Science Fiction Club at Bell Labs in Holmdel in August 1978, but we have always been the editors (and primary writers).  It has been weekly for decades, and has continued even after we retired and the Science Fiction Club dissolved.  The current issue is #2278, making it (I’m pretty sure) the perzine with the most issues ever, and at 45 years, one of the longest running.

In July 1981, our area was split off and moved to Lincroft.  At that point we thought we needed to spin off a new club, so we started re-numbering the MT VOID (not yet called that) at that point.  Hence the volume roll-over in July.  Eventually we ended up remerging the clubs and newsletters, but kept the new numbering.

At some point in the 1980s we also renamed the club as the “Mt.  Holz Science Fiction Club”.  “Mt. Holz” came from the inter-company mail designations for the three New Jersey locations of AT&T et al where we once had meetings:
MT Middletown
HO Holmdel
LZ Lincroft

As the work environment changed, meetings eventually ended, but the MT VOID kept rolling along.  We retained the “Mt. Holz” name in the heading until last year, when we decided it was misleading to pretend there was an actual club behind this.  [-mrl/ecl]

(13) GOING DOWN TO THE SECOND. “After ‘Barbie,’ Mattel Is Raiding Its Entire Toybox” says The New Yorker.

In 2019, Greta Gerwig became the latest in a line of writers, directors, and producers to make a pilgrimage to a toy workshop in El Segundo, California. Touring the facility, the Mattel Design Center, has become a rite of passage for Hollywood types who are considering transforming one of the company’s products into a movie—a list that now includes such names as J. J. Abrams (Hot Wheels) and Vin Diesel (Rock ’Em Sock ’Em Robots). The building has hundreds of workspaces for artists, model-makers, and project managers, and it houses elaborate museum-style exhibitions that document the company’s history and core products. These displays can help a toy designer find inspiration; they can also offer a “brand immersion”—a crash course in a Mattel property slated for adaptation. When a V.I.P. visits, Richard Dickson, a tall, bespectacled man who is the company’s chief operating officer, plays the role of Willy Wonka. He’ll show off the sixty-five-year-old machines that are still used to affix fake hair to Barbies; he’ll invite you to inspect life-size, road-ready replicas of Hot Wheels cars. The center even boasts a giant rendering of Castle Grayskull, the fearsome ancestral home of He-Man. “The brand immersion is the everything moment,” Dickson told me. “I have met with some of the greatest artists, truly, in the world. . . . And, if you don’t walk out drinking the Kool-Aid, then it was a great playdate, but maybe we don’t continue playing.”

The actress Margot Robbie, who had toured the center in 2018, wanted to continue playing. She’d signed up for a Barbie movie, and had approached Gerwig about writing the script. She saw in Gerwig’s filmography the right combination of intelligence and heart: “You watch something like ‘Little Women,’ and the dialogue is very, very clever—it’s talking about some big things—but it’s also extremely emotional.” The project wasn’t an obvious fit for someone whose screenplays included the subtle dramas “Lady Bird” and “Frances Ha,” and Gerwig wavered for more than a year. At one point, Dickson called her when she was mixing “Little Women” in New York. “I don’t have a ton of friends in corporate America,” she told me, over Zoom. “But he was very excited. It was sweet.” She finally agreed to come to El Segundo…

(14) ASCENDING MT. TBR. Camestros Felapton is catching up on his reading: “Review: The Twisted Ones by T. Kingfisher”.

…The book makes no apologies and shows no respect for genre boundaries. With a chatty, out-going narrator, multiple sections about the trials of clearing out the home of a hoarder, friendly neighbours and a welcoming coffee shop, the story has many elements associated with, dare I say, “cosy” fiction. The latter sections head more into the realm of portal-fantasy. However, these elements are simply flesh hung upon the bones of the horror of thoughts that overwhelm you….

(15) BERLITZKRIEG. Everyone laughs as “Harrison Ford Roasts Conan O’Brien Mid-Interview for Having a Han Solo Note Reminder: ‘You Can’t F—ing Remember That?’” – Variety has the story.

…Harrison Ford roasted Conan O’Brien on a recent episode of the “Conan O’Brien Needs a Friend” podcast after the “Star Wars” and “Indiana Jones” icon discovered O’Brien had “Han Solo” written down in his notes for the interview. The two men were playfully arguing about Ford’s ancestry, which led O’Brien to consult some info he had jotted down prior to the interview.

“I refer you to this piece of paper right here,” O’Brien said. “That says, ‘Born and raised in Chicago to an Irish German father—’”

Ford leaned over to take a look at O’Brien’s notes and then interrupted the host when he realized they included a reminder that Ford played Han Solo in the “Star Wars” franchise. Along with Indiana Jones, Han Solo is Ford’s most iconic character.

“Well if that’s a quality of your research, and I imagine it is because right there it says ‘Harrison Ford’ and then you had to write ‘Han Solo,’” Ford said. “You can’t fucking remember that?”

“No I can’t. I can’t remember Han Solo,” O’Brien hilariously fired back. “I wrote it down because I heard that you were in some of the ‘Star Wars’ films, and this was news to me because I’ve seen those films and I don’t exactly think that you ‘pop.’”

O’Brien continued, “I’m sorry. But I mean, I remember Chewbacca, I remember the bad guy with the black helmet and then… there’s some people.”

Ford took matters into his own hands, asking O’Brien, “How come you’re not still on television?”…

[Thanks to John King Tarpinian, Chris Barkley, Michael Toman, Kathy Sullivan, Daniel Dern, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 2/1/23 By Scrollthar’s Pixel

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(1) HUGO I.O.U. The Chengdu Worldcon’s Chinese-language website added a post today with the (computer-translated) headline: “The 2023 Hugo Award call for nominations is opening soon”. But there’s only a headline, no article – plus a playable 15-second audio sound effect.

No corresponding post was made to the convention’s English-language website.

(2) SPSFC UPDATE. Rcade’s Team ScienceFiction.news, in the midst of the second Self-Published Science Fiction Competition, is “Announcing Our SPSFC Semifinalists”. The titles are revealed at the link.

Each of the 10 teams judging the Self Published Science Fiction Competition (SPSFC) chooses three books from their allotments to be semifinalists.

After two months of reading, the ScienceFiction.news team has selected these three books as tribute. They will be sent to the Capitol, where they will engage in ferocious battle against the 27 books chosen by other teams until only one book remains standing.

Even a young adult book can be sent into battle in the SPSFC Games….

(3) TODAY IN HISTORY. The US space shuttle Columbia broke up on its way back to Earth on 1 February 1, 2003. It had been in use since 1981. 

In the BBC’s “Witness History – Columbia space shuttle disaster”, Iain Mackness spoke to Admiral Hal Gehman who was given the job of finding out what went wrong. The admiral’s report led to the ending of the American space shuttle program in 2011. 

The BBC World Service first broadcast this episode in 2019. 

(4) OMERTA IN THE CINEMA. Dayten Rose chronicles the “Spoiler Alert History: No Alarms and No Surprises, Please” at Tedium.

…When “spoiler warnings” got out of hand

Alfred Hitchcock got what he wanted.

On set, he had a reputation as a manipulator. That’s according to Diane Baker, as quoted in Tony Lee Moral’s Hitchcock and the Making of Marnie, alongside other accounts of his abusive relationship with Tippi Hedren.

Out of context, Hitchcock’s obsession with preserving the secrecy of Psycho looks a lot like a publicity stunt. He bought as many copies as he could of the novel he had adapted; he hired the famously non-controversial (sarcasm) Pinkerton security guards to bar late entry to the film; there were no private screenings; there were no pre-release interviews.

In the context of Alfred Hitchcock, his controlling air set a dangerous precedent for the future of Hollywood. The modern media embargo is the crater left behind by his meteoric ego….

(5) DIRECT FROM KRYPTON TO YOUR HEART. “Superman in Starring Role as DC Studios Unveils Strategy” reports the New York Times.

Superman is returning to theaters — only now, along with saving the world, he has to prove that Warner Bros. has finally, without question, it means it this time, found a winning superhero strategy.

DC Studios, a newly formed Warner division dedicated to superhero content, unveiled plans on Tuesday to reboot Superman onscreen for the first time in a generation, tentatively scheduling the yet-to-be-cast “Superman: Legacy” for release in theaters in July 2025. James Gunn, known for “Guardians of the Galaxy,” is writing the screenplay and may also direct the movie, which will focus on Superman balancing his Kryptonian heritage with his human upbringing.

“He is kindness in a world that thinks of kindness as old-fashioned,” said Peter Safran, chief executive of DC Studios, a title he shares with Mr. Gunn.

Moreover, “Superman: Legacy” will begin a story that will unfold (Marvel style) across at least 10 interconnected movies and TV shows and include new versions of Batman, Robin, Supergirl, Swamp Thing and Green Lantern. Those marquee DC Comics characters will be joined by lesser-known personalities from the DC library, including Creature Commandos and Booster Gold, a time traveler. One of the shows will explore Themyscira, the mythical island home of Wonder Woman.

The 10 projects will roll out over four to five years — at which time a second batch of related films and shows will be announced, expanding the “Superman: Legacy” saga to nearly a decade and perhaps helping David Zaslav, the chief executive of Warner Bros. Discovery, to keep a promise to Wall Street about growth….

(6) MIC DROPS OF KNOWLEDGE. Jean-Paul L. Garnier advises writers about “Mic Technique for Live Readings and Panels” at the Dream Foundry.

As an author, you will probably find yourself reading live at events at some time or another and it’s important to make yourself heard by your audience Paying attention to how a microphone works can greatly enhance your performance, and the audibility of your reading. After all, you are there to share your work with an audience, so it is worth doing what you can to make sure that they can hear you well and enjoy the performance without straining. It can be the difference between coming off as a professional rather than an amateur….

(7) MEMORY LANE.

1958 — [Compiled by Cat Eldridge.]

A bit of bookkeeping: though I called this series First Paragraphs last Scroll, but I’m renaming it Beginnings as I want to quote more than the first paragraph if need be. Such will be the case with the selection tonight if the beginning of Fritz Leiber’s The Big Time. 

This rather short novel, which is my favorite work by him, won a Hugo at Solacon.  I think it’s the only work I’ve read that takes place in a single location, but it really does strongly resemble a theater piece. 

It was published originally in two parts by Galaxy Magazine in March and April 1958 issues with illustrations by Virgil Finlay. 

Ace Books published the first paperback edition in 1965, and Gregg Press would eventually do a hardcover edition which I know I owned at some point. 

My name is Greta Forzane. Twenty-nine and a party girl would describe me. I was born in Chicago, of Scandinavian parents, but now I operate chiefly outside space and time—not in Heaven or Hell, if there are such places, but not in the cosmos or universe you know either. 

I am not as romantically entrancing as the immortal film star who also bears my first name, but I have a rough-and-ready charm of my own. I need it, for my job is to nurse back to health and kid back to sanity Soldiers badly roughed up in the biggest war going. This war is the Change War, a war of time travelers—in fact, our private name for being in this war is being on the Big Time. Our Soldiers fight by going back to change the past, or even ahead to change the future, in ways to help our side win the final victory a billion or more years from now. A long killing business, believe me. 

You don’t know about the Change War, but it’s influencing your lives all the time and maybe you’ve had hints of it without realizing. 

Have you ever worried about your memory, because it doesn’t seem to be bringing you exactly the same picture of the past from one day to the next? Have you ever been afraid that your personality was changing because of forces beyond your knowledge or control? Have you ever felt sure that sudden death was about to jump you from nowhere? Have you ever been scared of Ghosts—not the storybook kind, but the billions of beings who were once so real and strong it’s hard to believe they’ll just sleep harmlessly forever? Have you ever wondered about those things you may call devils or Demons—spirits able to range through all time and space, through the hot hearts of stars and the cold skeleton of space between the galaxies? Have you ever thought that the whole universe might be a crazy, mixed-up dream? If you have, you’ve had hints of the Change War.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 1, 1884 — Yevgeny Zamyatin. Author of We, a dystopian novel. He also translated into Russian a number of H.G. Wells’ works and some critics think We is at least part a polemic against the overly optimistic scientific socialism of Wells. The Wiki writer for the Yevgeny Zamyatin page claims that We directly inspired Nineteen Eighty-Four, The Dispossessed and Brave New World. No idea if this passes the straight face test. What do y’all think of this claim? (Died 1937.)
  • Born February 1, 1908 — George Pal. Animator, film director and producer. Let’s see…  Destination Moon, When Worlds Collide, The War of the Worlds, Conquest of Space (anyone heard of this one?), The Time Machine, Atlantis, the Lost Continent, Tom Thumb, The Time Machine, Atlantis, the Lost Continent, The Wonderful World of the Brothers Grimm, 7 Faces of Dr. Lao and his last film being Doc Savage: The Man of Bronze. Can we hold a George Pal film fest, pretty please? (Died 1980.)
  • Born February 1, 1942 — Bibi Besch. Best remembered for portraying Dr. Carol Marcus on The Wrath of Khan. Genre-wise, she’s also been in The Pack (horror), Meteor (SF), The Beast Within (more horror), Date with an Angel (romantic fantasy) and Tremors (SF). She died much, much too young following a long battle with breast cancer. (Died 1996.)
  • Born February 1, 1942 — Terry Jones. Co-directed Monty Python and the Holy Grail with Gilliam, and was sole director on two further Python movies, Life of Brian and Monty Python’s The Meaning of Life. His later films include Erik the Viking and The Wind in the Willows. It’s worth noting that he wrote the screenplay for the original Labyrinth screenplay but it’s thought that nothing of that made it to the shooting script. (Died 2020.)
  • Born February 1, 1946 — Elisabeth Sladen. Certainly best known for her role as Sarah Jane Smith on Doctor Who. She was a regular cast member from 1973 to 1976, alongside the Third Doctor (Jon Pertwee) and Fourth Doctor (Tom Baker), and reprised her role down the years, both on the series and on its spin-offs, K-9 and Company and The Sarah Jane Adventures. It’s not her actual first SF appearance, that honor goes to her being a character called   Sarah Collins in an episode of the Doomwatch series called “Say Knife, Fat Man”. The creators behind this series had created the cybermen concept for Doctor Who. (Died 2011.)
  • Born February 1, 1954 — Bill Mumy, 69. Well I’ll be damned. He’s had a much longer career in the genre than even I knew. His first genre role was at age seven on Twilight Zone, two episodes in the same season (Billy Bayles In “Long Distance Call” and Anthony Fremont in “Its A Good Life”). He makes make it a trifecta appearing a few years later again as Young Pip Phillips in “In Praise of Pip”. Witches are next for him. First in an episode of I Dream of Jeannie he’s Custer In “Whatever Became of Baby Custer?” Then in Bewitched he’s Darrin the Boy  in “Junior Executive”. Ahhh his most famous role is up next as Will Robinson in Lost in Space. It’s got to be thirty years since I’ve seen it but I still remember and like it quite a bit. He manages to show up next on The Munsters as Googie Miller in “Come Back Little Googie” and in Twilight Zone: The Movie In one of the bits as Tim. I saw the film but don’t remember him. He’s got a bunch of DC Comics roles as well — Young General Fleming in Captain America, Roger Braintree on The Flash series and Tommy Puck on Superboy. Ahhh Lennier. One of the most fascinating and annoying characters in all of the Babylon 5 Universe. Enough said. I hadn’t realized it but he showed up on Deep Space Nine as Kellin in the “The Siege of AR-558” episode. Lastly, and before Our Gracious Host starts grinding his teeth at the length of this Birthday entry, I see he’s got a cameo as Dr. Z. Smith in the new Lost in Space series. 
  • Born February 1, 1965 — Brandon Lee. Lee started his career with a supporting role in Kung Fu: The Movie, but is obviously known for his breakthrough and fatal acting role as Eric Draven in The Crow, based on James O’Barr’s series. Y’ll know what happened to him so I’ll not go into that here except to say that’s it’s still happening as it just happened again and damn well shouldn’t be happening, should it? (Died 1993.)

(9) THE PITS. SYFY Wire cheers as “NBC Keeps The Sci-Fi Sinkhole Open! Time Travel Mystery Series ‘La Brea’ Renewed For Season 3”.

NBC will once again head down the primordial rabbit hole in a third season of La Brea, the network has announced….

Described by NBC as an “epic family adventure,” La Brea revolves around a group of characters fighting for their survival after a mysterious sinkhole in downtown Los Angeles sends them to a primeval land forgotten by time. A second storyline takes place “above ground,” where those who did not fall into the strange pit attempt to solve the mystery of what caused it to open up in the first place. The story has only gotten more ambitious and sci-fi as its unfolded, with everything from future conspiracies and time travel now playing a part in the narrative.

“This story is about this family that’s been separated. Half the family falls into the sinkhole, while the other half stays behind in modern Los Angeles,” creator and showrunner David Appelbaum told SYFY WIRE after the series premiere. “And what was really important for the storytelling is that you have ways to connect these two stories. Even though they’re separated, we find different ways that we can connect the story. In this search for how do we tell it in a unified story, that was really the genesis of [the series] idea.”…

However, Deadline thinks they might not get a full season: “NBC’s ‘La Brea’ Likely To End With Abbreviated Season 3 As Networks Start Building Strike Contingency”.

… I have learned that the pickup is for six episodes and that it was influenced by the possibility of a writers and/or directors and actors strike, with this likely being the show’s final chapter. Filming is slated to begin in March in Australia.

With the current WGA contract expiring May 1 and the DGA and SAG-AFTRA contracts up June 30, a potential work stoppage could impact the start of production on the new broadcast season, leaving the networks without fresh episodes of scripted series for the first few weeks of the fall.

Possibly with that in mind, I hear NBC approached the cast of La Brea about doing a short third season. Because the series regulars have a 10-episode minimum guarantee (meaning that they have to be paid at least 10 episodic fees a season regardless of how many episodes are produced), the network and sister studio Universal Television asked the cast to reduce their contractual minimum guarantees to six episodes, sources said. In exchange, I hear the actors were offered a release from the show after Season 3 — which they took — making them available to take other jobs. (A typical broadcast series regular contract is for six seasons.)…

(10) RARE EARTHS. In case you weren’t around in 1977 and would like to know… “Star Trek: Leonard Nimoy explains How Television Works – 1977 vintage tech electronics”.

The following film is an excerpt from a rare 1977 documentary on How Television Works, featuring Star Trek’s Leonard Nimoy as the narrator and presenter. The film is in full color with animation and excellent vintage footage of early television technology, including early video tape recording (VTR) machines. The original film is about 22 minutes long. We have obtained a 16mm print and will preserve it. This is a 7 minute excerpt highlighting Leonard Nimoy’s narration of the technology behind early television up to the 1970’s.

(11) WHAT PEOPLE WATCHED IN JANUARY. Here are JustWatch’s Top 10 lists for the month of January.

Rank*MoviesTV shows
1Everything Everywhere All at OnceSeverance
2M3GANThe Peripheral
3NopeThe Rig
4Jurassic World DominionDoctor Who
5AvatarWestworld
6InterstellarStargate SG-1
7Spider-Man: No Way HomeQuantum Leap
8Strange DaysThe X-Files
9Eternal Sunshine of the Spotless MindWar of the Worlds
10VesperThe Handmaid’s Tale

*Based on JustWatch popularity score. Genre data is sourced from themoviedb.org

(12) DARTH’S BROTHER HAL. ScreenRant tempts readers to click through with its take that “2001 As Directed By George Lucas Is A Very Different Movie”.

…In 2001: A Space Odyssey Directed By George Lucas?, Kubrick’s famously glacial and brooding movie about a mission to Jupiter is transformed into a whiz-bang action movie. In this version of 2001, Dave Bowman has commandeered one of the Discovery One’s shuttles for an all-out battle against psychotic computer HAL 9000, climaxing in a moment that would make Luke Skywalker proud….

Made me smile, but not laugh out loud: “’2001: A Space Odyssey’ directed by George Lucas”.

(13) VIDEO OF THE DAY. In Stalled, a man goes to a public restroom — and gets trapped in a time paradox.

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Danny Sichel, John King Tarpinian, Chris Barkley, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day by Ingvar.]

Pixel Scroll 1/28/23 But Oh, Saberish Padawan, Beware Of The Day, If Your Scroll Be A Pixel

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(1) COLUMBIA SHUTTLE TRAGEDY ANNIVERSARY. NPR is “Remembering the Space Shuttle Columbia tragedy 20 years on”.

…SIMON: Twenty years later, what have we learned about that day? What happened there in the sky? And what might have prevented it?

DUGGINS: Well, you know, it’s funny. I mean, if you talk to historians, who are much better at this than I am, they’ll say, you know, the Titanic, it can’t sink. Challenger – routine launch and landing, no problems there. And that hubris always seems to catch up with us. And with Columbia, it was the piece of falling foam that hit the vehicle. And NASA asked the engineers, do you know it’s a problem? And they said, well, we can’t be sure. And so the manager said, fine, we’ll just keep going with the mission and not tell anybody about it. And it wasn’t until the very end that they informed the astronauts ’cause they figured it was going to come up in a press conference. And that was what ultimately doomed the crew….

(2) LE GUIN POETRY VOLUME COMING. The Library of America edition of Ursula K. Le Guin: Collected Poems will be released April 23.  See a PDF of the Table of Contents.

Throughout a celebrated career that spanned five decades and multiple genres, Ursula K. Le Guin was first and last a poet. This sixth volume in the definitive Library of America edition of Le Guin’s work presents for the first time an authoritative gathering of her poetry—from the earliest collection, 1974’s Wild Angels, through her final publication, So Far So Good, which she delivered to her editor a week before her death in 2018. It reveals the full formal range and visionary breadth of a major American poet.

Le Guin’s poems engage with themes that resonate throughout her fiction but find their most refined expression here: exploration as a metaphor for both human bravery and creativity, the mystery and fragility of nature and the impact of humankind on the environment, the Tao Te Ching, marriage, aging, and womanhood. Often traditional in form but never in style, her verse is earthy and playful, surprising and lyrical.

This volume features a new introduction by editor Harold Bloom, written shortly before his own death in 2019, in which he reflects on his late-in-life friendship with Le Guin and the power of her poetic gift. “For many years I have wondered why her poetry is relatively neglected,” he writes. “Her lyrics and reflections are American originals. Sometimes I hear in them the accent of William Butler Yeats and occasionally a touch of Robinson Jeffers, yet her voicing is inimitably individual.” The book also presents sixty-eight uncollected poems, a generous selection of Le Guin’s introductions to and reflections on her poetry, including a rare interview, and a chronology of her life and career.

(3) OH GOODY. Futurism assures readers, “By 2030, You’ll Be Living in a World That’s Run by Google”.

…By 2030, Google will have that World Brain in existence, and it will look after all of us. And that’s quite possibly both the best and worst thing that could happen to humanity.

To explain that claim, let me tell you a story of how your day is going to unfold in 2030.

You wake up in the morning, January 1st, 2030. It’s freezing outside, but you’re warm in your room. Why? Because Nest – your AI-based air conditioner – knows exactly when you need to wake up, and warms the room you’re in so that you enjoy the perfect temperature for waking up.

And who acquired Nest three years ago for $3.2 billion USD? Google did.

You go out to the street and order an autonomous taxi to take you to your workplace. Who programmed that autonomous car? Google did. Who acquired Waze – a crowdsourcing navigation app? That’s right: Google did….

(4) WISH WE COULD BE THERE. Dr. Phil Nichols will speak about “Literacy, Censorship and Burning Books: Ray Bradbury’s Fahrenheit 451” at the Wolverhampton Literature Festival on February 3.

Ray Bradbury’s Fahrenheit 451, the classic dystopian novel of book-burning firemen, is as relevant today as when it debuted seventy years ago. Its insights into censorship, television, drug abuse and the fall and rise of civilisation retain a freshness and plausibility rarely seen in other science fiction of that era.

Fahrenheit 451 is Ray Bradbury’s most successful novel. Ironically for a book which rages against censorship, it frequently shows up on lists of “banned books”. Adapted for the stage by Bradbury himself and twice filmed, it somehow doesn’t date, despite being seventy years old in 2023.

Phil Nichols is the editor of The New Ray Bradbury Review and Senior Consultant to the Ray Bradbury Centre at Indiana University. In this extensively illustrated talk, he explains the curious history of this classic science fiction dystopia. It’s a tale of diverse influences (Huxley and Koestler; but surprisingly not Orwell) and extensive re-writing, resulting in a work which Neil Gaiman calls “a love letter to books . . . a love letter to people.”

(5) DEFINITELY BELONGS TO THE SCIENCE FICTION CANNON. ScreenRant celebrates that “The First Science Fiction Movie Is Over 120 Years Old” and they’ll fight anyone who says it isn’t genre.

…A Trip to the Moon is considered the first science fiction movie by most – but some say it is not science fiction, because it is not based on any realistic form of science, classing it more as a space fantasy. A Trip to the Moon features classic elements of the current sci-fi genre, such as aliens and sleek rockets, that would now be considered sci-fi because of how the genre has developed. However, some people do not classify films such as Star Wars as sci-fi because the science in it lacks plausibility, the same way A Trip to the Moon is not realistic with its science – highlighting how differently the genre is considered amongst audiences, as many would consider it a quintessential sci-fi series….

(6) QUITE A BUNCH OF CHARACTERS. Fonts In Use unravels “The Mystery of the Dune Font” and how devotees are keeping it alive.

… The liaison between Dune and Davison Art Nouveau started in September 1975, when the typeface was used by Berkley Medallion for a paperback edition of the first two novels. At the time, the Berkley imprint was owned by New York-based publisher G.P. Putnam’s Sons. When Berkley Putnam published the first hardcover edition of the third novel, Children of Dune, in 1976, the new typographic identity was applied there, too. Later on, Putnam used the typeface on the jackets for hardback editions of other, unrelated books authored (or coauthored) by Frank Herbert…

 … In 2009, a Dune aficionado who goes by the moniker DuneFish (DFUK) and/or MEP made a digital font called Orthodox Herbertarian, “painstakingly traced from scans of the typeface that was used on the American Ace editions […] of Dune and many other Frank Herbert books”. This amateur digitization is freely available at kullwahad.com. The font is caps only (A–Z), with a basic set of punctuation characters and scaled-down caps in the lowercase. Because it’s based on the book covers (as opposed to the original typeface), it naturally adopts the narrowed proportions. Orthodox Herbertarian is a laudable effort, but it doesn’t include any of the alternates or the numerals. In 2020, Reddit user purgruv added lowercase letters and numerals to this freebie and offered it for download as Extended Herbertarian. The additions aren’t faithful to the original and unfortunately aren’t well drawn, either….

(7) MEMORY LANE.

1923 — [Compiled by Cat Eldridge.]

Following up on my essay yesterday, the quote tonight is from Agatha Christie’s “The Disappearance of Mr. Davenheim”.  

It was first published in March of 1923 in Britain in the Sketch. The story was published in the States in the Blue Book Magazine in December of 1923 as “Mr Davenby Disappears”.  In 1924, the story appeared as part of the Poirot Investigates anthology. 

And yes, David Suchet got to perform the story here in which is Poirot wagers Chief Inspector Japp that he can solve the mystery of a missing banker without leaving his flat. 

And here’s the quote now…

Poirot and I were expecting our old friend Inspector Japp of Scotland Yard to tea. We were sitting round the tea-table awaiting his arrival. Poirot had just finished carefully straightening the cups and saucers which our landlady was in the habit of throwing, rather than placing, on the table. He had also breathed heavily on the metal teapot, and polished it with a silk handkerchief. The kettle was on the boil, and a small enamel saucepan beside it contained some thick, sweet chocolate which was more to Poirot’s palate than what he described as ‘your English poison’. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 28, 1910 — Arnold Moss. Anton Karidian a.k.a. Kodos the Executioner in the most excellent “The Conscience of the King” episode of Trek. It wasn’t his only SFF role as he’d show up in Tales of Tomorrow, The Man from U.N.C.L.E. and The Girl from U.N.C.L.E., The Alfred Hitchcock Hour, Time Tunnel and Fantasy Island. (Died 1989.)
  • Born January 28, 1920 — Lewis Wilson. Genre wise, he’s remembered for being the first actor to play Batman on screen in the 1943 Batman, a 15-chapter theatrical serial from Columbia Pictures. A sequel to the serial was made in 1949, but Robert Lowery replaced Wilson as Batman. (Died 2000.)
  • Born January 28, 1929 — Parke Godwin. I’ve read a number of his novels and I fondly remember in particular Sherwood and Robin and the King. If you’ve not read his excellent Firelord series, I do recommend you do so. So who has read his Beowulf series? (Died 2013.)
  • Born January 28, 1965 — Lynda Boyd, 58. Let’s start off with she’s a singer who starred in productions The Little Shop of Horrors and The Rocky Horror Picture Show. Film-wise, she had roles in Final Destination 2, The Invader, Mission to Mars and Hot Tub Time Machine. She’s had one-offs in X-Files, Highlander, Strange Luck, Millennium, The Sentinel, The Crow: Stairway to Heaven (where she had a recurring role as Darla Mohr), Outer Limits, Twilight Zone and Smallville.
  • Born January 28, 1981 — Elijah Wood, 42. His first genre role was Video-Game Boy #2 in Back to the Future Part II. He next shows up as Nat Cooper in Forever Young followed by playing Leo Biederman in Deep Impact. Up next was his performance as Frodo Baggins In The Lord of The Rings and The Hobbit films. Confession time: I watched the very first of these. Wasn’t impressed. He’s done some other genre work as well including playing Todd Brotzman in the Beeb superb production of Dirk Gently’s Holistic Detective Agency
  • Born January 28, 1986 — Shruti Haasan, 37. Indian film actress known for the Telugu fantasy film Anaganaga O Dheerudu, and the Tamil science fiction thriller 7aum Arivu. She voiced Queen Elsa in the Tamil-dubbed version of Frozen II.
  • Born January 28, 1998 — Ariel Winter, 25. Voice actress who’s shown up in such productions as Mr. Peabody & Sherman as Penny Peterson, Horton Hears a Who!, DC Showcase: Green Arrow as Princess Perdita and Batman: The Dark Knight Returns as Carrie Kelly (Robin). She’s got several one-off live performances on genre series, The Haunting Hour: The Series and Ghost Whisperer.

(9) COMICS SECTION.

  • Six Chix shows how hardcover books have learned to play rough at the airport.

(10) CATZILLAS. “The Army Corps of Engineers Made a Glorious 2023 Cat Calendar” and Gizmodo has a slideshow of the whole thing.

It’s hard to believe that the mighty, stone-faced U.S. Army would ever adapt adorable cat babies as its representatives, but this is the internet in the year of our lord 2023. Anything is possible.

That’s certainly what I thought when I stumbled upon this glorious 2023 cat calendar made by the Portland District of U.S. Army Corps of Engineers. While it’s not the product of a Photoshop wizard, the calendar earnestly features gigantic cats being their amazing furry selves. They play, they scratch, they think about life, and they stretch—all the while interacting with the Army Corps’ various dams, jetties, and heavy machinery….

(11) PLAUDITS FOR NEWITZ. Paul Di Filippo reviews The Terraformers by Annalee Newitz in the Washington Post [Archive.is link].

… This generously overstuffed tale has enough ideas and incidents to populate half a dozen lesser science fiction books. But the reading experience is never clotted or tedious, never plagued by extraneous detours. The story — which begins nearly 60,000 years in the future and unfolds over more than a millennium — rollicks along at a brisk clip while allowing Newitz space to dig into characters and milieu, and pile on startling speculative elements….

(12) NUKE THE MOON. In the New York Times: “‘The Wandering Earth II’ Review: It Wanders Too Far”

Upon its release, “The Wandering Earth,” Frant Gwo’s 2019 film about a dystopia in which Earth is perilously pushed through space, was minted as China’s first substantial, domestic sci-fi blockbuster, with the box office returns to prove it.

The film was entertaining enough, but its ambitious scope had something of an empty gloss to it, partly because the story’s drama wasn’t grounded in anything beyond the showy cataclysm. Its audaciously messy sequel, “The Wandering Earth II,” seems to have taken note and sprinted, aimlessly, entirely in the other direction. Losing all of the glee of its predecessor, the movie instead offers nearly three hours of convoluted story lines, undercooked themes and a tangle of confused, glaringly state-approved political subtext….

(13) KEEP YOUR DRAWERS ON. The Takeout tells how “Fox News Fell for an A&W Joke About Its Pantsless Mascot”.

…As you can see, the A&W tweet is simply parroting M&M’s tweet closely (the internet age is weird, everyone) and riding the same jokey wave. Rooty, typically pantsless, will wear jeans now. Funny gag! However, Fox News took A&W’s post as an opportunity to wage a culture war.

At first the outlet reported A&W’s Rooty announcement as a serious matter….

“First it was an M&M’s, now a bear has to wear [pants],” noted Fox Business anchor Cheryl Casone. “This is the woke police. Cancel culture has gone—ridiculous.”

Later, however, after all that lamentation, Fox realized the error, clarifying that A&W followed up its original tweet with another one that said, “Is now a good time to mention that this is a joke?”

(14) IT COULD HAPPEN ANYWHERE. [Item by SF Concatenation’s Jonathan Cowie.] It’s Saturday, I’m up early, had croissant and coffee and done work chores for today already 10.20. (I’m so hot it’s untrue…) So here is an extra from today’s Science. “Earth-like planets should readily form around other stars, meteorites suggest”.

Samples from space rocks suggest water and light elements are present in warm inner part of planet-forming disks

How hard is it to give birth to an Earth? To assemble the right mix of rock, metal, and water, in a balmy spot not too far from a star? For a long time, planetary scientists have thought Earth was a lucky accident, enriched with water and lighter “volatile” elements—such as nitrogen and carbon—by asteroids that had strayed in from the outer edges of the early Solar System, where those materials were abundant. But a series of new studies, including two published today in Science, suggests all the ingredients were much closer at hand when Earth was born…

Also Matt over at PBS Space Time contemplates Silicon based aliens

(15) VIDEO OF THE DAY. Everything’s up to date on Ukraine’s farms.

[Thanks to Mike Kennedy, John King Tarpinian, Chris Barkley, SF Concatenation’s Jonathan Cowie, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editors of the day Andrew (not Werdna).]

Pixel Scroll 5/22/16 Pixelpotamus vs. Scrolloceros

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(1) PRECISION. In “Save the Allegory!” on Slate, Laura Miller calls on writers to actually define “allegory” correctly.  She quotes from C. S. Lewis’ The Allegory of Love at length and makes lots of superhero references.

What people usually mean when they call something an allegory today is that the fictional work in question can function as a metaphor for some real-world situation or event. This is a common arts journalist’s device: finding a political parallel to whatever you happen to be reviewing is a handy way to make it appear worth writing about in the first place. Calling that parallel an allegory serves to make the comparison more forceful. Fusion says that Batman v Superman is a “none-too-subtle allegory for the fight between Republican presidential hopefuls Donald Trump and Ted Cruz.” (It is not.) The Hollywood Reporter calls Zootopia an “accidental anti-Trump allegory”—this despite the fact that there is no literary form less accidental than allegory. The meaning of the word has drifted so far that even works that aren’t especially metaphorical get labeled as allegory: A film about artistic repression in Iran is a “clunky allegory” for … artistic repression in Iran.

Allegory or metaphor: The distinction might seem obscure and academic to many readers. Shouldn’t allegory be grateful to get any attention at all? Isn’t it just an archaic literary mode that nobody uses anymore? Yes and no. About the only people creating true allegories today are political cartoonists. But a culture never entirely discards its roots, and allegory, which first appeared in the waning years of the Roman Empire, is one of the foundations of Western literature. Maybe if we understood it better, we’d realize how much we owe to it.

(2) NEXT AT SFWA. While detailing her writing and travel plans for the summer, Cat Rambo also previews SFWA’s upcoming activities in “Catching My Breath and What’s Coming Up”. In her second year as the organization’s president, she will be putting some needed infrastructure in place.

In SFWA areas, I’m focusing on a new committee that I’ll be working with, the Membership Retention Committee, whose job will be to look at the new member experience for SFWA members as well as how to keep the organization useful for members. (If you’re interested in volunteering with that, feel free to drop me a line.) Other efforts include a) working with SFWA fundraising, b) a small musical endeavor that I just prodded someone about and which involves Tom Lehrer (yes, that Tom Lehrer), and c) helping out where I can with some of M.C.A. Hogarth’s amazing efforts, such as this mysterious thing here lurking under a tarp that I am not at liberty to discuss. *mouths the words “SFWA University” then is dragged away by the SFWA honey badgers while shouting something about a guidebook*

Three other important SFWA things:

  1. I’ll be watching the results of our decision to admit game writers with keen interest. I can tell you that the initial set is criteria is being voted on right now and I expect to see it announced soon.
  2. An effort is in the works that I think will prove a lovely tribute to longtime SFWA volunteer Bud Webster and which will, in the longtime SFWA tradition, provide a benefit for professional writers at every level of their careers.
  3. And we’ll (finally) be announcing some of the partnerships we’ve been making — you saw reps from Amazon, Audible, BookBub, Draft2Digital, Kickstarter, Kobo and Patreon at the Nebulas and those relationships are going to extend beyond the weekend and give our members special resources and relationships at all of those companies — and others, including one that I am super-stoked to have facilitated.

(3) DON’T HOLD YOUR BREATH. Neil deGrasse Tyson gives his view about how long you could survive on each planet in our solar system. It’s a 2015 video.

(4) TODAY’S BIRTHDAY BOY

  • Born May 22, 1859 — Scottish writer Arthur Conan Doyle, creator of Sherlock Holmes.

(5) POSERS FOR TINGLE. Neigh, a thousand times neigh!

https://twitter.com/Hoisengineer/status/733799146138783744

(6) EVERMORE. The Baltimore Sun quotes lots of people involved with the convention in “Balticon grew to 50 as sci-fi, fantasy grew more mainstream”. Several are Filers.

Even 50 Balticons later, Ray Ridenour remembers his introduction to the annual gathering of the Baltimore region’s science-fiction and fantasy aficionados.

Ridenour, then a student at the University of Maryland, College Park, recalls taking the elevator to the top floor of the city’s since-demolished Emerson Hotel. This was the first Balticon put together by the then-4-year-old Baltimore Science Fiction Society, and he had little idea what to expect.

“As soon as I stepped out of the elevator, I heard something very noisy and stepped back in,” he recalls. “Two guys roared by in a wheelchair; one of them was singing loudly, the other was pushing loudly. They careened down the hotel aisle and then zoomed in another direction and disappeared.”

Ridenour asked someone walking by if they had any idea what was going on. “‘Oh, yeah,'” came the reply. “‘That was the president of the club.'”

Ridenour, now 68, a graphic artist and designer living in Hampden and a veteran of every Balticon since, knew he was in the right place. “So I said, ‘Well, these guys look like they know how to party.'”

…Baltimore natives Miller, 65, and Lee, 63, authors of a series of books set in the Liaden universe, were guests of honor at Balticon 37 in 2003. Veterans of Balticons dating to the mid-’70s — they met at Balticon 10 in 1976, when Lee won a short-story contest Miller had helped start — they have been married since 1980.

Balticon’s strength, Miller says, lies in its deep fan base. At a time when many fan gatherings have become massive affairs staged by professional organizations whose business is organizing conventions, with an emphasis on movie- and TV-star guests, Balticon is still organized and run by the Baltimore Science Fiction Society and skewed toward the written word.

“Balticon hasn’t lost touch with the fact that it’s a bunch of fans putting this together, for their own interests and the interests of their friends,” Miller says.

(7) DUNGEON N-COUNTER. Jo Lindsay Walton tweeted this sample of what goes on in the Sputnik Award’s Dungeons of Democracy.

(8) ARE GO. Michael Flett describes the 2015 revival in “Thunderbirds 1965” at GeekChocolate.

…Adhering strictly to the ethic of the late sixties, wires are visible, the motion and expressions of the puppets are limited but still capable of expressing great character, and while Tracy Island is extended by the use of archive footage of tropical islands there can no justifiable objection to this use of stock footage nor in the famous launch sequences or any repeated shots of flybys, as this was all part and parcel of the original productions.

What is undeniable is the loving recreations of puppets, props, sets and machines, from Lady Penelope’s wonderfully shiny pink Rolls Royce FAB1 to the Thunderbirds vehicles themselves, the characters themselves graced by the creations of costume designer Liz Comstock-Smith who has crafted an exquisite new wardrobe for Lady Penelope, much to the chagrin of her chauffeur Aloysius Parker who in addition to his other duties must act as porter.

“When one is visiting, one tries to look one’s best,” his employer drily responds as she arrives at Tracy Island in opening episode Introducing Thunderbirds, less of an audio adventure now granted a visual dimension than, as the name would suggest, a showcase of International Rescue’s secret base and the amazing vehicles used to perform their daring missions.

Adapted from the soundtrack of F.A.B., The Abominable Snowman offers more in the way of spectacle with big explosions from the opening moments as a fire rages at Meddings Uranium, named of course in honour of the late special effects designer Derek Meddings who worked on many Anderson shows and later progressed to several James Bond films….

(9) STOP FIGHTING THE LAST WAR. Jim Henley, in “Hugo McHugoface Has Sailed”, offers his own frame for the Hugo reform discussions.

…Various options – including some kind of jury component and restricting voting rights (e.g. to only attending members) – have raised the objection that “They change the fundamental character of the award.” That class of objections fails to recognize the core truth: the character of the Hugo Awards has already changed. Again, the character of the Hugo Awards has already changed.

The Hugo Awards have become an internet poll in the age of Boaty McBoatface, freeping and chan culture. Nobody set out to make them this, and ex ante it was reasonable to imagine that the supporting membership fee (currently $50) was enough of a gating function to keep LULZers and trolls from targeting the process for abuse. But experience shows that there are enough motivated bad actors willing to spend that much to tie up the bulk of the ballot with whatever works their whims inspire them to place there, motivated by any combination of venial and mortal sins.

There is no question of preserving the character of the Hugo Awards. That ship has sailed, and it is not named for David Attenborough. The question is how can the award process be restructured so that future nominees and award winners will be of a character consistent with the Hugo tradition for the ’70 years prior to the mid-’10s.

I suppose the other question is how long it will take Hugo fandom and WSFS members to admit this.

(10) VERBAL AUTOPSY. Toby Litt tells Guardian readers “What makes bad writing bad”.

…Bad writers continue to write badly because they have many reasons – in their view very good reasons – for writing in the way they do. Writers are bad because they cleave to the causes of writing badly.

Bad writing is almost always a love poem addressed by the self to the self. The person who will admire it first and last and most is the writer herself.

When Updike began writing Rabbit, Run it was either going to be a great technical feat or a humiliating misjudgment

While bad writers may read a great many diverse works of fiction, they are unable or unwilling to perceive the things these works do which their own writing fails to do. So the most dangerous kind of writers for bad writers to read are what I call excuse writers – writers of the sort who seem to grant permission to others to borrow or imitate their failings.

I’ll give you some examples: Jack Kerouac, John Updike, David Foster Wallace, Virginia Woolf, Margaret Atwood, Maya Angelou. Bad writers bulwark themselves against a confrontation with their own badness by reference to other writers with whom they feel they share certain defence-worthy characteristics….

(11) DOWN UNDER FAN FUND. Julian Warner, Justin Ackroyd and Lucy Huntzinger officially announced that the winner of the 2016 race is Australian fan Clare McDonald-Sims. She was the only candidate. The administrators say voting numbers to follow. McDonald-Sims will attend MidAmeriCon II.

(12) IT’S STILL NEWS TO SOMEONE. Fanac.org now has James V. Taurasi’s classic fan newzine Fantasy Times online, published from 1941-1955.

Also, congratulations to Jack Weaver, Fanac.org’s Webmaster of 20 years, and the site’s software developer, who received a special award at FanHistoricon in Virginia last month.

weaverplaque

(13) TANK FOR THE MEMORIES. NPR covered yesterday’s transfer from the harbor to the museum – “A 66,000 Pound Space Shuttle Fuel Tank Is Parading Through The Streets Of LA”.

fuel tank

The last remaining space shuttle external propellant tank is moved across the 405 freeway in Los Angeles on Saturday. The ET-94 will be displayed with the retired space shuttle Endeavour at the California Science Center.

A massive space shuttle fuel tank is winding its way through the streets of Los Angeles Saturday, on a 16-mile trek heading to the California Science Center.

It’s set to be displayed with the space shuttle Endeavor. The tank, which was never used in a mission, is the “last flight-qualified space shuttle external tank in existence,” according to the science center…..

As The Associated Press reports, the giant tank started moving at midnight from Marina del Rey, where it “arrived by barge Wednesday.” It’s crawling along at about 5 mph, the wire service reports, and is expected to take 13 to 18 hours to reach the science center….

The tank was donated by NASA, and Science Center President Jeff Rudolph tells Danielle that he’s thrilled to acquire the tank.

“As soon as we got Endeavor, we said we got to see if there’s any way we can get that one remaining external tank,” he says. Danielle adds that the center is hoping to eventually add booster rockets to the display.

According to the center, that means it will be the “be the only place in the world that people will be able to see a complete shuttle stack — orbiter, external tank, and solid rocket booster — with all real flight hardware in launch configuration.”

[Thanks to John King Tarpinian, Martin Morse Wooster, Will R., Brian Z., and Jim Henley for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]

Today In History 2/18

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Star Trek actors attending 1976 unveiling of space shuttle Enterprise.

Star Trek actors attending 1976 unveiling of space shuttle Enterprise.

1977: First unmanned test flight of space shuttle Enterprise mounted on another aircraft

Although the space shuttle Enterprise never left the atmosphere, it was used for all kinds of tests over the years.

It was hauled over the road to Edwards Air Force Base to begin operational testing in January 1977.

The initial nine-month “Approach and Landing Test” period included Enterprise’s maiden “flight” on February 18, 1977, atop a Boeing 747 Shuttle Carrier Aircraft to measure ground handling and braking characteristics of the mated system.

No crew flew aboard the Enterprise for any of the first five Captive-Inactive Flights conducted between February 18 and March 2, 1977.

Return of the Space Shh!uttle

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The X-37B is back. Photograph by Michael Stonecypher/U.S. Air Force.

The X-37B is back. Photograph by Michael Stonecypher/U.S. Air Force.

By James H. Burns: Many years ago, I can remember the idea being floated that there was a secret manned space program…

And, at first, as a kid, while I relived my anger over the Apollo program — and most of its subsequent progressions — being cancelled: I was hopeful! Better a secret manned space program, I believe I felt, than the near-total abandonment of what should have been our 1970s and ’80s and beyond destiny in space.

…All of which I’ve been reminded of, by this week’s return from space of our clandestine cavalier, our military shuttle….

A top secret US robot space plane landed back on Earth on Friday after a 22-month orbit, officials said, although the craft’s mission remains shrouded in mystery.

The unmanned X-37B, which looks like a miniature space shuttle, glided into the Vandenberg Air Force Base in California after having launched on December 11, 2012, on a mission that military officers say is still strictly secret.

Enterprise Survives Sandy

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Though it’s not the most significant news story in the aftermath of Hurricane Sandy, fans will be gratified to learn that the storm did only minor damage to the space shuttle Enterprise at its new home on the deck of the Intrepid Sea, Air & Space Museum.

The storm elevated the level of Hudson River and at Pier 86, where the Intrepid is berthed, water flooded the main electrical transformers and both backup generators. Lack of power caused the Space Shuttle pavilion to deflate. The shuttle sustained only minor damage. The museum is closed for the time being.

The Enterprise’s pavilion deflated because of a power failure during the storm.

“Before” picture of the Enterprise’s pavilion.

Space Shuttle Gripes

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Next week, on October 12 and 13, Endeavor will be hauled from the United Airlines hangar via surface streets to the science center. Nearly 400 trees have been cut down along the route so the shuttle will have clearance. City governments have been jollying the neighbors along with expectations of witnessing a once-in-a-lifetime event. Now they’ve confessed there will be no sidelines for anyone to stand on and cheer the shuttle’s progress:

Los Angeles Police Sgt. Rudy Lopez said the massive spacecraft, which measures 78 feet wide and weighs 170,000 pounds, needs the entire width of the roadways to squeeze through. At some places along the route, the shuttle will be right at the curb, leaving little room for spectators. The shuttle’s route requires numerous turns, raising concerns that people on the streets could be hurt with even a minor miscalculation.

There are also worries about the shuttle sustaining damage during the move.

The sidewalks and streets will be closed about a mile ahead of and behind Endeavour as it crawls along the 12-mile route at no more than 2 mph to its new home in Exposition Park….

“For the safety of the public, we can’t have them in a certain area of the wingspan just in case something does happen,” Lopez said. “That is the big difference. For parades that we publicize, we set up for sidewalk viewing. In this case, we just cannot accommodate that.”

In the LA Times op-ed writer Paul Whitefield reached back to The Right Stuff for words to describe the public outrage:

Any way you slice it, the city and others overseeing the move of the space shuttle Endeavour from its current parking spot at LAX to its new home at the California Science Center are about to, in the immortal words of aviators and astronauts everywhere, “screw the pooch.”