(1) WIRED DOES A JOB ON SANDERSON. In his WIRED article: “Brandon Sanderson Is Your God”, Jason Kehe slags Sanderson, his writing, his fans, his business, his religion, his taste in movie musicals, and anything else that comes to mind — and it really feels like puppy-kicking – in the original sense, not that Sanderson is/was a Sad Puppy.
…Sanderson, when I eventually meet him in person, makes versions of these excuses, plus others, for his writerly obscurity. It’s kind of fun to talk about, until it isn’t, and that’s when I realize, in a panic, that I now have a problem. Sanderson is excited to talk about his reputation. He’s excited, really, to talk about anything. But none of his self-analysis is, for my purposes, exciting. In fact, at that first dinner, over flopsy Utah Chinese—this being days before I’d meet his extended family, and attend his fan convention, and take his son to a theme park, and cry in his basement—I find Sanderson depressingly, story-killingly lame.
He sits across from me in an empty restaurant, kind of lordly and sure of his insights, in a graphic T-shirt and ill-fitting blazer, which he says he wears because it makes him look professorial. It doesn’t. He isn’t. Unless the word means only: believing everything you say is worth saying. Sanderson talks a lot, but almost none of it is usable, quotable. I begin to think, This is what I drove all the way from San Francisco to the suburbs of Salt Lake City in the freezing-cold dead of winter for? For previously frozen dim sum and freeze-dried conversation? This must be why nobody writes about Brandon Sanderson.
So, recklessly, I say what’s on my mind. I have to. His wife is there, his biggest fan, always his first reader, making polite comments; I don’t care. Maybe nobody writes about you, I say to Sanderson, because you don’t write very well….
There’s such an uproar that Sanderson’ has posted a letter to his fan community about the WIRED story on his sub-Reddit — “On The Wired Article” — in which he expresses his own confusion about the article but asks his fan community not to harass Jason Kehe over it (apparently this has been happening on Twitter.)
I appreciate the kind words and support.
Not sure how, or if, I should respond to the Wired article. I get that Jason, in writing it, felt incredibly conflicted about the fact that he finds me lame and boring. I’m baffled how he seemed to find every single person on his trip–my friends, my family, my fans–to be worthy of derision.
But he also feels sincere in his attempt to try to understand. While he legitimately seems to dislike me and my writing, I don’t think that’s why he came to see me. He wasn’t looking for a hit piece–he was looking to explore the world through his writing. In that, he and I are the same, and I respect him for it, even if much of his tone seems quite dismissive of many people and ideas I care deeply about.
The strangest part for me is how Jason says he had trouble finding the real me. He says he wants something true or genuine. But he had the genuine me all that time. He really did. What I said, apparently, wasn’t anything he found useful for writing an article. That doesn’t make it not genuine or true.
I am not offended that the true me bores him. Honestly, I’m a guy who enjoys his job, loves his family, and is a little obsessive about his stories. There’s no hidden trauma. No skeletons in my closet. Just a guy trying to understand the world through story. That IS kind of boring, from an outsider’s perspective. I can see how it is difficult to write an article about me for that reason….
(2) NEW AWARD COMPETITION. The Oxford Centre for Fantasy and Pushkin Children’s Books announced creation of The Oxford/Pushkin Children’s Fantasy Prize for fantasy novels aimed at Middle Grand and YA. (Entry fee: £5)
Calling all fantasy novelists at the beginning of their career to a new adventure. To mark this 50th Anniversary year since the death of J R R Tolkien, we are looking for fresh ideas and new voices in the fantasy genre. This is your chance to win our brilliant prize of £2000, as well as the incredible opportunity for mentorship with an editor at Pushkin Children’s Books.
Four runners-up will win further prizes to help them develop their writing skills.
… We will be looking for finalists writing novels for the following reading ages:
…When chatting with AI today, I decided I needed to know whether or not it could give me a good answer to one of our most burning questions here at Winter is Coming. Could it tell me, or even just predict, when George R.R. Martin will release The Winds of Winter? We’re going on 12 years now since the last entry in the A Song of Ice and Fire book series was released, so maybe I’m a little desperate to find out. Does AI know something we don’t? Well… no. I discovered that it doesn’t….
… Inside Octavia’s Bookshelf is a carefully curated set of books and non-book items that High has sourced from mainly independent Bipoc-owned businesses – “not on Amazon”, she emphatically said. Beyond books, Octavia’s Bookshelf has everything from quirky book-nerd socks to prayer candles dedicated to iconic Black women literary figures such as Toni Morrison and Audre Lorde.
“I had been thinking about [this bookstore] for about 10 years, but not in a way where I was ready to leave my job and do it,” said High, who managed communications for 15 years at Trader Joe’s.
But what pushed High to lean into her dream was the May 2022 death of her grandmother, who had always championed her granddaughter’s pursuits. High took the leap a few months later in October of that year and began the process of starting her own business….
The central relationship in Gabrielle Zevin’s best-selling novel “Tomorrow, and Tomorrow, and Tomorrow” is the lifelong creative partnership between Sam and Sadie, childhood friends who go on to start a video game company. The novel depicts the exhilarating highs and enraging lows of collaboration, including fights over recognition — that is, how Sam and Sadie see each other’s contributions to their work compared with how the world sees them.
One of the games they develop together, “Solution,” is now caught up in a real-life debate about artistry and credit.
On Thursday, game designer Brenda Romero wrote in a Twitter thread that Zevin had drawn on the ideas and structure of her board game Train without acknowledging its inspiration.
“A theme in the book is how women struggle to get credit for their work,” Romero wrote….
Nearly a third of the LGBT+ characters to have featured on US TV over the past year will not be returning in future, a new report has revealed.
Over the period between 1 June 2022 and 31 May 2023, a total of 596 LGBT+ characters were featured on scripted TV.
Of these, 175 will not be returning in the following season, as a result of series being cancelled or coming to a pre-agreed end. The majority of these characters (140) are the result of series being cancelled.
The statistics are taken from the annual report published by the US media monitoring organisation GLAAD (Gay & Lesbian Alliance Against Defamation).
The report takes into account LGBT+ characters across scripted primetime broadcast networks, scripted primetime cable networks, and scripted series on the eight major US streaming platforms: Prime Video, Hulu, Netflix, Apple TV+, Disney+, HBO Max, Peacock, and Paramount+.
Sarah Kate Ellis, CEO of GLAAD, describes the significant cancellation rates of LGBT+ “disappointing”.
“Some of the year’s biggest hits have been LGBTQ-inclusive series – including HBO’s The Last of Us, ABC’s Abbott Elementary, FX’s What We Do in The Shadows, Showtime’s Yellowjackets, Netflix’s Stranger Things, and HBO Max’s Hacks, to name only a few,” she wrote in a statement….
I invite you to take a seat at the table with my guest Annalee Newitz at Tony and Elaine’s, a casual, old school, Italian red sauce restaurant in the North End of Boston.
Annalee is the author of three novels — The Terraformers (just out in January), The Future of Another Timeline, and their debut novel Autonomous, which won the Lambda Literary Award, and was nominated for the Nebula and Locus Awards. Their short story “When Robot and Crow Saved East St. Louis” won the 2019 Theodore Sturgeon Memorial Award. Their nonfiction books include Four Lost Cities: A Secret History of the Urban Age, which was a national bestseller and was praised in The New York Times, The San Francisco Chronicle, and The New Yorker, and Scatter, Adapt and Remember: How Humans Will Survive a Mass Extinction, which was a finalist for the LA Times Book Prize in science.
They’re also the co-editor of the essay collection She’s Such A Geek (Seal Press), and author of Pretend We’re Dead: Capitalist Monsters in American Pop Culture (Duke University Press). They’re the co-host with Charlie Jane Anders of the Hugo Award-winning podcast Our Opinions Are Correct, and in addition to having been the founder of io9, served as the editor-in-chief of Gizmodo.
We discussed how difficult (and disappointing) it would have been to eat a trilobite, what writing their non-fiction books taught them about creating the arcs of novels, why their brain seems more suited for novels than short stories, how best to include a message in fiction without the soapbox overwhelming the story, the greatest bad review one of their books ever got (it involved creamed corn), how to inhabit characters who are hundreds of years old, fun facts they learned about moose which helped make their new book better, the music they blasted to rev up for one of the novel’s big action scenes, how to make the growth of a fictional romance believable to readers, the serendipitous way in which Ken McLeod rekindled their love of science fiction, and much more.
(8) NBCC. The National Book Critics Circle Awards for the publishing year 2022 have been announced, however, I did not recognize any genre works among the winners. If I missed any, drop a comment to fill me in!
(9) MEMORY LANE.
2016 – [Compiled by Cat Eldridge.]
Our Beginning this Scroll is one of P. Djèlí Clark’s Dead Djinn Universe stories, to wit A Dead Djinn in Cairo which has as its central character Fatma el-Sha’arawi, a fascinating Muslim woman who will show up again in his Hugo nominated A Master of Djinn novel.
This was published on the Tor website in 2016. There’s a third story here so far, The Haunting of Tram Car 015, also first published by Tor.
It’s a perfect Beginning in my mind as it very nicely introduces us to Fatma el-Sha’arawi and the Djinn in all their chilling awesomeness.
And now for our most perfect Beginning…
Fatma el-Sha’arawi, special investigator with the Egyptian Ministry of Alchemy, Enchantments, and Supernatural Entities, stood gazing through a pair of spectral goggles at the body slumped atop the mammoth divan.
A djinn.
An Old One, at that—near twice the size of a man, with fingers that ended in curved talons, long as knives. His skin was a sheath of aquamarine scales that shifted to turquoise beneath the glare of flickering gas lamps. He sat unclothed between tasseled cushions of lavender and burgundy, his muscular arms and legs spread wide and leaving nothing to the imagination.
“Now that’s impressive,” a voice came. Fatma glanced back at the figure hovering just over her shoulder. Two long graying whiskers fashioned in the style of some antiquated Janissary twitched on a plump face. It belonged to a man in a khaki uniform that fit his thick frame a bit too tightly, particularly around the belly. He jutted a shaved round chin at the dead djinn’s naked penis: a midnight-blue thing that hung near to the knee. “I’ve seen full-grown cobras that were smaller. A man can’t help but feel jealous, with that staring him in the face.”
Fatma returned to her work, not deigning to reply. Inspector Aasim Sharif was a member of the local constabulary who served as a police liaison with the Ministry. Not a bad sort. Just vulgar. Cairene men, despite their professed modernity, were still uncomfortable working alongside a woman. And they expressed their unease in peculiar, awkward ways. It was shocking enough to them that the Ministry had tapped some sun-dark backwater Sa’idi for a position in Cairo. But one so young, and who dressed in foreign garb—they’d never quite gotten used to her.
Today she’d chosen a light gray suit, complete with a matching vest, chartreuse tie, and a red-on-white pinstriped shirt. She had picked it up in the English District, and had it specially tailored to fit her small frame. The accompanying walking cane—a sturdy length of black steel capped by a silver pommel, a lion’s head—was admittedly a bit much. But it added a flair of extravagance to the ensemble. And her father always said if people were going to stare, you should give them a show.
“Exsanguination,” she declared. Fatma pulled off the copper-plated goggles and handed them over to a waiting boilerplate eunuch. The machine-man grasped the instrument between tactile metal fingers, folding it away with mechanical precision into a leather casing. She caught her reflection in its featureless brass countenance: dark oval eyes and a fleshy nose set against russet-brown skin on a slender face. Some might have called it boyish, if not for a set of full, bold lips passed on by her mother. As the boilerplate eunuch stepped away, she used her fingers to smooth back a mop of cropped black curls and turned to the constable. Aasim stared as if she’d just spoken Farsi.
“Those markings.” She tapped the floor with her cane, where curving white script engulfed the divan in a circle. “It’s an exsanguination spell.” Seeing Aasim’s blank look, she reached down to her waist to pull her janbiya free and placed the tip of the knife at the djinn’s thigh before sliding it beneath a scale. It came back out clean. “No blood. Not a drop. He’s been drained.” The inspector blinked, catching on.
“But where did it … the blood … go?”
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born March 24, 1834 — William Morris. Credited with creating the modern fantasy literature genre, he certainly wrote some of it its earlier works, to note his epic poem The Earthly Paradise, The Wood Beyond the World and The Well at the World’s End, plus his entire artistic motif fits nearly within a fantasy literature as it looks as if it was created by the Fey Themselves. (Died 1896.)
Born March 24, 1874 — Harry Houdini. His literary career intersects the genre world in interesting ways. Though it’s not known which, many of his works were written by his close friend Walter B. Gibson who as you know is the creator of The Shadow. And one famous story of his, “Imprisoned with the Pharaohs”, was actually ghost-written by Lovecraft! ISFDB lists another piece of genre fiction for him, “The Spirit Fakers of Hermannstad.” (Died 1926.)
Born March 24, 1924 — Peter George. Welsh author, most remembered for the late Fifties Red Alert novel, published first as Two Hours To Doom and written under the name of Peter Bryant. The book was the basis of Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. (Died 1966.)
Born March 24, 1941 — Henry Glassie, 82. Folklorist who’s the author of one of my all-time fav Christmas books, All Silver and No Brass: An Irish Christmas Mumming. I was delighted to see that ISFDB say he has two works of genre fiction, “Coals on the Devil’s Hearth“ and “John Brodison and the Policeman”. Both are to be found in the Jane Yolen anthology, Favorite Folktales from Around the World which is available at all the usual digital suspects.
Born March 24, 1946 — Andrew I. Porter, 77. Editor, publisher, fan. Major member of NYC regional fandom starting in the early Sixties. APA publisher and editor of Algol: The Magazine About Science Fiction (later renamed Starship) which won the Best Fanzine Hugo in 1974 (in a tie with Richard E. Geis’ SFR.) He also won two Best Semiprozine Hugos for his news publication Science Fiction Chronicle which he started in 1980 and ran for over 20 years. He has won myriad awards, including the Big Heart Award. He has attended hundreds of science fiction conventions and most Worldcons since his first in ‘63. He has been Fan Guest of Honor at several conventions, including the 1990 Worldcon. And he is an indispensible daily contributor to the Pixel Scroll!
Born March 24, 1946 — Gary K. Wolfe, 77. Monthly reviewer for Locus for 27 years now and, yes, I enjoy his column a lot. His brief marriage to Ellen R. Weil, which ended with her tragic early death, resulted in them co-writing Harlan Ellison: The Edge of Forever. Old Earth Books has reprinted many of his reviews done between 1992 and 2006. He’s also written several critical looks at the genre, Critical Terms for Science Fiction and Fantasy and The Known and the Unknown: The Iconography of Science Fiction. Finally I’ll note that he’s involved with editor Jonathan Strahan on the stellar Coode Street podcast
(11) COMICS SECTION.
Eek! remembers the time Dr. Frankenstein made a mistake…
(12) AVENGERS AT 60. Alex Ross celebrates the 60th anniversary of the Avengers and the X-Men with new connecting variant covers that will run on various titles, starting with August’s UNCANNY AVENGERS #1. For more information, visit Marvel.com.
“In the case of the Avengers, I wanted to capture something of the era I grew up with, but also something extensive,” Ross said. “So I captured the first 30 years of that team, from the ‘60s through the ‘80s. I end where 1989 closes. I’m trying to make sure my work is aligning with how the character looked and also the attitudes the characters had.”
(13) JEOPARDY! Last night David Goldfarb watched the contestants strike out against this Jeopardy answer:
In the Double Jeopardy round, “TV Lingo” for $1600:
This substance powers spaceships on “Star Trek”
A triple stumper.
(14) BRAIN POWER. Meanwhile, Daniel Dern sends along a trivia challenge of his own:
A: (1) Peter Watts’ Blindsight (protagonist Siri Keaton, who has only one organic hemisphere; (2) (IMHO) Gene Wolfe’s story “The Island of Doctor Death And Other Stories,” Tackman Babcock (has both hemispheres, but they’re not connected fully).
Jack Daniel’s wants you to know that its shit doesn’t stink. Because it doesn’t poop. Sort of. NPR reports that the whiskey distiller made its case to the Supreme Court on Wednesday that a poop-themed dog toy resembling a bottle of Jack was an issue of trademark infringement.
The dog toy is made to look like a square Jack Daniel’s whiskey bottle, and its label says “Bad Spaniels” instead of “Jack Daniel’s.” Where a normal Jack Daniel’s label notes that it’s “40% alcohol by volume,” Bad Spaniels reads “43% poo” and “100% smelly.” Jack Daniel’s took issue with the toy because it’s potentially equating itself with the whiskey brand in the eyes of the consumer….
VIP Products, the company that makes the dog toy, retorted that a reasonable person would not mix up the two, and that it’s just a joke. The brand also manufactures dog toys spoofing beer, wine, and soda, with products like Dos Perros (instead of Dos Equis), Kennel-Relax’n (instead of Kendall-Jackson), and 7Pup (goes without saying)….
…There are institutions like the Pontifical Academy of Science that tell the Vatican what’s going on in the world of science, but we actually do the science,” said Brother Guy Consolmagno, an asteroid honoree (4597 Consolmagno) and director of the observatory, whose website tagline is “faith inspiring science.”
(17) BIG DUMB OBJECT? [Item by SF Concatenation’s Jonathan Cowie.] It is never aliens except when it is aliens…. “A compelling explanation for the enigmatic small object ‘Oumuamua”: Research reported in Nature presents a simple and realistic framework for understanding the object’s many peculiarities…
Interstellar objects have long been thought to transit our Solar System. Planetary systems eject large quantities of small bodies during the initial phases of their formation and, once ejected, these small ‘planetesimals’ travel through interstellar space for millions of years. It stands to reason that some of their paths will pass by the vicinity of the Sun. When ‘Oumuamua was first discovered, astronomers therefore expected it to behave like one of these fragments — not too dissimilar from the comets that form on the outskirts of our own Solar System.
From the beginning, however, something was amiss. ‘Oumuamua did not look like a comet and did not display the usual defining features of comets — a tail and a fuzzy envelope called a coma, both made from gas and dust. Instead, it resembled an inactive object, like an asteroid, which moves mainly as a result of gravity. However, it soon became evident that the motion of ‘Oumuamua was not exclusively due to gravity: it was being pushed along its path in a similar way to that routinely observed in comets, which are subject to an acceleration caused by the recoil of emitted gas and dust. How was it possible that this object looked inactive, but was showing indirect evidence of activity?…”
The primary research paper with the explanation is here.
[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Jennifer Hawthorne, Bill, David Goldfarb, Daniel Dern, John King Tarpinian, Chris Barkley, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Camestros Felapton.]
… “They didn’t know what was wrong,” said Charles, a popular author of fantasy novels, a three-time Aurora Award winner, and a member of Canada’s Science Fiction Writers Hall of Fame. “They assumed it was a virus of some sort. It looked like they had 70 little machines feeding her different kinds of antibiotics.”
Today, more than a year and a half after falling ill, MaryAnn hasn’t been back home. She still breathes with a ventilator and remains nearly paralyzed.
The culprit? A tick bite that transmitted the rare but increasingly common Powassan virus, a potentially deadly pathogen that caused encephalitis.
“We were never aware of the bite. We never even saw the tick,” Charles said. MaryAnn fell ill during the lockdown and the couple hadn’t travelled anywhere.
They figure she picked up the tick bite either in the yard of their Alta Vista area home or during one of their frequent walks around the community gardens in Pleasant Park. And it’s hardly the only question that can never be answered.
“If she was going to get sick,” Charles asks, “why did it have to be something so rare?”
Powassan virus was first identified in 1958 when it infected and killed a young boy in Powassan, Ont., on the outskirts of North Bay, 200 km northwest of Ottawa. Until 1998, there had been only 27 cases in all of North America. Since then, the numbers have been rising: 5-10 cases a year in the U.S. from 2010 to 2015; and 25-30 a year since. Since 2017, there have been 21 cases in Canada. Most infections occur in the northeastern U.S., Eastern Canada and the Great Lakes region.
…The couple — Charles is 71 and MaryAnn is 70 — have been together for 47 years and married for 42. With their guitar and banjo, they are well-known in Ottawa’s folk and bluegrass music scene.Charles’s novels, many of them set in the fantasy city of Newford, have a worldwide following. MaryAnn is his business manager, editor and illustrator. Her illness has left Charles with little time to write since he now spends five hours a day at Saint-Vincent Hospital, six days a week. He pays for a caregiver on the seventh.
Friends, family and fans have rallied around the couple. Musicians have visited the hospital to play for MaryAnn. A GoFundMe started to help pay for the many expenses they now face has topped $90,000. Fans have also subscribed to Charles’s Patreon account to help support his writing.
One fan, Julie Bartel, manages the GoFundMe and posts regular updates on MaryAnn’s progress on social media. Bartel, 52, grew up in tiny Orem, Utah, and as a teenager immersed herself in Charles’s fantasy novels….
As you’ll know if you’re a regular reader of this blog (and from your own experience if you’ve ever self-published), we are currently in the midst of a tsunami of scam companies that aggressively solicit authors with out-of-the-blue emails and phone calls touting phony services–“endorsement” to Big 5 publishers or major film studios, “nominations” for representation at book fairs or other costly-but-useless PR strategies, and more.
These ripoff artists often seek to boost their credibility–and stroke writers’ egos–by naming some made-up organization or group that has recommended or otherwise validated the author’s book. The Guild of Literary Agents, Book Acquisitions Guild of America, Book Acquisition Society, The Literary Arts Organization, Affiliation of Creator Agents, Hollywood Database, Literary Review of Books…I could go on, but you get the picture. Despite the official-sounding names, none of these so-called organizations (which I’ve seen referenced in multiple scam solicitations) exist–as even a cursory websearch will confirm.
Scammers, of course, are counting on writers not to check. But writers have become much more savvy about solicitation scams than they used to be–partly because there are now so many of them, and partly because there are so many warnings about them. This has caused some predators to up their game, attempting to create credibility for their made-up endorsement organizations by giving them actual websites.
I ran across two of these this week….
They are the American Booksellers Federation and The Acquisitions Guild.
J.K. Rowling says that when it comes to the backlash she’s received around her Harry Potter books and her personal stances on the rights and identities of trans people, criticism from her “allies” hit differently than conservatives claiming she was promoting witchcraft.
“If it’s coming from people that you would, well, you would have thought were allies? Yes, that’s absolutely going to hit differently, but I don’t hold myself —” Rowling said before The Witch Trials of J.K. Rowling host Megan Phelps-Roper cut her off in the podcast’s latest episode. “I would assume we share certain values. So yeah, that hits differently. Of course, it hits differently.”…
The podcast’s fifth episode, titled “The Tweets,” dropped March 14 and is largely dedicated to Rowling expounding on the motivation behind her past social media messages and essay regarding her position on trans women as women and their presence in women’s spaces.
“It is very biblical language that is used of women who say, ‘You know what? I think any measure that makes it easier for predators to get at women and girls is a bad idea,’” Rowling said of critics, who have said her refusal to acknowledge trans women as women is “evil.” She continued, “There are plenty of women who don’t even … identify themselves as feminists who are very concerned about this.”
During the episode, various voices, including Phelps-Roper, repeatedly read unattributed tweets allegedly sent to Rowling. But speaking to her own initial tweet in 2019, which ultimately sparked the first major wave of criticism against the author over her support of a U.K. woman embroiled in an employment case around language and discrimination in the workplace, Rowling said she notified her team ahead of time.
“I drafted the tweet, and then I was considerate enough to phone my management team and say, ‘You cannot argue me out of this,’” the author explained. “And I read out what I was about to say because I felt they needed warning because I knew it was going to cause a massive storm.”
At another point, she added that she “absolutely knew” that people who love her books would be “deeply unhappy” with her, but that “time will tell whether I’ve got this wrong. I can only say that I’ve thought about it deeply and hard and long, and I’ve listened — I promise — to the other side.”
On the larger response to her public stances, the author describes “fury and incomprehension” on one side and “a ton of Potter fans who were grateful that I had said what I said” on the other after sharing her first and subsequent tweets. But Rowling ultimately questions the motivations of the Harry Potter fans who didn’t stick by her. “What’s interesting is the fans that have found themselves in positions of power online, did they feel they needed to take this position because they themselves had followers? Possibly, I don’t know,” she said….
(4) THESE FANS LITERALLY KEEP WATCHING THE SKIES. [Item by SF Concatenation’s Jonathan Cowie.] In Nature, “Fan astronomers show pros how to help in asteroid collision”. “Astronomy, like other scientific fields, continues to benefit from working scientists collaborating with amateur colleagues.”
When NASA’s Double Asteroid Redirection Test (DART) spacecraft slammed into an asteroid on purpose last September, many telescopes were trained on this one-of-a-kind celestial event. Some were operated by teams of amateur astronomers — skilled skywatchers for whom astronomy is not their full-time day job (or, more accurately, night job). Three such teams on France’s Réunion island in the Indian Ocean, plus one in Nairobi, managed to watch the impact in real time.
These skywatchers are among the authors of a study in Nature that describes how the asteroid, named Dimorphos, became temporarily brighter and redder as the spacecraft hit it. One of five papers about the impact published in Nature1–5, it describes a real-time view of a cosmic collision — similar to that when Comet Shoemaker–Levy 9 slammed into Jupiter in July 1994.
(5) JERRY SAMUELS (1938-2023). Singer Jerry Samuels, died March 10. Under the name Napoleon XIV, he recorded the 1966 novelty hit “They’re Coming to Take Me Away, Ha-Haaa!” Listeners to Doctor Demento are likely familiar with it.
(6) MEMORY LANE.
2018 – [Compiled by Cat Eldridge.]
For these Beginnings I usually prefer to use the first novel in a series, so why use the twenty-first of twenty-three novels published to date?
Because Robicheaux: A Novel, published by Simon & Schuster five years ago, thirty-one years after the first novel by James Lee Burke in the series, The Neon Rain, came out, has one of the best Beginnings of all.
It won’t spoil much to tell you that the series center around Dave Robicheaux, a former homicide detective in the New Orleans Police Department. He now lives in New Iberia, Louisiana, and he works as a detective for the Iberia Parish Sheriff’s Office.
I’ve read around half the books so far. It’s a quite brilliant series where the characters, both principal and secondary, continue to evolve as the series goes on, the stories are complex if usually quite violent and not for the squeamish. And the setting? The story goes often into the squalid side of New Orleans and other places just as disgusting. Need I say more?
Oh, and Will Patton narrates the series quite amazingly in terms of giving each character their own unique voice. If you listen to books, you’ll really enjoy these.
Now here’s our very interesting Beginning…
LIKE AN EARLY nineteenth-century poet, when I have melancholy moments and feel the world is too much for us and that late and soon we lay waste to our powers in getting and spending, I’m forced to pause and reflect upon my experiences with the dead and the hold they exert on our lives.
This may seem a macabre perspective on one’s life, but at a certain point it seems to be the only one we have. Mortality is not kind, and do not let anyone tell you it is. If there is such a thing as wisdom, and I have serious doubts about its presence in my own life, it lies in the acceptance of the human condition and perhaps the knowledge that those who have passed on are still with us, out there in the mist, showing us the way, sometimes uttering a word of caution from the shadows, sometimes visiting us in our sleep, as bright as a candle burning inside a basement that has no windows.
On a winter morning, among white clouds of fog out at Spanish Lake, I would see the boys in butternut splashing their way through the flooded cypress, their muskets held above their heads, their equipment tied with rags so it wouldn’t rattle. I was standing no more than ten feet from them, although they took no notice of me, as though they knew I had not been born yet, and their travail and sacrifice were not mine to bear.
Their faces were lean from privation, as pale as wax, their hair uncut, the rents in their uniforms stitched clumsily with string. Their mouths were pinched, their eyes luminous with caution. The youngest soldier, a drummer boy, could not have been older than twelve. On one occasion I stepped into the water to join them. Even then, none acknowledged my presence. The drummer boy stumbled and couldn’t right himself, struggling with the leather strap around his neck and the weight of his drum. I reached out to help him and felt my hand and arm sink through his shoulder. A shaft of sunlight pierced the canopy, turning the fog into white silk; in less than a second the column was gone.
Long ago, I ceased trying to explain events such as these to either myself or others. Like many my age, I believe people in groups are to be feared and that arguing with others is folly and the knowledge of one generation cannot be passed down to the next. Those may seem cynical sentiments, but there are certain truths you keep inside you and do not defend lest you cheapen and then lose them altogether. Those truths have less to do with the dead than the awareness that we are no different from them, that they are still with us and we are still with them, and there is no afterlife but only one life, a continuum in which all time occurs at once, like a dream inside the mind of God.
Why should an old man thrice widowed dwell on things that are not demonstrable and have nothing to do with a reasonable view of the world? Because only yesterday, on a broken sidewalk in a shabby neighborhood at the bottom of St. Claude Avenue, in the Lower Ninth Ward of St. Bernard Parish, under a colonnade that was still twisted out of shape by Katrina, across from a liquor store with barred windows that stood under a live oak probably two hundred years old, I saw a platoon of Confederate infantry march out of a field to the tune of “Darling Nelly Gray” and disappear through the wall of a gutted building and not exit on the other side.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born March 18, 1888 — Alexander Leydenfrost. As an illustrator, he briefly worked for Planet Stories before being signed by Life magazine where the money was better. But his quite brief tenure at Planet Stories is credited with the creation of the enduring cliche Bug-Eyed Monster as that’s what his illustrations showed. (Died 1961.)
Born March 18, 1926 — Peter Graves. Star of Mission Impossible and the short lived Australian-filmed Mission Impossible which if you’ve not seen it you should as it’s damn good. I’m reasonably certain his first genre role was on Red Planet Mars playing Chris Cronyn. Later roles included Gavin Lewis on The Invaders, Major Noah Cooper on Buck Rogers in the 25th Century, Doug Paul Martin in Killers from Space and Paul Nelson on It Conquered the World. It’s worth noting that a number of his films are featured on Mystery Science Theater 3000 series. (Died 2010.)
Born March 18, 1932 — John Updike. It might surprise you to learn that there are two Eastwick novels, The Witches of Eastwick and The Widows of Eastwick, the latter set some three decades after the first novel ended. He wrote a number of other genre-friendly novels including The Centaur, Brazil and Toward the End of Time. (Died 2009.)
Born March 18, 1947 — Drew Struzan, 76. Artist known for his more than a hundred and fifty movie posters which include films in Back to the Future, the Indiana Jones, and Star Wars film franchises. In addition, he designed the original Industrial Light & Magic logo for Lucas. My favorite posters? Back to the Future, The Goonies and The Dark Crystal.
Born March 18, 1950 — J. G. Hertzler, 73. He’s best known for his role on Deep Space Nine as the Klingon General (and later Chancellor) Martok. He co-authored with Jeff Lang, Left Hand of Destiny, Book 1, and Left Hand of Destiny, Book 2, which chronicle the life of his character. His very TV first role was a genre one, to wit on QuantumLeap as Weathers Farrington in the “Sea Bride – June 3, 1954” episode. Setting aside DS9, he’s been in Zorro, Highlander, The Adventures of Brisco County, Jr., Lois & Clark: The New Adventures of Superman, Charmed, Roswell and the Enterprise series; for film genre work, I see The Redeemer: Son of Satan, Treasure Island: The Adventure Begins and Prelude to Axanar (yet another piece of fanfic). In addition, he’s done a lot of video game voice acting, the obvious Trek work but such franchises as BioShock 2, The Golden Compass and Injustice: Gods Among Us.
Born March 18, 1959 — Luc Besson, 64. Oh, The Fifth Element, one of my favorite genre films. There’s nothing about it that I don’t like. I’ve not seen Valerian and the City of a Thousand Planets and comments leave me disinclined to do so. The Transporter is not genre but I recommend it as a great film none the less.
Born March 18, 1960 — Richard Biggs.Another way too young death. On Babylon 5 as he appeared as Dr. Stephen Franklin, and reprised the role in the final aired episode of Crusade, “Each Night I Dream of Home”. Other genre roles included playing Roger Garrett on Tremors, Hawkes In The Alien Within, An Unnamed Reporter on Beauty and the Beast, Dr. Thomson on an episode of The Twilight Zone and a Process Server in an episode of The Magical World of Disney. (Died 2004.)
Born March 18, 1961 — James Davis Nicoll, 62. A freelance game and genre reviewer. A first reader for SFBC as well. Currently he’s a blogger on Dreamwidth and Facebook, and an occasional columnist on Tor.com. In 2014, he started his website, which is dedicated to his book reviews of works old and new; and which later added the highly entertaining Young People Read Old SFF, where that group read prior to Eighties SF and fantasy, and Nicoll and his collaborators comment on the their reactions.
On a rainy Tuesday in San Francisco, Apple executives took the stage in a crowded auditorium to unveil the fifth-generation iPhone. The phone, which looked identical to the previous version, had a new feature that the audience was soon buzzing about: Siri, a virtual assistant.
Scott Forstall, then Apple’s head of software, pushed an iPhone button to summon Siri and prodded it with questions. At his request, Siri checked the time in Paris (“8:16 p.m.,” Siri replied), defined the word “mitosis” (“Cell division in which the nucleus divides into nuclei containing the same number of chromosomes,” it said) and pulled up a list of 14 highly rated Greek restaurants, five of them in Palo Alto, Calif.
“I’ve been in the A.I. field for a long time, and this still blows me away,” Mr. Forstall said.
That was 12 years ago. Since then, people have been far from blown away by Siri and competing assistants that are powered by artificial intelligence, like Amazon’s Alexa and Google Assistant. The technology has largely remained stagnant, and the talking assistants have become the butt of jokes, including in a 2018 “Saturday Night Live” sketch featuring a smart speaker for seniors.
The tech world is now gushing over a different kind of virtual assistant: chatbots. These A.I.-powered bots, such as ChatGPT and the new ChatGPT Plus from the San Francisco company OpenAI, can improvise answers to questions typed into a chat box with alacrity. People have used ChatGPT to handle complex tasks like coding software, drafting business proposals and writing fiction.
And ChatGPT, which uses A.I. to guess what word comes next, is rapidly improving. A few months ago, it couldn’t write a proper haiku; now it can do so with gusto. On Tuesday, OpenAI unveiled its next-generation A.I. engine, GPT-4, which powers ChatGPT.
The excitement around chatbots illustrates how Siri, Alexa and other voice assistants — which once elicited similar enthusiasm — have squandered their lead in the A.I. race….
(10) STAR TREK INSIGHTS. Rachel Stott is on to something here.
From Pulp Era pioneers to the radical innovators of the 1960s and ’70s, visionary women writers have been a transformative force in American science fiction. For Women’s History Month, acclaimed SF authors Chelsea Quinn Yarbro, Pamela Sargent, and Sheree Renée Thomas join Lisa Yaszek, editor of LOA’s The Future Is Female!, for a conversation about the writers who smashed the genre’s gender barrier to create worlds and works that remain revolutionary.
[Thanks to Cat Eldridge, Mike Kennedy, SF Concatenation’s Jonathan Cowie, Ferrak MacGoogan, Peer, John King Tarpinian, Chris Barkley, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]
(1) CALL FOR ACTION. Shepherd is looking for trans people to be supported by others refusing to participate in cons in states that are enacting these kinds of laws.
No trans people will be able to appear on panels at cons in these states without violating the law. Trans authors will not be able to give readings. If you are a cis author and able to say no to appearances in these states and don't, *why the fuck aren't you*.
Sure maybe it's not the fault of the nice people running the con in which case they can damned well inform state legislators for the district the con is in how much money your appearance would have brought and demand they fix the law.
A Twitter discussion of the proposed Missouri law and link to its text is here.
(2) STILL “HALLUCINATES FACTS WITH GREAT CONFIDENCE”. “OpenAI Debuts GPT-4” and Publishers Weekly describes the claimed improvements.
OpenAI, the company behind GPT-3 and ChatGPT, today announced the release of GPT-4. This is a major upgrade to the amount of textual and image data that GPT relies on for its (mostly) uncannily accurate and verbose responses. OpenAI says that “GPT-4 is more reliable, creative, and able to handle much more nuanced instructions than GPT-3.5.”
The dataset is clearly larger than the earlier versions, though OpenAI is cagey as to the current size. The last version appeared to know little or nothing beyond early 2020; GPT-4 is trained with data up to September 2021.
GPT-4 is a so-called “multimodal large language model,” meaning it responds to both text and images. In the product demo, a picture of food in a fridge was used to generate recipes for the range of leftovers on display.
OpenAI readily admits that GPT-4 has the same limitations as previous GPT models and is not fully reliable—it “hallucinates” facts with great confidence. But the extensive data published on the product web page shows that the new version performs far better than its predecessors. OpenAI claims that GPT-4 is 82% less likely to respond to requests for content that isn’t currently allowed, and 60% less likely to make stuff up….
(3) PATTERSON QUIZZED ABOUT BAN. Martin County, Florida school district officials removed James Patterson’s YA series Maximum Ride from its elementary school library but is keeping it accessible for older students. The author’s reaction? “James Patterson: If Florida bans my books, ‘no kids under 12 should go to Marvel movies’” at MSN.com. The piece includes a Q&A.
You live nearby in Palm Beach County. Would you consider speaking directly to Martin County school board officials?
I almost went up there, and if the book had been totally banned, I would have.
But if I did speak to them, I’d say look, absolutely it’s important for you to keep your kids safe, and you should do a better job at that. If a book comes into your home with your child ask them, ‘What’s it about? Are you enjoying it? Oh, you’re having nightmares, let’s talk about it.’ But there are far scarier things on the internet than there are in libraries.
Amid a nationwide controversy over select books being banned, the Tri-County Unitarian Universalists in Summerfield will host a marathon public reading of the book “Fahrenheit 451” by Ray Bradbury on Saturday, March 18. While not currently banned in Florida, the book has been the subject of restriction efforts in the past.
“We believe very strongly that it is important that people study what’s going on in the world and learn to think critically about everything,” Cindy Grossman of the TriUU said. “Bradbury believed that strongly when he wrote his book. It may be science fiction, but he was trying to warn people about this kind of censorship and how good it is for humanity to expose themselves to different literature.”…
This really is shaping up to be an exciting year for Doctor Who fans, as it’s been reported that the sci-fi series’s bosses are planning a brand new spin-off show with Jemma Redgrave at its helm, as head of scientific research Kate Lethbridge-Stewart.
It’s a role that Redgrave has played since 2012, but in this new Torchwood-style series based on UNIT — the Unified Intelligence Taskforce — she will reportedly be taking the lead.
The fictional military organisation has appeared in Doctor Who, Torchwood and The Sarah Jane Adventures but could very well be getting a proper offshoot of its own….
(7) IMAGINE 2200 OPENS. Submissions are now being taken for the third year of Imagine 2200: Climate Fiction for Future Ancestors, Grist’s annual short story contest “envisioning hopeful, equitable climate futures.”
Imagine 2200 challenges entrants to write stories that help envision the next 180 years of climate progress. Whether built on abundance or adaptation, reform or a new understanding of survival, the contest celebrates stories that provide flickers of hope, even joy, and serve as a springboard for exploring how fiction can help create a better reality.
Read more about this year’s contest and find out how to submit a story here.
The winning writer will be awarded $3,000, with the second- and third-place winners receiving $2,000 and $1,000, respectively. Nine additional finalists will each receive $300.
All winners and finalists’ stories will be published in an immersive collection on Grist’s website.
Stories will be judged by a panel of literary experts, including acclaimed authors Paolo Bacigalupi, Nalo Hopkinson, and Sam J. Miller.
… Sensitivity readers can become the implied “baddy” or “goody” (depending on where you stand) in such cases, their service seen as the reason that changes have been made. However, this view assumes that sensitivity readers have more power than they actually do, says Helen Gould, a sensitivity reader who advises on issues including race and mental health issues. “I’m never directly editing text,” she says. When asked to perform a sensitivity read, she will read it, annotate sections where she thinks specific changes could be made – for example, an author might have written an inaccurate description of how a Black hairstyle is achieved (“It’s amazing how much of the work I do is about Black hair!”) – and provide overall feedback. Authors and editors can then choose to accept her suggestions and implement changes, ignore them, or ask to discuss them further….
(8) IN SUPPERTIMES TO COME. Rae Mariz has a wonderful post about “Feeding Future Ancestors” at Sarah Gailey’s Stone Soup.
…Which brings me back to our kitchen in Stockholm, with my twelve year old daughter and the responsibility I feel to show her the skills that will help her feed herself and her friends in the world they’ll be inheriting. There won’t be a recipe I can hand down to her with precise directions for how to recreate familiar flavors. The ingredients we’ve taken for granted as staples might not be available—either because she recrossed oceans, or because the industrialization of agriculture will have come to its inevitable end. How can I help her prepare for the future when I don’t even have the foresight to meal-prep a day in advance? I’m still working it out, doing what I can—in the kitchen, in my prose, on the streets—to contribute to a livable planet and a more caring culture. Kids eat what we give them.
The hard truth is that she’s probably already picked up on whatever I have to show her. I’ve certainly already fed her something that will horrify future ancestors when she reminisces about her childhood in whichever storytelling form arises to replace the internet….
(9) JOHN JAKES (1932-2023). Author John Jakes, best known for historical bestsellers like The Bastard and North And South, both adapted for television, died March 11 at the age of 90.
…Born on March 31, 1932, in Chicago, Jakes published his first short story at 18, earning $25, and would go on to author more than 80 books in his lifetime that sold more than 120 million copies worldwide….
With so many mainstream bestsellers to talk about, the fact that he wrote a lot of sff has been overlooked by the obituaries, the reason why Cora Buhlert has written an extended tribute here: “Remembering John Jakes (1932 -2023)”.
…What is only a footnote in all of the mainstream obituaries is that John Jakes was also an SFF writer as well as a writer of crime fiction, westerns and erotica long before he found success beyond imagination with historical sagas.
I certainly had no idea that John Jakes had written SFF before I came across his name in a review at Galactic Journeyand thought, “Wait a minute, the North and South guy used to write SFF?” Turns out John Jakes did not just write SFF, he wrote a lot of it and was also one of the protagonists of the second sword and sorcery boom….
… Crump would go on to become one of the most important artists to work for Walt Disney Co.
It’s a Small World, the Enchanted Tiki Room and the Haunted Mansion are just a few of the projects Crump would contribute to once he joined Walt Disney Imagineering, known as WED Enterprises (for Walter Elias Disney) in 1959. With Imagineering, the division of the company that oversees Disney theme parks, Crump‘s designs would help define the look of Disneyland…
… Crump fought for Disneyland to retain a handcrafted quality. He was a no-nonsense, tell-it-like-it-is artist who was offended at the suggestion that others would be offended by his critiques. Crump, for instance, enjoyed a close relationship with [Mary] Blair, the artist who designed the dolls for It’s a Small World and whose style informed the bulk of the interior of the attraction. An accomplished watercolorist and muralist, Blair, like Crump, was handpicked by Disney to transition out of animation and into theme park design.
Crump spoke to The Times in 2018 about, among many topics, the creation of It’s a Small World. Still an imposing, broad-shouldered figure in his then-late-80s, Crump was emphatic. “I had Mary’s sketches in a book and gave them to the model shop,” he said. “I said, ‘Whatever you design, make sure they look like these drawings.’ I was given the job of supervising It’s a Small World. I knew it was only going to work if everything looked like Mary Blair. As far as I was concerned, this is a Mary Blair ride. So off we went. The rest is history.”….
(11) MEMORY LANE.
1992 – [Compiled by Cat Eldridge.]
Our Beginning is Rita Mae Brown’s Rest in Pieces: A Mrs. Murphy Mystery which was published by Bantam in hardcover thirty-one years ago.
The prefaces are always by Sneaky Pie who is also listed as the co-author of this series.
I’m going do a bit of a spoiler here and tell you the mysteries focus on a postmistress named Mary Minor “Harry” Haristeen plus her tiger cat named Mrs. Murphy, a fat grey cat named Pewter and a corgi named Tee Tucker.
Her other series, the “Sister” Jane Mysteries, centers around no-kill fox hunting and has foxes, owls, cats, dogs and others I’ve probably forgotten as characters. Oh, and humans obviously.
I enjoy the ones that I’ve read quite a bit though I’ve by no mean read all thirty she’s done so far in this series.
And now the Beginning…
Dear Reader:
Here’s to catnip and champagne!
Thanks to you my mailbox overflows with letters, photos, mousie toys, and crunchy nibbles. Little did I think when I started the Mrs. Murphy series that there would be so many cats out there who are readers . . . a few humans, too.
Poor Mother, she’s trying not to be a grouch. She slaves over “important themes” disguised as comedy and I dash along with a mystery series and am a hit. This only goes to prove that most cats and some dogs realize that a lighthearted approach is always the best. Maybe in a few decades Mom will figure this out for herself.
The best news is that I was able to afford my own typewriter. I found a used IBM Selectric III so I don’t have to sneak into Mother’s office in the middle of the night. I even have my own office. Do you think I should hire Pewter as a secretary?
Again, thank you, cats out there, and the dogs, too. Take care of your humans. And as for you humans, well, a fresh salmon steak would be a wonderful treat for the cat in your life.
All Best, SNEAKY PIE
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born March 15, 1852 — Isabella Augusta, Lady Gregory (née Persse). Irish dramatist, folklorist, theatre manager. With William Butler Yeats and Edward Martyn, she created the Irish Literary Theatre and the Abbey Theatre. She produced a number of books of retellings of stories taken from Irish mythology. Gods and Fighting Men, all seven hundred pages strong, is the best look at her work. It’s available at all the usual digital sources. (Died 1932.)
Born March 15, 1920 — Lawrence Sanders. Mystery writer who wrote several thrillers that according to ISFDB had genre elements, such as The Tomorrow File and The Passion of Molly T. Now I’ve not read them so I cannot comment how just on how obvious the genre elements are, but I assume it’s similar to what one finds in a Bond film. One of these novels btw is described on the dust jacket as an “erotic spine tingler”. Huh. (Died 1998.)
Born March 15, 1924 — Walter Gotell. He’s remembered for being General Gogol, head of the KGB, in the Roger Moore Bond films as well as having played the role of Morzeny, in From Russia With Love, one of Connery’s Bond films. He also appeared as Gogol in The Living Daylights, Dalton’s first Bond film. I’m fairly sure that makes him the only actor to be a villain to three different Bonds. (Died 1997.)
Born March 15, 1926 — Rosel George Brown. A talented life cut far too short by cancer. At Detention, she was nominated for the Hugo Award for best new author, but her career was ended when she died of lymphoma at the age of 41. She wrote some twenty stories between 1958 and 1964, with her novels being Sibyl Sue Blue, and its sequel, The Waters of Centaurus about a female detective, plus Earthblood, co-written with Keith Laumer. Sibyl Sue Blue is now available from the usual suspects. (Died 1967.)
Born March 15, 1939 — Robert Nye. He did what the Encyclopaedia of Fantasy describes as “bawdy, scatological, richly told, sometimes anachronistic reworkings of the traditional material” with some of his works being Beowulf, Taliesin (which was the name of my last SJW cred), Faust, Merlin and Mrs. Shakespeare: The Complete Works. His Falstaff novel is considered the best take on that character. Some of his works are available at the usual digital suspects. (Died 2016.)
Born March 15, 1943 — David Cronenberg, 80. Not a Director whose tastes are at all squeamish. His best films? I’d pick Videodrome, The Fly, Naked Lunch and The Dead Zone. Though I’m tempted to toss Scanners in that list as well. ISFDB says he has one genre novel, Consumed, which garnered a Bram Stoker Award nominated for Superior Achievement in a First Novel. Oh, and he was in the film version of Clive Barker’s Nightbreed.
Born March 15, 1946 — Chris Morris, 77. First genre writing was in the exemplary Thieves’ World shared universe, such as “What Women Do Best” with Janet Morris, and “Red Light, Love Light”. He’s also written in the Merovingen Nights, Heroes in Hell and Sacred Band of Stepsons saga series.
There will be no second season of Willow, Disney+’s live-action original series based on the 1988 fantasy film directed by Ron Howard. The news comes two months after the eight-episode first season of the show, which served as a sequel to the classic movie, ended its run on the streaming platform.
Willow, which picked up years after the events of the film, did not have the zeitgeist cultural impact of the original but was well received by critics, getting a 83% on Rotten Tomatoes. While the series won’t continue, Willow remains an important IP in the Lucasfilm library, so it might be revisited in the future….
Marvel is closing in on the source of a leak of a script from Ant-Man and the Wasp: Quantumania before the movie was released, and it intends to take legal action, a Disney company source tells The Hollywood Reporter.
A federal judge in California on Monday issued subpoenas to Reddit and Google directing them to identify the users who leaked the dialogue. The order came after the company moved for information on whoever posted then-unreleased dialogue from the film to the r/MarvelStudiosSpoilers subreddit.
Marvel is likely to pursue litigation against the person or group responsible for the leak. That could include a referral to prosecutors for criminal copyright infringement, among other charges….
… Today, we think of Superman’s Fortress as an ice palace, far away from humanity in the Arctic. But originally, it was just a mountain cave where Clark stashed his belongings he didn’t have anywhere else to house. This “Secret Citadel” was located in a mountain range outside of Metropolis. It first appeared in Superman #17 in 1942, and it didn’t make many appearances. In those days, Superman’s Kryptonian heritage was more of an afterthought, a mere explanation for how he got his powers. The term “Fortress of Solitude” first appeared in Superman #58 1949, as Superman’s sanctuary located in “the polar wastes.” Interestingly, the name “Fortress of Solitude” actually predates Superman. The pulp adventurer Doc Savage had a Fortress of Solitude located in the frozen north, and DC Comics very liberally took the name and concept….
[Thanks to Chris Barkley, Andrew Porter, Michael Toman, Lise Andreasen, Cat Eldridge, Mike Kennedy, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
The closing shot of Todd Field’s Oscar-nominated drama has been taken to represent the final fall from grace of the film’s eponymous heroine. But maybe we’ve got the whole thing backwards, writes Thai conductor Somtow Sucharitkul….
Well before Todd Field’s Tár opened in Thailand, I got my first review of the film from my friend, director Paul Spurrier. Paul had seen the film while in Los Angeles for the American Film Market.
“So we have here a mad genius conductor, who is kicked out of a major European orchestra after an act of violence, has rather ambiguous dealings with some young prodigies, ends up in Southeast Asia conducting a youth orchestra in a tawdry venue …,” he began.
“Oh!” I said, “You went to a screening of our film?” Because Paul was giving me the exact plot of our own film, The Maestro: A Symphony of Terror, a horror fantasy we made two years ago, which I wrote and starred in as the aforementioned “mad genius” conductor.
“Actually, no,” he said. “I just saw Tár.”
Since, I too have seen Tár and, as it turns out, Paul wasn’t wrong. Field’s movie does have a similar plot to The Maestro. Alas, I am a poor substitute for the incomparable Cate Blanchett, and our film is wholly different in substance anyway, being a modest little tribute to the horror films of the 1980s. In any case, the fall of the mighty, from Prometheus to the present, has always been the very essence of what we mean by the word tragedy….
(2) GUNN CENTER BOOK CLUB. Everyone is invited to the Gunn Center for the Study of SF’s (CSSF) monthly virtual book club happening on Friday, March 31, 2023, at noon (Central Time). Register here.
For the month of March, the Center has chosen Donna Barbra Higuera’s The Last Cuentista. A comet has hit Earth and now Petra Peña’s world is collapsing. Petra, her family and hundreds of others venture to another planet to continue the human race. Petra awakes on a new planet 100 years in the future, and she is the only one who remembers the history of her people. Winner of the Newberry Medal and the Pura Belpré Award in 2022, Higuera infuses Mexican folklore with interplanetary elements to highlight the importance of preserving the history and culture through storytelling. All ages are welcome to join.
(3) KGB PHOTOS. Ellen Datlow shared her snapshots from the March 8 Fantastic Fiction at KGB reading series with Scott Lynch and Elizabeth Bear: KGB March 8, 2023 at Flickr.
… “That is what entertainment will look like,” Brockman said at a Friday panel at SXSW. “Maybe people are still upset about the last season of Game of Thrones. Imagine if you could ask your A.I. to make a new ending that goes a different way and maybe even put yourself in there as a main character or something.”
Hollywood creatives have already begun considering the potential impact — both good and bad — that ChatGPT could have on the TV and filmmaking process. As The Hollywood Reporter examined in January, organizations like the Writers Guild of America West have said they are “monitoring the development of ChatGPT and similar technologies in the event they require additional protections for writers,” though screenwriters interviewed by THR said they could see ChatGPT as a tool to aid the writing process, rather than replacing the work of writers….
What if ChatGPT, but too much? Too popular, too omniscient, and far too nefarious than today’s cutting-edge chatbots?
That’s the premise of Mrs. Davis, an ultra-ambitious series from Big Bang Theory veteran Tara Hernandez and Watchmen creator Damon Lindelof. Mrs. Davis, premiering at SXSW before its April 20 streaming debut on Peacock, tells the story of a heroic, street-savvy nun (three-time GLOW Emmy nominee Betty Gilpin) battling an omnipresent AI and its legion of obsessed fans who will do anything to please their tech deity (called Mrs. Davis), which is supposedly striving to make the world a better place. Oh, and there’s also a quest for the Holy Grail, possible Nazis with butterfly nets, nefarious magicians and a teary make-out session with Jesus — and that’s just in the first two episodes. As Gilpin’s character, Simone, says at one point: “It’s a lot.”…
The Sierra Club’s Equity Language Guide discourages using the words stand, Americans, blind, and crazy. The first two fail at inclusion, because not everyone can stand and not everyone living in this country is a citizen. The third and fourth, even as figures of speech (“Legislators are blind to climate change”), are insulting to the disabled. The guide also rejects the disabled in favor of people living with disabilities, for the same reason that enslaved personhas generally replaced slave : to affirm, by the tenets of what’s called “people-first language,” that “everyone is first and foremost a person, not their disability or other identity.”
The guide’s purpose is not just to make sure that the Sierra Club avoids obviously derogatory terms, such as welfare queen. It seeks to cleanse language of any trace of privilege, hierarchy, bias, or exclusion. In its zeal, the Sierra Club has clear-cut a whole national park of words. Urban, vibrant, hardworking, and brown bag all crash to earth for subtle racism. Y’all supplants the patriarchal you guys, and elevate voices replaces empower, which used to be uplifting but is now condescending. Thepoor is classist; battle and minefield disrespect veterans; depressing appropriates a disability; migrant—no explanation, it just has to go.
Although the guides refer to language “evolving,” these changes are a revolution from above. They haven’t emerged organically from the shifting linguistic habits of large numbers of people. They are handed down in communiqués written by obscure “experts” who purport to speak for vaguely defined “communities,” remaining unanswerable to a public that’s being morally coerced. A new term wins an argument without having to debate. When the San Francisco Board of Supervisors replaces felon with justice-involved person, it is making an ideological claim—that there is something illegitimate about laws, courts, and prisons. If you accept the change—as, in certain contexts, you’ll surely feel you must—then you also acquiesce in the argument….
(7) ANOTHER IDEA WHOSE TIME HAS COME. Ever notice how often two movies with the same general idea reach theaters in the same year? Now ask how it comes to pass than two movies based on the same book might do so. Gizmodo looks ahead to when “Cixin Liu’s Novel Supernova Era Will Explode Into Theaters”.
…For those who want to see Liu’s work on the big screen, good news—his 2003 novel Supernova Era is coming to theaters.
In fact, two Supernova Era movies are technically on the way, and possibly a TV series as well. Conquerer Entertainment, which has the adaptation rights to the novel, has announced a Chinese-language version of the movie, which will be simultaneously produced with an English-language version. If you don’t know the book (which Tor Books released in English in 2019), it’s got a (somewhat literally) killer premise. Here’s the official synopsis:
Eight light years away, a star has died, creating a supernova event that showers Earth in deadly levels of radiation. Within a year, everyone over the age of thirteen will die.
And so the countdown begins. Parents apprentice their children and try to pass on the knowledge needed to keep the world running.
But when the world is theirs, the last generation may not want to continue the legacy left to them. And in shaping the future however they want, will the children usher in an era of bright beginnings or final mistakes?
“The book has captured my interest due to Liu’s imaginative world-building and thought-provoking themes such as the fragility of civilization, the importance of leadership, and the role of technology in shaping society,” Conquerer co-founder Vasco Xu told Deadline. “It also raises questions about the nature of power, the relationship between science and morality, and the implications of different forms of administrations. Due to its futuristic setting and the presence of a significant global event at its core, the book has the potential to be adapted into two enthralling productions that would appeal to both the domestic Chinese audience and the global market.”
Assuming both movies get made, it’ll be very interesting to see how they compare and contrast. But we likely won’t get a chance to do so until 2026 at the earliest.
…The future of Red Dwarf has finally been confirmed after a legal dispute between its creators, Rob Grant and Doug Naylor.
It’s no secret that the writers, who co-created the comedy series, haven’t always seen eye to eye, dissolving their partnership in the 1990s.
Naylor continued to write the Red Dwarf TV series but, in 2021, launched a High Court action against Grant over the rights to the show.
The dispute has now been resolved and it’s been confirmed that both of the writers will continue separately working on Red Dwarf in different media.
A statement reads: “Rob Grant and Doug Naylor are delighted to announce that the ongoing dispute over the Red Dwarf rights has been resolved.
“Moving onwards and upwards, Rob and Doug hope to launch separate iterations of Red Dwarf across various media, working again with the cast and other valued partners, and wish each other the very best.
“Smoke a kipper, Red Dwarf will be back for breakfast!!”…
(9) MEMORY LANE.
1970 – [Compiled by Cat Eldridge.]
This is something rather different for a Beginning.Jefferson Starship’s Blows Against the Empire would be nominated for a Best Dramatic Presentation Hugo fifty-two years ago at the first Noreascon. It wouldn’t win and it’s the only album nominated until the Splendor & Misery recording by Clipping was nominated at Worldcon 75 for a Hugo in the Best Dramatic Presentation, Short Form category. That didn’t win either.
It is the first album to use Starship instead of Airplane, this under Kantner alone who produced the album, a name which Kantner and Slick would use for the Jefferson Starship that emerged after Jack Casady and Jorma Kaukonen left Jefferson Airplane.
Kantner claimed that the inspiration for the album was the work of Heinlein, particularly Methuselah’s Children where a group of people hijack a starship. Kantner even quotes the novel in the opening song, “Mau Mau (Amerikon)”: “Push the button, pull the switch, cut the beam, make it march”.
After listening to the album, I’ll be frelled if I can see how it relates to Methuselah’s Children at all. And I’d love to hear why it was nominated for a Hugo. Was it the Heinlein connection?
1974’s Dragon Fly was I think a much better SF album with “Hyperdrive” alone being one of the best SF songs done.
So I’ll pick the Beginning stanza of “The Baby Tree”
There’s an island way out in the sea Where the babies they all grow on trees And its jolly good fun To swing in the sun But you gotta watch out if you sneeze-sneeze You gotta watch out if you sneeze
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born March 11, 1921 — F. M. Busby. Together with his wife and others he published Cry of the Nameless which won the Hugo award in 1960. Heinlein was a great fan of him and his wife — The Cat Who Walks Through Walls in part dedicated to Busby and Friday in part to his wife Elinor. He was a very busy writer from the early Seventies to the late Nineties writing some nineteen published novels and myriad short stories before he blamed the Thor Power Tools decision for forcing his retirement. (Died 2005.)
Born March 11, 1925 — Christopher Anvil. Pen name of Harry Christopher Crosby, a Campbellian writer through and through. He was a staple of Astounding starting in 1956. The Colonization Series that he wrote there would run to some thirty stories. Short stories were certainly his favored length as he only wrote two novels, The Day the Machines Stopped and The Steel, the Mist, and the Blazing Sun. He’s readily available at the usual digital sources. (Died 2009.)
Born March 11, 1935 — Nancy Kovack, 88. She appeared as Nona in Trek’s “A Private Little War”. She also showed up in The Man from U.N.C.L.E., The Invaders, as Medea in Jason and the Argonauts, Batman (twice as Queenie), Alfred Hitchcock Hour, Voyage to the Bottom of the Sea, I Dream of Jeannie, Tarzan and the Valley of Gold, Marooned,Get Smart! and The Invisible Man.
Born March 11, 1952 — Douglas Adams. Another one who died way too young. I’ve read and listened to the full cast production the BBC did of The Hitchhiker’s Guide to the Galaxy but have absolutely no desire to see the film. Wait, wasn’t there a TV series as well? Yes, there was. There’s also the Dirk Gently series which is, errr, odd and its charms escape my understanding. He and Mark Carwardine also wrote the most excellent Last Chance to See, their travels to various locations in the hope of encountering species on the brink of extinction. It’s more upbeat than it sounds. (Died 2001.)
Born March 11, 1961 — Elias Koteas, 62. Genre appearances include the very first (and I think best of the many that came out) as the sports-crazed vigilante Casey Jones in Teenage Mutant Ninja Turtles and Teenage Mutant Ninja Turtles III (I did warn you, didn’t I?), Cyborg 2 (just don’t, really don’t), Gattaca, Skinwalkers, The Curious Case of Benjamin Button, and The Haunting in Connecticut.
Born March 11, 1963 — Alex Kingston, 60. River Song in Doctor Who. She’s in a number of different stories with a number of different Doctors. I don’t see a lot of other genre work from her but she was in Ghost Phone: Phone Calls from the Dead, as Sheila and she was Lady Macbeth in the National Theatre Live of Macbeth. Now the latter I would have really to seen! Oh, and she’s in the Arrowverse as Dinah Lance, in FlashForward as Fiona Banks and recently shows up as Sara Bishop on A Discovery of Witches, a series based off the stellar Deborah Harkness All Souls Trilogy series of the same name.
Born March 11, 1989 — Anton Yelchin. Yes another way too early death. Best known for playing Pavel Chekov in Star Trek, Star Trek Into Darkness, and Star Trek Beyond. He also was in Terminator Salvation as Kyle Reese, in the Zombie comedy Burying the Ex as Max and voiced Clumsy Smurf in a series of Smurf films. Really he did. (Died 2016.)
(11) COMICS SECTION.
Arlo and Janiswork a genre reference into a strip about tonight’s change to daylight savings time.
(12) YOU’VE GOT MAIL. Not sff, but the New York Times tells about a fascinating project that’s started to sift the centuries-old impounded mail taken to from prize ships during England’s colonial wars: “Long-Lost Letters Bring Word, at Last”. At the article are quotes from these old letters.
… None of those lines ever reached their intended recipients. British warships instead snatched those letters, and scores more, from aboard merchant ships during wars from the 1650s to the early 19th century.
While the ships’ cargoes — sugar from the Caribbean, tobacco from Virginia, ivory from Guinea, enslaved people bound for the Americas — became war plunder, the papers were bundled off to so called “prize courts” in London as potential legal proof that the seizures were legitimate spoils of war….
…For centuries since, the bulging boxes of those undelivered letters, seized from around 35,000 ships, sat neglected in British government storage, a kind of half-forgotten dead letter office for intercepted mail.
Poorly sorted and only vaguely cataloged, the Prize Papers, as they became known, have now begun revealing lost treasures. Archivists at Britain’s National Archives and a research team at the Carl von Ossietzky University of Oldenburg in Germany are working on a joint project to sort, catalog and digitize the collection, which gives a nuanced portrait of private lives, international commerce and state power in an age of rising empires.
The project, expected to last two decades, aims to make the collection of more than 160,000 letters and hundreds of thousands of other documents, written in at least 19 languages, freely available and easily searchable online.
Many of the papers haven’t been read in centuries, and many letters remain sealed and unopened….
The latest serial of Doctor Who tempers the base-under-siege formula with an infusion of ‘whodunnit’, but is this a fresh take on the format or are the mystery elements just a red herring? Let’s take a look at the latter half of The Web Of Fear….
Tom Cruise, if you’re reading this, you may want to sit down
Back in October, the head of Universal Pictures made waves by hinting that an upcoming film led by none other than Tom Cruise could literally be heading to outer space. Now, at the time, it seemed a little outlandish, but given Cruise’s career of going to increasingly extreme lengths to pull off elaborate stunts, going to space didn’t seem like too much of a giant leap.
But, unfortunately, it appears someone already beat him to it. On Wednesday, a trailer for “The Challenge,” which was produced by Channel 1 Russia in partnership with Roscosmos and partially filmed aboard the International Space Station, was released. The story is said to follow a surgeon who’s taken aboard the ISS to perform an emergency procedure on an injured cosmonaut. No word on if “The Challenge” will see an official release in the United States, although Tom Cruise likely still hopes to one-up that production by becoming the first civilian to do a spacewalk outside the ISS. And you know what? I think there’s a pretty good chance he’ll actually try to do it….
…The quantum threat to locality (that distant objects need a physical mediator to interact) stems from an argument by the Northern Ireland physicist John Bell in the 1960s.
Bell considered experiments in which two hypothetical physicists, Alice and Bob, each receive particles from a common source. Each chooses one of several measurement settings, and then records a measurement outcome. Repeated many times, the experiment generates a list of results.
Bell realized that quantum mechanics predicts that there will be strange correlations (now confirmed) in this data. They seemed to imply that Alice’s choice of setting has a subtle “nonlocal” influence on Bob’s outcome, and vice versa – even though Alice and Bob might be light years apart.
Bell’s argument is said to pose a threat to Albert Einstein’s theory of special relativity, which is an essential part of modern physics.
But that’s because Bell assumed that quantum particles don’t know what measurements they are going to encounter in the future. Retrocausal models propose that Alice’s and Bob’s measurement choices affect the particles back at the source. This can explain the strange correlations, without breaking special relativity.
In recent work, we’ve proposed a simple mechanism for the strange correlation – it involves a familiar statistical phenomenon called Berkson’s bias (see our popular summary here).
There’s now a thriving group of scholars who work on quantum retrocausality. But it’s still invisible to some experts in the wider field. It gets confused for a different view called “superdeterminism”….
… Io is tortured because it’s stuck in a relentless “tug-of-war” between the massive Jupiter and two of Jupiter’s other big moons, Ganymede and Europa — a world that might harbor a sizable ocean. This powerful push and pull creates profound heat inside a world that’s a little larger than our moon. All this heat seeks to reach the surface, resulting in molten lava and extreme volcanism. It’s extremely unlikely a world swimming in lava could host conditions for even the hardiest of life to evolve. But other moons in our solar system could potentially contain suitable conditions for life to evolve in their subsurface, like the Saturnian moons Enceladus and Mimas (and, of course, Europa).
Scientists like [mission director Scott] Bolton use these images to, among other things, identify new volcanoes. The darker spots are often places where eruptions have occurred, and other recent NASA imagery shows that this volcanism is incessant. A looming question is whether a global magma ocean oozes inside Io, or if there are just giant pockets of molten rock.
When the Juno spacecraft gets nearer to Io, it’s not directly approaching the moon, but veering by the moon’s orbit, as shown in the graphic below. During each orbit, Juno will snap pictures at the closest approach before it once again whips around the gas giant Jupiter. By the end of December 2023, Juno’s orbit (PJ 58) will bring it within some 930 miles of Io. It’s a much-anticipated event.
[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Kathy Sullivan, SF Concatenation’s Jonathan Cowie, John King Tarpinian, Chris Barkley, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]
(1) ADVERSARIAL POLICIES BEAT SUPERHUMAN GO AIS. [Item by Tom Becker.] Machines have been considered to be almost unbeatable at Go, since 2016 when AlphaGo defeated the world Go champion Lee Sedol by four games to one. Now, Kellin Pelrine, an amateur player, playing unassisted, defeated a top-ranked AI system, fourteen games to one.
This sure sounds a lot like many SF/F stories where underdogs exploit flaws in a system to win against overwhelming might.
Even though Kellin Pelrine was able to beat the AI without computer assistance during the game, his strategy was planned with a massive amount of computer power. He happens to be a research scientist intern at an AI company. His team used adversarial AI techniques to find flaws in a state of the art Go playing system. By exploiting the flaws, an amateur Go player can beat a system that routinely beats professional Go masters. The strategy used to beat the AI would not work to beat a human player — a human would see it right away. But an AI does not perceive the game the same way as a human, and the strategy took advantage of that. If you want the details, there is a very long and thorough research paper, “Adversarial Policies Beat Superhuman Go AIs” at Arxiv.org.
We’re going to see a lot of powerful, superhuman AI systems. It will be surprising if any of them doesn’t have a devastating flaw that eventually is exploited. Also we’re going to see a lot more human-machine cooperative efforts like this one.
(3) 2023 WORLDCON MEMBERSHIP ISSUES? The Chengdu Worldcon committee, in the wake of questions from people who did not receive the Hugoteam email, asked Facebook readers to pursue a solution this way:
To Chengdu Worldcon Members：
If you still have not received any email from us or have questions about your membership status, and/or if you failed to get any response from [email protected] please DM your name and email address to this account so we can help you to help us to break the invisible wall. Thank you to all members for your support, trust and patience.
(4) NESFA SHORT STORY CONTEST WINNER.
My short story "Excuse Me, This Is My Apocalypse" won this year's NESFA short story contest!!!! You can listen to excerpts from all the finalists through the #Boskone site, and also read/listen to the entire version of mine at @escapepodcast: https://t.co/IeLbdyCGF5
(5) A LITTLE LIST. [Item by Alan Baumler.] “Tech Companies with Lord of the Rings Names” from Arbesman.net. I knew 9 of the LOTR names, but only one of the tech companies. (Palantir). I can’t speak for how well any of these names fit the companies, since while I know what the LOTR things are, I can’t figure out what most of these companies actually do, even after following the links.
(6) MEMORY LANE.
1987 – [Compiled by Cat Eldridge.]
Glen Cook’s Sweet Silver Blues is the first novel in the more than a bit humorous adventures of one Garrett, P.I. Published thirty-six years ago by Roc, with the cover art being by Tim Hildebrandt, the main character is Garrett, a private investigator living in the city of TunFaire, a not unusual fantasy city.
Garret is the draw here though everything here is nicely detailed by Cook and I loved most of the fourteen novels though I thought, and obviously won’t say why as I’m guessing, that many here haven’t read these yet, that the last two were major immediate Suck Fairy material.
So here is our lovely Beginning…
Bam! Bam! Bam!
It sounded like someone was knocking with a sledgehammer. I rolled over and cracked a blood-shot eye. I couldn’t see a figure through the window, but that wasn’t surprising. I could barely make out the lettering on the grimy glass:
GARRETT
INVESTIGATOR
CONFIDENTIAL AGENT
I had blown my wad buying the glass and wound up being my own painter.
The window was as dirty as last week’s dishwater, but not filthy enough to block out the piercing morning light. The damned sun wasn’t up yet! And I’d been out till the second watch barhopping while I followed a guy who might lead me to a guy who might know where I could find a guy. All this led to was a pounding headache.
“Go away!”
I growled. “Not available.”
Bam! Bam! Bam!
“Go to hell away!” I yelled. It left my head feeling like an egg that had just bounced off the edge of a frying pan. I wondered if I ought to feel the back to see if the yolk was leaking, but it seemed like too much work. I’d just go ahead and die.
Bam! Bam! Bam!
I have a little trouble with my temper, especially when I have a hangover. I was halfway to the door with two feet of lead-weighted truncheon before sense penetrated the scrambled yolk.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 19, 1912 — Walter Gillings. UK fan and zine writer. He edited Scientifiction, a short lived but historic fanzine. Shortly thereafter he edited Tales of Wonder, regarded as the first UK SF zine. Clarke made his pro debut here. He’d edit a number of other genre zines later on, and ISFDB lists him as having two genre stories to his credit whereas Wiki claims he has three. (Died 1979.)
Born February 19, 1937 — Terry Carr. Well known and loved fan, author, editor, and writing instructor. I usually don’t list Awards both won and nominated for but his are damned impressive so I will. He was nominated five times for Hugos for Best Fanzine (1959–1961, 1967–1968), winning in 1959, was nominated three times for Best Fan Writer (1971–1973), winning in 1973, and he was Fan Guest of Honor at ConFederation in 1986. Wow. He worked at Ace Books before going freelance where he edited an original story anthology series called Universe, and The Best Science Fiction of the Year anthologies that ran from 1972 until his early death in 1987. Back to Awards again. He was nominated for the Hugo for Best Editor thirteen times (1973–1975, 1977–1979, 1981–1987), winning twice (1985 and 1987). His win in 1985 was the first time a freelance editor had won. Wow indeed. Novelist as well. Just three novels but all are still in print today though I don’t think his collections are and none of his anthologies seem to be currently either. A final note. An original anthology of science fiction, Terry’s Universe, was published the year after his death with all proceeds went to his widow. (Died 1987.)
Born February 19, 1937 — Lee Harding, 86. He was among the founding members of the Melbourne Science Fiction Club along with Bertram Chandler. He won Ditmar Awards for Dancing Gerontius and Fallen Spaceman. In the Oughts, the Australian Science Fiction Foundation would give him the Chandler Award in gratitude for his life’s work. It does not appear that any of his work is available from the usual digital sources.
Born February 19, 1963 — Laurell K. Hamilton, 60. She is best known as the author of two series of stories. One is the Anita Blake: Vampire Hunter of which I’ll confess I’ve read but one or two novels, the other is the Merry Gentry series which held my interest longer but which I lost in somewhere around the sixth or seventh novel when the sex became really repetitive.
Born February 19, 1964 — Jonathan Lethem, 59. His first novel, Gun, with Occasional Music, a weird mix of SF and detective fiction, is fantastic in more ways that I can detail briefly here. I confess that I lost track of him after that novel so I’d be interested in hearing what y’all think of his later genre work.
Born February 19, 1966 — Claude Lalumière, 57. I met him once here in Portland. Really nice person. Author, book reviewer and has edited numerous anthologies. Amazing writer of short dark fantasy stories collected in three volumes, Objects of Worship, The Door to Lost Pages and Nocturnes and Other Nocturnes. Tachyon published his latest anthology, Super Stories of Heroes & Villains.
“After leaving Argentina, the pilots invited me to the cockpit to talk. When I arrived, they asked me to sit in the commander’s chair and take charge of the ship,” wrote Ray Bradbury, on April 4, 2007, on the one-decade anniversary of his visit to Buenos Aires, in an e-mail addressed to his friend Marcial Souto, the editor and translator who convinced him to land in these lands so far from his own. With a prologue, edition and selection by Souto, Libros del Zorro Rojo launchedOtros crónicas marcianas, a volume illustrated by David de las Heras that brings together 10 stories [some unpublished in Spanish and others published in a dispersed way] that at the time had been left out of the original publication of Crónicas marcianas….
(10) WHY CAN’T YOU CHEAT AN HONEST MAN? [Item by Mike Kennedy.] This is so, so meta-… So iterative… That it almost hurts. Hurts so good, as the song says. “A Student Used ChatGPT to Cheat in an AI Ethics Class” in Gizmodo.
A student used ChatGPT to cheat on an essay in an AI ethics class, according to a report from NBC Bay Area. To quote the scorpion in a famous fable, “lol. lmao.”
“The irony is very clearly there,” Santa Clara University professor Brian Green told NBC. The essay in question “wasn’t exactly on topic and, also, it had a very kind of, honestly, a robotic feel to it in some ways.”
The student used ChatGPT to spit out an essay for Green’s “Ethics in Artificial Intelligence” class and turned it in as their own work, the professor said. Green said he’s no longer going to require essays as a final project for Ethics in Artificial Intelligence, replacing them with oral presentations given in person. Several Bay Area universities have convened their professors to discuss the implications of generative chatbots that can generate essays in seconds, according to NBC.
This is only the latest of several media reports about the cheat-tool of the century. The New York Post published a story Friday about a ChatGPT cheating scandal “erupting” in a Florida gifted students program. In both of these cases, the cheating was easy to detect because—news flash—ChatGPT writes like a robot, and if you just submit an essay that looks different from your other writing, your teacher will see the difference….
(11) BE GLAD IT MISSED. [Item by Mike Kennedy.] The strange thing looks like a giant worm. That alone made the story worth sending for the Scroll. Since it was described in the article as being the size and shape of the Empire State Building, we can be happy that it didn’t hit the Earth. Then it would obviously be the Empire striking back. “NASA Images a Weirdly Long Asteroid” at Gizmodo.
Six radar observations made of an asteroid swinging by our planet have revealed an unusually oblong space rock. The object is three times as long as it is wide—an irregular shape, as far as asteroids are concerned.
The asteroid, called 2011 AG5, is about the shape and size of the Empire State Building, minus the 222-foot antenna of course. The asteroid’s nearest approach to Earth happened on February 3, when it came within 1.1 million miles of our planet. (When scientists talk about close approaches, they’re usually speaking relatively.) The Webb Space Telescope, for comparison, is about 1 million miles from Earth…
(12) CRIME IN SPACE. This calls for a trained homicide investigator!
Lieutenant Columbo of Starfleet investigating interstellar murders. Not sure who created these images, but they are marvellous *chef’s kiss* #Columbo vs #StarTrekpic.twitter.com/PWKkmplLi5
[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Tom Becker, Alan Baumler, John King Tarpinian, Chris Barkley, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]
… This analogy to lossy compression is not just a way to understand ChatGPT’s facility at repackaging information found on the Web by using different words. It’s also a way to understand the “hallucinations,” or nonsensical answers to factual questions, to which large language models such as ChatGPT are all too prone. These hallucinations are compression artifacts, but—like the incorrect labels generated by the Xerox photocopier—they are plausible enough that identifying them requires comparing them against the originals, which in this case means either the Web or our own knowledge of the world. When we think about them this way, such hallucinations are anything but surprising; if a compression algorithm is designed to reconstruct text after ninety-nine per cent of the original has been discarded, we should expect that significant portions of what it generates will be entirely fabricated.
This analogy makes even more sense when we remember that a common technique used by lossy compression algorithms is interpolation—that is, estimating what’s missing by looking at what’s on either side of the gap. When an image program is displaying a photo and has to reconstruct a pixel that was lost during the compression process, it looks at the nearby pixels and calculates the average. This is what ChatGPT does when it’s prompted to describe, say, losing a sock in the dryer using the style of the Declaration of Independence: it is taking two points in “lexical space” and generating the text that would occupy the location between them. (“When in the Course of human events, it becomes necessary for one to separate his garments from their mates, in order to maintain the cleanliness and order thereof. . . .”) ChatGPT is so good at this form of interpolation that people find it entertaining: they’ve discovered a “blur” tool for paragraphs instead of photos, and are having a blast playing with it….
(2) ARGUMENT FOR SEPARATING ART AND THE ARTIST. [Item by Bruce D. Arthurs.] EV Knight, doctor, says she was dumped from a hospital position due to writing horror. There is further information in Knight’s response to comments.
I use a pen name too. Just to keep those lives separated. I don’t go around at work handing out my books or even my card. It’s pretty crazy.
(3) ATTENDING LTUE THOUGHTFULLY. At Being A Better Writer, Max Florschutz encourages writers attending LTUE to focus on the opportunity to learn more about their craft and not just bask in the reflected glory of celebrity authors: “How to Use a Writing Resource Like LTUE”.
…LTUE, Life, The Universe, and Everything, which is the writing convention for writers, is happening this week. It’s a big deal. I’ve been readying myself for several weeks now, making sure that I’m prepared and ready to go when this Thursday rolls around….
See, there’s a lot that goes on at LTUE, but one thing that people sometimes forget when they’re in attendance is that first and foremost, LTUE is an educational con. Yes, it’s neat and fun to be able to meet some of our favorite authors and creators in the Sci-Fi and Fantasy space … but we’re not there just to meet them. And when they bring up that book that you really love or that scene that you thought was very cool, they’re not just brining it up because of that—though they definitely love it too. No, they’re bringing it up because they want to illustrate a point, or demonstrate something….
He follows with a checklist to use in assessing which items to attend. It’s advice you could adapt for attending many different cons.
When Lloyd Penney ‘83 received a phone call last November, he was not expecting to hear surprising news. He says he was utterly shocked to find out he would be the next editor-in-chief for one of America’s most popular sci-fi magazines, Amazing Stories, external link.
Penney describes Amazing Stories as the “best writing” of science fiction that is enjoyable to read.
“Some of them can be bizarre, but that’s the expression of imagination. And if you can think it, if you can imagine it, you can grasp it,” says Penney.
Published for almost a century, the idea of Amazing Stories is to challenge you to think the unthinkable, enhance your imagination and enjoy the writing.
“Now, one of my jobs, besides being the editor-in-chief, is also the defender of that long history. I want to make sure that we do right by it,” says Penney….
…Downey took the podium to pay tribute to his two-time Iron Man director, who lobbied producer Kevin Feige and Marvel Studios to cast the once-troubled actor at the time better known for his off-screen bad behavior than his movie career. (“It wasn’t an easy job to get him cast,” Favreau recalled to EW in 2018. “There was quite a bit of resistance at first.”)
“Never forget where you come from. 16 years ago this week, Jon and I were in pre-production on what felt like a high-concept indie, and we were fueled by this infectious, yet unfounded, confidence,” Downey said in his speech. “I was beyond grateful for the power of second chances. Strangely, Kevin Feige trusted us, he and I trusted Jon, and for no good reason, Jon and Kevin trusted me.”
Before Iron Man grossed more than half a billion dollars globally and kick-started the now 31-movie MCU, it was “a second-tier superhero property that had no shot at affording Kevin Feige the opportunity to launch a cinematic universe, because there was no such thing as a cinematic universe.”
“Now, I would never insinuate that it was me who made Jon a multi-hyphenate international sensation, because I have to leave something for his speech,” Downey quipped, breaking out in laughter. “And there’s nothing more awkward for my friend that we are here to celebrate and honor than being honored and celebrated.”…
(6) MEMORY LANE.
1981 – [Compiled by Cat Eldridge.]
I suspect that almost all of you here have seen the Who Framed Roger Rabbit? film. Brilliant I think we can all agree. The screenplay was by Jeffrey Price and Peter S. Seaman which they based off of Gary K. Wolf’s Who Censored Roger Rabbit? novel.
Now how many of you have read the Who Censored Roger Rabbit novel? Well I have. It actually reads rather well. It of course is an entirely different experience than the film but a rather excellent one none the less. The characters are well fleshed out, the setting is described quite well and the story which more or less makes it intact to Who Framed Roger Rabbit? is quite good.
And now here is that Beginning…
I found the bungalow and rang the bell.
My client answered the door. Novel.
He was almost my height, close to six feet, but only if you counted his eighteen-inch ears. He wore only a baggy pair of shorts, held up by brightly colored suspenders. His shoulders stooped so badly, he had to secure his suspender tops in place with crossed pieces of cellophane tape. For eyes, he had twin black dots, floating in the center of two oblong white saucers. His white stomach, nose, toes, and palms on a light brown body made him resemble someone who had just walked face first into a freshly painted wall.
“I’m Eddie Valiant, private eye. You the one who called?”
“Yes, I am,” he said, extending a fuzzy white paw. “I’m Roger Rabbit.” His words came out encased in a balloon that floated over his head.
The rabbit ushered me into his living room. The angular furniture reminded me of the upward-reaching spires in caves. That, combined with an extremely low ceiling and stale air, gave the room the closed-in nature of an underground burrow. Perfect interior design for a rabbit.”
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 14, 1919 — David A. Kyle. He chaired the 1956 Worldcon, was a leader in First Fandom, and wrote innumerable fanhistorical articles for Mimosa. Along with Martin Greenberg, he founded Gnome Press in the late Forties. He also penned two illustrated SF histories, A Pictorial History of Science Fiction and The Illustrated Book of Science Fiction Ideas and Dreams. He wrote three novels set in the Lensman universe: The Dragon Lensman, Lensman from Rigel and Z-Lensman. So has anybody read these? (Died 2016.)
Born February 14, 1925 — J. T. McIntosh. Scottish writer at his best according to Clute in his early work such as World Out of Mind and One in Three Hundred. He’s deeply stocked at the usual suspects at very reasonable rates, indeed most as Meredith Moments. (Died 2008.)
Born February 14, 1933 — Robert Shea. Author with Robert Anton Wilson of The Illuminatus Trilogy (The Eye in the Pyramid, The Golden Apple and Leviathan). Is it really genre? Or just the ravings of two insane writers? It won the Prometheus Hall of Fame Award. (Died 1994.)
Born February 14, 1942 — Andrew Robinson, 81. Elim Garak on Deep Space Nine. He wrote a novel based based on his character, A Stitch in Time and a novella, “The Calling” which can be found in Prophecy and Change, a DS9 anthology edited by Marco Palmieri. Other genre credits include Larry Cotton in Hellraiser, appearing in The Puppet Masters as Hawthorne and playing John F. Kennedy on the The New Twilight Zone.
Born February 14, 1952 — Gwyneth Jones, 71. Interesting person that she is, let’s start with her thoughts on thoughts on chestnuts. Just because I can. Now regarding her fiction, I’d strongly recommend her Bold As Love series of a Britain that went to pieces, and her twenty year-old Deconstructing the Starships: Science, Fiction and Reality polemic is still worth reading.
Born February 14, 1952 — Paula M. Block, 71. Star Trek author and editor; but primarily known for working in Paramount Pictures’ consumer licensing division and then with CBS Consumer Products. Remember that novel I noted by Andrew Robinson? Yeah that’s her bailiwick. She’s also written with her husband Terry J. Erdmann, Star Trek: Deep Space Nine Companion and Star Trek: Costumes: Five Decades of Fashion from the Final Frontier. It looks like she did some Trek fanfic as well including “The Girl Who Controlled Gene Kelly’s Feet”.
Born February 14, 1963 — Enrico Colantoni, 60. Any excuse to mention Galaxy Quest is one I’ll gladly take. He played a delightful Mathesar on that film and that was his first genre role, lucky bastard. up next for him was A.I. Artificial Intelligence as The Murderer followed by appearing in Justice League Dark as the voice of Felix Faust where (SPOILER!) his fate was very, very bad. He had an amazing role on Person of Interest as Charlie Burton / Carl Elias. Not genre, but his acting as Sgt. Gregory Parker on Flashpoint, a Canadian police drama television series is worth noting
Born February 14, 1975 — M. Darusha Wehm, 48. New Zealand resident writer who was nominated for the Nebula Award and won the New Zealand Sir Julius Vogel Award for The Martian Job novel. She says it’s interactive fiction. You can read the standalone prequel novella, Retaking Elysium, on her website which can be found here.
(8) COMICS SECTION.
Sally Forth shows someone inventing an entertaining board game mashup.
(9) JEOPARDY! David Goldfarb chronicled two sff references in yesterday’s episode of Jeopardy!
TV Catchphrases, $200: “This Starfleet captain: ‘Make it so'”
The returning champion, Mira Hayward, tried “Who is Captain Kirk?”.
Jeff Paine responded correctly.
TV Catchphrases, $1000: “Mork: This double-talk Orkan signoff”
Jeff Paine (who looked a bit young to have watched it on first run) responded “Nanu nanu”. He hails from Colorado Springs, so perhaps the Colorado connection helped.
When “Batgirl” completed its seven-month production in Scotland, star Leslie Grace received a wrap gift from Brendan Fraser, who played her nemesis, Firefly, in the DC movie — a gold necklace that included two charms, a little bell and a pair of dice.
“The card said a lot of really sweet things, but he basically said, ‘I give you this necklace because in this business you gotta have a little luck. So ring your bell and never stop,’” Grace says. “It was just like, Whoa. And after all this, it’s had so much meaning.”
“All this” is the August bombshell that Warner Bros. Discovery had decided to kill the film, co-directed by Adil El Arbi and Bilall Fallah. After the first disappointing test screenings, WBD executives chose to take a tax write-off instead of trying to complete work on the film, which had cost the debt-ridden studio $90 million, and would have cost many more millions to finish.
Grace says she had no idea the movie, originally set to stream on HBO Max, was shelved, until it was first reported by the New York Post.
“I found out like the rest of you,” she says. “And then my phone just started blowing up.”
Like Grace, Fraser says he was blindsided by the news. “I thought I was getting punked, but it checked out,” he says of reading the initial stories. “Then came hysterical laughter like, ‘You’ve got to be kidding me?’ I know that the filmmakers and producers were expecting to hear from the studio about the film, and the anticipation was, ‘How do we broaden the movie out to take it from a streaming format to a theatrical release?’ But as we all know, it was the complete opposite. When we were expecting XYZ amount of support and money to expand scenes — to do pickup shots and those kinds of things — that was a gut punch. But then we learned that it was in the interest of writing down some debt? That part really stung.”
Fraser immediately called Grace. “What I find most lamentable is that now a whole generation of little girls are going to have to wait longer to see a Batgirl and say, ‘Hey, she looks like me,’” he says. “That makes me sad. I know how good she was. And I know what this would mean to so many people.”
Fraser gets emotional talking about working with Grace. “It was just magical to see how she was as quietly confident as a young actress in this breakthrough role and had a sense of purpose and dignity,” he says. “She has a work ethic that is unrivaled. She’s dynamite — and dynamite comes in small packages but still goes bang. We do battle each other several times. There was a lot of kicking and punching and getting hurt but we were always help each other to our feet after breaking set pieces and knocking the tar out of each other.”…
Saturn is known for its iconic, pristine rings. However, the main B ring can have splotches and streaks of darker or lighter material, known as spokes, that may be tied to dust interactions with the planet’s magnetic field. These spokes appear periodically, lasting around 8 years, centered around Saturn spring or fall equinox. Hubble Space Telescope observations in 2021 and 2022 revealed the start of a new ring spoke season in advance of the next equinox in 2025. Multi-color observations reveal a reddish color, and that the spokes circle the planet at about the same rate as the ring particles, though perhaps influenced by the variable rotation rate of Saturn’s magnetosphere. Spoke activity should continue to increase for the next several years, becoming more visible to ground-based telescopes over time.
(12) VIDEO OF THE DAY. In Fabrice Mathieu’s “In the shadow”, a shadow is telling its life story with his “Wearer”, a flesh and bone double, who one day it decides to get rid of…
This prequel is a research and editing work based on footage from more than sixty movies showing the most beautiful shadows in the cinema history, from “Nosferatu” to “Sin City”. The story is narrated from the shadow’s point of view.
[Thanks to Cat Eldridge, Mike Kennedy, John King Tarpinian, Bruce D. Arthurs, Daniel Dern, SF Concatenation’s Jonathan Cowie, David Goldfarb, Lloyd Penney, Fabrice Mathieu, Chris Barkley, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]
(1) WEBSITE SECURITY. “Safety Dispatch: How to Secure Your Author Website” from the SFWA Safety Committee. Sections on choosing a hosting service, domain registration, and the like, are followed with some wisdom about choosing content.
Carefully Choose What to Share
Your author bio doesn’t have to list family members, your hometown, or any other identity markers you aren’t comfortable sharing. You’re not obligated to mention your birthday, your employer, or your involvement with other organizations, through which somebody might find details about your identity and location that you don’t wish to share. Some authors are transparent about all of these things, and some aren’t. There isn’t a single right answer to sharing information about your life online. But if you think about the boundaries you would like to set in advance, you’ll find it easier to avoid posting information that you can’t take back.
Photographs can also be sources of more information than you intend. Pay attention to what’s in the background of any photos you post on your website or on social media, such as exterior shots of your home or distinctive landmarks through your windows. Turn off geolocation metadata when you take photos or make sure you know how to remove it before posting images online.
(3) SOONERCON. Oklahoma pop-culture event Soonercon announced a new graphic design and branding yesterday, along with a new mascot.
We are excited today to reveal an all new look and feel for Soonercon! We’ve been working closely these past few months with our Diamond Sponsor Robot House to rebrand Soonercon for the modern era. We started this journey with the Soonercon story and two words came forward: community and hope. Armed with that (and whole heck of a lot more words about our special convention), Robot House designed these new logos for us, a friendly and forward color scheme, and fonts to take us into the future.
Even more exciting, say hello to Ripley Raccoon, Soonercon’s new mascot! Ripley is curious, always learning, loves art and reading, and has a whole lot of hobbies – just like our members.
In the Soonercon Cosplay Facebook group the change received a mixed greeting. Some liked it. Some criticized it for resembling sites aimed at kids, others for lacking any sci-fi identity.
Anyone who’s listened to more than a few episodes of Eating the Fantastic already knows — collaboration confuses me. Tell me two writers have managed to work together on the same project without blood on the floor and a lifelong feud and I’m baffled. So when I learned previous guests of the show Brian Keene and Mary SanGiovanni had collaborated on the short story collection Things Left Behind, released last year by Thunderstorm Books, I knew we’d have to chat about it.
We met for breakfast at Martinsburg, West Virginia’s Blue White Grill, which has been serving diner food since the ’50s.
Brian’s published more than 40 novels, including the best-selling The Rising, and he’s the winner of the 2014 World Horror Grand Master Award, while Mary is the author of The Hollower trilogy, the first volume of which was nominated for a Bram Stoker Award. There’s a whole lot more to know about each of them, as you’ll learn if you listen to those two earlier episodes.
We discussed how being intimidated by each other helps their collaborative process, their different tolerances for writing gore (and how that’s changed over time), the romantic reason (up until this episode known to only one of them) their collaborative short story collection came about, which of them once wrote 45,000 words in a day, how they came to agree on a joint dedication, who gives each story its final polish (and who get the final say on sending it to market), how Brian attempted to bleed all over Mary’s upcoming Alien novel, the way they approach their own deaths, their honeymoon book tour hitting every state but Alaska and Hawaii, their upcoming collaborative novel, and much more.
…Although Lego’s Rivendell even includes the place where Aragon and Boromir first meet next to the shrine featuring the shards of Narsil, it appears as if the minifigure version of Boromir has yet to cut his finger on the still-sharp sword. But that’s nothing a red Sharpie can’t fix.
As peaceful as Rivendell appears, the elves are still well regarded for their weapons, and not only does this set come with a well-stocked armory, but also a glowing forge for creating Lhangs and other stabby tools for making short work of orcs and goblins.
There’s nothing worse than working your way through a textbook-sized Lego instruction manual only to come across a step that has to be repeated countless times that dramatically slows down your build progress. That is undoubtedly the case with the tiled roof atop Rivendell—each 1×1 Lego tile will have to be attached and aligned individually—but the results look like they’re definitely worth the effort.
Although Lego did release a mountain (of doom) of images of its new LOTR Rivendell set, there still appear to be lots of details not highlighted yet. So if you’re still on the fence over whether you want to make room to add this sizeable set to your collection, you can take a quick tour of its entire layout using this 360-degree animation….
(6) SOMETIMES THEY’RE RIGHT. [Item by David Goldfarb.] On last night’s episode of Jeopardy! in the Double Jeopardy round, “That’s Dedication”, $1200:
Douglas Adams dedicated this title guy’s “Holistic Detective Agency”,
“To my mother, who liked the bit about the horse”
Returning champion Matthew Marcus correctly responded, “Who is Dirk Gently?”
“Comedy Time”, $800:
1960s: General Buck Turgidson wants to explore the nuclear option
Do you distinguish between “commercial” and “literary” fiction? Where’s that line, for you?
Not in terms of my appetite for reading — I read everything from thrillers to literary fiction to comic books. And I’m enjoying the fact that the line appears to have become increasingly blurred between them. If someone I trust tells me something’s good, I’ll give it a go.
What kind of reader were you as a child? Which childhood books and authors stick with you most?
I was an only child and a voracious reader. My grandmother called me a bookworm, and it wasn’t a compliment, as my weekly visits to her were usually spent with my nose buried between the pages. The books that have stayed with me are “The Black Stallion,” by Walter Farley, and “The Secret Garden,” by Frances Hodgson Burnett, and, as a teenager, the books of F. Scott Fitzgerald. I was also a compulsive reader of horror — I could not read horror now if you paid me.
Comic book artist Lee Moder, who co-created the Courtney Whitmore version of Stargirl with Geoff Johns in 1999, has passed away, according to ComicBook.com and statements from his peers. The web site cited a family friend, who indicated that Moder died quietly at home sometime on or before January 15th. No cause of his death was given. Moder was 53.
(10) MEMORY LANE.
1982 — Paul Weimer offers us his thoughts on Robert Heinlein’s Friday.
Heinlein’s Friday is, in my mind, unquestionably the strongest of the late Heinleins. It starts with a strong and indelible paragraph that introduces and defines the character. The world of the novel, a sequel to the story “Gulf” is also a refutation of that story’s thesis, and shows the evolved thinking Heinlein had about that earlier story’s assumptions. The balkanized America of the novel is a chaotic and interesting place, from its vividly imagined Democracy run amok California to the mighty and autocratic Chicago Imperium.
Its ideas on corporations, artificial personhood, and more are thought provoking. Friday is far and away the most successful of the late Heinlein novels in what it tries to do, and remains the most readable by a large margin.
And now the Beginning of that novel…
As I left the Kenya Beanstalk capsule he was right on my heels. He followed me through the door leading to Customs, Health, and Immigration. As the door contracted behind him I killed him.
I have never liked riding the Beanstalk. My distaste was full-blown even before the disaster to the Quito Skyhook. A cable that goes up into the sky with nothing to hold it up smells too much of magic. But the only other way to reach Ell-Five takes too long and costs too much; my orders and expense account did not cover it.
So I had been edgy even before I left the shuttle from Ell-Five at Stationary Station to board the Beanstalk capsule…but, damn it, being edgy isn’t reason to kill a man. I had intended only to put him out for a few hours.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 9, 1863 — Anthony Hope. He is remembered predominantly for only two books: The Prisoner of Zenda and its sequel Rupert of Hentzau. Well so says online sources but I never heard of the latter novel. Any of you heard of it? The Prisoner of Zenda was filmed in 1936 with the legendary Ronald Coleman in the lead and Douglas Fairbanks Jr. as Rupert. (Died 1933.)
Born February 9, 1877 — George Allan England. His short story, “The Thing from—’Outside’”, which had originally appeared in Gernsback’s Science and Invention, was reprinted in the first issue of the first SF magazine, Amazing Stories, in April 1926. Unfortunately, his later Darkness and Dawn trilogy is badly marred by overt racism as later critics note. (Died 1936.)
Born February 9, 1928 — Frank Frazetta. Artist whose illustrations showed up damn near everywhere from LP covers to book covers and posters. Among the covers were Tarzan and the Lost Empire, Conan the Adventurer (L. Sprague de Camp stories in that setting) and Tarzan at the Earth’s Core. He did over-muscled barbarians very well! In the early 1980s, Frazetta worked with Bakshi on the feature Fire and Ice. He provided the poster for it as he did for Mad Monster Party and The Fearless Vampire Killers, or Pardon Me, But Your Teeth Are in My Neck, two other genre films. He was inducted into both Will Eisner Comic Book Hall of Fame and the Jack Kirby Hall of Fame. (Died 2010.)
Born February 9, 1935 — R. L. Fanthorpe, 88. He was a pulp writer for UK publisher Badger Books during the 1950s and 1960s during which he wrote under some sixty pen names. I think he wrote several hundred genre novels during that time but no two sources agree on just how many he wrote. Interestingly nothing is available by him digitally currently though his hard copy offerings would fill a wing of a small rural library. He’d be perfect for the usual suspects I’d say.
Born February 9, 1946 — Clive Walter Swift. His first genre appearance was as Snug in that version of A Midsummer Night’s Dream (1968). Several years thereafter he was Dr. Black in “A Warning to the Curious” (based on a ghost story by British writer M. R. James).Then he’s Ector, whoever that character is, in Excalibur. He shows up next in the Sixth Doctor story, “The Revelation of a The Daleks” as Professor Jobel. (Died 2019.)
Born February 9, 1951 — Justin Gustainis, 72. Author of two series so far, one being the Occult Crimes Unit Investigations series which he’s written three superb novels in so far, and the other being the Quincey Morris Supernatural Investigations series which has seven novels and which I’ve not read yet. Who’s read the latter series?
Born February 9, 1953 — Ciaran Hinds, 70. I can’t picture him but he’s listed as being King Lot in Excalibur, that being his credited his genre role. He next shows up in Mary Reilly, a riff off the Hyde theme, as Sir Danvers Care. I’ve next got him in Jason and the Argonauts as King Aeson followed by being in Lara Croft: Tomb Raider – The Cradle of Life as Jonathan Reiss. (Yes I like those films.) before being replaced in the next film, he played Aberforth Dumbledore in Harry Potter and the Deathly Hallows – Part 2. Two final roles worth noting. he played The Devil in Ghost Rider: Spirit of Vengeance and Steppenwolf In Justice League.
Born February 9, 1956 — Timothy Truman, 67. Writer and artist best known in my opinion for his work on Grimjack with John Ostrander, along with Scout, and the reinvention of Jonah Hex with Joe R. Lansdale. His work with Ostrander is simply stellar and is collected in Grimjack Omnibus, Volumes 1 and 2. For the Hex work, I’d say get Jonah Hex: Shadows West which collects their work together. He did do a lot of other work and I’m sure you’ll point out what I’ve overlooked.
What was it about the horror genre that drew you to it?
It’s familiarity. The way that it approached all these very real issues we experienced and lived everyday in ways that were innocent and enticing enough to consume when we shied away from the stark reality of it.
Do you make a conscious effort to include African diaspora characters and themes in your writing and if so, what do you want to portray?
Yes. It’s a conscious, deliberate decolonization process for me. A reclamation of my identity and these pieces of myself, culture, identity that were eroded with slavery and colonialism….
Angie Mayhew, the wife of the late “Star Wars” actor Peter Mayhew, is speaking out against an upcoming auction in which Peter’s “Star Wars” memorabilia will be sold. Ryedale Auctioneers is selling “Star Wars” scripts, call-sheets and more that were discovered in Peter Mayhew’s attic after his death. Peter starred as Chewbacca in George Lucas’ original “Star Wars” trilogy. Angie took to Twitter to say the auction “really breaks [her] heart.”
“When we moved out of this house, Peter’s movement challenges made it impossible for him to get into the attic to get the rest of these memories,” Angie wrote. “It really breaks my heart to see our belongings auctioned off like this by [auction house founder] Angus Ashworth and Ryedale Auctioneers.”
“It was one of Peter’s and my biggest regrets that we had to leave these items behind,” Angie added. “His knees and joints had gotten to be so painful that he was no longer able to go into the attic to get them.”
Several hours after posting, Angie updated fans using the Peter Mayhew Foundation account and said that she had a Zoom meeting with the auction house.
“I communicated our desire that Peter’s items be returned to the Mayhew family,” Angie wrote. “Will keep everyone posted as progress is made – thank you for the continued support!”…
The Chinese spy balloon shot down by the U.S. military over the Atlantic Ocean was capable of collecting communications signals and was part of a fleet of surveillance balloons directed by the Chinese military that had flown over more than 40 countries across five continents, the State Department said Thursday.
The United States used high resolution imagery from U-2 flybys to determine the balloon’s capabilities, the department said in a written announcement, adding that the balloon’s equipment “was clearly for intelligence surveillance and inconsistent with the equipment onboard weather balloons.”
The agency said the balloon had multiple antennas in an array that was “likely capable of collecting and geo-locating communications.” Solar panels on the machine were large enough to produce power to operate “multiple active intelligence collection sensors,” the department said.
The agency also said the U.S. government was “confident” that the company that made the balloon had direct commercial ties with the People’s Liberation Army, the Chinese military, citing an official procurement portal for the army. The department did not name the company….
(16) SQUINTING IN SPACE. Nature reports the first space-based discovery of an exoplanet using microlensing. Primary research paper here.
K2-2016-BLG-0005Lb is the first bound micro-lensing exoplanet discovered from space-based data.
The system lies at a distance of 5.2 ± 0.2 kpc (17,000 light years if my maths is right?) from Earth towards the Galactic bulge, more than twice the distance of the previous most distant planet found by Kepler. The sky-projected separation of the planet from its host is found to be 4.2 ± 0.3 au (1 au being the distance between the Earth and the Sun).
According to current planet formation models, this system is very close to the host mass threshold below which Jupiters are not expected to form…
Google’s response to ChatGPT has got off to an embarrassing start after its new artificial intelligence-powered chatbot gave a wrong answer in a promotional video, as investors wiped more than $100bn (£82bn) off the value of the search engine’s parent company, Alphabet.
The sell-off on Wednesday came amid investor fears that Microsoft, which is deploying an ChatGPT-powered version of its Bing search engine, will damage Google’s business. Alphabet stock slid by 9% during regular trading in the US but was flat after hours.
Experts pointed out that promotional material for Bard, Google’s competitor to Microsoft-backed ChatGPT, contained an error in the response by the chatbot to: “What new discoveries from the James Webb space telescope (JWST) can I tell my nine-year old about?”…
The distant dwarf planet 500000 Quaoar appears to have a ring that spans far beyond where it ought to be stable. “That is not where it was supposed to be,” says Bruno Morgado (Federal University of Rio de Janeiro, Brazil), lead author of a team of 59 astronomers who report the discovery in Nature.
French astronomer Edouard Roche defined the concept of the Roche limit in 1848, calculating where a planet’s tidal forces would exceed the gravitational force holding a moon together. Inside that region, the stronger gravitational force of the planet overpowers the moon’s gravity and that tidal pull eventually tears the moon apart. Only outside that limit can small objects, dust, and debris coalesce under their own gravity to form a moon. With the ring’s discovery, the Roche limit may need a rethink….
How much trouble can they get into for violating the Roche Limit? John A Arkansawyer guesses, “They might get thrown out of the Astronomical Union?”
(19) DID THE EARTH MOVE FOR YOU? Matt O’Dowd of PBS Space Time displays multiple different ways of looking at the same question in “How Earth REALLY Moves Through the Galaxy”.
[Thanks to Mike Kennedy, John King Tarpinian, Chris Barkley, Cliff, David Goldfarb, Steven French, Scott Edelman, SF Concatenation’s Jonathan Cowie, John A Arkansawyer, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day by Daniel Dern.]
