Pixel Scroll 6/6/24 Any Way You Pixel, That’s The Way You Scroll It

(1) STAR WARS AND SDI EXHIBIT. Longtime LASFSians may remember Jerry Pournelle telling about the meetings of the Citizens’ Advisory Council on National Space Policy he once organized at Larry Niven’s house, which contributed some ideas to the Reagan administration’s “Strategic Defense Initiative” (nicknamed “Star Wars”). Now the Reagan Presidential Library is combining memories of SDI with an exhibit of Star Wars memorabilia in “Defending America and the Galaxy: Star Wars and SDI”. It’s open through September 8.

This Oval Office scene probably won’t come as a surprise to many of you.

Star Wars may have been a transformative movie, but SDI transformed our national security.

Join us at the Reagan Library for a fun and informative exhibition on Star Wars – both the real-world technology of SDI, as well as items from the movie phenomenon.  The exhibition will include original items from SDI including an authentic Command Launch Equipment Console, as well as props, costumes, and concept art from the Star Wars franchise, including a Landspeeder made for A New Hope, master replicas of Luke Skywalker’s lightsaber made from the original mold of The Last Jedi, and an original script signed by Dave Prowse (actor who portrayed Darth Vader in the original trilogy). With special thanks to Propstore (propstore.com), Entertainment Memorabilia Auctions, the exhibit will also showcase an original dress worn by Princess Leia,  original  sketches  by George Lucas of the spaceships, and original helmets worn by Darth Vader, Stormtroopers and more.

(2) HUNGER GAME$ Variety brings word of a “New ‘Hunger Games’ Movie Set for 2026”. There will be a new book in the series, too.

A new “Hunger Games” prequel film will be released in theaters in 2026.

After last November’s “Hunger Games” prequel “The Ballad of Songbirds and Snakes” charmed its way to $337 million at the box office, Lionsgate teased that moviegoers may not have seen the last of Panem, the dystopia where the story is set — even though the spinoff story covered the entirety of author Suzanne Collins’ 2020 novel of the same name….

… To that end, Collins is writing a new book, “Sunrise on the Reaping,” to be released in 2025. The film adaptation will hit theaters on Nov. 20, 2026. Francis Lawrence, who has helmed every “Hunger Games” installment since 2012’s “Catching Fire,” is in talks to direct.

(3) HPL ON THE BLOCK. Eighty-four pages of H. P. Lovecraft letters compose a lot in Heritage Auction’s June 27 offering Part I of the collection of Important English and American Literature from the library of William A. Strutz. “H. P. Lovecraft. Small archive of nine lengthy autograph letters”.

Nine autograph letters signed with six addressed envelopes (four signed “HPL”, four signed “E’ch-Pi-El”, and one signed “H.P. Lovecraft”)…

…[Lovecraft comments on] the inspirations and influences of his own writing style: “You are right in saying that Poe is my chief source & model – & I can assure you that I have never presumed to compare my stuff to his, qualitatively… That is why I dispute your statement that my tales suffer from a ‘lack of warmth’. I may not have the warmth – but tales of the sort I write don’t require such a thing. Indeed – I’ll go a step further & express the opinion that a romantic or especially human element in a weird tale is a definite defect & dilution. The weird writer must above all else be cosmic & objective – with no more sympathy for mankind & its petty values than for the daemons that oppose mankind. Without this impersonal independence & unconventionality, weird fiction sinks quickly into a namby-pamby condition…” (letter dated Aug. 28, 1931). And continues in his next letter of September 3, 1931: “I still insist that ‘warmth’ is an element not properly belong to weird fiction as a genre… What you term ‘coldness & formality’ of style is what I call objective plainness – the bold, neutral simplicity which includes as frills, trivialities, or irrelevancies, & of which treats all phenomena – cosmic, terrestrial, human, or otherwise – as of perfectly equal importance in an infinite, futile, & meaningless cosmos…”

(4) CONSERVATIVE IDEAS FAIL THE TEST SAYS TINGLE. Chuck Tingle took another victory lap over the Rabid Puppies today.

(5) OCTOTHORPE. In episode 111 of the Octothorpe podcast, “Slightly Lower Tolerance for Feelings”, John Coxon, Alison Scott, and Liz Batty read the Hugo Award finalists for Best Novel.

We talk about each of the novels, what we liked and what we didn’t, and then we each say how we’re (currently) planning to rank them on the ballot.

Uncorrected transcript here.

John is in the bottom-left, sitting in a chair, wearing a blue shirt and purple trousers, holding a can, and reading an ebook. Alison is in the upper-middle, lying down upside down, wearing a purple shirt and stripy trousers, and reading an ebook. Liz is in the bottom-right, wearing a pink shirt with green trousers, holding a mug of a hot beverage, and reading a physical book. They are surrounded by floating beer bottles, books, the Moon, a mug with a moose on it, and two cats. The text “Octothorpe 111” and “Hugo Novels 2024” appears to the top and the bottom of the image.

(6) VIEW ONLINE. [Item by lance oszko.] Some items from the Balticon 58 Film Festival are publicly available. See links here: “Winner of Balticon 58 Short Film Festival 2024”.

(7) ALAN SCARFE (1946-2024). Alan Scarfe, the classically trained British Canadian actor known for his turns as bad guys in Double Impact and Lethal Weapon III and as Dr. Bradley Talmadge on the UPN sci-fi series Seven Days died April 28. The Hollywood Reporter profile includes these additional genre roles:

…Born in England and raised in Vancouver, Scarfe portrayed the Romulans Tokath and Admiral Mendak on episodes of Star Trek: The Next Generation in 1991 and 1993 and was another alien, the powerful Magistrate Augris, on a 1995 installment of Star Trek: Voyager.

“Science fiction on film and television, especially if you are playing some kind of alien character with fantastic make-up, is great for actors with a strong stage background,” he said in a 2007 interview. “The productions need that kind of size and intensity of performance. You can’t really mumble if you’re a Klingon.”…

(8) TODAY’S BIRTHDAY.

[Compiled by Cat Eldridge.]

June 6, 1950 Gary Graham. (Died 2024.) I was trying to remember where first saw Gary Graham as a genre performer. What I remember him most for is in the recurring role of Soval, the Vulcan ambassador to Earth, in the Enterprise series. It was a most excellent performance by him. 

So it turns out that it was the Alien Nation franchise in which he played Detective Matthew Sikes, which aired from the late Eighties until mid-Nineties, where I first saw him. Great role by him it was indeed. 

Gary_Graham. Photo by Keith McDuffee.

He had the recurring role of Captain Ken Hetrick on what I think was the underappreciated M.AN.T.I.S. series. Yes, it was a slightly awkward merging of a police procedural and a SF superhero story but I liked it a lot. 

Finally he got involved in one of those fanfic Trek videos that CBS decided to ignore as long as they didn’t attempt to make them a commercial property, e.g. sell them as DVDs.  (Yes, this one asked CBS to sell them for them. You can guess the answer.) 

In Star Trek: Of Gods and Men and the web series that came off it he was Ragnar, a shape-shifter, who led a rebellion against the Federation.  Bet that didn’t end well.

They claim CBS authorized them to write it as a script for a new series. Of course neither CBS or Paramount ever publicly said anything about this. They didn’t block the use of the characters either. You’re welcome to watch here as it’s legal.

(9) COMICS SECTION.

  • Thatababy has a musical riddle.
  • Broom Hilda reveals the missing scene from a monster movie.
  • Boondocks finds a reason for making super soldiers.

(10) PERSISTENT TECHNOLOGY. The resurgence of interest in film photography leads to consideration of “The Lost Art of the Negative” by the New York Times. Customers who have been sent the photos often don’t return for the negatives.

…“The very-big-picture legal issue is the difference between ownership of the negatives and ownership of the copyright,” said David Deal, a former professional photographer who now practices copyright law. “When those two things are detached from one another, then all hell breaks loose.”

Put simply: Whoever has the negatives has the mechanism to reproduce the work but not the copyright to do so; the artist sans negatives has the right but not the means.

It’s a concept that has been battered in the age of digital cameras, then left for dead with the advent of iPhones. Dinosaurs of the photography game, negatives are the original images that are burned into frames when film loaded into an analog camera is exposed to light. They once were the primary deliverable when processing a roll of film.

In the digital age, most shops where people get their film developed will scan the negatives into a computer and just email the photographs to their customers.

“Negatives would’ve never been forgotten before, because people had to pick up the digital copy,” said Richard Damery, a developer who has worked at Aperture Printing in London for 15 years. “They can now have everything uploaded to them. They forget about the negatives.”

It can be hard for some to imagine (or remember) a time when a photograph involved more steps than just the instant gratification of looking down at a screen.

That’s especially true for much of Gen Z, the driving force behind the contemporary film resurgence. The industry has boomed in the years since the pandemic, and not just with upmarket brands like Leica; the classic Fujifilm disposables are back, too. For many young shooters, the anticipation and delayed payoff of film are a welcome salve to the 24/7 exposure of apps like Instagram….

(11) NO MORE DISCS DOWN UNDER? “Disney locks the Vault, ceases DVD distribution in Australia” reports A.V. Club.

In another win for Disney+, The Walt Disney Company has ceased DVD and Blu-ray distribution in Australia and New Zealand. As confirmed by a spokesperson for The Walt Disney Company in Australia and New Zealand, Guardians Of The Galaxy Vol. 3 will be the final release from the Mouse House in the countries. However, we’ve been assured that viewers can watch Disney+ to enjoy Disney classics and new releases, such as Willow season one and Artemis Fowl. The only option for viewers looking to score a copy of the 4K release of Cinderella is through international retailers because once stock runs out in the country, Disney will not replenish.

As noted by The Digital Bits, which first confirmed the news, the move is not surprising. Disney has already stopped distributing DVDs in some Asian and Latin American countries. Physical media sales in the region are dismal, and as global retailers like Amazon suck up a market share of customers, Disney has fewer reasons to keep shelves stocked….

(12) DISTANCE LENDS DISENCHANTMENT. CBR.com claims there are “10 Ways The Hobbit Trilogy Has Aged Poorly”. The movie, that is.

9. There Is Too Much Emphasis on Azog

Spotlight on villains is often admirable, but in the case of The Hobbit, it works to the film’s detriment. To accommodate for the book’s lack of a recurring antagonist and to set up a final fight for Thorin, Azog was introduced. One of the many aspects wrong with Azog in the movies is his very presence, as he was killed years before Bilbo journeyed to the Lonely Mountain in Tolkien’s novel.

Overall, Azog adds little to the plot. He doesn’t differ from any other orc in a relevant way, nor does he serve a major purpose beyond fueling Thorin’s rage towards orcs. What makes his sizable amount of screentime more confusing is the fact that Bolg, the son of Azog, could have fulfilled his role as the orc chieftain of the trilogy without resorting to resurrection.

(13) STARLINER ARRIVES AT ISS. Overcoming some problems, including small helium leaks, “Boeing’s astronaut capsule arrives at International Space Station” reports AP News.

Boeing’s new capsule arrived at the International Space Station on Thursday, delayed by last-minute thruster trouble that almost derailed the docking for this first test flight with astronauts.

The 260-mile-high (420-kilometer-high) linkup over the Indian Ocean culminated more than a day of continuing drama for Boeing’s astronaut flight debut carrying NASA test pilots Butch Wilmore and Suni Williams….

The Starliner capsule already had one small helium leak when it rocketed into orbit with two NASA astronauts Wednesday. Boeing and NASA managers were confident they could manage the propulsion system despite the problem and that more leaks were unlikely. But just hours into the flight, two more leaks cropped up and another was discovered after docking.

Later, five of the capsule’s 28 thrusters went down. The astronauts managed to restart four of them, providing enough safety margin to proceed. By then, Starliner had passed up the first docking opportunity and circled the world for an extra hour alongside the station before moving in.

The thrusters problems were unrelated to the helium leaks, NASA’s commercial crew program manager Steve Stich said after the docking.

Going forward in the flight, “we have some tools in our tool kit to manage this,” Stich said.

Earlier in the day, before the thrusters malfunctioned, officials stressed that the helium leaks posed no safety issues for the astronauts or the mission.

Helium is used to pressurize the fuel lines of Starliner’s thrusters, which are essential for maneuvering. Before liftoff, engineers devised a plan to work around any additional leaks in the system. A faulty rubber seal, no bigger than a shirt button, is believed responsible for the original leak….

[Thanks to Cat Eldridge, Cora Buhlert, SF Concatenation’s Jonathan Cowie, lance oszko, Steven French, Teddy Harvia, Kathy Sullivan, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Lou.]

Pixel Scroll 5/30/24 Scrollfiler Park Is Melting In The Dark, All The Sweet, Green Pixels Flowing Down

(1) THE STEPS LEADING TO RWA’S CHAPTER 11. Her Hands, My Hands today published a thorough roundup about the causes of Romance Writers of America’s evaporating membership: “RWA goes bankrupt; it’s not DEI, it’s the bigotry and racism.”

If you are new here: at the end of 2019, the then-second-largest-in-the-world professional writers organization, shot itself in the eye due to the baked-in racism of the people at the top. Within three months, the membership had dropped to a third of what it was, and many of those leaving predicted at the time that the annual conference venue contracts for the following years would bankrupt the organization.

Even though COVID so-called lockdowns postponed it for a bit, RWA has finally filed for Chapter 11–predictably, it’s blaming one woman of color for that….

…So yes, a professional trade organization founded by women, with a membership made up disproportionately of women, was the second largest of its kind in the world, and for a couple of decades at least. The most likely reason RWA grew so big was the incredible misogyny of the industry: genre romance authors and aspiring writers had nowhere else to go for advocacy or support. The most renowned publishers and authors have always been quick to distance themselves from genre romance and its readers, even as they benefit from marketing to them; from the “we don’t publish that shlock” to “I don’t write that” sneer.

…Why, you may ask, am I going on about the membership numbers drop after the ‘nice’ white ladies shat the RWA bed? Because of this:

Because they want to claim that it was Courtney Milan talking about racism, and the ‘woke’ push for DEI that led them to file for bankruptcy (Bloomberg link; also see footnote 7)…

(2) STATHOPOULOS IS 2024 ARCHIBALD PRIZE FINALIST. Professional artist Nick Stathopoulos, a ten-time Ditmar winner for his genre work, has just been named an Archibald Prize finalist for the ninth time.

The Archibald Prize is awarded annually to the best portrait, “preferentially of some man or woman distinguished in art, letters, science or politics, painted by any artist resident in Australasia”.

The story behind Nick’s entry, titled “The last picture show”, is explained in the Art Gallery of New South Wales’ introduction to the piece.

Nick Stathopoulos was a finalist in the 2008 Archibald Prize with an irreverent portrait of distinguished film critic David Stratton fast asleep in a cinema.

Sixteen years later, Stathopoulos decided to undertake a smaller, intimate, more serious work, choosing again to paint the now-retired Stratton in monochrome, but retaining the deep red of his cardigan – a cinematic device used to dramatic effect in the 1993 film Schindler’s list. The title of the painting references Peter Bogdanovich’s 1971 film The last picture show.

The sitting for this portrait proved to be a happy one. ‘It was a bright, crisp Blue Mountains day, and we sat on David’s back porch talking movies (what else?) as I sketched in the final details. It also happened to be his wedding anniversary, and his wife Susie was keen to point out that she had knitted the red cardigan 40 years ago,’ says Stathopoulos.

An Archibald finalist on eight previous occasions, Stathopoulos won the People’s Choice in 2016 with a portrait of Sudanese refugee and lawyer Deng Adut.

(3) THE MAN FROM UNCLES. Publishers Weekly celebrates bookseller Don Blyly, owner of the reopened Uncle Hugo’s and Uncle Edgar’s: “The Uncles in Minneapolis Celebrate 50 Years of Bookselling Perseverance”.

…Even though the Uncles are now located on a side street, instead of a major thoroughfare, Blyly maintains that one reason sales are up is that “we see primarily people who are interested in what we’re selling,” rather than “people walking in who could not even figure out it was a bookstore; they came in to cause problems or to use the restroom.” There is also a lot of cross-pollination among the different bookstores’ customer bases. “A lot of people who are into sci-fi and fantasy and a lot of other things automatically go to both stores when they are in the neighborhood,” Blyly said. “And we’re selling a lot more kids books than in the old location; there are more families here. Two things I’m not happy about: it takes me longer to get here from my home, and there’s no good Chinese carryout nearby. Other than that, everything else is better.”

The new location of Uncle Hugo’s in 2022.

(4) NEW ARGUMENT TO UNDERMINE COPYRIGHT INFRINGEMENT CHARGE. “Nvidia denies pirate e-book sites are ‘shadow libraries’ to shut down lawsuit” at Ars Technica. However, Ars Technica can’t explain that terminology, or how not being a shadow library helps the defendants.

Some of the most infamous so-called shadow libraries have increasingly faced legal pressure to either stop pirating books or risk being shut down or driven to the dark web. Among the biggest targets are Z-Library, which the US Department of Justice has charged with criminal copyright infringement, and Library Genesis (Libgen), which was sued by textbook publishers last fall for allegedly distributing digital copies of copyrighted works “on a massive scale in willful violation” of copyright laws.

But now these shadow libraries and others accused of spurning copyrights have seemingly found an unlikely defender in Nvidia, the AI chipmaker among those profiting most from the recent AI boom.

Nvidia seemed to defend the shadow libraries as a valid source of information online when responding to a lawsuit from book authors over the list of data repositories that were scraped to create the Books3 dataset used to train Nvidia’s AI platform NeMo.

That list includes some of the most “notorious” shadow libraries—Bibliotik, Z-Library (Z-Lib), Libgen, Sci-Hub, and Anna’s Archive, authors argued. However, Nvidia hopes to invalidate authors’ copyright claims partly by denying that any of these controversial websites should even be considered shadow libraries.

“Nvidia denies the characterization of the listed data repositories as ‘shadow libraries’ and denies that hosting data in or distributing data from the data repositories necessarily violates the US Copyright Act,” Nvidia’s court filing said.

The chipmaker did not go into further detail to define what counts as a shadow library or what potentially absolves these controversial sites from key copyright concerns raised by various ongoing lawsuits. Instead, Nvidia kept its response brief while also curtly disputing authors’ petition for class-action status and defending its AI training methods as fair use.

“Nvidia denies that it has improperly used or copied the alleged works,” the court filing said, arguing that “training is a highly transformative process that may include adjusting numerical parameters including ‘weights,’ and that outputs of an LLM may be based, at least in part, on such ‘weights.'”…

(5) BALTICON SUNDAY SHORT SCIENCE FICTION FILM FESTIVAL (BSSSFFF) 2024. [Report by lance ozko.] Audience scores were from 0 to 5, with sum of values divided by number of votes. 

  • Best of Show. A retrospective screening of “Troll Bridge” from a short story by Terry Pratchett won Best of Show, edging out the George RR Martin production of Howard Waldrop’s “Night of The Cooters”. GRRM provided a new introduction to Howard Waldrop’s work, mentioning 4 films currently. 
  • Best Animated Film went to “Triskelion”, a Stop Motion Celtic Fable from Belgium by Jessica Raes.

Noteworthy were: 

  • “Siren” a comedy from Estonia with a Mermaid. Directed by Katariina Škurinski.
  • “Splinter” a Twilight Zoneish Episode filmed during the Hollywood Strike. Directed by Marc Bernardin.
  • “Falling Forward into an Unknown and Dangerous Future”  based on a verbatim  transcript of an A.I. conversation. Directed by  Mike Ambs.

Several selections were withdrawn between Balticon 57 and 58, as the festival windows did not coincide with Balticon.  Overall 1,010 films were considered. 

Coming last was a Horror Alien Abduction.  Next year we will lean into comedies. Another Howard Waldrop short film “Mary Margaret Road Grader”  is penciled in for 2025. 

(6) MOANA 2 TEASER TRAILER. Entertainment Weekly says “’Moana 2′ trailer reunites Auli’i Cravalho, Dwayne Johnson”.

…The trailer showcases the now-older Moana reuniting with Maui on a mission to reconnect her people “across the entire ocean,” she says, meeting all sorts of oceanic creatures and obstacles along the way….

(7) COLUMBIA RELIC. “Astronaut’s diary found among fallen Columbia space shuttle debris added to National Library of Israel”Space.com has the story.

The handwritten journal pages of Israel’s first astronaut have been added to the country’s national library in Jerusalem, more than 20 years after they were found among the debris from the NASA tragedy that claimed his life.

Ilan Ramon wrote most of the diary while he was in orbit aboard the space shuttle Columbia, serving as an STS-107 payload specialist on the winged spacecraft’s last, ill-fated flight. The found pages document Ramon’s day-to-day life in space, from his hygiene routine to the research he performed on behalf of NASA and his home nation.

Also included were his notes on the Jewish practices that he was to demonstrate from high above Earth.

“Identified among the restored pages was the Friday night blessing over wine, with Ramon’s annotations. Apparently aware he was to broadcast the ‘Kiddush’ live from space, Ramon wanted to make sure he did not forget a single word,” read a release issued by the National Library of Israel on Wednesday (May 29).

(8) NEW SEASON OF UMBRELLA ACADEMY. Variety introduces “’Umbrella Academy’ Season 4 Trailer: The Hargreeves’ Final Countdown”.

Netflix has released the teaser trailer for the fourth and final season of its superhero series “The Umbrella Academy.” The footage, set to the tune of Europe’s 1986 song “The Final Countdown,” sees the Hargreeves siblings stepping out of their regular lives, prepping to band together one last time.

Based on the graphic novel series written by Gerard Way and illustrated by Gabriel Bá, the beloved series follows a family of adopted siblings with superpowers working to prevent the end of the world….

(9) DIGITAL HANDSELLING? The New York Times studies “How a Self-Published Book, ‘The Shadow Work Journal,’ Became a Best Seller”. (Note: this is a non-genre, nonfiction book.)  Link bypasses NYT paywall.

…The real creator of “The Shadow Work Journal” is Keila Shaheen, a 25-year-old writer from Texas with a background in marketing who self-published the book in 2021, and has since been crowned “the self-help queen of TikTok.”

After the journal blew up on TikTok, Shaheen went on to sell more than a million copies. Most of those — nearly 700,000 copies — were sold through the TikTok shop, and were marketed relentlessly by passionate influencers like Glay, who earn a 15 percent commission on each sale from Zenfulnote, Shaheen’s company.

Shaheen’s unusual path to bestsellerdom shows how radically book marketing and sales have been changed by TikTok. Over the past few years, publishers have frantically rushed to harness the power of the platform as viral videos and reviews by influencers have propelled sales for blockbuster authors like Colleen Hoover, Emily Henry and Sarah J. Maas.

But Shaheen is perhaps the first self-published nonfiction author to break out in a big way on the platform, a feat she accomplished by fully harnessing its potential not just for marketing, but for direct sales.

…“To think that she achieved a million copies sold in the United States alone, without a publisher, without any international expansion, without brick and mortar support, it breaks all the rules of what makes a best seller,” said Albert Lee, a literary agent with United Talent Agency, which represents Shaheen….

(10) MEDICAL UPDATE. MaryAnn Harris, wife of Charles de Lint, has been hospitalized since 2021 after contracting Powassan virus, an extremely rare tick-bourne illness. She has been dependent on a ventilator to breathe, and paralyzed except for a toe. Julie Bartel organized a Gofundme “de Lint Recovery Fund”. And the May 23 update begins by detailing further medical problems leading to a sad status report:

…However, all of this has taken a toll and MaryAnn is quite weak. As a result, her treatment has shifted since she returned to SVH, with a new focus on quality of life rather than full recovery. The palliative care team has been brought in, and there have been numerous conversations with MaryAnn about what comes next, and about concentrating on helping her feel comfortable and pain free.

Yesterday she had a desat that was bad enough that she is now on full oxygen again. Afterwards Dr. Kirby and one of the excellent palliative care doctors, Dr. Nick, explained just how fragile MaryAnn is and that her lungs may no longer be able to function adequately. They reiterated the need to focus on comfort and on keeping her as stable as possible and that’s what is happening now.

A very sad and difficult message to hear, but Lynn and Charles are confident the staff at SVH are doing all that they can to care for MaryAnn as well as possible.

We thought you all should know. Please keep MaryAnn in your thoughts, as she and Charles navigate the road ahead. As always, your love and support are a shining light during dark times.

(11) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

May 30, 1922 Hal Clement. (Died 2003.)   

By Paul Weimer. If hard science and physics could be considered “characters” in science fiction, Hal Clement is certainly the person who was able to make them so. Mission of Gravity is the premier look at this, giving an extremely weird and strange, and yet possible high gravity world. Do the characters he populates this world with work as individual characters? Not really, but what you read Clement for is the puzzles and the logic behind the hard science that makes a high gravity-distorted world like Mesklin (the planet of Mission of Gravity) possible in the first place. 

Hal Clement at ConFiction (1990). Photo by Frank Olynyk. From Fanac.org site.

Another novel in this vein that doesn’t get much play or notice, but I ironically read before Mission of Gravity, is The Nitrogen Fix. In this book, Earth’s atmosphere has changed, radically, with the free nitrogen and oxygen in the atmosphere having combined into a toxic and unbreathable mix of nitrogen oxides, carbon dioxide and water. Did the aliens who have come to Earth change and terraform Earth for their own purposes? In the end, the transformation of Earth’s atmosphere is a puzzle that is solved, and makes sense, with a big heaping sense of irony to it all. 

Although shared worlds are not a big thing anymore, back in the 1980’s, they were all the rage. I didn’t mention it back when I wrote on Ellison (way too much to write about him) but even Harlan Ellison did a shared world, Medea. His shared planet had a bunch of writers very interested in building a realistic planet and solar system. Clement not only provided an essay on worldbuilding the astrophysics of  Medea in the book, but also contributed a story. 

Once again, hard science as a character in Clement’s work. That’s what it means to me. 

(12) COMICS SECTION.

(13) UNOBTAINABLE TIMEPIECE. Hamilton Watch put together a prop watch for Dune: Part Two. You can’t buy that one. At the link they have a couple of items you can buy which echo some of its design ideas.

Collaborating with Prop Master Doug Harlocker, Hamilton Watch assisted in bringing this uniquely hardwearing Fremen device to the big screen in “Dune: Part Two”.

While the “Desert Watch” is only available on Arrakis, the creative influence behind it was too strong not to bring into our own world.

(14) OUT, OUT, DANGED SPOT. Space.com says “That giant sunspot that supercharged auroras on Earth? It’s back and may amp up the northern lights with June solar storms.”

…The first hint of AR 13697’s sunspots came into view late on May 27, with the full region visible end of May 28. Making an entrance worthy of its earlier reputation, the active region produced an X2.9 solar flare. Despite triggering fewer large flares from the sun’s backside, Monday’s X-class solar flare asserts that the region is still capable of producing these more noteworthy events. 

The active region will continue to rotate across the sun over the next two weeks, providing a view of any solar flares from the region during this window. The light from any solar flares in this window will reach Earth, with the potential to produce short-term radio blackouts. These are temporary disruptions to radio-wave propagation on the sun-facing side of Earth, lasting only an hour or so. 

As we experienced in mid-May 2024, some flares may also trigger the eruption of a CME. Unlike flares, CMEs are directional, and their potential impact on Earth relies heavily on the location of its source on the sun. For a CME to have the best odds of reaching Earth, it would need to erupt from the slight right of the sun’s center. AR 13697 will reach this location of optimum Earth connection around June 4-6, around one full solar rotation (27 days) since the mid-May solar flares. Eruptions close to this window will have the best odds of producing a geomagnetic storm and enhanced aurora display here on Earth….

(15) BIG GULP. “SpaceX fuels Starship megarocket again to prep for test flight” at Space.com. Sounds like a lot.

SpaceX has fueled up its Starship megarocket again, ramping up preparations for the huge vehicle’s upcoming test flight.

The operation, known as a wet dress rehearsal (WDR), occurred on Tuesday (May 28) at SpaceX‘s Starbase site in South Texas. The company pumped huge quantities of liquid oxygen and liquid methane into Starship‘s first and second stages, which are known, respectively, as Super Heavy and Starship (or just “Ship” for short).

“Starship and Super Heavy loaded with more than 10 million pounds of propellant in a rehearsal ahead of Flight 4. Launch is targeted as early as June 5, pending regulatory approval,” SpaceX said today (May 29) in an X post, which also shared photos of the procedure….

(16) MINECRAFT GETS SERIES. “’Minecraft’ Animated Series in the Works at Netflix” reports Variety.

Netflix is developing an animated series based on the wildly popular sandbox video game “Minecraft.” The streamer will produce the project alongside Mojang Studios, the Swedish developer of the game.

Plot details are not yet known, but according to Netflix, the series “will feature an original story with new characters, showing the world of ‘Minecraft’ in a new light.”…

[Thanks to Steven French, Teddy Harvia, Kathy Sullivan, Lance Oszko, Jim Janney, Ingvar Mattson, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Joe H.]

Pixel Scroll 4/19/24 Pixel And Her Friends

(1) GET READY FOR SELF-PUBLISHED FANTASY BLOG-OFF 10. The ninth contest is about to wrap up, and sponsor Mark Lawrence warns there will be a quick turnaround to start SPFBO 10:

SPFBO 10 (SPFBOX) will open to entries on Friday the 10th of May 2024 at 1pm GMT. The link will be posted here.

The SPFBO 10 contest will start on the 1st of June 2024.

Since SPFBO 9 filled its 300 slots in ~40 minutes, a different system will be used this year so that people in some time zones don’t have to get up in the middle of the night. The entry form will stay open for 24 hours. After it’s closed 300, manuscripts will be randomly selected from the pool of those who have signed up….

(2) 2024 STURGEON SYMPOSIUM. The Gunn Center for the Study of Science Fiction will hold the third annual Sturgeon Symposium from October 24-25, 2024. Samuel R. Delany will be there.

We are delighted that Samuel R. Delany has accepted our invitation to speak at the symposium. As an innovative author, Delany has redefined the boundaries of SFF as well as literary criticism through his explorations of language, society, sexuality, and narrative form. This year’s symposium acknowledges his lasting impact on science fiction, speculative fiction, and literary criticism.

Delany will speak on the subject “Samuel R. Delany and Theodore Sturgeon: Exclusion, Loneliness and Difference”.

See the Call for Papers here.

(3) DORAN ILLUSTRATED GOOD OMENS DELAYED. Artist Colleen Doran announced “Good Omens Rescheduled” — to accommodate her recovery from cancer treatment.

A couple of weeks ago, Neil Gaiman gave me a call to let me know he was not worried about me flaming out on Good Omens despite my truly awful 2023, and if I needed more time or some help to please take it. Shortly before that, the folks at Dunmanifestin, the publishing arm of the Terry Pratchett Estate, dropped me a line to say the same.

I was very much hoping I’d spring back to normal life after my cancer treatment was finished, but no. I felt like I’d been hit by a truck. My mental and physical energy comes and goes. I told Neil I need to be working ten hour days but have trouble managing six.

Anyway, I nervously requested the dreaded deadline extension and got it. Frankly should have asked for a big(ger) one months ago, but having never had this kind of health issue before, I didn’t know what to expect re: recovery. Some people spring back quickly, and some don’t. I figure I’m fair to middlin’.

So, the Good Omens release date is set for spring next year…

Gaiman and Wilkins say:

As a team, we collectively support Colleen and the time and space needed to finish the graphic novel after the past year she has been powering on through, and have a quick note from both Neil Gaiman and Rob Wilkins, the manager of the Terry Pratchett Estate:

Neil: “I’ve been amazed and impressed by how much Colleen has done so far, despite dealing with health issues. We are proud of her and her dedication to adapting Good Omens with such care, and look forward to holding the finished books in our hands.”

Rob: “Colleen is doing a fantastic job bringing the graphic novel to life. We’re absolutely delighted with each and every page and it is essential she can work comfortably whilst giving the book the time it deserves. She has our full support and we can’t wait for you to see the results.”

(4) BALTICON SF FILM FESTIVAL. Balticon 58, taking place May 24-27, 2024 will feature the Balticon Sunday Short Science Fiction Film Festival. The festival will include “Night of The Cooters” (2022) produced by George RR Martin from a story by Howard Waldrop, directed by Vincent D’Onofrio.

On the program will be 19 Selections from 10 Countries. The showings run 4.5 hours with two intermissions.  Day rates are available for Sunday. 

(5) SCRAPER, NO SCRAPING! “Amazon is filled with garbage ebooks. Here’s how they get made.” according to Vox.

…Here is almost certainly what was going on: “Kara Swisher book” started trending on the Kindle storefront as buzz built up for Swisher’s book. Keyword scrapers that exist for the sole purpose of finding such search terms delivered the phrase “Kara Swisher book” to the so-called biographer, who used a combination of AI and crimes-against-humanity-level cheap ghostwriters to generate a series of books they could plausibly title and sell using her name.

The biographer in question was just one in a vast, hidden ecosystem centered on the production and distribution of very cheap, low-quality ebooks about increasingly esoteric subjects. Many of them gleefully share misinformation or repackage basic facts from WikiHow behind a title that’s been search-engine-optimized to hell and back again. Some of them even steal the names of well-established existing authors and masquerade as new releases from those writers. According to the Authors Guild, it would be impossible for anyone but Amazon to quantify these books — and that’s not information Amazon is sharing….

… It’s so difficult for most authors to make a living from their writing that we sometimes lose track of how much money there is to be made from books, if only we could save costs on the laborious, time-consuming process of writing them.

The internet, though, has always been a safe harbor for those with plans to innovate that pesky writing part out of the actual book publishing. On the internet, it’s possible to copy text from one platform and paste it into another seamlessly, to share text files, to build vast databases of stolen books. If you wanted to design a place specifically to pirate and sleazily monetize books, it would be hard to do better than the internet as it has long existed…

(6) JOHN G. TRIMBLE (1936-2024). Longtime LASFSian John Trimble, husband of Bjo Trimble, died April 19.  Lora Boehm, his daughter, made the announcement on Facebook. The Fancyclopedia notes that he co-chaired Westercon 18 and chaired Westercon 23, He worked on several Equicons, chairing one.

John Trimble in 2004.

He was a co-founder of the LASFS club newzine, De Profundis, for a time helped edit its genzine Shangri-L’Affaires. He also edited To the Stars, a short-lived newzine backed by Authors Services.

John and Bjo Trimble married in 1960 – having met under Forry Ackerman’s piano during a party at his house. Bruce Pelz published A Fanzine for Bjohn in their honor when they wed. (And paging through a copy at their 40th anniversary party I found it’s a highly entertaining read!)

Bjo and John Trimble at Star Trek: Discovery premiere in 2017.

They were early members of the Society for Creative Anachronism and served on its Board of Directors. Together they were Fan Guests of Honor at ConJosé, the 2002 Worldcon.

Lora’s obituary adds:

…Their 3 children, Kathryn, Lora and Jenn have been a constant joy and the addition of husband to Lora, Jason and Jenn’s husband Chris have completed the family.

In 1966 they found a group of people interested in mediaeval combat and arts. They joined the Society of Creative Anachronism (SCA) . John served 2 terms as a member of it’s board of directors, was a landed Baron of the first Barony. His arms were the very first to be registered with the college of Heralds and both John and Bjo have been members ever since. Later that year he said to his wife, “Gee it’s a shame a good science fiction show like Star Trek is going to be canceled. We should do something about that!” And the same Star Trek campaign was born. For over 58 years John and Bjo Trimble have been ambassadors for science fiction, the space program and the SCA. Meeting and hosting people from all walks of life, all over the world.

John has touched thousands of lives in a way that positive and full of joy. He will be greatly missed.

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born April 19, 1946 Tim Curry, 78. Let me note upfront that this is very much not an overview of everything that he’s done but my picks of what I like most. 

So let’s start off with him as Cardinal Richelieu, the corrupt Cardinal who in charge of the Red Guards in The Three Musketeerswhich came out forty-one years ago from Disney. He magnificently costumed as you can see here and had the most devilish beard as well. It’s a wonderfully over the top role that works even that I think he only has than a handful of scenes. It won’t surprise anyone here for me to say he comes to a dramatic and wonderfully flamboyant demise.

Next up must be his role in that film. Need I say which one? I think not. He rose to prominence as Dr. Frank-N-Furter reprising the role he had originated in the 1973 London and 1974 Los Angeles musical stage productions. Good, that output, and that singing. What an amazing performance it was. I’ve seen it a number of times including yes in a theater at midnight. Seattle if memory serves me right. 

Tim Curry in Rocky Horror.

Would you like to know what my absolutely favorite Tim Curry performance is? That would be him in Clue. When I wrote it up here three years back, I noted that “It had a stellar cast of Tim Curry, Madeline Kahn, Christopher Lloyd, Michael McKean, Martin Mull. Lesley Ann Warren and Eileen Brennan. Tim Curry played The Butler.”  

Tim Curry in Clue

Such a role it was. Hyperkinetic, full of Bugs Bunny worthy action on his part and some of the best bouncing off all walls possible dialogue ever said by a Butler.

Siskel and Ebert hated the three alternative endings as different theatres originally got one of three though eventually all theatres got all of them. It still bombed. 

My final is him as Gomez Addams in Addams Family Reunion. Not perhaps the first person that you’d think of for the role given John Astin originated the role and Raul Julia had played him twice to that date, each being sharp-dressed gentleman, but he turned out to a rather splendid choice first the third outing as the director Tony Payne wanted this version of the character to be weird and Curry does weird oh very well.  

Tim Curry as Gomez Addams.

So there’s my choices. So what’s your favorite role by him? 

(8) MORE FALLOUT. Variety tells us “’Fallout’ Renewed for Season 2 at Amazon”.

“Fallout” has been renewed for Season 2 at Amazon Prime Video.

The announcement comes after Variety reported that a second season was set to receive $25 million in tax credits by relocating shooting to the state of California.

Based on the video game franchise of the same name, the series is set two hundred years after the apocalypse. The official description states it follows “the gentle denizens of luxury fallout shelters that are forced to return to the irradiated hellscape their ancestors left behind—and are shocked to discover an incredibly complex, gleefully weird, and highly violent universe waiting for them.”

(9) AVENGERS AND OTHERS ASSEMBLE. Here’s an amusing video – we’ll call it ”Superheroes stop for a traffic light”.

(10) A REASON TO MAKE A MARTIAN ODYSSEY. “NASA’s downed Ingenuity helicopter has a ‘last gift’ for humanity — but we’ll have to go to Mars to get it” says Live Science.

NASA’s Ingenuity Mars Helicopter has beamed back its final message to Earth, which included a heart-warming goodbye to mission scientists. The record-breaking robot will now spend the rest of its days collecting data that could be used in future Mars missions — but only if future robots or astronauts go all the way to the Red Planet to get it.

The pigeon-size helicopter, or rotorcraft, first landed on the Red Planet on Feb. 18, 2021, alongside the Perseverance rover, and it successfully completed the first-ever powered flight on an alien world on April 19 of the same year. The Ingenuity mission’s initial goal was to fly five missions across 30 days. But the tiny chopper ended up flying 72 times on Mars, spending more than two hours in the air and traveling 14 times farther than initially planned, according to a statement by NASA.

According to NASA:

…If a critical electrical component on Ingenuity were to fail in the future, causing data collection to stop, or if the helicopter eventually loses power because of dust accumulation on its solar panel, whatever information Ingenuity has collected will remain stored on board. The team has calculated Ingenuity’s memory could potentially hold about 20 years’ worth of daily data….

(11) WHAT’S THE RECIPE FOR THESE PLANETS? “Uranus and Neptune aren’t made of what we thought, new study hints” reports Live Science. Whatever you expected to find on Uranus, look again…

Astronomers have long believed that the ice giants Uranus and Neptune are rich in frozen water. However, a new study suggests they may also have tons of methane ice.

The findings could help solve a puzzle about how these icy worlds formed.Much about Uranus and Neptune remains unknown. These ice giant worlds have had just a single spacecraft visitor, Voyager 2, which flew past them in the 1980s. As a result, scientists have only a hazy idea of the ice giants’ compositions — for example, that they contain significant amounts of oxygen, carbon and hydrogen.

… Of the various models they built, the astronomers found that those with methane fit their criteria, with the methane — either in solid chunks or, given the pressure, in a mushy state — forming a thick layer between the hydrogen-helium envelope and the water layer. In some models, methane accounted for 10% of the planet’s mass….

(12) TWO^H^H^H ONE NEW PITCH MEETINGS^H. [Item by Mike Kennedy.]

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Lance Oszko, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Tom Becker.]

Kemi Ashing-Giwa Wins 2024 Compton Crook Award

The Baltimore Science Fiction Society (BSFS) announced today that Splinter in the Sky (Saga Press) by Kemi Ashing-Giwa has won the 2024 Compton Crook Award for best debut SF/Fantasy/horror novel, a prize worth $1,000. Kemi Ashing-Giwa is the 42nd winner of the award.

Since 1983, BSFS has given the Compton Crook Award for best first novel in the science fiction, fantasy, and horror genres. The other finalists were: 

  • Deathwind: War of the Harbingers Book 1 by Brad Pawlowski (Sunquake Books);
  • How to Be Remembered by Michael Thompson (Sourcebooks Landmark)and
  • These Burning Stars by Bethany Jacobs (Orbit)

Judging for the award has two parts. First, members of BSFS picked four finalists by reading and rating debut novels published between November 1, 2022 and October 31, 2023. Then, in the finalist round, club members picked a winner.  

The award includes a framed award document and, for the novel’s author, a check for $1,000 and an invitation to be the Compton Crook Guest of Honor at Balticon (the BSFS annual convention) for two years. Balticon will be held this year in Baltimore over Memorial Day weekend, May 24-27.

Kemi Ashing-Giwa studied organismic and evolutionary biology, and astrophysics at Harvard, and is now pursuing a PhD in the Earth & Planetary Sciences department at Stanford. She has a novella, “This World Is Not Yours” scheduled for September 2024 from Tor Nightfire and a novel, The King Must Die scheduled for 2025 from Saga Press.

The Compton Crook Award was named in memory of Towson State College Professor of Natural Sciences Compton Crook, who wrote under the name Stephen Tall and died in 1981. Professor Crook was active for many years in the Baltimore Science Fiction Society and was a staunch champion of new works in the fields eligible for the award. For more details visit award webpage.

Past winners of the award have included Donald Kingsbury, Elizabeth Moon, Michael Flynn, Wen Spencer, Maria Snyder, Naomi Novik, Paolo Bacigalupi, Myke Cole, Charles Gannon, Fran Wilde, Ada Palmer, R.F. Kuang, Arkady Martine, and P. Djèlí Clark. Last year’s winner was Alex Jennings for his novel The Ballad of Perilous Graves.

Reading and rating books for the 2025 award will begin this summer. For more information contact [email protected].

BSFS is a 501(c)(3), non-profit, charitable, literary and educational organization, dedicated to the promotion of, and an appreciation for, science fiction in all of its many forms. The Baltimore Science Fiction Society was launched on January 5, 1963 and has been holding Balticon since 1967.

Pixel Scroll 3/14/24 I Am The Go-Captain Of The Pixelfore

(1) LIBBY BOOK AWARDS. Congratulations to Martha Wells and Rebecca Yarros, two of the 17 winners of the inaugural Libby Book Awards, chosen by a panel of 1700 librarians worldwide.

  • Fiction: The Heaven & Earth Grocery Store, by James McBride
  • Nonfiction: The Wager, by David Grann
  • Young Adult: Divine Rivals, by Rebecca Ross
  • Audiobook: I Have Some Questions for You, by Rebecca Makkai
  • Debut Author: The House in the Pines, by Ana Reyes
  • Diverse Author: Camp Zero, by Michelle Min Sterling
  • Comic Graphic Novel: The Talk, by Darrin Bell
  • Memoir & Autobiography: Pageboy, by Elliot Page
  • Cookbook: Start Here, by Sohla El-Waylly
  • Mystery: Vera Wong’s Unsolicited Advice for Murderers, by Jesse Q. Sutanto
  • Thriller: Bright Young Women, by Jessica Knoll
  • Romance: Georgie, All Along, by Kate Clayborn
  • Fantasy: Fourth Wing, by Rebecca Yarros
  • Romantasy: Iron Flame, by Rebecca Yarros
  • Science Fiction: System Collapse, by Martha Wells
  • Historical Fiction: Let Us Descend, by Jesmyn Ward
  • Book Club Pick: Yellowface, by R. F. Kuang

(2) BOOK BANS SURGED IN 2023. “American Library Association reports record number of unique book titles challenged in 2023” at ALA.org.

Stack of books background. many books piles

The number of titles targeted for censorship surged 65 percent in 2023 compared to 2022, reaching the highest levels ever documented by the American Library Association (ALA). The new numbers released today show efforts to censor 4,240 unique book titles* in schools and libraries. This tops the previous high from 2022, when 2,571 unique titles were targeted for censorship. 

ALA’s Office for Intellectual Freedom documented 1,247 demands to censor library books, materials, and resources in 2023. Four key trends emerged from the data gathered from 2023 censorship reports: 

  • Pressure groups in 2023 focused on public libraries in addition to targeting school libraries. The number of titles targeted for censorship at public libraries increased by 92 percent over the previous year; school libraries saw an 11 percent increase.
  • Groups and individuals demanding the censorship of multiple titles, often dozens or hundreds at a time, drove this surge.  
  • Titles representing the voices and lived experiences of LGBTQIA+ and BIPOC individuals made up 47 percent of those targeted in censorship attempts. 
  • There were attempts to censor more than 100 titles in each of these 17 states: Colorado, Connecticut, Florida, Idaho, Illinois, Iowa, Kentucky, Maryland, Missouri, North Carolina, Ohio, Pennsylvania, Tennessee, Texas, Utah, Virginia, and Wisconsin.

“The reports from librarians and educators in the field make it clear that the organized campaigns to ban books aren’t over, and that we must all stand together to preserve our right to choose what we read,” said Deborah Caldwell-Stone, director of ALA’s Office for Intellectual Freedom. “Each demand to ban a book is a demand to deny each person’s constitutionally protected right to choose and read books that raise important issues and lift up the voices of those who are often silenced.  By joining initiatives like Unite Against Book Bans and other organizations that support libraries and schools, we can end this attack on essential community institutions and our civil liberties.”…

(3) PNH’S NEW POST AT TPG. “Patrick Nielsen Hayden to Become Editor-at-Large for TPG” reports Publishers Weekly.

Patrick Nielsen Hayden has assumed the title of editor-at-large for the Tor Publishing Group. Hayden has been with TPG for 35 years and most recently served as v-p, associate publisher, and editor-in-chief.

During his tenure, he has published the debut novels of authors such as Charlie Jane Anders, Corey Doctorow, John Scalzi, and Jo Walton, and has received three Hugo Awards and a World Fantasy Award for his editorial work. In 2020, he founded our Tor Essentials imprint, which highlights a new generation of SFF classics. 

As editor-at-large, he will continue to edit such authors as Scalzi, Doctorow, and Walton, and will continue to select and oversee the Tor Essentials. 

In announcing Hayden’s new role, TPG president and publisher Devi Pillai added that the company “will not be replacing Patrick in his previous position—he is one of a kind.”

Patrick Nielsen Hayden in 2013. Photo by Scott Edelman.

(4) WICKED WORLD’S FAIR FOLLOWUP. “Eventbrite Refutes Mach’s Claims About WWF Payouts, Hints at Possible ‘Actions’” at The Steampunk Explorer. The linked post adds a great deal more coverage after this introductory item:

Amid the fallout from the Wicked World’s Fair (WWF), show organizer Jeff Mach has repeatedly blamed Eventbrite, the online ticketing and event management platform, for his inability to cover the event’s expenses. But in a statement provided Wednesday to The Steampunk Explorer, Eventbrite refuted key aspects of his claims.

WWF was held Feb. 23-25 at the SureStay Plus hotel in Bethlehem, Pennsylvania. Mach used Eventbrite to manage ticket sales, as well as sales of vendor spaces. During the event, as a sound crew was awaiting payment and vendors were requesting refunds, he told them that Eventbrite had frozen his account, preventing use of the platform’s payout features.

In the weeks that followed, Mach continued to blame Eventbrite for payment issues at WWF. “I had repeated assurances from Eventbrite that the money would be forthcoming,” he remarked in one statement to The Steampunk Explorer. “Why Eventbrite had the account locked down, but refused to tell us, I don’t know.”

This was the company’s response on Wednesday: “Eventbrite offers, but does not guarantee, multiple ways to request funds ahead of the event date. Due to an error on the organizer’s end, we can confirm that a few of these advance payouts were delayed. This was quickly remedied, and the organizer received much of his payout ahead of the event and has now been paid out in full.”…

(5) I NEVER WANTED TO GO DOWN THE STONEY END. [Item by Danny Sichel.] Last month, Doug Muir did a piece about the impending death of Voyager 1, originally launched in 1977. “Death, Lonely Death” at Crooked Timber.

…Voyager has grown old.  It was never designed for this!  Its original mission was supposed to last a bit over three years.  Voyager has turned out to be much tougher than anyone ever imagined, but time gets us all.  Its power source is a generator full of radioactive isotopes, and those are gradually decaying into inert lead.  Year by year, the energy declines, the power levels  relentlessly fall.  Year by year, NASA has been switching off Voyager’s instruments to conserve that dwindling flicker.  They turned off its internal heater a few years ago, and they thought that might be the end.  But those 1970s engineers built to last, and the circuitry and the valves kept working even as the temperature dropped down, down, colder than dry ice, colder than liquid nitrogen, falling towards absolute zero.  

(Voyager stored its internal data on a digital tape recorder.  Yes, a tape recorder, storing information on magnetic tape.  It wasn’t designed to function at a hundred degrees below zero.  It wasn’t designed to work for decades, winding and rewinding, endlessly re-writing data.  But it did.)…

… We thought we knew how Voyager would end.  The power would gradually, inevitably, run down.  The instruments would shut off, one by one.  The signal would get fainter.  Eventually either the last instrument would fail for lack of power, or the signal would be lost.

We didn’t expect that it would go mad.

In December 2023, Voyager started sending back gibberish instead of data.  A software glitch, though perhaps caused by an underlying hardware problem; a cosmic ray strike, or a side effect of the low temperatures, or just aging equipment randomly causing some bits to flip.

The problem was, the gibberish was coming from the flight direction software — something like an operating system.  And no copy of that operating system remained in existence on Earth….

But all is not lost. Well, probably. But not necessarily. At the link you can read the rest of the story about the people trying to put the smoke back in the system from fifteen billion kilometers away.

(6) WEIMER GUESTS ON WORLDBUILDING FOR MASOCHISTS. Paul Weimer joins hosts Marshall Ryan Maresca, Cass Morris, and Natania Barron for  episode 124 of the Worldbuilding for Masochists podcast, “Worldbuilding in Review”.

We spend a lot of time thinking about how to work with worldbuilding as writers — but how does a reviewer approach the topic when they’re reading works of sci-fi and fantasy? Guest Paul Weimer joins us to share his insights as a prolific consumer and critiquer of speculative fiction! Paul talks about the details that he pays attention to, the things he looks for, and the things that draw his attention, as well as discussing the purpose of reviews and who they’re for (hint: it’s not the authors!).

In this episode, we spin things around to look at how we approach worldbuilding and narrative construction as readers — since we are, of course, readers as well as writers! We explore of aspects of how a writer can set and, hopefully, meet expectations through worldbuilding — and where that can sometimes become challenging as a series goes on. What makes a world exciting to enter in the first place? What grips a reader and keeps them with it? And how can you use worldbuilding to make your wizard chase sequence a more cohesive part of your world?

(7) ENTRIES SOUGHT FOR BALTICON SHORT FILM FESTIVAL. Balticon Sunday Short Science Fiction Film Festival has been revised and is looking for talented filmmakers. Full guidelines here: “Short Film Festival”. Entries must be submitted by April 10 2024.

In 2024, the Balticon Sunday Short Science Fiction Film Festival (BSSSFFF) will take place on Sunday evening at 7:00pm. We will thrill festival attendees with independently produced short films from around the region and across the globe. BSSSFFF features live action and animated films in the science fiction, fantasy, and horror from some of the best independent filmmakers this side of the Crab Nebula.

Awards will be given in both the Live Action and Animation category based upon audience preferences. Some of the history of this film festival can be found on the BSFS website.

(8) TRY SUNDAY MORNING TRANSPORT. Mary Robinette Kowal has posted a link valid for a 60-day free trial of Sunday Morning Transport.

(9) ONE SUPERHERO ACTOR CONS ANOTHER. “Simu Liu was scammed by a Hollywood Boulevard Spider-Man” at Entertainment Weekly.

Simu Liu is reflecting on an enemy he made during his first visit to Los Angeles: a not-so-friendly neighborhood Spider-Man.

During an interview with Jesse Tyler Ferguson on Dinner’s On Me, the Shang-Chi and the Legend of the Ten Rings actor recalled an unfortunate encounter with a swindling web-slinger on Hollywood Boulevard. “I remember I was taking photos of the Chinese Theater and a Spider-Man came up to me and was like, ‘I’ll help you!’” the actor remembered.

Alas, Liu’s spider-sense didn’t alert him to the insidious plot that was about to unfold. “And then he took a bunch of photos of me, and then he took some selfies of himself, and then he was like, ‘That’ll be $20!’” the actor said. “And that was mortifying for me, because I didn’t have $20 to give him. Core memory, clearly.”

(10) INTELLECTUAL (?) PROPERTY. Jon Del Arroz tagged me on X.com about this. I clicked through and was fascinated to learn he has declared Sad Puppies is a movement “owned and led by JDA!”

OFFICIAL Sad Puppies merch is now live on the store! Show your allegiance to this great movement which is owned and led by JDA!

(11) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 14, 1933 Michael Caine, 91. On my list of favorite British performers of all time, Michael Caine is near the top of that list. Both his genre and non-genre performances are amazing. So let’s take a look at those performances.

Caine portrayed Alfred Pennyworth in Christopher Nolan’s Batman trilogy. He was quite stellar in this role. And he was in The Prestige, a truly great film, as John Cutter, in Inception as Stephen Miles, Professor John Brand in Interstellar and Sir Michael Crosby in Tenet.

Did you see him in as Ebenezer Scrooge in The Muppet Christmas Carol? If not, go see it now. He’s wonderful and The Muppet take on the Dickens story is, errr, well actually touching. Really it is.

Definitely not genre is The Man Who Would Be King, based off the Kipling story, which starred him with Sean Connery, Saeed Jaffrey and Christopher Plummer. The two primary characters were played by Sean Connery — Daniel Dravot — and Caine played the other, Peachy Carnehan. A truly fantastic film. 

Michael Caine and Sean Connery in The Man Who Would Be King.

In the Jekyll & Hyde miniseries, he’s got the usual dual role of Dr Henry Jekyll / Mr Edward Hyde. He was nominated for a Golden Globe Award for Best Actor – in a Miniseries. He did win a Globe for Best Actor for playing Chief Insp. Frederick Abberline in the Jack Ripper miniseries airing the same time.

Nearly thirty years ago, he was Captain Nemo in a 20,000 Leagues Under the Sea miniseries. 

He’s in Austin Powers in Goldmember, third film in the franchise. He’s Nigel Powers, a British agent and Austin and Dr. Evil’s father. Can someone explain to me the appeal of these films? 

In Children of Men, he plays Jasper Palmer, Theo’s dealer and friend, Theo being the primary character in this dystopian film. 

He’s Chester King in Kingsman: The Secret Service. That’s off the Millarworld graphic novel of Kingsman: The Secret Service by Mark Millar and Dave Gibbons.

I’m reasonably sure that’s all I need to mention about his career.

(12) COMICS SECTION.

  • Blondie anticipates tomorrow’s celebration of World Sleep Day.
  • Frazz figures out the anatomy involved in scientific advancement.
  • Does F Minus depict the dream of some File 770 commenters?
  • Non Sequitur imagines the earliest days of streaming.
  • Carpe Diem has a new origin story.

(13) OCTOTHORPE. In episode 105 of the Octothorpe podcast, John Coxon watches movies, Alison Scott walks on the Moon, and Liz Batty has special bonds. Listen here: “Scorching Hot Month-Old Takes”.

In this episode, we talk through your letters of comment with diversions into Zodiac podcasts, poetry collections, and Scientology. We discuss the BSFA Awards shortlist and return to the Hugo Awards for another round of head-scratching and bewilderment.

A famous photograph of Margaret Hamilton standing beside printed outputs of the code that took the Apollo spacecraft to the Moon, overlaid with the words “Octothorpe 105” and “Liz has finished reading the latest Hugo Award exposés”.

(14) OUTSIDE THE BOX — AND INSIDE THE SHELVES. Harlan Ellison’s Greatest Hits can already be found in some bookstores, ahead of the official release date.

(15) GLIMPSE OF BLACK MIRROR. “Black Mirror Season 7 Will Arrive in 2025 With a Sequel to One of Its Most Beloved Episodes”IGN has the story.

Netflix’s long-running bleak anthology series, Black Mirror, is coming back for Season 7 next year, and it’s bringing a sequel to fan-favorite episode USS Callister with it.

The streaming platform announced the news during its Next on Netflix event in London (via The Hollywood Reporter), later bringing public confirmation with a cryptic message on X/Twitter. The post contains a video teasing the six episodes, and judging by the familiar logo that appears, it sounds like the third will be the one to give us our USS Callister sequel.

(16) THE GANG’S ALL HERE. “Doctor Who’s Russell T Davies and Steven Moffat unite to support Chris Chibnall”Radio Times cheers the gesture.

Doctor Who writers past and present have shared a photo together after Russell T Davies and Steven Moffat attended a performance of Chris Chibnall’s new play.

Recently returned showrunner Davies posted the image to his Instagram page alongside the caption: “A marvellous night out in Salisbury to see Chris Chibnall’s wonderful new play, One Last Push.”

And he added: “Also, we plotted Zarbi vs Garms”, referencing two classic Doctor Who monsters…

(17) TRUE OR FALSE? Radio Times reviews evidence supporting story that “Doctor Who’s Steven Moffat ‘returns to write 2024 Christmas special’”.

More than six years after his final episode of Doctor Who aired, it appears that former showrunner Steven Moffat may be returning to write a new episode of the sci-fi.

While the news has not yet been confirmed, it was picked up on Tuesday 12th March that producer Alison Sterling’s CV had been updated to note she had worked on the show’s 2024 Christmas special.

Underneath this, it was noted that the director of the episode is Alex Pillai, while it was stated that the writer is one Steven Moffat. The notes regarding the writer and director of the episode have since been removed….

One factor which may throw doubt on the idea that Moffat has written the special, is that Russell T Davies previously said that he himself was writing it back in 2022.

(18) STARSHIP HITS SOME MARKS. “SpaceX celebrates major progress on the third flight of Starship”ArsTechnica has details.

… The successful launch builds on two Starship test flights last year that achieved some, but not all, of their objectives and appears to put the privately funded rocket program on course to begin launching satellites, allowing SpaceX to ramp up the already-blistering pace of Starlink deployments.

“Starship reached orbital velocity!” wrote Elon Musk, SpaceX’s founder and CEO, on his social media platform X. “Congratulations SpaceX team!!”

SpaceX scored several other milestones with Thursday’s test flight, including a test of Starship’s payload bay door, which would open and shut on future flights to release satellites into orbit. A preliminary report from SpaceX also indicated Starship transferred super-cold liquid oxygen propellant between two tanks inside the rocket, a precursor to more ambitious in-orbit refueling tests planned in the coming years. Future Starship flights into deep space, such as missions to land astronauts on the Moon for NASA, will require SpaceX to transfer hundreds of tons of cryogenic propellant between ships in orbit.

Starship left a few other boxes unchecked Thursday. While it made it closer to splashdown than before, the Super Heavy booster plummeted into the Gulf of Mexico in an uncontrolled manner. If everything went perfectly, the booster would have softly settled into the sea after reigniting its engines for a landing burn.

A restart of one of Starship’s Raptor engines in space—one of the three new test objectives on this flight—did not happen for reasons SpaceX officials did not immediately explain.

Part rocket and part spacecraft, Starship is designed to launch up to 150 metric tons (330,000 pounds) of cargo into low-Earth orbit when SpaceX sets aside enough propellant to recover the booster and the ship. Flown in expendable mode, Starship could launch almost double that amount of payload mass to orbit, according to Musk….

Space.com has a video at the link: “SpaceX launches giant Starship rocket into space on epic 3rd test flight (video)”.

(19) FAILURE TO LAUNCH. Elsewhere, some bad news from Japan: “Space One’s Kairos rocket explodes on inaugural flight” reports Reuters.

Kairos, a small, solid-fuel rocket made by Japan’s Space One, exploded shortly after its inaugural launch on Wednesday as the firm tried to become the first Japanese company to put a satellite in orbit…

(20) TALKING TO NUMBER ONE. In Gizmodo’s opinion, “This New Robot Is So Far Ahead of Elon Musk’s Optimus That It’s Almost Embarrassing”.

As if Elon Musk needed yet another reason to hate OpenAI. Figure, a startup that partnered with OpenAI to develop a humanoid robot, released a new video on Wednesday. And it’s truly heads above anything Tesla has demonstrated to date with the Optimus robot.

The video from Figure, which is available on YouTube, shows a human interacting with a robot dubbed Figure 01 (pronounced Figure One). The human has a natural-sounding conversation with the robot, asking it to first identify what it’s looking at….

(21) MILLION DAYS TRAILER. “A Million Days” is available on Digital Platforms 18 March.

The year is 2041 and the next step in the future of humankind is imminent. After decades of training and research, the mission to create the first lunar colony is about to launch with Anderson as lead astronaut. Jay, an AI purpose built for the mission, has simulated every possible outcome for the expedition. Tensions arise when the chilling motives of Jay become apparent, sowing the seeds of distrust between Anderson, and the group that had gathered to quietly celebrate the launch. As the night descends into chaos, the group’s faith in one another and their mission begins to crack, with the knowledge that the decisions they make before sunrise, will change humanity forever.

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Lance Oszko, Daniel Dern, Kathy Sullivan, Scott Edelman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Tom Doherty Wins 2024 Robert A Heinlein Award

Tom Doherty. Photo (c) Robert Davis

Tom Doherty, founder of TOR Books and Chair of Tor Publishing Group, publishing under the Tor, Forge, BrambleTordotcom, Starscape, Tor Teen, and Nightfire imprints, is the 2024 winner of the Robert A. Heinlein Award. The award is bestowed for outstanding published works in science fiction and technical writings that inspire the human exploration of space. This award is in recognition of Mr. Doherty’s work in bringing the inspiring books of hundreds of authors writing about our future in Space to public awareness.

The award will be formally presented during opening ceremonies on Friday, May 24, 2024, 8:00 PM, for Balticon 58, the 58th Maryland Regional Science Fiction Convention. Balticon will take place at the Renaissance Baltimore Harborplace Hotel in Baltimore Maryland. Mr. Doherty will participate in the Balticon program across Memorial Day Weekend.

Balticon and the Robert A. Heinlein Award are both managed and sponsored by The Baltimore Science Fiction Society, Inc. BSFS thanks The Heinlein Society and the family of Dr. Yoji Kondo for providing funding for this award.

The Robert A. Heinlein Award is a sterling silver medallion bearing the image of Robert A. Heinlein, as depicted by artist Arlin Robins. The medallion is matched with a red-white-blue lanyard. In addition, the winner receives two lapel pins for use when a large medallion is impractical, and a plaque describing the award for home or office wall display.

The Robert A. Heinlein Award selection committee consists of science fiction writers and was founded by Dr. Yoji Kondo, a long-time friend of Robert and Virginia Heinlein. Members of the original committee were approved by Virginia Heinlein.

Virginia Heinlein authorized multiple awards in memory of her husband. Other awards include the Heinlein Prize, which is fully funded by Virginia Heinlein’s estate, and a National Space Society award for volunteer projects.

A biography of Tom Doherty provided by Tor Books can be found here. More information about Tom Doherty can be found at here.

[Based on a press release.]

Pixel Scroll 6/10/23 Scrolls Are Here, Life Is Pixels And Life Is Bheer

(1) BALTICON 57 COVID REPORT. The Balticon 57 committee has learned two attendees came down with Covid. They sent this report to their mailing list:

While we did our best to mitigate the risks, we did not come through unscathed. Yesterday we received a report of 2 COVID cases. Everyone is now home and recovering.

Cases A and B – Henderson Books named with permission:

– Started feeling bad Monday during breakdown
– Tested positive after the close of the convention
– They were the book vendors at the first booth to the right, just when you walked in the door

When to test:

CDC defines day of known or expected exposure as Day 0. An exposure is close or extended contact without respiratory protection with a person known or suspected of having covid. The earliest that one may show positive test results if they contract Covid is 48-72 hours after exposure; CDC recommends testing no earlier than day 5 (120 hours after exposure) or upon developing symptoms.

What to do if exposed:

If you are up to date on vaccinations, you do not need to isolate, but should wear a well-fitting mask around others for the next 10 days.

If you are not up to date, they recommend isolating for 5 days, and then wearing a mask around others for the following 5.

https://www.cdc.gov/coronavirus/2019-ncov/your-health/quarantine-isolation.html (last updated May 11, 2023)

(2) BOOK RECOMMENDATIONS. Lisa Tuttle’s “The best recent science fiction, fantasy and horror – reviews roundup” in the Guardian covers: Perilous Times by Thomas D Lee; The Grief Nurse by Angie Spoto; Airside by Christopher Priest; Hokey Pokey by Kate Mascarenhas; and The Shadow Cabinet by Juno Dawson.

(3) CULTURE WAR INTIMIDATION. “Abuse has led Sathnam Sanghera to ‘more or less stop’ doing book events in UK” he told the Guardian.

The writer Sathnam Sanghera has said he barely ever does public events in the UK because of a fear of being attacked amid a culture war-fuelled backlash over his views on Britain’s imperial past, saying he feared a Florida-style push towards the banning of books.

Sanghera, a journalist and author whose bestselling book Empireland assessed how the UK’s colonial territories still infect contemporary politics and discourse, said he had begun to dread holding book events here.

Speaking to the Intelligence Squared podcast, Sanghera, who also explored the legacy of empire in a Channel 4 series, said he had “more or less stopped doing events in Britain”.

He said: “Because actually, the trolling online is … I’m so used to it, it doesn’t really feel real. Although it does get to you when it’s relentless for days at a time when you get targeted.

“But it’s the way it translates into real life … It’s people coming to my events, and shouting at me. And you know, when that happens, it always makes for a good event in the sense that other people stand up for me – it feels like the whole event matters. I sell out my books.

“It’s good – I mean, it probably makes my publisher happy. But it comes at a personal cost to me. I realised I started dreading the moment. I was waiting to be attacked. And I just stopped doing those events. And I just did international ones.”…

(4) THE SEVENTIES. Even if you were an sf reader in the Seventies this person’s writing career could be news to you. Joachim Boaz “Short Story Reviews” series looks back on “Russell Bates’ ‘Legion’ (1971), ‘Get With the Program’ (1972), and ‘A Modest Proposal’ (1973)” at Science Fiction and Other Suspect Ruminations.

… Born in Lawton, Oklahoma (I’ve also seen Anadarko, OK implied as a birthplace), [Russell] Bates was an enrolled member of the Kiowa tribe. After he finished high school, he entered the U.S. Air Force. While injured after an explosion at a missile assembly building, he was encouraged to take up a hobby. He began writing science fiction stories–including Star Trek fanfiction (discussed in more detail below) [4].

Interested in honing his craft, Bates attended the famous Clarion workshop in 1969, and his first story, “Legion” (1971), hit print two years later [4]. He published six science fiction short stories between 1971-1977. A seventh–“Search Cycle: Beginning and Ending 1. The Last Quest; 2. Fifth and Last Horseman”–was scheduled to appear in Harlan Ellison’s infamous Last Dangerous Visions, originally slated for 1973. It hasn’t been published elsewhere….

(5) STARS OF STAR WARS. A compilation of many well-known Star Wars celebrity media moments, and quite entertaining, even the familiar ones: “40+ ‘Star Wars’ Cast Member Interview Moments That R2-Die For” at Illumeably. Here’s an example:

On the road

Get ready to be amazed by the legendary James Earl Jones, the voice behind some of the most iconic characters in cinematic history. His rich and velvety voice is the perfect fit for the commanding roles of Mufasa and Darth Vader. But it’s not all business for this Hollywood heavyweight. Despite the weight of his fame, Jones isn’t afraid to let loose and have some fun, even if it means using his powers for mischief. In fact, he once took to the airwaves on his CB radio as Darth Vader, much to the delight of his fans. Who knew this talented actor had such a great sense of humor?

(6) SNAPPING THE SUSPENDERS OF DISBELIEF. You will not be surprised to hear there are “8 Sci-Fi Movies That Break Their Own Time Travel Rules”. Maybe there are more – but ScreenRant came up with these.

… Fans’ love for these films transcends what could be seen as splitting hairs, getting bogged down in plot holes. Indeed, even the most lauded time travel sci-fi movies are guilty of breaking their own rules, yet the captivating stories and characters can eclipse any disobedience. However, though the very concept of time travel is implausible, some sci-fi films fare better than others at convincing their audience of their realism by avoiding flouting their rules, rendering them meaningless. These eight sci-fi movies have broken their own time travel rules, prioritizing their plot and impactful scenes over time travel mechanics and rule observation.

One of their offenders is Avengers: Endgame. Beware spoilers.

Time travel in Avengers: Endgame faces no risk of the Grandfather paradox because you can’t change the past since it has already happened. Nonetheless, the film seems to establish this rule to preserve the events of previous movies but break it when it becomes inconvenient. The film’s time travel follows Novikov’s self-consistency principle which states that it is impossible to create time paradoxes; the time traveler can only do in the past what does not change history, elucidated in the film by Bruce Banner.

“If you travel back into your own past, that destination becomes your future, and your former present becomes the past, which can’t now be changed by your new future.”

Avengers: Endgame’s finale reveals that instead of Captain America promptly returning to the Sacred Timeline after replacing the infinity stones and Mjolnir to their respective timelines he stays in the past to grow old with Peggy Carter and shows up as an old man to pass on his shield. This breaks the film’s rules, changing history and the present, leaving the time loop open. By the film’s logic Steve Rogers has done the impossible and changed his future, something Avengers: Endgame doesn’t justify nor explain.

(7) MEMORY LANE.

2007[Written by Cat Eldridge from a choice by Mike Glyer.]

I was truly sad when Kathleen Ann Goonan passed on from bone cancer at the relatively young age of sixty-nine years as she was one of my favorite writers. Her first novel, Queen City Jazz, which was published twenty years ago was the first novel I read by her.

It was the beginning of the Nanotech Quartet which I enjoyed immensely.

I also enjoyed her WW II alternative history novel from which our Beginning comes, In War Times: An Alternate Universe Novel of a Different Present published by Tor sixteen years ago. It would win John W. Campbell Memorial Award. 

And here’s that Beginning…

DR. ELIANI HADNTZ was only five foot three, though she had seemed taller in the classroom, and Sam had not suspected that her tightly pulled-back hair was a mass of wild black curls until the evening she sat on the edge of his narrow boardinghouse bed. A streetlamp threw a glow onto her pale breasts, she reached behind her head and yanked out the combs, made crooked by the intensity of their lovemaking. 

Her loosened hair cascaded down her back and hid her face. She took a deep, shuddering breath, and sat with her elbows on her knees, staring out the window. 

When Sam reached out and ran a finger up her spine, she flinched. He had no idea why she was here.

Sam Dance was an uncoordinated soldier. To someone less good-natured, his last name, chosen by an immigration officer on Ellis Island a few generations back, might have seemed like a cruel joke. Because of his poor eyesight, the Army had not accepted him when he first volunteered in 1940, even with almost three years of chemical engineering classes at the University of Dayton under his belt. But while working as an inspector at a Milan, Tennessee, ordnance polant, he heard of an outfit in Indiana recruiting at a used car dealership trying to reach an enlistment quota. He hastened to their office, and was finally allowed to join the Army and serve his country.

Sam stood out because of his height. His intelligence was less visible, but must have been noticed by someone in the Army. Plucked from daily twenty-mile marches through inclement weather in North Carolina, he was sent to D.C. for an intensive course on a potpourri of esoteric subjects. The class met in a hastily assembled temporary structure on the roof of a War Department building. 

The subjects, up to now, had been curiously disparate. Codebreaking, mechanical engineering, advanced calculus, and now theoretical physics rushed past taught by an odd assortment of flamboyant Europeans with heavy accents and accompanied at the end of each week by a test. 

Properly appreciative of the warmth into which he had been suddenly deposited, Sam was always in his seat each morning at seven A.M. when Dr. Hadntz opened the door, set her briefcase decisively on the bare metal desk at the front of the room, and draped her coat and scarf over the back of the desk chair. She always began her lecture immediately, chalking formulas on the board which he was sure represented some of the most rudimentary knowledge that she possessed. She was an exiled physicist from Budapest. The Army, of course, had not provided the students with an extensive background, but it was rumored that she had worked with Curie, Wigner, Teller, Fermi. Everyone who was anyone in theoretical physics.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 10, 1922 Judy Garland. She is remembered for her portrayal of Dorothy Gale in The Wizard of Oz, and her only genre role in her tragically short life. I will note that she was the first woman to win the Grammy Award for Album of the Year, which she won for her 1961 live recording titled Judy at Carnegie Hall. (Died 1969.)
  • Born June 10, 1937 Luciana Paluzzi, 86. She’s best known for playing SPECTRE assassin Fiona Volpe in Thunderball. Genre wise, I see she was also in Journey to the Lost City (in the original German, Das indische Grabmal), HerculesThe Green Slime1001 NightsCaptain Nemo and the Underwater City and War Goddess.  
  • Born June 10, 1950 Ed Naha, 73. Among his many genre credits, he was Editor of both Starlog and Fangoria. An even more astonishing genre credit was that he produced Inside Star Trek in 1976 with Gene Roddenberry, William Shatner, DeForest Kelley and Mark Lenard talking about the series. Fiction wise, he wrote one series as D. B. Drumm, The Traveller series and adapted a number of movies such as Robocop and Robocop 2 under his own name. Way back in the Seventies, he wrote Horrors: From Screen to Scream: An Encyclopedic Guide to the Greatest Horror and Fantasy Films of All Time which alas has not been updated. There are no digital books at iBooks or Kindles for him.
  • Born June 10, 1951 Charles Vess, 72. If you ever need a crash course in learning about his art, go find a copy of Drawing Down the Moon: The Art of Charles Vess which lavishly covers his career up to a decade ago. I’ve got a personally signed copy here along with lots of his artwork. He’s had interesting career including the Spider-Man: Spirits of the Earth graphic novel that he wrote and illustrated. I strongly recommend the illustrated version of Stardust he did with Gaiman as it’s amazing. 
  • Born June 10, 1952 Kage Baker. I never met her but we had a decade long conversation via email and once in a while via phone. We were supposed to write a Company Concordance for Golden Gryphon but she got too ill for it to happen. And yes I loved all of The Company series. Harry the Space Raptor is now living with her sister Katheleen. (Died 2010.)
  • Born June 10, 1953 Don Maitz, 70. Winner of the Hugo twice for Best Artist and ten Chesley Awards from the Association of Science Fiction and Fantasy Artists. And a World Fantasy Award as well. Yes, I’m impressed. From Asimov to Wolfe, his artwork has adorned the covers of many genre authors. He’s married to Janny Wurtz and their excellent website can be found thisaway.
  • Born June 10, 1964 Andrew M. Niccol, 59. Screenwriter / producer / director who wrote and produced one of my favorite genre films, The Truman Show. The film won him a Hugo at Aussiecon Three.  He also involved in GattacaThe TerminalIn TimeThe HostThe Minutes short video and Anon.

(9) COMICS SECTION.

Tom Gauld is there when Hell connects to Twitter.

(10) PURSUING TRIVIA. David Goldfarb reports Friday’s LearnedLeague questions included this:

A Wind in the Door (1973), A Swiftly Tilting Planet (1978), and Many Waters (1986) continue the story first told by author Madeleine L’Engle in what 1962 novel?

With a 70% get rate, this was by far the easiest question on a tough day (the next easiest question had a 43% get rate).

Then on TV, Friday’s episode of Jeopardy! had quite a bit of SFF-related content. In the first round, the “Pets on Film” category had several:

$200: Miss Gulch takes away this Cairn Terrier early on in a classic film; the heroine calls her a “wicked old witch”

Returning champion Suresh Krishnan: “Who’s Toto?”

$400: Bong Joon-Ho’s 2017 film “Okja” is about a big one of these who has been genetically engineered by an evil corporation
This was a triple stumper. Correct response: “What is a pig?”

$600: In the “DC League of Super-Pets” superego Krypto has an alias; punning on his master, he’s named this “Kent”
Challenger Tim Hagood was right: “What’s ‘Bark’?”

Then in “Quick books”, $200: From 2006 it’s Cormac McCarthy’s title post-apocalyptic byway
Challenger Vickie Cyr: “What’s The Road?”

$800: His “Midnight’s Children” is set in places like Kashmir and Delhi
Suresh: “Who is Salman Rushdie?” (He might be thought to have had an advantage on that one.)

In the Double Jeopardy round:

“TV: Who Said It”, $2000: “We’ve had vicious kings & we’ve had idiot kings, but I don’t know if we’ve ever been cursed with a vicious idiot boy king”
Tim evidently watched Game of Thrones and responded “Who is Tyrion Lannister?”

$1600: “Carl’s dead…Carl went out to help someone and he got bit”
Tim: “Who’s Rick?” (This was Rick Grimes on The Walking Dead)

“Eponymous Science”, $1600: The Drake Equation, which estimates the number of advanced alien civilizations in our galaxy, was created as part of SETI, short for this
Suresh: “What is search for extraterrestrial intelligence?”

“With This Ring”, $2000: Around 1850, Richard Wagner began writing a poem called “The Death of” this heroic character in the “Ring” cycle
Vickie tried “Who is Wotan?” but this was wrong.
Nobody else answered. Correct would have been, “Who is Siegfried?”

$1200: A poetic verse by this man mentions “Three rings for the elven-kings under the sky”
You knew this had to be somewhere in “With This Ring”, right? Suresh got it.

And in Final Jeopardy: “British Novels”: Midway through this 1928 novel, the title character briefly takes “their” instead of his or her
Vickie was correct with “What is Orlando?”. This Virginia Woolf novel about a sex-changing immortal surely counts as genre, for our purposes.

Neither of the other two were right. Tim tried “What is The Importance of Being Earnest?”, and Suresh’s response was “What is Dr. Jekyll & Mr. Hyde?”.

(11) HECK YEAH! “An idea whose time had come a quarter of a century ago,” is what John A Arkansawyer calls The ACME Chocolate Registry.

This is the same idea as a wedding gift registry at a department store. You can register your preference in chocolate, and then your friends and relatives can look it up so they know what to get you.

The link comes from the ACME Laboratories website whose logo art is an anvil in outline.

(12) THE SUPREMES SAY “BAD DOG!” Here’s some cutting-edge legal news for you. “Supreme Court Rules Against Dog Toy Resembling Liquor Bottle” reports the New York Times.  

The Supreme Court ruled on Thursday that the First Amendment did not protect a chew toy for dogs resembling a bottle of Jack Daniel’s from a lawsuit claiming trademark infringement.

The toy, the Bad Spaniels Silly Squeaker, has the shape and other distinctive features of a bottle of Jack Daniel’s but with, as an appeals court judge put it, “lighthearted, dog-related alterations.”

The words “Old No. 7 Brand Tennessee Sour Mash Whiskey” on the bottle are replaced on the toy by “the Old No. 2, on your Tennessee carpet.” Where Jack Daniel’s says its product is 40 percent alcohol by volume, Bad Spaniels’ is said to be “43 percent poo.”

A tag attached to the toy says it is “not affiliated with Jack Daniel Distillery.”

Justice Elena Kagan, writing for a unanimous court, seemed amused by the dispute. “This case is about dog toys and whiskey,” she wrote, “two items seldom appearing in the same sentence.”

She added that the characteristics of the whiskey bottle were familiar to almost everyone.

“A bottle of Jack Daniel’s — no, Jack Daniel’s Old No. 7 Tennessee Sour Mash Whiskey — boasts a fair number of trademarks,” she wrote. “Recall what the bottle looks like (or better yet, retrieve a bottle from wherever you keep liquor; it’s probably there).”

After reproducing a color photograph of the bottle, she continued: “‘Jack Daniel’s’ is a registered trademark, as is ‘Old No. 7.’ So too the arched Jack Daniel’s logo. And the stylized label with filigree (i.e., twirling white lines). Finally, what might be thought of as the platform for all those marks — the whiskey’s distinctive square bottle — is itself registered.”…

(13) YOU’D THINK THIS CAT WAS FROM TRALFAMADORE. Inverse celebrates that “45 Years Ago, Disney Made Its Weirdest Sci-Fi Movie — And Perfected a Classic Formula”.

…The Cat From Outer Space has a pretty self-explanatory premise. What if there was a cat from outer space and it was part of a movie starring two of the cast members of M*A*S*H? The story is almost a moot point — the joy of The Cat From Outer Space is watching a cat who is always staring just off-camera at what is definitely some kind of chew toy or food. But there is indeed a story to The Cat From Outer Space. The movie follows Energy Research Laboratory scientist Frank Wilson (Ken Berry), who is studying a UFO taken into custody by U.S. officials. His unconventional theories get laughed at by his colleagues, but pique the interest of the UFO’s passenger, a cat-like alien named Zunar-J-5/9 Doric-4-7 that Frank decides to call Jake. Jake needs Frank’s help to return to his home planet, and the only thing that can help rebuild his ship is $120,000 worth of solid gold. So, of course, Frank sets about getting this gold by … gambling?

[Thanks to Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, John A Arkansawyer, David Goldfarb, Steven French, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 5/30/23 Wouldn’t You Love To Teach The File To Scroll In Pixel Harmony?

(1) MEMORIAL DAY CONTINUED. Rob Hansen forwarded the link to a Find-A-Grave page devoted to PFC Alden L Ackerman (1924-1945), Forry’s brother, who died in the Battle of the Bulge.

He also sent this link to the Fancyclopedia page on War, which at the bottom has a list of fans and writers who died in World War II that we know of.

Sam Moskowitz paid tribute to them at Newarkon II (1946) the first post-war con: Fantasy Times 12. Read his speech at the link.

(2) GETTING THERE IS HALF THE FUN. Cora Buhlert is still working on her Metropol Con report. However, she has completed her post about her adventures in Berlin before the con began. Includes a visit to an awesome bookstore: “Cora’s Adventures at Metropol Con in Berlin, Part 1: Pre-Con Wanderings”.

…In many ways I was reminded of one of my first visits to Berlin in the spring of 1990, when the Wall was already open, but East Germany still existed as a state. At the time, we decided to walk from the Victory column in (West) Berlin to the Brandenburg Gate. Because the Wall and the Gate were open, we just walked through and had our passports stamped by the friendliest East German border guard I’ve ever seen and just kept walking into East Berlin, walking along famous streets and buildings we knew existed, but had never actually seen, until we reached Alexanderplatz (BTW, I tried to walk that memorable route again from the other side and gave up halfway through, because it’s a very long walk and I’m no longer 16), got tired and decided to take the train back to West Berlin. So we went to Friedrichstraße station and looked at the network plan on the platform, only to find a huge gray hole where West Berlin should be. So I went to a train attendant and told him, “We need to go back to West Berlin to Uhlandstraße station [at any rate, I think it was Uhlandstraße], but West Berlin doesn’t exist on your map, so which train do I need to take?” The East Berlin train attendant apologised for the maps – they hadn’t gotten around to replacing them yet – and told me which train to take….

(3) THE CWCU. Literary Hub’s Joel Cuthbertson is a fan: “In Praise of Sci-Fi Legend Connie Willis’s Cinematic Universe”.

Whenever a film buff brings up The Philadelphia Story, I like to shock them with blasphemy. A foundational Hollywood picture, the 1940 film stars Cary Grant, Jimmy Stewart, and Katherine Hepburn at the height of their powers, a nuclear trio of contrasting charms, the suave versus the folksy versus the imperious. My sin is that I prefer its slick remake. Released in 1956, High Society is not as edgy, complicated, or electric. The star trio—Bing Crosby, Frank Sinatra, and Grace Kelly—still radiates, but gently and casually. Aside from adding musical numbers, the film’s main goal is to capture an echo of interwar charm in Technicolor.

If this is an elaborate way to introduce Connie Willis, sci-fi’s queen of time travel fiction, we find ourselves already close to the heart of her work, which thrives on unlikely crossovers. A devotee of Golden Age cinema, Willis has authored at least ten standalone novels and dozens of novellas and short stories. She’s the kind of movie enthusiast guaranteed to have an opinion on Bing versus Cary and Grace versus Katherine, and the kind of novelist to include the debate as a plot point.

Her newest, The Road to Roswell (out June 27th from Del Rey), is an ode to westerns, road trip movies, late-night creature features, and any scene where a guy and a gal share a look and know they’re in love. But it’s only the latest in a long line of film-loving fiction. In 1995, her sci-fi satire Remake took aim not only at Hollywood’s IPO vampirism but its faddish moralism as well. This was before there was a single Star Wars prequel….

(4) NO SEX, PLEASE, WE’RE FANNISH. At Vox.com, Aja Romano talks about the rise of Puritanism in fanfiction and elsewhere on the internet: “Fandom, purity culture, and the rise of the anti-fan”.

How did the internet become so puritanical? On social media, outspoken anti-sex advocates increasingly cry “gross” at everything from R-rated rom-coms to fictional characters and queer people having sex to consenting adults with slight age gaps to dating short people. They see oversexualization in just about everything. They often accuse the things they dislike of being coded fronts for pedophilia, and the people who enjoy those things of being sexual predators. These social media users frequently form enclaves that turn as nightmarish and troubling as the things they’re ostensibly trying to police.

This dovetails with what we’re being told right now about Gen Z and sex: They’re having less casual sex, they hate dating, they’re more reserved about relationships in general. It’s easy to pigeonhole online anti-sex police as being teens and young adults, a.k.a. “puriteens.” Because so much of this comes down to carnal horror, you might assume that everyone who’s horrified is a teen who just hasn’t arrived at a mature view of sex and other adult activity. Such anti-sex zeal increasingly forces sex-positive communities back into the internet’s underground. It also aids and abets the larger cultural shift toward regressive attitudes and censorship of sexual minorities and sex-positive content.

Yet overwhelmingly, the common thread among this new generation of “antis” — a broad label for people who are opposed to sexual content in media — isn’t that they are minors who are scared of sex. It’s that none of them distinguish between fictional harm and real-world harm. That is, regardless of their ages, they believe fiction not only can have a real-world impact, but that it always has a real-world impact.

(5) TURNING THE PAGE ON A NEW SEASON. Amal El-Mohtar picks new sff novels for summer by authors Fonda Lee, Martha Wells, Nick Harkaway, Kelly Link and Emma Törzs: “The Magic (and Malaise) of Families” in the New York Times.

….Emma Törzs’s INK BLOOD SISTER SCRIBE (William Morrow, 407 pp., $30) is astonishing and pristine, the kind of debut I love to be devastated by, already so assured and sophisticated that it’s difficult to imagine where the author can go from here.

In Törzs’s world, books of magic, all written in human blood, can do incredible things when someone feeds them a drop of blood and reads them aloud. Abe Kalotay collected these books to protect them from falling into the wrong hands, and raised his daughters, Joanna and Esther, as stewards of a beautiful and dangerous library that had to be kept hidden at all costs; in Esther’s infancy, her mother was murdered by powerful people who wanted the books….

(6) SCENE PAST ITS OFF-SALE DATE. “’Monty Python’ Star John Cleese Says ‘Life Of Brian’ Scene Won’t Be Cut Despite Modern Sensitivites” reports Deadline.

The Monty Python crew always looked on the bright side of life when it came to its classic film parody, The Life of Brian.

But Monty Python star John Cleese insists he never said that he would remove a politically incorrect scene from a stage adaptation of Life of Brian, even though the film’s 1979 sensibilities will not draw quite the laughs it once did, owing to the rise of trans issues awareness.

Cleese claims it was “misreported” that he was planning to cut the “Loretta” scene for an upcoming stage adaptation of the religious satire film. Instead, he said he has “no intention” of removing it.

The scene in question features a male character declaring that he wants to be woman named “Loretta,” and wants to have a child. Cleese’s character tells the man that the notion is ridiculous, while another suggests that they all advocate for his right to childbearing.

“I want to be a woman. … It’s my right as a man,” the character claims “I want to have babies… It’s every man’s right to have babies if he wants them.” After Cleese’s protest, the character snaps, “Don’t you oppress me!”

Obviously, times have changed the impact of that humor….

(7) BOOK ‘EM, DANNO. “Wake Up Besties, the Barbie and Ken Mugshot Meme is Everywhere”. People have been running with it, creating their own version using other characters.There’s a roundup of several dozen of these tweets at Gizmodo.

After an eagle-eyed Twitter user (@kojironanjo) realized that the Barbie trailer was ripe for meme-ification, Twitter fandom did what fandom does best, and immediately took the joke to the extreme. Reaching all corners of the world, fandoms immediately drew their favorite pairings using the Barbie mugshot screenshots as inspiration. With Margot Robbie’s concerned Barbie and Ryan Gosling’s cheesing Ken, the absurdity was truly just too good.

The key is having one character look slightly terrified and utterly baffled and possibly regretting every choice that has ever led to them getting their mugshot taken and the second character has to be a complete and total himbo, just an absolute dummy, no thoughts, just vibes….

Here’s an example:

(8) MEMORY LANE.

2013[Written by Cat Eldridge from a choice by Mike Glyer.]

Sofia Samatar’s A Stranger in Olondria is the source of our Beginning this time.

It was published by Small Beer Press, the source of oh so many wonderful publications, a decade ago. It’s now available from the usual suspects. Josh Hurley’s the narrator of the outstanding audio version. 

It was her first novel and it won the William L. Crawford Fantasy Award, the BFA Robert Holdstock Award and the World Fantasy Award. She won the Astounding Award for Best New Writer the same year.

She has now published two genre novels. Oh, and The White Mosque A Memoir by her is outstanding. It’s about a trip to Uzbekistan in search of the followers of a century-gone Russian Mennonite religious leader. (Her bio says she’s Somali and Mennonite.) 

And now for the Beginning…

Childhood in Tyron

As I was a stranger in Olondria, I knew nothing of the splendor of its coasts, nor of Bain, the Harbor City, whose lights and colors spill into the ocean like a cataract of roses. I did not know the vastness of the spice markets of Bain, where the merchants are delirious with scents, I had never seen the morning mists adrift above the surface of the green Illoun, of which the poets sing; I had never seen a woman with gems in her hair, nor observed the copper glinting of the domes, nor stood upon the melancholy beaches of the south while the wind brought in the sadness from the sea. Deep within the Fayaleith, the Country of the Wines, the clarity of light can stop the heart: it is the light the local people call “the breath of angels” and is said to cure heartsickness and bad lungs. Beyond this is the Balinfeil, where, in the winter months, the people wear caps of white squirrel fur, and in the summer months the goddess Love is said to walk and the earth is carpeted with almond blossom. But of all this I knew nothing. I knew only of the island where my mother oiled her hair in the glow of a rush candle, and terrified me with stories of the Ghost with No Liver, whose sandals slap when he walks because he has his feet on backwards.

My name is Jevick. I come from the blue and hazy village of Tyom, on the western side of Tinimavet in the Tea Islands. From Tyom, high on the cliffs, one can sometimes see the green coast of Jiev, if the sky is very clear; but when it rains, and all the light is drowned in heavy clouds, it is the loneliest village in the world. It is a three-day journey to Pitot, the nearest village, riding on one of the donkeys of the islands, and to travel to the port of Dinivolim in the north requires at least a fortnight in the draining heat. In Tyom, in an open court, stands my father’s house, a lofty building made of yellow stone, with a great arched entryway adorned with hanging plants, a flat roof, and nine shuttered rooms. And nearby, outside the village, in a valley drenched with rain, where the brown donkeys weep with exhaustion, where the flowers melt away and are lost in the heat, my father had his spacious pepper farm.

This farm was the source of my father’s wealth and enabled him to keep the stately house, to maintain his position on the village council, and carry a staff decorated with red dye. The pepper bushes, voluptuous and green under the haze, spoke of riches with their moist and pungent breath; my father used to rub the dried corns between his fingers to give his fingertips the smell of gold. But if he was wealthy in some respects, he was poor in others: there were only two children in our house, and the years after my birth passed without hope of another, a misfortune generally blamed on the god of elephants. My mother said the elephant god was jealous and resented our father’s splendid house and fertile lands; but I knew that it was whispered in the village that my father had sold his unborn children to the god. I had seen people passing the house nudge one another and say, “He paid seven babies for that palace”; and sometimes our laborers sang a vicious work song: “Here the earth is full of little bones.” Whatever the reason, my father’s first wife had never conceived at all, while the second wife, my mother, bore only two children: my elder brother Jom, and myself. Because the first wife had no child, it was she whom we always addressed as Mother, or else with the term of respect, eti-donvati, “My Father’s Wife”; it was she who accompanied us to festivals, prim and disdainful, her hair in two black coils above her ears. Our real mother lived in our room with us, and my father and his wife called her “Nursemaid,” and we children called her simply by the name she had borne from girlhood: Kiavet, which means Needle. She was round-faced and lovely, and wore no shoes. Her hair hung loose down her back. At night she told us stories while she oiled her hair and tickled us with a gull’s feather.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 30, 1908 Mel Blanc. Where to begin? Yes, he delightfully voiced Bugs Bunny, Daffy Duck, Porky Pig, and a multitude of other characters from the Looney Tunes and Merrie Melodies cartoons. Blanc made his debut in 1940 “A Wild Hare”. Did you know that he created the voice and laugh of Woody Woodpecker but stopped doing it after the first three shorts as he was signed then to an exclusive Warner contract? His laughs did continue to get used however. Blanc, aware of his talents, fiercely protected the rights to his voice characterizations contractually and legally. (Died 1989.)
  • Born May 30, 1914 Bruce Elliott. His fifteen stories in The Shadow magazine in the late Forties are generally held in low esteem by Shadow fans because of his handling of the character, best noted by the three stories in which the Shadow does not appear at all in his costumed identity. Oh, the horror! He also wrote three genre novels — The Planet of ShameAsylum Earth and, errr, The Rivet in Grandfather’s Neck. And he had stories in The Magazine of Fantasy & Science Fiction including “Wolves Don’t Cry” and “The Last Magician”. (Died 1973.)
  • Born May 30, 1919 Ronald Chetwynd-Hayes. British author best known for his ghost and horror stories though his first published work was the SF novel The Man from the Bomb in the late Fifties. The Monster Club, a series of linked tales, is a good place to start with him if you’ve not read him and it became a film with Vincent Price co-starring John Carradine. He won the Bram Stoker Award for Lifetime Achievement, and also a British Fantasy Society Special Award. (Died 2001.)
  • Born May 30, 1922 Hal Clement. I’m reasonably sure Mission of Gravity was the first novel I read by him though I’ve not re-read it so the Suck Fairy not been tested. Much to my surprise, his only Hugo was a Retro Hugo for a short story, “Uncommon Sense” which he got at L.A. Con III. He did get the First Fandom Award. My favorite novel by him is Mission of Gravity, and I’m also fond of The Best of Hal Clement which collects much of his wonderful short work. He’s reasonably well stocked at the usual suspects. (Died 2003.)
  • Born May 30, 1936 Keir Dullea, 87. David Bowman in 2001: A Space Odyssey and its sequel, 2010: The Year We Make Contact. I know I saw 2001 several times and loved it but I’ll be damned if I can remember seeing 2010. He’s done a number of other genre films, Brave New WorldSpace Station 76, Valley of the Gods and Fahrenheit 451. And lest we forget he was Devon in Starlost. 
  • Born May 30, 1952 Mike W. Barr, 71. Writer of comics and sf novels. Created along with Jim Aparo Looker (Emily “Lia” Briggs), a hero in the DC Universe. She first appeared first appeared in Batman & the Outsiders #25. He worked for both major houses though I’d say most of his work was at DC. He wrote the “Paging the Crime Doctor” episode of Batman: The Animated Series
  • Born May 30, 1971 Duncan Jones, 52. Director whose films include Moon (2009) which won a Hugo for Best Dramatic Presentation-Long Form and a BAFTA Award for Outstanding Debut by a British Writer, Director or Producer, and Source Code (2011) which was nominated for both a Hugo and a Ray Bradbury Award. He also directed Warcraft (2016), which up to that year was the highest grossing video game adaptation of all time. He is totally not best known for being David Bowie’s son. (Alan Baumler)

(10) COMICS SECTION.

(11) JOCULARITY. In the New York Times, Paul Rudnick reveals “What Would Happen if a Robot Tried to Write ‘Law & Order’?” – and a number of other shows.

As the strike by unions representing thousands of film and TV writers approaches its second month, the role that A.I. might play in writing scripts remains one of the biggest issues. While the Writers Guild of America has expressed a willingness to work with A.I. as a tool, some producers are dreaming bigger: They want to replace humans with chatbots. What might A.I.-written scripts look like? Here’s a guess:

Prompt: An episode of any “Law & Order” series.

Scene 1

DETECTIVE: Someone has killed this dead body.

Scene 2

DETECTIVE: Did you kill that dead body?

CRIMINAL: No! I’m not a criminal!

Scene 3

DISTRICT ATTORNEY: Did you kill that dead body? And remember, you’re under oath.

CRIMINAL: No! Yes! But it was during a double-cross over a deal for buttcoin.

JUDGE: Spell check!

(12) COSPLAY, BOOKS, AND SCIENCE ALL IN ONE PLACE. The Baltimore Banner has a gallery of photos from last weekend’s convention: “Welcome all aliens to Balticon”. Includes a photo at the autograph table with a kind of what-was-strange-about-the-dog-in-the-night caption that tells about Adam Stemple (often mentioned here on File 770) but doesn’t name the other person in the picture – who happens to be John Scalzi.

Welcome, aliens! Balticon 57 is the area’s oldest science-fiction convention and by far the largest. It’s also the first of such conventions each year.

Balticon can be described as a “Big Tent” four-day celebration of science fiction and fantasy hosted by the Baltimore Science Fiction Society at the at Renaissance Baltimore Harborplace Hotel….

(13) TINY TYRANOSAURS. At Vanity Fair, Anthony Breznican has a great article about the making of the alien invasion TV show V“The ‘V’ Files: The Shocking Legacy of an ’80s Sci-Fi Cult Classic”.

Even 40 years later, V is still getting under people’s skin. The writer, producer, and director Kenneth Johnson has never stopped getting fan mail about the miniseries he created back in 1983, which rattled America with its depiction of cold-blooded authoritarians conquering the world. The invaders in red jumpsuits, dark glasses, and ball caps were actually beings from another planet, but Johnson intended the sci-fi drama to be more than mere escapism. To him, it was a warning.

When he gets new letters from viewers, Johnson opens them hoping they got the message, which seems as obvious to him now as it did back then. “I got to thinking, God, how would everyday people feel if suddenly there was a sea change in our life that turned it all around, if suddenly some hyper power rolled over us, just like the Nazis rolled into Europe?” he says. But in recent years, far-right conspiracy theorists, QAnon followers, and garden-variety lunatics have instead homed in on the fact that V’s extraterrestrials were secretly reptilians disguised as humans to mislead us. Many harbor a sincere belief that a reptoid cabal really does control the world. “I’ve gotten emails over the years and letters from people on the fringes who say, ‘Oh, you get it!’” Johnson says. “‘You know that there are lizards among us!’”…

(14) CAN YOU IMAGINE? Collections Etc. brings you a Fully-Functioning Tiny Arcade Atari 2600 Console – how bizarre!

Fully functional, detailed mini replica of the Atari 2600 game has all the classic features of the system you loved in the 80s! 10 games include Combat, Warlords, Millipede, Tempest, Centipede, Pong, Missile Command, Asteroids, Breakout, and Pac-Man! Includes hi-res TV with adjustable screen, iconic 2600 joystick and classic game console. Req. 3 “AAA” batteries (sold separately). Plastic. Ages 8 years & up. TV is 6″L x 5″W x 4″H.

(15) UNSEEN MENACE. Fear The Invisible Man will be released in the UK on June 13.

Outline: In an intriguing narrative, a youthful widow from Britain offers sanctuary to a former medical school comrade who has mysteriously acquired the ability to render himself unseen. As his seclusion intensifies and his mental stability unravels, he plots to unleash a merciless wave of slaughter and dread throughout the city, with the widow serving as the sole harbinger of his existence.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Rob Hansen, Cora Buhlert, Michael J. Walsh, Chris Barkley, Michael Toman, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Dan’l Danehy-Oakes.]

Baltimore Science Fiction Society Announces 2023 Compton Crook Finalists

The Baltimore Science Fiction Society (BSFS) has released the names of the six finalists for its 2023 Compton Crook Award for best first novel in the science fiction, fantasy, and horror genres. The finalists are:

  • Daughter of the Moon Goddess by Sue Lynn Tan (Harper Voyager)
  • Bluebird by Ciel Pierlot (Angry Robot)
  • The Ballad of Perilous Graves by Alex Jennings (Redhook)
  • The Genesis of Misery by Neon Yang (Tor)
  • Obsidian by Sarah J.  Daley (Angry Robot)
  • The Bone Orchard by Sara Mueller  (Tor)

The award includes a framed award document and, for the novel’s author, a check for $1,000 and an invitation to be the Compton Crook Guest of Honor at Balticon (the BSFS annual convention) for two years. Balticon is held in Baltimore over Memorial Day Weekend, May 26-29.

Members of BSFS selected the finalists by reading and rating debut novels published between Nov 1, 2021 and October 31, 2022. The last round of reading and rating will close April 7th and the winner will be notified on Sunday, April 9th and announced to the public on Monday, April 10th.

Recognizing the importance of new writers, the Baltimore Science Fiction Society (BSFS) has been giving out the Compton Crook Award for best first novel since 1983. Past winners have included Donald Kingsbury, Elizabeth Moon, Michael Flynn, Wen Spencer, Maria Snyder, Naomi Novik, Paolo Bacigalupi, Myke Cole, Charles Gannon, Fran Wilde, Ada Palmer, R.F. Kuang, Arkady Martine, and Micaiah Johnson.  Last year’s winner was P. Djèlí Clark for A Master of Djinn. 

The Award was named in memory of Towson State College Professor of Natural Sciences Compton Crook, who wrote under the name Stephen Tall, and who died in 1981. Professor Crook was active for many years in the Baltimore Science Fiction Society and was a staunch champion of new works in the fields eligible for the award. More details available here.

BSFS thanks the authors and publishers who sent books for consideration. Reading and rating books for the 2024 award will begin this summer. For more information contact [email protected].

BSFS is a 501(c)(3), non-profit, charitable, literary and educational organization, dedicated to the promotion of, and an appreciation for, science fiction in all of its many forms. The Baltimore Science Fiction Society was launched on January 5, 1963 and has been holding Balticon since 1967.

[Based on a press release.]

Barkley — So Glad You (Didn’t) Ask #69

Fandom and the Pendulum: The Astronomicon 13 Fan Guest of Honor Speech

By Chris M. Barkley:

“We do not see things as they are. We see things as we are.”  — Anais Nin 

I was resetting a cuckoo clock the other day when I became transfixed with the motion of the pendulum. Back and forth, in a hypnotic, rhythmic action.   

Looking at it, I think that it is the best visual representation of the passage of time.

In doing so, I was also reminded of several conversations I had with friends at Chicon 8 several weeks earlier.

Separately, without prompting or encouragement, each of them described how in the current state of sf fandom the pendulum had taken a strong, hard excessive turn and in a direction that they did not particularly like very much.

All of them had similar complaints and, oddly, all of them mentioned the same metaphor; that it seemed that the pendulum of change had taken a hard swing and it was in a direction that they didn’t like.

To wit, that recently, fandom seems to be a not a very inviting place unless they strictly adhered to a particular ideology.

And I concur.

Because, like the pendulum, the recent social and political shifts in sf fandom, particularly the branch I know well, literary fandom, can be observed and measured. 

Chris M. Barkley

In order to understand where we are now, we must examine the origins of sf fandom. Even today, the general public believes a very persistent myth that conventions and fandom began after the cancellation of Star Trek and the gathering of fans that started taking place in the early 1970’s. In truth, it began over forty years before then… 

In the early 1930’s, Amazing Stories and several other pulp magazines in the United States, began running letter of comment columns. The published letters included the addresses of the fans who sent them. These letter writers, who were nearly all white and male, began to correspond with each other. Local fans found each other and began to form clubs dedicated to science fiction and fantasy. A similar movement was also underway in the United Kingdom as well. By late 1936, they began to call some of these larger meetups conventions.

In the US, the New York contingent of fans decided to hold a World Science Fiction Convention (NyCon 1) in New York City, in conjunction with the futuristic theme of the World’s Fair being held in the nearby borough of Queens.

(BTW, fandom’s first significant feud began at that convention, as several well known members of First Fandom were excluded from attending, mainly because of personality conflicts but at the time, their political differences were played up. More on this later in this speech).

The progenitors of fandom began a whole host of fannish traditions; fanzines and fan writing, literary serious criticism of genre fiction, small press publishing, cos-play, filk singing, convention panels and ‘dead dog’ parties.

As the decades flew by, the marginal popularity of sf, fantasy and horror with the public came and went but remained constant in that initial group of fans, some of whom eventually became well known authors, editors, artists and convention runners. 

In the early years, the first two main genre fiction awards, the Hugo (in 1953) and the Nebula (in 1965) were established. 

Women authors and editors (Andre Norton, C.L. Moore, Cele Goldsmith, Leigh Brackett and Judith Merril) paved the way for the next generation of better known and renowned writers of the 1970’s and 1980’s, Ursula K. LeGuin, Anne McCaffrey, Vonda McIntrye, Joanna Russ and Octavia Butler among others.

I entered fandom in June 1976. I was a witness to and a participant in a lot of the pendulum swing in fandom; the slow but persistent emergence of women and the LGBTQ+ community, the calling out of sexism and harassment and the inclusion of more people of color in fandom.

In other words, the fandom of the early days is as far removed from today’s fandom as the fiction of Nathaniel Hawthorne is from N. K. Jemisin, the art of Rembrandt from Jon-Michel Basquiat, the musical Oklahoma! is to Hamilton and the swinging moves of Benny Goodman are from the grooves of Rihanna.

And I want to be quite clear about this, as an African-American citizen of the United States of America, I applaud, encourage and welcome all of these changes in fandom. Because in 2022, representation, in the face of an increasing societal turmoil and partisan division, matters even more than ever.

But, as a close observer (and an active participant) in some of these changes, I can tell you that none of this came very quickly or very easily.

As the pendulum swung, other factors and effects came into play; personal computers, cell and smartphones, social media sites and the internet became a double edged sword. Technological advances made it easier to call out toxic fans and their behavior but it also enabled bad actors to disrupt fannish activities and the lives of fans on an incredibly personal level.

Fandom is subject to the same major sources of social change, including population growth and composition, culture and technology, the natural environment, and social conflict as any other artistic movement. 

Here’s the thing; these changes, shifts and, if you will, the swings of the pendulum are not only true and observable, they are unavoidable and inevitable.

Because, as history has shown us again and again, in every movement of substance, whether it be music, art, literature, science, sports and (especially) politics undergo the change on a regular and inevitable basis.

A sizable portion of the fans attending genre conventions are female, people of color and the LGBTQ+ community. The people who are a part of the sf/f community today are more diverse, more knowledgeable, technically adroit, and, for the most part, they’re unafraid to let you know how they feel. And, as much as their right-wing adversaries would like them to go away, this newly emerging segment of fandom is not likely because they are the new majority, which was mainly brought on by the Puppies’ overt and militant actions against fandom.

And inevitably, with the advances came some pushback, in the form of harassment and trolling, by privileged individuals, who are mostly white, are either frightened by an otherness of others outside of their own experiences or their own racist upbringing and xenophobic tendencies.

In the early to mid-2010’s, this all came to head with is now known as the “Puppy Wars” (Sad/Angry/Rabid) which were expertly chronicled by Camestros Felapton in his Hugo Award nominated non-fiction work, Debarkle

The fannish backlash against this reprehensible group of egocentric bullies played out over several years; the Puppies may have disrupted the Hugo Award nomination process for a few years but they eventually lost the war when nearly all of their gamed nominees lost and the World Science Fiction Convention Constitution was sufficiently amended to stop it being successfully attempted again.

But this wasn’t to say there were no lasting effects from this conflict; while diversity has become even more celebrated (at least more so in this branch of fandom), there were several troubling, high profile incidents in the past few years:

  • Conservative provocateur Jon Del Arroz filed a lawsuit against Worldcon 76 (which was held in San Jose. California) when it banned him (rightfully so) from attending the convention due to his overtly inflammatory statements about fandom. But Del Arroz filed a lawsuit in response to the convention committee’s public announcement of that decision, which claimed he made racist statements. Worldcon 76 and Del Arroz announced in June 2021 they had settled the suit shortly before it was scheduled to go to trial. Four of the five claims had been dismissed by the judge, but the charge of defamation, of him being a “racist”, would have been the bone of contention if a trial had gone forward. The convention ceded a $4000 settlement to Del Arroz and a public apology, which can still be seen on the Worldcon 76 website. It is believed that the legal fees incurred by the convention committee were around $100,000.
  • In 2019 and 2020, sf writer Adam-Troy Castro and his late wife Judi were beset by a series of increasingly vicious cyber identity thefts that drained their bank accounts, ruined their credit rating and forced them to move out of their longtime home. Go-Fund Me campaigns saved them from being homeless but the culprits of these attacks remain unknown and at large.
  • A few months ago, white supremacist trolls somehow arranged the suspension of the Twitter accounts of authors Harry Turtledove and Patrick Tomlinson. Both accounts were eventually restored but Twitter has no explanation of how this occurred nor have they offered an explanation of how it happened or any whether they are investigating the breach.
  • Patrick Tomlinson and Hugo Award nominated Nigerian sf author and editor Oghenechovwe Donald Ekpeki received death threats as they attended Chicon 8. In the four years preceding the convention, Tomlinson and his family members were the constant and frequent targets of identity theft, trolling and death threats. 

To counter these reactionary fans, many convention committees enacted Codes of Conduct over the past decade. The trouble was that in the years since they were first introduced, some of these CoC’s were either not very well defined, not very transparent on how they were implemented or, in the worst case scenario, poorly enforced. The most recent examples include:

  • At the 2022 Nebula Award Conference in Los Angeles, newly minted Science Fiction and Fantasy Writers Association Grandmaster Mercedes Lackey, during a panel titled “Romancing Sci-Fi and Fantasy”, was alleged to have uttered a racial slur. Author of color Jen Brown, complained about the incident on Twitter and Lackey, without the benefit of an investigation or a hearing, was summarily dismissed (along with her husband Larry Dixon, who vociferously defended her on social media) from further participation in the Conference. Lackey fully apologized two days later and said she had not intentionally said anything racist, but had fumbled saying “person of color”. While friends and colleagues (such as authors of color Samuel R. Delany and Steven Barnes) rallied to her defense, Jen Brown and a legion of others continued to condemn her and boycott her works. As of this writing, SWFA has not offered a full explanation, any indication that an investigation was conducted or an apology for their actions.
  • Almost exactly a week later on Memorial Day weekend at Balticon 56, local author and conrunner Stephanie Burke found herself in a strikingly similar situation; she was accused by the Programming staff of racist statements and behavior. To compound matters, Burke was accused of never responding to an email about the incident, but it was discovered later that the email was never sent. On top of all of that, Ms. Burke suffered the embarrassment of being removed from an ongoing panel she was on and then was verbally abused by a “senior staffer” of Balticon, who was found in violation of the Code of Conduct. The very next day,Yakira Heistand, the Chair of Balticon 56, publicly apologized for Ms. Burke’s treatment but also stated that the allegations would be fully investigated. 
  • On September 1, 2022, 105 days after the alleged incident, Balticon 56 issued this statement:

Of the complaints against Ms. Burke, our Investigation Team determined there were no Code of Conduct violations. Witnesses confirmed that she was speaking of her own experiences and not making general statements about another individual or class of people. Speaking one’s own truth is not a violation of our Code of Conduct. Ms. Burke is welcome to be a program participant in the future. Again, we apologize for the manner in which the reports were communicated.

“The BSFS Investigation Team and Board of Directors have found that Senior Staffer 1 who approached Stephanie Burke prior to her panel and asked her to step away acted courteously and in accordance with our policy. Senior Staffer 2’s behavior during the discussion violated our Code of Conduct. The Board has determined that Senior Staffer 2 will be barred from volunteering for Balticon for a period of 2 years and from serving as a Department Head for an additional 2 years.”

  • In researching this speech, I have read many Codes of Conduct from other conventions. My partner was reading one and they came across a line in one upcoming convention that really stood out:

(Convention X) prioritizes marginalized people’s safety over privileged people’s comfort.”

To me, there is nothing ordinary about this statement. 

While it is all good and well to try to be welcoming to marginalized fans, Convention X’s committee would do well to focus on the safety of EVERY fan attending their convention.

The Code of Conduct should be a group’s fail safe to deal with fans and participants who commit unseemly and disruptive behavior but it must be done as fairly, equitably and transparently as possible.


These incidents I have outlined have exposed some of the more serious divisions within our fannish community. My feeling is that fandom, in my estimation, is rapidly approaching a societal impasse; it seems it cannot go towards any sort of future without reconciling with its present set of circumstances. 

I take no joy in pointing out these deficiencies in fandom. I am also saddened that there will be those in fandom who will see this speech as a personal attack on the very progressive wing of fandom.

To them I say this; no one, including myself, is above criticism. And that constructive and earnest criticism can only be helpful. 

Because together, we can change the direction and velocity of the pendulum in a more useful direction.

For the record, I will make the following confession; when stating one’s preferred pronouns or gender preference became an ongoing issue at the beginning of the last decade, I was very confused about the point of doing so. Gradually, I came to understand that it was a matter of personal acknowledgement, empowerment and respect for the trans community. And if asked, I show the same respect that is offered to me.

I also think that while I support this affirming stance, I am not in favor of anyone being forced, coerced or being required to do so in order to participate in an activity or social event.

Because when diversity is coerced in such a manner, it ceases to be that. It is perceived, rightly, as a matter of control. And when the cost of diversity is a rigid, inflexible set of standards that is almost impossible for anyone to meet, it disallows those who may have differing opinions. That’s the moment it becomes oppression and we become the sort of people we have come to loathe and fear.

Again, I refer to the pendulum of history, which has shown, time after time, that the exclusion or purging of members of the aforementioned groups I referred to earlier in this speech. 

In many of those historical instances, in order for the movement to improve and become more just, those being excluded were involved in heinous, insidious and vile beliefs. 

Robert Silverberg, who had attended an unbroken string of Worldcon appearances dating back to the early 1950’s, said that he would not attend Chicon 8 because he did not want to be subjected to any abuse because of his past statements that have been considered, even by me, as insensitive and ill advised. (You want to know what he said? Google it.)   

George R.R. Martin, the creator of Game of Thrones and a multiple winner of the Hugo and Nebula Awards, said he wasn’t attending this year’s Worldcon, either. Although he is quite busy writing the last two novels in the Westeros series and overseeing several television projects for HBO, he may have an entirely different reason for not attending. After hosting and producing a disastrously long winded and nostalgia tinged 2020 Hugo Award Ceremony, many think that he has worn out his welcome at Worldcons. 

I know both of them quite well and I, for one, would tell either one of them that they would be welcomed at any convention I was running. Why?

Because neither of them are our enemies. Our enemies are fear, hate and prejudice in the absence of understanding.

My good friend David Gerrold has repeatedly stated over the years that when you attend Worldcon, it is like an annual family gathering. Fathers and mothers, siblings, cousins, aunts and uncles and so on. And, like all families, there are rivalries, grudges, simmering resentments, educational, class and political differences as well.

But despite those differences, we all unite because of our mutual love of science fiction, fantasy, films, television shows, art, comics, manga, graphic stories and much, much more.

Any imposition of a lock-step set of ideological beliefs, no matter on which extreme of the political spectrum it comes from, are dividing fandom right now and fandom, particularly this progenitor of all the others, will eventually, and tragically, become unsustainable. 

The first mention of a “graying of fandom” came to my attention around the turn of this century. In short, the people who are currently attending, running and administering conventions and other fannish activities are getting older. 

I have observed that there are a number of younger fans attending Chicon 8, they were far outnumbered by older fans. Collectively, we need to attract a legion of younger, more diverse fans, who are not only interested in merely extending our existing traditions, but creating new ones as well.

Being one of those older fans, I can see that my time in fandom will someday be coming to an end. I have already announced (to anyone who will listen) that I will be attending conventions and other events into the near future, I will no longer be actively working on any future local conventions or Worldcons.  

I am not doing this because I am tired or unenthusiastic, I am doing so because I have other, more pressing pursuits such as remaining healthy and active, seeing to the safety and well being of my four adorable grandchildren and other family members and, of course, more writing.

I wrote this speech not just as a warning (although it can be read that way), but as a cry into the abyss that we need not act against our own best interests and be seen as the overseer of the death of fandom.

As I see it, the pendulum has already swung to an extreme position. And the direction it swings next may cleave fandom into many, many pieces that cannot be made whole again. We must not let this happen.

My final words of advice to everyone consists of the following:

As a family, we should treat each other as peers, not rivals with agendas.

And in this family, there will be arguments and disagreements. And when we have these arguments,  we’ll argue ferociously. But let’s argue with facts, logic, evidence, and most of all respect for the person you are arguing with. Argue with empathy.

Act towards others as you would act towards yourself. People who are unable to do that will become evident and will soon find themselves on the outside of our social circles, looking in.  

Let’s show kindness, even in the face of hate and adversity.

Be the change you want to see in the world.

And finally, ask not what fandom can do for you, but what you can do for fandom.

“Never seen a true statement, a wise statement, that existed in only one culture or tradition. Truth isn’t created, it is observed.”

– Steven Barnes