(1) FANAC.ORG LOOKING FOR FANZINES TO SCAN AT WORLDCON. Joe Siclari, Mark Olson and Edie Stern say FANAC.org will be travelling to Glasgow next month.
We have arranged with the 2024 Glasgow Worldcon (August 8-12) to have a scanning station at the con, to scan and digitally archive more fanzines. This has been exceptionally helpful and successful at past conventions.
What you can do to help: Please help us grow this digital archive of fandom. If you’re a fanzine editor, bring your old fanzines to the fan table area at the con. If you have convention publications not already online, bring them too (fanac.org/conpubs/). We will scan them onsite and be able to give them back to you at con. Bring memorable and worthwhile fanzines by other editors as well. We will reach out to them for permission before we put them online.
We do have to unstaple and restaple the zines to scan them, and if they are perfect-bound, we may not have time at con.
If you can, please drop us a note (to [email protected]) telling us what you are bringing so we can be prepared.
Stop by and say hello: Even if you don’t have fanzines or other pubs to scan, stop by the table and say hello, and pick up your history ribbon. We’d like to see you!
How big is it? The archive has over 24,500 fanzines, 5,000 convention pubs and more than 5,000 photos. It’s over half a million pages and grows every week!
(2) PARADIGM SHIFT? In The New Yorker, Anthony Lane reviews Chris Nashawaty’s new book The Future Was Now (Flatiron): “1982 and the Fate of Filmgoing”
…So, what is it with this fateful eight? Well, Nashawaty has a solemn case to make. He writes:
“During the eight weeks spanning between May 16 and July 9, Hollywood’s major studios would release eight sci-fi/fantasy films that would not only go on to become cornerstones in the pop culture canon four-plus decades on, they would also radically transform the way that the movie industry did—and continues to do—business, paving the way for our current all-blockbusters-all-the-time era.”
That is quite a claim. Nashawaty is by no means sure that he likes the result—“what should have been a new golden age of sci-fi and fantasy cinema became a pop-culture beast that would devour itself to death and infantilize its audience”—but he proposes that, for most of us, going to the cinema is now “one endless summer,” which is much less sunny than it sounds. Like it or not, we live in a Conanistic world.
Whether or not you buy into this notion of 1982 as a red-letter year, it’s worth asking when the redness first began to dawn. Does Nashawaty, in his soothsaying capacity, even have the right decade? Note the elaborate tribute that he pays not only to Spielberg’s “Jaws” and George Lucas’s “Star Wars”—the first released in May, 1975, the second in June, 1977—but also to another summer hit, Scott’s “Alien,” from 1979, which seemed like a suppurating antidote to the antisepsis of “Star Wars.” (I still don’t comprehend how you can love both of those movies equally. You make your choice, and you stick to it.) Clamp the three together, top them with “Raiders of the Lost Ark” (1981), which bore the imprint of Lucas and Spielberg, and there, I suggest, you have the precursor of 1982, and a more compelling template for so much that has blazed and crawled across our screens ever since.
Viewed from that perspective, what the filmmakers were doing, when they created the eight works that are covered in “The Future Was Now,” was not crunching through barriers or setting fresh trends. They were cashing in. This is not a lowly skill, or an easy one; indeed, in some respects, it is the raison d’être of the movie trade. But let’s not pretend that Hooper, Lisberger, Meyer, and the rest of the guys were a movement, conjoined by a common iconoclastic purpose.
Elon Musk is moving the headquarters of social media platform X and rocket ship maker SpaceX from California to Texas, blaming a new law that bars school districts in the state from requiring that parents be notified of changes in their child’s gender identification.
Gov. Gavin Newsom signed the law, the of its kind in the nation, on Monday. It says school staff can’t be required to disclose a student’s gender identity or sexual orientation to any other person without the child’s permission, with some exceptions.
It also requires the California Department of Education to develop resources for families of LGBTQ+ students in grade 7 through high school….
Join us for a captivating evening as we bring together two iconic actors who have both portrayed the legendary character Sulu in the Star Trek universe. “A Tale of Two Sulus” features George Takei and John Cho in a dynamic conversation that delves into their shared legacy as Starfleet’s esteemed helmsman. Beyond their roles in Star Trek, Takei and Cho are celebrated authors of graphic novels and passionate advocates for social justice. This event promises an engaging exploration of their diverse careers, creative endeavors, and the impactful contributions they have made to important causes. Don’t miss this unique opportunity to hear from two trailblazing artists whose work continues to inspire and resonate across generations.
George Takei and John Cho. Moderated by Michael Giacchino
[The] Collision Awards, which honor animation across all disciplines (marketing and communications, commercials, TV, film, experimental, game and XR), were announced this morning. The awards honor work by studios, production companies, brands, agencies and individuals with a varied list of categories specifically focused on the intersection of creativity and technical skills unique to this community and inclusive of everyone working in the medium of animation and motion design.
“We’re here to help them survive. We’re here to free them.” Aggressive has revealed an official trailer for an indie sci-fi short film creation called Escape Attempt, from filmmakers Dan Shapiro & Alex Topaller. This is a full-on, 30 minute hard sci-fi film, which is also being pitched a series pilot. It already premiered at the 2023 Sitges Film Festival last year and won a Navigator Pirx Award for Best Sci-Fi Film at the Tallinn Black Nights Film Festival. No idea when it will be out in full to watch, but it’s showing at the Fantasia Film Fest in Montreal next this summer. A soldier escapes from a WWII concentration camp. Once he is out, he finds himself on an unknown planet in an unknown future controlled by a homicidal alien race….
(7) TODAY’S BIRTHDAY.
[Written by Paul Weimer.]
July 17, 1954 – J. Michael Straczynski, 70.
By Paul Weimer: For all the trouble the series had in getting produced, and getting aired, and me finding it on the dial when it was moved yet again, J. Michael Straczynski’s Babylon 5 is one of the defining SFF series in my science fiction diet and education.
Is it a perfect show? No, and part of that is the capricious nature of television and the “unexpected” fifth season which leaves that season weaker than the others. And frankly, I do like Bruce Boxleitner much better as Captain Sheridan than I do Michael O’Hare in the first season as Commander Sinclair. I can kind of see where Straczynski was going to possibly go with Sinclair had he been allowed to do so and he gets it most of the way there (my theory: Babylon Squared would have been a fifth season show, and so Sinclair ends his time here by going back and becoming Valen, after defeating the Shadows). But what we got is pretty darned special to me. I’m on my third iteration of having physical media of the shows (four if you count me trying to videotape episodes back in the 90’s).
The post Babylon 5 series Straczynski works are of course a mixed bag. The movies are a mixed bag to be sure. Crusade had some interesting ideas but never got a chance to actually do its thing. I did highly enjoy the animated Babylon 5 movie, The Road Home. I honestly don’t think it works except for deep Babylon 5 fans, but that’s me, so it did feel like coming home.
Of course, one can’t talk about Straczynski without mentioning his huge impact on a number of different comic runs. I suspect that for a lot of fans, Babylon 5 is off to the side, forgotten. Instead, his fans can talk endlessly about his numerous comic projects and runs. It is his runs with Squadron Supreme, Spiderman, Superman, and a number of others (mostly recently, a new take on Captain America) that for a whole slew of fans defines what Straczynski is a writer.
I only found out years later after the fact that he was a writer on a weird cartoon I watched in the 1980’s. No, not He-Man, although he wrote for them and was one of the minds behind the original She-Ra. No, the strange and weird and wondrous Jayce and the Wheeled Warriors, which had the titular character fight malevolent plant creatures…in SPAAACE. What can I say, the 1980’s were weird, man. But it goes to show the wide breadth and interests of Straczynski’s work.
(8) COMICS SECTION.
Speed Bump warns that the picture has left the attic.
Wizard of Id knows people have heard this motif before!
FX‘s upcoming “Alien” series has a new title, according to network boss John Langraf and showrunner Noah Hawley: “Alien: Earth.”
… “Alien: Earth” serves as a prequel to Ridley Scott’s 1979 film “Alien,” which kicked off a franchise that is now comprised of eight films. Alongside Hawley’s series, a new film titled “Alien: Romulus” is set to debut later this summer….
…Not counting the animated Clone Wars movie, there have been 11 movies in the Star Wars series to date: nine encompassing the Skywalker Saga, and two spin-off movies. The posters for all of those are ranked below, based partly on how well they tie to the film they’re attached to, but based mostly on how visually striking they look overall. To those who might disagree, too bad, because “I am the Senate” and have “unlimited power.”
Collider says the worst poster is the one for Star Wars: The Rise of Skywalker (2019).
There’s a horse on the poster for Star Wars: The Rise of Skywalker, but no room was given to Carrie Fisher, even though she was rather confusingly first billed, owing to prior footage of her being incorporated into the movie. Princess Leia still plays a part in the film, and was likely to be given a bigger one had Fisher not sadly passed away. Han and Luke were featured prominently on other sequel trilogy movie posters, but maybe there was a good reason not to feature Leia here.
There’s a goofy blaster round visible, thanks to Poe (a running theme across the two worst Star Wars posters), Zorii Bliss is featured way too prominently for a character who does basically nothing, and even the apparent clashing of two lightsabers looks clunky. Kylo Ren’s helmet is there, and presumably another Kylo Ren is holding that red lightsaber? And the placement of the Millennium Falcon between Rey and Kylo looks dreadful. This one’s pretty bad overall; a lackluster poster for a lacking (and overlong) movie.
…The aging orbital outpost’s demise has been in the works for years now, with NASA hoping to destroy it by 2030, marking the end of three decades of peaceful international cooperation in Earth’s orbit.
And not everybody’s happy with the plan. Jean-Jacques Dordain, who was the director general of the European Space Agency when the station was being built, and former NASA administrator Michael Griffin say its life should be extended instead, giving future scientists a chance to continue studying outer space.
“As two among many builders of ISS, we recommend to those in charge to consider other options than destroying” the station, Dordain told Forbes in an interview.
Instead, he argued, the ISS should be transferred “to future generations… leaving them to decide” its fate, he added.
To do it, Dordain and Griffin argue SpaceX’s deorbit vehicle should be used to rescue the station, not destroy it. Such a rocket would increase the ISS’s altitude, not lower it, allowing it to enter a stable orbit much farther from the Earth.
In an open letter published by SpaceNews earlier this month, the two space agency legends argued that boosting the ISS “from its present 400-kilometer altitude to an 800-kilometer altitude circular orbit requires a boost of about 220 meters per second, about the same as required for precise deorbit control.”…
(12) WE HAVE TOUCHDOWN! [Item by Mike Kennedy.] This student has designed and built a model rocket using standard Estes solid fuel rocket motors that can takeoff and land vertically. He designed a two-axis gimbal so that he would have thrust vector control plus the microcontroller and software to integrate sensor data and drive the gimbal to keep the rocket vertical. Separate Estes motors were used for ascent and decent. He also designed landing gear to absorb the shock of any slight off-vertical landing. “High School Student Makes Model Rocket That Can Land Vertically, Like A Falcon 9 Booster” at IFL Science.
[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Andrew (not Werdna), Jeffrey Smith, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, and Teddy Harvia for some of these stories. Title credit belongs to File 770 contributing editor of the day (and night) Daniel Dern.]
(1) WORLDCON PROGRESS REPORT. Glasgow 2024 Worldcon has released its fifth and final Progress Report. Download here: PR #5.pdf.
One of the interesting revelations is the plan to stage —
Nothing, Nowhere, Never Again
Glasgow Worldcons are not without their traditions: each of the previous ones have had a show written and performed by Reductio Ad Absurdum. In 1995 it was their loving demolition of Dune (or The Sand Of Music); in 2005 it was Lucas Back In Anger, their smash-and-grab on all things Star Wars, which was nominated for a Hugo Award for Best Dramatic Presentation (Short Form) despite enraging Star Wars fans by reducing the second trilogy to a 12 minute ABBA karaoke with cardboard costumes. In 2024 their offering is a unique take on the Oscar-winning sensation, Everything, Everywhere, All At Once that becomes Nothing, Nowhere, Never Again. Reductio is basically Ian Sorensen and Phil Raines plus whoever else they can blackmail into performing. This year they have suckered Geoff Ryman, Emjay Ameringen and Julia Daly into joining them in the madness. It promises to be an amazing, hilarious romp through the alternate universes, time travel and the joys of growing old disgracefully. The multiverse will never be quite the same again! (Armadillo Auditorium – Saturday 4pm)
Per the official synopsis, the series is an “unpredictable journey through time and space with a ragtag group of thieves and their newest recruit: an 11-year-old history buff named Kevin. Together, they set out on a thrilling quest to save the boy’s parents, and the world.”In the brief clip, which can be viewed above, Kevin (Kal-El Tuck) opens up his wardrobe and walks into another moment in time before running into Penelope (Lisa Kudrow) and her group of bandits. The upcoming series, created by Waititi, Jermaine Clement, and Ian Morris, is based on the 1981 cult classic of the same name. The trio also wrote the first two episodes, with Waititi directing both.
… Time Bandits is set to hit Apple TV Plus on Wednesday, July 24, 2024, with the first two episodes in tow. Two episodes will air every Friday through August 21, 2024….
Toho surprised fans today with the long-awaited release of Godzilla Minus One to home entertainment in a four-disc 4K UHD Blu-ray box set. I also have an exclusive clip of writer-director-VFX supervisor Takashi Yamazaki and his team from their U.S. visit, plus a look at the different glorious versions of the Oscar-winning film.
The Godzilla Minus One box set is an exclusive through Toho’s official Godzilla site, and includes lots of behind-the-scenes features and making-of footage. Fans of the film have been eagerly awaiting word of a physical home media release, although the film finally arrived on streaming recently and VOD. The surprise today is part of a larger 70th anniversary celebration of Godzilla in 2024….
(4) SUPACELL. [Item by Steven French.] The creator of a hit Netflix show about a group of black south Londoners with superpowers triggered by sickle cell anaemia says he hopes its success can kickstart a discussion about the condition in the UK and remove the stigma associated with it. “Hit Netflix show Supacell is raising awareness of sickle cell anaemia” reports the Guardian.
…Hit show Supacell is now at No 1 in Netflix’s global top 10, with more than 18m views in its first few weeks on the platform.
In the series, a group of south Londoners start to develop comic book powers – superhuman strength and speed, telekinesis, the ability to teleport and fly, and to have premonitions – while being tracked by Health & Unity, a shadowy organisation that offers to “help” those who are affected.
The show has been praised for subtly interspersing real-life issues that affect Black Britons: from the casual racism that Black females face on reality TV shows to bias in the health system. But the biggest real-life undercurrent in the fantastical world of Supacell is the inclusion of sickle cell anaemia in its storyline….
One of their picks is Animalia, which is available to buy or rent generally.
…If your definition of an alien invasion involves ships hovering above Earth and major destruction, just know that Sofia Alaoui’s beautifully shot take on the genre is definitely … not that. Still, the mysterious, elliptical Moroccan movie “Animalia” exerts a pull of its own as its central character, a pregnant young woman named Itto (Oumaima Barid), faces a series of unexplained events.
When the wealthy family she has married into leaves for an outing, Itto enjoys some quality alone time at home. Soon, however, things start to go off the rails. Animals behave strangely, army vehicles barrel down the streets, roadblocks are hastily erected. The movie holds back on the explanations, and as her husband, Amine (Mehdi Dehbi), tries to arrange for a reunion, Itto’s journey acquires a mystical tinge.
Yet Alaoui does not stray into woo-woo New Age-isms and offers pointed views on the emancipation of women in Morocco, and their role in both the family and society. It takes confidence and skill to keep an audience invested in a movie while withholding information, and Alaoui clearly has both….
(6) GEORGE WELLS (1943-2024). Longtime fan George Wells died June 21. A native New Yorker (from Suffolk County, Long Island), he attended his first Lunacons in 1958 and 1960, and then…college helped initiate a long gap from fandom. He became a librarian (with a Masters Degree), and returned to the convention scene in 1972. And soon also became involved with APA fandom. I first got to know George in the Seventies when we were all in Larry Nielsen’s APA-H, the apa for Hoaxes. He also was part of Apanage, the Southern Fandom Press Alliance, and N’APA.
George and his wife, Jill (nee Simmons) met via a local Star Trek club she co-founded in Suffolk. They moved to Arizona, some years ago.
In 1999, George Wells won the facetious Rubble Award given at DeepSouthCon “for doing great things to Southern Fandom” in recognition of “Introducing Fandom to Werewolf Vs. Vampire Woman”.
(7) RICHARD GOLDSTEIN (1927-2024). Retired JPL scientist Richard M. Goldstein, a trailblazer in planetary exploration who used ground-based radars to map planets, died June 22 at the age of 97. The New York Times obituary explains his claim to fame.
…If successful, scientists would learn the distance from Earth to Venus, essentially laying the foundation to map the entire solar system. His adviser at Caltech was more than skeptical; Venus, in NASA’s description, was a “cloud-swaddled” planet covered by thick gasses, and previous attempts to reach the planet using other radars had produced mixed results.
“No echo, no thesis,” Dr. Goldstein’s adviser told him, according to “To See the Unseen: A History of Planetary Radar Astronomy” (1996) by Andrew J. Butrica, a science historian.
He proceeded anyway. On March 10, 1961, technicians pointed the new radar at Venus. Six and a half minutes later, signals from the planet returned. Dr. Goldstein had proved his adviser wrong. He soon bounced signals off Mercury and Mars, as well as Saturn’s rings.
The study’s influence on solar system research was immense.
“The measurements he did of the distance to Venus made it possible to do accurate navigation within the solar system,” said Charles Werner, a former senior engineer at the Jet Propulsion Laboratory. “If you know one distance, it’s like a ruler that allows you to calibrate everything else and to be able to navigate spacecraft in the solar system accurately.”
The radar echoes were the celestial prelude to a long career at the Jet Propulsion Laboratory charting the previously unseen. In the late 1960s and early ’70s, Dr. Goldstein used radar interferometry — the splicing together of multiple radar signals over a length of time — to map the surface of Venus.
“High-resolution radar probes have broken through the thick clouds of Venus and for the first time distinguished features on the planet’s surface, which presents a landscape of huge, shallow craters,” the science reporter John Noble Wilford wrote in a front-page article in The New York Times on Aug. 5, 1973.
“Instead of the blurry shadings of earlier radar maps of the planet,” Mr. Wilford wrote, the images detected by Dr. Goldstein revealed a dozen craters, including one that was 100 miles wide and less than a quarter of a mile deep.
Dr. Goldstein had used two radar antennas 14 miles apart to produce the images.
“This, in effect, gives us stereo reception,” Dr. Goldstein said, enabling him “to pinpoint each area touched on Venus.”
(8) TODAY’S BIRTHDAY.
[Written by Paul Weimer.]
July 10, 1903 — John Wyndham. (Died 1969.)
By Paul Weimer: Cozy Catastrophe? My first encounter with John Wyndham’s work was anything but cozy. That would be, on good old WPIX, the movie version of Day of the Triffids, where Jeanette Scott fought a triffid that spits poison and kills, to quote Rocky Horror Picture Show. So when I finally picked up his work (The Chrysalids, I think was the first), I was quite taken and surprised by the “bait and switch” that my mind and expectations had for Wyndham’s work as opposed to the cinematic adaptation.
John Wyndham Parkes Lucas Beynon Harris
Wyndham did teach me something that I would learn later in novels such as Earth Abides, Alas Babylon, and even On the Beach, and that is that catastrophes, and disasters, even ones that end civilization as the protagonists know it, could be surprisingly gentle and not harsh as the world falls apart around them. There can be afternoon tea even as the tripods march across the landscape in an inescapable force of nature invasion.
I recently read The Midwich Cuckoos, and even more than Day of the Triffids (which I really think could be remade in this day and age. Hollywood, call me, I could write your script), it is the Wyndham work that really hits the fears and anxieties in an otherwise pastoral and idyllic English countryside. The horror that one’s children are, in effect, changelings is an old idea (going back to the ideas of Faeries switching children at birth) and the Midwich Cuckoos plays on that, and plays on that, hard. But its even more than the parents and adults being horrified by what is happening to the children, what might be happening with the very pregnancy you have. It is the idea that these children are forming a community, a society, a way of life that excludes you (which gets into fears of the generation gap. The use of the telepathic Cuckoos in the X-men series and how tight they are together under Emma Frost, takes that idea from Wyndham and makes it front and center. It’s their world, and not yours.
That shows, ultimately, John Wyndham and his legacy at his best.
They might be more used to Rachmaninov and Brahms, but on Wednesday night the London Symphony Orchestra’s musicians will be showcasing their perfect crescendos while playing Cypress Hill’s Insane in the Brain.
The orchestra is making a Simpsons joke from 1996 finally a reality, by playing the US hip-hop trio Cypress Hill’s acclaimed Black Sunday album at the Royal Albert Hall.
The evening will riff on a joke featured in a Simpsons episode, in which Cypress Hill speculated that they had mistakenly booked the London Symphony Orchestra “possibly while high”.
After years of fan pressure, the group has struck a deal for a one-night performance in London, in which the LSO will perform its most famous songs, including Insane in the Brain and I Wanna Get High.
Considered pioneers of the West Coast hip-hop scene in the 1990s, Cypress Hill have sold more than 20m albums worldwide. Their hit Black Sunday album sold more than 3m copies in the US and spent a year in the UK charts….
… In the Simpsons episode, titled Homerpalooza, Homer tries to impress Bart and Lisa by going to the Hullabalooza music festival – a play on the Lollapalooza music festival held in Chicago – and hanging out with 1990s rap and rock stars including Cypress Hill and The Smashing Pumpkins.
In the episode, a crew member calls “somebody ordered”, adding “possibly while high … Cypress Hill, I’m looking in your direction”. This is followed by a rendition of Insane in the Brain, complete with the classic orchestral backing.
Cypress Hill have also invited the UK musician Peter Frampton, who features in the episode as the person trying to book the orchestra, although they are still waiting for a reply….
(11) SEVERANCE RETURNING. Variety knows when: “Severance Season 2 Teaser, Release Date Set for 2025”. The series will debut on Apple+ Friday, January 17. The 10-episode season will drop weekly episodes on Fridays after that.
…In addition to Scott and Arquette, the rest of the main cast includes Zach Cherry, Britt Lower, Tramell Tillman, Jen Tullock, Dichen Lachman, Michael Chernus, John Turturro and Christopher Walken. Eight more joined the cast of Season 2, including “Search Party” star Alia Shawkat, “Game of Thrones” alum Gwendoline Christie, Merritt Wever, Bob Balaban, Robby Benson, Stefano Carannate, John Noble and Ólafur Darri Ólafsson.
The new teaser doesn’t show much, other than the main cast of characters returning to the halls of Lumon. There’s also a quick look at Christie’s mysterious character, who cryptically tells them “You should’ve left.”…
The Marvel Studios president was talking to writer-director Shawn Levy about plans for the studio’s upcoming blockbuster “Deadpool & Wolverine,” starring Ryan Reynolds and Hugh Jackman.
This was a couple of years ago, and Jackman had just confirmed his grand return as Wolverine after retiring the character in 2017’s emotional sendoff “Logan.” The 55-year-old Australian had played the gruff mutant with adamantium claws and regenerative abilities in nine films across two decades to much acclaim and, according to Feige, one glaring oversight. Jackman had never appeared in the character’s canonically mustard-colored costume….
Two astronauts ventured outside of China’s Tiangong space station last week to armor its exterior against incoming space debris kicked up by an exploding Russian satellite.
“The spacewalk primarily focused on installing protective devices on external cables and pipelines to mitigate risks posed by potential space debris collisions, enhancing the long-term safety and stability of the space station,” China Aerospace Science and Technology Corporation engineer Liu Ming told state-owned news network CCTV, as quoted by the South China Morning Post.
The news comes after a retired Earth observation satellite dubbed Resurs-P1 broke up in orbit late last month, forcing astronauts on board the International Space Station to shelter inside their respective spacecraft. It broke into more than 100 pieces that are now being tracked by the US Space Command.
Instead of sheltering in place, crew on board China’s Tiangong space station were instructed to bulk up its physical defenses — a mission that highlights the considerable risks small pieces of space debris can pose to astronauts orbiting the Earth…
…The spacewalk took 6.5 hours and went by largely without a hitch. According to the SCMP, the two spacewalkers even made jokes, competed to reach a designated spot, and struck poses for the camera….
(14) 1942’S AMAZING STORIES AND….SEX ADS??? [Item by SF Concatenation’s Jonathan Cowie.] Grammaticus Books takes a deep dive into a 1942 edition of Amazing Stories in a short, 9 minute video…
Week two of Rocket Summer focusing on the October 1942, edition of Amazing Stories, produced by the legendary editor Hugo Gernsback. The pulp is a time capsule of pre-war angst and intrigue. Which included seven full length science fiction stories and….advertising for Modern Sex Secrets!? 1?!?
(15) RED PLANET NOIR. Mars Express comes to theaters May 3.
In 2200, private detective Aline Ruby and her android partner Carlos Rivera are hired by a wealthy businessman to track down a notorious hacker. On Mars, they descend deep into the underbelly of the planet’s capital city where they uncover a darker story of brain farms, corruption, and a missing girl who holds a secret about the robots that threatens to change the face of the universe.
[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Daniel Dern, Paul Weimer, SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, Kathy Sullivan, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]
Shanghai has published China’s first governance guidelines for humanoid robots, calling for risk controls and international collaboration, as tech giants like Tesla showed off their own automatons at the country’s largest artificial intelligence (AI) conference.
Makers of humanoid robots should guarantee that their products “do not threaten human security” and “effectively safeguard human dignity”, according to a new set of guidelines published in Shanghai during the World Artificial Intelligence Conference (WAIC) on Saturday.
They should also take measures that include setting up risk warning procedures and emergency response systems, as well as give users training on the ethical and lawful use of these machines, according to the guidelines.
The document was penned by five Shanghai-based industry organisations including the Shanghai Law Society, Shanghai Artificial Intelligence Industry Association and the National and Local Humanoid Robot Innovation Centre.
…China has made it a goal to have mass production of humanoid robots by 2025 and wants global leadership in the sector by 2027, according to a plan published by the Ministry of Industry and Information Technology (MIIT) in November last year.
By 2027, humanoid robots should become “an important new engine of economic growth” in China, the MIIT urged. Robots are expected to be popularised in industries including healthcare, home services, agriculture and logistics, according to the document….
(2) 3RD ANNUAL STURGEON SYMPOSIUM REGISTRATION. Registration is now open for the 3rd Annual Sturgeon Symposium, Oct 24-25, celebrating the groundbreaking work of author and critic Samuel R. Delany. The symposium will include a reading by the winner of the Sturgeon Award for best speculative fiction story published in 2023, scholarly panels, and appearances by Delany himself. Fee waiver available for students and others with financial need. Join us!
More information here, including updates to schedule:
(3) VIRTUAL STOKERCON PANEL REPORTS. Lee Murray has put together highly informative summaries of two panels convened during the Horror Writers Association’s 2024 Virtual StokerCon event.
Trigger Warning: This article addresses issues of grief, loss, and mental health.
Moderated with compassion by Mo Moshaty, an author-producer with experience working closely with death doulas, the panel commenced with a round-robin of introductions, including the panellists’ relevant work, and also their particular interest in the topic of grief horror.
Panelists included Mark Mathews, Clay McLeod Chapman, Nat Cassidy, Katherine (Kat) Silva, Ally Malinenko, and Laura Keating.
From the opening comments, it was clear that this was going to be a confronting and also humbling session, with panelists sharing their own experiences of trauma and grief, with their specific experiences discussed in more detail over the course of the panel.
Moshaty kicked off the discussion by stating that grief, as a universal emotion, touches everyone in society, so it follows that we would want to represent grief in our horror literature. Mark Matthews and Nat Cassidy agreed that horror is a genre that is grounded in grief. Clay McLeod Chapman admitted to feeling inspired and intimidated to talk frankly about the topic, but also that he expected the discussion to be eye-opening and cathartic. He was especially interested in how we move through grief while also tackling it in our work….
Striking a sustainable work-life balance for the long-game in horror takes time and experience. Eric LaRocca, Christa Carmen, Ace Antonio-Hall (Nzondi), Pamela Jeffs, and EV Knight offer their insights in a panel moderated by L. E. Daniels on how to protect our bodies and minds as we navigate dark fiction.
Recently, I had the pleasure to attend the Self-Care for Horror Writers panel offered in the virtual space at StokerCon 2024. Given the close alignment of the topic to the work of the HWA Wellness Committee and our Mental Health Initiative, this panel was a must-view for me, and I wasn’t disappointed. Expertly moderated by Bram Stoker-nominee and Wellness Committee member L. E. Daniels, the discussion was wide-ranging and engaging, with speakers offering insightful gems and tried-and-true strategies for maintaining well-being. Key points are summarised in this report.
Daniels began by asking her panelists how they have developed a sustainable work-life balance for the long game that is writing, publishing, and writers’ events….
(4) SCOTS GOTHS. [Item by Steven French.] For those who might be in the Edinburgh area in September, here’s an interesting event at the National Library of Scotland – and it’s free! “Treasures: Mary Shelley, Frankenstein, and the Scottish Gothic Tradition”, Thursday, September 5 at 17:30 at the National Library of Scotland in Edinburgh.
Hear from Dr. Emily Alder and Professor Daniel Cook, both leading experts in the field of Gothic literature, as they consider the ways in which Frankenstein and the Gothic permeate Scottish fiction to this day. Chaired by one of our foremost cultural commentators and interviewers, Dr. Alistair Braidwood.
With the recent success of the film adaptation of Alasdair Gray’s ‘Poor Things’, and the debt Gray’s novel owes to ‘Frankenstein’ and Gothic fiction, how might we consider the influence of Mary Shelley’s masterpiece on subsequent writers and their work? Where does James Hogg’s ‘Justified Sinner’, Robert Louis Stevenson’s ‘Jekyll and Hyde’, or more recent works by Muriel Spark, James Robertson, Alice Thompson, A. L. Kennedy, and Alasdair Gray fit into a Scottish Gothic tradition?
This event celebrates our new Treasures display, featuring items relating to Byron and Mary Shelley.
(5) RETRO PIXEL. [Item by SF Concatenation’s Jonathan Cowie.] Regarding the July 5 Pixel Scroll’s “(9) SCIENCE EXHIBITION IN LONDON” by Steven French, who wrote, “If anyone happens to be in London over the weekend, there’s some neat stuff going on at the Royal Society…”
Actually, it lasted the previous four weekdays too. I usually go and was, indeed, there this year wearing my climate science hat.
Jonathan Cowie at the Royal Society exhibition
At the exhibition, I am pointing to a graph of past temperatures as revealed by a 900,000 year Antarctic ice core at a particular point called the Mid-Brunhes Event before which glacials were less cold with interglacials being more cold, and after this point where – like today – glacials are colder and interglacials warmer. ‘Why is this so?’ you may well ask. Alas, we don’t know, though theories abound.
Antarctic ice core drilling continues. We are currently looking at another location where the ice hopefully has a record going back over a million years: ideally to 1.5 million years so as to cover the Mid-Pleistocene Transition which saw a major change to glacial-interglacial cycles that was possibly due to the arrival of large, long-term ice over Antarctica and substantive northern hemisphere glacial ice sheets. (At least, that’s the working hypothesis I go with.)
This year, six of us went to the Royal Society’s Summer Exhibition, including another member of the SF² Concatenationteam.
If you like science – and many science fiction fans do – then this annual event is worth checking out.
If you need post-exhibition sustenance, the near-by Golden Lion pub is sufficiently off the tourist track that while it is usually busy Mondays to Fridays up until 7.45 it then quietens down. It has hand-pump beers and reasonable hot pub food but note it closes early Mon-Thurs at 10pm. On the way there, you can see typical 19th century West-End London architecture. Some old buildings have been demolished, but the past decade or so has seen developers knock down buildings but keep the frontage walls: so the building looks the same from the outside but is completely modern inside.
The Royal Society (Britain’s Science Academy) is housed in Germany’s former London embassy up to World War II. Its (the Society’s) President’s office today has a marble swastika in the floor (under a carpet but conserved as the swastika apparently has a heritage preservation order on it).
Keep an eye out next year in early July for another Royal Society summer exhibition. Avoid the weekend day as that is very crowded (Dublin Worldcon levels of crowding) with parents bringing children.
(6) THE INSTALLMENT PLAN. Eugen Bacon offers an intriguing alternative at Reach Your Apex: “What if you wrote your novel story-by-story, using your strength as an author of short stories?” — “For Writers: Writing the Novel – For Short Story Authors”.
…Maybe you’ve even won or been a finalist in awards with your short story, you’ve been killing it in anthologies—as in editors have you on speed dial, critics raving about your short story (you kinda hog the lot, you’re getting a bit self-conscious about it—maybe not, it’s fucking awesome). And you have a short story collection or three… But your mate, your family, maybe a literary agent… has been on your case, as in: “So where’s that novel?”
And imposter syndrome is creeping in, and you feel you gotta write that effin novel.
Or maybe you’ve written a short story you like so much, you want it as a starting point for a novel. Perhaps more characters are popping up, too many to contain in a short story. Or maybe you want to stretch the story—by timeline or theme or view point. The start is the same, the closing is the same, but the inside of the story is becoming longer. It demands more history, more world-building, a deeper look. Now you really need that novel.
But short stories are your strength. You don’t want to get entangled in a tortured story or a runaway plot. What if the short story is just what it is—the point of it could be lost in expanding it. Who wants a bloody novel? You do. What if the short story has told itself out: do you really need that novel? Yes, bloody yes, every inch of you shouts.
But you do love the energy in a short story—yes, Carver: Get in, get out. Don’t linger.
So what if you could retain all that you love about the short story, and still write that novel? What if you could write about a moment in time, something experimental and decentralized, something flexible, economic, dynamic, mimetic, metaphoric, immediate, intense—and it’s still a novel?
This is how it happens: What if you wrote your novel story-by-story, using your strength as an author of short stories?…
…Also, the human owners/managers of Large Language Models have extensively toned-up and tuned-down these neural network/deep learners/foundation-platforms, so that these “writers” won’t stochastically-parrot the far-too-human, offensive, belligerent, and litigous material that abounds in their Common-Crawl databases.
The upshot of this effort is a new dialect. It’s a distinct subcultural jargon or cant, the world’s first patois of nonhuman origin. This distinctive human-LLM pidgin is a high-tech, high-volume, extensively distributed, conversational, widely spoken-and-read textual output that closely resembles natural human language. Although it appears as words, it never arises from “words” — instead, it arises from the statistical relationships between “tokens” as processed by pre-trained transformers employing a neural probabilistic language model.
And we’ll be reading a whole lot of it. The effort to spread this new, nonhuman dialect is a colossal technical endeavor that ranks with the likes of nuclear power and genetically modified food. So it’s not a matter of your individual choice, that you might choose to read it or not to read it; instead, much like background radioactivity and processed flour from GMO maize, it’s already everywhere.
Technically, this brave-new-world dialect is actually a wide number of different Language-Model idiolects, which arise from different databases and different LLM training methods. Machine-translation AIs speak a thousand human languages at once. Consumer-facing chatbots speak with courtly circumlocutions. LLMs exist that are specially trained for marketing, warfare, cooking, legal boilerplate, code generation, website design. And so on….
(8) HALF PAST HUMAN… [Item by SF Concatenation’s Jonathan Cowie.] In recent years I have moved more from the current climate change issue into looking at the deep time evolution of the Earth system as well as that of life. (This is the ‘co-evolution of life and planet’ narrative in case any of you were wondering.) It is a big topic, but one of the things I have been looking at is not just where we have come from (and how) but where we are going. One instance (of a number) is that across deep-time both geology and biology have seen increasing ‘information’: each key step in deep-time evolution has seen increased information (in the geological record) and increased information processing (in the case of biology). However, we (modern humans) are now using technology, starting with using new alloys not found in nature to make ploughs which in turn helped us sustain a larger population and a non-agrarian population which could do things like science (as well as paint pretty pictures etc). And now our technology itself is processing more information. If DNA were represented as information (and we have already coded all the sonnets of Shakespeare as DNA) then the amount of computer information we hold globally now rivals (if not exceeds – my last data point for this was over half a decade ago) the DNA in life planet-wide….
The other thing that has happened across deep time is that we have seen earlier stages of life incorporated into more advanced stages: for example prokaryotes became incorporated into eukaryotes through endosymbiosis. Which begs the question of whether we will merge with information processing technology…
Here I venture possibly ‘yes’ but not necessarily (biomedical treatments aside) with a huge load of invasive technologies embedded in our bodies like the Star Trek’s Borg.
Instead, we will increasingly interact with technology, and we can all see how our society is (in one sense sadly) increasingly digital. We increasingly carry technology around with us (smartphones) and even wear it, for example, joggers these days can wear a watch that keeps track of their pulse.
Are we becoming more like cyborgs????
Well, you have had a taste of my musings (if you want more, you’ll have to ask for a talk at a con). But I’m a bio-/geoscientist. The SF view of cyborgs tends to be more engineering orientated. Witness the $6 million man… we can build him faster, better… Though none of the ladies thought to tell Steve Austin that faster is not always better. But if you do want a more engineering/physics approach to the cyborg trope then it’s Isaac Arthur to the rescue…
By Paul Weimer: Glen Cook is a trailblazer whose fingerprints are all over modern fantasy in two separate subgenres.
Let’s put aside some of his interesting single novels such as Tower of Fear, which is an interesting standalone fantasy novel, and A Matter of Time, where he shows that he can do twisty time travel in a Cold War setting.
Glen Cook in 2011. Photo by Harmonia Amanda.
First up, Glen Cook doesn’t get enough love, I think, for his Garrett PI series. I’ve seen more prominent authors take up his mantle, but Garrett is the true heir to Lord Darcy (but in a secondary fantasy world) of a private investigator doing his job on the mean streets of TunFaire. The Titular Garrett is a character out of mystery fiction (and really the novels lean more heavily into mystery than the fantasy, for all being in a city of multiple species and magic). Garrett follows a lot of tropes that readers of, say, Raymond Chandler will see right away. Garrett isn’t overly ambitious, he just wants enough to get by day by day, but trouble keeps finding him (and yes, this is hardboiled detective fiction, so the trouble includes the cops (the watch), the mob (the outfit), femme fatales) and much more. I get the sense that Cook had a hell of a lot of run writing them (a dozen or so at this point). Great literature? No. Entertaining? If you are a fan of the Chandler school of writing and also like SFF, get thee to a bookseller. I’ve seen the fingerprints of Garett in other characters and authors, but few really capture the idea as well as Cook does.
But it is epic fantasy where Cook really sings and really has had his influence. Even beyond some of his other fantasy series, I am referring here to The Black Company. Grimdark before Grimdark was ever a thing, the story of a band of mercenaries who get caught up in wars to decide the fate of the world, grey protagonists in a world of black to white and all the shades, The Black Company is one of the ur-texts for writers like Abercrombie, Erikson, and their ilk. (I could see the fingerprints of The Black Company as inspiration for Adrian Tchaikovsky’s House of Open Wounds, for instance). The Black Company members are caught in intrigues between themselves and their superiors, desperately try to survive hopeless battles they are thrown in, and slowly start to learn about their own origins and history. The cast shifts and changes across the series (and sub series), but the core of the idea of an elite mercenary unit working mostly for rather disreputable and treacherous powers is one that holds up to this day. The Bridgeburners, Caul Reachey’s Men, and many others owe their existence to Croaker and his crew.
Brendan Gleeson has joined the cast of the upcoming Spider-Man Noir series at Amazon, Variety has learned from sources.
This marks one of Gleeson’s first announced project since his Academy Award and Golden Globe nominated turn in “The Banshees of Inisherin.” Gleeson will star in the series opposite previously announced series lead Nicolas Cage as well as the recently cast Lamorne Morris. The show, now titled “Spider-Noir,” was formally ordered to series in May with Cage in the lead role. As previously reported, the show will debut domestically on MGM+’s linear channel and then globally on Amazon Prime Video….
NASA astronauts Suni Williams and Butch Wilmore are still stranded on the International Space Station after Boeing’s plagued Starliner spacecraft finally managed to drop them off last month.
Williams and Wilmore were originally meant to return on June 14 — over three weeks ago — and NASA has yet to announce when its latest attempt will be to bring them back down to Earth.
It raises an interesting question: how are Williams and Wilmore feeling about the delay? One former colleague says that the extended stay on board the orbital outpost could actually be a blessing rather than a curse.
“Well, my first reaction was it’s probably good news for the two Boeing astronauts,” retired Air Force colonel and NASA astronaut Terry Virts told NPR. “They’re, you know, they get a few bonus weeks in space. And you never know when your next space flight is going to happen, and so I’m sure the astronauts are happy to get some bonus time and space.”
Virts also argued that the rest of the station’s crew would be “happy” to get some “free labor.”…
… Virts also took the opportunity to send a message to Williams and Wilmore.
“I would just say enjoy it,” he told NPR. “And stay busy. You don’t want to, you know, just sit around. But I know these two, they’re not going to sit around. And I’m sure NASA will have plenty of work for them to do.”
(13) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Astrophysicist Dr Smethurst at Dr. Becky YouTube Channel takes a look at some of the science portrayed in the SF series Battlestar Galactica. 12-minute video below.
In this episode of Astrophysicist reacts we’re watching Battlestar Galactica season 1 episode 1 “33” to pick out the science from the fiction in this sci-fi show. We’re chatting about faster than light speed travel, special relativity including time dilation and length contraction, and Newton’s third law of motion.
[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Mlex, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, Kathy Sullivan, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
(1) IS IT WORTH THE BILLABLE HOURS? Courtney Milan has written a long thread on X.com sharing her skepticism about the lawsuit by Lynne Freeman against Tracy Wolff (the author of the Crave series, a popular YA vampire series), Entangled Publishing and other defendants, a suit which covered here the other day in Pixel Scroll 6/26/24 item #3. Thread starts here. Here are several excerpts.
You’ve chosen a publishing service, engaged a marketing company, entered a writing contest, hired an editor, inked a representation agreement, or contracted with a publisher, hybrid or traditional.
You’re aware that there are no guarantees: your book won’t necessarily become a bestseller. Your story may not win the contest prize. Your agent may not find a home for your manuscript. But your expectation is that the person or company will keep their promises, adhere to timelines, deliver acceptable quality, and generally honor whatever contract or agreement you both have signed.
What if they don’t, though? What if, after paying out a lot of money and/or waiting in vain for a service to be completed and/or receiving a product too shoddy to use, you realize you’ve been conned? What are your options? What can you do?…
Strauss first considers “Getting Your Money Back”.
Scammers generally don’t do refunds (never mind the money-back guarantees that many promise). You can certainly ask: it’s a reasonable starting point. Just be prepared to be refused, or promised a refund that somehow never arrives.
A more direct method, if you paid with a credit or debit card or via PayPal, is to dispute the charges. This doesn’t always succeed: if some degree of service was delivered, even incomplete and/or of poor quality, the decision may go against you. However, I’ve heard from many writers who’ve been able to get some or all of their money back this way.
You do need to be prompt. There’s a limited window to file disputes–which rules out situations where the scam only becomes apparent over a longer period of time (although, from personal experience, credit card companies will sometimes honor disputes beyond their deadlines if you can make a strong enough case)…
(3) IA APPEAL HEARD IN PUBLISHER’S SUIT. [Item by Mike Kennedy.] The Internet Archive is appealing the judgment of a lawsuit from publishers that recently forced IA to remove hundreds of thousands of books from their online library. The appeals court panel did not rule from the bench and listened to arguments for significantly longer than originally scheduled. Lawyers for IA have said they believe this is a good sign for the archive. “Appeals court seems lost on how Internet Archive harms publishers” at Ars Technica.
… “There is no deadline for them to make a decision,” Gratz said, but it “probably won’t happen until early fall” at the earliest. After that, whichever side loses will have an opportunity to appeal the case, which has already stretched on for four years, to the Supreme Court. Since neither side seems prepared to back down, the Supreme Court eventually weighing in seems inevitable…
(5) MEDICAL UPDATE. Sharon Lee was visiting family when she collapsed: “Life Going On”.
I was scheduled to spend some time with family this week — and in fact did spend some time with family this week, just not as much and not in the way we all would have preferred to see the thing done….
…Once we made base, vacation things — TV, games, talk — commenced. It was while we were all standing around the kitchen, shooting bulls, as one does, when, in the middle of Making a Point, I — folded up. The next few minutes were exciting for everybody but me. From my perspective, one second I was talking, the next, I was looking at the floor tiles and asking, “What happened?”
That was when things got exciting for me. My prize for beeping out in the middle of a sentence was a ride in the ambulance to the island hospital, an overnight in ER, many tests, including CAT scan, MRI, blood tests, cognitive and physical/balance tests. When I was admitted to ER, the Operating Theory was that I had suffered a posterior stroke. By the time I was returned to the wild, on Tuesday afternoon, the thinking was divided between soft “stroke” and hard “stress.”
I also won both the coveted “no driving” and “no alcohol” awards which are mine at least until I can see my regular doctor, on July 9….
Description: Celebrating the life and works of Steve Miller, coauthor of the Liaden Universe® series, with a collection of excerpts from past BFRH episodes; and Tinker by Wen Spencer, Part 58
For the audio-only podcast click here. For the video podcast click here.
(7) TODAY’S BIRTHDAYS.
[Written by Paul Weimer.]
Born March 1, 1952 — Steven Barnes, 72.
By Paul Weimer. While Barnes often gets tied to his very talented wife Tananarive Due, he is a first class talent in his own right. I first came across his work, first with the Dream Park works he co-wrote with Larry Niven. Dream Park really deserves a post of its own in appreciation, and before (IMHO) it went south around book three, the idea of a LARPING RPG park was amazing and a “Why didn’t anyone think of this?” sort of idea. Barnes, with Niven, correctly predicted, back in the early 1980’s, just how popular RPGs and D&D would become and the Dream Park novels definitely ride that wave.
Steven Barnes
I followed Barnes into other collaborations…the Heorot series, Achilles Choice…but the novels that for me define Barnes and his work are Lion’s Blood and Zulu’s Heart. These novels, together are two of the finest examples of alternate history written. The turning point is never really said inside of the text itself (Barnes avoids the Turtledove technique of having characters think about alternate history). But the idea that the Global South turns out to come out on top in ancient history and then to the present means that we have Black Muslim estates across North America, and the backward island of Ireland is just good for slave raids for useful white men and women not suited for anything else.
While the novels are ostensibly about Aidan, a young Irish boy who winds up a slave in the household of Kai, a rich and powerful young scion of a noble house, the novels eventually put Kai and his story front and center. The novelsl provide a rich and unflinching look at a “19th century” where the Middle Passage is taking white slaves across the ocean (many dying on the voyage), where powerful aristocratic families squabble and scheme for political power. And oh yes, there is a looming war with the Aztecs. They remain today some of the best alternate history novels I’ve ever read.
Born June 28, 1946 — Robert Asprin. (Died 2008.)
By Paul Weimer. I started off with Robert Asprin, among other authors with the Thieves World anthologies. The 1980’s was a high water mark for shared world anthologies, sometimes more than a dozen authors contributing stories to the shared world. And while George R R Martin’s Wild Cards continues to this day, the second most successful of these shared worlds was Robert Asprin’s Thieves World. Set in the city of Sanctuary, an edge of the empire city under very uneasy rule, I came across Thieves World first as a RPG supplement for D&D, and then the actual books themselves. Asprin did a lot of the worldbuilding and scene setting in the anthology, and created The Vulgar Unicorn, the one true bar of which all fantasy bars are but shadows.
Eventually the series petered out, had side novels set far away from the city of Sanctuary, but Asprin’s initial idea helped color what a fantasy city, especially for roleplaying games, in a way only matched, I think, by Lankhmar. Lots of fantasy cities in SFF since clearly show inspiration, or acknowledge it as an inspiration. And why not? An edge of the empire city with a spare prince sent to rule it, a resentful native population, myth and magic around every street corner? What fantasy reader wouldn’t want to spend time there?
Bob Asprin in 1993. Photo by Sharon72015
I followed Asprin to other series of his, particularly the Myth series. The Myth series, featuring a callow untrained wizard and a demon who has lost his magic, was multiverse before Multiverse was cool, as Skeeve and Aahz have adventures across a number of worlds and dimensions. And the cover art by Phil Foglio (whose work I was enjoying in Dragon magazine) definitely was a selling point for me to pick them up and give them a try.
There are many clever bits within the series. For example, what are Demons, after all, but Dimensional Travelers? Deva, the dimension which is just a bazaar for making deals, is the home of Devils. The broad puns and humor of Asprin’s MYTH series would be the standard by which I would benchmark humor in SFF until I later encountered the likes of Douglas Adams and Terry Pratchett. And yet, even given that, The Bazaar on Deva remains the standard for me for interdimensional bazaars. I can see how the Bazaar definitely influenced places in fantasy fiction like, for example, Sigil, the City of Doors.
It would be a mythstake not to celebrate his birthday today.
A long-in-the-works musical about Betty Boop, a curvy flapper first featured in animated films of the 1930s, will open on Broadway next spring following a run in Chicago last year.
“BOOP! The Betty Boop Musical” has some thematic echoes of last year’s “Barbie” movie, although it was in the works before that film came along. The stage production imagines that Boop leaves her early-20th-century film life to travel to present-day New York, where musical comedy ensues. (Her first stop: Comic-Con.)…
…We ran into our podcast guest Jonathan Letham at the bar. He is a bestselling author, and very respected. I just finished reading his novel The Feral Detective. I realize many at the fest were a little star-struck meeting Letham. I told one of those star-struck not to be as he clearly is one of us. He sat in all the workshops listening and adapting his keynote speech, something I was impressed with. When we shook hands he said he was a listener to our podcast, I thought he was just being nice, but as we talked he mentioned something we talked about on a four-year episode of DHP about Vulcan’s Hammer. So the man is Legit….
Two NASA astronauts were preparing to exit the International Space Station (ISS) for a second attempt at a spacewalk, but it was once again called off due to a concerning malfunction with the spacesuit.
NASA was forced to cancel a spacewalk on Monday due to a water leak in the service and cooling umbilical unit on astronaut Tracy Dyson’s spacesuit. “There’s water everywhere,” Dyson could be heard saying during the live feed from the ISS, pointing to an alarming malfunction with the space station’s aging suits that put other astronauts at risk in the past. NASA is in desperate need of new spacesuits for its astronauts, but in a troubling development, the company contracted to design the suits has just pulled out of the agreement….
The detection of gravitational waves has provided new ways to explore the laws of nature and the history of the Universe, including clues about the life story of black holes and the large stars they originated from. For many physicists, the birth of gravitational-wave science was a rare bright spot in the past decade, says Chiara Caprini, a theoretical physicist at the University of Geneva in Switzerland. Other promising fields of exploration have disappointed: dark-matter searches have kept coming up empty handed; the Large Hadron Collider near Geneva has found nothing beyond the Higgs boson; and even some promising hints of new physics seem to be fading. “In this rather flat landscape, the arrival of gravitational waves was a breath of fresh air,” says Caprini.
That rare bright spot looks set to become brighter….
…Welcome to Gotham City, where the corrupt outnumber the good, criminals run rampant and law-abiding citizens live in a constant state of fear. Forged in the fire of tragedy, wealthy socialite Bruce Wayne becomes something both more and less than human — the Batman. His one-man crusade attracts unexpected allies within the GCPD and City Hall, but his heroic actions spawn deadly, unforeseen ramifications.
The series is a reimagining of the Batman mythology through the visionary lens of executive producers J.J. Abrams, Matt Reeves and Bruce Timm….
[Thanks to Kathy Sullivan, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Teddy Harvia for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
(1) STAR WARS AND SDI EXHIBIT. Longtime LASFSians may remember Jerry Pournelle telling about the meetings of the Citizens’ Advisory Council on National Space Policy he once organized at Larry Niven’s house, which contributed some ideas to the Reagan administration’s “Strategic Defense Initiative” (nicknamed “Star Wars”). Now the Reagan Presidential Library is combining memories of SDI with an exhibit of Star Wars memorabilia in “Defending America and the Galaxy: Star Wars and SDI”. It’s open through September 8.
This Oval Office scene probably won’t come as a surprise to many of you.
Star Wars may have been a transformative movie, but SDI transformed our national security.
Join us at the Reagan Library for a fun and informative exhibition on Star Wars – both the real-world technology of SDI, as well as items from the movie phenomenon. The exhibition will include original items from SDI including an authentic Command Launch Equipment Console, as well as props, costumes, and concept art from the Star Wars franchise, including a Landspeeder made for A New Hope, master replicas of Luke Skywalker’s lightsaber made from the original mold of The Last Jedi, and an original script signed by Dave Prowse (actor who portrayed Darth Vader in the original trilogy). With special thanks to Propstore (propstore.com), Entertainment Memorabilia Auctions, the exhibit will also showcase an original dress worn by Princess Leia, original sketches by George Lucas of the spaceships, and original helmets worn by Darth Vader, Stormtroopers and more.
A new “Hunger Games” prequel film will be released in theaters in 2026.
After last November’s “Hunger Games” prequel “The Ballad of Songbirds and Snakes” charmed its way to $337 million at the box office, Lionsgate teased that moviegoers may not have seen the last of Panem, the dystopia where the story is set — even though the spinoff story covered the entirety of author Suzanne Collins’ 2020 novel of the same name….
… To that end, Collins is writing a new book, “Sunrise on the Reaping,” to be released in 2025. The film adaptation will hit theaters on Nov. 20, 2026. Francis Lawrence, who has helmed every “Hunger Games” installment since 2012’s “Catching Fire,” is in talks to direct.
Nine autograph letters signed with six addressed envelopes (four signed “HPL”, four signed “E’ch-Pi-El”, and one signed “H.P. Lovecraft”)…
…[Lovecraft comments on] the inspirations and influences of his own writing style: “You are right in saying that Poe is my chief source & model – & I can assure you that I have never presumed to compare my stuff to his, qualitatively… That is why I dispute your statement that my tales suffer from a ‘lack of warmth’. I may not have the warmth – but tales of the sort I write don’t require such a thing. Indeed – I’ll go a step further & express the opinion that a romantic or especially human element in a weird tale is a definite defect & dilution. The weird writer must above all else be cosmic & objective – with no more sympathy for mankind & its petty values than for the daemons that oppose mankind. Without this impersonal independence & unconventionality, weird fiction sinks quickly into a namby-pamby condition…” (letter dated Aug. 28, 1931). And continues in his next letter of September 3, 1931: “I still insist that ‘warmth’ is an element not properly belong to weird fiction as a genre… What you term ‘coldness & formality’ of style is what I call objective plainness – the bold, neutral simplicity which includes as frills, trivialities, or irrelevancies, & of which treats all phenomena – cosmic, terrestrial, human, or otherwise – as of perfectly equal importance in an infinite, futile, & meaningless cosmos…”
(4) CONSERVATIVE IDEAS FAIL THE TEST SAYS TINGLE. Chuck Tingle took another victory lap over the Rabid Puppies today.
that is premise RABID PUPPIES had at hugo awards, that CHUCK TINGLE was least likely person to be taken seriously and therefore would delegitimize something serious. to them it was unfathomable that i could be making REAL art because i was too strange, queer, and UNTRADITIONAL
conservatives in literary space believe TRADITIONAL is RIGHT and everything else is distraction. now we have a literal TEST OF THIS THEORY. they GOT TO PICK THEIR FIGHTER in the arena, to see my art and whisper amongst themselves 'this is epitome of progressive artistic failure'
this is not a moment to just sit around and pat myself on the back, but i think it is worth recognizing something. RABID PUPPIES and all of those conservative literary goofs were unequivocally WRONG about me and my art. because they are philosophically wrong about EVERYTHING
i will end this observation with this: THANK YOU for being a part of this experiment with me, for seeing my unique expression and trotting along beside me. for as much as i have proven love to you on this path, YOU HAVE PROVEN LOVE TO ME. HERES TO TROTTING INTO THE FUTURE
(5) OCTOTHORPE. In episode 111 of the Octothorpe podcast, “Slightly Lower Tolerance for Feelings”, John Coxon, Alison Scott, and Liz Batty read the Hugo Award finalists for Best Novel.
We talk about each of the novels, what we liked and what we didn’t, and then we each say how we’re (currently) planning to rank them on the ballot.
(7) ALAN SCARFE (1946-2024). Alan Scarfe, the classically trained British Canadian actor known for his turns as bad guys in Double Impact and Lethal Weapon III and as Dr. Bradley Talmadge on the UPN sci-fi series Seven Days died April 28. The Hollywood Reporter profile includes these additional genre roles:
…Born in England and raised in Vancouver, Scarfe portrayed the Romulans Tokath and Admiral Mendak on episodes of Star Trek: The Next Generation in 1991 and 1993 and was another alien, the powerful Magistrate Augris, on a 1995 installment of Star Trek: Voyager.
“Science fiction on film and television, especially if you are playing some kind of alien character with fantastic make-up, is great for actors with a strong stage background,” he said in a 2007 interview. “The productions need that kind of size and intensity of performance. You can’t really mumble if you’re a Klingon.”…
(8) TODAY’S BIRTHDAY.
[Compiled by Cat Eldridge.]
June 6, 1950 — Gary Graham. (Died 2024.) I was trying to remember where first saw Gary Graham as a genre performer. What I remember him most for is in the recurring role of Soval, the Vulcan ambassador to Earth, in the Enterprise series. It was a most excellent performance by him.
So it turns out that it was the Alien Nation franchise in which he played Detective Matthew Sikes, which aired from the late Eighties until mid-Nineties, where I first saw him. Great role by him it was indeed.
Gary_Graham. Photo by Keith McDuffee.
He had the recurring role of Captain Ken Hetrick on what I think was the underappreciated M.AN.T.I.S. series. Yes, it was a slightly awkward merging of a police procedural and a SF superhero story but I liked it a lot.
Finally he got involved in one of those fanfic Trek videos that CBS decided to ignore as long as they didn’t attempt to make them a commercial property, e.g. sell them as DVDs. (Yes, this one asked CBS to sell them for them. You can guess the answer.)
In Star Trek: Of Gods and Men and the web series that came off it he was Ragnar, a shape-shifter, who led a rebellion against the Federation. Bet that didn’t end well.
They claim CBS authorized them to write it as a script for a new series. Of course neither CBS or Paramount ever publicly said anything about this. They didn’t block the use of the characters either. You’re welcome to watch here as it’s legal.
Broom Hilda reveals the missing scene from a monster movie.
Boondocks finds a reason for making super soldiers.
(10) PERSISTENT TECHNOLOGY. The resurgence of interest in film photography leads to consideration of “The Lost Art of the Negative” by the New York Times. Customers who have been sent the photos often don’t return for the negatives.
…“The very-big-picture legal issue is the difference between ownership of the negatives and ownership of the copyright,” said David Deal, a former professional photographer who now practices copyright law. “When those two things are detached from one another, then all hell breaks loose.”
Put simply: Whoever has the negatives has the mechanism to reproduce the work but not the copyright to do so; the artist sans negatives has the right but not the means.
It’s a concept that has been battered in the age of digital cameras, then left for dead with the advent of iPhones. Dinosaurs of the photography game, negatives are the original images that are burned into frames when film loaded into an analog camera is exposed to light. They once were the primary deliverable when processing a roll of film.
In the digital age, most shops where people get their film developed will scan the negatives into a computer and just email the photographs to their customers.
“Negatives would’ve never been forgotten before, because people had to pick up the digital copy,” said Richard Damery, a developer who has worked at Aperture Printing in London for 15 years. “They can now have everything uploaded to them. They forget about the negatives.”
It can be hard for some to imagine (or remember) a time when a photograph involved more steps than just the instant gratification of looking down at a screen.
That’s especially true for much of Gen Z, the driving force behind the contemporary film resurgence. The industry has boomed in the years since the pandemic, and not just with upmarket brands like Leica; the classic Fujifilm disposables are back, too. For many young shooters, the anticipation and delayed payoff of film are a welcome salve to the 24/7 exposure of apps like Instagram….
In another win for Disney+, The Walt Disney Company has ceased DVD and Blu-ray distribution in Australia and New Zealand. As confirmed by a spokesperson for The Walt Disney Company in Australia and New Zealand, Guardians Of The Galaxy Vol. 3 will be the final release from the Mouse House in the countries. However, we’ve been assured that viewers can watch Disney+ to enjoy Disney classics and new releases, such as Willow season one and Artemis Fowl. The only option for viewers looking to score a copy of the 4K release of Cinderella is through international retailers because once stock runs out in the country, Disney will not replenish.
As noted by The Digital Bits, which first confirmed the news, the move is not surprising. Disney has already stopped distributing DVDs in some Asian and Latin American countries. Physical media sales in the region are dismal, and as global retailers like Amazon suck up a market share of customers, Disney has fewer reasons to keep shelves stocked….
Spotlight on villains is often admirable, but in the case of The Hobbit, it works to the film’s detriment. To accommodate for the book’s lack of a recurring antagonist and to set up a final fight for Thorin, Azog was introduced. One of the many aspects wrong with Azog in the movies is his very presence, as he was killed years before Bilbo journeyed to the Lonely Mountain in Tolkien’s novel.
Overall, Azog adds little to the plot. He doesn’t differ from any other orc in a relevant way, nor does he serve a major purpose beyond fueling Thorin’s rage towards orcs. What makes his sizable amount of screentime more confusing is the fact that Bolg, the son of Azog, could have fulfilled his role as the orc chieftain of the trilogy without resorting to resurrection.
Boeing’s new capsule arrived at the International Space Station on Thursday, delayed by last-minute thruster trouble that almost derailed the docking for this first test flight with astronauts.
The 260-mile-high (420-kilometer-high) linkup over the Indian Ocean culminated more than a day of continuing drama for Boeing’s astronaut flight debut carrying NASA test pilots Butch Wilmore and Suni Williams….
The Starliner capsule already had one small helium leak when it rocketed into orbit with two NASA astronauts Wednesday. Boeing and NASA managers were confident they could manage the propulsion system despite the problem and that more leaks were unlikely. But just hours into the flight, two more leaks cropped up and another was discovered after docking.
Later, five of the capsule’s 28 thrusters went down. The astronauts managed to restart four of them, providing enough safety margin to proceed. By then, Starliner had passed up the first docking opportunity and circled the world for an extra hour alongside the station before moving in.
The thrusters problems were unrelated to the helium leaks, NASA’s commercial crew program manager Steve Stich said after the docking.
Going forward in the flight, “we have some tools in our tool kit to manage this,” Stich said.
Earlier in the day, before the thrusters malfunctioned, officials stressed that the helium leaks posed no safety issues for the astronauts or the mission.
Helium is used to pressurize the fuel lines of Starliner’s thrusters, which are essential for maneuvering. Before liftoff, engineers devised a plan to work around any additional leaks in the system. A faulty rubber seal, no bigger than a shirt button, is believed responsible for the original leak….
[Thanks to Cat Eldridge, Cora Buhlert, SF Concatenation’s Jonathan Cowie, lance oszko, Steven French, Teddy Harvia, Kathy Sullivan, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Lou.]
(1) TOM DIGBY REMEMBERED. Long-time LASFSian Alan Frisbie shares some of his memories of Tom Digby, who died March 27.
Tom Digby
Alan Frisbie: I was saddened to hear from Paula Evans that Tom Digby had died. He was one of the first people I got to know in LASFS when I joined in 1969. His monthly parties were always fun, especially because of the conversations on every topic under the sun. He almost always had some new gadget he had built, often to demonstrate some interesting scientific fact.
At one party he had a Jello tasting competition. On the table were about ten bowls of Jello, in all the typical colors. Each person was given a 3×5 card and told to list each numbered bowl and its flavor.
At the end, he revealed that they were all the new pear flavor, but with different food colors added to fool us.
In his kitchen was one of those backwards-reading clocks. However, the mechanism had been replaced with a small DC motor that, at random times, would rapidly run the hands in a random direction for a random amount of time.
As was popular at the time, he had a color organ attached to his stereo. This one, however, was unique. He had taken an old color TV and connected the deflection yoke vertical & horizontal windings to the left & right amplifier outputs. If the sound was a pure tone with a 90 degree phase difference, of course you would get a circle. But music is never pure like that, so you got a constantly varying display. I’m not sure how the colors were selected, but the display was absolutely mesmerizing.
He also built a drum & rhythm synthesizer back in those pre-microprocessor days. It had a gigantic array of slide switches, with one column for each possible time, and a row for each possible sound. There was a potentiometer for speed control. You could configure any conceivable time signature and pattern with it. We had lots of fun with it.
(3) NEW GAIMAN SERIES. [Item by Daniel Dern.] The Netflix adaptation of Neil Gaiman’s Dead Boy Detectives arrives April 25. They were created during Sandman (comic) #25, “Seasons of Mists”, and have been in lots of comics since (see list on “Dead Boy Detectives” Wikipedia entry.)
The characters (not sure it’s the same actors) were in several episodes of Doom Patrol Season 3. I lost track of whether they were in the Netflix Sandman series.
Here’s the trailer, which has me ready to start counting the days…
(4) RISING TIDE. Publishers Lunch says Reactor (formerly Tor.com) has announced these promotions:
Emmet Asher-Perrin has been promoted to senior editor, news & entertainment.
Christina Orlando has been promoted to senior editor, books coverage.
Leah Schnelbach has been promoted to senior editor, features.
Stefan Raets has been promoted to senior production editor.
…“We have received complaints in relation to the social media post,” a spokesperson for Police Scotland said in a statement. “The comments are not assessed to be criminal and no further action will be taken.”
Scotland’s new Hate Crime and Public Order Act criminalizes “stirring up hatred” against people based on their race, religion, disability, sexuality or gender identity….
The way to Pluto leads through the forest on a public, but unpaved road. Eventually, the forest gives way to Hude Golf Course, where you can see golfers trying to hit their balls. Golfing is clearly a popular sport in the far reaches of the solar system. You travel past the parking lot of the golf course until at last, you reach Pluto, sitting by the side of the road directly in front of a private house.
Pluto is just a tiny speck on the marker, but then Pluto is tiny. And yes, when the Hude solar system was set up, Pluto was still an official planet. The number of moons is no longer correct either.
A few weeks ago, something from the heavens came crashing through the roof of Alejandro Otero’s home, and NASA is on the case.
In all likelihood, this nearly 2-pound object came from the International Space Station. Otero said it tore through the roof and both floors of his two-story house in Naples, Florida.
Otero wasn’t home at the time, but his son was there. A Nest home security camera captured the sound of the crash at 2:34 pm local time (19:34 UTC) on March 8. That’s an important piece of information because it is a close match for the time—2:29 pm EST (19:29 UTC)—that US Space Command recorded the reentry of a piece of space debris from the space station. At that time, the object was on a path over the Gulf of Mexico, heading toward southwest Florida.
This space junk consisted of depleted batteries from the ISS, attached to a cargo pallet that was originally supposed to come back to Earth in a controlled manner. But a series of delays meant this cargo pallet missed its ride back to Earth, so NASA jettisoned the batteries from the space station in 2021 to head for an unguided reentry….
… The entire pallet, including the nine disused batteries from the space station’s power system, had a mass of more than 2.6 metric tons (5,800 pounds), according to NASA. Size-wise, it was about twice as tall as a standard kitchen refrigerator. It’s important to note that objects of this mass, or larger, regularly fall to Earth on guided trajectories, but they’re usually failed satellites or spent rocket stages left in orbit after completing their missions.
In a post on X, Otero said he is waiting for communication from “the responsible agencies” to resolve the cost of damages to his home….
The rise of the action-adventure blockbuster was on the horizon, but on April 3, 1978, the small-scale romantic comedy triumphs over the big-budget space extravaganza. At the 50th annual Academy Awards, held at the Dorothy Chandler Pavilion in Los Angeles, Woody Allen’s Annie Hall won the Oscar for Best Picture, beating out George Lucas’ Star Wars.
(9) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born April 3, 1968 — Jamie Hewlett, 56. Of course most of you know about Tank Girl, but I’m betting that that most of you don’t know the story of Jamie Hewlett, one of the co-creators, and his role in creating Tank Girl. So let’s tell it.
The comic was created by Alan Martin and Jamie Hewlett who met when they were studying at the West Sussex College of Design in Worthing, and first appeared in print thirty-six years ago in the British Deadline comics magazine.
Alan Martin in an Sci- Fi Online interview tells us how he and Hewlett created the character:
The three of us then worked together on the comic/fanzine Atomtan. While working on this Jamie had drawn a grotty looking heffer of a girl brandishing an unfeasible firearm. One of our friends was working on a project to design a pair of headphones and was basing his design on the type used by World War II tank driver. His studio was littered with loads of photocopies of combat vehicles. I pinched one of the images and gave it to Jamie who then stuck it behind his grotty girl illustrations and then added a logo which read ‘Tank Girl’.
Jamie Hewlett in 2014.
Posters, shirts of all sorts, and underpants, yes underpants, began showing up everywhere on the punk scene, including one shirt especially made for the Clause 28 protest march against Margaret Thatcher’s legislation effectively making homosexuality illegal.Tank Girl was particularly an icon among the lesbian community.
With its immense popularity, the major publishers showed interest in Tank Girl. Penguin UK was the one that Hewlett and Martin decided to go with. So they published all of the Deadline material as collections. What was interesting was that Penguin discovered that though that they owned global territorial rights, they didn’t own US rights.
So Dark Horse won out over a number of other interested publishers forty years ago. A four-issue limited series Tank Girl: Visions of Booga, by Martin was released by IDW, as was Tank Girl: Armadillo and a Bushel of Other Stories, a Tank Girl novel also scripted by Martin.
Fresh material is being produced by the current creative team is Alan Martin and Brett Parson. Tank Girl has appeared on a regular basis in various one-shots and limited series, now published by IDW, Image Comics, and mostly by Titan Comics.
No, I’ve not mentioned the film, have I? Well Martin and Hewlett are known for speaking quite poorly of their experience in the film, and what the film itself was. That’s has much as I’ll say about it.
With the four actors set to play the iconic members of the super team, Marvel Studios‘ TheFantastic Four now has its sights set on who will play Silver Surfer, and it looks like they are going with one of the towns biggest rising stars.
Sources tell Deadline that Emmy winner Julia Garner is set to play the iconic comic book character in Marvel Studios’ The Fantastic Four. Pedro Pascal will play Reed Richards (aka Mr. Fantastic), Vanessa Kirby is Sue Storm (aka the Invisible Woman), Joseph Quinn is Johnny Storm (aka the Human Torch) and Ebon Moss-Bachrach is Ben Grimm (aka the Thing)…
The Austin Film Festival (AFF) has announced Ronald D. Moore as the recipient of the 2024 Outstanding Television Writer Award for his prolific impact on the world of television and his work on celebrated science fiction and fantasy series such as “For All Mankind,” “Outlander” and “Battlestar Galactica.”
“I’m very honored,” Moore told Variety over the phone. “It’s great when your work is recognized and when a renowned organization like the Austin Film Festival chooses to do something like this. It’s amazing. I’m just very humbled by it all.”
Moore will receive the award at the Festival Awards Luncheon during AFF’s Writers Conference, which takes place Oct. 24-27. Two panels, “A Conversation with Ronald D. Moore” and “Script To Screen: Battlestar Galactica,” are also scheduled for the event….
(12) WHAT ARE FANS STREAMING? JustWatch has compiled their top 10 charts for March 2024.
Rie Kudan, the Japanese writer who won this year’s Akutagawa Prize — the highest award in Japanese literature — with a book where around 5% of the content was generated by ChatGPT, encourages writers to use generative artificial intelligence in their creations.
“If you think carefully about how to use it and face your own weaknesses, AI helps you compensate for them,” says the 33-year-old author, speaking at the headquarters of her publishing house, Shinchosha, which advertises her work under the slogan “A book of prophecies in the era of generative artificial intelligence.” However, Kudan says that the input from AI was very small: “Only one page out of 144.”
The novel Tokyo To Dojo To (Tokyo’s Tower of Sympathy) was described by the jury as an “almost flawless” work and earned Kudan a literary prize created in 1935 and which has launched the careers of authors such as Kenzaburo Oe, winner of the Nobel Prize for Literature in 1994. The award winner was announced in January….
(15) ECLIPSE IN US CURSED EARTH AND BLACK ATLANTIC. [Item by SF Concatenation’s Jonathan Cowie.] The eclipse will happen on April 8. Dr. Becky is an Oxford U based astrophysicist. “Total Solar Eclipse 2024 – WHEN, WHERE, WHAT, HOW, & WHY”.
(16) WHAT WILL EARTH BE LIKE 300 MILLION YEARS FROM NOW? [Item by SF Concatenation’s Jonathan Cowie.]The YouTube Channel PBS Eons usually takes a look back in time at past evolution but for once has gone all SFnal with a look forward at the future of life on Earth 300 million years hence. To put that in perspective 300 million years ago in the past was when the first reptiles arose and they became the dinosaurs (for whom I have never forgiven what they did to Raquel Welch…). In this 11-minute video we look forward to a time when there will be a new supercontinent and the Hugo Award debacle is long forgotten….
We spend a lot of time here on Eons looking backwards into deep time, visiting ancient chapters of our planet’s history. But this time, we’re taking a look towards the deep future. After all, the story is far from over.
[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel! Dern.]
(2) ONLINE DISCUSSION OF CHENGDU WORLDCON HUGO NOMINATIONS REPORT. Hugo finalist Arthur Liu / HeavenDuke adds context to the 2023 Hugo Awards voting in an X.com thread that begins here. An excerpt:
(3) GRAPHIC EXAMPLES. Heather Rose Jones’ “A Comparison of Hugo Nomination Distribution Statistics” at Alpennia takes the 2023 Hugo Nominations report and the statistics from selected other years to create graphs that show just how anomalous the 2023 results are. A very helpful tool.
(4) RESPONSES TO STAT RELEASE BY THREE HUGO WINNERS.
As someone who attended the Chengdu Worldcon AND was the recipient of Hugo Award in the Best Fan Writer category, I am upset, incensed and angry at the exclusion of R.F. Kuang’s Babel and my friend, colleague and peer, Paul Weimer from the 2023 Final Ballot. There were numerous other irregularities and outrages as well.
I don’t know for certain if Paul Weimer’s presence on the ballot would have may any difference in the outcome and to some extent, that has weighted heavily on my mind since Saturday’s release.
We may never know what actually happened here but I would like to thank the people who voted for me and have repeatedly reiterated their support for my fan writing and took the time to reassure me that my work was worthy of the award.
I also know that this incident, whether it was at the behest of the government of the People’s Republic or China or some other entity, will NEVER be forgotten and that doing something about preventing such a thing from happening again will be at the top of the agenda at the Glasgow Worldcon Business Meeting in August…
4. Likewise, depending on what we learn about these disqualifications, next year’s Worldcon Business meeting would be a fine time to offer proposals for disqualification transparency (i.e., there have to be reasons detailed other than “because”) and for dealing with state censorship regarding finalists and the award process.
5. Even the speculation of state censorship should give pause to site selection voters regarding future Worldcons. For example, there is a 2028 Worldcon proposal for Kampala, Uganda, and while the proposed Worldcon itself offers a laudable and comprehensive Code of Conduct page, Uganda is a country with some of the most severe laws in the world regarding LGBTQ+ people, including laws involving censorship. If the state leaned hard on the local Worldcon regarding what was acceptable on the Hugo ballot, would it be safe for the organizers to ignore this pressure? This is now an issue we will need to consider, among the many others, in where the Worldcon lands every year.
(6) 2024 DEADLINE TO QUALIFY AS HUGO VOTER. If this weekend’s Hugo Awards discussion hasn’t convinced you there might be a better way to use your money, like throwing it in the ocean, and you want to be able to nominate for the 2024 Hugo Awards but weren’t a member of Chengdu, you need to get a membership in the Glasgow 2024 Worldcon by January 31: Memberships and Tickets. [Via Jed Hartman.]
(7) MEANWHILE, IN CHINA. [Item by Ersatz Culture.] Here are some Chinese user comments regarding the Hugo nomination news. As these are (mostly) from regular fans or individuals, I’ve not included their usernames, but all are on public posts that anyone can access – I imagine stuff circulating in small private WeChat/Weixin groups (which I don’t have access to) will be much harsher than these.
All English translations via Google Translate, which doesn’t handle the slangy language used very well, so some of these are a bit opaque, but the general vibe should be pretty clear. As yet, I’ve not come across any commentary about the works that just missed out on being finalists; hopefully that might appear once the initial controversies have died down a bit.
现在对国内的任何文学奖都失去信任，都不过是一小撮人自娱自乐地玩票而已。
Nowadays, we have lost trust in any domestic literary awards. They are just a small group of people playing for their own entertainment.
哈哈哈，目测你们没有审核机制，干的啥事啊
Hahaha, I guess you don’t have an audit mechanism, what are you doing?
(replying to another user’s comment) The dissatisfaction lies in the delay, opacity and negligence in data disclosure. Some highly vocal authors and candidates were inexplicably judged to be “ineligible”. The dissatisfaction lies in the organizational and management chaos revealed by the award data, rather than the “bad work winning the award” as you thought. “As long as the rules are followed, whoever wins the prize deserves it, because the mechanism is like this. So I ask you to understand the whole story before opening the map cannon to vent your emotions. [Note: I’m not sure what “opening the map cannon” is a euphemism for, but I think something like “setting off fireworks” might be a more reasonable translation,]
真丢脸，无话可说????对“环境污染”放任自流，各种花样层出不穷，无法理解这样的不作为。
It’s so shameful, I have nothing to say ???? Let’s let “environmental pollution” go unchecked, with all kinds of tricks emerging in endlessly, I can’t understand such inaction.
太丢人了
So embarrassing
丢脸
shameful
不是有stuff说了，公布一眼假的数据是为了表明他们也很无奈
Isn’t that what stuff said? The purpose of publishing fake data is to show that they are also helpless.
那到底有多无奈呢，总不会被枪指着头吧，感觉都是托词，总之不想负责
(reply to previous comment) So how helpless are you? You won’t have a gun pointed at your head. It feels like it’s all an excuse. In short, you don’t want to be responsible.
丢人丢到家了
I’m so embarrassed.
咋回事
What’s going on
一地鸡毛…控奖真是有点
It’s a piece of cake… Controlling awards is really a bit tricky
呵呵，这不明摆着么
Haha, isn’t this obvious? (note: I think this might make more sense translated as “blatant”)
Foreign netizens said that Hugo organizers’ claim of carefully checking the approval data in the past three months is unconvincing. After all, there is still a category where the same work has errors twice (referring to “Turing” in the best short and medium novel category). Food stalls》)
无非三个原因：商业运作，草台班子，不可说因素
There are no more than three reasons: business operation, grassroots team, and unspeakable factors
Florida’s Republican-controlled Legislature wanted to keep obscene books out of the hands of kids. But some are now acknowledging they created a “logistical nightmare” that lawmakers are trying to rein in.
Legislators this month introduced a new idea to curb frivolous challenges to books — one of the first admissions the law, which tightened scrutiny around books with sexual content in K-12 schools, may have gone too far. The potential solution: allowing local schools to charge some people a $100 fee if they want to object to more than five books.
“I’m happy that we are digging in and trying to remove reading material that is inappropriate for our children,” said state Rep. Dana Trabulsy, a Republican from Fort Pierce who is sponsoring the legislation. “But I think [book challengers] really need to be respectful of the amount of books that they are pouring into schools at one time.”Florida’s Legislature in 2023 expanded education transparency laws by requiring books considered pornographic, harmful to minors or that depict sexual activity to be pulled from shelves within five days and remain out of circulation for the duration of any challenge. If school officials deem a book inappropriate, it can be permanently removed from circulation or restricted to certain grade levels.
The law caused a national outcry after local schools received hundreds of challenges to a wide range of books, leading to reviews of titles like Ernest Hemingway’s “For Whom the Bell Tolls” and “And Tango Makes Three,” a kids book about a penguin family with two dads. It’s also led to multiple lawsuits against top education officials and local school boards asserting that the restrictions violate free speech. Florida, according to the free speech advocacy group PEN America, has “banned” more books than any other state — some 1,406 works total….
(9) MEMORY LANE. (A 1984 REFERENCE COULDN’T BE MORE TIMELY!)
[Written by Cat Eldridge.]
1984 — On this day forty years ago, Apple (then know as Apple Computer) began selling its first Macintosh. It featured an 8 MHz processor and 128k of RAM in a beige all-in-one case with a 9-inch monochrome display — all for around $2,500. That’d be $7,380 today.
Now I’ll connect it to our genre, Apple for the Mac’s arrival with its 1984 commercial that aired during a break in the third quarter of Super Bowl XVIII. That commercial was based of course on that George Orwell novel. It starts off with the opening of “On January 24th, Apple Computer will introduce Macintosh. And you’ll see why 1984 won’t be like 1984.”
Ridley Scott was the director. Steve Jobs hired him to do it just after Blade Runner came out. Though the press said Scott spent a million dollars on it, he has said in several interviews since that Apple budgeted it at a quarter of that so he got creative, meaning instead of performers in Britain (where he filmed it) who had Union standing and would have cost him serious money, those are actually skinheads playing all those drones.
(This being 1984, those Union performers that there was got the Union minimum of twenty-five dollars for a day’s work.)
Anya Major is the sledge hammer throwing runner. She beat all models and runners who tested in a London park, most couldn’t lift the hammer, and several threw nearby parked windshields. And yes, that is actual glass that she smashes though of course it gets enhanced afterwards.
She has only one other video appearance as Natika in Elton’s 1985 “National” video. Well and the documentary done about this commercial. Of course there’s a documentary. When isn’t there?
Naturally the lawyers got involved. Because the ad looked an awfully lot like a scene from the 1984 film — which I’ve not seen so I don’t know how much it looks like that film — the Estate sent a cease-and-desist letter to Apple, and the commercial never aired on television again.
The commercial aired only twice on American television. It had been first screened in December 1983, right before the one am sign-off on KMVT in Twin Falls, Idoho, which made it eligible for advertising industry awards for that year. That’s why it got to win a Clio Award for Creative Excellence in Advertising and Design, a very high honor indeed.
In addition, starting on January 17, 1984, it was screened prior to previews in movie theaters for a few weeks.
It’s on YouTube, though, so you can it see here.
(10) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born January 21, 1933 — Judith Merril, (Died 1997). Yes, I know Judith Merril is a pen name but it’s the name on her writing, so it’s the only name that I’m interested in for this Birthday. Let us get started.
She was no doubt most excellent SF writer. Her first novel, Shadow in the Hearth, was written by herself. It was published by Doubleday in 1950 with the scary cover art by Edward Kasper. Geoff Conklin said her first novel was a “masterly example of sensitive and perceptive story-telling”. And I agree.
Gunner Cade was under her Cyril Judd pen name, written in collaboration with Cyril Kornbluth, as was Outpost Mars from Simon & Schuster just two years later, with a much more traditional SF cover. The novel itself is quite well done.
Outpost Mars was also given a paperback edition from Dell that would get a very traditional SF cover by Richard Powers. It’s a great look at a Mars-based doctor, the colony, and their dealing and the Earth company and its meddling.
Eight years after Outpost Mars, her novels come to an end with The Tomorrow People. It is also her first novel not from a major house, being printed by Pyramid Books.
(I’m going to leave it to someone here who’s more knowledgeable than me about fanzines to talk about them.)
Her short fiction is some thirty pieces deep, including a few collaborations. She co-wrote a story each with Kornbluth and Pohl. I’ve have read more than a few of her stories, there’s not a weak one, and even the ones written in the Forties still hold up very well. Which collection is a good question. That’s easy as NESFA, as always is our friend here publishing Homecalling and Other Stories: The Complete Solo Short SF of Judith Merril.
She was not nominated for any Hugos in her lifetime. She, along with Emily Pohl-Weary, granddaughter of her and Frederik Pohl, would win at Torcon 3 for Better to Have Loved: The Life of Judith Merril.
(11) COMICS SECTION.
Tom Gauld probably didn’t need to find out about this from the sff field, much as it applies.
“The first time I came to this studio was 1940 when my father brought me here to show me the stage, and I was about 9 or 10 years old, and I thought, ‘Some day this will all be mine!’ It’s finally come to be – it’s only taken me 92 years to get here!” That’s what five-time Oscar winner and 53-time nominee John Williams said as the curtain was raised on the iconic Sony Pictures Entertainment lot’s newly renamed John Williams Music Building.
Joining in the celebration — and it was a celebration — were Sony Pictures Motion Picture Group Chairman and CEO Tom Rothman, SPE Chairman and CEO Tony Vinciquerra (who made opening remarks), filmmaker J.J. Abrams and of course, Williams’ longtime collaborator Steven Spielberg, who instigated the idea of putting the legendary composer’s name on the building where they have worked on 20 or their 29 films, as Spielberg noted….
Reacher Season 2’s reference to Terminator 2: Judgment Day had nothing to do with the casting of Robert Patrick.
In the second season of the hit Prime Video series, Patrick, who played the T-1000 in Terminator 2, played the role of Shane Langston, a foe to Alan Ritchson’s Jack Reacher. The Season 2 premiere included a cheeky reference to Terminator 2when Frances Neagley used the alias Sarah Conner, a nod to Linda Hamilton’s Terminator franchise character. When he’s asked by a henchman, “Who’s Sarah Connor?,” Patrick’s Langston replied, “I don’t give a sh*t.” It’s a stark contrast to the character he played in Terminator 2, where killing Sarah’s son was the T-1000’s sole objective.
Per TVLine, showrunner Nick Santora revealed that the Terminator 2 reference was not written in to the show because of Robert Patrick’s casting. Santora wanted to make it clear, noting how “everyone thinks we’re so smart and funny for doing it,” but that the Sarah Connor line was “in there before Robert Patrick came in. I don’t want to lie; that’s the truth.“…
…They all claimed to be Ugandan citizens – often women – whose accounts appeared to have the sole purpose of posting praise for the president and pushing back against critics.
The Ugandan Media Centre, which handles public communications on behalf of the government, did not respond to our requests for comment.
A sprawling network of fake accounts
By analysing those accounts’ behaviour, BBC Verify was able to map out a network of nearly 200 fake social media accounts operating on X and on Facebook (even though the latter has been blocked in Uganda since 2021).
The vast majority of these accounts used stolen images as profile pictures – often social media photos of models, influencers, and actresses from across the world. But none of the usernames used by them appeared to be linked to real individuals in Uganda or Tanzania….
Imagine a world where scientists are banned from and even persecuted for practicing their research in technological advancement. This was the reality in China during Mao Zedong’s Cultural Revolution from 1966 to 1976. Fueled by a desire to remove all forms of capitalism from their society, Mao’s followers destroyed laboratories and burned any literature related to science — including science fiction.
Science fiction author Enzheng Tong wrote Death Ray on Coral Island in 1964 but hid it for fear of being persecuted due to the belief that the genre was created by the West to corrupt the people of China. It wasn’t until 1978, under Xiaoping Deng’s reign, that science and technology became a national priority for the country and Tong published his short story. In 1980, director Hongmei Zhang took this opportunity to adapt Tong’s story into a film — keeping the original’s sense of nationalistic pride while taking other liberties to address the scientific failure of Mao’s rule.
“I.S.S.” is a thriller set in outer space, but the creative team was filled with pioneers in their own right. “Blackfish” director Gabriela Cowperthwaite helmed the project, with Oscar winner Ariana DeBose suiting up for the lead role — both creatives playing in a new genre for the first time.
The result is a fleet, pulpy film in which three American and three Russian astronauts are living and working together on an international space station. But things turn dire quickly when their governments declare war on each other and both groups are instructed to commandeer the space station by any means necessary….
What was the most challenging part about filming zero gravity realistically, for nearly the entire film?
Cowperthwaite: I just wanted it to look as real as possible. We tried different contraptions, some of which were a bit more comfortable, but unfortunately for the actors, they didn’t look as good. Now I understand why so many films don’t do zero gravity.
DeBose: To achieve this look and feel, we shot the movie in harnesses that are very tightly secured on our hips. Then there were tethers attached to them. We had about two weeks of training, where we learned how to balance our bodies. It’s very hard, but the especially challenging thing was when we had scenes that involved all six of us. That meant we were all in harnesses, and for every one of us, there were at least two or three people operating. While you don’t see the tethers, they were very much there, so shout out to VFX….
[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Peer.]
(1) NEWS FROM ‘THE SECRET LIBRARY’. [Item by Steven French.] For those Filer folk who might be around Yorkshire over Xmas here’s a piece on the Leeds Library blog about their current exhibition, Fantasy Realms of Imagination, scheduled to run in parallel with the much grander affair at the British Library.
Having said that last bit, the British Library for all its architectural style, doesn’t have the Victorian grandeur of Leeds Central Library:
Our new exhibition, inspired by Fantasy: Realms of Imagination at the British Library opened in November and aims to bring a bit of magic to Leeds Central Library over the cold winter months, before touring to community libraries across the city.
The beautiful grade II* listed building with its winding staircases and heraldic beasts lends itself perfectly to the fantasy theme and this exhibition encourages visitors to embark on their own quest to explore parts of the library they may not have ventured to before.
The Phantom Menace is celebrating its 25th anniversary next year. Therefore, cue Lucasfilm’s foolproof promotional strategy of new books. StarWars.com has announced that Mace Windu will headline a new novel titled Star Wars: The Glass Abyss. Coming August 6, 2024, the novel will be written by Steven Barnes, returning to the Star Wars-fold for the first time since 2004’s The Cestus Deception.
Taking place immediately after The Phantom Menace, The Glass Abyss will send Mace Windu on a mission to fulfill Qui-Gon Jinn’s final request. The twist? This request is specifically for Mace, only to be received after the fallen Jedi Master’s death….
European Union policymakers agreed on Friday to a sweeping new law to regulate artificial intelligence, one of the world’s first comprehensive attempts to limit the use of a rapidly evolving technology that has wide-ranging societal and economic implications.
The law, called the A.I. Act, sets a new global benchmark for countries seeking to harness the potential benefits of the technology, while trying to protect against its possible risks, like automating jobs, spreading misinformation online and endangering national security. The law still needs to go through a few final steps for approval, but the political agreement means its key outlines have been set.
European policymakers focused on A.I.’s riskiest uses by companies and governments, including those for law enforcement and the operation of crucial services like water and energy. Makers of the largest general-purpose A.I. systems, like those powering the ChatGPT chatbot, would face new transparency requirements. Chatbots and software that creates manipulated images such as “deepfakes” would have to make clear that what people were seeing was generated by A.I., according to E.U. officials and earlier drafts of the law.
Use of facial recognition software by police and governments would be restricted outside of certain safety and national security exemptions. Companies that violated the regulations could face fines of up to 7 percent of global sales….
(4) PODCAST-PALOOZA. [Item by Dann.] A bonus episode of The Reason Podcast recently featured Reason Editor Peter Suderman interviewing former Reason Editor-in-Chief Virginia Postrel and American Enterprise Institute Fellow James Pethoukoukis about the future and how we might get a better future. Mr. Pethoukoukis is the author of the recently released The Conservative Futurist—How to Create the Sci-Fi World We Were Promised.
The interview included a discussion of works by Isaac Asimov, Neal Stephenson, and Ian Banks. It also included some thoughts on whether sci-fi has changed modes from an optimistic vision of a future enabled by technology to a pessimistic vision of the future.
Author and Podcaster Paul J. Hale recently concluded his 7-part series comparing JRR Tolkien’s The Hobbit with the Rankin/Bass animated movie as well as the recent trilogy of movies from New Line Cinema. The series starts here.
He has begun a new series comparing Robert Bloch’s Psycho with the Alfred Hitchcock movie of the same name. No idea about how many episodes there will be in the Psycho series. Thus far, two episodes have been released.
Animator Hayao Miyazaki is renowned for conjuring up dazzling cinematic worlds. And at 82, he hasn’t lost a step. His latest movie is a visual feast, filled with magical lands and creatures only he could dream up. It’s also a deeply personal tale, one that unfolds against the backdrop of World War II Japan, as a boy undertakes a perilous journey that helps him come to terms with the death of his mother. The first best picture nomination for a non-Disney animated movie would be worthy recognition for Miyazaki’s contributions to the medium.
(6) DOWN THESE FAE STREETS. [Item by Bruce D. Arthurs.] Douglas A. Anderson posts about Raymond Chandler’s few published fantasy stories, and his (unfulfilled) desire to write more in their vein. “Raymond Chandler’s Fantasies” at Wormwoodiana.
…In a letter written on 19 June 1956, Chandler wrote:
“I love fantastic stories and have sketches of perhaps a dozen that I should love to see in print. They are not science fiction. My idea of the fantastic story–possibly a little out of date–is that everything is completely realistic except for the basic impossible premise. Both of those I have mentioned are concerned with vanishing or invisibility. I have one about a man who got into fairyland but they wouldn’t let him stay. Another about a princess who traded her tongue for a ruby and then was sorry and it had to be retrieved. One about a young society novelist whose father was a magician and kept making a duke disappear so his son could make love to the duchess. I may add that the duke took it with good grace (a joke) although he was rather annoyed. That sort of thing. Quite rare nowadays.”
I loved “Doctor Who” growing up. In fact, the moment that I felt probably most like God was in 2009, getting to write my first episode. But the trouble with me having written a couple of episodes is that my 8-year-old is now convinced that I must be in charge of “Doctor Who.” He’ll come over to me and say, “Dad, this needs to happen.”…
Charles Addams at the New York Public Library
I remember discovering that if you went up to the third floor on the way to the men’s toilets there was a little room with Charles Addams cartoons on display. I would go there four times a year and the cartoons would be changed out. Then one day they were putting them away. It was explained to me that the artwork had been a loan by his ex-wife. But the agreement was that as soon as everything had been displayed, it was over. I still think that’s heartbreaking….
Lauren Ancona wasn’t really paying attention to the “X-Files” episode she had on her TV on Monday night. Then she heard the song. It played as a character walked into a rural bar, a lilting country track that set a soothing tone as a singer crooned: “In my memory you are moonlight, starlight …”
Ancona liked it. She paused the episode, rewound it and opened Shazam, an app that identifies songs, but it couldn’t find a match. Details about the track weren’t on an IMDb page about the episode either. Perplexed, Ancona searched for the lyrics online and found nothing — except forum posts from other “X-Files” fans asking the same question. Some said they’d been searching since 1998, when the episode first aired.
It was a mystery fit for Mulder and Scully themselves. Who was the songwriter behind the mysterious country tune with no name and no credit? And how had legions of “X-Files” fans failed to identify it in 25 years?…
(9) MARK SAMUELS (1967-2023). Four-time British Fantasy Award nominee Mark Samuels died December 3. The first pair of nomination came in 2004 for his short story “The White Hands” and for the collection in which it appeared, The White Hands and Other Weird Tales.
R.B. Russell has written a tribute for Wormwoodiana: “RIP Mark Samuels”.
…Mark was a member of the original Arthur Machen Society in the 1990s, and would later become active in its successor, the Friends of Arthur Machen, becoming Secretary for two different terms. He will be remembered from many meetings of the Friends (from annual dinners, to more ad hoc pub crawls), as great company; he was a knowledgeable and passionate advocate for writers such as Machen, Lovecraft and Ligotti, as well as enjoying, like Machen, good conversation, drink, food and tobacco….
…From the outset, Mark’s stories take place in a strange and decaying world—one that is often blighted, if not diseased. This gives his fiction a bleak vision and an intensity that has been admired by many readers as well as fellow-authors, since the first magazine appearances of his stories in the 1980s. Apart from in his own books, his stories have been published in such prestigious anthologies as The Mammoth Book of Best New Horror, Year’s Best Fantasy and Horror, A Mountain Walks, and The Weird….
(10) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born December 9, 1934 — Judi Dench, 89. Need I say Judi Dench is one of my favorite performers? So let’s look at her work in this genre, both as a stage and onscreen thespian.
Judi Dench in 2007
So let’s look at her theatrical work. Her first professional role was as Ophelia in Hamlet . Not sure if we consider Hamlet to be genre or not, but her first genre role was a West African tour as Lady Macbeth for the British Council in the early Sixties.
In the Sixties, she was in a small role in a Sherlock Holmes A Study in Terror play.
She’d reprise Lady Macbeth at the Royal Shakespeare Company with Ian McKellen posing Macbeth. Now there’s a play I’d have liked very much to have seen!
In the early Eighties, she was to play Grizabella in the first production of Cats, but had to pull out due to a torn Achilles tendon. Even cats injure themselves. Don’t worry, she’ll get to be in the Cats film where she’ll play Old Deuteronomy where unfortunately she’ll get to play the very rare embarrassing performance of her life.
Now to her work in genre films. Her first was the Sherlock Holmes A Study in Terror in which she was Sally.
That was followed by the much better A Midsummer’s Night’s Dream where she was Titania. The one which also had as performers Ian Holm, Helen Mirren, Diana Rigg and David Warner!
She was cast as M in GoldenEye, a role she continued to play in the Bond films through to Spectre.
She’s Queen Elizabeth the First in Shakespeare in Love, one of my all time comfort films.
And she’s in Chocolat as Armande Voizin, Caroline’s mother. Sure that’s film is touched by magic as it’s about chocolate affecting an entire French village, no?
Back in the SF realm, she’s in The Chronicles of Riddick as Aereon, but verging back to fantasy, she’s a society lady in Pirates of the Caribbean: On Stranger Tides.
I see she’s in Kenneth Branagh’s Murder on the Orient Express as Princess Natalia Dragomiroff. Speaking of Brannagh, he directed Artemis Fowl, where she’s Commander Julius Root.
She’s the medium Madame Arcati In Blithe Spirit.
So I was going to include Spirited here which a modern retelling of A Christmas Carol and a satire of the various adaptations since, but I don’t think she has much of a role in it as she appears it as herself. Who’s seen it?
That’s her for now.
(11) COMICS SECTION.
Bliss is an attempt at topical humor. Haven’t made up my mind if it’s actually funny.
(12) GREATCOATS. Sebastien de Castell’s next Greatcoats novel, Crucible of Chaos: A Novel of The Court Of Shadows, arrives February 6, 2024.
A mortally wounded magistrate faces his deadliest trial inside an ancient abbey where the monks are going mad and the gods themselves may be to blame!
Estevar Borros, one of the legendary sword-fighting magistrates know as the Greatcoats and the king’s personal investigator of the supernatural, is no stranger to tales of ghosts and demons. When the fractious monks of the abbey rumored to be the birthplace of the gods begin warring over claims of a new pantheon arising, the frantic abbot summons him to settle the dispute.
But Estevar has his own problems: a near-fatal sword wound from his last judicial duel, a sworn knight who claims he has proof the monks are consorting with demons, a diabolical inquisitor with no love for the Greatcoats, and a mysterious young woman claiming to be Estevar’s ally but who may well be his deadliest enemy.
Armed only with his famed investigative talents, his faltering skill with a blade and Imperious, his ornery mule, Estevar must root out the source of the madness lurking inside the once-sacred walls of Isola Sombra before its chaos spreads to the country he’s sworn to protect.
… I’ve heard of stealing some dough, but this is ridiculous….
…The tale began at 4 a.m. on Wednesday in Carlingford, Australia, near Sydney, when a delivery driver working the night shift stopped his van to make a quick stop at a 7-Eleven.
Closed circuit footage of the scene shows a woman milling around the gas pumps at the attached service station — or “servo” to Australians — and then climbing into the unattended van and driving away.
What makes the story more compelling than a typical opportunistic vehicle theft is the van’s contents: 10,000 Krispy Kreme doughnuts. The treats were bound for shops in Newcastle, but instead have now disappeared to parts unknown.
As of Friday, the New South Wales police had not made any arrests, although they are, well, hungry to. The department posted an appeal for help from the public, next to items about a brawl in Warrawong and a missing man from Wagga Wagga….
Physicists have taken the first step towards building quantum computers out of individual molecules trapped with laser devices called optical tweezers. Two teams report their results in Science on 7 December, in both cases making pairs of calcium monofluoride molecules interact so that they became entangled — a crucial effect for quantum computing….
… Both studies used arrays of optical tweezers with one molecule trapped in each tweezer unit. Through laser techniques, they cooled the molecules to temperatures of tens of microkelvin, just millionths of a degree above absolute zero. In this state, the molecules were close to being completely still. Their rotation could be stopped, or they could be made to rotate with just one quantum of angular momentum, called ħ — the smallest rotational frequency they can possibly have. Both teams used non-rotating molecules to represent the ‘0’ state of their qubits, and rotating ones to represent the ‘1’….
Oh we got a new computer but it’s quite a disappointment ‘Cause it always gave this same insane advice: “OH YOU NEED LITTLE TEENY EYES FOR READING LITTLE TEENY PRINT LIKE YOU NEED LITTLE TEENY HANDS FOR MILKING MICE.”
Perhaps nowhere in the universe is a fresh, ripe tomato more valuable than on the International Space Station, where astronauts live for months at a time subsisting mainly on prepackaged, shelf-stable goods.
That’s why astronaut Frank Rubio became the central figure in a lighthearted whodunnit that has taken months to solve.
After Rubio harvested one of the first tomatoes ever grown in space earlier this year, according to the astronaut, he admitted he misplaced it.
“I put it in a little bag, and one of my crewmates was doing a (public) event with some schoolkids, and I thought it’d be kind of cool to show the kids — ‘Hey guys this is the first tomato harvested in space,’” Rubio said during an October media event. “I was pretty confident that I Velcroed it where I was supposed to Velcro it … and then I came back and it was gone.”
In the microgravity environment of space, anything not anchored to a wall is at risk of floating away — destined to spend eternity hidden behind a nook or cranny within the football field-size orbiting laboratory and its labyrinthian passageways.
Rubio said he probably spent eight to 20 hours of his own free time just searching for that tomato.
“Unfortunately — because that’s just human nature — a lot of people are like, ‘He probably ate the tomato,’” Rubio said. “And I wanted to find it mostly so I could prove like I did not eat the tomato.”
But he never found it.
Rubio returned to Earth on September 27 with the precious produce still lost aboard the space station.
It remained lost — until now.
During a Wednesday news conference, members of the seven-person crew remaining on the space station revealed they had finally located the tomato.
Rubio had “been blamed for quite a while for eating the tomato,” NASA astronaut Jasmin Moghbeli said. “But we can exonerate him.”…
However, they don’t say where on the ISS it was found.
(16) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] The PBS Space Time YouTube channel is primarily all about physics. However, occasionally they do physics-adjacent science and sometimes stray into genre adjacent territory, this week being one such occasion when Matt O’Dowd asks whether our human civilisation could be the first technological civilisation on Earth or even visit our planet…
We’re almost certainly the first technological civilisation on Earth. But what if we’re not? We are. Although how sure are we, really? The Silurian hypothesis, which asks whether pre-human industrial civilizations might have existed…
[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Bruce D. Arthurs, Kathy Sullivan, Dann, Steven French, Jennifer Hawthorne, SF Concatenation’s Jonathan Cowie, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]
(1) BESTSELLING WRITERS WILL OPEN BOOKSTORE. [Item by Anne Marble.] Brian Keene and Mary SanGiovanni are opening an indie bookstore in the historic district of Columbia, Pennsylvania. They’re planning to open it in the spring of 2024. They were inspired by indie bookstores such as Mysterious Galaxy, Dark Delicacies, etc.
At the respective ages of fifty-six and forty (mumbles incoherently), Mary and I are planning for our golden years. We have seen too many of our peers struggling to write in their later years, and dependent upon those advances and royalties from book sales. It’s a sobering and frightening prospect, and we’d like a different future, with a second revenue stream so that we can continue to write in our old age….
…We are opening an independent bookstore specializing in Horror, Science-Fiction, Fantasy, Bizarro, and other speculative fiction genres.
Vortex Books & Comics will open Spring of 2024 in the historic district of beautiful Columbia, Pennsylvania — easily and quickly accessible from Baltimore, Philadelphia, Harrisburg, New York City, Washington D.C. and more. We’ll carry a full complement of books from the Big Five, as well as hundreds of books from many cool indie publishers and small presses, and titles in Espanol and other languages. We’ll host weekly signings, readings, workshops, and other events. We know this business, and are intimately familiar with its ups and downs, ebbs and flows. Our goal is to make the store a destination. As our record for the last 30 years shows, we believe that Horror fiction is for everyone, and Vortex will echo that. All are welcome, and all will have a place on our shelves….
…If you would like to show your solidarity and support with a donation, it will be put toward further set-up costs such as fixtures, security, inventory, marketing and advertising, signage, etc. thus giving us a bit of breathing room and time to make the store profitable….
… Imagine a future where those who are most adept at getting AI to write creatively will dominate, while we writers who spend a lifetime devoted to our craft are sidelined. OK, this is a worst‑case scenario, but we have to consider it, because ChatGPT and the other Large Language Models (LLMs) out there have been programmed to imagine a future that threatens many creative professions. ChatGPT is already responding to the questions I ask it in seconds, quite reliably. It is an impressive beast, but one that needs to be tamed. We cannot afford to ignore it…
At the 2023 WSFS Business Meeting, a constitutional amendment was passed that would (if ratified at the 2024 Business Meeting) add two new categories to the already long list of Hugo Awards: Best Independent Short Film and Best Independent Feature Film.
The beauty and diversity of global cinema and of independent film is something that should be more celebrated at the Hugo Awards. But despite our love of independent SFF cinema, we are firmly opposed to the creation of a secondary award for a specific type of movie.
… In recent years, sub-par corporate works such as The Hobbit: An Unexpected Journey and Avengers Endgame have received Hugo nods ahead of significantly better independent and foreign movies such as Robot & Frank and Prospect. That does point to problems with the category. But the solution is advocacy. People who care about independent cinema should be working to encourage Hugo voters to check out a wider variety of films, and then giving them the time to watch those movies by WSFS extension of eligibility under rule 3.4.3.
Over the past four years, we have filed extension of eligibility motions (allowing a longer time for Hugo voters to consider nominating) on lower-budget SFF movies like After Yang, Strawberry Mansion, Neptune Frost, Mad God, Nine Days, Beyond The Infinite Two Minutes, Psycho Goreman, The Color Out Of Space, and Prospect. We are passionate about celebrating and promoting independent SFF movies. However, we do not think that the best way to recognize that is with the creation of new Hugo Award categories, seemingly based on how much money a film makes.
There are a number of problems with the idea of a Hugo Award for independent cinema. The first and most significant to us is that creating these categories positions independent cinema as something other than “real” movies…
(4) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]
Southern Weekly article
This is a long piece – which can also be found in truncated form here, and partially behind a login barrier here – covering a number of aspects of the convention. There are some factual errors – for example, stating that the first Worldcon took place in Chicago – but overall it is the most thorough coverage of the con that I’ve seen from a media outlet.
Following are several extracts, via Google Translate with manual edits to the text for style and grammar. I have reordered and grouped chunks of the text, in order to put related material together. Note: 南方周末 literally translates as “Southern Weekend”, but images on that page show that they use the English name “Southern Weekly”, so I’ve tried to update all references from the former to the latter.
On the location and date of the con:
The Chengdu Science Fiction Museum, the main venue of the 81st World Science Fiction Convention, is located in the center of a two-kilometer radius area called “Science Fiction Avenue”. When Chengdu’s bid to host the event was successful two years ago, it was still a wilderness. This plot of land in Pidu District, Chengdu, which was originally planned as a “Science and Technology Museum”, was quickly upgraded to become a “Science Fiction Museum”…
It’s already chilly in Chengdu in late October, and the summer vacation period for students is long past. When Chengdu applied to host the World Science Fiction Convention in 2021, many student science fiction fans spent money – around 600 yuan [$80 USD] – to register as members of DisCon III, in order to vote for Chengdu [in site selection], with the expectation that they would attend the science fiction event during their summer vacation…
Co-chair Chen Shi comments:
[Note: He also uses the English name Raistlin Chen – as seen on the video wall at the ceremonies – but most English language material, such as the staff page on the con’s site, uses Chen Shi, so I’ve kept with that.
Pretty much all coverage of the con describes him – and the other members of the concom – as members of the “Chengdu Science Fiction Society” (examples: 1, 2), but an archived copy of the original “Worldcon in China” website shows that he is/was a marketing director at the Chengdu Business Daily news organization, and that several other members of the bid/con team are/were also employees of that company. Whether people will feel that this context is relevant, YMMV…]
“Its charm is that it is a spirit based on a community of creators. Everyone is both a participant and a creator. This is something given to it by cultural tradition and cannot be replaced or copied casually,” convention co-chair Chen Shi told Southern Weekly reporters…
Chen Shi had also applied for a panel at Chi-Con 8. “I just filled in a form, and the organizing committee told me when and where it would take place. You can just do it yourself, and they won’t bother you,” Chen Shi said. “Given China’s cultural background, this may not be suitable.”
“The foreign World Science Fiction Convention is very attractive to the fantasy fandom, but within the fandom, their core membership is around 20,000 people. The number of people who come every year does not change much, and it has formed its own community culture. There is a cultural threshold you have to pass in order to enter that community. If we were to completely copy that, it might be very miserable…” When Chen Shi first thought about what kind of World Science Fiction Convention he would hold, he had already decided to take a different path.
[Question: when Chen Shi and/or the Chengdu team were doing presentations at other events, was there any indication that “he had already decided to take a different path”, or what that path might be?]
On the exhibition areas and panels:
The two large halls on the first floor are the divided into the commercial exhibitors, and the science fiction fan tables. Most of the dozens of booths in the corporate exhibition hall are Chinese companies. Some sell science fiction cultural creations, some make projections, and more are engaged in science fiction publishing. The sound and light effects of their booths are eye-catching, which clearly differs from the adjacent fan exhibition area. The corporate exhibition hall is something that has never been seen in previous Worldcons. The support of the government, the participation of enterprises, and the brand promotion of a large number of sponsors have given the event more forms and commercial value.
Compared with the coolness of the corporate exhibition area, the science fiction fan exhibition area looks much simpler. A table, a flag, an introduction card or a QR code. They come from university clubs, foreign science fiction organizations, and unknown amateur authors… It’s a bit like a recruitment fair for university clubs. On the table of the Tibetan science fiction club, there are Tibetan science fiction works that have been published over the years. A young Tibetan man patiently introduces the history of Tibetan science fiction to curious onlookers. This kind of atmosphere is more like the previous World Science Fiction Conventions. Science fiction literature research scholar Arthur Liu attended the 2019 Dublin Worldcon, and recalls that the atmosphere there was “free and easy”…
There were more than 400 panels registered for the Chengdu World Science Fiction Convention, and more than 230 panels were eventually held… This time, the Chengdu Organizing Committee invited a total of more than 600 guests, including more than 180 overseas guests – of whom more than 150 people were present at the con – who formed the bulk of the panellists.
On the WSFS Business Meeting:
But old science fiction fans all know that “only by attending business meetings can you have a deep understanding of the organization and participation methods of the World Science Fiction Association and the World Science Fiction Convention, and you will feel some interesting things,” Chen Shi said.
If you have personally experienced the process and debate of the business meeting, it is not difficult to understand why the fandom circle calls this meeting the “Constitutional Amendment Conference.” The business meetings of the Chengdu Worldcon are held in the Meteor Hall of the Science Fiction Hall, which is a small hall independent of the main building. People with [a WSFS] membership can enter to listen, express opinions and vote at any time. …
Comment: regarding “a small hall independent of the main building”, comments I have seen from a couple of different people indicated that it had inaccessibility issues not that far from “Beware of the Leopard” levels. Certainly, I could never find any reference to the “Meteor Hall” on any of the several interior and exterior maps of the con that came into my possession. (Anyone who did attend the Business Meetings, please correct me if my impression is incorrect.)
On organizational hassles for smaller entities:
It is not easy for publishers participating in the exhibition to sign and sell their books at this venue.
Xixi (pseudonym) is an editor at a publishing house. This time he brought an author’s science fiction novel to Chengdu and planned a panel. He hoped that science fiction fans could have a good chat with the author themselves, and hold a book signing. Xixi initially communicated the entire process to the organizing committee, but a few days before the opening, he received a notice that the panel could not be placed together with the signing session. “In normal book fairs, there are book signings after the interaction between authors and readers, but here the two events must be separated in both time and location,” Xixi said. This means that readers who are interested in the author would have to make two trips to get a signed copy.
On the corporate/commercial aspects of the con:
There are various panels, forums, and summits at the World Science Fiction Convention, but in addition to the opening and closing ceremonies and the Hugo Award presentation night, there was also an “Industrial Development Summit”. Almost all the major guests were invited to attend this summit, and the lineup was comparable to the Hugo Awards night.
This was the first time an industry development-related conference has been held at the World Science Fiction Convention. At the meeting, a number of plans related to the development of the science fiction industry were announced, including the “Chengdu Consensus on the Science Fiction Industry”, the Tianwen Program, the “2023 China Chengdu Science Fiction Industry Report”, and there was even a centralized signing ceremony for science fiction industry projects. According to reports, there were 21 signed projects, with a total investment of 8 billion yuan [approx $1 billion USD].
At this “Industrial Development Summit”, Liu Cixin no longer talked about literature, but talked about industrial development: “Chengdu has long planned the layout of the science fiction industry, and related industrial plans, industrial policies, talent policies, etc. have been implemented.”
“Science fiction full industry chain ecosystem”, “IP creation” and “strengthening the image of the science fiction city”: faced with these various new words, Canadian science fiction writer Robert Sawyer said, “I am very shocked to see you turning science fiction into an industry.” He said that in North America those who do these things may be publishers, and that science fiction is a career that is random, aimless, and without long-term planning. These industry figures were generally not invited to previous World Science Fiction Conventions, and most of the people who came were writers and editors.
The area where the Chengdu Science Fiction Museum is located will also be turned into the science fiction hub of Chengdu. According to a person close to the local government, we were told that a science fiction industrial park may be built here in the future. “That street is a science fiction themed block, and science fiction companies may move in in the future. This area is said to be a science fiction education base; there will be training camps for science fiction writers, and summer camps for students every year, and the science fiction museum itself is a large-scale consumer and public welfare space. This area will be built into a science fiction themed tourist destination.” …
On how the more traditional aspects of Worldcons fared:
Previous conventions would set up a memorial area, which is a place for middle-aged and elderly science fiction fans to reminisce and reminisce about the past. In 2017, the British science fiction writer Brian Aldiss [who had previously visited Chengdu, and has several works published in China] passed away. There was a small space at the World Science Fiction Convention that year, displaying his works, and photos from his life, as well as some of his treasure possessions, and a black and white TV playing back interviews with him. In 2023, Aldiss’ daughter Wendy had also come to Chengdu. She told our reporters that the Chengdu Worldcon was originally going to hold an exhibition for those photos, but it was not possible “because of a lack of space.” …
[Double Hugo finalist, CEO of the publisher 8 Light Minutes, and member of the Chengdu concom] Yang Feng originally planned to stage a commemorative exhibition at the convention, in honour of Mike Resnick, the former editor-in-chief of the American science fiction magazine “Galaxy’s Edge”. After Resnick’s death in 2020, his collection and books were put up for online auction, and 8 Light Minutes bought a large number of items. “Look, this is full of his things,” said Yang Feng, pointing to a glass cabinet. Initially, the organizers promised an exhibition area of 70 square meters. Worried about missing out, “thousands of yuan [was spent] on freight shipping” the collected items. However, the exhibition area ended up being occupied by several technology companies, and Yang Feng was only given a glass cabinet.
Fans and authors talk about the changes and clashes in culture at this Worldcon:
In the midst of this sea of noise, a man was dozing on a chair. He had white hair, a cowboy hat on the table, and his eyes were lowered, as if he had entered another world. His name was James Joseph [Styles], and he had come from Australia. He is in his seventies and has been a science fiction fan for nearly fifty years. In 1975, the World Science Fiction Convention was held in Oceania for the first time. He was moved by the atmosphere of science fiction and has attended Worldcons 15 times to date.
James told us that this convention is the most special one he has ever been to. He had never seen so many enthusiastic and young science fiction fans [when he attended cons] in Europe or the United States before…
… Wang Jinkang, another science fiction writer who has stopped writing, also recalled the low ebb of Chinese science fiction in the 1990s. “At that time, Chinese science fiction was wild, and received little attention from society. However, there were also many science fiction fans. When we went to universities to participate in activities, they all I used chalk to write ‘Welcome Mr. Wang Jinkang’ on the blackboard, and that’s how we started to communicate. The simplicity back then had its charm, and I still miss it very much. It is indeed different now.”
“You can vaguely feel a conflict between [different] science fiction cultures in the convention venue,” Zero Gravity News co-editor Ling Shizhen told Southern Weekly reporters, “but I don’t think this is really a conflict. Whether things are harmful or meaningless, this is a necessary process. If you want to embrace a truly diverse world, this step cannot be escaped.”
Outside of the above extracts, a number of people familiar to Filers, such as Ben Yalow, Kevin Standlee, Donald Eastlake, and Nicholas Whyte are namechecked or interviewed.
Makeshift seating in the queue for Cixin Liu’s signature
When a far-right member of Hungary’s Parliament invited the media three years ago to watch her shred a book of fairy tales that included a gay Cinderella, only one reporter showed up.
But what began as lonely, crank campaign against “homosexual propaganda” by a fringe nationalist legislator, Dora Duro, has snowballed into a national movement led by the government to restrict depictions of gay and transgender people in Hungary.
The campaign has unsettled booksellers, who have been ordered to shrink-wrap works that “popularize homosexuality” to prevent young readers from browsing, and also rattled one of Hungary’s premier cultural institutions.
The director of the Hungarian National Museum was fired this past week for hosting an exhibition of news photographs, a few of which featured men in women’s clothing, and for suggesting that his staff had no legal right to check whether visitors were at least 18 years old.
The exhibition displayed scores of photos awarded prizes by the World Press Photo Foundation in Amsterdam and had been running for weeks before Ms. Duro went to take a look with a friend and noticed a handful of images showing older gay men in the Philippines that were shot on assignment for The New York Times.
Also upset by explanatory texts that she believed were “indoctrinating” young visitors, she wrote a letter to Hungary’s culture minister, Janos Csak, complaining that photos of men wearing high heels and lipstick violated a Hungarian law that bans the display to minors of content deemed to promote homosexuality or gender fluidity.
The minister ordered the museum to bar anyone under 18 from attending the exhibition.
Tamas Revesz, a Hungarian photographer who has organized the annual show for more than 30 years, said he was aghast to arrive at the museum to find signs at the entrance restricting entry to adults “as if this place were a porn shop.”…
… Hannah Reyes Morales, who took the photographs at the center of the museum furor while on assignment for The New York Times and won a World Press Photo award, said her pictures of a Manila community called Golden Gays “are not dangerous or harmful” but portrayed “warm, kind and loving human beings.”
She said she was “saddened that their story is being kept in a shadow, echoing much of the oppression that the Golden Gays have had to live through over the years.”…
(6) DON’T SAY GAY-LICK. [Item by Anne Marble.] Have you seen this article about the use and abuse of Scottish Gaelic in Fourth Wing? (The article also mentions Holly Black and Sarah J. Maas.) It’s an interesting point — language is more political than people realize. At the same time, with all those Gaelic fantasies out there, I also wonder how many other authors got it wrong and weren’t called out in it. Hmm… “Reader Frustrated Over ‘Fourth Wing’s Gaelic” at The Mary Sue.
Over the summer, Scottish BookToker Muireann went viral on Tiktok for sharing the Scottish Gaelic pronunciation of words from the bestselling adult fantasy novel Fourth Wing by Rebecca Yarros. While she offered mild criticism of the book’s grammatical errors, Muireann spoke out again following a viral interview of Yarros at New York Comic-Con….
…Story-wise, Muireann expressed praise and excitement to see where the series goes. However, regarding the use of Scottish Gaelic, she had mixed feelings. Without spoiling anything, Muireann gave translations and best guesses on non-Gaelic words that looked to be fused with Gaelic ones. It was here she found missing accent marks and misspellings. Also, she found words in the book that, in Gaelic, would be two or three words instead of one. Many commenters appreciated the information and pointed to how different the audiobook was from actual Gaelic.
Muireann said it was cool for the language to be represented in such a popular book. She feels that other Celtic languages like Irish/Gaeilge (what Scots call Irish Gaelic) are more common in contemporary fantasy. Still, she put the onus on the publisher for not hiring a language consultant. That grace dropped off when Muireann heard Yarros speaking about the book.
“It is genuinely laughable to me that American fantasy authors can get away with this. They can use minority languages in such a disrespectful way. They’re just pronouncing them like English speakers. She’s just sprinkling Gaelic words in there to add a bit of spice to her fancy book.”
Veronica Valencia interviewed Rebecca Yarros for Popverse at NYCC 2023, where she asked Yarros to “set the record straight” on pronouncing words. After Popverse shared a video of this to TikTok, Muireann stitched it frustrated. She began by pointing out that Yarros said Gaelic by pronouncing it “gay-lick” which is a different language than the Scottish Gaelic (“gal-lick”). Muireann said most Gaelic words used were mispronounced in the interview. These were small mistakes that showed a genuine lack of care when bringing other cultures into the book…
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born November 11, 1916 — Donald Franson. Longtime fan who lived most of his life in LA. Was active in the N3F and LASFS including serving as the secretary for years and was a member of Neffer Amateur Press Alliance. Author of A Key to the Terminology of Science-Fiction Fandom. Also wrote A History of the Hugo, Nebula, and International Fantasy Awards, Listing Nominees & Winners, 1951-1970 and An Author Index to Astounding/Analog: Part II—Vol. 36, #1, September, 1945 to Vol. 73 #3, May, 1964, the first with Howard DeVore. (Died 2002.)
Born November 11, 1917 — Mack Reynolds. He’d make Birthday Honors just for his first novel, The Case of the Little Green Men, published in 1951, which as you likely know is a murder mystery set at a Con. He gets Serious Geek Credits for writing the first original authorized classic Trek novel Mission to Horatius. And I’ve enjoyed his short fiction as well. He’s available at the usual suspects including The Case of the Little Green Men for very reasonable prices. (Died 1983.)
Born November 11, 1922 — Kurt Vonnegut Jr.The Sirens of Titan was his first SF novel followed by Cat’s Cradle which after turning down his original thesis in 1947, the University of Chicago awarded him his master’s degree in anthropology in 1971 for this novel. Next was Slaughterhouse-Five, or The Children’s Crusade: A Duty-Dance with Death which is one weird book and an even stranger film. It was nominated for best novel Nebula and Hugo Awards but lost both to Ursula K. Le Guin’s The Left Hand of Darkness. I’m fairly sure Breakfast of Champions, or Goodbye Blue Mondayis his last genre novel there’s a lot of short fiction where something of a genre nature might have occurred. (Died 2007.)
Born November 11, 1946 — Ian Miller, 77. Let’s have one illustrator and an editor this time. He did the backgrounds for Ralph Bakshi’s Wizards film. Genre wise, he did the cover art and interior illustrations for David Day’s The Tolkien Bestiary, and what I think is one of the weirder covers for Something Wicked This Way Comes. Oh and I did say editor, didn’t I? Well he was. Between 1983 and 1985, he co-edited Interzone along with John Clute, Alan Dorey, Malcolm Edwards, Colin Greenland, Roz Kaveney, Simon Ounsley and David Pringle.
Born November 11, 1947 — Victoria Schochet, 76. Wife of Eric Van Lustbader. She co-edited with John Silbersack and Mellisa Singer the most excellent The Berkley Showcase: New Writings in Science Fiction and Fantasy that came out in the Eighties. She worked editorially at Analog as their managing editor and additionally at Harper, Putnam, and as a senior editor at the Berkley Publishing Group, where she co-edited with Silbersack all five volumes of The Berkley Showcase: New Writings in Science Fiction and Fantasy.
Born November 11, 1974 — Felix Gilman, 49. Two series. The first, Arjun series, started off with the Thunderer novel and has one more novel so far, Gears of the City, earned him a nomination for Astounding Award in both 2009 and 2010. The other series, Half-Made World, is fantasy with a generous dollop of steampunk served warm.
The new sci-fi drama from the creators of Game of Thrones now has a premiere date: 3 Body Problemwill launch on Netflix on March 21, 2024. The streamer also released a video with some new footage from the series, which is adapted from Liu Cixin’s Hugo Award-winning trilogy….
…There’s also a new, more specific description of the anticipated show: “A young woman’s fateful decision in 1960s China reverberates across space and time into the present day. When the laws of nature inexplicably unravel before their eyes, a close-knit group of brilliant scientists join forces with an unflinching detective to confront the greatest threat in humanity’s history.”
… 3 Body Problem is from Emmy-winning Thrones showrunners David Benioff and Dan Weiss along with Emmy-nominated True Blood writer-producer Alexander Woo.
Netflix also released some teaser art to promote the premiere date, which rather cleverly incorporates an element from the story that the novel’s fans will recognize…
Joining stars, planets, nebulas, and galaxies as a target for skywatchers is now a surprisingly bright tool bag floating through the space around Earth. The bag of tools gave NASA astronauts Jasmin Moghbeli and Loral O’Hara the slip on Nov. 2, 2023, as they were conducting a spacewalk outside of the International Space Station (ISS).
The tool bag is now orbiting our planet just ahead of the ISS with a visual magnitude of around 6, according to EarthSky. That means it is slightly less bright than the ice giant Uranus, the seventh planet from the sun. As a result, the bag — officially known as a crew lock bag — is slightly too dim to be visible to the unaided eye, but skywatchers should be able to pick it up with binoculars.
To see it for yourself, first find out when you can find spot the space station over the next few months (NASA even has a new app to help you). The bag should be floating two to four minutes ahead of the station. As it descends rapidly, the bag is likely to disintegrate when it reaches an altitude of around 70 miles (113 kilometers) over Earth….
(10) GET A HEAD START ON SF2 CONCATENATION. [Item by Jonathan Cowie.] SF² Concatenation has published an advance post of an article ahead of its next seasonal edition as it is time sensitive. It is a longer version of the new British Library exhibition on Fantasy that File770 ran the other week. “British Library Fantasy Exhibition 2023”.
Also up is a short 1-page best of Nature ‘Futures’ short story: “’Aleph’ by Lavie Tidhar”. This story came out in 2022 before this year’s (2023) explosion in artificial intelligence (AI). But AI is not ‘General AI’. What would that first conversation be like?
[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Anne Marble, Brian Keene, Cliff, Andrew Porter, Ersatz Culture, John King Tarpinian and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
(1) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]
New articles on the Chengdu Worldcon website, but only in Chinese
There have been several news articles published on the official website since the convention ended on the 22nd, but only in Chinese. Below are extracts from a few of them, via Google Translate with minor manual edits.
This conference is a new starting point for the take-off of the science fiction industry in Chengdu, but it is not only the starting point for the take-off of the science fiction industry in Chengdu. This conference is the starting point for China’s science fiction industry to set sail from Chengdu.
The organizing committee of the 2023 Chengdu World Science Fiction Conference has made the science fiction industry a major topic of the conference for the first time. At the first industrial development summit held at the conference, the “Chengdu Consensus on Science Fiction Industry” was officially released, which will allow various industries to gather a consensus to build the cornerstone of the science fiction industry.
On the first day of the World Science Fiction Convention in Chengdu on October 18, foreign customer Mr. Barkley hurried to the mobile banking car for help. He wanted to use his credit card to withdraw some cash to buy a domestic mobile phone to send emails online, but domestic credit card withdrawals required a password. Mr. Barkley had previously used his credit card abroad to make purchases or withdraw cash based on his signature, and he did not know the reserved password.
Behind the exciting exhibitions at the Chengdu World Science Fiction Convention, ICBC’s thoughtful, patient and heart-warming financial services undoubtedly provide comprehensive protection…..
The exhibition hall is also equipped with a digital RMB coffee machine. Using digital RMB, you can enjoy a steaming cup of coffee for only 1 yuan. At the same time, the Chengdu Universiade co-branded digital RMB hard wallet set exhibited by ICBC supports payment without network and electricity. Payment can be completed with just a “touch” during transactions, which left a deep impression on many domestic and foreign guests.
In order to provide all-weather, omni-channel, international financial services and facilitate services, ICBC comprehensively promotes the financial services for the Science Fiction Conference at 11 outlets in Pidu District.
Note that ICBC was one of two top tier sponsors of the Chengdu Worldcon. Also note that although the article was posted two days after the Hugo ceremony, the article makes no mention of Chris being a Hugo winner.
Zhou Tiantian, director of operations of Ximalaya, said that science fiction gives people the limits of their imagination and encourages people to find the meaning of life on a cosmic scale . As the leading audio app in China, Ximalaya is closely integrated with cutting-edge technology and has launched many science fiction, fantasy and technological contents. At present, Ximalaya has released a number of sci-fi Atmos audio dramas, including classic sci-fi IPs “The Wandering Earth Liu Cixin Collection”, “Solaris” and “Dune Overture”. Ximalaya has cooperated with Dolby Laboratories to launch a Dolby Atmos zone. Launched with [car manufacturer] NIO, it provides high-quality audiobooks in various genres such as science fiction, suspense, and children’s books. Previously, Ximalaya cooperated with Li Auto and WANOS to launch panoramic audio dramas, providing a shocking auditory experience for the in-car space.
Ximalaya is committed to empowering culture with technology and actively promotes the widespread application of AI technology in the audio industry, which is consistent with its long-term development strategy. As a beneficiary and leader of AI technology, Ximalaya is unswervingly committed to the exploration of AI technology in the audio field. Through the development of AI technology, Ximalaya can appear in users’ lives in a new way of experience, realizing rebirth in some scenarios. Ximalaya will continue to be committed to the application of AI technology in the audio field, and continue to promote innovation to meet the diverse needs of users and help Ximalaya continue to develop.
[Note: I’m not familiar with this audiobook company, but it seems that they use both the “Ximalaya” and “Himalaya” brand names; the former seems to be aimed at the domestic market, the latter internationally.]
On the morning of October 22nd, the 81st World Science Fiction Conference “Fantasy Galaxy – Annual Selection of World Science Fiction Games” award ceremony was held at the Chengdu Science Fiction Museum, where the winning works were announced. The selection event was released by the Organizing Committee of the 81st World Science Fiction Conference and sponsored by Sichuan Game Innovation and Development Center, Chengdu Science Fiction Association, and Sichuan Publishing Association Game Publishing Working Committee.
Sichuan New Media Group and other relevant leaders, as well as Canada’s “Godfather of Science Fiction” Robert Sawyer, attended the event and presented awards, as well as specially invited representatives from Google, Amazon Cloud, NetEase, Tencent, Huawei, Bilibili, and Ubisoft.
The first two winners named are by remarkable coincidence associated with sponsors of the con.
As an aside, I see that Sergey Lukyanenko is still listed as a GoH on the front page, and the “Special Guests” and “Hosts” are still showing as “UPDATING”.
Con reports: Jeremy Szal, Arthur Liu and Nicholas Whyte
I’m led through a whirlwind of events, ceremonies, meetings, interviews and conversations. I’m thrust in front of cameras, wired up with microphones, offered seats and stools. I greet friends, both new and familiar to me. My editors and handlers keep close correspondence with me, telling me where I need to be, and at what time, and how I should be dressed. I’ve done WorldCons before. I know this gig. But something here feels different. There’s a buzz, a feverishness, in the air…
And it’s nice. Never before have I felt so welcome. Never before have I truly felt at home, as a member of the science-fiction community. Diversity here isn’t spoken off. It’s acted upon. Where other conventions may attempt to gesture at diversity, as an abstract, here it is exacted. It’s presented, on an international scale. And it’s wonderful. We don’t all speak the same language. Because we share something else, something grander: a love of science-fiction and fandom.
Arthur Liu is currently suffering from severe con crud, but nevertheless has put out the first part (of four) of his Chinese-language con report, covering the run-up to the event. (Disclosure: I am mentioned in this article.) Via Google Translate, with minor edits:
Yao Xue from the business meeting group also invited me to propose “constitutional amendment” proposals. The F.8 proposal also caused controversy in the American science fiction circle. A group of science fiction fans attacked it on File 770. These somewhat brought back a bit of the “Worldcon” flavor of this conference, and made us decide to at least enjoy it as much as possible. I think that the science fiction fans who finally decided to attend this conference all have more or less ambivalent feelings about it…
The theme salon is divided into three application channels: (1) Questionnaire star entrance provided on the WeChat official account; (2) Organizing committee email address provided on the official website; (3) Planorama website. This caused a lot of confusion in the early days, because the contents filled out in the three channels were different and incomplete. Later, the information was completed only through the collection of volunteers. The application for a fan booth is relatively straightforward, just send an email. However, because the venue had not yet been completed, the relevant person in charge did not respond for a long time after the application was submitted, and did not start notifying people until just before the con. From August to before the conference, I had to go through this “catch up on winter and summer vacation homework” mode at almost every stage and every milestone. The intermediary organizer also repeatedly asked us to fill in forms and provide additional event materials because they needed to review the content to ensure on-site safety. For example, the panellists needed to provide speech notes, the host needed to provide speech notes, etc. In addition, they also had to provide true identity information in order to enable the organizers to be able to perform facial recognition on the guests… From these preliminary preparations, we could actually roughly guess what the scene would be like, which shows that the local government attached great importance to this matter.
Nicholas Whyte’s first post about the con covers the Doctor Who panel:
Many aspects of Chengdu Worldcon were great fun. I will write about the things I especially enjoyed: the pandas, the set-piece events, and the friends I made along the way. (I enjoyed the WSFS Business Meeting even less than usual, so I won’t write about that.)
The thing that gave me the most unexpected joy was the love for Doctor Who shown by the Chinese fans. I have to give huge credit here to Yan Ru, 晏如, an English Chinese teacher from Wuhan, who may well be the leading Doctor Who fan in China. We had made contact before the convention, and had a lot of conversations about our shared passion.
(2) TRIANGULAR TRADE. “The Flatiron Building Will Be Converted Into Condos” in the New York Times. Not so long ago New York fans knew it as the headquarters of Tor Books but I suspect they will resist the temptation to buy condos and live there around the clock.
The Flatiron, the storied office building in the heart of Manhattan that has recently fallen on hard times, will be converted into luxury housing, its owners announced on Thursday.
The proposed redevelopment by the new owners is aimed at starting a second life for the Flatiron — its sole office tenant, Macmillan Publishers, departed before the pandemic — and moving past a dramatic period in which its fate seemed uncertain. In March, a little-known buyer won an auction for the building, only to disappear without paying.
The building’s future as housing began to take shape this week when the Brodsky Organization, a residential developer, bought a stake in the 22-story, triangular-shaped tower on Fifth Avenue. Brodsky will lead the conversion, carving out units — either for sale as condominiums or as rentals — from the notoriously awkward space….
(3) THE GOALS OF BLACK HORROR. The Atlantic’s Hanna Rosen found out “What Scares Jordan Peele?” And N.K. Jemisin, too.
…Since then I’ve learned a lot more about how race worked in that movie. But for a Black kid interested in horror, the subtext might have been a little more obvious. Jordan Peele grew up writing horror stories in his journals, and occasionally scaring his classmates with them on school trips. In 2017, after a successful sketch-comedy career, he wrote, produced, and directed Get Out, the critically acclaimed horror film. He says the movie “felt very taboo” and “un-produceable” at the time. “I don’t know if you noticed, but Get Out doesn’t have any good white people in it,” he told me. I did notice.
After Peele made that movie, and several others, he says, Black creators started telling him that they too had a horror story to tell, but they had never thought to tell it publicly. Classic horror always seemed to be speaking to white people’s fears about the menace of “the other,” made manifest as dark and sinister forces. But Black people of course saw different monsters….
Romina Garber had always been an avid reader of fantasy stories, especially Harry Potter, but something ate at her: She could never find another Latina in the stories.
“I couldn’t find someone that reflected me or represented me, and that always really bothered me,” she said.
So Garber wrote the story of a young girl who discovers she’s a lobizona, a werewolf of Argentine folklore. But when Garber began looking for literary representation for the book that would eventually be “Lobizona,” 15 years ago, no one wanted it.
Garber remembers one agent telling her that “no one cared about Argentine immigrants.” There was no American market for the title, and it’s not what people wanted to read. Garber felt her identity, not just her book, being rejected.
“He was talking about me, he wasn’t talking about my characters,” Garber said. “It really crushed me. And after that, I just realized I can’t write about myself.”
So she began writing allegorical science fiction instead, creating a world where everyone is divided up by their zodiac sign. Garber found an agent with this new concept and finished publishing the four-book series in 2017. But Garber’s mind drifted back to the first book she tried to sell about an undocumented immigrant lobizona. It felt more urgent than ever: The news was filled with stories of immigrant children being detained in cages during the Trump administration’s border crackdowns.
Now armed with an agent from her science fiction series, her book was sold to a publisher. “Lobizona,” the first in the Wolves Of No World Duology, was released in 2020. Garber regrets that she ever shelved the story in the first place. “I should never have stopped fighting.”
There have been a few standout successes for Latinx authors in the realm of speculative fiction — which includes fantasy, science fiction and dystopian stories — and many are written by women and LGBTQ+ authors. Books such as Silvia Moreno-Garcia’s “Mexican Gothic” and Aiden Thomas’ “Cemetery Boys” have been New York Times bestsellers. Moreno-Garcia’s “The Daughter of Doctor Moreau” is up for the genre’s prestigious Hugo Award.
Publishers have backed a few bright stars, but that doesn’t translate into broader support. Publishing, both the industry and the authors, are overwhelmingly White. For Latinx authors, that can mean an industry that flattens cultural nuances, tokenizing and misrepresenting the speculative worlds they are dreaming into existence….
…He pitched his idea for a Spider‑Man movie in 1999. Fincher’s version skipped the whole “bitten by a radioactive spider” part and focused on Peter Parker as a grownup. “They weren’t fucking interested,” he says with a laugh. “And I get it. They were like: ‘Why would you want to eviscerate the origin story?’ And I was like: ‘’Cos it’s dumb?’ That origin story means a lot of things to a lot of people, but I looked at it and I was like: ‘A red and blue spider?’ There’s a lot of things I can do in my life and that’s just not one of them.” The gig went to Sam Raimi….
… The Secrets of Dumbledore netted just $407m at the international box office, compared with the first film in the franchise, 2016’s Fantastic Beasts and Where to Find Them, which grossed $814m, and the second movie, 2018’s The Crimes of Grindelwald, which took $654m.
The franchise has also been dogged by controversy arising from its stars and writer. JK Rowling, the Harry Potter creator who received the sole screenwriting credit for the first two Fantastic Beasts films and was co-writer on the third, has been widely criticised for her outspoken views on transgender issues.
Johnny Depp, who played Grindelwald in the first two Fantastic Beasts films, was in 2020 asked to resign from the franchise days after he lost his libel case against the Sun, which had referred to the actor as a “wife-beater” following accusations of domestic violence made against him by his ex-wife Amber Heard.
And Ezra Miller, another of the franchise’s stars, made headlines in 2022 after they were arrested multiple times; Miller eventually pleaded guilty to unlawful trespassing and revealed they were seeking treatment for “complex mental health issues”.
Yates revealed to the podcast that the franchise’s five-film plan had not initially been on the cards.
“The idea that there were going to be five [Fantastic Beasts] films was a total surprise to most of us,” he said.
“Jo just mentioned it spontaneously, at a press screening once. We were presenting some clips of FB1 [Fantastic Beasts and Where to Find Them]. We’d all signed up for FB1, very enthusiastically. And Jo, bless her, came on … and Jo said, ‘Oh, by the way, there’s five of them.’ And we all looked at each other because no one had told us there were going to be five. We’d sort of committed to this one. So that was the first we’d heard of it.”…
(7) A “MONSTER KID” REMEMBERS. [Item by Steve Vertlieb.] Cosmic dreams (and provocative nightmares) of tantalizing journeys through time and space … infinite, conceptual exploration of the stars … alien creatures … Hammer Films … Universal Pictures … “King Kong” … Ray Harryhausen … Ray Bradbury … George Pal … Robert Bloch … Peter Cushing … Veronica Carlson … Buster Crabbe … John Agar … Frank Capra … John Williams … Miklos Rozsa … Forrest J Ackerman … and Famous “Monsters” of all shapes, sizes, and creeds, both conceived and lovingly chronicled in books, magazines, journals, tabloids, and on line for over half a century, inspired this affectionate, deeply personal, if slightly “Monstrous,” remembrance of a life in “horror” by a gray haired, unabashedly child like, Monster “Kid.” “Vertlieb’s Views: A Monster Kid Remembers” at The Thunder Child.
Ray Bradbury flanked by Steve and Erwin Vertlieb.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 27, 1926 — Takumi Shibano. Teacher, Writer, Editor, and Fan from Japan. He co-founded and edited Uchujin, Japan’s first SF magazine, in 1957. He was a major figure in the establishment of Japanese SFF fandom, and he founded and chaired four of the first six conventions in that country. In 1968 the Trans-Oceanic Fan Fund (TOFF) brought him to a Worldcon for the first time, in the U.S., where he was a Special Guest. He wrote several science fiction novels starting in 1969, but his work translating more than 60 science fiction novels into Japanese was his major contribution to speculative fiction. From 1979 on, he attended most Worldcons and served as the presenter of the Seiun Awards. He was Fan Guest of Honor at two Worldcons, in 1996 and at Nippon 2007, he was given the Big Heart Award by English-speaking fandom, and he was presented with a Special Hugo Award and a Special Seiun Award. (Died 2010.) (JJ)
Born October 27, 1940 — Patrick Woodroffe. Artist and Illustrator from England, who produced more than 90 covers for SFF books, including works by Zelazny, Heinlein, and GRRM, along with numerous interior illustrations, in the 1970s. He was also commissioned to provide speculative art for record album cover sleeves; his masterwork was The Pentateuch of the Cosmogony: The Birth and Death of a World, a joint project with the symphonic rock musician Dave Greenslade, which purported to be the first five chapters of an alien Book of Genesis, consisting of two music discs by the musician and a 47-page book of Woodroffe’s illustrations. It sold over 50,000 copies in a five-year period, and the illustrations were exhibited at the Brighton UK Worldcon in 1979. Hallelujah Anyway, a collection of his work, was published in 1984, and he was nominated for Chesley and BSFA Awards. (Died 2014.) (JJ)
Born October 27, 1943 — Les Daniels. Writer of a series concerning the vampire Don Sebastian de Villanueva. During the Seventies, he was the author of Comix: A History of Comic Books in America with illustrations by the Mad Peck — and Living in Fear: A History of Horror in the Mass Media. Later on, he’d write myriad histories of DC and Marvel Comics, both the Houses and individual characters. (Died 2011.)
Born October 27, 1948 — Bernie Wrightson. Artist and Illustrator, whose credits include dozens of comic books and fiction book covers, and more than hundred interior illustrations, as well as a number of accompanying works of short fiction. His first comic book story, “The Man Who Murdered Himself” appeared in the House of Mystery No. 179 in 1969. With writer Len Wein, he later co-created the muck creature Swamp Thing in House of Secrets No. 92. In the 70s, he spent seven years drawing approximately fifty detailed pen-and-ink illustrations to accompany an edition of Frankenstein. And in the 80s, he did a number of collaborations with Stephen King, including the comic book adaptation of that author’s horror film Creepshow. In 2012, he collaborated with Steve Niles on Frankenstein Alive, Alive! for which he won a National Cartoonists Society’s award. He was Guest of Honor at numerous conventions, was honored with an Inkwell Special Recognition Award for his 45-year comics art career, and received nominations for Chesley Awards for Superior and Lifetime Artistic Achievement and for a Stoker Award for Superior Achievement in an Illustrated Narrative. (Died 2017.)
Born October 27, 1970 — Jonathan Stroud, 53. Writer from England who produces speculative genre literature for children and young adults. The Bartimaeus Trilogy, winner of Mythopoeic Award for Children’s Literature, is set in an alternate London, and involves a thousand-year-old djinn; Lockwood & Co. is a series involving ghost hunters in another alternative London. I’ve read a few of the latter – they’re fun, fast reads. Netflix made the latter into a series and promptly cancelled it after one season.
Born October 27, 1973 — Anthony Doerr, 50. Author four novels, two of which are genre — About Grace and Cloud Cuckoo Land. The first is straightforward, the latter is really complex storytelling. He’s won four Ohioana Awards (Literature by writers from Ohio and about Ohio), not an Award I’d heard of before now. He’s written one piece of genre fiction, “The Hunter’s Wife” which is only in The Year’s Best Fantasy & Horror: Fifteenth Annual Collection which means it was commissioned for there.
(9) HOOPLA COMICS KINGDOM 1-WEEK BINGE PASSES. [Item by Daniel Dern.] As I wrote in “Reading Daily Comic Strips Online” (File770.com, March 23, 2022) a lot of current and classic comic strips are available online, primarily through ComicsKingdom and GoComics, for modest annual subscription prices — and both offer free try-it access.
If you’re curious about Comics Kingdom’s offerings but don’t want to pony up a payment method just to try, Hoopla (hoopladigital.com) (access available through participating libraries) Binge Passes include a week’s access to a selection of the full site: Comics Kingdom Binge Pass.
Good Omens is reportedly looking at a Season 3 renewal by Amazon Prime Video and the BBC – but reportedly there is a catch. It’s now looking like Good Omens showrunner, director and executive producer Douglas Mackinnon will not be returning for Season 3 (likely the final season) – although lead actors Michael Sheen and David Tennant and the main cast of the show have reportedly all been locked-in to return.
Two cosmonauts conducting a spacewalk outside the International Space Station (ISS) on Wednesday (Oct. 25) got an up-close view of a coolant leak that was first observed flowing from an external radiator earlier this month.
Oleg Kononenko came so close to the growing “blob” or “droplet” — as the pooling ammonia was described — that one of his tethers became contaminated, necessitating it being bagged and left outside of the space station when the spacewalk ended.
Kononenko and his fellow Expedition 70 spacewalker, Nikolai Chub, also of the Russian federal space corporation Roscosmos, began the extravehicular activity (EVA) at 1:49 p.m. EDT (1749 GMT) on Wednesday, knowing that one of their first tasks was to isolate and photo document the radiator, which was first observed leaking coolant on Oct. 9. Used as a backup to a main body radiator that regulates the temperature inside Russia’s Nauka multipurpose laboratory module, Kononenko and Chub configured a number of valves to cut off the external radiator from its ammonia supply….
[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Daniel Dern, Gary Farber, Steven French, Steve Vertlieb, Mike Kennedy, Andrew Porter, Ersatz Culture, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
